cfi-3.0.orig/0040775000175000017500000000000007311655101012003 5ustar miccemiccecfi-3.0.orig/en/0040775000175000017500000000000007311655101012405 5ustar miccemiccecfi-3.0.orig/en/Image10.gif0100664000175000017500000001166107311654724014273 0ustar miccemicceGIF89a6,,,MMMvvv!Ulead SmartSaver Ver 3.0,6x0I8ͻ`(dihlp,tmx|pH,Ȥrl:ШtJZجvza@(@ :=1LG<yzxau@~yswxl 8x| x  5 ~ɹwxa 0lf l'נgf(|R'Q68@"%N^f}IwISr$A{``<Լ9LOwbs5&PFR?f0iC"-|`ԯHEA٩epYݱF#,Z/t ]maj|#Mɽ;d@00Ⱥ,$s0:]s4@y̓)={ GV3ُ\2XG]h_]OJF3cMxn~tS>!U)x`榞#G߃BT4ǂQ2 u 5P!( _0C\ۉ0z䧣xF>y$ !(4$S^`v܋>Bc+l%}wevkU(1G;?' (UF&h7 碌zimjecÊcQxi{^bI℧ns$9iL iD)t2l Pn*DKJfP\ZKA3`{mBhE;"0U^ K~ ^PN$G+½Lx\LN3pq4g=w5uwU@ 'ct6 !e!sdBJd0sGw،/FQcpV @ ӺK&txeholLvX~n'? !##Xb=]YϝWe!'Q3`&tS*Ie<=O͔&{A'"fy-7v/'x!L?]WuN0*VГt4</+d/6W'" `blbtӐ;T$LcCbJKWzOmS)U*,u<p_ *AUPy0C95}NajX ׳|ADQ5Юx͝^12e3;̔cs e1KHcblX'F7kBEت3YZ j&yNNf'{(4bn[! 9Q{kfXE[nĥ,ʏ+]JU4bP_D8K^v8 *tEG9_\H QBL>hb_ꌟ$CN'Kn@{1*xށ,4UB ,VKW=˰-H )!b+b 㫿2lf: WXXzO 6[zTXW r.KDz^+!gYˏ"|k.&E$ Fcr;☣A;RPnS.h"NB5S.C8<u,9ͲDxǭѵ>hw ;JzdT ?=3@FG]P eR>4`6;.`mZ!}{`y8nYǺRh?D(^ '6 >mŋ ߸k$y|-0+Ar|/'H_t#̜7Aܫ5?qs]AOǚw'KAԍL=\U7}rd[WI?d\ zV>CA9+ 5.Vأ\;ɇ bߴvL-;X ːfӊ6w@X)6xQtcl6\v?-Aixxn\YOzhC{]fDž_mAvy_<5Ws 6tğ С_<./8&erNX7qBq:u^ VHC1'w+3iԲi”nE01N~w5F~[jV;g&|~>@C,y5bY#sZ(X'uaVh(L$ {NL40\ t{`I<Ru]gєeCzCBqssKUMK%o{ׅx%72R+|Ohx$mXH?wyTtנ[2PiX9a.&Rc NZHbueO usЁk~OP0gՄ&0{i(e'46XsB(# <M(o5p.hyhxJ)sC!sG Mr8Ul`U#5 H(PGPX872>,1)؀({ghzZz@KA)Đ g{nRC8~őbg6 CBIRx^(7TlFS4y6~bVGƃePiԐ=ɶ]_}RH+@;(iD[fhјaȓM)'}wD @X.OCA="@YIt)vIv$טs %ha2]$H喤h;'7ngh|"dqG7m3T(+Ԏp꩜~egg9TS=(^4Gy'?M3HY>#y6-B<0gc w`Ay:&[S8[IF @Xs?C#\ơGpA3c<::Wեnu'$l{C^y783B1XHEqhdcw@ñbwJ(ȧ> Hc dQ9zD( E;:'ɒV7U B|vh0xhv&{vџZ9Ѫڙ*uZEjTZ隯VׯY򈰩i_ . Rఊ*b-ʰ^@tűJ*K#G: ([0;3RڲGa5ieawJD;%ivzH0E:H$V&6Ŧmhmt7I=R*^ΕA 5BמDrԵW5ϱ2C)mV\I9TZq:adzejhg* q%CUw9f:3uwA"-]9+>X]MH 36F^d9FFM. U= jm[ʐLϤE O[_j6o`S}Fv&LIa^ $ľE0u/} pw:PʿG'V?[ i: ˦־.aO3|Ô\Fo*ǫB1Zp!箧7hQR*K( J:p)ā\S_{WS8k&)QO4|a(9軫%r P³7x{<%z)x\}<`qA+0UKu/++{*5fȴq]SgH9'QZY3$ v&5>C,~"!/&o( [X2l,R,'UM}d9[F~o (Kcڂʲ>ȧU#%׌5́L N 4eBuyR) qqe90S͐Q+l +\"*E$\@lȲptb]|b+p 7#<"!}$^&~(*,.02>;cfi-3.0.orig/en/Image3.gif0100664000175000017500000000570207311654724014214 0ustar miccemicceGIF89aN,,,JJJooo!Ulead SmartSaver Ver 3.0,Nx0I8ͻ`(dihlp,tmx|pH,Ȥrl:ШP Xitv @(1mq@t'swtg{~<uyjWVbdwl1xikZ S`rv'k`t `ܫ&UY>$Taghb cѠx%eZpOΣBEwS: 0Hga UqPо0Q\u@F4  [&H:G)DL| 3Gp-NS qBWТ5dުZ2dY~b L d /UMq [T[k. 8վ~a(T^e^(W&3424{сHU.PCszH& mװWp x;ʂ `6=.5.?],.~{xG}L ԡ^Ň` MhYx)@4G֕RlѠ  .ahq-($2q'mʼnD`d9ңkCV$TpNbB6Hb~e0R0 %)qv@B#2_҂ghҢAE(iu:D&Oͷ) I"(wj Qb6 $l.Ңj+>kL~U]H? &&پ0O1:AI2@kRpQ u@pHFkAK0*R AiS,N0o̬Bf"My8),ګA32,3aI欚ZGx130A]>7 i51OEB[ qmVD95-ǎ5|Pg| Ug8ERX%ʁҡ砇.:on騧no4bN<$ݢ6//w7B\׷Z pؓcwz|- rQ/O ^S D^vf#+<y~#lx /c@vxDT8/uH N`07$@`$u\ AA] ,Om8bP%;}L.q?!rѡDҤ*N]#4{iB8ÅPV$CHB#6*q: 8v8iD*@s(P:Yij%.AOb)it3esP/Uca#8;W;!VgZ2. j%ht5 Wv%AvJKzl$cR0#פDiP^ cHX E ȰuG]X ;Qq;vjaޮ#GtZ@l]0y̺G*]@jދKѡ~yc[Gk-A-}amiQ_A!e6]؎7>ƚς..Cer,>HAպ p B (b$—x%rv&JKe8ć/w=ٗC[0 Xɑ;e/~29P`⾢n̰+}U=CB7D>2E57W4~dQ,F^7,ǸȫTކ=í[fż.6ȮFj_bf% w{]vl59,ٝđ ڞF&npύvt.?U91Y RFi_{vo\fB=dZq n߻f'0e,J1^+A%@fflّ3DN%gKo][`SdIA*I錍pcr mCqM*qb^t7vuAiPiҧCNlg,nGG}E!Bvڅqu WN`:;ӗ w4v5, ĞzLQLwE;c?!4pO/C#l&H_wUa\s8ލ/紂{oH0Y~( i4 lv)g~60XpaMqc@9qF #<e0gWVfRC|1(͇`)Ai,a=h0VVe: GS1pfBVS<e%.4mVă]aUaHlV`yM% s s@#\tU `2q LM2A y0pA$H?2b?HQKYWsnvwLg6TD[G÷LX熲 $Taghb cѠx%eZpOΣBEwS: 0Hga UqPо0Q\u@F4  [&H:G)DL| 3Gp-NS qBWТ5dުZ2dY~b L d /UMq [T[k. 8վ~a(T^e^(W&3424{сHU.PCszH& mװWp x;ʂ `6=.5.?],.~{xG}L ԡ^Ň` MhYx)@4G֕RlѠ  .ahq-($2q'mʼnD`d9ңkCV$TpNbB6Hb~e0R0 %)qv@B#2_҂ghҢAE(iu:D&Oͷ) I"(wj Qb6 $l.Ңj+>kL~U]H? &&پ0O1:AI2@kRpQ u@pHFkAK0*R AiS,N0o̬Bf"My8),ګA32,3aI欚ZGx130A]>7 i51OEB[ qmVD95-ǎ5|Pg| Ug8ERX%!a7hrt(n騧-밷~O> r7lS%ΕW(%7|YsZ!P_Iʥq}ˤakyYgo=CJ>{q |$xwűZF8!$<J8Q@T?{BDOieb h4,R9cLa}pz-SHh>)OPBN@]1PVHeDɆ 4DCO+!#]: )H)DW33DY@չ$?\8 d`i@PImE%TbJƦRJB <`s.(\#ɴ~ *IeaQ\\)W!l`ԕT+D:HrS`dF.6=\PXƮ_"A q$I! pȄL6lm- cpKǺ7u(_VqtXۨY| <\+.zכܶ p5`"G SŶiVk29n[gQ0G?`J>hš K$I#!JǏc=mK|=1+.3خųhzc xErEQ@MAXu^{%)ƪzaT&hLnA2 X;9/5lؗqU)@x 5/L{eI9by.(;GOΑf)͊@Ok9h19,7#IFH[MܸQ[Rld \aKc-lZXJ,v6DozVܸlmܦ䥴` m6*V >\,t *,)6`қ!jNekH >,oSsD=S '\~%UMzNgX2.*(.oT*-M'qC{ǁ6pHLhPU$byamiDgQH4yh@hc]r(70)=V9nvaClt9}E^:I!Ge7q&q+8CX>!yQpXnJ_O,ӊUЋb+Vn*O'/룬o :rK3 z^f3q?Gҝ. 'Aף/S?χ^}H) 7 *r,˿fb9 ٳye*Fg| )VbHkV8p.CS<~ h|NV 'P7ФvQ% s s@#CX%uUBXe9Q"MYDːU2A yQMDS?2lpӆ]QH}>HC3l~!7BU^xMj`P۫JD"Ôq81˙16O#sONz$jA#i%iTC(t:FKUOWX=UЋYª+Ja4UE q\ o} \kׅV a|6`\0ܴ"OBxeG|\4nu4k˔K8L7@f&tzٷ P(8ȕ`u@RsK2Oɧ'!w^H!KQYra8ٷr` zP S1` RsbP\93IR0!!Q^1R8~8 mV5؁nѢձ/&q$I8J ۈPBeThlJVp)pf7FVf}@c衈&被D< e4{q'Bh駠IzK:A~**jD:w$GĭJ0fmthðKeBYD% -4N{_^,R+&gzdD Ы@$E{ rk j0HF+{ PHaH Q =@Ǜpn4Y.0+@2j!-R07U@7p+9[r_O?!4C}\sM<2 P!_;sZ!GV& s RwZl[v͍v;~ހ d C8vkc6\ROgvAn[:ڰJ借XoJ|l[P5w6 얟Ȝ3̿ e{a9wO:,|_~~_$S.t{شӒJE&R@IXKBβIE;p1Ȧp4Q uT,C׀Q47!@TL" nRqyb7IM}SYNi5Ԅ@vFhr,*Yv˩A*lT.%>*e2{Jѣ>#WkCX}@Zʬ>A: u-5y\Jҵ1lKJj=nMg5liU[ѶSEmnL M Dn |BNLdolJ)H.b/uznmgc]`D-5 hkM3/n$3"XVxK^ h9|aD߶$V. pFZ85!yǃsU􄭙p/4`{6ERnWm6޺a 0AocY4*G"/^1Y@!H= Xͺ1H'6ɳݴR "wOnb5П1F(P[{AM6BAV z IlDJ9 av%rD fwЛ w_ G!yGVaJb&1q2L8A="omZxc+( .6`N.L#;&e'BhȖKtفGyė5e h&dediH|ye}bWȁeZU#5裍Ch~npWNdW2hf*j]*惎Y*B*>@~@j뭫\̮hX {H CȟTa6Fi (ˬ!.kI e , `5P n:`:pYH44&(xW8ǀs+ZQjtmk1 X-O׫2{*Rg˅!m+:KL0G1j&ޞϤY$vyl߽̀)Ѯ'Wu{dm \뽬gFgs78MwOkf7e3 N^SHvHS׭sI ,Q' 28kl~$N׽-~pÝ 8vK9]玹Zo{'kPk7>8T+O-=Á}٣\Kk\HH=)  eJhFt?>Ƌw>3˄BS?l[*H4))]٦gsIHgĉo [TضD^C0gu A 2ч-B]NPlaD%Bygp*Kt?pJu3'FQfbGM+p|صV8 )& 5#AlK/(% ,NGꪇ'MɔM W`jV)Ws%kU,#gG&sIF&YEMlZ4SKhrPpENG9#1}sqɝ*3 QsTm"%|N4B?;Q΂̘قH̓TgN ӣ (P}EH3ݴN/}(ؠftj` Tt(ZB Tu8Jf^TTG t Ԯg%Û踕<6uZVȆe(tN NN`ajX 9yYMFymd#Y$ZVjy 3i0/kC?Z6ŊkUΡVUKlQ–- me{ܙ0׫*q[z(-vqۦhMXCYf3em heWmF\(XoA^$N!cQف{ih] @HndEp;ғpYey.Xwfa޶$'*+c@]&K)`=Rqa4Be)fkQe}>E Ն;|(c2F&HsL*aZqzvUЇC"~1)lM:PW seC`s6 t*s;5d`r]o1@c6Rcp|Oht%G㔑O؈t6Pc"LpK^:lu:6Q c.moa[NO;'N[;cfi-3.0.orig/en/Image7.gif0100664000175000017500000000443407311654724014221 0ustar miccemicceGIF89a0n,,,HHHmmm!Ulead SmartSaver Ver 3.0,0nx0I8ͻ`(dihlp,tmx|pH,Ȥrl:ШtJZ6{[$[ \YM]Cy ~vmp zg}S^Ng~tRuvH}v`rKwnjGzށ@B+o>!f%\?" mPC э6~sd4D@yC9QiCX (劗@ΐ:V1eIg5NkBPB]( T*6jA@@ Q`+ bڰ.Ǟ]{ۛrB.}Y|R°^ p,.f3FA$H&HkqW4!c^"Q{ݰFV3(_μyCUmKidqxO xz&!>|#`Y`VM՟PdP>8AH  F!q؂?X^Q{a6(@R6V@ UxR0@I(ɤ<*!# 2#[ 9"%F(]&%=iĔ`@?ARiA 8s*蠄j(s($WKId ޥf饞i >\8g|*g$꫰~*l׀l q t\D*Yzlj*#kH* 鞔:璊ӗc2ǯnV:(,6@N iī\ǀ}ǀB}{7Ÿ(kgĪ'ܰqu ;`e""9WW234ܨGMk,@_F`Z#*ZN5 v|\Ic63"v^ 6"hh:žN [ VV&~<哗6~ߞ룞|f{ԣ$OvO32qksP;,U3W@&#+'Ar CWxp},skɭuQט8p QD^=zM5 iCeqF|ZMȯ}Lo> 2'tNrD gk<.P&,ޢc (]A9 d*%HO !0Q@V#AvHB`V_δà)4Y!؅mZ(^)G%!^VҠ ? Nr TZhSЌ4KE |dǦ@q/Ir*UfĨlVNM\ByM/Un4+ dsG>!r%N)+P"3}7v %@JS?gDQ{yc)@QsʫV-Sf\aE&D=. Ah ڃb`,Nu yWL2EZcp4Q)ihU cql1Khj'hi0ڼn`U@cOڬ]k ~dV+ xZzTl&͍r.ŵc> AovK0# P.+zWlԫ۰b%I iox rĺ0I1W!}IZx]$`tp3L_,ѭ?;IY`5,VU{5BAbg@q0Mܔ wxG @ǏLiN@f̉.?"/0)jY'vܜ=(̺` 䡜οs,\St S6et5g@_ck`,f0GmzrL1/ ԰+U={J0ks:0"ʴWF`;{ g-\؋O3g{{,055jB[X>c x׮%%Lb>$O;'N[ϸP;cfi-3.0.orig/en/Image8.gif0100664000175000017500000000561107311654724014220 0ustar miccemicceGIF89a3+++JJJooo!Ulead SmartSaver Ver 3.0,3x0I8ͻ`(dihlp,tmx|pH,Ȥrl:ШtJZجvzwLqy.VxI=/~wl_y\xqUk[hS_VиPhRٷǪƫMXNźɖ N *BƯ_0<:~ o,q:1 raI0G(,z!N6\ݹr( 7SӐ$1 @)TbV?rҺ"4dm74XV5#h\z.eqN#X a/A@eȑ\gh1hZ6溱]H}u: M7jѓ}s ޺wfg08Gϊg`ܢw߫3ts;!|!{W٧7^P{Ă !n j2h:H^}@:PtHSW$Gv^!hXH$ >"cѡQ1\؃*2@- y`qM&ɦVh8]ixYhz矀Imץ cQf,@,D*餔Vj-% Fhʩq&s{vꪬUKpIZ A&}ixT&jgh>pfЊZhDڃ]puWn%ZM ih:n8&Wۀpbb@`|/j/Y 2 `2 +3 I)پV'O-;g@0ɒ@;  WFTPjD-&7b:,hJ'45N! ,pբl$jwF b ]&Kh8sGwc}uwK>8 x!ɍS.䒯˘? yc޺pu;Ӹz2{+pk5GǦ8#ےIFo} |w)_ x d'@x留x &MLy]CW@ "t9X?)yV odB⍐~ɐemj`N`jjW _| ۳4}.tK[n:w8m J1Z1of'gg#Yѓ bVQYf5 j #G/La .0Ih Hؽ-LJQ$A`@ѓ/WH4ZX #cSF,L C؄9!~8VF%/Ǔ#Ā.b(/  Ӽb2?^zlƜdsy~g,́IlleVxv6):YtN8Ҟu v,R#ӦNPVӋծ5;a-Z7 mεw^׆rPzUșs߀PP&- YZAu^Q w5hS~ ژw5Ob&Qws`ZNe3wA3b^4#|)uW{v]" +6gF4x+{&$ʍxL<ƴN!3]ɡMr![b<M( :N)޳\w(8:pr !ځu'm{g_ABVodVW#4u[ (oW,#xUa'ep9f1:71djbܤv`tpCնKG+ PW6La׶6,*5dpQ+΀rLY}N^F=Ҹ;.0+plPn8h{HTxW}a~oqEAqבtI3S|Gp{2;5{ng95#?'871 oױx ͣ7o !#'uBg|04+i |zGI2-|W{6OXE׀{w DtpB8~8Tx,Ȁ ȅ>(9ǒR4T9#w83{ӄw})dH< Q! 5D\cǸogU\T[^ۋīF^>|'ݕDXO!C+L81wȱ= A ɒ(/B1PM ̇RQhI_N7Ttf͎ Mz7|6 C,2 ==*z7v)[0 ((H }Cp;-L]pNȂ@M%Ȝ>*H@ ,Fgb/fY:"5y Iy"@ #!V%T'9Yd 3j)'m\ t.9Ý\I0B^"g)⨠N D0?`ڃ Q&oB wjg'Ip~\v )T(B9K :-͎wm 0zm_ڮ -v'bimrpo3'  p 1qg[&rkSrg' ylr)l|DƙX˶48K0aAg\JK*˔@ԼPIb zlp7^tmt7&h }'Bx܂nxzcD&h dg9:~ђCP椗n69rB6MxW{ܷoݻ/"8~M@/:$̫wR1X7^jӒl/y`tQ2 pWcc%Y}=(> h'>=hX4T:m`y?$0@U@dd;0wf$2̩qL>|%&Y G(CP\N3l怊5\h6qv/`1gX#O|_,=Kb4hHC @#Fсf룞bA%Vi6 {7ȶ `#xw`sجnZ6xhz)^Id &OxAtL#<ꯓxb.d:qzT|2:Qm6hf*8=iy)3K!7 dnp zF/. !Hy ?,54 FXDI;!#xpF)t?,~h-:3$\wծno[ɂ|CQD!xk=ԗF@Jx/kTֻb[NQ^ͭ|]^A/<'jXCcyik0:7SJVP!&4Dr<^Jr&[&6ۥX4'Z_#rf $N4΍pܦS~B8A01lj9fO5Y=g]t%7Pl+kxgU+-1;bJMmh@WymHoCBKÒL$"DZ#c64>!棬4L2gҟI-!ہE3xKSaG=sxx4Myc'X oC*".kT}l;岶_uY/j$ {O@0.xݦ<<;FHXG_Hcz TԬC^D1z`$)Vd'@Ѷadןwy_Wsom6Wv+\"rt<;HyM4~IXIֻ8RO dδ#Q]|I%"О>'^|GD~Nȍ;ǫ p?͏2>.G?[lu$ux~gum1x|bဟ@W.tnܢ/Px#g P,#Vx4,68b4sB6A20D0"n~apǁ~>nVX(.T8J>q]ȃ@*ȅ:Tceh1a*mHsux~w()i{H/ho}yhR0Rbxvs.p.F`B҃/,p( <ȲpP0M#X 1p'8(68 +(PQ(Ř! ?#h xX߈bfbpxH*.7 F#HC"/PH!bbpR&g! y692 Ƀ;A1B85g<31Y)" )q %i/G7ٱғ]sDv6Jhd"LqFA 8a @ vAfr tvx);ӗu `a@ ayRiHjИ 闕iDynSF!EK=?8Y'* j)3y$(.i9 9љÉ ٩ɘ9Y_`kQy }G*YМ w*  Jzs  #mP&=B.2:4 Y#57D8 }l3?SNSz+)R`Pa0R?*Pj@m64Ic`^U/DCB3ԢKjYUQ^S.vP>9r5\d݅[`jg?f aMBls[l2qbɲj{?f %` 1gKuY"Ji={kjyU%ޖF`6 df0j\`C,`)zaCB;[jT0ǤFb=kf9b5?pf.KgfPV!Mef' $ z,Vg]Ե82=+&$bxZM. 66 +?:HK5(:-"lӚp/eNGkYZ')pwcXzF[%E{xt$0UF+:0#%)uwT X|~~v<7a eRn{gWp RU}y ZH Ç[E9 eoZ׶? B {E> @lm \8BHng]eFxt`tmIצóD̅(H݉;Fvh2Q\FfӪ]˶۷pID;cfi-3.0.orig/en/arrowright.gif0100664000175000017500000000071407311654724015275 0ustar miccemicceGIF89a.6...IIIWWWggg{{{!!Ulead SmartSaver Ver 3.0,.6I8ͻ`(dihlp,4M0Cp EŗD,&S€--y~m0N\QzS }Z]:okMOxu[mL[ _Msg ]7WZɠ Wv Γ DEޞ ӒA^> S :v>YE8a;_H6͹t]X܀>}Dp  @)$-?{p|bO2 1б 3ω)Ih͙P VCHHGYhӪ]˶۷pSD;cfi-3.0.orig/en/background.gif0100664000175000017500000001427007311654724015226 0ustar miccemicceGIF89a<!Ulead SmartSaver Ver 3.0,<ڋ޼H扦ʶ L ĢL*̦ JԪjܮ N #A (8@8x 0yh) 蘩iy XH:JJ;kQ +{P[kJዀ,|+klZKY L+=͝q=0-=ޭNanZϬ}ٮnw' A(@%" ##rcȎ4Z<`8 R^$ٲƗ -D)Ü*397w ḥ4WljЊHdzԥZF:kɟ[{5+گk{,ԳDSmݚUnѽ]*61[y 3v+%Q\9s{YΚYs\WGT}Lgw7lәQk-vjܱq(voۺr$+DN\(If$N4OؙdL[8S@y)e9%\&mieHDYי{ 'P'駢B 飆6#jF(~hnJ蜗p*f(Y*q*"NeFc]V+o/++2 q*I~;-ub\KZ>+ȸv:[Jmfk/ɑklZK ?-R+ Gl GX-+ O|'kMq1.&w,q; 1lk4l^j@6y'/nE42Q@Vk 5L{-j\_Ml晭4]5N},qf{b:B2ݵ9M~[-u7ww']!ى߀16+w͆-u\C yI˦-bY}>ֆS`:ѫ:^!2@v{z~|{'킀{/zՇ |[oC?g_O+>ģ@l9}0̷-5o}#_ǀ%p_ݧ?"pse|D@l_!8AXP*HB_?HA^0;6(C1}p8DPahE!0MtSX'  FJk w$rt9yIK cZ JErDe%CN2<,/\be10ae&:Mre.M9]1$5W*kV8ӛT¼yl"hGO.Տ>+ZQT{hA:@" BW.ISyT9l&KRn43Jѝjt*mE`R[3Fd*TY(eSAUo|9*Ljc]S*<Zmk4fV`WBVvjUԽ(\5v=d EWb YΦ,h\m`]v]j7;volwKZuwmDps+VZִM-s+X -_yvimO{["ry':X21&}e^ sܻr%[W-|W )a8W֯K cM\a.Wbؿc㰂 8&0{ ^b"4ܐ_xTVOd(WYSo,L&d9z[ձf yJ͒j؉sY{6F gAt_\!@ѓFtG?ҋ3iOϚv -Lz55 jJբ_7ִus]AԘva]QzKMhgש4a=mY[;ؤkjؿMUG7v[ݳwMoa:r7Ws=jc>p'<.K\6/pktC_9_~r|cr7CMqyz}1&'•s<_zӭ^'C)@ϑNj^;=suCG=7&Վ/ku'֥ |;u>x׼-/Sg<>ЫCsO9n~ /+oKJ082-":q)? oނ~w|zaر}37~kwp؀ ȁ2HHG x 1CQza.8/1Ȃ2a67(A؃yR4x-K;h@q8XD98AZXCQȄ>؄`([,]m8s8ktPXIvf8Iv1*#%bxB"#! X8"x" x`jc/bA "x("(8؊-!/h(ahבah(TBLb*+*)('z()BX)(@*A+fxc$H ؐ2b$b؎8$ixr萙 IT'9&+w )$(g/:34x9(s3@8ɍHCS0F2#Li"*30W-N2H)[6b9`9YIC2P0Ö\JsQtIZE90oyy=Iɗ9:ؕ G379\qF8py8y1 E?Sٚ393WLe9ɚ3jQY?I87 CiYlϙCԣѩ9dDJG=YtFddC`RdS%oPn"SDYEeMYEMi.dFuğXt)=[!55El Fjx㹠Fڝ@۳:A˲>+IF^&[W0+SiO{G-X\!Ck\^FfTe\&dYfco;_FO6qdl+c1c6ƷKbbcVevmkyˍx;_v zf˸bm{rAf/ַe`u˹;cV[Zbv;;bbƻvoft&m-gnߖlǖۼiK/F;ofsF+ovmn{նn{ngK`G;{;k۾滿qwxl˿F)WrYrWyWtSG'<"y( +,-Lè6L u38%*\ 3\OvD| GCqO|S\QHZ = ^BLaK\qbW,tiLG,rVpGwƸwgr6vwxǶLJozzqJ8]N߉/Nf9}J:hZSڣjZ _NN*K*~ꬊZj GΧizʦC: ZX`*믩Yl>~Naɉ_~䇺T궸*ۺc:DJ~ޭ׾~M*YܾQDTn ~4&;ZmzRzK H/s~tjJ 鷚z/LWNa*>O9L${ *S + M/J[W/UZI.bO_o9]!j.ߩt3,|$~zz6HkM<{L\d;J/3k]4 Z?\ƕ/{_o_7[r`]E/Rɯe/L dۻN忺/蟺۹/+R&+d!5`4IIi.eTS5L5qC#k i l'. gi|&g@dLk^1௳xWAvzЈM~@Rnj9.ȱH*Qɍ"YԨn'YFR$8@賦1"-JԁQbn1p_H[9*TiUW'Ma֦NZ)VbIuk-ץd -ݺ\+WV{ |/῅-v$^;/d͠ $&#,:iW 9Pu˻a%ZwV M'^ vnލ^̿j=Gӱ;q ;cfi-3.0.orig/en/ch10web.htm0100664000175000017500000025324207311654724014367 0ustar miccemicce CDNE Chapter 10 - Computer Crime

INDEX

Chapter 10
COMPUTER CRIME: TERMINAL SLAVES,
CREDIT CARD FRAUD, AND CENSORSHIP

What really constitutes a computer crime? Where is the line between harmless exploration of a computer system and real crimes?

In the eyes of the law, computer crime is any type of crime involving a computer in some way. If I hit somebody over the head with a computer, it could theoretically be viewed as a computer crime. A more specific definition would be that computer crime is the act of transferring or damaging information in cyberspace without permission. This definition is accurate in most cases. In Sweden, the authorities mostly concerned with computer crime are: the Police, the National Security Police (SÄPO), Military Intelligence and Counter-espionage, the Crime Prevention Council (BRÅ), the Department of the Interior, and Datainspektionen (see the previous chapter for details on this authority).

Additionally, other involved parties include the security departments of the large corporations, a few non-profit organizations , informal networks, and (naturally) criminal organizations . It is not surprising that all these people view the problem in totally different ways.

The National Police Board classify computer crimes under the following categories:


     
 1. Computers or software used in the commission of a crime
 2. Computers or software subjected to criminal tampering
 3. Software that has been illegally copied or modified
 4. Illegal entry into, or use of, computers or computer networks



Most computer crimes committed have nothing to do with hackers. Mostly, it involves people at banks, the Postal Service, governmental insurance agencies, or private corporations in charge of billing and payments. Many succumb to temptation after seeing how easy it is to transfer money back and forth between accounts, grant themselves financial aid or welfare payments, falsifying invoices, etc. It is really only an "improvement" (exacerbation?) in the old ways of economic crime. An example is a Swedish social worker who gave himself 400,000 Swedish crowns (about $50,000) in welfare payments, and then went to Venezuela to bail out a friend that had been jailed for political activities. He was able to do this because he knew about some weakness in the disbursement system: welfare payments were only reported every fortnight. This is typical of the most extensive form of computer crime. Compared to this type of crime, hacking and phreaking are a drop in the ocean. The worst computer crimes are perpetrated by people in respectable positions, and are almost never exposed. But of course, you already knew this.

The reason that these crimes do not receive as much publicity as the hackers' pranks is that the former relates to a very sensitive relationship: integrity and loyalty within the company or the governmental institution is very important for protection against external threats. It is, however, much more difficult to ensure that one's employees are satisfied and loyal than blaming hackers working from the outside. This principle has been used by entire countries to avoid having to deal with internal problems. By shifting the blame to, for example, Jews, communists, or Muslims, they can create a clear picture of the threat and a target for aggression, while keeping attention away from one's own problems.

The average age of the average computer criminal is between 30 and 40 years. Half of the criminals have worked for more than 10 years within the company. 45% are women . Hackers? I don't think so. (Source: Nätvärlden #8, 1994, p. 36 [a Swedish computer networking magazine]).

So much for internal computer crime.

A more "hacker-like" crime is defrauding ATMs (cash machines) or credit card companies. During the early period of ATMs in Sweden (1960's), when the withdrawals were still logged on punchcards inside the machines, someone went around and withdrew around 900,000 crowns (about $120,000) over Easter holiday, using fake ATM cards. This is not as easy to do today. Perhaps. Many Swedish hackers have access to the machines used to read and imprint the magnetic strips on the cards. They have also ferreted out a lot of knowledge about the nature of the information stored on these strips, mostly of general interest to the system. It is, however, difficult to enter an ATM using a "back door". The banks have developed their own telecommunications network which is inaccessible by regular telephones, and it is through this system that ATM transactions take place.

As for myself, I am constantly fascinated by people's trust in magnetic cards. All cards with a magnetic strip, like ATM or credit cards, are standardized, and can be copied using appropriate equipment. A friend of mine amused himself by withdrawing money using his old credit card. He had simply copied the information from his ATM card to the credit card. I was also not in the least surprised to learn (in April 1995) that some youths in Helsingborg (a city in southern Sweden) had reproduced local public transit cards and sold them at half price. (Courtesy of the hacker named Wolf , mentioned in chapter 4). The telephone company's own phone cards are frightfully insecure; this is also true of the cards used for cellular phones and satellite decoders. Often, it is the case of a totally unprotected standard format.

Apropos cards: Credit cards are, unfortunately, very popular among hackers. Let us take a look at some statistics from 1989, when there was about six to seven million credit cards in Sweden. In this year, revenues from credit card transactions reached a total of around 20-30 billion crowns (about $300 million), divided into about 50 million transactions averaging about 400 crowns ($50) each. 18,000 fraud cases were reported that year, in which each report would cover about 50 instances of fraudulent use (i. e., somebody used someone else's card about 50 times before it was reported). The police would rather not investigate any cases involving less than 50,000 crowns ($6,000). I can't even begin to speculate about today's figures. It is, however, unlikely that those 18,000 crimes were committed solely by hackers.

It is often ridiculously simple to call for free or shop using someone else's credit card. Previously, before stricter verification measures, many hackers "carded" merchandise from abroad. Especially computer and other electronic equipment, of course. I have already discussed how card numbers are obtained through social engineering, dumpster diving, and other techniques. If a phreaker cleans out your credit card, you will most likely never find out. The credit card companies do not give out this information to their customers. The most common explanation is "a technical error".

With the exception of stealing credit card numbers and their associated codes, hackers do not consider themselves to be in the business of computer crime. A hacker considers computer crime to be one in which computers are used for the purpose of acquiring anything besides information. A criminal using hacker methods is therefore not a hacker, but a computer criminal. Traditional hacking is about curiosity, not greed.

Sabotage
Computer sabotage is a rare but venerable form of computer crime. The word sabotage is derived from the French word sabot , which means "wooden shoe". It originally refers to the time when French textile workers threw wooden shoes into automatic weaving machines, because they were upset that machines had stolen their jobs. An mechanized loom is in many ways similar to a computer, so you could say that sabotage originally was computer sabotage. This type of activity has been around since the English instigator Ned Ludd (and his luddists ) destroyed looms and Spinning Jennys in the mid-18th century.

Swedish anarchists have often threatened to sabotage computer centers. (Especially through the underground magazine Brand ["Fire"].) Like most anarchist threats, it's all talk. Swedish anarchists seem to have a hard time finding and accessing computer centers, so they stick to destroying Shell gas stations and other easily identified targets. The IRA, however, has bombed some computers in Northern Ireland. In the U.S., as early as 1969, a group of peace activists known as Beaver 55 entered a computer system in Michigan, erasing around 1,000 data tapes that supposedly contained blueprints for chemical weapons. This was carried out with the help of ordinary magnets.

There was also a French activist group called CLODO (Comité de Liberation ou de Detournement des Ordinateurs). Between 1979 and 1983, these activists destroyed a number of computers in the Toulouse region. They wanted to protest against a computer society in which (in their opinion) computers were used to control people - direct descendants of the original saboteurs , in good French tradition. Groups like this make up the militant branch of the civil rights movements to which EFF and Chaos Computer Club also belong.

The most frightening example of this type of activity is perhaps the Unabomber (Theodore Kaczynski), who carried out 16 bombings which, altogether, killed three people and injured 23. On Wednesday, August 2, 1995, the Washington Post and The New York Times published excerpts of a manifesto written by Kaczynski, and which turned out to be a well-written argument against the explosive growth of technology in modern society.

It is not only the hardware that can be subject to sabotage. Obviously, programs and other information that is stored on a computer can be tampered with. An editor at the Encyclopedia Brittanica , in Chicago, became so angry over being fired that he changed a great number of words in the encyclopedia. Among others, he changed Jesus to Allah . There are innumerable examples of employees exacting revenge on their employers in a similar manner. Another sabotage took place in Israel. By accessing an Israeli newspaper's computers, a 19-year-old hacker managed to publish a false article about his computer instructor being arrested and charged with drug-related crimes in the U.S. (A rather amusing hack , in my opinion, but still rather serious considering the importance of mass media in our society. Compare this to Captain Midnight , in chapter 4.)

Nazis
Distributing (like the phreakers did) stolen credit card numbers and codes, passwords for computer systems, and similar information, is - obviously - illegal. Some BBSs, like Ausgebombt , run classifieds for weapons, steroids, and items that might well be "hot". They can also contain hard-core child or violent pornography, or racist propaganda. Swedish nazis discovered technology at an early stage, and frequently communicate electronically. At least one organization that I know of, with ties to VAM ( Translator's Note: VAM = Vitt Ariskt Motstånd - "White Aryan Resistance", a Swedish white supremacist group, and a bunch of freaking psychos. I just noticed that the English initials for the organization would be "WAR"), have had guest speakers on computer-related topics.

To be a racist, however, is not illegal. However, incitement to violence and ethnic persecution are very illegal. I personally don't find this relevant to a discussion about hackers. Most hackers are not racists, nor in the least interested in steroids, stolen firearms, or child pornography. When it comes to BBSs, you should follow the same rules that apply to the rest of society: if you see something suspicious on a Swedish BBS, which could constitute a prosecutable offense - call the police. Also keep in mind that those heavily involved in a political movement like neo-nazism usually don't waste time and effort starting and running BBSs without good reason. Before letting your thoughts and actions be guided by hate and disgust, you should consider that these people have often thought long and hard about what they are doing. Have you?

Incitements to criminal action or spreading racist messages is equally illegal whether it is carried out through computers, magazines, or leaflets. On the Internet, most system administrators have enough of a sense of responsibility to remove such garbage when they come across it. If you find something suspicious on the Internet, it is usually simplest to find out who is responsible for the computer on which the information is stored, and inform them. Calling the Swedish police is usually pointless, since most of the Internet exists abroad (primarily in the U.S.). In some countries, it isn't even criminal to distribute racist information or similar stuff. In those cases, the Swedish government is virtually powerless.

The only methods for an authority to contain information stored in another country - with more lenient laws - are to either cut off the nation's computer systems(1) (which is neither easy nor desirable), or through international legislation by the UN. But there is another way! The Internet is built by people, for people, and functions through people. You can give your honest opinion to those responsible for distributing the information. In the worst cases, you can convince the person responsible for the computer on which the information is stored to remove it. Before resorting to such measures, however, you should think twice. Many view the Internet as a gigantic library, and if you come up with ideas about "censoring" this library, you should consider the fact that you are attacking free speech, and be prepared to take responsibility for that. In such a case, your actions are comparable to going into the nearest library, picking some books out of the shelves, taking them out on the street and burning them.

Information technology has thus brought global problems to your desk at home. How ironic. Now it is no longer possible to shut out world problems; you have to get involved . Dear God. Personally, I think this type of discussion is so useful to ordinary Swedish society that it outweighs any threat posed by this "dangerous" information. The problems of Sri Lanka and the Ivory Coast are suddenly our problems as well. As long as child porn is permitted somewhere in the world(2) , there will also be such material on our own Internet. Such matters are everyone 's problem, like environmental problems. The problem should be solved in its home court: the World. The UN, perhaps.(3)

The Police
The Swedish police - through the National police Board - have a computer crime expert, superintendent Hans Wranghult in Malmö. He took his studies, as did most European experts in this field, in California. His most prominent work is a report called Datorkriminalitet - Hackers, insiders, och datorstödd brottslighet ("Computer Crime - Hackers, Insiders, and Computer-Assisted Crime"), which seems to be an edited version of his class notes from the States, slightly adjusted to Swedish conditions. (I am holding my breath in anticipation of his future creations.) Despite this report being a very detailed treatment of computer crime and various perspectives relating to it, it relays a very simplified picture of hackers. Apparently, Hans has listened mostly to his teachers, and never asked any amateurs what they thought of hackers. His section on hackers begins as follows:

"Originally, the word hacker was a label for the person who was responsible for testing computer systems within the organization for which he worked. The method used was to subject the system to all kinds of attacks, in order to spot errors or weaknesses in the software or the security systems."  

This statement is not true, since the first hackers were students in charge of developing computer systems, and the statement is indicative of a basic view of hackers as always being busy testing or cracking security systems. If you have read this book from the beginning, you know that this is a fairly small aspect of hacking culture. Another possibility is that Wranghult is simplifying intentionally, in order to motivate his men. The police base their work on a dichotomous "us-against-them" style of thinking, and if he had started talking about good hackers as well as bad ones, the limits of the law's thinking (with regards to hackers) would perhaps have become a little fuzzy.

He is especially critical of the image of the hacker as a hero, which is blasphemy in his opinion. If he had known how journalists employ hackers, as when Chaos Computer Club hacked into information about the West German nuclear power program, or when the anonymous hacker exposed the Ausgebombt BBS, he would have been forced to reconsider his vilification of hacker activities. Apparently the police have thought twice about this, because in June of 1995, they announced that they would be happy to enlist the help of hackers to combat computer crime.

In regards to S Ä PO's interest in hackers and computer culture, there is not a lot of available information. This is not unusual, since it's how things work. Bengt Angerfelt and Roland Frenzell are in charge of computer security issues at SÄPO, and their work probably consists mostly of gathering information and knowledge about computer crimes, so that someone will know what to do if there is a threat to national security. Hopefully, they know more about computer security than anyone else in Sweden. Considering the fiasco with the encryption system, they should have improved their expertise by now.

Military intelligence is also interested (naturally) in computer security issues. I know even less about this - but the only thing I know for sure is well-known among hackers: military intelligence collects as much information as they can about system and data security. This information is then used to, among other things, improve their own security. No military person would ever have the urge to bring this knowledge to the state or the business world. There are some obvious reasons for this. Business in general, and especially the computer companies, are concerned with the security of their equipment. For example, if the American NSA (National Security Agency) informed a company that manufactured a certain operating system of their system's security gaps, these would immediately be fixed. Why is this not in the interest of military intelligence? Very simple, really: since the software systems are exported, the military can use the security weaknesses to attack foreign computer systems in case of war. The military (at least in the U.S.) has its own hackers and virus creators. I mean, why not? These weapons are hardly controversial, and not limited by international agreements. Of course, they're armed to the teeth with tools for electronic warfare. By being aware of security glitches, one can protect oneself and attack others. For the same reason, Swedish intelligence would never advise Ericsson about faults in the AXE systems.

A number of Sweden's best hackers have been hired as security experts by SÄPO as well as military intelligence and counter-espionage agencies.(4) Probably, this expertise is used in "bugging" electronic communications (which is not illegal, in contrast to telephone surveillance).

Big Brother Wants to See You
But what about the distribution of information that may be "dangerous to the public"? It is not as intuitive to propose that information such as The Terrorist's Handbook, drug recipes, bomb blueprints, or perhaps technical information about telephone cards should be illegal. A popular term for this is - strangely - sociopathic information . To be a sociopath means to exhibit aggressively antisocial behavior, and belonging to a group that does not accept current social norms

Therefore, hackers, ravers, anarchists, Freemasons, and other subgroups can be viewed as sociopathic. So can Rotary. Sociopathic information, therefore, is information that is written by socially maladjusted people. For example, spreading liberal ideas in a totalitarian communist country would have to be considered very sociopathic. It is not against the law to be socially maladjusted. It isn't even prohibited to distribute sociopathic information. However, there are a few authoritarian elements in our society that would like this to be so. During my research for this book, I have fortunately only found one example of this Big Brother attitude:

In a funky report from Institutet för Rättsinformatik ("The Institute for Legal Information"), attorney Anders Wallin tells us how he thinks the law views sociopathic information. In around 50 pages, he manages the feat of repeatedly condemning so-called sociopathic information, while failing to mention even once that this information is actually not illegal. Rather, he leans on a legal paradigm that views anything that threatens society as it is today as dangerous, by definition. Imposed on ideology, this would be called conservatism. Wallin mentions, among other things, that he hasn't been able to find the sociopathic The Anarchist's Cookbook in any Swedish library, and goes on to lament the fact that similar information is available on several Swedish databases. What he doesn't mention, however, is that this book has been cleared for publication. If you want to read a really sociopathic book, go find Jerry Rubin's Do It! , which is available at many Swedish libraries. It also happens to be published by the respectable publisher Pan/Nordstedts. The list can be made longer.

Apparently, sociopathic information is a term applied to books that normal people shouldn't read, because if they do, they will become corrupt. Alternatively: books that youth shouldn't read, or they will become corrupt. Or: books that not everyone should read, for their judgment cannot be trusted (as for myself, I am rather childishly fond of the freedom of the press). At the same time, I have to say that I don't think that everything in Wallin's report is bad. What I find erroneous is the implicit call for censorship that exists between the lines of this report. Wallin thinks it's horrible that young boys should be able to read hacker books and terrorism manuals. And I understand him - there are those who have managed to cause great damage using knowledge found in such material. Apparently, someone in the U.S. managed to blow up their little sister. I am not blind to such things. But Wallin has obviously read this material himself...

This drives cyberpunks up the wall, and is regarded - justifiably - as authoritarianism. The final responsibility for prohibiting teenagers from building bombs at home should be with the parents. And if the kids are old enough to have left the nest, I would consider them worthy of our trust. Actually, I believe they can handle reading these books, if they find it amusing. I happen to consider a person that manufactures a bomb at home to have more than one loose screw, and not at all a reason to abrogate the rights of normal people to free speech and press. I willingly confess: I own oogles of sociopathic information. Yep, it's true. I have, among other things, used them for research of this book. Almost all of the information I possess is in a digital form, and because I like to, I distribute it with abandon, which I consider not at all irresponsible.

Making Computer Viruses Illegal??
Prohibiting the manufacture of computer viruses is also questionable. Especially since there aren't any plans to criminalize possession of computer viruses - only their creation. Can I not produce a computer virus and infect my own computer if I feel like it? This seems strange, in my opinion. A relevant fact is that you could make a computer virus with paper and pencil, if you wanted to. It is not until it is fed into a computer and distributed that it can cause damage.(5)

Big Brother: What do you want to make viruses for? There's no good in that.    Don't do it. Don't do it, I tell you. Why are you writing poems? Where's the good     in that? Don't. Go to the factory instead, and do some work. Be of use, I tell you.

On the other hand, I agree that the intentional distribution of computer viruses should be criminal. The debate has been going on in the U.S., where, for example, the well-known virus fighter Alan Solomon (known as Dr Solomon ) has clearly stated that he would consider a ban on virus manufacturing as violating the rights and freedoms of the individual. Furthermore, a virus can not be accurately compared to a bomb, since an isolated computer with a virus on it poses no public threat. Especially if the user know what he or she is doing, which is usually the case when it comes to virus makers. Additionally, a virus does not consist of something tangible (like chemicals or metal), but only of pure information. A computer virus can be constructed through a series of commands written on a piece of paper; it is simply a case of the same information in different forms. Thus, a virus on paper would be legal since we have freedom of the press, while a virus in machine-readable form would be illegal since we do not have freedom of information? Aren't they the same thing?

Our modern Trojan horse, in the form of a computer virus, will most likely meet the same end as Karl Gerhard 's play Den ökända hästen från Troja ("The Notorious Trojan Horse), which was quickly and definitively banned as it criticized the Nazi infiltration of Sweden in the 1940's. Unwanted art should not be exhibited (in the interest of the State), and you do not at all know best what to do with your computer (sarcasm ;-).


 "Datainspektionen" and Integrity
The vanguard of the computer crime-fighting forces in Sweden consists of Datainspektionen . This governmental agency's primary purpose is ensuring that state institutions and corporations follow Datalagen (the Swedish Data Code), which has been constructed specifically to protect the individual from a totalitarian information society. Datainspektionen was born in 1973 as a product of an international public debate with its origins in San Francisco. In connection with the Census of 1970, when for the first time all data was electronically registered, many had begun drawing parallels to George Orwell's 1984 , and this gave birth to a debate about data integrity. The insinuation was that government, to a certain extent, was collecting information that they had no legitimate use for, and which could be used to control citizens in every aspect.(6)

The former director of Datainspektionen, Jan Freese , who still seems to exert considerable influence on the agency, is an important philosopher in the field. In practice, it seems that much of what Jan writes or speaks is adopted by Datainspektionen without further discussion. This is not so bad, since the guy mostly displays common sense. He has made several sound propositions for information legislation, and prepared Swedish society for the information revolution to a great degree. Especially good is his proposition of a general integrity law , covering databases containing information on individuals and privacy violations, whether or not computers and electronics are involved. This law should, according to Freese, regulate (quoted from Datateknik #8/1995):
     * Access to and searches of private property
     * Physical searches of persons, medical check-ups, and psychological tests
     * Surveillance/espionage
     * Illegal photography/recordings
     * Electronic surveillance ("bugging")
     * Distribution of privileged information
     * Use of third parties' names, images, and similar information
     * Abuse of third parties' communications

And this is also basically the kind of record-keeping that the EFF, cypherpunks, and others are working against. The difference, in the case of cypherpunks, is that they are of the opinion that the regime (in the US) has totally failed to protect the integrity of the individual. They even suggest that the government cannot handle these matters without becoming totalitarian. Thus , the individual should protect him- or herself through cryptography, anonymity measures, etc. The libertarian heritage is apparent, based on the American pioneers, who had to protect their farms and land with their own arms since the legal system was not fully established. That time is so far back in Swedish history that it's become foreign to us. We are used to government taking care of everything.

 The reason that more and more people arm themselves with encryption is that the electronic parallel universe, cyberspace, is barbaric and uncivilized, and that even government employees appear to act instinctively and arbitrarily with regards to computers. If an integrity protection law like the one proposed by Freese had existed at an earlier stage, the problem would be absent. However, note the following: Datainspektionen is subordinate to the executive branch of the Swedish Congress. If the government gets the urge to register all political dissidents, Datainspektionen cannot do anything about it, despite it being written into law that the executive should consult Datainspektionen before creating any database on its own initiative. Datainspektionen is in no way a safeguard against a totalitarian society! Only those who blindly trust institutions and governments would dare to rely on Datainspektionen for this purpose.

From hacking to computer crime
 Can hacking lead to crime? The answer is a clear YES. Hacker groups, like any other, have their share of psychopaths and deviant followers. Social engineering in itself must be considered a giant step away from social norms. It is dishonest to deceive other people, and viewing the person at the other end of the phone line as an object is frighteningly cold-blooded. Some phreakers have constructed blue boxes that they've sold for around $1500, and this activity is clearly not rooted in ideology.

Phreakers defend their criminal activity in the classical manner: first of all, only large corporations are victimized. Losses from credit card fraud against private individuals are usually absorbed by the issuing banks. At the same time, they nonchalantly ignore the fact that they create a hell of a hassle for the individuals who have to prove to the credit card companies that they didn't use their cards themselves. The elitist attitude often becomes an excuse to do whatever one feels like. At the same time, it should be noted that media as well as credit card companies exaggerate the consequences of being subject to credit card fraud. Even credit card company investigators can think, and generally understand that a well-educated father of two doesn't make repeated conference calls across half the world just for the hell of it. Many investigations are dismissed at an early stage.

Second, hackers often point to the fact that they don't derive any material gain from hacking. Hackers are known for breaking into phone companies and stealing only manuals. This, of course, confuses prosecutors. A hacker does not fit tour stereotype of a criminal who absconds with other people's property for their own gain. For an hacker hungry for information, the crime itself is the reward, which may seem a little odd.

Manufacturing a computer virus, or spraying graffiti on a concrete wall, does not offer much in the way of profit. Possibly it could be sabotage or vandalism, but it is not a matter of organized crime. Perhaps virus manufacturing is, like graffiti, best viewed as an unpopular form of art; a product of our time, in which everything artistic must be sanctioned, planned, and spontaneity virtually extinguished.

Hacking a network is more a matter of exploring the system than stealing system time. In some countries, like Canada, it is permitted to walk into another persons house, look around, and leave, as long as nothing is stolen or damaged. From an ethical perspective, it is a tricky problem. In the Netherlands it was, until 1987, completely legal to enter a computer as long as nothing was destroyed or modified.(7)

Third, they defend their acts on ideological grounds - by which society is described as generally corrupt, and the real crooks are the large corporations and currency traders, who manipulate all of humanity to run their errands through their speculation. The opposite is the beauty of established society, as Oscar Wilde once expressed it: It is better to live unjustly, than without justice.

In this view, it is permissible to speak and theorize about making society more just, while direct action must be regarded as illegal, from a social perspective. It is the same principle that covers all undemocratic actions - whether it concerns those of hackers, environmentalists, or peace activists. If you break the law, you commit a crime. Period. Personally, I think that any activists who break the law, be it hackers or cyberpunks as well as tree-huggers, peace activists, or anti-abortionists who blow up abortion clinics, should be sentenced and jailed if society deems it necessary. It is not the responsibility of society to decide which values serve to justify illegal acts. My opinion, on the other hand, is due to the fact that I firmly believe in humankind's ability to achieve results in a representative democracy.(8) Anarchists, on the other hand, conclude that there should be no laws at all. (Which I can't really agree with). It's a question of values, and in our present society, un-legitimized actions are considered criminal. If those actions victimize individuals, they're misdirected.

It's been submitted that hackers could form entire underground syndicates and cooperate with the Mafia. This is, so far, mere speculation. In my opinion, the hacker mentality is not really fit for organized crime. The hacker immediately retreats when he/she feels physically threatened, and removed from his/her protected existence behind the screen. This doesn't mean that he or she is chicken , but rather that the whole thing is "for fun".

Many hackers receive strange requests like "you who are so technically skilled, couldn't you build a pirate decoder... ", "couldn't you (whatever)" , The fact is that even though the hackers definitely can do this, they very seldom do. Hackers are anti-authoritarian and detest being bossed around. "Figure it out on your own!" is the most frequent answer. The hacker doesn't want some subordinate role as technical genius in some criminal organization. Why should he? He could make a lot more money in a low-paid computer job than any criminal organization could offer, with the possible exception of the Mafia or foreign intelligence agencies. However, they are often willing to give advice, tips, and ideas: "Are you stuck?", "Have you found anything interesting?" - but as far as economic motivation (not curiosity) is concerned - forget it.

I would go so far as to say that we should be grateful that the little annoying hackers discovered security glitches in the computer systems, rather than the big fish . During the golden age of phreakers (in the 70s), several large gambling syndicates used blue boxes, which they manufactured on a near-industrial scale and sold at usurious rates. You can hold any opinion you want about this, but no one can deny that the hackers' activities have been important to industry, if not always beneficial . (Otherwise they wouldn't have become such a popular topic). When Bob in Springfield makes his own phone cards and sells them for $20-$100, this is hardly to be considered industrial-scale production or even production for his own gain. Considering the simple equipment used in the process, and the time spent on constructing it, it would more closely resemble a total loss. It would, therefore, seem to exist an ideological reason for constructing the phone cards. Freedom of information? Anarchy?

Personally, I would have to say that the "hardware viruses" in the form of an electronic device called Big Red , found in some American and Australian banking computers, are much more frightening than anything any hacker has ever invented. This thing copies, encrypts, and hides important information on a computer's hard drive so that some informed people can easily access it. Big Red could very well be constructed by the Mafia or some international intelligence agency. These must have been deliberately installed from the inside of an organization, as opposed to the hacker's curiosity-driven exploits.

As of July 1995, an unusually sophisticated computer theft ring was still operating in Sweden. They entered offices and only stole computers, not monitors or keyboards (these were cut off). From some older models, only memory chips and hard drives were taken. In order to work undisturbed, the gang cut the telephone company's alarm cables by gong through access boxes on the street, in the way the hackers of the film Sneakers did it. The gang communicated via radio, and the police even succeeded in taping their communications. Still, they weren't caught.

There's no doubt as to the origin of these thieves. Some of them are definitely some type of hacker, others are more hardened techno-criminals. The similarity to Gibson's characters is striking: the only loot is information technology, memory is worth its weight in gold, and the criminals possess fantastic technical skills. I will not for one second deny that these offenders have learned many of their skills used in their ventures through different hacker magazines: Rolig Teknik, Phrack, any number of books from small, obscure publishers. (And certainly, from common textbooks). But this is actually not the problem.

The problem is us. The problem is that we watch movies like Sneakers, The Saint, Why Me? etc., in which we can identify with the romantic or comical criminal, despite the fact that we objectively judge such a person to be the enemy of society and scum deserving of all that is coming to them. We need the criminal, or in this case, the technologically advanced criminal , to know that it's still possible to circumvent all electronic security systems. Because - if we can't escape technological supervision, well, then we can't become lawless, and then being lawful is no longer a free choice. There is no longer any anti-career that we can look down upon in our eternal quest to jet upwards through the social hierarchy. There is no honor to preserve, because if no one can be dishonorable, one cannot know what it means to be honorable. Crime exists in the form of an engine that drives us to act straight, warns us if we approach the edge of propriety, and makes us feel content with our successful lives. We, of course, do not run around at night, cutting cables, and stealing computers, do we? We work during the days and sleep at night. Each day needs its night. Every society's glowing, law-abiding segment needs its photophobic underground movement.

We award our geniuses two types of careers. Either they go through twelve years of high school and four years of college to become engineers and continue their careers upwards or sideways in the chase for more status, more money, and more exciting work projects. (Imagine, I could be CEO one day... I'll have to read up on some finance too... make the right contacts, hold the right opinions...). But what if you don't like school? What if the awfully long education bores you, but your interest is still burning for electronic devices and computers? No problem. Society has something for you too: vocational education, no status, no money, and no exciting work projects like PLEX programming or control system construction. You will never go to the right schools, know the right people, or read the right books. You won't have the correct social heritage. This is despite the fact that you are perhaps intelligent and capable and would be more suitable for Ericsson's training programs than anyone else! The hiring practices at high-tech companies are tastefully oriented towards turning non-degreed applicants back to the slums they came from.

Remaining option: anti-career. Use your knowledge to break down society's security systems so that the poor citizens will know it's not invulnerable. Give them something to fight and live for. Give them an external threat so that they won't have to take a look in the mirror. Be an outlaw to set the parameters for the lawful. Don't think that crime doesn't pay - sometimes it does. Just as long as a few get caught now and then so that the good people will have something to abhor.

Your criminals are the devils that let you see the angels within yourselves. I'll be damned if they're any worse than you!(9)

Corporate Security Forces
One of the most unpleasant computer crimes I know of was committed (and perhaps is still being committed) by Telia . In April 1995, the electronic magazine Z Central (a subsidiary of Z-mag@zine) made public that Telia possessed its own net surveillance unit, which had as its mission to gather information about subscribers suspected of being phreakers or hackers. Using phone-switch computers, they could easily record who made what calls and where. It seems that Telia systematically traced and surveilled some hackers, which really is something that only the cops have a right to do. This information was further distributed to other companies which Telia suspected of having been infiltrated by these hackers. These procedures are illegal, according to the fourth section of the Data Code, which prohibits registering information concerning possible criminality without the prior permission of Datainspektionen. Permission is almost never granted - in order to prevent totalitarian social control.

It should be added that this discussion about Telia's phone usage registration is not a new one. As early as 1981, Telia had an electronic surveillance machine named TAL-T M80 , which permitted the logging of all usage on a particular line, and could send the log to a central computer for storage. Since then, Telia has introduced this type of surveillance to virtually any phone in Sweden, since this function is built into every AXE switch. In reality, anything you do using a phone is recorded by the AXE switch. If you pick up the phone and then dial one digit before hanging up, this action is registered as a time and a button-press in a computer. Telia is then able to retrieve a complete listing of all calls and non-calls performed - anything that has taken place on the line. The information, according to Telia, is used to assess and improve existing systems, and to resolve disputes with subscribers. The info is stored on computer tape for about six months.(10)

Anyone that has worked for a large corporation will understand why Telia can't resist registering and analyzing its business. However, distributing such information is against telecommunications as well as privacy laws. Telia, of course, acted in "good faith" in its attempt to "help" the victimized companies, but that doesn't excuse the breach of privacy involved. I've even seen indications that Telia use their databases for various purposes within the company. The information is ruthlessly consulted by Telia's security departments when they suspect hacker activity, in order to extract information from hackers about their possible transgressions. (In many cases, Telia's own computers suffer from inadequate security.(11) ) This takes place despite the fact that this information is not even supposed to be available to the police...

To facilitate computer crime-fighting, they've begun to investigate the possibility of constructing a so-called expert system , an artificially intelligent agent instructed to analyze the bands in which all Swedish phone calls are registered, in the search for behavior patterns that seem suspect. This involves checking out people that make long and frequent calls without interruptions, call a lot of toll-free numbers, etc., in order to compile a database of "suspicious" subscribers. Hopefully, Telia does not intend to use the system, since this would imply a completely illegal data-handling procedure. But what price is too high to maintain security?

Telia serves as an example for large corporations' views on computer crime. Of those crimes committed against Telia's technological installations, 87% consist of theft and vandalism, while computer intrusion and technical manipulation makes up about 10%. The latter category includes hackers' and phreakers' activities, but also a great deal of other activity that has nothing to do with those underground groups. ( But, since hackers have a definable culture and system of ethics, they're easier to point out and condemn). In addition, Telia is a company that suffers from an almost paranoid fear that someone will understand how their systems work. All communications companies feel this way. Since the technological safeguards at Telia's switches are inadequate, they rely on a psychological form of protection, which simply means that information is kept secret so that a possible attacker cannot know how the systems work. In the same manner, it protects its own organization, its own internal phone numbers, etc. Even within the organization, safeguards are in place. They are diligent about not giving any more information than necessary to operators. There is no comprehensive understanding of Telia's systems except among CEOs, high-level engineers, and system developers. The only road to those positions lies in internal advancement. Knowledge in regards to Telia's systems is therefore only supposed to exist within the organization, and no one outside Telia should know anything about how the switches really work. Hands-off , as opposed to "hands-on", that is. Just use the system. Don't ever try to figure out how it works, even if you're interested. Do not examine, do not rummage among the cables, just call, pay, and be happy!

The reason that Telia has its own security organization is that the police has neither the time nor the funding to investigate Telia's problems. (As I mentioned earlier, they are reluctant to investigate fraud amounting to less than $8000 or so). Telia has officially said that the company needs about 30 security managers plus about 10 or so specialists within the areas of physical security, system security, data processing, secrecy, and information security. The last category is the one that is supposed to make sure that I, among others, should not know the information contained in the previous sentence. (These figures, however, originate in the time when Telia was still called Televerket, and had to release information because of the freedom of information laws). Presumably, the information security officials now have a structured organization which ensures that potentially dangerous information does not leave the company or end up in public records.

Another thing, which should be completely made clear, is that large corporations like Telia cannot afford morals. Once they have discovered fraud affecting the company, they first have to decide whether it pays off to go after the criminals and improve security before taking any action. If improving security poses too much of an inconvenience for legitimate users, resulting in loss of customers, it is more cost-effective to let the hackers be. This has led to many hackers raising their eyebrows and wondering whether the communications companies are laid back, stupid, or just plain moronic. In reality, their only concern is money. That's why it's still so easy to call using fake credit card numbers - it is simply too expensive to effectively address the problem.

At this point, allow me to make a connection. When I spoke of cyberpunk, I mentioned that William Gibson et. al. chronicle a future in which all finance and development is handled by large corporations, with a strictly hierarchical organization and a ridiculously strenuous work ethic. In the R&D labs, new technological innovations are pushed out by bored engineers with their fingers constantly on the fast-forward button. Everything in the organization of these companies is designed to make the people inside the hierarchy feel as important as possible, so that they will work as effectively as possible and push their underlings to work even harder. The result is a frighteningly effective but psychopathic organization, which can push social development beyond any imaginable limits.

Those hackers that have been forced to enter Telia's regional offices in the capacity of informers, have - with awe - described the rigorous security procedures. They have passed many doors, all with flashing diodes and demanding access cards to prevent the wrong person from being in the wrong place at the wrong time. At the very top of the building, there are the offices of the highest executives, after a total of perhaps five doors that all require pass codes. The hierarchy demands that the offices gain size as they gain altitude. At the top, they are posh. This is the final goal of all the residents of the building. The denizens of the lower levels of this tower of power are not allowed to pass through as much as half the doors leading to the top level. In this manner, the eternal desire to climb to the top is preserved.

The hacker is called to this place. The man on the other side of the desk is not evil. He is not inhuman, psychopathic, or simply cruel. He is diligent. He believes in the ten stories of concrete through which the hacker has just been transported. He has been, for his entire life since leaving the university, a part of this hierarchy. Since he is a CEO, he has been among those displaying the greatest loyalty and faithfulness to the company and the entire social system which has enabled it to exist. He can not, for the life of him, imagine that any of this could be based on an incorrect assumption - that there could be anything wrong with the market economy system, a giant wheel in which he himself is but a tiny, tiny cog. Somewhere deep inside, he retains a small illusion of freedom and independence which he nurtures tenderly.

He has a lot of respect for the hacker. The 20-year-old on the other side of the table managed, after all, to breach all the walls he has built. And the hacker didn't accomplish this through violence, but through intelligence. He manipulated Telia's computers. He was one step ahead of Telia's own security teams. The boss is impressed. But at the same time he knows, based on his fundamental appreciation of the society which lets him live in a plush two-story house with a housewife, two kids, and two cars, that this kid is wrong. The boy is a criminal, and should be treated like one. He knows that he is dealing with a dangerous individual. He has completely swallowed the myth of the hacker as a cold-blooded, anarchistic antagonist. It his him , the Chief of Security, who is right. The concrete, the desk, the condo, the market, the school system... all of these back him up. Of course he's right. How else are things supposed to work?

Of course, he has to know how the kid did it. Since he knows that he's right, he feels entitled to use any means available. In the concrete chambers in Göteborg, Farsta, and Kalmar, his devoted servants stand at attention - IBM 3081 d, AS/9000, Sperry 1100/92 - computers that obey his every command. Even before the hacker was brought to the office, he had lists printed of all the calls that this individual had made during the last six months. An exhaustive list, with dates and times down to the second. So he called his girlfriend in the middle of the night after a two-hour call to a toll-free number in the States? Why? Is she involved as well? It'll be a long interrogation. The hacker on the other side of the desk doesn't know that the list that is about to be put in front of his nose by Telia's security chief is totally useless from a legal point of view. Nothing is witnessed or signed; only five calls have been traced. These calls constitute the only binding evidence.

The hacker, with his boring middle-class background, looks across the table and straight into the eyes of the impressive boss. He locks gazes with Gibson's psychopathic Tessier-Ashpool concern. He sees the enormous company's pulsating brain sitting in front of him, dressed in Lacoste pants and a white shirt. The question is whether he understands this.

The BBS that Vanished
Let's imagine that a group of cyberpunks, in the near future, create a BBS named Pheliks to spread information using a powerful personal computer with several telecommunications lines. Stored on this BBS is pirated software, drug recipes, anarchist pamphlets, in-depth descriptions of Telia's AXE switches, documentation for smart credit cards, and much more. The software industry, spearheaded by Microsoft, are pissed. The credit card companies, spearheaded by Visa and Mastercard, are pissed. The police, wishing to maintain order, knows that this is against the law and feels compelled to act. Unfortunately, the cyberpunks are aware of the possible countermeasures of the police and other authorities, and have implemented their own counter-countermeasures. When the authorities call up the BBS they are greeted by the following message:

Pheliks BBS - open 24 hours at 28.800 bps.

NOTE: Pheliks BBS is open to amateurs. Police, journalists, researchers, or other persons in an official capacity, as well as business persons or representatives of non-profit organizations, are NOT WELCOME. If you belong to any of these categories, we humbly but firmly ask you to terminate your connection to Pheliks BBS. Press ENTER to confirm that you do not belong to any of the above categories. Press +++ath0 to terminate the connection.

Through this messages, paragraph 21 of the data code is invoked, with the result that anyone not complying with the request is guilty of a computer crime. In this way, every form of electronic search is made impossible, and the BBS is not threatened by governmental agencies or research institutes, which are bound to stay within the law.  Journalists could in this case appeal to their moral right, as a third power of the State, to breach the data code in the public interest. The software companies, in the form of Business Software Alliance, would also (most likely) not give a shit about the data code and proceed despite the message. After a scoop in the papers, combined with repeated anonymous tips (read: lobbying) from the BSA, and combined with some sort of surveillance indicating that there might even be illegal drugs in the same location as the BBS, the police could raid the BBS after all.

However, the cyberpunks have predicted this scenario as well. When the cops bring the BBS computer to the station, they find that the part of the hard drive containing the BBS's information has been encrypted with the Securedrive program. This software uses 128-bit DES encryption, known to be uncrackable. To encrypt your hard drive is perfectly legal - businesses do it to protect confidential information from theft, and as opposed to everyday locks, encryption cannot be opened by force. At the same time the police turned the computer off, it became useless as evidence. For investigative reasons, of course, the cops could keep the computer for a century or so, and in this manner prevent the suspicious activity from recurring. Unfortunately, computers are not that expensive. Even before the investigation has begun, the well-organized cyberpunks have gotten a new computer and restored the entire BBS from tape backups stored in a totally separate location. Companies use the same method to protect valuable information from theft, fire, or hardware malfunction.

The police can then, given reasonable cause, install surveillance equipment and record the traffic to and from the BBS, record cyberpunks keystrokes, etc., in order to make a successful bust. But this is very expensive, and there has to be a good reason for such measures. It is also probably that the software companies resort to illegitimate measures. Perhaps they retain a samurai hacker, like the computer cowboy Case in Gibson's novels, to enter the BBS and crash it on the orders of the company. Perhaps some company manages to convince Telia to shut down the BBS's phone lines. In this way, established society can protect itself against the cyberpunks, and maintain the ideals that have been threatened.

The real danger occurs when too many groups like that appear, hiding from governments and companies, or form an organized, nationwide base. The worst thing that can happen is that the BBS moves to an unknown address on the Internet, possibly in Taiwan or Chile. If you can afford to rent space on a computer on the other side of the world (which probably is cheaper than having your own), there are no problems with maintaining such an operation from Sweden. This is when the cyberpunks can go from information syndicate to broad, underground, political movement. And this is the real threat to established society. It is not certain that it is a threat to society from a historical perspective. I will return to this question.(12)


1. German authorities took this approach in trying to shut down Radikal , an extreme-leftist magazine, which - intelligently enough - has stored their files on a computer in Holland. The endeavor became a fiasco: about thirty supporters copied the documents to their own computers, with the result that Germany would have to disconnect the entire world to get rid of Radikal .

2. Japan, for example, has a very liberal view of material that people in Sweden would most likely put in the category of child pornography.

3. I am not fond of international governmental organizations except as forums for discussion. As such, they excel. On the question of international retaliations and such, I am undecided.

4. I. e., computer crime sometimes pays - if you're the baddest.

5. Some may object to me defining this in my own terms. This is because there is no legal framework within which to discuss the issue.

6. I am greatly indebted to Anders R Olsson for many of the details regarding the origins of the Data Code and the inception of Datainspectionen.

7. This is probably the reason that Europe's largest hacking magazine, Hacktic , is based in Holland. The hackers later started an Internet company called XS4ALL, which is one of the largest and most controversial Dutch internet providers.

8. On the other hand, I don't think that this type of government is ideal, nor that it will last in the future.

9. In case you are wondering: yes, I've studied social psychology as well.

10. I have obtained this information from an anonymous technician at Telia. Ronnie Bjarnfält, at Telia National Security, claims that the logs are normally only kept for 24 hours. I have personally seen logs comprising three months of telephone traffic.

11. Anonymous hacker in october 1996: "I am inside Telia's firewall again... they installed a new one that was much better, but I got around it..."

12. All "fictional" events in this episode have occured in reality.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch11web.htm0100664000175000017500000011566607311654724014377 0ustar miccemicce CDNE Chapter 11 - Artificial Intelligence

INDEX

Chapter 11
ARTIFICIAL INTELLIGENCE

Discussions about artificial intelligence (AI) are frequent in many contexts, not least in those that are treated in this book. That's why I've given AI a chapter of its own.

AI is a multi-disciplinary science, encompassing electronics, computer science, psychology, sociology, philosophy, religion, medicine, and mathematics. This is by no means an exaggeration; creating AI entails knowing how "normal" intelligence works, which is easier said than done - since the only object we know with certainty to be intelligent is the human brain. AI ultimately concerns the study of behavioral sciences in order to build models based on natural science. Our intelligence, it has been discovered, is strongly connected to our way of knowing the world, or our perception.

AI research is a hot item at the universities, and not without reason: for the first time in history, there is money to be made in AI. Companies that are increasingly employing electronic means for communication and administration are in need of computer programs to handle routine tasks, like sorting electronic mail or maintaining inventory. So-called intelligent agents are marketed, customized for various standardized electronic tasks. From a cynical perspective, one could say that industry for the first time can replace thinking humans with machines in areas no one had thought could be automated. (I should add that it can hardly be called automation, since the truly intelligent programs actually think, as opposed to just acting according to a list of rules).

There is a number of approaches and orientations within AI. Among the most prominent there are: expert systems (large databases containing specific knowledge), genetic algorithms (simulated evolution of mathematical formulas, for example, to suit a certain purpose), and neural networks (imitation of the organizational structure of the brain, using independent, parallel-processing nerve cells). As information databases like those on the Internet become larger and more numerous, agents can work directly with the information without having to understand people. Why assign a person to do research when you might as well let an agent do it, more quickly and for less money? (Whoever has ever looked for information on the Internet will realize how useful a more intelligent search tool would be).

There is also research in the field of artificial life, which really are "living" organisms that live and reproduce in computer systems. Computer viruses constitute one form of artificial life, albeit somewhat unsophisticated and destructive. Artificial life has hitherto not achieved any substantial success. (Unless you want to view computer viruses and all the companies and consultants that make a living fighting them as a success - they have evidently boosted GNP). Research in the field of artificial life began with a program called Life, by John Conway, and was a mix between a computer game and calculated simulation. Bill Gosper, hacker at MIT, became virtually obsessed with this simulation. Later on, it was improved and renamed Core Wars, the idea being that many small computer programs would try to expand and fight over system memory (core memory), with the strongest ones surviving. The programs are exposed to various environmental factors similar to the demands put on real life: lonely or overcrowded individuals die, programs are exposed to mutation risks, system resources vary with time (daily rhythms), aging organisms die, etc. Tom Ray has been especially successful in the field with his Tierra program. His artificial life forms have, through simulated darwinistic evolution, managed to develop programming solutions to certain specific problems that were better than anything man-made.

I have already mentioned that hackers have a respect for artificial intelligence that is completely different from that of people in general. A person growing up constantly surrounded by computers does not see anything threatening in the fact that machines can think. He/she sees the denunciation of AI as a sort of racism directed towards a certain life form. If you criticize artificial intelligence, saying that it can never be the same, only humans can think, etc., then consider the fact that there is no scientific basis whatsoever for supposing that the human brain is anything but a machine, although it may be made of flesh.

These thoughts date back to Ada Lovelace and Charles Babbage, two of the progenitors of computers, who discuss the subject in a piece called Thinking Machines, published in the 19th century. However, these ideas did not become widely known until the 1960's, through films such as the horror movie Colossus - The Forbins Project (1969), in which intelligent military computers take over the world. This notion also figures in the Terminator films, with the only significant difference being that the computer's name is Skynet - thus, not much new under the sun in popular sci-fi. The fear of artificial intelligence actually dates all the way back to Mary Shelley's Frankenstein (1818), and perhaps even further back in history.

In the fiction of Frankenstein, the fear of AI is personified. This story, about a scientist who creates a lethal intelligence, has become one of the new symbols of the industrialized world, in the same class as early Greek mythology. There is a connection between the Bible and Frankenstein, in that the creation (mankind in the Book of Moses, the monster in Frankenstein) rebel against its creator (God and human, respectively). In Judaic mythology there is a corresponding myth about the clay-man Golem, who runs amok when its master forgets to control the creature. It has occurred to me how far ahead of its time this myth was: Golem was made of clay, and computers are made of silicone, which is made from sand. The maker of Golem, Rabbi Löw, feeds a piece of parchment with the name of God on it into the creature's mouth, in order to make it "run". This is comparable to the engineer "feeding" software into the computer. To stop the runaway Golem, the Rabbi removes the parchment from its mouth, whereupon the creature collapses into a pile of dried mud, robbed of its spark of life.

Thus, the fear that mankind - like God - will create intelligent life from dead matter is found as early as in the two 19th-century myths described above. This rather unfounded fear of rebellion against God makes up the foundation of much of the hostility directed towards AI research. The fear is based in the Biblical myth of Adam and Eve eating the forbidden fruit, and the possibility that another creation will follow in our footsteps. I will, however, overlook these myths, and instead focus the argument on the philosophy underlying AI-research: Pragmatism with its heritage of Fallibilism, Nihilism, and Zen-philosophy. (Don't let these strange word discourage you from reading on!)

One could ask why scientists promptly have to try to create artificial intelligence. After all, there are already people, so why attempt to create something new, better, something alien? Asking this question of a scientist in the field is akin to asking a young couple why they promptly want to have children. Why raise a new generation that will question everything you have constructed? The answer is that it's something that simply just happens, or is done: it is a challenge, a desire to create something that will live on, an instinct for evolution. This is perhaps also what partly motivates hackers to create computer viruses: the pleasure of seeing something grow and propagate.

Our entire society and our lives are so interlinked that they cannot be separated. Society, machines, and humanity - everything has to progress. Evolution doesn't allow any closed doors, and AI is, in my view, only another step on the path of evolution. I see this as something positive, while others are terrified. At the same time, one shouldn't forget to note the commercial interests underlying the expansion of AI. Computers reading forms, sorting information, and distributing it, is obviously simply another way for the market to "rationalize" people out of the production chain, automating clerical work, and making the secretary and the accountant obsolete. The board of directors of a corporation is, as usual, only interested in making money and accumulating capital. Wouldn't you? What is the hidden nature of this complex entity (or as I would refer to it, superentity) that we call "the market", and which constantly drives this process of development forward?

If you are interested in knowing more about AI and its philosophical aspects, it is to your advantage to read a book called The Intelligent Age of Machines, by Raymond Kurzweil (1990). To learn more about the inner workings of AI, read Douglas Hofstadter's Gödel, Escher, Bach: An Eternal Golden Braid, which is both an elevating and depressing work. In one respect, it is a scientific validation of Kafka's thesis: to correctly comprehend something and at the same time misunderstand it are not mutually exclusive, which is an observation that (fascinatingly enough) is akin to the paradoxes within Zen Buddhism, a religion that in some aspects border on pure philosophy. To explain some of AI's mechanisms, I need to explain some things about the part of Zen that is associated with philosophers like Mumon, and which has less to do with sitting around in a lotus position and meditating all day. Zen, in itself, is a philosophy that can be dissociated from Buddhism and viewed separately. Buddhism is based on respect for life, in all its forms, Zen, by itself, makes no such demands, being a non-normative, non-religious philosophy.

Zen, or the Art of Breaking Out of Formal Systems
Zen has also become one of the most influential "new age" philosophies in the West during the 80's and 90's. Books like Zen and the Art of Motorcycle Maintenance sell amazingly well. among other things, Zen Buddhism suggests that the entity that Western tradition calls God (and what the Buddhists call the Brahma of the Buddha) is in fact a sum of all the independent processes in the universe, and not a sentient force. Therefore, God is equally present in the souls of humans as in the circuits of a computer or the cylinder shafts of a motorcycle. Put simply, Zen is one long search for the connection between natural processes, in the cosmos or the microcosmos, and this search in itself constitutes a process that interfaces with the others. Zen Buddhism is the search in itself, the point being that Zen (an abstract term for "the answer") will never be found. Searching for Zen means that one continually come to a point where one answers a question with both yes and no. For example:

Q: Is the ball in the bottle?
A: In one way, yes, if the bottle's inside is its inside, and in one way, no, if the bottle's outside is its inside.

Zen constantly toys with our way of defining our environment, our method of labeling things as well as people. Zen teaches us to see through the inadequacies of out own language and assists us in dismantling fallacious systems, as in when, for example, we've gotten the idea that all criminals are swarthy (or that all hackers break into computer systems!). Zen is the thesis that no perfect formal systems exist, that there is no perfect way of perceiving reality. Kurt Gödel, the mathematician, proved that there are no perfect systems within the natural sciences, and the fact that there are no perfect systems within religion should be apparent to anyone who isn't a fundamentalist.

Zen could be said to be based on the following supposition: The only absolute truth is that there are no absolute truths. A paradox! - which is, naturally, a perfect starting point for the thesis that reality cannot be captured and all formal systems (like human language, mathematics, etc.) must contain errors. Even the proposition that reality is incomplete is incomplete! Truth cannot be fully expressed in words - hence the necessity of art and other forms of expression. I will end the discussion of Zen now, but hopefully you understand that many become confused and annoyed when one tries to explain Zen, given that the explanation is that there is no explanation. For example, note a quote by William S. Burroughs: "language is a virus from space", expressing his frustration with the limitations of human language. Even Nietzsche criticized language, finding it hopelessly limited, and feminist Dorothy Smith has a theory concerning the use of language to control the distribution of power in society.(1) In the Western philosophical tradition, the equivalent of Zen is called Fallibilism, a philosophy based on the theory that all knowledge is preliminary. This has subsequently been developed into a philosophical theory called pragmatism, which views all formal systems as fallible, and thus judges them based on function rather than construction. Gödel's Incompleteness Theorem is probably the most tangible indication that this conception of the world is correct.(2)

A lot of modern mathematical theory of so-called non-formal systems are associated with both Zen and Chaos theory. A non-formal system creates a formal system to solve a problem. In order to have a chance of understanding a (superficially) chaotic reality, we must first simplify it by creating formal systems on different levels of description, but also retain the capacity to break down these systems and create new ones. For example, we know that humans are made up of cells. We also know that we are made up of atoms, and as such, of pure energy. Nature invites to so many levels of description that we have to sift through them to find those that we need to complete the tasks we have selected. This is called intelligence.

There are also other philosophies that draw on parts of Zen: for example, Tao views contradictory pairs such as right/wrong or one/zero (the smallest building blocks of information) as holy entities, and focuses on finding the "golden mean" between them (the archetype is Yin and Yang, a kind of original contradictory pair). Our Western concept of thesis-antithesis-synthesis also belongs to this group. The strength - and weakness - in these approaches are that they instill in their followers a belief that moderation is always best, which can be both true and false according to Zen (depending on how you view it). All such attempts to force reality into formal systems are of course interesting, but definitely temporary and constantly subject to adaptation. Another philosophical system using this mode of thought was the pre-Christian Gnosticism, where the original opposites are God and Matter. These become intertwined within a sequence of Aeons (ages of time, imaginary worlds, or divine beings). Gnosticism probably originates (in turn) from an old Persian religion called Parsism, created by the well-known philosopher Zarathustra, who initially claimed that the world was based on such opposites.

Zen's way of thinking is partially a confirmation of the so-called nihilistic view of reality, in which objective truth does not exist, and partially a denial of it: it is simply a matter of point-of-view. Objective truth exists inside formal systems, whereas outside them, it does not. By breaking out of a formal system in which reality is described in terms of right and wrong, or intermediate terms such as more right than wrong, one finds a part of the core of intelligence. Being intelligent means being able to build an ordered system out of chaos, and thoroughly enough to be able to view one's own system from the inside and adjust one's own thoughts according to its rules. AI research has - in an amazing fashion - shown that this ability is completely vital to any intelligent operation whatsoever.

The difference between the real world and the one pictured inside the formal system of one's own creation has ruffled the feathers of such grandfathers of philosophy as Plato, Kant, and Schopenhauer. It has made them decide, after languishing analysis, that the real world is defective and incapable of approaching their own perfect, mathematical world of ideas. (Please note my mild insolence; as a 24-year-old layman I shouldn't be able to claim the right to even speak of these great philosophers. The alert reader would notice that I'm very busy questioning traditional authorities ;-). In science, this conflict is known as the subject-object controversy. Even in such "hard" sciences as physics this conflict has proved to be decisive, especially in Bell's Theorem (well-known among physicists), which has puzzled many a scientist. (I'm not going to go into the details of Bell's Theorem, but I'm employing it as a reference for those who are familiar with it).

When AI researchers sought the answer to the mystery of intelligence, they came into conflict with scientific paradigms. We need to use intelligence to understand intelligence. We need a blueprint for making blueprints; a theory of theoretical methods, a paradigm for building paradigms, etc. They found a paradox in which a formal system would be described in terms of another formal system. This is when they took Gödel's theorem to heart - a proof that all formal systems are paradoxical. The solution to the problem of creating a formal system for intelligence was self-reference, just like a neuron in the brain will change its way of processing information by - just that - processing information. The answer to intelligence wasn't tables, strict sets of rules, or mathematics. Intelligence wasn't mechanical. For intelligence to flourish, it would have to be partially unpredictable, contradictory, and flexible.

Many hackers and net-users are devoted Zen-philosophers, not least because many of the functions within computers and networks are fairly contradictory. The section of computer science concerned with AI is self-contradictory to the highest degree. Programming is also the art of creating order from an initially chaotic system of possible instructions, culminating in the finished product of a computer program. If this section has been hard to understand, please read it again; it is worth comprehending.

Humans as Machines - The Computer as a Divine Creation
Most hackers view people as advanced machinery, and there's really nothing wrong with this; it is simply a new way of looking at things, another point of view within the multi-facetted science of psychology. Hackers in general are futurists, and to them the machine (and thus the human) is something beautiful and vigorous. I'll willingly admit that to a certain extent I also view humans as machines, but I'd like to tone that statement down a bit by saying that we (like computers) are information processors - we are born with certain information coded in our genes, and in growing up we assimilate more and more information from our environment. The result is a complex mass of information that we refer to as an individual. The process by which information is handled and stored in the individual is known as intelligence. The individual also interacts with the environment by symbolically absorbing and emitting pieces of information, and thereby becomes a part of an even larger process, which is in itself intelligent. (If you're of a religious persuasion, this could be taken as an example of hubris) But what about the difference between computers and humans?

Two things: the computer knows who has created it, and human life is clearly time-limited. It has been proposed that the uniqueness of a human "soul" is a product of just these two factors, and that it's therefore only uncertainty and finitude that makes life "worth living". Of course, the theory could be challenged by proposing that its two premises are negotiable from a long-term perspective. Hereby the reader will have to draw his or her own metaphysical conclusions; the subject is virtually interminable, and the audience inexhaustible.

"I have seen things you humans can only dream of… Burning attack cruisers off the shoulder of Orion… I saw the C-rays glitter in the Tannhauser Gate… All these moments will now be lost in time, like tears in the rain."

(The android Roy Beatty in Ridley Scott's Blade Runner, understanding some of the meaning of life in his final moments)

By delving deep into psychology, the subject becomes simpler. An intelligent system, whether artificial or natural, must be checked against a surrounding system (what we might term a meta-system) in order to know the direction in which to develop itself. In an AI system designed to recognize characters, "rewards" and "punishments" are employed until the system learns how to correctly distinguish valid and invalid symbols. This requires two functions within the system: the ability to exchange information, and the ability to reflect on this exchange. In an AI system, this is a controlled, two-step sequence: first information is processed, then the process is reflected upon. In a person, the information processing (usually) takes place during the day, and the match against the "correct" pattern occurs at night, in the form of dreams in which the events are recollected and compared to our real motives (the subconscious). The similarity is striking.

Through this line of reasoning, we can draw the conclusion that people have an internal system for judging correct action against incorrect action. As if this wasn't enough, we also know that we can alter the plans by which we act - i.e., we are not forced to follow a specific path. In this sense, humans are just as paradoxical as any informal system, since we have the ability to break out of the system and re-evaluate our objectives. However, the great philosophers of psychology, Sigmund Freud and Carl Jung, found that there was a set of symbols and motives that were not subject to modification, but rather common to all persons. Freud spoke of the overriding drives, mainly the sexual and survival drives. Jung expanded the argument to encompass several archetypes, which referred to certain fundamental notions of what is good and what is evil.(3) These archetypal drives, which seem to exist in all animals, appears to be the engine that propels humans into the effort of exploring and trying to understand their environment.

This is the most fundamental difference between persons and machines. There is nothing that says that we should have to let intelligent machines be driven by the same urges as we are. Instead, we can equip them with a drive to solve the problems for which they were constructed. When the machine evaluates its own actions, it is then constantly driven towards doing our bidding. Isaac Asimov, the science-fiction writer, suggested such things in his robot novels through the concept of the laws of robotics, by which robots were driven by an almost pathological desire to please their human masters. This relationship is also found in the modern film Robocop, in which an android policeman is driven by his will to indiscriminately uphold the law.

Towards an Artificial Age - AI and Society
Aspects of AI is mirrored by the media of our time - Blade Runner is about the difference between man and machine, AI figures heavily in cyberpunk novels, music and film, and in 1995 the movie Frankenstein makes a comeback in the theaters. Coincidence? Hardly. An exciting example of this trend is Arnold Schwarzenegger's role as the robot in Terminator 2. In the film, the artificial intelligence holds human characteristics, as a result of being programmed by a human rebel instead of a brutal military force. It also touches upon aspects of the consequences of carelessly handling technology (as when Rabbi Löw lost control of his Golem). Of particular interest is the scene in which the robot, being machine, simply follows its programmed instructions to obliterate people standing in its way as opposed to finding peaceful solutions. The lead character, John (which incidentally happens to be a skilled hacker), discovers a dangerous "programming bug" in the robot's instruction set, which he corrects. The message of the film is that technology and AI are good things - if used properly and supervised by human agents. The real danger is people's ignorant nonchalance.

The Swedish movie Femte Generationen ("The Fifth Generation") again deserves being mentioned in this context. Fifth-generation computer systems are simply another name for artificially intelligent systems.

Lars Gustavsson makes a strong impression with his beautiful sci-fi novel, Det Sällsamma Djuret Från Norr ("The Strange Beast from the North"), which treats the metaphysical aspects of AI in a thorough and entertaining manner. His thoughts on decentralized intelligence are especially exciting, which suggest that a society of ants could be considered intelligent, whereas a single ant could not - and in this manner, all of humanity could be viewed as one cohesive, intelligent organism. This view is taken from sociology, which has become very important to AI research.

Flows of information are an indication of intelligence. This is confirmed in the model of society as a unitary sentient force. The intelligence of individuals and societies are undoubtedly related; the ability to store and process information through the construction and dissolution of formal systems is a sign of intelligence. Society is an organism, but at the same time it is not (yes, this is very Zen). These ideas go all the way back to the founder of sociology, Auguste Comte. I have myself coined the term superindividuals as a label for these macro-intelligences known as corporations, the market, the state, the capital, and so on. I will return to this subject further ahead.

Again, it is possible to emphasize the relatedness of chaos research and intelligence; intelligence can be seen on many different levels, each constituting a formal system in itself. One system is akin to another, and they form as strangely coherent pattern. Our intelligence seems to be united with our ability to enforce chaos.

Alan Turing and the Turing Test
Alan Turing was one of the very first people concerned with making machines intelligent. He proposed a test that could decide whether or not a system was intelligent - the so-called Turing Test. It consisted of placing a person in a room with a terminal that was either connected to a terminal controlled by another person, or to a computer that pretended to be a person. If the test subjects couldn't tell the difference between man and machine, i. e. that they couldn't make a correct judgment in half of the cases, the computer could be said to be intelligent.

This test was rather quickly subject to criticism by way of a theory called The Chinese Room. This entailed running the Turing Test in Chinese, with a Chinese-speaking person at one terminal and a person that didn't speak Chinese at the other. For the non-Chinese person to have a chance to answer the questions posed by the Chinese-speaker, he/she was to be presented with set of rules consisting of symbols, grammar, etc., through which sensible answers could be formulated without the subject knowing an ounce of Chinese. By simply performing lookups in tables and books it would seem like the person in fact spoke Chinese and was intelligent, although he or she was just following a set of rules. The little slave running back and forth, interpreting the Chinese-speaker's questions without knowing anything, was compared to the hardware of the computer, the machine. The books and the rules for responding constituted the software, or the computer program. In this way, it was argued that the computer couldn't be intelligent, but rather only capable of following given instructions.

However, it turned out that this objection was false. The one that the Chinese-speaker is communicating with is not solely the person sitting at the other end, but the entire system, including the terminal, books, rule sets, etc., that the poor stressed-out fellow in the other room used to formulate answers. Even if the person sitting at the other end of the line was not intelligent, the system as a whole was intelligent. The same goes for a computer: even if the machine or the program is intelligent in itself, the entire system of machine + program very well could be. The case is the same for a human - a single neuron in the brain is not intelligent. Not even entire parts of the brain, or the brain itself, are intelligent, since they cannot communicate. The system of a person with both a body and a brain, however, can be intelligent!(4)

From this follows the slightly unpleasant realization that every intelligent system must constantly process information in order to stay intelligent. We have to accept sensory input and in some way respond to it to properly be called intelligent. A human without the ability to receive or express information is therefore not intelligent! A flow of information is an indication of the presence of intelligence. From this stems the concept of brain deat - a human without intelligence is not a human.

We might finish this chapter by defining what intelligence really is (according to Walleij): Intelligence is the ability to create, within a seemingly chaotic flow of information, systems for the purpose of sorting and evaluating this flow, and at the same time incessantly revise and break down these systems in order to create new ones. (Note that this definition is paradoxical, since it describes the very process by which the author was able to formulate it. You can't win… :)

1. Probably a form of structuralism.

2. "Correct" is always a vague term in the field of philosophy. Don't take it too literally, and keep in mind that this is popular science...

3. Theories which are now out of favor with the established authorities. Oh well. Enimvero di no quasi pilas homines habent.

4. Or maybe not. It is impossible for a person to become intelligent without the society that surrounds her, and therefore it is the system of human + society that is intelligent… etc. etc


INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

 

 cfi-3.0.orig/en/ch12web.htm0100664000175000017500000005707307311654724014375 0ustar miccemicce CDNE Chapter 12 - Virtual Reality

INDEX

Chapter 12
VIRTUAL REALITY

I will now talk about something that is horribly overestimated, but inevitably influential when it comes to the future - at least when viewed as a phenomenon. I hesitated for a long time before deciding to include virtual reality (VR) in this book, but I realized that it obviously belonged to the subject of electronic culture. The reason for my hesitancy is that this area of research has been so hyped up and misunderstood that it has assumed almost religious proportions.

Virtual reality was originally a term that meant imagined reality. It's the same sort of reality that role-playing enthusiasts occupy when they navigate an imaginary world. In its original form, this artificial environment requires a considerable degree of imagination and patience. VR has progressed from traditional pen-and-paper role-playing games to interactive role-playing games on the Internet, so-called MUDs (Multi-User Dungeons), and not until the 90's did the term become synonymous with the technology that allows the creation of realities using computer-generated sound and graphics. In a MUD, a certaain protocol is established in order to communicate directly with other people, which uses a language that is an extension of the written word. It is possible to state which way one wishes to communicate with a fellow player. For example, one can make clear the one wishes an utterance to be taken ironically, coldly, or erotically. One could write: "Say 'hiya!' in a humorous manner to X", by which X receives a message like this: "Y says 'hiya!' to you in a humorous manner". It is also possible to strike poses, and to emote feelings. You might receive a message such as: "Y smiles an ironic smile".

This mode of communication over the Internet has had a decisive influence on the language that is used in written debate in the electronic universe. The most well-known conventions include the sign for humor, :-) (a smiley-face, sideways), and the sign for irony, ;-) (a winking smiley-face), as well as writing in ALL CAPITALS to indicate shouting. In addition to these, a slew of more or less commonly accepted symbols has arisen. This is the first step towards network-based transmission of symbols with another meaning than the purely linguistic. It creates the first possibility of using "tone of voice" and body language in artificial worlds.

IRC (Internet Relay Chat) is an extension of MUDs. It is possible to do pretty much the same things in IRC as on a MUD, except it's a little closer to reality. Some set up private IRC conferences and chat within an exclusive group, while others spend their time on some of the many open groups, such as #Sweden, which works sort of like a text version of phone chat, for Swedish speakers. Today, about 1,000 Swedes use IRC on a regular basis.(1) IRC has a rigid technocratic hierarchy in which those who know more about the system have more power, and can push other people around about as much as they please. Democracy doesn't exist: on every channel there's a number of "royalty" (so-called chan-ops, or channel operators) who sometimes "fight" for control over the channel. In IRC there is also the possibility of conducting information trading, which entails trading information using one simple command: /dcc send nick file. IRC has already developed into a subculture, with its own values and pecking orders. A surprising number of women use IRC.

This technology is just the first step of a progression that will take us to infinitely more sophisticated forms of communication than we know today. In experimental facilities, the imaginary environments become more and more real, so much that many have started to question the difference between real and imaginary reality, concluding that it is mostly a matter of definition. But let's start at the beginning.

No single person has been more important to virtual reality as Jaron Lanier. Jaron moved to California in 1981, with the intention of living as a hippie and playing the flute on the streets. Instead, he stumbled into a job as computer game programmer. After some time in the field, he started a company called VPL (Visual Programming Languages) with his own money and started a non-profit project which involved developing a programming language. Programming languages are the languages that people use to communicate with computers and tell them what to do, Examples of common programming languages include BASIC (Beginners All-purpose Symbolic Instruction Code), Pascal (after the mathematician of the same name), and C (named by someone who thought the naming conventions for programming languages had gotten out of hand).

Now, Jaron didn't want to write any old programming language, but THE programming language. He thought programming was one of the most fun things he knew, but it was reserved for an all-too-small group of people. He thought everyone should be able to program. Instead of just allowing a tiny elite of programmers to build mathematical and symbolic models of reality, he wanted to place this tool in the hands of the common man, with a minimal amount of prerequisite knowledge. The language was finally named Mandala.

Many people that try using a computer for the first time thinks the whole thing is too abstract and contains too many theoretical concepts. A computer student I had once said:

"You can tell me that this here is a command, and that it has this and that property and works in such and such a way. It's like telling me that this is a hammer, and it works like so. I'll never understand unless I get to hold the hammer."

He hit the nail on the head. If people won't adapt to computers, then computers would have to adapt to people. If Mohammed won't come to the mountain, the mountain will have to come to Mohammed. That was Jaron's idea: make the computing environment as real as possible, remove that keyboard if it causes so much frustration, and take away that two-dimensional screen if flat symbols are so hard to understand. Create an entire reality around the user so that he or she feels at home. The concept of virtual reality was born. Of course, this idea was not entirely new. The first time the concept of VR came up was supposedly in 1965, through Ivan Sutherland at Utah university. But Jaron was the first one to try to realize these ideas, and make money off them.

VPL was founded in 1985. Since then, nothing's been the same. In 1991, us regular people made our first acquaintance with VR as W Industries released its computer game Virtuality everywhere. Newspapers, radio, TV - everyone told the story about this new and fantastic invention. It was also at thaat time that people started making comparisons to William Gibson's novel, Neuromancer, and discovered obvious similarities between the way the lead character, Case, connected his brain to a computer to enter cyberspace, and the gols of VR. That was when people seriously started questioning the direction our society was heading, and it is also among the reasons that William Gibson is such an important writer.

All of it is not as strange as it is sometimes presented. By applying sensors to the body that register all its movements, the computer can sense how you move about and then generate sound and visual impressions that agree with the way we're used to perceiving reality. The sound is created by a quadrophonic sound system that allows us to place sound spatially, and images are displayed three-dimensinally since the computer draws an image for each eye. This is VR today; no more, no less. Objects can be perceived as three-dimensional and sounds can be generated as to make us think they came from the object in question. Nothing strange there, just normal manipulation of our sensory capacities, just like a computer screen or a loudspeaker, only more sophisticated and refined. Machine-generated hallucinations or tangible dreams are other possible terms for the technique.

Jaron, then, envisioned VR as a form of programming language, primarily intended for creating models to facilitate research and education, and to make the capacities of the computer more accessible. This is not exactly how it turned out. Some inventions have the ability to shock their inventors by turning out to have applications far wider in scope than the inventor could ever dream about. Nuclear power is probably the most frightening example of this. VR was transformed from a programming language into a medium.

We have a handful of media in our society. We have various sorts of literature. We have theater and film. We have radio and television. We also have multimedia, like computer games and hypertext, which is a kind of improved text that allows us to read textlike a database instead of like a book. And now we have VR, and that too is a form of medium. More specifically, it is the most powerful medium that humankind has ever created. VR envelops you in all dimensions and commands your complete attention, just as if it was your real life that was involved. You can run, but you cannot possibly hide from it. (Imagine what a fascinating medium for commercials: Depends diapers chase you into a corner and suffocate you to death.)

When Jaron was well underway with his project, he realized that he needed help to complete it. He enlisted the aid of the MIT media lab, which had already helped in enlightening the world through the graphical interface. (An interface is the set of things that exist as a bridge between the computer and the user, like the screen and the mouse). This was later to be used by Xerox, Macintosh, and Microsoft (in that order), and we nowadays know it under such product names as System 7 and Windows. The military got into the action, as usual. They had already experimented with flight simulators to train pilots before sending them into action. VR was viewed as a possibility of improving the simulators, and even to develop very accurate systems for remote presence, in which a pilot might be able to steer a plane into enemy territory while physically being located in a bunker back home in HQ. Such a system would be an economical way of maintaining pilot ranks, as well as permitting them to build planes that could stand physical stress way beyond the tolerance of any human pilot. Like RC planes, but cooler (and much more dangerous). Therefore, the military blew a huge load of money on VR research. War, as always, has a way of making technological research move by quantum leaps and bounds.

It's difficult to say what importance VR will have in the future, In a way , it changes nothing - we all experience VR every night, in dreaming. The difference is that in VR we can control the content, and employ highly tangible dreams for our own purposes. One of the greatest areas of VR application is therefore in psychology, since dreams has a primary importance in the study of the human mind. It is quite reasonable to expect VR to be used in very sophisticated therapy. Or brainwashing, if that's what's desired. Brainwashing is not always a negative thing; in inpatient psychiatric care, rapists and killers are treated with a very advanced form of brainwashing to cure pathological behaviors. Such care can certainly be improved and become more effective with VR. Conversely, VR can be abused.

As a medium, VR holds enormous potential. When we communicate across electronic links, we don't feel as if we actually meet someone. The anonymity that goes with a telephone receiver allows us to spit out the most daring utterances, since we don't feel physically intimidated. When we speak on the phone, we are constantly distracted by other events in our surroundings. When we communicate via Internet, it is impossible to use any form of real body language or tone of voice. The only way to communicate feelings in an electronic conference is by writing lightning-quick and misspelled sentences to express upset, or using typographical conventions to communicate states of mind.

In VR, we can use as much body language as we want to. We can make the encounter totally similar to reality, as if we were meeting in the same room. We can make it more than real - we can inflate ourselves to twice our size if we want. We can disguise ourselves as anyone, and decide exactly what the room should look like. I can experience it as if we're at your place, and you could feel as if you were at my place. We can actually be in two places at once, so that both of us feel at home! (Translator's note: the old line that goes "your place or mine" would become obsolete.). I could be at a steel mill, with the noise in the background, and you can be in the forest listening to the birds singing. I think you're sitting on a treestump, and you think I'm sitting on an anvil. Anything's possible.

In sociology, the science that studies the relations between humans, the concept of symbols is used to denote that exchange of information between people that goes deeper than language. As opposed to language, such symbolisms cannot at present be stored or synthesized. This is one reason for inventing written languages. A language that can be stored enables a cultural heritage that spans generations, and gives humanity a so-called collective consciousness. The concept of a symbol includes, in addition to spoken and written language, body language such as glances and involuntary movements (in linguistics, gestures and such are called paralinguistics).

Symbolic language between people consists of genetic as well as learned components. Animals that cannot speak or write communicate exclusively through "primitive" symbolisms of the sort I just mentioned. Symbols can be thought of as the bonds that tie people together in groups, societies, and entire systems of societies. Not unexpectedly, symbols figure heavily in AI research; most AI researchers view all of a person's consciousness as the construct of a flow of symbols in one form or another, and intelligence itself as one great information-processing system. (But I've already talked about that…)

The goal of virtual reality is that all symbols should be able to be stored and synthesized. It's supposed to become the perfect medium of communication between people - even better than reality. And this is perhaps what makes it so frightening. The computer offers the possibility of twisting symbolic language. If you control the computer, you could use it to appear as great and conceited as possible, and your own picture of reality would be distorted so that other people appeared as dorks. The line between illusion and reality could become fuzzy indeed.

It is completely impossible to predict what this would do to our way of perceiving the world, and other persons in particular; the only thing that's certain is that it will change. Sometimes, people speak of the cultural or sociological atomic bomb, where VR is a threat that could destroy all our norms or even our entire perception of reality. Any prediction in this field at present must be considered pure speculation, since no one communicates by VR to any great degree.

However, sci-fi authors already warn us of the dangers of VR. One of the first examples is Philip K. Dick's short story called Wholesale Memories, later made into the movie Total Recall, and other examples include the Illuminatus!(2) trilogy, our beloved X-Files, and the movie Videodrome (1982). All of these are based on the horrific scenario of not knowing what is real and what is imagined(3) - in other words, paranoia based on reality. I have myself written a short story in this vein, and begun another which I never completed:

"Sometime that year, a group of eager scientists inserted the first Carcer chip into the skull of a deaf-dumb and quadraplegic test subject. When the affluent layers of society gradually migrated towards a better, artificial world, these slaves, people whose will would never make itself known due to the iron grip of the Carcer chip, would be left behind to run the power plants, the farms, the food processing plants, and all the other necessary societal institutions.

Many free persons understood that the Carcer project was inhumane fromk beginning to end, that the people in the bonds of the chip no longer had a will of their own. Yet they were reluctant to leave the material well-being that they had built for years in a world that didn't exist. Their brains were connected to the machines by electrodes, and their peripheral nervous systems with its arms, legs, and eyes, were disconnected. Physically, they lived out their days suspended in a tank filled with isolating liquid kept at body temperature.

The freedom of a number of less privileged individuals was worth sacrificing for the free men and women that now lived in invulnerable bodies made of data, and who mentally controlled political events. (…bla bla bla)"

But - to be honest - don't worry. People are rather sensible beings, all things considered. There is no reason to suspect that we wouldn't be able to exploit this new resource in a reasonable fashion. However, virtual reality in combination with AI gives us a new picture of the importance of human beings vs. society, which is the subject of chapter 15.
    

1. This number is constantly rocketing upwards.

2. Fredric Jameson has claimed that the entire cyberpunk/tech noir genre is simply a reformulation of the theme illustrated in Illuminatus!, which is a global network of interwoven organizations and informal circles (which actually exist in some form) described as a metaphor inside the computer - the electonic network. The incomprehensible electronic organism becomes a model for the incomprehensible power. I don't agree. The computer is fascinating in itself, and one is not a symbol for the other. Possibly, you could view the two as an important concept-pair.

3. One philosopher who's written a great deal about the dissolution of reality in a kind of "virtual reality" or "hyperreality" goes by the name Jean Baudrillard.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch13web.htm0100664000175000017500000017573007311654724014377 0ustar miccemicce CDNE Chapter 13 - Net-attitudes, Technocracy, and Democracy

INDEX

Chapter 13
NET-ATTITUDES, TECHNOCRACY, AND DEMOCRACY

Selling and owning information is a profession today. Journalists, PR professionals, consultants, and lobbyists base a large portion of their professional pride on the ownership of information. Naturally, they don't want to share their information unless they get something in exchange, and the things we give them in exchange are decent salaries and social status. Their professions are at risk of being fundamentally changed by information technology, and many of them are aware of this. How?

At MIT, the first hackers left their programs (in the form of long strips of paper with holes in them) lying in a box next to the computer. They did this partly so that whoever wanted to could examine them, but also so that whoever felt like it would be able to improve and expand the programs. This open-hearted attitude is an example of typical "hacker mentality", and has since then characterized almost all research and program development that has taken place over the Internet. This falls under Rule 1 in the chapter about cyberpunk: the hands-on imperative.

There are lots of programs that have been developed according to a principle called Stone Soup. This is one of the oldest - if not the oldest - methods in software development. The first hackers at MIT, in the 60'd, worked according to this principle. Today it works like this: a programmer manufactures the core of the project, a working program that provides the foundation for the end product (the stone in the soup). The programmer then puts the program on the Internet and tells all the amateur programmers out there: "Here's the program - if you find any faults and know how to fix them, then please do so. Then send the changes back to me."

The original programmer then assumes the role of editor, accepting suggestions and constantly adding to and modifying the program. The end product is then distributed for free. The PC programs Fractint and Pretty Good Privacy (PGP) are just two of the great mass of programs that have been created in this manner. Even if an amateur may not be able to accomplish a lot by him- or herself, he or she is still often an expert at something.

One of the first stone soup programs that was really successful was Tiny BASIC, a competitor of Bill Gates' Altair BASIC, which managed to stand out by being much better than Gates' BASIC, and free. (Guess if that was a thorn in the side to some people). Among modern stone soup products there are entire operating systems such as Linux (a project started by Linus Torvalds at Helsinki University, referred to by many as the most successful hacking project of all time), X-Windows, and the EMACS text editor, used in making countless textbooks and college essays. All of these programs are free.

The communications protocol stack called TCP/IP (Transfer Control Protocol/Internet Protocol), which is about to conquer the entire market for network communications, is also stone soup. (It is used to make computers "understand" each other when "talking" over a network - TCP/IP is to a computer as a telephone receiver and a dial is to a person). This protocol stack is judged by those who develop the Internet, and is constantly revised and improved as the "editors" send out RFCs (Request for Comments). TCP/IP is completely free, and no one has made money from its invention. It has (without any marketing whatsoever) become so huge simply because no one is fighting over copyrights or trying to keep "commercial secrets" to themselves. On the other hand, it's not hard to make lots of money from the knowledge of how TCP/IP works. The knowledge about the product is therefore of greater value to the market than the product itself. This is why some of the people who know TCP/IP are very secretive about their knowledge, in order to maintain a demand for consulting services.

The companies that are marketing their own communications protocols are naturally displeased about this. That's why they gladly disseminate lies which claim that TCP/IP is of poor quality - even that it's bad and worthless. The most common argument is "the more cooks, the worse the soup" - which means that a lot useless junk supposedly makes it into the programs. This is patently false. The discussion groups evaluate every proposed change before it is incorporated. It's a shame that such rumors are sometimes published in major newspapers and magazines (none mentioned, none forgotten). I prefer to listen to experts like Peter Schaeffer who know what they're talking about.

At the front of the defenders of this fundamental technological principle there are people like Richard Stallman, a former MIT hacker who referred to himself for a while as the last real hacker. He established the foundation for GNU as well as EMACS, and his point of view is that software shouldn't be subject to ownership. He is also an influential force behind the Free Software Foundation, which is an organization that primarily concerns itself with the promotion of free software. He has had many software companies up in arms over his method of copying ideas without copying program code, which is known as reverse engineering or simply deconstruction. It involves analyzing a program on an object (machine-code) level, noting its functions, and then creating a program that performs the same tasks. Stallman's productivity in this respect is so legendary that he is referred to as perhaps the greatest and most motivated hacker ever, and fully capable of doing the job of an entire development team on his own. He has also had an influential role in the organization League for Programming Freedom, which has as its mission the liberation of software from patents.

Stone soup software also has the advantage of being easily modified or analyzed in order to find out exactly how it works, since all documentation is accessible to whoever wants it. This is in contrast to software that's been manufactured by corporations, which lock source code and documentation in a vault and charge exorbitant prices to share their knowledge when a problem occurs. The intention is that the user should think that the program is so incredibly fantastic that only the in-house programmers (which are presented as some kind of wizards) are able to understand and improve the program. Talk about a monopoly on information.

Well.

Imagine the stone soup principle being applied to a piece of text, like the one you're reading now. If I had access to an Internet server, I could put this document in hypertext form (which is a kind of text invented by Tim Berners-Lee subsequent to an idea put forth by Ted Nelson, in which consistent subjects or general keywords are electronically linked in order to allow the reader to quickly jump to different points in the text) and put something like this at the end:

"All of you who are reading this - send in revisions and addenda to me, and I'll put them in the text."

It's all free. Anyone could get the document off the Internet. I don't profit from it except for gaining knowledge, and no one else does either. If my document became popular and reached a wide audience, a few experts would (with some luck) contact me with corrections and additions. Not much, but just enough to cover the subject on which that person is an expert. Then, I could assume the role of editor and collate all of this information, put new links in the hypertext and facilitate searching and notices of updates to the text. I would feel that I was doing something useful, but I wouldn't be able to earn a living doing it. After a few years, my document would become an entire database covering almost every aspect of computer culture, more comprehensive, editable, and thorough than any national encyclopaedia, and furthermore it would be written at the grassroots level by people who love what they do.

 So why don't I?

Answer: first of all, I don't have the time or energy.(1) Second, it is not a matter of solving a technical problem like those in a computer program; this text is multi-faceted and highly subjective. It bears the mark of my own values and judgments, and I want it to remain as such in the future. Every word is written by myself and no one else. Call it pride. Further, it has a beginning and an end, and it is possible to critique it as something coherent and static, not as something that is constantly morphing. It is possible to form a clear view of the text that lasts a few days, and this is the advantage of the statically fixed text versus the ever-changing one.

If this were a practical problem of a technical character within any of the natural sciences or medicine, the situation would be radically different. Such hypertext documents are created around the world as we speak. They grow together, forming a world of information, accessible to anyone, anywhere, who has access to the Internet. It's known as the World Wide Web (WWW). By extension, the human hypertextual heritage will grow into a mass of information of such mammoth proportion that it will be impossible to get one's mind around it. It will be like a library of memories for all of humankind. Hypertext is also changing more and more into program code, which erodes the distinction between regular, literary text and computer programs. The professions of author and programmer blend together. This is what multimedia is. The tools used to create multimedia products are not called computer languages, they're called authoring programs.

Some authors of fiction have adopted the idea of publishing their creations for a wide audience, on the Internet. Since fictional writers generally want their works to be read and only incidentally to make money, this is a natural step. The first well-established author to put some of his work on the Internet was Stephen King, on September 19, 1993. Many other authors thought this was a great idea, and published some of their older books on the Web. In Sweden, Lars Fimmerstad was the pioneer in this aspect, with his novel Välkommen Hem ("Welcome Home"), and shortly thereafter Ola Larsmo followed in his footsteps with his short story, Stumheten ("The Speechlessness"). The more established an author is, the more conservatively he or she approaches electronic publication. To a certain extent they live off their book sales, and feel threatened by a form of publication through which they cannot yet get paid.

This progress within media is in step with the trends in organizations, which are being transformed into networks - loosely connected associations without staff or representatives, established for the purpose of answering one single question or solving one specific and well-defined problem (making stone soup), and that have so far stayed connected through mail correspondence and phone calls (exchanges of information). Do not confuse a "network" with a "computer network", even if many "networks" employ "computer networks". Your local bridge club is a "network", and the Internet is a "computer network". A common denominator of all networks is that they distribute information of some kind. (Confusing?) Mnemonic device: bridge club = a network of people, the Internet = a network of computers.

So what's the point of all this?

Well, it is that network documents will quickly become so numerous that it will be impossible to get an overview of them. Therefore, it is (as always) necessary to go through a long and hard learning process, or hire a consultant, to access a specific piece of knowledge. A typical consultant is a watch group that cover some specific area of interest, which we usually refer to as the technical press, only in this context it's electronic. The need for specialized journalism therefore exists in the information society as well. At the time of this writing, such journals cannot get paid for their information services, but a system is under development. That means that you will be able to buy information about anything using your own computer. Naturally, you don't pay with cash, but with numbers.

These technical journalists will basically become the first people to earn their living solely by processing information; they'll be the first ones to enter into the total information economy. The other papers will follow, one by one. Some newspapers, such as Aftonbladet/Kultur (a major Swedish evening paper) have anticipated this, and are preparing themselves for the entry into the information economy by experimenting with electronic editions. Other papers remain content with simply publishing electronic complements to their printed material. (In the experimental stage, all of this is free! Grab the chance now that you have it, because it won't come back). In addition to this, and as a natural consequence of it, we'll get a huge number of electronic fanzines(2), due to the amazing simplicity and cheapness of making an electronic publication. (The hacker culture has spawned hundreds or maybe even thousands of such magazines.) No printing costs, no contracts, no advertisers, just information and motivation. Culture without biznizz.

Cynically speaking, journalists are experts at information trading. It's probably the only profession that even before the time of computers made a living solely by producing and processing information. Journalists do not think that information, and therefore knowledge, should be free and universally accessible. On the contrary, each journalist (at least each specialized journalist) jealously guard "their" information sources, not revealing them without very good reason. The journalist is just as conservative and stingy as the elitist and sectarian hacker groups. For the public good is one thing - but even journalists have to eat. It's about protecting one's intellectual property. The truth is that the fourth state, just like the government and the corporate world, also consists of personal contact networks and hierarchies in which string-pulling ability is very important. Even journalists are totally ignorant of hacker ethics, which to a high degree influences their reporting when it comes to hackers.
The guidelines surrounding electronic publishing indicate the emergence of two new types of media. One will be stored on CD-ROM disks and will contain huge stores of knowledge, such as a database or a searchable encyclopaedia. Interface magazine was first in Sweden to try this. The other type is Online Services, which provide news and information updated daily, hourly, or even more frequently. The
first Swedish online service was probably Text-TV. The first Swedish online magazine on the Internet was Datateknik.(3) At the moment, it is not possible to charge for online services, but that capacity is on its way.

In the long term, CD-ROMs will run into problems. It will soon be very easy to copy the disks, so why should I buy the paper, the encyclopaedia, the dictionary, or whatever, when I can copy it off my
neighbor? Once you try to protect the information from being copied, you can bet your ass that some hackers will come around and crack the protection and copy it anyway. Online services don't really suffer from this problem.(4) Some prophecy the total disappearance of disks in favor of online services, but this is unlikely to happen soon. The need to own the physical form of something, like a compact disk or a print magazine is still strong in our generation.

Others say that mass media will disappear. That depends on how you look at it. Mass media as it is today will certainly go away, but we will also equally certainly get a new definition of mass media. Print publications will most likely remain until we find a way to make electronic information as portable, but that day will come.

The magazine called The Whole Earth Review has aroused public interest in electronic media in the USA. The popular magazine Wired, which I mentioned earlier, is one of the publications that have received a boost from the progress at the electronic frontier. This paper has become extremely popular, not least due to its youthful layout. It has paved the way for several similar magazines across the world, such as Sweden's Z Mag@zine and Hallå, which have apparently gotten their whole business idea from magazines like Wired. They write about the Internet, BBSs, everything falling into the category of media and information technology, and fashion and trends. Both publications have (intentionally) refused to acknowledge the existence of the other. Both are currently out of print, but Hallå is restarting soon.

Other American magazines that seem to be great sources of inspiration for this type of media are RayGun and Gray Areas. MONDO 2000 is a tad too provocative for the more distinguished circles, as it has a rather conspicuous air of hippie and yippie philosophy. Some people are irritated by these magazines, since they write mostly about each other (media writing about other media, journalists about other journalists, etc.) Seeking a cause for this, one would most likely conclude that media products are changing due to the entrance of information technology. Text and images are becoming easier to edit and distribute, and the purpose of journalists is under re-evaluation, etc. It's also not surprising that journalism is of interest to journalists. With the role of media as the "fourth state", critiquing itself is probably necessary function. To spice it up, the subjects are often things that are exciting in real life. Preferably hacking, of course. They're the ultra-hyped spearhead of the "information revolution".

The hackers don't think these magazines are anything special (as the publications seem to think themselves sometimes), but rather refer to them bluntly as hacker-wannabes - trying to write as if they're something they're not. Sweden, for example, is full of Schyffert-wannabes, Guillou-wannabes, and Bildt-wannabes. (As for myself, I'm a Visionary-wannabe ;). The frequent use of trite terms like cyber, powerful, IT, and (insert latest catch-phrase here) is a common denominator for hacker-wannabes, plus that they use Macintosh computers. (Translator's note: HEY! What the hell do you think I started translating this text on?).

The tendency of aggressive competition among hackers is similar to the brutal reality of everyday journalism, and this is probably the reason that these magazines inherit hacker culture and ideals. Few of these journalists seem to understand the friendly, non-American part of hacker culture, which is not as interesting since it's not as illegal, contains much less confrontation, and built more on friendship than competition. This is of course not so strange, since journalists love conflict and in many cases spur it on. (Conflicts inspire great headlines, and attract readers.)

Technocracy
The Internet is often referred to as "anarchistic". This is a gross exaggeration. The Internet is fundamentally technocratic and decentralized. As it was first built, by the university hackers, they wove some of their open-minded attitudes into the web of the Internet. Remember Rule #3 of hacker ethics: Distrust authority - promote decentralization. That is: if I help you, you help me, and nowhere in the core structure of the Internet was there a function for charging each other for the use of communication channels. There were no locked doors, since it was held that everyone should be able to access anything and share their information. (Rule #2: All information should be free.) Just jack in and go. The only things to pay for were the constant phone line connections on which the information flowed, and then you could communicate as much as you wanted.

The entire network has been built using the stone soup principle. Every problem that occurs is posted on discussion groups, after which anyone who wants to may suggest a solution. The users are very eager to help, and usually there are a number of proposed solutions. The proposals are evaluated in the discussion group, and the one that's considered to be the best wins. The result is documented and then distributed as a de facto standard. This technocratic method of problem-solving is radically different from the market model. In a market economy, companies compete for the best solution. Each company has an R&D division that develop a solution, which is then marketed. After that, consumers judge the products by buying the one that suits them the most. The "bad" solutions are thrown out as the companies that fail to get enough market share discontinue their productmaking and buy patents from the successful companies, or, at worst, go bankrupt. In this manner it is suggested that the best product always survives.(5) (Translator's note: it's also highly circular, as the "market" judges the "marketing and marketability" of a "marketed" product).

The problem is that the winning solutions in a market economy aren't always technically superior. They might as well be the best marketed or cheapest products. For example, reflect on how the VHS video system beat the technically superior Betamax system. (According to legend, this was ultimately due to the fact that the VHS format was marketed by the adult video industry…. hmmm.)(6) (Translator's note: How about Windows...). This would never happen in a technocracy like the Internet. A technocracy doesn't allow marketing or arbitrariness to send a good idea into the wastebasket of history. It's pretty typical for the universities to build a technocratic network, since their main goal is always technological progress.

In a market economy, it is the carrot of personal gain and wealth that drive the businesspeople to develop better and better products. In a technocracy, it's personal commitment, fellowship, and the desire to advance knowledge that drives the developers. With the Internet, this attitude towards research and product development has spread across the world, and sometimes it generates solutions that completely beat out those of the market economy. It's not a planned economy, since there's no single authority that finances and evaluates the products. It's a technocracy, based upon individuals in voluntary cooperation.

In addition to the university researchers, who thanks to secure personal finances are able to dedicate themselves to solving Internet problems at work, many people employed at regular market-driven companies have started developing solutions to different technical problems on their own private time. The desire to show one's competence in a technical field, and to be accepted as a skilled developer among others on the Net, has been enough to motivate these people to develop technical solutions. Call it the joy of working or professional pride. (Yes, these still exist even in our time).

Whether technocracy is a threat or a complement to a market economy is hard to predict. Perhaps we're entering a form of knowledge economy. It is, however, clear that with internationalization and the ability to work in small interest groups across great distances, we have found a so-called "nonprofit" force that enables us to perform practical work and have fun at the same time. Group fellowship is the same as that among the hackers, who have long been exchanging experience through letters, BBSs, copy parties, and the Internet. The only difference is that one form is more "respectable" than the other.

As I suggested earlier, it's possible to detect an anarchistic ideological heritage within technocracy. Peter Krapotkin thought that society should be run through the cooperative efforts of independent groups. As opposed to Charles Darwin, who thought that races (and by extension, society) evolved through competition, Kropotkin emphasized the important role of cooperation in the building of a society. The Internet technocracy is in some ways proof that free groups independently set up cooperative relationships without governmental influence. The virtual society is anarchistic, in this way. At the same time, there is an aspect of Darwinism, in that only the best solutions survive. The difference is that this happens as a result of mutual agreement and doesn't affect any people or companies in a negative manner.

A Few Examples
I once (in my foolish youth) wrote an opinion piece and sent it to Datateknik magazine (a Swedish computer publication). In this piece, I lamented the poor availability of digitized (machine-readable, stored in a computer or on disks) literature, and the fact that our cultural heritage wasn't properly electronically stored. I suggested that publishers should be forced to make non-copyrighted material available to the public, every time they re-printed older literary works. I received a well-motivated and angry reply by Lars Aronsson, project leader for Projekt Runeberg, which electronically publishes Swedish literature. In my naïve excitement, I'd simply been thinking practically, and overlooked the market aspects of the whole thing.

Digitized text is of course a competitive advantage during re-printing, and my proposal could hurt the competitive power of a certain company. Another company could (if my system was applied) steal the text directly from the publisher and publish the same book as a new edition, which would lead to a loss for the first company which had paid to have someone enter the text in a word processor.
The fact remains that it is a waste of human resources to let several people carry out the monotonous task of re-entering the same text over and over, instead of storing it in a central location and making it accessible to everyone - companies as well as individuals. This is one of the disadvantages of the market economy, which technocracy is trying to address: the market economy sometimes demands wasting natural resources and duplicating work efforts. You could make an analogy with the development of the mobile phone networks, where several small, incompatible networks are being built instead of one large, stable, and widely adaptable network. Call it greed or competition - but it's not cost-effective.

Naturally, this wastefulness is actually a good thing according to our classical yardstick of the public good. GNP increases, and people get something to do (work). One should, however, ask if people fare well from this. We're living in a time in which the quality of life is measured by socioeconomic number-juggling. Is it a good idea to create problems to make jobs for problem-solvers? To provoke crime in order to employ crime attorneys and investigators?

The technocrats on the Internet, spearheaded by League for Programming Freedom, hold the view that good knowledge should not be subject to patent. The companies, however, do. There's already been open conflict between idealists and profit-hungry corporate people. I've already touched upon the negative rumors spread about "stone soup software". Another example is the fighting over a compression method known as LZW, which is simply a modification of a public-domain method called LZ2, which originated at Jerusalem University. Basically, companies can possess so much chutzpah that they take out patents on methods, developed by idealists, which were originally intended to be public domain. Companies also have the time and money to sue…

Another direct example of the difference between market-driven and idealistic thinking is the way various commercial firms are fighting over email services through the Internet. Swedish Telia has had a taste of technocracy. The background is as follows: Telia has no problem getting access to the Internet. The problem is that Telia wants to decide how certain Internet addresses should appear. It's always a good thing to be able to butter up your customers with a custom, easily memorized number (Like Swedish Railways' 020-75 75 75) Sadly, Telia is not in charge of these things on the Internet. The principle is that all commercial domains on the Internet should have the -COM suffix, as in COMmercial. Instead, Telia wants to give companies the 400NET prefix, which happens to be the name of their commercial electronic mail system.

Bernt Allonen at Telia says this in Z-mag@zine, 1/95: "It's time for the Internet to leave the sandbox… the Internet is in need of strict rules and operators that guarantee performance." With this he's probably tried to say that the Internet should be market-driven, like a company - as opposed to the reality of its current operational mode, namely non-profit/academic - with all its implications, like rigid bureaucracy, market planning, and little hierarchies in which the golden rule is: kick downwards, kiss upwards.(7) Mostly, he would like to see Telia assuming total control of Internet distribution in Sweden, so that things could become orderly. This is not the case, and hopefully never will be. Who really cares what Bernt Allonen thinks? He only represents the expansionist interests of a single large corporation.

The people who hold the most power over the Internet in Sweden are Björn Eriksen and Peter Löthberg. Both are representatives of the open, technocratic attitude, and Björn decides which domains (Internet names or addresses) can be created on the Swedish part of the Internet. To the great chagrin of Telia, their market plans have no effect whatsoever on these academicians. The Internet cannot be bought! May Heaven have mercy. The academicians are not at all concerned about "orderliness" on the Internet. In their eyes, the Internet primarily exists to be useful, not marketable. Is it a good idea to tell Telia that all these idealists and academicians have actually succeeded in building the world's largest computer network completely without competition, market analysis, and commercial ad campaigns? Now that Telia's X.400-network hasn't been as successful as the Internet, what is Telia to do? Well, of course they want the rights to the Internet. Normally, a giant corporation like Telia can indiscriminately purchase and take over their competitors.

Thinking people, however, are much harder to purchase. Telia represents the philosophy of the old market theory, which states that people that cannot be bought for money can be bought for more money. Internet-users, with the technical universities at the base, have a completely different way of thinking. If there had been anything else than market tactics behind Telia's demands, they might have listened. Fortunately, they prefer to continue thinking. Thanks to this view, no one has a monopoly on the Internet in Sweden. Hundreds of companies are currently fighting to provide Internet access. The competition has pushed prices down to an incredibly low level. An Internet connection is today very affordable for a normal person, and everyone who has decent knowledge of the process can buy some computers and modems and start their own Internet node. Variety as opposed to monopoly. From this point of view, the Internet promotes small operators and resists the efforts of giant corporations. Again, refer to Rule #3 of hacker ethics: decentralization.

Rule #3 is also one of the reasons that cyberpunks and others work against Microsoft, and especially its operating system, Windows. When hundreds of hackers were arrested during Operation Sundevil, it was because law enforcement thought that hackers were behind the collapse in the American telephone system on January 15, 1990. Now, it turned out that hackers had nothing to do with it. Instead, the collapse was due to an error in the computer program that controlled the switches. The problem was exacerbated by the fact that the program was used everywhere, and the switches "brought each other down". The only switches that worked fine were those that used another, older program.

Microsoft's Windows is also a program, and more specifically, an operating system, which means that it's a program that is used to enable the user to run other programs. Today, it is installed on virtually every PC computer that is sold in Sweden. Most programs today require Windows in order to function. Therefore, Windows is used by innumerable private companies and governmental organizations, including Swedish Railways and the Swedish national defense. Recently, a new version of Windows, called Windows 95, was released. (8) This will, among other things, be used to provide easy connections between several computers, over the Internet and other networks.

Now, what if there was an error similar to that in the American telephone system's switch software - but inside Windows 95? In that case, every computer that used Windows 95 would crash. There is no way to prove empirically that a computer program is free of such errors. It's thus entirely possible -and it's happened before. Such risks exist with other, nearly monopolizing products, such as Netscape. A few moronic computer folks might think that it's impossible, but so was Chernobyl and Three Mile Island, so I don't buy that. And by the way, I also know what I'm talking about. (Pardon the conceited and provocative comment).

If something like that happened, large parts of Swedish society would be knocked out. We have a parallel case with the virus that in the fall of 1988 crippled the Internet by putting 6,000 computers out of commission. It was an error in the Berkely-UNIX (BSD) operating system that allowed this virus to be created. Some computers were unaffected by the virus - by virtue of using another "dialect", i.e. another version of UNIX, like NeXT or AIX (there's about 11 different versions of UNIX). UNIX basically works in the same way as Windows(9), but there's only one "dialect" of Windows! If all computers had used the same UNIX in the fall of 1988, well, all of the Internet would have been brought down! I'm stating that this could happen even to Windows 95, or one of its successors. If this happened, all Windows 95 systems could crash, if they were networked. It would be a catastrophe of unpredictable consequences to society.

This is where it's important to emulate nature. Variety, in which many different programs work side by side, is preferable. Hackers have always proposed variety and decentralization. In the long term, software monopolies are harmful, and lead to problems in computer systems that resemble those that occur with the inbreeding of living creatures. The only ones able to compete with Microsoft today is IBM, with its OS/2 operating system, and Apple, with MacOS. Personally, I look forward to more competition. Variety, decentralization, and small companies instead of giants and institutionalism is the only thing that's sustainable in the long term. Microsoft cannot be allowed to dominate the operating system market. Chaos is fun. And healthy.

The arrests of hackers after the Jan. 1, 1990 incident was a distraction to obscure the inbreeding within the telephone system and the incompetence of large companies by blaming hackers for what was really a structural problem. What are they to be blamed for next?

There are oodles of examples of how the market's been beaten by home-made solutions. Some computer nerds therefore want to stop this spreading disease by trying to stop the publicly financed distribution channels. One such channel is ftp.sunet.se, an Uppsala computer system which stores thousands of quality, free-of-charge programs. This computer is publicly funded and anyone can connect through the Internet and retrieve any of these programs. This is actually a good thing, since all of Sweden's (and the world's) computer enthusiasts gain access to free programs, but it's naturally a thorn in the side to those who promote a dogmatic, capitalist system as a way if life.

"The greatest problem with ftp.sunet.se is that it effectively undercuts all attempts to start domestically based software companies… Software is the industry of the future, one that we Swedes would have been able to exploit because of our well-educated populace, if it hadn't been for ftp.sunet.se… But how are such companies' products supposed to compete with programs that are 'free' because they have been subsidized by tax revenues?"

(Bertil Jonell, Z-mag@zine #6, 1995)

Here, we have an obvious conflict with another part of the hacker ethic: Mistrust authority. The answer from the established software industry becomes mistrust hackers, which is probably justified in the cases that Bertil mentions above. It is, however, hard to justify this mistrust in the case of mission-critical software such as those in airplanes or medical equipment, since it's impossible to find any such programs written by amateurs. The companies that make such equipment are concerned with their reputation, and don't hire just any hobby-hacker for just that reason. Instead, they get their programmers from the more status-filled university education programs.

We shouldn't pay too much attention to what one person has said on one single occasion. We'll instead treat it as an illustrative example. There is a whole set of values that we think is God-given, but that is actually not self-evident at all. It is not an obvious truth that the well-educated engineer is a better builder of electronics than the kid around the corner who's been a radio amateur since he could walk. More accurately, it's a complete untruth. Granted, some enthusiasts migrate to the finer universities and technical schools, but some of them don't like the formal and strict environment they encounter at all. They prefer to stay at home in their garages and study and experiment on their own. That kind of motivation beats most university education by lengths, when it comes to direct practical knowledge.

Of course, the at-home hacker is usually an individual that isn't very socially adaptable, and who also has a penchant for certain suspicious subcultures. That is most likely the true reason that these skilled hackers aren't hired for positions where they could do the most good. Instead, they sit at home and put together freeware for any and all. (I've talked about what happens in the worst cases in chapter 4 and 10, about underground hackers and computer crime). A university degree is not only a certificate of competence - it also indicates that its possessor is socially adept and has the ability for discipline and obedience that is required at large corporations. A programmer should have the ability to carry out a project without questioning it. No large company is interested in employees that think too independently and develop alternative solutions without permission. Instead, every project is controlled from a high position within the hierarchy. In short: a university degree means, in addition to competence, that the bearer has accepted the authority and power structures that exist within companies as well as educational institutions.

Stone soups cooked by enthusiasts, with many rival solutions to one problem, can beat monolithic corporations in competition. It is obvious that this way of working and looking at the role of the economy in society is part of the foundation of cyberpunk ideology. But here the respectable university hackers enter the picture: people who live normal, family lives, but who grew up with - and created - the first computers during the 70's, and who are now at forefront of the explosive growth in computer development. Their message is the same: Freedom of information! The rational world of computing seems to influence its users in the same vein: towards efficiency, decentralization, cooperation, and exchange of information, and away from bickering, bureaucracy, and monotony. I say that this is good. What do you think?

The World of Science
To understand how people can work their asses off without making a lot of money, one must understand how the scientific virtual community works. The scientific community is a society within society, with its own norms and ideals. Inside, prestige and knowledge counts the most, not how many stocks you own or how big your Mercedes is. Researchers, doctoral students, and other scientists pay to have their creations evaluated by other scientists, simply for the joy of sharing and promoting science.

The view that information and knowledge is public property is so inherent in this community that it isn't even questioned. All this information is published in a few thousand scientific journals across the world, with an extremely small distribution, created by scientists for scientists. Nowadays, more and more of these journals are starting to partly or completely employ electronic publication as a cheaper alternative to print - even within the "soft" sciences, such as Sociology and Psychology. The scientific community has been created to free research and science from the social power apparatus. The only way to do this is by building a culture with its own framework and values, which the hackers also discovered a long time ago.

As you see, the scientific virtual community share significant aspects with the hackers' sub-cultural Scene. They exchange information freely among each other, and ignore the market economy completely.(10) Of course, this throws a monkey wrench into the theories of most economists, since they'd rather see everyone acting according to a rational market model, but the scientific community won't submit to commercialization, no matter how much the rest of society wants it to. The icing on the cake is that the rest of society is dependent on the scientific community. Without science, little progress is made, and the schooling of new CEOs, engineers, psychologists, etc. is completely at the mercy of scientific realms. Therefore, society at large is forced to financially support these scientists. Graciously, the scientists in turn support hackers and some other subcultures by offering free access to computers.

Why do the scientists help the hackers? Simple. They depend on them. The hackers yield many of the ideas for new inventions and research areas. Additionally, many of them work at the universities and technical schools. Some work at the companies that sell information services, and some are even to be found in the IT departments of the largest corporations. It is actually the case that the rest of society is dependent on both the scientific community and the Scene of the hackers. The conflicts that emerge are products of the fact that the technocratic society, led by scientists and hackers, is growing in power over the regular market-based society.

The reason that the establishment wants to control the funding for the Internet is, beneath the surface, a very old one: it is concerned about its POWER!

The Market Paradigm
We have to try to understand the origins of this conflict. Our society, as it exists today, is moving towards increasing levels of specialization. Our entire economic market model is built on it, or rather, on a constantly increasing degree of specialization. Productivity levels in this system must perpetually grow, in order to give a number of anonymous stock owners returns on their investments, so that they can buy and own even more.

If I want to develop software, I need an idea. Then I have to start a company, hire as many programmers as I need, and find some suitable investors. If I can't find anyone to finance my venture, my idea must be a poor one, or I've been looking in the wrong places. When the product is sold, I employ special services for the replication, distribution, and marketing of the software. Any CEO at any software company views the process in this manner.

The problem with this view is that there's no room for creative spirit among the programmers themselves. As a boss, I have to rigidly command them onto the right track. I must never lose control over the end product, and if the programmers come up with their own ideas, I'm of course free to listen to them, but it is still my responsibility as a project leader to decide whether these ideas will be part of the end product. There is no place for the free action of the individual in the market-oriented way of thinking. Only the project leader should know what really goes on with the product, while the individual programmers should only be concerned with the little piece they're working on. There is always an inherent hierarchy built into this form of organization.

Market-economy thinking is also built on a hidden method for hiding knowledge. It would be unfortunate for the project leader if the programmers realized how little influence they really have on the creative process. The same goes for all hierarchically organized companies. The only people that have any idea of what's actually occurring within a company is supposed to be the leadership. If the workers are to have any information, it is transmitted through carefully designed yellow sheets that are dumped in the employees' pigeonholes, in which chosen parts of the company's activities are exposed in order to increase motivation.

We're dealing with a power structure that is anything but democratic. This is the skewed balance of power that is the reason that companies work better than governments. The absence of democracy is very efficient. It's not a secret that the democratic offensive into the Swedish business world, in the form of MBL ("the law of shared decisions") etc., has decreased corporate efficiency. The workers should act under the orders of management, not by its own will. Corporate management has therefore invented ingenious mechanisms to limit democratic control of their companies despite these new laws. These include, for example, constant reorganization in order to hide the mechanisms of authority and give the workers a sense of being in control of their own responsibilities.

The hacker ethic, cyberpunk ideology, and technocracy stand in sharp contrast. All of these views expect programmers to be creative, inventive, and skeptical. The market economy assumes that comprehensive plans are not questioned before they are completed. That's why companies go to great lengths to hire only engineers from universities and technical schools, who have by virtue of their degree been through the social indoctrination to not question.(11) Those individuals who question are sent into other parts of the machine of society: research, politics, and the criminal industry, to produce information of a kind that is important to society in other ways.(12)

1. Of course, as of today I've already submitted this text to the public one time.

2. Which has in fact become the case. I must be psychic.

3. Nowadays, virtually all magazines have an online version. My personal favorite is "Syber-Starlet" (Translator's note: a magazine very similar to Seventeen).

4. Maybe just a little bit. Passwords and other things that the users pay for are often crack and tossed to the four winds…

5. This is a generalized view that presupposes an infinite number of companies, a great number of different products in the same category, and that the "market" is an independent filter that is never deceived by propaganda. This stands in very poor resemblance to reality.

6. Then again, it's probably just a myth.

7. At the moment Telia is undergoing a reorganization which, as everyone who's studied introductory management knows, is aimed at destroying the social networks that have formed in the workplace in order to strengthen the upper echelons' grip on the company.

8. And now Windows NT is the hot thing. And then it'll be Nashville. Hum-de-hum.

9. I know that the know-it-alls are being driven up the walls by statements such as this. If it bothers you, write your own book for those who get hung up on details.

10. Pierre Bourdieu introduces the concept of "cultural capital" in order to try to explain this trend.

11. A slightly mean (and simplified) statement.

12. Svante Tidholm remarked that I have an ability to sometimes reduce the individual to a simple puppet for the powers that be. I understand his view, but I'm not smart enough to get around the way the question is posed. My respect for the capacity of the individual is very great, and I also take the side of the individual in this rigged game. An expansion of my views is found in Chapter 15 as well as the Appendix.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch14web.htm0100664000175000017500000004421707311654724014373 0ustar miccemicce CDNE Chapter 14 - Female Hackers?

INDEX

Chapter 14
FEMALE HACKERS?

Within computer culture, and especially hacker culture, women are rare. Among the phreakers, there were (and perhaps still are) a few women, maybe because telephony is normally considered a female profession. (most switchboard operators and such are women). Rave culture is a little more equal, with about a third of the audience being female. Among the hobby hackers and the criminal hackers, there's only the occasional female enthusiast. Fortunately (I think), more and more women, especially at the universities, have discovered computers through the Internet. Often, someone starts out using the computer as a typewriter, then she hears of online discussion groups and forums for her major, and once she's tried communication over the Net, she's bitten.

The most famous female hacker went under the pseudonym Susan Thunder. (Allow me to jump back and forth a bit between the themes of the book). Susan was a textbook example of a maladjusted girl. She'd been mistreated as a kid, but was of the survivor kind. She became a prostitute as early as her teens, and earned her living working LA brothels. On her time off, she was a groupie, fraternizing with various rock bands. She discovered how easy it was to get backstage passes for concerts just by calling up the right people and pretending to be, for example, a secretary at a record company. She became an active phreaker at the very end of the 70's, and was naturally an expert at social engineering.

Soon, she hooked up with a couple of guys named Ron and Kevin Mitnick, both notorious hackers, later to be arrested for breaking into the computers of various large corporations. Susan's specialty was attacking military computer systems, which gave her a sense of power. To reach her objectives, she could employ methods that would be unthinkable for male hackers: she sought out various military personnel and went to bed with them. Later, while they were sleeping, she could go through their clothes for usernames and passwords. (Many people kept these written down on pieces of paper in order to remember them). Susan therefore hacked so that she could feel a sense of power or influence in this world, despite her hopeless social predicament. For her, hacking was a way to increase her self-esteem.

She was determined to learn the art of hacking down to the finest details. When her hacker friend, Ron, didn't take her completely seriously, she became angry and did everything she could to get him busted. Another reason for her anger was, supposedly, that she had had short relationship with him but he had chosen another, more socially acceptable girlfriend over her. It was probably Susan who broke into U.S. Leasing's systems and deleted all the information off one computer, filling it with messages such as "FUCK YOU FUCK YOU FUCK YOU", and programming the printers to continuously spit out similar insults. Among all the profanities, she wrote the names Kevin and Ron. The incident led to the first conviction of the legendary Kevin.

When Ron and Kevin were arrested, Susan was given immunity from prosecution in return for witnessing against them. Later, she referred to herself as a security expert, and conspicuously demonstrated how easily she could break into military computers. It is beyond all doubt that Susan really had enormous capabilities, and that she really could access top-secret information in military systems. It is less certain that she could fire nuclear missiles. It is clear that she couldn't do it using only a computer. Possibly, with her access to secret phone numbers, personal information, and security codes, she might have been able to trick the personnel at a silo into firing a missile. I really hope that she couldn't. Stories about hackers like Susan provided the basic idea for the movie War Games. Susan has currently abandoned hacking in favor of professional poker playing, which she engages in with great success.

However, Susan is more of the exception that confirms the rule when it comes to hacking as a male endeavor. This phenomenon has lots of candidate explanations, ranging from moronic propositions that computers are unfeminine because they were invented by men (like the sowing machine, the coffee maker, and the telephone), to suggestions that women are somehow alien to the internal competition for status and arrogance that characterizes hackers. All of this is naturally bullshit.

The real reason to the inequality within the computing world is probably that many women are raised to fulfill passive roles. While men learn to passionately engage themselves in discussion over, for example, things on the TV screen, women learn to passively observe and act as social complements on the sidelines. Passion, assertiveness, and arrogance, all typical characteristics of hackers, are seldom encouraged. Women are taught a superficially passive demeanor, in which their only possibility for action is by entrusting it to the hands of men. All exploration of new territory apparently has to be done by men. (Preferably young men). As an example, look at our traditional way of handling emotional and sexual relations, where the general trend is still that men take the initiative and women should provide the passive, nurturing factor. Another factor is that men are more solitary than women. It's an open subject as to why this is, but it is obvious that it is incredibly difficult to break this pattern.

Since hackers are normally of an age in which it is very important to externally display one's gender identity, many women distance themselves from computers out of fear of seeming "unfeminine". This act, which is perceived as an autonomous decision by the individual, is actually part of the social indoctrination of traditional gender roles. Parents and relatives add to this by giving computers almost exclusively to boys, and almost never to girls. Among the home computer hackers during the period of 1980-89, about 0.3 % were female, according to rough estimates. In the U.S., there was a female Apple II cracker who managed to liberate around 800 games from their copy protection. In Europe, the most famous female hackers were part of the TBB (The Beautiful Blondes) group, which specialized in C64 and consisted of four women under the pseudonyms of BBR, BBL, BBD, and TBB, of which BBR and TBB were programmers. They became known on the Scene through a number of demos toward the end of the 80's. Cynically enough, both BBR and TBB died in 1993, not even reaching the age of 20. Among today's Amiga and PC enthusiasts, the proportion of women is a little higher, somewhere around 1% (Source: The Mistress in Skyhigh "17, 1995).

At MIT, the cradle of hacker culture, there weren't any women at all. There were female programmers who used the machines, and even really good ones, but they never developed the obsession found among the young men at MIT. These hackers thought it had to be a matter of genetic differences that caused the women to not fall into this obsession. This is a dangerous opinion and absolutely untrue. According to statistics, most boys who become intensively engaged in computing are around 14-15 years old. The same preoccupation occurs in women too, but usually about two years earlier, since their biological clock dictates it. Most people know what 12-year-old girls can get caught up in with such intense interest that they forget social duties and just concern themselves with the hobby for its own sake. The women's (or, rather, the girls') equivalent of the rather fickle but enchanting object known as the computer, is another object with similar characteristics - a four-legged one, which we usually call a horse. In many cases the similarities are striking, even though it is difficult to prove that the same mechanisms lie behind it. Programming a computer is really not that different from teaching a horse to jump fences. It includes the same measure of competition, control, and ceremony. With the boys in front of the computer, there's an almost empathic passion, just like it is with the girls in the stables.

It's completely obvious that if this trend continues, men will acquire the power in a future society largely built on computer technology. It would be a good thing if more women used computers. Even hackers are generally positively of a positive attitude towards seeing more women in their male-dominated fields. The few women that exist on the Scene have been very successful, and received lots of attention as "exotic" phenomena. The respect for female hackers is very great. Supposedly, there are also female hackers who have hidden their gender and are assumed to be male by their hacker friends. The thrill of playing out such a role isn't hard to understand. For the first time in history, it's been possible to assume a gender opposite of one's own without great difficulty, and for a woman to really be treated like a man.

The German police sometimes use this respect for female hackers to bust hackers and software pirates. By publishing posts and ads on BBSs and in computer magazines, using female names, they attract the attention of their targets. It is a matter of argument whether it's ethically correct to exploit people's emotions in this manner in order to fight crime, and it obviously does no service to equality. It becomes even more difficult for women to break into a sub-culture where they might be suspected of being law enforcement moles.

Pornography, etc.
One cannot fail to note the preponderance of male chauvinism on the Internet and in the home-computing world. Basically, it all started with the game Softporn for the Apple II, by the Sierra On-Line computer company, and the even more successful sequel for the IBM PC: Leisure Suit Larry. The object of the two games is the same: getting women into bed. The fact that the Internet is crawling with soft- and hardcore pornography doesn't help things either. Whether or not this is a sign of a screaming need for sexual stimulation among male computer users is hard to say. (In any case, there's no shortage of pictures of naked men). Naturally, it's less embarrassing to download pictures to your computer than going out and buying porn mags - since no one can see what you're doing. (As far as you know, at least).

A large part of the pictures available on the Internet are marketing tools for different pay-BBSs, from which you can retrieve even more pictures - if you pay… As usual there is, in the porn industry, a ruthless commercial interest in the Internet. Sex sells, and the Net is used as bait in a new and lucrative market. I'm going to emphasize that this is mostly a trend in the U.S. I have yet to hear of a Swedish BBS that works this way - instead, in Sweden it's free to download the pictures, which the users engage in with abandon. A few porn magazines have opened their own Internet zones which users have to pay to gain access to.

Some PC enthusiasts have gotten a bug for collecting porn pictures, and collect them in the same manner as others collect stamps or trading cards. Actually, this hobby isn't anything strange. During the early years of hacking, many collected thousands of computer games just to have them. It was forbidden, since the manufacturers claimed that copying the games was prohibited. Pornography is both taboo and copyright-protected, since they are almost always scanned from porn magazines. It should be added that the porn industry is less than pleased with this type of distribution.

Censoring these pictures on the network is virtually impossible, and not necessarily desirable. The Internet is based on the supposition that you search for the information that you're interested in, and that you thereby bypass information that you find irrelevant, and this is the philosophy that colors the attitude of those who maintain the network. Whoever publishes the information holds the responsibility, and the middleman cannot be blamed for anything. It would be just as consistent to accuse Telia or the postal service of being accessories in crime for not conducting enough surveillance and letter-scanning. Communication should be free.

SUNET (Swedish University NETwork), under the command of Björn Eriksen, distributes the Internet in Sweden. They have so far consistently refused to interfere with the flow of information. (And I hope they never will). Individual universities, however, have (following public awareness) started to block certain discussion groups with themes such as piracy, sex, suicide, and drugs. Blocking pictures in general, however, is much more tricky, not to say impossible. If someone encrypts the pictures, it becomes completely impossible to stop them. The only thing you can do is monitor the pictures stored on the computers inside your own organization, which has led to public intervention against pornography at the Lund and Umeå universities, among others.

If you really wanted to crush the market for the porn industry, you could simply remove its entitlement to copyrights for its products. This would immediately ruin the market for the established industry, and force the companies to go bankrupt in just a couple of years. I will, for the sake of clarity, add that most women who are actively involved with BBSs and the Internet take the whole thing in good stride. If someone insults them with profanities, they usually respond with the text version of a pat on the head - "There, there, calm down now", or something similar.

Even if cyberspace is male-dominated, we can comfort ourselves with the fact that the world's first programmer, George Byron's daughter Ada Lovelace, was a woman. Ada was a real hacker, by the classic definition. She was the product of a failed marriage between Byron and Annabella Milbanke. Just like many contemporary hackers, she escaped painful emotions by dedicating herself to the natural sciences together with her friend Charles Babbage, and completely immersed herself in the quest to construct the analytical machine.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch15web.htm0100664000175000017500000015465107311654724014400 0ustar miccemicce CDNE Chapter 15 - The Cybernetic Society

INDEX

Chapter 15
THE CYBERNETIC SOCIETY

I will now try to summarize what I've written so far, and synthesize this with a number of modern philosophical ideas about people and our society. A cybernetic society is a society of people who live in symbiosis with machines. To understand a society, I employ a simplified concept of an individual, in which he or she is viewed as a construct of information, communicating with the environment by means of symbols.


In the figure, memory stands for the stored patterns in the brain's neurons, thought is the reflections and dreams (daydreams included) that we all have, and the symbols are those chunks of information we exchange with the environment, which can be single individuals as well as the entire family or society that we live in. Such symbols can be human language, but also other conventions that we don't think about much, such as pieces of paper with numbers on them perceived as possessing value, or a certain type of clothing perceived as indicating a certain status. For natural reasons, science uses well-defined symbols called paradigms, which define:

  1. What to observe

  2. What questions to ask

  3. How the questions should be asked

  4. How the answers should be interpreted

(I'll take the opportunity to state that I interpret the sociological-scientific concept of a symbol, as well as the concept of a paradigm, in a very pragmatic and personal manner - raise a hand, whoever cares. This is high-level hermeneutics. Pardon the ten-dollar words).

It is these concepts that the hackers, with Zen and Gödel behind them, contest in their motto number 4: Hackers should be judged for their hacking, not according to suspicious criteria such as academic performance, age, race, or social status, and in 3: Distrust authority. It's an attempt to break out of a system that is perceived as wrong. Marvin (the guy with the telephone cards) spoke in a radio interview of his dissatisfaction with companies hiring people with degrees instead of caring about their real skills and in this way pointed out the shortcomings in our formal social system. Burroughs thought that society would try to increasingly control the thoughts of its citizens, whether its public servants wanted to or not. It is said that an enlightened individual must have the ability to exit the system to see the real patterns behind it, which can't be described using words, paper, or clothing. At the same time, the symbols are vital to our communication as well as our society as a whole. An intelligent individual can, using symbols, detect intelligence in him- or herself as well as in other individuals. We can now view society from a similar perspective:


But what's this? It looks just the same! That's right. In this case, memory is the collective memory in the form of books, films, CDs, or computer programs, stored in libraries or in our homes. Thought is the same as culture, the ongoing process that continuously affects our living conditions. Note also that the symbols, in this case our relationship towards other societies or aggregations, is not the same as our culture. Sociologists often refer to this model as the collective consciousness. As for myself, I've nailed together the concept of superindividual for this model.

The symbols show only those parts of our thoughts, culture, that we want to show. As is well known, this is also how an individual works. An intelligent society detects intelligence in other societies and individuals. The individuals that make up society can very well endeavor to analyze the thoughts that society thinks, but the task is virtually insurmountable, like if the individual neurons in our brains were to try to understand the thoughts of the entire brain. (These arguments originate in research of artificial intelligence in non-formal systems and sociological science). This model is not limited to describing societies and individuals as intelligent organisms, but can also be applied to corporations, military organizations, and others. It is this formal system, the complex society, which sociologists study as scientists, William Burroughs criticizes as an author, and Zen debunks as a philosophy

Now that we've agreed on a common view of individuals and societies, we can start defining cybernetics. I said earlier that cybernetics means people or society in symbiosis with machines. To illustrate, here's a practical example:


We see two individuals, A and B, communicating by way of symbols. So far there's no problem. If we, for
example, suppose that these individuals communicate by sending letters to each other, a problem could occur if one of them has a slight vision problem.

Since people are so ingenious, they naturally find a way around this problem. They attempt to improve their natural conditions. I will illustrate this with an invention that was created around 1290 AD:

We have here one of the very first cybernetic innovations. Reality has been improved by a small opto-mechanical construction that we take for granted in today's society. All people that wear glasses are therefore cyborgs, people who live out their days on Earth in harmony with machines. We're so used to this that we hardly ever think about it. If you're a little more vain, you can get contact lenses, and then you invite the machine into your own body. Glasses constitute one of the modifications that are meant to improve our ability to communicate with the rest of the world. Other cybernetic modifications are aimed at making life more comfortable and bearable for the individual: the wheelchair, the cane, etc. Some are vital, like the pacemaker. Of course, now I've just listed inventions that "correct" human disabilities. Naturally, you can "improve" regular people too, with the aid of binoculars, electronic devices for night vision, etc. The telephone, for example, improves us so as to allow us to communicate over enormous distances. We can also establish hyper-communication.

 

One such medium is hypertext, which is better than normal text. We can also improve our possibilities as a society to exchange and distribute information with the help of transaction systems, satellite TV, etc. Yet another improvement of our perception - and the most revolutionary - will be Virtual Reality. There are, however, a few uncanny aspects of this society. Like, for example, the previously mentioned NetNanny, or when Aftonbladet on July 15, 1995, reassuringly announced that TV sets can now be fitted with a chip that is programmable by parents who don't want their children to watch excessively violent, pornographic, or otherwise unsuitable programs. When the kids try to tune in to a blocked program, the screen turns blue. Fantastic. The question is just who is being programmed: the chip or the children? One of the parents interviewed by Aftonbladet wants to prevent the kids from watching, among other things, SOS - På Liv och Död (cf. the American TV show Rescue 911), which is a program that shows films of real accidents and rescue efforts. What's next? Isn't it just as well to turn off those terrible news, so that you can raise your children in a protective bubble, as far removed from the world as the Russians ever were under Stalin? The risk of abuse of this, and similar, invention is terrible and great.

And this was only an example of what a relatively stupid chip can accomplish. We are already forced to note that our society is no longer formed solely by people, and that not even people are formed solely by other people. When almost every store has electronic anti-theft systems on every product, there's no longer a need for honesty as a virtue, because it becomes impossible to act dishonestly - and thus, moral limits are turned into real, physical limits with the help of technology. We are so singularly obsessed with the public good provided by these machines that we don't question what is happening. A store alarm is nothing to complain about, since it only concerns itself with thieves… One fine day, we'll be hanging around with machines that automatically inject sedatives into all individuals with violent tendencies, naturally only to prevent them from committing violent crimes. That's no concern of yours, is it? You're not a violent criminal. Or?

Just to give an example from a few years ago: in 1984,(1) the computer at Värnpliktsverket (the Swedish national military conscription administration) experienced problems with the result that orders to report for rehearsal training were not sent to all personnel that were obliged to do so. These people received phone calls from authoritarian military officers that interrogated them as to why they hadn't reported for duty. The authorities had received information from a computer, presumed to be reliable, that orders to report had in fact been sent. What's interesting here is not so much that a computer could experience an error, but that it could really control a large military organization. Some of our most respectable military institutions therefore have names that could be used as product labels for various computer brands.

Then, there's artificial intelligence. When intelligent agents enter the picture, complexity increases. We may be forced to ask ourselves if it's perhaps the case that we interact with digital individuals, seemingly possessing their own free wills. A digital individual is created when a computer system becomes so complex that it gains a consciousness, similar to that of humans. This probably hasn't happened yet at the time you read this. The most disturbing example I can think of is a program from Hectare Ltd, which can generate trashy novels for women, i. e. stuff similar to Barbera Cartland's, in a never-ending stream. If you ever suspected that a computer could generate mainstream fiction, your fears have been realized. The program really works, and it's not even very large and comprehensive. Similar programs can reformulate pre-written passages to infuse them with a certain style of writing.

One of the most dangerous power factors with AI is that it can easily produce an endless flow of seemingly intelligent bull, which diverts attention from real problems. To coin a conspiracy theory, I'll propose that there are already publications whose content is wholly or partially computer-generated. Those who wrote the programs are probably mostly concerned with making money and don't care whatsoever about the moral aspects. Wouldn't you? The public doesn't notice. They think they see a human, but it's really a robot. But then again - what's the difference? Curtains.

This is just one of the many possible applications of artificial intelligence. It is the case, however, that the digital individual will one day become so intelligent that it can produce a dialog without any input from one of the persons speaking. The established authorities can then control the individual in any manner they choose. Imagine calling the utility company about having no hot water. You think you're speaking with a human, but you're actually talking to a computer. Everything you say is turned into statistics, with no need for the responsible parties to react to any criticism. The powers that be can filter out your complaints in order to make independent, emotionally neutral decisions… and right about here the argument becomes so fuzzy that I might as well leave it to the reader to finish. (I'm not really a philosopher, just a dabbler in the art). It is at least an amusing thought experiment.

Cybernetic Society vs. Copyright
It is obvious that the cybernetic social model entails changes in our way of viewing information and its role in society. Some things that we now take for granted may become fundamentally altered. An example: copyright. Copyright is the right to own information, or in the case of a patent, the right to own knowledge and make money from it. In jargon, it's called intellectual property. Copyright was created in conjunction with the art of printing, since before that time it wasn't very important to know who owned information and the right to publish it. All knowledge and ideas were in those days considered public domain, and not property. Information was free. Th possibility of owning information is inseparable from the presence of machines like the printing press, fax machines, or computers. Without these, the book, painting, etc., become unique works of art as opposed to a mass of reproducible information. Thus, copyright is an attribute of the early cybernetic society that associates information and knowledge with economy. This applies to all information, printed text or photographs, film or software.

We can then trace the origin of copyright to the emergence of the printed symbol. To emphasize the importance of this development (in order to strengthen the argument), I will summarize the development of modern symbols below:

Symbol Population Cultural Basis Time Period
Primitive symbols Animals Genetic culture  Prehistoric
Speech People Oral culture  40,000 B.C.
Text Civilization Written culture 3,000 B.C.
Print Industrial society Distributed mass-culture 1,500 A.D.
Hypersymbols Information society Information culture 2,000 A.D

The dates indicate the origin of the respective symbol, rather than the date it became widely used. Normally, the transition from oral to written culture is considered to have taken place around 500 B.C., and printed material wasn't very widespread before the Enlightenment (1700s and 1800s). The first date is very hard to ascertain. This is really not that important: the question is not one of dates, but of the history of symbols. It is clear that information technology is causing a change in society which effects are comparable to that of the printing press (at least!).

Symbols change with time. What we consider valuable today can become worthless tomorrow. For example, most people think gold is valuable. If, let's say, a small planet made of gold collided with the Earth, making gold the most common metal on the planet, our view would instantly change to where gold was worth less than iron. By the same token, we would gladly trade all of our gold for food if we were starving, since we also have certain physical needs. You could even say that we have psychological needs, which are (in our modern society) largely generated by advertising, making us willing to trade our economic means, in monetary form, for stereos, sodas, etc. We thus have a conception of the value of things that is based on supply and demand. Supply and demand are controlled partly by nature, and partly by other people. This is what makes us consumers. These concepts are found in all major ideologies.

When other people want to influence our consumption, they use symbols to do so. This can be done by, for example, establishing a certain brand of clothing as synonymous with the symbol called status, or a brand of soda as synonymous with freshness and youthfulness. But this is only the most conspicuous part of the top of the iceberg. In reality, our entire societal system is built by symbols. This is what sociologists cal symbolic interactionism, which is a scientific theory usually associate with a guy named George Herbert Mead - something of a genius of a philosopher, who unfortunately didn't directly write anything, but had a great influence on the field of sociology. Mead defined many of the symbols I've mentioned in this chapter. Mead also touched upon the concepts that will be found later on; among other things, he suggested that the French Revolution was a turning point in modern history, where people for the first time realized that they had a right to change or correct society, and that the state wasn't based on some divine principle. Philosophically speaking, he was a pragmatist who thought that ideas and theories should be checked against reality before being awarded any value or authority. Mead for sure was a supporter of the hands-on imperative. (The pragmatic school of thought is an extension of fallibilism, which is basically the same as Zen).

Ok, fine. What about copyright, then? That's the point I'm supposed to get to. We, as the people of the Earth, have reached an agreement that says that we should view information and knowledge as property. This concept of property, or ownership, is a symbol that we endorse. With the introduction of the information society, the morality created by these symbols becomes fuzzy, to say the least. Morality, or ethics, tells you that you shouldn't trespass on the territory of others, not to harm, not to steal someone else's property. These are commonly accepted moral imperatives when it comes to material property. But when it comes to intellectual property, protected by copyright and patents, we've reached a breaking point. IT forces us to re-examine these principles: it is immoral to enter certain commands in a certain order from your keyboard. Other command sequences are fully acceptable. I can program my own computer, but not someone else's over a network. I am permitted to copy some programs as much as I want to, some not at all, and some with conditions. We become uncertain of what to think, and some succumb to dogmatic condemnation of software piracy, in order to be certain.

Since legislation isn't the same thing as corporate policy, I get mixed signals, like when the gaming company Nintendo asserted that it was forbidden to engage in second-hand sales of computer games. Of course Nintendo is of this opinion, since if people can only buy new games, that lets Nintendo sell more of them and make more money. Under Swedish law, Nintendo doesn't have a leg to stand on. We are faced with conflicting messages from the government and established industry, with the result that we start thinking on our own. Since corporations share economic power with governments, we view both as authorities. We start questioning these authorities - we start thinking independently, and make our own decisions in the absence of clear directives from society. Remember, once again, Rule #3: Distrust authority. The hackers' ethic leads the way through turbulent times.

The hackers discovered severe injustice with regards to information. On the Scene, the 13-14-year-old hackers couldn't for their life understand why only the youths with rich parents should have access to all the fun software. Among the phreakers, there was total disbelief over why only companies and institutions should be allowed free communications - since this was a way to grow! Why accept this? Granted, one could call this lack of respect and lack of understanding of the workings of society, etc. However, no one lowered himself or herself to discussing the issue. The message that the hackers received from the establishment was: "You are criminals. Period." What amazing hypocrisy!

I conclude that the more cybernetic a society becomes, the more difficult it becomes to define private domains of knowledge. The more computers and the more refined technology we get, the more meaningless the concept of intellectual property becomes. This is especially the case with software, for which patents are granted for methods that didn't require any large investment in research and equipment, but only perhaps one or two nights of intensive hacking. The ideas didn't cost anything - it's mostly a case of "early bird gets the worm", and it gets the only worm. It is no longer possible to defend intellectual injustice with material analogies.

This forces us to pose the question: where is the line between freedom of expression and property? What may I copy and what may I not copy? When does knowledge cease to be public property and change into private property? What is happening is that technology is de-boning our entire social systems, holding up its skeleton for all to view. We can see how large areas of cyberspace has arbitrarily been sold out to the profit-hungry gold diggers of the information industry.

Software is an extension of the human mind: of the ability to create, understand, and generalize knowledge. To reserve such a powerful tool only for those who can afford to burn hundreds of dollars on it is not sustainable in the long term. I'm not saying that parasites like the Chinese Triads or other piracy syndicates should be allowed to take the right of ownership from the large companies. What I am saying is that it shouldn't be prohibited for private individuals to freely distribute software and help each other use it. This doesn't exclude competition from established companies, as long as they can provide something that the local hacker can't: printed manuals, 24-hour service, instructional resources, etc. Who knows these things better than the one who created the software? Software is a product that lacks inherent value. It is not the ownership of software that drives society forward, it is the ability to use it, and to teach others to use it. What we should buy and sell in the information society isn't software, but applications and advice - in one word: Support.

As necessary as copyright was in the industrial society, as meaningless it is in the information society. The problem is not separating printed information from electronic information. The problem is that it's no longer possible to separate information from knowledge, and owned knowledge from public knowledge. The line between an idea and the application of the same is being erased as people communicate more and more using machines that have been constructed for that very purpose. By extension, the line between thought and action is also threatened by the development of virtual reality.

Let the software companies fight syndicates, mafias, and criminal groups that make a killing off piracy - this doesn't bother me at all. But, for God's sake, don't condemn the private copying of software between friends with no profit interests involved! This distribution is not immoral, but simply a way of transmitting knowledge. It is wrong if such copying is illegal, and it should be permitted for private individuals to copy as much as they want. It is the dirty money that should be removed from the software business, not the burning interest and enthusiasm of the amateurs! The moral limit is not drawn over the right to copy programs or not, but the right to make money from a program or not! This is the right that should be reserved for the author, if he or she so wishes.

In Sweden, today, I can go into any public library, retrieve any book that I want, go to the copy machine and copy as many pages as I want. Some legislator, in a moment of clarity, realized that preventing this would be an infringement on the freedom of the individual and the possibility of personal development *Code 1993:1007). Information gives birth to intelligence! There is no reason that this freedom should be limited to printed matter. Films, CDs, computer programs… it's only a matter of definition. All of this is information, and nourishment for human intelligence. It is not healthy for the individual to be prevented from copying information. It is sick. SICK!

Patenting a certain sequence of characters - strings of information - sound waves and videograms - insanity. If the people who first invented words for human language thought in those terms, we would have never learned to read or write. Whistling a patented song on the town square one sunny afternoon is a "public broadcast", and royalties should be paid for it. When you're not engaged in making a profit off information - which is by extension to increase your power - when you're simply out to spread joy and knowledge, then information should be free. Period.

There's no point in dragging out an argument about it, and legislate left and right. Sooner or later, we'll reach the jaywalking criteria (Translator's note: in Sweden, it's only illegal to jaywalk if you end up actually interfering with traffic): this is when a crime becomes so common and widespread that it's pointless to fight it, like jaywalking or copying music CDs to tape. Rather, governments and legislators should concern themselves with their own integrity.(2)

Conceptual Breakdown (Copyright Does Not Exist!)
With the decreased clarity of our symbols, what should we expect to happen? To have something to build on, I will with impunity borrow an idea from Thomas Kuhn. Kuhn is a philosopher of science, who has exciting ideas about the way science grows and changes over time. Kuhn's theories are reminiscent of ideas of social development, the emergence of various ideologies, and how we humans grow and change our environment in general. In short: the man describes what happens when people use their intelligence. The most thrilling part about Kuhns theories is that they are very reminiscent of Gödel's theory of formal systems. The basic premise is the following: you have a clear picture of the world, a paradigm(3), such as:

You know that information can be owned, because otherwise this and that company would go bankrupt, and that means this or that to you, which is not good, and therefore you should accept that information can be owned.

Or:

You know that money is valuable since it's based on the country's productivity and quality compared to other countries, and therefore you should accept that a note with some numbers on it is worth money, so that the government (and other governments) doesn't suffer a crisis of public confidence, because then your standard of living is threatened. (Note: slight sarcasm here. Other people might say this in complete seriousness, though ;)

Kuhn thought that paradigms changed over time like this:

Paradigm -> normal conditions -> Inconsistencies -> Crisis -> Revolution -> New Paradigm

With the premise that people generally develop norms (rules for action, bases for judgment) in the same way that scientists form paradigms (models, bases for judgment), I'm applying this system to our society. (Norms and paradigms are kind of the same - both are grounded in human intelligence, and are oriented towards bringing order out of chaos by erecting philosophical systems). These conceptual systems live around us while we don't think about them. For example, there's no law of nature that says we have to divide the day into 24 hours - we would do just as well with 10 or 50. No one forced us to separate musical tones into 12 per octave, because 8 or 16 would work fine too. We define our environment in common terms to avoid conceptual confusion. Sometimes we reflect on these concepts so rarely that we take them for granted, as a natural order, and for that reason we consider people who come up with new conceptual systems delusional. William S. Burroughs expresses this more conspiratorially and ruthlessly:

"There is no true or real 'reality' - 'Reality' is simply a more or less constant interpretive pattern - the pattern that we accept as 'reality' has been forced upon us by the authorities of this planet, a system of power that primarily seeks total control."

(From Nova Express)

When Erik Satie, the poor genius, played his furniture music which broke with traditional patterns of musical creation, he got booed out. When Picasso broke with classical art concepts, many considered him to be an idiot. Cross your heart - how many of you has not at some point complained about art which "you can't see what it's supposed to be"? Gödel went so far as to prove that even something like time is subjectively perceived, philosopher or not. With hackers, we find this rebelliousness in, for example, the B1FF language, where our pre-established notions of the functions of signs are given a serious twist. Many BBS and Internet users write flaming posts when they see someone write a sentence like: y0YO!#%$!! wH4+zZ h4pP3n1n' 4r0uN '3r3 +H3zZ3 d4yZzZ?#$!%??. The question repeats itself: how groundbreakingly creative are you allowed to be? And at which points in time?

From the start, after some turbulent times we've established a closed conceptual system that we have accepted, we live in a stable condition where production and consumption live in harmony with an established societal system, with all that it brings of class divisions and territorial thinking. Now, when the information society brings things to a head, internal inconsistencies emerge inside the system. Is money really based on production? What are the production forces, in that case? Can knowledge be owned or not? This is the period in which our society currently finds itself, and will remain in for quite some time. This is the turbulent era of the post-industrial society. We are breaking out of the complete, near-mathematical system that our society has been stuck in, almost like Gödel broke out of mathematical systems and Zen debunks philosophical theories with direct answers. The Patriarchy, which the feminists want to break down, is another system whose foundations are cracking. (Within sociological science, this condition is called anomie, which means that there is a lack of functioning norms in society, like in today's post-Soviet Russia). This phase is also characterized by mushrooming subcultures and a reinforcement in religious sects, both of which are a result of an anxious search for definite norms not found in ordinary society. Eventually, there will be a crisis that precedes the real information revolution. This is when the most comprehensive societal changes will take place. (We are talking about a social revolution, no necessarily a bloody one). After this revolution, we form a new set of assumptions about how society should function, and it is only then that we have achieved the real information society. Many micro- and macroeconomic equations (or axioms, to be scientifically nit-picky) that are valid in the industrial society will become totally worthless in the information society.

In order for the changes to occur at all, someone has to push them through, committed to partially tearing down old norms to make room for new ones, albeit with some respect for the old society. These are Nietzsche's disciples, or in our case, the most militant cyberpunks with the hackers at the front, who dare to stand for their ideals in a new age. To quote Nietzsche himself: "I'm not closed-minded enough to stick to only one system, not even my own!" It's about tearing down the norms of industrial society to make way for the ones that will put information society on track. It doesn't have to occur outside the established system; what Nietzsche (and others) says is that it may.

Since the 50's and 60's, the younger generation has assumed the role as pattern-breakers, questioning old systems and building new ones. In Nietzsche's time, students and intellectuals were the most rebellious. There's been a shift to where radical ideas are associated with youth, and conservative ideas with age. This is one of the worst pathologies of our system of roles - many young people actually dislike the role as revolutionaries, and become, like in Tom Petty's partially self-biographical song Into The Great Wide Open, rebels without a clue. The pressure to revolt can in some cases become the straw that breaks the camel's back, pushing youngsters into crime and drug abuse. Many acts of rebellion are unfounded and arbitrary, aimed solely at provoking more conservative older folks - but there are some acts that are justified. The revolt against the informational dictatorship of corporations and governments is not unreasonable. It is an ideologically grounded revolution, which deserves being taken seriously.

Tolerance for new concepts and points of view is one factor that determines how closed or streamlined a society is. Nietzsche, in his time, appreciated the majestic music of Richard Wagner, which was another attempt to break out of a degenerating musical paradigm. Even though Hitler later admired both Wagner and Nietzsche, nazism was an ideology that condemned any effort to create new systems of concepts. Towards the end of the 30'', they organized an exposition in Berlin for "ugly" art, mostly modern, which they considered sick or twisted. That's the nature of fascism: after a shining ascension, it loses all interest in creativity and strives only to preserve itself. Can a society like ours, with corporations large enough to intimidate governments, accept an orderly and reasonable debate about the existence of copyright? Or will the system violently seize the power to decide what is public and private property, bypassing pesky democratic channels through lobbying and executive decrees with no debate whatsoever?

Dear readers: I suppose that on your journey through this book, you've discovered how close we really are to the information society.

It's my honest and upright opinion that such a society will either be free of copyright and software patents as they exist today, or it will be an informational dictatorship run by either governments, corporations, or mafias. The latter is the society William Gibson warns us of in his cyberpunk novels. Let's avoid it. I have do not know exactly how this change will occur, nor what the final result will be, just that it will take place.

Cybernetic Society vs. Class Perspectives - The Mechanisms of Power
The British sociologist Basil Bernstein(4) viewed the mechanisms of society like this:

In this system, we can see society divided into a production sphere and a sociocultural reproduction sphere. In the production sphere (corporations, organizations, legislature, executive branch, and counties), power is created, economic, political, and public. The socio-cultural reproduction sphere (parts of the media, entertainment industry, educational system, etc.) exists to justify and perpetuate the patterns suitable to the production sphere.

At the bottom of the picture, we find the nexus of these relationships. The Code is our language, in all its forms. It's actually every social symbol used to exchange information between people and society. The Code is pure information. It is the foundation for the entire hierarchy and social order. Through the linguistic code, society is constantly structured and reinforced in the same ways, which is why Zen, Nietzsche and Burroughs criticized language - they felt subordinated to a social and cognitive system which never changed in any substantial manner. Additionally, language has more levels than the spoken or written. There is pictorial language, music, and all kinds of symbols to use. Basically, all vessels for the transfer and storage of information could be said to be part of this code.

Many believe that the information society will naturally generate the same kind of structure, just because it's always happened before. There is no evidence suggesting that this would be the case - rather, evidence suggests the opposite. The information society inherently elevates public consciousness of society itself to a level which bares its mechanisms. What's actually happening is that the basic units of society become aware of their own role in this gigantic information system, which in turn leads to their desire to improve it. Social progress can thus be further accelerated, like always (you with me?).

Let's employ an illustrative example: a current controversy on the Internet concerns (as I mentioned in Chapter 8) the Church of Scientology and its questionable copyright on the religious documents it produces. According to believers, the documents contain material describing the movement's so-called clearing technology, which is a quasi-science demanding comprehensive and very expensive courses. The Church thinks that only members of the movement have a right to this information. Roughly, you could say that clearing technology consists of hypnosis and science fiction.

The Church of Scientology is a sect, and as such, a society within society. It provides all the functions a society normally provides for a human being. It affords her opinions, morality, social orientation, and so on. The only reason for a member to venture outside the limits of the sect, is to earn his or her own living and thereby nourishing the sect also. Sects, among which I also place the Plymouth Rock people, Jehova's Witnesses, and Livets Ord (a Swedish religious sect), live like parasites on our social system. Almost every clear-headed individual is aware of this. One way of seeing how hermetically closed a sect is, is to apply Bernstein's model on it. Any reader with some imagination shouldn't have much trouble doing this.

Now, participate in a thought experiment that is taboo. Imagine that society is a sect, and that your thought patterns are externally controlled. Imagine that copyright and freedom-of-expression legislation exists to limit your awareness and maintain the social hierarchy, just like a sect's leadership rules its members. Imagine that, despite all of our freedoms, we might be blinded by the delusion that our society is free! Members of a sect are completely convinced that they have made an independent choice to join it, and that they are free individuals. All sect members are convinced that the sect's account of things is the one true account, and all renegades are vehicles of, for example, Satan. Suppose that all members of society are convinced that society's account of reality is the true one, and that criminals, hackers, and other non-conformists are painted in a bad light because it suits its purposes. No sect leaders force their members to obey and serve out of sheer lust for power, but because they actually believe in what they're doing. No politician or CEO forces citizens and employees to do their bidding out of sheer malice, because they also believe in what they're doing. Do you understand Burroughs a little more?

Look society and power in the eye. Why is the Church of Scientology one of the first authorities to cry for law and order, wanting control of information? Why is society not so far behind? Why do we want to keep tabs on the information that spreads through subcultures? Suppose that there are truths you never dreamt of, outside the universe of society. Isn't it the case that behind this jovial façade of the social community a force is concealed, which wants to replace organic sympathy with mechanical obedience?

So what is this superior power? I've already shown what it is: supervisory intelligent entities, thinking units consisting of constructs of people: Corporations, Governments, Nations, Counties, Concerns, Mafias…. they consist of individuals, but they don't think like individuals. They are intelligent, but their intelligence is not human. They can benefit us, but they can also do us harm. They are superindividuals, individuals made out of individuals, united through the control of information, or to put it in another way: power. The problem is that we, as humans, have a horrible time seeing the forest for the trees.

Too many myths are flourishing around people and their society. One of the most despicable ones is the delusion that society is "free". Every society is founded on the lack of freedom - giving up some of your freedom in exchange for security. What every individual should know is that unless you apply anarchistic principles, you have to go through life constantly sacrificing parts of your freedom to superior forces. These can consist of the kinds I enumerated above, and others. The basic obligation a superindividual has to an individual is to inform the individual that "this is what I claim of your freedom, and this is what you get in exchange." Symbiosis, not domination. The nastiest of these superindividuals are those that operate behind the scenes, intentionally controlling and influencing individuals without their knowledge. These are often referred to under a collective term: the "Illuminati", the glowing ones, the "good" people, the circle of initiates.

Look at a new world with open eyes. Break out of the system. Only after doing so, can you understand what you can do for society. (And don't forget to ask yourself if I am, in fact, just a nutty conspiracy theorist trying to see something where nothing exists. That possibility exists, you know.)

1. Wasn't it an exquisite coincidence for this incident to happen in 1984?

2. Here's a present for the libertarians: if the right of ownership is sacred, why do people not respect it when it comes to music CDs, etc.? Would you? Why is the market unable to solve this problem, if the legislature is really so powerless? Say, are there any problems that can't be solved either by the market or the state?

3. This word is one of those that have escaped down from the esoteric, academic levels into normal language. Be careful if you use it around people with scientific training, since the keyword of science is precision - paradigm means one specific thing, not a category. Using the word outside the philosophy of science could be viewed as a vulgar, though common, practice. The opposite of scientific language is found in New Age culture, where it's important to be as fuzzy and imprecise as possible. Popular culture, of which this book is an example, must attempt a balancing act between these two extremes.

4. Bernstein, who was originally a linguist, belongs to some structuralist or post-structuralist school of thought, which isn't really too important in this context.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch16web.htm0100664000175000017500000006040007311654724014365 0ustar miccemicce CDNE Chapter 16 - The Future

INDEX

Chapter 16
THE FUTURE

This book's coming to an end soon, and I should make some predictions of what we can expect on the electronic front in the days to come. If you want a nightmarish vision, then you could read my futuristic novel-in-progress called Digitala Dagar ("Digital Days")(1), but this is science fiction. However, the book is relevant to what follows - which is my personal predictions, not pure fact. Everything I write from this point on is speculation, and since the future is always in motion, I might reconsider the points I'm about to put forth.

The electronic universe is actually a new world, which we call cyberspace. It is a place where small communities of information have been allowed to exist in the state of a sort of loosely organized anarchy. Cyberspace is in the process of becoming civilized as it grows. Within a decade or so, everyone in this country will have access to the Internet and be part of the electronic community, and just like all other communities it suffers from crime and internal conflicts.At the same time, the human factor is always present. Cyberspace is a place occupied by people, and wherever you find people, you find politics and culture. As a tool, the computer is unbeatable; it can construct and visualize with a unique precision. Electronic art is not a fad, but something we will see more and more. The musicians and painters of the future will leave traditional methods and migrate to virtual reality and instruments that don't exist as of yet. Motor skills and rhythm won't be required to make music. The ability to mix colors and execute pen strokes won't be required to make art. The only prerequisites will be imagination and the ability to use technology - which becomes easier and easier to use. Artists who only work with artificial worlds, spacemakers, will basically be able to act as gods in the artificial realities - for better and worse. (Nietzsche's statement that God is dead is frighteningly tangible in a virtual reality). Perhaps professional artists will go away in favor of a large number of amateurs following the introduction of advanced technology into the mainstream.

In early computer art, such as demos, the computer was used like a musical instrument. Just as a guitarist finds hidden attributes in his or her instrument when he/she finds out it's possible to play flageolets, or notes affected by the physical characteristics of the string, early computer artists found hidden potential in their machines. This was particularly the case with the C64 and Atari ST. Modern computer art is more a matter of constraint - in virtual reality, everything is possible: it's the nightmare of the canvas. It's easy to overdo it and become totally incoherent.

Like I said before, the digital universe is just a mirror image of the "real" one. The only thing that's really strange about cyberspace is the sudden proximity of information and other people, and the breathtaking boost in cultural and social evolution that this proximity causes. We hate it for its distorted image of ourselves, reflected as if by a twisted mirror. The behavior patterns of people are ever so obvious within the framework of a computer. Soon, our society will be so interlinked and complex that it will become as dependent on computers as our bodies are on a circulatory system. There is (unfortunately?) absolutely no return. Not even now, today, can we turn back. Our last chance to guide society away from computerization came and went with the 50's. It's not a question of computers or not - it's a question of how to use them.

The new communication channels will fundamentally change the way public opinion is formed. There will be more responsibility on the part of the individual for sorting information. If Swedish youth would suddenly start showing a great interest in certain suspect publications, many people would probably react strongly to this. There would be a public debate of the publications' agenda and opinions.We have no control over electronic publication. No one knows the distribution size, how many copies exist, and when a reader has viewed the paper, it's erased from the computer's memory, leaving nothing - except new ideas, thoughts, and opinions in the brain of the reader. The only way to find out what a person reads electronically, is by monitoring him or her at all times. The responsibility for forming public opinion will wholly or partially shift from society and established media to the individual. Media will have a hard time keeping track of all the interest groups that will arise. All people will be forced to think on their own, whether they want to or not.

The possibility of having an opinion without having to stand up for it is considerable. If political discussions to a greater extent are held electronically, on the Internet and on BBSs, it becomes virtually impossible to resort to personal attacks on people with different views, since every modern conferencing system contains the often-used option of remaining anonymous (under a pseudonym). The rhetoric of public debate will certainly also change in accordance with Rule #3: distrust authority. By extension: distrust the entire social hierarchy. Power always corrupts; the fourth state - the media - is no exception.

The chronicling of history won't be as geographically centered as before. It won't be possible to say that "this idea emerged in Chicago, USA, around 1997". Maybe not even what people were involved. Ideas and social perspectives will spread globally almost instantly. Opinions, ideologies, and innovations of all kinds will be created in the discussion groups on the networks, and they'll be created on a global level and by people from totally different walks of life. Some will be CEOs, some will be thieves, some 70 years old and some 14. The most important thing will be the ability to articulate oneself. No one cares what you look like, where you're from, or how you dress. Perhaps there will be a distinction between ideas that have originated in cyberspace and those that haven't. Debates will be held between those who are interested and seek out the discussion by themselves, not by "pundits". The distance between debaters will become purely intellectual.

Social self-censorship (which means that, for example, publications which defend the use of drugs don't get press subsidies and are consistently resisted) doesn't exist on the networks. Instead, it's up to the individual to decide what's right and wrong. Instead of hiding behind an editor-in-chief, you have to stand for what you write. This tendency is notable in the daily press, where it's become more of a rule to sign articles.

Putting an interactive terminal in the hands of a normal person means considerable change. At first, it's not terribly exciting. You discover the Internet through the World Wide Web, which isn't much more captivating than a library or a TV program. It is one-way information for the individual, and not very interactive. Today, the big companies and institutions largely control the World Wide Web, even though there are brilliant exceptions. It's not too surprising that the small amount of material that isn't commercial has been produced either by public institutions or hackers.

But then, you hopefully discover Usenet, where you can discuss anything between heaven and Earth without being spoon-fed ready-made solutions by experts. You might discover IRC, where you can hold real-time conversations with other people from anywhere in the world. And then you discover that you have many equals, and even that you're an expert on many things, and that your own knowledge is valuable. Then, things start to happen in the homes around the country. Swedes are transformed from passive consumers to interactive world citizens, and this is the real digital revolution. If no market forces (Telia, Microsoft, etc.) succeed in stopping, commercializing, or obscuring it before it has a chance to grow…

It's the case that this planet we inhabit, Spaceship Earth, is starting to become so internationalized that all the people aboard are starting to develop certain common values. It's a rough, uphill ride, but it's happening everywhere. Information technology, especially the two-way kind, will be the decidedly most important link in a society that can stand united in Sweden and Australia as well as in Japan and on Madagascar. This demands communication free from monopoly, and freedom of information. I am convinced that we will find a compromise.

A few years ago, many politicians and sci-fi authors cautioned us about the risk that information technology would be used to control people everywhere. (The examples used included Ira Levin's One Fine Day, Karin Boyes' Kallocain, and George Orwell's 1984.) This is what organizations like the EFF want to stop at all costs. The encryption program PGP was created just for this purpose, and this gift should be considered a social good deed. The encryption expert, Zimmerman, is maybe deserving of the Nobel Peace Prize for his service to the protection of "healthy disobedience".

When I was younger, I had a diary with a small lock on it. Many adults have one too. Now I don't need to lock my computer, because encryption is enough. It's in any case much more effective than physical locks for protecting information. The problem is that criminal investigators, for example, may very well consider my diary part of the investigation material. I don't think so. My thoughts belong only to me, and I'm not going to abandon them to anyone. The desire to read other people's diaries is, in my view, just a step on the way to the desire to read other people's thoughts. Diaries are an improvement of one's memory, an extension of the intellect. Where is the person? In the body, or in the diary, or both? Some diary-keeping people discover details of their past that their brains have forgotten… "My actions occur in my body, but parts of my mind are on the bookshelf". Yes, we're information-processing individuals, all right. And information technology is so many times better than a library ever was at storing and processing information.

If you want to write anything hidden from the mafia, the government, or your family, you should use encryption. The possibility to erect a "firewall" against the oversight of authorities is vital to any democracy. PGP, in one swoop, puts humanity's collected mathematical science between you and the superior powers. Zimmerman's crypto also allows you to set up "bug-free" communication channels.(2) Encryption is a fact, and I suggest that anyone who wants a bit of personal freedom and privacy use it. I'm not going to deny that well-applied encryption will make it impossible to stop nazi propaganda, child pornography, violent movies, and that it can partially protect criminal syndicates. I'm split on this issue, but I ultimately think that it's worth the price to protect the private lives of individuals from governmental, corporate, and organizational control. Furthermore, there's already crypto around the homes of the country. As for me, I got my copy of PGP on a CD supplied with the magazine Mikrodatorn (a Swedish home computing magazine), and which can be found in any well-stocked library. No authority in the world has the possibility to decrypt information that's been encrypted, using today's technology. Prometheus has already stolen fire from the gods, and no one can call it back.

I observe the changes in society with excitement: encryption can perhaps end the Pepto-bismol policies that, for example, in the case of child pornography, treat the symptoms instead of the disease. For we all have to conclude that it's not pornography in itself which is the problem, but rather that there is demand for it. This, however, is a harder problem to address…

It wouldn't surprise me at all if there was soon another debate about prohibition in our stuck-up Swedish media. A debate such as the one in 1980, which started when Kulturarbetarnas Socialdemokratiska Förening (the Social Democratic Association of Culture Workers) wanted to prohibit TV satellite dishes in order to prevent Swedish residents from watching unsuitable television programs. (Which, in retrospect, looks pretty absurd). Of course - attack technology, there's never anything wrong with people.

The debate will naturally be caused by something that upsets the average family: drugs, pornography, political or religious extremists. All of this is now available on the Internet, mostly in the form of text or pictures. Tomorrow, it'll be there in the form of sound and motion pictures. In the future, it might be some form of virtual reality. The U.S. Congress has tried to prohibit effective crypto, and the European Union has issued directives banning un-crackable encryption. Naturally, nothing will come of either one, at least nothing that will be respected any more than the prohibition of, say, jaywalking. Human nature includes an ability to resist every form of thought control. (Or should we call it information control?)

If people have any sense (and they do), they'll realize that we're dealing with international problems. Mom and apple pie are disintegrating, and the problems of the world are approaching from every direction. At some point, perhaps we'll realize the need of even more international cooperation, and of course it's just as difficult to keep international problems outside the EU as it is to keep them out of Sweden. The information society grows towards internationalization by its own force. All of this thanks to some hackers who created ARPAnet, later to become Internet, and which interconnected the whole world, for better or for worse. The change has just begun. It is without doubt the most beautiful, magnificent hack ever executed. The university hackers hacked down barriers between educational institutes, then between countries, economic interests - and yes, between people. Maybe I'm being a bit dramatic, but you know what I mean.

Rave culture and electronic pop music aren't fads - we'll get more and more of them, more genres, and we'll educate professional musicians who've never played anything but techno music, even at public institutions. The joy and vitality of rave culture's futuristic shows yields optimism and a belief in the future. With luck, rave culture will become for today's youth what 60's rock was for the baby-boomers; a symbol of rebellion, identity, and creative thinking. And in contrast to dystopic cyberpunk and many other modern trends, it is happy and optimistic, not regressive or doomsaying. The same goes for many other forms of electronic culture, including electronic film as well as multimedia and online culture.

The most prominent danger to democracy in conjunction with new technology is the risk that not everyone will have access to it. In the US, almost every well-to-do middle-class family has a computer, and even a modem. In the ghettos and industrial suburbs, it's a pipedream. In Sweden, where the gap between classes is not as wide as in the States, there's a marked risk that the gap will increase if not everyone has access to computer technology. If not, information will be available only to those who can afford it. Remember the second rule of hacker ethics: All information should be free. Internet and public computers at all the schools and libraries around the country, even grade schools and community colleges, is a given. A computer for each student is desirable. State subsidies for computer equipment is a valid issue.

I'm fully aware that I express political opinions now, and I'm placing myself squarely against those who think that technology, high-level jobs, etc. should be reserved for the elite. Neither do I look up to hackers that are just out to show off and don't care about anyone else. Following political and economic democracy, we're now approaching a democracy of information. Information for the people, perhaps. It's my hope that information technology will provide the foundation for a more democratic society than we have today.

You should think before judging a hacker. A hacker is generally a middle-class youth who have acquired possibilities that normally only the richest upper-class kids can revel in, using computer technology. They've done this simply by going out there and grabbing everything possible. Isn't this really what our whole modern, class-based society's rules of the game are all about - that the privileged should be able to pick and choose, but the less privileged get long sentences if they try to get some of the goodies?

To categorically state that hackers, phreakers, virus makers, or crackers are public enemies is bullshit. It's simply pointing to superficial factors and appealing to authority. Saying that a phreaker, taking some phone time in a fiber cable to talk to his buddies in the States, is a thief because the law says so, is placing 100% trust in the makers of the law. It's reducing the problem to legal text. It's a senseless oversimplification. Every law is constantly in motion - that's how it actually works. You're one of the people that are obligated to change the law if you realize that it is wrong.

Isn't the real crime of the hacker that of challenging values and power structures that seek to distribute influence and property unequally? For his or her own gain in the beginning, certainly, but still. The true crime of the hacker is perhaps that he or she has "cracked" human software, the social protocol that's been programmed into out minds since birth.

And the university hackers - without them, we wouldn't have any of the computer technology we have today. All new ideas of any worth have emerged at MIT, Stanford, or Berkeley, by kids who've worked passionately for minimal pay and under uncertain employment terms. And most of them haven't earned a dime of profit from their inventions. Instead, IBM, Microsoft, and the other giants have raked in the profits. And the hackers are not at all upset! They think that technology - information - should belong to everyone. They never had any commercial interests. They thought it was fun!

On the pinball games at the autonomous rave and anarchist club Wapiti in Lund, Sweden, the text OBEY AUTHORITY is sarcastically displayed on the kitschy LED screens. Man has assumed control of the machine.

1. And I'm damned if I know if I'll ever work on that project again.

2. Currently limited to electronic mail, but a telephony version is under development.


INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

 

cfi-3.0.orig/en/ch17web.htm0100664000175000017500000013220707311654724014373 0ustar miccemicce A CYBERNETIC UTOPIA

INDEX

Chapter 17
A CYBERNETIC UTOPIA

In an ideological utopia, one can discern a decentralized community with the perfect technology for creating virtual reality, in which really only technology, communication, the legal system, and food production has to be state regulated. (Everything else can be synthesized in artificial reality). What the individual engages in in his or her virtual reality - like electronic dreams - should be protected from all governmental control. Perversions and aggressions can be realized without putting other people in danger. Therefore, it is suggested that people would become more harmonious creatures, with a mind free from the oppressive norms of society, finding their way back to the real values. (Whatever they may be). It's about disconnecting the individual consciousness from the collective consciousness - for better and for worse.

In such a cyber-utopia, the real reality and nature have lost their meaning, since you can experience an artificial one that's much better. In a cyber-utopia, people are driven by group fellowship to explore the world. Small interest groups can research their areas and communicate over the networks. All boring, dangerous and monotonous work is conducted by robots. "Humankind should concern itself with love, science, and art", to cite a famous Swedish rock band.

In a cyber-utopia, you can meet people all over the world and still be at home, physically speaking. Humanity is just a keystroke away. This utopia (like all others) naturally has obvious drawbacks, but this is the way it is. (Myself, I think it's horrible). For example, one could debate the wisdom of letting pedophiles, for example, live out their dreams in a virtual reality. Totally new political issues are raised in such a community: should we regulate people's actions, or is it - terrible thought - actually their thoughts that we want to regulate?

The cyberpunks want you to be able to think and enact anything without harming others, and technology might give us this possibility - but do we really want everyone to be able to realize their fantasies, even if it doesn't harm anyone? Several philosophers have pointed out the risk of living in a society without stable norms. Is the repression of thought necessary to protect humankind? Can technology aid us in finding those functions that connect our individual consciousnesses with the collective by giving us the opportunity to "disconnect"? Can today's outsiders find their way into society with the assistance of technology?

People who like monotonous work, who think that intellectual exercises are boring, or who would rather engage in sports or hunting, wouldn't have a place in a cybernetic society. On the other hand - if you had grown up in such a society - what's suggesting that you would put any value on such trivial matters? A lot of our current society would seem inhuman and despicable to a person originating in the 1700s.

And as for the artificial intelligence that has to exist in order to create this partially artificial world we already live in - does it have any rights? Do we really have the right to use artificial intelligences as slaves, as we currently use social hierarchies to make other people work for us? Machines are actually already part of the collective consciousness I call superindividuals - they're already thinking along with us. The information age focuses on these new ethical issues and forces us to consider them.

If you're frightened by cyberpunk and the information revolution, I'm afraid I'll have to say that they're not so easy to stop. What you can do is learning more and helping to control the development of society towards a desirable state. If you're passive, you leave decision making up to others. Begin by understanding that which you criticize, and only then can you start influencing things. Reprimands and threats have very little effect on my generation. If someone complains enough to bother us, we just switch the channel. (Zap!). Don't think that we're not interested in your views, however. We listen - if you know what you're talking about. The suggested literature section at the end of this book is a good start if you want to learn more.

One thing that radically distinguished the information revolution from the industrial revolution is that many people have been prepared and have had time to become learned in the ways of technology. The development of society is questioned in broad circles, and isn't left up to politicians and corporations. People in general, and especially young people, question and critique. Hackers, cyberpunks, ravers, and others are the most questioning - they want to be part of creating their own future, and refuse to passively meld into the pattern. They have optimism and a belief in the future, and they rush to meet it. This youth movement is sometimes referred to as the New Edge. These children of the information age don't see only threats, but possibilities.

I'm not a doomsayer, and this is not a dark book. As wise as I am, I've saved the most important point for last. There's been a lot of complaining lately. Many contemporary philosophers have suggested that humankind has locked itself into a pattern of progression, in which consumption has to constantly increase until people just can't consume anymore. This is probably true. We will consume more. Further, they think that this will lead to environmental decay and global segregation, which will eradicate all of humanity. This, however, probably isn't true. It's not true because those who speak in these pessimistic terms have been incapable of noticing a very important contemporary detail: the entrance of the information society. More precisely, the mistake has been to presume that a constantly increased level of consumption necessarily requires an increased consumption of natural resources. There is no such relationship in the information society. (I might add that I'm perhaps a little too optimistic in reference to the connection between information society and environmental concerns; environmental problems won't go away, but the continuing damage will decrease).

On the day I'm writing this, Microsoft's new operating system, Windows 95, has been released with much fanfare at the Globe in Stockholm. I have previously expressed my negative attitude toward this company. Still, it makes me happy to see that national media are reporting this massive marketing effort of a product that ten years ago no one could even imagine would be sold through galas at the Globe and on TV commercials. It would have been ridiculous. Windows 95 is software, a pure information product. Granted, you get some disks and a book when you buy the program, but those are not the actual product. It's perfectly possible to buy Windows 95 without the books or the disks if you buy a new computer where the program is pre-installed on the hard drive.

Thus, a product is being sold which, compared to a car, required almost no natural resources to produce, even though it cost thousands of hours of work to develop, and will cost billions of hours to consume. When I sit down with this software at home, wrestle with it, create with it and try to make it do my bidding - during this time, I'm not driving a car. I don't consume anything, save for a little electricity and maybe some coffee. I don't eat potato chips, because I don't want the computer to get greasy. (Translator's note: Habits vary. I drink beer, smoke cigarettes, and eat pizza in front of my computer. The main difference is that I probably have to switch keyboards more often.) I don't buy a lot of useless items from the shopping channels on TV that I later just throw away. I basically consume nothing but information. Not even a book is more environmentally friendly. The same phenomenon occurs in most of the rest of the information society - TV: an electronically transmitted product with low demands on natural resources, Multimedia: also primarily an information product, Telephony: an electrical signal from one place to another. Using virtual reality, we can even consume everything we usually do, offroad a four-wheel Jeep, and pilot a spaceship, with no notable wear on nature. There is hope. There is a hell of a lot of hope, even though it's combined with new dangers.

You can note that many of today's products satisfy artificial needs. You could ask whether we ever needed an operating system like Windows 95. Probably not. In a few years, however, we do. This is really not that important - more needs than we think are ultimately artificial. It's sort of like a premise for a market economy. Your mind reels at the thought of security companies that hire a team of hackers to build security systems for their customers, and then, at night, make sure that the same hackers "maintain market image". Or virus hackers that work half the time on creating virus killing software, and the other half on creating new viruses to create demand for the antivirus tools. Wouldn't you? Of course you would. So what? The gears are spinning, GNP goes up, everyone's happy. In the same way, we've created a dependency on criminal activity, administrative tasks, etc. to no end in this society. There are many such processes, whose only purpose is self-perpetuation and self-justification. Does it matter? No, probably not. It depends on whether or not you think humanity has a "purpose"; whether there is something we should strive towards. But that's philosophy.

We have moved from material bartering, with merchandise for merchandise, to an economy in which we trade money for goods and goods for money. Now, we're starting an infonomy, trading information for information without intermediary material transactions. The danger that still lurks behind the scenes of our system is a desire for power, in individuals at all levels: corporations, governments, and organizations. They're after power over you. Make sure you don't give up any of your freedom without first knowing what you get in exchange.

I've reached the slightly shocking conclusion that the mechanisms I previously identified as superindividuals, i. e. superior intelligent entities, have no need to produce material products or artifacts in order to control other intelligent entities. Instead, they simply employ exchanges of symbolic information, chunks of info transmitted through cables. Every such superindividual is characterized by the creation of internal chinks of information, secret documents, transmitted inside the individual outside the reach of the public or other superindividuals. That's why corporations, governments, and other organizations are paranoid about someone else reading their secrets, whether important or not. With information technology, the possibility of creating such structures is amplified by a factor of hundreds, and the exchange of information, the thoughts of the superindividual, its intelligence, is expanding at the speed of light. I've also discovered that the information-processing machines are part of these superindividuals, not some accessory of people to assist in their work. Somewhere around this point is where you have to start thinking for yourself.

If you have read this book on a computer, without printing it out on paper, you've consumed something. Or have you? Do I have to charge for this book before it can be called consumption? I'll leave that as an open question. I've certainly not made a dime from you reading this book, but maybe I've accomplished something that can't be measured in terms of money - maybe I've taught you to question the mechanisms of power. (Hmm… if this book ever goes into print, I'll have to modify the above paragraph).

Let me finish with a timeless quote, from a man who belonged at the frontline of his generation:

    "Come mothers and fathers throughout the land
    and don't criticize what ya can't understand
    your sons and your daughters are beyond your command
    your old road is rapidly aging
    please get out of the new one if ya can't lend your hand
    for the times they are a-changin'"

    Bob Dylan, September 1963.

We are all part of the inevitable.

Linus Walleij, Lund, Sweden, September 5, 1995.
Binary sculptor, harmless hobby hacker.

Translation by Daniel Arnrup, Bergen, Norway, October 30, 1999.

Thanks to: The libraries of Ljungby and Svalöv, the university libraries of Lund and Linköping, Microbus i Ljungby AB, Gunnar Kålbäck, Christian Lüddeckens, Motley, Tranziie, Mikael Jägerbrand, Ulf Härnhammar, Marie Fredriksson, Christer Sturmark, Hans Roos, Erica Larsson, Daniel Hellsson, Jucke, Chorus, Stellan Andersson, Anders Hellquist, Anders R Olsson, Jesper Jansson, David Malmborg, Daniel Näslund, Mikael Winterkvist, Per Jacobsson, Fredrik Schön and all the members of the Triad and Fairlight hacking groups, without whose help this wouldn't have been possible. Now I'm gonna sit down and finish my cyberpunk novel. Maybe.

And I refuse to say whether the Dylan quote above was meant seriously or ironically.

Literature:
Scientific literature tends to consist of 70% of cross-references to other works and other authors, which makes the whole thing difficult and slow to read for an uninitiated reader. This is not a scientific text. Possibly, it's popular science. Most of this text is written on the fly, based on my own experience and knowledge. For those who would like to read more, I'm listing a few books, publications, and such which have served as a factual basis for the book.

Barlow, John Perry:Selling Wine Without Bottles

An article published in Wired about information and "intellectual property". So initiating and well considered that I've referred to it as a "paradigm".

Burroughs, William Seward: The Naked Lunch

Burroughs' breakthrough, unfortunately not as articulate a social critique as the subsequent Nova Express. Counted as a milepost within the literary tradition of cut-up.

Burroughs, William Seward: Nova Express

Run for your lives! The Nova Mafia has sent agents to the Earth to enslave human thought patterns through language, drugs and sex. Luckily, the Nova Police have sent out counteragents, including Burroughs himself, to stop the invasion. In this cut-up sci-fi novel, Burroughs develops the ideas form The Naked Lunch to an astronomical perspective. By affording the reader a solid sense of paranoia, he makes you question your surrounding reality. There's also a hint of ironic humor underneath it all.

Cornwall, Hugo: Datatheft

Heinemann Professional Publishing Ltd, England, 1987.
ISBN 0-7493-0217-8

One of the most in-depth books ever written about computer security. Cornwall brings up many common security flaws in computers and security systems in a general and broad perspective. Hackers are only mentioned occasionally, and the book is heavy and rather strictly scientific.

Cornwall, Hugo: Hacker's Handbook III

This is a handbook for network hackers. Nobody's learned to be a hacker by reading this book, but despite this it's quite interesting, and a given best-seller among people who think that the network hacking thing is the coolest thing around (i. e., wannabes). Additionally, the title seems "forbidden". However, it is a well-written book that points out the most common security holes in certain systems.

Datormagazin

Yearly issues 1986-94

Dick, Philip K.: Do Androids Dream of Electric Sheep?

Forrester, Tom & Morrison, Perry: Computer Ethics

Basil Blackwell Ltd, England, 1990
ISBN 0-631-17242-4

One of the most interesting books written about computers and computing society. Many examples are based on English conditions, and uninteresting for Swedish readers. The purely ethical issues around hacking, artificial intelligence, databases etc. are fascinatingly treated.

Gibson, William: Neuromancer

Harper Collins Science Fiction & Fantasy, 1993
ISBN 0-586-06645-4

If you're going to read any cyberpunk literature at all, read this one. It's a classic which defines the literary term of cyberpunk.

Green, Jesper 69 & Johansson, Sune: Cyberworld

Alfabeta Bokförlag AB 1994
ISBN 91-7712-389-1

Many reviewers trashed this book when it came out. In some respects it was deserving of this, in others, not. All examples from the book are drawn from a Danish perspective, which may make it less interesting. On the other hand, the delusional predictions of the future of the cyberpunk author, Green, is something not to miss. There are many quotes from the Danish network hacker, Netrunner, and the Kraftwerk member Ralf Hütter, which elevate the book.

Hafner, Katie & Markoff, John: Cyberpunk - Outlaws and Hackers on the Computer Frontier

Corgi Books, England 1994
ISBN 0-552-13963-7

This book contains biographies of the most famous network hackers: Kevin Mitnick, Pengo, and Robert Tappan Morris. It's written in a typically American fashion, with many irrelevant details, and has the advantage of being relatively easy to read. You get a good view of the hacker's life and mind.

Harry, M: The Computer Underground

Loompanics Unlimited, Port Townsend 1985
ISBN 0-915179-31-8

One of the first books about underground computer culture. Loompanics is one of those publishers that print just about anything and doesn't censor content for being politically incorrect. Among other things, they have wide range of Timothy Leary's books.

Hofstadter, Douglas R: Gödel, Escher, Bach: An Eternal Golden Braid

Timeless classic and cult book among all computer science students. A thick, heavy book which explains why math is fun, and why the innermost essence of intelligence can be captured in a machine. To top it off, it's written with a good dose of distance and humor, with simple, easy-to-understand examples. People who have recently read the book for the first time often speak of it in an almost religious manner.

Illegal (edited by Jeff Smart)

"22 - "37
Germany, 1987-89

Probably the only significant European cracking zine. It's from this zine that cracking culture spread across Europe, primarily Germany, and then to the rest of the world, and it possibly for the first time defined the concept of "elite" among European home computer enthusiasts.

In Medias Res (edited by Zike), #1

Eskilstuna, Sweden, 1992

One of those surprisingly well done and thorough little zines which many refer to, but was never printed in a large run. And it's not in the national archives, either. But I have a copy…

Kuhn, Thomas S: The Structure of Scientific Revolutions

Phoenix Books, USA1962

Kurzweil, Raymond: The Age of Intelligent Machines

This is an anthology of thoughts around artificial intelligence. If you want to know what AI is, and consider social and philosophical problems, then read this book. If you want to know how AI works, then read Hofstadter's Gödel Escher Bach: An Eternal Golden Braid (see above) instead. Hofstadter and Sherry Turkle are also contributing writers in this book.

Landreth, Bill: Out of the Inner Circle

This is a classic among network hackers. It's written by a renegade from the Inner Circle hacking group, and it's pretty well-done. It has, however, lost some of its immediacy.

Leary, Timothy: Flashbacks - A Personal and Cultural History of an Era

Tarcher / Putnam Books, New York 1990
ISBN 0-87477-497-7

Tells of large parts of 60's hippie history that has later been covered up or stigmatized. Leary was feeling pretty good about life and society and himself when he wrote this self-biography, and you get the impression that he is an incurable optimist. He is a man of the arts, and well-read… obviously a dangerous enemy to his opponents. Leary died in 1996, and ironically, the Harvard LSD experiments that started his career have been resumed.

Levy, Steven: Hackers - Heroes of the Computer Revolution

Penguin books, England 1994 (first printed 1984)
ISBN 0-14-023269-9

This is the best book ever written about hackers. It concerns the first hackers at MIT in the 60's, the home computer builder of the Altair, and the programmers at the Sierra On-Line gaming company. The first two parts are the most interesting. Read it.

Nietzsche, Friedrich: Thus Spake Zarathustra

It takes some courage to read Nietzsche. If you expect to find a fascistic manifesto, you're reading in vain. Those who can't get around Nietzsche's thinking will think that the book is "strange", and won't understand what Zarathustra is talking about. Zarathustra was a Persian philosopher, and Nietzsche resurrects him in this book to "revise" the earlier teachings of good and evil.

Petiska, Eduard: Golem


Martin publishing house, 1991
ISBN 80-900129-2-2

This is the myth of Rabbi Löw's Golem, created to protect the Jewish ghetto in Prague. I read it as part of the research on the section about artificial intelligence, and it doesn't have very much to do with the information society.

Pondsmith, Mike (ed.): Cyberpunk - The Roleplaying Game of the Dark Future (Version 2.0.2.0)

R. Talsorian Games Incorporated, California 1993
ISBN 0-937-279-13-7

If you're not used to reading role-playing games, this book will probably confuse you. Role-playing game books contain little or no fictional material. At first glance it looks like an encyclopaedia full of facts - except everything is made-up. A role-playing game book contains descriptions of organizations, people, machines, weapons, and everything between Heaven and Earth to assist the players' imaginations. When you've read the book, the idea is to get together and develop the story using the book as a reference for the world. The result is something like a mix of authoring, theater, and boardgames.

Rubin, Jerry: Do It!

An instruction manual on how to become a yippie. A very sociopathic book by one of the leaders of the American yippie movement. On the cover page it says "Read this book high", and that's about as good as it gets. If your tastes are a bit morbid, you could see it as humor. Otherwise it's just plain horrible.

Shea, Robert & Wilson, Robert Anton: Illuminatus!

Consists of three novels: The Eye in the Pyramid, The Golden Apple and Leviathan.
Dell Publishing, New York 1988 (1975)
ISBN 0-440-53981-1

This book is mentioned in several places of my text, among others in connection with the hacker Karl Koch and the techno band KLF. It's also recommended as a suitable read for hackers at the end of The Jargon File (see below). The books are conspiracy theories about ourselves and our society, primarily inspired by William S. Burroughs and Timothy Leary. They're cult books in the US as well as Canada and the UK, and there's no good reason why they haven't been translated into Swedish. Actually, there's one: they're painfully politically incorrect. The narrative technique of these novels has been adopted by Douglas Adams, among others.

Sterling, Bruce: The Hacker Crackdown

Bantam Books, USA 1992
ISBN 0-553-08058-1

A book about hackers written by a complete outsider. Sterling normally writes cyberpunk novels. The book is available at no charge as a text file on the Internet via EFF. The most exciting and creative chapters are those about the American Secret Service and their fight against hacking and phreaking, and the story of how EFF was created.

Stoll, Clifford: The Cuckoo's Egg: Tracking a Spy Through the Maze of Computer Espionage

A much-discussed book in which Stoll, with passion, recounts how he traced the hacker (Mattias Hess) who broke into his computer system and used it as a springboard to search for military secrets for the Warsaw Pact (the Russians, Reds or whatever you want to call them).

Turkle, Sherry: The Second Self: Computers and the Human Spirit

Sherry touches upon sociological and psychological aspects of the interplay between humans and computers. She interviews children and hackers as well as computer scientists, and draws conclusions about the computer community from a sociological standpoint. Towards the end of the book she also ventures into artificial intelligence.

Yourgrau, Palle: The Disappearance of Time - Kurt Gödel and the Idealistic Tradition in Philosophy

Cambridge university press 1991
ISBN 0-521-41012-6

 

Electronic Documents and Magazines:

40hex # 1-12

Phalcon / SKISM

Pretty well-written, treats most things related to virus manufacture and virus culture.

Bausson, Stephane: What You Need to Know About Electronic Telecards

V. 1.12. Last Revised 05/18/95

Described the inner workings of Telia's phone cards. Very embarrassing for Telia, since they thought this information was secret when I called and asked them. It's not.

Brent, Doug: Oral knowledge, Typographic knowledge, Electronic knowledge: Speculations on the history of ownership

(Article in EJournal #3 Vol 1, ISSN 1054-1055)

This is a very important article which I used as a basis for the section on cybernetic society vs. copyright. Brent is active at Calgary university, and shows with all clarity why it's more difficult to own information in an information society.

Drummond, Bill & Cauty, Jimmy: The Manual - How to Have a Number One the Easy Way

KLF Communications 1988

In case you were wondering: it works. Everything in this book is completely true. Among those who have tried Drummond and Cauty's recipes for hit singles, we find the Austrian group Edelweis plus a hundred or so other artists who don't dare reveal that they've just followed the instructions in this book. Even Swedish talents like Denniz Pop or Pat Reiniz have, consciously or subconsciously, managed to follow this manual point for point. If you want to know how it's done, read this book. You need a certain distance to be able to grasp the contents - it's a thorn in the side to the entire pop industry. Copies of this book, and bootlegs of the same, are circulated under much hush-hush among the amateurs of the music world. This is unnecessary, since someone's "liberated" the text and put it on the Internet. KLF themselves presumably don't care one whit about this.

Gunzenbomz Pyro-Technologies / Chaos Industries: The Terrorists Handbook

Probably one or more printed books from the beginning. This very text file created a great deal of press attention when a couple of 15-year-olds got it off a BBS and showed it to Expressen (a Swedish daily). Too bad Expressen didn't review the book, because it has some comic value. I can't judge how useful or dangerous the descriptions in the book are, but it's obvious that you have to be a little crazy to even attempt to use the bomb recipes. And that's the problem: many parents apparently think that their 15-year-old sons are completely mad.

Jammer, the & Jack the Ripper (pseud.): The Official Phreaker's Manual V1.1

Last revised in 1987

Describes most of the technique and history of phreaking. Contains, among other things, the articles written by Ron Rosenbaum about the phreakers John draper (Cap'n Crunch) and Joe Engrassia in Esquire in 1971.

Raymond, Eric S: The Jargon File 3.2.0

Last revised on 03/21/95

This is the same as The Hacker's Dictionary, only free an in electronic form. Unfortunately, the text gives a somewhat disparaging view of anyone who is not a "real" hacker, i.e. the intellectual elite at universities like MIT. This file is regularly updates, and attempts to include international hacker culture, which it hasn't been terribly successful with so far. The content is heavily adapted to American phenomena.

Reid, Elizabeth: Cultural Forms in Text-Based Realities

Cultural studies program ,Department of English, University of Melbourne, January 1994

Brotherhood of Warez # 1-4

One of the most entertaining phreaker publications, it is published by the Brotherhood of Warez (BoW) group. It's a constant mix of humor and seriousness, where it's hard to discern real statements from sarcastic lies written by bored pirates. If you like Generation X-humor, you'll probably like BoW. The leader of the group, U4EA, was sentenced to jail after driving the Gray Areas magazine crazy withrage. (I think - it could have been a sarcastic lie).

Phrack #1-48

Infamous hacker/phreaker magazine which plays a large role in Bruce Sterling's The Hacker Crackdown (see above). Offers sensible as well as really sick opinions of the world and telephony. Has had a string of editors throughout the years. The article The Conscience of a Hacker in issue #7 is especially important. I've written an article about Swedish hackers that was published in issue #48 of this publication.

Skyhigh # 17

Camelot Productions 1995

An interesting article by The Mistress/Angry regarding women and hackers.

Surfpunk # 103 and 105

Cyberpunk magazine, full of excerpts from Usenet newsgroups and various publications. Behind the paper is a more militant group than the EFF, but with similar views on society. They distribute heavily cyber-slanted opinions.

Swedish Hackers Association (SHA) (ed.): Annual Year Protocol #3 & #4

Our favorite hackers' own paper, SHA's insolent and somewhat arrogant "protocol" is a refreshing breeze compared to the government's and the media's condemning attitude towards the group. In these protocols, the SHA account for their activities, and why and how they do what they do. Guest writers include Knight Lightning from Legion of Doom, who was also one of the men behind Phrack (see above). The English is of mixed quality - it is obvious that Swedes wrote these "protocols". It's a required read for anyone who wants to know what both sides have to say about the issues.

All electronic documents are available from me directly, if not elsewhere.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch1web.htm0100664000175000017500000002502707311654724014305 0ustar miccemicce CDNE - Chapter 1

INDEX

COPYRIGHT DOES NOT EXIST

 A book about information and power
 For everyone and for no one

By Linus Walleij

Translation from Swedish to English by Daniel Arnrup/Voodoo Systems


DEUS EX MACHINA
 CARCERES EX NOVUM

This book is about currents of thought in literature, technology, music, film, law and ideology. It was written after I realized that if I didn't write it, somebody else would. It was also written because I wanted all of the nice hackers in Sweden to be aware of, and educated about, their historical and ideological heritage. Finally, the work has been written with an air of popular science, to make it somewhat easier to understand (although the last statement can probably be debated; some chapters are considerably more difficult and technical than others).

Some questions to which you should know the answers before you start reading this book:
Q: Why should I read this stuff?
 A: To understand new concepts within information society, emerging youth culture, and public debate, and also to give yourself the opportunity to form your own opinions through confronting those of myself and others. The book is focused on cultural phenomena in particular, since they are the strongest indicators of the direction of a society. Our society, at the brink of the information society, is called the post-industrial society. I will not hide the fact that I will also attempt to make you question that society.
Q: What is a computer?
A: A computer is an object that obeys the laws of nature, just like a human being. Like a person, it is neither evil, boring, kind, troublesome, or particularly intelligent. It becomes what it is made to become, just like an individual in society. The difference between a human being and a computer is that the computer has the opportunity to know with certainty who has created it, and it can look like virtually anything. In 1995, most people think that a computer looks like a square box. The computing field distinguishes between microcomputers , minicomputers , mainframes , and supercomputers , each being more powerful and cool than the previous. Today, the lines that separate one from the other are so blurry that these labels are a bit antiquated. A microcomputer, for example, is a PC, Mac, or similar home computer. The average person has hardly seen any of the other types.
Q: What is a computer network?
 A: A computer network consists of two or more independent computers that have been connected by a cable. It is customary to distinguish between LANs ( Local Area Networks ), where computers inside the same building or at most the same block are connected, MANs ( Metropolitan Area Networks ), which connect computers throughout an entire city, and WANs ( Wide Area Networks ), which connect computers across great distances. The greatest network of them all is the Internet, which links all kinds of computers - and networks - across the entire world. A computer network allows for the transfer of information between different computers, may it be text, images, sounds, or anything that can be entered into a computer. It is similar to telephones or postal transport, but better and faster. Actually, the entire phone network is a computer network, except it connects people instead of computers. Many WANs such as the Internet employ the phone networks instead of laying their own cables. Computers that hold together a computer network are almost exclusively minicomputers or mainframes, i.e. large, refrigerator-looking boxes.
Q: What is a BBS?
A: BBS stands for Bulletin Board System , which really means an electronic bulletin or poster board. Similar to a regular bulletin board, it is necessary to visit it frequently to see its contents. You can also put up your own "notices" and receive replies to your submissions through other written messages on the board. There are BBSs that are partially connected to the Internet, and some that are stand-alone. Today, you connect to a BBS through the use of a modem, a computer, and a telephone line. In the future, BBSs will probably be replaced by conferencing systems (a type of giant BBS) on the vastly more efficient Internet. Newsgroups are an example of such conferencing systems. Users can also send private electronic mail to each other or mass-distribute computer software through a BBS.
Q: What is Cyberspace?
 A: Cyberspace is where the money you keep in the bank resides. It is where a telephone conversation takes place and the space through which television programs travel on their way to your receiver. It is an electronic reality consisting of information, and it actually only exists because people have agreed that it works. Physically speaking, it consists of cables, radio waves, pulses of light and large computers with gigantic memory capacities. It is a physical occurrence in the "real" world that we may, with an ounce of faith, consider a universe of its own. It is a reality in which man is God and has created all. It is something of a religion. Most people "believe" in cyberspace, or they wouldn't use an ATM to withdraw currency. The entire economic system of the West exists inside it. Cyberspace was born on March 10, 1876, when Alexander Greham Bell "invented" it. Without electricity, there is no cyberspace. Our civilization is already dependent on cyberspace; if it disappeared, the economy would collapse and the West would perish.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

 

 

 

cfi-3.0.orig/en/ch2web.htm0100664000175000017500000005335407311654724014312 0ustar miccemicce CDNE Chapter 2: Hackers!

INDEX

Chapter 2
HACKERS!

HACKER... the word itself has an air of magic, and many connotations. Some associate it with computer crime, intrusion, and espionage. Others imagine a skinny and myopic teenager, whose acned face is constantly illuminated by the glare of a computer screen. Many immediately think of the information officer at work. In recent years, some have even embraced the hacker as a hero. Personally, I see the hacker as a messenger sent by humanity to explore the worlds of information. This mission may seem superficial and self-imposed - perhaps even foolish - but it will make more and more sense the more you read on.

The word originally applied to the people who spent their time crawling under the railroad tracks at the Tech Model Railroad Club's (TMRC) facilities at the Massachusetts Institute of Technology (MIT) in the 1950's, connecting switches and relays with cables. This model railroad was one of the first computer-like structures. A hack originally meant a prank of the kind that students and faculty played on their school (or rivaling institutions), such as wrapping the entire roof in tinfoil. A good hack would be very conspicuous, and also prompt the observer to ask him- or herself: "How in the hell did they do that!?". Later, the word became synonymous with a spectacular solution to a technical problem, or an ingenious computer program, or some other generally brilliant design. A hacker , therefore, was someone who created and implemented things of this kind.

A hacker, generally speaking, is a person who uses a computer for its own sake because it's fun. An author that uses a word processor all day is not a hacker. Neither is a graphic designer, inventory specialist, or computer instructor. Their professions simply require them to use a computer to simplify or improve the efficiency of some other task. However, a programmer that loves his or her work is a hacker. Likewise, an enthusiastic computer technician or microcomputer designer is also a hacker. Last but definitely not least, there are hobby hackers , who actually constitute the largest and most overlooked group of computer enthusiasts - probably because they don't use a computer in a professional sense. These amateurs do not have PR directors shouting their cause, nor do they have publishers or trade journals that print their opinions. Some elements of the media focus on this group, but they seldom speak for them; rather, the computer media generally focuses on "bringing up" the amateurs to the standards and norms of the professionals.

In the following section, I will try to summarize a variety of concepts, names, and ideas, all relating to electronic culture and especially the hacker culture. I will also attempt the rather difficult task of classifying these events and ideas from a historical perspective. This can be a risky venture, considering that the time frame is short and it is the type of thing that often generates lots of criticism. Nevertheless, I will proceed; I feel worthy of this task because I have grown up in this culture, and I consider myself to have a very personal relationship to it. I will even suggest that I have some of my information generation's spirit in my blood. Furthermore, I feel that it needs to be done

It is a tangled story primarily concerned with young people in the 60's, 70's, 80's, and 90's. It is a history of devotion, computer programs, authority and ingenious scientists. The tale is about hippies, yippies, libertarians, anarchists and classical socialists in one sordid mess, and the ideology that was born out of this mess through a conglomerate of subcultures. We will be thrust between order and chaos, from quiet computer rooms where the only the soft clicking of keyboards can be heard, to high-octane decibels at techno-rave parties in European warehouses.

Let us travel to MIT, sometime in the 60's, for it is where the story begins...
The Cradle of the Hacker Culture
 It was no coincidence that the hacker culture was born at MIT. This is where the first large computer networks were created, and the faculty discovered that some of their students were so devoted to their computer studies that the teachers let them work independently. Among the more famous people at this liberal faculty we find Marvin Minsky , now a legendary scientist in the field of artificial intelligence. Thus, the first hacker's association was born out of a close-knit group of dedicated students. The work ethic that formed among these early hackers resembled both that of academic study and that of a non-profit organization.

A "Hacker Club" by itself was hardly anything new; like other student groups, both bad and good things came of the association. However, this club became more sectarian and devoted (read: fanatic) as it grew. The mood of the group came to resemble that of the groupof students in the movie Dead Poets' Society , and the members increasingly neglected their studies in favor of the exploration of computers and computer technology. In particular, Digital Equipment Corporation's PDP-1 computer turned out to be incredibly addictive. This machine differed from the mammoth IBM machines that had been used by universities since 1948, in that you could work directly with the computer. You could see your program's execution, and you could correct errors (debug) while the program was running. In a flash, the hackers invented a number of new programming tricks and developed, among other things, the first computer game (Spacewar ) and the first joystick. The accomplishments of these hackers became so notable that they were asked to assist in the development of the PDP-6 computer, which became a huge hit for Digital. The company currently manufactures behemoths like VAX and DEC computers, and it owes a great deal of its success to the hackers at MIT.

If these hackers had been treated like other students, they would have been expelled when it turned out that they spent their days (and especially nights) hacking away on the school's computers instead of studying for their finals. That would have been the end of the story. However, by a stroke of luck, the American Department of Defense developed an interest in MIT's resources through ARPA (Advanced Research Projects Agency), which paid MIT to hire developers for a project named MAC . MAC stood for Multiple Access Computing and Machine Aided Cognition; the goals of these projects were to have several users sharing a computer, and to make it simple for users to take advantage of the computer's resources.

At MIT, the hackers progressed to developing networks, message systems (one of the worlds first time-sharing systems, which allowed users to share a computer by allowing it to process the requests of one user at a time), and above all artificial intelligence (AI), a research area in which MIT is still a world leader. The hackers speculated about the nature of intelligence, and could not understand what made it so difficult to capture even the simplest operation of intelligence within the circuits of a processor. In the late 70's, a computer science professor by the name of Douglas Hofstadter released a book with positively religious undertones called Gödel, Escher, Bach: an Eternal Golden Braid , which has served as an articulated statement of the hackers' world view. This work is well-known among hackers, and is also considered a masterpiece by literary experts. Unfortunately, the book is challenging (but not hard to read), and it is found in the mathematics section in most libraries, which tends to scare off many potential readers.

Hackers derived a philosophical foundation for their culture from Hofstadter, and speculations about self-referential intelligent systems (self-referential means "learning from mistakes", or simply: learning ) figured heavily in this philosophy. Parallels were drawn to such varied subjects as paradoxes among the ancient philosophers, Bach's mathematical play with harmonies, Escher's mathematically inspired etchings and drawings, and Benoit Mandelbrot 's theories of order within chaos (which are physically illustrated by computer-generated chaos images, also known as fractals ). The arguments in the book eventually lead to an understanding of Gödel's Theorem, which proves that every complete mathematical system, by virtue of its characteristics, contains errors - i.e., there must exist statements that are true, but cannot be proven inside the system.

Hofstadter's book culminates in an argument regarding self-reference and artificial intelligence, which is designed to describe human and machine intelligence as a function of mathematical systems. As mentioned, MIT housed the pioneers in artificial intelligence, and many of its hackers were convinced (and remain convinced) of the possibility of building intelligent machines. However, it is sufficient to establish that this early generation of hackers were very concerned with mathematics, mathematical philosophy, and classical natural sciences. This MIT-born philosophy, centered around intelligent systems, became the mainstay of the hacker generation. It also became important for hackers to display their own cultural identity. According to Sherry Turkle , a Harvard sociologist and the author of the book The Second Self: Computers and the Human Spirit , the hackers that she has interviewed prefer listening to Bach in particular, and avoid more romantic composers such as Beethoven because of a lack of order in these compositions.

That the hackers formed a tight core, with their own esthetic and philosophical values, was also a result of their voluntary seclusion. Among all university students, technology majors tend to keep the most to themselves, and an overwhelming majority are male. Among technology majors, computer science students are the most reclusive, and they are even more disproportionately male. If you happen to be a "reject" from the beginning, it is not hard to start re-evaluating your view of society and your environment in general. If you also happen to be Army buddies, this process is almost inevitable. The hackers mostly associated with each other, preferably by computer. In essence, they formed a government-sanctioned subculture.

The original hackers at MIT were, among others, Alan Kotok, Stewart Nelson, Richard Greenblatt, Tom Knight, and Bill Gosper . They were known to pull thirty-hour shifts in front of the computer and then crash for twelve hours. They found the machines so fascinating that they forgot about everything else while they were working. At the same time, they nurtured an ideology that held that all information should be free, ate Chinese take-out, and taught themselves how to pick every lock in the computer science building - which they justified with their devotion to putting all available equipment to its best use. Many considered this behavior to be careless and disrespectful, but the hackers considered it necessary to get the job done.

The fact is that the hackers constituted a homogeneous group that should be the envy of any teacher: they were interested in the subject of their studies, and they spent all day and all night solving problems related to their field. The faculty did not try to constrain them.

At this time, the history of networks began. Two computers were connected, then three, then many - and shortly, an entire network was created. Communicating by computer removes a host of irritating particulars present in real life: you don't have to dress up while punching on a keyboard, you can be totally anonymous, nobody will notice you belching or eating with your hands, and no one will know what the color of your skin is. Another user forms his or her opinion of you solely based on your written communication. Social status identifiers are virtually erased, and your opinions are just as valid as anyone else's. Nobody can beat you, fire you, or repress you if you decide to be insolent or speak from your heart. People who communicate by computer tend to be surprisingly honest and forthright, since the discussion is created by everyone and anyone can participate.

MIT, Stanford, Berkeley, and other major American universities were the pillars of the American defense project ARPAnet , which became the core of what is today known as the Internet. Through this network, MIT hackers came into contact with hackers at other universities, laying the groundwork for an national hacker culture which would later spread to Europe and, in particular, Sweden. Many of the slang terms that can be found in The Jargon File (a widely available file that includes a dictionary of hacker terminology) stem from this period. Some of the most venerable expressions can be traced to the original model railroad club, TMRC. In addition to the dictionary, the file contains anecdotes and observations on the nature of hacking, making it perhaps the most important written work of the original hacker culture.

When hacker culture spread from MIT through ARPAnet, it first reached the other large American universities that performed computer research, including the prominent Stanford and Berkeley schools on the other side of the continent. Thanks to ARPAnet, the hackers were not hindered by geographic distances, and could cooperate and exchange all kinds of information across this vast expanse - a privilege that normal people would not enjoy until the 90's. In San Francisco during the late 60's and early 70's, hackers were influenced by hippie culture, and this influence spread throughout the hacker communities of the entire world through ARPAnet. This was the first interaction between the hacker community and the hippie culture.

The hacker culture first reached Sweden in 1973, when the Linköping School of Technology (LiTH) started specializing in computer technology. The students formed a computer association called Lysator, which still claims to be the oldest computer club in Sweden (which is true), and the origin of the true Swedish hacking tradition (which is more questionable). Lysator will play a part in later sections of this book.

Hacker culture not only has its roots in the academic realm; these university hackers only constitute a small part of the digital culture scene. Now and then someone comes along and states that only the hackers that attend college and basically live in the computer labs are "real" hackers. Such a statement is ignorant and stupid. The meaning of a word is, naturally, defined by its users, and anyone who chooses to call him- or herself a hacker has the right to do so.

If we now allow the 60's to roll into the 70's, we will observe a monumental event: the introduction of the high-tech amateurs, who were just as much hackers as Bill Gosper and his MIT buddies.


 

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch3web.htm0100664000175000017500000004672207311654724014314 0ustar miccemicce CDNE Chapter 3 - The Grass-Roots of Hacker Culture

INDEX

Chapter 3
THE GRASS-ROOTS OF HACKER CULTURE

The grass-roots of hacker culture consisted of amateur radio and electronics hobbyists, who built their own microcomputers using the very first mail-order kits. Radio amateurs have been around since 1915, and they are organized in several camps. The most puritan insist that the telegraph key and Morse code are still the best tools for international communication. Others prefer radio telephony, i.e. voice transmissions. Still others have tried amateur TV, and some fiddle around with data communication by radio. Radio amateurs are found in any city worth its name, and many have turned to data transfer through the Internet, where they explore yet another means of communication. In a sense, the radio enthusiasts became the first hackers, even before MIT.

The radio amateurs, as opposed to the hackers, seldom attracted young people to any great extent. In Sweden, part of the reason is that you have to be sixteen years old and become certified to use shortwave radios. The average Swedish youth can't afford the courses and testing required for radio certification. Some mess around with radio anyway, and are known as radio pirates. Broadcasting amateur radio without certification is not a big deal, as long as you don't cause problems. You have to be careful to stick to the correct frequencies; broadcasting on bands that are reserved for specific purposes, such as emergency or military channels, carries a risk of being traced and fined. To keep track of what frequencies to use to avoid trouble, radio amateurs soon began cooperating internationally. This became the first virtual society , which transcended geographic boundaries but was limited by technology.

Radio amateurs embody a great deal of the culture that would later be adopted by the hackers: a fascination with technology (machines), and a fascination with interpersonal communication. Some are constantly on the lookout for new, cool equipment (gadget freaks). Others only want to find ways to communicate with other people as efficiently as possible, and try to improve existing systems (evolutionists), and some feel that they've mastered an aspect of technology and simply stay with it (these are sometimes called conservatives). Finally, there are those that most amateurs do not want anything to do with: the people that think that broadcasting pirate radio is the most awesome thing in the world, and who use technology as a means of rebelling against society.

The early computer-oriented electronics hobbyists initially gathered around the very first personal computer: the Altair 8800 , which was introduced as a mail-order kit in 1975. The computer got its name from a planet in a Star Trek episode, and sold in such large quantities that some of the enthusiasts formed their own user groups. They were invariably electronics hobbyists, and often professional engineers. Virtually all of them were adults, but they were struck by the same technical fascination with programming that kept the university hackers awake all night and made them forget everything but the machines. The most active user group was the Homebrew Computer Club in San Fransisco. One of its members was Steve Wozniak , a dedicated hacker who was to build the Apple II computer. His friend Steve Jobs successfully marketed it in 1977 as the first real personal computer. Homebrew Computer Club's Swedish counterpart was called PD68 , which catered to happy engineers and others who found microcomputers fascinating.
Personal Computers for a Broad Market
 In 1978, the Swedish companies Luxor and Scandia Metric contracted with Data Industrier AB (DIAB) to build a computer called ABC80 . DIAB manufactured the chips, while Luxor built the case, monitor, and keyboard. Despite its monochrome display (which required a special monitor), the ABC80 was a quality machine. As with its contemporaries Apple II and Tandy Radio Shack TRS-80, the established American computer industry considered these computers virtually useless. IBM displayed no interest whatsoever. The current trend was toward manufacturing minicomputers such as Digital Equipment's enormous DEC, since the industry giants (spearheaded by IBM and Digital) projected a global need for about 50 large computers in the year 2000. Users would connect to these computers through terminal networks.

It is unclear what prompted Luxor and Scandia Metric to produce a computer for the regular consumer. Most likely, the chief engineers observed personal computing trends in the U.S., where the Apple II and TRS-80 had entered mass-production, and somehow persuaded the management to approve such a venture.

ABC80 became a great success among Sweden's early computer enthusiasts, who had been waiting a long time for a real computer (previous computers had been very expensive and directly imported from the U.S.). Now there was one - and to top it off, it was Swedish! In 1981, it was succeeded by the ABC800. In 1980, electronics hobbyists, engineers, and other enthusiasts formed ABC-klubben (the ABC Club) under the leadership of the legendary Gunnar Tidner . The ABC Club showed an interest in computer communications from the start, and at the end of that year it opened Monitorn (The Monitor), which probably was Sweden's first non-profit BBS. It ran thanks to a program written by Tidner himself. For the rest of the 80's, most new Swedish BBS's were named X-Monitorn (such as Örebro-Monitorn, Eskilstuna-Monitorn, etc.) as a tribute to Tidner's breakthrough. The club still has a "monitor" that's used as an internal switchboard for all kinds of things.

The ABC Club grew exponentially as personal computing in Sweden became all the rage it was in the U.S. It became a center for debating the technology of ABC computers as well as data communications in general. In 1985, through a contract with the QZ Computer Center in Stockholm, the ABC club gained access to a DEC-10 computer. On this machine, the members started a central BBS (a "real" conferencing system) with several discussion groups. The BBS, named Q-Zentralen (The Q-Zentral) ran on QZ's KOM-system, and resembled past and present networks such as U.S.A.'s Usenet and Prodigy, or England's Compunet.

Many of the pioneers of the future electronic Sweden were found on Q-Zentral's discussion groups: Sven Wickberg, Anders Franzén, Henrik Schyffert, and Jan-Inge Flücht.
It was not until the early 80's, after the introduction of small, cheap computers, that any real changes in personal computing took place. It was no longer necessary to know how to build your own equipment; therefore, anyone who could afford it could have access to their own computer (albeit not very advanced). Overnight, an array of personal computers appeared, in the U.S. as well as Europe: Sord, Atari 800, Sol, Texas TI-99A, Vic-20, Spectravideo, etc. Most remained on the market for only a few years before production was halted and/or their manufacturers went bankrupt. In Sweden, only three survived the competition: Sinclair ZX-80 (thanks to its low price), ABC-80 (because of its industrial applications and strong support from the ABC-Club), and Commodore 64 (which will be referred to as the C64 ), simply because it was the most technologically advanced home computer of the time. Even the first PC's hit the market in early 1981, but they commanded such exorbitant prices that no normal person would consider them personal computers. In America, the Apple II, Atari 800, Commodore PET, and C64 were the main survivors. Apple II, in particular, was to the U.S. as the ABC-80 was to Sweden. To this day, there are resilient Apple II-fanatics who still use their late 70's computers, just like Sweden has its resilient ABC-80 users (some of which make up the heart of the ABC80 Club).

Initially, most European hackers were of the same kind as the American ones: old radio amateurs, engineers, or electronics enthusiasts who dreamed of using a real computer such as VAX or IBM (those lovely, gray, refrigerator-looking things) instead of simple home computers. The hacker culture from MIT in the 60's, and its extension of the radio amateurs' philosophy, were considered an ideal; a real hacker was a person who wrote programs that did something useful (or appeared to do something useful), or who had mastered electronics and could modify their computer to the amazement of their friends. The most fortunate computer clubs had been able to start their own BBS's on a used minicomputer purchased from some company. The hackers that had gotten started on ABC80, minicomputers, and electronics were generally shocked and somewhat disgusted by the culture that emerged in the mid-80's through the invasion of the C64 (this will be discussed in the chapter 5, Subculture of the Subcultures ). Many of those hackers have now obtained a PC, and consider writing shareware programs and other real "hacks" to be a noble art.

Hackers of this sort also started the alternative computer network Fidonet . In San Francisco, amateurs Tom Jennings and John Madill devised a system in which different BBS's called each other according to a specific pattern, and through skillful coordination managed to provide coverage as broad as the Internet's. The main difference was that electronic mail had longer delivery times, and there were no permanent connections; the mail was distributed through substations, just like in an old-fashioned postal system. The network also allowed for globally accessible discussion groups. In the beginning of 1985, the Swedish Fidonet was started in Karlstad by Conny Johnsson .

Because of the increased affordability of the Internet, many think that Fidonet has become obsolete. Far from everyone agrees - Fidonet is a true amateur creation, while the Internet has mainly been constructed by academicians. However, for a long time there have been bridges connecting the two networks, enabling their respective users to send mail to each other. Personal computing became a public concept, and many teenagers received their first computer in the mid-80's. Most futuristic parents who bought a computer probably hadn't expected their children to spend as much time on the computer as they did, but this was a result of a marketing glitch. Personal computers were marketed as office systems to be used for financial, word processing, and database applications, for all of which they turned out to be quite useless. Apparently, it was simpler to find a recipe in a cookbook than to boot up the computer and look through some database which took five minutes to load. The only "useful" tasks that the machines could perform efficiently were word processing and simple calculations, which was something that few people were familiar with or could appreciate.

The only adults who really used their computers were almost exclusively technicians or technology fans, who could stay up all night and fight with their ABC80 to make it do one thing or another. Many were electronics hobbyists that modified the computer to suit their own wants and needs. (I belong to the wave of youths who were completely captured by the ABC computers around 13 or 14 years of age; for many in my generation, those machines became a ticket to the electronic world).

It would be until the 90's before the personal computer really got its breakthrough as a popular appliance - but when it came, it came with a vengeance. It is only recently that IBM PC's have become common in the home. If it hadn't been for the Altair 8800, Apple II, Atari 800, and ABC80, it would never even have occurred to IBM to manufacture PC's. The previous trend had been toward building mainframes: mammoth boxes that consumed several kilowatts per hour, and generated so much heat that they needed a separate cooling system to be able to operate. The idea of one computer for each user was and remains a hacker's notion, which goes all the way back to MIT, where many late nights were spent working alone on a PDP-1.

Had these microcomputers not emerged, the industry would still be working on their 50 supercomputers that were to provide computing power for the entire world. Without the microcomputer, modern information systems such as the Client-Server model (in which a coordinated network of computers distribute tasks and information between them) would never have been invented.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch4web.htm0100664000175000017500000034702707311654724014317 0ustar miccemicce CDNE Chapter 4 - Underground Hackers

INDEX

Chapter 4
UNDERGROUND HACKERS

As a product of the home computing trend and the futuristic spirit that followed the space race (which culminated in the moon landing in 1969), several technology-oriented subcultures formed. Some were perfectly normal associations of science-fiction enthusiasts and amateur radio hobbyists. Others were... peculiar. It was these organizations that drew a stigma on hacker culture, and are responsible for the fact that hackers are frequently thought of as criminals. How many of you - raise your right hand - have ever pondered what it would be like to have control of technology? To have the power to decide what radio and television programs will be broadcast? Imagine having these enormous electronic systems under your control. Imagine being able to fill all TV screens with white noise when that guy you hate shows up, or knock out all the telephones in the nation when you know that your beloved is chatting sweetly with his/her ex-lover. Imagine being the master of the information systems of society...
Phreakers
A collection of electronics fanatics in the 60's and 70's, called Phone Phreaks , were among the first to study the emerging computer technologies. These "phreakers" specialized in fooling the phone companies' switches into connecting free calls all over the continent, through a technique called Blue Boxing (which refers to a small blue box containing electronic components that produced the tones which manipulated the switches).

Some of the phreakers were university students. As the hackers had been mesmerized by computer technology, others had found it fascinating to try different number sequences on the school's telephones to see how far you could get connected. Some succeeded in connecting to the public telephone networks and call for free, since the school's local telephone network was a complimentary service.

A young man by the name of Mark Bernay (a. k. a. The Midnight Skulker ) had in-depth knowledge of the phone system. He went up and down the American West Coast and put up notices in phone booths with party-line numbers that he had established, and in this manner created a small network of technology-oriented youths. However, these youngsters did not turn phreaking into the considerable criminal operation it is today.

Instead, a man called Joe Engressia created (without knowing it) the underground movement of telephone manipulators at the end of the 60's. Even though the telephone company (then called Bell) had traced and prosecuted the first phreakers back in 1961, few of them had been members of an organized movement: most were businessmen, some were general laborers or students, and one was even a millionaire. The reason for this wave of phreaking was that Bell had made publicly available the information that anyone needed to build a blue box.

Joe Engressia was blind, but he had been compensated by the fascinating gift of perfect pitch. He could recall a note he had heard, and perfectly reproduce it by whistling. At age eight, he had already discovered that he could manipulate the system of telephone switches by whistling certain tones. These systems were called multi-frequency systems (MF), and it was information about these systems that Bell made the mistake of publishing in 1960. Joe was arrested after connecting free calls for some friends by simply whistling into the receiver. Thanks to the publicity surrounding the incident, Joe and other telephone enthusiasts formed a rapidly growing underground network mainly consisting of blind people. A few knew how to whistle the tones, while others employed early keyboards and synthesizers to produce the necessary sounds. Through Joe, phreaking grew into a major youth movement. He was arrested again in 1971, and was given a suspended sentence in exchange for promising never to manipulate telephones again. Later, he was hired by a small Tennessee company as a telephone repairman.

Allow me to make an observation at this point. Frequently, I hear of people that claim to know someone who can "whistle" their way through the telephone system and call for free. The person telling the story is never the one that knows how to do this, and upon closer inspection it turns out that it was really a friend of a friend... etc. Stories about "whistlers" should be treated as common myths, just like many other stories about phreakers and hackers. Please note that "whistling" requires perfect pitch, which is a talent that few people possess. It is also necessary to know (and have listened to) the tones that are required. Therefore, there is a diminishing number of people who would be able to do the trick - perhaps only a handful in any given country. Finally, this technique is useless against modern telephone systems such as the AXE-system ( translator's note : AXE is an acronym for Automatic Cross-Connection Equipment).

Joe and his buddies used keyboards to make calls. Other methods to produce the necessary tones were even more common. John T. Draper , a. k. a. Cap'n Crunch , used a toy whistle from boxes of the cereal brand with the same name. By covering one of the holes and blowing through the whistle, he produced a tone with the frequency of exactly 2600 Hz (which roughly corresponds to an E in the five-times-accented octave - not a very pleasant tone). This happened to be the exact note that AT&T and other long-distance companies used to indicate that long-distance lines were available. If either party to a call emitted this tone, the switch performing the call would be fooled into thinking that the call had ended (because that was how the switches signaled that the line was free), and therefore all billing for the call stopped. The whistle enabled people to call for free.

Draper was a very active phreaker. He initiated big party-line calls where he came into contact with many of the blind people, and disseminated his knowledge among other phreakers. He kept a list of contacts and directed the exchange of ideas between phreakers. Like some of them, he was an electronics fanatic, and himself built the tone generators that allowed total control of the entire telephone system. These generators were called MF-boxes (or, as mentioned earlier, Blue Boxes), and gave their owners complete access to national and international telephone traffic - totally free. It wasn't very difficult to construct these boxes, since all information concerning the MF-system had been made public. As it is not exactly cheap to replace an entire telephone system, there are still countries whose systems can be manipulated by blue boxes.

Many were (like Drapner) completely spellbound by the blue boxes' power to hook up calls across the world through cables and satellites; they inspired a feeling of unlimited power over the telephone system. One of Draper's more known tricks was to connect back to himself around the globe through seven countries, simply for the incredible satisfaction of hearing his own voice with a 20-second delay.

In 1971, the media caught wind of the phreaking phenomenon. One journalist, John Rosenbaum , wrote an article about the movement, and Draper was arrested and imprisoned shortly after its publication. He was approached by the Mafia (who wanted to exploit his skills), and severely beaten after he refused. Upon his release, an old friend (Steve Wozniak, who developed the Apple II computer) came to his aid and made him quit phreaking in favor of programming. After a few modem-related incidents on the Apple II (the modems in question were rather computerized blue boxes), he wrote the word processing program Easy Writer , which was sold by IBM with their PCs. He made more than a million dollars off the project.

In the same year (1971), the hippies discovered the possibility of making free calls. A militant faction of the hippie movement, known as yippies , started a magazine called Youth International Party Line (the name both referred to the political nature of the movement and to its obvious telephonic emphasis). The paper's mission was to teach methods of telephone fraud. Yippies are a kind of tough hippies that do not hesitate to use violence and terrorism to obliterate (as far as possible) American society. They also advocate the use of hallucinogens. Yippies consist of people that have become so sick of American society and its system that they only see one solution to the problem - total destruction. As opposed to classical anarchists, they were not opposed to technology; rather, they exploited all knowledge and resources available to them. One of the most frightening aspects of the yippie movement was that many of its members were quite intelligent . The yippies represented fundamentally different values and norms, which rocked the foundation of American culture. This political force would later sow the seeds of the ideology that is today known as cyberpunk , to which I will return in a separate chapter. Prominent yippie leaders include Abbie Hoffman and Jerry Rubin.

In 1973, a faction of technology fanatics broke away from the yippie movement and formed an expressly anti-social and anarchistic organization around the paper (now known as TAP , or Technical Assistance Program ) . In this new version, the magazine provided instruction in subjects far beyond simple telephone scams: it contained formulas for explosives, blueprints for electronic sabotage, information on credit card fraud, etc. Much of this content was naturally "exciting" for teenagers and slightly immature young men, and the periodical was widely copied and transmitted across the globe. Within a short period of time, there was a global network of phreakers. The basic philosophy of the paper is still the same as that of the yippie party (Youth International Party).

In TAP, peculiar forms of writing were introduced, such as substituting "z" for "s", 0 (zero) for o, and spelling the word freak "phreak". These trends have remained. In the early 90's, a character named B1FF showed up on the Usenet computer network and took this abuse of the written word to the limits of the absurd, writing words the way they were pronounced rather than the way they were spelled. B1FF combined this practice with an artificial habit of typing 1 for I, 4 for A, + for T, 3 (a reversed E) for E, etc. B1FF's typographical antics drove some people totally nuts, but the hackers thought the practice was super-cool and started writing like B1FF, to annoy generally anal-retentive people and to put an anarchistic stamp on the otherwise disciplined Usenet. They have even gone so far as to randomly mix lower- and upercase letters, resulting in text that is almost painful to read.

In Sweden, a sister publication to TAP surfaced. It was called Rolig Teknik ("Fun With Technology"), and aroused some attention in the dailies. Rolig Teknik was started by Nils Johan Alsätra, a legendary figure in Swedish underground culture. He was inspired by TAP, and published several articles between 1984 and 1993, all based on the same social philosophy as that of its American counterpart. The publication described how to make fake hundred-crown notes to fool gas station machines ( translator's note : In Sweden, the crown is the official unit of currency, and most gas stations have automatic gasoline dispensers that are used outside the station's business hours), how to fool electric meters, and (naturally) different methods for making free calls. Nils started the magazine after being fined for building and selling Black Boxes (or, as he himself termed them, unit-eaters ), which enabled owners to make free calls after connecting the boxes to their telephone jacks. Before he started selling them, he gave the phone company the opportunity to purchase the device for three million crowns (about $450,000). The phone company never replied.

Rolig Teknik expired after a raid in Gothenburg, Sweden, in 1993. The raid was precipitated by the event that Alsätra had begun to publish anonymous classifieds where the advertisers could offer goods, using the paper as a middle-man, without having to display their name and address. For every transaction where the payment was handled by the publication, Rolig Teknik received SEK 10 (SEK=Swedish crowns, SEK 10 = about $1.50). Since the content of many of these ads was rather questionable, this practice was considered equivalent to fencing and arms dealing. After the police obtained permission from the executive branch of the government (for the first time in Swedish history), they raided the editorial offices of the paper. Since then, not a peep has been heard about the paper or Alsätra himself. The possibility of using the "unit-eaters" that Alsätra invented disappeared with the modern AXE telephone system, but many of the other tricks remain effective to this day.

For the modern hacker, magazines such as Phrack or Phun are the hottest items. In Sweden, there is also a newfangled print magazine (in the spirit of Rolig Teknik) called Alias 1 . Phrack is probably the most popular, since it has received a great deal of publicity. It is free to individuals, while organizations and governmental institutions have to pay $100 per year for a subscription. In this way, the authorities actually help finance the publication of the magazine, since they have to keep up with underground trends and developments 2 . As the telephone companies have started to fix the glitches in their systems, phreakers have learned to use exceptionally sophisticated methods to make free calls. One technique involves actually reprogramming phone company switches. Another consists of using stolen or artificial credit card numbers to bill the call to some other (sometimes non-existent) person or company. Ideally, the bill should be sent to international conglomerates such as Coca-Cola, McDonald's, or the phone companies themselves.

The point of using credit cards is that by calling through a specific 800 number, you should be able to bill the call to the card in question, no matter which private or public phone you are calling from. Since you can't show the card to an operator (human or computerized), you enter the card number and PIN ( Private Identification Number , a personal code associated with the card number) that are necessary for credit purchases over the phone.

Another free-call method is to use a PBX ( Private Branch eXchange) , which is usually a corporation's internal switchboard. Using a PBX frequently involves dialing an 800 number associated with an automated switchboard, entering a code, and then dialing the number of the desired target. The call will be billed to the company that owns (or employs) the switchboard. The procedure is a simplified and automated version of the debit/credit card payment system, which means that a human operator is not required to verify and record numbers and codes. In the beginning, PIN codes were not even used; it was simply a matter of calling the correct toll-free number and then dialing the desired phone number. It was believed that keeping the toll-free number secret would offer enough protection. Since phreakers are known to systematically dial extensive series of 800 numbers, they soon discovered that it was possible to dial other locations from some of these numbers, and before long the phone companies introduced PINs. For reasons which I will soon explain, PBX codes are constantly circulating outside the spheres of their proper owners.

The phreakers, then, more or less randomly dial toll-free numbers in their search for PBXs, computers, phone company switches, and other interesting telecommunications devices, a practice commonly referred to as war-dialling (from the movie War Games ) or simply scanning (this practice is by no means illegal; the point of having a telephone is to be able to call the numbers you want, and as many as you want). During these treks across the phone networks, phreakers often run into all kinds of intriguing things, such as the phone companies' private service lines and voice mail boxes (VMBs). Through voice mail boxes, you can send messages to each other if nothing else works (read: in case the phone company has blocked all other means of communicating for free). Voice mail is usually employed by large corporations with many employees on the go, such as consulting or sales and marketing companies, as a more efficient alternative to written communication. Voice mail boxes use private codes just like an ATM machine, and the codes are just as easy to crack (simple codes like 1234, 0001, or the same number as that of the box itself are common). Some voice mail boxes also allow for further connections, which means that it's possible to call long-distance from such a box.

Most phreakers learn of technical methods and stolen or faked codes from other phreakers. Information of this kind is often disseminated by private BBSs and confidential relationships. Most people involved with phreaking know nothing about actually getting these codes or what the technical instructions they receive actually mean. They simply follow the instructions and advice they receive from others, punch in a few numbers and Presto! - they're hooked up with the other side of the world!

However, there are also people like John Draper, who really know what they're doing. The most zealous ones are often youngsters less than 20 years old, who nevertheless possess enough knowledge to match a degree in electrical engineering, or beyond . Naturally, this is considered a very dangerous situation in a society where knowledge is power. Of course, the phone companies' systems are idiot-proof. Not even all the idiots in the world would be able to re-program a telephone switch to give them free calls. The problem is the smart criminals.

Bright, inquisitive youths, who want to know how the phone networks function, usually begin by reading standard, college-level telecommunications literature. Many of the more accomplished ones could easily pass professional exams with a flourish. They master the jargon of communications technicians, and are able to recite obvious acronyms such as DCE, OSI, V.24, MUX, NCC, or PAD in their sleep. They seem to have a sort of fetish for the telephone network.

Not all (but a great majority) of the technical information regarding the telephone systems is public. The missing details are usually discovered through a method called "trashing", which entails going to the dumpsters outside a major telecommunications company and digging through the trash for useful documentation (that should have been run through a paper shredder, since it is not at all appropriate literature for teenage technology geniuses). In this manner, phreakers find out about functions, system commands, and secret phone numbers that are meant for internal use. Sometimes it's worse - the hackers actually have access to a person on the inside, who intentionally reveal company secrets to them. Today, these security leaks have been virtually eradicated, despite the fact that the number of people that must have access to this information is great. Trashing is also performed to retrieve obsolete or discarded equipment, which is not really a criminal practice. It is also not very common, especially in Sweden.

The art of "social engineering" is more widespread (and often more effective). The technique is based on attacking the weakest link in the entire phone and banking system: the human being. The expression comes from the telemarketing field, where it is part of the telemarketer's job to dissimulate him- or herself and focus on the customer's weaknesses, to build trust while still remaining concise and effective. The following is an example of social engineering by a phreaker, loosely based on a case published in a highly improper hacker periodical (WARNING: use this example to protect yourself and others from becoming victims of this type of crime, not to commit the same type of crime yourself. If you abuse this information, I will be sorely disappointed!).
   
 P = Phreaker
 V = Innocent victim
 T = The victim's telephone


T : Ring!
 V : Hello!
 P: Hello, is this Mr. X?
 V: Yes... who's calling?
 P : Good morning, this is Noam Chomsky at the Accounts Security Division of the Chase Manhattan Bank. How are you doing this morning?
 V : Er... just fine. What's the problem?
 P : We have a situation here right now involving our databases. Your Chase Visa card is currently unusable due to the loss of a large portion of our customer files. If you would give me your card number and PIN, we can restore your account immediately.
 V : Just a minute, who did you say you were?
 P : My name is Noam Chomsky, and I'm with the Accounts Security Division of Chase Manhattan Bank. There's a situation here... (repeats what he just said)
 V : (Suspicious) I wasn't aware of this. Is there a number I can call you back on?
 P : Sure, no problem. I appreciate your carefulness. Give me a call back at 800-555-5555, (fake number that connects to a phone booth or that has been programmed into the phone company switches by P himself, which he can remove at will without trace. Naturally, it's not his home phone number).
 V : Thanks! Talk to you in a moment.
 T : Click. Silence. Buzz...
 P : Chase Manhattan Bank, Accounts Security Division, Noam Chomsky speaking. How can I help you?
 V : Great! This is Mr. X. I was afraid you were a scammer. OK, my Visa card number is XXXX... and my PIN is XXXX.
 P : (Pauses, writing). Thank you. We will restore your account as soon as possible. Please refrain from using your card during the next 24 hours. Goodbye, and thank you for your cooperation.
 V : Goodbye.
 T : Click.
If you fall for this type of con, the consequences could be devastating. Normally, the credit card companies will absorb the loss if you can prove that it wasn't you that used the card, but if you can't... ouch! It is not only consumer credit accounts that are victimized; company accounts are also relentlessly exploited in this manner. Other methods of obtaining card numbers include trashing (see above) or simply searching through mail boxes for letters from banks that might contain cards or PINs.

Credit card numbers are also used by phreakers to purchase merchandise, such as computers and peripherals, synthesizers, stereo equipment, and other capital goods. The criminal orders the merchandise for general delivery or gives the address of an abandoned building, which makes it impossible to trace the perpetrator. This method is known as "carding" among phreakers and hackers. A fair number of Swedes have been arrested and sentenced for these crimes. A considerably greater number have (as usual) gotten away with it.

Phreakers are social people, who love to use their skills to talk for hours about basically nothing and everything. Naturally, conversation tends to focus on methods, codes, and other things that are essential to phreaking. Sometimes international party conferences lasting up to eight hours are created. Some talk, others simply listen, someone hangs up and someone else dials in. The conversation lasts as long as the moderator can maintain it, or until the phone company catches on and disconnects it. A very famous conference was the 2111-conference , which took place on the 2111 number in Vancouver (a test number for telex transmissions). Phreakers as well as sympathizing operators (!) used to call this number to chat away a few hours.

Clearly, these practices are illegal and terribly immoral, etc. However, I am sure that some readers would agree that it is rather amusing to see a few bright teenagers using the conferencing systems of multi-national corporations to set up global party lines, simply in order to shoot the bull for a while! The phreakers consider this gross exploitation to be harmless, at least in those cases where they just snatch bandwidth by using technical tricks. They are of the opinion that since the cables are already there, why not use them? Where's the harm in that? Does it damage the phone network? Hardly, unless you don't know what you're doing. Does it hurt any individuals? Not as long as you stay away from hospital and military lines. Do the phone companies lose money? Not at all, since none of the phreakers would have made these calls if they had to pay for them. Does it overload the phone network, forcing the companies to expand? No it doesn't, since international connections have a fairly high ceiling.

The real crime committed by phreakers is that of interfering with the social order. What if everyone started doing this? Everything would go straight to hell! International lines would break down, and chaos and anarchy would ensue. It's not a question of theft; more appropriately, it is a question of order . Stealing credit card numbers and using them, on the other hand, is fraud. These arguments are completely irrelevant to a true yippie, since he/she is only out to destroy society. In contrast, many phreakers are fairly average and law-abiding members of the middle and working classes. However, they have taken Nietzsche to heart and consider themselves a type of elite (or even superhuman) with the natural right to take advantage of the system. They would never suggest that everyone should exploit these systems in this manner, and claim that they also want to help the phone companies discover their security gaps by pointing out existing flaws. Therefore, they contend that actions can not be defined as good or evil solely on a legal basis, just like Zarathustra through Nietzsche had to reject the concepts of right and wrong . This has nothing to do with fascism; it's a theory of the improvement of systems through individual transcendence.

 The phreaker magazine TAP has been followed by other publications such as 2600: The Hacker Quarterly (the name is derived from the 2600-Hz tone that was discussed earlier), Iron Feather Journal, and a cornucopia of electronic magazines that are too numerous to list.

Telia ( translator's note: Telia is the largest telephone company in Sweden, and is a governmentally supported corporation. Before deregulation a few years ago, it was a state agency that had a monopoly on telecommunications traffic in Sweden) is reluctant to acknowledge that phreakers exist, and it would be safe to assume that a number of phreaking cases are kept in the dark (most likely to avoid consumer complaints such as: "Why do they get to call for free when I have to pay?", "Why doesn't somebody do something about this?", " I'm by God an honest taxpayer, and I demand ...", etc. etc.).

In Sweden, phreakers have actually succeeded in manufacturing fake phone cards, re-programming mobile phones to bill to someone else's number, using Telia's own access codes, using blue boxes to fool Telia's switches, and (most frequently) using foreign credit card numbers to make international calls 3 . Additionally, the oldest form of phreaking (known as gray-boxing ) still plays a part. Gray boxes (predecessors to the blue ones) are the boxes found attached to telephone poles or beside the electric company's fuse boxes. By hooking into a gray box, you can physically connect yourself to someone else's phone line and make calls in their name.

There are no reports on the extent of these crimes, and Telia would rather have it that way. To put the spotlight on security breaches would be fatal in the current market, where Telia competes with private telephone companies and has to be concerned with its image. Therefore, incidents of fraud are frequently covered up.

The situation is even worse in the United States, where many phreakers have studied corporate public relations in depth in order to use social engineering to set up fake credit cards or telephone service. They exploit the corporations' strong emphasis on customer service to pit the telephone companies against each other. For example, if a phreaker encounters problems in setting up a fake 800 number, he or she will say something like "well, if that's the way it's going to be, I might as well call X or Y or Z (competitors)". This serves to discourage phone company sales reps from asking too many questions or asking for too many details.

These problems point to shortcomings in a society where social interaction between businesses and people has become neglected, due to the extreme size of modern corporations. The social aspect of a business has been separated from its sphere of productivity in the struggle toward increased efficiency, which has created an anonymous society. According to conversations I have had with phreakers, the large companies are the easiest to deceive: they can't tell who's fake and who's for real since they've never encountered either one in person. The only available means of separating the wheat from the chaff is by observing what the individual sounds like and the quality of his/her vocabulary and verbal communication. The phone companies have turned into anonymous logotypes toward their customers, and as long as the business world works this way, phreakers will find ways to call for free.
Network hackers
 Let us now leave the telephone networks and take a look at computer networks. As technology fanatics, the phreakers soon discovered computer technology. There were plenty of phreakers similar to Cap'n Crunch, who initially engaged in phreaking because they didn't have access to computers. Together with renegade college students and other less savory characters, they created small hacker groups that engaged in downright intrusive activities. In addition to being experts at tweaking telco switches, many of these hackers attained great proficiency in manipulating the large computer systems (VAX, IBM etc.) that governed the nodes of the Internet, which had become virtually global by the late 80's. These systems were usually UNIX systems (synonyms include machine , site , host , mainframe , etc.). Others specialized in VAX systems, which used the VMS operating system instead of UNIX. VMS became somewhat more popular among hackers, since it was easier to penetrate than UNIX.

The first hackers to become publicly known were Ronald Mark Austin and the members of his hacking group 414-gang , based in Milwaukee. 414-gang started "hacking" remote computers as early as 1980, and it was the 1983 discovery (just after the opening of the movie War Games ) of these hackers that sparked the entire debate of hackers and computer security. The 414-gang had entered the computer system of a cancer hospital in New York. While the group was removing the traces of the intrusion (after an interview in the New York Times, which included a demonstration of possible entry methods), they accidentally erased the contents of a certain file in an incorrect manner, with resulting in the destruction of the entire file. The mere notion of the possibility of this file containing important research results, or a patient journal, was terrifying. Prior to 1983, few people knew what hackers were. Now, everyone talked about them. It was probably this early debate that imbued the word with its negative connotations.

Personally, I use the term network hacker (they are also known as crackers or netrunners ) to define this type of hacker. Most of the first-generation network hackers used Apple II computers, for which there were several phreaker magazines such as Bootlegger . These magazines would become the predecessors of the future multitude of hacking and phreaking publications. When network hackers came to Europe, they primarily used C64 computers, and had no papers or magazines since such a tradition hadn't emerged among European hackers. This lack of forums greatly limited European hackers' activities. As they didn't have access to American Apple II's, they couldn't read the American hacking publications to learn to hack better. Network hacking has never been as extensive on this (the European) side of the Atlantic.

A funny detail is that after the 414-gang became famous, most hacker groups developed a penchant for putting equally incomprehensible numbers before or after their proper names. 414-gang derived its number from the Milwaukee area code.
It can be difficult to immediately understand what it means to "gain entry" to a computer system. To "crack" or "break into" a system simply entails convincing a remote computer to do things it isn't supposed to do (for you, at least). It could be referred to as instigation or fraud in more common terms. Let me illustrate it through the following dialogue:
   "Hello", the computer says.
    "Hi," says the hacker, "I would like some information."
    "Hold on a minute", the computer responds. "Who do you think you are?"
    "I'm the system administrator", the hacker says (or something like that).
    "Oh well, then it's OK", says the computer and gives the hacker the desired information.
Naturally, it doesn't look like this in real life, but the principle is the same. Hacking into a system involves a form of social engineering applied to electronic individuals. Since computers aren't that smart to begin with, one can't call them stupid for not being able to tell the difference between a system administrator or a hacker. Therefore, many think that the hacker is not playing fair by tricking the computer in this way (similar to stealing candy from a baby). To enable the computer to distinguish between a hacker and the system administrator, it has been given special identifying strings that the user must repeat, together with his or her username, when access is needed. These are called passwords , and the idea is that hackers shouldn't know about them. Sometimes, hackers find out what the password(s) is/are anyway, or in some other manner convince the computer to think that they are the system administrator or someone else who has the right to access the computer. An functioning username-password pair is called a NUI (Network User Identification, or user identity). A hacker sometimes refers to security systems as ICE (Intrusion Countermeasure Electronics). The on-screen exchange between a hacker and a computer can look something like this:
  *** WELCOME TO LEKSAND KOMMUNDATA ICE ***
  UserID: QSECOFR (the hacker enters a name)
    Password : ******* (the hacker enters a password, which is normally not echoed to the screen)
    SECURITY OFFICER LOGGED IN AT 19.07 . (The userID and password together constitute a valid user identity named "Security Officer").
    ENTER COMMAND> GO MAIN (the hacker has "gained access" to the system). 4

The usual methods for finding passwords are not that spectacular. The simplest is to glance over an authorized user's shoulder, or actually recording the log-in keystrokes on video (since they rarely appear on the screen). Other "tricks" include searching for notes under desktop pads, or guessing different combinations of initials, birthdates, or other words and numbers that relate to the person whose user identity the hacker wants to take over. It is especially common for users to use their spouse's maiden name as a password. If the target identity is that of a system officer, the hacker tries different computing terms. All of this falls under the definition of social engineering, which I mentioned in relation to phreaking. A surprisingly effective method is simply calling the system operator and saying that you are an employee who's forgotten his/her password. "Trashing" and collecting loose pieces of paper at computing conventions are other common techniques.

The most sophisticated methods bypass the entire security system by exploiting gaps in the system programs ( operating systems , drivers , or communications protocols ) running the computer in question. To be usable, a computer must have system software running on it. Since VAX/VMS systems are fairly rare, it is mostly UNIX systems that are attacked using this approach. It is especially common to use glitches in the commands and protocols that bear mysterious names such as FTP, finger, NIS, sendmail, TFTP, or UUCP.

Methods such as the above are becoming less and less viable, since the security gaps are usually closed as soon as they are discovered. The "filling" of the gaps is accomplished as the system administrator receives (or in a worst-case scenario, should have received ) disks containing updated system software, which is then installed on the system. The programs are usually called fixes, patches, or updates. However, many systems officers fail to completely update the system programs, with the result that many of the security gaps remain for quite some time. Others neglect parts of the security system because it creates a hassle for authorized users. For example, many system administrators remove the function which requires users to change their password frequently, or which prevents the usage of passwords that are too common. Some computers (in 1995) still have security holes that were cautioned against in 1987. Swedish computers are no exception.

When a hacker has gained entry to a system, he or she can (often) easily obtain more passwords and usernames through manipulating system software. Sometimes, they read through electronic mail stored on the computer, in search of passwords. Imagine one such message: "Bob, I won't be at work on Friday, but if you need access to my numbers, the password is 'platypus'."

Most of these hackers never caused (and still don't cause) any damage to computer systems. Mainly, the intruders are driven by curiosity and a desire to see "if they can do it". It's about the same type of thrill that comes from wandering subway tunnels, or crawling through underground sewers, i.e. an exciting form of "forbidden" exploration. In fact, hackers in general follow an unwritten rule which states that one should never steal and never destroy anything on purpose. Those who break this rule are called dark side hackers (from the movie Star Wars ). In Clifford Stoll's book The Cuckoo's Egg: Tracking a Spy Through the Maze of Computer Espionage , one can follow the chase of such a hacker.

The hacker that Stoll had problems with obviously belonged to the dark side: he tried to systematically retrieve classified military information, and had ties to the KGB (the events took place during the height of the Cold War). He had the assistance of one of the most feared hacker groups: Chaos Computer Club , an organization with a political agenda, founded in 1984 by Hewart Holland-Moritz . They purported to fight for individual rights in the information society, and were known for killing the project for a German information system called Bildschirmtext , by exposing its lack of security and reliability at a press conference.

In 1989, the case of the spying hacker made worldwide headlines, and Stoll wrote his book shortly thereafter. The case has spurred its own mythology: one of the players, who called himself Hagbard , was found burned to death in a forest, and many speculated that the death was KGB's doing. This is probably not true; the hacker in question was named Karl Koch , and had severe psychological and drug problems even before he started hacking, and it was most likely (as the police suspected) a matter of suicide. Among other things, Koch believed that the world was ultimately controlled by the Illuminati , a fictional Islamic mafia that has supposedly infiltrated governments and organizations since the 13th century, an idea he had gotten from the books by the same name. He was also fond of psychedelic drugs, which didn't help much. Upon closer examination, it is easy to reach the conclusion that Koch was a raging paranoid, but the headline "Hacker Assassinated by the KGB?" obviously sells more papers than "Hacker Committed Suicide?".

Koch, together with Pengo (Hans Hübner) and Markus Hess , were members f the hacker group Leitstelle 511 , which had a clear political profile and a taste for long nights of hacking and drug orgies. They had obtained classified information and software through the Internet, with Markus as a UNIX expert and Pengo masterminding the intrusions. The project, which consisted of systematically exploring American defense installations, was code named Project Equalizer . The name was derived from the hackers' slightly naive idea that their espionage would even the odds between East and West in the Cold War. This was more properly an excuse to spy for their own gain than an expression of real political intentions. Markus and Pengo, as the two most talented hackers of the group, mostly hacked for their own pleasure, and did not receive any considerable financial gains. All of the involved, after being caught, were sentenced to between one and two years imprisonment, but the sentences were suspended. Pengo was not charged, since he had fully cooperated with the police.

This is one of the few known cases of network hackers making money off their "hobby". Generally, people engage in this type of hacking for the intellectual challenge, or for the social aspects of data communications. Kevin Mitnick is another hacker to become more or less legendary. Originally, he was a phreaker who developed a hitherto unsurpassed skill in manipulating people as well as computers and telephone switches. Mitnick is the archetypal dark side hacker: He stole the source code ( source code is the version of a computer program that can be read, written, and modified by humans. After a process known as compilation , the program is readable only to computers - and hackers) for Digital 's operating system VMS 5.0 by breaking into their software development division through phone and computer networks. He was very vindictive, and punished police and companies that crossed him by giving them outrageous telephone bills or spreading lies about them through phones and fax machines. When police tried to trace his calls, he was instantly alerted and could abort the call, since he had hacked into the phone company Pacific Bell 's surveillance systems. When he was arrested, he was just about to steal the source code for the not entirely unknown computer game Doom.

After his arrest in December 1988, he was sentenced to one year's imprisonment and six months of rehabilitation. He was treated together with alcoholics and drug addicts for his almost pathological obsession with hacking. Recently, he was again apprehended after being pursued by a security expert by the name of Tsutomu Shimomura , and a journalist named John Markoff (who had earlier written a book about Mitnick).

Much of the publicity surrounding Mitnick was hyped to the point of witch hunting. Many were of the opinion that he wasn't as dangerous as Markoff portrayed him to be. Nevertheless, Kevin has become a symbol for the "dangerous" hacker: cold, anti-social, vindictive, and extraordinarily proficient in manipulating people and phone switches. On the other hand, he was never a master of computer hacking - a field in which he has many superiors. It is worth noting that Kevin never sold the information he captured to any third parties. He only wanted the VMS operating system to be able to improve his hacking skills, and he never cooperated with organized criminals.

This type of illegal break-in has been glorified in films such as War Games, Sneakers (1992), and the TV series Whiz Kids , and as a result, many (completely erroneously) think that hackers in general primarily engage in this criminal form of hacking. Even in the Swedish film Drömmen om Rita ( Dreaming of Rita , 1992), a romanticized hacker has one of the cameo roles. He is a symbol for the young, the new, the wild; a modern Jack Kerouac who drifts through the streets with his computer. The hacker is portrayed as a modern-day beatnik. An interesting detail is that the hacker in this movie goes by the name Erik XIV , which is the same pseudonym used by a real hacker in a few interviews with Aktuellt (a Swedish news program) and Z-Magazine in 1989, where he explained how to trick credit card companies into paying for international calls and merchandise ordered from abroad (crimes for which he was later convicted and sentenced).

Actually, very few youths interested in computers take to criminal activities. Nevertheless, computer crime is frequent, but the real problem is that computer systems do not have adequate protection; no hacker would be able to force a sufficiently protected system, even if theoretically possible. No one can fool a computer that is smart enough. Most security breaches are probably kept in the dark for PR reasons. As far as I know, no bank has officially lost money because of dark side hackers; on the other hand, if I were a bank and some hacker transferred a few million dollars to his or her own account, would I want to prosecute the hacker so that all of my customers would realize how insecure my computer system was? Swedes may remember the publicity surrounding the software bug in Sparbanken's (a large Swedish bank) computer system in 1994...

Companies with poor security would probably find it embarrassing if the public found out that teenage hackers could read their secrets or transfer money from their accounts. In those cases, it's PR-correct to put a lid on the incident, which is exactly what has happened in many instances.

The distinction between network hackers and phreakers is blurred. It is customary to say that a phreaker explores computer systems for social reasons, primarily to be able to call their friends long-distance for free, while an intrusion-prone hacker explores the systems for their own sake and for the thrill of outwitting technology. The anarchistic yippie attitude and the urge to break down systems stem from the phreakers.

Many have rightfully questioned society's negative view of hacking, i.e. "hobby intrusions". Hackers have been compared to cave explorers, searching for new realms out of curiosity and a desire for challenge rather than greed. Since the networks are so complex that there is no comprehensive map, hackers are of the opinion that cyberspace is the uncharted territory where electronic discussions take place, a universe which they curiously explore. To compare hacking to burglary is insipid. During a burglary, there is physical damage to doors and locks, and real objects are stolen. A typical hacker never damages anything during an intrusion (very few hackers are vandals5 ), and to the extent that he/she "steals" information, it is only copied, not removed. Essentially, the only "theft" that takes place is a few cent's worth of electricity and some minimal wear on the machine being used, but considering the high rate of depreciation of computer equipment, this can hardly be considered a loss. Furthermore, any computer connected to the Internet allows outsiders to use it to search for and distribute information.

I suspect that the main reason that the establishment fears hackers is that hackers assume the role of someone else - that they present themselves as system operators or other authorized users, and enjoy the privileges associated with their assumed status. The worst part is that they seem to be able to do this with ease, thus publicly embarrassing the computer experts that the corporations pay dearly for. This tends to be aggravating, especially since the business world in general and (to an even higher degree) the corporate world depend on a system of fundamental status symbols, where every person is at the top of their own little hierarchy. To act like someone or something that you are not is considered a cardinal sin (remember Refaat El-Sayed's fake doctoral degree!) ( translator's note : In the 80's, Refaat El-Sayed was the CEO of Fermenta, a large Swedish pharmaceutical company, who was ousted following a scandal involving purchased credentials).

The condemnation of hackers is disproportionate to their criminal acts, and sentences are way too severe. This is grounded in an almost paranoid fear of what the hacker accomplishes, and the code of ethics that he or she subscribes to. The hacker is (like most people) definitely not evil by nature, nor a hardened criminal, but an individual that listens to his/her own heart. The hacker is not a psychopath, nor interested in hurting or stealing from other people in a traditional sense. Possibly, the hacker wants to steal secrets, which frightens many. Later, we will go deeper into hacker ethics and ideology.

Swedish network hackers appeared at a later stage than the ones in the U.S., partially because of Televerket's ( translator's note : Televerket was the government authority that later became Telia - the name literally translates into "The Telephone Service") monopoly on the modems that are needed to connect to a computer across the phone networks. The first case that I know of happened in 1980, when a student at Chalmers School of Technology (at Gothenburg University) was fined for manipulating the billing system at Gothenburg's computer center in order to use the system for free. The first case to attract media attention occurred when a journalist from Aftonbladet (a major Swedish daily), Lars Ohlson , hired a couple of 17-year-olds, a few modems, and a few computers, and tried to break into Stockholm's QZ computer center (after seeing the movie War Games) . The QZ operators noticed what they were doing, which led to Ohlson's arrest and subsequent fining, under loud protests from (among others) Dagens Nyheter (one of Sweden's largest, oldest, and most respected newspapers). The three never succeeded in breaking into QZ, and the original purpose had been to test its security, which turned out to be very good... in 1983.

In the first 1984 issue of the paper Allt om Hemdatorer ("All About Personal Computers"), there was a report of a considerably more successful intrusion attempt. With the help of an imported Apple II, two youths (17 and 19 years old, respectively) managed to get into DAFA-Spar , the government's individual address database. Even though the information contained in the database was far from classified, it is easy to imagine the consequences if, for example, a foreign power could retrieve information about every Swedish citizen. DAFA-Spar themselves were surprised and shocked by the incident. The youths, inspired by War Games , had also succeeded in entering Gothenburg's Computer Center, Medicin-Data and the computers at Livsmedelsverket (the Swedish equivalent to the U.S. Food and Drug Administration) The hackers claimed to have performed the break-ins to point out security deficiencies.

Like their American counterparts, most Swedish network hackers seem to have worked alone, i.e., without forming groups. Reportedly, many of the first Swedish hackers were inspired by the BBS Tungelstamonitorn , which was run on an ABC806 computer by Jan-Inge Flücht in Haninge (a Stockholm suburb) in 1986-87. The BBS later changed its name to Jinges TCL and became known as one of the most outspoken and insolent Swedish boards through the amateur network Fidonet. In 1987, SHA (the Swedish Hackers Association ) was formed, which (curiously enough) is most famous for irritating freelance journalist and security consultant Mikael Winterkvist , after he attempted to chart the transmission of computer viruses in Sweden.

The SHA itself claimed to be Sweden's largest and most well-organized hackers group. Others see them as boastful people from Stockholm with a strong need for self-assertion, which is a rather empty sentiment considering that nearly all underground hackers have an enormous need to assert themselves ( translator's note: and people from Stockholm are often considered to be boastful and arrogant by other Swedes not from Stockholm). One of their most successful hacks involved an SHA member gaining access to Swedish Radio's computers, and becoming so familiar with the system that he could change the programming schedules at will. Just for fun, he changed Pontus Enhörning's (a famous Swedish radio personality) password and emailed him to tell him about it, which generated some publicity.

SHA succeeded, during its heydays, in entering several computer systems around Sweden: among others, SICS, KTH/NADA, ASEA, Dimension AB, S-E Banken, SMHI, OPIAB, DATEMA, and - last but not least - FOA ( translator's note: FOA stands for Försvarets Forskningsanstalt, or Sweden's Defense Research Facility). None of the victimized companies or authorities have shown any great desire to talk about the intrusions. Swedish security experts shrug and sigh when SHA is mentioned. The police, as well as many companies' own security teams, know exactly who the SHA is, but they can't prove anything. Mostly, the SHA is given free reins, since the authorities feel that they have the group "under control". They're not afraid of the SHA, and they have no reason to be, since the group consists of relatively benign hackers who are not out to destroy or corrupt anything. For the most part, all that they want is some system time and open telephone lines. If you shut them out, they respect it, but if you act in an arrogant and authoritarian manner toward the SHA, they tend to get pissed off and threaten with horrendous retaliation.

Sweden has also been subject to hacker attacks from abroad. Perhaps the most well-known incident occurred when a couple of UK hackers, Neil Woods and Karl Strickland (known under pseudonyms as PAD and Gandalf , collectively as 8LGM , which stood for 8 Little Green Men or the 8-Legged Groove Machine ), broke into the Swedish Datapak and Decnet networks during Christmas of 1990. Using a computer program, they searched through 22,000 subscribers looking for computers to access, and established contact in 380 cases. The two 20-year-olds were sentenced to six months imprisonment on the 4th of June, 1993, for computer violations in fifteen countries (they were the first to be sentenced under the new UK computer security regulations). Before one passes judgment on Pad and Gandalf, one should know that they were the ones that hacked into one of the EU's computers and helped expose Jacques Delors ' (a French EU representative) exorbitant expense accounts.
Virus Hackers
Computer viruses are constantly a hot item. This exciting area is still fertile ground for publicity in magazines and periodicals. The Michelangelo virus, discovered around March 6, 1992, attracted lots of attention. The virus was believed to cause great damage to data and computers around the world. These fears turned out to be greatly exaggerated; basically, the virus didn't do anything. This was taken to indicate that media warnings had been effective, and the theory, so to speak, proved itself. The question is whether the Michelangelo virus ever constituted a threat.

Computer viruses are small programs, and like all other programs, they are created by people. Hackers who engage in virus programming are made out to be the worst villains among hackers, and are thought to only be interested in screwing things up for other people. At the time of this writing, legislation is underway that would make the manufacture as well as distribution of computer viruses a criminal offense. The first modern viruses (such as the Michelangelo virus), the link and boot viruses , surfaced in the beginning of the 80's. Many of the first ones came from Bulgaria of all places, and it was in this country that the first BBS dedicated only to virus exchange and discussion appeared: the Virus Exchange . Supposedly, the reason for Bulgaria's central position in the virus industry was that the East Bloc, during some phase of the Cold War, decided to manufacture viruses for electronic warfare. Bulgaria is known for its high-class computer scientists, and so it was a natural choice for construction of these "weapons". Thus, many Bulgarian students came into contact with government-financed virus programming and later continued to develop viruses as a hobby. The most prominent of these students is Dark Avenger , who has attained cult status among today's virus hackers.

Individual link and boot viruses possess different attributes, but share the ability to propagate efficiently. Most are written by hackers, and not all viruses are destructive. Computer viruses have been classified as electronic life by researchers as prominent as Stephen B. Hawking . If so, then it is the first life form to be created by humans. Some virus hackers are just regular hobby hackers who have developed an interest in viruses, while others are network hackers. The electronic magazine 40hex (named after an MS-DOS function) is a forum for American virus builders, and primarily provides code for virus programs and explores virus techniques, but also reports on political and economic aspects of viruses. The magazine is published by the virus hacker groups Phalcon and SKISM (Smart Kids Into Sick Methods). (Notice the pun?).

It's a shame to say that virus builders are only concerned with destruction. Mostly, it is just another manifestation of the graffiti phenomenon , which is a desire to see one's name on as many screens as possible, and to read in the papers about the effects of the virus one wrote. It's a question of becoming someone. In addition, constructing a virus is an intellectual challenge that requires a relatively high degree of programming knowledge. The virus hackers are probably the most intellectual hackers next to the university hackers. In the case of destructive viruses, it is usually a manifestation of the phreakers' old yippie attitudes. The virus hacker is the fascinating person produced when you cross a yippie anarchist with a disciplined programmer. A related fact is that viruses are exclusively written in assembly language, which is the hardest and most complicated programming language to learn. No virus hacker that I've heard of has ever made money from making a virus.

The virus hackers have a sort of love-hate relationship to John McAfee and his company, which makes the virus-removing program VirusScan . Before he started working on computer viruses, he supported himself by selling membership cards for an association which simply guaranteed their members to be AIDS-free, so it is fair to say that he has had experience with viruses. It has been implied that his company supports virus production, since it is vital to its continued existence that new viruses or new versions of viruses are constantly appearing. The company's main source of income comes from program updates , i.e. selling new versions of the software that can neutralize and protect against the newest viruses. McAfee worked under a similar system selling AIDS-certificates. He was accused of bolstering the public fear of the Michelangelo virus in 1992.

Computer viruses can also be considered an art form. A virus is a computer program just like any other, and according to copyright laws, every creative computer program contains an artistic element. It is obvious that the creation of a virus requires determination, effort, and imagination. Imagine that while systems analysts and administrators are breaking their backs to get their systems to work in an orderly and coordinated fashion, there are little hoodlums out there trying to accomplish the exact opposite , i.e. chaos, disorder, and ruin. It doesn't take a lot of inside knowledge to see the humor in the situation. The virus builders are taunting the nearly pathological fixation on order within corporations and governmental agencies. It can very well be viewed as a protest against a nearly fascistic desire for control, order, and structure.
   
    "To some, we are demons; to others, angels...
   ... Blessed is the one who expects nothing, for he will not be disappointed."

  (Excerpt from the source code of the virus Dark Avenger, by the Bulgarian virus hacker of the same name. Translator's note: one does notice a mere whiff of inspiration from Hellraiser...).
The most notorious Swedish virus hacker is known as Tormentor . In 1992, he formed a loosely connected network of Swedish virus hackers by the name Demoralized Youth . Tormentor belonged to the relatively small group of hackers that became interested in virus building, and established contact with similarly interested Swedish youths. Among others, he got to know a 13-year-old who had collected over a hundred viruses, and downloaded new ones from the Bulgarian Virus Exchange BBS. During the late fall of that year, Tormentor distributed a virus of his own creation to different BBS's in Gothenburg, and could observe it spreading like a wave across Sweden. Intense Fidonet discussions ensued.

Someone discovered an "antidote" to Tormentor's virus, and he modified it and distributed it again, only to have it trounced by another anti-virus technique. This process was repeated five times before Tormentor got sick of constantly updating and distributing the virus. Afterwards, Tormentor concluded that the virus contained several errors. To start with, he had only tested it against McAfee's VirusScan; additionally, it was afflicted by several programming errors, and - worst of all - it was not destructive! Those are the words of a true anarchist. Tormentor embodies the virus hacker in a nutshell, and he is probably an eternal Swedish legend in the field. He was in contact with the SHA from the beginning, and is still involved in a feud with Mikael Winterkvist at the company Computer Security Center/Virus Help Center.

Among other well-known viruses we also find the so-called Trojan Horse AIDS (Trojan horses are viruses that infiltrate remote computers or networks). AIDS was a program that was distributed free-of-charge to companies across the world, following an international AIDS conference in London, and it purports to contain information about AIDS. When the program is run, it locks up the computer's hard drive and the user is prompted to deposit a certain amount in a an account in Panama (talk about electronic extortion). However, this virus has nothing to do with hackers; it was created by a man named Joseph Papp , who was not considered mentally fit to stand trial.

Another famous virus is RTM , a.k.a. The Internet Worm . This was a worm virus , which copied itself across computer networks. The program was written by the student and hacker Robert Tappan Morris (hence the name 'RTM'), and his idea was to write a program that traversed the Internet on its own, finding out how many systems it could get into. It was then supposed to report back to its author with a list of its destinations. Unfortunately, Morris had made a programming error which caused an overload of the entire Internet. For this little trick, he was sentenced to fines and probation. The worm virus idea originated at the Xerox Research Center in Palo Alto, California, where they were used to maximize the use of machine resources (for example, by having some programs run only at night, when no one else was using the computers).

Cable and Satellite Hackers
 It is uncertain whether satellite and cable hackers should be referred to as hackers, and it is even more uncertain whether I have the right to call them "illegal hackers". First, what these hackers do is seldom illegal. Second, they are closer to radio amateurs and electronics freaks than computer users. On the other hand, phreakers and computer constructors are often considered to be hackers, and furthermore, neither radio amateurs nor electronics hobbyists want anything to do with them. Plus, they also subscribe to the fundamental hacker principle that holds that information should be free... so I guess they're hackers.

If you flip to the last pages of an evening newspaper, right after the sports pages, where you find all the ads for porno movies and Rogaine, you will also find ads offering cable TV decoder kits. These kits are built by this type of hacker. The entire Swedish branch of this underground operation can be traced to the close-knit circle of Rolig Teknik (which was mentioned earlier) readers. It is hardly possible to find a decoder builder that has not read Rolig Teknik.

The absolutely most famous hack that has been performed by this kind of hacker was witnessed by HBO viewers on April 27, 1987. In the middle of the movie The Falcon And The Snowman , the broadcast was interrupted by a blank screen on which the following text appeared: "Good Evening HBO from Captain Midnight. $12.95 a month? No Way! (Showtime/Movie Channel, Beware!)".

The basis for this message was HBO's plans to encrypt their broadcasts so that whoever wanted to see their programs would have to purchase a decoder. Captain Midnight , whose real name turned out to be John MacDougall , had interrupted HBO's broadcast by reprogramming the satellite that transmitted on that channel.

The transmission was interesting because it showed how vulnerable the technological society is. What if Captain Midnight had instead decided to alter the satellite's trajectory, and thus sabotaged millions of dollars worth of equipment? Perhaps worst of all, the hacker penetrated every television viewers consciousness and distributed the unequivocal political message which stated that TV, as a form of information, shouldn't cost anything.

On this subject, I would also like to mention some other electronics hackers like the Uppsala-based Atari enthusiast by the name of Marvin (an assumed name), who together with some friends constructed their own telephone cards - "eternal" cards that never ran out.... After a lengthy process, these Uppsala hackers were given suspended sentences and fines, while Telia never received a cent in reimbursement (which was partially due to the fact that Telia itself had made orders for these cards, as they were mighty curious about the invention). Many engineering students across Sweden became so impressed by Marvin's cards that they made copies, and soon there was a considerably greater number of copies than originals. Marvin himself never manufactured very many cards. Mainly he wanted to prove that it was possible, since Telia had boasted of the superior security features of these cards.

A similar case involved the Amiga hacker Wolf , a resident of Helsingborg (located in southern Sweden), who managed to acquire a card reader of the type that was used for public transit (bus) cards. Wolf was an unusually crafty young man, who was familiar with all types of electronic equipment, and also very mechanically talented. He had a two-year gymnasium degree ( translator's note: in Sweden, like many other European countries, the gymnasium offers an intermediate level of schooling somewhere between High School and university, and in some cases offers degrees) in electronics and telecommunications, but he was more dedicated than most university engineers. He had already had a run-in with the justice system for moonshining. Without any major difficulty, he managed to hook up the card reader to his Amiga and write a program that could control it. Initially, he probably only wanted to test the system to see if he could program the cards himself, but as time passed it turned into an enterprise. Eventually, it became an operation in which hundreds, perhaps thousands, of cards were forged. Due to a solid and secure database system, the regional transit authority was able to trace and block the forged cards. During a search of Wolf's residence, authorities found (among other things) Marvin's extensive description of Telia's phone cards.

The need for proper legislation for these types of crimes is pressing. There are operations that border the illegal, but that cannot be outright criminalized. It is not illegal to own a card reader or to manufacture fake cards. Electronic "identity documents", such as phone cards or decoders, are not considered identity documents by virtue of the fact that they are electronic, and therefore it is not illegal to possess them. Swedish legislation has simply not yet been adapted to electronic documents. However, using fake documents is clearly illegal. Only commercial manufacture and sales of pirate decoders is illegal - not private possession or distribution. Presumably, legislation has been limited so as not to infringe upon the freedoms of radio amateurs, which means that mail-order kits or other tools for amateur use are permitted. It would be totally legal to put up ads for phone card kits, just as decoder kits are being sold.

The solution to this controversy is, of course, not prohibition, but building systems that are so safe that they cannot be penetrated even if the attacker knows everything about their inner workings, which is possible through crypto-technology. The question is whether this solution is really that good. In a society that is based on electronic currency, this would serve to prevent all types of fraud and forgery. I will return to this subject in a later section.
   
 Anarchists
The "hackers" that call themselves anarchists are hardly hackers in the traditional sense. Neither are they anarchists. More accurately, they're teenagers with a general interest in bombs, poisons, weapons, and drugs. Since relevant information cannot be found in most libraries, these teenagers find their way to that electronic computer culture in which all information is cross-distributed to other youths who do not themselves have children, and therefore do not feel any sort of responsibility for the information being distributed. For obvious reasons, the youths see themselves as equals, and consider the whole thing a rebellion against adult values and norms. Childish? Perhaps. As a protest against Big Brotherism, it can hardly be considered childish. In any case, there are plenty of adult "anarchists".

Anarchists distinguish themselves by distributing blueprints for weapons and bombs, drug recipes, and instructions on how to efficiently kill another person, etc., with inexhaustible interest. Some hackers become angry when they find their BBS's swamped with such material (which is often totally erroneous, dangerous, and useless); others let the anarchists carry on. The most controversial anarchist publication in Sweden is The Terrorist's Handbook 6 . Much of the information in the book has to do with basic pyrotechnics, and has nothing to do with terrorism (sometimes I wonder if one of my student neighbors has developed an obsession with this book, as he with inexhaustible energy detonates home-built fireworks every evening. Apparently, many chemistry students have learned a lot about pyrotechnics by studying this type of material).

Some people seem to collect similar blueprints and books in the same manner that others collect rocks or stamps. It is only recently that so-called ASCII-traders (ASCII stands for American Standard Code for Information Interchange, which is really a method of coding text) have surfaced; these people are information collectors who dial into different BBS's and look for exciting and somewhat suspicious information. Don't ask me why they do this. Collecting non-living objects is something that one engages in for no reason whatsoever. The digital information collector's obsession is obviously as strong as that of a collector of physical items.


 1 Alias Publications is one of the publishers that have offered to print this book. The editor-in-chief, Mikael Borg, wanted me to write more about Alias in this book, which I can understand. Alias is an excellent magazine for those who are interested in this type of material, but who don't have access to BBS's and the Internet, or the energy to dig out the electronic documents that describe hacking techniques. Alias has a shortage of good contributing writers, but they do the best they can, and the paper is interesting to read. Wicked voices claim that Alias is just out to make a quick buck, but as far as I can tell, this claim is not true. Most of the material seems to be thoroughly edited, and the design is far above underground standards.
 Update : At present, Alias Publications has ceased doing business, and Mikael Borg has gone underground by moving to Thailand.
 2 After writing this, one of my articles was accepted by Phrack (see Phrack #48, article 17): a historical summary of Swedish hacking culture, based on the research I did for this book.
 3 The current method is manufacturing your own home-made cards that the new public phones accept as real credit cards.
 4 An experienced hacker will instantly note that I've chosen a totally boring system: the AS-400.
 5 Security experts constantly emphasize that there are destructive hackers out there. Remember that this threatening image provides the reason for their existence.
 6 Pay attention to our definition of "anarchist" (see the first paragraph). Do not confuse hacker-anarchists with political anarchists. The Terrorist's Handbook was published in Sweden by a company that also published quite a bit of Nazi propaganda.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch5web.htm0100664000175000017500000021335607311654724014315 0ustar miccemicce CDNE Chapter 5 - Subculture of the Subcultures

INDEX

Chapter 5
SUBCULTURE OF THE SUBCULTURES

The phenomenon that started at MIT, becoming global through personal computers and networks, has reached us in a subtle way. It is hard to recognize it as the same thing that drove American youth to spend their days and nights hacking. Few parents had any idea that their sons (and in some cases, daughters) could be influenced by a culture rooted in American universities simply by spending a few hours in front of a computer screen. The screen in question would be hooked up to a Commodore 64, for (in Sweden) it is with this machine that it all began.

The high-tech ( 1984) C64 had gone into full bloom; hundreds of thousands of youngsters in Europe, the U.S., and Australia sat hunched over their breadbox-looking machine, fascinated by its possibilities. The C64, like the Apple II and Atari 800, was built around MOS's 6502 microprocessor (which is still in use, including in Nintendo's entertainment system), and therefore many Apple and Atari owners saw the transition to C64 as a natural progression. At first, most programs (primarily games) for the C64 were quite primitive, with poor graphics and sound reminiscent of those produced by a PC internal speaker - that is, beeps and screeches. At some point, however, the market broke through a magic barrier and so many C64's were sold that it became profitable to start companies producing software solely for this computer. This had occurred with the Apple II and Atari in the U.S., but since the C64 was first real European home computer, these companies were completely new phenomena on the east side of the Atlantic. The first companies started in the UK, which was the country that had first started importing the C64, and which became the leading edge for European computer culture.

It was the games, with their (for the time) advanced graphics and sound, that would be copied and distributed through the so-called Scene. The Scene, a kind of virtual society, started in the U.S. around 1979, when Apple II and Atari games were hot stuff. The software companies were angry, and called the Sceners pirates and criminals. Pirate BBSs for personal computers (usually consisting of an Apple II and the program ASCII Express Professional ) had mushroomed and mixed their own values and electronic magazines into the underground hacker/phreaker movement. The most notorious BBS was Pirate's Harbour , which had such prominent users as the well-known crackers Mr. Xerox and Krakowicz .

Just before the C64's arrival in Sweden, and parallel with The ABC Club growing into a representative and presentable computer club, a small and tight group of Apple II enthusiasts had created an underground network. This network included Captain Kidd , Mr. Big , Mr. Sweden , TAD , TMC (The Mad Computerfreak), and others. Since there was no Swedish market for Apple II software, the group had imported games to crack and share. They even had contact with the infamous American Apple II underground and its BBSs. Most of the group's members advanced to a C64, and it was through them that the Swedish Scene originated. (1)

The concept of a "scene" is the same as in a theater or music stage. A scene is the location of a performance, where the purpose is to show off one's abilities, not to make money or dominate other people. Scenes (or stages) are found in almost all cultural spheres, and, fascinatingly, also in techno-cultural ones such as those of radio amateurs, model airplane hobbyists, and hackers. What separates the personal computer scene from other scenes is that it ran against commercial interests, and therefore it came to be considered a dangerous and criminal subculture.

The Scene (capital S) is thus a label for the large group of users that exchange programs (primarily games) and also so-called demos. The thinking was straightforward: why buy a game for 25 bucks if I can copy it for free from my neighbor? This practice was, of course, illegal (which most people realized); however, it was a crime comparable to copying the neighbor's records to a cassette tape, with the exception that the copy did not suffer a loss of quality and could be infinitely reproduced. A copy of a copy of a copy would be identical to the original.

The Swedish prosecuting pioneer Christer Ström (from Kristianstad) and his colleagues around the world have, to an extent, been successful in curbing the commercial mass-distribution of pirated copies. However, private distribution is still alive and well, even though it is currently somewhat hampered by the fact that modern games are usually delivered on CD-ROMs, and not very easy to copy (if they are copied, they usually have to be transferred to around 50 diskettes, which makes the practice rather unwieldy and expensive). One buys the original rather than spending hours copying it (2) (more on this subject will follow later).

Starting January 1, 1993, all reproduction and distribution of copyrighted software (even to friends) is against Swedish law, although no individual has been sentenced for giving copies of programs to his/her friends. The crime is, as previously stated, comparable to copying records or videos, or not using your turn signal when making a turn. You can relax as long as you don't mass-distribute pirated software. Perhaps I shouldn't have said that - it is a terribly politically incorrect statement.

Anyway, back to 1984. The people that removed the (often virtually nonexistent) copy protection from the games, the so-called crackers, came up with the excellent idea of displaying their name or pseudonym (handle) on the start-up screen of a cracked program. The phenomenon is, together with many other phenomena in the hacking world, related to graffiti. If we take into account that such a copy could reach tens of thousands of people (many more than would read something sprayed on a concrete wall), it is not hard to understand how the practice became so popular. Hackers with handles such as Mr. Z , TMC (The Mercenary Hacker), WASP (We Against Software Protection), Radwar , Dynamic Duo , or CCS (Computerbrains Cracking Service) figured heavily on screens everywhere. Sometimes individual hackers hid behind these pseudonyms, sometimes loosely connected groups. In the U.S., there were already firmly established and well-organized cracking groups, but in Sweden and Europe, the phenomenon was completely new. The underground hacker movement started to grow from scratch, especially in the larger cities, where there were plenty of hackers that would meet at different computer clubs and exchange knowledge and programs.

The personal computer had incredible penetration as a medium, and several hacker groups soon formed, spending all their time removing copy protections from games, and then compressing and distributing the products (known as wares or warez). Among the first groups was the American Elite Circle , which had its roots in both phreaker and hacker culture, and had already managed pirate BBSs for Apple II and Atari software. The notion of cracking and distributing games came from the USA, where it had started with an Apple II program called Locksmith . It could remove copy protections from programs using certain parameters. In the beginning, it was enough to simply change the parameters for this program to crack a piece of software, but later it became necessary to spend more work on the actual cracking, and the cracker him/herself would have to be a programmer.

The hackers cracked programs because they were pissed off at the software companies for putting in copy protection routines that prevented them from looking around inside the programs and copying them for their friends. They wanted information to be free. This was the true reason, even though many gave justifications such as "The programs are too expensive, I only copy programs I couldn't afford to buy anyway, I want to test it before I buy it", etc., which were only partially true. The fundamental belief was that information was not property, and that they did not want to be part of any software industry.

One of the first programs to be pirated, and perhaps the first ever, was Altair BASIC . It was delivered on a punch card for the computer with the same name. BASIC stands for Beginner's All-purpose Symbolic Instruction Code, and Altair BASIC was written by none less than Bill Gates himself. Behind the reproduction was one of the members of Homebrew Computer Club in Silicon Valley, a hacker ( Dan Sokol ) who would later be known as Nightstalker . He wrote a program that copied the punch card pattern and thus became the world's first cracker. The 19-year-old Gates was up in arms: he wrote an angry letter to the user groups in which he claimed that copying a program was theft and would ruin the industry. Most thought little Bill was an idiot; no one had ever tried to sell computer programs before, and the norm was for everyone to share everything. For the large computer systems, the software came with the machine, and nobody really cared if it was copied. With personal computers came software piracy, simply because there were software companies that wanted to profit from this new hobby. The hobbyists themselves never asked for any software companies.

Here, it is necessary to make a crucial distinction: hackers distinguish between regular distribution of a program to friends and the activities of pirates. Pirates are not friends but people who try to profit from reproducing and distributing software. Pirates are parasites that prey on personal computer users, who just want software, as well as the computer industry in general. Both hackers and members of the software industry think that pirates are scum. The software companies hate them for stealing their income, and hackers hate them because they try create a new dependency relationship that is no better than the old one. Hackers, in general, firmly believe that copying should be done on a friendly basis and for free. Only in a few exceptional cases have hackers cooperated with pirates to get original games (nowadays known under the more cryptic term "licenses") for cracking purposes. Sweden's greatest pirate of all time, Jerker (fictitious name), was a retired father of two, in his forties, and hated by the industry as well as the hackers (with the possible exception of the Xakk group, which depended on him for their originals). Rumor has it that he's not given up piracy, and still makes his living selling illegal copies. Jerker says that he is not really interested in computers, and it seems to be true. Personally, I think that he has a considerably greater interest in money.

The Scene in 1986: as hackers developed their programming expertise, the introductory screens displayed at the beginning of cracked games became more advanced and grew into several dimensions. Hackers were inspired by title screens and sequences from games, and the introductory screens went from comprising mainly vertically scrolling text to advanced graphics with animation, sound, and sophisticated technical tricks that made the show more cool. A new art form, the Intro , was born, and it was practiced solely by programmers. Although the art of demo writing had existed (in a simple form) in the time of the Apple II, the C64 and its advanced technology permitted it to bloom. Groups like Eagle Soft , Hotline , Comics Group , FAC (Federation Against Copyright), Triad , and Fairlight flooded the Scene in the last half of the 80's.

Some of these groups started their own BBS's where ideas were exchanged and programs distributed. The word elite was adopted as a term for the groups that were the most productive and had the most distribution channels (especially to the USA). The European part of the Scene had an obsession with distributing their cracked games to the United States as quickly as possible. It was probably due to a form of "sibling rivalry", since the Scene itself started with the American Apple II computers, and the most experienced hackers were from the U.S. It was important to impress "big brother" with your cracked games. In the European Scene, more ties to the USA meant higher elite status.

The demand for open communication channels led to the hackers attacking the Internet (among other things), and cooperating with European and American phreakers to open more channels to the West. The phreakers and network hackers called these newcomers from the world of personal computing Warez d00ds , since they were always bringing "wares" in the form of pirated or cracked games. They referred to themselves as traders, or, more expressly, modem traders, since they used modems to connect to different BBSs. At first it was Americans skilled in the fine art of phreaking who contacted different European cracking groups, and later the Europeans themselves started calling the U.S., hacking Internet computers, etc.

Eventually, the Europeans' inferiority complex with respect to the "big brother of the west" had the result that the European home computer hackers, in their struggle to excel, developed programming and cracking skills totally superior to their American counterparts. During 1987-88, American computer game companies began adding copy protection to software exported to Europe, but not to the games sold within the U.S. They feared the European cracking groups, and Sweden in particular was considered an unusually dangerous country. The computer gaming industry suggested that much of the pirated software that circulated through the U.S. and Europe originated in Sweden, which is actually true. Most of these games came from an imports store in Göteborg (Gothenburg), which was visited once a week by a Swedish hacker who was supposedly "reviewing" new games. Without the storekeepers' knowledge, he copied the games and distributed them to various Swedish crackers.

It didn't take long for someone to come up with the idea of separating the intros from the games, letting them stand for themselves; the intro would even be allowed to occupy all of the computer's memory. This resulted in the birth of demo programs (or demos ), which were dedicated to graphical and musical performances and extraordinary technical tricks. The first demos were collections of musical themes from various games, usually accompanied by a simple text screen. For the most part, it was the same groups that had previously done cracking and intros that migrated to demo creation, but "pure" demo groups also surfaced, such as 1001 Crew , The Judges , Scoop , and Ash & Dave . A distinct jargon and theory of beauty developed, mainly through the exchange of programs and knowledge on England's Compunet , which was an enormous conferencing system dedicated solely to personal computer fans. Compunet became the hard core of the demo groups, but most of the software exchange still took place through disk trading and BBSs. Later, and especially during 1988, the underground magazine Illegal became a sort of cultural nexus for this rapidly growing society.

Norms for telling the bad from the good evolved quickly, and the widespread expression lamer was introduced as a term for people who didn't want to program, and instead used presentation software to produce demos. Probably, the term originates in skater slang. The word lamer spread far outside hackers' circles, and soon applied to any computer-illiterate person. Many similar slang terms have been derived from the Scene, but these relationships are not expressed in the Jargon File; rather, the document serves to perpetuate the negative view of subcultural hackers (to whom it invariably refers to as warez d00ds). This view is both erroneous and prejudiced.

From an American perspective, it is understandable that the academic hackers from MIT, Berkeley, Stanford etc. considered the personal computer hackers amateurs of little value; in the U.S., virtually all teenagers with a personal computer were exclusively interested in games. American demos and intros were primitive, and nowhere near the level of sophistication of the European ones. On the whole, the American part of the Scene had a less developed culture than the European side. The American hackers were heavily influenced by the phreaker culture, and as a result usually insolent and aggressive. The feelings of contempt were mutual.

An unfortunate consequence of this animosity is that European hackers searching for their identity are easily attracted by American hacker ideals, and thus assume a slightly scornful attitude towards personal computer enthusiasts. It is worth noting that the cultural foundation of European hackers consisted of personal computer hobbyists, and not of phreakers, network hackers, or small academic clubs at universities. The European hacker identity was built around Commodore's and Atari's personal computers, and this is where the European hacker should seek his/her roots. In addition, there are (of course) values and traditions inherited from the American universities. However, one thing is fairly certain: the European personal computer hackers developed the art of computing in a way that never occurred in the U.S. The aggregate of European teenage hackers created a beautiful and amateur-based art form of a kind that MIT and Stanford never witnessed.
The Art Form of the Demo
 A demo is somewhat difficult to define; it really has to be experienced. Even the first hackers at MIT created (around 1961) simple demos in the form of small mathematical patterns that were displayed on a simple screen. These were called Tri-pos or Minskytron -patterns (after the professor of the same name). The demos were beautiful, but lacked practical applications.

Sine curves, scrolling text, and mobile blocks of graphics coupled with music constituted the first personal computer intros. As time has progressed, the products have come to resemble motion pictures or corporate demonstrations, known as trackmos . The name is derived from the fact that new data has to be loaded continuously from disk to keep the demo running (a disk is subdivided into tracks, hence trackmo). Since MIT, demo programmers have had a passion for weaving mathematical image patterns into their creations.

As the demos appeared, this new cultural expression began spreading from the C64 to other computer platforms. First, it migrated to the Atari ST (1984) with groups such as TCB (The Care Bears) and Omega , and later (1986) to the Commodore Amiga, where (among others) Defjam , Top Swap , Northstar and TCC/Red Sector , and later Skid Row and Paradox , became well-known. In 1988-89, demos started to appear even for the IBM PC, from (among others) the Swedish pioneers TDT (The Dream Team) and Space Pigs . (The Macintosh has, to my knowledge, never nurtured any significant demo activity, but this may change as the Mac has become more of a "personal computer"). The transfer of games, intros, and demos was completely dependent on a network of postal mail and a great number of individuals and BBS's that called cross-nationally and cross-continentally to distribute the programs. During the 80's, the demo groups couldn't afford to connect to the Internet; only a few university hackers had that opportunity, and most of the Commodore hackers were in secondary school. Most of the university hackers were of the "old-fashioned" kind, and completely ignored personal computers in favor of minicomputers (which were the coolest things around in their opinion).

Since computer programs are often copied through several generations (copies distributed and then copied and distributed.... etc.), they offer an exceptional opportunity for the distribution of names and addresses to help expand the trading market. Fairly quickly, the early hacking groups recruited members whose only purpose was to copy and trade demos with others of similar mind, primarily in order to spread their own group's creations. These members were known as swappers , and a diligent swapper could have around a hundred contacts. Since it wasn't very economical to send dozens of letters a month, many (to the chagrin of the postal service) started spraying liquid Band-Aid on the postage stamps so that they would "last longer".

Pure swappers soon discovered that it was possible to trade merchandise other than disks, and two new subcultures emerged: film-swappers and tape-swappers. The former engaged in the exchange of videos of all types, although primarily movies that were banned by some government, or that were exciting for some other reason. The tape-swappers exchanged music cassettes.

Disk swaps among hackers have been extremely important as a contact surface for these subcultures. The word disk-swapper is never used in writing by the hackers, since the word (in its pure form) simply indicates the exchange of disks. Film-swappers in particular are connected to the hacker culture, since the breakthrough of the VCR coincided with the personal computer boom in the mid-80's. Frequently, a swapper trades disks, cassettes, video tapes, or any other media that can be duplicated. The difference between a swapper and a regular pen-pal is that the content of the swap (the disk, cassette, or whatever) is more important than anything else. If you don't feel like writing a letter, you just send a disk labeled with your own name so that the recipient will know who sent it. Disk swapping is, however, a phenomenon associated with the European personal computer hackers of the 80's. For the IBM PC of the 90's, this procedure is relatively uncommon - the standard nowadays is to get the programs you want from a BBS or even the Internet. Swapping has given way to trading, that is, the exchange of information has gone from disks to modems.

In the beginning, hacker groups consisted of just programmers and swappers, or individuals that were a combination of the two. The most successful groups of this kind have always been those who enjoyed geographic proximity, enabling their members to exchange ideas and knowledge without expensive and troublesome telephone connections. After some time, a need for more specialized hackers arose, and categories like musicians, graphics experts, the previously mentioned crackers, and coders emerged. The difference between a cracker and a coder was that the former specialized in removing copy protection (i.e. modifying existing programs), while the latter was concerned with pure programming (or coding).

To destroy copy protection routines is not illegal in itself (actually, you pretty much have the right to do whatever you want to with a product that you have purchased). On the other hand, widespread distribution of the "cracked" program, which the swappers frequently engaged in, is highly illegal (although I should point out that many of the swappers only traded demos, and stayed away from distributing copyrighted software). However, we again run into the similar act of copying music CD's, which is just as illegal. No law enforcement agency in its right mind would ever get the urge to strike against a hobby hacker who copied software for his or her friends, as long as it wasn't not done in a commercial capacity. The crackers and traders did not know this, which made the practice more exciting and "forbidden" (remember that the average hacker was in his or her teens, and that it is very important to rebel against society at that age).

In the U.S., there was another category of hackers called fixers. The fixers modified the code generating the signals for European PAL television systems to fit the American NTSC standard. (These hackers did not exist among the PC hackers, because all PC's have their own video systems intended for monitors rather than TVs). Some hackers also had suppliers, who acquired the original programs that the crackers stripped of copy protection routines. It was not unusual for these suppliers to work in software retail stores or even at software companies.

For social reasons, so-called copy-parties were held, as early as 1984, at which many hackers from different groups got together (in some city) to interact and trade knowledge and experiences. Possibly, the hackers drew inspiration from The Whole Earth Catalog's first hacker conference in that year. The event is reminiscent of role-playing conventions in that it is a rather narrow group of interested parties that gather, but it is different in that the mood is rather tumultuous and unrestrained, more like a big party than a regular convention. The term copy-party stems from the fact that a great deal of copying took place at these parties, both legal and illegal. Nowadays, salience has been reduced by calling the events demo-parties or simply parties. A famous series of recurring copy- parties were held during the 80's in the small Dutch town of Venlo. The Party (capital P) is probably Europe's (or even the world's) largest and most frequented copy party. Since 1991, it is held annually during December 27-30 in Herning Messecenter, Denmark, and attracted close to 2000 people in 1994.

Not even hackers always get along: confrontations between groups or individuals often escalated into "gang wars", mostly involving psychological warfare. The objective was to ostracize a person or group by refusing to exchange disks, and encouraging friends to join in the boycott. In this manner, an individual or a group could be "excommunicated" from the community. To reach this goal, lengthy text files containing pointed truths or pure lies were distributed, whereupon the accused retaliated using the same technique. The wars basically never produced any tangible outcomes, and copy-party melees were extremely rare. Conducting psychological warfare against other hackers should be regarded as rather harmless, even though the participants were often fervently committed to the battle. It should be assumed that these schisms taught teenage hackers a great deal about the true nature of war: it rages for a while, then dissipates, only to flare up elsewhere. Some leave the Scene (or die in a real war), but most remain, and some day another disagreement occurs.

I would like to take the opportunity to mention that among the phreakers, these wars ended much more quickly: you simply reported your enemy to the police. This was the only way to practically interfere with a phreaker's life. Among both the phreakers and hackers, however, friendship dominated over strife. Through the occasional wars between hacker groups, yet another aspect of human behavior was transferred to cyberspace. Abstractions of war as an advanced chess game in the form of confrontations on the Scene as well as in many different role-playing games, or tangibly as in the movie War Games, have given many hackers a cynical view of human nature.

Those who are (and were) active on the Scene participate because they have a relationship with the computer that is different from that of any previous generation. Where one person only sees a box, a machine with a screen and keyboard, the hobby hacker sees an entire world, filled with its own secrets and social mores. It is these hidden secrets that spellbind and beckon the hacker, and makes him or her forget everything else. The search for more knowledge accelerates toward a critical mass, a sustained level of intensive productivity. This is the state in which a hacker produces a demo in two weeks or cracks one game per day. All social interaction outside the realm of the computer and its users becomes insignificant.

Eventually, most reach a limit at which they grow weary of the Scene and the eternal quest for something newer, bigger, and better. They simply quit. One hacker that I know well once told me: "The only real way to quit is dragging the computer to a swamp and dumping it". This serves to illustrate the weariness following exaggerated participation on the Scene. Others keep their hacking to moderate levels, and lead normal lives apart from their hobby. These moderates tend to stay on the Scene the longest (personally I've been on the Scene since 1986 and I remain there today, albeit as a somewhat sporadically active member).

The Scene reveals a great deal about the true nature of hacking culture; it is a roof under which to gather. Hacking is about the exploration of computers, computer systems, and networks, but also an inquiry into the workings of society, and the creation of new and personal things through experimenting with subcultures. That is why hackers break into systems to which they are not authorized, spray fixative on postage stamps, and blatantly disregard any form of copyright. They want to explore and see how things work. Perhaps subconsciously, they want to prepare for the future. The hacker culture emphasizes exploration, not cold-blooded theft, and hackers are not egocentric criminals that only seek destruction (3).

 The actual motivation for real hackers is simply exploration, while someone who hacks with theft or sabotage as a motive is a computer criminal and not a hacker. Jörgen Nissens has written a fascinating thesis called Pojkarna Vid Datorn (The Boys at the Computer), which makes it clear how special the hacker culture surrounding personal computing really is. He has interviewed some of the hackers in the groups Fairlight and TCB, and points out how strange it is to hear members speaking of market shares of the Scene, and how the groups are run under something similar to corporate principles, even though they lack a profit motive. He also emphasizes that hackers behave more like bored consumers than criminals or classical youth gangs; they are members of what Douglas Coupland refers to as Generation X.

The personal computer groups are typical of Generation X. They abhor politically correct messages, they run everything like a business, and they are sick of the enormous market. Instead of consuming, they started producing. Instead of manipulating money to achieve status and enjoy the admiration of others, they have created a market where they trade creativity for admiration without any material layers in between. No CD's, promotion tours, or marketing schemes are necessary. There is only a need for pure information products in the form of demos and cracked games, which are traded for pure information in the form of respect and admiration.

The only subcultural hackers to receive any great media attention were those who crossed the line to network hacking or phreaking and got busted. In 1989, parts of the circle surrounding the demo group Agile were arrested after one of their members, Erik XIV (fictitious name), went to the media and exposed how vulnerable credit card transactions really were. At the same time, another of their members, Erlang (also a fictitious name), ordered video editing equipment for a quarter of a million crowns (about $35,000) to his own home address using fake credit card numbers. Driven by their slightly elitist attitude from the demo culture, they wanted to be alone in their mastery of credit card technology, and tested the limits of what was possible using artificial codes.

When the police arrested Erlang after he had ordered the editing equipment, he started telling them everything with an almost pathological obsession with detail. Phreakers and hackers often do this; it seems as if they believe the police will be impressed by their feats. The people involved in the Agile case were all given suspended sentences, high fines, and probation. All of them, save Erlang, now work in the computer industry (surprise?).

Attitudes
 The first hackers at MIT always made use of all the technological resources they could lay their hands on. It wasn't always the case that the "authorities", the professors and custodians responsible for the equipment, approved of this behavior. Most teachers thought that instruction in computer science should be of the classical authoritarian kind, where the professor stood at the lectern and lectured. If the students were to have access to the computers it should be through explicit assignments to be turned in for grading, not through the learning by doing that the hackers practiced. They loved the computers, and couldn't for the life of them imagine why they would be kept away from the machines. They sneaked in at night and used the machines unbeknownst to the instructors.

After several personal confrontations with computer professors, and especially after having worked as a computer instructor myself, I have realized that this classical emphasis on utility is all too common among Swedish computer teachers. It is simply not possible to get people to think that "computers are fun" if you at the same time force them to adhere to rules for what they are allowed and not allowed to do with the computer. Many computer instructors throw a fit when they discover that the students have installed their own programs on the computers, or have programmed something that wasn't the subject of an assignment. Common reasons for this behavior are a paranoid fear of viruses, the view that computer games are just a waste of time, and so on. One teacher at my old gymnasium (secondary school), which we will call X, installed a program on his computers which triggered a screeching alarm as soon as someone tried to change any of the machines' configurations (the machine configuration, in this case, is a couple of files with information that allows the computer to use different accessories). Of course, an exploring hacker will feel like changing the configurations, and the school's own binary geniuses naturally ignored the large posters all over the computer room proclaiming that this activity was absolutely prohibited. Central to this story is the fact that the teacher was a foreign language instructor, who could not under any circumstances accept that "his" computers would be used for anything else than language programs, word processing, or other authorized activities. Some students that triggered the alarm were banned from the linguistics computer lab, while the more skillful students (who knew how to change the configuration without setting off the alarm) were still permitted in the computer room, despite having changed the configuration many times.

These students, who possessed some of the true hacker mentality that says that you shouldn't accept a monopoly on knowledge or computing power, wrote an amusing little program. Besides completely circumventing X's little security system, the program also randomly displayed a requester, a small text window which said: X IS A MORON. Below this text was an "OK"-button that had to be pressed in order to proceed. The program was a classical hack: it wasn't very useful, but it didn't do any real harm, and it was funny. The first hackers at MIT would surely have appreciated this prank (personally, I find it exquisite!). It was completely impossible for the teacher in question to find and remove the program. In the end, he had to format all the hard drives on the computers and reinstall all the software from scratch. To face the music and ask the hacking students to remove the program, or even apologize to them, never occurred to him. Doing this would not only mean recognizing the students' right to use the computers, it would also mean confessing the truth - that some of the students were more adept in computer science than himself.

The fact is: the parents of these students had paid taxes to enable their children to use computers at school. The students, like hackers in general, were therefore of the opinion that the natural thing would be to let them use the computers to do whatever they wanted, and as much as they wanted (outside regular class hours, of course). This obvious right has been known since the time of the MIT hackers as the hands-on imperative.

Computer instructors frequently do not understand hackers. They think that if the hackers have to mess around with the computers all the time, why can't they do something useful and authorized, such as figuring out a repayment plan, or writing a summary of African history, or something along those lines? The predominant attitude seems to be that the students should only use the machines, not explore them, and definitely not hack them. The machine should only be a tool, and the user should preferably know as little as possible about the processes that take place behind the screen. The hacker is the one who, in spite of these authoritarian attitudes, actually wants to know.

Hackers don't want to do "useful" things. They want to do fun things, like exploring the computer's operating system, installing their own programs, and trying out different technological features. This is what makes it fun to use a computer. I have tried to mention this to several computer instructors of my acquaintance, but alas, mostly with no results. I personally believe that this kind of exploration is beneficial, and wouldn't for the life of me want to prohibit students from engaging in it. It is the foundation for the enthusiasm that makes some people think that "computers are so much fun". If a student, after all, manages to screw up the computer, I consider it my responsibility as a teacher to restore the machine to full functionality again. If I can't do this, I'm incompetent. If I don't have time to do this, the school is short-staffed. I have never had any significant problems with my own students; in fact, I have invariably had positive experiences with them. The fact is that I encourage my students to explore the operating system even if it is not the subject matter of the course. If the computers I'm responsible for are infected by viruses or crash, then it is my problem rather than the students'.

At MIT in 1960, the possibilities that opened up when students were allowed to freely access the equipment were quickly discovered. Professor Marvin Minsky would walk into the computer room, put down some electronic device and then let the students try to develop a control program for it on their own. This was not instruction - it was high-level research, and it was the students, the hackers, that conducted it. If it hadn't been for this attitude towards learning, computers would never have become what they are today. After MIT became the first computer school in the world to allow the students unlimited access to the computers, this new pedagogy spread to all universities that were engaged in computer research, including the Swedish ones. No self-respecting university today bans their students from the computer rooms. They often have their own keys or keycards, and can come and go as they please. The Swedish primary and secondary schools have a lot to learn from the universities in this respect.

The fact is that the network hackers' mayhem in the university computers divide the computer staff into two camps: those who fly off the handle when they discover that someone has hacked their computer, and those who find it interesting and exciting if someone hacks their computer. The latter group, however, is not nearly as vocal as the first, which has led to the popular view that all computer professors or information officers hate hackers. This is far from the truth. The hacker is engaged in exploration. Not just of single computers, but also of computer systems, computer networks, the telephone network, or anything electronic. They condemn and/or ignore the authority that wants to prevent them from exploring. They are not motivated by theft. Period.

Mentality
 What keeps hackers going from a psychological perspective is a sensitive subject. MIT's hackers could stay up and work a 30-hour shift, then crash for about 12 hours, only to get up and complete another 30-hour shift. Sometimes, hackers neglect everything but the computer, including nutrition, hygiene, and normal social interaction. We see this as unhealthy, although we may accept it among persons working on corporate boards, committees, or other professions with a high degree of responsibility. It should be made clear that virtually every hacker goes through such a period of intense concentration at some point in his/her career, and it would be hasty to condemn such behavior in general.

In some cases, the computer is actually a means of escape from an intolerable existence. A youth in the ages of 14 to 19 is subject to many harsh demands from his or her environment. It is demanded that they should be able to handle school, socialize with their friends, and (implicitly) connect with the opposite sex. At the same time, one should not forget that hacking is often conducted in a group environment, and it is based on a friendship that goes far beyond the limited area of computing (For the uninitiated: friendship is the phenomenon that makes someone get the idea of lending a room to someone else for a few days, copy a computer program, share knowledge, etc., without demanding payment).

The computer offers a convenient escape from the demands of growing up. In earlier stages of history, many men (and some women) have distanced themselves from difficult emotions by whole-heartedly dedicating themselves to some science, and becoming so totally wrapped up in their research that they "forget" their troublesome social "duties" such as friends, marriage, and all that the entail. Computing, in our time, is a largely unexplored territory. Everyone with access to a computer is instantly drawn into a world in which much is strange and unknown, but which at the same time possesses an underlying logic. A computer begs to be explored. In this way, the computer can almost become a drug that replaces a more "natural" urge to explore social behavior patterns. The excursions into the computer do not become a substitute for sexual relations; it becomes something that you occupy yourself with so you don't have to think about sexual relations. This is why so many so-called "nerds" spend most of their time with computers. Society has given them a thankless role from the beginning, and instead of playing along with it, they escape it.

Many hackers are fully aware of this escape. At the same time, they see the hard life, ruled by the laws of the jungle, lurking outside cyberspace, and they finally make a conscious decision to either change everything or stay where they are. Some old hackers have, through the years, developed an incredible cynicism because of this. They condemn the real world and are committed to creating a world in which they can rule for themselves, inside the computers. They observe technological advances in virtual reality and artificial intelligence with excitement, and tell themselves that one day ...

If they could go into the computer forever, they would. They already hate the "real" world in which they have to feel restrained by their physical or social disabilities, and where their fate as losers has already been determined. The human sexual identity consists of a social as well as physical side, and if you lack one or the other, you're destined to be a loser. It happens that hackers become aware of this, and instead say: "We don't want to be part of it", and then retreat to cyberspace. There is nothing we can do about this, except possibly tone down our social attitudes towards those who are different, if even that would help. Maybe it is undesirable to have hackers adjust to a "normal" life. Maybe we want them where they are, where they feed their brains with so many practical problems that they don't have to think about social dilemmas, so that we can keep track of them and keep them under control. They are contained in a subculture where the weird is normal. Their condition can, at worst, develop into mild or severe escapism, i. e. escaping from reality. This condition is usually called computer sickness.

In addition, we can observe that illegal hackers possess a somewhat different pattern of behavior compared to the subcultural hackers, depending on which way they have entered the culture. Some phreakers come from an environment consisting of party lines, amateur societies, etc. They are driven by a desire to communicate, rather than exploration through the formation of groups and internal competition. They are often considerably more arrogant and practice phreaking simply because they are bored, and have nothing better to do (it's the same motivational factor as for people who dial various party lines on 900-numbers). They don't take hacking to be a deadly serious business, and often make fun of hackers, since deep down they think the hackers are complete geeks.

Hackers, who would rather spend time with computers than with telephones, generally identify with their group and possess more group loyalty. A pure phreaker, of the kind I just discussed, would have no problem at all turning his/her friends in to the police if he/she got busted, while a real hacker would never turn in even his/her enemies.

Network hackers, as well as phreakers, virus hackers, and some crackers, suffer from a hopelessly negative self-image. They see themselves as mean, cruel, and dominant badasses. They have assumed a role in which they identify themselves with a desire for destruction, hate of society, anarchism and general mischief, mainly to feel a sense of belonging. For most, this is only a temporary stage. If they have assumed yippie ideals, however, it is not temporary.

The most dangerous hackers (from the perspective of society at large) are invariably bitter. They consider themselves misunderstood and misjudged by the educational system. They think that the schools have been unsuccessful in harnessing their intelligence and talent, and consider themselves to have a right to exact revenge on a society that shut them out of a world of knowledge, simply because they didn't act the right way, and lacked the proper social code. They have been forced into vocational schools by a grading system that has been unable to distinguish them among those who are truly suited towards higher education.

What makes matters worse is that they are right. With the hate of a society that couldn't or wouldn't appreciate their qualities, they return with computers and electronic equipment to saw through the pillars of the same society's entire socioeconomic system, often with a nearly psychopathic lust for destruction.

Carceres Ex Novum
 "There was an alternative to normal life. I was sick of the normal, sick of always being last. I found friends that I never had to meet face-to-face, and so my teenage years passed, and I became an interesting person. When I started at university the gigantic Internet came to my room, and the world  was beamed to me. I had millions of people close by, without ever having to look them in the face. I sat there all the time, only pausing to eat and go to class. I didn't  meet anyone, no one knew me. And I was comfortable. Thanks to the attention of the anonymous people on the other side of the screen, I did not feel lonely. But time ran out, and the real world crept closer. Of course, I knew I could run away forever, but I would never be able to hide from them, the ones whose values transformed me into a lonely, asocial rat, who spent all of his time with the computer. And I hated them."

Certainly some of the activities engaged in by hackers are illegal, and certainly this is wrong from the viewpoint of society. Nevertheless, it would be to severely underestimate hackers to say that they commit these acts in a routine fashion, for "lack of something better to do", or for their own profit. There has been too much judgment and too little understanding in the hacker debate.

But now for something completely different.

1. I am here deeply indebted to Christer Ericson, who shared his knowledge of the Apple II movement in Sweden; this information had hitherto not been written down, and therefore difficult to retrieve.

2. Currently, even CD-ROMs are copied to a great extent. Especially MP3 (or MPEG Layer 3), a system for sound compression, has become popular as it provides a means for the mass distribution of music CDs (which I personally believed to be pure fantasy until about a year ago). This compact music format compresses a sound CD at a ratio of 1:12, and a normal pop song is transformed into a 3-4 Mb file, which can easily be transferred across the Internet. In five years, I'm sure videos will be distributed across the Net!

3. I'm sure you notice that I'm getting personal now.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch6web.htm0100664000175000017500000006004007311654724014304 0ustar miccemicce CDNE Chapter 6 - The Bleep Culture

INDEX

Chapter 6
THE BLEEP CULTURE

The American Heritage College Dictionary defines electronic music as follows: "Music produced or altered by electronic means, as by a tape recorder or synthesizer."

Electronic music has long existed as a subculture within "real music", especially in Sweden. In 1948 (the same year that IBM started marketing the first commercial computer) a certain Pierre Schaeffer created the first electronic music composition, which he called Études aux Chemins de Fer (Etudes for Trains). Electronic music was born in his studio for Musique Concrète (Concrete Music) at Radio France. Concrete music is music that is not limited to pure tones, and incorporates sounds from everyday life, such as long, continually changing notes without tone quality, etc. In 1952-53, the musician Karlheinz Stockhausen worked with Schaeffer, and brought some of Schaeffer's ideas home to Germany. Since then, this form of music has spread and is on the curriculum at different public institutions as a very small branch of classical music. As opposed to Schaeffer, who preferred to work with taped recordings of real sounds such as those of trains or birds, Stockhausen focused on using only electronically created sounds. In Sweden, this music form was basically unknown until it was introduced in Harry Martinsson's science-fiction opera Aniara in 1959.

This chapter is not about classical electronic music - there are plenty of texts on the subject. Furthermore, this book is aimed at regular people who think that art should reflect something, i.e. that one should not constantly try to break out of existing concepts and conceptual systems to appear as incomprehensible as possible. Electronic music is a form in which the music has to be interpreted on more levels than the musical. In other words: this book will stick to a broader aspect of popular culture. This is not to say that the art of electronic music is not interesting; it is just not particularly interesting for the purpose of this book.

It is unnecessary to point out that the history of electronic music stretches farther back than the history of hacker culture. However, the phenomenon of electronic music has had a profound influence on hacker culture, and in its pop-culture manifestation in the forms of synth-pop, techno, acid, house, etc., it has played an important role for the generation that grew up with computers. One of its main uses has been to display the beautiful side of the computer. Electronic music was the first area in which computers were used to create art, and as opposed to other forms of electronic culture, electronic music has its roots in Europe.

The first time a computer played music was in 1957, at Bell Labs in the United States. The song was called Daisy, which is the same piece that the intelligent computer HAL (in Stanley Kubrick's film version of Arthur C. Clarke's science fiction novel 2001) starts humming as it is being disassembled. Naturally, this is not a coincidence, but rather the intention of the director to return the computer to its "childhood state" (in a double sense) as it loses its advanced electronic identity.

The world in the 70's and 80's: With the introduction of the first cheap Japanese synthesizers, regular people (who were not trained musicians) started using electronic instruments, and electronic pop music was born. The difference between, for example, the Hammond organ or Pink Floyd's monophonic synthesizers and the new generation of electronic instruments was that the latter could store rhythms and entire pieces of songs in their digital memory, which could later be modified. In particular, quantization (which adapts notes played to a given rhythm) was (and is) greatly criticized by "serious" musicians. They thought that simple and rhythmically perfect melodies were destructive to music, and they distanced themselves from it. Another factor that abhorred musicians of the old school was that music played by machines would not be limited by the dexterity of a given musician, which allowed the ability of the ear to perceive sound variations to set the limits for the music. A "groove" of several hundred beats a minute, or pieces with tone lengths of several hundredths of seconds - songs like those scare the living daylights out of musicians who are accustomed to being able to analyze the music they listen to.

For the new electronic musicians, the perfect quantization, the possibility of a high pace, and synthetic "sound images" constituted a measure of beauty. Among the pioneers, the most notable was the German band Kraftwerk, who built their own synthesizers and should be considered classics of the genre. Kraftwerk's importance for synth music can hardly be exaggerated. No single group has had as much influence on electronic pop music as these futurists - futurists in the sense that they saw the inherent beauty of the technology, rather than a tool for reproducing other ideals. They made contact with the previuosly named Karlehinz Stockhausen at an early stage, and drew lots of ideas and inspiration from classical electronic music.

Kraftwerk, and in particular its member Ralf Hütter, are also extremely politically aware and openly supports hackers. Sometimes, Ralf even refers to himself as a hacker. The mentality of these German gentlemen has thus influenced - and been influenced by - the digital underground culture around the world. Chaos Computer Club member Pengo, who was previously mentioned in connection with illegal hackers, was a Kraftwerk fan, and he listened to their records over and over while breaking into computers around the globe. He was not alone in this. Even though hackers in general have disparate musical tastes, from Bach to death metal, there are few who do not enjoy electronic music in some form or another.

While a "normal" educated musician perhaps sees the computer as a tool for producing compositions, musical arrangements, and nice-looking sheet music, a futuristic musician sees the computer as an instrument, something to be played by its own right, and which - like a saxophone or a harp - possesses an inner beauty. The futuristic musician can sit for hours and adjust different parameters to extract personal sounds from the machine, and he/she loves it as much as a guitarist loves to extrapolate his/her scales up and down in the search for a greater personal touch.

While a "normal" musician creates his or her profile through finding new techniques to manipulate his/her existing instrument, the electronic musician works with numeric parameters, spectrum analyzers, and one-handed play. Some don't know how to play an instrument at all, and stick to writing the music note by note in something like a "musical word processor". The method may be radically distinct from traditional music creation, but that doesn't mean that electro-pop has less 'soul".

Peter Samson, as one of the very first hackers at MIT (yes, we're back there again), had managed to get a PDP-1 computer to play Bach fugues solely based on numerical input. His program could be said to be the first sequencer made by an amateur. A sequencer is a computer program or a machine that remembers the notes to be played, and allows the user to change the notes, replay them, then store them again to replay them at some other time. Since that day, we have enjoyed a living, machine-made music culture. Many musicians of the old school react with outright xenophobia against this new way of working with music, rather than enjoy its benefits and try to understand what the point is.

Among Swedish electro-pioneers there was Page (which is still an active band). During the early 80's the group was one of the first (and for its genre, also one of the most successful) so-called synth-pop groups. Many jumped on the synth bandwagon, but have presently been forgotten. Who listens to groups like Trans-X, Ultravox, or Texas Instruments today? Not many, even if there are still quite a few synth-pop fans around the country. The genre has returned in the form of groups such as S.P.O.C.K. or newcomers Children Within, which are both very talented Swedish bands.

As a reaction against the frequently well-groomed and "nice" synth bands (read: Howard Jones, Depeche Mode, etc.) that flourished in the mid-80's, there came a new and incredibly heavy form of synth music: Electric Body Music, or simply EBM. Mostly, it was just referred to as "raw synth". The English band Cabaret Voltair had "invented" the style in 1978, but it was not until now that it reached popularity on the Continent and in America. Among others, Portion Control, Front 242 (who coined the term EBM), Skinny Puppy, and Invincible Spirit joined the trend. One can compare the arrival of heavy synth music to the introduction of grunge (personified by Nirvana) as a reaction to "poodle rock" - there were simply too much corny stuff out there. Less successful was perhaps the tendency of many heavy synth bands to flirt with nazi symbolism and clothing, and many groups (including Front 242) had to make public statements denying any connection to or support of neo-nazi movements.

In the 90's, many groups have grown weary of the EBM concept, since it started to become a bit trite. For example, Ministry, Die Krupps, and the Swedish band Pouppé Fabrikk had switched to Crossover, a type of music that mixes EBM and different types of metal, often in the style of the trash-metal pioneers Metallica.

Ambient
In 1978, the former Roxy Music keyboard player Brian Eno released a record named Music for Airports, using his own record company called Ambient. Ambient is originally an esoteric form of artistic music. The underlying idea is to produce a complete environment rather than just a musical "sound carpet" with rhythms and ordered notes. Naturally, it is advantageous to create a sound image from an unfamiliar and exciting environment if one is interested in making quality, penetrating ambient music. A simple method for creating ambient music is to just set up a couple of microphones in a steel mill, a suburban apartment, or whatever environment you want to incorporate.

Eno supposedly got the idea for making such music after being hospitalized following a car accident. He was confined to the bed with the stereo on, unable to get up to either turn it off or turn up the volume. The silent whisper of music combined with the sounds from the street below made him realize that this was actually a real music style. Peripheral music - like the music we listen to in supermarkets or airports - contains its own logic and does not at all resemble "regular" music. Ambient music is music that should be listened to while doing something else, concentrating on other sounds, yet it should be subconsciously enjoyable. In psychology, the phenomenon is classified as subliminal perception. The music creates a totality together with external sounds and does not place requirements on the listener's attention.

Eno didn't actually "invent" ambient music. The eccentric and ingenious composer Erik Satie made a few less-appreciated attempts at creating "furniture music" in the early 1900s, and in the 60's, the musical artist John Cage wrote Four Minutes, Thirty-three Seconds, a piece for silent piano, which is considered by many to be the ultimate ambient composition. The point was that the listener should concentrate on the sounds in his or her environment. To get the most out of the piece, one should perhaps read the score. Cage also worked with electronic music, where he introduced ideas from Zen philosophy about how the music should be organized but still display a chaotic nature. These ideas have, served as a basis for the study of improvisational techniques. They have also had a great influence on ambient music, and this is mentioned on the covers of Brian Eno's records.

Together with installation art, this music form says a great deal about ambitions within modern art: to create a total environment and place the beholder inside it1. The concept of Virtual Reality is considered to be the optimal combination of installation art and ambient music. An artificial, man-made environment of the type that writers for ages have been able to create using the reader's imagination - but tangible, detailed, and accurate. A world built on pure information.

Electronic music pioneers such as Tangerine Dream (which debuted with Electronic Meditation in 1969), and some symphonic rock groups like Hawkwind, experimented early on with creating alien, futuristic sound environments using early synthesizers and manipulating all types of electronic equipment (for example, guitar amplifiers) to produce strange sounds.

Brian Eno is still a prominent figure in ambient music. Before ambient music became well-known, it was often filed under labels such as New Age or Meditational. These terms are nowadays used for artists like Jean-Michel Jarre and Vangelis, who represent a sort of mood-charged elevator-style music, suitable for active as well as passive listening.

Modern DJ's such as Alex Paterson and Bill Drummond (The Orb/KLF) and Sven Väth, inspired by techno and industrial music, have succeeded in the art of making rhythmical pop music with elements of ambient music without ruining the basic concept. Especially The Orb's Adventures Beyond the Ultraworld and Väth's Accident in Paradise are considered important milestones in "modern" ambient

Electronic Film
The last subject I will touch upon in this chapter is not about music. Electronic film has existed basically since the introduction of the TV, but never developed into a genre of its own until the late 80's. We can compare electronic film to electronic music, and define it as film that is created only by electronic means. The first time anything of the kind was done was when a TV camera was aimed at a TV screen, and thus created a flowing feedback pattern. That type of effect has also been used in music, to spiff up a melody and add new dimensions; there's hardly a guitarist that does not know how to employ feedback in an electronic amplifier to create new sounds. For music, this form of manipulation came about as early as the mid-50's through Stockhausen. For TV and film, it was never a matter of making electronic film its own art form. Instead, technology was mostly used to create special effects. A shining example is the vignette for the English TV series Doctor Who, an illusion of a trip through a long, colorful tunnel, created solely with the help of feedback patterns.

The art of filmmaking has developed in many directions, but electronic film in particular seems to repel many filmmakers. In film, there is no tradition of creating pictures without people. Since its inception, film has been based on theater, and thus on dialogue. The mere thought of making a film without people is absurd to most directors (Translator's note: and then Star Wars: The Phantom Menace came along...). In music there is, to say the least, a much older tradition of making music without song. One could say that music, as opposed to theater and film, has more to do with directly generating emotions and moods than trying to reflect real events or psychological occurrences.

In animated pictures, there have been several attempts to take a step away from people and trying to create a symbolic universe. Mostly, however, it has only led to compromise. Virtually all animated films are fables, i. e. they describe things that actually occur in human society. Basically all events that are described in cartoons involve actors with certain human physical and psychological attributes that have been put in some human-like situation. The few attempts at creating animated film like modern art, through the use of symbols and patterns without "life", have almost exclusively produced incomprehensible results.

Also relevant is the fact that film, up until the 90's, was extremely expensive to produce and did not lend itself to frivolous experimentation. It was necessary to have an established market potential or government financing to afford to make a movie. Neither of these institutions is very receptive to experimental ideas. With the introduction of cheap video technology in the late 80's and early 90's, it became possible to experiment with film in an entirely new way.

The computer has also made an appearance in electronic film. Here, as in music, it is the general opinion that the computer should remain merely a tool, a means of creating completely normal commercial or artistic film. Among those involved with animation and computer graphics, ideas are radically different. One of the most distinct and beautiful examples of electronic film is a series of short movies created by George Lucas' PIXAR, a company that was founded by the film mogul for the sole purpose of developing computer technology for motion pictures. It goes under the collective name of Beyond the Mind's Eye, and is well appreciated among those who already have been involved with electronic culture. Somewhat paradoxically, in this case it was the commercial film industry that financed the development of one of the most alternative art forms there is. Some of PIXAR's movies are regular movies intended for a wide audience (like cartoons but more detailed), while others are very experimental2.

I refer to films containing only exploding geometric figures, camera pans over incomprehensible landscapes, fractal images, and psychedelic color patterns as ambient films, since the idea is about the same as with ambient music - to set a mood without a linear or coherent content. The style is related to so-called parametric film, in which the technique, especially camera positioning and panning, is and end in itself to lend the film a certain mood without resorting to traditional narrative methods.

Electronic film is very popular at rave parties, and also a given ingredient in many techno music videos, a music style which will be discussed in the next chapter.


1 To "widen the frames" is considered a general characteristic of postmodern art.

2 They've made a commercial breakthrough with the movie Toy Story.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch7web.htm0100664000175000017500000011373507311654724014317 0ustar miccemicce CDNE Chapter 7 - Rave, Techno, and Acid

INDEX

Chapter 7
RAVE, TECHNO AND ACID

During the 80's, something strange occurred in Sweden. The DJ's that had grown up in the seventies (and were intended as replacements for the grossly expensive and uncontrollable live music) suddenly acquired artistic ambitions. Small companies in the form of a mix between record companies and DJ houses started appearing all over the Western world. They produced records containing music for one single purpose - to be played at discos and dance clubs. It should be as rhythmic as possible, and at a rate of about 120 beats per minute - a perfect pace for dancing. Swemix and Nordic Beats were companies that were typical of Sweden. Among the DJ's who became successes by combining dance and pop music were Robert Wåtz and Rasmus Lindvall, later known as Rob n' Raz, and they were most famous for adapting tracks from the rock group Electric Boys to the dance floor. Others preferred to stay less commercial and do their own thing.

During the middle and end of the 80's, and in Sweden in particular in 1987-88, the new dance culture emerged. It was careless and carefree dancing for its own sake, nothing well-organized and tidy that you subjected yourself to for social reasons at discos or in physical education classes, but rather wild, uninhibited dancing. It was the resurrection of the rhythmic, ritualistic dance that had for centuries remained repressed and subjugated by the West's religious and ethical values, and it returned in the form of acid house. Naturally, established society, with its politicians, musicians, and counselors, was outraged and terrified. And naturally, all the young people with enough brains to be rebellious bought acid house records to freak out their parents (including your author, who bought his first acid record, House Nation by MBO, in 1987).

Pure house was the most successful in the beginning, probably because it was based on funk, soul, and disco music a la George Clinton and James Brown rather than synthetic music. The synthetic parts were limited to some bass line, generated by a drum machine or stolen outright from some Kraftwerk record. The style was created in Chicago, and supposedly derived its name from the fact that dance parties were often held in warehouses (one of the first European house music clubs was thereafter named Warehouse, and was located in Köln, West Germany). Together with the contemporary Detroit-based techno genre (which was purely electronic), this new dance music came to be called acid house. Early house bands include The Royal House, the previously named MBO, and D-Mob. When the music gained in popularity, the two styles became mixed together, particularly in Europe where it was simply called acid, and no one really knew what music belonged to what style. The first really influential European house clubs appeared around Manchester, England.

Acid house was a special form of dance music which used samples (fragments of sounds) in specific ways. It was inspired by the cacophony of machine sounds employed by industrial music (as with Throbbing Gristle or Einstürzende Neubauten), William S. Burroughs' style of building larger texts from small text fragments (read more about him in the next chapter), and from the art of collage and mosaic. The acid musicians constructed a mosaic of sound phrases, and were almost exclusively DJ's who knew how to emphasize good dance rhythms. You could say that it was the first instance of concrete music (the brainchild of Pierre Schaeffer) reaching a wide audience. Sampling machines were first introduced among musicians engaged in making concrete music.

Musically speaking, acid house developed the already existing electro-pop trend of well-composed riffs, in the form of synthetically generated loops that set the mood and ambience of the song. "Acid" is unfortunately also a slang term for lysergic acid-25 (LSD). Acid house has, however, probably not derived its name from any such association. It has been said that the true originator of the term is the slang expression "burn acid", which was DJ jargon and referred to the sampling sounds from records. There are, of course, others who say that this is just a euphemistic lie, and that the term originated from a few English musicians who visited Detroit around 1986, buying anything with the word "acid" on it in the search for Grateful Dead and other "hippie" recordings, but instead ended up with a slew of strange synthesized music which turned out to be early techno and house. The name for the genre supposedly emerged from this event. Acid house also has a characteristic sound, a little heavier and faster than regular dance music, but milder than the "raw synth" mentioned earlier. Sounds from synthesizers and drum machines such as Roland 303, 707, 808, and 909 were especially popular (hence, for example, the house group 808 State).

Acid music gained popularity at the time of the golden age of personal computers. 1987-88-89 are considered the absolutely most intense years of the early history of personal computing culture, which is why many demos, pseudonyms, and group names among the subcultural hackers drew inspiration from acid house. The two cultures rest on the same cultural base of amateurs, and emerged thanks to the increased availability of low-cost computers and consumer electronics during the same period. Also note a vague influence of hacker culture on acid musicians: DJ's with names like Phuture or Phusion (if you observe the spelling) have obviously been inspired by hackers. Acid house also formed a kind of symbolism for youth rebellion during these years.

There has long existed a total conceptual confusion eith respect to dance music. Acid house grew explosively into a number of sub-categories; every larger city in England and Germany seemed to develop its own house genre, with the same trend taking place in the US. Many quickly tired of the eternal compromises between electronic dance music and the verse-refrain style of rock music, or rap (which was mandatory within hip-hop), and reverted to the original and purely electronic dance music: techno.

Techno
Techno sought to return to the roots of electronic pop music - the sounds and harmonies used in regular dance music had grown tiresome, and acid house had started sounding the same across the board. Acid was no longer breaking new ground, and it was time for something new. DJ's who were now full-fledged electronic musicians sat through their nights listening to Kraftwerk, Ultravox, D.A.F. (Deutsche-Amerikanische Freundschaft) and other early synth bands that had contributed to music culture, in an attempt to find the good stuff that had been left behind and at the same time try to create something new. And they succeeded, especially by using early synthesizers such as Prophet, Fairlight, and Roland brands. The reason for this return to yesterday's technology was supposedly that they couldn't really afford anything else.

Techno was, as noted earlier, born in Detroit. The origin of the entire genre can be traced to three DJ's named Magic (Juan Atkins), Reese (Kevin Saunderon), and Mayday (Derrik May). They claim to have been inspired especially by Kraftwerk and Parliament (George Clinton). Mayday toured England in 1987 and provided inspiration for the underground acid scene through his compositions. Most likely, this legendary DJ has lent his name to the enormous Mayday rave, which is held annually in Germany and has reached astronomical proportions.

Frankfurt had early on become inspired by Detroit techno and created its own version, eurotechno, by trashing their Japanese synthesizers and hunting down old relics from the seventies. SNAP invented the winning combination of a black rapper and a female vocalist, and LA Style made a loud and provocative song called James Brown is Dead, to signify the end of techno's affair with funk and R&B. Groups like 2 Unlimited, Pandora, Captain Hollywood Project, and Culture Beat fall under the collective term eurodance (in the US, this genre is called techno/rave).

These and other early eurotechno bands brought something new that many had long been waiting for. They abandoned the 120 bpm that had been the mark of beauty for acid house, and pushed the pace of their songs to a level that most closely resembled energetic punk. The tempo increased on dance floors around the world at the same time that MTV grew really large and further expanded the production of popular culture. We ended up with a new, wearied youth generation which was called Generation X, who walked out of movie theaters if nothing had happened by the first ten minutes of the film.
At the same time, the indefinable KLF (Kopyright Liberation Front) appeared from nowhere and toured the hit lists with only one album and an incredible amount of singles, only to later withdraw from the scene and, in their own words, "never again make music". The group consisted of Bill Drummond, the disillusioned former manager of (among others) Echo and the Bunnymen, and Jimmy Cauty, a former member of Killing Joke. They introduced a totally new element to popular music by combining the instrumentation and dance-oriented tempo of dance music with classical rock formulations. The result was music palatable to synth, techno and rock fans.

KLF were very aware of what they were doing. In the early stages of their career, they wrote a book titled The Manual, and promised a full refund to anyone who could not make it to England's hit list with the help of the book. Before they became KLF they called themselves The Timelords and The Justified Ancients of Mu Mu (a name which together with much of KLF's image is taken from the cult book Illuminatus!). In reality, you should probably consider KLF's commercial career as an example of modern art making a protest against the pop industry. At the end of their career, they actually hated this self-perpetuating machine that churned out the same garbage over and over again. Throughout their career, the group was characterized by a total lack of respect for money and established pop music, as well as a generally cynical view of life. The leader, Drummond, was highly inspired by Zen Buddhism, and provoked those who posed questions about the band by accusing them of being under the influence of the four mistresses of Lucifer: Why, What, Where, and When, which are questions that according to Zen cannot be answered by words. Early on, Drummond worked with Alex Paterson on The Orb, and the two together could be said to have invented the genre of ambient techno.

KLF also clearly shows the connection between attitudes in the underground dance culture and among hackers. As many other DJ's, they sampled extensively from other artists, and more or less held the opinion that music should not be patented. On one occasion they sampled ABBA and wrote (somewhat provocatively) on the back of the album that "KLF hereby declares all material on this record free of copyright", which eventually resulted in the entire issue being burned on a field somewhere in central Sweden. This took place after KLF failed to convince ABBA to withdraw their threat of legal action that they received from ABBA's Swedish representatives. On another occasion, Drummond began to "liberate" the group's equipment during a gig at a London club, which forced the club owners to intervene to stop the guests from taking the machines home with them.

In England, there is a whole array of strange musicians in addition to KLF: among others, the ambient music revolutionaries Black Dog Productions and an idiosyncratic group named The Prodigy, who invented their own style of music called breakbeat. These groups, like KLF, appeared in the late 80's in synch with various independent bands such as Pop Will Eat Itself. The explosive development of the music business in England was due to the very pop industry that KLF specifically protested.

A considerable proportion of people in England go to "in" clubs and listen to the latest music before it is released, and the top hits list is a creation based on lobbying, without any connection to reality whatsoever. In actuality, England's Top 40 is simply an institution of power that the pop industry employs to tell the public what they should buy. Since entries on the list go up and down at a violent rate, new music and new artists must be generated constantly (translator's note: At the time of this translation, a clear-cut example would be The Spice Girls). In this frenzy, hundreds of artists get their chance to show what they can do, for better or for worse. Originality is much more interesting than technical skill. In this manner, the pop industry sought out acid house music from the small suburban clubs, and the improbable event that this narrow genre made the hits list actually occurred. This phenomenon has turned England into the "engine" behind European popular music.

In Germany, Sven Väth and a myriad of other DJ's produced a mix of techno and ambient clearly influenced by the eighties' acid house: trance, which in England was combined with influences from the Indian vacation paradise Goa and labeled goa-techno. Some half-crazed Dutch guys who called themselves Rotterdam Termination Source made a piece of music using only drums and sound effects: Poing. In this manner they created a genre called hardcore techno, which has developed into a hybrid of techno and death metal, often using a tempo of 300-400 bpm. This hybrid has gotten some former metalheads into techno.

Electronic pop music is never static: there's always something new, and there's constant experimentation in small studios around the world. Crossover techno, in which techno is mixed with other music genres, springs up everywhere. It is often very commercial, with perhaps the exception of the hyper-experimental The Grid, who have for the first time in their career made a commercial success with Swamp Thing - a mix of techno and banjo pieces. Jungle is a genre which is both a predecessor to and a continuation of The Prodigy's breakbeat-techno - a mix of techno, rag and dub music which seems very promising and which is also not particularly commercialized. The most hardcore is gabber, which is a corrupted version of hardcore techno. God knows what's going to be invented next: gospel techno, perhaps?

Other musicians, such as Future Sound of London, Black Dog Productions and the Swedish Lucky People Center, have approached electronic music and make up a genre known as progressive house, i. e. house music which is going somewhere, and is always under development. These people want to escape the concept of genres by breaking all norms. Thanklessly, genre-breaking becomes a genre in itself; there is a similar phenomenon within jazz.

As soon as a genre becomes commercial, as when techno became eurodance through U96, the smaller clubs tend to invent some new variant and sneak back into the underground. Examples of this include Jungle, Goa-techno and Gabber. Jungle is, at the time of this writing, on its way out of the underground, and new styles are most certainly being created as we speak in some studio in Germany, England, Holland or Belgium. You can hold whatever opinion you want on this; in practice, the entire underground club culture is simply a concept factory for the pop industry. They find something new, polish it and water it down a bit, and then release it for a mass audience. If you believe in infinite artistic integrity and creative art, it's probably a horrible thing to witness. On the other hand, maybe we should be thankful that we're not listening to the same chewing-gum pop music of twenty years ago.

Clubs and Raves
Techno is mostly played in small private clubs, even though it is today possible to sell techno albums to people who are not DJ's. As a cultural manifestation, techno has strong ties to the dance floor, and the two could be said to constitute a unified whole.

Dance music has changed the music market. In the old days, you listened to the radio and checked out your friends' preferences, bought the records and listened to them at home. Nowadays, you go to a dance club or even a rave, and become influenced by the music you hear there - the type of music that's made for dancing. Later, you might by an album or two. Eurodance mix albums are especially strong sellers.

Techno is not designed for "easy listening" at home, and it can have a stressful effect if it is used as background music. In England, where the public traditionally is very open to new forms of music, heavy and uncompromising techno music has made a commercial breakthrough; likewise in Germany, which with its tradition of electronic music a la Kraftwerk welcomes any new innovations in that realm. Even in Southern Europe, really heavy techno tracks are played on pop radio.(1)

Raves are still very underground events in Sweden and Scandinavia, even if its interest base has grown explosively since 1988. Today, there are thousands of happy ravers in Sweden, who are often willing to travel far to attend a good rave. In Germany and Great Britain, raves are already accepted cultural events, which in some cases attract up to150,000 people, such as the well-known Mayday rave in Germany (which is sometimes described as the Woodstock of our time). Special raves are also arranged for different genres. Raves in Scandinavia are usually not announced in the daily press; the information is spread through the grapevine and through flyers that are available given the right contacts.

A type of rave that receives a lot of attention is the so-called bryt-rave (English: break-rave), which entails breaking into a warehouse, setting up a sound stage and starting to dance. It is reminiscent of a sort of house occupation, and if the number of attendees is large, the police stands powerless. This type of rave has been somewhat frequent in Hammarbyhamnen (Hammarby Harbor) in Stockholm. One could make a connection to the Prodigy track break & enter, in which sounds of glass braking and doors being pushed open accompany the music. The sense of revolt and insolence against society is complete.

The rave culture is primarily based on the Trance genre, which can keep a dance floor alive all through the night with its long songs in a perfect dance tempo. A rave is not an event to attend to get drunk or pick up someone. A rave is a place for dancing, listening to music, meeting and looking at other people. Whoever attends a rave with different intentions will invariably be disappointed.

Rave culture is claiming expansion - even futuristic dress and other methods of creating a homogeneous group identity have started to develop. The rave sites (mostly warehouses) have also started to receive futuristic interiors to give more of a "cyber-feeling" to the environment. The phenomenon has gained a Swedish face through Mikael Jägerbrand, editor-in-chief of the relatively new magazine NU NRG Update (pronounced "New Energy"), which has a run of about 1000 copies and has a layout that really screams "underground"; the page layout is reminiscent of American tabloid classifieds. It is of course a good move - ravers love being underground. Despite its small circulation, the magazine is not sectarian or single-minded, and it shows a certain sense of distance and social awareness.(2) There's also a few smaller fanzines, and naturally a few electronic bulletins and magazines.
Clubs, Trends, and Drugs
The (Swedish) debate around dance events such as acid parties and raves is severely inflamed by the narcotics debate. The underground dance culture is under no circumstances endorsing or approving of drug use. Unfortunately, sometimes people attending dance events can be total spacebrains(3) . The main purpose of dance parties was and remains dancing and music. Originally, acid parties were completely drug-free events.

As early as the late 80's, the discos on Ibiza (a Spanish island resort) hooked on to the acid house trend and created their own version, balearic beat, a mix between house, flamenco (!), and a few other styles mostly associated with the artist Paul Oakenfold. Ibiza is primarily visited by rich people, mostly from England, and it has drugs in abundance.
The reason for the popular connection between drugs and acid house/rave is thus that those who enjoyed partying all night before the introduction of the acid parties, brought their strange fashionable drugs when they went to visit one. Especially the "designer drug" Ecstasy, a mix between amphetamines and LSD, has figured heavily in the media. Ecstasy is originally a "yuppie-drug", which has become a sort of exclusive marijuana for the rich. In the beginning it was sold as a diet drug. The greatest culpability for the narcotic stamp on rave and acid culture falls on English upper-class youths. The drugs ruined the reputation of all the intense house-clubs around Manchester, and the stigma remains.

Nonetheless, Ecstasy, amphetamines, and cocaine are present at some rave-like events. As expected, it seems to occur more at purely commercial dances, to which the "in" crowd that want to stay abreast of the new culture is drawn. Enthusiasts at small techno clubs are mostly of the opinion that Ecstasy is a nuisance which ruins the reputation of techno culture. Unfortunately, since everything that is prohibited is also "rebellious", drugs have spread to several acid and techno clubs, including Swedish ones. The clueless middle-class rebel thinks, as usual, that you're a real rebel only when you do drugs. Independent thought is never popular among conformist groups. In short: ravers with brains stay away from drugs, and those who don't know anything naturally think drugs are really cool (no, it's true - people never learn).

Large clubs are frequent in major cities. They are kitschy, well decorated, with mean bouncers and a fairly long line regardless of whether it's full or not (to create demand, of course). They are not about supporting some subculture, even though many DJ's from the underground scene get a chance to make some money in these clubs. Drugs are consumed in the bathrooms.(4)

The terror in homes around the country is complete. The poor parents of these young people remember with horror those few years at the end of the 60's, when they themselves were swept up by the wind from San Francisco, smoked marijuana and hasch, and tried LSD. Not many are willing to admit to that today, but their fear of their kids doing the same thing today is genuine. The main theme then was protesting the Vietnam War and society, and the main theme today is dancing and having fun. Ravers don't need politics as an excuse to meet and enjoy themselves. Drugs are tangential, and not at all as prevalent as media would have it appear. Fear and misunderstanding often inflates the problem to bizarre proportions.

One thing that ravers do enjoy are so-called smart drinks - energy drinks that help rave dancers keep dancing a long, long time. Mostly it is a matter of substances that can be found in any pharmacy or herbal medicine store, but with different labels. There is no reason to suppose that this should be harmful - middle-aged Swedes have consumed the pills for decades without suffering harm. What is worse is the tendency to mix prescription drugs with the drinks, which is something that cyperpunks in particular do sometimes (more on this in the next chapter). Most of the "emergencies" reported about drugs on rave parties is due to journalists attending some event and seeing these sugar pills and sodas on the bar, frequently wrapped in some pastel-colored paper or foil, which naturally appear very ominous. If you interview young people who have been to a rave, they most likely will say yes to having taken Ecstasy, even if they've actually consumed a bunch of St. John's Wort. It happens, sometimes.

Some member of the debate has tried to submit the fact that the dancing itself is harmful. The statement that the capacity of ecstatic dance - which is imprinted in our genes since thousands of years - fails by virtue of its own stupidity. Such a statement is thus rather an expression of conservative cultural values or even xenophobia, which seems to be a characteristic of many "opiners". Obviously, the people that do not attend regular dance clubs and listen to Stairway to Heaven for the 18803rd time, while drinking themselves silly, and are not there just to try to get laid, must be suspect… cluelessness, in short.

Even in Sweden, frightened cops have broken up rave parties for no reason whatsoever in their total ignorance of how underground culture works. Some police raids against rave dances most closely resemble ethnic discrimination - of the same kind practiced by customs agents and retail security officers who target people of different pigmentation or dress. Some cops are apparently susceptible to excessive stereotypical categorization.

The cause of the cultural phenomenon of rave is that the actual dancing at the larger, commercial clubs has become secondary. The organizers are mostly interested in selling as much beer and liquor as possible, and the patrons are more oriented towards boozing and picking up someone than dancing. The inherent value of the dance has been abandoned.

It has occurred to me that it might actually be a good thing that rave suffers from a bad reputation. It prevents people with purely commercial interests from advertising gigantic rave parties, and thereby commercializing the vibrant underground technoculture. Sometimes it even seems that ravers are somewhat amused by having a "bad reputation", for identifying with the underground. In Sweden, this negative image has only had the effect of attracting more young people to the parties.

Music and Music Culture
In reference to electronic music, it generally seems as if every new generation of innovative musicians is scorned by the previous one: classical electronic musicians look with distaste on electronic pop music, synth pop fans despise heavy synth and techno musicians, techno musicians dislike hardcore techno musicians etc. etc. It might be redundant to mention that classical and rock musicians scorn all forms of electronic music.

This is probably a necessary state of affairs. It is the distancing from older norms that creates a new subcultural group within an accepted domain, and this is how culture grows and develops. The argument is applicable to literature, film, theater - in short, all types of art. Techno music and techno culture is, especially due to the influence of television, inextricably associated with the art of video and computing. That techno is inseparable from dance has already been illustrated. This development of popular culture has resulted in many artists that are more like some form of product than people. The music is created in a studio, performed by a group of photo models, etc. Popular music becomes more than music - it becomes part of a culture. You don't buy just a record, you buy a lifestyle. Fashion, dance, film - everything is included. It could be summarized and called "art". Popular art.

Art grows and develops when individuals, with a desire to create something new where not everything has been tried, go against the norms and create something new. Mostly the individuals are young, such as Sex Pistols, Grateful Dead, Bob Dylan or Jack Kerouac (well, they were young when they started). Sometimes it is some eccentric artistic soul like Marcel Proust, James Joyce, or Frank Zappa. When a young artist breaks out of the norms there arises, given the right circumstances, a new subculture, which under even more conducive circumstances creates a new spirit of a generation.

The smaller the Earth becomes, and the farther our mass media reach, the more subcultures develop, generations change faster, and society changes faster. This is a characteristic of the post-industrial society which I will later explore further. Let it be stated that the breaking of norms and creation of new ones is very important for these new styles of music. It also has a considerable importance for the more central points of this book.

We will now see how the pulsing rhythm in culture generated an entirely new literary genre, a new view of society, and - soon - a new ideology.


1. In Sweden, as of late 1996 no such breakthrough has taken place. Perhaps the Swedish public is simply too conservative. However, things are slowly moving forward. Kalle Dernulf, of P3 (part of Swedish national public radio), is probably the one who has dedicated himself the most to spreading Swedish and foreign techno in the ether.

2. Jägerbrand and the Swedish Rave Organization (SRO) are at the time of this writing organizing a "raverixdag" (English (loosely translated): Rave Congress) to coordinate Swedish rave organizers. Someone remarked sarcastically that "they seem to have to make everything political", but in light of the Nacka Police Department's dubious raids against Docklands (a rave site) during the Spring of 1996, the need for an organized resistance group is understandable.

3. Some have made the observation that it shouldn't be a great experience to attend a rave on a "downer" drug, such as hasch. I have personally observed that it appears fairly abundundantly at raves; why, I do not understand. Possibly it may be due to the hasch (THC) having a mildly psychedelic effect. In this context, I'd like to take the opportunity to mention that I'm personally neither for nor against drugs per se, which you might conclude from the strong formulation above. What I am against is the tendency to blame drug use on culture. On drugs in general I don't have a clear and expressed opinion, rather I reserve the privilege of ignoring that debate, which is sure to piss somebody off.

4. If someone interprets this to mean that I think that these "beer cafés" are the pathetic hangouts of the "in" crowd, that someone has interpreted me correctly.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch8web.htm0100664000175000017500000002413507311654724014313 0ustar miccemicce CDNE Chapter 8 - Cyberpunk

INDEX

Chapter 8
CYBERPUNK

Cyberpunk is originally a literature- and film-oriented movement. We will begin with literature.

There are different science fiction genres (abbreviated: sci-fi ), and the definitions are somewhat arbitrary. Sci-fi bibliographies often range across such wide areas as fantasy and horror , but this book is not about science fiction literature in general. I will therefore proceed to the part of sci-fi that is called cyberpunk.

The definition of cyberpunk is usually that it is a book that resembles something written by William Gibson ; a type of futuristic account of society where advanced computer, nano-, and biotechnology as well as artificial intelligence is part of the ordinary. The world is rigidly segregated by a small, ruling elite of multinational corporations and a large, brutal mass of regular people. Governments have yielded to large conglomerates and mafias, which control the world. The action generally takes place in enormous metropolitan areas of a ghetto-like character. Drugs of all kinds are widely available, the pace is fast, and personal and environmental descriptions are superficial and often (in the case of Gibson) chock-full of trademarks and digital jargon. A typical cyberpunk story is set around the year 2020.

Cyberpunk is usually referred to as dystopian , as it describes something close to the opposite of a utopia . Most early science fiction novels were utopian, where disease was a thing of times past, a unified political system had replaced constant conflict, and the action usually centered around a group of scientists on a mission across the universe, or on space heroes such as Flash Gordon . The TV series Star Trek is a definitive utopia. It is not the case that a utopia has no problems; it is simply that "the good guys" are always win and never morally questionable. All utopian chronicles are optimistic visions of the society of the future.

In a dystopia, many problems remain in the world, the natural environment is almost completely ruined, and politics is (as usual) chaotic. The books are therefore much more plausible than classical sci-fi works, and has acquired a wide readership among people who normally do not read sci-fi. Earlier, some were of the opinion that it was unnecessary to descrabe realities that were worse than the one on Earth. Some dystopian authors, like Stephen King, therefore abandoned science fiction in favor of writing horror literature. Dystopias are, however, more auitable for social criticism than utopian works. Since many dystopias are satirical or comedic, cyberpunk constitutes a sharp contrast through its cold realism. Other notable dystopias are Karin Boyes' Kallocain and George Orwell's 1984 .

Just like most US science fiction, cyberpunk has its roots in so-called pulp fiction. Pulp is a rough cellulose material used to make paper, and pulp fiction derives its name from the rough, porous quality of the paper it was printed on. Since the film industry was still at an embryonic stage, people read much more books and magazines, and pulp was the "crude", cheap literature. Comics and TV series such as Flash Gordon are also called pulp, since they were inspired by stories and illustrations from these magazines. Pulp seems silly and incredibly far-fetched to the normal Swedish reader, but for sci-fi lovers across the world, pulp is the origin and source of all modern science fiction, and the cause of its own subculture.

Bruce Sterling , Gibson, and a few other sci-fi authors had their own pulp magazine called Cheap Truth . Although it wasn't produced in the 50's, it was run in and with the same spirit as the best early pulp magazines. They thought that no really good sci-fi was being written. They encouraged people to get their own word processors and write good, vivid, and readable science fiction. Not seldom did they come down on best-selling authors in the genre. An interesting detail about Cheap Truth was that it wasn't copyrighted, and that copying and distribution was encouraged.

Cyberpunk is a little more than this, but the literary genre is basically synonymous with a small group of American authors, of which William Gibson and Bruce Sterling were the most famous. A few 2000 AD comics, especially Judge Dredd , are also considered cyberpunk, since their world is somewhat similar to Gibson's dystopias. The term cyberpunk was supposedly coined by a gentleman named Gardner Dozois in a review of Gibson's first book, Neuromancer . Dozois is said to have, in turn, gotten that label from a short story by Bruce Bethke , which had been submitted for his review. (1)

The message of the cyberpunk novel is one of warning - the stories are nightmarish visions of a future society that we risk becoming subjects of, unless we take precautions. The word cyberpunk is derived from cybernetics = humans or society in the interaction with machines (from the greek kybeternetes = first mate or pilot), and punk = virtually lawless individual with a mildly anarchistic social view, cowboy style, living in the underground.

1. This resulted in a considerable amount of controversy. Bethke considered it his right to define the term "cyberpunk", since he had invented it. Bethke's definition does not coincide with Dozois's.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/ch9web.htm0100664000175000017500000013303707311654724014316 0ustar miccemicce CDNE Chapter 9 - An Electronic Interest Group

INDEX

Chapter 9
AN ELECTRONIC INTEREST GROUP

The story of hackers, phreakers, telephone companies, and justice is told (from an American perspective) in Bruce Sterling's The Hacker Crackdown (1992). The reason this science-fiction author decided to write a history of hackers, is exactly what I have tried to illustrate with my arguments so far: that aspects of electronic cultures overlap. The whole thing started when the U.S. Secret Service tried to clip the wings off the underground hacker movement, and on some occasions strayed far outside the limits for law enforcement intervention.

They really wanted to nail the hackers, who had grown extremely powerful in just a few years, through a national crackdown (hence the title of the book), with the intent of teaching the hackers a lesson. This crackdown was named Operation Sundevil. The Secret Service busted into the homes of American teenagers, grabbing everything with wires coming out of it. The computer, the printer, the portable stereo, mom's and dad's computers, all of it. That wasn't enough: they also took manuals , or anything remotely resembling one: science-fiction novels and regular compact disc records, for example.

All of you can probably figure out what happens if you take all the hacker's machines away from him or her. He/she becomes totally powerless, with no means of keeping in contact with friends or communicate in open electronic discussions. The hackers not only had their wings clipped; they also had their mouths sewn shut. This is exactly what the Secret Service wanted, and probably no one would have been concerned - not even Bruce Sterling - if they had stayed content to just raid hackers. Many hackers arrested during the crackdown were given sentences that prohibited them from using computers for a certain period of time.

On March 1, 1990, the Secret Service committed a mistake: they went into the gaming company Steve Jackson Games , in Austin, TX, and confiscated all the computers that they could find, including one which had a completely new game stored on its hard drive: GURPS Cyberpunk (GURPS sands for Generic Universal Role Playing System, developed by Steve Jackson Games to make it easier to switch between roleplaying settings without having to switch gaming systems).

Steve Jackson Games, therefore, make role-playing games , and the game GURPS Cyberpunk was written by a hacker going by the pseudonym Mentor (his real name was Lloyd Blankenship ), and who worked as an author at the company. When the company demanded the return of its computer, or at least the files for GURPS Cyberpunk (which was just about to be marketed), their request was denied, with the justification that it was not a game but rather a manual for perpetrating computer crime. Mentor himself was a hacker, and had written an excellent and realistic game which focused on breaking into different computer systems. The game was considered dangerous.

Anyone who's seen a roleplaying game knows that it is a matter of a kind of books used as reference material for the games, in which the players try to create and enter a world of the imagination. GURPS Cyberpunk , therefore, was a BOOK , released by a publisher, with an ISBN number just like any other book. The fact that the U.S. Secret Service had tried to stop the publication of a book , simply because the contents were held to be too dangerous , was not well received by conscientious citizens of the U.S. The freedom of the press is constitutional in the U.S. (like in Sweden), and a fantasy-oriented role-playing game like GURPS Cyberpunk has the same official right to exist as The New York Times , whether it teaches computer crime techniques or not - as long as it doesn't advocate the perpetration of crimes.

After a period of fuss in regards to the Steve Jackson Games case, the Electronic Frontier Foundation was formed, led by (among others) the Grateful Dead lyricist John Perry Barlow .(1) They were financially supported by Mitch Kapor , who was one of the creators of the spreadsheet program Lotus 1-2-3 . The organization had supporters among the users of the electronic conferencing system The Well , created by the magazine The Whole Earth Review in San Francisco. WELL is short for Whole Earth 'Lectronic Link , and in principle functions as a gigantic BBS with connections to the Internet. (You could also view it as a metaphorical "well of knowledge".) Many users of The Well are old hippies and Grateful Dead fans, who dearly value their rights of free speech and assembly. Many are what I call university hackers, engineers, or programmers. The hippie-programmer combination is not unusual at The Well. (I mentioned earlier that the hippie culture originated at the universities in the Bay area. Consider Mitch Kapor, for example - before he started making business software, he was a meditation instructor.)

San Francisco is almost a chapter of its own. It is the Meccha of the electronic world. The universities Berkeley and Stanford are in the area, and close by is Silicon Valley. The majority of modern computer technology comes from San Francisco. It is where the first personal computer, the Altair, was built, and it is also the home of EFF, The Well, Whole Earth Review, Wired, and MONDO 2000. Virtually all forms of popular electronic culture have originated in San Francisco, and it is also where Virtual Reality was first marketed. At the same time, I would say that San Francisco's reputation is a little exaggerated. It has just as much to do with American attitudes and marketing as real knowledge, and the expertise that computer technology rests on has been researched and developed all across the world. However, it is a natural nexus for amateurs as well as the pros of the computer industry. Silicon Valley, in particular, has had great significance, with its thousands of bored upper-middle-class engineers waiting with anticipation for anything to happen on the electronic frontier. These people constitute the innermost core of EFF.

EFF has quality contacts inside the entire American software and hardware industries, and champion the electronic rights of human beings . The organization does not protect hackers, as is often said, but it protects the rights of hackers. EFF is therefore a civil rights organization . Like the cyberpunks, EFF is ideologically influenced by libertarianism, but on many issues (such as "intellectual property"), they are on a collision course with the libertarians. I will now try to illustrate how threats against civil rights and individual integrity are manifested in the information society.
The Right to Communicate
EFF stated (and states) that it is a violation of integrity to take someone's computer away from them. It is as violating as taking away the right for an individual to use pen and paper. A hacker is used to communicating with the world by computer, through BBSs, the Internet, etc. Taking the computer from the hacker is akin to taking the typewriter (word processor, pens, or paper) from the author. EFF sued the Secret Service for constitutional violations in connection with the raid on Steve Jackson Games - and they won. The organization now works towards a constitutional amendment protecting electronic expression.

In short: a computer criminal should not be prevented from using computers (everyone uses them nowadays), but from committing more computer crime. You don't prevent a counterfeiter from working at the mint - you teach him to stop printing fake currency. Properly used, the illegal hacker's knowledge is useful to society.
Integrity
EFF has grown since its inception, and currently sponsors a public debate about computers and humans in a future information society. It wants to protect the right of the individual not to be registered and controlled by authorities, simply because it is now possible thanks to the advent of the computer. The organization therefore advocates the use of the encryption program PGP, which I discussed earlier. Why? Well, SÄPO (the Swedish National Security Police) - or some other internal intelligence organization - should not be allowed to examine all postal transmissions in Sweden. They should not be able to read all electronic mail, either. But , they could (if they so wished) put a fast, efficient computer to the task of searching all electronic mail for certain keywords, in order to quickly trace new political groups. (It is astonishingly simple to construct such a program; I could even do it myself.) Let's say that every piece of electronic mail containing the words "REVOLUTION", "WEAPONS", or "SOCIETY", in any combination, would be copied and sent to an analyst. You would never know.

According to Philip Zimmerman (creator of PGP), it is precisely because of this that one should encrypt one's mail so that no third party could read it. Of course, in democratic Sweden, we would prevent internal organizations from doing such horrible things. Nevertheless, there might be good reasons to encrypt one's mail. Why?

First: there are people besides SÄPO and the local revenue office that might want to see if you're writing something inappropriate. Second: do you trust the authorities? If so, why not just send them a copy of your personal communications, so that they can check them and be sure that you're not sitting around conspiring? What do you, a conscientious citizen, have to hide? Why not let the police search your house for illegal weapons? You see where I'm going - encryption protects the privacy of the individual from governmental intrusion.(2)

All the chaos surrounding PGP started on April 10, 1991, when the U.S. Congress made a statement about encryption programs. It clearly stated that it expected everyone involved in the manufacture of encryption technology, of any kind, to incorporate back doors so that the government could read the encrypted information if necessary. The message was a frightening one: you may keep secrets - but keep no secrets from the government. Shortly after, Zimmerman's colleague, Kelly Goen, went around San Francisco and distributed PGP do different BBSs using pay phones. (!) He held that Congress was in violation of the Constitution, and performed this act in order to protect American society from totalitarian supervision. recently, the European Union sent a similar missive to the nations of Europe. (Americans are much more sensitive to these matters than Swedes - which is fortunate, I should say. Translator's note: Nevertheless, and ironically perhaps, the privacy rights of individuals in the U.S. are in much worse shape than in the Scandinavian countries - due to private record-keeping organizations such as the credit bureaus, which have become a sort of universal information source that sells all the information it has to anyone willing to pay for it).

Encryption, by the way, is not expressly an American thing. Us Swedes have been in the cipher game for at least as long. As early as WWII, we decrypted German communications going through Sweden. In 1984, the "expert" Ragnar Eriksson and his friends at SÄPO made an encryption system which, with the approval of the executive branch, they tried to sell together with other security "know-how". Alas, the system was worthless, since SÄPO has never had any encryption experts worth their name, and no one wanted to buy the system.(3)

Those who are professionally involved in encryption (thus not SÄPO, but the military and the universities) almost always encounter upstarts who think they've invented the world's best encryption system. Common to all these parvenus is that they want to keep their systems secret, as they consider themselves so bright that no other person has ever been on the same track. All the pros release their algorithms (encoding principles) and tell people how the system works; if it is good enough, nobody can break the cipher even though they know how it works. Some examples include DES (Data Encryption Standard), and IDEA (International Data Encryption Algorithm) - which is used in PGP. (SÄPO did not want to publish their algorithms...) Neither DES nor IDEA are impossible to crack - it's just that it would take a few million years for today's computers to do so, using current deciphering techniques.

As an illustrative example, I will mention a common beginner's crypto which entails adding a sequence of random numbers to a digitally stored text. It would be very hard to crack if the message was not any longer than the sequence of numbers, but with longer messages this randomness can be removed as easily as static can be filtered out of a radio signal.
Sweden Awakens
Today, Swedish police have already been guilty of questionable activities relating to the freedom of expression. They have confiscated BBSs, used as an exchange medium for private electronic mail, and probably also examined the private mail stored on these. This has been carried out on suspicions that the BBSs were used in the distribution of pirated software. It can be compared to sifting through all the mail in one of the Postal Service's boxes simply on the suspicion that somewhere in this box there is information about a crime. Would you want your mail read simply because it happened to end up in the same box as a letter from, say, a car theft ring? (I don't even know if the police have the right to do such a thing, but I don't like the thought of it.)

"Holy Christ", the police say, "those who use a BBS are despicable hackers! Thatdoesn't have anything to do with normal people's privacy, does it?"

It's great that they were hackers, and not Jews or immigrants , but simply regular, honest hackers, which we all know are terribly criminal. Hundreds of BBS users, regular Swedes with no criminal records, have had their right to privacy abridged simply because they fall under the fuzzy (to say the least) category of hackers ? And the police are upset because they have found encrypted material in these BBSs, which is hard or impossible to read. I really feel sorry for them.

Consider that today's BBSs will, in the future, be replaced by the Internet, through which you are expected to send all your mail. What will happen then? Are we going to have cops running around auditing the mail, seizing large quantities of mail when they suspect something illegal might be lurking inside the pile? But, but... the police follow the law, and according to the law, electronic documents or communications are not covered by the freedom of the press. Hopefully, they are protected under the freedom of speech, but not even this is certain. Everything is very fuzzy, and no one seems to know what the facts are. Legislation is in progress.

Considering all the threats against integrity, the observant citizen naturally wants protection against surveillance, and therefore acquires an encryption program. American intelligence agencies want you to use their "Clipper Chip" instead of your own crypto. The "Clipper Chip" is a very good encryption program which, according to themselves, only the Secret Service has a back door to. The European governments have something similar in the works, which has at the time of this writing not been formalized.

Another use for encryption (besides making your mail unreadable) is to put a seal on your messages - a kind of electronic check digit, which can mathematically prove that the sender is who he/she claims to be, and that the content has not been changed. This way, electronic bulletins can be mass-distributed without having to worry about somebody "cutting" them, at least not without being noticed. This method is used by, among others, SWIFT, which is an international bank transaction system.

Those interested in the underlying technology of encryption should pick up a book on the subject. American cryptographers (like Zimmerman) are monitored by military intelligence agencies. (I don't know if this is the case for Swedish crypto-scientists.) In some countries, e. g. France, all encryption by private individuals is prohibited.
Swedish Rights
What about civil rights in Sweden and the rest of Europe? Is an organization like EFF necessary on this side of the Atlantic as well> Maybe - especially since European police agencies learn about computer crime fighting by peeking at the USA. In Sweden, police have also confiscated computers and disks, but also magazines, T-shirts, and printers, in American fashion. The police in the U.S. didn't know what to do with all the stuff they seized - and the Swedish police doesn't know either. It's not a mystery why it takes a virtual eternity to sort out hacker crimes, considering the amount of junk that the investigators collect as evidence. When I did an inventory of my own collection of about 200 disks, it took me over a month, and I only made superficial notes of the contents of each file. A criminal investigator has to be a great deal more thorough for his evidence to stand up in court, and a well-organized hacker can, in worse cases, have thousands of disks.

The time span and delays for the prosecution of a hacker is worse than those for refugees, with the difference that these cases are eventually dismissed. To the extent that the hackers ever see their equipment again, it is most often outdated and without value. The police are still holding computers seized six years ago. In many cases, the hackers' computers are considered instruments of crime rather than communication channels. Even Swedish hackers' rights of free expression have been infringed during police raids - whether they have been criminals or not. Remember where Cervantes spent his time while writing Don Quixote . (In prison.) Should the pen and paper have been wrested from him simply because he was a criminal? In at least one case, the Swedish police has been charged with violating rights of free speech and freedom of information.

As early as 1984, Sweden's National Police Board determined that seizure of equipment could cause problems, and that this should only be done in exceptional cases. Today, it's more of the rule than the exception. If they had been able to follow their own directives, which said to copy the information and lend it to the victim, the situation would have been much more pleasant for both parties. In that case, the hackers would not have had to have their computers stored in police warehouses for decades.

We also have a law of criminal forfeiture, which means that equipment used in the commission of a crime can be considered forfeited, and subject to sale or destruction. This might be reasonable in the case of specialized equipment like lock picks, "blue boxes", or other directly criminal equipment, but computers ? If a typewriter is used for criminal purposes, it is thus forfeited? Can we have just an ounce of freedom of speech, too?

The information age has now caused some prosecutions against the distribution of specific, protected information to become completely unmanageable. Are you struck by the same thought as I? That this plays into the hands of the cyberpunks? If information really can be owned - can we in that case uphold its copyright in a rational manner? Or is our old society in about to change with regards to copyright? Relax, there is a cure for all this. Computers are very good at controlling large amounts of information, and quickly at that. The organization BSA ( Business Software Alliance , an association of companies in the software industry) is apparently prepared to have a program called Search II stand witness in cases against companies suspected of piracy. The program works by reading the contents of a computer's hard drive and registering which programs are installed. The reason for doing this as opposed to seizing equipment, is that corporations, as opposed to hackers, raise one hell of a racket if you take all their computers. So far, so good.

When companies and (sometimes) people are charged with piracy, the police rely on BSA and the Search II program for technical expertise. It is a bit strange that BSA, which represents the plaintiff, is also relied on to collect evidence. Strange, to say the least. Now, allow me to insert a small provocation, which might help you think along new lines:
     Q: Do we want computers to witness against corporations and individuals?
     Q: Why not leave the entire justice system to computers? Automated, powerful, cost-effective - comes in all colors - no difficult interrogations or delayed trials...
Personally, I don't think we should let computers stand witness until they're at least as intelligent as humans. But if a human can testify under oath as to the credibility of what the computer says, then OK. We have for many years allowed objects to act as witnessed, or evidence , as we call it. All evidence, however, has to be interpreted by one or more people before it becomes practically meaningful. What is relevant is that computers are evidence which has a hitherto unlimited potential for lying, since they can be manipulated in any way by anyone. I think we should stay clear of electronic justice for a long time - the risk of judicial corruption is obvious.

The question of computers keeping tabs on individuals is a little more sinister than it appears at first glance - information technology, if properly applied, can be used to prevent or totally eliminate certain types of crime. Do we really want this? Do we want an intelligent breathalyzer in our car, which tells us when we can't drive? Perhaps such supervision of driving habits will be legislated in the future. Do we want the recipient of a phone call to always be able to know who we are?

For example, there is a program called Net Nanny, which is a "baby-sitter" for the Internet. It can be set to supervise children communicating over the Internet, and will automatically shut down the connection if some "dirty old man" starts asking for a name or a phone number. Even if the purpose seems noble, one could ask what would happen if an extraordinarily benevolent government should apply such filters to all of its citizens' communications. I mean, why not pull the plug as soon as someone starts talking about certain kinds of explosives, or starts using to many violent words - just in case... (Note: irony.)

As opposed to a cop, the computer is everywhere , and basically free. Should we let our possibility to choose between obeying or ignoring the law be eliminated by computers? Should they become our collective, electronic conscience, and give us an electronically monitored utopia in which there is no crime, since no crimes can be committed? It is not as simple a question as you could think, if you consider it for a while... the EFF, and other organizations, are of the opinion that it is inhuman to take away the individual's right to disobey. So far, all social control has been based on self-control, a condition which is threatened by automation. There is a risk of principles being upheld for the sole reason that the computers have been programmed to uphold them. This is one of the things that Paul Verhouen 's cyberpunk film Robocop is about - mechanical beings who with never-ending efficiency chastise the citizen into obedience.
     B = Bob
      C = The Car
     B : Hi Car.
      C : Hi Bob!
      B ( jumping into the driver's seat ): Let's go...
      C : Just a moment, Bob, your voice is a little off... you haven't been drinking anything, have you?
      B : Oh no, of course not...
      C : You'd better blow before I'll let you drive anywhere.
      B : Is that really necessary?
      C : Yes.
      B : OK then... (brings out a plastic bag with a nozzle, and squeezes air from it into the mouthpiece on the dash)
     C : Come on, Bob, I wasn't born yesterday. That wasn't your breath. Would you like me to call a cab for you?
      B ( stomps away from the car in a huff )
Freedom of Expression
Well, what about the freedom of expression? Has an electronic book as much of a right to exist as one printed on paper? When the director of datainspektionen ( Translator's note: Datainspektionen is a Swedish governmental institution that regulates the permissible content and organization of computer databases - to my knowledge, no comparable institution exists in the United States) , Anitha Bondestam , stated that the somewhat childish text files found on certain BBSs, which describe how to make bombs and weapons, could be illegal - did we examine this statement as critically as we would if she had said that books describing similar contraptions could be illegal?

For your information, I can reveal that it is in no way illegal to write books on bomb construction - provided that you do not encourage the reader to apply this knowledge. (If you're in the military, and happen to write such a manual for internal use, you might even get promoted.) It may be morally questionable, especially considering that the readers are often teenagers, but it is definitely not prohibited. A parallel would be Hembränningsboken ("The Moonshine Manual"), which gives detailed instructions on how to make your own hard liquor. This book is not illegal. Datainspektionen makes a lot of funny statements which don't seem to have anything to do with their institutional purpose.

Datainspektionen does a lot of really good things. Above all, they protect freedom of information and individual privacy, and the right to know in which databases one is registered. The problem is that the institution sometimes assumes the role of pontificator, which is not its purpose.

From where will a Swedish EFF originate? I would bet on its birth somewhere among people that guard the freedoms of speech and the press. Föreningen Grävande Journalister ("The Investigative Journalists' Association"), with Anders R Olsson at the lead, has long had an agenda reminiscent of the ideas of EFF. As far as I can understand, this started with a book, written in 1985 by Anders Olsson, called Spelrum ("Playing Field"). In it, he describes the complicated structure of government, and its desire to control the individual, in a captivating and agitative manner. What William S. Burroughs says through his fictional accounts, Anders Olsson articulates through non-fiction, to put it simply. He doesn't construct his theories based on libertarian ideas about individual freedom, but rather on a description of the machine, which he calls Sweden, Inc., as a gigantic, dominating social mechanism built on bureaucracy and the wish to control the individual.

Anders has also advocated that journalists should enlist the help of hackers to enter, and examine, the proprietary computer systems of the government and other organizations. As described in the previous chapter, this took place in the case of the Ausgebombt BBS in Vänersborg. In his book Yttrandefrihet och Tryckfrihet ("Freedom of Speech and the Press"), he considers it fully justified to hack into computers owned by corporations, governmental institutions, and other organizations, in order to obtain information of public interest. He emphasizes that it is the purpose of the act, not the act in itself, that is most important. In his opinion, the constitutional (Swedish) protection of freedom of information, found in the articles on freedom of speech and the press, protects the hacker while looking for information with the intent of publicizing it.(4)

1. Remember the name John Perry Barlow - he is one of the greatest visionaries and contemporary philosophers that I have encountered. Like Jean Baudrillard, he belongs to the tiny number of people that have something sensible to say about information society.

2. This concept is normally called simply "privacy".

3. Perhaps they have acquired better "experts" now.

4. Anders has recently published another book about freedom of information: IT och det Fria Ordet - Myten om Storebror ("Information Technology and the Free Word - the Myth of Big Brother"), where he shoes that the fear of oversight can be used to conceal more than necessary; he defuses the paranoia surrounding large databases, and shows that it is quite difficult to "know everything about a person" through them. Instead, he points to another danger - giving confidential privilege to information that should be public, by maintaining that it is sensitive. He also defines four useful terms, which I interpret as follows:
Freedom of Speech and of the Press : The right to express one's opinion in the ether or in the media, without risking being silenced or prosecuted.
Privacy : The right to be free from intrusion into individual privacy by government or other institutions of power. (Computer databases, drug testing, etc.)
Freedom of Information : The right to stay informed of the internal structure of governments or other institutions of authority. (For example: the Freedom of Information Act). This right is especially important to journalists.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/index.html0100664000175000017500000001007407311654724014413 0ustar miccemicce Copyright Does Not Exist

COPYRIGHT DOES NOT EXIST

This is the electronic version of Copyright Does Not Exist, a remarkable book written by Linus Walleij and translated from Swedish to English by Nirgendwo.

Due to lack of time I haven't added much in quite a while, but if you want this book in RTF format, mail me.

Preface

Chapter 1 - Introduction

Chapter 2 - Hackers!

Chapter 3 - Grass Roots

Chapter 4 - Underground Hackers

Chapter 5 - Subculture of the Subcultures

Chapter 6 - The Bleep Culture

Chapter 7 - Rave, Techno, and Acid

Chapter 8 - Cyberpunk

Chapter 9 - An Electronic Interest Group

Chapter 10 - Computer Crime

Chapter 11 - Artificial Intelligence

Chapter 12 - Virtual Reality

Chapter 13 - Technocracy

Chapter 14 - Female Hackers

Chapter 15 - Cybernetic Society

Chapter 16 - The Future

Chapter 17 - A Cybernetic Utopia

Appendix - White Knight vs. Otto Sync

 

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/mainindex.htm0100664000175000017500000001007407311654724015104 0ustar miccemicce Copyright Does Not Exist

COPYRIGHT DOES NOT EXIST

This is the electronic version of Copyright Does Not Exist, a remarkable book written by Linus Walleij and translated from Swedish to English by Nirgendwo.

Due to lack of time I haven't added much in quite a while, but if you want this book in RTF format, mail me.

Preface

Chapter 1 - Introduction

Chapter 2 - Hackers!

Chapter 3 - Grass Roots

Chapter 4 - Underground Hackers

Chapter 5 - Subculture of the Subcultures

Chapter 6 - The Bleep Culture

Chapter 7 - Rave, Techno, and Acid

Chapter 8 - Cyberpunk

Chapter 9 - An Electronic Interest Group

Chapter 10 - Computer Crime

Chapter 11 - Artificial Intelligence

Chapter 12 - Virtual Reality

Chapter 13 - Technocracy

Chapter 14 - Female Hackers

Chapter 15 - Cybernetic Society

Chapter 16 - The Future

Chapter 17 - A Cybernetic Utopia

Appendix - White Knight vs. Otto Sync

 

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/nocop1.gif0100664000175000017500000003573007311654724014312 0ustar miccemicceGIF89a)AJjͤŔZR1j) sJ99j11bR Z9ZJ9Abj))bZZbs{sRJ9 j91AjA9j1)9JJs9jbj9)js bRA1JZsޔJAj99A9ރsjbsJJޜsjJ1A9ZZZޜA)bj{RRsbAAb Aj)A)9R)1{91ZZ 1Aj1Abj19 )1Z R)9 դjbjJJ)AA JRjR{{{)b)J{JJ)j b )j {91Ŭ{ZRjbA ){19Z ZR1AZ1AR)9ZsA99R9)9J1JsRJ )bbb R19s1)1R))bs   J9 js  )sZ91As9)1)s{j jJ19R)19J j )j)A11)1s))sJ19jRRŴ91 999 1A 1 ))1j))J1 1)AZ{  )Z )b19bA RR1)){19{9 { b )R1j1 )9s) ) )1J)1) s { 9 ) ) )1ZZA   1) )J))1j 91)))1) 1sR A1 99R 1)1)R11s)11 ZZs!/,_H*\Ȱ!#JtHŋ3jܘQgkN8|&٠rLDH͛8BȘp&ڭhvE۱ˇhnիXq_8(Q^/_lFFT˷z|=N_OMTQLJ. n<`e֡ӁCӄ9#F2Wwcgҭ[mvn1s>Nfɢ .hAZJkS7f)}z'dYd`[EW/0̭:?|pVګ7LWji%&3 t,(M$Nf<ٴ[xe{4X|̷3 4Wsڰtd჏JKP+L7= 9џn+cit,~ aޫ>r30. ,xP+0/8z)c+J6@yI 1w_WogxNkđӽK{߆?xʔ;49NojOGk;2Oz]Κ3=bl [rutq G;%NG%z7 't@b3T#(`pq[!FCȠP!A(0}QS\4aF06򈍆-a6 x7Wi0p;3@ 8`PR06}X ;0NzAqֵ ͊[?q7+覗`=f9:Aj_T6BIv{"bNw$wIMbA0'̙M)(^CtBk9HA*|$ gzNrCԘLeҁbkТ(0-S;tʃЛt\,ՐKC@uv\iy  sPCEqP.L]Rwq Z[,5Yl`qTGY*c#-6cX#ǘHI"!< mjPFovƹ F@7B xh <*:o*6y0<86ځptA\5oƨB`g (Fm3/.u.X P*7< Y>F6F= >!SC7Ïx#ܶK0Anʐx e6qj`oq's}L/{ /3$ t ɧxp W|JgqmVqMW} wu[gz6v]@0MseL~6'fqg{9@a&>slFtLp B|J|P6q˧mmW77 /g~gdWD h5X (U,70 P9C Plup"G |ʷt qW @dftqwq8-1 YM*S0 NLXs6zm_6cvswls4s&pL J{X (o@Q`QqqZH)s "p0DzxC<s$ 8' c9lk&pJiX XƇm`QɈf`H9H rB.F<& 2 pʹW0o97~}Aq8=@dVN0 Nw?gG\ЖFt}}X}X t im (h렕Еq*X8< ЖOA%YP<*{akІN'5ss9>t}ȇEh)~`m@Vs>錎h05ZXؖ{eI9ECc.Fhw7I|0#if r ɋE8~(PWA9Q@ }b )G2 ؖpQZTY6ht[ qE& vfÀn7H]0EpɝF0bWR!%(p)6 UXt6o:D>lIZKG t)h]~g^i`Y@f!"X J@]ZM6Fs{ImJ2iJNqpRZ aAfP*A --$ ᠟$#^Bt`9- s`+73ę3>VWA9xN |H H XQ*X ~ ZpEb*Vx/9 rsO4eeA9I^+ͅKvn QЕڬ@ X jjg.:e%p2sT{ ` 3@88A?VlÉGD6]*{:ˬ]h߉V )(@6"zUPT Jd6+q2=p8 ȉQn?: 0?; 1p͐qFp@ 1|ezM+dK& 8(>7\*q:]ٕt{jXzkзA)[ vJp~$[M|mXeKeafl$5<бMP p;;[  ;y+I.Z/kޠy:›zi$0!7^ 'ls8p ܕJD %i)l0ۧ$PI@~cq{A ^GfdN 2 l;[{W:`W!KK!q 0 sZ9Z ]bx@=4\QbK{ 33Di@ƿ^᷵a%; R~ `fID+UУJ ^=Ҡ!rĠ!jYE#бHʇ+iJ}1r/ T@5IkӤ`,X@m$E_0\3|ˬynW!P"<ߠi8Tw~IȡL\nQ{ˬRz̪|0bfA\ V y X-'0>PP'kpiVD`=A\{[ Z:q1O!@2 uhLP26+P2o-M Es،ܳ۹jVLrp ⷄ<0 ֈmz$e# ű6!Vatq0N<<}ݬ ,kbe1'і\@N8A;_I0k! 'A$09uD\ǣx֤@Ua!QЖ0nV \Z{Tk&0P6'}-0ti, ]GڥM AG$ .]*QusIr# }@ p"Ft 5бkn:ݨpKp BpbRm~q@Z9>I̤رraͰ1-YqGeiq<˳ Mq P`a!៲!.6:Q0nSY/&Y`#&'۪!`}TIUgk-7^q ~K"1Q'0 5~QqT 9<@(t`c ^! > \J\o9`p] Zu*L"%~) > Nۭ6InbaRNʩΰ۪>QG~ ې ; u! \D *7Ww 0 CC.>p1OmD@`V23tz~ F{ +n!`!,)Q%ZQQx"M^%5 ~@*^3b( >_V 3ݕD>$ nt{)#1f#&nؓD<2aw |J}߷+Gknm3 s͎ % 'j$MrGw]"0 Lo~xޭ3r^BF9kԽo`:;+ k9s6Y8ÉKBv9cg^l/ #F4r$YɍTFYl&O<`6i;zjt(^FbRpӓ_봮˺uݶ]Â&XEٶtxa@ىٴ8F`2#G eqKetⵓO6`A:^@)!5ʩq.> lVdMuhB䒸r ] =LQSI s)3fllӶLW٩S0u)kN:ڊmي_xS0W4EQ:g"ki衽FH0TQ>B '9%v lL ;?ofƛIꢦa*7"7܆4Q%EO î=ī)͉Ģnn-2t35il,g !O14Gc4|LɃ+چ7ݬ*,w{%L>^4Nb.v6..s,JCU=;`[vA3igž!M(GkfrjI('E ڮs+)y$=5LMg8Dhp(.gv{5NF[bYΐGO^XrbcW#\E+ S&EI 6 K!qSiFiMSsƐi E~<8n êzyH]C%'Qp~!,>4dڠK:.ZZ^C_:2` %G |BYlrq&Z@vO-u7I`\-IZ#!bM(._^nss 5Fw2* 72HkIo& a"l,7"gS5#+V]]SƖīv h* N o~Li($lSۘW@m4.KBQLpA%SVA>wCd^XӼN gX%.A]  >a{r셯9^əWd<0%9b`0)ѓ(!sğ O!oc pb 2o̓:wq];$YɅDc'ha˃8£!Sp \7dAXb: ieNB3e.4L\6d:ђnXcuG)1Z]RT-t9G]yf^4$QJ pݼ]ECԹocb԰D&*z6x=u^^W4H8L8TecT (уqӔ=X0ZfQcGpsr 'gC~,Ff =*lzbcPXeVuYD&}cK(=Z  pE.C$\dC1+|ҪfUךEyڮ J2#.ڟ ]Bh3t Z8u;ƅd`$ o ܩz7%x8jeR2/qT: X(-r\I|g6]NdPX3b2x ֚/@: T ;G%u ~(|i[ݔ2TO@uQoE ^qзbظ8Hqs$ }7wsGQ^+׋8#*?M'/3#?= `һ܆_ BX0Xh1$܃pԃ?y?<ڈPA2AW8\@)0;9DCc.Hnn`’hҐ(D DDĕc0r :Bˆ:ȿpM|Vp1CvŘ8);4@ SC` ?̺>4XI H 7Bpo9?Kt* D?N\AB۸SE9+B#Í nȇ=Eq N:C9ʋ2jDPAt(>S@SCd9=>>nsqgqǢ@ `> {Ge뻾tXCq C(N)pĻWL@9>;X ?y ~8$J ɬsp 8FS?hG98C(,áܻ)WKT$B>0+f蟡@L¡:HdI&r8?KdK\A,jA#=~yWdM`ÉȩoQi@ vdG B[ bG˻DPKCA<ÍtG fG!BTnXzɬ&—<=<@ZNظ[Fq(E)HEơ$U/dMLi{jʫшZ,-8z!"ͻ\R>éϊ` 9U fP% -hSORaPI3%BQ̆KsZIJ:,Jdtȿ}Ȇ1nPMx8v #r{l%Dc2BdNjp*!)UVlUH(f ?5IC#x0(R VrI{S, =PZeTBF!a9 ,Uk]R9B=,$Q,sX->8JxJ$Wd,)17;-Xl5>@>HЂBߊB?-шU8c̍5A` 'R!UV-`@~,.Q]X>Y mXCWߒBUe*9]ZٲTDڠڒ%YD.Z ^|=Y/A1?('&K Ópx]}Yey}#(L/‡t|WygY{2jv_oZ?;]{m?˃#ۗڧz|k[kYxYh}xMj|R|_| -_nk(N8v 3xa"ƌ3ak+X%K$Jy 5׎oQ 7qşϟ_}BYJeqkڴƨRRŨƏWԪ [W2lH#X<=rZzEK3> RIe=Rq7oH+׭ZhzNYvgWC099k #H&O80_WVZC3n~c*SSXisz Ap`<(Smvp ;dJ6O:)6P1c L#Pf!eL9eL~ŕ \p 6rmPA)CM(zUsH`J(!fH*NQRPH]]HYG_C CeIKBW4<fa% IRXT'b A%_haƥ^Y,tB.BCxHSR.yN~ǢV(%4ʂ95O"Ō鈞5f4ZmC8!昣#=baN4':;4N,N%0.gxHYaCxXk GCz8o!M:m~ hbS/(BhqjLPqbFxډ#mYqzP0 R(_2M.LﮁE.TsSݜ²&| hTR 2˵qP6ISarL4ԧڠQ2(VKQ&* :-ڗ0w[GV7w;(岺ađE@';#RR#* F8[;q*q|sAD\|*X+ 5?(@?Wd H:Z|F~C0E4P+AW֫l-!2%?Gkh״W(>đq#N: HKFjFxq7rbq8n/R '溱`7X7 Q5$p:q,Y ' fs%Y4i>(elٖ-5.ЎtE:_><(S0@ Gn^P)@Ff 29!ـXWg 9y  FK,(H-lF{ Zhek㕚g%X[!M+FC!Ǯ(c F L|:ضޜR2+5U>Tj[/MNS8p8t|k(+Umh95B<Kz"‘t#f2lA# g7 \؀_.㛑Uh݀|BlrG'ay@奫kp8X80t] yϳt9Ps9Pza IwgCـ%XU ;Ƅ[;I 7J_$"H%b8PaJvm!<ȃZ]<]ҝIxLQ U15:y! ? !/:c$1 C+}uP&b" C6_ vAݼ͛J6O*A ߶Dƌ8;C8(C#)X1*+Cad6!0_[86B;FO;?8(!"!b:""04~a&jAf' ' !"Ey"S~$dPH~'\55:Wr%&%WdY%j‭щI%$,)AQH0Nzd&F!PeH$Id0C04-`eX5X5!&&fn(%e8-TicOCH&l;|B0؂-,cc&WVX&e&ʃpa<'5ߕ!hnـif lw¦;:;؂;b-c65Ho't White Knight vs Otto Sync

INDEX

Appendix
White Knight vs Otto Sync

On September 2, 1992, 25-year old Otto Sync (ficticious name) was arrested and charged with unauthorized use of the Datapak computer network. The infractions had taken place during November 1992, at the expense of Televerket. At the time, Televerket was a state-owned company with a monopoly on telecommunications in Sweden. The person who traced and ordered the arrest of Otto was Televerket's own "white knight" Pege Gustafsson, a zealous 38-year old security expert climbing the career ladder.

From December 1991 to February 1993, Otto was doing non-combat service in the French army, "Volontaire Service National en Enterprises", as an engineer working with PLC (computerized process controllers) at a French telecommunications company in Flen, Sweden. After having passed rigorous military tests, and with the help of a master's degree in engineering with credits in applied mathematics and computer science, he was offered the opportunity to perform his civil service in the French company's Swedish branch.

 Being a lonely young Frenchman in Flen wasn't much fun; Otto tells us that the town was full of political refugees and the public mood wasn't the best -- the Swedish youths in Flen kept to themselves and saw him as yet another immigrant, and none of the other immigrants were French, but rather Iraquis, Kurds, Somalians and so forth. Additionally, Otto was unfamiliar with a small-town environment, as he had come straight from Lyon -- "Imagine my surprise when I arrived there alone mid December 1991... I've only lived in big cities before, and there is this place, without any bars, pubs or computer shops"(1) . As a result Otto spent most of his time alone in his apartment or in company office. "Flen is so boring I practically lived in the office building -- what else can you do there apart from hacking really?", as he says.

 For the above reasons, Otto spent his time engaging in his favorite hobby: hacking. Otto was already a skilled hacker when he arrived in Flen, and as time passed he became even better. He became a regular at Swedens best hacker-BBS at the time: Synchron City. He explored every system he could reach: Televerket's public phone network, AT&T, Internet, and so on. However, none of this is very exciting to an experienced hacker in the long run: the phone network is very easy to trick, and the Internet was mostly full of regular people. Real hackers went for BBS:es on the X.25 network. As Otto wished to stay in touch with his hacker friends, he wanted to access the biggest hacker conference system at the time - QSD . QSD was only accessible through the international X.25 network. In trying to access QSD, he made a fatal mistake: exploring Televerket's Datapak network.
X.25 and Datapak

Datapak is a network which is structurally reminiscent of the Internet -- a packet-switched network, where the users share a few dedicated lines, and pay charges based on the amount of data transmitted on those lines (i.e., per packet). In general, it works in such a way that, using a modem, you call up Datapak through a so-called PAD connected to a 020-number (Swedish 800-number), then dial a number to a computer permanently connected to Datapak. All computers on the Datapak network have datapak numbers in the same way that phones in the public network have phone numbers.

 Of course you can also connect straight through Datapak in case you can afford a permanent connection for your computer, a method primarily used by large companies to connect their computer systems. That way, two computers can be permanently connected through Datapak (which would have been very expensive using regular modems) and thus you only have to pay charges for the information actually transmitted. Of course you can also connect through the computer network Datex, which is used by (among other things) ATMs, and it works like any other phone network, except that it's designed for computers.

 Datapak is built around the X.25 standard , which describes how computers in the network are to "talk" to each other. Besides X.25, there are many other standards on the network, such as X.28 and X.75 , but as X.25 is the most common standard, the kind of network that Datapak belongs to is generally called an "X.25 network". The international X.25 network is thus made up of a number of interconnected computer networks, e g Datapak, Tymnet (which also manufactured the equipment used in the Swedish Datapak network), SPRINTnet, and so forth. Almost every big phone company in the industrialized world has their own X.25 network.

 The international X.25 network has been running since the mid- and late 80's, but the Swedish Datpak network has never been very big. The reason for this is that X.25 was not targeted by the consumer market; X.25 is, as opposed to the common telephone networks, not designed for individuals. X.25 was from the beginning a network for corporations. The large consumer market that was conquered by the academic Internet system, which is based on multiple service providers and competition (as opposed to the X.25 market, which consists of oligopolies and only a few providers), is so fundamentally different that X.25 does not have a chance in this respect. X.25 is today mainly used for establishing logical links between private networks. X.25 is even used for some Internet links.

 So, what Otto Sync didn't know, or didn't think of, when he ordered his Datapak subscription, was that Datapak was a small system in a small country, and that a person who tried to manipulate it would immediately be detected by the monitoring systems. The public phone network is quite safe to explore because of all the odd and random calls people make to strange places. A few cases of manipulation instantly disappear in the vast amount of calls, but Datapak was the backyard of a few subscribers. To enter the system was equal to walking around wearing emergency flashers on your head -- your presence was not very discreet. When Otto began scanning Datapak numbers, he finally drew Televerket's attention.

 It is worth mentioning that Televerket had increased the monitoring of the Datapak network due to an enormous attack by the British hacker group 8LGM (8-Legged Groovin' Machine, a name taken from an 80's pop group) who had scanned 22,000 datapak number entries and accessed 380 computers all over the country about two years earlier.(2) Otto describes them as "a group of top-notch hackers who released 'exploits' advisories between 1991 and 1994". (Exploits are ready-to-use scripts that were used to get higher privileges, usually root-access, on Unix systems.) A consequence of 8LGM's scans was that all activity on Datapak was now logged and analyzed.

 Otto didn't subscribe to Datapak in order to use it -- as a matter of fact, he only subscribed in order to access the technical documentation given to every subscriber, so he could find out how the system worked. That way he learned that you connected to Datapak by dialing 020-910037 and submit your network user identity (NUI). After this you could call as much as you pleased using Datapak, and be charged per sent/recieved information packet at the end of the month . In the Datapak network the NUI is used for customer identification, as opposed to the common phone network where you are identified by your own wall socket and phone number.

 But the Datapak manual from Televerket also contained some other interesting things, e. g. this example from page 4:

To connect with a user number, call 020-910037 using a modem. When the modem has answered, you write three dots followed by carriage return: ...<CR> (CR = carriage return, enter). Then write: N123456XYZ123-024037131270<CR>. N tells the computer that user identity and password follow, 123456 is the user number you got when you signed up for the subscription, XYZ123 is your secret password, and the figures after the dash is the host computer adress. (i. e., the computer you want to connect to.)
Further on in the manual, it illustrates how user 123456 changes password from BERTIL to CAESAR. User identity (NUI) 123456 is clearly used as an example.

 When Otto considered different ways of accessing Datapak, he came up with the idea of writing a so-called "scanner", which would test different combinations of usernames and passwords.

 Scanning is a technique originally developed for the public phone network, and works by systematically calling every possible number in some order, e g 111111, 111112, 111113 and so forth until you get an answer. When a computer answers the call, you make a note of the number and move on to the next. Afterwards you can pick systems from this list of accessible computers and see if you can hack them. Of course you don't do scanning by hand. Just like in the movie War Games, you write a program to test all numbers one by one. Scanning in itself is not illegal -- part of the point of having a telephone is that you have the right to place as many calls as you like, to whomever you like.

 Otto's scanner was a bit different. It was not supposed to call any numbers, just scan for user identities and passwords that granted access to the Datapak PAD. Usually a X.25-PAD will only allow you three tries to enter username and password before the line is disconnected, but Otto found out that by connecting to the Datapak password-database you could try three passwords at a time without having the line disconnected. Otto's scanner was a computer program that could test three passwords at a time, get thrown out of the database (without being disconnected from the PAD), reconnect to the database, test three more passwords and so forth. To disconnect / reconnect the phone line would take a lot of time and result in a slow scan, but with the scanner using the password database it was lightning-fast!

 When Otto wrote his scanner he needed some number to test the program. By pure chance he entered the obviously stupid combination of user identity 123456 and password 654321, and it worked! (Does anybody besides me come to think of the movie "Spaceballs"? -- only an idiot would use that code on his suitcase.)

 User identity 123456 was one of Televerkets own lines, a test line which purpose is yet unknown. It is perfectly possible that user 123456 was simply "left over" by mistake by Televerket.

 Otto began using identity 123456 for regular calls to the conference system QSD, which functionally resembles the now very popular IRC, Internet Relay Chat. Apart from the conferences there are also mailboxes for the users. Among the most frequent participants were, for example, SCSI, who has hacked into every X.25 network in the entire world (no overstatement), Sentinel from ex-Yugoslavia, the female hacker Venix from Greece, Seven Up, the sysop at SECTEC (Sector Tectonics, another X.25-bulletin board), and Raol from Italy -- the master of VAX-hacking who was recently arrested for computer intrusion at the Bank of Italia.

 This chatting kept going until he, on the night of the 7th of November, was called (on the chat system QSD) by another hacker from Sweden.
The "White Knight "

 The hacker that called Otto named himself White Night. The duality of the name is a conscious misspelling of the kind that hackers love. The first conversation between Otto Sync and White Night went thus:(3)

White Night : Hi! Hej! [Hej is Swedish for Hi]
 Otto Sync : Hi! Hej! Sorry I'm not Swedish I'm French. Calling from Flen, a #$&% city 120 km from Stockholm.
 WN : I see. What are you doing there?
 OS : Working as an automation engineer at a French company. And you?
 WN : I'm working at Volvo.
 OS : Where? I worked at their factory in Olofström some months ago.
 WN : DA-verken in Göteborg. [Gothenburg]
Then they began talking tecnicalities, as all hackers do. Otto asks White Night how he manages to handle Swedish characters and they discuss the pros and cons of different terminal programs. White Night then turns the discussion to how he has managed to call QSD -- "Do you know how much it costs?". Otto suggests that they should swap "outdials" -- access codes to computers on public access networks such as Internet, with connected modems allowing you to dial out for free from that computer by accessing it's modem. He also tells the stranger that he often calls Synchron City, and that a lot of "H/P/A" (Hacking, Phreaking, Anarchy -- perfectly legal textfiles describing hacking techniques) can be found there. Strangely, White Night has never heard of Synchron City, and is immediately curious.

 For some weeks Otto calls QSD on a regular basis. So on the night of November 29th, the white knight appears again, but he doesn't recognize Otto, as Otto is using another alias this time. Otto has already forgotten about White Night and doesn't recognize him either when he is called. However he can see that White Night is also using identity 123456, and gets a bit suspicious, as he has revealed that identity only to a single other hacker, which we will call Phred. A bit hesitatingly, he starts chatting with the stranger:
WN : Hi.
 OS : Phred?
 WN : No, but I know him!
 OS : I guess so... I know you?
 WN : Fun, do I know U?
 OS : Maybe, I'm usually Otto Sync here...
 WN : Hi Otto, hm hm hm.
 OS : Hey, could you tell me who you are... cool!
 WN : U speak Swedish?
 OS : Very badly. But can't you tell me who u are??? As for me, I'm the one who found the NUI you're using.
 WN : Why do U think I use the NUI "you" found?
 OS : You can ask Phred if you don't believe me.
 WN : Why should I ask Phred?
 OS : Because he was the first one to whom I gave the NUI. We talk voice sometimes.
 WN : What NUI?
 OS : The very obvious one with the very obvious password. And the second one that I see on QSD.
 WN : Wow, I haven't spoken to Phred 4 a long time!
The misunderstandings between Otto Sync and White Night is of course due to the fact that White Night is not a hacker. As a matter of fact, he is using Televerket's test line, 123456, from inside Televerket. When Otto claims that he found it, White Night first gets a bit sulky, but then realizes he has to play the game:
OS : The previous [NUI I used] was 159800. Are you from Sweden by the way?
 WN : Sweden what.
 OS : Just wondering... If you don't want to chat, then why go on QSD?
 WN : Of course I want 2 chat. I'm Swede! R U?
 OS : Nope I'm French. But I like Televerket, except when they send me bills :)
 WN : Do they? Why?
 OS : I asked for a NUI some weeks ago to get the technical doc about the PAD... But I won't pay!
When Otto has made these statements, White Night disconnects the line and picks up the papers with the print-out of the conversation from the printer. These papers, most of which contents are cited above, are then used as part of the evidence in the trial against Otto Sync at the Katrineholm Court of Law.

 What Otto didn't know when this conversation took place, was that Televerket was busy tracing him. From November 28th to December 1st, the day before the arrest, Televerket registered all telephone traffic from Ottos office at the French telecom company. In order to do this, they had taken some extraordinary measures.

 Flen's telephone station was at that time not equipped with the new electronic switching system AXE (Automatic Cross-connection Equipment). Istead, an old electro-mechanical exchange was in use. (It has now been replaced.) If the telephone station had been equipped with AXE, the monitoring would have been a lot easier, since it would simply have been a matter of requesting information from Televerket's information system (IS), which can monitor a number automatically for unlimited time. Present-day Telia (a private corporation which has replaced Televerket after deregulation) even investigated the possibility of having computers examine all calls automatically in order to classify which subscribers that showed "fraudulent patterns" -- but these investigations didn't bear fruit .

 When Televerket, under the command of Pege Gustafsson, had traced the "fraudulent" calls to the Datapak number 020-910037, they found that they came from a group number belonging to the company Otto worked for. A group number works by letting a company with an internal exchange connecting some number of telephones, say 500, share a suitably large number of outgoing lines (perhaps 10--20 of them) so that they can minimize the subscription charges. By tracing the group number, nothing was proven, as anyone at the company could have called using the group number. The calls could not be tied to a physical person, which is the kind of evidence required for this type of case.

 To make further tracing possible, Telverket installed a reader on the exchange of the company Otto worked for(4) . With the reader, every outgoing call from any extension at the company was registered and printed. This list could then be compared by corresponding list for connections to the Datapak PAD at 020-910037. In this manner, Televerket's technicians found that Otto had called for 41 hours and 20 minutes through Datapak during the week the tracing was carried out, and during that time transmitted information packets for about 4000 Swedish crowns' worth [roughly $570]. (You can call this the total "postage fee" for the information packets.) The low cost thus depended upon the fact that you only pay for the data actually transmitted, not for online time, as in the case of common telephone calls.

 All of this tracing was supervised by Pege Gustafsson.
A Night at the Hotel

Otto himself tells us what happened on the morning of December 2:

 "They came to arrest me at work. Imagine the embarrassement. First I see these guys coming in my room and think 'oh shit, some more customers who want a demo on some product', but then they showed me their police ID and my heart stopped. They searched my office, took all notes and computer stuff. Then they took me out and had me open my apartment, and did a search there as well."

 He was then brought to Katrineholm police station (the police authority closest to Flen) for interrogation. On his way there all sorts of thoughts ran through his head: "What to tell? I thought it was a BBS? I thought it was a free line? Reverse-charging?"

 The interrogation begins without the representatives of Televerket as well as Otto's counsel present, but as Otto doesn't understand all the Swedish words (though he knew some, as the company sent him to evening Swedish language classes), the interrogation is postponed until a French interpreter arrives.

 When the interpreter arrives, Otto asks for a counsel but agrees to continue the interrogation without the defense present. Neither does he find it necessary to talk to the French embassy. He tells the interrogators that he is in non-combat military service duty at the company in Flen, and that he has considered working for them even after the service is finished. The police and Otto simply get to know each other.

 At 14.25 Otto experiences the luckiest moment of his life so far. That is when his counsel arrives, and who by a remarkable coincidence happens to be an extremely professional lawyer with his own firm, who thought the hacker case looked interesting at first glance, and thus took upon himself to defend Otto. This lawyer primarily deals in industrial corporate disputes. Otto tells us about his lawyer that "he was a real pro (I know, as this was the third time I went to court), a very nice man, well educated, and interested in French wines".

 The remainder of the interrogation session mostly consists of technical discussions between Pege and Otto Sync. The other people present soon have trouble understanding what is being said. Otto claims that he has been searching for a "reverse charge" number (the X.25 counterpart to a 800-number which are actually quite common) and that he thought NUI 123456 that he got from Televerket's manual to be a "test line" of some kind. He says he is very curious and that is his reason for exploring Televerket's systems. Pege Gustafsson produces his printouts from the chat sessions where he acts as White Night, and confronts Otto with parts of these printouts (the same that are partly reproduced above). Otto, who for the first time gets to know who White Night actually is, reminds the others that anyone can have used his alias on QSD. Pege asks if he has passed around the NUI 123456 to others. "No", he answers.

 Today Otto tells us that "Pege tried to have me say that I knew what I was doing and that I hacked the NUI etc. All the way I denied it and said I thought it was public line to be used in reverse-charging mode, and kept that line all the way. Of course Pege could see it was bullshit, he knew pretty well what I was up to. And he was right."

 When the interrogation ended at 6 p.m. he was brought to a cell, as it was too late to go to court that day. Otto was instantly impressed by the Swedish custody standard: "In France it's dirty, you get to sleep with drunkards, no food, rough treatment etc. In Katrineholm it was like being at a hotel, I had my own little bed in a neat room. In the morning I was given a breakfast as good as the ones you get on planes -- fantastic! Slept really well there."

 The next day he was brought to Katrineholm court, which decided not to keep him in custody. Instead he was given a travel ban, which meant he had to leave his passport and had to report to the Flen police office before noon every day until the start of the trial.
"Dangerous International Terrorist"

What initiated the chain of events that culminated in Televerket finding Otto Sync was the scanning of the Datapak PAD. When Pege found out that someone was scanning the Datapak PAD for user identities, he must have been shocked. This was exactly the thing that had happened two years earlier, and that time they had suspected that this was an act of international terrorism. In reality it proved to be the brothers Pad and Gandalf from 8LGM, two perfectly normal, curious hackers without any connection to international terrorists whatsoever.

 As all other computer security officials in Sweden, Pege Gustafsson had read the book The Cuckoo's Egg by Clifford Stoll. In the book Stoll describes how he, using imagination and endless nights of unpaid work, managed to trace a hacker that had entered his system at Berkeley and started searching for military secrets throughout the American part of Internet. The hacker doing this was on mission from the KGB, receiving instructions through the circle around hackers like Pengo and Hagbard in West Berlin -- a bunch of freaked-out, coke-snorting, fuzzy leftist hackers who probably never caused any serious harm. Those last facts are never mentioned in the book, but it is closer to the truth than the image of international computer spies that Stoll conjures up.

So as Otto started scanning the Swedish Datapak network, Pege hit the sirens. The incident was probably associated with other, similar incidents, and was therefore interpreted not as the sum total of some small hacking adventures using simple scanners, but as a systematic pattern of intrusion attempts by some foreign power. Simply pure paranoia.

 After closing a ring round Otto in Flen and after conducting a series of tracings, there was also "confirmation" of the suspicions: Otto made several calls to Thailand -- which were interpreted as communications with his mission providers, which could be anyone ranging from the KGB to the IRA. Actually, these calls were made to a long-time friend, and he had the company's permission in calling Thailand every now and then. Every hacker gets to know lots of people around the planet, as the "global village" is their home district.

 So what the police and Televerket expected to find, as they turned up at Otto's office on the 2nd of December 1992, was a dangerous international terrorist. They found a 25-year-old socially maladjusted, and bored engineer, who had been amusing himself by exploring the Swedish Datapak network for the lack of anything better to do. Otto describes the situation as \"Pege thought he was the good guy trying to catch the bad guy. He told me himself that he was a fan of Clifford Stoll and that he met him at some security conference some years ago." During the interrogation with Otto, Pege drew maps showing which countries Otto's X.25-connections had accessed -- maps that according to Otto himself looked like "maps from your average international terrorist handbook".

 Even though this was clearly stated in the following investigation -- which didn't even mention the suspicion of espionage -- these suspicions about Otto stuck to him long after he left Sweden. When the computer programs that were to control starting lists, time measures and result lists during the Olympic Games in Lillehammer 1994 were stolen from a military storage in the autumn of 1993, the Norweigan police (for some reason) believed that Otto was involved. Expressen (a major Swedish evening paper) called him "the hacker leader", and took the opportunity to draw suspicions to Otto as well as to the company he had worked for in Flen. In between the lines, they hinted that this was a way in which the French military sent spies to Sweden(5) . Personally, he tells us that "I was in Thailand, and at that time didn't have job nor a computer." Thailand is quite far away from Lillehammer.

 He is also backed up by SÄPO (Swedish counter-espionage) who through director Jörgen Almblad said that the French volunteer workers in Sweden in general, and Otto Sync in particular, did not pose a security risk. "If they are Frenchmen or Russians doesn't matter, as far as being security risks" he told Expressen. SÄPO are ultimately responsible for the national security and should be well-informed. If they publicly deny any suspicions, you can be certain that they are telling the truth. If they had even the slightest suspicions, they would rather not comment. So much for that terrorist.

 Even Pege himself realized that Otto was not what he first thought him to be. In private he told Otto, that if he had known what a small-timer he actually was, he wouldn't have carried the case this far. He even "said he'd like to have a beer with me when all this was over." Today, Otto is doubtful about Pege's competence as a security officer: "I remember he told me he was involved in concerts security as well (rock concerts). Although he was the security officer there, he didn't know too much about Unix security or hacking techniques. In fact he seemed to be ignorant of some basic things about Datapak such as reverse-charging".
Good versus Evil

It appears as though Pege was carried away by the idea of defending Sweden from imaginary terrorists. Just as American counter-espionage was completely disinterested in the practically harmless hacker hunted by Clifford Stoll, SÄPO was as disinterested in the equally harmless hacker hunted by Pege. Otto wasn't even looking for military secrets -- he was considered a threat just because he was so curious.

 So, on the 18th of December the, "white knight" from Televerket drags the French dragon to a Swedish court with the help of district prosecutor Christer Pettersson. The trial itself is a farce -- soon it turns out that of all the people present, only Pege and Otto have the technical knowledge required to understand the summons from Televerket. Then the first thing Otto's counsel does as the trial begins, is to throw Pege out of the court room, as no reasons have been given for his presence. The only time that Pege is allowed in the room, is when he is cross-examined by the court. Suddenly Otto himself is the only one that understands what the prosecution is actually about. None of the members of the court have any kind of practical technical knowledge.

 "The trial was real fun because no one really knew the subject. Some of the documents I produced during the trial were a bit dodgy, like this e-mail from some guy telling me how to use reverse-charge on Televerket. I also produced a valid list of all Swedish BBS:es, telling the judge that they were 'free access computer systems'. Of course no one had a clue about the difference between a BBS running on a 386SX in a 17-year-old teenager's room and a nationwide X.25 data network."

 Otto doesn't think he is guilty of any crime, and is wise enough to use simple descriptions which the court can understand. He doesn't deny using Datapak exactly as much as Televerket claims, and is prepared to pay for it. But he think it's unreasonable that he shall pay the costs of tracing and investigation by Televerket.

 Pege is called in only to describe how the tracing of Otto was performed. In all other questions they must refer to the preliminary investigation protocol, a horrible pile of papers containing almost exclusively technical desciptions and different lists of tracings carried out by Pege. Among the "evidence" is Ottos own notes, some of them completely harmless, with detailed technical information about phone numbers etc. to different computer systems all over the world. Without further explanation of what kind of information this is, these cryptic notes are called "hacker notes". There are also a bunch of print-outs of files found on Ottos hard disk.

 This material has apparently only been included in the protcol in order to make Otto look "obscure". The print-outs could just as well have been xerox copies of "unsuitable books" from his bookshelf. The only purpose of including this material must have been to throw suspicions on Otto for belonging to a certain subculture.

 At some point the court must have grown bored with the fact that Televerket had not been able to present an understandable prosecution. Regardless of whom had lied or told the truth, Ottos claim that he had believed that the calls were for free seemed probable to the court. As the prosecutor could not prove the opposite, the court found for the defendant. Televerket's claim for damages, and the claim that Otto should be forced to leave the country, was also dismissed. Televerket had to pay their own costs for the trial. In short, Televerket lost, and Otto Sync won. This decision was made December 18th 1992, but wasn't made public until January 8th.

 Lookin back he says that "although I was guilty like hell and went to court, Televerket lost the case."
All's well that..

Televerket, now named Telia, appealed the sentence in the court of appeals on January 15. As Otto would only be present in Sweden until April 1st, they asked the court of appeals to review the case before then, which was of course a hopeless request.

 In September, Otto was back in France, still hacking. Then, one night "White Night" turns up at QSD again. "I started chatting with Pege, who was expecting me show up at appeals court in October", Otto says. The court of appeals probably couldn't have him extradited to Sweden, and in any case he had already booked a ticket to Bangkok for October 4.

 The court of appeals considered the case at a hearing October 25th. As Televerket hadn't added something new to their application of summons, and as Otto wasn't available, the court of appeals decided to dismiss the case. Televerket and Pege lost again.
Note: Otto Sync recently left his job as an engineer at a huge, multi-national enterprise in Bangkok. He is currently busy setting up his own Internet-service company. Pege Gustafsson still handles security issues at Telia.
1. All quotes are lifted from e-mail communication with Otto Sync.

2. Ledell, Göran  (ed)  Dataolyckor -- Har det verkligen hänt någon gång?  INFOSEC, Lund 1992

3. Quotes from the conversation are drawn from the court documents.

4. To be technically precise: a DNR -- Dialled Number Recorder.

5. Expressen , Friday February 4th 1994, page 11.

Design and formatting by Daniel Arnrup/Voodoo Systems

 

cfi-3.0.orig/en/preface.htm0100664000175000017500000001557207311654724014545 0ustar miccemicce PREFACE

INDEX

PREFACE

I'm going to start by telling you what it cost me to create this book: lots. Lots of time, and in actuality, lots of money. I'm not complaining. I've had plenty of both. A large part of the book was written during a phase of my studies at a vocational college. It's therefore more or less financed by the public means in the form of student financial aid that I received at the time. In a way, you could propose that due to this fact the book belongs to society. The question is whether society wants to have it.

When you publish a book in a conventional manner, i. e. through a publisher, there is always some kind of quality control. People with many years of experience in the field read the material and ascertain that the content is both well formulated and well motivated. The problem is that they also make sure that the content is, as we say, "politically correct", i. e. that no one will take inordinate offense at it. If a publisher releases obviously inappropriate books, it will suffer from badwill. This is why obviously well-written and even more obviously portentous books such as Mein Kampf are printed and distributed by smaller publishers that don't have to worry so much about their reputation.

I don't know if any publisher wants to release this book in print, but I leave this as a possibility. If I haven't received an offer within a year or so, I'll release this book under public domain, which means that it will always be free of copyright. Until then, the following applies to this material:

1: It will be absolutely free in electronic form. It may be copied and distributed through media such as diskettes, CD-ROMs, through BBSs and the Internet, and through public and private organizations without any prior permission from me. I would, however, be grateful for receiving a reference copy in case the book would be mass distributed. These terms will not be altered if a publisher prints the book. I do not intend to commit to a contract with anyone who wants the electronic rights to its content.

2. At the moment it is not permissible to mass-distribute the book in printed form without my prior permission. If you want to print a large run of this book I'm sure I wont have a problem with it, but I'm afraid I need to retain control over this process.

Now that you've read this far, you probably realize that I give you free reign in general terms. The distribution of this book is your responsibility too, and the sound of its message is already ringing in your ear. Put it on disks and give it to your friends. Put it on CDs and distribute it with magazines. Print it out on paper if you want to.

With the exception of electronic and personal use, this work is currently (and ironically) copyright-protected. In an earlier version of this preface I came down on the entire capitalist system, and elaborated on how much I hated attempts to treat information as property. I've now settled down a little and realized that if my thoughts are going to have a chance to reach ordinary people through an established publisher, I must be able to give that publisher some competitive advantages.(1) I'm not a utopianist; therefore, I have to make compromises. (And I'll be damned if I'll lose any sleep over it…)

Finally, I will issue the warning that my own values and opinions heavily influence this book. I'm a declared individualist, and I don't mind being called a socialist. At the intersection of these two values there is a little-known ideology called syndicalism or Kropotkin anarchism. Basically, I consider all private property to be equivalent to theft(2), but I'm not so bloody stupid that I don't realize that a society without private property is a utopia. My opinions on freedom of speech and of the press are similar to those of the most liberal organizations in Sweden. I have nothing against small and medium-sized companies, but to me, enormous intercontinental corporations are more dangerous factions of power than democratic governments, and as such, corporations must be subject to the same oversight as that for governmental organizations.

I'm now going to tell you about the culture that made me what I am.

1. I have now realized that compromises are worthless in this context.

2. Private material property is theft. "Intellectual property" is even worse, possibly armed robbery. Censorship is rape.

INDEX

Design and formatting by Daniel Arnrup/Voodoo Systems

cfi-3.0.orig/en/style1.css0100664000175000017500000000020207311654724014341 0ustar miccemicceA:Link {color:#666666;} A:Active {color:#FF0000;} A:Visited {color:#999999;} A:hover {color:#CC0000;; text-decoration: underline} cfi-3.0.orig/sv/0040775000175000017500000000000007311655102012434 5ustar miccemiccecfi-3.0.orig/sv/Image1.eps0100664000175000017500000132200507311654724014261 0ustar miccemicce%!PS-Adobe-3.0 EPSF-3.0 %%Creator: Adobe Photoshop Version 5.0 %%Title: Image1.eps %%CreationDate: Tue Jan 11 2000 20:07:14 %%BoundingBox: 0 0 331 132 %%HiResBoundingBox: 0 0 331 132 %%SuppressDotGainCompensation %%EndComments %%BeginProlog %%EndProlog %%BeginSetup %%EndSetup %ImageData: 331 132 8 3 1 331 2 "beginimage" %BeginPhotoshop: 2742 % 3842494D03ED000000000010004800000001000200480000000100023842494D % 040D000000000004000000783842494D03F30000000000080000000000000000 % 3842494D040A00000000000100003842494D271000000000000A000100000000 % 000000023842494D03F5000000000048002F66660001006C6666000600000000 % 0001002F6666000100A1999A0006000000000001003200000001005A00000006 % 000000000001003500000001002D000000060000000000013842494D03F80000 % 000000700000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E80000 % 0000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFFFFFFFFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800003842494D0408000000000010 % 000000010000024000000240000000003842494D041400000000000400000001 % 3842494D040C00000000093800000001000000700000002D0000015000003B10 % 0000091C00180001FFD8FFE000104A46494600010201004800480000FFFE0026 % 46696C65207772697474656E2062792041646F62652050686F746F73686F70A8 % 20352E30FFEE000E41646F626500648000000001FFDB0084000C08080809080C % 09090C110B0A0B11150F0C0C0F1518131315131318110C0C0C0C0C0C110C0C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C010D0B0B0D0E0D % 100E0E10140E0E0E14140E0E0E0E14110C0C0C0C0C11110C0C0C0C0C0C110C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0CFFC000110800 % 2D007003012200021101031101FFDD00040007FFC4013F000001050101010101 % 0100000000000000030001020405060708090A0B010001050101010101010000 % 0000000000010002030405060708090A0B100001040103020402050706080503 % 0C33010002110304211231054151611322718132061491A1B14223241552C162 % 33347282D14307259253F0E1F163733516A2B283264493546445C2A3743617D2 % 55E265F2B384C3D375E3F3462794A485B495C4D4E4F4A5B5C5D5E5F556667686 % 96A6B6C6D6E6F637475767778797A7B7C7D7E7F7110002020102040403040506 % 07070605350100021103213112044151617122130532819114A1B14223C152D1 % F0332462E1728292435315637334F1250616A2B283072635C2D2449354A31764 % 4555367465E2F2B384C3D375E3F34694A485B495C4D4E4F4A5B5C5D5E5F55666 % 768696A6B6C6D6E6F62737475767778797A7B7C7FFDA000C0301000211031100 % 3F00EFFAD75AFB13ABC1C3353FAA650FD05773C36BAC388A2BC9CBD7D4FB3FDA % 6CAB1D8CABF4B93916D78F4FFC18DB5FD64B70C6462F52C2BB21CD96838EE38C % 4F7D8EAB2BD7FA5FE13D5B3FE2956BF1B032FEB95F8D92C3EBBBA7E25F8EF123 % 4C6CCBF21FB5D1B3F4793F61B1ED4F954FD59C7C9AFA256DA19D498CFB5E0E13 % DE680E3EB3F2A8F4AE6B1FB7665D76FA6DA5B6DB8D4FADE9D3E958929B14FD68 % C36FAB8D9E0D3D5318EDBF0696BF22C2481636DC6AF1EB75F7E3DAC76E65BE8F % FC6FA76576254FD6BE9CF27D7A337098D126ECBC4BE9A87F5AFB2AF46BFF00AE % 3D8ABF423D35BD732F13A697C60E2D18F94DB37EF0E16653B1D8FF00B47E93D8 % CF59F57F82F42EA7D1FD5FD15D124A458B958B994372712EAF228B2765D5383D % 8E83B4EDB185CC77B9A8AB9FCCE956F4573FA9FD5FA4EDDC6CCDE935C0664C80 % CDF47AAEF4B06FA1BBF23F56633EDBFCD5FF00E0EDAF6F172B1F2F1AACAC678B % 68BD82CAAC6F0E6B86E6B824A4A859795461E2DD9792EF4E8C7ADD6DCF8276B1 % 80D963B6B3739DB58DFCD45553ABE10CFE939B806C148CBC7B683691219EA31D % 57A9B659BB66EDDF4D2536D2492494A4924925292492494FFFD0F48EA9D2EBEA % 3533F48EC7C9C771B71326B3EEAADDAEADB66DFA17336BFF00498F76FA2EFF00 % 08C5CD53D23EB1F5BC4AEFC9EA58D4E660E4E451467330FF0058028B9D8AFB6B % 7FDB3D1ABED7F64DF757F67F4F67EAFF00A4A1764B0FEAE3AFC6C8EA9D2F31ED % F5AACDBF2B1980FB9D8B94FF00B5D576D3EEDADC8BB271FF00E329494C303A1E % 6625F43F1AFF00B3D94BFF00CA76BEA6D9FB477377FAA6D75D66563FA375B7FA % 0C7DBFA0FE6FD2B317D1DE5674BEB8CC4C1C7FDA05DE86355465133B9F6D66A7 % BF35B91FD21CEB3D1B297D4F7FE97ED3EAFF0082FD3133FEB1518B9630B1B172 % 7A9E483175786C6BC53ED1637ED775D6518F8EEB18EDD5B2CB7D47AC0E83F587 % 36AE9B899F762751EA4D7F4EC2167D9DD5647B9A2E6DB95E97DA3ED0EBAEB377 % ADB596647E8BF58FE6EB494F478B87D529EA3EBDB927231DD8F550E639D1EFA9 % D92F7E6FA4CA855EBE4B6DC6658DABECF5FF00C67A58E85F56F1E8C1A32FA5E3 % B765381976B2B68E036E0CEA4D68E7E87DBBD357B17A86165E2FDAE8B5AEA04E % E79F6ED2DFE71B6B5FB5D53EBFF08CB3E82A3F562EB32FA6BBA9DB4BF1ECEA57 % 5991E95836B8573F67C3DEDFDE760E3E3392530EA5D2FEB1E467FAF83D6FEC58 % 9B03462FD96BB61FDEDF5AC76F76EFF46B3BABFD5EFADB93D2B371875CFB49BB % 1EDAC639C4A6BF53731CCF47D6DDFA2F56767A9F98BAA20F630B3FEB00CCFD83 % D4BEC66CFB57D92FFB3FA33EA7A9E9BFD2F47D3FD27ABEA7F37B125343F637D6 % CFFE78BFF64A9FFC925FB1BEB67FF3C5FF00B254FF00E496F43BC7F04A1DE3F8 % 24A68F4AC2EAD8BEAFED2EA3FB477EDF4BF40CA3646EDFFCD177A9EA6E67F988 % 94F53AECF59B6D5663D98CC6D96D6F0D73835CDDFBBF567E431DC595ECDFEA6F % ABFD1FA76582E8985D4B0E9C86F50CAFB53ADC9BADC71A9F4A97BDCFA31BD67F % E92EF4D9FBFF00CDFF00315FE8AAAD5D6D14B4D85B5B41B8EEB8803DE76B6ADD % 67EFBBD2AEBAFDDFE0D8929CEB7EB3749AEEAEADEF77A965B4EE0C7407D2C6DF % 7570E0D7DB631AFD9E9E3B2EB3D5F5ABFF00B4F91E9586757C37F543D2EB2E7E % 4B5B6BAC81ED61A861D8FADEE747BDD5F54C5B19B3D9F4D1BEC587FE82BE5CEF % A0DE5EE36D8EE3FC25AE758FFF00844EDC4C565EEC96D35B721D3BAE0D01E770 % A98FDD646FF7B31B19AEFF00C2F47FA2AD253FFFD1F5559BD53A559916B3A874 % F7B31BAAE3B4B2AC87B3735F5993F63CB0DD965988FB3F4BECB37D577E96BFF8 % 4D249253C374AFACB5FD5EC7BBA175AFD43ABEEC8BB1F2F30938990FB5F664D4 % FF00B7B07BFD2F569A6FDECADFFF005CFD123627D60C5E838563B3F33A363E3D % 75B6BC3660BEC7BB630E49ADA68F7D977F3989FCD7EFE63F7FF34BB276DDA774 % 6D8D678855F13F66EE77D8BD1DD1EFF476CC7F2BD3494F27D2BA6752EBDD43A9 % 752C9A9F81D03AB9A1C706F0E6655BF6760A8FAD5B2C7578D4E4B9BFAC7F84CB % C5AE8ABF475FD3ED000040E13A49294B37EB25D763FD5DEA97D0F35DD561E43E % BB1A61CD736A7B98F6BBF79AE5A4924A6B1CFC76E43F1DDB986A617BAC7348AC % 00039DFA5FA0DDAC7B5FEFFE73F49E97A9F66CAF421FB67A46D0EFB763ED75A7 % 1DA7D5641B86AEC71EEFE7DBFE87F9C55B2FFE6EFDBDBF6CF43ED9EA57E9FAB1 % 3EB4D5E8FA5BFD9F6BFE89FCDFEB1E9FD8FD4FD17D9941FF00F37B58E7ED377F % 35EA6EFB57FDA9F4FD0F77DB36EFFE6FF4FE8FDA3D2FD0FDA1253768EABD3AFB % 6AA199357DA6FA85F5E317B45A6B70DC2CF427D5DBFD956D67E1FEC8FB50FB2E % DFB47A0DD9F4A7ECF15FA7E96FFF00B4DF43F9BFD1FABEA7F85F596824A52492 % 4929FFD93842494D03FD000000000006000000000000 %EndPhotoshop gsave % EPS gsave /hascolor /deviceinfo where {pop deviceinfo /Colors known {deviceinfo /Colors get exec 1 gt} {false} ifelse} {/statusdict where {pop statusdict /processcolors known {statusdict /processcolors get exec 1 gt} {false} ifelse} {false} ifelse} ifelse def 40 dict begin /_image systemdict /image get def /_setgray systemdict /setgray get def /_currentgray systemdict /currentgray get def /_settransfer systemdict /settransfer get def /_currenttransfer systemdict /currenttransfer get def /blank 0 _currenttransfer exec 1 _currenttransfer exec eq def /negative blank {0 _currenttransfer exec 0.5 lt} {0 _currenttransfer exec 1 _currenttransfer exec gt} ifelse def /inverted? negative def /level2 systemdict /languagelevel known {languagelevel 2 ge} {false} ifelse def /level3 systemdict /languagelevel known {languagelevel 3 ge} {false} ifelse def /foureq {4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll pop pop pop pop and and and} def hascolor {/band 0 def} {/band 5 def} ifelse /setcmykcolor where {pop 1 0 0 0 setcmykcolor _currentgray 1 exch sub 0 1 0 0 setcmykcolor _currentgray 1 exch sub 0 0 1 0 setcmykcolor _currentgray 1 exch sub 0 0 0 1 setcmykcolor _currentgray 1 exch sub 4 {4 copy} repeat 1 0 0 0 foureq {/band 1 store} if 0 1 0 0 foureq {/band 2 store} if 0 0 1 0 foureq {/band 3 store} if 0 0 0 1 foureq {/band 4 store} if 0 0 0 0 foureq {/band 6 store} if} if blank {/band 6 store} if gsave % Image Header gsave /rows 132 def /cols 331 def 331 132 scale level2 { band 0 eq { /DeviceRGB } {/DeviceGray} ifelse setcolorspace} if /picstr1 331 string def /picstr2 331 string def /picstr3 331 string def /picstr4 331 string def /readdata {currentfile exch readhexstring pop} def /image2 level2 {/image load def} {{begin Width Height BitsPerComponent ImageMatrix Decode length 2 eq {/DataSource load image} if Decode length 6 eq {DataSource 0 get DataSource 1 get DataSource 2 get true 3 colorimage} if Decode length 8 eq {DataSource 0 get DataSource 1 get DataSource 2 get DataSource 3 get true 4 colorimage} if end} def} ifelse /_image2 level2 {/_image load def} {{begin Width Height BitsPerComponent ImageMatrix /DataSource load _image end} def} ifelse /beginimage { band 0 eq band 4 eq or band 5 eq or {image2} {negative {{pop 0}} {{pop 1}} ifelse _settransfer _image2} ifelse } def 12 dict begin /ImageType 1 def /Width cols def /Height rows def /ImageMatrix [cols 0 0 rows neg 0 rows] def /BitsPerComponent 8 def band 0 eq {/Decode [0 1 0 1 0 1] def /MultipleDataSources true def /DataSource [ {picstr1 readdata} {picstr2 readdata} {picstr3 readdata picstr4 readdata pop} ] def} {/Decode [0 1] def /DataSource { picstr1 readdata pop picstr2 readdata pop picstr3 readdata pop picstr4 readdata } def} ifelse currentdict end %%BeginBinary: 360473 beginimage FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6CEB59C9C9C9C9C9CB5CED6E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6CEB59C9C 9C9C9C9CB5CED6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6D6CEB59C9C9C9C9C9CB5CED6E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6CEB59C9C9C9C9C9CB5CED6E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B63523A21 21212121213A52637B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6C59C7B63523A2121212121213A52637B9CC5E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B63523A2121212121213A52637B9C C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B63523A 2121212121213A52637B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD6AD7B4A310800000000000000000000000008314A7BADD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD6AD7B4A310800000000000000000000000008 314A7BADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD7B4A31080000 0000000000000000000008314A7BADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD6AD7B4A310800000000000000000000000008314A7BADD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6AD6B3A08000000000000192121212119000000 000000083A6BADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD6B3A0800000000 0000192121212119000000000000083A6BADD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD6AD6B3A08000000000000192121212119000000000000083A6BADD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD6AD6B3A080000000000001921212121190000 00000000083A6BADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A080000000831 4A636B849C9C9C9C846B634A3108000000083A7BC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC57B3A0800000008314A636B849C9C9C9C846B634A3108000000083A7BC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A0800000008314A636B849C9C9C9C846B 634A3108000000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A0800000008 314A636B849C9C9C9C846B634A3108000000083A7BC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6AD6319000000214A7B9CC5D6D6EFFFFFFFFFEFD6D6C59C7B4A2100000019 63ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000000214A7B9CC5D6D6EFFFFFFFFFEF D6D6C59C7B4A210000001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000000214A 7B9CC5D6D6EFFFFFFFFFEFD6D6C59C7B4A210000001963ADE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6AD6319000000214A7B9CC5D6D6EFFFFFFFFFEFD6D6C59C7B4A21000000 1963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6944A080000215294C5E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFE6C59452210000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A080000215294 C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59452210000084A94E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6944A080000215294C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5945221 0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6944A080000215294C5E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFE6C59452210000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000195294C5 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594521900003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A0000195294C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 94521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000195294C5EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFC594521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000195294 C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594521900003A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFE6D6D6CEB59C9C9C9C9C9C9C9C9CB5CED6 D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFE6D6D6CEB59C 9C9C9C9C9C9C9C9CB5CED6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFF FFFFFFFFFFE6D6D6CEB59C9C9C9C9C9C9C9C9CB5CED6D6E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00003A94E6FFFFFFFFFFFFFFFFFFFFFFE6D6D6CEB59C9C9C9C9C9C9C9C9CB5CE D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFE6CEB5947B6363523A 2121212121212121213A5263637B94B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFF FFFFE6CEB5947B6363523A2121212121212121213A5263637B94B5CEE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBD EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 943A00004AADFFFFFFFFFFFFFFE6CEB5947B6363523A2121212121212121213A 5263637B94B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFE6CEB5947B636352 3A2121212121212121213A5263637B94B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFEF CEB5947B523A2108000000000000000000000000000000000008213A527B94B5 CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD10 10BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE68421000863C5FFFFEFCEB5947B523A210800000000000000000000000000 0000000008213A527B94B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFEFCEB5947B523A21080000 00000000000000000000000000000008213A527B94B5CEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFF EFCEB5947B523A2108000000000000000000000000000000000008213A527B94 B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196B CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6B1900197BB5B584633A210800000000000000001921212121212121 19000000000000000008213A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BB5B584633A21080000000000 000000192121212121212119000000000000000008213A6384B5D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BB5 B584633A21080000000000000000192121212121212119000000000000000008 213A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B190019 6BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE6B1900197BB5B584633A2108000000000000000019212121212121 2119000000000000000008213A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5520000214A3A190000000000001931 4A63636B849C9C9C9C9C9C9C846B63634A3119000000000000193A6BADCEEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552000021 4A3A1900000000000019314A63636B849C9C9C9C9C9C9C846B63634A31190000 00000000193A6BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A0000 52B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB5520000214A3A1900000000000019314A63636B849C9C9C9C9C 9C9C846B63634A3119000000000000193A6BADCEEFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5520000214A3A1900000000000019 314A63636B849C9C9C9C9C9C9C846B63634A3119000000000000193A6BADCEEF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFF4263FFFFFFFF CE429CFF739CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100 00000000000019314A6B84ADC5D6D6D6EFFFFFFFFFFFFFFFEFD6D6D6C5AD846B 4A311900000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0800 2194EFFFFF4263FFFFFFFFCE429CFF739CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF94210000000000000019314A6B84ADC5D6D6D6EFFFFFFFFF FFFFFFEFD6D6D6C5AD846B4A311900000000083A6394C5EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD66B08002194EFFFFF4263FFFFFFFFCE429CFF739CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94210000000000000019314A6B 84ADC5D6D6D6EFFFFFFFFFFFFFFFEFD6D6D6C5AD846B4A311900000000083A63 94C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFF4263FFFFFF FFCE429CFF739CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421 0000000000000019314A6B84ADC5D6D6D6EFFFFFFFFFFFFFFFEFD6D6D6C5AD84 6B4A311900000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0052C5FFFFFF0010DEFFFFFF731073FF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC55200000000193A6384ADC5D6EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFD6C5AD84633A190000000021529CD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000052C5FFFFFF0010DEFFFFFF731073FF9CBDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC55200000000193A6384ADC5 D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD84633A19000000 0021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052C5FFFFFF0010DEFF FFFF731073FF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 5200000000193A6384ADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFD6C5AD84633A190000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A 000052C5FFFFFF0010DEFFFFFF731073FF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC55200000000193A6384ADC5D6EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFD6C5AD84633A190000000021529CD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B08002194EFFFFFFF006384FFFFFF216373FFCEDEFFBD EF9C84DEFFFFBDEF9C84DEFFFFFFCE739CEFFFFFFFEF94210000317BB5CEEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845221 00000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFF006384 FFFFFF216373FFCEDEFFBDEF9C84DEFFFFBDEF9C84DEFFFFFFCE739CEFFFFFFF EF94210000317BB5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFCEB584522100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B 08002194EFFFFFFF006384FFFFFF216373FFCEDEFFBDEF9C84DEFFFFBDEF9C84 DEFFFFFFCE739CEFFFFFFFEF94210000317BB5CEEFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB584522100000000316BADE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFF006384FFFFFF216373FFCEDEFF BDEF9C84DEFFFFBDEF9C84DEFFFFFFCE739CEFFFFFFFEF94210000317BB5CEEF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB58452 2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF00AD 31FFFFCE317373FF4273FF0042736310DEFF0042736310DEFF8421736331EFFF FFFFC54A00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFC594633A080000084A84CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFF00AD31FFFFCE317373FF4273FF0042736310DEFF004273 6310DEFF8421736331EFFFFFFFC54A00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000084A84CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF00AD31FFFFCE317373FF4273 FF0042736310DEFF0042736310DEFF8421736331EFFFFFFFC54A00003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF C594633A080000084A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF00 AD31FFFFCE317373FF4273FF0042736310DEFF0042736310DEFF8421736331EF FFFFFFC54A00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFC594633A080000084A84CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C3100087BE6FFFFFFFF00FF10DEFF739C7373FF4273FF009CFFFF31ADFF009C FFFF31ADEF00DEFFFF6384FFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B3100000021 63ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFF00FF10DEFF739C7373FF42 73FF009CFFFF31ADFF009CFFFF31ADEF00DEFFFF6384FFFFFFE67B0800319CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEAD6B310000002163ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFF 00FF10DEFF739C7373FF4273FF009CFFFF31ADFF009CFFFF31ADEF00DEFFFF63 84FFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B310000002163ADE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C3100087BE6FFFFFFFF00FF10DEFF739C7373FF4273FF009CFFFF31ADFF00 9CFFFF31ADEF00DEFFFF6384FFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000 2163ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFF00FF6384FF21EF7373FF 4273FF00BDFFFF4273FF00BDFFFF4273BD004242422142FFFFFFFF9C3100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD69C52210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFF FF00FF6384FF21EF7373FF4273FF00BDFFFF4273FF00BDFFFF4273BD00424242 2142FFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000084A94D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE67B0800319CFFFFFFFFFF00FF6384FF21EF7373FF4273FF00BDFFFF4273FF 00BDFFFF4273BD004242422142FFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5221 0000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFF00FF6384FF21EF7373 FF4273FF00BDFFFF4273FF00BDFFFF4273BD004242422142FFFFFFFF9C310008 7BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD69C52210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFF FFFF00FFCE31CE52FF7373FF4273FF00BDFFFF4273FF00BDFFFF4273BD21BDBD BDBDCEFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5844A080000317BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD66300004AC5FFFFFFFFFF00FFCE31CE52FF7373FF4273FF00BDFFFF4273 FF00BDFFFF4273BD21BDBDBDBDCEFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 844A080000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFF00FFCE31CE52FF73 73FF4273FF00BDFFFF4273FF00BDFFFF4273BD21BDBDBDBDCEFFFFFFFFC54A00 0063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFC5844A080000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFF FFFFFF00FFCE31CE52FF7373FF4273FF00BDFFFF4273FF00BDFFFF4273BD21BD BDBDBDCEFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5844A080000317BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE52000063D6FFFFFFFFFF00FFFF21529CFF7373FF4273FF00BDFFFF42 73FF00BDFFFF4273DE00CEFFFF7384FFFFFFFFD663000052CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6AD63210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF00FFFF21529CFF 7373FF4273FF00BDFFFF4273FF00BDFFFF4273DE00CEFFFF7384FFFFFFFFD663 000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD63210000196BC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FF FFFFFFFF00FFFF21529CFF7373FF4273FF00BDFFFF4273FF00BDFFFF4273DE00 CEFFFF7384FFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63210000196BC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE52000063D6FFFFFFFFFF00FFFF21529CFF7373FF4273FF00BDFFFF 4273FF00BDFFFF4273DE00CEFFFF7384FFFFFFFFD663000052CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6AD63210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF00FFFF7300EF FF7373FF4273FF00BDFFFF4273FF00BDFFFF4273FF9C10736310DEFFFFFFFFD6 6B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00001963ADE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6 FFFFFFFFFF00FFFF7300EFFF7373FF4273FF00BDFFFF4273FF00BDFFFF4273FF 9C10736310DEFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A000019 63ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB53A00006BD6FFFFFFFFFF00FFFF7300EFFF7373FF4273FF00BDFF FF4273FF00BDFFFF4273FF9C10736310DEFFFFFFFFD66B00003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE843A00001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF00FFFF7300 EFFF7373FF4273FF00BDFFFF4273FF00BDFFFF4273FF9C10736310DEFFFFFFFF D66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00001963ADE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984 EFFFFFFFFFFFBDFFFFEFCEFFFFDEDEFFCEDEFFBDEFFFFFCEDEFFBDEFFFFFCEDE FFFFDEBDBDEFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C5219 00084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C21001984EFFFFFFFFFFFBDFFFFEFCEFFFFDEDEFFCEDEFFBDEF FFFFCEDEFFBDEFFFFFCEDEFFFFDEBDBDEFFFFFFFFFFFEF841900219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE69C521900084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFFBDFFFFEF CEFFFFDEDEFFCEDEFFBDEFFFFFCEDEFFBDEFFFFFCEDEFFFFDEBDBDEFFFFFFFFF FFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900084A94E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210019 84EFFFFFFFFFFFBDFFFFEFCEFFFFDEDEFFCEDEFFBDEFFFFFCEDEFFBDEFFFFFCE DEFFFFDEBDBDEFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52 1900084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFB56B1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF B56B1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B2100003A94E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B2100003A94E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCEE6FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE843A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCEE6FFFFFFFFFFFFFFFFFFFFFFFF9C2100219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCEE6FFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00004A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCEE6FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE843A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE1952E6FFFFFFFFFFFFFFFFFFFFFF9C210021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE1952E6FFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100 0863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE1952E6FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE1952E6FFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFF FFFFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B 1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFEF8419 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FF FFFFFFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC56B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFD66B 00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900197BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052 E6FFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFD6 63000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE652 0052E6FFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFD663000052CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFF D663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6520052E6FFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFC54A000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFF FFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6630000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6520052E6FFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFF9C3100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFF FFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100 0863CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 00319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6520052E6FFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFF9C3100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6F7FFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FF FFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE63 08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6F7FFFFFFFFFFFFFF FFFFFFFFFFE6520052E6FFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6F7FFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFE67B0800319CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6308002184E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6F7FFFFFFFFFFFFFFFFFFFFFFFFE6520052E6 FFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB54A9CCEF7FFFFFF FFFFFFFFFFFFFFE6520052E6FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB54A9CCEF7FFFFFFFFFFFFFFFFFFFFE6520052E6FFFFC54A00004AC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB54A9CCEF7FFFFFFFFFFFFFFFFFFFFE65200 52E6FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD4A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB54A9CCEF7FFFF FFFFFFFFFFFFFFFFE6520052E6FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE10081063B5E6F7FFFFFFFFFFFFFFFFE6520052E6EF942100087BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE10081063B5E6F7FFFFFFFFFFFFFFFFE6 520052E6EF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE10081063B5 E6F7FFFFFFFFFFFFFFFFE6520052E6EF942100087BE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE10081063B5E6F7FFFFFFFFFFFFFFFFE6520052E6EF942100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF742000000083163B5CEF7FFFFFFFFFF FFE6520052E65200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3A000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF742000000 083163B5CEF7FFFFFFFFFFFFE6520052E65200003AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052C5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF742000000083163B5CEF7FFFFFFFFFFFFE6520052E65200003A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319C EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF742000000083163B5CEF7FFFFFFFF FFFFE6520052E65200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C0800 000000000829A5F7FFFFFFFFFFFFE65200520000086BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C0800000000000829A5F7FFFFFFFFFFFFE6520052000008 6BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C310000 52C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C0800000000000829A5F7FFFF FFFFFFFFE65200520000086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C08 00000000000829A5F7FFFFFFFFFFFFE65200520000086BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE631000000001063C5F7FFFFFFFFFFFFFFFFE652000000 3AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08 002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE631000000001063C5F7FFFF FFFFFFFFFFFFE6520000003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 31000000001063C5F7FFFFFFFFFFFFFFFFE6520000003AADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE631000000001063C5F7FFFFFFFFFFFFFFFFE6520000 003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B 08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B 1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7630000000852E6FFFFFF FFFFFFFFFFFFFFCE8400000052D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF F7630000000852E6FFFFFFFFFFFFFFFFFFFFCE8400000052D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF7630000000852E6FFFFFFFFFFFFFFFFFFFFCE8400 000052D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF AD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 7B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7630000000852E6FFFF FFFFFFFFFFFFFFFFCE8400000052D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB5080010521952E6FFFFFFFFFFFFFFFFE6842100000052E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFB5080010521952E6FFFFFFFFFFFFFFFFE68421 00000052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5080010521952E6 FFFFFFFFFFFFFFFFE6842100000052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB5080010521952E6FFFFFFFFFFFFFFFFE6842100000052E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE631089CE6521952E6FFFFFFFFFFFFE6943A 00003A521952E6FFFFFFFFEFEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE631089CE65219 52E6FFFFFFFFFFFFE6943A00003A521952E6FFFFFFFFEFEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE631089CE6521952E6FFFFFFFFFFFFE6943A00003A521952E6FFFFFF FFEFEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE631089CE6521952E6FFFFFFFFFFFFE694 3A00003A521952E6FFFFFFFFEFEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7423AE6FFE6 521952E6FFFFFFFFE6943A00003A94E6521952E6FFFFFFA5A5FFFFFFFFFFFFFF BDDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCEDEFFEFBDFFFFFFFFFFFFFFFFFFEF BDFFFFFFFFFFFFFFCEDEFFFFFFFFFFC55200003AB5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFF7423AE6FFE6521952E6FFFFFFFFE6943A00003A94E6521952E6FF FFFFA5A5FFFFFFFFFFFFFFBDDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCEDEFFEF BDFFFFFFFFFFFFFFFFFFEFBDFFFFFFFFFFFFFFCEDEFFFFFFFFFFC55200003AB5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 6BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7423AE6FFE6521952E6FFFFFFFFE694 3A00003A94E6521952E6FFFFFFA5A5FFFFFFFFFFFFFFBDDEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCEDEFFEFBDFFFFFFFFFFFFFFFFFFEFBDFFFFFFFFFFFFFFCEDE FFFFFFFFFFC55200003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7423AE6FF E6521952E6FFFFFFFFE6943A00003A94E6521952E6FFFFFFA5A5FFFFFFFFFFFF FFBDDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCEDEFFEFBDFFFFFFFFFFFFFFFFFF EFBDFFFFFFFFFFFFFFCEDEFFFFFFFFFFC55200003AB5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFA5A5FFFFFFE6521952E6FFFFCE843A00003A94E6FFE6521952 E6FFE63A42F7FFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FF BD00FFFFFFFFFFFFFFFFFFBD00FFFFFFFFFFFFFF4273FFFFFFFFFFEF84190019 84EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5 5252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFA5A5FFFFFFE6521952E6FFFFCE84 3A00003A94E6FFE6521952E6FFE63A42F7FFFFFFFFFFFF0073FFFFFFFFFFFFFF FFFFFFFFFFFFFFFF4273FFBD00FFFFFFFFFFFFFFFFFFBD00FFFFFFFFFFFFFF42 73FFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFA5A5FF FFFFE6521952E6FFFFCE843A00003A94E6FFE6521952E6FFE63A42F7FFFFFFFF FFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FFBD00FFFFFFFFFFFFFFFF FFBD00FFFFFFFFFFFFFF4273FFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFA5A5FFFFFFE6521952E6FFFFCE843A00003A94E6FFE65219 52E6FFE63A42F7FFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273 FFBD00FFFFFFFFFFFFFFFFFFBD00FFFFFFFFFFFFFF4273FFFFFFFFFFEF841900 1984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 3A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFEFEFFFFFFFFFE6521952E6B56B 2100003A94E6FFFFFFE6521952E69C0831E6FFFFFFFFFFFF0073FFFFFFFFFFFF FFFFFFFFFFFFFFFFFF4273FFEFBDFFFFFFFFFFFFFFFFFFEFBDFFFFFFFFFFFFFF 4273FFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFEFEF FFFFFFFFE6521952E6B56B2100003A94E6FFFFFFE6521952E69C0831E6FFFFFF FFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FFEFBDFFFFFFFFFFFFFF FFFFEFBDFFFFFFFFFFFFFF4273FFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFF FFFFFFFFFFFFFFFFFFEFEFFFFFFFFFE6521952E6B56B2100003A94E6FFFFFFE6 521952E69C0831E6FFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF42 73FFEFBDFFFFFFFFFFFFFFFFFFEFBDFFFFFFFFFFFFFF4273FFFFFFFFFFFFB53A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5 631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFEFEFFFFFFFFFE6521952E6B5 6B2100003A94E6FFFFFFE6521952E69C0831E6FFFFFFFFFFFF0073FFFFFFFFFF FFFFFFFFFFFFFFFFFFFF4273FFEFBDFFFFFFFFFFFFFFFFFFEFBDFFFFFFFFFFFF FF4273FFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6943A0000195294C5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6520052001900003A94E6FFFFFFFFFFE6521952100008B5FFFF FFFFFFFF0073FFEFCEEF9C73ADFFFFFFFFDE7384DE4273FFEFBDFFDECEFFFFFF FFBDDEEFBDFFFFFFDE7384DE4273FFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000195294C5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052001900003A94E6FFFFFFFF FFE6521952100008B5FFFFFFFFFFFF0073FFEFCEEF9C73ADFFFFFFFFDE7384DE 4273FFEFBDFFDECEFFFFFFFFBDDEEFBDFFFFFFDE7384DE4273FFFFFFFFFFFFCE 6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563 10000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6943A0000195294C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052 001900003A94E6FFFFFFFFFFE6521952100008B5FFFFFFFFFFFF0073FFEFCEEF 9C73ADFFFFFFFFDE7384DE4273FFEFBDFFDECEFFFFFFFFBDDEEFBDFFFFFFDE73 84DE4273FFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6943A0000195294C5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6520052001900003A94E6FFFFFFFFFFE6521952100008B5FF FFFFFFFFFF0073FFEFCEEF9C73ADFFFFFFFFDE7384DE4273FFEFBDFFDECEFFFF FFFFBDDEEFBDFFFFFFDE7384DE4273FFFFFFFFFFFFCE6300003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800002152 94C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C56B52000000084A94E6FFFFFFFF FFFFFFE6520800000063F7FFFFFFFFFF0073FFBD313142420073FFFFAD003152 102173FFBD00FF9C00EFFFFFDE00BDBD00FFFFAD003152102173FFFFFFFFFFFF EF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C19 0000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6944A080000215294C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C56B52 000000084A94E6FFFFFFFFFFFFFFE6520800000063F7FFFFFFFFFF0073FFBD31 3142420073FFFFAD003152102173FFBD00FF9C00EFFFFFDE00BDBD00FFFFAD00 3152102173FFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A080000215294C5E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFE6C56B52000000084A94E6FFFFFFFFFFFFFFE6520800000063 F7FFFFFFFFFF0073FFBD313142420073FFFFAD003152102173FFBD00FF9C00EF FFFFDE00BDBD00FFFFAD003152102173FFFFFFFFFFFFEF8419002194FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A08000021 5294C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C56B52000000084A94E6FFFFFF FFFFFFFFE6520800000063F7FFFFFFFFFF0073FFBD313142420073FFFFAD0031 52102173FFBD00FF9C00EFFFFFDE00BDBD00FFFFAD003152102173FFFFFFFFFF FFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C 190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6AD6319000000214A7B9CC5D6D6EFFFFFFFFFEFD6D6C59C7B4A21 000000006BADE6FFFFFFFFFFFFF7C563100000000031E6FFFFFFFFFF0073FFBD 0084FFFF7300FFFF2173FFFFBD0073FFBD00FFFF109CFFFF8421FFBD00FFFF21 73FFFFBD0073FFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF7F7CE9C3A08000000000031424242424242424242424242424242 4242424242424242424242424242420808424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000000214A7B9CC5D6D6EFFF FFFFFFEFD6D6C59C7B4A21000000006BADE6FFFFFFFFFFFFF7C5631000000000 31E6FFFFFFFFFF0073FFBD0084FFFF7300FFFF2173FFFFBD0073FFBD00FFFF10 9CFFFF8421FFBD00FFFF2173FFFFBD0073FFFFFFFFFFFFFFAD3100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7CE9C3A0800000000003142424242 4242424242424242424242424242424242424242424242424242080842424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242424242424242CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD631900 0000214A7B9CC5D6D6EFFFFFFFFFEFD6D6C59C7B4A21000000006BADE6FFFFFF FFFFFFF7C563100000000031E6FFFFFFFFFF0073FFBD0084FFFF7300FFFF2173 FFFFBD0073FFBD00FFFF109CFFFF8421FFBD00FFFF2173FFFFBD0073FFFFFFFF FFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7CE9C3A 0800000000003142424242424242424242424242424242424242424242424242 4242424242080842424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6AD6319000000214A7B9CC5D6D6EFFFFFFFFFEFD6D6C59C7B4A 21000000006BADE6FFFFFFFFFFFFF7C563100000000031E6FFFFFFFFFF0073FF BD0084FFFF7300FFFF2173FFFFBD0073FFBD00FFFF109CFFFF8421FFBD00FFFF 2173FFFFBD0073FFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF7F7CE9C3A080000000000314242424242424242424242424242 4242424242424242424242424242424208084242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A0800000008314A636B84 9C9C9C9C846B634A310800000000000052E6FFFFFFFFFFFFF7A5290800000000 00089CFFFFFFFFFF0073FFBD00FFFFFFBD00FFBD00CEFFFFFF3173FFBD00FFFF 7331FFFF2173FFBD00FFBD00CEFFFFFF3173FFFFFFFFFFFFFFC54A000052CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7734210080000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 00000000000000000000000000000000000000000000000008BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B 3A0800000008314A636B849C9C9C9C846B634A310800000000000052E6FFFFFF FFFFFFF7A529080000000000089CFFFFFFFFFF0073FFBD00FFFFFFBD00FFBD00 CEFFFFFF3173FFBD00FFFF7331FFFF2173FFBD00FFBD00CEFFFFFF3173FFFFFF FFFFFFFFC54A000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF773421008 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 00000008BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B3A0800000008314A636B849C9C9C9C846B634A3108 00000000000052E6FFFFFFFFFFFFF7A529080000000000089CFFFFFFFFFF0073 FFBD00FFFFFFBD00FFBD00CEFFFFFF3173FFBD00FFFF7331FFFF2173FFBD00FF BD00CEFFFFFF3173FFFFFFFFFFFFFFC54A000052CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF773421008000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000000000008BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A0800000008314A636B 849C9C9C9C846B634A310800000000000052E6FFFFFFFFFFFFF7A52908000000 0000089CFFFFFFFFFF0073FFBD00FFFFFFBD00FFBD00CEFFFFFF3173FFBD00FF FF7331FFFF2173FFBD00FFBD00CEFFFFFF3173FFFFFFFFFFFFFFC54A000052CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF77342100800000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000008BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D6AD6B3A08000000000000192121212119000000000000083A6B6B520052E6FF FFFFFFFFFFF7CEB563310800000042F7FFFFFFFF0073FFBD00FFFFFFBD00FFBD 00FFFFFFFF4273FFBD00FFFFCE00DECE00DEFFBD00FFBD00FFFFFFFF4273FFFF FFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7CE 9C3A080000000000314242424242424242424242424242424242424242424242 4242424242424208084242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6AD6B3A0800000000000019212121211900000000 0000083A6B6B520052E6FFFFFFFFFFFFF7CEB563310800000042F7FFFFFFFF00 73FFBD00FFFFFFBD00FFBD00FFFFFFFF4273FFBD00FFFFCE00DECE00DEFFBD00 FFBD00FFFFFFFF4273FFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7F7CE9C3A08000000000031424242424242424242424242 4242424242424242424242424242424242420808424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242424242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD6B3A080000000000 00192121212119000000000000083A6B6B520052E6FFFFFFFFFFFFF7CEB56331 0800000042F7FFFFFFFF0073FFBD00FFFFFFBD00FFBD00FFFFFFFF4273FFBD00 FFFFCE00DECE00DEFFBD00FFBD00FFFFFFFF4273FFFFFFFFFFFFFFD66B00003A B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7CE9C3A0800000000003142 4242424242424242424242424242424242424242424242424242424242080842 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242424242424242424242CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD6AD6B3A08000000000000192121212119000000000000083A6B6B520052E6 FFFFFFFFFFFFF7CEB563310800000042F7FFFFFFFF0073FFBD00FFFFFFBD00FF BD00FFFFFFFF4273FFBD00FFFFCE00DECE00DEFFBD00FFBD00FFFFFFFF4273FF FFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7 CE9C3A0800000000003142424242424242424242424242424242424242424242 4242424242424242080842424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD7B4A1900000000000000000000000000 08314A7BADD6FFE6520052E6FFFFFFFFFFFFFFFFF7E6B563100810CEFFFFFFFF 0073FFBD00FFFFFFBD00FFBD00DEFFFFFF4273FFBD00FFFFFF31847342FFFFBD 00FFBD00DEFFFFFF4273FFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD7B4A190000 000000000000000000000008314A7BADD6FFE6520052E6FFFFFFFFFFFFFFFFF7 E6B563100810CEFFFFFFFF0073FFBD00FFFFFFBD00FFBD00DEFFFFFF4273FFBD 00FFFFFF31847342FFFFBD00FFBD00DEFFFFFF4273FFFFFFFFFFFFFFEF841900 2194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808 BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6AD7B4A190000000000000000000000000008314A7BADD6FFE65200 52E6FFFFFFFFFFFFFFFFF7E6B563100810CEFFFFFFFF0073FFBD00FFFFFFBD00 FFBD00DEFFFFFF4273FFBD00FFFFFF31847342FFFFBD00FFBD00DEFFFFFF4273 FFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD7B4A19000000000000000000000000 0008314A7BADD6FFE6520052E6FFFFFFFFFFFFFFFFF7E6B563100810CEFFFFFF FF0073FFBD00FFFFFFBD00FFBD00DEFFFFFF4273FFBD00FFFFFF31847342FFFF BD00FFBD00DEFFFFFF4273FFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD4A00 0008212121212121213A52637B9CC5E6FFFFFFFFE6520052E6FFFFFFFFFFFFFF FFFFFFF7CE9C4AB5FFFFFFFF0073FFBD00FFFFFFBD00FFEF1084FFFFDE0073FF BD00FFFFFF8431219CFFFFBD00FFEF1084FFFFDE0073FFFFFFFFFFFFFFFFAD31 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563100000 42F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6AD4A000008212121212121213A52637B9CC5E6FFFFFFFFE6 520052E6FFFFFFFFFFFFFFFFFFFFF7CE9C4AB5FFFFFFFF0073FFBD00FFFFFFBD 00FFEF1084FFFFDE0073FFBD00FFFFFF8431219CFFFFBD00FFEF1084FFFFDE00 73FFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD4A000008212121212121213A 52637B9CC5E6FFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFF7CE9C4AB5FFFF FFFF0073FFBD00FFFFFFBD00FFEF1084FFFFDE0073FFBD00FFFFFF8431219CFF FFBD00FFEF1084FFFFDE0073FFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD4A 000008212121212121213A52637B9CC5E6FFFFFFFFE6520052E6FFFFFFFFFFFF FFFFFFFFF7CE9C4AB5FFFFFFFF0073FFBD00FFFFFFBD00FFEF1084FFFFDE0073 FFBD00FFFFFF8431219CFFFFBD00FFEF1084FFFFDE0073FFFFFFFFFFFFFFFFAD 3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5631000 0042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD66300003A849C9C9C9C9C9CB5CED6E6FFFFFFFFFFFFFF FFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFF7E6FFFFFFFF0073FFBD00FFFFFF BD00FFFF9C007384211073FFBD00FFFFFFEF0010FFFFFFBD00FFFF9C00738421 1073FFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300003A849C9C9C9C9C9C B5CED6E6FFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFF7E6FF FFFFFF0073FFBD00FFFFFFBD00FFFF9C007384211073FFBD00FFFFFFEF0010FF FFFFBD00FFFF9C007384211073FFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 6300003A849C9C9C9C9C9CB5CED6E6FFFFFFFFFFFFFFFFE6520052E6FFFFFFFF FFFFFFFFFFFFFFFFF7E6FFFFFFFF0073FFBD00FFFFFFBD00FFFF9C0073842110 73FFBD00FFFFFFEF0010FFFFFFBD00FFFF9C007384211073FFFFFFFFFFFFFFFF C54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5 631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD66300003A849C9C9C9C9C9CB5CED6E6FFFFFFFFFFFF FFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFF7E6FFFFFFFF0073FFBD00FFFF FFBD00FFFF9C007384211073FFBD00FFFFFFEF0010FFFFFFBD00FFFF9C007384 211073FFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF73BDFFDE73FFFFFFDE73FFFFFFBD6352AD9CBDFFDE73FFFFFFFF9C9C FFFFFFDE73FFFFFFBD6352AD9CBDFFFFFFFFFFFFFFFFD663000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73BDFFDE73FFFFFFDE73FFFFFFBD6352AD 9CBDFFDE73FFFFFFFF9C9CFFFFFFDE73FFFFFFBD6352AD9CBDFFFFFFFFFFFFFF FFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73BDFFDE73FF FFFFDE73FFFFFFBD6352AD9CBDFFDE73FFFFFFFF9C9CFFFFFFDE73FFFFFFBD63 52AD9CBDFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF73BDFFDE73FFFFFFDE73FFFFFFBD6352AD9CBDFFDE73FFFFFFFF9C 9CFFFFFFDE73FFFFFFBD6352AD9CBDFFFFFFFFFFFFFFFFD663000063D6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFDE521000002184FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7300FF7300BDFFFFFFFFFFFFFFFF4242 FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE521000002184FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7300FF7300 BDFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFDE521000002184FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF7300FF7300BDFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD00BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFDE521000002184FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7300FF7300BDFFFFFFFFFFFFFFFF42 42FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C102173BD9C6300 31EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C42FF9C 42CEFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C102173BD9C630031EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C42FF9C42CEFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD00 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE652 0052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C102173BD9C630031EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C42FF9C42CEFFFFFFFFFFFFFFFF 4242FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C102173BD9C63 0031EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C42FF 9C42CEFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF841900219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFDE1031EFFFFFFFFF9C0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD 00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFDE1031EFFFFFFFFF9C0073FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF4242FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE1031EFFFFFFF FF9C0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84190021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFDE1031EFFFFFFFFF9C0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4242FFFFFFFFFFFFFF BD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF6300DEFFFFFFFFFFFF6300DEFF9CBDBD63 4284FFEF734273EFFFEF73BDFFFFFFFF9C9CFFFFBD73424273DEFFFFDE73EF63 63CE4242FFFFFFCE634273AD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF6300DEFFFFFF FFFFFF6300DEFF9CBDBD634284FFEF734273EFFFEF73BDFFFFFFFF9C9CFFFFBD 73424273DEFFFFDE73EF6363CE4242FFFFFFCE634273AD00BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6520052E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF6300DEFFFFFFFFFFFF6300DEFF9CBDBD634284FFEF734273EFFFEF 73BDFFFFFFFF9C9CFFFFBD73424273DEFFFFDE73EF6363CE4242FFFFFFCE6342 73AD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6520052E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF6300DEFFFFFFFFFFFF6300DEFF9CBDBD 634284FFEF734273EFFFEF73BDFFFFFFFF9C9CFFFFBD73424273DEFFFFDE73EF 6363CE4242FFFFFFCE634273AD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65219CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF2142FFFFFF FFFFFFFFAD009CFF423110635200631052630042FFFF3131FFFFFFEF1073FF9C 004273631010EFFFBD00422110CE4242FFFFBD002173421000BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65219CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF2142FFFFFFFFFFFFFFAD009CFF423110635200631052630042FF FF3131FFFFFFEF1073FF9C004273631010EFFFBD00422110CE4242FFFFBD0021 73421000BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE65219CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF2142FFFFFFFFFFFFFFAD009CFF4231 10635200631052630042FFFF3131FFFFFFEF1073FF9C004273631010EFFFBD00 422110CE4242FFFFBD002173421000BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65219CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF2142FFFF FFFFFFFFFFAD009CFF423110635200631052630042FFFF3131FFFFFFEF1073FF 9C004273631010EFFFBD00422110CE4242FFFFBD002173421000BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF0063FFFFFFFFFFFFFFDE0073FF4200CEFFFF520084FFFF7300 DEFF9C00DEFFFF9C00DEFF2142FFFFFFAD00BDFFBD0052FFFFFF4242FFFF2142 FFFFFF5200BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0063FFFFFFFFFFFFFFDE0073FF42 00CEFFFF520084FFFF7300DEFF9C00DEFFFF9C00DEFF2142FFFFFFAD00BDFFBD 0052FFFFFF4242FFFF2142FFFFFF5200BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0063FF FFFFFFFFFFFFDE0073FF4200CEFFFF520084FFFF7300DEFF9C00DEFFFF9C00DE FF2142FFFFFFAD00BDFFBD0052FFFFFF4242FFFF2142FFFFFF5200BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF0063FFFFFFFFFFFFFFDE0073FF4200CEFFFF520084FFFF73 00DEFF9C00DEFFFF9C00DEFF2142FFFFFFAD00BDFFBD0052FFFFFF4242FFFF21 42FFFFFF5200BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFF0073FF 4242FFFFFF7300FFFFFFBD00BDFFEF0084FFFF5242FFFFFFDEFFFFFF9C00BDFF BD00ADFFFFFF4242FFCE009CFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073 FFFFFFFFFFFFFFFF0073FF4242FFFFFF7300FFFFFFBD00BDFFEF0084FFFF5242 FFFFFFDEFFFFFF9C00BDFFBD00ADFFFFFF4242FFCE009CFFFFFFBD00BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFF0073FF4242FFFFFF7300FFFFFF BD00BDFFEF0084FFFF5242FFFFFFDEFFFFFF9C00BDFFBD00ADFFFFFF4242FFCE 009CFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFF0073 FF4242FFFFFF7300FFFFFFBD00BDFFEF0084FFFF5242FFFFFFDEFFFFFF9C00BD FFBD00ADFFFFFF4242FFCE009CFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00 42FFFFFFFFFFFFFFBD0073FF4242FFFFFF7300FFFFFFBD00BDFFFF6321FFDE00 9CFFFFFF845242000000BDFFBD00BDFFFFFF4242FFBD00BDFFFFFFFF00BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF0042FFFFFFFFFFFFFFBD0073FF4242FFFFFF7300FFFF FFBD00BDFFFF6321FFDE009CFFFFFF845242000000BDFFBD00BDFFFFFF4242FF BD00BDFFFFFFFF00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0042FFFFFFFFFFFFFFBD00 73FF4242FFFFFF7300FFFFFFBD00BDFFFF6321FFDE009CFFFFFF845242000000 BDFFBD00BDFFFFFF4242FFBD00BDFFFFFFFF00BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 0042FFFFFFFFFFFFFFBD0073FF4242FFFFFF7300FFFFFFBD00BDFFFF6321FFDE 009CFFFFFF845242000000BDFFBD00BDFFFFFF4242FFBD00BDFFFFFFFF00BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF5210FFFFFFFFFFFFFF7300BDFF4242FFFFFF7300FF FFFFBD00BDFFFFAD00CE8410EFFFFF31006384BDBD00BDFFBD00BDFFFFFF4242 FFBD00BDFFFFFFFF00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF5210FFFFFFFFFFFFFF73 00BDFF4242FFFFFF7300FFFFFFBD00BDFFFFAD00CE8410EFFFFF31006384BDBD 00BDFFBD00BDFFFFFF4242FFBD00BDFFFFFFFF00BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF5210FFFFFFFFFFFFFF7300BDFF4242FFFFFF7300FFFFFFBD00BDFFFFAD00CE 8410EFFFFF31006384BDBD00BDFFBD00BDFFFFFF4242FFBD00BDFFFFFFFF00BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF5210FFFFFFFFFFFFFF7300BDFF4242FFFFFF7300 FFFFFFBD00BDFFFFAD00CE8410EFFFFF31006384BDBD00BDFFBD00BDFFFFFF42 42FFBD00BDFFFFFFFF00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C0073FFFFFFFFFFEF 1021FFFF4242FFFFFF7300FFFFFFBD00BDFFFFFF21733163FFFFBD009CFFFFFF BD00ADFFBD00BDFFFFFF4242FFDE0084FFFFFFBD00BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C0073FFFFFFFFFFEF1021FFFF4242FFFFFF7300FFFFFFBD00BDFFFFFF21 733163FFFFBD009CFFFFFFBD00ADFFBD00BDFFFFFF4242FFDE0084FFFFFFBD00 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C0073FFFFFFFFFFEF1021FFFF4242FFFFFF73 00FFFFFFBD00BDFFFFFF21733163FFFFBD009CFFFFFFBD00ADFFBD00BDFFFFFF 4242FFDE0084FFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C0073FFFFFFFFFF EF1021FFFF4242FFFFFF7300FFFFFFBD00BDFFFFFF21733163FFFFBD009CFFFF FFBD00ADFFBD00BDFFFFFF4242FFDE0084FFFFFFBD00BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD42BDFFFFFFFFFFFFFF7BFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF841900219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF630073EFFFFFBD3100CEFFFF4242FFFFFF7300FFFFFFBD00BDFFFFFF 732100BDFFFFBD0073FFFFEF310073FFBD00BDFFFFFF4242FFFF4210DEFFEF42 00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD42BDFFFFFFFFFFFFFF7BFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF630073EFFFFFBD3100CEFFFF4242FFFFFF 7300FFFFFFBD00BDFFFFFF732100BDFFFFBD0073FFFFEF310073FFBD00BDFFFF FF4242FFFF4210DEFFEF4200BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD42BD FFFFFFFFFFFFFF7BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF630073EFFFFF BD3100CEFFFF4242FFFFFF7300FFFFFFBD00BDFFFFFF732100BDFFFFBD0073FF FFEF310073FFBD00BDFFFFFF4242FFFF4210DEFFEF4200BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD42BDFFFFFFFFFFFFFF7BFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84190021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF630073EFFFFFBD3100CEFFFF4242FFFFFF7300FFFFFFBD00BDFFFF FF732100BDFFFFBD0073FFFFEF310073FFBD00BDFFFFFF4242FFFF4210DEFFEF 4200BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFFCE08CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73000021000021CEFFFFFF4242FFFF FF7300FFFFFFBD00BDFFFFFFDE0021FFFFFFFF4200424210730073FFBD00BDFF FFFF4242FFFFEF311042216300BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF8400 84FFFFFFFFFFFFCE08CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73000021 000021CEFFFFFF4242FFFFFF7300FFFFFFBD00BDFFFFFFDE0021FFFFFFFF4200 424210730073FFBD00BDFFFFFF4242FFFFEF311042216300BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFFCE08CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF73000021000021CEFFFFFF4242FFFFFF7300FFFFFFBD00BDFF FFFFDE0021FFFFFFFF4200424210730073FFBD00BDFFFFFF4242FFFFEF311042 216300BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFFCE08CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73000021000021CEFFFFFF4242FF FFFF7300FFFFFFBD00BDFFFFFFDE0021FFFFFFFF4200424210730073FFBD00BD FFFFFF4242FFFFEF311042216300BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF84 0084FFFFFFFFFFFF7B007BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE9C 7373BDFFFFFFFFFFCECEFFFFFFDEBDFFFFFFEFBDEFFFFFFFFFBDCEFFFFFFFFFF AD7384CEFFCECEFFEFBDEFFFFFFFCECEFFFFFFFF9C73ADFFBDEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE520000 63D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF7B007BFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300 0052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFDE9C7373BDFFFFFFFFFFCECEFFFFFFDEBDFFFFFFEFBDEF FFFFFFFFBDCEFFFFFFFFFFAD7384CEFFCECEFFEFBDEFFFFFFFCECEFFFFFFFF9C 73ADFFBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF7B00 7BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE9C7373BDFFFFFFFFFFCECE FFFFFFDEBDFFFFFFEFBDEFFFFFFFFFBDCEFFFFFFFFFFAD7384CEFFCECEFFEFBD EFFFFFFFCECEFFFFFFFF9C73ADFFBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 840084FFFFFFFFFFFF7B007BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE 9C7373BDFFFFFFFFFFCECEFFFFFFDEBDFFFFFFEFBDEFFFFFFFFFBDCEFFFFFFFF FFAD7384CEFFCECEFFEFBDEFFFFFFFCECEFFFFFFFF9C73ADFFBDEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300 0063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFC5080008C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663 000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFC508 0008C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC51010 63C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF840084FFFFFFFFFFC5080008C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663 000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFC5080008C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 63000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFF7B 0000007BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF742 00001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF840084FFFFFFFFFF7B0000007BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 6300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFF7B0000007BFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFF 7B0000007BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 4200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF840084FFFFFFFFC50831003108C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFC50831003108C5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFF C50831003108C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF840084FFFFFFFFC50831003108C5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFF76B5A5A005A5A6BF7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242424242 4242424242424242424242424242424242424242424242424242424242424242 4242420808424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242310000000000083A9C CEF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFF F76B5A5A005A5A6BF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE4242424242424242424242424242424242424242424242424242 4242424242424242424242424242080842424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242310000000000083A9CCEF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF840084FFFFFFF76B5A5A005A5A6BF7FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE424242424242424242424242424242 4242424242424242424242424242424242424242424242424208084242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242424242310000000000083A9CCEF7F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFF76B5A5A005A5A6BF7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE42424242 4242424242424242424242424242424242424242424242424242424242424242 4242424208084242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242424242424242310000000000083A 9CCEF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFF FFBD8CB56B006BB58CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD08000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000008104273F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF840084FFFFFFBD8CB56B006BB58CBDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0800000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000008104273F7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFBD8CB56B006BB58CBD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD080000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0008104273F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FF FFFFBD8CB56B006BB58CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD080000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 00000000000000000000000008104273F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF840084FFFFFF9CFFFF840084FFFF9CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000052CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE42424242424242424242424242 4242424242424242424242424242424242424242424242424242420808424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242424242310000000000083A9CCEF7F7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE5200004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFF9CFFFF840084FFFF 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC54A000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242 4242424242424242424242424242424242424242424242424242424242424242 4242424242420808424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242310000000000 083A9CCEF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200004AC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084 FFFFFF9CFFFF840084FFFF9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000052CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE4242424242424242424242424242424242424242424242 4242424242424242424242424242424242080842424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242310000000000083A9CCEF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF840084FFFFFF9CFFFF840084FFFF9CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000052CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE424242424242424242424242 4242424242424242424242424242424242424242424242424242424208084242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242424242424242310000000000083A9CCEF7F7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF840084FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000 199CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF8400 84FFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800 31ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BD F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF840084 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F794080000 00199CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF84 0084FFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421 001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84190021 94FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084FFFFFFFFFFFF8400 84FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7420000 1063C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 840084FFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF840084D6D6D6D6D6D6840084FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF840084D6D6D6D6D6D684 0084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC51010 63C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF840084D6D6D6D6D6D6840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF B53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF840084D6D6D6D6D6D6840084FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300 003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6CEB59C9C63004A636363636363 4A00639C9CB5CED6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252 C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6CEB5 9C9C63004A6363636363634A00639C9CB5CED6EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFD6CEB59C9C63004A6363636363634A00639C9CB5CED6EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6CEB59C9C63004A6363636363 634A00639C9CB5CED6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE652 52C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB5846B52 3A210000000000000000000000000021213A526B84B5CEE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6CEB5846B523A210000000000000000000000000021213A526B84 B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84 19001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB5846B523A210000000000000000 000000000021213A526B84B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB5846B 523A210000000000000000000000000021213A526B84B5CEE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFCEAD7B523A1900000000000000000000000000000000000000000000 193A527BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 5200003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000052C5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B523A190000000000000000000000 0000000000000000000000193A527BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC55200003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B523A19 00000000000000000000000000000000000000000000193A527BADCEEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC55200003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB53A000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFCEAD7B523A19000000000000000000000000000000000000000000 00193A527BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C55200003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000000000192100004A6363 636363634A00000019000000000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000 00000000192100004A6363636363634A00000019000000000000083A6394C5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFC594633A08000000000000192100004A6363636363634A0000001900 0000000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000000000192100004A63 63636363634A00000019000000000000083A6394C5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100000000 00193A526B849C840084D6D6D6D6D6D68400849C846B523A1900000000002152 9CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD69C52210000000000193A526B849C840084D6D6D6D6D6D68400849C84 6B523A19000000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000000193A526B849C840084 D6D6D6D6D6D68400849C846B523A19000000000021529CD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5221000000 0000193A526B849C840084D6D6D6D6D6D68400849C846B523A19000000000021 529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFB57B3100000000214A6B84B5CED6EFFF840084FFFFFFFFFFFF840084FF EFD6CEB5846B4A2100000000317BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFB57B3100000000214A6B84B5CED6EFFF8400 84FFFFFFFFFFFF840084FFEFD6CEB5846B4A2100000000317BB5EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB57B3100000000 214A6B84B5CED6EFFF840084FFFFFFFFFFFF840084FFEFD6CEB5846B4A210000 0000317BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFB57B3100000000214A6B84B5CED6EFFF840084FFFFFFFFFFFF840084 FFEFD6CEB5846B4A2100000000317BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE69C52190000083A6394C5D6EFFFFFFFFFFF84 0084FFFFFFFFFFFF840084FFFFFFFFFFEFD6C594633A08000019529CE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52190000083A 6394C5D6EFFFFFFFFFFF840084FFFFFFFFFFFF840084FFFFFFFFFFEFD6C59463 3A08000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBD EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE69C52190000083A6394C5D6EFFFFFFFFFFF840084FFFFFFFFFFFF8400 84FFFFFFFFFFEFD6C594633A08000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52190000083A6394C5D6EFFFFFFFFFFF 840084FFFFFFFFFFFF840084FFFFFFFFFFEFD6C594633A08000019529CE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000000316B ADCEEFFFFFFFFFFF9CFFFF840084FFFF9CFFFFFF840084FFFFFFFFFFFFFFFFEF CEAD6B310000003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A000000316BADCEEFFFFFFFFFFF9CFFFF840084FFFF9CFFFFFF84 0084FFFFFFFFFFFFFFFFEFCEAD6B310000003A94E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000000316BADCEEFFFFFFFFFFF9CFF FF840084FFFF9CFFFFFF840084FFFFFFFFFFFFFFFFEFCEAD6B310000003A94E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00000031 6BADCEEFFFFFFFFFFF9CFFFF840084FFFF9CFFFFFF840084FFFFFFFFFFFFFFFF EFCEAD6B310000003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A000019529CD6FFFFFFFFFFFFFFFFBD8CB56B006BB58CBDFFFFFF 840084FFFFFFFFFFFFFFFFFFFFFFD69C521900003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CD6FFFFFFFFFFFFFFFFBD 8CB56B006BB58CBDFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFD69C521900003A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00001952 9CD6FFFFFFFFFFFFFFFFBD8CB56B006BB58CBDFFFFFF840084FFFFFFFFFFFFFF FFFFFFFFD69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319C EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFF FFFFFFFFE6943A000019529CD6FFFFFFFFFFFFFFFFBD8CB56B006BB58CBDFFFF FF840084FFFFFFFFFFFFFFFFFFFFFFD69C521900003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B080021 84E6FFFFFFFFFFFFFFFFFFFFFFFFE6943A0000317BB5EFFFFFFFFFFFFFFFFFFF F76B5A5A005A5A6BF7FFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFEFB57B3100 003A94E6FFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFE6943A0000317B B5EFFFFFFFFFFFFFFFFFFFF76B5A5A005A5A6BF7FFFFFF840084FFFFFFFFFFFF FFFFFFFFFFFFEFB57B3100003A94E6FFFFFFFFFFFFFFFFFFFFFFE6842100086B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFF FFFFFFFFE6943A0000317BB5EFFFFFFFFFFFFFFFFFFFF76B5A5A005A5A6BF7FF FFFF840084FFFFFFFFFFFFFFFFFFFFFFFFEFB57B3100003A94E6FFFFFFFFFFFF FFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0800 2184E6FFFFFFFFFFFFFFFFFFFFFFFFE6943A0000317BB5EFFFFFFFFFFFFFFFFF FFF76B5A5A005A5A6BF7FFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFEFB57B31 00003A94E6FFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFFFFFFFFFFEF9C3A00003A94 D6FFFFFFFFFFFFFFFFFFFFFFFFC50831003108C5FFFFFFFF840084FFFFFFFFFF FFFFFFFFFFFFFFFFFFD6943A00003A9CEFFFFFFFFFFFFFFFFFFFFFAD4A00004A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFF FFFFFFFFEF9C3A00003A94D6FFFFFFFFFFFFFFFFFFFFFFFFC50831003108C5FF FFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6943A00003A9CEFFFFFFFFF FFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A 00004AADFFFFFFFFFFFFFFFFFFFFFFEF9C3A00003A94D6FFFFFFFFFFFFFFFFFF FFFFFFC50831003108C5FFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 943A00003A9CEFFFFFFFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD4A00004AADFFFFFFFFFFFFFFFFFFFFFFEF9C3A00003A 94D6FFFFFFFFFFFFFFFFFFFFFFFFC50831003108C5FFFFFFFF840084FFFFFFFF FFFFFFFFFFFFFFFFFFFFD6943A00003A9CEFFFFFFFFFFFFFFFFFFFFFAD4A0000 4AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863CEFFFFFFFFFF FFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF7B0000007BFF FFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFF FFFFFFFFFFFFCE6308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 8421000863CEFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFF FFFFFFFFFF7B0000007BFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE69431000052B5FFFFFFFFFFFFFFFFFFCE6308002184E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFFFFFFFFB552000031 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF7B0000007BFFFFFFFFFF840084FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFCE630800 2184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863CEFFFFFFFF FFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF7B0000007B FFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFF FFFFFFFFFFFFFFCE6308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6308002184E6FFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC5080008C5FFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD67B1900197BD6FFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6308002184E6FFFFFFFFFFFFFFFFD67B190019 7BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5080008C5FFFFFFFFFF840084FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFE6842100 0863CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6308002184E6FFFF FFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5080008 C5FFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6 FFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6308002184E6FFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC5080008C5FFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFE68421000863CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFB53A0000 52B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7B007BFFFFFFFFFFFF840084FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AB5FFFFFFFFFFFFEF9C3A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEF FFFFFFFFFFFFFFB53A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7B00 7BFFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003A B5FFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFB53A000052B5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF7B007BFFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB55200003AB5FFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFB53A00 0052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7B007BFFFFFFFFFFFF840084 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AB5FFFFFFFFFFFFEF9C3A 00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052 B5FFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 08CEFFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF841900 1984EFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE69431000052B5FFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE08CEFFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFB55200003194E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFEF8419 001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE08CEFFFFFFFFFFFF8400 84FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFB552 00003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694310000 52B5FFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE08CEFFFFFFFFFFFF840084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419 001984EFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD67B1900196BC5FFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF7BFFFFFFFFFFFFFFBD42BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFC56B1900197BD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE42 42CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BC5FFFFFFFFFFD66B 00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7BFFFFFFFFFFFFFFBD 42BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFC56B 1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B19 00196BC5FFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF7BFFFFFFFFFFFFFFBD42BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 3A00006BD6FFFFFFFFC56B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD67B1900196BC5FFFFFFFFFFD66B00003AB5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF7BFFFFFFFFFFFFFFBD42BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFC56B1900197BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFD6 63000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFCE6B 1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6B1900196BCEFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE52000063D6FFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFD663000052CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFCE6B1900196BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFF D663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFCE 6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56308002184E6FFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD663000063D6FFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFD663000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFE68421000863C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFF FFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFE6 8421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC56308002184E6FFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD663000063D6FFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A84CEFFFFD663000052CEFFFFFF FFFFFFFFFF000000000000BDFFFFFFFFFFFFFFFFFFFFFFFF00FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFCE843A00004AADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A84CE FFFFD663000052CEFFFFFFFFFFFFFFFF000000000000BDFFFFFFFFFFFFFFFFFF FFFFFF00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFCE 843A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A84CEFFFFD663000052CEFFFFFFFFFFFFFFFF0000000000 00BDFFFFFFFFFFFFFFFFFFFFFFFF00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE52000063D6FFCE843A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A84CEFFFFD663000052CEFFFF FFFFFFFFFFFF000000000000BDFFFFFFFFFFFFFFFFFFFFFFFF00FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFCE843A00004AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000021 6BC5FFD66B00003AB5FFFFFFFFFFFFFFFFFFFF7373FFFFFFFFFFFFFFFFFFFFFF FFFFFFFF00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6C5 6B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6943A0000216BC5FFD66B00003AB5FFFFFFFFFFFFFFFFFFFF7373 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A00006BD6C56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BC5FFD66B00003AB5FF FFFFFFFFFFFFFFFFFF7373FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6C56B2100003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000 216BC5FFD66B00003AB5FFFFFFFFFFFFFFFFFFFF7373FFFFFFFFFFFFFFFFFFFF FFFFFFFFFF00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6 C56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A0000196BB5E68419001984EFFFFFFFFFFFFFFFFFFF73 73FFFFFF9C423131DEFF73633131DEFF00FFCE52EFCE424221ADFF737310DEFF FFFFFFFFEF841900197BAD6B1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000196BB5E68419001984 EFFFFFFFFFFFFFFFFFFF7373FFFFFF9C423131DEFF73633131DEFF00FFCE52EF CE424221ADFF737310DEFFFFFFFFFFEF841900197BAD6B1900003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 0000196BB5E68419001984EFFFFFFFFFFFFFFFFFFF7373FFFFFF9C423131DEFF 73633131DEFF00FFCE52EFCE424221ADFF737310DEFFFFFFFFFFEF841900197B AD6B1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6943A0000196BB5E68419001984EFFFFFFFFFFFFFFFFFFF 7373FFFFFF9C423131DEFF73633131DEFF00FFCE52EFCE424221ADFF737310DE FFFFFFFFFFEF841900197BAD6B1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A080019529C9C3A0000 52B5FFFFFFFFFFFFFFFFFF7373FFFFEF52EFFF7373FF00CEFF7373FF00CE31CE FF63CEFFAD42FF4284EFFFFFFFFFFFFFB55200002152521900084A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 944A080019529C9C3A000052B5FFFFFFFFFFFFFFFFFF7373FFFFEF52EFFF7373 FF00CEFF7373FF00CE31CEFF63CEFFAD42FF4284EFFFFFFFFFFFFFB552000021 52521900084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6944A080019529C9C3A000052B5FFFFFFFFFFFFFFFF FF7373FFFFEF52EFFF7373FF00CEFF7373FF00CE31CEFF63CEFFAD42FF4284EF FFFFFFFFFFFFB55200002152521900084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A080019529C9C3A00 0052B5FFFFFFFFFFFFFFFFFF7373FFFFEF52EFFF7373FF00CEFF7373FF00CE31 CEFF63CEFFAD42FF4284EFFFFFFFFFFFFFB55200002152521900084A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6AD631900003A634A1900197BD6FFFFFFFFFFFFFFFF7373FFFFFFDE847321 73FF00FFFF7373FF001073FFFFEF9C733142FF42BDFFFFFFFFFFFFD67B190000 081900001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD631900003A634A1900197BD6FFFFFFFFFFFF FFFF7373FFFFFFDE84732173FF00FFFF7373FF001073FFFFEF9C733142FF42BD FFFFFFFFFFFFD67B190000081900001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD631900003A634A 1900197BD6FFFFFFFFFFFFFFFF7373FFFFFFDE84732173FF00FFFF7373FF0010 73FFFFEF9C733142FF42BDFFFFFFFFFFFFD67B190000081900001963ADE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6AD631900003A634A1900197BD6FFFFFFFFFFFFFFFF7373FFFFFFDE8473 2173FF00FFFF7373FF001073FFFFEF9C733142FF42BDFFFFFFFFFFFFD67B1900 00081900001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19000021211900003194E6FFFFFFFF FFFFFF7373FFFFDE219CBD7373FF00FFFF7373FF00DE10CEFF3173BDAD42FF42 BDFFFFFFFFFFE69431000000000000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19000021 211900003194E6FFFFFFFFFFFFFF7373FFFFDE219CBD7373FF00FFFF7373FF00 DE10CEFF3173BDAD42FF42BDFFFFFFFFFFE69431000000000000196BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56B19000021211900003194E6FFFFFFFFFFFFFF7373FFFFDE219C BD7373FF00FFFF7373FF00DE10CEFF3173BDAD42FF42BDFFFFFFFFFFE6943100 0000000000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19000021211900003194E6FFFFFF FFFFFFFF7373FFFFDE219CBD7373FF00FFFF7373FF00DE10CEFF3173BDAD42FF 42BDFFFFFFFFFFE69431000000000000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3100 0008080000003A94D6FFFFFFFFFFFF7373FFFFBD31FFEF4273FF00FFFF7373FF 00FFAD31FF00EFFF7342FF42BDFFFFFFFFD6943A000000000000317BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC57B31000008080000003A94D6FFFFFFFFFFFF7373FFFFBD31 FFEF4273FF00FFFF7373FF00FFAD31FF00EFFF7342FF42BDFFFFFFFFD6943A00 0000000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000008080000003A94D6FF FFFFFFFFFF7373FFFFBD31FFEF4273FF00FFFF7373FF00FFAD31FF00EFFF7342 FF42BDFFFFFFFFD6943A000000000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31 000008080000003A94D6FFFFFFFFFFFF7373FFFFBD31FFEF4273FF00FFFF7373 FF00FFAD31FF00EFFF7342FF42BDFFFFFFFFD6943A000000000000317BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD6944A08000000000000317BB5EFFFFFFFFF9C9CFFFFFF 7342529C73FF42FFFF9C9CFF42FFFF73AD9C4242AD52FF73CEFFFFEFB57B3100 00000000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A08000000000000317B B5EFFFFFFFFF9C9CFFFFFF7342529C73FF42FFFF9C9CFF42FFFF73AD9C4242AD 52FF73CEFFFFEFB57B310000000000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 944A08000000000000317BB5EFFFFFFFFF9C9CFFFFFF7342529C73FF42FFFF9C 9CFF42FFFF73AD9C4242AD52FF73CEFFFFEFB57B310000000000084A94D6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD6944A08000000000000317BB5EFFFFFFFFF9C9CFFFF FF7342529C73FF42FFFF9C9CFF42FFFF73AD9C4242AD52FF73CEFFFFEFB57B31 0000000000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6321000000000000 19529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD69C521900000000002163ADE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6AD632100000000000019529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C521900000000002163ADE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD632100000000000019529CD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5219 00000000002163ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63210000000000 0019529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD69C521900000000002163ADE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE844A08000000000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B310000000000084A84CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFEF9C7373ADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFF FFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE844A08000000000000316BADCEEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B3100 00000000084A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFEF9C7373ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD9C FFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE844A080000 00000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFCEAD6B310000000000084A84CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFEF9C7373ADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE844A08000000000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B310000000000084A84CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFEF9C7373ADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFF FFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B31000000000000083A6394C5 D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C594633A0800 00000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFEF312173631031EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73 42FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B31 000000000000083A6394C5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFD6C594633A080000000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFEF312173631031EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6AD6B31000000000000083A6394C5D6EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C594633A080000000000316BADE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFEF3121736310 31EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFF FFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B31000000000000083A6394 C5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C594633A08 0000000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFEF312173631031EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 9C522100000000000000214A6B84B5CED6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFD6CEB5846B4A2100000000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFFEF109CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD69C522100000000000000214A6B84B5CED6EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFD6CEB5846B4A2100000000000021529CD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFF EF109CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFF FFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100000000000000 214A6B84B5CED6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6CEB5846B4A210000 0000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFF7331FFFFFFEF109CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D69C522100000000000000214A6B84B5CED6EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFD6CEB5846B4A2100000000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFFEF109CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFC594633A0800000000000000193A526B849C9C B5CED6D6D6D6D6D6CEB59C9C846B523A19000000000000083A6394C5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFF FFFF9CBD9C73FFFFFFAD63FF429C524273EF634263EFFF7342734252BDFFFFEF 73424273FFFF7342FFFFCE524252CEFFFF73845252EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000 00000000193A526B849C9CB5CED6D6D6D6D6D6CEB59C9C846B523A1900000000 0000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFF7331FFFFFFFF9CBD9C73FFFFFFAD63FF429C524273EF634263 EFFF7342734252BDFFFFEF73424273FFFF7342FFFFCE524252CEFFFF73845252 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFC594633A0800000000000000193A526B849C9CB5CED6D6D6D6D6D6CEB5 9C9C846B523A19000000000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFFFF9CBD9C73FFFFFFAD 63FF429C524273EF634263EFFF7342734252BDFFFFEF73424273FFFF7342FFFF CE524252CEFFFF73845252EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A0800000000000000193A526B849C 9CB5CED6D6D6D6D6D6CEB59C9C846B523A19000000000000083A6394C5EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FF FFFFFF9CBD9C73FFFFFFAD63FF429C524273EF634263EFFF7342734252BDFFFF EF73424273FFFF7342FFFFCE524252CEFFFF73845252EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B3A19 0000000000000000001921213A52636363636363523A21211900000000000000 00193A6BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFCE103173BDFFFFFFCE00DEFFFF5284FF0010ADAD101084BD 3163FF730063BD8400DEFF4231BDAD3163FF7342FFCE0084BD8410DEFF420073 84FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFCEAD6B3A190000000000000000001921213A5263636363636352 3A2121190000000000000000193A6BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFCE103173BDFFFFFFCE00DEFFFF 5284FF0010ADAD101084BD3163FF730063BD8400DEFF4231BDAD3163FF7342FF CE0084BD8410DEFF42007384FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B3A1900000000000000000019 21213A52636363636363523A2121190000000000000000193A6BADCEEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFCE10 3173BDFFFFFFCE00DEFFFF5284FF0010ADAD101084BD3163FF730063BD8400DE FF4231BDAD3163FF7342FFCE0084BD8410DEFF42007384FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B3A 190000000000000000001921213A52636363636363523A212119000000000000 0000193A6BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFCE103173BDFFFFFFCE00DEFFFF5284FF0010ADAD101084 BD3163FF730063BD8400DEFF4231BDAD3163FF7342FFCE0084BD8410DEFF4200 7384FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD6B584633A210800000000000000000000000000000000 00000000000000000008213A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFDE6321001073FFFF3184FF DE00DEFF009CFFFF4263FFFF7342FF7321FFFFFF5273CE00DEFFFFCE00DE7342 FF6363FFFFFF5273FF4263FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A21080000000000 000000000000000000000000000000000000000008213A6384B5D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFF DE6321001073FFFF3184FFDE00DEFF009CFFFF4263FFFF7342FF7321FFFFFF52 73CE00DEFFFFCE00DE7342FF6363FFFFFF5273FF4263FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 B584633A21080000000000000000000000000000000000000000000000000008 213A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD1010BDFFFFFFFFFFFFFFDE6321001073FFFF3184FFDE00DEFF009CFFFF4263 FFFF7342FF7321FFFFFF5273CE00DEFFFFCE00DE7342FF6363FFFFFF5273FF42 63FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD6B584633A2108000000000000000000000000000000 0000000000000000000008213A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFDE6321001073FFFF3184 FFDE00DEFF009CFFFF4263FFFF7342FF7321FFFFFF5273CE00DEFFFFCE00DE73 42FF6363FFFFFF5273FF4263FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5947B523A2108 000000000000000000000000000000000008213A527B94B5CEEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFF FFFFFFFFDE841073FF8431FF8452FFFF00BDFFFF4273FFFF7342FF7342FFFFFF 7342AD21FFFFFFFF00BD7342FF42214242422142FF4273FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEB5947B523A2108000000000000000000000000000000000008213A52 7B94B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFBDBDEFFFFFFFFFFFFFFFFFFFFFDE841073FF8431FF8452FFFF00BDFFFF42 73FFFF7342FF7342FFFFFF7342AD21FFFFFFFF00BD7342FF42214242422142FF 4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5947B523A210800000000000000000000 0000000000000008213A527B94B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFDE841073FF84 31FF8452FFFF00BDFFFF4273FFFF7342FF7342FFFFFF7342AD21FFFFFFFF00BD 7342FF42214242422142FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5947B523A21 08000000000000000000000000000000000008213A527B94B5CEEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFF FFFFFFFFFFDE841073FF8431FF8452FFFF00BDFFFF4273FFFF7342FF7342FFFF FF7342AD21FFFFFFFF00BD7342FF42214242422142FF4273FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6CEB5947B6363523A2121212121212121213A5263637B94B5 CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF42BDFFFFFFFF7342FFEF00CE319CFFFF00BDFFFF 4273FFFF7342FF7342FFFFFF7342AD10FFFFFFFF00BD7342FF4263BDBDBDBDCE FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB5947B6363523A2121212121 212121213A5263637B94B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF42BDFFFFFFFF7342FF EF00CE319CFFFF00BDFFFF4273FFFF7342FF7342FFFFFF7342AD10FFFFFFFF00 BD7342FF4263BDBDBDBDCEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB5 947B6363523A2121212121212121213A5263637B94B5CEE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF42BDFFFFFFFF7342FFEF00CE319CFFFF00BDFFFF4273FFFF7342FF7342FF FFFF7342AD10FFFFFFFF00BD7342FF4263BDBDBDBDCEFF4273FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6CEB5947B6363523A2121212121212121213A5263637B94 B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF42BDFFFFFFFF7342FFEF00CE319CFFFF00BDFF FF4273FFFF7342FF7342FFFFFF7342AD10FFFFFFFF00BD7342FF4263BDBDBDBD CEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6CEB59C9C9C9C 9C9C9C9C9CB5CED6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF5252FFFFFFFF5252 FFFF636310FFFFFF00BDFFFF4273FFFF7342FF7321EFFFFF3184DE00CEFFFFBD 00EF7342FF6342FFFFFF6384FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6D6D6CEB59C9C9C9C9C9C9C9C9CB5CED6D6E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF5252FFFFFFFF5252FFFF636310FFFFFF00BDFFFF4273FFFF7342FF7321 EFFFFF3184DE00CEFFFFBD00EF7342FF6342FFFFFF6384FF4273FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6CEB59C9C9C9C9C9C9C9C9CB5CED6D6E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF5252FFFFFFFF5252FFFF636310FFFFFF00BD FFFF4273FFFF7342FF7321EFFFFF3184DE00CEFFFFBD00EF7342FF6342FFFFFF 6384FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6CEB59C9C9C 9C9C9C9C9C9CB5CED6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF5252FFFFFFFF52 52FFFF636310FFFFFF00BDFFFF4273FFFF7342FF7321EFFFFF3184DE00CEFFFF BD00EF7342FF6342FFFFFF6384FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE102173733110CEFFFFAD0063FFFFFF00BDFFFF4273FFFF7342FF73 10529C5231EFFF632184841073FF7342FFDE1052AD6310CEFF4273FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE102173733110CEFFFFAD0063FFFFFF00 BDFFFF4273FFFF7342FF7310529C5231EFFF632184841073FF7342FFDE1052AD 6310CEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE1021737331 10CEFFFFAD0063FFFFFF00BDFFFF4273FFFF7342FF7310529C5231EFFF632184 841073FF7342FFDE1052AD6310CEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE102173733110CEFFFFAD0063FFFFFF00BDFFFF4273FFFF7342FF 7310529C5231EFFF632184841073FF7342FFDE1052AD6310CEFF4273FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84736384DEFFFFFFFF00CEFFFFFF 73DEFFFF9CBDFFFFBD9CFFBD9CAD7384EFFFFFFF9C7373BDFFFFBD9CFFFFDE73 7373DEFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF847363 84DEFFFFFFFF00CEFFFFFF73DEFFFF9CBDFFFFBD9CFFBD9CAD7384EFFFFFFF9C 7373BDFFFFBD9CFFFFDE737373DEFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF84736384DEFFFFFFFF00CEFFFFFF73DEFFFF9CBDFFFFBD9C FFBD9CAD7384EFFFFFFF9C7373BDFFFFBD9CFFFFDE737373DEFFFF9CBDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84736384DEFFFFFFFF00CEFFFF FF73DEFFFF9CBDFFFFBD9CFFBD9CAD7384EFFFFFFF9C7373BDFFFFBD9CFFFFDE 737373DEFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C21FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C21FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF4200ADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF4200ADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF4200ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF4200ADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDCEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBDCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDCEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF %%EndBinary grestore end % Image Trailer grestore grestore % EPS grestore cfi-3.0.orig/sv/Image1.gif0100664000175000017500000001035107311654724014234 0ustar miccemicceGIF89aKŽ{{{ssskkkcccZZZRRRJJJBBB:::111)))!!!,KD dihlp,tmx@ fC,b*09ШtJ ythZzV Ϧ!}&f # u" [ 9 [ fmg-  rm [e9oqP" _+q+ q(ڟ '«[!,LCB&X`T=hxp}|!2Їo2 BVD [*t …- JѣH*=:,Z`S4@*t0H5.O Tj\hK[=KW"8B@[XlA?}a? g,HCi"J fξ. M۸kͻo,zWVOB9aHtUC ?;E8@@I>T\z(cp A Dd L`! #}IZa)K/Hy.*'4p@S @40AABB,U1M0V.ԂHVitK|vsAdRFsd0:tЇbU_yx|'@4NН(#X]G)g9a%ɐ E:Pl GJP~dYK}f}:& `,;vUpDɭW*+?oAiCUp"Wl(^+r9BŃ3Ѐ>2ڪ+0nc5U3 '04 Y.)]%l|%$\2PNkHk/ =%s 6@4g+KfE&A$ `);rZupe-)&*&BjPY/fj2gSjW(vt\[t0_@ H&c3("o1`@L8  : :Ж)89$n<1p) {45|&^8X@/GK+#)uH9Y 5mk/k!RGB85-2>[\`SKcFP(+}BGH(LOTDj(RH:JX Հߑ!x5 82#~6 a*0Xژ hHtI Y0E8(PvH`"N;Տ7F5A% n}ML!0dkND@H/B$1UĴJ1nrR^Dn aHhP2 ]Vr PKHoY G26$_-j%$Q en^DD25v=/8qV4\Xg8>C%;shĢQ2[X1KiF /x:a3D`/<|zټWE& ΞY(-R*% 4KtӘ[ 0(4+PTJUXͪVQ2 B ;K<ХBg&)|P$"kL9$ LSJXMVMLGC _ʈ<5it l/[b0(&IMK$$|m22&A$@.#D$mTZY:|) p5 Ը0y ;(n@*U+dS8]h@DFc@ ڲ QLx = (@PX|Rgpx7G\!T8^O75j†) !)_MB;#t*\Ã,ۊ1Ր@yQGqfGiHV*~"Kt&qX`jPZ/C7'ͿĂ<8l gC?XלDLs@]dO0àq1,[ ,mv5)E4$2jy_ ,U<ʓH2(5nASI2Gf,Čfع嶃VG9\B #f3&L*dT̼! T`((J I0KJ$+N\@H &p,, ,BN(OW򖻼(eF3gV(98@ZX,$fDx~ @ AO9N*2vAN5`j:vK0y]{RĘ<2;~W=toAM$STEdݏ<;+@(DP /GCDstFqdJA;ڋJdWzI>ޘxC:w#ϟڜT U:$e md(M"Pi^!_nɈRMy؀}/V r턨awxiN %`yO 79}BAPlrR ` `|mT~f̥1j~rx0+pĶ U,GJRed)"s{MdSDU qNu"T~20NvODX} !aIs0vYV3PPZfօ1P1 `Orj8.fgg) Z%R ua ~42WD;1fU exO2VPuO*b`v u p6,0WatEWhrx*`2(QwCV7vuj61P w0D 41@;1n#{|9p2[V^jT(KpS#@bS31F]Feo E'>u^a @t@bb9 ײBB&& M RhoU4(@؍e&T2k<904RDbpSd( hŐQ4@'Lr %!P6`GH6 1,7GhZH%(!HAM#Жq9Mr7xdr4㔖`b Sȇ2!4HʥT,HRPQj@b,nq_f dc%iiZY N`bR'6hfaI&Q#pEA'LZԵ"&H6]%qTh@9YXbf#Z11/?7`ߥ YxcVg&:=`~!՟m@9Q6{)7bQ 0f qaip(SO5T}4Uggf LUcBI1#Ӣ!9ddZfzՠ@ 敥\&m֕yuUx RVʈfV&L|h3_Oh 9JAvE'WQqԆaT'*L9E"0n|d 8r/3 0O` A3ug19X NCc/dOH #cp$6,P"mnD v) afaaseޒjvn Z{wj#xe:h)pV<;u &ҐJk`+p/p#<" 2pwXX 7 7{ h8ƨ2 Ht0&K.0@""谮pu7uq fN)jow{_ kiuVZ!j >,b*a#h7~?`Re >" u>p :O[~zTgFy:Э }*IR$ц~D9hfv1;W9ŻryEA*Spnp2Y`Pyp4 qPIWP!| Rb7mrKsr~xC~rUd Z%|&}@'J>~wsn7s7w)oEqe}Ti&EI0Y'v) 1 `f_1œ^$@BGG H<%hB8hC%`Ѓ@a&DTTbITP nP_qp"WknE"<< F(pw袌6裐F*餔V``'f> d)Pc骬҈k`Ԡ@TFzTAD(9)td Pt 9㝱i}pX$0N"Q0Ӏg`Zɬ@uc`Nz,z`@M6S:T`;"R#XS"34 /b, Yn gbB@;Dxp?1`AZ"l 'jEP3J]-.yds364.㐳'ƫS$7L|u qktFG fٛMm˚;7ghP4ݰkilm\E!NwhBUD;S뵤yMJOB8jӎ J2x1H6dG>C?3$h/X@*2|$u9!.~z ꇝ@ Ro; bĉ 6\A d7͠JoHH%MKDL&:Pb ;z'.F EjHs2FF`E1LfJ51Bt>#DUR1DT@@>&anB  ZB):0Hk&_$=:ZRx ] jJpֶ?FքL@# T-o jHFأiR" ﵲz4o@\9AzWr``D2B+wZ.!*/E0XE?ܗ$~Zc cG5 ^g 3,LOb9QcZwFZkJ`X㢀7dL W7; Bu剴@ UJHm':` >7 l *u; ְŬ!<rD͠7;X ջКH:NrK@Y[{@ЇNHOҗޣ" S/8DF]T[:НH"QE0M#b?Gc4pzܡQ r^0Y~Fo$ǡH}DЈe+3=bO #xA7; D&sZBnA@@>U)Ih3L@bRMbE+Eo̓ԁ.vpq8(ۿ([b`_0B|>AO}p(Z4 tmq GLXPDXPJF@|@],'_րRwPJ%o~?\Q\wx Eg6Py,exF>2uJ/^Á>l&p7TTYhv?2HxdP`v_VgsQjJ ` `+dV tjP7@DPS%!i"!SXk1Q;` { Ȣ,Jjsc RkR1Sxj}7x(( 4Gb"1<-X JHtuҦ$@#"H:c 4HXt`DF^>lh F2}Ql Pc6c?u9qH$T*JY" kP60? ZVi$1a0Q&y(+oOUd^za׆$`U#@s+?QxPVVcg> 6&A3aZٕDwx&)`E@w,?Yqǖn6! Q]x,(Ht[hh*p' QYSYho2#˘ Pk3gH\$U%LHlk "Jj\f2 DFSm(uzӊPq#u#NҖE__ )Ei̕eɑ#XI_HD%߹()Ey_]8 3\ڵ9@%Pid 0* e89_'bx__t`D6bfi q6Wo' Bs2 U C.c% zTpe#`!U`N:ZdU;P{MxBg|ghGK5GtzLe9{XR&!V <_6@ )xWvjCƧ|:c+viP rjP4e?@D*zi2s> =;li9=L+ , fDj62n3E*;$U*F6Z3X h( a|n#X:R[7k:&%Q zO0E QJjzS-a2Y / s})($jkyN9`$:& !W3g5%*<6Kle1둟PÙ!!Hׯbgx~9zfe0Lk FH("b7wX =63i Wtx $WhaS>M/d>탑'tkD%E-±y9a"h) ?eDVIkFfatL39 + ȍẒC $@t$XK'"1pi(>Jzpzz;wZw|V\ZdU(P5rq?9Rq A&+E zrp'zzRA$'`B'\s_WB1-sts+xbzT7yG6D꾋 8"w,r!0'Rh8{7JT &L RtjQXZ\^U;cfi-3.0.orig/sv/Image3.eps0100664000175000017500000114070107311654724014264 0ustar miccemicce%!PS-Adobe-3.0 EPSF-3.0 %%Creator: Adobe Photoshop Version 5.0 %%Title: Image3.eps %%CreationDate: Tue Jan 11 2000 20:08:18 %%BoundingBox: 0 0 298 123 %%HiResBoundingBox: 0 0 298 123 %%SuppressDotGainCompensation %%EndComments %%BeginProlog %%EndProlog %%BeginSetup %%EndSetup %ImageData: 298 123 8 3 1 298 2 "beginimage" %BeginPhotoshop: 2808 % 3842494D03ED000000000010004800000001000200480000000100023842494D % 040D000000000004000000783842494D03F30000000000080000000000000000 % 3842494D040A00000000000100003842494D271000000000000A000100000000 % 000000023842494D03F5000000000048002F66660001006C6666000600000000 % 0001002F6666000100A1999A0006000000000001003200000001005A00000006 % 000000000001003500000001002D000000060000000000013842494D03F80000 % 000000700000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E80000 % 0000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFFFFFFFFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800003842494D0408000000000010 % 000000010000024000000240000000003842494D041400000000000400000001 % 3842494D040C00000000097900000001000000700000002E0000015000003C60 % 0000095D00180001FFD8FFE000104A46494600010201004800480000FFFE0026 % 46696C65207772697474656E2062792041646F62652050686F746F73686F70A8 % 20352E30FFEE000E41646F626500648000000001FFDB0084000C08080809080C % 09090C110B0A0B11150F0C0C0F1518131315131318110C0C0C0C0C0C110C0C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C010D0B0B0D0E0D % 100E0E10140E0E0E14140E0E0E0E14110C0C0C0C0C11110C0C0C0C0C0C110C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0CFFC000110800 % 2E007003012200021101031101FFDD00040007FFC4013F000001050101010101 % 0100000000000000030001020405060708090A0B010001050101010101010000 % 0000000000010002030405060708090A0B100001040103020402050706080503 % 0C33010002110304211231054151611322718132061491A1B14223241552C162 % 33347282D14307259253F0E1F163733516A2B283264493546445C2A3743617D2 % 55E265F2B384C3D375E3F3462794A485B495C4D4E4F4A5B5C5D5E5F556667686 % 96A6B6C6D6E6F637475767778797A7B7C7D7E7F7110002020102040403040506 % 07070605350100021103213112044151617122130532819114A1B14223C152D1 % F0332462E1728292435315637334F1250616A2B283072635C2D2449354A31764 % 4555367465E2F2B384C3D375E3F34694A485B495C4D4E4F4A5B5C5D5E5F55666 % 768696A6B6C6D6E6F62737475767778797A7B7C7FFDA000C0301000211031100 % 3F00F5540CCCFC1C0ABD7CEC8AB16998F52E7B6B6C9FE5D85AD54BAEF5DAFA4B % 71EA6547273F3ECF430719A40DF646EDD63CFF00378F57D2BEDFF06AB62FD53C % 27DD4E7F5A3FB5FAAD4DDBF6ABDA0300FDCA30D9B716A63777FA2F5BFE152536 % ABFAD1F56ADB1B555D5B0ACB1E4358C6E4D45C49E1AD6B6CF72D354B37A3749C % FC738B99874DF4905BB1EC060111ECD3757FD858B900FD4F15E4B2DB6CFAB8D0 % 29B310FE91D8AE7B9BB33199169FB4D989BBD97D56DD6FA3EAEFA3F45FA2494F % 4E9249810448E125349FD45CDEB74F4BD80B6EC5B724DB3A835598F4ECDBFCAF % B4ABCB3ACB3007D60A2B756E3D40E25CEAAE9F60A0598C2FAC8DFF004DF73B1D % DFCD7E67F38B452529249339CD6B4B9C435AD1249D00012529CE6B5A5CE20340 % 924E8000B2DDF5ABEABB1C5AEEB182D734C39A726A0411D8FE9150C7C27FD6BC % 6399D59B6D5D232434E274A2ED9BEB1FA4665E7BA9DB6BADB9DF4713D7FB3575 % 32AFA772DAA3A574CC6C718D462535501BB7D36D6D0D8F0DB09292E2E5E2E650 % DC8C4BABC8A1FF0042DA9C1EC31FBAF61735C8AB9FC9FAAACC3F5B33EAB9674A % EA3690E78009C6B40FF037E27BA8ABD4FF00B938D4B3299FBFFCE6FD0E87D6B1 % 3ADE00CDC50F600F7556D36002CAEDACEDB69B5A0BBDEC494FFFD0ECFADE5BB1 % 733A8F51631AEC8E8DD26CC8C40F92D2EB8DEFB77B5BB5DB7FC978FF0045FF00 % 9E8F77D6567D9712EAE8B2A767305D48BBD33FA21662D4E79AEAC8DFB9F5E6B1 % F56CFF00D08F4943EB05F99D33A86175BAAAF5702965B47550D12F652FF4EDAB % 2D8C1EEB3EC9654FF5195B2CB3D2BEC5BAD735ED0F610E6B802D7032083C1052 % 53CD755FAE78D8DD2F2F2F0D8FBACC765D5B5EEACB6AFB5535BEF75566FB2A7F % A557A7FA4733F4777AD5E3E2E45B93FA35A3939F8D939EFE9369071ED6BB12D0 % 5A4EFBECA8E5FD99B634EDABD2E9F5D97DDEB57FA5FB4E3FA36FB2DAD6AAC8FA % C9D4B33130BECDD2EB17F56CD9AB0AA9800C4D9936996ECA3199EF7BFF007FD3 % ABE9DA929CCC7E938FF5C7EA574EAFAAD97D7F68C6A9D63A8B5D592E6FA6FDCF % AFDF8F76F755FF006A29BBD3FF0005FA45A357D54E995D4CAC5D9E431A1A0FED % 0CC1C08FA2DCA6B5BFD946C9E854DDD3F1BA7D19593834E235ACADD8B67A6F2D % 637D2631EFDAEDCDDAA97FCD1FFCDD756FFD8AFF00D4692983FEA8F4B3D629BF % ED9961CDC7B5831CE7659B5C1CFA1DEB32FF00B67AEDA6BF4F659533F44F7DB5 % 7A9FCDD6AE7FCD7E9BFE9B3FFF007219BFFBD6B22CFA99927AE5168EA7D48E33 % 716E63F28E48F51B63ACC6757434EDDFE95AC65B63FF0047F4EAAD5EFF009A3F % F9BAEADFFB15FF00A8D25367FE6BF4DFF4D9FF00FB90CDFF00DEB593F5CF159D % 3BEA9646162D976CCEBE9C7B2CBEEB6F73597D9551745D9965EF6B3D2FCCFE6D % 59CAFA935E5635B8D6F59EAAEAEF63AB7B5D921CD2D782C735CC757EE6EA8AEF % AA187FF356CFAB2322FB71CD65955D7BC3EC690EF569F7358C6EDA2CD9E9B767 % F36929265FD66A70733231B228B5EDAAEA6A6D95066D1EBD7EAB3D5F52D639BB % 5F5DBEA5BB3D2AABF4DF67B3D6B187C2EB74E465DF8BA9B196ED6560377060C7 % C5CDB1E765D7FDA2BADD9B4D6EBE9633F4B93451E9FF00DA9BA7D0FABB3AAE19 % B0B1D46563BFD0CDC67020D57B5AD7DB4EBFCE37DED7576D7FA3B2B5A2929C0C % AEBD75B83859585763E1B33AE6B05B94D1731B5BB1ACCDD7ECF97452EB5CFADB % 5EE665FA4AD74F6D7475BEA94542197371F35FFF001B68B712CFFC0BA750E5A1 % 95958F878D6656558DA68A5A5F658F30D6B4724ACBFAB4CEA565799D47A9D3F6 % 6BFA8641B29A0905D5E3B595D38955BB4B9BEAEDADF7D9FCBBD253FFD1F54201 % 1078585FF3773F0B345FD0BA80C1C4887F4CB6AF5F1A7C71D82DC7B30BFE2F1D % FE8FFC12DE4925393938FF0059AFA5D553998986F70205EDA1F7384FE7B2BB2F % A6B63BFAFEBA9747E83474D1EB5B63B3BA93DA5B7751BE0DCE6B9DBFD26BBFC0 % E3B619B31EAFD17B3F7D6A249294924924A722EBEE1F5B3168163850EE9F9363 % AA04EC2F6DD84D6586BFA3EA35AFB1AD77F2D59C6EB5D27271B1F2EACAAFD0CC % 77A78AF79F4FD4712E6B594B6ED8FB1CFF004DFE9EDFE73F3159CAFB37D96EFB % 5EDFB37A6EF5F7FD1F4E0FA9BE7F3367D25CFBFF00E677AB87EB6FF5BED757D9 % 7D5FB4FA9F69F57A87D9FD4F57F4BFD23F6AFF0048FD0FFD6FECE929DAA3AAF4 % DBEBF56ACAA9CCDDB03B7012E36BB0991BA3F9DCAADF453FE9ACFE691EBBE9B6 % 3D2B1AF96B6C1B483EC7CFA7669F9966C76C7AE6F07FE676EABECBEBFA7BEBF4 % F77DB3D0DFF6A77D9B77ADFAA6FF00DA9BFECDEA7F85FE67D8B5FA37EC8F42BF % D993E9FD9EAD9BBD4DDE8CDDF67DDF69FD27D3FB47D3FD2FFA44948BABF41FB6 % BBED58194FE99D4DB01B99489DC07F83CBC725B56655ABB632EFE6FF00C1A957 % 57D66AEA15BB270EF78001BCD3657AFEFBA86DF6B5DFD9B6B5A8924A7069FAB3 % 7E4663F2FAFE6FED669FE6704D42BC3ACE9160C373F27D5BDB1ECBAFB6CD8B79 % 249253FFD9003842494D03FD000000000006000000000000 %EndPhotoshop gsave % EPS gsave /hascolor /deviceinfo where {pop deviceinfo /Colors known {deviceinfo /Colors get exec 1 gt} {false} ifelse} {/statusdict where {pop statusdict /processcolors known {statusdict /processcolors get exec 1 gt} {false} ifelse} {false} ifelse} ifelse def 40 dict begin /_image systemdict /image get def /_setgray systemdict /setgray get def /_currentgray systemdict /currentgray get def /_settransfer systemdict /settransfer get def /_currenttransfer systemdict /currenttransfer get def /blank 0 _currenttransfer exec 1 _currenttransfer exec eq def /negative blank {0 _currenttransfer exec 0.5 lt} {0 _currenttransfer exec 1 _currenttransfer exec gt} ifelse def /inverted? negative def /level2 systemdict /languagelevel known {languagelevel 2 ge} {false} ifelse def /level3 systemdict /languagelevel known {languagelevel 3 ge} {false} ifelse def /foureq {4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll pop pop pop pop and and and} def hascolor {/band 0 def} {/band 5 def} ifelse /setcmykcolor where {pop 1 0 0 0 setcmykcolor _currentgray 1 exch sub 0 1 0 0 setcmykcolor _currentgray 1 exch sub 0 0 1 0 setcmykcolor _currentgray 1 exch sub 0 0 0 1 setcmykcolor _currentgray 1 exch sub 4 {4 copy} repeat 1 0 0 0 foureq {/band 1 store} if 0 1 0 0 foureq {/band 2 store} if 0 0 1 0 foureq {/band 3 store} if 0 0 0 1 foureq {/band 4 store} if 0 0 0 0 foureq {/band 6 store} if} if blank {/band 6 store} if gsave % Image Header gsave /rows 123 def /cols 298 def 298 123 scale level2 { band 0 eq { /DeviceRGB } {/DeviceGray} ifelse setcolorspace} if /picstr1 298 string def /picstr2 298 string def /picstr3 298 string def /picstr4 298 string def /readdata {currentfile exch readhexstring pop} def /image2 level2 {/image load def} {{begin Width Height BitsPerComponent ImageMatrix Decode length 2 eq {/DataSource load image} if Decode length 6 eq {DataSource 0 get DataSource 1 get DataSource 2 get true 3 colorimage} if Decode length 8 eq {DataSource 0 get DataSource 1 get DataSource 2 get DataSource 3 get true 4 colorimage} if end} def} ifelse /_image2 level2 {/_image load def} {{begin Width Height BitsPerComponent ImageMatrix /DataSource load _image end} def} ifelse /beginimage { band 0 eq band 4 eq or band 5 eq or {image2} {negative {{pop 0}} {{pop 1}} ifelse _settransfer _image2} ifelse } def 12 dict begin /ImageType 1 def /Width cols def /Height rows def /ImageMatrix [cols 0 0 rows neg 0 rows] def /BitsPerComponent 8 def band 0 eq {/Decode [0 1 0 1 0 1] def /MultipleDataSources true def /DataSource [ {picstr1 readdata} {picstr2 readdata} {picstr3 readdata picstr4 readdata pop} ] def} {/Decode [0 1] def /DataSource { picstr1 readdata pop picstr2 readdata pop picstr3 readdata pop picstr4 readdata } def} ifelse currentdict end %%BeginBinary: 302409 beginimage FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBD EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6 D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6 D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6 D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B636363 63636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5 AD9C947B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFD6C5AD9C947B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B949CADC5D6EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B949CADC5D6EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B6363636363636363 7B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B6363636363 6363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C 947B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B 4A312121080000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEB5846B4A312121080000000000000000082121314A6B84B5CEEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFCEB5846B4A312121080000000000000000082121314A6B84B5CE EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A3121210800000000000000000821 21314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A3121210800000000000000 00082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A31212108 0000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A31 2121080000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFCEB5846B4A312121080000000000000000082121314A6B84B5CEEFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD6B584633A190000000000000000000000000000000000000000193A6384B5 D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD6B584633A19000000000000000000000000000000000000 0000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6B584633A19000000000000000000000000000000 0000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A190000000000000000 000000000000000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A190000000000 000000000000000000000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B58463 3A190000000000000000000000000000000000000000193A6384B5D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 B584633A190000000000000000000000000000000000000000193A6384B5D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD6B584633A190000000000000000000000000000000000000000 193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363634A312121 080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A636363 6363634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A 6363636363634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A19000000 0000082121314A6363636363634A312121080000000000193A6B9CC5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A19 0000000000082121314A6363636363634A312121080000000000193A6B9CC5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFC59C6B3A190000000000082121314A6363636363634A3121210800000000 00193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFC59C6B3A190000000000082121314A6363636363634A3121210800 00000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363 634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6 D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A52 7B949CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000 193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE94 52310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A19000000 0008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A19 0000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5 AD9C947B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6D6D6 D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B94 9CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5 CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000 0000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A190000 00002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63 2100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A 19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000 193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A1900000000 2163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A080000 08315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB58452 31080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5 CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB584523108000008 3A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A0800000831 5284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB584523108 0000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 7B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A08000019 63ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A08 00001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD631900 00083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD 63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A 94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100 00084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163 ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800 002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE94521900 00317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 7B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE945219000031 7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900 00216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196B C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF B56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19000021 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900 003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A 84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C 521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B 190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C5219 00196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B 1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900 196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB5 6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B190019 6BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019 6BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B 1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 8421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308 002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421 000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A0000 3A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A 00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9C EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552000031 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 9431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF BDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B 1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100 0863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308 002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863 C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200 003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B190019 7BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 7B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AAD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF AD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 6BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A0000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563 10000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5631000 0042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFF FFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A0000 63CEFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFCE6300003A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE63 00003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808 BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFF FFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFF FFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5 FFFFFFFFFFFFFFFFF7F7CE9C3A08000000000031424242424242424242424242 4242424242424242424242424242424242420808424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242424242424242CEFFFFFFFFFFFFFFFFB53A000063CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 63CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFF7F7CE9C3A080000000000314242 4242424242424242424242424242424242424242424242424242424208084242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242CEFFFFFFFFFF FFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFF7F7CE9C 3A08000000000031424242424242424242424242424242424242424242424242 4242424242420808424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242CEFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFF FFFFFFFFFFFFF7F7CE9C3A080000000000314242424242424242424242424242 4242424242424242424242424242424208084242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242CEFFFFFFFFFFFFFFFFB53A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF8419001984EFFFFFFFFFFFFFF773421008000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000008BDFFFFFFFFFFFFFF EF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFF7734210080000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0008BDFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFF FFFFFFF773421008000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000008BDFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419 001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF8419001984EFFFFFFFFFFFFFF7734210080000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 00000000000000000000000000000000000000000008BDFFFFFFFFFFFFFFEF84 19001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFF7F7CE9C3A080000 0000003142424242424242424242424242424242424242424242424242424242 4242080842424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 CEFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFF FFFFF7F7CE9C3A08000000000031424242424242424242424242424242424242 4242424242424242424242420808424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242CEFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 63CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 3A000063CEFFFFFFFFFFFFFFF7F7CE9C3A080000000000314242424242424242 4242424242424242424242424242424242424242424208084242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242CEFFFFFFFFFFFFFFCE630000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFF7F7CE9C3A0800000000 0031424242424242424242424242424242424242424242424242424242424242 0808424242424242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242424242424242424242424242CEFF FFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFF FFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300 003AB5FFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFB53A000063CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00 0063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFE69C190000000894 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808 BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFF FFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFF FFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84190021 94FFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFF FFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FF FFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 0031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00 0063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663 00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00 BDFFFFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFF FFFFFFFFFFBD00BDFFFFFFFFFFFF42000000000031ADFFFFFFFFFFD663000063 D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFFBD 00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD663 000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FF FFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFFFF FFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF42000000000031AD FFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6630000 63D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFBD00BD FFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF8400 52FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 6BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00BDFFFFFFFF FFFF42000000000031ADFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BDFF FFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFFFF FFFFFFBD00BDFFFFFFFFFFFF42000000000031ADFFFFFFFFFFD663000063D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE73DE FFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFFFFD6630000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFF FFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFFFFFF FFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD733100DEFF FFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6 FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFF FFFFFFFFFFFFFFDE73DEFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DE FFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00 BDFFBD73FFFFFFFFFFFFFFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF 4231BDBDBD733100DEFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE73DEFFFFFFFFFFFFBD00BDFFFFFF FFFFFFFFFFFF212100DEFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFFFFFFFFFFFFFFBD73FFFFFFFFFFFF FFBD00BDFFFFFFFFFFFF4231BDBDBD733100DEFFFFFFFFD66300004AC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE73DEFFFF FFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFFFFD66300004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF 0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFFFFFFFFFF FFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD733100DEFFFFFF FFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFF FFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFBD00BD0073FFFF FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242 FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFF FFFFFFBD00BD0073FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD00BDFFFFFFFFFFFFFFFFBD00BD0073FFFFFFFFFFFFE67B080031ADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE6 7B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFF FF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFBD00BD0073FFFFFFFF FFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100 087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242FFFF FFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C21002194FFFFFFFFFFFF0073FFFF739C84210031BDFFFFFFBD310021AD0073 FFCE42CEAD42EFFFFFFFBD42DECE42CEFFFF842100428400BDFFFFFFFFFFFFFF FF6321FF6321FFFFFFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF42BD73100052DEFFFFFF 842100428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42FFFFFF842100428400BD FFFFFFFFFFFF4242FFFFFFFFFF0073FFFFFFFFFF942100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF739C84210031BD FFFFFFBD310021AD0073FFCE42CEAD42EFFFFFFFBD42DECE42CEFFFF84210042 8400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFFFFFFFFFF942100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF 42BD73100052DEFFFFFF842100428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42 FFFFFF842100428400BDFFFFFFFFFFFF4242FFFFFFFFFF0073FFFFFFFFFF9421 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF00 73FFFF739C84210031BDFFFFFFBD310021AD0073FFCE42CEAD42EFFFFFFFBD42 DECE42CEFFFF842100428400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFFFFFFFF FF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194 FFFFFFFFFFFF0073FFFF42BD73100052DEFFFFFF842100428400BDFF9C42FFAD 42EFFFFFFFBD42DE9C42FFFFFF842100428400BDFFFFFFFFFFFF4242FFFFFFFF FF0073FFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 002194FFFFFFFFFFFF0073FFFF739C84210031BDFFFFFFBD310021AD0073FFCE 42CEAD42EFFFFFFFBD42DECE42CEFFFF842100428400BDFFFFFFFFFFFFFFFF63 21FF6321FFFFFFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF42BD73100052DEFFFFFF8421 00428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42FFFFFF842100428400BDFFFF FFFFFFFF4242FFFFFFFFFF0073FFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4231319CAD3110EFFF CE0052BD9C100073FFBD00BDDE009CFFFFFF6331FFBD00BDFF840073BD730000 BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0031 52AD9C1042FFFF840073BD730000BDFF7300FFDE009CFFFFFF6331FF7300FFFF 840073BD730000BDFFFFFFFFFFFF4242FFFFFFDE6310DEFFFFFFFFFF9C210021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FF FF4231319CAD3110EFFFCE0052BD9C100073FFBD00BDDE009CFFFFFF6331FFBD 00BDFF840073BD730000BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFF FFFFFFFF0073FFFF003152AD9C1042FFFF840073BD730000BDFF7300FFDE009C FFFFFF6331FF7300FFFF840073BD730000BDFFFFFFFFFFFF4242FFFFFFDE6310 DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210021 9CFFFFFFFFFFFF0073FFFF4231319CAD3110EFFFCE0052BD9C100073FFBD00BD DE009CFFFFFF6331FFBD00BDFF840073BD730000BDFFFFFFFFFFFFFFEF1073FF AD00ADFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFF0073FFFF003152AD9C1042FFFF840073BD73 0000BDFF7300FFDE009CFFFFFF6331FF7300FFFF840073BD730000BDFFFFFFFF FFFF4242FFFFFFDE6310DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4231319CAD3110EFFFCE00 52BD9C100073FFBD00BDDE009CFFFFFF6331FFBD00BDFF840073BD730000BDFF FFFFFFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF003152AD 9C1042FFFF840073BD730000BDFF7300FFDE009CFFFFFF6331FF7300FFFF8400 73BD730000BDFFFFFFFFFFFF4242FFFFFFDE6310DEFFFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF42 00EFFFFFAD00BDFF6321FFFFFFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BD FF2163FFFFFF7300BDFFFFFFFFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFF FFFF0073FFFF0031FFFFFF7300FFFF2163FFFFFF7300BDFF7300FFFF5231FFFF EF0084FF7300FFFF2163FFFFFF7300BDFFFFFFFFFFFF4200000000000084FFFF FFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFF0073FFFF4200EFFFFFAD00BDFF6321FFFFFFBD0073FFBD00BDFF52 31FFFFEF0084FFBD00BDFF2163FFFFFF7300BDFFFFFFFFFFFFFF9C00DEFFFF21 42FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF7300FFFF2163FFFFFF7300 BDFF7300FFFF5231FFFFEF0084FF7300FFFF2163FFFFFF7300BDFFFFFFFFFFFF 4200000000000084FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4200EFFFFFAD00BDFF6321FFFF FFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF2163FFFFFF7300BDFFFFFF FFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF73 00FFFF2163FFFFFF7300BDFF7300FFFF5231FFFFEF0084FF7300FFFF2163FFFF FF7300BDFFFFFFFFFFFF4200000000000084FFFFFFFFFFFF9C2100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4200EF FFFFAD00BDFF6321FFFFFFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF21 63FFFFFF7300BDFFFFFFFFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF 0073FFFF0031FFFFFF7300FFFF2163FFFFFF7300BDFF7300FFFF5231FFFFEF00 84FF7300FFFF2163FFFFFF7300BDFFFFFFFFFFFF4200000000000084FFFFFFFF FFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFF FFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DE FF9C00EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DE FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF 7300FFFF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231 BDBDBD8452009CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF 0073FFBD00BDFF9C00DEFF9C00EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFF FFFF3131FFFFFF7300DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FF CE00ADFFFFFFBD00BDFF7300FFFF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD 00BDFFFFFFFFFFFF4231BDBDBD8452009CFFFFFFFFFF9C2100219CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFF BD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C00EFFFBD00BDCE00ADFF FFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFFFFFFFF9C2100219CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073 FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300FFFF9C00DEFF9C00EFFF 7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD8452009CFFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFF FF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C 00EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFF FFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300 FFFF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBD BD8452009CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273 FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE 0000000000000073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00 BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300FFBD00BDFFFFFFFF00BD FFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00 BDFF0073FFFFFFFF4273FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFF FF00BDFFFFFFFFFFFFDE0000000000000073FFFFFFFFFF9C2100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF 0073FFFFFF7300FFBD00BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300 FFBD00BDFFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C21 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF00 73FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273FFBD00BDFFFF1084FF4252FF FFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE0000000000000073FFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219C FFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00BDFFFFFFFF00BDFF7300FFFF FF1084FF4252FFFF7300FFBD00BDFFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFF FF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273FFBD 00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE0000 000000000073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00BDFF FFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300FFBD00BDFFFFFFFF00BDFFFF FFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF 1073FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00 BDFFFFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073 FFFFFF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE 00ADFFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFFFF9C210021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FF FF4242FFFFFFBD00BDFF1073FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFFBD 00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFF FFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF63 31DE00ADFFFF7300FFCE00ADFFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF73 00DEFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210021 9CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF1073FFBD00BD FFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF7300BDBDBD BDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFF CE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00ADFFFFFFCE00BDFFFFFFFF FFFF4242FFFFFFFFFF7300DEFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073 FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BDFF FFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFF FF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00AD FFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF42 42FFFFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE007321FFFFFFBD00BD FF1063FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFFFFEF841900 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFF FFFF0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300BDFF7300FFFFFFCE0073 21FFFFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFFFFFF4210FF FFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EF FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFF CE007321FFFFFFBD00BDFF1063FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF 9C009CFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C21001984EFFFFFFFFFFF0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300 BDFF7300FFFFFFCE007321FFFFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF 4242FFFFFFFFFF4210FFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF5221FFFF FFBD0073FFBD00BDFFFFCE007321FFFFFFBD00BDFF1063FFFFFF7300BDFFFFFF FFFFFF1052FFFFFFFFFF9C009CFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF0073FFFFFF73 00FFFF1063FFFFFF7300BDFF7300FFFFFFCE007321FFFFFF7300FFFF1063FFFF FF7300BDFFFFFFFFFFFF4242FFFFFFFFFF4210FFFFFFFFEF841900219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF4242FF FFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE007321FFFFFFBD00BDFF10 63FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFFFFEF841900219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF 0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300BDFF7300FFFFFFCE007321FF FFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFFFFFF4210FFFFFF FFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFF FFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD311073FFBD00BDFFFFFF31 0073FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFFAD00ADFFFFFFFFFFEF10 42FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 3A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FFFF9C0073BD9C2100BDFF 7300FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C2100BDFFFFFFFFFFFF4221 73737373210084FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB53A00006BD6FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD31 1073FFBD00BDFFFFFF310073FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFF AD00ADFFFFFFFFFFEF1042FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FF FF9C0073BD9C2100BDFF7300FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C21 00BDFFFFFFFFFFFF422173737373210084FFFFFFFFD66B00003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF4242FFFFFF BD00BDFFCE1052BDAD311073FFBD00BDFFFFFF310073FFFFFFBD00BDFF9C0073 BD9C2100BDFFFFFFFFFFAD00ADFFFFFFFFFFEF1042FFFFFFD66B00003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073 FFFF0073FFFFFF7300FFFF9C0073BD9C2100BDFF7300FFFFFFFF310073FFFFFF 7300FFFF9C0073BD9C2100BDFFFFFFFFFFFF422173737373210084FFFFFFFFD6 6B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFF FF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD311073FFBD00BDFFFFFF310073 FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFFAD00ADFFFFFFFFFFEF1042FF FFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00 006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FFFF9C0073BD9C2100BDFF7300 FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C2100BDFFFFFFFFFFFF42217373 7373210084FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE52000063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42CEFFFFCE4200219C739C FFCE42CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031CE42CEFFFFFFFFFF7342 FFFFFFFFFFFFFF7342DEFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF429CFFFFFF9C42FFFFFF AD210031CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD210031CE42CE FFFFFFFFFFFF73424242424252ADFFFFFFFFFFD663000052CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42 CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031 CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342DEFFFFD663000052CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF 429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42 FFFFFFAD210031CE42CEFFFFFFFFFFFF73424242424252ADFFFFFFFFFFD66300 0052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF42 9CFFFF7373FFFFFFCE42CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42DEFFFF FFCE42CEFFFFAD210031CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342DEFFFF D663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063 D6FFFFFFFFFF429CFFFF429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C42FFFF FFFF9C42DEFFFFFF9C42FFFFFFAD210031CE42CEFFFFFFFFFFFF734242424242 52ADFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52 000063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42CEFFFFCE4200219C739CFFCE 42CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031CE42CEFFFFFFFFFF7342FFFF FFFFFFFFFF7342DEFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF429CFFFFFF9C42FFFFFFAD21 0031CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD210031CE42CEFFFF FFFFFFFF73424242424252ADFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5 F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063 D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52 000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6630000 52CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFF FFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 6BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFF FFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FF FFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFEF 8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFF FFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF94 21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFEF8419 002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFF FFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 9408000000199CE6FFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800 31ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B080031ADFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFAD310008 7BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD 0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFF FFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFF FFCE424242424242424242424242424242424242424242424242424242424242 4242424242424242424208084242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242423100 00000000083A9CCEF7F7FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00 004AC5FFFFFFFFFFFFFFFFCE4242424242424242424242424242424242424242 4242424242424242424242424242424242424242080842424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242310000000000083A9CCEF7F7FFFFFFFFFFFFC54A00004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00 004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFCE42424242424242424242 4242424242424242424242424242424242424242424242424242424242420808 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242310000000000083A9CCEF7F7FFFF FFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFCE 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242080842424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424231000000 0000083A9CCEF7F7FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087B E6FFFFFFFFFFFFFFFFBD08000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000000000008104273F7FFFFFFFFFFE67B0800319CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFBD080000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 00000000000000000000000000000000000000000000000008104273F7FFFFFF FFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFBD0800 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000008104273F7FFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FF FFFFFFFFFFFFFFBD080000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 00000000000000000000000008104273F7FFFFFFFFFFE67B0800319CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE67B0800319CFFFFFFFFFFFFFFFFFFCE4242424242424242424242424242 4242424242424242424242424242424242424242424242424242080842424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242310000000000083A9CCEF7F7FFFFFFFFFFFF FF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFCE42424242 4242424242424242424242424242424242424242424242424242424242424242 4242424208084242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242424242424242310000000000083A 9CCEF7F7FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFF FFFFFFFFFFCE4242424242424242424242424242424242424242424242424242 4242424242424242424242424242080842424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242310000000000083A9CCEF7F7FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 00319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E67B0800319CFFFFFFFFFFFFFFFFFFCE42424242424242424242424242424242 4242424242424242424242424242424242424242424242420808424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242310000000000083A9CCEF7F7FFFFFFFFFFFFFF9C 3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFF FFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFF FFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 9408000000199CE6FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A 00004AC5FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFFC54A00 004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD 0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFF FFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200 001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94210008 7BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFE67B080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B 08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFF FFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF742000010 63C5FFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE63 00003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A0000 63CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0800 2194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94 2100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC55200 00319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C310000 52C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC552 0000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C 31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000 319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08 002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE684 2100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B080021 84E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100 086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9C EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AAD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 9431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552 00003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBD EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B 1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B190019 7BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B 1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900 196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE684210008 63C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563080021 84E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563 08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A 84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B 2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 3A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52 1900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A08 00003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A080000 3A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD 6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100 001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C 522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021 529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319 000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317B C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B310000 00317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3100000031 6BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3100 0000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94 D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A 6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59463 3A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800 00083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394 C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A08 0000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B310000 0000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A21 00000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B 9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A210000000031 6BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000 214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A210000 0000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CE B5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFF FFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EF FFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A 7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100000000 08314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A3108000000002152 9CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 9C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31 080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB594 7B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFF FFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A52636B849C9C 9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000000821 3A52636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000 0008213A52636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 94633A080000000008213A52636B849C9C9C9C9C9C846B63523A210800000000 083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFC594633A080000000008213A52636B849C9C9C9C9C9C846B63523A210800 000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFC594633A080000000008213A52636B849C9C9C9C9C9C84 6B63523A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A52636B849C9C9C9C 9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A52 636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31080000 000000000019212121212121190000000000000008314A7BADCEEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCE AD7B4A31080000000000000019212121212121190000000000000008314A7BAD CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFCEAD7B4A3108000000000000001921212121212119000000000000000831 4A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000000019212121212121190000 000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000000019212121212121 190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A310800000000000000 19212121212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A310800000000 00000019212121212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B 4A31080000000000000019212121212121190000000000000008314A7BADCEEF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6C59C7B4A31190000000000000000000000000000000019314A7B9CC5E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6C59C7B4A311900000000000000000000000000000000 19314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A311900000000000000000000000000 00000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A3119000000000000 0000000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A3119000000 0000000000000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C 7B4A31190000000000000000000000000000000019314A7B9CC5E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6C59C7B4A31190000000000000000000000000000000019314A7B9CC5E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6C59C7B4A3119000000000000000000000000000000001931 4A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A5263 6B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121 212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21 212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5 AD846B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6C5AD846B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B84ADC5E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B84 ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A212121212121 21213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C 9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF D6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9C B5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C 9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6 CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFEF9C7373 ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFF FFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFEF9C7373ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD9CFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFEF9C7373ADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFEF9C7373ADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD9CFFFFFFFFFFFFFFFFFFFF FFFFFFBD9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFEF312173631031EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342 FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFEF312173631031EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFEF312173631031EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFF FF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFEF312173631031EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFF FFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFF7331FFFFFFEF109CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFFEF109CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF73 42FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF73 31FFFFFFEF109CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFF FFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFF7331FFFFFFEF109CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFFFFFF7342FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFFFF9CBD9C73FFFFFF AD63FF429C524273EF634263EFFF7342734252BDFFFFEF73424273FFFF7342FF FFCE524252CEFFFF73845252EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FF FFFFFF9CBD9C73FFFFFFAD63FF429C524273EF634263EFFF7342734252BDFFFF EF73424273FFFF7342FFFFCE524252CEFFFF73845252EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFF7331FFFFFFFF9CBD9C73FFFFFFAD63FF429C524273EF634263 EFFF7342734252BDFFFFEF73424273FFFF7342FFFFCE524252CEFFFF73845252 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF7331FFFFFFFF9CBD9C73FFFFFFAD63 FF429C524273EF634263EFFF7342734252BDFFFFEF73424273FFFF7342FFFFCE 524252CEFFFF73845252EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFCE103173BD FFFFFFCE00DEFFFF5284FF0010ADAD101084BD3163FF730063BD8400DEFF4231 BDAD3163FF7342FFCE0084BD8410DEFF42007384FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFCE103173BDFFFFFFCE00DEFFFF5284FF0010ADAD101084BD3163FF 730063BD8400DEFF4231BDAD3163FF7342FFCE0084BD8410DEFF42007384FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFCE103173BDFFFFFFCE00DEFFFF5284FF00 10ADAD101084BD3163FF730063BD8400DEFF4231BDAD3163FF7342FFCE0084BD 8410DEFF42007384FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFCE103173BDFFFF FFCE00DEFFFF5284FF0010ADAD101084BD3163FF730063BD8400DEFF4231BDAD 3163FF7342FFCE0084BD8410DEFF42007384FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFF FFFFFFFFDE6321001073FFFF3184FFDE00DEFF009CFFFF4263FFFF7342FF7321 FFFFFF5273CE00DEFFFFCE00DE7342FF6363FFFFFF5273FF4263FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD1010BDFFFFFFFFFFFFFFDE6321001073FFFF3184FFDE00DEFF009CFF FF4263FFFF7342FF7321FFFFFF5273CE00DEFFFFCE00DE7342FF6363FFFFFF52 73FF4263FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFDE6321001073FFFF 3184FFDE00DEFF009CFFFF4263FFFF7342FF7321FFFFFF5273CE00DEFFFFCE00 DE7342FF6363FFFFFF5273FF4263FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFF FFFFDE6321001073FFFF3184FFDE00DEFF009CFFFF4263FFFF7342FF7321FFFF FF5273CE00DEFFFFCE00DE7342FF6363FFFFFF5273FF4263FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFBDBDEFFFFFFFFFFFFFFFFFFFFFDE841073FF8431FF8452FFFF00BDFFFF42 73FFFF7342FF7342FFFFFF7342AD21FFFFFFFF00BD7342FF42214242422142FF 4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFDE841073FF8431 FF8452FFFF00BDFFFF4273FFFF7342FF7342FFFFFF7342AD21FFFFFFFF00BD73 42FF42214242422142FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFF FFFFFFDE841073FF8431FF8452FFFF00BDFFFF4273FFFF7342FF7342FFFFFF73 42AD21FFFFFFFF00BD7342FF42214242422142FF4273FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF BDBDEFFFFFFFFFFFFFFFFFFFFFDE841073FF8431FF8452FFFF00BDFFFF4273FF FF7342FF7342FFFFFF7342AD21FFFFFFFF00BD7342FF42214242422142FF4273 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF42BDFFFFFFFF7342FFEF00CE31 9CFFFF00BDFFFF4273FFFF7342FF7342FFFFFF7342AD10FFFFFFFF00BD7342FF 4263BDBDBDBDCEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF42BDFF FFFFFF7342FFEF00CE319CFFFF00BDFFFF4273FFFF7342FF7342FFFFFF7342AD 10FFFFFFFF00BD7342FF4263BDBDBDBDCEFF4273FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF42BDFFFFFFFF7342FFEF00CE319CFFFF00BDFFFF4273FFFF73 42FF7342FFFFFF7342AD10FFFFFFFF00BD7342FF4263BDBDBDBDCEFF4273FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF42BDFFFFFFFF7342FFEF00CE319CFF FF00BDFFFF4273FFFF7342FF7342FFFFFF7342AD10FFFFFFFF00BD7342FF4263 BDBDBDBDCEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF5252FFFFFF FF5252FFFF636310FFFFFF00BDFFFF4273FFFF7342FF7321EFFFFF3184DE00CE FFFFBD00EF7342FF6342FFFFFF6384FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF5252FFFFFFFF5252FFFF636310FFFFFF00BDFFFF4273FFFF7342FF 7321EFFFFF3184DE00CEFFFFBD00EF7342FF6342FFFFFF6384FF4273FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF5252FFFFFFFF5252FFFF636310FFFFFF00 BDFFFF4273FFFF7342FF7321EFFFFF3184DE00CEFFFFBD00EF7342FF6342FFFF FF6384FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF5252FFFFFFFF52 52FFFF636310FFFFFF00BDFFFF4273FFFF7342FF7321EFFFFF3184DE00CEFFFF BD00EF7342FF6342FFFFFF6384FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE102173733110CEFFFFAD0063FFFFFF00BDFFFF4273FFFF7342FF7310 529C5231EFFF632184841073FF7342FFDE1052AD6310CEFF4273FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE102173733110CEFFFFAD0063FFFFFF00BDFF FF4273FFFF7342FF7310529C5231EFFF632184841073FF7342FFDE1052AD6310 CEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE102173733110CEFF FFAD0063FFFFFF00BDFFFF4273FFFF7342FF7310529C5231EFFF632184841073 FF7342FFDE1052AD6310CEFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE102173733110CEFFFFAD0063FFFFFF00BDFFFF4273FFFF7342FF7310529C 5231EFFF632184841073FF7342FFDE1052AD6310CEFF4273FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF84736384DEFFFFFFFF00CEFFFFFF73DEFFFF9C BDFFFFBD9CFFBD9CAD7384EFFFFFFF9C7373BDFFFFBD9CFFFFDE737373DEFFFF 9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84736384DEFFFFFFFF 00CEFFFFFF73DEFFFF9CBDFFFFBD9CFFBD9CAD7384EFFFFFFF9C7373BDFFFFBD 9CFFFFDE737373DEFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF84736384DEFFFFFFFF00CEFFFFFF73DEFFFF9CBDFFFFBD9CFFBD9CAD7384EF FFFFFF9C7373BDFFFFBD9CFFFFDE737373DEFFFF9CBDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF84736384DEFFFFFFFF00CEFFFFFF73DEFFFF9CBDFF FFBD9CFFBD9CAD7384EFFFFFFF9C7373BDFFFFBD9CFFFFDE737373DEFFFF9CBD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C21FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF4200ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF4200ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF4200ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF4200ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBDCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDCEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BDCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBDCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF %%EndBinary grestore end % Image Trailer grestore grestore % EPS grestore cfi-3.0.orig/sv/Image3.gif0100664000175000017500000000702407311654724014241 0ustar miccemicceGIF89a*{Ž{{{ssskkkcccZZZRRRJJJBBB:::111)))!!!,*{D dihlp,tmx|/ AoH, Шw`<'Sy$ ™xT2X-rNzn߰l\>=kmrr%C Y / Y 5:pO5,5 1) v (Y/  &" B NĄ xA,JN]$Υ+ ع~D0"r<ʆR Eqyta^ePF*]ʢ72@a@,\accәE{BZ-ms hW\%#_ +qI[HEx˃̏4KMC3gϠ&mb0`!, nNw9ܻ{N= qȕ;>G07 .0p! &>A_DSD`Fqg 6F(.]P@`0]u ^~"uXRd ([])rUc:88 HIk"#UU"g6r>69JriL3 r`byeց=Y7sW=c R=s6qyf[` [Z p8WrwAҘS#B:d`h`4g #2"Zde9We2&  XW5řqSǙXiYXF) SN*YGNI{se1q{(\7(Ky]@f !D8' Cf55*b)1NExS$hd3]a\ )#@"+ʢwB@"5-J z 椤")u#s1Z`b:dZG;cfi-3.0.orig/sv/Image4.eps0100664000175000017500000100024107311654724014257 0ustar miccemicce%!PS-Adobe-3.0 EPSF-3.0 %%Creator: Adobe Photoshop Version 5.0 %%Title: Image4.eps %%CreationDate: Tue Jan 11 2000 20:08:09 %%BoundingBox: 0 0 301 102 %%HiResBoundingBox: 0 0 301 102 %%SuppressDotGainCompensation %%EndComments %%BeginProlog %%EndProlog %%BeginSetup %%EndSetup %ImageData: 301 102 8 3 1 301 2 "beginimage" %BeginPhotoshop: 2650 % 3842494D03ED000000000010004800000001000200480000000100023842494D % 040D000000000004000000783842494D03F30000000000080000000000000000 % 3842494D040A00000000000100003842494D271000000000000A000100000000 % 000000023842494D03F5000000000048002F66660001006C6666000600000000 % 0001002F6666000100A1999A0006000000000001003200000001005A00000006 % 000000000001003500000001002D000000060000000000013842494D03F80000 % 000000700000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E80000 % 0000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFFFFFFFFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800003842494D0408000000000010 % 000000010000024000000240000000003842494D041400000000000400000001 % 3842494D040C0000000008DB00000001000000700000002600000150000031E0 % 000008BF00180001FFD8FFE000104A46494600010201004800480000FFFE0026 % 46696C65207772697474656E2062792041646F62652050686F746F73686F70A8 % 20352E30FFEE000E41646F626500648000000001FFDB0084000C08080809080C % 09090C110B0A0B11150F0C0C0F1518131315131318110C0C0C0C0C0C110C0C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C010D0B0B0D0E0D % 100E0E10140E0E0E14140E0E0E0E14110C0C0C0C0C11110C0C0C0C0C0C110C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0CFFC000110800 % 26007003012200021101031101FFDD00040007FFC4013F000001050101010101 % 0100000000000000030001020405060708090A0B010001050101010101010000 % 0000000000010002030405060708090A0B100001040103020402050706080503 % 0C33010002110304211231054151611322718132061491A1B14223241552C162 % 33347282D14307259253F0E1F163733516A2B283264493546445C2A3743617D2 % 55E265F2B384C3D375E3F3462794A485B495C4D4E4F4A5B5C5D5E5F556667686 % 96A6B6C6D6E6F637475767778797A7B7C7D7E7F7110002020102040403040506 % 07070605350100021103213112044151617122130532819114A1B14223C152D1 % F0332462E1728292435315637334F1250616A2B283072635C2D2449354A31764 % 4555367465E2F2B384C3D375E3F34694A485B495C4D4E4F4A5B5C5D5E5F55666 % 768696A6B6C6D6E6F62737475767778797A7B7C7FFDA000C0301000211031100 % 3F00F555859DF59323ED230FA1F4F7F57BC388BAD6BFD1C5AF6E9632CEA0F65B % 4BB218EFFB4D4FA96A7FACFD46CABEC5D1F1F70CAEB377D9C39A60B2868F533E % F6BBF36CAF1B77A5FF000AF62D4E9FD3F0FA6E1D5838350A31A81B6BAC49813B % 8FB9DB9CE739C773DEF494D1BF2BEB3D751B2AE9F877BC7F816E5BDA7FB36D98 % 5B1DFDAF4D2E8FF58B1FA8918F934D9D37A8EB3D3F2A19690DFA576389FD671B % FE1E95ACB2FAFF004BBB3F08BF05EDC7EAB8D3674FCA20135DB1B63DC1DFA2BE % B2FA2FF6FF0035624A751254FA3E6BF3FA56266D8D15DB914B1F6D63F32C2D1E % AD5FF5BB37315C494A4957CAAF2DEFC6FB3D9E9305A4E491B4935FA7686B5BBD % B67FDA8FB3B955BBAD60E132E1936BB75590CC4635DB77DB75ACA6DA68C66B36 % 7A8E7FDA59FF00827A9FA0AFD4494E9249A478AA9D5F35F81D2B2F36A68B2DC7 % A5EFAAB3C3AC0D3E955FF5CB363125357AC7D62C7E9C4E3E3536752EA3A474FC % 587DA03BE8DD9027F56C6FF87B93D393F59ECA459674FC3A1E46B4BB2EC711FD % 6B6BC2D9FE6FA89FA074BBB03083F39EDC8EAB9316750CA000365B1B63DA1BFA % 2A2B0CA28F6FF355AD4494E160FD64C8FB49C3EB9D3DFD22F2E029B5CFF5B16C % DDA56CAFA8319552DC87BBFED35DE9DAB7557EA1D3F0FA961DB839D50BF1AF1B % 6CACC8913B87B9BB5CD735C3731EC597F563A8D96FDB7A3E46E395D1AEFB3973 % 8C97D0E1EA605EE77E7596636DF57FE158F494FF00FFD0ECBAEDACC6FAD9F576 % FB845360CCC5161E05B7371DF8ECFEB5BF67B589BAA7D5ACCC9E8F674FA2D25D % 918ACC6B3764DF5D6C7B6A7637DA2BAAAF51AFAF6BBF4985B69C7CBFFB52B5BA % C74CAFA9E0BB1C915DCC736EC5BCB771AAFACEFC6C96B7DBFCD59FCAF7B3F46A % 9627D65A2A9C6EBC59D2B3AB71AC8B9DB28BBF72DC1CAB8555E432C616BFD26F % E9A8FE66CFE6D2531C7E89D4B1FA20C439B65F9431F1EA2C36BA9AC3A90CFB48 % A3271EBFB6D1F6DDB66EBFF4B651FF0069EBAFE82B5774961C9C3CFB05765FD3 % 98198C5FB9A2B0FF00D1F50B83DA7DEEB717D956FAFD9E9FFC32BB765E2514FA % F7DD5D548E6C7B835BFE7B8ED581D4739DF5909E8DD24BCF4EBDA0E6759A1F15 % B5A1DB9F8989637DB957E4319E85DE959E9E35577E7BFF00429293F4AEA98B85 % D231EFB9B7BEBCEB3232B1CE3E3DF91FA2BEEB32E8DDF63A723D2FD06455B3D5 % D8AC7FCE7E99FE8B3FFF0071D9DFFBC6B4B1E8A71A8AF1A860AE9A58DAEAADBA % 06B1A36318DFEAB42224A798C4FACDD3FAE6674D6E332FAEFC7CDB6BC9AECA6E % 63596578F9B5D957AF6D55D3EA7E7B69DDF69F4BF9DC7ABF495D7A5674AE97D4 % 1D995D936D8DCBAEF2E88751915D38C68B31DE5BF4D95328B7F3FF009CB29B3F % 47EA5483F69C2CAAE8C4C2C87F4975AE75B51A46335EF73AB666DB5D7464B32B % D47D8CCDFB45CEA31F7EFAAEF52DFF004E5C2B3A774A61393D4FED0FEA567AEC % BF25D4B4D9155357E87ECD5E2D2EA5B4D54FBD95FE7FD3494EAC0F0599F58E19 % D22CBCE95E2D94655C7B0AB1EEA72F23FF0000A6C5A88791453934598D7B0594 % DCC7576D6ED4398E1B1EC77F59A525395D43A7757C9CF393859BE8E33E96D5E9 % EE744FA79E1F6B5A3F47BDD9191D2EDF57F9DD98767FD7533A2E730620196EDB % 47A66E64B835EEAACDED706CEDDB6D37E4FDA1AF6FE92E660FD0FB37E929F4EC % E77D5B23A37562F1D3A869387D66F7CD6E6976E66265D8EF6E2DF8EC7FA14FAB % 67A793553F98FF00D0AE829CBC5BE917D17576D27516B1C1CC3FDB69DA929E65 % DF55FA93F0EF66E6576DF9C32FD337BB262BFB233A63EA765F53C3CCF59CFD8E % 7FE9F0ADFD17E8BFE1113EAC9DFF00593AEB9A458CA2BC1C3B2F6821AFBE8AEF % 3921A2D7DD6FE8FD7AFF009CB6DFF8DB15CCBFACB45B18DD04B3AAE758E15814 % BB7D14FEFDB9D9548B6BC7656C0E7FA4EFD35FFCCD7FCE2BBD1FA657D3305B8E % 08B2E7B9D7655E1BB4DB7D877E4E4B9BEEFE76CFE57B19FA3494FF00FFD1F555 % 47AC7EC6FB0BFF006DFD9FEC5F9DF6AD9E9CC1FF004DEDDEBE6349253ECF89FF % 008CD7DA9BE97D977C9DBEBFADE8CFFE857EA6BD06BF4FD36FA51E9C0D9B636C % 76DB0BE5749253F5524BE5549253F46B3FE6BFED1E99B7FA66E7FECDFE7BE97D % 96BF57FE0FFE4DF47F9FFF00CFE97FD8EEDF77AFE9C64EDDFF006AD9E9EDAFED % 7E8EFF00D1FD836FA1F65F4BF51DFE97D83F48BE7249253F5524BE5549253F54 % 59E9FA6EF563D383BF746D8EFBA579EE5FFE335F6A77ABF66DF2377A3EBFA33F % FA0BFA9AF1949253F4E747FD8DF6167EC4FB3FD8BF37ECBB3D3981FE87DBBD5E % 5F2AA4929FFFD9003842494D03FD000000000006000000000000 %EndPhotoshop gsave % EPS gsave /hascolor /deviceinfo where {pop deviceinfo /Colors known {deviceinfo /Colors get exec 1 gt} {false} ifelse} {/statusdict where {pop statusdict /processcolors known {statusdict /processcolors get exec 1 gt} {false} ifelse} {false} ifelse} ifelse def 40 dict begin /_image systemdict /image get def /_setgray systemdict /setgray get def /_currentgray systemdict /currentgray get def /_settransfer systemdict /settransfer get def /_currenttransfer systemdict /currenttransfer get def /blank 0 _currenttransfer exec 1 _currenttransfer exec eq def /negative blank {0 _currenttransfer exec 0.5 lt} {0 _currenttransfer exec 1 _currenttransfer exec gt} ifelse def /inverted? negative def /level2 systemdict /languagelevel known {languagelevel 2 ge} {false} ifelse def /level3 systemdict /languagelevel known {languagelevel 3 ge} {false} ifelse def /foureq {4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll pop pop pop pop and and and} def hascolor {/band 0 def} {/band 5 def} ifelse /setcmykcolor where {pop 1 0 0 0 setcmykcolor _currentgray 1 exch sub 0 1 0 0 setcmykcolor _currentgray 1 exch sub 0 0 1 0 setcmykcolor _currentgray 1 exch sub 0 0 0 1 setcmykcolor _currentgray 1 exch sub 4 {4 copy} repeat 1 0 0 0 foureq {/band 1 store} if 0 1 0 0 foureq {/band 2 store} if 0 0 1 0 foureq {/band 3 store} if 0 0 0 1 foureq {/band 4 store} if 0 0 0 0 foureq {/band 6 store} if} if blank {/band 6 store} if gsave % Image Header gsave /rows 102 def /cols 301 def 301 102 scale level2 { band 0 eq { /DeviceRGB } {/DeviceGray} ifelse setcolorspace} if /picstr1 301 string def /picstr2 301 string def /picstr3 301 string def /picstr4 301 string def /readdata {currentfile exch readhexstring pop} def /image2 level2 {/image load def} {{begin Width Height BitsPerComponent ImageMatrix Decode length 2 eq {/DataSource load image} if Decode length 6 eq {DataSource 0 get DataSource 1 get DataSource 2 get true 3 colorimage} if Decode length 8 eq {DataSource 0 get DataSource 1 get DataSource 2 get DataSource 3 get true 4 colorimage} if end} def} ifelse /_image2 level2 {/_image load def} {{begin Width Height BitsPerComponent ImageMatrix /DataSource load _image end} def} ifelse /beginimage { band 0 eq band 4 eq or band 5 eq or {image2} {negative {{pop 0}} {{pop 1}} ifelse _settransfer _image2} ifelse } def 12 dict begin /ImageType 1 def /Width cols def /Height rows def /ImageMatrix [cols 0 0 rows neg 0 rows] def /BitsPerComponent 8 def band 0 eq {/Decode [0 1 0 1 0 1] def /MultipleDataSources true def /DataSource [ {picstr1 readdata} {picstr2 readdata} {picstr3 readdata picstr4 readdata pop} ] def} {/Decode [0 1] def /DataSource { picstr1 readdata pop picstr2 readdata pop picstr3 readdata pop picstr4 readdata } def} ifelse currentdict end %%BeginBinary: 253305 beginimage FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6 D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B 949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B6363 6363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5 AD9C947B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFD6C5AD9C947B63636363636363637B949CADC5D6EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B949CADC5D6EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B6363636363636363 7B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B6363 6363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6 C5AD9C947B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFCEB5846B4A312121080000000000000000082121314A6B84B5CEEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFCEB5846B4A312121080000000000000000082121314A6B 84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A312121080000000000000000 082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A3121210800 00000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B 4A312121080000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEB5846B4A312121080000000000000000082121314A6B84B5CEEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFCEB5846B4A312121080000000000000000082121314A6B 84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A3121210800000000000000 00082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A1900000000000000 00000000000000000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A19 0000000000000000000000000000000000000000193A6384B5D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D6B584633A190000000000000000000000000000000000000000193A6384B5D6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD6B584633A1900000000000000000000000000000000000000 00193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A1900000000000000000000000000 00000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A19000000000000 0000000000000000000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A19 0000000000000000000000000000000000000000193A6384B5D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD6B584633A190000000000000000000000000000000000000000193A6384B5 D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFC59C6B3A190000000000082121314A6363636363634A3121210800 00000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363 634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A19000000000008212131 4A6363636363634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000 000000082121314A6363636363634A312121080000000000193A6B9CC5EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 9C6B3A190000000000082121314A6363636363634A312121080000000000193A 6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363634A31212108 0000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363 634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121 314A6363636363634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000 193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE94 52310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A19000000 0008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B 523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6D6D6 D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B949C ADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE94523108000000 00193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE94 52310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A19000000 0008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C94 7B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A 6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163 ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63 2100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A 19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF E6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000000019 3A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A190000000021 63ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08 000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5 845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284 B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000 083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A 08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCE B5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A 0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD631900 00083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963AD E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A 0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319 0000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A 94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800 002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD6321000008 4A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000 195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE94521900 00317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000 195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B 210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000 216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B 210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A 84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196B C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000 3A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A000019 6BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19001952 9CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900 196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019 529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B 1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196B B5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B 1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196B C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196B C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196B CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863 C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563080021 84E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AAD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE424242424242424242424242424242CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242424242424242 42424242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 31000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE424242424242424242424242424242CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242424242424242424242424242 42CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552000031 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 7B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 0008080808080808080808080810BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD080008080808080808080808080810BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08000808080808 0808080808080810BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD080008080808080808080808080810BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0831B5BDBDBDBDBDBDBDBDBDBD BDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863 C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0831B5BDBDBDBDBDBDBDBDBDBDBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0831B5BDBDBDBDBDBDBDBDBDBDBDBDEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863 C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0831B5BDBDBD BDBDBDBDBDBDBDBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B19 00197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B190019 7BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B 1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052 B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 5200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A0000 52B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF B55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0842F7FFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFF7F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7 FFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFF FFFFFFF77342CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A0000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF77342CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF77342 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A0000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A0000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842 F7FFFFFFFFFFFFFFFFFFF77342CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800 2194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFF FFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100 087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF742 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD10 42F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFF FFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1042F7FFFFFFFF FFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300 003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFF FFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF7 4208BDFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00 0063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF BDCEFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFF FFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDCEFFFFFFFF FFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFF7 C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF F74208BDFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419 001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFF7C55252E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFF FFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE63 00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFF7C5 631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF74208BDFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE63 00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFF7C5631010C5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFF FFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFC563 10000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF74208BDFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF94 21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFE69C190000000894F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFF FFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BD FFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419 002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF74208BDFFFFFFE69C190000000894F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFF 9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFE69C19 0000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7FFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD31 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDCEFFFFFFFFFFFFFF FFFFFFF74208BDF7CE9C3A080000000000314242424242424242424242424242 424242424242424242424242424242424242CEFFFFFFFFFFFFE67B080031ADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF74208BDF7CE9C3A0800000000003142 42424242424242424242424242424242424242424242424242424242424242CE FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF74208 BDF7CE9C3A080000000000314242424242424242424242424242424242424242 424242424242424242424242CEFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDCE FFFFFFFFFFFFFFFFFFFFF74208BDF7CE9C3A0800000000003142424242424242 42424242424242424242424242424242424242424242424242CEFFFFFFFFFFFF E67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF74208734210080000 0000000000000000000000000000000000000000000000000000000000000000 000000000008BDFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1042F7FFFFFFFFFF FFFFFFFFF7420873421008000000000000000000000000000000000000000000 00000000000000000000000000000000000008BDFFFFFFFFFFFFD66300004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF74208734210080000000000000000 0000000000000000000000000000000000000000000000000000000000000008 BDFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF742 0873421008000000000000000000000000000000000000000000000000000000 00000000000000000000000008BDFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6 FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFBD00BDFFFF FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF840052FF FFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 42F7FFFFFFFFFFFFFFFFFFF74208BDF7CE9C3A08000000000031424242424242 4242424242424242424242424242424242424242424242424242CEFFFFFFFFFF FFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00 BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF 42000000000031ADFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BD FFFFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDF7CE9C3A 0800000000003142424242424242424242424242424242424242424242424242 42424242424242CEFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFF FFFFFFFFBD00BDFFFFFFFFFFFF42000000000031ADFFFFFFFFFFD663000063D6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF00 73FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFF FFBD00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFF D663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFF FFFFFFFFFFF74208BDF7CE9C3A08000000000031424242424242424242424242 4242424242424242424242424242424242424242CEFFFFFFFFFFFFD663000063 D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFF FFFFFFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF420000000000 31ADFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00 73FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFF FFFFFF840052FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDF7CE9C3A080000000000 3142424242424242424242424242424242424242424242424242424242424242 42CEFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00 BDFFFFFFFFFFFF42000000000031ADFFFFFFFFFFD663000063D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE73DEFFFF FFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFFFFD66300004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF7 4208BDFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF 0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFFFFFFFFFF FFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD733100DEFFFFFF FFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063 D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFF FFFFFFFFFFFFFFFFDE73DEFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100 DEFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFE69C190000000894F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFF FFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 00BDFFBD73FFFFFFFFFFFFFFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFF FF4231BDBDBD733100DEFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE73DEFFFFFFFFFFFFBD00 BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFF E69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFFFFFFFFFFFFFFBD73FFFF FFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD733100DEFFFFFFFFD66300004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF 0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFF FFFFDE73DEFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFF FFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFF FFFFFFFFFFFFF74208BDFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFC54A0000 63D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FF FFFFFFFFFFFFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD 733100DEFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFF FFFFFFBD00BD0073FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFC5631000 0042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFBD00BD0073FFFFFFFFFFFFE67B080031 ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFF F74208BDFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFF FF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFF FFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD310008 7BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFBD00BD 0073FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFC56310000042F7FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFF FFFF4242FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 00BDFFFFFFFFFFFFFFFFBD00BD0073FFFFFFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFF FFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE67B0800 31ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFF FF0073FFFF739C84210031BDFFFFFFBD310021AD0073FFCE42CEAD42EFFFFFFF BD42DECE42CEFFFF842100428400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFFFF FFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFF FFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 2194FFFFFFFFFFFF0073FFFF42BD73100052DEFFFFFF842100428400BDFF9C42 FFAD42EFFFFFFFBD42DE9C42FFFFFF842100428400BDFFFFFFFFFFFF4242FFFF FFFFFF0073FFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C21002194FFFFFFFFFFFF0073FFFF739C84210031BDFFFFFFBD310021 AD0073FFCE42CEAD42EFFFFFFFBD42DECE42CEFFFF842100428400BDFFFFFFFF FFFFFFFF6321FF6321FFFFFFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFF7C5 631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF42BD73100052DE FFFFFF842100428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42FFFFFF84210042 8400BDFFFFFFFFFFFF4242FFFFFFFFFF0073FFFFFFFFFF942100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF73 9C84210031BDFFFFFFBD310021AD0073FFCE42CEAD42EFFFFFFFBD42DECE42CE FFFF842100428400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFFFFFFFFFF942100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFF FFF74208BDFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFF FFFF0073FFFF42BD73100052DEFFFFFF842100428400BDFF9C42FFAD42EFFFFF FFBD42DE9C42FFFFFF842100428400BDFFFFFFFFFFFF4242FFFFFFFFFF0073FF FFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 2194FFFFFFFFFFFF0073FFFF739C84210031BDFFFFFFBD310021AD0073FFCE42 CEAD42EFFFFFFFBD42DECE42CEFFFF842100428400BDFFFFFFFFFFFFFFFF6321 FF6321FFFFFFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFF7C5631010C5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF42BD73100052DEFFFFFF842100 428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42FFFFFF842100428400BDFFFFFF FFFFFF4242FFFFFFFFFF0073FFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4231319CAD3110 EFFFCE0052BD9C100073FFBD00BDDE009CFFFFFF6331FFBD00BDFF840073BD73 0000BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C2100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFF FFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF 003152AD9C1042FFFF840073BD730000BDFF7300FFDE009CFFFFFF6331FF7300 FFFF840073BD730000BDFFFFFFFFFFFF4242FFFFFFDE6310DEFFFFFFFFFF9C21 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFF FFFF0073FFFF4231319CAD3110EFFFCE0052BD9C100073FFBD00BDDE009CFFFF FF6331FFBD00BDFF840073BD730000BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFF FFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FF FFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFF0073FFFF003152AD9C1042FFFF840073BD730000BDFF73 00FFDE009CFFFFFF6331FF7300FFFF840073BD730000BDFFFFFFFFFFFF4242FF FFFFDE6310DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4231319CAD3110EFFFCE0052BD 9C100073FFBD00BDDE009CFFFFFF6331FFBD00BDFF840073BD730000BDFFFFFF FFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFF FFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF003152AD9C10 42FFFF840073BD730000BDFF7300FFDE009CFFFFFF6331FF7300FFFF840073BD 730000BDFFFFFFFFFFFF4242FFFFFFDE6310DEFFFFFFFFFF9C2100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF 4231319CAD3110EFFFCE0052BD9C100073FFBD00BDDE009CFFFFFF6331FFBD00 BDFF840073BD730000BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFF FFFFF74208BDFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFF FFFFFF0073FFFF003152AD9C1042FFFF840073BD730000BDFF7300FFDE009CFF FFFF6331FF7300FFFF840073BD730000BDFFFFFFFFFFFF4242FFFFFFDE6310DE FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 00219CFFFFFFFFFFFF0073FFFF4200EFFFFFAD00BDFF6321FFFFFFBD0073FFBD 00BDFF5231FFFFEF0084FFBD00BDFF2163FFFFFF7300BDFFFFFFFFFFFFFF9C00 DEFFFF2142FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFE66BCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF7300FFFF2163FF FFFF7300BDFF7300FFFF5231FFFFEF0084FF7300FFFF2163FFFFFF7300BDFFFF FFFFFFFF4200000000000084FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4200EFFFFFAD 00BDFF6321FFFFFFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF2163FFFF FF7300BDFFFFFFFFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BD FFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FF FF0031FFFFFF7300FFFF2163FFFFFF7300BDFF7300FFFF5231FFFFEF0084FF73 00FFFF2163FFFFFF7300BDFFFFFFFFFFFF4200000000000084FFFFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFF FFFFFF0073FFFF4200EFFFFFAD00BDFF6321FFFFFFBD0073FFBD00BDFF5231FF FFEF0084FFBD00BDFF2163FFFFFF7300BDFFFFFFFFFFFFFF9C00DEFFFF2142FF FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7 FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF7300FFFF2163FFFFFF7300BDFF 7300FFFF5231FFFFEF0084FF7300FFFF2163FFFFFF7300BDFFFFFFFFFFFF4200 000000000084FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4200EFFFFFAD00BDFF6321FF FFFFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF2163FFFFFF7300BDFFFF FFFFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFF FFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF 7300FFFF2163FFFFFF7300BDFF7300FFFF5231FFFFEF0084FF7300FFFF2163FF FFFF7300BDFFFFFFFFFFFF4200000000000084FFFFFFFFFFFF9C2100219CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FF FF4242FFFFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C00EFFFBD 00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFFFFFFFF9C 2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFF FFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFF FFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300FFFF9C00 DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD845200 9CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF0073FF BD00BDFF9C00DEFF9C00EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF31 31FFFFFF7300DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFF7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00AD FFFFFFBD00BDFF7300FFFF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFF FFFFFFFFFF4231BDBDBD8452009CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFF BD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C00EFFFBD00BDCE00ADFF FFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFFFFFFFF9C2100219CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208 BDFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073 FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300FFFF9C00DEFF9C00EFFF 7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD8452009CFFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFF FFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00 DEFF9C00EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300 DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842 F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BD FF7300FFFF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF42 31BDBDBD8452009CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF0073 FFFFFFFF4273FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BDFF FFFFFFFFFFDE0000000000000073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFF FF7300FFBD00BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300FFBD00BD FFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073 FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273FFBD00BDFFFF1084FF4252FFFF BD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE0000000000000073FFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFF FFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00BDFFFFFFFF00BDFF7300FFFFFF 1084FF4252FFFF7300FFBD00BDFFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFFFF 4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273 FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE 0000000000000073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00 BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300FFBD00BDFFFFFFFF00BD FFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFF FFBD00BDFF0073FFFFFFFF4273FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BD FFFFFFFF00BDFFFFFFFFFFFFDE0000000000000073FFFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF742 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF00 73FFFF0073FFFFFF7300FFBD00BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FF FF7300FFBD00BDFFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF1073FFBD00BDFFFF 6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF7300BDBDBDBDBD 4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 42F7FFFFFFFFFFFFFFFFFFF74210BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFCE00 BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00ADFFFFFFCE00BDFFFFFFFFFFFF 4242FFFFFFFFFF7300DEFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF10 73FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BD FFFFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74210BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FF FFFF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00 ADFFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFFFF9C2100219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF00 73FFFF4242FFFFFFBD00BDFF1073FFFFFFFF1073FFBD00BDFFFF6331DE00ADFF FFBD00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFF FFFFFFFFFFF74210BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219C FFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFCE00BDFF7300FFFF FF6331DE00ADFFFF7300FFCE00ADFFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFF FF7300DEFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF10 73FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF 7300BDBDBDBDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74210BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE 00ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00ADFFFFFFCE00 BDFFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF4242FF FFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE007321FFFFFFBD00BDFF10 63FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFFFFEF841900219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFF CEBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF 0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300BDFF7300FFFFFFCE007321FF FFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFFFFFF4210FFFFFF FFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984 EFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFF FFCE007321FFFFFFBD00BDFF1063FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFF FF9C009CFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0842F7FFFFFFFFFFFFFFFFFFFFCEBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C21001984EFFFFFFFFFFF0073FFFF0073FFFFFF7300FFFF1063FFFFFF73 00BDFF7300FFFFFFCE007321FFFFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFF FF4242FFFFFFFFFF4210FFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF 5221FFFFFFBD0073FFBD00BDFFFFCE007321FFFFFFBD00BDFF1063FFFFFF7300 BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFFFFEF841900219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFCEBDEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF0073 FFFFFF7300FFFF1063FFFFFF7300BDFF7300FFFFFFCE007321FFFFFF7300FFFF 1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFFFFFF4210FFFFFFFFEF84190021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF 0073FFFF4242FFFFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE007321FF FFFFBD00BDFF1063FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFF FFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFF FFFFFFFFFFFFFFCEBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210019 84EFFFFFFFFFFF0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300BDFF7300FF FFFFCE007321FFFFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFF FFFF4210FFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB53A00006BD6FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD31 1073FFBD00BDFFFFFF310073FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFF AD00ADFFFFFFFFFFEF1042FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFF FFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FF FF9C0073BD9C2100BDFF7300FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C21 00BDFFFFFFFFFFFF422173737373210084FFFFFFFFD66B00003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF4242 FFFFFFBD00BDFFCE1052BDAD311073FFBD00BDFFFFFF310073FFFFFFBD00BDFF 9C0073BD9C2100BDFFFFFFFFFFAD00ADFFFFFFFFFFEF1042FFFFFFD66B00003A B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFF FF0073FFFF0073FFFFFF7300FFFF9C0073BD9C2100BDFF7300FFFFFFFF310073 FFFFFF7300FFFF9C0073BD9C2100BDFFFFFFFFFFFF422173737373210084FFFF FFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 6BD6FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD311073FFBD00BD FFFFFF310073FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFFAD00ADFFFFFF FFFFEF1042FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFF BD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB53A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FFFF9C0073BD9C 2100BDFF7300FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C2100BDFFFFFFFF FFFF422173737373210084FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF4242FFFFFFBD00BD FFCE1052BDAD311073FFBD00BDFFFFFF310073FFFFFFBD00BDFF9C0073BD9C21 00BDFFFFFFFFFFAD00ADFFFFFFFFFFEF1042FFFFFFD66B00003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7FFFFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF00 73FFFFFF7300FFFF9C0073BD9C2100BDFF7300FFFFFFFF310073FFFFFF7300FF FF9C0073BD9C2100BDFFFFFFFFFFFF422173737373210084FFFFFFFFD66B0000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFF FF429CFFFF7373FFFFFFCE42CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42DE FFFFFFCE42CEFFFFAD210031CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342DE FFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFBD0842F7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200 0063D6FFFFFFFFFF429CFFFF429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C42 FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD210031CE42CEFFFFFFFFFFFF73424242 424252ADFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE52000063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42CEFFFFCE420021 9C739CFFCE42CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031CE42CEFFFFFFFF FF7342FFFFFFFFFFFFFF7342DEFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFF FFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF429CFFFFFF9C42 FFFFFFAD210031CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD210031 CE42CEFFFFFFFFFFFF73424242424252ADFFFFFFFFFFD663000052CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF73 73FFFFFFCE42CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42DEFFFFFFCE42CE FFFFAD210031CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342DEFFFFD6630000 52CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFF FFFF429CFFFF429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C42FFFFFFFF9C42 DEFFFFFF9C42FFFFFFAD210031CE42CEFFFFFFFFFFFF73424242424252ADFFFF FFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200 0063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42CEFFFFCE4200219C739CFFCE42 CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031CE42CEFFFFFFFFFF7342FFFFFF FFFFFFFF7342DEFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFF FFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF429CFFFFFF9C42FFFFFFAD2100 31CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD210031CE42CEFFFFFF FFFFFF73424242424252ADFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE65252C5F7FFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200 0063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFBD0842F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663 000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7 FFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE5200 0063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B 00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFF FFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC5101063C5F7FFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A 00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFBD0842F7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 6B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC51010 63C5F7FFFFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421 001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFBD0842F7FFFFFFFFFFFF FFFFFFFFCEBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFF FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFCEBDEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFF74200001063C5FFFFFFFFFFBD0842F7FFFFFFFFFFFFFFFFFFFFCEBD EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF94 21001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFBD0842 F7FFFFFFFFFFFFFFFFFFFFCEBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFF7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F794 08000000199CE6FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74210BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B 080031ADFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFBD0842F7FFFFFFFFFF FFFFFFFFF74210BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199C E6FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74210BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFF FFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F79408000000199CE6FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF742 10BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFCE4242424242424242424242424242 42424242424242424242424242424242424242310000000000083A9CCEF7BD08 42F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFCE42 4242424242424242424242424242424242424242424242424242424242424242 310000000000083A9CCEF7BD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFFFFFFCE4242424242424242424242424242424242424242 42424242424242424242424242310000000000083A9CCEF7BD0842F7FFFFFFFF FFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A0000 4AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFCE42424242424242 4242424242424242424242424242424242424242424242424242310000000000 083A9CCEF7BD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FF FFFFFFFFFFBD0800000000000000000000000000000000000000000000000000 000000000000000000000000000000081042730842F7FFFFFFFFFFFFFFFFFFF7 4208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800 319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFBD08000000000000000000000000 0000000000000000000000000000000000000000000000000000000008104273 0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFBD 0800000000000000000000000000000000000000000000000000000000000000 000000000000000000081042730842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C3100087BE6FFFFFFFFFFFFBD08000000000000000000000000000000000000 00000000000000000000000000000000000000000000081042730842F7FFFFFF FFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 00319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFCE424242424242 4242424242424242424242424242424242424242424242424242423100000000 00083A9CCEF7BD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFF FFFFFFFFFFFFCE42424242424242424242424242424242424242424242424242 4242424242424242310000000000083A9CCEF7BD0842F7FFFFFFFFFFFFFFFFFF F74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C31 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFCE424242424242424242424242 424242424242424242424242424242424242424242310000000000083A9CCEF7 BD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFF CE42424242424242424242424242424242424242424242424242424242424242 4242310000000000083A9CCEF7BD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A00004AC5FFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFBD0842F7FFFF FFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFF7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F794080000 00199CE6FFFFFFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5 FFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFBD0842F7FFFFFFFFFFFFFFFF FFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFF FFBD0842F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF74200001063C5FFFFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF74208BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFBD1042F7FF FFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7420000 1063C5FFFFFFFFFFBD1042F7FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFBD1042F7FFFFFFFFFFFFFF FFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFF FFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC5101063C5F7FFFFFFFFFFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF74208BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003A ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFEFBDCEFF FFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC51010 63C5F7FFFFFFFFFFFFEFBDCEFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A0000 63CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B080021 94EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421 00086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF742 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0800 2194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC552 0000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C310000 52C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 4208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000 319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74208BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000 319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFF74208BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFBDBDBDBDBDBDBDBDBDBDBDBDB53108BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDBDBDBDBDBDBDBDBDBDBD B53108BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B080021 84E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100 086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFBDBDBDBDBDBDBDBDBDBDBDBDB53108BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDBDBDBDBDBDBDBDBDBDBDB53108BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A0000 3A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A0000 4AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1008080808 08080808080808080008BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD100808080808080808080808080008BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1008080808080808080808 08080008BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD100808080808080808080808080008BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE424242424242424242424242424242CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431 000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5520000 3194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE42424242 4242424242424242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE424242424242424242424242424242CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE42424242424242424242 4242424242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 31000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200 003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 7B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900 197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100 0863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC563080021 84E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100 0863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A0000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFF DEBDFFFFCECEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000021 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBDDEFFFFFFFFFFDEBDFFFFCECEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBDDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFDEBDFFFFCECE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BDDEFFFFFFFFFFDEBDFFFFCECEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000 216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52190000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFF FF7B08FFFF4A4AFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 0019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF087BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52190000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A 4AFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF087BFFFFFFFFFF7B08FFFF9C9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087B FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 4A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF9C9CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A000008 4A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF C5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFF FFFF7B08FFFF9C9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84 C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 4A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF9C9CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF087BFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963 ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF FFFFFFFFFFFFFFBDDEFFFFFFFFFFFFBDDEFF087BFFFFFFFFBDCEFFFFFFFFFFFF FFBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 9C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021 529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF087BFFFFFFFFFF7B08FFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFFFBDDEFF08 7BFFFFFFFFBDCEFFFFFFFFFFFFFFBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFFFFFFFFFFFFFF FFBDDEFFFFFFFFFFFFBDDEFF087BFFFFFFFFBDCEFFFFFFFFFFFFFFBDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5221000019 63ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 9C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFF FFFFFF7B08FFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFFFBDDEFF087BFFFFFFFFBD CEFFFFFFFFFFFFFFBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000 21529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD089C1908086BFFFF FF9C1908087B087BFFFF9C19080829CEFFFF7B4A4A083AFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317B C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FF FF4A4AFFBD089C1908086BFFFFFF9C1908087B087BFFFF9C19080829CEFFFF7B 4A4A083AFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCE EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD 6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3100 0000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD089C1908086BFFFFFF9C1908087B 087BFFFF9C19080829CEFFFF7B4A4A083AFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08 9C1908086BFFFFFF9C1908087B087BFFFF9C19080829CEFFFF7B4A4A083AFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B3100000031 7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A63 94C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A 080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF084A7B 7B7B7B7B4A08FFFF4A4AFFBD083ACEFF8C08ADFFDE086BFFEF3A087BFFBD088C FFEF6B19EFFF7B085ABDBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD694 4A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF084A7B7B7B7B7B4A08FFFF4A4AFFBD083ACEFF8C08AD FFDE086BFFEF3A087BFFBD088CFFEF6B19EFFF7B085ABDBDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94 D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF084A7B7B7B7B7B4A08 FFFF4A4AFFBD083ACEFF8C08ADFFDE086BFFEF3A087BFFBD088CFFEF6B19EFFF 7B085ABDBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A 6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59463 3A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD694 4A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF084A7B7B7B7B7B4A08FFFF4A4AFFBD083ACEFF8C08ADFFDE086BFFEF 3A087BFFBD088CFFEF6B19EFFF7B085ABDBDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF08294A4A4A4A4A2908FFFF4A4AFFBD 08ADFFFFFF087BFF7B19FFFFFFDE087BFF5A3AFFFFFFFF198CFF7B08EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BAD E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B31000000 00214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100 000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0829 4A4A4A4A4A2908FFFF4A4AFFBD08ADFFFFFF087BFF7B19FFFFFFDE087BFF5A3A FFFFFFFF198CFF7B08EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF08294A4A4A4A4A2908FFFF4A4AFFBD08ADFFFFFF08 7BFF7B19FFFFFFDE087BFF5A3AFFFFFFFF198CFF7B08EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BAD E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF08294A4A4A4A4A29 08FFFF4A4AFFBD08ADFFFFFF087BFF7B19FFFFFFDE087BFF5A3AFFFFFFFF198C FF7B08EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B310000 0000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A21 00000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB594 7B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFF4A4AFFFF FFFF197BFF08294A4A4A4A196BFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFF FFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6 EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFF BD08BDFFFFFF087BFF4A4AFFFFFFFF197BFF08294A4A4A4A196BFF7B08FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5221000000000831 4A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5221 0000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000 000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF08 7BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFF4A4AFFFFFFFF197BFF08 294A4A4A4A196BFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5 947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFF FFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF 087BFF4A4AFFFFFFFF197BFF08294A4A4A4A196BFF7B08FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6 D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000 0008213A52636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF 7B08FFFF4A4AFFBD08BDFFFFFF087BFF4A4AFFFFFFFF3A7BFF084A7B7B7B7B7B 9CFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 94633A080000000008213A52636B849C9C9C9C9C9C846B63523A210800000000 083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFC594633A080000000008213A52636B849C9C9C9C9C9C846B63523A 210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFF4A4AFF FFFFFF3A7BFF084A7B7B7B7B7B9CFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A52636B849C9C9C9C 9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A5263 6B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4A FFBD08BDFFFFFF087BFF4A4AFFFFFFFF3A7BFF084A7B7B7B7B7B9CFF7B08FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000 000008213A52636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 94633A080000000008213A52636B849C9C9C9C9C9C846B63523A210800000000 083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFF4A4AFFFFFFFF3A7BFF 084A7B7B7B7B7B9CFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFC594633A080000000008213A52636B849C9C9C9C9C9C846B6352 3A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A3108000000000000001921212121 2121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFF FF087BFF7B29FFFFFFFF087BFF3A5AFFFFFFFFADDEFF7B08FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000 000019212121212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31 080000000000000019212121212121190000000000000008314A7BADCEEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFF FF7B08FFFF4A4AFFBD08BDFFFFFF087BFF7B29FFFFFFFF087BFF3A5AFFFFFFFF ADDEFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFCEAD7B4A3108000000000000001921212121212119000000000000000831 4A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFCEAD7B4A3108000000000000001921212121212119000000 0000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFF7B29 FFFFFFFF087BFF3A5AFFFFFFFFADDEFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000000019212121 212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000 000019212121212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A 4AFFBD08BDFFFFFF087BFF7B29FFFFFFFF087BFF3A5AFFFFFFFFADDEFF7B08FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A 31080000000000000019212121212121190000000000000008314A7BADCEEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6C59C7B4A31190000000000000000000000000000000019314A7B9C C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFFBD089CFFFF8C087B FF7B08CEFFFF9C089CFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A31190000000000000000000000000000 000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A31190000000000000000 000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFF FFFF087BFFBD089CFFFF8C087BFF7B08CEFFFF9C089CFF7B08FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A311900 00000000000000000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5 9C7B4A31190000000000000000000000000000000019314A7B9CC5E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFF FFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFFBD089CFFFF8C087BFF7B08CEFFFF 9C089CFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6C59C7B4A31190000000000000000000000000000000019314A7B 9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A31190000000000000000000000000000 000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFFBD 089CFFFF8C087BFF7B08CEFFFF9C089CFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A311900000000000000 00000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B 63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF 4A4AFFBD08BDFFFFFF087BFFFF7B083A3A3A3A7BFFFF6B084A4A086BFFFF7B08 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6C5AD846B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B84ADC5E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFFFF7B083A3A3A3A 7BFFFF6B084A4A086BFFFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A 52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A212121 21212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFFFFFFFF7B08FFFF4A4AFFBD08BD FFFFFF087BFFFF7B083A3A3A3A7BFFFF6B084A4A086BFFFF7B08FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD84 6B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE6C5AD846B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF087BFFFF FFFFFF7B08FFFF4A4AFFBD08BDFFFFFF087BFFFF7B083A3A3A3A7BFFFF6B084A 4A086BFFFF7B08FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B84ADC5 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5 CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFDEBDFFFFCECEFFEFBDEFFFFFFFBDDEFF FFFFDE8CADEFCEDEFFFFFFCE8C8CCEFFFFFFDEBDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C 9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF D6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFDEBDFF FFCECEFFEFBDEFFFFFFFBDDEFFFFFFDE8CADEFCEDEFFFFFFCE8C8CCEFFFFFFDE BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBDDEFFFFFFFFFFDEBDFFFFCECEFFEFBDEFFFFFFFBDDEFFFFFFDE8CADEF CEDEFFFFFFCE8C8CCEFFFFFFDEBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9C B5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C 9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDDEFFFFFFFFFFDEBDFFFFCECEFFEFBD EFFFFFFFBDDEFFFFFFDE8CADEFCEDEFFFFFFCE8C8CCEFFFFFFDEBDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF %%EndBinary grestore end % Image Trailer grestore grestore % EPS grestore cfi-3.0.orig/sv/Image4.gif0100664000175000017500000000664507311654724014252 0ustar miccemicceGIF89a-fŽ{{{ssskkkcccZZZRRRJJJBBB:::111)))!!!,-fD dihlp,tmx|px`<'Sy$ xT2H%rzS\6ٴzz |8u%{)tvxz#}A I 1 I (4-8 2,%IaI15  &" Q "I& $DyB*T4i|`@"̫tuQ=s&.\A(P[,d0 `zUB(' nmX 8a]I:LHɊ:UYv1ARWSMlը Yݻnԛo`xpj`)%` $ Klfe::2I»;,@`p`6jG`"@{RX $@%;7xs ੧t3fAnXFH`:A$ h/ XWU" h"~,|~CBI`!N0X LDD L붛C]`Y%f/z{ >c^q2|ۅJâxAs k=׏u@h`@ 8 qoḺ [DLDmH'L7P"@Tdu4SW[oah@m_k+vxmכ 9zouߝ7VC7~ .J D C Lp!g h>)[ 睥TB @;:N{!b(`lG/=j)gzE,m{_oʮ @>{߂Kx-)! !^?D[&bhC s9 9MoMEh;0#x d(0IT(("E0>p!84\ k(!PXA +y),: KKcK5F@` TA'5  W^]}Va3n#ƧQFq6$ĻKa?6Q2@G-d>2şI6eJ6bF A*W)RE>Z 啳B@@h 3B0*:1-TZsT. ')u?aW+[`GQ=A*{&[Q6V4X$PbUD&Pg4[Q) ! B!Gpz9=N}Pie@cPT.$9"XNɦÁI@X]iV 7q)*Bnsz4>Y(0P H , myP`Uf#cs<Дl[@p @zk׾U!a1ؿo} @ x-2z EbVG)pM~ֶ mVJZͮvz xK^Q `q[jy ޼=k ln6x+K=*7MkF>a6 'mo} GAl:cvs`{2,,A,v1|-aJafYKY6&%oLlC$&tm;.p_ 84mpvň*~agB)Je t,iLRG.` Nq\Y$ 4i t:1fJ)-KSCD`Zk3ft\DEmlg: 6~Lꉋ=qblf;vz]Npyv{OTAG.uò=DJR845ûE y7{ !v  5v@{(8HqoJ{O$뀀D+AU(GxrbZ"@Ti}hw:Xʁ'C_G:"OE.Du br)uFx {#θ@<49,@ʝs: #pcH\D{Gc=?>%xt E^Q@D $K/Hl z Cۑ+ ?Wd)OoH@D#Jdxۣɼhñd<=!|AG1}#7QEKoHkN#gI~2 xH W{zPmpk7KW}W+87 zB΄+WDPLR?pN7yǥ wGs,VRVt 4Ն#;sG{TX?i8}',2QV(<[؅#LApK6f`M)J}(XGTYyF$ ; QOJ3gsh_fu n>,r?( ]bN$4NCTcMq$dGdQm?Ra4wu4AI-n'7 PO5J^9嗳( HE{IN`6n)H8c硏`駛MG1ﱿ@qE1@\$<2@c@q4OFms=\0>0 O5dS#PYl@HmQ)-mYd3=w%PZ8~@)RFif?q`A:!6H 8H") q"<` 2q _@%6ˇ "63aDł`QDw4M$@htMKVp9Hq#XȀPG #VHl *a b͐.Z2I"ONje$'YIm%4䆎, lV qL/2,Au], %_2QZV+ɍ2da s% Tl*2%8Xfa\xt0>k `F@D'Jъ=SAj +9Pk`x } `պDp"%d=̣z"$+Օ=7tPB%XV졄0@$^xLuSM B8Tɀ>) ~%/;79l8eA&\o6SZO@WU{5!}]{ Ѐ(L@NݕyU0@6@.k`gC{)`H T`0Pm/fc42DM~32A3*Ec )pґ9|P3m7[OĜPzUQl% Ι/\h^Ƣ+@ Z\'X) a2- =$ ~ s9mJa.X$WPYF|TZ~dqr~ Ts-yq|K,O%ĒXք$mz̻3* FM?**|*ɌpZR/A{뽜\~EP|$['ؤՏL[a&7)} 8~>}"0}77.-Z~%L0M.·G`"I*ytq"UCPVJ&bK$xIz#}%2^lАu&_i 3ah}WI8?hi31C4Vj=|Q5[S>-) 52_ !c& ip8AY'D#;pIf֡H)[:r4 0D[4c]ϳsЕ`)aW6U&0@]<|ٗе[r4I1PiI_4wy[{ٗ| ]*c商)f e uaC@$_E }ٚ_v+sR7W"lj\?!] ~1_%"{,C|2I!@!~!$}4IY ,q:Zz8!;cfi-3.0.orig/sv/Image6.eps0100664000175000017500000137624307311654724014303 0ustar miccemicce%!PS-Adobe-3.0 EPSF-3.0 %%Creator: Adobe Photoshop Version 5.0 %%Title: Image6.eps %%CreationDate: Tue Jan 11 2000 20:07:47 %%BoundingBox: 0 0 307 151 %%HiResBoundingBox: 0 0 307 151 %%SuppressDotGainCompensation %%EndComments %%BeginProlog %%EndProlog %%BeginSetup %%EndSetup %ImageData: 307 151 8 3 1 307 2 "beginimage" %BeginPhotoshop: 3072 % 3842494D03ED000000000010004800000001000200480000000100023842494D % 040D000000000004000000783842494D03F30000000000080000000000000000 % 3842494D040A00000000000100003842494D271000000000000A000100000000 % 000000023842494D03F5000000000048002F66660001006C6666000600000000 % 0001002F6666000100A1999A0006000000000001003200000001005A00000006 % 000000000001003500000001002D000000060000000000013842494D03F80000 % 000000700000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E80000 % 0000FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800000000FFFFFFFFFFFF % FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF03E800003842494D0408000000000010 % 000000010000024000000240000000003842494D041400000000000400000001 % 3842494D040C000000000A820000000100000070000000370000015000004830 % 00000A6600180001FFD8FFE000104A46494600010201004800480000FFFE0026 % 46696C65207772697474656E2062792041646F62652050686F746F73686F70A8 % 20352E30FFEE000E41646F626500648000000001FFDB0084000C08080809080C % 09090C110B0A0B11150F0C0C0F1518131315131318110C0C0C0C0C0C110C0C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C010D0B0B0D0E0D % 100E0E10140E0E0E14140E0E0E0E14110C0C0C0C0C11110C0C0C0C0C0C110C0C % 0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0C0CFFC000110800 % 37007003012200021101031101FFDD00040007FFC4013F000001050101010101 % 0100000000000000030001020405060708090A0B010001050101010101010000 % 0000000000010002030405060708090A0B100001040103020402050706080503 % 0C33010002110304211231054151611322718132061491A1B14223241552C162 % 33347282D14307259253F0E1F163733516A2B283264493546445C2A3743617D2 % 55E265F2B384C3D375E3F3462794A485B495C4D4E4F4A5B5C5D5E5F556667686 % 96A6B6C6D6E6F637475767778797A7B7C7D7E7F7110002020102040403040506 % 07070605350100021103213112044151617122130532819114A1B14223C152D1 % F0332462E1728292435315637334F1250616A2B283072635C2D2449354A31764 % 4555367465E2F2B384C3D375E3F34694A485B495C4D4E4F4A5B5C5D5E5F55666 % 768696A6B6C6D6E6F62737475767778797A7B7C7FFDA000C0301000211031100 % 3F00F55490B27229C5C7B72B21E2BA2863ACB6C3C358C1BDEF3FD56B5608C6EA % 7F59451996E55DD2FA549B31E8C4B1CCBB26B743B1F232B25BE9DB8B5D957BFE % C757E9BF4BFA6BBD4FA094F4692CD3F573A36D818F0FFF004C1EF174FEF7DA83 % FED1BFF97EAACDF4FAAFD596DB92EC9B7AAF47DDBEE192F9BF0EA12EBF2197B8 % 596F50A2A67D3A1FFACFE8FF0045EBA4A7A44942AB6BBAA65B5383EBB1A1CC78 % D416B86E6B9BFD653494D67E6D6CEA146016936645375ED769B4368763D4F69F % E53BED8CDAACAA17578E7AEE1DAEB76E4B71729B5D1B49DCC759826EB7D4FA2D % F45F5E3B367E7FAFFF0006AFA4A5249285B6D74D4FB6D706575B4B9EF3A00D68 % DCE73BFAA9299A4B9BF4FAAFD666D592DC9B7A5747DDBE918CF8BF32A30EA321 % F7B4576F4FA2D67D0A19FACFE93F4BE82D21F573A36D838F2FFF004C5EF374FE % F7DA8BFED1BFF97EAA4A74925CE1C6EA7F5685F995655DD53A548B3228CBB1CF % BB1AB6CBB23231725DEA5B955D757BFEC76FE9BF45FA1BBD4FA7BD8D914E563D % 5958EF16517B1B65560E1CC78DEC78FEB35C929FFFD0EDFEB8659A70B0B136EE % 6753EA18B85734F06AB6CDD935BBF799763D7652FF00F8C5A27AB74DAB2BEC1E % A86DED3B4541AE8107159B643767FDE9617FDBDFF076FA75FEB2601CDE9BBEBA % CDD93816D79D8B58E5F7633BED15D5AFFA7D9E87FD71169A3A3758C46669C5A7 % 22ACB607CDB534B8877A2EDB6B6C6FD3DD8B8DEA31FF00E13169FF0040929587 % D628CAA29B06D6DB68ACBEA25D2D16EED9AFA7EFFE6EC66EFE6B7D76FE93F46A % 7D432D9559462BE8F5EBCB71AED044B45676D2EF696BABB7F4B7D3BE97399FAB % 7DA2FF00FB4FE9A37D83076967D9EADA5A185BB1B1B5BBF657C7D067AB6ED6FF % 00C25887D43328E99D3EDC9737D94322BA9A3573BE853454DFDFB6CD9554C494 % E2F4BC6BFA97D59BFA5E1E65BD35F8776574FA72690D2E0CC7B2EC3C7FE71AEF % 6B696D5FCCBE8BFD9FA2C8A958C2FABDD571F129A2CFAC19CF7D4C6B1CF0CC43 % B8810EB3F4F857DDFA4FA7FA6BEFB7FD25D77F38AC748E9F935744A6AB5CFC2C % DC89C9CB357A6E73722F71CBCB637D566453B1B7DB657F46CFD1A2FECCCDFF00 % CB6CBFF3717FF7892539D67D5BEAAEEA98F963AE65965545F539E5B89EA036BF % 15ED656D1D3FD1F49FF667FADEA7E93D947A5FE195AFD8BD4BFF002FB3FF00CC % C2FF00E47205DD1FA99EB789737A8E59A598B92C7DDB71A5AF7D984EAAADBF64 % DBFA56D573BF9BFF0003F4EBFF000B7BF6666FFE5B65FF009B8BFF00BC492907 % EC5EA5FF0097D9FF00E6617FF23955EBB5DB87D13EC39395767FED2CAA309F6D % E2A6B857956D58B7D71894E2D7B3D175BFE0F7FBD5ACEE8DD4B230B228A7ACE5 % D56DB53D95D9B71C6D739A5AC7CD38B4DDEC77FA2B6AB3F72C43CBE919ACFAB2 % 30FD67F53EA3855D77635D76D0EB72718B723177FD1F6DB914B18FF52CF53D3F % E7323FC2A4A6C55D6BA6501B8CF2319CC77A35D2D6B880DFB47ECAC6DBE9B363 % 5B6647A4CD9FE0BFE2FF0048B3BA67D77E9F9DD27173DE1B4DB92CAAD7D5FA77 % D6C659923A66DFB58C46B1F90DBBD9E87A7EFB7FC27D8FF5E5A9D38F4EEA5875 % E7331EB9BD8458D731BB9AEDDEA5F8F6E9F4EBCADFEB33FD3A2FEC9E95F60FD9 % BF63C7FB07FDC3F499E8FD2F5BFA3EDF4BF9DFD2FD0FE712535B33AA64333313 % 0EAC6AEEAF27D637BEC7BDBB2BA6CA719EE6B2AC6C9F55CEFB4EFDB6BF1AAFDF % BD55FA9F966EC2CDC4DBB59D33A8656152D1C0AAAB376356DFDD6538F6574B3F % E2D687506F4BC4C639F974565980D758C7FA6D7399C3DDF67D377A963D8CF657 % FCE5BE9A07D5BC0385D377D959A7273EDB33B2AB3CB2EC977DA2CAB4FF0041BF % D0FF00ADA4A7FFD1F555917F44BF1EEB72FA2E4FD8AEB7739F8D637D4C4B2C24 % BFD67E30756FA6EB1EEFD2DD8B6D3EAFF86F596BA4929E63ED1FE3189F47EC7D % 2C3A60E4FAB71AFF00AFF67DBEB7F63D55A147437DB915E6F59BFEDF9356D755 % 4EDD98B4D8DF77AD8D8BEF77ACD77F3791936DF757FE07D25AE924A524924929 % CFBB2AF6F5EC3C46BA28BB132ADB190357D5660574BB77D2F63326FF00F3D682 % CCEB7819F9428B3A758CA326AF59A6E768ED96D17D4CAD8F6B2C76DFB7FD8326 % C6FF00DD5FF83AD032733EB0DB66451D3D9855E456D6BE96E43DCE0E1EB6450E % 360C73EAD6DB31A9A6E63FD2FD1DFEA63FE9BDFE8253B492CECBBBABD374B0E3 % 8C7B6EAEBADCF906B616BB7BEE73AD67AB664E57A3878D552CFD17ADEBFEB3FC % C570CA67D626E564DB84715F53850DC6AAF758D10D73FED7EA7A6C7ECB2C6DBF % A3B1BEA7F3357E87FC224A617F437D591666F46BFEC1936EE75B4EDDF8B758EF % 77AD938BEC77ACE77F39918D6D1759FE1BD559FF0068FF0018C0FA3F63E965D3 % 0327D5B857FD7FB3EDF5BFB1EAAD5A5FD6E9CBB6DEA36E1B7A631973F73058CB % 59167EADEAD96BDD43ABFB16E7E559FA2FD63F9BFD12D2494E451D12FC8BAACB % EB593F6DBAADAE66356DF4F12BB010FF005998C5D63EEBAB7B7F457655B77A5F % E07D15AE924929FFD2F55497CAA924A7EAA497CAA924A7EAA497CAA924A7E9CE % A23A29B31C753FB37AA5C7ECBF68D9BB74B777D9FD5F76FDDE97F35FF06ABE46 % 07D5F349664B99E9BFD460365EEE5A2D765FA6F75BECB7D3FB47DB2CAFF4AFAB % D6FB47E8D7CD6924A7EA2BE8C4B721BEA18C834DB5D7B5EE63FD279ABED06BF4 % DCC7FD3663FE959EFABD8A86560FD5B7FA0725D500CCB0FC7DD7168FB59BACB5 % BB3F48DDF91F6DF5F655FBFEA53FF06BE6C49253F4A66E0FD5E7D6066BABD85F % 791EA5CE037D95D9F6CDA5D60FA38BEBFF00E17C7F53D3F4AB55FA674FFAA15E % 4636474B7E39B03EE38829BCB99BCB43333D0A1B6BA9DFE9FF0048F4EBFE5AF9 % CD2494FD5492F9552494FF00FFD93842494D03FD000000000006000000000000 %EndPhotoshop gsave % EPS gsave /hascolor /deviceinfo where {pop deviceinfo /Colors known {deviceinfo /Colors get exec 1 gt} {false} ifelse} {/statusdict where {pop statusdict /processcolors known {statusdict /processcolors get exec 1 gt} {false} ifelse} {false} ifelse} ifelse def 40 dict begin /_image systemdict /image get def /_setgray systemdict /setgray get def /_currentgray systemdict /currentgray get def /_settransfer systemdict /settransfer get def /_currenttransfer systemdict /currenttransfer get def /blank 0 _currenttransfer exec 1 _currenttransfer exec eq def /negative blank {0 _currenttransfer exec 0.5 lt} {0 _currenttransfer exec 1 _currenttransfer exec gt} ifelse def /inverted? negative def /level2 systemdict /languagelevel known {languagelevel 2 ge} {false} ifelse def /level3 systemdict /languagelevel known {languagelevel 3 ge} {false} ifelse def /foureq {4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll 4 index eq 8 1 roll pop pop pop pop and and and} def hascolor {/band 0 def} {/band 5 def} ifelse /setcmykcolor where {pop 1 0 0 0 setcmykcolor _currentgray 1 exch sub 0 1 0 0 setcmykcolor _currentgray 1 exch sub 0 0 1 0 setcmykcolor _currentgray 1 exch sub 0 0 0 1 setcmykcolor _currentgray 1 exch sub 4 {4 copy} repeat 1 0 0 0 foureq {/band 1 store} if 0 1 0 0 foureq {/band 2 store} if 0 0 1 0 foureq {/band 3 store} if 0 0 0 1 foureq {/band 4 store} if 0 0 0 0 foureq {/band 6 store} if} if blank {/band 6 store} if gsave % Image Header gsave /rows 151 def /cols 307 def 307 151 scale level2 { band 0 eq { /DeviceRGB } {/DeviceGray} ifelse setcolorspace} if /picstr1 307 string def /picstr2 307 string def /picstr3 307 string def /picstr4 307 string def /readdata {currentfile exch readhexstring pop} def /image2 level2 {/image load def} {{begin Width Height BitsPerComponent ImageMatrix Decode length 2 eq {/DataSource load image} if Decode length 6 eq {DataSource 0 get DataSource 1 get DataSource 2 get true 3 colorimage} if Decode length 8 eq {DataSource 0 get DataSource 1 get DataSource 2 get DataSource 3 get true 4 colorimage} if end} def} ifelse /_image2 level2 {/_image load def} {{begin Width Height BitsPerComponent ImageMatrix /DataSource load _image end} def} ifelse /beginimage { band 0 eq band 4 eq or band 5 eq or {image2} {negative {{pop 0}} {{pop 1}} ifelse _settransfer _image2} ifelse } def 12 dict begin /ImageType 1 def /Width cols def /Height rows def /ImageMatrix [cols 0 0 rows neg 0 rows] def /BitsPerComponent 8 def band 0 eq {/Decode [0 1 0 1 0 1] def /MultipleDataSources true def /DataSource [ {picstr1 readdata} {picstr2 readdata} {picstr3 readdata picstr4 readdata pop} ] def} {/Decode [0 1] def /DataSource { picstr1 readdata pop picstr2 readdata pop picstr3 readdata pop picstr4 readdata } def} ifelse currentdict end %%BeginBinary: 382459 beginimage FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBD BDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6 D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6D6D6D6D6D6D6D6D6E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B636363636363 63637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C94 7B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B949CADC5D6EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B949CAD C5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B 63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFD6C5AD9C947B63636363636363637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B63636363636363637B949CADC5 D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6C5AD9C947B636363636363 63637B949CADC5D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB584 6B4A312121080000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFCEB5846B4A312121080000000000000000082121314A6B84B5CEEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A3121210800000000000000 00082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A31212108 0000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEB5846B4A312121080000000000000000082121314A6B84B5CEEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFCEB5846B4A312121080000000000000000082121314A 6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5846B4A3121210800 00000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB584 6B4A312121080000000000000000082121314A6B84B5CEEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD6B584633A190000000000000000000000000000000000000000 193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A1900000000000000000000000000 00000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A1900 00000000000000000000000000000000000000193A6384B5D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D6B584633A190000000000000000000000000000000000000000193A6384B5D6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6B584633A190000000000000000000000000000 000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6B584633A1900000000000000 00000000000000000000000000193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 B584633A190000000000000000000000000000000000000000193A6384B5D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD6B584633A190000000000000000000000000000000000000000 193A6384B5D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A63 63636363634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A1900000000 00082121314A6363636363634A312121080000000000193A6B9CC5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFC59C6B3A190000000000082121314A6363636363634A31212108000000 0000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363634A 312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000 082121314A6363636363634A312121080000000000193A6B9CC5EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B 3A190000000000082121314A6363636363634A312121080000000000193A6B9C C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A6363636363634A31 2121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A190000000000082121314A63 63636363634A312121080000000000193A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800 000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A1900000000083152 94CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A19 0000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6 D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A52 7B949CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A1900 00000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE9452310800000000193A527B949CADC5D6D6D6D6D6D6C5AD 9C947B523A190000000008315294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800000000193A527B 949CADC5D6D6D6D6D6D6C5AD9C947B523A190000000008315294CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452310800 000000193A527B949CADC5D6D6D6D6D6D6C5AD9C947B523A1900000000083152 94CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000000019 3A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A190000000021 63ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD 632100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB58463 3A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100000000193A6384B5CEE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A19000000002163ADD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63 2100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6CEB584633A 19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6AD632100000000193A6384B5CEE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFE6CEB584633A19000000002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284 B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000 083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5 CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB584523108000008 3A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08 000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5 845231080000083A7BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3A08000008315284B5CEEFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEB5845231080000083A7BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000008 3A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF C59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800 001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A0800001963ADE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63190000083A6B9CC5EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC59C6B3A080000 1963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000008 3A6B9CC5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF C59C6B3A0800001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163AD D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD694 4A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A0800002163ADD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD632100 00084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A 0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD6944A0800002163ADD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD6AD63210000084A94D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE945219 0000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B3100 00195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9452190000317BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B310000195294CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE945219 0000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19000021 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B21 0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B210000196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190000216BB5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19000021 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFB56B210000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE84 3A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A 0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B 1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56B1900003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A0000196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C 521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B19 0019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C52 1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019529CE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE69C521900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB5 6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BB5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B190019 6BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B1900196BC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56B1900196BCEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE6B1900196BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE684 21000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF AD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552000031 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 9431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE694 31000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 7B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94 21000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421000863C5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002194EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94 21000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6308002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200 003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900 197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 7B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B190019 7BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B 1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900197BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052 B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 5200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000052B5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552 00003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3A000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB55200003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C552 52E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94 2100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A 00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A 00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A 00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 6310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08 002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100 087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFF FFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFE69C1900 00000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A00 0063CEFFFFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFCE630000 3AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFF FFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7FFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AB5FFFFFFFFFFFFFFFFF7F7CE9C3A08000000000031424242 4242424242424242424242424242424242424242424242424242420808424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242424242424242424242424242424242CEFFFFFFFFFFFF FFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFF FFFFFFFFF7F7CE9C3A0800000000003142424242424242424242424242424242 4242424242424242424242424242080842424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242CEFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300 003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFF7F7CE9C3A08000000 0000314242424242424242424242424242424242424242424242424242424242 4208084242424242424242424242424242424242424242424242424242424242 42424242424242424242424242424242424242424242424242424242424242CE FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE630000 3AB5FFFFFFFFFFFFFFFFF7F7CE9C3A0800000000003142424242424242424242 4242424242424242424242424242424242424242080842424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242424242424242424242CEFFFFFFFFFFFFFFFFB53A000063 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFF7734210 0800000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000008BDFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEF8419001984EFFFFFFFFFFFFFF773421008000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000008BDFFFFFFFFFFFFFF EF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFF FFFFF77342100800000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000008BDFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF841900 1984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFF773421008000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000000000008BDFF FFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419001984EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 63CEFFFFFFFFFFFFFFF7F7CE9C3A080000000000314242424242424242424242 4242424242424242424242424242424242424208084242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242CEFFFFFFFFFFFFFFCE6300003AB5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFF7F7CE9C 3A08000000000031424242424242424242424242424242424242424242424242 4242424242420808424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242CEFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB53A000063CEFFFFFFFFFFFFFFF7F7CE9C3A080000000000314242424242 4242424242424242424242424242424242424242424242424208084242424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242CEFFFFFFFFFFFFFFCE 6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFF FFFFF7F7CE9C3A08000000000031424242424242424242424242424242424242 4242424242424242424242420808424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42424242424242424242CEFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 63CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFE69C1900000008 94F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD08 08BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFF FFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003A B5FFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFB53A000063CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFE6 9C190000000894F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7FFFFFFFFFFFFFFFFB53A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFE69C190000000894F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7FFFFFFFFFFFFFFFFB53A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6300003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFF FFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84190021 94FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF942100 1984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042 F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194 FFFFFFFFFFFFFFFFFFFFFFFFFFC56310000042F7FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFF C56310000042F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800 31ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031 ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFF7C5631010C5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7C55252E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7C55252E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFF FFFFFFBD00BDFFFFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD663000063D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF00 73FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFF FF7300FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF42000000000031ADFFFFFFFFFF D663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073 FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFF FFFF840052FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00BD FFFFFFFFFFFF42000000000031ADFFFFFFFFFFD663000063D6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFF BD00BDFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD6 63000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6 FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFF FFFFFFFFFFFFFF7300FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF42000000000031 ADFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF0073FFBD00BDFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFBD00BDFF FFFFFFFFFFFFFFFF840052FFFFFFFFFFFFFFD663000063D6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE66BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD663000063D6FFFFFFFFFF0073FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD00BDFF7300FFFFFFFFFFFFFFFFFFFF7300FFFFFFFF FFFFFFBD00BDFFFFFFFFFFFF42000000000031ADFFFFFFFFFFD663000063D6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FF FFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFF FFFFFFFFFFFFDE73DEFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFF FFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BD FFBD73FFFFFFFFFFFFFFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF42 31BDBDBD733100DEFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE73DEFFFFFFFF FFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFFFFD66300004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFFFFFFFFFFFFFF BD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD733100DEFFFFFFFFD6 6300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FF DE73DEFFFFFFFFFFFFFFFFFFDE73DEFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFF FF212100DEFFFFFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD00BDFFBD73FFFFFFFFFFFFFFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFF FFFFFFFFFF4231BDBDBD733100DEFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FFFFFFFFFF0073FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFDE73DEFFFFFFFFFFFFFFFFFFDE 73DEFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFF212100DEFFFFFFFFFFFFD663 00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A000063D6FF FFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFBD73FFFFFFFF FFFFFFFFFFFFBD73FFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD733100 DEFFFFFFFFD66300004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFF FFFFFFFFFFFFBD00BD0073FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFF FFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFBD00BD0073FFFF FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242 FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD00BDFFFFFFFFFFFFFFFFBD00BD0073FFFFFFFFFFFFE67B080031ADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE67B 080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD31 00087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0073FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFFFFFFFFFFFFFFBD 00BD0073FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF F7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3100087BE6FFFFFFFFFF0073FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD00BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD00BDFFFF FFFFFFFF4242FFFFFFFFDE0073FFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF 739C84210031BDFFFFFFBD310021AD0073FFCE42CEAD42EFFFFFFFBD42DECE42 CEFFFF842100428400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFFFFFFFFFF9421 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFF FFFFFF0073FFFF42BD73100052DEFFFFFF842100428400BDFF9C42FFAD42EFFF FFFFBD42DE9C42FFFFFF842100428400BDFFFFFFFFFFFF4242FFFFFFFFFF0073 FFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF739C84210031BDFFFFFFBD3100 21AD0073FFCE42CEAD42EFFFFFFFBD42DECE42CEFFFF842100428400BDFFFFFF FFFFFFFFFF6321FF6321FFFFFFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF42BD73100052 DEFFFFFF842100428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42FFFFFF842100 428400BDFFFFFFFFFFFF4242FFFFFFFFFF0073FFFFFFFFFF942100219CFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFF FFFF0073FFFF739C84210031BDFFFFFFBD310021AD0073FFCE42CEAD42EFFFFF FFBD42DECE42CEFFFF842100428400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFF FFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21 002194FFFFFFFFFFFF0073FFFF42BD73100052DEFFFFFF842100428400BDFF9C 42FFAD42EFFFFFFFBD42DE9C42FFFFFF842100428400BDFFFFFFFFFFFF4242FF FFFFFFFF0073FFFFFFFFFF942100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF739C84210031BD FFFFFFBD310021AD0073FFCE42CEAD42EFFFFFFFBD42DECE42CEFFFF84210042 8400BDFFFFFFFFFFFFFFFF6321FF6321FFFFFFFFFFFFFF942100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21002194FFFFFFFFFFFF0073FFFF 42BD73100052DEFFFFFF842100428400BDFF9C42FFAD42EFFFFFFFBD42DE9C42 FFFFFF842100428400BDFFFFFFFFFFFF4242FFFFFFFFFF0073FFFFFFFFFF9421 00219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFF0073FFFF4231319CAD3110EFFFCE0052BD9C100073FFBD00 BDDE009CFFFFFF6331FFBD00BDFF840073BD730000BDFFFFFFFFFFFFFFEF1073 FFAD00ADFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF003152AD9C1042FFFF840073BD 730000BDFF7300FFDE009CFFFFFF6331FF7300FFFF840073BD730000BDFFFFFF FFFFFF4242FFFFFFDE6310DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF42 31319CAD3110EFFFCE0052BD9C100073FFBD00BDDE009CFFFFFF6331FFBD00BD FF840073BD730000BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFF FFFF0073FFFF003152AD9C1042FFFF840073BD730000BDFF7300FFDE009CFFFF FF6331FF7300FFFF840073BD730000BDFFFFFFFFFFFF4242FFFFFFDE6310DEFF FFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4231319CAD3110EFFFCE0052BD9C 100073FFBD00BDDE009CFFFFFF6331FFBD00BDFF840073BD730000BDFFFFFFFF FFFFFFEF1073FFAD00ADFFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF003152AD9C1042 FFFF840073BD730000BDFF7300FFDE009CFFFFFF6331FF7300FFFF840073BD73 0000BDFFFFFFFFFFFF4242FFFFFFDE6310DEFFFFFFFFFF9C2100219CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFF FF0073FFFF4231319CAD3110EFFFCE0052BD9C100073FFBD00BDDE009CFFFFFF 6331FFBD00BDFF840073BD730000BDFFFFFFFFFFFFFFEF1073FFAD00ADFFFFFF FFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100 219CFFFFFFFFFFFF0073FFFF003152AD9C1042FFFF840073BD730000BDFF7300 FFDE009CFFFFFF6331FF7300FFFF840073BD730000BDFFFFFFFFFFFF4242FFFF FFDE6310DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4200EFFFFFAD00BD FF6321FFFFFFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF2163FFFFFF73 00BDFFFFFFFFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100219CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF00 31FFFFFF7300FFFF2163FFFFFF7300BDFF7300FFFF5231FFFFEF0084FF7300FF FF2163FFFFFF7300BDFFFFFFFFFFFF4200000000000084FFFFFFFFFFFF9C2100 219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210021 9CFFFFFFFFFFFF0073FFFF4200EFFFFFAD00BDFF6321FFFFFFBD0073FFBD00BD FF5231FFFFEF0084FFBD00BDFF2163FFFFFF7300BDFFFFFFFFFFFFFF9C00DEFF FF2142FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF7300FFFF2163FFFFFF 7300BDFF7300FFFF5231FFFFEF0084FF7300FFFF2163FFFFFF7300BDFFFFFFFF FFFF4200000000000084FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4200 EFFFFFAD00BDFF6321FFFFFFBD0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF 2163FFFFFF7300BDFFFFFFFFFFFFFF9C00DEFFFF2142FFFFFFFFFFFF9C210021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFF FF0073FFFF0031FFFFFF7300FFFF2163FFFFFF7300BDFF7300FFFF5231FFFFEF 0084FF7300FFFF2163FFFFFF7300BDFFFFFFFFFFFF4200000000000084FFFFFF FFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C2100219CFFFFFFFFFFFF0073FFFF4200EFFFFFAD00BDFF6321FFFFFFBD 0073FFBD00BDFF5231FFFFEF0084FFBD00BDFF2163FFFFFF7300BDFFFFFFFFFF FFFF9C00DEFFFF2142FFFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0031FFFFFF7300FF FF2163FFFFFF7300BDFF7300FFFF5231FFFFEF0084FF7300FFFF2163FFFFFF73 00BDFFFFFFFFFFFF4200000000000084FFFFFFFFFFFF9C2100219CFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF 0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C00 EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFFFF FFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C210021 9CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300FF FF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD 8452009CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF 1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C00EFFFBD00BDCE00ADFFFFFFBD00 BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073 FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300FFFF9C00DEFF9C00EFFF7300FFCE 00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD8452009CFFFFFFFFFF9C210021 9CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219C FFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF 9C00DEFF9C00EFFFBD00BDCE00ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF 7300DEFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD 00BDFF7300FFFF9C00DEFF9C00EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFF FF4231BDBDBD8452009CFFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FF FFFFBD00BDFF1073FFFFFFFF0073FFBD00BDFF9C00DEFF9C00EFFFBD00BDCE00 ADFFFFFFBD00BDFFFFFFFFFFFFFF3131FFFFFF7300DEFFFFFFFFFF9C2100219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF 0073FFFF0073FFFFFF7300FFCE00ADFFFFFFBD00BDFF7300FFFF9C00DEFF9C00 EFFF7300FFCE00ADFFFFFFBD00BDFFFFFFFFFFFF4231BDBDBD8452009CFFFFFF FFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF0073FFFFFFFF42 73FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFF DE0000000000000073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD 00BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300FFBD00BDFFFFFFFF00 BDFFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF00 73FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273FFBD00BDFFFF1084FF4252FF FFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE0000000000000073FFFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219C FFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00BDFFFFFFFF00BDFF7300FFFF FF1084FF4252FFFF7300FFBD00BDFFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFF FF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF00 73FFFFFFFF4273FFBD00BDFFFF1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BD FFFFFFFFFFFFDE0000000000000073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FF FFFF7300FFBD00BDFFFFFFFF00BDFF7300FFFFFF1084FF4252FFFF7300FFBD00 BDFFFFFFFF00BDFFFFFFFFFFFF4242FFFFFFFFFF4200FFFFFFFFFF9C2100219C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF0073FFFFFFFF4273FFBD00BDFFFF 1084FF4252FFFFBD00BDBD00BDFFFFFFFF00BDFFFFFFFFFFFFDE000000000000 0073FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFBD00BDFFFFFFFF00 BDFF7300FFFFFF1084FF4252FFFF7300FFBD00BDFFFFFFFF00BDFFFFFFFFFFFF 4242FFFFFFFFFF4200FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFF FFBD00BDFF1073FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00AD FFFFFFCE00BDFFFFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF00 73FFFF0073FFFFFF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFF FF7300FFCE00ADFFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFF FF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073FFFFFFFF1073 FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF73 00BDBDBDBDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00 ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00ADFFFFFFCE00BD FFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFFFF9C2100219CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073 FFFF4242FFFFFFBD00BDFF1073FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFF BD00BDCE00ADFFFFFFCE00BDFFFFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF 9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFF FFFFFFFFFF0073FFFF0073FFFFFF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF 6331DE00ADFFFF7300FFCE00ADFFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF 7300DEFFFFFFFF9C2100219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF1073 FFFFFFFF1073FFBD00BDFFFF6331DE00ADFFFFBD00BDCE00ADFFFFFFCE00BDFF FFFFFFFFFF7300BDBDBDBDBD4210FFFFFFFFFF9C2100219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C2100219CFFFFFFFFFFFF0073FFFF0073FFFF FF7300FFCE00ADFFFFFFCE00BDFF7300FFFFFF6331DE00ADFFFF7300FFCE00AD FFFFFFCE00BDFFFFFFFFFFFF4242FFFFFFFFFF7300DEFFFFFFFF9C2100219CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFF FFFFFFFF0073FFFF4242FFFFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE 007321FFFFFFBD00BDFF1063FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C 009CFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C21001984EFFFFFFFFFFF0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300BD FF7300FFFFFFCE007321FFFFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF42 42FFFFFFFFFF4210FFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF4242FFFFFF BD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE007321FFFFFFBD00BDFF1063FF FFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFFFFEF841900219CFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073 FFFF0073FFFFFF7300FFFF1063FFFFFF7300BDFF7300FFFFFFCE007321FFFFFF 7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFFFFFF4210FFFFFFFFEF 841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C 21001984EFFFFFFFFFFF0073FFFF4242FFFFFFBD00BDFF5221FFFFFFBD0073FF BD00BDFFFFCE007321FFFFFFBD00BDFF1063FFFFFF7300BDFFFFFFFFFFFF1052 FFFFFFFFFF9C009CFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FFFF0073FFFFFF7300FFFF1063 FFFFFF7300BDFF7300FFFFFFCE007321FFFFFF7300FFFF1063FFFFFF7300BDFF FFFFFFFFFF4242FFFFFFFFFF4210FFFFFFFFEF841900219CFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFFFFFFFFFF0073FF FF4242FFFFFFBD00BDFF5221FFFFFFBD0073FFBD00BDFFFFCE007321FFFFFFBD 00BDFF1063FFFFFF7300BDFFFFFFFFFFFF1052FFFFFFFFFF9C009CFFFFFFEF84 1900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C21001984EFFF FFFFFFFF0073FFFF0073FFFFFF7300FFFF1063FFFFFF7300BDFF7300FFFFFFCE 007321FFFFFF7300FFFF1063FFFFFF7300BDFFFFFFFFFFFF4242FFFFFFFFFF42 10FFFFFFFFEF841900219CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052 BDAD311073FFBD00BDFFFFFF310073FFFFFFBD00BDFF9C0073BD9C2100BDFFFF FFFFFFAD00ADFFFFFFFFFFEF1042FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF 7300FFFF9C0073BD9C2100BDFF7300FFFFFFFF310073FFFFFF7300FFFF9C0073 BD9C2100BDFFFFFFFFFFFF422173737373210084FFFFFFFFD66B00003AB5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFF FFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD311073FFBD00BDFFFFFF31 0073FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFFAD00ADFFFFFFFFFFEF10 42FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5 3A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FFFF9C0073BD9C2100BDFF 7300FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C2100BDFFFFFFFFFFFF4221 73737373210084FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF4242FFFFFFBD 00BDFFCE1052BDAD311073FFBD00BDFFFFFF310073FFFFFFBD00BDFF9C0073BD 9C2100BDFFFFFFFFFFAD00ADFFFFFFFFFFEF1042FFFFFFD66B00003AB5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FF FF0073FFFFFF7300FFFF9C0073BD9C2100BDFF7300FFFFFFFF310073FFFFFF73 00FFFF9C0073BD9C2100BDFFFFFFFFFFFF422173737373210084FFFFFFFFD66B 00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A 00006BD6FFFFFFFFFF0073FFFF4242FFFFFFBD00BDFFCE1052BDAD311073FFBD 00BDFFFFFF310073FFFFFFBD00BDFF9C0073BD9C2100BDFFFFFFFFFFAD00ADFF FFFFFFFFEF1042FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFB53A00006BD6FFFFFFFFFF0073FFFF0073FFFFFF7300FFFF9C0073 BD9C2100BDFF7300FFFFFFFF310073FFFFFF7300FFFF9C0073BD9C2100BDFFFF FFFFFFFF422173737373210084FFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF 7373FFFFFFCE42CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42DEFFFFFFCE42 CEFFFFAD210031CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342DEFFFFD66300 0052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFF FFFFFF429CFFFF429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C42FFFFFFFF9C 42DEFFFFFF9C42FFFFFFAD210031CE42CEFFFFFFFFFFFF73424242424252ADFF FFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42CEFFFFCE4200 219C739CFFCE42CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031CE42CEFFFFFF FFFF7342FFFFFFFFFFFFFF7342DEFFFFD663000052CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF429CFFFFFF9C 42FFFFFFAD210031CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD2100 31CE42CEFFFFFFFFFFFF73424242424252ADFFFFFFFFFFD663000052CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFF FFFF429CFFFF7373FFFFFFCE42CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42 DEFFFFFFCE42CEFFFFAD210031CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342 DEFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52 000063D6FFFFFFFFFF429CFFFF429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C 42FFFFFFFF9C42DEFFFFFF9C42FFFFFFAD210031CE42CEFFFFFFFFFFFF734242 42424252ADFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF7373FFFFFFCE42 CEFFFFCE4200219C739CFFCE42CEFFFFFF9C42DEFFFFFFCE42CEFFFFAD210031 CE42CEFFFFFFFFFF7342FFFFFFFFFFFFFF7342DEFFFFD663000052CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFF429CFFFF 429CFFFFFF9C42FFFFFFAD210031CE42CEFF9C42FFFFFFFF9C42DEFFFFFF9C42 FFFFFFAD210031CE42CEFFFFFFFFFFFF73424242424252ADFFFFFFFFFFD66300 0052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300 0052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFF FFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE520000 63D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFF FFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD663000052CEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFD66300 0052CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE52000063D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC510 1063C5F7FFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A0000 6BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0000 3AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFF FFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFF FFFFFFFFFFFFFFFFFFD66B00003AB5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB53A00006BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFEF841900 2194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200 001063C5FFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF84190021 94FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFF FFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9421001984EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFEF8419002194FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF9421001984EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFF7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FF FFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B080031ADFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFAD310008 7BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFF FFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7940800 0000199CE6FFFFFFFFFFFFFFFFFFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3100087B E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFF FFFFAD3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE67B080031ADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFCE42424242424242424242424242424242424242424242424242 4242424242424242424242424242420808424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242310000000000083A9CCEF7F7FFFFFFFFFFFFC54A00004AC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 4A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFCE424242424242 4242424242424242424242424242424242424242424242424242424242424242 4242080842424242424242424242424242424242424242424242424242424242 42424242424242424242424242424242424242424242310000000000083A9CCE F7F7FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A 00004AC5FFFFFFFFFFFFFFFFCE42424242424242424242424242424242424242 4242424242424242424242424242424242424242420808424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 424242424242424242310000000000083A9CCEF7F7FFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFCE 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242080842424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424231000000 0000083A9CCEF7F7FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFBD08000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000008104273F7FFFFFFFF FFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFF FFFFFFFFFFBD0800000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000008104273F7FFFFFFFFFFE67B0800319CFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C31 00087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFBD08000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000081042 73F7FFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100 087BE6FFFFFFFFFFFFFFFFBD0800000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000000000000000000000000000000000000 0000000000000000000000000000000008104273F7FFFFFFFFFFE67B0800319C FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFCE42 4242424242424242424242424242424242424242424242424242424242424242 4242424242424208084242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242423100000000 00083A9CCEF7F7FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE67B0800319CFFFFFFFFFFFFFFFFFFCE4242424242424242424242424242 4242424242424242424242424242424242424242424242424242080842424242 4242424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242310000000000083A9CCEF7F7FFFFFFFFFFFF FF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFF FFFFFFFFCE424242424242424242424242424242424242424242424242424242 4242424242424242424242424208084242424242424242424242424242424242 4242424242424242424242424242424242424242424242424242424242424242 42310000000000083A9CCEF7F7FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800 319CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFCE4242424242424242 4242424242424242424242424242424242424242424242424242424242424242 0808424242424242424242424242424242424242424242424242424242424242 4242424242424242424242424242424242424242310000000000083A9CCEF7F7 FFFFFFFFFFFFFF9C3100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B0800319CFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFF7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7940800000019 9CE6FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFC54A00004AC5FFFFFFFFFFFFFFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F79408000000199CE6FFFFFFFFFFFFFFFFFFFFFF C54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFF FFFFFFFFF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7BD0808BDF7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7F7 9408000000199CE6FFFFFFFFFFFFFFFFFFFFFFC54A00004AC5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC54A00004A C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFF FFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF74200001063C5FF FFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE67B08002194EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF 942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFF74200001063C5FFFFFFFFFFFFFFFFFFFFFFFFFFE6 7B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEF942100087BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC510 1063C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD 3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC5101063C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5101063C5F7FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5 F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE63 00003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A000063CEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFE65252C5F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6300003AADFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD3A 000063CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B0800 2194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF94 2100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9421 00086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6BE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF942100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD66B08002194EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C310000 52C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052 C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFF7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC552 0000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31 000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319C EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31000052C5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5520000319CEF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C31 000052C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF C5520000319CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08 002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE684 2100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD66B08002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE6842100086BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A 00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A 00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A9CEFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF9C3A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBD BDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431 000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB5520000 3194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69431000052B5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB55200003194E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943100 0052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFB552000031 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE69431000052B5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFB55200003194E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B19 00196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197B D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD67B1900196BCEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFCE6B1900197BD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308 002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 8421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE684 21000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308002184E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC56308 002184E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE68421000863C5FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFAD4A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00004AADFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000 3A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A94E6FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF CE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE 843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A00 003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A00003A84CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE843A00003A94 E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B 2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFB56B21 00003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A0000216BB5EFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFEFB56B2100003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900 003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A000019529CE6FF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6943A 000019529CE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFE69C521900003A94E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7 F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF C5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A 0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5 843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFF7F7FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A94E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7F7FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6944A0800003A84C5EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC5843A0000084A 94E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529C D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD 6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242 CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52 2100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD63 19000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C522100001963ADE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529CD6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C5221 00001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFCE4242CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6319000021529C D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFD69C522100001963ADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316B ADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEF CEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC5 7B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B31000000316BADCEEFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B310000 00317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFC57B 31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFC57B31000000316BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFEFCEAD6B31000000317BC5FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A 94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A08000008 3A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594 633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A 6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59463 3A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6 944A080000083A6394C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFE6C594633A080000084A94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A94D6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD6944A080000083A6394C5E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C594633A080000084A 94D6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BADE6 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B31000000 00214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100 000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000214A7B9CC5E6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A2100000000316BADE6FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6AD6B3100000000 214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A210000 0000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 AD6B3100000000214A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 C59C7B4A2100000000316BADE6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFF FFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B 94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF D69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A 31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEF D6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94 B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000 000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6D6CEB5947B4A310800000000 21529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFFFFFFFFFFFFEFD6 D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFD69C52210000000008314A7B94B5CED6D6EFFF FFFFFFFFFFEFD6D6CEB5947B4A31080000000021529CD6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08 0000000008213A52636B849C9C9C9C9C9C846B63523A210800000000083A6394 C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFC594633A080000000008213A52636B849C9C9C9C9C9C846B63523A210800 000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A52636B849C9C 9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08000000000821 3A52636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFC594633A080000000008213A52636B849C9C9C9C9C9C846B63523A21080000 0000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFC594633A080000000008213A52636B849C9C9C9C9C9C846B 63523A210800000000083A6394C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A080000000008213A 52636B849C9C9C9C9C9C846B63523A210800000000083A6394C5EFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFC594633A08 0000000008213A52636B849C9C9C9C9C9C846B63523A210800000000083A6394 C5EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000000019212121212121190000 000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A310800000000000000192121 21212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A 31080000000000000019212121212121190000000000000008314A7BADCEEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFCEAD7B4A31080000000000000019212121212121190000000000000008 314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000000019212121 212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEAD7B4A310800000000 00000019212121212121190000000000000008314A7BADCEEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFCEAD7B4A3108000000000000001921212121212119000000000000000831 4A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFCEAD7B4A31080000000000000019212121212121190000 000000000008314A7BADCEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A31190000 000000000000000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5 9C7B4A31190000000000000000000000000000000019314A7B9CC5E6FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFE6C59C7B4A3119000000000000000000000000000000 0019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A31190000000000000000 000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C 7B4A31190000000000000000000000000000000019314A7B9CC5E6FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFE6C59C7B4A31190000000000000000000000000000000019314A7B9C C5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A3119000000000000000000 0000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C59C7B4A31190000 000000000000000000000000000019314A7B9CC5E6FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B84ADC5E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A5263 6B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B6352 3A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF E6C5AD846B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B 84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6C5AD846B63523A2121212121 2121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFE6 C5AD846B63523A21212121212121213A52636B84ADC5E6FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFE6C5AD846B63523A21212121212121213A52636B84ADC5E6FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C 9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CE B59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6 EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB5 9C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C9C9CB5CED6D6EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFD6D6CEB59C9C9C9C9C9C 9C9CB5CED6D6EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF BD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD 0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD08 08BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808 BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFBD0808BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD1010BDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFEFBDBDEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFBDBDEFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF73DEFFFFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFF9CBDFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73DEFF FFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9CBDFFFFFFFFFF FFFFFFFFFFFFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF73DEFFFFFFFF9CBDFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFF9CBDFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF73DEFFFFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C BDFFFFFFFFFFFFFFFFFFFFFFFFFF9CBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFF FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFF FFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFF FFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF00BDFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273 FFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFF 4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFF FF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4273FFFFFFFFFFFFFF FFFFFFFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FF219CFFFFEF00DE4252 213121BDFFFF9C1010109CFFFF42521010EF42211042DEDE00DEFFFFAD21FF00 63100031BD210021EFFF4252211021CEFFFFAD21000073FFFF4273FFEF421000 42EFFFBD00630084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FF00BDFFFFFFFF4273FF219CFFFFEF00DE4252213121BDFFFF9C1010109CFFFF 42521010EF42211042DEDE00DEFFFFAD21FF0063100031BD210021EFFF425221 1021CEFFFFAD21000073FFFF4273FFEF42100042EFFFBD00630084FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FF219CFF FFEF00DE4252213121BDFFFF9C1010109CFFFF42521010EF42211042DEDE00DE FFFFAD21FF0063100031BD210021EFFF4252211021CEFFFFAD21000073FFFF42 73FFEF42100042EFFFBD00630084FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFF00BDFFFFFFFF4273FF219CFFFFEF00DE4252213121BDFFFF9C 1010109CFFFF42521010EF42211042DEDE00DEFFFFAD21FF0063100031BD2100 21EFFF4252211021CEFFFFAD21000073FFFF4273FFEF42100042EFFFBD006300 84FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF003142424242 1073FF8442FFFF9C31FF4210CEFF9C10EFBD10CEFFCE10CEFF4210BDCE6373FF FF5273FF5273FFFF6373FF0042EFEF1031EFEF3184FF4210CEFF9C10EFDE009C FFEF3173FF4273FF4263FFFF6352FFBD0063CEEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF0031424242421073FF8442FFFF9C31FF4210CE FF9C10EFBD10CEFFCE10CEFF4210BDCE6373FFFF5273FF5273FFFF6373FF0042 EFEF1031EFEF3184FF4210CEFF9C10EFDE009CFFEF3173FF4273FF4263FFFF63 52FFBD0063CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 0031424242421073FF8442FFFF9C31FF4210CEFF9C10EFBD10CEFFCE10CEFF42 10BDCE6373FFFF5273FF5273FFFF6373FF0042EFEF1031EFEF3184FF4210CEFF 9C10EFDE009CFFEF3173FF4273FF4263FFFF6352FFBD0063CEEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0031424242421073FF8442FFFF 9C31FF4210CEFF9C10EFBD10CEFFCE10CEFF4210BDCE6373FFFF5273FF5273FF FF6373FF0042EFEF1031EFEF3184FF4210CEFF9C10EFDE009CFFEF3173FF4273 FF4263FFFF6352FFBD0063CEEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF0063737373732173FFDE00DEFF429CFF4273FFFFFF10BD5252BD BDBD3173FF4263FFFF73319CDEFFFFFF9C21FFEF10DEFF00ADFFFF4273FFFF63 73FF4273FFFFFF10BD8431FFFFFF9C21FF4273CE00ADBDBD8400FFBD00DEFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00637373737321 73FFDE00DEFF429CFF4273FFFFFF10BD5252BDBDBD3173FF4263FFFF73319CDE FFFFFF9C21FFEF10DEFF00ADFFFF4273FFFF6373FF4273FFFFFF10BD8431FFFF FF9C21FF4273CE00ADBDBD8400FFBD00DEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFF0063737373732173FFDE00DEFF429CFF4273FFFF FF10BD5252BDBDBD3173FF4263FFFF73319CDEFFFFFF9C21FFEF10DEFF00ADFF FF4273FFFF6373FF4273FFFFFF10BD8431FFFFFF9C21FF4273CE00ADBDBD8400 FFBD00DEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00 63737373732173FFDE00DEFF429CFF4273FFFFFF10BD5252BDBDBD3173FF4263 FFFF73319CDEFFFFFF9C21FFEF10DEFF00ADFFFF4273FFFF6373FF4273FFFFFF 10BD8431FFFFFF9C21FF4273CE00ADBDBD8400FFBD00DEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFF5284DE00 EFFF4273FFFFFF427342214242424273FF4273FFFFEF73210031CEFFFF10CE9C 31FFFF00BDFFFF4273FFFF7373FF4273FFFFFF42847342FFFFFFBD00FF4273BD 004242424242DEBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFF00BDFFFFFFFF4273FFFF5284DE00EFFF4273FFFFFF427342214242 424273FF4273FFFFEF73210031CEFFFF10CE9C31FFFF00BDFFFF4273FFFF7373 FF4273FFFFFF42847342FFFFFFBD00FF4273BD004242424242DEBD00FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273 FFFF5284DE00EFFF4273FFFFFF427342214242424273FF4273FFFFEF73210031 CEFFFF10CE9C31FFFF00BDFFFF4273FFFF7373FF4273FFFFFF42847342FFFFFF BD00FF4273BD004242424242DEBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFF5284DE00EFFF4273FFFFFF 427342214242424273FF4273FFFFEF73210031CEFFFF10CE9C31FFFF00BDFFFF 4273FFFF7373FF4273FFFFFF42847342FFFFFFBD00FF4273BD004242424242DE BD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BD FFFFFFFF4273FFFF9C318463FFFF4273FFFFFF10BD5273FFFFFFCEEFFF4273FF FFDEEFFFDE6321FFFF6373529CFFFF00BDFFFF4273FFFF7373FF4273FFFFFF10 BD7342FFFFFF9C21FF4273CE00EFFFFFEFCEFFBD00FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFF9C318463FF FF4273FFFFFF10BD5273FFFFFFCEEFFF4273FFFFDEEFFFDE6321FFFF6373529C FFFF00BDFFFF4273FFFF7373FF4273FFFFFF10BD7342FFFFFF9C21FF4273CE00 EFFFFFEFCEFFBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF00BDFFFFFFFF4273FFFF9C318463FFFF4273FFFFFF10BD5273FFFFFF CEEFFF4273FFFFDEEFFFDE6321FFFF6373529CFFFF00BDFFFF4273FFFF7373FF 4273FFFFFF10BD7342FFFFFF9C21FF4273CE00EFFFFFEFCEFFBD00FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FF FF9C318463FFFF4273FFFFFF10BD5273FFFFFFCEEFFF4273FFFFDEEFFFDE6321 FFFF6373529CFFFF00BDFFFF4273FFFF7373FF4273FFFFFF10BD7342FFFFFF9C 21FF4273CE00EFFFFFEFCEFFBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFF1021ADFFFF4221EFFF9C10 EF9C10CEFFEF109CFF4273FFFF5252FFFF8431FFFFCE2100EFFFFF00BDFFFF42 73FFFF7373FF4221EFFF9C10EFDE00CEFFEF3173FF4273FF2163FFFF7321FFBD 00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFF FFFFFF4273FFFFFF1021ADFFFF4221EFFF9C10EF9C10CEFFEF109CFF4273FFFF 5252FFFF8431FFFFCE2100EFFFFF00BDFFFF4273FFFF7373FF4221EFFF9C10EF DE00CEFFEF3173FF4273FF2163FFFF7321FFBD00FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFF1021ADFFFF 4221EFFF9C10EF9C10CEFFEF109CFF4273FFFF5252FFFF8431FFFFCE2100EFFF FF00BDFFFF4273FFFF7373FF4221EFFF9C10EFDE00CEFFEF3173FF4273FF2163 FFFF7321FFBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF00BDFFFFFFFF4273FFFFFF1021ADFFFF4221EFFF9C10EF9C10CEFFEF10 9CFF4273FFFF5252FFFF8431FFFFCE2100EFFFFF00BDFFFF4273FFFF7373FF42 21EFFF9C10EFDE00CEFFEF3173FF4273FF2163FFFF7321FFBD00FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFF FF6321FFFFFF4231213121CEFFFF7300420073FFFF4273FFFFDE21213121CEFF FFFF2163FFFFFF00BDFFFF4273FFFF7373FF4252213121CEFFFF9C10311073EF FF4273FFCE21212121CEFFBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFF6321FFFFFF4231213121CEFF FF7300420073FFFF4273FFFFDE21213121CEFFFFFF2163FFFFFF00BDFFFF4273 FFFF7373FF4252213121CEFFFF9C10311073EFFF4273FFCE21212121CEFFBD00 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFF FFFF4273FFFFFF6321FFFFFF4231213121CEFFFF7300420073FFFF4273FFFFDE 21213121CEFFFFFF2163FFFFFF00BDFFFF4273FFFF7373FF4252213121CEFFFF 9C10311073EFFF4273FFCE21212121CEFFBD00FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF00BDFFFFFFFF4273FFFFFF6321FFFFFF42 31213121CEFFFF7300420073FFFF4273FFFFDE21213121CEFFFFFF2163FFFFFF 00BDFFFF4273FFFF7373FF4252213121CEFFFF9C10311073EFFF4273FFCE2121 2121CEFFBD00FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFF6373FFFFFF4273FFEFFFFFFFFFFFFFEFFFFFFF FFFFFFFFFFFFFFFFEFFFFFFFFFFF21BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFEFFFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 6373FFFFFF4273FFEFFFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFF FF21BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFFFFFFEFFFFFFFFF FFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF6373FFFFFF4273FFEFFFFFFFFF FFFFEFFFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFFFF21BDFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFEFFFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF6373FFFFFF4273FFEFFFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFF FFEFFFFFFFFFFF21BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFFFF FFEFFFFFFFFFFFFFFFFFFFFFEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9C10DEFFFFFF4273 FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD7321FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFCE9C10DEFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFBD7321FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9C10 DEFFFFFF4273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD73 21FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9C10DEFFFFFF4273FFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD7321FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9C42ADFFFFFFFF739CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFF7352CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C42ADFFFFFFFF739CFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7352CEFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9C42ADFFFFFFFF739CFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFF7352CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9C42ADFF FFFFFF739CFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7352CE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFEFCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF EFCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFBDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFEFCEFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9CFFFF42BD42FFBD73 FFFFFFFFFFFFFFFFFF9CCEFFFFFFFF42FFFFFFFFFFFFFF1042EFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9CCEFF42FFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFCE106342FFFF42FF00FFFFFFFFFF42BDFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFCE9CFFFF42BD42FFBD73FFFFFFFFFFFFFFFFFF9CCEFFFF FFFF42FFFFFFFFFFFFFF1042EFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFF9CCEFF42FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE106342FFFF42FF 00FFFFFFFFFF42BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9CFFFF 42BD42FFBD73FFFFFFFFFFFFFFFFFF9CCEFFFFFFFF42FFFFFFFFFFFFFF1042EF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF9CCEFF42FFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFCE106342FFFF42FF00FFFFFFFFFF42BDFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE9CFFFF42BD42FFBD73FFFFFFFFFFFFFF FFFF9CCEFFFFFFFF42FFFFFFFFFFFFFF1042EFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFF9CCEFF42FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFCE10 6342FFFF42FF00FFFFFFFFFF42BDFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFF7373FFFFEFCEFFFFBD73FFFFFFFFFFCEDEFFFF42BDFFFFFFFFFFFFFFFFCE FFFFFF42FFFFFFBDFFFFFFFFDEEFFFFFCEFFFFCEFFFFFFFFCEDEFFFF42BDFFFF FFFFEFCEFFFFFFFFEFDEFFFFFFEFCEFFFFBD73FF42FFFFFFBDFFFFFFFFDEEF42 BDFFFFCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7373FFFFEFCEFFFFBD73FF FFFFFFFFCEDEFFFF42BDFFFFFFFFFFFFFFFFCEFFFFFF42FFFFFFBDFFFFFFFFDE EFFFFFCEFFFFCEFFFFFFFFCEDEFFFF42BDFFFFFFFFEFCEFFFFFFFFEFDEFFFFFF EFCEFFFFBD73FF42FFFFFFBDFFFFFFFFDEEF42BDFFFFCEFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFF7373FFFFEFCEFFFFBD73FFFFFFFFFFCEDEFFFF42BDFFFFFF FFFFFFFFFFCEFFFFFF42FFFFFFBDFFFFFFFFDEEFFFFFCEFFFFCEFFFFFFFFCEDE FFFF42BDFFFFFFFFEFCEFFFFFFFFEFDEFFFFFFEFCEFFFFBD73FF42FFFFFFBDFF FFFFFFDEEF42BDFFFFCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF7373FFFFEF CEFFFFBD73FFFFFFFFFFCEDEFFFF42BDFFFFFFFFFFFFFFFFCEFFFFFF42FFFFFF BDFFFFFFFFDEEFFFFFCEFFFFCEFFFFFFFFCEDEFFFF42BDFFFFFFFFEFCEFFFFFF FFEFDEFFFFFFEFCEFFFFBD73FF42FFFFFFBDFFFFFFFFDEEF42BDFFFFCEFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF 0000000000FFFFFFBD73FFFF00FF21219C9C217331DEBD73EF319CDE31734273 CE1031CEFFFFFF42FF21426331FF421073CE217331ADFF213173425252317363 21EFDE31734273CE1031CE42FF9C217331DEBD31524273FF9C427331BD31219C 42FFCE217331ADFF63635210BDCE317331CEFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0000000000FFFFFFBD73FFFF00 FF21219C9C217331DEBD73EF319CDE31734273CE1031CEFFFFFF42FF21426331 FF421073CE217331ADFF21317342525231736321EFDE31734273CE1031CE42FF 9C217331DEBD31524273FF9C427331BD31219C42FFCE217331ADFF63635210BD CE317331CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFF0000000000FFFFFFBD73FFFF00FF21219C9C217331DEBD73EF31 9CDE31734273CE1031CEFFFFFF42FF21426331FF421073CE217331ADFF213173 42525231736321EFDE31734273CE1031CE42FF9C217331DEBD31524273FF9C42 7331BD31219C42FFCE217331ADFF63635210BDCE317331CEFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF0000000000FFFF FFBD73FFFF00FF21219C9C217331DEBD73EF319CDE31734273CE1031CEFFFFFF 42FF21426331FF421073CE217331ADFF21317342525231736321EFDE31734273 CE1031CE42FF9C217331DEBD31524273FF9C427331BD31219C42FFCE217331AD FF63635210BDCE317331CEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD73FFFF00FF7373FF21EFFF 9C63BD7342CEFFCEBDFFFF00FF42BDFFFFFFFF42FF10FFFF42BDFF42FF52BDFF DE21FF10FFFF42CEFF42ADFF73BDCEBDFFFF00FF42BDFF42FF21EFFF9C63BD52 FFFF00FF42BDFFADEFBD73FF42FF52BDFFDE21CE42FFFF21BD52ADFFEF31FFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFBD73FFFF00FF7373FF21EFFF9C63BD7342CEFFCEBDFFFF00FF 42BDFFFFFFFF42FF10FFFF42BDFF42FF52BDFFDE21FF10FFFF42CEFF42ADFF73 BDCEBDFFFF00FF42BDFF42FF21EFFF9C63BD52FFFF00FF42BDFFADEFBD73FF42 FF52BDFFDE21CE42FFFF21BD52ADFFEF31FFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBD73FFFF00FF 7373FF21EFFF9C63BD7342CEFFCEBDFFFF00FF42BDFFFFFFFF42FF10FFFF42BD FF42FF52BDFFDE21FF10FFFF42CEFF42ADFF73BDCEBDFFFF00FF42BDFF42FF21 EFFF9C63BD52FFFF00FF42BDFFADEFBD73FF42FF52BDFFDE21CE42FFFF21BD52 ADFFEF31FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFBD73FFFF00FF7373FF21EFFF9C63BD7342CEFF CEBDFFFF00FF42BDFFFFFFFF42FF10FFFF42BDFF42FF52BDFFDE21FF10FFFF42 CEFF42ADFF73BDCEBDFFFF00FF42BDFF42FF21EFFF9C63BD52FFFF00FF42BDFF ADEFBD73FF42FF52BDFFDE21CE42FFFF21BD52ADFFEF31FFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4242424242FFFFFF BD73FFFF00FF7373EF42FFFFBD42BD1031BDFFEF63425200FF42BDFFFFFFFF42 FF42FFFF42BDFF42FF31FFFFFF00FF42FFFF42FFFF42BDFF73BDEF63425200FF 42BDFF42EF42FFFFBD42BD73FFFF00FFCE521063EFBD73FF42FF31FFFFFF00AD 73FFFF42BD4242424242FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFF4242424242FFFFFFBD73FFFF00FF7373EF42FFFFBD 42BD1031BDFFEF63425200FF42BDFFFFFFFF42FF42FFFF42BDFF42FF31FFFFFF 00FF42FFFF42FFFF42BDFF73BDEF63425200FF42BDFF42EF42FFFFBD42BD73FF FF00FFCE521063EFBD73FF42FF31FFFFFF00AD73FFFF42BD4242424242FFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4242 424242FFFFFFBD73FFFF00FF7373EF42FFFFBD42BD1031BDFFEF63425200FF42 BDFFFFFFFF42FF42FFFF42BDFF42FF31FFFFFF00FF42FFFF42FFFF42BDFF73BD EF63425200FF42BDFF42EF42FFFFBD42BD73FFFF00FFCE521063EFBD73FF42FF 31FFFFFF00AD73FFFF42BD4242424242FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF4242424242FFFFFFBD73FFFF00FF73 73EF42FFFFBD42BD1031BDFFEF63425200FF42BDFFFFFFFF42FF42FFFF42BDFF 42FF31FFFFFF00FF42FFFF42FFFF42BDFF73BDEF63425200FF42BDFF42EF42FF FFBD42BD73FFFF00FFCE521063EFBD73FF42FF31FFFFFF00AD73FFFF42BD4242 424242FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFBDBDBDBDBDFFFFFFBD73FFEF00FF7373FF21FFFFAD52BD73CE21EF73 84FFEF00FF42BDFFFFFFFF42FF42FFFF42BDFF42FF42DEFFEF10FF42FFFF42FF FF42BDFF73BD7384FFEF00FF42BDFF42FF21FFFFAD52BD73FFFF00FF84FFEF52 84BD73FF42FF42DEFFEF10BD63FFFF31BD42CEFFEF84FFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDBDBDBDBDFFFFFFBD 73FFEF00FF7373FF21FFFFAD52BD73CE21EF7384FFEF00FF42BDFFFFFFFF42FF 42FFFF42BDFF42FF42DEFFEF10FF42FFFF42FFFF42BDFF73BD7384FFEF00FF42 BDFF42FF21FFFFAD52BD73FFFF00FF84FFEF5284BD73FF42FF42DEFFEF10BD63 FFFF31BD42CEFFEF84FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFBDBDBDBDBDFFFFFFBD73FFEF00FF7373FF21FFFFAD52 BD73CE21EF7384FFEF00FF42BDFFFFFFFF42FF42FFFF42BDFF42FF42DEFFEF10 FF42FFFF42FFFF42BDFF73BD7384FFEF00FF42BDFF42FF21FFFFAD52BD73FFFF 00FF84FFEF5284BD73FF42FF42DEFFEF10BD63FFFF31BD42CEFFEF84FFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFBDBDBD BDBDFFFFFFBD73FFEF00FF7373FF21FFFFAD52BD73CE21EF7384FFEF00FF42BD FFFFFFFF42FF42FFFF42BDFF42FF42DEFFEF10FF42FFFF42FFFF42BDFF73BD73 84FFEF00FF42BDFF42FF21FFFFAD52BD73FFFF00FF84FFEF5284BD73FF42FF42 DEFFEF10BD63FFFF31BD42CEFFEF84FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE21735221FFAD31 BD73527331CEBD73FF73738442735221FF7352DEFFFFFF42FF42FFFF42BDFF42 FFAD3173429CFF42FFFF42FFFF42BDFF73BD8442735221FF7352DE42FF735273 31CEBD73FFFF00FF73527342DEBD73FF42FFAD3173429CFF31737310BDBD4273 5273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFDE21735221FFAD31BD73527331CEBD73FF73738442 735221FF7352DEFFFFFF42FF42FFFF42BDFF42FFAD3173429CFF42FFFF42FFFF 42BDFF73BD8442735221FF7352DE42FF73527331CEBD73FFFF00FF73527342DE BD73FF42FFAD3173429CFF31737310BDBD42735273FFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE21 735221FFAD31BD73527331CEBD73FF73738442735221FF7352DEFFFFFF42FF42 FFFF42BDFF42FFAD3173429CFF42FFFF42FFFF42BDFF73BD8442735221FF7352 DE42FF73527331CEBD73FFFF00FF73527342DEBD73FF42FFAD3173429CFF3173 7310BDBD42735273FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDE21735221FFAD31BD73527331CEBD 73FF73738442735221FF7352DEFFFFFF42FF42FFFF42BDFF42FFAD3173429CFF 42FFFF42FFFF42BDFF73BD8442735221FF7352DE42FF73527331CEBD73FFFF00 FF73527342DEBD73FF42FFAD3173429CFF31737310BDBD42735273FFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFDEBDEFCEFFFFBDDEFFCEBDEFFFEFDEFFFFBDFFCEBDEFCEEFEFBDEF FFFFFFCEFFCEFFFFCEEFFFCEFFFFDEBDDEFFFFCEFFFFCEFFFFCEEFFFDEEFFFCE BDEFCEEFEFBDEFCEFFFFCEBDEFFFEFDEFFFFBDFFFFCEBDDEFFEFDEFFCEFFFFDE BDDEFFFFFFBDCECEEFFFDEBDCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDEBDEFCEFFFFBDDE FFCEBDEFFFEFDEFFFFBDFFCEBDEFCEEFEFBDEFFFFFFFCEFFCEFFFFCEEFFFCEFF FFDEBDDEFFFFCEFFFFCEFFFFCEEFFFDEEFFFCEBDEFCEEFEFBDEFCEFFFFCEBDEF FFEFDEFFFFBDFFFFCEBDDEFFEFDEFFCEFFFFDEBDDEFFFFFFBDCECEEFFFDEBDCE FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFDEBDEFCEFFFFBDDEFFCEBDEFFFEFDEFFFFBDFFCEBD EFCEEFEFBDEFFFFFFFCEFFCEFFFFCEEFFFCEFFFFDEBDDEFFFFCEFFFFCEFFFFCE EFFFDEEFFFCEBDEFCEEFEFBDEFCEFFFFCEBDEFFFEFDEFFFFBDFFFFCEBDDEFFEF DEFFCEFFFFDEBDDEFFFFFFBDCECEEFFFDEBDCEFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFDEBD EFCEFFFFBDDEFFCEBDEFFFEFDEFFFFBDFFCEBDEFCEEFEFBDEFFFFFFFCEFFCEFF FFCEEFFFCEFFFFDEBDDEFFFFCEFFFFCEFFFFCEEFFFDEEFFFCEBDEFCEEFEFBDEF CEFFFFCEBDEFFFEFDEFFFFBDFFFFCEBDDEFFEFDEFFCEFFFFDEBDDEFFFFFFBDCE CEEFFFDEBDCEFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFF %%EndBinary grestore end % Image Trailer grestore grestore % EPS grestore cfi-3.0.orig/sv/Image6.gif0100664000175000017500000001021207311654724014235 0ustar miccemicceGIF89a3Ž{{{ssskkkcccZZZRRRJJJBBB:::111)))!!!,3D dihlp,tmx|pH,_ql:B1p>جv`&DK.hj^8-;H$!0 Xtvxz|~dwc&W#L4$AX - X* x f)+9#1')'.;+ y>HN^ [2d!p600a…xL:!R |.Hf J`̳;5riCcU(lG_P#H,&D<]˶۷lK [<```ŽMXd`gx띥N38rB4CD6zkN=ZvPHe ~1 )`ʯiޭ7p2O%s;.ӫ_ݡ #+py`?\{ vb-3rF\ռ7}_ 㐗OPgN #A+|蚧(Fؤ%|t }G.N D1l {ZĞt|(fG¯xTPP觯/xr PjG@B P :oK X0 l`y Ѐ>iXP@0 4`dQ>Aj "D MXBB@zk _Sl7PAvP$on X"@rGC 'BlQ(ׁ d#?}0@TDA R^:CiBQJ4sz@_e0":GZ <!n>*Cv|PurbQ?NL&w]HϱN)$\+9jlLNvA0dζn{MrN"yӛCց ]Q-jvB3@K@v|7EI bcVB[8ý |qFa*Z^a4Yâ9=Aobyb>+'_>^+}0 #hp40 Y]^֙#*dHyBK㠆x@{6CaCM#d4{ :r]S<OOa ֈm7 |fb -;[m6ML r%C{jEo]h yO\;+z:q .շbopv(`ßٔ_G`~7cIw1ޡnwk|x[pg~~Og,Z$,FLP o`Xu1XC (y YX"xx@ w؂0X#Sq;V$Lt|-X %P"m3LAqרhK!\VdO5zN!Oex u*4P٨$8Q(-v$#. !3ʘ0g@\aVNwEXV5P"'"e9:;7P2=hSQE=d>)dC2W3Q 2bhP r =q\&>ɕa9H/JkQ{0VВM|Pp3l(VEQ[8NQxZgM(, 2t A`F*O69yu%ԙ`Y!XIdJ~d&b,9ИA*:ZoH SvWyi?ZstyTPv)6y%H0ם񝩲E~ 7 GE3.GJIHG}r B~+柿I>pa{ǥGi4xx jyEFismJi!*Ne5Pi cTvQB$2qX'z1_oF6*ӹ!I)L7 6 g3@O7'&9%'T8BtU!b`ca& b n` zxp:5(]9q!ZpÐ8!š_ Ԣ)hҩaJ_`_F9S:9O:!kh9(Ŋ ;=aFB"c B Y)>ْF*Q#HY /A"m e0k"jfv͊Urߊ&16qhh+0Rf m;+QR c8Oѣefe0Q#A}0,9et )!<hK ڣ=Qm#p X+gAE+d#"dZLqP 8",i^]j@'`KB_& BR'@5V* µ""@kN=|Y5laP6xA1c&Xhv`^K!~i" /`p[$Ehd܁qI]/̃ tD,~Ch/QT`|HpZH]Rpm>UtSm Jte*"%-0@N*5N_n(D+];LH#"zK]D\=gZɹLgBNBITڄ]OMA(xvn kk sj:hB3P 9 mD+I >H=?aҙr6)7`` (3 Jc|`VlG@jDT\Q ЁxU!xbx:(iex${^@+UW"a1@V*0arLN:d'KZͬf7zvUgLюjfdlc[UlkKۮ*-o;#0@X!0:7$XTHqAX¹DGF]ڶ.r!\ t{]. eSy""wp]MwysXFzKu7Vu74=@S|c*'Vby}Tq^yDx6HXAǐP l (iyђPeŒ9<" $"Ƌ XƇ>/D0pOf&Wexh2j/|' i(w@9ґG=KѴsd:@ `u5\=qK0*Q#*3bk#6*y@?&8x(.J{. 1!=H֠IOt eȲK: ӈtɦ` $56|R{}YG >p$ӝ)?v`+=(eFSxV'HX!=VrXi& ~/ӳ xeg|'؁ЂA0LrTFCL.hZrP:HflGI!s+'3 >h#8E<8C9H"Y^.L$Ct9U^ g p:'f#cYkRNtXPH6_bM_NPa6sOw0+`v$*(XaPrAaN0Q @u"[aPxU0Պ' @)^{ЋŊXHQJC'[%PRg0r*(8~cЎXZQd/8ryD Y3#B@Y-[Г'S;C * ?u+ed#LIPTe?Le3It!B2fAu@?vVЃ<ґ2WC9.OYVI3vX$ﳂ#Y&zgiku"Tr9tYvyxz|ٗ~9YyYҘ.X 9syI+yٙuI~^ (bw 嚰y)*y H](4– !9щ] i*y5 r 2p[ ޘ5E ՝i )5ɞI﹊ӹPB\@- 4E ?!3(zSJ*':!*#JP'4 P) *b3[9J =4 LCEjr.p#7g,Z&{UbYXYY:\*VC7D40P36ZhzOj:lJbUcԦ}H7WJe|jto:%}:|t:YZL\5jʆ\TZeҩ7z5kXFpCz:'*XCjv]Kw kpVAȊ450z9Ί  Z9f<5T0y6I6h&4T3d[)p]*۰[{vUx[Q8$[=g%4>X)m& Г +&۳> (*;(pitjʰ[KGہ!lWWC8#CeUS[pV`vM}!xm峴M P4)JOs! 88(k`;}Q0߇F-qGٷ<wVG}]0YVR!~Jx 22jytE;'BgZ07?~TCxqn/` ?wW`qwk #<0JB1z^!v(@$0<:9/nQsE~* ]i_ g&+/!)g8`uB/vZI-$7iD{:GH+@&/$U3bTӕq3p4}p]9H$ЬjOpDx6+l"mtAnOՃ.$:k.W,4C5o8 fpzZ1I.ԍ&2`cv/U aC=V֠F K+Q%oh;g]א։"n c vxtסؔ0Ǘ[dصsז=='@fV(hTX:jp,0K0fsf;e:YP7` G-f?Q[}V9$)pB{pC?@) =XgșKV,0BHzG(]CR"F6>d02@ގN[j|!4M;$7N"O A  N” }%Ы5Pv:02^&*nʃ=MVWrc[ enAG rT.{X䓵YO_1^ea3.s2yYkVإb>Zq.H8Z`BP\2\}~~b~0;p" k$~: #$#j &*\" E#E܊ꗮ+^n S5`z 5@zk\:=Cp_n3NnȞ׮]{)Տڔ]R'k)( ΍I|pC8r.5BbBR/N+Xa-0O2~R p 9M9DOIgFN]++?%X_qɀ8 TO9T0 %(XS b/TW2s"2s+,J!B:r[uGb-GqGQ$=݈ZHV=0_#g_9r@`+`q-C+ tL8#S##=RyTAH J䅵A"%C9 Q 1qnOTMdϏc\#qORh"Uy _o cE R e  -" ̛# B%dL\ ɻ0EDdg ;y:tPA v@&S %y±w+=@+ tP)itӧFB!ՒZⰩ(0B$("W'!)ש6|F *LL DAy}JPPA](nuaC 02*LfWDϽ[eɿ@ٗ_KvGP{b0AA0O)sEƗi rr)0YQj\QdLX|ZPldxRNzSFiTfd\/MЁq5JTۗ}|Ri"\tmQ& A7\^1R[$-%zQ( @@X T`_z/waALtDyzz"gp  ,PHQP fxŸGݹlzi|YfZ8 'e/)Н[f@ֵ6AV$@l.6e8|;g @LK$Pr ( 'dAO&愃&aB R-`4o>ub'<[f @#hlpǍeYD<@((HC=AkS)mqL$RumP"@6v)0V ȀN@[2& &W6 nDK4Aә *_lc>C*`>^Ai4i̓C^+ 3 ?3"=,YkʹV@Rc~cP&|l< >@"DU"uK eQ*Q[+%2!PR+; \㺠StAVIԷZ$B ݆C Gh&;Eg9/"R<4PfH#pa#pDžoO Gp7nP6ŵ^FXCfa8#6IG*>u$,aOPҫh/D%yPk-Kbpp;N; '[ ^ q^#h,hi9`LS *! F`@%#i']2> B0UU%R9Q&DR^"u|>R;P}$DI gnsW.2>w6TNo rQkGrGWTa.IT#.-ږaerKa^_<!)X? D;l$0uPRJ߾"/I@3[ę0$G\¢-j5G2K,˖;Vcoeg-U^B@ޗ\=:wi?)'LrlRYH>U 7Cz uAj D+9.dRKS}ҡKbu%.RBagaWL'v`p@8X|?G gA^eK](zJ &`WSabTxD5}-?C={@D#!DxG0 7c0X!*Ѐʁm$WĈ%PqELA|,"fwwHXCQpGjOӆkBX Kg'w'a8$~5u?0Osu}ZL`gw0G&.n.d1ƨ>]r/EryVʨmq3fA8ty~ЍgG_uH.C wJ7 o&H-w,P &J$_AicX5z W! s d)q#&HQ$`5cF"A- 3g$&G|IxɁtOw4R7p_۸,SPVOTHӸQN$ KFv_G!U$RAOJ2"IQ4h{n%cU "j@j?рHjOPY'mT7 SIW0!/FvN )6`;. 3?Fy3) UBX#(yRՐzn>2`fAZiq9L&e(jݩyhe^vg[ 0"À @mY 5ePh*3NyY@B 9Q̥,83fp\;ctupeY& I_fzY]PAՕ<5RY^R71-j yxd@Y|6v'`k#7C7¤`b)ggh&<:.Յ(<_?nR`]lڦnpr:tZvzxGj_J}Sb^+`bZ/9 ubjxzǤp?AtSfb}37 Q=-RQռzQh"2qDCCاѽk[eH[KCohiwWFBX.Bl?.ؼbW)Wt"e@9[> B.Eg3|P+q xMN?lR^B\[ԫQ35{ɛ/3\XB\lP/3#'/1JgO$;#GR !zCEr—b)}Ή@QH8XtTƼ[iD.c.$Bh%h|Qp8S/B4K!"`j>WzpQ+.{|y n(R\:,ey#ϡټ(%)9d̙~8#GK}[yoGaGv+)$L͇χ,IIwHB0t= m4 N޻<^.~='^b75NB̦q,"1i* *Iw`PP͢(yOtᓄ"tr !rM6+a!Lٔ\TK5$@}='BTQB6{59v}^=pgnlfGuX'tΛs"4Mu'WVtC3Lh|1uz0 ÎDá؊*W"qlHlX'g#/'"K[tĩ@NBKaQ&`,.Y sř$LHu9.MW*$|Z8R(a݈u"|E\k-8e(%~#UHF,3F.@* ScN9~p /rPg/~KBEB!w!C,orA|V vJ PdםH00mJF+pQa?OQj=byձTTO)缴uJ(|O845 S;y <ЧY']8T*U@|xpش"!}1$uњЈ `0ga/م}zԙ`t10л;Ͷ{m҇CB=z^IRXuz>^3Rdi)Q2| #( R 3h;cfi-3.0.orig/sv/cfi.html0100664000175000017500000327566307311654724014117 0ustar miccemicce tech

Innehåll

Omsvep

Jag skulle kunna börja den här texten med att skriva: "Jag har valt att kalla förordet till denna bok för Omsvep med härledning till det mer lämpade engelska 'Preface', alltså något som kommer utanför det egentliga objektets yta, jfr t ex engelskans 'Surface' av 'Surrounding' (omgivande) och 'Face' (Ansikte, Yta). Jag finner denna nyskapande terminologi mödan värd med anledning av bla bla bla..."

Allt sådant kallprat är bara en etikett man sätter på sina litterära verk för att tydligt visa för akademiska läsare att man tillhör den bildade världen, det vetenskapliga samhället. Jag har det tvivelaktiga nöjet att ännu vara relativt ung och oförstörd, och därför ser jag mig befriad från plikten att behöva tråka ut er stackars läsare med sådant dravel, trots att jag faktiskt kan konstruera riktigt knepiga resonemang när jag känner för det. Den akademiska formen är bara ett av de formspråk jag använder i den här boken.

Jag skall börja med att tala om vad det kostade mig att skapa den här boken: massor. Massor med tid, och i realiteten massor med pengar. Jag klagar inte. Jag har haft gott om både tid och pengar. En stor del av boken skrevs som en etapp av mina studier medan jag ännu studerade på folkhögskola, och är därför mer eller mindre finansierad med de skattemedel i form av studiebidrag som jag uppbar under denna studietid. I någon mån skulle man på så vis kunna påstå att denna bok tillhör samhället. Frågan är om samhället skulle vilja kännas vid den.

Jag har valt att ta konsekvensen av mina egna resonemang. Jag har i boken dömt ut copyright som ett urmodigt och dumt påhitt, mest avsett att fixera samhällets maktbalans i sitt nuvarande läge. Alltså saknar denna bok copyright. Det finns en del argument för att förse boken med copyright. Låt mig behandla dem ett och ett:

Du kan inte tjäna något på den här boken. Sant. Och falskt. Jag har redan tjänat en jäkla massa på den här boken. Andligt. I branchen kallar vi det intellektuellt kapital. Jag har fått en del nya vänner. I branchen kallar vi det humankapital. Åt helvete med detta jävla kapital, förresten. Jag har så att jag klarar mig ändå. Författande är inte mitt leverbröd. I varje fall inte än. Jag säger inte att det är fel att tjäna pengar på att skriva böcker, jag säger att det vore fel av mig att tjäna pengar på den här boken.

Du har ingen koll på hur boken sprids. Jag har ingen jävla önskan att kontrollera hur den här boken sprids. Det framgår av den del av undertiteln som jag lite provocerande har lånat från Nietzsche: en bok för ingen och för alla. Att sedan börja tala om copyright vore inkonsekvent. All information borde förresten vara fri.

Någon skulle kunna förvanska texten och påstå att hon/han själv skrivit den. Än sen. Var poet är en tjuv, var konstnär är en kannibal, som det så vackert heter. (Jag vet tyvärr inte vem som har sagt det.) En bra bok stjäl alla ifrån, bara så att det inte märks. Om någon stjäl något från denna bok så att det märks demonsterar han/hon bara sin uppenbart begränsade kreativitet. Om någon stjäl utan att det märks, märker inte jag det heller, och då lider jag knappast av det.

Någon skulle kunna förvanska texten och sprida den för att skada dig. En sådan människa bryr sig nog inte om copyright eller inte. Copyright skulle i detta fall bara tillföra en möjlighet att straffa en människa som gjorde något sådant. Jag skulle ändå inte orka driva några processer: det vore slöseri med tid. För övrigt måste vi försöka lita på varandra i det här samhället någon jäkla gång.

När du har läst så här långt inser du säkert att jag ger dig fria händer. Spridningen av denna bok är också ditt ansvar, och klangen av dess budskap ringer redan i ditt öra. Lägg den på disketter och ge till dina vänner. Lägg den på CD-ROM skivor och skicka med på omslaget till tidningar. Tryck ut den på papper om du känner för det. Tryck ut den, häfta in den, och använd den som kurslitteratur om informationssamhället. Tryck ut hundra exemplar på papper och ge bort till dina kompisar, men glöm inte bort att om du gör fler än 50 kopior för offentligt bruk måste du skicka 7 pliktexemplar till bland annat riksarkivet, ty så lyder lagen om pliktexemplar av offentliga dokument. (Själv skulle jag bli överlycklig om denna bok dök upp i forskningsarkiven.) Tryck upp den och sälj den om det roar dig. Lyckas du tjäna pengar på den gör du åtminstone mig förvånad. Allt i det här samhället går ändå ut på att utnyttja andra. En av de industrier som likt kannibaler utnyttjar människor, är dessvärre förlagsindustrin. Måtte detta vara en nagel i ögat på dem.

Till sist skall jag varna för att denna bok definitivt är färgad av mina egna åsikter och värderingar. Jag är en uttalad individualist, och har heller inget emot att bli kallad socialist. I skärningspunkten mellan dessa två värderingar finns en ideologi som inte är särkilt vida känd, men som kallas syndikalism eller (vänster-) anarkism. I princip anser jag att all privat egendom är stöld,1 men jag är inte så jävla dum att jag inte inser att ett samhälle utan privat egendom är en utopi. Mina åsikter om yttrande- och tryckfrihet är ungefär de samma som hyses av Sveriges mest nyliberala organisationer. Jag har inget emot små och medelstora företag, men enorma transkontinentala koncerner är för mig farligare maktfaktorer än folkvalda regeringar, och som sådana måste de underkastas samma granskning som den folkvalda makten.

Nu kan du läsa boken utan omsvep.

COPYRIGHT FINNS INTE

V3.0

En bok om information och makt

För alla och för ingen

DEUS EX MACHINA

CARCERES EX NOVUM

Den här boken om strömningar inom Litteratur, Teknologi, Musik, Film, Juridik och Ideologi skrevs efter att jag insett att om inte jag gjorde det så skulle någon annan göra det, men också för att göra klart för alla Sveriges trevliga hackare var de har sitt historiska och ideologiska arv. Slutligen finns det en lätt populärvetenskaplig ton i det hela, för att göra det någotsånär lättbegripligt.

Några frågor du bör veta svaret på innan du börjar läsa denna bok:

Varför skall jag läsa det här?

Svar: För att du skall förstå nya begrepp i informationssamhället, den nya ungdomskulturen och samhällsdebatten, men också för att du skall ha en chans att bilda dig en egen uppfattning genom att konfronteras med mina och andras åsikter. Boken är centrerad kring kulturella fenomen eftersom de tydligast visar vart ett samhälle är på väg. Vårt samhälle på gränsen till informationssamhället kallas ibland det postindustriella samhället. Jag skall inte sticka under stolen med att jag också vill få dig att ifrågasätta det samhället.

Vad är en Dator?

Svar: En dator är ett föremål som följer de fysiska lagarna, precis som en människa. Precis som en människa är den varken ond, tråkig, snäll, krånglig eller särskilt intelligent. Den blir vad du gör den till. Precis som en människa i ett samhälle. Skillnaden mellan en människa och en dator är att datorn har en chans att absolut säkert veta vem som skapat den, och att den i princip kan se ut precis hur som helst. År 1995 tror de flesta att en dator ser ut som en fyrkantig låda. Dator är ett konstigt ord som många säger fel på. Fysikern Hannes Alfvén föreslog att man skulle kalla det en data, flera dator, men tekniska nomenklaturcentralen bästämde att man skulle säga en dator, flera datorer istället. Kanske gjorde man detta för att undvika att förväxla ordet med data i betydelsen information. Kanske gjorde man det bara för att data lät för feminint och man ville att datorn skulle vara en han. Gud vet. Branchen skilde en gång på mikrodatorer, minidatorer, stordatorer och superdatorer, där det är tänkt att den ena skall vara häftigare än den andra.2 Numera är gränserna för vad som är vad så flytande att de här beteckningarna är en smula föråldrade. En mikrodator är exempelvis en PC eller liknande hemdator. De andra sorterna har en normal människa knappt sett.

Vad är ett Datanätverk?

Svar: Ett datanätverk är två eller flera självständiga datorer som man kopplat ihop med kabel. Man brukar skilja på LAN (Local Area Network) där man kopplar ihop alla datorer i en byggnad eller som mest ett helt kvarter, MAN (Metropolian Area Network) med datorer i en hel stad sammanlänkade och WAN (Wide Area Network) som kopplar ihop datorer över riktigt stora avstånd. Störst av alla är Internet som kopplar ihop datorer av alla typer och över hela världen med varandra. Ett datanätverk kan transportera information mellan datorer, sedan må det vara text, bilder, ljud eller vad som helst som kan tryckas in i en dator. Som en telefon eller brev fast lite bättre och snabbare. Hela telefonnätet är egentligen också ett datanätverk, med den skillnaden att man kopplar ihop människor istället för datorer. Många WAN-datanätverk som t ex Internet utnyttjar också telefonnätet istället för att lägga egna kablar. De datorer som håller samman ett datanätverk är nästan uteslutande av mini- eller stordatortyp, eller speciella såkallade routrar och switchar dvs stora, grå kylskåpsliknande saker.

Vad är en BBS?

Svar: BBS betyder Bulletin Billboard System, rakt översatt alltså en anslagstavla för elektroniska bulletiner. Precis som en vanlig anslagstavla krävs det att du regelbundet går dit för att ta del i innehållet. Du kan också sätta upp egna "lappar" och få svar på dina inlägg i form av andra skriftliga meddelanden. Det finns BBS:er för alla intresseområden. Det finns BBS:er som till viss del är inkopplade på Internet, och det finns de som inte är det. En BBS når man idag med hjälp av ett modem, en dator och en telefon. BBS:er försvinner idag alltmer och ersätts med konferenssystem (en sorts jättestora BBS:er) på det mycket större och bättre Internet, det mest kända systemet är Usenet. En BBS kunde på sin tid också användas för att skicka privat elektronisk post mellan användarna eller för att massdistribuera dataprogram.

Vad är Telerymd (Cyberspace)?

Svar: Telerymden är den plats där dina pengar som du har insatta på banken befinner sig. Det är platsen där ett telefonsamtal äger rum och det är den rymd som TV-programmen färdas genom på väg till din mottagare. Det är en elektronisk värld av information som egentligen bara existerar därför att människor kommit överens om att den finns och fungerar. Fysiskt består den av kablar, radiovågor, ljuspulser och stora datorer med enorma elektroniska minnen. Den är en fysisk företeelse i den "verkliga" världen som vi med lite god vilja kan uppfatta som ett eget universum. Det är en värld där människan är Gud och har skapat allt. Den är något av en religion. Nästan alla människor "tror" på telerymden. Annars skulle de inte gå till bankomaten för att ta ut pengar. Hela vårt västerländska ekonomiska system finns i telerymden. Telerymden har funnits sedan den 10 mars 1876 då den "uppfanns" av Alexander Graham Bell. Utan elektricitet finns inte telerymden. Vår civilisation är redan beroende av telerymden; om telerymden försvann skulle all ekonomi kollapsa och hela västvärlden gå under. För att "ta sig in" i telerymden använder man Informationsteknik.

Vad är ett Virtuellt Samhälle?

Svar: En beklämmande sak med telerymden är att den är en ironisk spegelbild av vårt eget samhälle, och det är kanske det som får oss att frukta den mest. Virtuella samhällen finns i telerymden och består av löst sammanhållna grupper med olika mål och värderingar, några personer som bildar en sammanslutning utan att någonsin ha träffats i verkligheten. De är helt geografiskt obundna; det virtuella samhället är i stället ofta bundet till en viss typ av utrustning, som exempelvis Internet, ett visst datormärke, osv. Det finns virtuella samhällen som är nazistiska, pacifistiska, anarkistiska, socialdemokratiska o.s.v. I realiteten är de virtuella samhällen man talar om inget annat än små skyddade öar på Internet med ett eget diskussionsforum och ett eget nyhetsbrev. Smarta marknadsförare försöker ofta skapa virtuella samhällen runt exempelvis en produkt eller en tjänst (exempelvis Postens Torget och Telias Passagen under slutet av 90-talet), men misslyckas oftast.

Vad är en Ungdom?

Svar: En ungdom är en ung människa. En ung människa har i vårt samhälle på ett underligt vis fått rollen att ifrågasätta sin omgivning och utforma nya ideal som så gott som alltid förkastas av de vuxna. Ungdomens uppgift är att komma med idéer som de vuxna måste bromsa upp för att de inte skall skena iväg innan konsekvenserna granskats. Här är en kliché: "en ungdom utformar och utvecklar tillsammans med de vuxna framtidens samhälle". För att få tänka ostört brukar ungdomar umgås i såkallade subkulturer. De vuxna brukar ofta inte tänka alls, utan tittar på TV och utför nödvändigt monotont arbete istället. I den mån de tänker alls gör de det i samband med kultur som inte har sub- framför sig.

Var börjar jag?

Svar: Här. VARNING! Detta är en bok som inte skildrar skeenden och händelser i svart och vitt. Den är inte heller objektiv. (Den som utger sig för att vara objektiv i den här världen är som bekant inte riktigt klok.) Den är inte ens hundraprocentigt konsekvent. Men jag hoppas att den är intressant för en tänkande läsare. Under det som till en början liknar en sammanfattning av udda nutidskultur finns nämligen ett uttalat politiskt budskap av en typ som jag föreställer mig att få av er som läser det här någonsin tidigare skådat.

Ett slags manifest

"Welcome to the machine"
Roger Waters / Pink Floyd

VARFÖR JAG VILL LEVA

I korridoren med sina anteckningsblock
springer faller på plats sin plats...
Försöker planera ett liv de inte själva vill ha
Försöker få allt att falla på plats
Allt ska bli så förbannat bra
Med studierna yrket och familjen
allt ska bli så förbannat bra
Med fem rutor matte och en timme för ekonomi
för analys tillväxt stagnation alienation trigonometri
En ruta sociologi och en ruta kultur
Men jag vill leva din jävel, jag vill leva!
Hur länge tror ni egentligen att det håller
Lyckan, framtiden som mamma och pappa
Stadgat socialgrupp 1 och 2
det finns ingen väg ut
tror ni verkligen att det håller?
Lycka, det gäller att charma rätt person
en som själv kan förstå er situation
Samordna kaoset inom fyra väggar i förort
-- välkommen tillbaka till maskinen!
Jag vill leva din jävel, jag vill leva!
Hur länge tror du att det håller?
En livsstil den finns på TV
sug den som den svamp du är i systemet
tror du verkligen att det håller?
Tror du att det kan fungera?
Jag vill leva din jävel, jag vill leva!
Och du som inte får något gjort för du vill leva
tror du att du kommer att få leva?
Med lögner där tryggheten skulle sitta
JAG VILL LEVA DIN JÄVEL, JAG VILL LEVA!
Din fria stil är verkligen unik
Lika unik som atomer du är unik som fan
Passiv som en barkbit i strömmen
Inget med dig är unikt du är vanlig
Vanlig mönstergill anpassad
-- välkommen in i maskinen!
till din sociala och ekonomiska roll
som teaterapa poet kulturprofet
Mycket vanligt mycket bra så fortsätt
Du är anpassad det var lätt som en plätt
JAG VILL LEVA DIN JÄVEL, JAG VILL LEVA!
FÖR GÖDEL, BURROUGHS OCH KUHN
JAG VILL LEVA!

HACKARE!

HACKER... själva ordet har en magisk laddning, och associationerna kan vara minst sagt splittrade när det nämns. På svenska heter det hackare. För en del är det förknippat med databrott, intrång och spionage. Andra föreställer sig en mager, glasögonprydd samt finnig tonåring framför en bildskärm som tillbringar det mesta av sin tid i sällskap med datorn, och någon kommer säkert att tänka på datachefen på jobbet. Under de senaste åren har en del till och med gjort gällande att hackaren är en hjälte. Jag skulle själv kalla hackaren för sändebud -- han har sänts ut av mänskligheten för att utforska informationens världar. Detta uppdrag kan verka otydligt och självpåtaget, kanske rent av befängt, men kommer att bli alltmer uppenbart ju längre du läser i den här boken.

Ordet lär från början ha tillämpats på de personer som någon gång på femtiotalet kröp under tågbanan i Tech Model Railroad Clubs (TMRC) klubbrum på Massachusetts Institute of Technology (MIT) och drog fram sladdar mellan växlar och reläer, en av de första datorliknande konstruktionerna. Ett hack var från början detsamma som ett studentskämt, den typ av små spratt som olika fakulteter hittar på för att skoja med skolan (eller andra, rivaliserande skolor), som att klä in hela skoltaket med aluminumfolie. Ett bra hack skulle vara iögonenfallande och få iakttageren att fråga sig "hur fan har dom gjort det där??". Det blev sedan synonymt med en uppseendeväckande lösning på ett tekniskt problem, ett roligt program eller ett på något annat sätt snillrikt påfund. En hackare var alltså den som konstruerade sådana manicker.

En hackare är defintionsmässigt en person som ägnar sig åt datorn för dess egen skull och dessutom tycker det är roligt. En författare som jobbar hela dagarna med en ordbehandlare är inte någon hackare. Inte en layoutspecialist, lagerinventerare, systemerare eller datalärare heller. Deras profession innebär att de hela tiden använder datorn som ett verktyg för att förenkla någon annan syssla. En programmerare som älskar sitt jobb är däremot en hackare. En begeistrad datatekniker eller mikrodatorkonstruktör är också hackare. Och så finns det hobbyhackare och det är egentligen den största och mest förbisedda gruppen, eftersom de inte arbetar yrkesmässigt med datorn. Amatörerna har inga PR-chefer som talar för dem och inga bokförlag eller egna branchtidningar som trycker deras åsikter. En del medier riktar sig till datorentusiaster, men för sällan deras talan. Datamedier i allmänhet tenderar istället att vilja uppfostra amatörerna så att de blir likadana som proffsen.

Jag tänker i den följande texten försöka sammanfatta ett antal begrepp, idéer och namn, alla med anknytning till elektronisk kultur och speciellt till hackarkultur. Jag kommer också att göra något ganska vanskligt -- jag försöker placera in händelserna och idéerna i ett historiskt perspektiv, vilket är mycket vågat, dels för att det rör sig om en relativt kort tid, dels för att det är sådant man brukar få en väldig massa skit för. Men jag gör det ändå. Anledningen till att jag anser mig värdig denna uppgift är att jag själv vuxit upp med den här kulturen, och att jag påstår mig ha ett personligt förhållande till den. Jag skulle till och med vilja påstå att jag har något av min informationsgenerations anda i blodet. Dessutom känner jag att det måste göras.

Det är en knivig historia om framför allt ungdomar, på 60--, 70--, 80-- och 90--talen. Det är en historia om hängivet arbete, dataprogram, auktoriteter och snillrika vetenskapsmän. Det handlar om hippier, yippier, nyliberaler, anarkister och klassisk socialism i en salig röra, och den ideologi som genom ett gytter av subkulturer fötts ur denna röra. Vi kommer att kastas mellan ordning och kaos, från tysta datasalar där endast det mjuka ljudet av tangenter som trycks ned kan höras, till högoktaniga decibel på ett rave i en lagerlokal i Hammarbyhamnen.

Nu skall vi till att börja med förflytta oss till MIT, någon gång på sextiotalet, för det är där historien för vår del börjar...

Hackarkulturens Vagga

Det var ingen slump att det kom att bli just på MIT som hackarkulturen föddes. Här fanns de första större datanätverken, och fakulteten upptäckte att vissa av studenterna från järnvägsklubben jobbade så engagerat med datorerna att de släppte på tyglarna och lät eleverna arbeta i princip helt på egen hand. Bland de mer namnbekanta av dessa liberala lärare fanns Marvin Minsky, numera legendarisk forskare inom artificiell intelligens. Den första hackargruppen hade på så vis uppstått ur ett järngäng av intresserade studenter. Den arbetsdisciplin som utvecklades bland dessa hackare på MIT var ett mellanting av studier och idéellt föreningsliv.

Hackargruppen i sig var inte något nytt. Hackarna var som alla andra små studentföreningar - på ont och gott. Ju längre utvecklingen pågick, desto mer sekteristiska och hängivna blev de. Stämningen i gruppen började likna den i filmen Döda Poeters Sällskap och man försummade alltmer studierna för att istället ägna sig åt datorerna. Speciellt Digital Equipments dator PDP- visade sig vara otroligt vanebildande. Datorn skilde sig från de monstruösa IBM-maskinerna som sedan 1948 sålts till universiteten genom att man arbetade direkt med den. Man kunde se sitt program utföras, och man kunde rätta till småfel medan programmet kördes. I ett nafs uppfann hackarna en mängd nya programmeringsknep och utvecklade bland annat det första dataspelet, Spacewar, och den första joysticken. Hackarnas bedrifter blev så bryktade att de hjälpte till att utforma datorn PDP-, som blev en ännu större framgång för företaget. Digital tillverkade sedan stora monster som hette VAX eller DEC (plus en eller annan versionssiffra) och har till stor del hackarna på MIT att tacka för sina framgångar.

Hade nu hackarna blivit behandlade som andra högskoleelever hade de skickats iväg från skolan när det visade sig att de bara hackade dag och natt istället för att plugga på sina tentor, och därmed hade sagan varit all. Nu var det dock så att det amerikanska försvaret i form av ARPA (Advanced Research Projects Agency, byrån för avancerade forskningsprojekt) blev intresserade av MIT:s resurser och gav dem pengar att anställa utvecklare för ett projekt som kallades MAC. Denna förkortning stod för Multiple Access Computing, Machine Aided Cognition vilket innebar att flera användare skulle kunna dela på en dator, och att det skulle vara lätt för användarna att utnyttja datorns resurser.

På MIT utvecklade hackarna sedan nätverk, meddelandesystem (ett av världens första sk time-sharing system (sv: tidsdelningssystem) som innebar att flera användare kunde dela på en dator genom att låta datorn ägna sig åt dem en i taget) och framför allt artificiell intelligens, ett forskningsområde där man än idag är världsledande. Man klurade över intelligensens väsen och förstod inte vad det var som gjorde det så svårt att fånga ens den enklaste intelligenta operation i en dators kretsar. På slutet av 1970--talet gav en dataprofessor vid namn Douglas Hofstadter ut en bok med direkt religiösa undertoner som hette Gödel Escher Bach -- ett Evigt Gyllene Band, och som har fått stå modell för hackarnas världssyn. Boken är vida spridd bland hackare, och anses även bland litteraturvetare som ett mästerverk. Dessvärre är boken svår (men inte svårläst) och placerad under hyllsignum T bland böcker om matematik, vilket avskräcker många.

Från Hofstadter hämtade hackarna en filosofisk grund till sin kultur; det var tankar om självreferens i intelligenta system (det vi brukar kalla att lära av sina misstag) med härledningar till så skilda områden som olika paradoxer bland de antika filosoferna, Bachs matematiska lek med harmonier, Eschers matematiskt inspirerade etsningar och teckningar eller Benoit Mandelbrots teorier om ordning i kaos. (Något som vi ser illustrerat i bl.a datorgenererade kaosbilder, sk fraktaler.) Resonemanget i boken leder så småningom läsaren fram till insikt i Gödels teorem som bevisar att varje fullständigt matematiskt system till sin natur är ofullständigt, dvs måste innehålla sanningar som inte kan bevisas.

Hofstadters bok mynnar ut i ett resonemang kring självreferens och artificiell intelligens (kort AI) som är tänkt att visa hur det är möjligt att beskriva mänsklig och maskinell intelligens som bunden till matematiska system. MIT var som jag sade pionjärer på forskning kring artificiell intelligens och många av hackarna var tidigt övertygade (och är det än idag) om möjligheten att bygga intelligenta maskiner.

Nåväl, vi nöjer oss med att konstatera att denna första hackargeneration var mycket upptagen av just matematik, matematisk filosofi och andra klassiska naturvetenskaper. Den filosofi kring intelligenta system som föddes på MIT blev stöttepelare i denna första hackargeneration. Det blev viktigt för hackarna att visa att de hade en egen kulturell identitet. Enligt Sherry Turkle, sociolog och författare till boken Ditt Andra Jag, föredrar därför de hackare hon intervjuat att lyssna på just Bach, och skyr romantiska kompositörer i stil med Beethoven, pga bristen på ordning i kompositionerna.

Att hackarna bildade en hård kärna med egna estetiska och filosofiska värderingar berodde också på att de höll sig mycket för sig själva. Av alla högskolestuderande är teknologerna de som håller sig mest för sig själva. En övervägande majoritet är män. Bland teknologerna är datavetarna de mest isolerade, och i ännu högre grad män.3 Är man redan från början utstött är det inte så konstigt att man omvärderar sin syn på samhället och sin omgivning i övrigt. Är man dessutom ett lumpargäng är det i det närmaste oundvikligt. Hackarna umgicks mest med varandra, eller ännu hellre: via datorn. De utgjorde rent av en statssanktionerad subkultur.

Hackarna på MIT, bland andra Alan Kotok, Stewart Nelson, Richard Greenblatt, Tom Knight och Bill Gosper gjorde sig kända för att arbeta oerhört koncentrerat i trettiotimmarspass för att sedan gå hem och kollapsa och sova i tolv timmar. De fann maskinerna så begeistrande att de glömde allt annat medan de satt och jobbade. Vid sidan av detta odlade de en ideologi om att all information borde vara fri, åt kinesisk mat och lärde sig att dyrka upp varenda lås i hela skolbyggnaden med motiveringen att de skulle kunna använda utrustningen bättre. Av många sågs detta som respektlöst, men hackarna själva menade att det var nödvändigt för arbetet.

Faktum var att hackarna utgjorde en homogen grupp som borde vara varje akademikers dröm: de var intresserade av vad de höll på med, ägnade sig åt problemen dygnet runt -- under skoltid såväl som på fritiden. Fakulteten lät dem hållas.

Sedan började nätverkens historia. Man kopplade ihop ett par datorer med en kabel. Sedan tre. Sedan ännu fler, och snart hade man ett helt nätverk. Att kommunicera via en dator tar bort en rad besvärligheter som man annars råkar ut för i det dagliga livet: Det är inte nödvändigt att vara välklädd när du knackar på ett tangentbord. Du kan vara fullkomligt anonym. Ingen ser om du rapar eller vänder gaffeln på fel håll när du äter, och ingen kan se vilken hudfärg du har. Bilden av dig skapas, med få undantag, helt och hållet genom ditt skriftspråk. Sociala tillhörighetsmarkeringar är nästan totalt utraderade, och dina åsikter är lika goda som någon annans. Ingen kan slå dig, avskeda dig eller degradera dig om du är uppkäftig och säger din ärliga mening. Människor som kommunicerar genom datorer är förvånansvärt ärliga och uppriktiga, eftersom diskussionen förs av alla, och mellan alla.

MIT, Stanford, Berkeley och de andra stora amerikanska högskolorna blev stöttepelare i försvarsprojektet ARPAnet vilket kom att bli kärnan till det som vi idag känner som Internet. Med detta nätverk kom hackarna på MIT i kontakt med hackare på andra högskolor, och de kunde därmed lägga grunden till en transnationell hackarkultur som senare kom att sprida sig till Europa och Sverige. Härifrån härrör sig t ex de ursprungliga slangord man kan finna i The Jargon File, ett fritt tillgängligt dokument med en lista över många av de slanguttryck som används av hackare världen över. Några av de äldsta uttrycken går ända tillbaka till järnvägsklubben TMRC. Förutom ordlistan innehåller denna fil även en del små anekdoter och betraktelser av hackarens natur som sammantaget utgör den ursprungliga hackarkulturens kanske viktigaste skriftliga dokument.

När hackarkulturen spred sig från MIT över ARPAnet nådde den först de andra stora amerikanska universiteten som sysslade med dataforskning -- främst som sagt Stanford och Berkeley i San Francisco på andra sidan den amerikanska kontinenten. Tack vare ARPAnet blev hackarna oberoende av geografiska avstånd och kunde samarbeta och utbyta tankar om allt möjligt över dessa vidder, en lyx som vanliga människor inte haft tillgång till förrän nu på 90--talet. I San Francisco kom hackarkulturen via ARPAnet att i slutet på 60-- och början på 70--talet blandas upp med den samtida hippiekulturen, vilket blev den första kopplingen mellan hackare och hippier.

Till Sverige kom denna kultur först 1973 när Linköpings tekniska högskola specialiserade sig på datorteknik och studenternas egen dataförening Lysator bildades. Lysator gör för övrigt anspråk på att vara Sveriges äldsta dataförening (vilket de är) och ursprunget till den sanna svenska hackartraditionen (vilket är mera tveksamt). Lysator kommer att dyka upp längre fram i den här boken.

Hackarkulturen är nu inte bara någonting som kommer från skolvärlden; dessa universitetsstuderande hackare är bara en liten del av den digitala kulturarenan. Någon gång då och då dyker det upp någon nisse som påstår att bara de här hackarna som går på högskola och häckar i datorlabben är riktiga hackare. Att påstå något sådant är både dumt och idiotiskt. Vad ett ord betyder definieras givetvis av dem som använder det. Alla som identifierar sig som hackare har rätt att göra det. Så om vi nu låter 60--talet gå över i 70--tal händer det fler saker parallellt i tiden: de högteknologiska amatörerna dyker upp -- lika mycket hackare som någonsin Bill Gosper och hans kompisar på MIT.

HACKARKULTURENS GRÄSRÖTTER

Hackarkulturens gräsrötter bestod av alla de radioamatörer och elektronikhobbyister som byggde sina egna mikrodatorer med de första hemmabyggsatserna. Radioamatörerna uppstod redan runt 1915 och florerar i olika läger, där de mest puritanska fortfarande anser att telegrafnyckeln och morsealfabetet är det yppersta verktyget för internationell kommunikation. Andra anser att radiotelefoni, dvs komradio, är att föredra. Andra åter, har slagit sig på amatör-TV och andra fuskar med datakommunikation via radio. Radioamatörer finns i varje svensk stad och by värd namnet och många av dessa har idag gått över till datakommunikation via Internet, där de utforskar ännu ett område för kommunikation. Radioamatörerna var på sätt och vis de första hackarna. Tidigare till och med, än hackarna på MIT.

Radioamatörerna har till skillnad från hackarna mycket sällan attraherat ungdomar i någon större utsträckning. Detta beror dels på att det (i Sverige) fordras att man är 16 år och har tagit ett radiocertifikat (såkallat C-certifikat) för att få syssla med radio. En normal ungdom i Sverige idag har inte råd med de kurser och prov som krävs för att få sända radio. En del gör det ändå, och kallas då radiopirater. Om man sänder amatörradio utan certifikat är det inte många som bryr sig, bara man inte ställer till problem för andra.4 Men det gäller att hålla sig till rätt frekvenser. Om man börjar sända ut radio på frekvenser som reserverats för andra ändamål, exempelvis militärer och brandkår, kan man bli spårad och dömd till böter för detta.

För att kunna hålla rätt på vilka frekvenser man skulle utnyttja för att inte ställa till problem för sig själva och för andra, fordrades tidigt ett internationellt samarbete mellan radioamatörer. Man hade också för vana att skicka varandra bekräftelser på etablerad kontakt i form av speciella kort. På så vis grundlades något som kan kallas det första virtuella samhället, en kultur oberoende av nationsgränser, men begränsat av apparaturen.

Radioamatörerna förkroppsligar mycket av den kultur som senare har överförts till hackarkulturen: en faschination för dels teknologi (maskiner) och dels för kommunikation med andra människor. Några vill alltid hitta nya, häftiga mackapärer (teknikdårar), andra vill bara kommunicera med andra människor så smidigt som möjligt och försöker ständigt förbättra dessa system (evolutionister), och en del känner att de har funnit en teknisk nisch de behärskar, och stannar där (de kallas ibland stockkonservativa). Och sedan finns det de som de andra inte vill kännas vid: de som tycker att det häftigaste i världen är att sända piratradio. De som vill använda tekniken som ett medel att utmana samhället.

De första elektronikhobbyister som slog sig på datorer samlades till en början speciellt kring den absolut första hemdatorn Altair 8800 som började säljas som byggsats i USA i början av 1975. Datorn hade fått sitt namn från en planet i ett avsnitt av TV-serien Star Trek och såldes i så stor mängd att några av entusiasterna skapade sina egna användargrupper. De var genomgående elektronikamatörer, och inte sällan ingenjörer till yrket. Få eller inga var ungdomar. Hos dessa, såväl som hos högskolefolket, uppstod samma sorts tekniska begeistring och förhäxning vid programmeringsarbetet som kunde hålla hackarna vakna hela nätter och få dem att glömma allt utom maskinen.

Användargruppen i Silicon Valley, San Francisco var den mest aktiva. Den hette Homebrew Computer Club (Klubben för hembrända datorer), och bland medlemmarna fanns bl a Steve Wozniak, en hängiven hackare som senare skulle bygga datorn Apple II som hans kamrat Steve Jobs 1977 lyckades marknadsföra som den första riktigt stora hemdatorn. Långt senare, en bit in på 80-talet, tillverkade de en professionell dator som hette MacIntosh, och som än idag är ståndaktig i den stenhårda konkurrensen.

I Sverige hette motsvarigheten till Homebrew Computer Club PD68 -- en klubb för glada ingenjörer och andra som tyckte att mikrodatorer var det roligaste som fanns. Man utgav bl a tidningen MPU-laren. Tyvärr vet jag inte så mycket mer om denna klubb.

Hemdatorer För Bred Publik

Åren 1977-78 byggde det svenska företaget Data Industrier AB (DIAB)5 på uppdrag av Luxor och Scandia Metric en dator som hette ABC80. Medan DIAB gjorde själva datorn konstruerade Luxor lådan till datorn, monitorn och tangentbordet. Förutom att den hade svartvit skärm och som sagt krävde en speciell monitor för att kunna användas, var det inget fel på denna dator. Precis som när det gällt de samtida datorerna Apple II och Tandy Radio Schack TRS-(som med tanke på namnet tydligen var en förbild) i USA trodde den etablerade databranchen att dessa datorer var i det närmaste oanvändbara. IBM var fullständigt ointresserade. Steve Wozniak erbjöd sin uppfinning Apple I-datorn till sin arbetsgivare Hewlett-Packard (HP) men de var lika ointresserade. Trenden var att utveckla minidatorer som Digital Equipments DEC-monster och liknande maskiner. Branchens giganter med IBM och Digital i spetsen förutspådde att det runt år 2000 skulle finnas c:a 50 stora datorer i hela världen som användarna anslöt sig till via nätverk.

Lars Karlsson på DIAB hade sett framgångarna PET6 och Apple II hade haft i USA, och insåg att om man inte fick ut datorn under 1978 så skulle det vara försent. Då skulle amerikanerna ta över den svenska marknaden. ABC80 tog åtta månader att utveckla. Han slöt avtal med Scandia-Metric om att leverera 2500 datorer och gick sedan till Luxor och sade att det var dags att börja tillverka datorer. Scandia-Metric hade ursprungligen tänkt sig att köpa in utländska datorer, men trodde på ABC80. Detta var hemdatorns barndom så allt var möjligt. DIAB fortsatte att sälja datorkonstruktioner på licens: ABC800, Esselte-datorn, Monroe Systems, och ett antal Unix-datorer under eget namn tills företaget köptes av Televerket.

ABC80 fann stor kärlek bland Sveriges allra första hemdatorentusiaster som länge väntat på en dator värd namnet. (Allt som ditills erbjudits hade kostat skjortan och importerats från USA.) Nu fick man en -- och till råga på allt en svensk sådan. 1981 efterföljdes den av ABC800.

1980 bildades så ABC-klubben av elektronikentusiaster, ingenjörer och annat datorintresserat folk under ledning av hemdatorlegenden Gunnar Tidner. Redan från början var ABC-klubben intresserade av datakommunikation, och mot slutet av året kunde man slå upp vad som antagligen var Sveriges första idéella BBS: Monitorn, som fungerade tack vare ett program skrivet av Gunnar Tidner själv. Under 80--talet hette sedan nästan alla svenska BBS:er X-monitorn (Örebro-monitorn, Eskilstuna-monitorn etc) som en hyllning till Tidners genombrott. Klubben har fortfarande en monitor som används som intern växelstation för allt möjligt.

ABC-klubben växte explosionsartat; hemdatorintresset i Sverige var i princip lika enormt som i USA. Klubben blev centrum för alla debatter om datateknik runt ABC-datorerna och datakommunikation i största allmänhet. I början av 1985 fick ABC-klubben genom avtal tillgång till en DEC-dator på datacentralen QZ i Stockholm. På denna startade man en central BBS, eller vad vi kan kalla en riktig konferens, med olika diskussionsgrupper. Denna BBS kördes på QZ:as KOM-system och fick namnet Q-Zentralen. Zentralen liknade datanät som fanns (och fortfarande finns) runt om i världen, t ex Compunet i England eller Usenet och Prodigy i USA.

I diskussionsgrupperna på Q-Zentralen figurerade många av de personer som senare skulle bli viktiga nyckelpersoner i det kommande elektroniska Sverige: Sven Wickberg, Anders Franzén, Henrik Schyffert och Jan-Inge Flücht.

Det var först i och med dessa hemdatorer i början på åttiotalet som någonting verkligen hände. Nu var det inte längre nödvändigt att kunna tillverka sin utrustning själv, och därmed kunde var och en som hade råd få tillgång till en egen dator, om än inte alltför avancerad. En hel uppsjö hemdatorer dök upp över en natt, i USA såväl som i Europa: Sord, Atari 800, Sol, Texas TI-, Vic- Spectravideo m fl. De flesta var dagsländor som bara fanns på marknaden några år innan tillverkningen lades ned eller företagen som stod bakom maskinerna gick i konkurs.

De hemdatorer som överlevde konkurrensen var egentligen (i Sverige) bara tre: Sinclair ZX- (tack vare sitt låga pris), ABC80 (tack vare sina industriella tillämpningar och starka support från ABC-klubben), och Commodore 64 (hädanefter kallad C64), som överlevde helt enkelt därför att den var den mest tekniskt avancerade hemdatorn vid den tiden.7 Även de första PC-maskinerna dök upp i början av 1981, men betingade sådana hutlösa priser att ingen normal människa skulle betrakta dem som hemdatorer. I Amerika var överlevde Apple II, Atari 800, Commodore PET och Commodore 64. Apple II var för Amerika vad ABC80 var för Sverige. Än idag finns det ihärdiga Apple II-fanatiker som fortfarande använder sina datorer från slutet av 70--talet, liksom vi i Sverige ännu har ihärdiga ABC80 användare, varav några ännu utgör den hårda kärnan i ABC-klubben.

Till en början var de flesta europeiska hackare av samma typ som de amerikanska; gamla radioamatörer, ingenjörer och elektronikenstusiaster som drömde om att få använda en riktig minidator som VAX eller IBM (dessa härliga, stora grå, kylskåpsliknande saker), och inte bara hålla på med hemdatorer. Hackarkulturen från 60--talets MIT och den elektroniska förlängningen av radioamatörerna sågs som ett ideal; en riktig hackare var en person som skrev program som gjorde något nyttigt (eller något som såg ut att vara nyttigt) eller en som behärskade elektronik och kunde bygga om sin egen dator och på så vis imponera på sina kompisar. De lyckligaste datorklubbarna hade kunnat köpa in (eller fått) en begagnad minidator från något företag och startat egna BBS:er kring dessa. Sådana hackare som börjat med ABC80, minidatorer och elektronik blev i regel chockade och närmast äcklade av den kultur som uppstod kring mitten på 80--talet i och med Commodore 64-invasionen (som jag behandlar i stycket Subkulturernas Subkultur lite längre fram). Många av dessa hackare har idag skaffat sig en PC och anser det vara en ädel konst att skriva sharewareprogram, delta i Open-Source projekt och liknande riktiga sk hack.

Det var också hackare av den här typen som startade det alternativa datanätverket Fidonet. Det var amatörerna Tom Jennings och John Madill i San Francisco som utarbetade ett system där olika BBS:er ringde upp varandra efter ett visst mönster och som genom skicklig samordning lyckades uppbringa lika god täckning som Internet, med den skillnaden att posten gick lite långsammare i och med att man saknade permanent uppkopplade förbindelser. Istället förmedlades posten genom olika mellanstationer som i ett gammalt hederligt postsystem. På detta vis kunde man också starta diskussionsgrupper som omfattade hela världen. I början av 1985 startades det svenska fidonätet av Conny Johnsson i Karlstad. I och med att Internet blivit billigare är det många som tycker att Fidonet spelat ut sin roll. Långt ifrån alla håller med -- Fidonet är en genuin amatörskapelse medan Internet från början till slut är skapat av akademiker. Sedan länge finns dock bryggor mellan de båda nätverken så att användarna av båda näten kan skicka post till varandra.

Hemdatorägarna blev ett begrepp, och många tonåringar fick sin första dator i mitten på åttiotalet. De flesta futuristiska föräldrar som köpte sig en hemdator hade nog inte tänkt sig att deras söner (och ibland döttrar) skulle använda datorn så mycket som de gjorde, men genom en miss i marknadsföringen av hemdatorerna kom det att bli så. Man gick nämligen ut med parollen att hemdatorerna skulle användas till ekonomi, ordbehandling och dataregister, något som de för det mesta visade sig ganska värdelösa till. Det var uppenbarligen enklare att slå upp ett recept i en kokbok än att starta hemdatorn och leta reda på det i något dataregister som tog 15 minuter att ladda in. Det enda "nyttiga" maskinerna verkligen dög till var ordbehandling eller enklare kalkyler, något som få var vana vid eller förstod att uppskatta. De "nyttiga" programmen var dessutom svindyra och hade hög inlärningströskel.

De enda vuxna som använde sina hemdatorer ordentligt var nästan samtliga tekniker eller tekniskt intresserade som kunde sitta hela nätterna igenom och bråka med sin ABC80 för att få den att göra det ena eller det andra. Många var elektronikhobbyister som använde datorn för att bygga om den för sina egna ändamål. (Jag tillhör själv den våg av ungdomar som blev helt fångade av ABC-datorerna i 13--14 års åldern: dessa var för många en entrébiljett till den elektroniska världen.)

Det skulle dröja ända in på 90--talet innan hemdatorn slog igenom på allvar som verktyg i hemmen, men då med besked. Det är först nu IBM PC har blivit allmän egendom. Hade det inte varit för Altair 8800, Apple II, Atari 800, Commodore PET och ABC80 hade IBM för övrigt aldrig kommit på tanken att tillverka PC-maskiner. Tidens melodi var att tillverka stordatorer; enorma burkar som slukade flera tiotals kilowatt ström och alstrade mer värme än en ångpanna och inte kunde fungera utan ett separat kylsystem. Idén med en egen dator för varje användare är och förblir en hackaridé som går ända tillbaks till MIT, där man jobbade ensam med sin PDP-många sena nätter.

Hade inte dessa mikrodatorer uppstått hade industrin säkerligen fortfarande arbetat på sina 50 datorer som skulle klara av att försörja hela världen med datorkraft. Utan mikrodatorerna hade moderna system för datoranvändning som den populära Client-Server modellen där stora och små datorer samsas och delar på arbetet i ett nätverk, aldrig blivit påtänkta.

UNDERJORDISKA HACKARE

Som en produkt av det hemdatorliv och den futuristiska tidsanda som följt på rymdkapplöpningen och som kulminerat med månlandningen 1969 bildades ett flertal teknologiinriktade subkulturer. Några var helt vanliga sammanslutningar som science fiction fanatiker eller radioamatörer. Andra var... speciella. Det är dessa som satt dödskallestämpeln på hackarkulturen och orsakat att hackare allt som oftast associeras med brottslig verksamhet. Hur många av er -- handen på hjärtat -- har någonsin funderat på hur det vore att ha makten över tekniken? Att kunna bestämma vilka radio och TV-program som skall sändas? Tänk om du hade dessa gigantiska elektroniksystem under din kontroll. Tänk att kunna fylla alla TV-rutor med brus när den där människan du avskyr dyker upp... Eller slå ut alla telefonapparater i landet när du vet att din hjärtevän ringer och gullar med sin före detta... Tänk att ha makten över samhällets informationsapparatur...

Phreakare

En grupp elektronikentusiaster som figurerat redan på 60-- och 70--talen, kallade Phone Phreaks var bland de första som tog till sig den nya datatekniken. Dessa "phreakare" hade specialiserat sig på att lura telefonbolagens växlar att koppla gratissamtal över hela den amerikanska kontinenten, något som också kallades blue boxing, vilket refererar till en liten blå plastlåda med elektronik som användes för att framställa de toner som lurade växlarna.

Phrekarna kom delvis från högskolan. Precis som hackarna hade tyckt att det var roligt att utforska datorer, hade andra funnit att det var våldsamt skojigt att prova olika nummerkombinationer på universitetets telefoner för att se hur långt man kunde koppla sig. En del lyckades på det viset koppla sig ut på det allmänna telenätet och ringa gratis, eftersom det var gratis för högskoleeleverna att använda interntelefonsystemet.

En ung man som hette Mark Bernay (alias The Midnight Skulker) och hade goda kunskaper om telefonsystemet, åkte runt på USA:s västkust och satte upp klisterlappar i telefonkiosker med nummer till olika konferenslinjer han etablerat, och byggde på så vis upp ett mindre kontaktnät av teknikintresserade ungdomar. Men det var inte de som gjorde phreakande till den enorma illegala verksamhet det är idag.

Istället var det en man som hette Joe Engressia som på gränsen mellan 60-- och 70--talet, utan att riktigt veta om det, skapade den underjordiska rörelsen av telefonmanipulatörer. Även om telefonbolaget som då hette Bell, redan 1961 spårat och arresterat de första phrekarna hade få av dessa tillhört någon organiserad rörelse. De flesta hade varit affärsmän, några vanliga arbetare och en och annan student. En var till och med miljonär. Anledningen till att dessa uppstått var att Bell i november 1960 publicerat information om telefonsystemet som gjorde det lätt för vem som helst med tillräckliga kunskaper att bygga en Blå Låda.

Joe var blind, men som kompensation hade naturen begåvat honom med den fascinerande egenskapen att ha absolut gehör. Han kunde komma ihåg en ton han hade hört och sedan vissla den exakt. Redan i 8--årsåldern hade han upptäckt att han genom att vissla vissa toner kunde styra telefonväxlarnas system. Dessa kallades multifrekvenssystem (eng: M--F, Multi Frequency), och det var informationen om dessa Bell gjort misstaget att publicera 1960. Han greps av polisen för att ha kopplat upp ett gratissamtal åt några kompisar enbart genom att vissla i telefonluren. Tack vare publiciteten kring denna incident kunde Joe tillsammans med andra telefonentusiaster bilda ett underjordiskt nätverk av i huvudsak blinda människor som sedan bara växte och växte. Några få kunde vissla tonerna, men de flesta använde tidiga elorglar och syntar för att producera de nödvändiga tonerna. Med Joe växte phreakandet till en hel ungdomsrörelse. Han greps 1971 och dömdes till villkorligt fängelsestraff mot att han lovade att aldrig mer mixtra med telefoner. Han anställdes senare som telefonreparatör på ett litet företag i Tennessee.

Här måste jag få påpeka en sak. Med jämna mellanrum hör jag talas om personer som säger sig ha vänner som kan "vissla" sig förbi telefonväxlar och ringa gratis. Det är aldrig de själva som kan vissla, och om man undersöker saken närmare så visar det sig att det var en vän till en vän... osv. Historier om "visslare" är alltså att betrakta som moderna vandringssägner, precis som många andra historier om phreakare och hackare. Notera att "vissling" kräver absolut gehör - något som inte många människor är utrustade med. Sedan måste man känna till, och ha hört, den ton som skall visslas. Alltså återstår ett försvinnande litet antal människor som skulle kunna utföra detta. Kanske en handfull i hela Sverige. Slutligen skall man vara medveten om att det är omöjligt att använda denna teknik på det moderna AXE-systemet.

Joe och hans kamrater använde modfierade, omstämda elorglar för att ringa. Än vanligare var dock andra tekniker att alstra de speciella signaler som krävs för att styra växlarna. En metod som användes av John T Draper, i folkmun kallad Cap'n Crunch var att ta en leksaksvisselpipa som följde med frukostflingorna med samma namn, och täppa till ett av hålen. När man så blåste i pipan alstrade den en ton på exakt 2600 Hz (motsvarar ungefär ett E i femstrukna oktaven, inte särkilt njutbart). Detta råkade vara samma ton som det amerikanska televerket AT&T m fl använde för att indikera att långdistanslinjer var lediga. Om endera samtalsparten sände ut en sådan ton trodde den uppringande telefonväxeln att samtalet avbrutits (eftersom det var så telefonväxlar talade om för varandra att linjen var öppen) varvid all debitering för samtalet upphörde. Pipan gjorde det alltså möjligt att ringa gratis.

Draper var en mycket aktiv phreakare. Han kopplade upp stora konferenser där han kom i kontakt med många av de blinda människorna och delade med sig av sina erfarenheter till andra phreakare. Han höll reda på telefonnummer och organiserade idéutbytet mellan phrekare. Likt vissa av phreakarna var han elektronikentusiast och byggde själv de tongeneratorer som var allt som behövdes för att fullständigt kontrollera hela telefonsystemet. Dessa kallades MF-lådor eller som jag nämnde tidigare Blå Lådor, och gav sina ägare fullständig tillgång till nationell och internationell teletrafik -- gratis. Eftersom all information om MF-systemet offentliggjorts var det inte särskilt svårt att konstruera dessa blå lådor. Och då det inte är så billigt att byta ut hela telefonsystem finns det än idag i vissa länder telefonväxlar som kan styras med blå lådor.

Många var liksom Draper helt förhäxade av de blå lådornas möjligheter att koppla ett samtal kors och tvärs över jorden via satelliter och kablar -- en känsla av oinskränkt makt över telefonsystemet. Ett av Drapers mer välkända trick var att koppla sig runt jorden genom 7 länder, bara för att uppleva den otroliga känslan av att höra sin egen röst med 20 sekunders fördröjning.

1971 hade massmedia fått nys på phreakarna. En journalist som hette Ron Rosenbaum skrev en artikel om fenomenet och strax därefter arresterades Draper och dömdes till fängelse. Han kontaktades av maffian som ville utnyttja hans kunskaper, och blev svårt misshandlad när han vägrade. Efter att han kommit ut ur fängelset fick han hjälp av en gammal bekant, Steve Wozniak som utveklat datorn Apple II, att sluta med phrekandet och istället ägna sig åt programmering. 8 Efter ett par missöden med modem till Apple II-datorn (som inte bara var modem utan snarare datoriserade blå lådor) tillverkade han bland annat ordbehandlingsprogrammet Easy Writer som såldes av IBM tillsammans med IBM PC, vilket han tjänade en dryg miljon dollar på.

Samma år (1971) upptäckte hippierna möjligheterna att ringa gratis. Det blev den militanta gren av hippierörelsen som kallades yippier som startade en tidning som hette Youth International Party Line, ett oöversättligt namn som betyder dels Internationella Ungdomspartiets Program, dels Ungdomens Internationella Partajtelekonferens, ungefär. Tidningen hade som syfte att lära ut olika tekniker för telefonbedrägeri.

Det är kanske svårt för en svensk läsare att förstå yippie-fenomenet. Yippier var en sorts härdade hippier som inte tvekade att använda massor av våld och terrorism för att i möjligaste mån slå sönder (det amerikanska) samhället. Man förespråkade dessutom användningen av hallucinogen narkotika. Yippier var människor som blivit så trötta på det amerikanska samhället och hela samhällssystemet att de bara såg en enda utväg -- att slå sönder alltihop. Till skillnad från klassiska vänstergrupper var man inte teknikfientliga, utan tog vara på alla kunskaper och hjälpmedel som fanns till hands. Dessutom visade sig många yippier vara ganska intelligenta och det var kanske det mest skrämmande av allt. Yippierna stod för helt nya värderingar som skakade det amerikanska folkhemmet i grundvalen. Denna politiska riktning kom senare att bli ett frö till den ideologi som idag eventuellt kan kallas cyberpunk, och som jag skall återkomma till i ett särskilt kapitel. Yippierna leddes av framför allt Abbie Hoffman och Jerry Rubin.

1973 bröt sig den teknikfanatiska fraktionen ur yippierörelsen och bildade en rent samhällsfientlig och svindleriinriktad organisation kring tidningen som nu hette TAP (Technical Assistance Program). I den nya varianten av tidningen kunde man lära sig andra saker än bara telefonsvindlerier; det rörde sig om recept på sprängämnen, kopplingsscheman för elektroniskt sabotage, information om hur man förfalskar kreditkort mm mm. Mycket av detta var givetvis "spännande" för tonåringar och lätt barnsliga unga män, så tidskriften kopierades och spreds över hela jorden. Snart fanns det ett världsomspännande nät av phreakare. Den grundläggande filosofin (om man kan kalla det så) bakom tidningen är dock genomgående densamma som i yippiepartiet Youth International Party.

I TAP uppstod det egensinniga skriftspråk som innebar att man bytte ut alla "s" mot "z" och alla "o" mot "0" (noll), samt att ordet "freak" genomgående stavades "phreak". Detta har sedan hängt kvar. Under det tidiga 90-talet dök det upp en figur vid namn B1FF på datanätverket Usenet som förvärrade denna språkmisshandel till det absurdas gräns genom att skriva ord som de uttalades istället för som de stavades, kombinerat med en simulerad tangentbordsovana som innebar att han bytte I mot 1, A mot 4, T mot +, E mot 3 (ett bakåframvänt E) osv. En del blev vansinniga på B1FF, men hackarna tyckte det var skitkul och började skriva som B1FF för att reta var vän av ordning och understryka den anarkistiska prägeln på det annars så disciplinerade Usenet. Man har till och med gått så långt att man helt slumpmässigt blandar stora och små bokstäver. Resultatet blir text som det nästan gör ont att läsa.

I Sverige uppstod senare en systertidning till TAP som hette Rolig Teknik, och som mest är känd för att ha orsakat en del skriverier i kvällspressen. Rolig Teknik skapades av Nils Johan Alsätra, en legend i svensk underjordisk kultur. Han var inspirerad av TAP, och publicerade under perioden 1984--1993 ett flertal artiklar med samma samhällsfilosofiska botten som den amerikanska motsvarigheten. I tidningen kunde man bl a läsa om hur man tillverkade falska hundralappar för bensinautomater (vilket många gjorde), hur man lurar elmätare, och (förstås) olika tekniker för att ringa gratis. Nils hade startat tidningen efter att ha blivit dömd till dagsböter för att ha tillverkat och sålt Svarta Lådor (eller som han själv kallade dem: markeringsätare) som gjorde det möjligt att ringa gratis till den som anslutit apparaten till sin telefon. Innan han startade försäljningen erbjöd han Televerket att köpa uppfinningen för 3 miljoner kronor. Televerket svarade inte ens på brevet.

Rolig Teknik dog efter en razzia i Göteborg 1993. Denna var föranledd av att Alsätra börjat publicera anonyma annonser där annonsörerna kunde erbjuda varor med tidningen som mellanhand utan att behöva skylta med namn och adress. För varje produkt där betalningen distribuerades via tidningen tjänade Rolig Teknik 10 kr. Eftersom annonsernas innehåll var minst sagt suspekt ansågs detta vara detsamma som häleri och vapenhandel. Efter att polisen för första gången i svensk historia inhämtat tillstånd från regeringen slog man till mot tidningsredaktionen.9 Sedan dess har det varit fullständigt tyst kring såväl Rolig Teknik som Alsätra personligen. Möjligheten att använda de "markeringsätare" som tidningen publicerat ritningar till försvann fullständigt i och med AXE-systemet, men många av de andra tipsen fungerar än idag.

För moderna hackare är det mest elektroniska tidningar som Phrack eller Phun som gäller. I Sverige fanns en period under tidigt 90--tal en nystöpt papperstidning i samma anda som Rolig Teknik: Alias.10 Phrack är antagligen populärast eftersom den fått mycket publicitet. Phrack är gratis för privatpersoner, medan företag och myndigheter måste betala 100 dollar om året för att få den. På det viset finansierar myndigheterna utgivandet av tidningen, eftersom de måste hålla sig ajour med utvecklingen i den undre världen.11

Efter hand som televerken börjat täppa till luckorna i sina växelsystem har phreakare lärt sig använda förbluffande utstuderade metoder för att kunna ringa gratis. En metod är att verkligen programmera om telefonbolagens växlar. En annan är att använda stulna eller konstruerade kreditkortskoder för att debitera samtalet på någon annan (ibland icke-existerande) person. Allrahelst skall räkningen skickas till ett multinationellt företag som Coca-Cola, McDonalds, eller telebolagen själva.

Poängen med att kunna ringa på kreditkort är man genom att ringa över ett visst 020--nummer skall kunna få samtalet debiterat på sin egen räkning, oavsett vilken telefon eller myntautomat man ringer från. Eftersom man inte kan visa sitt kort för en teleoperatör får man uppge kortnummret och den hemliga tilläggskod (kallas vanligen PIN-kod = Personal Identifier Number) som behövs för att få handla på kredit över telefon.

En annan metod för att ringa gratis är att utnyttja en PBX (Private Branch Xchange), vilket är den amerikanska beteckningen på en privat företagsväxel. När man använder en PBX innebär detta oftast att man ringer ett 020--nummer, slår en kod och sedan kan ringa vilket samtal som helst. Samtalet debiteras sedan på företagets räkning. Förfarandet är en förenklad och automatiserad variant av betalkortssystemet som innebär att ingen människa behöver sitta och kontrollera och anteckna nummer. Från början behövde man inte ens slå in någon kod, det var bara att slå rätt 020--nummer och sedan slå det nummer man ville nå. Man trodde att det skulle räcka med att hålla numret hemligt. Eftersom phreakare är kända för att systematiskt ringa långa serier med 020--nummer upptäckte de snart att vissa nummer gick att koppla vidare, varefter telebolagen införde kodsystemet. Av anledningar som jag strax skall illustrera är PBX-koder ständigt på drift från sina rättmätiga ägare.

Phrekarna ringer som sagt mer eller mindre slumpmässigt 020--nummer i jakt på PBX:er, datorer, växlar eller andra skojiga teleinstallationer, något som brukar kallas war-dialling efter filmen War Games, där tekniken användes, eller kort och gott scanning. (Detta är inte på något sätt olagligt -- det är liksom lite av poängen med att ha en telefon att man skall få ringa till vilka nummer man vill, och hur många man vill.) Under dessa strövtåg på telenätet stöter de ofta på lite allt möjligt roligt. Bland annat televerkens egna servicelinjer och sk röstbrevlådor (oftare bara kallade VMB = Voice MailBox, röstbrevlåda). Via sådana röstbrevlådor kan man skicka meddelanden till varandra om inget annat fungerar. (Läs: om televerken har blockerat alla andra möjligheter att ringa gratis.) Röstbrevlådor används annars mest av storföretag med många tjänsteresande, exempelvis konsult- eller försäljningsföretag, som ett snabbare alternativ till skriven post. Röstbrevlådor kräver en passerkod på samma vis som en minutenautomat, och är ungefär lika lätt att knäcka. (Enkla koder som 1234, 0001 eller samma nummer som röstbrevlådan är allmänt förekommande.) En del röstbrevlådor har dessutom möjligheter till vidarekoppling, vilket innebär att man kan ringa långdistanssamtal via en lokal röstbrevlåda.

De flesta phreakare får kunskap om tekniska metoder eller stulna/konstruerade koder från någon annan phreakare. Sådan information sprids genom speciella BBS:er och genom förtroendekontakter. De flesta som sysslar med phreakande vet ingenting om hur man skaffar fram dessa koder eller hur de tekniska råd de får egentligen fungerar. De flesta följer bara anvisningar från andra, slår in några siffror och voilá! du har kopplat dig till andra sidan jorden!

Men det finns också de som John Draper, som verkligen vet vad de håller på med. De mest nitiska av dessa är ungdomar som ännu inte fyllt 20 men ändå besitter kunskaper i telekommunikation motsvarande 120 poäng ingenjörsutbildning, eller mer. Självklart ses detta som livsfarligt i ett samhälle där kunskap är makt.

Televerkens växelsystem är givetvis idiotsäkra. Ingen idiot i hela världen skulle kunna programmera om en telefonväxel att ge honom gratis telefonsamtal. Det är värre med de smarta brottslingarna.

Smarta, kunskapshungriga ungdomar som vill skaffa sig kunskaper i hur telenätet fungerar börjar ofta med att läsa vanlig högskolelitteratur om telekommunikation. Flera av dessa skulle säkert klara en 20--poängstenta med glans. De talar teleteknikernas eget slangspråk för olika tekniska mackapärer flytande. Förkortningar som DCE, OSI, V.24, MUX, NCC eller PAD är självklarheter de kan rabbla utantill i sömnen. De tycks hysa en närmast fetischistisk kärlek till telefonnätet.

Inte alla (men nästan alla) tekniska detaljer om telefonsystemen är offentliga uppgifter. De som fattas brukar phreakarna ibland luska fram med en metod som kallas "trashing" och som på svenka närmast betyder "skräprotning". Det går till så att man uppsöker containern utanför ett stort telefonbolag och letar igenom soporna efter användbar dokumentation som borde körts genom en dokumentförstörare, och som inte alls är avsedd för tonåriga tekniska virtuoser. På det här viset kan phreakare få reda på funktioner, systemkommandon och hemliga telefonnummer som telebolagen använder för internt bruk. Ibland är det etter värre - hackarna har en kontakt på insidan av telebolaget som med berått mod smugglar ut företagshemligheter till dem. Dessa säkerhetsrisker är numera i stort sett tilltäppta, även om det är svårt när så många människor trots allt måste ha del av informationen. Trashing används också för att få tag i bortkastad eller skrotad teknisk utrustning, och ingetdera är väl särskilt fruktansvärt kriminellt. Thrashing är inte heller särskilt vanligt, i synnerhet inte i Sverige.

Vanligare (och enklare) är då sk "social ingenjörskonst" (eng: social engineering) vilket innebär att man angriper den svagaste länken i hela telefon- och kreditväsendet: människan. Uttrycket är hämtat från telefonförsäljningsbranchen där det ingår i försäljarens jobb att förställa sig och angripa svaga punkter hos kunden, bygga på förtroende och samtidigt vara snabb och effektiv.

Exempel på social ingenjörskonst bland phrekare, fritt efter exempel i en ytterst olämplig hackartidskrift (OBS! Använd denna kunskap för att skydda dig själv och andra från att utsättas för brott av denna typ, inte för att begå brott. Missbruk av denna information skulle göra mig mycket besviken!):

P = Phreakare
O = Oskyldigt Offer
T = Offrets telefon

T: Ring!

O: Hej det är O?

P: Hej, mitt namn är Tobias Wallenberg och jag jobbar på Sparbankens säkerhetsavdelning. Nu är det så att vi har haft ett datafel här och ditt Visakort kan för tillfället inte användas längre då ditt kort tyvärr gått förlorat i datan. Du skulle inte kunna tänka dig att ge mig ditt kortnummer och din accesskod så kan vi återupprätta kontot omedelbart?

O: Vänta lite, vem sade du att du var?

P: Mitt namn är Tobias Wallenberg och jag jobbar på Sparbankens säkerhetsavdelning. Nu är det så... (upprepar det nyss sagda)

O: Det här känner jag inte till. Kan jag ringa dig på något nummer? (misstänksam)

P: Visst, inga problem. Jag förstår er skepsis. Ring mig på 0712-170920. (fingerat nummer som går till en telefonautomat eller som programmerats in i televerkets växel av P själv, och som han sedan kan ta bort utan att lämna några spår efter sig. Givetvis är detta inte P:s riktiga hemtelefonnummer.)

O: Tack. Adjö!

T: Klick. Tyst. Ring!

P: Sparbankens säkerhetsavdelning, Tobias Wallenberg. Vad kan jag stå till tjänst med?

O: Åh vilken tur! Jag var rädd för att du var en bedragare. Ok, mitt visakortsnummer är XXXX...

P: Tack. Vi skall försöka återupprätta ert konto så fort som möjligt. Var vänlig och undvik att använda ert kreditkort de närmaste dagarna. Adjö, och tack för ert samarbete.

O: Adjö.

T: Klick.

Går man på en sådan här blåsning kan följderna bli fruktansvärda. Kreditkortsföretagen står i allmänhet för förlusten om det kan bevisas att det inte är du själv som utnyttjat kortet, men annars... Aj, aj, aj. Det är inte bara vanliga kreditkort som drabbas; även telebolagens och andra företags egna betalkort utnyttjas hejdlöst. Andra sätt att komma åt kontokortsnummer är genom "trashing" som jag nämnde innan, eller genom att helt enkelt rota i folks brevlådor efter brev från banker som kan tänkas innehålla både kontokort och personliga koder. Samma teknik kan givetvis lätt användas för att ringa rätt nummer till Telias dokumentationsavdelning och begära en kopia av teknisk dokumentation för telefonväxel si-och-så.

Kontokortsnummer används av phreakare även för att handla varor med, företrädelsevis datorer, kringutrustning till datorer, syntar, stereoanläggningar och andra kapitalvaror. Varorna beställs då till poste restante eller t ex ett ödehus, varefter bedragaren omöjligen kan spåras. Metoden är bland phrekare och hackare känd som "carding". Ett antal svenskar har gripits och dömts för sådana brott. Ett betydligt större antal har (som vanligt) sluppit undan.

Phreakare är sociala personer som gärna använder sina kunskaper för att prata i timmatal om i princip allt och inget. Speciellt om olika tekniker, koder och annat som är nödvändigt för "phreakande" naturligtvis. Ibland kopplar man upp stora internationella konferenser som kan pågå i uppemot åtta timmar. Vissa snackar, andra bara lyssnar, någon lägger på och någon ny rings upp. Konferensen fortsätter så länge organisatören orkar, eller tills televerket anar oråd och upplöser den. En mycket berömd konferens var den sk 2111--konferensen som ägde rum på på nummer 2111 i Vancouver, vilket var avsett som ett testnummer för telextrafik. Såväl phreakare som de telefonister som sympatiserade med dem (!) brukade ringa detta nummer för att prata bort några timmar.

Även om detta såklart är olagligt, fruktansvärt omoraliskt osv, håller läsaren säkert med mig om att det är ganska roande att några ljushuvuden till tonåringar använder dessa konferenssystem, avsedda för multinationella företag, för att koppla upp globala konferenser och i princip bara snacka skit!

Phreakarna själva ser detta grova utnyttjande som oskyldigt, åtminstone i de fall där man lurar till sig teletrafiken genom att använda tekniska trick. De menar att eftersom kablarna ändå bara ligger där, varför inte utnyttja dem? Vilken skada gör det egentligen? Skadar det telenätet? Knappast. Inte om man vet vad man gör. Skadar det någon människa? Knappast. Inte om man håller fingrarna borta från sjukhusens och militärens linjer. Förlorar televerket pengar? Knappast. Inga phreakare hade ringt samtalen om de varit tvungna att betala för dem. Överbelastar man telenätet, så att televerken måste betala för att bygga ut dem? Inte direkt. Internationella linjer har ganska högt i tak.

Phreakarnas egentliga brott är således att man stör samhällsordningen. Tänk om alla började göra så här! Hur skulle det gå då? Käpprätt åt helvete. De internationella telefonlinjerna skulle bryta ihop under bördan. Ingenting skulle fungera. Kaos och anarki. Detta är alltså ingen fråga om direkt stöld, snarare en ordningsfråga. Och att stjäla koder till kontokort är bedrägeri.

För en sann yippie är detta ointressant, eftersom hon/han endast är ute efter att förstöra samhället. Många phreakare tillhör dock den vanliga medel- eller rent av arbetarklassen, som egentligen accepterar samhället och dess lagar. Dessa phreakare har dock medvetet eller omedvetet annammat Nietzsche och betraktar sig en elit, kanske rent av övermänniskor, med självklar rätt att utnyttja systemet. De har aldrig menat att alla skall utnyttja systemen på samma sätt som de själva. Man säger sig vilja hjälpa telefonbolagen att hitta nya rutiner att skydda sig från angrepp genom att visa på brister i de befintliga systemen. På detta vis menar man att handlingar inte ensidigt kan bedömas som onda eller goda utifrån lagtexter, på samma sätt som Zarathustra hos Nietzsche får demontera begreppen rätt och fel. Detta är således en teori om att system kan förbättras genom att man sätter sig över dem. Man skall dock ha klart för sig att de flesta phreakare inte tänker i termer av rätt och fel över huvd taget, det normala är att phreakaren är mitt inne i det hon/han håller på med, omgiven av liktänkande som aldrig ifrågasätter det som sker. Man undviker att inför en tänkt utfrågare eller "samvete" berättiga det man gör. Normalt har man snarast inställningen att det som sker är ett pågående "bus".

Phrekartidningen TAP har fått flera efterföljare i 2600: The Hacker Quarterly (namnet kommer från den ton på 2600 Hz som nämndes tidigare), Iron Feather Journal och en hel uppsjö elektroniska tidningar som inte går att räkna. (Än mindre kontrollera.) Vårt svenska Telia vill inte gärna kännas vid att phreakare existerar, och det är rimligt att anta att en hel del fall mörkläggs. Detta säkerligen för att få slippa höra kommentarer som: "varför får dom ringa gratis när inte jag får det?", "Varför gör ingen något åt detta elände?", "Jag är minsann en hederlig skattebetalare, och jag kräver..." osv osv, men också för att man annars riskerar att alla skyller på phreakare när en fet teleräkning landar i brevlådan, trots att problemet i de allra flesta fall är av en helt annan art. Detta är ändå inte helt ovanligt, och Telia brukar då inspektera kopplingsplintar och dylikt för att se om någon manipulerat kontakterna elektriskt.

I Sverige har phrekarna rent konkret lyckats med att tillverka falska telefonkort, programmera om biltelefoner så att samtalen debiteras på andras abonnemang, utnyttja Telia Access-koder, använda blå lådor för att lura Telias egna växlar, och (mest av allt) utnyttja utländska kreditkort för att ringa gratis utlandssamtal. Det mest populära förfaringssättet just nu är att tillverka egna kreditkort: hemmagjorda magnetkort som de nyare telefonautomaterna uppfattar som riktiga kreditkort. Falska Visa- och Master Card-kort har på detta vis producerats.

Ovanpå detta finns den äldsta formen av phreakande, sk grey-boxing alltid med i bilden. Grå lådor (som var föregångare till de blå) är sådana som hänger på telefonstolpar eller står bredvid elverkens proppskåp på gatorna. Genom att koppla in sig där kan man rent fysiskt ansluta sig till någon annans telefon och ringa samtal på andras bekostnad.

Det finns ingen offentlig utredning om dessa brotts omfattning, och inte lär Telia vilja göra någon heller. Att blottlägga säkerhetsluckor vore fatalt på en marknad där Telia måste konkurrera med privata telefonbolag och det är viktigt att framställa sig själv i så god dager som möjligt. Alltså fortsätter man, tillsammans med alla andra telefonbolag, att tiga om bedrägerierna eller åtminstone få dem ur fokus.

I USA är det värre ändå. En del phreakare har läst in sig ordentligt på företags-PR för att kunna utnyttja social ingenjörskonst när de etablerar falska kontokort eller abonnemang. Där utnyttjar man företagens kundvänliga attityd för att pressa telefonbolagen mot varandra. Om en phreakare t ex misslyckas med att upprätta ett falskt 800--nummer (Amerikansk motsvarighet till 020--numret) kan han avsluta ett samtal där telebolaget börjar ställa för många detaljerade frågor med att säga att "om det skall vara på det viset kan jag gå till konkurrenterna istället". Den privata sektorns service-mentalitet gör givetvis att säljare på företagen drar sig för att ställa för många frågor.

Problemen pekar på brister i ett samhälle där det sociala umgänget mellan företagare blivit försummat i och med att företagen helt enkelt blivit för stora -- den sociala dimensionen av företagandet har skilts från den produktiva i jakten på allt högre effektivitet, och skapat ett anonymt samhälle. Enligt phreakare jag talat med är också de största telebolagen de som är lättast att lura: man vet inte vem som är bedragare och vem som är äkta, eftersom man aldrig tidigare träffat vare sig den ene eller den andre. Den enda metod man har kvar för att skilja agnarna från vetet är genom att höra hur den andra personen låter och vilken vokabulär han/hon använder. Telebolagen har blivit anonyma logotyper gentemot sina kunder. Så länge samhället ser ut på det viset kommer phreakare att kunna fortsätta ringa gratis på ett eller annat sätt.

En annan form av phreaking förekom på det tidiga 80--talet när de sk "heta linjen"-numren var populära. Som en del kanske kommer ihåg började det med att någon upptäckte att om flera personer ringde ett nummer som inte fanns kunde man prata samtidigt tack vare överhörning, alltså genom att alla samtal till det numret oavsiktligt kopplades samman av televerkets utrustning. Detta var ett gratis och roligt sätt för gemene man att slå ihjäl tid på, och kommersialiserades därför i god ordning. Senare stängdes "heta linjen" över hela landet eftersom det användes alldeles för osedligt av snuskhumrar. Idag har vi dyra dating-linjer istället, men den öppna, slumpmässiga och lotteribetonade konversationen med vem som helst som ledde till de mest fantastiska möten (och tragedier) finns inte längre.

Senaste gången en phreakare var på tapeten i Sverige var Demon Phreaker i Göteborg som härjade i amerikanska telesystem under 1996. Demon Phreaker var en asocial varelse som tillbringade sina nätter med att ringa gratis, käka amfetamin och sabotera 911--nummer (motsvarigheten till svenska 112) i USA. Han var medlem i den löst sammanhållna gruppen Organized Confusion. Denna 19-årige man lyckades på några månader ringa 60.000 samtal till olika företag och larmcentraler i USA, till ett värde av c:a två miljoner kronor, men det var attackerna mot 911--numren som var det allvarliga. Phreakaren spårades av FBI , telefonbolaget AT&T och svensk polis, dömdes till villkorligt fängelse och 60 dagsböter för ofredande, samt placerades i ungdomshem. (Han hade redan tidigare haft ett antal psykiska sammanbrott.) Eftersom de allvarligare bedrägeribrotten inte begåtts i Sverige, kunde han inte dömas för dessa.

Nätverkshackare

Nu: från telefonnäten till datanäten. Phrekarna fick, som de teknikfanatiker de var, snart ögonen på datatekniken. Det fanns gott om phrekare som Captain Crunch som från början gett sig på telefonnätet i brist på datorer, och som egentligen helst ville leka med datorer. Tillsammans med avfällingar från högskolan och mindre exemplariska ungdomar bildade de små hackargrupper som sysslade med regelrätt dataintrång. Många av dessa uppnådde stor skicklighet på att manipulera inte bara telefonstationerna utan också de stora datorer (VAX, IBM osv), normalt ett slags UNIX-system (andra namn är machine, site, host, mainframe etc), som satt i noderna på det mot slutet av 80--talet nästan världsomfattande Internet. Andra specialiserade sig på VAX-system där motsvarigheten till UNIX hette VMS. VMS var något populärare eftersom det var enklare att penetrera än UNIX.

De allra första hackare som blev allmänt kända var Ronald Mark Austin och framför allt gruppen 414-gang från Milwaukee i USA. 414-gruppen hade börjat "hacka" främmande datorer redan runt 1980, och det var avslöjandet om dessa hackare strax efter premiären för filmen War Games (1983) som drog igång hela diskussionen kring hackande och datasäkerhet. 414-gruppen hade tagit sig in i ett Cancersjukhus i New York, och när man efter att ha intervjuats i New York Times (en intervju som även innebar en demonstration av möjligheterna) skulle rensa bort spåren efter sig råkade man radera uppgifterna i en fil på ett felaktigt sätt, så att den förstördes. Bara tanken att detta kunde ha varit viktiga forskningsresultat, eller en behandlingsjournal för någon patient, var hårresande. Före 1983 visste i princip ingen vad hackare var för någonting. Nu pratade alla om det. Antagligen var det i och med denna debatt som begreppet fick sin negativa klang.

Själv använder jag begreppet nätverkshackare för att karakterisera en hackare av denna typ. På engelska kallar man dem ibland crackers eller netrunners. Allt för många kallar dem bara hackers och bidrar därmed till den rådande begreppsförvirringen. De flesta av de som blev nätverkshackare i första ledet använde Apple II-datorer, på vilka det under en tid fanns en del elektroniska phreakartidningar som exempelvis Bootlegger som var föregångare för alla de hackar- och phreakartidningar som sedan florerade i massor. När nätverkshackarna dök upp i Europa använde de främst Commodore 64-datorer, och hade inga egna tidningar eftersom någon sådan tradition inte hade uppstått bland europeiska hackare. Detta begränsade till stor del de europeiska hackarnas aktiviteter. Eftersom de inte hade några amerikanska Apple II-datorer kunde de heller inte läsa dessa tidningar, och därigenom inte lära sig att hacka bättre. Nätverkshackandet har aldrig varit lika omfattande på denna sida Atlanten.

En lustig detalj är att sedan 414-gang blev kända har alla hackargrupper haft nippran på att sätta olika obegripliga siffror före eller efter sina gruppnamn. 414-gang fick sitt nummer från att de kom från det riktnummerområdet i USA.

Det kan vara svårt att förstå vad som menas med att "ta sig in" i ett datasystem. Att "knäcka" eller "göra intrång" i ett system innebär helt enkelt att man övertalar en främmande dator att göra saker som den inte får göra. Man skulle kunna kalla det för uppvigling eller bedrägeri med lite vanligare ord. Jag kan illustrera det med följande dialog:

"Hej", säger datorn.

"Hej, säger hackaren, "jag skulle vilja ha lite uppgifter."

"Stopp och belägg", säger datorn, "vem är du egentligen?"

"Jag är datachefen", säger hackaren. (Ungefär.)

"Aha då är allt OK", säger datorn och ger hackaren vad han vill ha.

Precis så här ser det givetvis inte ut, men principen är densamma. Att hacka sig in i ett system innebär i princip att tillämpa en form av social ingenjörskonst på elektroniska individer. Eftersom datorer inte är så smarta kan man inte beskylla dem för att vara dumma när de inte kan skilja på datachefen och en hackare. Därför tycker man att hackaren är ojuste när han lurar datorn på det här viset. (Ungefär som att slå på ett barn.) För att göra det möjligt för datorn att skilja en hackare från datachefen har man gett datorn vissa väldigt speciella igenkänningstecken som användaren måste uppge tillsammans med sitt namn. Dessa kallas lösenord (eng: password) och det är meningen att hackarna inte skall känna till dem. Ibland lyckas hackarna ändå ta reda på lösenordet eller på något annat sätt få datorn att tro att de är datachefen eller någon annan som får använda datorn. Ett existerande namn tillsammans med lösenordet brukar man kalla en användaridentitet. (Eller på engelska: NUI = Network User Identification, identitet för nätverksanvändare.) En hackare kallar ibland säkerhetssystemen för IS. (Av eng: ICE = Intrusion Countermeasure Electronics, elektroniska anordningar mot intrång.) Dialogen mellan hackare och dator kan på skärmen se ut något åt det här hållet:

*** WELCOME TO LEKSAND KOMMUNDATA ICE ***

UserID: QSECOFR (hackaren skriver in ett namn)
Password: ******* (hackaren skriver in ett lösenord, detta brukar inte synas på skärmen)
SECURITY OFFICER LOGGED IN AT 19.07. (namn och lösenord utgör tillsammans en giltig användaridentitet som heter "Security Officer")
ENTER COMMAND>GO MAIN (hackaren har "kommit in" i datasystemet)12

De vanligaste sätten att komma åt lösenord är inte särskilt underliga. Enklast är att titta över axeln på någon som skriver in lösenordet, kanske rent av videofilma när någon slår in koden på tangentbordet eftersom den sällan syns på skärmen. Andra "trick" är att leta efter papperslappar under exempelvis skrivbordsunderlägg eller att gissa på olika kombinationer av initialer, födelsedatum eller andra ord med anknytning till den person vars användaridentitet man försöker utnyttja. Väldigt vanligt är t ex (för manliga användare) hustruns efternamn som ogift. Om det konto man försöker använda tillhör en dataansvarig provar man givetvis olika datatermer. Allt detta går in under begreppet social ingenjörskonst som jag nämnde i samband med phrekarna. En förbluffande effektiv metod är att ringa upp den systemansvarige och säga att man är en person som är anställd på företaget och har glömt bort sitt lösenord. Skräpletning i containrar och att samla lösa papper på datamässor är andra vanliga tekniker.

Givetvis kan man också använda sk brute-force (brutalt våld) och testa alla möjliga kombinationer av siffror och bokstäver. Att knäcka ett lösenord på detta vis med brutalt våld tar massor med tid och är ohållbart om lösenorden är längre än ett visst antal tecken. Ett alternativ är att testa varje uppslagsord i lexikon och ordlistor osv, detta är ofta förbluffande effektivt.

Om lösenorden är konstruerade efter någon idiotisk algoritm kan man oftast lista ut hur denna är upplagd och använda den bakvägen. Det mest kända exemplet på detta är det lösenordssystem som tidigare användes för Telias 020-abonnemang. Lösenorden använde bara 37 olika tecken, och var symmetriskt arrangerade så att endast 4736 olika lösenord existerade. Detta ledde till att en glad 16-årig hackare i början av 1998 programmerade ett program vid namn Telia Nemesis (Nemesis är hämndens gudinna) och som automatiskt knäckte Telias konton genom att med brutalt testa alla 4736 kombinationerna mot olika kända eller gissade konton.

De allra mest sofistikerade metoderna går runt hela säkerhetssystemet genom att använda luckor i de sk systemprogram (operativsystem, drivrutiner eller kommunikationsprotokoll) som dessa datorer använder. Systemprogrammen måste nämligen vara aktiva för att datorn skall gå att använda över huvud taget. Eftersom VAX/VMS-system numera är tämligen sällsynta är det främst UNIX och Windows-system som utsätts för denna form av hackande. Trots den rådande Windows-dominansen är det fortfarande vanligast med attacker mot UNIX-system, men Windows-attackerna tenderar att vara allvarligare eftersom systemet är ungt och ännu innehåller flera fundamentala programfel som kan utnyttjas. Speciellt vanligt är i båda fallen att använda luckor i kommandon och protokoll som går under kufiska namn som FTP, finger, NIS, sendmail, TFTP eller UUCP.

Dessa metoder blir allt ovanligare och mindre allvarliga allteftersom luckorna fylls igen så fort de upptäcks. "Igenfyllningen" av luckorna går till så att den systemansvarige får (eller i värsta fall borde ha fått) ett antal disketter med programvara som skall laddas in i datorn. (Dessa kallas fix, patch, service pack eller uppdatering.) En hel del systemansvariga slarvar dock lite med att uppdatera programmen i datorn, och luckorna kan därför finnas kvar väldigt länge. Andra struntar i delar av säkerhetssystemet för att det ställer till en massa trassel för de auktoriserade användarna. Till exempel stänger många av funktionen att lösenorden måste ändras med jämna mellanrum, eller att datorn inte godkänner alltför vanliga lösenord. Vissa datorer har fortfarande (1999) säkerhetsluckor som man varnade för redan 1987. Svenska datorer är inget undantag.

När en hackare väl kommit in i ett system kan han/hon ofta lätt komma över fler lösenord genom manipulation av systemprogrammen. Ibland läser man också igenom elektronisk post som lagrats i datorn, och där lösenord kan förekomma. Tänk er själva: "Olle, jag kan inte komma till jobbet på fredag, men om du behöver tillgång till mina siffror så är lösenordet 'e487fg87453gf'." En skicklig hackare som väl tagit sig in i ett system lämnar givetvis också lönndörrar, så att nya intrång enkelt kan genomföras vid senare tillfällen. En del av dessa lönndörrar kan dessutom lätt hittas och användas av andra hackare.

De flesta av dessa hackare gjorde (och gör) faktiskt inga större skador på systemen, utan är mera ute för att prova "om det går". Det är ungefär samma nöje som att ge sig in i stockholms tunnelbana till fots eller krypa ned i en kloaktunnel, dvs ett spännande och lite förbjudet utforskande. Faktum är att majoriteten av hackarna håller på en oskriven regel som innebär att man aldrig stjäl pengar och aldrig förstör något avsiktligt. De som bryter dessa oskrivna etiska regler kallas "den mörka sidans hackare" (eng: dark side hackers) ett uttryck som man hämtat från science fiction-filmen Stjärnornas Krig. I Clifford Stolls bok En hacker i systemet kan man följa jakten på en sådan hackare.

Hackaren som Stoll hade problem med tillhörde definitivt den mörka sidan; denne försökte nämligen systematiskt tillskansa sig militära hemligheter och visade sig ha kontakt med KGB. (Detta var mitt under det kalla kriget.) Han hade hjälp av en av de mest fruktade hackargrupperna: Chaos Computer Club, en organisation med politiska undertoner som bildats 1984 av Hewart Holland-Moritz och som säger sig vilja värna om människans rätt i informationssamhället. Chaos hade gjort sig kända för att ha gett dödsstöten till ett informationssystem som kallats Bildschirmtext (svensk motsvarighet: Teletext) genom att vid en presskonferens bevisa att systemet var osäkert och opålitligt.

1989 blev fallet med hackaren från KGB världskänt och därefter skrev Stoll sin bok. Fallet har mytologiserats: en av de inblandade som kallade sig Hagbard hittades död, bränd till döds ute i en skog, och många misstänkte att KGB låg bakom. Detta är antagligen inte sant; hackaren i fråga hette Karl Koch och hade svåra mentala störningar och drogproblem redan innan han började hacka, och det rörde sig sannolikt (precis som polisen trodde) om ett självmord. Bland annat trodde han att världen styrdes av Illuminati, en fiktiv muslimsk maffia som skulle ha infiltrerat regeringar och organisationer sedan 1200--talet, en vanföreställning han hämtat direkt ur böckerna med samma namn. Han var dessutom förtjust i psykedeliska droger vilket inte gjorde saken bättre. Om man studerar fallet närmare kan man tycka att det var uppenbart att Karl var galopperande paranoid, men rubriken "Hackare lönnmördad av KGB?" säljer givetvis mer än "Hackare begick självmord?"

Denne Koch hade tillsammans med Pengo (Hans Hübner) och Markus Hess som medlemmar av hackargruppen Leitstelle 511, en grupp med tydlig politisk profil och försmak för långa hackarnätter och drogorgier, lyckats komma över hemlig information och programvara via Internet. Markus var UNIX-expert och Pengo hjärnan bakom intrången. Detta systematiska utforskande av Amerikanska försvarsinstallationer gick under kodnamnet "projekt Equalizer". Equalizer, eller utjämnare på svenska, kallades det efter den lätt naiva idé hackarna hade om att genom sitt spionage jämna ut oddsen mellan öst och väst i det kalla kriget. Detta var snarare en ursäkt för att spionera för egen vinning än ett uttryck för verkliga politiska intentioner. De två mest begåvade hackarna i gruppen, Pengo och Markus, hackade mest för nöjes skull och tjänade inte heller speciellt mycket på det hela. Samtliga inblandade dömdes efter avslöjandet till mellan 1 och 2 års fängelse -- villkorligt. Pengo friades helt eftersom han samarbetat med polisen.

Detta fall är ett av de få man känner till där nätverkshackare tjänat pengar på sin "hobby". Normalt ägnar man sig bara åt den här typen av hackande för den intellektuella utmaningens skull eller för de sociala apekterna med datakommunikation.

Kevin Mitnick är en annan hackare som blivit mer eller mindre legendarisk. Han var ursprungligen phrekare och utvecklade en hittills oöverträffad talang i att manipulera såväl telefonväxlar som datorer och människor. Han är urtypen för den mörka sidans hackare: han stal källkoden till Digitals operativsystem VMS 5.0 genom att ta sig in till deras utvecklingsavdelning genom tele- och datanätet. Han var hämndlysten och straffade de poliser och företag som motarbetade honom genom att ge dem fruktansvärda telefonräkningar eller sprida ut lögner via telefon och fax. När polisen försökte spåra hans telefonsamtal visste han om det och kunde snabbt lägga på luren, eftersom han hade hackat sig in i telefonbolaget Pacific Bells övervakningsdatorer. När han greps var han i full fart med att stjäla källkoden till det inte helt obekanta dataspelet Doom. (Källkod är den version av ett dataprogram som med lätthet kan läsas och modifieras av människor. Efter en process som kallas kompilering blir programmet läsbart endast för datorer -- och hackare.)

Efter gripandet i december 1988 dömdes han till ett års fängelse och ett halvårs rehabilitering. Han behandlades bl a tillsammans med alkoholister för sitt, som man sade, nästan sjukliga behov att hacka. den 15 februari 1995 greps han igen, efter att ha jagats av en säkerhetsexpert vid namn Tsutomu Shimomura och en journalist som tidigare skrivit en bok om honom: John Markoff.

Mycket av publiciteten kring detta andra gripande var uppblåst på gränsen till häxjakt. Många menade att Kevin inte alls var så farlig som Markoff ville få honom att framstå. Till saken hör att Shimomura och Markoff redan på förhand, dvs inna Kevin gripits, gjort upp om bok- och filmrättigheter till historien. Detta till trots har Kevin fått stå modell för den "farliga" hackaren; känslokall, hämndlysten och med en otrolig förmåga att manipulera människor och telefonväxlar. Han var däremot inte någon större stjärna på att manipulera datorer -- där hade han många övermän. Värt att notera är att Kevin aldrig sålde vidare den information han kom över. Operativsystemet VMS ville han ha bara för att kunna hacka bättre, och han samarbetade inte med organiserade brottslingar. Mitnick sitter i skrivande stund (1999) fortfarande i fängelse.

Denna typ av illegala intrång har glorifierats i filmer som War Games (1983), Sneakers (1992) eller TV-serien Whiz Kids (1983--84), och just detta brottsliga hackande har ofta (helt felaktigt) ansetts som det enda hackare sysslar med. Även i den svenska Drömmen om Rita (1992) förekommer en romantiserad hackare i en av birollerna som något av en symbol för det unga, nya och vilda; en modern Jack Kerouac som drar runt på vägarna med sin dator. Hackaren framstår där som vår tids beatnik. En rolig detalj är att hackaren ifråga kallar sig Erik XIV, precis samma pseudonym som en riktig hackare använde under ett par reportage i Aktuellt och Tidningen Z 1989 där han berättade hur han kunde lura kontokortsföretag att betala telefonsamtal och varor från utlandet. (Vilket han senare blev gripen och dömd för.)

I själva verket är det mycket få datorintresserade ungdomar som hänfaller åt illegala aktiviteter. Inte desto mindre förekommer det fortfarande, men det egentliga problemet är att datasystemen är för dåligt skyddade; ingen hackare orkar ta sig in i ett tillräckligt väl skyddat system, även om det är teoretiskt möjligt. Ingen lurar en tillräckligt smart dator. De flesta intrång som sker hemlighålls med största sannolikhet av PR-skäl. Så vitt jag vet har t ex ingen bank i västvärlden officiellt råkat ut för förluster pga den mörka sidans hackare, men å andra sidan: om jag var en bank och en hackare överförde några miljoner till sitt eget konto, skulle jag i så fall vilja dra det inför domstol så att alla mina kunder fick veta hur osäkert mitt datasystem var? Ett enkelt programfel i Sparbankens datasystem sommaren 1994 skapade sensationsartade rubriker, vad skulle då inte en miljonstöld av hackers kosta i goodwill? Förmodligen mer än vad man skulle kunna få tillbaka genom att jaga dem. I sådana fall är det givetvis PR-riktigt att lägga locket på, vilket man med stor sannolikhet också i ett flertal fall har gjort.

Gränsen mellan nätverkshackare och phreakare är flytande. Man brukar säga att en phreakare utforskar datasystemen av sociala skäl, mest för att skaffa sig gratis långdistanssamtal för att kunna snacka med sina kompisar, medan en intrångsbenägen hackare utforskar systemen mest för deras egen skull, för tjusningen i att lura tekniken. Från phreakarna har man fått den anarkistiska yippieattityden och lusten att bryta ned systemen.

Många har med rätta ifrågasatt samhällets allvarliga syn på "hackning" dvs hobbydataintrång. Man har jämfört hackarna med grottklättrare som utforskar ett nytt land mer av nyfikenhet och för utmaningens skull än för egen vinning. Eftersom nätverken är så trassliga att ingen har någon karta på dem, menar man att det finns ett helt nytt, outforskat territorium därute, ibland kallat telerymd, där elektroniska konversationer äger rum och som hackarna nyfiket kopplar sig fram igenom. Att jämföra hackande med inbrott är bara dumt. Vid ett inbrott uppstår fysiska skador på dörrar och lås, och verkliga föremål stjäls. En typisk hackare skadar inget vid intrången (mycket få hackare är vandaler),13 och i den mån han/hon stjäl information kopierar hon/han den bara. Originalhandlingarna försvinner inte. Möjligen stjäl de några ören elektricitet och sliter något på maskinen de hackar sig in i, men med tanke på den snabba avskrivningstakten för datautrustning kan det knappast betraktas som förlust. Varje dator som är ansluten till Internet tillåter för övrigt utomstående att använda datorn för att söka och förmedla information.

Jag misstänker att det som skrämmer etablissemanget är att man tar på sig rollen som någon annan. Att man uppträder som datachef utan att vara det, och åtnjuter de privilegier som detta innebär. Det värsta av allt är att man klarar uppgiften som dataexpert med glans, och på det viset förlöjligar de dataexperter som företagen hyrt in för dyra pengar. Sådant sticker i ögonen, speciellt som företagsvärlden i allmänhet och storföretagsvärlden i synnerhet är uppbyggd kring ett system av underförstådda statussymboler där varenda person sitter i toppen av sin egen lilla minihierarki. Att bete sig som något man inte är betraktas som en dödssynd. (Minns Refaat El-Sayeds falska doktorstitel!)

Fördömandet av hackarna står inte i proportion till deras brottsliga handlingar, och straffsatserna är ofta på tok för höga. Detta har sin grund i en nästan paranoid rädsla för det hackaren gör, och den etik han/hon anammat. Hackaren är nämligen (liksom de flesta människor) inte till naturen ond, definitivt ingen förhärdad brottsling, utan följer sitt hjärtas röst. Han/hon är inte psykopatisk eller ute efter att såra eller stjäla från andra människor i traditionell bemärkelse. Möjligen vill hackaren stjäla andras hemligheter. Detta skrämmer. Mer om hackaretik och ideologi följer längre fram.

Svenska nätverkshackare har inte funnits lika länge som i Staterna, delvis beroende på att Televerket ända fram till den 1 juli 1983 hade monopol på de modem som fordras för att ansluta sig till en dator över telenätet. Det första fall jag känner till var 1980 då en student vid Chalmers tekniska högskola dömdes till 25 dagsböter för att ha manipulerat debiteringssystemet på Göteborgs datacentral så att han kunde utnyttja systemet gratis. Det första fall som uppmärksammades av media var när Aftonbladets journalist Lars Ohlson efter att ha sett filmen War Games hyrde in ett par 17-åringar, några modem och några datorer och försökte ta sig in i stockholms datacentral QZ. Operatörerna på QZ undrade vad de höll på med, vilket ledde till att Ohlson greps och dömdes till böter under högljudda protester från bland annat Dagens Nyheter. De tre lyckades heller aldrig ta sig in i QZ, och syftet var att testa säkerheten. Den visade sig uppenbarligen vara mycket god... 1983.

I #1 1984 av tidningen Allt om hemdatorer rapporterade man om ett betydligt mer lyckat intrångsförsök. Med hjälp av en importerad Apple II hade två ungdomar, 17 respektive 19 år gamla, lyckats ta sig in i DAFA-Spar, statens person- och adressregister. Även om DAFA-Spar inte innehåller några hemligheter kan man lätt föreställa sig vad som kunnat hända om exempelvis en utländsk makt på detta vis utan vidare kunnat hämta hem uppgifter om varenda svensk medborgare. DAFA-Spar var själva förbluffade och tagna på sängen av det inträffade. Ungdomarna, som var inspirerade av filmen War Games, hade även lyckats ta sig in i Göteborgs Datacentral, Medicin-Data och Livsmedelsverkets datorer. Själva sade de att de begått intrånget för att visa på bristerna i säkerheten.14

De flesta svenska nätverkshackare tycks liksom sina amerikanska motsvarigheter ha arbetat solo, dvs utan att organisera sig i grupper. Enligt uppgifter lär många av de första svenska hackarna ha hämtat inspiration från BBS:en Tungelstamonitorn som drevs på en ABC806-dator av socialinspektör Jan-Inge Flücht i en Haninge utanför Stockholm runt 1986--87. Basen bytte senare namn till Jinges TCL och gjorde sig känd som en av de mest frispråkiga och uppkäftiga svenska BBS:erna via amatördatanätverket Fidonet.

1987 bildades den mest nambekanta gruppen SHA (Swedish Hackers Association) som underligt nog mest gjort sig kända för att ha irriterat frilansjournalisten och säkerhetskonsulten Mikael Winterkvist efter att denne försökt kartlägga spridningen av datavirus i Sverige.

Själva säger sig SHA ha varit Sveriges största och mest välorganiserade hackargrupp. Andra säger att de bara är skrävliga Stockholmare med självhävdelsebehov upp över öronen, vilket är ganska intetsägande eftersom nästan alla underjordiska hackare har ett astronomiskt självhävdelsebehov. Ett av deras mest framgångsrika hack var när en av medlemmarna tog sig in i Sveriges Radios dator och var så förtrogen med systemet att han kunde ändra i programtablåerna om han ville. För skojs skull bytte han ut Pontus Enhörnings lösenord och ringde upp honom och fick på det viset en del publicitet.

SHA lyckades under sin aktiva tid ta sig in i ett flertal datorer runt om i Sverige, bl a hos SICS, KTH/NADA, ASEA, Dimension AB, S-E Banken, SMHI, OPIAB, DATEMA och sist men inte minst: FOA. Inget av de angripna företagen eller myndigheterna har någon större lust att prata om det hela. Både Polisen och flera företags egna säkerhetsgrupper visste exakt vilka SHA var, men kunde inte alltid bevisa vad de hade gjort. För det mesta lät man dem bara hållas, eftersom man ansåg sig ha "koll" på SHA. Man var inte rädda för SHA, och det fanns ingen anledning att vara det heller, eftersom gruppen bestod av relativt snälla hackare som inte var ute efter att förstöra. För det mesta ville de bara ha lite systemtid och öppna telelinjer. Stängde man dem ute respekterade de det. Var man arrogant och auktoritär i tonen mot SHA, blev de ganska sura och hotade med fruktansvärd vedergällning. Gruppen åtalades under 1997 för ett flertal dataintrång och dömdes till böter och villkorliga straff. Medlemmarna har nu nästan undantagslöst välbetalda jobb som säkerhetsexperter, konsulter, servicetekniker och liknande.

Sverige har även utsatts för angrepp av hackare från utlandet. Den kanske mest välkända tidiga händelsen var när ett par hackare från Storbrittanien, Niel Woods och Karl Strickland kända under pseudonymerna Pad och Gandalf som 8LGM (8 Little Green Men eller the 8 Legged Groove Machine) under julhelgen 1990 tog sig in i det svenska Datapaknätet och Decnet där de med hjälp av ett dataprogram sökte av 22.000 abonnenter i jakt på datorer att ta sig in i. I 380 fall lyckades de etablera kontakt. De båda 20-åringarna dömdes 4 juni 1993 till vardera 6 månaders fängelse för dataintrång i 15 länder. (De var för övrigt de första som dömts på grundval av den vid tillfället nyskrivna engelska datalagen.) Innan man fördömer Pad och Gandalf skall man också veta att det var de som hackade sig in en av EU:s datorer och hjälpte till att avslöja Jacques Delors' generöst tilltagna representationskonto.

Hackade hemsidor och mailbomber

Alla typer av hacking / cracking har ökat lavinartat under senare delen av 90--talet till följd av den enorma Internet-explosionen och gemene mans tillgång till nätanslutning. I och med att e-post och hypertext blivit de mest använda internetteknikerna har en stor mängd hackare riktat sina attacker mot just dessa i jakt på uppmärksamhet. Den stora majoriteten av dessa hackare använder standardtekniker, vilket är mycket enkelt då många av de större Internetleverantörerna haft, och fortfarande har mycket bristande säkerhet både beträffande e-post och hypertextutrymmen. Ett mycket illustrativt exempel på detta är Telia Nemesis som nämndes tidigare, och de flesta leverantörer har liknande svagheter. De enda som egentligen kan sägas ha godtagbar säkerhet idag är banker, vissa storföretag och datorklubbar som alla sedan tidigare har erfarenhet av tekniken.

Den först gången det uppmärksammades att en hemsida blivit "hackad" (dvs att någon bytt ut eller förändrat innehållet, sidan i sig är uppenbarligen inget man hackar) var när Telias hemsida förändrades den 17 mars 1996. Telia bytte namn till Felia och spred cannabis-propaganda. Det allra första hacket var anonymt och det ända som ändrats var logotypen och två bilder. Telia ändrade snabbt tillbaka sidan till det ursprungliga utseendet. När sidan hackades för andra gången byttes bilden med texten "en annorlunda värld, kom upptäck den med oss" -- Telias reklamslogan som varit textad tvärs över en jordglob -- ut mot en bild med samma text skriven över ett cannabisblad. Den andra gången fanns det också ett namn på hackarna: Kevin Mitnick Liberation Front. Missnöjet med Telias höga Internetavgifter och monopolställning hade jäst en längre tid, speciellt i mång högljudda debatter i olika nyhetsgrupper. Den första vågen hemsidehack kännetecknades just av att hackarna utnyttjade sin kunskap för att göra sin röst hörd i olika frågor som intresserade hackare.

Bland andra hack som skedde detta år märks ett flertal angrepp på Livets Ord av en hackare under pseudonym Ivil h4x0r, då sidan upprepade gånger bytte namn till "Dödens Ord". Första gången rörde det sig om en relativt enkel ändring, men uppmärksamheten gjorde Ivil h4x0r energisk och upprepade attacken. Andra gången designades Livets Ord om till en satanistisk sida med hela boken Paradise Lost inlänkad, och tredje gången på ett smurftema. Andra svenska hackargrupper som ändrade hemsidor detta år var Border Liners (hackade bl a Finanstidningen) och Swedish Internet Terrorist Enterprise (S.I.T.E).

Under 1996--97 rörde det sig så gott som uteslutande om hack i syfte att lyfta fram hackarkulturen och dess hjältar. Den kanske mest lyckade attacken av detta slag skedde den 13 September 1998, då New York Times (John Markoffs arbetsgivare) hemsida hackades och utflippade, humoristiska budskap blandat med allvar placerades över hela sidan. Gruppen HFG (Hacking For Girlies) sade sig ligga bakom, och skrev raljerande saker som:

Eftersom vi nu är Internetterrorister så har vi kommit på att vi måste begära gisslan eller nåt. Så ge hit 104 brudar, 6 miljarder i tidningsprenumerationer och kanske en tryckpress, typ. Inte för att ni snubbar vet vad seriös journalistik är i vart fall. Korkade horor.

Den mest påtagliga effekten av detta var att en stor mängd skickliga hackare började intressera sig för politiska frågor. Somliga nya hackare började också vid denna tid lära sig hacka i det enda syftet att använda sina kunskaper i politiska syften. Tidigare kunde en hackare ange orsaker som att man varit uttråkad på dåliga TV-program som motivering bakom ett intrång. Ofta handlade det bara om att upplysa innehavarna om att de hade dålig datorsäkerhet, bland annat hackades lundaföretaget Netch upprepade gånger för att visa på den låga säkerheten.

Den mest kända svenska aktionen av detta slag är utan tvekan attacken mot CIA den 19 september 1996, då CIA:s huvudsida i USA ändrades i en sympatiaktion för SHA (se ovan). Detta skedde under pågående rättegång. Gruppen Power Through Resistance menade att de kärande parterna i målet (via åklagare Bo Skarinder) ljög om vad SHA egentligen hade gjort och att rättegången därför var orättvis.15 Ett annat fall som ledde till sympatiaktioner var när Joel Eriksson åtalades och fälldes för intrångsförsök på reklambyrån Spray den 13 december 1996. De flesta hackare ansåg att Eriksson utsatts för en komplott arrangerad av Svante Tidholm16 och ett antal andra personer på Spray, som gick ut på att företaget ville "sätta dit en hacker" så att man sedan kunde skryta med sin storslagenhet. Spray å sin sida menade att Eriksson för det första gjort intrång i Sprays maskiner, och för det andra utsatt företaget för utpressning. Som bevis för utpressningen hade man med sig en kassett från ett arrangerat möte med Eriksson där denna skrivit kontrakt om säkerhetskonsultation. Tingsrätten ogillade anklagelsen om utpressning -- denna åtalspunkt var direkt löjlig -- men fällde honom för datorintrånget,17 eftersom han inte kunde bevisa att han haft tillstånd från Tidholm att genomföra intrången. Än idag står ord mot ord mellan Tidholm och Eriksson om den saken.

Som en sympatiaktion för Eriksson genomfördes ett flertal hack, det mest välkända mot Aftonbladet, då tidningen bytte namn till Aftonpressen, en text lades upp där det sades att tidningen skulle gå ihop med Expressen, jämte en gravsten över Spray. Hacket hade genomförts av en hackare i Löddeköpinge utanför Lund som spårades, åtalades och dömdes att betala 20.000 kronor för detta. Sidan var underskriven med VMM och hackaren i fråga sade sig ha fått text och grafik från en annan, för honom okänd person.

Vi ser alltså en tydlig trend av aktioner i sympati med olika hackare, men med alltmer politiska undertoner, framför allt rörande rättssäkerheten för hackare. Ett otal andra liknande hack har genomförts under slutet av 90--talet, i allt mer politiserade syften. Vissa hack har till och med fått karaktären av elektronisk krigföring.18

Redan under det tidiga 90-talet hörde man talas omInternet Liberation Front (ILF) som tydligen hade försökt utöva terroraktioner på Internet för att behålla den anarkistiska strukturen på nätet och hålla de inflytelserika företagen så långt borta som möjligt. Men i praktiken var den enda som drabbats ILF journalisten Joshua Quittner som skrev en bok om hackargruppen Masters of Deception med samma titel. Antagligen var hackarna inte nöjda med hur de porträtterades i boken, och det hela är snarare att betrakta som en personlig vendetta än en allvarligt menad politisk aktion. Terrorn bestod i att Quittners elektroniska postlåda och hela hans lokala Internet-leverantörs dator dränktes med information tills de kroknade. Dessutom vidarekopplades hans telefon till en röstbrevlåda som öste ur sig oförskämdheter. Strax efteråt publicerade tidningen Wired ett utdrag ur boken, varefter även de fick uppleva informationsterrorn. Därav publiciteten.

Den kanske mest kända rent politiska hackargruppen började sin aktivitet 1997, och heter Electronic Disturbance Theater. Gruppen sympatiserar med Zapatisterna i Mexico och har vid ett flertal tillfällen utsatt officiella Mexikanska websiter, i synnerhet presidenten Ernesto Zedillos personliga site, för så kallad DoS (Denial-of-Service)-attacker. Dessa går till på så vis att man på ett givet klockslag utsätter maskinen som har hand om siten för så många anrop att den går på knä av belastningen eller helt kraschar på grund av minnesbrist.

Dessa DoS-attacker koordineras genom internationellt samarbete och påminner mycket om en digital ockupation eller demonstration. När man försökte angripa Pentagon med dessa metoder svarade det amerikanska försvaret med moteld: man blockerade helt anrop från datorer som gjorde DoS-attacker. Förmodligen användes här en programvara utvecklad för att detektera och stoppa EDT:s FloodNet-program.

EDT har metodiskt utsatt mexikanska myndigheter, företag som gör affärer med Mexico, Pentagon m fl för flera välorganiserade angrepp. Denna typ av DoS-attacker är i princip lagliga -- det är lite av tanken med en website att man skall få begära hur många sidor som helst från den. Andra sympatisörer har handgripligen gjort intrång i mexikanska siter, som den i Mexico baserade gruppen X-ploit som i augusti 1998 bytte ut presidentens porträtt mot en bild på Emilio Zapata. X-ploit tillhör en slags gränslandsgrupper, dit även de välkända Cult of the Dead Cow hör, de är inte primärt politiska, men gör politiska aktioner och politiska uttalanden när de får möjligheten.

Indonesiska siter har utsatts för ett flertal attacker med början den 10 februari 1997 på initiativ av gruppen PHAiT (Portugese Hackers Against Indonesian Tyrrany). Vid den första attacken som riktades mot det indonesiska utrikesdepartementet byttes den ordinarie sidan ut mot en där texten "Välkommen till utrikesdepartementet för fascistrepubliken Indonesien", och en förvanskad bild av Indonesiens utrikesminister Ali Akitas gjorde ett "fuck off" tecken till besökarna. Anledningen till attackerna är givetvis Indonesisens brutala ockupation av Östtimor.

I nästa våg, den 18 januari 1997, attackerades nio siter samtidigt, såväl officiella som företagsägda, och besökare välkomnades till indonesiens "grymma, våldsamma och korrupta polismyndighet". Vid den sista attacken den 22 November 1997 genomfördes ett mer militant attentat -- förutom att förvanska hemsidorna valde PHAiT att helt radera innehållet på alla datorer tillhörnande regeringen som de kom in i. Totalt rensades 26 datorer helt från innehåll, bland dem bl a mailservrar. På två maskiner tillhörande företag nöjde man sig med att ändra utseendet på de hemsidor som lagrades i maskinerna.

Inte heller den enorma diktaturen Kina går säker på det digitala slagfältet. Den första kända attacken mot kinesiska datorsystem i politiska syften skedde den 26 oktober 1998. Det var efter att Kinas regering kungjort att man satt upp en site för "Human Rights". Sidan hackades av Bronc Buster och Zyklon från gruppen Legions of the Underground. Den nya texten gjorde narr av Kinas patetiska försök att stödja kampen för mänskliga rättigheter med en ilsken kommentar:

"Kinas folk har inga rättigheter över huvud taget, allra minst mänskliga rättigheter. Jag fattar inte att vårt lands regering [USA, öa] handlar med dem. De censurerar, mördar, torterar, lemlästar och gör allt vi tog för givet lämnade jorden under medeltiden"

Sidan refererade också till den orättvisa behandlingen av Kevin Mitnick och länkade till Amnesty Internationals kinainformation. Samma hackare gjorde sedan en andra attack den 1 december mot Tijanins informationsnätverk för vetenskap och teknologi med anledning av att en kinesisk man vid namn Lin Hai dömts till livstids fängelse för att ha kommunicerat med regimskritiska exilkinesiska medier i USA. Man kritiserade också företaget SUN Microsystems som installerat 90% av de datorsystem som används av den kinesiska regimen. Det var sedan länge känt att kinas post- och telekommunikationsministerium censurerade vissa delar av Internet för Kinas c:a 250.000 Internetanvändare. Censuren riktas mot siter som innehåller sådant som ministeriet finner politiskt och moraliskt förkastligt. Gruppen hävdade vid intrånget i december att man också konfigurerat om de kinesiska datorer som filtrerade folkets tillgång till information, så att allt gick igenom utan urskiljning

Ett annat angrepp mot Kina skedde den 10 januari 1999. Då var det återigen centret för studier av mänskliga rättigheter som drabbades. Denna gång var det NIS (Network Intrusion Specialists) som låg bakom. Budskapet var denna gång mycket mer humoristiskt och påminde mycket om aktionen mot New York Times som nämndes tidigare. Hackarna kallade kinas ledare för "en hoper hundraåriga idioter", och man nämnde också orimligheten i den dödsdom som kina utfärdat mot två kinesiska hackare som stulit 200.000 Yuan med hjälp av datorer. Vid det här laget hade en hel handfull olika grupper metodiskt börjat angripa Kina.

Efter att den nämnda gruppen Legions of the Underground deklarerat "informationskrig" mot Kina och Irak och förklarat sig beredda att utföra direkta sabotage mot dessa länders datorsystem, reagerade många hackare av den "gamla skolan" mycket negativt och tidningarna 2600 och Phrack samt grupperna Chaos Computer Club, Cult of the Dead Cow, !Hispahack, L0pht, Pulhas och Toxyn skrev under ett upprop där denna aggressiva strategi starkt fördömdes. Man menade att ingen vann något på att ett lands informationsinfrastruktur skadas, och att detta bara skulle leda till att hackare ytterligare demoniserades.

Den mest kända svenska politiska nätaktivistgruppen är utan tvekan Djurens Befrielsefronts Internetavdelning.19 Denna bildades i mitten av september 1998, och under oktober inledde man den omfattande operationen "Close-Down" som riktades mot Smittskyddsinstitutet (SMI). Anledningen till aktionen är Smittskyddsinsitutets omfattande och enligt många bedömare (inklusive Nordiska riksförbundet mot plågsamma djurförsök) helt onödiga djurförsök. Angreppen inleddes med ett antal mailbombningar mot SMI då några tusen brev åt gången skickades för att överbelasta SMI:s mailserver, den dator som hanterar brevtrafiken.

Den 16 oktober lanserades så operation Close-Down officiellt, och 20.000 brev skickades till både SMI och Karolinska Institutet (Karolinska Institutet samarbetar med SMI). Breven innehöll en uppmaning till KI att bryta samarbetet med SMI. Detta samordnades med verkliga demonstrationer utanför SMI:s lokaler i Stockholm och fick mycket stort genomslag i svensk dagspress som lanserade begrepp som "Informationskrig" för första gången. I januari inleddes aktioner av den typ som Electronic Disturbance Theater tidigare använt i form att internationellt koordinerade DoS-attacker för att överbelasta SMI:s webserver.

Förutom dessa stora och välkända attacker sker ständigt en mängd mindre angrepp av politisk karaktär. De första kända politiska hackningarna utfördes utan tvekan av tyska Chaos Computer Club, som bland annat avslöjade omfattningen av det tyska atomenergiprogrammet i samband med Tjernobylolyckan redan 1986. Forskningscentra för kärnkraft är för övrigt numera tacksamma måltavlor för hackare, gruppen Milw0rm attackerade Bhabhas forskningscenter för atomenergi i Mumbai och stal data dem 2:a juni 1998 i protest mot Indiens kärnvapenprov i början av maj. Den stulna datan skall ha innehållit geologiska mätdata och isotopvärden härhörande från atomvapentesterna. En liknande aktion utfördes också strax därefter mot en turkisk anläggning.

Till övriga politiska attacker kan räknas demoleringen av Ku Klux Klans hemsida i slutet av januari i år samt ett liknande angrepp mot White Pride i februari (båda utförda av gruppen Hackers Against Racist Parties), angreppet på US Army i Tyskland av tyska hackare i protest mot de atombomber USA placerat i landet, uppspårandet och angivandet av barnpornografidistributörer av gruppen Ethical Hackers Against Pedophilia (senaste kända aktionen skedde den 10 januari 1999), ett angrepp från gruppen E-pROM den 22 mars med arga kommentarer om IT-industrins kontrollnoja beträffande Operativsystem och MP3-filer, hack av den Chilenska regeringens site i protest mot Pinochet den 12 december 1998 osv.

Ett antal aktioner av "spam"-typ har också genomförts i politiskt syfte, exempelvis den nationalistiska organisationen Nordlands massutskick till alla Algonets kunder 1997. Dessa olika typer av riktat politiska aktioner tenderar att öka, men metoderna blir allt mer banala och det är alltmer sällan några "riktiga" hackare ligger bakom, snarare rör det sig om politiska aktivister med visst datorintresse.

Virushackare

Datavirus är ständigt på tapeten. Detta spännande område är fortfarande en tacksam källa för publicitet i tidningar och tidskrifter. Speciellt uppmärksammade var exempelvis viruset Michelangelo tiden före den 6 mars 1992, eller det riktigt farliga CIH (även känt som Chernobyl) under 1999. Michelangelo troddes kunna orsaka stora skador på data och datorer runt om i världen. Farhågorna visade sig vara minst sagt överdrivna: det hände i princip ingenting. Man tog det som ett tecken på att varningarna i massmedia varit effektiva och tesen bevisade så att säga sig själv. Frågan är om Michelangelo-viruset någonsin var ett hot. CIH var och är i skrivande stund ett mycket farligare virus. Det har raderat tusentals hårddiskar och saboterar även datorns grundinställningar. Förlusterna och tragedierna till följd av CIH har varit enorma.

Datavirus är små dataprogram, och precis som alla andra dataprogram är de tillverkade av människor. De hackare som slår sig in på virustillverkning utmålas som de värsta av skurkar bland hackare, endast intresserade av att förstöra för andra. Man har framlagt lagförslag som innebär att såväl tillverkning som spridning av datavirus skall kriminaliseras, men det verkar inte ha blivit mycket med detta. I USA är det dock illegalt att framställa sk "destruktiv programvara".

De första virusen av modern typ (som exempelvis Michelangelo), de sk länk- och bootvirusen dök upp i början och mitten av 80-talet. Många av de första virusen tillverkades i Bulgarien av alla ställen, och det var där den första BBS:en inriktad på enbart virusbyte och virusdiskussioner dök upp: Virus Exchange. Enligt uppgift skall detta ha berott på att östblocket under någon fas av det kalla kriget fick för sig att tillverka virus för elektronisk krigföring. Bulgarien är känt för sina skickliga datateknologer, mycket tack vare att landet tillverkade kopior av amerikanska Apple-II datorer, så det var naturligt att detta elektroniska vapen skulle tillverkas där. Många bulgariska studenter kom på det viset i kontakt med statsfinansierad virusprogrammering och fortsatte sedan utveckla virus som en hobby. Mest framträdande av dessa studenter är Dark Avenger, som idag har uppnått kultstatus bland virushackare.

De individuella länk- och bootvirusen har olika egenskaper, men gemsamt har de alla att de sprider sig - och det effektivt. De flesta är skrivna av hackare, och alla virus är inte destruktiva. Datavirus har av framstående forskare som Stephen B Hawking klassats som levande liv i en elektronisk värld (dvs telerymden). Det är i så fall den första livsform som skapats helt och hållet av människor.

En del virushackare är bara vanliga hobbyhackare som fått för sig att göra virus, andra är nätverkshackare som intresserat sig för virus. Ett forum för amerikanska virustillverkare var under en period den elektroniska tidningen 40hex (namngiven efter en funktion i operativsystemet på IBM PC) som framför allt listade hela virusprogram och redogör för virustekniker, men även rapporterade om politiska och marknadsmässiga aspekter på virus. Den gavs ut av virushackargrupperna Phalcon och SKISM (Smart Kids Into Sick Methods). Ett modernare media för virusmakare är tidningen VDAT.

Det är synd att påstå att virustillverkare enbart är ute efter att förstöra. För det mesta rör det sig om graffittifenomenet, man vill se sitt namn på så många skärmar som möjligt, och man vill läsa i tidningarna om vad ens virus ställt till med. Man vill bli något. Att tillverka ett virus är dessutom en intellektuell utmaning som fordrar relativt djupa kunskaper i programmering. Virushackarna är förmodligen de mest intellektuella hackarna näst efter högskolehackarna. I de fall man är ute efter att förstöra är det samma gamla yippieattityd från phreakarna som dyker upp. Virushackaren är den fascinerande människa som uppstår då en yippieanarkist och en ordningssam programmerare möts i en och samma person. Till saken hör att virus uteslutande skrivs i assemblerspråk - det svåraste och mest komlicerade dataspråk man kan ge sig på. Ingen virushackare har såvitt jag vet någonsin tjänat pengar på att tillverka ett virus.

Virushackarna hyser någon form av hatkärlek till John McAfee20 och andra personer och företag som tillverkar program som tar bort virus från datorer som infekterats. Innan McAfee började jobba med datavirus livnärde han sig på att sälja medlemskort i en förening som intygade att medlemmarna var AIDS-fria, så nog hade han erfarenhet av virus alltid. Det har antytts att hans företag skulle underblåst virusproduktion eftersom det i princip var livsnödvändigt för dem att nya virus ständigt dök upp. Företaget fungerar nämligen så att man, liksom de flesta moderna antivirusföretag, lever på att uppdatera programmen efterhand, dvs på att anpassa dem till de nya virustyper som ständigt dyker upp. När John McAfee sålde AIDS-försäkringar jobbade han enligt ett liknande system. Han anklagades också för att underblåsa rädslan för viruset Michelangelo 1992.

Datavirus kan dessutom betraktas som konst. Ett datavirus är ett dataprogram som alla andra, och enligt lagen om upphovsrätt innehåller varje nyskapande dataprogram ett konstnärligt element. Att det fordras vilja, ansträngning och fantasi för att skapa ett virus är uppenbart. Tänk, att samtidigt som dessa datachefer och systemvetare kämpar sig fördärvade för att få datasystemen att fungera smidigt och ordentligt, med varje siffra på sin rätta plats, finns det några små ligister som sitter och framställer dataprogram som är avsedda att orsaka det rakt motsatta, dvs kaos, oordning, ödeläggelse. Det fordras inte mycket insikt i branchen för att förstå det roliga i detta. Virusmakarna retas med det nästan sjukliga ordningssinnet inom företag och myndigheter. Det kan mycket väl ses som en protest mot en närmast fascistoid önskan om kontroll, ordning och reda.

"För somliga är vi som demoner, för andra som änglar (...) Välsignad är den som inget väntar, för han kommer inte att bli besviken"

(Ur källkoden till viruset Dark Avenger av den bulgariske virushackaren med samma namn.)

Den mest kända svenska virushackaren går under namnet Tormentor. Under 1992 bildade han ett löst sammanhållet nätverk av svenska virushackare under namnet Demoralized Youth (demoraliserad ungdom). Tormentor hörde till den relativt lilla grupp hackare som fattat tycke för virustillverkning, och etablerade kontakt med andra svenska ungdomar med samma intresse. Bland annat kom han i kontakt med en 13-åring som hade samlat på sig ett hundratal virus och även hämtade nya från den nämnda BBS:en Virus Exchange i Bulgarien. Under senhösten spred han sitt virus på olika BBS:er i Göteborg, och kunde sedan se hur svallvågorna bredde ut sig över hela Sverige med heta diskussioner på Fidonet som följd.

Någon kom på ett sätt att stoppa Tormentors virus. Han ändrade på det och spred ut det en gång till. Det stoppades igen. Processen upprepades 5 gånger innan Tormentor tröttnade på att ständigt ändra och sprida viruset. I en intervju för Jan Freese och Sten Holmberg sade han: "Ett datavirus är ett vapen. Ett oerhört kraftigt vapen. Att äga, eller tillverka ett virus, ger samma hisnande känsla som att hålla i en revolver eller ett sprängämne. Virusets makt ger mig styrka."

Efteråt konstaterade han att viruset egentligen hade flera fel. Han hade bara testat det mot McAfees ViruScan, det hade ett flertal programfel, och värst av allt - det var inte destruktivt! Så talar en sann sabotör. Tormentor är virushackaren i ett nötskal, förmodligen också en evig svensk legend på området. Redan från första början var han i kontakt med SHA, och låg i ständig fejd med Mikael Winterkvist på företaget Computer Security Center / Virus Help Center.

Bland andra kända virus finns den sk trojanska hästen AIDS. (Trojanska hästar är virus som infiltrerar främmande datorer eller datanätverk.) AIDS är ett program som skickades ut gratis till företag över hela jorden efter en internationell konferens om AIDS-problemet i London, och som utger sig för att innehålla information om AIDS. När man kör programmet låser det datorns hårddisk och man uppmanas betala ett visst belopp till ett konto i Panama. Där kan man snacka om elektronisk utpressning. Detta virus har dock inget med hackare att göra, det skapades av en man vid namn Joseph Papp, som inte kunnat ställas till svars för handlingarna eftersom rätten asnåg honom vara "ej psykiskt tillförlitlig".

Två andra trojanska hästar som fick viss publicitet under 1998--99 var Netbus (utläses "bus på nätet", en svengelsk ordlek) skrivet av Carl-Fredrik Neikter i Växjö, och Back Orifice21 (ung "bakre öppning") av den amerikanska hackargruppen Cult of the Dead Cow (CDC). Dessa fungerar så att de installeras genom att "hakas på" något annat program, exempelvis något av de många skämtprogram för Windows som cirkulerar i e-post. Efter att hästen installerats var det möjligt att med ett annat program på allehanda sätt avlyssna och ta kontrollen över arbetsytan i den dator där hästen installerats. Detta var en aning allvarligt eftersom programmen kunde se allt som försiggick på skärmen eller tangentbordet, inklusive lösenord och belopp vid privata banktransaktioner. Det var exempelvis möjligt att i farten ändra ett postgironummer eller belopp om man avlyssnade en dator i samma ögonblick som transaktionen försiggick.

Bland de mer kända datavirusen finns också RTM eller The Internet Worm som det också kallas. Viruset var ett sk maskvirus som kopierar sig självt genom datornätverk och det sänkte hela Internet när det gick löst 2 november 1988. Programmet hade skrivits av hackaren och studenten Robert Tappan Morris (därav RTM) och hans tanke med viruset var att tillverka ett program som på egen hand färdades runt i Internet och testade hur många datorsystem det kunde ta sig in i. Viruset skulle sedan rapportera tillbaka till sin författare så att han kunde se hur långt ut i världen det lyckats ta sig. Dessvärre gjorde han en programmeringsmiss med följd att hela Internet bågnade under viruset. Han dömdes till böter och övervakning för sitt dåd. Idén med maskvirus kommer ursprungligen från företaget Xerox forskningcenter i Paolo Alto, Silicon Valley, där dessa användes för att kunna utnyttja datorernas resurser bättre, t ex genom att vissa program bara kördes på natten när ingen använde datorerna.

Fredagen den 26 mars 1999 och ungefär en vecka framåt grasserade ännu ett maskprogram vid namn Melissa. Nu hade flera företag och myndigheter blivit beroende av fungerande e-postkommunikation så verkan av virusen var betydligt mer omfattande än RTM som bara drabbade i huvudsak akademiska och vissa militära installationer.

Melissa var ett sk makrovirus, ett program som körs inuti ett annat program. Dessa används t ex för att automatiskt generera innehållsförteckningar och dokumentnummer. Viruset angrep bara kombinationen av ordbehandlaren Microsoft Word och e-postprogrammet Microsoft Outlook. Genom att öppna ett Word-dokument aktiverades ett program som i sin tur startade Outlook och skickade iväg kopior av sig självt till de 50 första adresserna i den speciella adressbok som tillhandahölls av Outlook. Dokumentet som duplicerades ohejdat innehöll, förutom viruset, en lista över 80 www-siter med pornografiskt innehåll. De maskiner som skötte mailtrafiken på Microsoft, Intel och Motorola fick omgående stängas på grund av överbelastning. I Sverige drabbades Ericsson-koncernen värst, måndagen efter att viruset spritts i USA.

Melissa hade skrivits av David L Smith i Eatontown, New Jersey, och var döpt efter en strippdansös han sett i Florida. Smith kunde sex dagar senare gripas efter en avancerad teknisk spårning, som utnyttjade en svaghet i tidigare versioner av operativsystemet Windows 98. Windows stämplar alla nya dokument med ett sk GUID-nummer (Globally Unique IDentifier, unikt globalt ID-nummer), och i programmet som genererade numret ingick bland annat att MAC-adressen (ungefär detsamma som ett serienummer) på datorns nätverkskort användes.22 Genom att analysera GUID-numet kunde på så vis MAC-numret återvinnas. Man visste då, att om man hittade datorn med detta nätverkskortnummer, tillhörde den med största sannolikhet virusets skapare.

Skaparen av Melissa kallade sig Kwyjibo, men visade sig vara identisk med makrovirusskaparen VicodinES eller Alt-F11, som hade flera wordfiler som skapats på datorn med samma nätverkskort liggande på sin hemsida hos internetleverantören America Online, där han hackat ett konto tillhörande en viss "Skyrocket". En del av jobbet att koppla Melissa till VicodinES gjordes av datasäkerhetsforskaren Fredrik Björck på KTH i Stockholm. Emellertid finns ännu vissa frågetecken rörande huruvida Smith verkligen var VicodinES, eller om han bara var Kwyjibo.

Det finns andra typer av virus som genom att kopiera sig självt i ett nätverk, framför allt sk bakterier eller forkvirus. I operativsystemet UNIX brukar man säga att en process "forkar", ung "gafflar sig", man förstår vad som menas med detta om man tittar på en gaffel som man håller vågrätt: processen delas efter hand i flera underprocesser, om man ritar dem i ett tidsdiagram ser kurvan ut som en gaffel. Till sist blir datorn så belamrad av processer att den stannar helt pga minnesbrist, av att processtabellen tar slut, eller av att arbetsbelastningen till slut gör så att maskinen blir för långsam att använda. I ett nätverk finns också möjligheten att godtyckligt starta processer på andra maskiner som finns till hands, vilket gör att ett sådant virus kan slå ut ett helt delnätverk, men sällan något utanför ett begränsat "nätverksområde".

Satellit- och Kabelhackare

Det är tveksamt om man skall kalla satellit- och kabelhackarna för hackare alls, och det är ännu osäkrare om jag har rätt att kalla dem "illegala hackare". För det första är det dessa hackare gör sällan olagligt. För det andra är de mera radioamatörer och elektronikentusiaster än datoranvändare. Å andra sidan anses ju phreakare och hemdatorbyggare ofta vara hackare. För övrigt vill varken radioamatörer eller elektronikhobbyister kännas vid dem. Och så delar de den grundläggande hackarvärderingen att all information skall vara fri. Så då är de väl hackare.

Tidigare var det så, att om man slog upp de sista sidorna i en kvällstidning strax efter sporten; de där alla annonser om porrfilmer och hårtillväxtpreparat finns, hittade man inte sällan en annons som sålde byggsatser till kabel-TV dekodrar. Sådana tillverkas av den här gruppen hackare. Hela den svenska grenen av denna underjordiska verksamhet kan härledas till kretsen kring tidningen Rolig Teknik, som jag nämnde tidigare. Det går knappt att uppbringa en dekoderkonstruktör som inte har läst Rolig Teknik.

Det absolut mest välkända hack en sådan hackare presterat drabbade tittarna på TV-kanalen Home Box Office den 27 april 1987. Mitt under filmen Falken och Snömannen avbröts utsändningen under fyra minuter av en blank skärm med texten: "Good Evening HBO from Captain Midnight. $12.95 a month? No Way! (Show-time/Movie Channel, Beware!)". (På svenska: Godkväll alla HBO-tittare önskar Captain Midnight. 12.95 dollar i månaden? Aldrig i livet! (Show-time/Movie Channel, Se upp!)).

Bakgrunden till meddelandet var att HBO planerade att kryptera sina sändningar så att den som ville se programmen skulle vara tvungen att köpa en dekoder för att ta del av utbudet i tablån. Captain Midnight, eller John MacDougall som det senare visade sig att han egentligen hette, hade avbrutit HBOs sändning genom att programmera om den satellit som sände kanalen.

Sändningen var intressant såtillvida att den med all önskvärd tydlighet visade hur sårbart det högteknologiska samhället är. Tänk om Captain Midnight istället hade fått för sig att styra satelliten ur sin normala bana, och därigenom lyckats sabotera utrustning för flera miljoner? Men värst av allt var kanske att hackarna med detta dåd trängde in i varje TV-tittares medvetande med ett otvetydligt politiskt budskap om att TV, en form av information, inte borde kosta något.

Man spekulerar ofta i att den här typen av hackare är kapabla att genomföra avancerad avlyssning. Avlyssningen brukar dock begränsas till okrypterad trafik såsom de SMS-meddelanden som skickas mellan mobiltelefoner,23 eller vanliga mobilsamtal. Att avlyssna ett telefonsamtal genom att bryta sig in i en telestation eller ett kopplingsskåp är givetvis inte heller någon match för sådana hackare. Däremot är det inte särskilt troligt att de använder de metoder som länge har använts av säkerhetspolis och militär underrättelsetjänst, t ex: avlyssning av bildskärmar och tangentbord med hjälp av röjande signaler, radiosändare inuti datorer, avlyssning av samtal genom att rikta lasermikrofoner mot glasrutor och avstängda mobiltelefoner, osv osv. Anledningen är inte att man inte skulle vilja, anledningen är att man helt enkelt inte har råd med den utrustning som fordras.

Under den här rubriken kan jag passa på att nämna en del andra elektronikhackare som t ex uppsalahackaren och atarientusiasten Marvin (fingerat namn) som tillsammans med sina kompisar konstruerade egna telefonkort - evighetskort som aldrig tog slut... Efter en utdragen process dömdes uppsalahackarna till villkorliga straff och 100 dagsböter medan Telia inte fick ett öre i skadestånd. (Bland annat beroende på att Telia själva planterat beställningar på Marvins kort, nyfikna som de var på dennes uppfinning.) En del ingenjörsstuderande runt om i landet blev så imponerade av Marvins telefonkort att de tillverkade kopior av kortet, och inom kort fanns det betydligt fler kopior än original. Marvin själv tillverkade aldrig särskilt många kort. Han ville i princip bara visa att det var möjligt, eftersom han hört Telia skryta om kortens överlägsna säkerhet.

Ett liknande fall rörde amigahackaren Wolf (också fingerat namn), en 23-åring hemmahörande i Helsingborg, som råkade komma över en kortläsare för den typ av magnetkort som används till bl a bankomatkort och, som i det här fallet, busskort. Wolf var en ovanligt skicklig ungdom som kunde hantera all möjlig teknisk utrustning. Han var dessutom händig. Han var utbildad på tvåårigt el/tele-gymnasium, men betydligt mer hängiven än de flesta högutbildade ingenjörer. Han hade redan råkat i klameri med rättvisan efter att han sysslat med hembränning.

Utan några större svårigheter lyckades han själv ansluta kortläsaren till sin Amiga och skriva det program som användes för att styra den. Från början ville han antagligen bara testa systemet för att se om det gick att programmera busskorten själv, men efterhand blev verksamheten alltmer affärsmässig. Det hela utvecklades till en mindre bulvanverksamhet där hundratals, kanske rent av tusentals kort förfalskades. Tack vare ett väl fungerande och säkert datasystem kunde länstrafiken i malmöhus län spåra de skyldiga och spärra de förfalskade korten. Vid en husrannsakan hos Wolf hittade man bland annat Marvins utförliga beskrivning av Telias telefonkort.

Behovet av en fungerande lagstiftning för denna typ av brott är skriande. Det finns verksamheter som ligger på gränsen till det tillåtna och som man inte utan vidare kan förbjuda. Det är inte förbjudet att äga kortläsare eller tillverka falska kort. Elektroniska "urkunder" som telefonkort eller dekodrar betraktas inte som urkunder just därför att de är elektroniska, och är därför inte förbjudna att inneha. Svensk lagstiftning är helt enkelt inte utformad för elektroniska urkunder. (Än.) Att däremot använda sådana är helt klart att betrakta som bedrägeri. Piratdekodrar har man förbjudit i en speciell lag - men bara den affärsmässiga tillverkningen och försäljningen. Förmodligen har man gjort denna begränsning för att inte inkräkta på radioamatörernas friheter, vilket lett till att byggsatser och andra hjälpmedel för amatörverksamhet är tillåtna.

Lösningen på kontroversen är givetvis inte förbud, utan att bygga system som är så säkra att de inte kan forceras även om angriparen vet allt om hur de fungerar, vilket inte alls är omöjligt med hjälp av bra kryptoteknik. Frågan är om det är så jäkla bra. I ett samhälle som allt mer bygger på elektronisk valuta skulle detta nämligen kunna sätta P för alla tekniska bedrägerier och valutaförfalskningar. Jag skall återkomma till detta längre fram.

"Anarkister"

De "hackare" som kallas anarkister är knappast hackare i traditionell bemärkelse. Inte heller är de anarkister. Snarare är de tonåringar med ett rent allmänt intresse för bomber, gift, vapen och droger. Eftersom sådan information inte finns på ett normalt bibliotek söker sig dessa till den underjordiska datorkultur där all information sprids härs och tvärs mellan ungdomar som inte själva har barn och därför inte känner något som helst ansvar för den information de sprider. Av uppenbara skäl betraktar ungdomarna varandra som jämlikar och ser det hela som något av ett uppror mot vuxenkulturen. Barnsligt? Kanske. Som protest mot överförmynderiet kan det knappast betraktas som barnsligt. Det finns för övrigt en hel del vuxna "anarkister" också.

Anarkister utmärker sig genom att med aldrig sinande intresse distribuera ritningar på vapen och bomber, recept på droger, olika instruktioner om hur man bäst tar livet av en annan människa osv. En del hackare blir enbart förbannade när de ser sina BBS:er översvämmas av sådant material (som ofta är fullständigt felaktigt, farligt och värdelöst), andra låter anarkisterna hållas.

Den i Sverige mest omtalade anarkistiska publikationen är The Terrorists Handbook. 24 Många av tipsen i boken handlar bara om helt vanlig pyroteknik och har inget med terrorism att göra. (Jag undrar i bland om en av mina grannar på studentområdet i Lund där jag tidigare bodde hade handboken hemma hos sig, eftersom han med aldrig svikande frenesi sprängde hemmagjorda smällare varenda kväll. Många kemistuderande har tydligen lärt sig mycket om pyroteknik genom att läsa den här typen av information.)

En annan omtalad bok är The Anarchist Cookbook, som enligt utsago innehåller fullständigt livsfarliga tips som endast stympar eller skadar den som försöker använda sig av dem. Det spekuleras om huruvida boken planterats av amerikansk underrättelsetjänst.

En del tycks samla dylika ritningar och böcker på hög på samma vis som andra samlar stenar eller frimärken. Det är mest på senare tid såkallade ASCII-traders (ASCII betyder American Standard Code for Information Interchange, ungefär detsamma som text, fast digitalt, trader betyder handlare eller bytare) har dykt upp - informationssamlare som ringer runt till BBS:er och söker sig igenom Internet efter spännande information som är lite suspekt bara, liksom, för att ha den liksom. Fråga inte vad som är så roligt med det. Samlande av döda ting är något man ägnar sig åt i princip helt utan anledning. Samlarlustan när det gäller information är tydligen lika stark som när det gäller fysiska objekt.

SUBKULTURERNAS SUBKULTUR

Det som började på MIT och sedan spred sig ut i världen med hemdatorerna och datanätverken har nått oss på ett sätt som gjort att vi knappt kan känna igen fenomenet som det som fick de amerikanska undomarna att slita dagar och nätter med sina hack. Hackarna invaderade de svenska hemmen -- men inte många insåg att de fått hackare i hemmet. Nästan ingen anade att deras söner (och i något fall döttrar) genom att tillbringa några timmar framför en skärm kunde influeras av en datorkultur med rötterna i de amerikanska högskolorna. Och jag skriver Commodore 64-historia, för det var där allt började om vi ser till Sverige.

Den för sin tid (1984) riktigt avancerade C64:an hade inlett sin blomningstid; hundratusentals ungdomar i USA, Europa och Australien satt med sina brödburksliknande datorer och fascinerades över möjligheterna den erbjöd. C64:an var precis som Apple II och Atari 800 datorerna byggd kring mikroprocessorn 6502 från kretstillverkaren MOS (som än idag används i t ex Nintendos TV-spel), och därför såg många Apple- och Atari-ägare det som ett naturligt steg att gå över till C64. Till en början var de flesta program, företrädelsevis spel, som kom till datorn ganska simpla med usel grafik och pipigt ljud som påminde om det som alstras av en internhögtalare i en PC utan ljudkort, men vid någon punkt runt 1985--86 nådde marknaden en magisk gräns, där så många C64 maskiner var sålda att det lönade sig att bygga upp företagsverksamhet enbart med syftet att producera program och spel till denna hemdator. Detta hade tidigare skett kring Apple och Atari i USA, men eftersom C64:an var den första riktigt stora europeiska hemdatorn var detta något helt nytt på denna sida Atlanten. De första företagen dök upp i England, som var det land som först importerade C64:an, och blev ett europeiskt föregångsland inom datorkultur.

Det var spelen med sin för tiden riktigt avancerade grafik och hyfsade ljud som piratkopierades och spreds över det som skulle komma att bli den sk Scenen. Scenen, ett slags virtuellt samhälle, hade uppstått i USA runt 1979 och då var det spel till Apple och Atari som gällde. Programföretagen var förbannade och kallade dem pirater och brottslingar.

Pirat BBS:er för hemdatorer, oftast bestående av en Apple II och programmet ASCII Express Professional, hade vuxit upp som svampar ur marken och ytterligare spätt på den underjordiska hackar- och phreakarrörelsen med sina egna elektroniska tidningar och värderingar. Den mest ökända BBS:en var Pirates Harbour, som drevs av Red Rebel, med så prominenta användare som Mr Xerox och Krakowicz, bägge namnbekanta knäckare.

I Sverige hade en tid innan C64:ans intåg hade en liten, tätt sammanhållen skara Apple II-entusiaster som, parallellt med att ABC-klubben vuxit fram som en representativ och salongsfäig datorklubb, drivit ett underjordiskt nätverk där Captain Kidd, Mr Big, Mr Sweden, TAD, TMC (The Mad Computerfreak) och en del andra ingick. Eftersom det inte fanns någon inhemsk marknad för Apple II-mjukvara i Sverige hade de importerat och knäckt spel från USA som de sedan delade på. De hade även kontakter med den ökända amerikanska Apple II-underjorden och dess BBS:er. De flesta av dem bytte sedemera upp sig till C64, och med dem föddes den svenska Scenen.25

Begreppet Scen är här det samma som en teater- eller musikscen. En scen är något man går upp på för att visa vad man kan, inte för att förtjäna sitt uppehälle eller dominera andra. Scener förekommer inom nästan alla kulturella områden, och fascinerande nog också inom en del teknologiskt-kulturella domäner som bland radioamatörer, modellflygplansentusiaster och hackare. Det som skiljer hemdatorscenen från andra scener är att den kolliderade med kommersiella intressen och på det viset kom att bli betraktad som en farlig och kriminell subkultur.

Scenen, med stort S, är alltså en beteckning på den stora grupp av användare som utbyter företrädelsevis spelprogram och senare (som vi skall se) även sk demoprogram. Tanken var enkel: varför köpa ett spel för 150 kronor om jag kan kopiera det gratis av grannen? Verksamheten var givetvis olaglig, men den låg (vilket de flesta också insåg) på samma nivå av olaglighet som att kopiera grannens vinylskivor till kassettband, med det enda undantaget att kopian inte förlorade kvalité och kunde fortsätta att reproduceras i hur många led som helst. En kopia av en kopia av en ko... ja, ni vet, är alltså identisk med originalet.

Åklagare som den svenska pionjären Christer Ström i Kristianstad och hans kolleger runt om i världen har till viss del lyckats hindra den affärsmässiga och massdistribuerade spridningen av dessa kopior, men den sk privat-kopieringen lever fortfarande i högönsklig välmåga, även om den för ett ögonblick stoppades upp något under tidigare delen av 90--talet av det faktum att moderna spel till framför allt PC-maskiner levererades på CD-skivor och därmed inte var så lätta att kopiera. (Om de trots allt kopierades fyllde de kanske ett 50-tal disketter vilket gjorde det hela ganska ohanterligt och dyrbart.) Man köpte hellre originalen än lade ned timmatal på kopiering.

Med de billiga CD-brännarnas intåg kopierar man givetvis även CD-skivor i stor omfattning. Piratkopiorna sprids nu lika friskt via CD-skivor som tidigare via disketter.

Speciellt populärt har ett system för ljudkomprimering, MPEG layer 3 eller MP3, blivit, i och med att det möjliggjort masskopiering av komprimerad musik från CD-skivor. Detta kompakta musikformat trycker ihop en ljud-CD med i typfallet en faktor 1 till 12 vilket innebär att en normal hitlåt som i okomprimerat ljudformat är mellan 30 och 40 megabyte förvandlas till en fil à 3-4 megabyte, vilket relativt bekymmerslöst kan transporteras via Internet och modem. MPEG layer 3 komprimeringen för audio definierades av Karlheinz Brandenburg vid Fraunhofer-institutet i Erlangen, Tyskland. Brandenburg anses vara en av världens främsta experter på ljudkomprimering. Svensken Martin X har bidragit till att definiera hur man skall paketera sk "metadata" som låttitlar, genre och rent av hela bilder, i en mp3-fil.

Det har redan uppstått en subkultur som använder Video-MPEG standarden för att komprimera och kopiera hela filmer, något som speciellt uppmärksammades i och med att piratkopior av filmen Star Wars: Episod I -- Det mörka hotet spreds i landet långt innan den svenska premiären. Filmen spreds i form av två fullmatade CD-skivor.

Sedan den 1 januari 1993 är all kopiering av upphovsrättsligt skyddad programvara, även till vänner etc, förbjuden i svensk lag. Ingen individ har dock dömts för att ha kopierat program till sina kompisar. Brottet är som sagt jämförbart med att kopiera skivor eller videofilmer, inte räcka ut handen när man cyklar runt ett gathörn etc etc. Så länge man inte massdistribuerar piratkopierad programvara kan man nog vara ganska lugn. Men det skall inte jag sitta här och säga, det är ju fruktansvärt politiskt inkorrekt.

Nåväl (tillbaks till 1984), de personer som tog bort de ofta nästan obefintliga kopieringsskydden från spelen, de sk Knäckarna (eng: Crackers), kom på den förträffliga idén att skriva sitt namn eller pseudonym (eng: handle) på en skärm före spelet. Fenomenet är som så mycket annat i hackarvärlden till sin art besläktat med graffitti. Om vi beaktar att en sådan kopia kunde nå tiotals tusen eller fler personer (säkert fler än vad som iakttar en sprayad betongvägg) så förstår vi varför detta blev så populärt. Hackare som gick under pseudonymer som Mr Z, TMC (The Mercenary Cracker), WASP (We Against Software Protection), Radwar, Dynamic duo eller CCS (Computerbrains Cracking Service) florerade på skärmarna. Bakom dessa namn dolde sig ibland enskilda hackare och ibland löst sammanhållna grupper. I Amerika fanns det redan etablerade och välorganiserade hackargrupper som inte gjorde annat än knäckte spel, men i Sverige och övriga Europa var fenomenet helt nytt. Den underjordiska hackarrörelsen började byggas upp från grunden, speciellt i storstäderna där det fanns gott om hackare som möttes på olika datorklubbar och utbytte erfarenheter och kopierade program.

Hemdatorn som medium hade enorm genomslagskraft, och ett flertal hackargrupper som bara sysslade med att avlägsna kopieringsskydd från spel, samt komprimera och distribuera den färdiga produkten (eng: wares), uppstod på kort tid. Bland de allra första grupperna fanns exempelvis den amerikanska gruppen Elite Circle med rötter inom såväl hackar- som phreakarkulturen och som redan tidigare drivit BBS:er med piratkopierad mjukvara till såväl Atari 800 som Apple II. Hela idén att knäcka och sprida spel kom från USA där det börjat med ett program som hette Locksmith till Apple II, som kunde ta bort kopieringsskyddet från programmen med hjälp av vissa parametrar. Till en början nöjde man sig med att byta parametrar till detta program, senare var man tvungen att lägga ned mer arbete på själva knäckandet, och knäckaren var själv tvungen att vara programmerare.

Hackarna gjorde detta för att de var förbannade på att programvaruföretagen lade in kopieringsskydd som hindrade dem från att snoka i programmen på egen hand, kopiera dem och ge dem till sina vänner. De ville att informationen skulle vara fri. Detta var den verkliga orsaken, även om man gärna tog till bortförklaringar i stil med: "Programmen är för dyra, Jag kopierar bara program jag ändå inte skulle ha råd att köpa, Jag vill testa programmet innan jag köper det" osv, som bara till viss del var sanna. Det grundläggande idealet var att information inte kunde ägas, och att man inte ville vara en del av någon mjukvaruindustri.

Ett av de allra första programmen som piratkopierades, kanske det allra första någonsin, var Altair BASIC som levererades stansad på hålremsa till datorn med samma namn. BASIC betyder Beginners All-purpose Symbolic Instruction Code, dvs nybörjarens symboliska instruktionskod för allehanda syften, och Altair BASIC var skriven av ingen mindre än Bill Gates. Bakom kopieringen låg en av medlemmarna i Homebrew computer club i Silicon Valley, en hackare som senare kallade sig Nightstalker (Dan Sokol) som skrev ett program som kopierade hålremsan och därmed blev världens första knäckare. Den då 19-årige Gates blev vansinnig och skrev ett argt brev till användargrupperna där han menade att det var stöld att kopiera ett program och att de som gjorde det förstörde branchen. De flesta tyckte att lille Bill var dum i huvudet; ingen hade någonsin tidigare försökt sälja datorprogram -- det normala var att alla delade på allt. Till de stora datorsystemen följde programvaran med som en del av maskinen, och i den mån någon kopierade den var det ingen som brydde sig. Med hemdatorerna uppstod piratkopieringen, helt enkelt därför att det fanns mjukvaruföretag som ville sko sig på den nya hobbyn. Hobbyisterna själva bad aldrig om några mjukvaruföretag.

Här måste vi också göra en viktig distinktion: hackare skiljer på vanlig kompiskopiering och pirater. Piraterna är inte kompisar, utan liksom dataföretagen personer som försöker slå mynt av piratkopieringen. Piraterna parasiterar såväl på hemdatorhackarna som bara vill ha lite spel, som på datorbranchen i allmänhet. Både hackare och dataföretag, distributörer etc, anser att pirater är avskum. Dataföretagen för att de stjäl deras inkomster, hackarna för att de skapar ett nytt beroendeförhållande som inte är ett dugg bättre än det gamla. Hackarna håller i allmänhet hårt på att kopiering är något man gör på vänskaplig basis, och gratis. Bara i något undantagsfall har hackare samarbetat med pirater för att exempelvis få tag i originalspel (idag kända under det mer kufiska namnet "licenser") att knäcka. Sveriges störste pirat någonsin, Jerker (fingerat namn) en drygt 40-årig förtidspensionerad tvåbarnspappa i Knislinge utanför Kristianstad, hatades av såväl branchen som av hackarna själva, möjligen med undantag för gruppen Xakk som under en period var beroende av piraten för att få tag på originalspel. Ryktet säger att han inte har gett sig än, utan fortfarande mer eller mindre lever på piratkopiering. Själv säger han sig vara ointresserad av datorer, och uppenbarligen stämmer det. Min gissning är att han är betydligt mer intresserad av pengar.

Sådan var Scenen 1986: I takt med att hackarna fördjupade sina programmeringskunskaper började introduktionsskärmarna före spelen att utvecklas och få flera dimensioner. Man hämtade inspiration från titelskärmar och sekvenser ur spel, och från att ha bestått av mest vertikalt rullande text tillfördes musik, utvecklad grafik, animationer och ett antal tekniska trick för att få det hela att se häftigare ut. En ny konstform som utövades av enbart programmerare, det sk introt, var född. Även om dessa uppstått redan på Apple II-tiden, och då i ganska enkla former, var det först på C64 som den avancerade maskinvaran tillät den att blomma ut. Grupper som Eagle soft, Hotline, Comics Group, FAC (Fedaration Against Copyright), Triad och Fairlight översvämmade Scenen i mitten och slutet av åttiotalet.

Några av grupperna startade egna BBS:er, elektroniska anslagstavlor, där tankar utbyttes och programmen spreds. Begreppet elit infördes som en beteckning på de grupper som var mest produktiva och hade flest kanaler att distribuera sina alster, framför allt till USA. Den europeiska delen av Scenen var sjukligt fixerad vid att snabbt få sina knäckta spel distribuerade till staterna, förmodligen en sorts lillebrorskomplex som berodde på att Scenen från början uppstått kring de amerikanska Apple II-datorerna och de mest erfarna hackarna de facto fanns där. Det var dem man ville imponera på med sina knäckta spel. Ju fler vänskapsband man hade med USA, desto mer elit var man.

Kravet på öppna kanaler ledde till att flera hackare började attackera bland annat Internet och liera sig med de europeiska såväl som amerikanska phreakarna för att få loss öppna kanaler till väst. Phrekarna och nätverkshackarna kallade dessa nykomlingar från hemdatorvärlden för Warez d00ds (sv ung: piratpolare) eftersom de alltid kom springande med "varor" i form av piratkopierade spel. I sina egna led kallades de traders (handlare) eller uttryckligen modem-traders, eftersom de använde modem för att koppla upp sig till olika BBS:er. Till en början var det amerikaner som var insatta i phrekandets sköna konst som ringde upp olika europeiska knäckargrupper, senare var det européerna själva som började ringa till USA, hacka datorer på Internet osv.

Så småningom ledde denna inbillade storebror i väster till att det europeiska hemdatorhackarna var totalt överlägsna de amerikanska i allt vad programmering och spelknäckning hette. Under 1987--88 började de amerikanska spelföretagen kopieringsskydda de spel de sålde till Europa, medan de lät bli att skydda de exemplar som såldes inom USA. Man fruktade de europeiska knäckargrupperna och speciellt Sverige nämndes som ett ovanligt farligt land. Man menade att en stor del av den piratkopierade programvara som spreds i Europa och USA härhörde från Sverige, och det var faktiskt sant. De flesta av dessa spel härhörde från en importbutik i Göteborg dit en svensk hackare kom en gång i veckan för att "testa" nya spel. Utan att butiksinnehavarna hade en aning om det, kopierade han spelen och skickade dem till olika svenska knäckare.

Det dröjde inte länge förrän någon kom på idén att bryta loss introt från spelet och låta det stå för sig självt, kanske rent av fylla hela datorns minnesutrymme, och därmed uppstod de rena demoprogrammen (hädanefter kort demo), dedicerade åt grafiska och musikaliska uppvisningar samt teknisk exkvilibrism. De allra första demona var samlingar med musik från olika spel, oftast bara försedda med en enkel textskärm. Det var för det mesta samma grupper som tidigare sysslat med spelknäckning och intron som övergick till att delvis producera demon, men rena demogrupper uppstod också, t ex 1001 Crew, The Judges, Scoop eller Ash & Dave. Man byggde upp en egen jargong och ett eget skönhetsideal framför allt genom att byta program och erfarenheter via Compunet i England som var ett enormt konferenssystem avsett enbart för hemdatorentusiaster, jämförbart med ABC-klubbens Q-Zentral här hemma i Sverige. Compunet blev en hård kärna i demogruppernas kretsar, men huvuddelen av programbytena skedde fortfarande via diskettbyten eller BBS:er. Senare, framför allt under 1988, var den underjordiska tidningen Illegal en slags kulturell knutpunkt för denna hastigt framväxande kultur.

Snart skapades ideal beträffande vad som var bra och dåligt och den allmänt bekanta termen lamer (sv ung: lamis) myntades som en beteckning för de som istället för att programmera själva, använde enkla presentationsprogram för att framställa demon. Uttrycket kommer antagligen ursprungligen från skateboardslang. Ordet lamer spred sig vida utanför hackarkretsarna och tillämpades snart på varje datormässig odugling. Många liknande slanguttryck har deriverats från Scenen, men refereras inte till denna källa i The Jargon File, som istället förmedlar en bild av de subkulturella hackarna (uteslutande kallade warez d00ds) som ogräs och oduglingar. Detta är både fördomsfullt och felaktigt.26

Att de amerikanska akademiska hackarna från MIT, Stanford och Berkely m fl betraktar hemdatorhackarna som mindre värda amatörer är ganska naturligt om man ser det hela ur amerikanskt perspektiv; där var alla hemdatorägande tonåringar i princip uteslutande intresserade av spel. Demon och Intron var primitiva och befann sig inte alls på samma nivå som de europeiska. Den amerikanska delen av Scenen var över huvud taget mycket mindre kulturell än den europeiska. De amerikanska hackarna var kraftigt influerade av phrekarkulturen och var därför uppkäftiga och aggressiva. Föraktet var ömsesidigt.

En olycklig konsekvens av detta är att europeiska hackare som söker sin indentitet lätt tar åt sig de amerikanska idealen och tar över den lätt föraktfulla hållningen mot hemdatorentusiasterna. Det kan vara värt att påpeka att den breda kulturella hackarbasen i Europa utgjordes av hemdatorentusiasterna, och inte av små studentföreningar på högskolor, phreakare eller nätverkshackare. Den europeiska hackaridentiteten byggdes kring Commodores och Ataris hemdatorer, och det är också där den europeiska hackaren bör söka sina rötter. Sedan är det klart att det finns värderingar och traditioner som ärvts ned från de amerikanska högskolorna. En sak är dock tämligen säker: de europeiska hemdatorhackarna utvecklade datorkonsten på ett sätt som aldrig skedde i Amerika. Den breda skaran av tonåriga europeiska hackare skapade en amatörbaserad och vacker konstform som MIT och Stanford aldrig sett maken till.

Konstformen Demo

Ett demo är lite svårt att karakterisera. Egentligen skall det upplevas. Redan de första hackarna på MIT gjorde runt 1961 enkla demon på datorn PDP-1 i form av små matematiska mönster som ritades upp på en enkel bildskärm, något som kallades Tri-pos eller Minskytronmönster efter professorn med samma namn. De var vackra, med hade inget praktiskt användningsområde.

Sinuskurvor, rullande text och rörliga grafikblock tillsammans med musik utgjorde de första demona på hemdatorer. Efterhand har det hela blivit mer och mer likt film eller företagsdemonstrationer, något man kallar trackmo (sv ung: spårdemo) och som kommer sig av att man kontinuerligt måste ladda in nya data från en diskett för att hålla demot igång. En diskett är nämligen indelad i tracks, alltså spår. Alltsedan MIT har demoprogrammerare haft en passion för att väva in matematiska bildmönster i sina skapelser.

Ungefär samtidigt som demona uppstod började den nya kulturyttringen att sprida sig från C64 till andra datorer, först Atari ST (1984) med grupper som TCB (The Care Bears) och Omega och senare Commodores Amiga (1986) där bland annat Defjam, Top Swap, Northstar och TCC / Red Sector eller senare Skid Row och Paradox blev särskilt namnbekanta. Först 1988--89 började demon dyka upp även på IBM PC från bland annat de svenska pionjärerna TDT (The Dream Team) och Space Pigs. (Macintosh har mig veterligt aldrig närt någon demoverksamhet, men det kan komma att ändras i och med att denna blivit mera "hemdator".) Utbytet av spel, intron och demon var helt beroende av ett nätverk av brevförsändelser och ett antal BBS:er och personer som ringde transnationellt och transkontinentalt och förmedlade programmen. Demogrupperna hade inte råd att koppla in sig på Internet under åttiotalet, bara någon enstaka hackare som gick på högskola hade den möjligheten, och merparten av dessa Commodore-hackare var i gymnasial ålder. De hackare som gick på högkolan var oftast "gammel-hackare" som tyckte att minidatorer var det häftigaste som fanns och struntade blankt i hemdatorerna.

Eftersom ett dataprogram kopieras i flera led erbjuder dessa utmärkta möjligheter till spridning av namn och adress för ytterligare utökning av bytesmarknaden. Ganska snart skaffade sig de tidiga hackargrupperna medlemmar som hade till enda uppgift att kopiera och byta spel och demon med likasinnade, främst för att sprida den egna gruppens alster. De kallades swappers (sv: bytare, uttalas "swopper") och en flitig swapper kunde ha runt hundratalet kontakter. Eftersom det inte var särskilt billigt att skicka flera dussintal brev i månaden var det många som, till postverkets stora förtret, började spreja fixativ på frimärkena så att de skulle "hålla längre".

Renodlade bytare upptäckte snart att man kunde byta andra saker än disketter och det utvecklades två nya subkulturer: film-swappers och tape-swappers. De förra bytte videofilmer av allehanda karaktär, företrädelsevis filmer som var totalförbjudna av statens biografnämnd eller på annat sätt var spännande. En tape-swapper bytte musikkassetter.

Diskettbyten mellan hackare har betytt otroligt mycket som kontaktyta för dessa subkulturer. Man skriver heller aldrig disk-swapper, eftersom ordets ursprungliga betydelse innebär att man byter just disketter. Speciellt filmbytare hänger naturligt ihop med datorkulturen eftersom videons genombrott sammanföll med hemdatorboomen under mitten av 80--talet.

Ofta bytte en bytare både disketter, filmer, kassettband och vad man nu kunde få för sig att byta. Skillnaden mellan en bytare och en vanlig brevväxlare är att själva bytesobjektet, disketten, kommer före allt annat. Orkar man inte skriva något brev så skickar man helt enkelt bara en diskett märkt med sitt eget namn, så att mottagaren vet vem som skickat den. Diskettbytandet är dock en företeelse som hör samman med 80--talets europeiska hemdatorhackare. På det tidiga 90--talets IBM PC var det relativt ovanligt -- det normala var då att man hämtade hem de program man vill ha från en BBS. Numera är det givetvis bara Internet som gäller. Man har gått från swapping till trading, dvs från disketter till modem.

Byte av piratkopierad och knäckt programvara via Internet sker på slutna maskiner vars administratör man måste vara bekant med (eller bli bekant med) för att få tillträde. Liksom tidigare på BBS:erna används en ratio (förhållande eller skala, som i "kartan i skala 1:15") som innebär att man måste ladda upp t ex 1 megabyte för att få ladda ner 15 megabyte. (Att "ladda upp" innebär att överföra ett program till en avlägsen maskin, att "ladda ner" innebär att man hämtar hem en kopia till sin egen maskin.) Om man inte tillämpar sådana förhållanden riskerar man att maskinen snart överbelastas av personer som bara laddar ner, vilka brukar kallas leechers (iglar, blodsugare). Antalet grupper och slutna maskiner (sites, distro sites osv) är oöverskådligt och de olika grupperna har specialiserat sig på olika typer av program. Namnbekanta är t ex Radium som bara knäcker audio-relaterade program.

Från början bestod hackargrupper bara av just programmerare och bytare, eller personer som var kombinationer av båda. De framgångsrikaste hackargrupperna av det här slaget har alltid varit de som haft geografisk närhet mellan medlemmarna, så att man kunnat byta idéer och erfarenheter utan dyra och krångliga telefonförbindelser. Efter ett tag uppstod behov av mer specialiserade hackare; kategorierna musiker, grafiker, de tidigare nämndaknäckarna och kodare (eng: coder) uppstod. Skillnaden mellan knäckare och kodare var att knäckare specialiserade sig på att förstöra kopieringsskydd (dvs modifiera befintliga program) medan kodare ägnade sig åt ren programmering.

Att förstöra kopieringsskydd är i sig inte förbjudet. (En produkt som du köpt har du faktiskt rätt att göra vad du vill med.) Att däremot sprida det "knäckta" programmet vind för våg, vilket bytarna ofta gjorde, är högst illegalt. (Jag bör kanske poängtera att långt ifrån alla bytare bytte copyrightskyddade program, många höll sig till demos.) Nu har vi dock åter liknelsen med att kopiera musik CD-skivor, något som är lika illegalt. Ingen normalt funtad polisiär myndighet skulle få för sig att ingripa mot en hobbyhackare som kopierade program av sina kamrater, så länge detta inte är affärsmässigt. Detta visste inte knäckarna och bytarna, viket gjorde det hela mycket spännande och "förbjudet". (Minns att en medelhackare var i gymnasial ålder och att det i den åldern är viktigt att trotsa samhället.)

I USA fanns det ytterligare en kategori hackare som kallades fixers (sv: fixare). Dessa anpassade program avsedda för europeiska PAL TV-system till den nordamerikanska TV-standarden NTSC, en grupp som inte finns bland PC-hackarna eftersom alla PC-maskiner har egna system för bildskärmar istället för att utnyttja TV-apparater. En del grupper hade också suppliers (sv: tillhandahållare) som skaffade fram originalprogram som knäckarna kunde ta bort kopieringsskydden från. Det var inte helt ovanligt att dessa arbetade på datorbutiker eller rent av hos programtillverkare.

Av sociala skäl uppstod redan runt 1984 sk copy-partyn (kopieringspartaj) där flera hackare från olika grupper samlades på någon ort för att umgås och byta erfarenheter. Möjligen inspirerades man av publiciteten kring The Whole Earth Catalogs första hackarkonferens samma år. Företeelsen påminner om rollspelskonvent eller t ex bokmässan i Göteborg såtillvida att det är en ganska smal intressegrupp som träffas, med den skillnaden att det hela är ganska tumultartat och uppsluppet, mer som ett party än en vanlig mässa. Benämningen copy-party kommer av det faktum att det kopierades en hel del på dessa partyn, både legalt och illegalt. På senare tid har man ofta dämpat benämningen lite grand och kallar det hela för demo-party eller bara party. En berömd serie reguljära copy-partyn hölls under 80--talet i den lilla holländska staden Venlo. The Party (med stort P) är förmodligen Europas (eller rent av världens) största och mest välbesökta kopieringspartaj. Det hålls reguljärt i mellandagarna 27-30 december varje år sedan 1991 i Herning messecenter, Danmark, och drog närmare 2000 personer 1994.

Inte ens hackare kan hålla sams: stridigheter mellan grupper och personer urartade (urartar?) ofta i regelrätta "gängkrig" som mest handlade om psykologisk krigföring. Målet var då att försöka frysa ute en grupp eller en person genom att vägra byta disketter, och samtidigt uppmana alla sina vänner att göra det samma. På så vis kunde en person eller en grupp "kastas ut" ur gemenskapen. För att uppnå detta spred man långa textfiler med spetsade sanningar eller rena osanningar, varpå den angripne svarade med samma mynt. Krigen ledde i princip aldrig till någonting, och handgemäng på copypartyn var ytterst sällsynt. Att föra psykologiskt gängkrig mot andra hackare får väl betraktas som ganska harmlöst, även om de inblandade ofta var helhjärtat engagerade i kriget. Man får anta att dessa schismer lärde tonåriga hackare en hel del om vad krig egentligen går ut på: det blossar upp ett tag, och sedan går det över, och sedan blossar det upp igen någon annanstans. Några lämnar Scenen (eller dör i ett verkligt krig) men de flesta stannar kvar, och en annan dag uppstår ett annat gräl.

Jag kan passa på att nämna att bland phreakarna gick krigen över mycket snabbare: man polisanmälde helt enkelt den man hatade. Det var det enda sättet att praktiskt ingripa i en phreakares liv. Hos phreakarna såväl som hos hemdatorhackarna dominerade dock vänskapen. I och med krigen mellan hackargrupper flyttades ännu ett stycke mänskligt beteende över till telerymden. Abstraktionen med krig som ett avancerat schackspel i form av schismer på Scenen, såväl som i olika rollspel eller handgripligen som i filmen War Games har gjort mången hackare cynisk i förhållande till den mäskliga naturen.

De som är (och var) aktiva på Scenen är det för att de har ett annat förhållande till datorer än någon tidigare generation har haft. Där en annan människa bara ser en burk, en maskin med bildskärm och tangentbord, ser hobbyhackaren en hel värld med sina egna sociala regler och dolda hemligheter. Det är dessa dolda hemligheter som lockar, drar, och får hackaren att glömma allt utom hackandet. Sökandet efter mer kunskap accelererar sedan för att nå en topp av intensiv kreativitet. Man producerar då ett demo på ett par veckor eller knäcker ett spel om dagen. Alla sociala kontakter utanför datorn och de som använder den blir oviktiga.

De flesta når sedan en gräns när de tröttnar på Scenen och den eviga jakten på nytt, större och bättre. Man quittar dvs slutar, helt enkelt. En hackare som jag känner väl sade en gång:

"Det ända riktiga sättet att quitta, är att släpa ut datorn till ett träsk och kasta ned den där", något som får illustrera den leda ett alltför intensivt scenliv kan leda till. Andra tar det mera måttligt med hackandet och lever ett någotsånär normalt socialt liv vid sidan av. Det är de som stannar längst på Scenen. (Själv har jag varit där sedan 1986 och är alltjämt kvar, om än något sporadiskt aktiv.)

Scenen säger en del om vad hackarkultur egentligen är: ett tak att samlas under. Det handlar om utforskande av datorer, datasystem och nätverk, men också om att utforska hur samhället fungerar och skapa något nytt och eget genom att göra experiment med subkulturer. Det är därför hackare tar sig in i nätverk som de inte får vara i, det är därför de sprejar fixativ på frimärken och struntar i allt vad copyright heter. De vill utforska och se hur saker och ting fungerar. De vill, kanske omedvetet, lära sig inför framtiden. Det handlar om utforskande och inte kallblodig stöld.27 Hackarna är inga egocentriska brottslingar med avsikter att förstöra så mycket som möjligt. De är, enligt min mening, bara barn av sin tid.

Det här med utforskandet är egentligen det enda som driver vad som kan kallas riktiga hackare. Den som gör samma saker med motivet att stjäla eller sabotera är bedragare eller databrottsling, inte hackare.

Hur speciell hackarkulturen kring hemdatorerna verkligen är framgår med all önskvärd tydlighet om man läser sociologen Jörgen Nissens fascinerande avhandling Pojkarna Vid Datorn. Han intervjuar några av hackarna i grupperna Fairlight och TCB och påpekar hur underligt det ter sig när medlemmarna talar om marknadsandelar på Scenen och hur grupperna drivs under närmast företagsliknande former, trots att dessa inte sporras av något ekonomiskt vinstmotiv. Han poängterar också hur hackarna beter sig mer som uttråkade konsumenter än som brottslingar eller klassiska ungdomsgäng; det som Douglas Coupland kallar Generation X.

Hemdatorgrupperna är typiska för Generation X. De avskyr politiskt korrekta budskap, de driver allt som företag, och de är uttråkade av den enorma marknaden. Istället för att konsumera börjar de producera. Istället för att manipulera pengar för att kunna skaffa sig status och åtnjuta beundran, har de skapat en marknad där de byter kreativitet mot beundran utan några materiella mellanled. Inga CD-skivor, promotionturnéer eller marknadsplaner behövs. Bara produkter av ren information i form av demon och knäckta spel som byts mot ren information i form av beundran. Inget annat.

De enda av dessa subkulturella hackare som fick någon större medial uppmärksamhet var de som gick över gränsen till nätverkshackarna och phreakarna och åkte fast. Det var delar av kretsen kring demogruppen Agile som 1989 greps av polisen efter att medlemmen Erik XIV (fingerat namn) gått ut i tidningen Z och Aktuellt och berättat hur sårbart kreditkortsväsendet i själva verket var, samtidigt som en annan medlem, Erlang (också fingerat namn), beställde hem videoredigeringsutrustning för en kvarts miljon kronor till sin egen hemadress med hjälp av falska kontokortsnummer. Drivna av sin lätt elitistiska attityd från demokulturen ville de vara ensamma om att kunna behärska tekniken med kontokorten, och testade gränserna för vad som gick att göra med konstruerade koder.

När polisen grep Erlang efter att han beställt redigeringsutrustningen började han berätta allt - med en nästan sjuklig detaljrikedom. Phreakare och hackare gör ofta så; det verkar nästan som om de tror att poliserna skall bli imponerade av deras bedrifter. De inblandade dömdes i fallet Agile till villkorliga fängelsestraff, dryga böter och övervakning. Samtliga utom Erlang arbetar idag inom databranchen. (Överraskande?)

Attityder

De första hackarna på MIT brukade alltid utnyttja alla tekniska resurser de kunde komma åt. Det var inte alltid säkert att "auktoriteten", de lärare och vaktmästare som hade hand om utrustningen, tyckte om detta. De flesta lärare tyckte att undervisningen i datakunskap skulle vara av den klassiskt auktoritära typen, att läraren stod vid katedern och föreläste. Om eleverna skulle få tillgång till datorerna skulle det ske i form av tillrättalagda uppgifter som kunde lämnas in och rättas och betygsättas, inte genom den learning by doing, dvs lärdom genom verkliga erfarenheter, lära för livet, som hackarna praktiserade. De älskade datorerna och kunde inte för sitt liv begripa varför de skulle hållas borta från maskinerna. De smög in till maskinerna på natten och utnyttjade dem utan lärarnas vetskap.

Efter att själv ha konfronterats med ett flertal datalärare, och framför allt efter att jag själv jobbat som datalärare har jag insett att detta klassiska nyttotänkande är alltför vanligt bland svenska datalärare. Det går absolut inte att få någon att tycka att "data är roligt" om man samtidigt påtvingar dem regler för vad de får och inte får göra med datorn. Många datalärare går i taket när de upptäcker att eleverna installerat egna program i datorerna eller programmerat något som de inte fått i uppgift att göra. Vanliga orsaker till detta brukar vara en paranoid rädsla för virus, åsikten att dataspel bara är slöseri med tid etc.

En datalärare som vi kan kalla X, på mitt gamla gymnasium, skaffade sig ett program som gav ifrån sig ett tjutande alarm så fort någon ändrat i maskinkonfigurationen. (Maskinkonfigurationen är i det här fallet ett par filer med information som används för att ställa in datorn för olika tillbehör.) En utforskande hackare vill givetvis ändra i maskinkonfigurationen, och skolans egna binärgenier brydde sig såklart inte en sekund om att stora anslag med absolut förbud mot detta satts upp överallt i datasalen. Till historien hör att läraren undervisade i språk och under inga omständigheter kunde acceptera att "hans" datorer användes till något annat än språk, ordbehandling och andra auktoriserade aktiviteter. Några elever som blivit ertappade med en "tjutande" dator blev på det viset avstängda från den språkvetenskapliga datasalen. De allra skickligaste eleverna visste hur man skulle bete sig för att gå runt säkerhetssystemet, och fick alltså vara kvar i datasalen, trots att de ändrat i maskinkonfigurationen ett flertal gånger.

Dessa elever, som ägde en smula av den äkta hackarmentalitet som innnebär att man inte accepterar monopol på kunskap eller datakraft, tillverkade ett litet roligt program, som förutom att det fullkomligt gick runt X:s lilla säkerhetssystem dessutom slumpmässigt slängde upp en requester, ett litet fönster med text där det stod: X ÄR EN KNÖL. Under denna text fanns knappen OK som man måste trycka på för att komma vidare. Programmet var ett klassiskt hack: det gjorde ingen nytta, men heller ingen direkt skada, och det kunde betraktas som roligt. De första hackarna på MIT skulle alldeles säkert ha uppskattat detta roliga skämt. (Själv tycker jag att det är utsökt!) Det var stört omöjligt för läraren i fråga att hitta och ta bort programmet. Det slutade med att han fick formatera om datorernas hårddiskar och lägga in all programvara på nytt. Att krypa till korset och be de hackande eleverna att själva ta bort programmet, eller att rent av be om ursäkt föresvävade honom aldrig. Om han gjorde det skulle han ju förutom att erkänna elevernas rätt till datorerna, också erkänna sanningen - att vissa av eleverna var bättre orienterade i datakunskap än han själv.

Faktum kvarstår: dessa elevers föräldrar hade betalt skatt för att deras barn skulle få använda datorer i skolan. Eleverna, liksom hackare i allmänhet, ansåg därför att det naturliga vore att låta eleverna använda datorerna hur mycket de ville, och till vad de ville. (På tid som inte var schemalagd för undevisning alltså.) Denna självklara rätt kallas sedan MIT-hackarnas tid för hands on-imperativet.

Datalärare förstår sig ofta inte på hackare. Om de nödvändigtvis skall hålla på med datorerna hela tiden, varför kan de då inte göra något som är nyttigt och tillåtet, t ex lägga upp en avbetalningsplan, skriva en sammanfattning om Afrikas historia eller något dylikt? Attityden verkar vara att eleverna bara skall använda maskinerna, inte utforska dem och allra minst hacka dem. Maskinen skall bara vara ett verktyg, och användaren skall helst veta så lite som möjligt om de processer som försigår bakom skärmen. Hackaren är den som, trots detta, faktiskt vill veta.

Hackare vill inte göra "nyttiga" saker. De vill göra roliga saker, som att utforska datorns operativsystem, lägga in egna program och testa olika tekniska finesser. Det är då det blir roligt att använda en dator. Jag har försökt att påtala detta för flera datalärare jag har träffat, tyvärr mestadels utan resultat. Jag anser personligen att detta utforskande är nyttigt, och skulle inte för mitt liv vilja hindra det. Det är det som är grunden till den entusiasm som gör att vissa tycker att "data är så roligt". Om de trots allt skulle lyckas ställa till det med datorn så att den inte fungerar längre, anser jag att det är min uppgift som lärare att se till att få den funktionsduglig igen. Om jag inte klarar av detta är jag inkompetent. Om jag inte har tid med detta är skolan underbemannad. Jag har aldrig haft några större problem med mina elever själv, och har genomgående positiv erfarenhet av de elever jag haft. Faktum är att jag uppmuntrar mina elever att utforska operativsystemet även om detta inte ingår i kursen. Om de datorer jag ansvarar för blir drabbade av virus eller kraschar, är det snarare mitt problem än elevernas.

På MIT 1960 upptäckte man snart de möjligheter som öppnade sig när man lät eleverna jobba fritt med datorerna. Professor Marvin Minsky kunde komma in i datorrummet, ställa ifrån sig en teknisk mackapär och sedan låta eleverna försöka utveckla ett styrprogram till den på egen hand. Detta var inte undervisning -- det var forskning på hög nivå, och det var eleverna, hackarna, som utförde den. Hade det inte varit för denna attityd till lärandet, hade datorerna aldrig blivit vad de är idag. Sedan MIT som första datorskola i världen låtit eleverna få obegränsad tillgång till datorerna, spred sig denna nya pedagogik till alla högskolor som bedrev datorforskning. Även de svenska. Ingen högskola med självaktning låser idag ute sina elever från datasalarna. De har ofta egna nycklar eller låskort, och kan komma och gå som de vill. De svenska gymnasie- och högstadieskolorna har mycket att lära av högskolan på det här området.

Faktum är att nätverkshackarnas härjningar i universitetens datorer delar de dataansvariga i två läger: ett med folk som blir helt vansinniga om de upptäcker att någon hackat deras dator, och ett som bara tycker det är roligt och spännande om någon hackar deras dator. Den senare gruppen är dock inte lika högljudd som den första (även om jag upplevt den som betydligt större), vilket gör att bilden utåt är att alla dataansvariga hatar hackare. Detta är långt ifrån sant.

Hackaren utforskar. Inte bara enskilda datorer, utan även datasystem, datanätverk, telefonsystemet, eller vad som helst annat som är elektroniskt. De fördömer och ignorerar den auktoritet som vill hindra dem från att utforska. De är inte ute efter att stjäla. Punkt.

Mentalitet

Vad som driver hackare rent psykiskt är ett känsligt område. MIT:s hackare kunde sitta uppe och arbeta i 30-timmarspass för att sedan kollapsa och sova i 12 timmar, och därefter gå på nästa 30-timmarspass. Hackarna försummar ibland allt utom datorn, inkluderat mat, kroppsvård och vanligt socialt umgänge. Vi tolkar detta som ett osundhetstecken, trots att vi kanske accepterar det bland människor som jobbar i företagsledningar, kommittéer och andra ansvarsfulla yrken. Man skall ha klart för sig att så gott som varenda hackare går igenom en sådan här period av intensiv koncentration någon gång under sin karriär, och det vore förhastat att generellt fördöma ett sådant beteende.

Men i vissa fall är datorn faktiskt en flykt undan en odräglig tillvaro. En ungdom mellan 14 och 19 år utsätts för många hårda krav från omvärlden. Det krävs av dem att de skall klara sina studier, umgås med sina kamrater och framför allt (mest underförstått) att de skall knyta kontakter med det motsatta könet.

Samtidigt skall man inte glömma att hackandet ofta sker i grupp och baseras på en vänskap som går långt bortom datorns begränsade område. (För den oinsatte: vänskap är den egenskap som gör att man kan få för sig att låna ut ett rum till någon några dygn, kopiera ett dataprogram, dela med sig av kunskap osv - utan att kräva betalt.)

Datorn erbjuder en ovanligt lättillgänglig flykt från uppväxtens krav. Redan tidigare i historien har många unga män (och en del kvinnor) flytt från jobbiga känslor genom att ägna sig helhjärtat åt någon vetenskap, och så totalt gå upp i forskandet att de "glömt bort" sina jobbiga sociala "plikter", med umgänge, äktenskap och allt vad det innebär. Datorer är i vår tid ett mycket outforskat område. Alla som får tillgång till en hemdator hamnar genast i en värld där mycket är okänt och underligt, men samtidigt bundet till en viss logik. En dator skriker efter att få utforskas. På det viset blir datorn nästan till en drog som ersätter en mer "naturlig" drift att undersöka sociala beteendemönster. Utforskandet av datorn blir inte ett substitut, inte en ersättning, för sexuella relationer. Det blir något man ägnar sig åt för att slippa tänka på sexuella relationer. Det är därför så många sk "töntar" ägnar sig åt datorer. Samhället har från början gett dem en otacksam roll, och istället för att spela den, flyr de från den.

Många hackare är fullt medvetna om detta. Samtidigt ser de det hårda liv med djungelns lag som väntar utanför telerymden, och gör därmed till sist ett medvetet val att antingen ändra på allt eller stanna där de är. En del gamla hackare har med åren utvecklat en enorm bitterhet och cynism pga detta. De fördömer den riktiga världen och är fast beslutna att skapa en värld där de själva får bestämma, fast inne i datorn. De iakttar med spänning de tekniska landvinningarna inom virtuell verklighet och artificiell intelligens, och säger för sig själva att en dag...

Kunde de gå in i datorn för alltid, skulle de göra det. De hatar redan den värld där de måste se sig bundna till sina fysiska eller sociala handikapp, och där deras lott redan på förhand är att vara förlorare. Den mänskliga könsidentiteten utgörs nämligen av en fysisk såväl som en social bit. Om man saknar den ena eller den andra, är man dömd att vara förlorare. Det händer att hackarna genomskådar detta och istället säger: "vi vill inte vara med" och drar sig tillbaka till telerymden. Det finns inget vi kan göra åt detta, annat än att tona ned våra sociala attityder mot avvikare, om ens det hjälper. Kanske är det inte ens önskvärt att hackare anpassas till "normalt" liv. Kanske vill vi ha dem där, så att vi har kontroll över dem och vet var vi har dem, där de matar hjärnan med så mycket praktiska problem att de slipper tänka på sociala svårigheter. De stängs in i en subkultur där det avvikande är normalt. Tillståndet kan i värsta fall övergå i lindrig eller svår eskapism, dvs verklighetsflykt. Detta tillstånd brukar kallas datorsjuka.

Utöver detta kan vi notera att illegala hackare har ett något annorlunda beteendemönster jämfört med de subkulturella, beroende på vilket sätt de kommit in i kulturen. En del phreakare kommer från en värld bestående av heta linjen, radioamatörsällskap etc. Dessa drivs snarare av en vilja att kommunicera än av utforskande genom gruppbildningar och inbördes tävlan. De är ofta betydligt mer arroganta och sysslar med phreakandet helt enkelt därför att de är uttråkade och inte har något annat att göra. (Samma motivationsfaktor som de som ringer heta linjen och andra 071-nummer.) De tar absolut inte hackandet på blodigt allvar, utan driver tvärtom gärna med hackare, som de innerst inne tycker är fullständiga töntar.

Hackare som hellre sysslar med datorer än telefoni har i allmänhet en starkare gruppkänsla och lojalitet mot gruppen som helhet. En renodlad phreakare av den typ jag just nämnde, kan mycket väl ange sina bästa vänner om hon/han blir upptäckt, medan en hackare inte för sitt liv skulle ange ens sina fiender.

Såväl nätverkshackare, phreakare, virushackare och en del knäckare lider av hopplöst negativa självbilder. De ser sig själva som elaka, grymma och dominanta värstingar. Man har gått in i en roll där man identifierat sig med förstörelselusta, samhällshat, kaos och allmänt djävulskap mest för att veta var man hör hemma. Det brukar dock gå över efter ett tag. Har man anammat yippieideal går det inte över.

De allra farligaste hackarna (om vi ser det hela från samhällets synvinkel) är uteslutande bittra. De ser sig som missförstådda och missbedömda av skolsystemet, eller i värsta fall av samhället som helhet. De tycker att skolan inte lyckats ta vara på deras intelligens och anser sig därför ha rätt att hämnas på samhället som stängt dem ute från en värld av kunskap eftersom de inte uppfört sig på rätt sätt, inte varit försedda med rätt social kod. De har tvingats in på tvååriga gymnasieutbildningar av ett betygssystem som inte klarat av att sortera in dem bland de som verkligen lämpat sig för en högre utbildning.

De har dessutom rätt, och det gör inte saken bättre. Med hat mot samhället som inte förstått att uppskatta deras kvalitéer kommer de tillbaka med datorer och elektronisk utrustning för att såga i grundvalarna för hela samhällets socioekonomiska system, inte sällan med en näst intill psykopatisk förstörelselusta.

Carceres ex Novum

Det fanns ett alternativ till det vanliga livet. Jag var trött på allt det vanliga, på att alltid vara sist, aldrig uppmärksammas. Datorn var uppmärksam, den uppmärksammade ingen annan än mig. Jag fann kamrater som jag aldrig behövde träffa ansikte mot ansikte, och så flöt min tonårstid förbi, jag blev en intressant människa.

När jag började på högskolan kom det jättelika Internet till mitt rum och världen strålade in till mig. Jag hade miljoner människor nära inpå mig utan att någonsin behöva se dem i ansiktet. Jag satt där jämt, enda avbrottet jag behövde var att äta och gå till skolan. Jag träffade ingen, ingen kände mig. Och jag trivdes. Tack vare uppmärksamheten från de anonyma människorna på andra sidan skärmen kände jag mig inte ensam.

Men tiden rann ut och den verkliga världen kröp inpå mig, och jag visste att jag i och för sig alltid skulle kunna fly, men aldrig skulle jag kunna gömma mig från dem, vars värderingar förvandlade mig till en ensam asocial råtta som tillbringade all sin tid med datorn. Och jag hatade dem."

Visst är en del av det som dessa hackare sysslar med olagligt, och visst är detta fel från samhällets synvinkel. Inte desto mindre är det att grovt undervärdera hackarna om man påstår att de skulle begå dessa handlingar slentrianmässigt, "i brist på annat" eller enbart för egen vinning. Det har varit alldeles för mycket fördömande och alldeles för lite empati i hackardebatten. Nu över till något helt annat.

BLIPP-BLOPP KULTUREN

I Sohlmans musiklexikon står det: "Med elektronisk musik avses musik som framställts eller bearbetats med hjälp av elektronisk apparatur och som uteslutande komponerats för högtalarmediet."

Den elektroniska musiken har länge levt ett skyddat liv som en egen subkultur inom den sk "seriösa" musiken, inte minst i Sverige. 1948 (samma år som IBM marknadsförde den första kommersiella datamaskinen) gjordes den första elektronmusikkompositionen av en viss Pierre Schaeffer, ett stycke kallat Études aux Chemins de Fer (Etyder med tåg). I hans studio för Musique Concrete (Sv: Konkret Musik) vid den franska radion föddes elektronmusiken. Konkret musik är musik som inte begränsas till rena toner och instrument utan blandar in ljud ur vardagen, långa föränderliga toner utan klangfärg osv. 1952-53 jobbade musikern Karlheinz Stockhausen hos Schaeffer och tog med sig idéerna hem till Tyskland och sedan dess har musikformen spritt sig och levt på olika statliga institutioner runt om i Europa som en mycket smal gren av den klassiska musiken. Stockhausen var helt inne på att bara använda elektroniskt alstrade ljud, till skillnad från Schaeffer som helst använde bandinspelningar av riktiga ljud, som exempelvis tåg eller fåglar. I Sverige var musikformen i princip obekant tills den användes i och med uppsättningen av Harry Martinssons science fiction-opera Aniara 1959.

Det här kapitlet kommer inte att behandla klassisk elektronmusik - det finns mycket skrivet om detta på andra håll. Dessutom är den här boken riktad till vanliga människor som tycker att konst skall föreställa något, dvs att man inte ständigt skall försöka bryta sig ur alla begreppssystem så att man blir så obegriplig som möjligt. Elektronmusik är en sådan musikform där musiken måste förstås på fler plan än det rent musikaliska. Med andra ord: den här boken håller sig till lite bredare populärkultur. Därmed inte sagt att elektronisk konstmusik skulle vara mindre intressant, bara att den inte är särskilt intressant i det här fallet.

Det vore onödigt att påpeka att den elektroniska musikens historia är bra mycket äldre än hackarkulturen. Elektronisk musik som företeelse har dock haft ett avgörande inflytande över hackarkulturen, och i sin populärkulturella form som syntpop, techno, acid osv har den haft en oerhörd betydelse för den generation som växt upp med datorer. Inte minst för att visa den vackra sidan hos datorn. Elektronmusiken var det första område där datorer bevisligen användes för att skapa konst, och till skillnad från annan elektronisk kultur har elektronmusiken sina rötter i Europa.

Första gången en dator spelade musik var 1957 på Bell Laboratories i USA. Melodin hette Daisy vilket är samma melodi som den intelligenta datorn HAL i Stanley Kubricks filmatisering av Arthur C Clarkes science fiction-roman År 2001 börjar nynna när den monteras sönder. Detta är givetvis ingen slump, utan en avsikt från regissörens sida att ta datorn till sin "barndom" i dubbel bemärkelse när den förlorar sin avancerade elektroniska identitet. Första gången en svensk dator spelade musik var när Sven Yngvell programmerade SAABs BESK-kopia28 SARA att spela Calle Schewen, Flickan i Havanna m fl låtar någon gång 1958.

Technopop

Världen under 70- och 80-talet: I och med de första billiga japanproducerade syntarna började de elektroniska instrumenten användas av vanliga människor som inte var utbildade musiker, och den elektroniska populärmusiken föddes. Skillnaden mellan t ex hammondorgeln eller Pink Floyds monofoniska syntar och den nya generationen elektroniska instrument var att dessa kunde lagra rytmer och hela melodislingor i digitala minnen som sedan bearbetades. Bland annat kvantiseringen (som anpassar spelade toner exakt till en given rytm) kritiserades (och kritiseras) mycket av "seriösa" musiker. De menade att simpla och rytmiskt perfekta melodislingor var att förstöra musiken, och drog sig åt sitt håll. En annan faktor som verkade avskräckande på musiker av den äldre skolan var att musik som spelas av maskiner inte behöver anpassas till någon musikers fingerfärdighet, med följd att örats förmåga att uppfatta variationer i ljudet istället fick sätta ramarna. Ett "groove" på flera hundra taktslag i minuten, slingor med tonlängder på hundradelar av en sekund - sådana melodier skrämmer slag på musiker som är vana vid att kunna hänga med och analysera det som spelas.

För den nya elektroniska musikerna var den perfekta kvantiseringen, möjligheterna till ett högt tempo och syntetiska ljudbilder ett skönhetsideal. Bland pionjärerna märks speciellt tyska Kraftwerk som byggde sina egna syntar, och som får betraktas som klassiker i genren.

Kraftwerks betydelse för syntmusiken kan knappast överdrivas. Ingen enskild grupp har haft så stort inflytande över elektronisk populärmusik som dessa tyska futurister - futurister så tillvida att de såg skönheten i tekniken i sig, snarare än som ett verktyg för att reproducera andra ideal. De hade tidigt kontakt med nämnde Karlheinz Stockhausen och hämtade mycket av sina idéer och inspiration från den klassiska elektronmusiken.

Kraftwerk, och speciellt bandmedlemmen Ralf Hütter är dessutom mycket politiskt medvetna och sympatiserar öppet med hackare. Ralf titulerar sig t o m ibland som hackare själv. Dessa tyska herrars mentalitet har således influerat - och influerats av - den underjordiska digitala kulturen världen över. Chaos Computer Club-medlemmen Pengo, som jag nämnde tidigare i samband med de illegala hackarna, var förtjust i Kraftwerk och kunde lyssna på skivorna gång efter gång samtidigt som han tog sig in i datorer världen över. Det var han inte ensam om. Även om hackare rent allmänt har splittrad musiksmak, från Bach till Deathmetal, är det få som inte kan njuta av elektronisk musik i en eller annan form.

Medan en "vanligt" skolad musiker kanske ser datorn som ett verktyg för att framställa arrangemang, "komp" och snygga notskrifter, ser en futuristisk musiker datorn som ett instrument, något som skall spelas för sin egen skull och likväl som en saxofon eller en harpa äger en inre skönhet. Futuristmusikern kan sitta i timmar och ställa olika parametrar för att få fram ett personligt ljud ur maskinen, och han älskar det lika mycket som en gitarrist älskar att extrapolera sina skalor upp och ned i jakt på större personlig "touch" i sin musik.

Medan en "vanlig" musiker profilerar sig genom att söka nya tekniker för att manipulera sitt redan befintliga instrument, jobbar elektronmusikern snarare med sifferparametrar, spektrumanalysatorer och enhandsspel. En del kan inte spela alls, utan nöjer sig med att skriva in musiken - not för not - i något som påminner om en musikalisk ordbehandlare. Metoden må vara radikalt annorlunda mot traditionellt musikskapande, men innebär inte att elektropopen skulle ha mindre "själ" för det.

En annan konsekvens av datorernas intåg i musikbranchen är de helt elektroniska ljudbehandlingsprogram som nu börjat dyka upp för hemmabruk. Genom att emulera funktionen hos professionell ljudbehandlingselektronik kan en högklassig studio skapas med enbart datorprogram och några mikrofoner och ett hyfsat ljudupptagningsrum. De flerkanaliga mixerborden och bandspelarna är en gång för alla på väg bort till fördel för helt digitala utrustningar. Även vissa musikinstrument som Rolands kultförklarade och svåröverkomliga TB-303 emuleras med stor framgång, exempelvis av svenska Propellerheads program RB-338.

Peter Samson hade som en av de allra första hackarna på MIT (ja, nu är vi tillbaka där igen) lyckats få en PDP-1 dator att spela fugor av Bach enbart baserade på inskrivna siffror. Hans program får nog sägas vara den allra första sk "sequencern" tillverkad av en amatör. En sequencer (sv: sekvensator, alla använder dock det engelska namnet) är ett dataprogram eller en maskin som kommer ihåg vad som skall spelas, och som gör det möjligt att ändra om tonerna, spela upp dem igen, lagra dem på något vis och sedan plocka fram dem vid något annat tillfälle. Allt sedan den dagen har vi haft en levande, maskinskapad musikkultur.

Många traditionellt skolade musiker reagerar med ren och skär främlingsfientlighet mot detta nya sätt att jobba med musiken, snarare än att ta åt sig det goda och försöka förstå vari poängen ligger.

Bland de svenska elektropionjärerna fanns t ex Page som fortfarande är aktiva. Under det tidiga åttiotalet var de en av de första (och för sin genre också en av de mest framgångsrika) sk syntpopgrupperna. Det var många som hoppade på synttåget, men som nu fallit i glömska. Vem lyssnar idag på grupper som Trans-X, Ultravox eller Texas instruments? Inte många, även om det fortfarande finns en hel del syntpopdiggare ute i landet. Genren har kommit tillbaka under det tidiga nittiotalet i form av t ex S.P.O.C.K eller nykomlingarna Children Within, bägge lysande svenska begåvningar.

Som en motreaktion på de ofta mycket tvålfagra och hemtrevliga syntare (läs Howard Jones, Depeche Mode etc.) som florerade i mitten av åttiotalet dök det upp en ny, oerhört tung form av syntmusik; Electronic Body Music eller helt enkelt bara EBM. För det mesta kallades den dock rakt av för "Råsynt". Engelska Cabaret Voltaire hade "uppfunnit" stilen 197829 , men först nu fick den många lyssnare över hela kontinenten och i Amerika. Bland andra Portion Control, Front 242 (som myntade termen EBM), Skinny Puppy och Invincible Spirit hörde till dem som hängde på trenden. Man kan jämföra tungsyntens intåg med när grungen (personifierad i Nirvana) dök upp som en reaktion på pudelrocken - det hade blivit för mycket av det sliskiga helt enkelt. Mindre lyckat var kanske tendensen hos många tungsyntband att flirta med rent nazistisk symbolism och klädsel, och många grupper (däribland nämnda Front 242) tvingades göra offentliga avböjanden för att slippa förknippas med nynazism.

Under 90-talet har flera grupper tröttnat på EBM-konceptet, eftersom det hela börjat bli en smula uttjatat. T ex Ministry, Die Krupps och svenska Pouppé Fabrikkhar gått över till Crossover, musik som är en blandning mellan EBM och olika typer av Metal, gärna i trash-pionjäerna Metallicas stil.

Ambient

År 1978 släppte fd Roxy Music-keyboardisten Brian Eno en skiva vid namn Music For Airports på ett eget skivbolag som döpts till Ambient. "Ambient" betyder ungefär "totalt omgivande" och är ursprungligen en relativt svårtillgänglig form av konstmusik. Idén med musiken är att återge en hel miljö istället för bara en musikalisk ljudmatta med rytmer och ordnade toner. Givetvis är det en fördel att återge en ljudbild från en främmande och gärna spännande miljö om man vill göra bra, engagerande ambientmusik. Ett enkelt sätt att göra ambientmusik är att bara ställa upp två mikrofoner i ett stålverk, en förortslägenhet eller vad man nu vill skildra.

Eno lär ha fått idén att göra sådan musik efter att ha varit sängliggande efter en bilolycka med stereon påslagen utan möjlighet att varken skruva upp eller stänga av den. Den tysta viskningen av musik ute i periferin uppblandad med ljud från gatan utanför fick honom att inse att detta faktiskt var en egen musikform. Musik i periferin - sådan som vi till exempel hör på varuhus eller flygplatser - har en egen grammatik och liknar inte alls "vanlig" musik. Ambientmusik är musik som man skall ha på medan man gör något annat, koncentrerar sig på andra ljud, men som man ändå skall kunna tycka om undermedvetet. Inom psykologin går fenomenet under begreppet subliminal perception. Musiken skapar en helhet tillsammans med redan befintliga ljud och kräver inte lyssnarens koncentration.

Det är egentligen inte Eno som har "uppfunnit" ambientmusiken. Den excentriska och geniala kompositören Erik Satie gjorde några föga uppskattade försök med "möbelmusik" på det tidiga 1900-talet och på 60-talet skrev musikkonstnären John Cage låten Four Minutes, Thirty-three Seconds, ett stycke musik för tyst piano, som av många betraktas som den absolut ultimata ambientkompositionen. Meningen var att lyssnaren skulle lyssna koncentrerat på ljuden i sin omgivning. Mest utbyte av stycket har man kanske om man samtidigt kan läsa partituret: tre satser med en enda instruktion: tystnad. Cage jobbade också mycket med elektronmusik, där han bland annat införde idéer från Zen-filosofin om hur musik skulle kunna vara mönstergill men ändå kaosartad, vilket bland annat legat till grund för studier av improvisationsteknik. Även detta har haft stort inflytande på ambientmusiken och nämns på omslagen till Brian Enos skivor.

Tillsammans med installationskonst säger den här musikformen en del om ambitioner i modern konst: man vill skapa en total miljö och placera betraktaren i denna. 30 Konceptet Virtuell Verklighet (eng: Virtual Reality) anses vara den optimala kombinationen av installation och ambientmusik. En autentisk konstgjord, skapad miljö av den typ som författare i århundraden kunnat skapa med hjälp av läsarens egen fantasi - men påtaglig, detaljerad och exakt. En värld byggd av ren information.

Tidiga elektronmusikpionjärer som Tangarine Dream (som debuterade med Electronic meditation 1969) och en del symfonirockgrupper som till exempel Hawkwind experimenterade tidigt med att skapa främmande, futuristiska ljudmiljöer med tidiga syntar och genom att manipulera allsköns elektronik (till exempel gitarrförstärkare) för att klämma fram underliga ljud. Brian Eno är alltjämt en portalfigur för musikformen. Innan ambientmusik blev allmänt känd sorterade man ofta in den under etiketter som New Age eller Meditationsmusik. Dessa benämningar används numera mest på artister som Jean-Michel Jarre och Vangelis, som representerar en sorts stämningsladdad hissmusik, lämpad för såväl aktivt som passivt lyssnande.

Moderna techno- och industrimusikinspirerade diskjockeyer som Alex Paterson och Bill Drummond (The Orb / KLF) eller Sven Väth har lyckats med konststycket att göra rytmisk populärmusik med inslag av ambient utan att förstöra grundidén. Speciellt Patersons The Orbs adventures beyond the ultraworld och Väths Accident in Paradise räknas som viktiga milstolpar inom "modern" ambient.

Elektronisk Film

Det sista område jag tar upp i det är kapitlet handlar inte om musik. Elektronisk film har i princip funnits sedan TV:n uppfanns, men har aldrig kommit att utvecklas till någon egen genre förrän tidigast under det sena 80-talet.

Vi kan jämföra elektronisk film med elektronisk musik, och säga att det är film som alstrats på enbart elektronisk väg. Första gången man gjorde något sådant var när man för första gången riktade en TV-kamera mot en TV-skärm och på det viset lyckades skapa ett rinnande rundgångsmönster. Även inom musiken har den sortens effekter använts för att piffa upp och lägga till nya dimensioner: det finns knappast en gitarrist som inte vet hur man kan utnyttja rundgång i en elektronisk förstärkare för att skapa nya ljud.

När det gällde musik utvecklades som jag sade denna form av manipulation till en egen konstform redan i mitten på 50-talet under ledning av Karlheinz Stockhausen. När det gällde TV och film var det aldrig fråga om att göra elektronisk film till någon egen konstform. Istället användes tekniken mera till just specialeffekter. Ett lysande exempel är exempelvis vinjetten till den engelska TV-serien Doctor Who, en illusion av en färd genom en långsträckt, gräll tunnel, som skapats enbart med hjälp av rundgångsmönster.

Filmkonsten har utvecklats i många riktningar, men just elektronisk film tycks te sig oerhört avskräckande för många filmskapare. Inom filmen finns det nämligen ingen som helst tradition att skapa filmer utan människor. Film har, i princip ända sedan den uppfanns, byggt på teater och därmed dialog. Såväl klassisk film som sk konstfilm, bygger på skådespelare och dialoger. Bara tanken att tillverka en film utan människor är absurd för de flesta filmare. Inom musiken finns däremot en, milt sagt, betydligt längre tradition av att tillverka musik utan sång. Man skulle kunna säga att musiken till skillnad från teater och film handlar mer om att direkt generera känslor och stämningar än att försöka återge verkliga händelser eller psykologiska skeenden.

Inom den tecknade filmen har en del försök gjorts att ta steget ifrån människan, och försöka skapa en symbolisk värld. För det mesta har det dock bara lett till kompromisser. Nästan alla tecknade filmer är fabler, dvs de beskriver något som egentligen inträffar i den mänskliga, sociala vardagen. I princip alla förlopp som återges i tecknad film innehåller aktörer med vissa psykiska och fysiska egenskaper som försätts i någon människoliknande situation. De få försök som gjorts att skapa tecknad film på samma vis som modern konst, genom att använda symboler och mönster utan "liv", har nästan undantagslöst blivit beskyllda för att vara obegripliga.

Till saken hör att film fram till 90-talet har varit något oerhört kostsamt som man inte experimenterar med hur som helst. Man måste ha antingen en kommersiell potential och en publik, alternativt statlig finansiering, för att ha råd att göra en film. Ingen av dessa båda institutioner är särskilt mottaglig för experiment. I och med den billiga videoteknikens intåg i slutet av 80- och början på 90-talet har det blivit möjligt att experimentera med film på ett helt nytt sätt.

Även datorn har gjort sitt intåg i den elektroniska filmen. Här, såväl som inom musiken, är den allmänna attityden dock att datorn bara skall vara ett verktyg, ett medel, att göra alldeles vanlig kommersiell film eller konstfilm. Bland de som själva sysslar med animationer och datorgrafik är dock idéerna radikalt annorlunda.

Ett av de tydligaste och vackraste exemplen på elektronisk film är en serie kortfilmer som skapats av George Lucas' farmarbolag PIXAR, ett företag som grundats av denne filmmogul endast i syfte att utveckla datorteknik för film. Dessa går under samlingsnamnet Beyond the Mind's Eye, och är mycket uppskattade bland de som redan tidigare fått upp ögonen för elektronisk kultur. Lite paradoxalt var det alltså i det här fallet den kommersiella filmen som finansierade utvecklingen av en av de mest alternativa konstformer som finns. Vissa av PIXARs filmer är vanliga spelfilmer, ungefär som tecknad film fast mycket mer detaljerade, medan andra varit riktigt experimentella. Man har nu fått ett kommersiellt genombrott med filmer som Toy Story och Antz. Andra "seriösa" filmer och tecknade filmer i synnerhet, använder idag stora mängder datorgenererade sekvenser.

Filmer som bara innehåller exploderande geometriska figurer, panoreringar över obegripliga landskap, fraktalbilder och psykedeliska färgmönster brukar jag själv kalla ambientfilm, eftersom tanken är ungefär den samma som med ambientmusik - att skapa en stämning utan någon röd tråd i det som visas. Filmstilen är till sin art besläktad med sk parametrisk film, en sorts filmstil där tekniken, speciellt kameraförning och panoreringar, används som ett självändamål för att ge filmen en viss stämning utan att använda de klassiska filmiska berättarmetoderna.

Elektronisk film är mycket uppskattad på exempelvis ravefester, och en i många fall självklar ingrediens i musikvideor till technomusik, som jag skall ta upp i nästa kapitel.

RAVE, TECHNO OCH ACID

Det dök upp något konstigt i Sverige under åttiotalet. De diskjockeyer som vuxit upp under 70-talet och som var tänkta att ersätta den alltför dyra och okontrollerbara levande musiken hade fått konstnärliga ambitioner, och små bolag som var mellanting mellan skivbolag och diskjockey-stall började dyka upp över praktiskt taget hela västvärlden. De producerade skivor med en sorts musik som var avsedd för en enda sak - att spelas på diskon. Den skulle vara så dansant som möjligt, med en markerad rytm och ett tempo runt 120 bpm - ett perfekt danstempo. (Bpm är en förkortning för beats per minute antal anslag per minut, en måttenhet för musiktempo.)

I mitten av 80--talet startades bolaget Swemix av några diskjockeyer i Stockholm som ville ge ut mixar av svenska artister. Bland de diskjockeyer som lyckades slå sig fram bäst genom att kombinera dans- och populärmusik fanns t ex Dag Volle, mer känd som Denniz Pop och ansvarig för succéerna Hello Africa och No Coke med Dr. Alban 1989, samt senare världsartisterna Ace of Base. Där fanns också Robert Wåtz och Rasmus Lindvall, senare mer kända som Rob'n'Raz. Andra föredrog att hålla sig mindre kommersiella och göra sin egen grej. De ville inte så sakteliga reformera discot till en svettig dansklubb. De ville göra revolution nu.

I mitten och slutet av åttiotalet, och i Sverige speciellt 1987--88, uppstod den nya danskulturen. Vild, fri dans för dansens egen skull, inte något välordnat som man underkastade sig av sociala skäl på välorganiserade danstillställningar eller diskon eller på skolgymnastiken, utan vild hämningslös dans. Det var den rytmiska, tidigare rituella dansen som i århundraden tryckts under ytan och tyglats av västvärldens moraliska och etiska värderingar som återuppstod. Och den återuppstod i form av acidhouse. Givetvis blev det etablerade samhället med politiker, musiker och kuratorer dödsförskräckt. Och givetvis köpte var enda ung människa som hade vett nog att vara upprorisk en acidhouseplatta för att skrämma föräldrarna med. (Även författaren, som köpte sin första acidplatta House Nation av MBO, 1987.)

Ren house var mest framgångsrik till en början, förmodligen för att den byggde på funk-, soul- och diskomusik ála George Clinton och James Brown snarare än på syntetisk musik. Det syntetiska inslaget var begränsat till ett trumkomp som man fick från en trummaskin eller bara stal rakt av från någon Kraftwerkskiva. Genren uppstod i Chicago och skall ha fått sitt namn från att danspartyn ofta hölls i lagerlokaler, på engelska warehouses. (En av de första europeiska klubbarna som spelade housemusik hette också just Warehouse och låg i Köln.) Tillsammans med en samtida (rent elektronisk) genre från Detroit som kallades techno samlades den nya dansmusiken under beteckningen acid house. Tidiga houseband var t ex The Royal House, nämnda MBO eller D-Mob. När musiken blev populär blandades de båda stilarna, framför allt i Europa och kallades bara acid och det var ingen som hade reda på vilket som var vilket. Runt Manchester i England växte de första riktigt inflytelserika europeiska houseklubbarna upp.

Acidhouse var en speciell variant på dansmusik som använde samplingar (brottstycken av ljud) på ett speciellt sätt. Inspirerade av industrimusikens kakafonier av maskinljud (som hos Throbbing Gristle eller Einstüerzende Neubaten), författaren William S Burroughs sätt att bygga större texter av små textfragment (läs mer om Burroughs i nästa kapitel), och kollage- och mosaikkonsten, byggde acidmusikerna en mosaik av ljudfraser. Musikerna var genomgående diskjockeyer som visste att lägga tonvikt på bra dansrytm. Man kan säga att man för första gången lyckades göra konkret musik (Pierre Schaeffers skötebarn) som nådde en bred publik. Det var bland de musiker som jobbat med konkret musik som samplingsmaskinerna först gjorde sitt intåg.

Rent musikaliskt byggde man på den tendens som redan tidigare fanns inom elektropopen att använda välkomponerade Riff (ett Riff är en enkel musikalisk idé som upprepas gång på gång) i form av syntetiska slingor som träffade en viss känsla och gav en stämning åt hela låten. En sådan slinga var lätt att programmera med en tryck-på-knappen sequencer som innebar att man inte behövde kunna spela i takt eller ens särskilt bra, bara man kunde uppfinna en hyfsad melodislinga och få in den i apparaturen.

"Acid" är ett engelskt ord som betyder "syra" vilket olyckligtvis är ett slanguttryck för lysergsyradietylamid eller LSD som man brukar säga kort. Acidhouse är dock antagligen inte döpt till acid för att musiken skulle ha något med LSD att göra. Det sanna ursprunget till namnet skall ha varit slanguttrycket Burn Acid som betyder ungefär "spinna skivor", dvs en diskjockey-syssla som utfördes medan man samplade ljud från olika skivor. Sedan finns det andra som säger att detta är en förskönande lögn och att det sanna urspunget är att några musiker från England åkte till Detroit runt 1986 då England befann sig i en acidrock-revival och köpte allt möjligt som det stod "acid" på, i jakt på t ex Grateful Dead m fl hippieband, varvid de istället fick med sig en hel del konstig syntmusik som visade sig vara tidig techno och house. Genrebeteckningen skulle sedan ha fötts ur denna händelse.

Acidhouse karakteriseras också av ett speciellt "sound", lite råare än vanlig diskomusik, men snällare än "råsynten" som jag nämnde tidigare. Speciellt populära är ljud från syntar och trummaskiner av märket Roland TR 808 och 909 (Därav t ex gruppen 808 State) och bassynten Roland TB303 vars "bas" snarast låter som en knorrande rymdman.

Acidmusiken var populär samtidigt som hemdatorhackarna befann sig i sin absoluta guldålder. Åren 1987--88--89 betraktas som de absolut intensivaste i hemdatorkulturens tidiga historia, varför många demon, pseudonymer och gruppnamn bland de subkulturella hackarna hämtade inspiration direkt från acidmusiken. Acidmusikerna å sin sida betraktar just 1988 som musikstilens absoluta höjdpunkt, med flera stora fester utomhus i England. De båda kulturerna vilar på samma amatörmässiga grund och uppstod båda tack vare att datorutrustning och elektroniska instrument blev tillgängliga för gemene man under den här perioden. Notera också ett oklart inflytande från hackarkultur på acidmusiker: technogrupper med namn som Phuture och Phusion har (om man iakttar stavningen) uppenbarligen inspirerats av hackare. Acidhouse blev under de här åren något av en symbol för ungdomsrevolt och har varit det sedan dess, men under andra namn som vi snart skall introducera.

Det råder sedan länge total begreppsförvirring inom dansmusiken. Acidhouse utvecklades explosionsartat till en mängd underkategorier; varenda större stad i England och Tyskland hade sin egen housegenre, och även i USA utvecklades nya housegenrer. Mycket snart tröttnade många på de eviga kompromisserna mellan elektronisk dansmusik och vers-refrängtänkandet från rockmusiken eller den inom hip-hopen obligatoriska rapen och lyfte åter fram den ursprungliga rent elektroniska dansmusiken: techno.

Techno

Techno strävade tillbaka till den elektroniska populärmusikens rötter - man hade blivit tröttnat på de ljud och harmonier som användes inom vanlig dansmusik och all acidhouse hade börjat låta likadant. Acid var inte nyskapande längre; det var dags för något nytt. Diskjockeyer som numera var fullfjädrade elektronmusiker satt nätterna igenom och lyssnade på Kraftwerk, Ultravox, D.A.F (Deutsch Amerikanische Freundschaft) och andra tidiga syntband som hade haft något att ge, i ett försök att hitta det goda som gått förlorat på vägen och samtidigt skapa något nytt. Och man lyckades, speciellt genom att använda riktigt tidiga syntar som Prophet, Fairlight och nämnda Roland-märken. Anledningen till att man använde gamla syntar lär främst ha varit att man inte hade råd med annat.

Technon föddes som sagt i Detroit. Hela genren kan spåras till tre diskjockeyer som hette Magic (Juan Atkins), Reese (Kevin Saunderon) och Mayday (Derrik May). Själva säger de sig ha varit inspirerade av framför allt Kraftwerk, och Parliament (George Clinton). Magic hade gett ut en singel kallad Techno City tillsammans med bandet Cybotron redan 1983 (gruppen hade varit aktiv redan 1981) och det var förmodligen denna som gav namnet åt genren. Namnet Techno City var hämtat från en roman av science fiction-författaren Alan Toffler. För europas del smittade den amerikanska technon av sig när Mayday åkte på turné i England 1987 och inspirerade den underjordiska acidscenen med sina kompositioner, framför allt den då nykomponerade klassikern Strings of Life. Förmodligen har denne legendariske diskjockey också gett namn åt det enorma rave som heter just Mayday, som hålls årligen i Tyskland och som har fått astronomiska proportioner. Trion Magic, Reese och Mayday gjorde sig också kända under gruppnamnet Phuture.

I Frankfurt hade man tidigt inspirerats av technon från Detroit och skapade sin egen variant, eurotechno genom att slänga bort sina japansyntar och ge sig ut på jakt efter gamla reliker från sjuttiotalet. SNAP uppfann det vinnande och multikulturella konceptet med en färgad rap:are och en kvinnlig vokalist, LA Style gjorde en skramlig och provokativ låt: James Brown is Dead, för att markera att det var slut på flirten med funk och rhythm'n'blues. Grupper som 2 Unlimited, Pandora, Captain Hollywood project och Culture Beat kallas med ett samlingsnamn eurodance, eurotechno eller bara dance allt efter smak (i USA kallar man denna genre för techno/rave).

Dessa och andra tidiga eurotechnogrupper tillförde något nytt som många väntat länge på. Man sprang ifrån de 120 bpm som varit ett skönhetsideal för acidhouse och pressade upp låtarna i ett tempo som närmast påminde om driven punkmusik. Tempot ökade på dansgolv runt om i världen samtidigt som MTV växte sig riktigt stora och ytterligare snabbade upp hela populärkulturutbudet. Vi fick en karikyr av en ny uttråkad ungdomsgeneration som kallades generation X och som gick ifrån biograferna om inget hände de första 10 minutrarna i filmen.

I samma veva dök de odefinierbara KLF (Kopyright Liberation Front) upp från ingenstans och gjorde en runda på hitlistorna med en enda skiva och en enorm mängd singlar, för att sedan dra sig tillbaka och, som de själva säger, "aldrig mer göra musik". Gruppen bestod av Bill Drummond, desillusionerad fd manager för bl a Echo and the Bunnymen och Jimmy Cauty, som tidigare varit medlem i Killing Joke. De förde in ett helt nytt element i populärmusiken genom att ta danmusikens instrumentering och dansanta tempo och kombinera detta med klassiska rockarrangemang. Resultatet blev musik som gick hem hos såväl synt- techno- och rockdiggare.

KLF var mycket medvetna om vad de gjorde. Under den tidigare delen av sin karriär skrev de en bok med titeln The Manual (sv: Manualen) och lovade pengarna tillbaka till alla som inte lyckades få en topplacering på Englands hitlista med bokens hjälp. Innan KLF blev KLF kallade de sig The Timelords och The Justified Ancients of Mu Mu (ett namn, som liksom mycket av KLFs image är hämtat från kultboken Illuminatus!). I själva verket är nog hela KLFs kommersiella karriär att betrakta som modern konst i form av en protest mot popindustrin. Mot slutet av sin karriär hatade de verkligen denna självgående maskin som ständigt producerade samma smörja om och om igen. Genomgående kännetecknades bandet av total respektlöshet gentemot pengar, den etablerade populärmusiken, och en allmänt småcynisk livssyn. Huvudmannen Drummond var mycket inspirerad av Zenbuddhism och provocerade dem som frågade om bandet med att anklaga dem för att vara under inflytande av Lucifers fyra tjänarinnor Varför, Vad, Vart och När, frågor som enligt Zen inte kan besvaras med ord. Drummond jobbade tidigt med Alex Paterson på projektet The Orb och de två kan tillsammans sägas ha uppfunnit genren ambient techno.

KLF visar också tydligt på sambandet mellan attityder i den underjordiska danskulturen och bland hackarna. Som så många andra diskjockeyer samplade de friskt från andra artister, och ansåg mer eller mindre att musik inte skulle patenteras. Vid ett tillfälle samplade de ABBA och skrev lite provocerande på baksidan av skivan att "KLF förklarar härmed allt material på denna skiva befriat från copyright", vilket så småningom ledde till att hela upplagan fick brännas på en åker i mellansverige efter att KLF misslyckats med att övertyga ABBA att dra tillbaka det hot om stämning man fått från svenskarnas agenter. Vid ett annat tillfälle började Drummond "befria" gruppens utrustning vid en spelning på en klubb i London, vilket resulterade i att klubbägarna fick rycka in och hindra besökarna från att ta med sig apparaterna hem.

I England uppstod sedan vid mitten av 90--talet en uppsjö underliga musiker, förutom KLF även bl a ambientförnyarna Black Dog Productions och en egensinnig grupp vid namn The Prodigy som uppfunnit en helt egen form av musik kallad breakbeat och som gett gruppen dess speciella sound. Breakbeat innebar i detta fall att man fångade en bra passage (ett break) i ett stycke musik och använde detta om och om igen som ett bakgrund att skriva ny musik ovanpå. Dessa grupper uppstod liksom KLF under senare hälften av 80--talet parallellt med diverse independentband som t ex Pop Will Eat Itself. Att utvecklingen i musikbranchen var så explosiv i just England berodde på just den popindustri som KLF protesterade mot.

Betydligt fler människor i England går på inneklubbar och lyssnar på den senaste musiken innan den släpps, och topplistan är en konstruktion baserad på lobbying och utan något som helst samband med verkligheten. Egentligen är Englands top-40 bara ett maktmedel som popindustrin använder för att tala om för publiken vad de skall köpa. Eftersom placeringarna på topplistan rasar upp och ned med en våldsam hastighet måste ny musik och nya artister ständigt genereras. I denna hetsjakt får hundratals artister varje år chansen att visa vad de kan, på gott och ont. Originalitet är betydligt intressantare än teknisk skicklighet. På så vis rotade man fram acidhouse musiken från förorternas småklubbar, och det osannolika inträffade att denna smala genre dök upp på topplistan. Detta fenomen har gjort England till "motorn" bakom europeisk populärmusik under mitten och slutet av 90--talet.

I Tyskland producerade Sven Väth och myriader med andra diskjockeyer en blandning av techno och ambient med tydliga influenser av åttiotalets acidhouse: sk trance, som i England kombinerades med influenser från New Age-kulturen och det indiska semesterparadiset Goa och kallades goatechno eller goatrance. Några halvgalna holländare som kallade sig Rotterdam Termination Sourcegjorde en låt med enbart trummor och ljudeffekter; Poing och skapade därmed en egen genre som kallas hardcoretechno och som utvecklats till en hybrid mellan techno och deathmetal, gärna med ett tempo på uppemot 300-400 bpm. Denna hybrid har fått en del fd metal-diggare att börja lyssna på techno.

Elektronisk populärmusik står aldrig stilla: Hela tiden händer något nytt, hela tiden experimenteras det i små studior runt om i världen. crossovertechno, där techno (framför allt eurodance) blandas med andra musikstilar, dök upp överallt. Det var ofta mycket kommersiellt, kanske med undantag för hyperexperimentella The Grid som för första gången i sin karriär lyckades göra kommersiell succé med Swamp thing -- en blandning mellan någon form av techno och banjoslingor. Jungle är en genre som är både en föregångare till och fortsättning på The Prodigys breakbeattechno -- en blandning mellan techno-, ragga-, breakbeat- och dubmusik, med ett tempo runt 160 bpm, där basen är reggaeliknande på halva tempot, dvs runt 80bpm. Värre än värst är gabber som är en förvärrad verison av Hardcoretechno, en stil som främst spridits av det holländska skivbolaget ID&T på samlingsalbum under namnet Thunderdome. Denna stil används bland annat av det revolutionsromantiska och extrempolitiska bandet Atari Teenage Riot (ja, musiken görs på en hemdator av märket Atari ST, därav namnet) och är en reaktion på den "fred, kärlek och förståelse"-inriktade trance-, och goatechnon. Atari Teenage Riots grundare Alec Empire hävdade sig i en intervju vara beredd att arrangera en "hate parade" som alternativ till den kärleksdyrkande "loveparade" som hålls årligen i Tyskland.

Under slutet av 90--talet har de subkulturella genrerna inom dansmusiken blandats upp med jazz och ytterligare splittrats upp. Följande uppställning av genrer är en sammanställning av listor gjorda av av DJ:n och dansfestarrangören Lisa Thelin, samt nämnde Mikael Jägerbrand och återges här in extenso för dagsfärsk orientering då detta skrivs i augusti 1999:

  • Drum'n'Bass: Före 1994 användes termen för att beskriva det grundläggande elementet i jungle. Därefter har termen använts för att beskriva en mera musikalisk och komplex variant av av jungle. Termen används också för att beskriva en tung variant av reggae utan gitarr -- som dub utan eko.
  • Ambient Drum'n'Bass: En mycket mjuk stil med drömlika stråkljud kombinerat med utstretchade31 breakbeats.
  • Big Beat: Kommersiell men ändå alternativ musik, typ Fatboy Slim eller Chemical Brothers.
  • Campcore: Blandning av hardcore och camp. (Camp --Village People o dyl musik bland homosexuella) största namnet och "grundare" är Tony de Vit.
  • Dark: En ljudbild mellan hardcore och jungle som kombinerar ambient, skräckfilmssamplingar och utstretchade breakbeats.
  • Darkcore: Blandning av hård techno och jungle/ragga. Första Darkcore-låten var LTJ Bukeems Demon Theme.
  • Darkstep: Jungle blandat med stenhård hardcore techno. Allt som kommer från skivbolagen U-Turn och 31 Records.
  • Deep House: Tyngre house.
  • Eclectic: I danskretsar ett samlingsnamn på trip hop, Björk o dyl artister som inte går att kalla techno eller house, men ändå spelas på vissa undergroundklubbar.
  • Electronica: Samlingsnamn för all elektronisk dansmusik (inklusive gammal synth) där udda artister kan placeras in. Exempel är Bandulu och Vaporspace.
  • Garage: Snabb energifylld techno från London uppfunnen cirka 1996--97.
  • Handbag: Ganska gammal stil som inte slog igenom förrän 1998. Poppig musik från transvestitklubbar i London och New York. Namnet kommer av att "damerna" ställer sina handväskor på golvet och dansar kring dem. Första stora skivbolaget var Cleveland City i England, bland celebriteterna finns Taiko, Tony di Bart och Direct 2 Disc.
  • Happy Hardcore: Lika snabb som andra hardcorestilar, ofta runt 170 bpm. "Glada" inslag av samplingar från kända låtar gav namn åt stilen. Typiska exempel: Marusha, Charly Lownoise & Mental Theo, Technohead, Mark Oh. Den oerhört kommersiella gruppen Scooter hör egentligen till denna skola.
  • Hardbag: Holländsk variant av Handbag, hårdare och tuffare. Typexempel: Patrick Prins.
  • Hardstep: Minimalistisk jungle där melodin tagits bort och där man använder ett renare breakbeat. Man tillsätter sedan mycket diskant för att få ett krispigare ljud. Tyngdpunkten på break:et läggs ofta på det andra eller fjärde beatet.
  • Hartcore: Nytt namn på hardcore techno och gabber som används i Tyskland. Det är så "hardcore" låter när man uttalar det på tyska.
  • Hip House: En kombination av hiphopbreakbeats och den typ av Chicago House som nådde höjden av sin popularitet 1989--90.
  • Jazz Step: Hardstep med jazzrefränger.
  • Jazz Jungle: Ambient Drum'n'Bass med jazzrefränger. Vanligtvis samplingar från 80--talets jazz-funkskivor.
  • Jump Up: Ligger nära tidig jungle musikaliskt men lägger tyngdpunkten på junglens hiphopinfluenser.
  • Malaka: Snällt grekiskt ord för "älska". Började användas av goagruppen Transwave efter en spelning i Grekland.
  • Marocko-trance: Heter egentligen gnawa-musik och har spelats i hundratals år i Marocko. Musiken kom till landet genom muslimska slavar som importerades från Sudan. Liveband i denna genre har spelat på rave i USA. Det finns en samlingsskiva med namnet Maroccan Trance Music.
  • Noisecore: Hård techno i gränslandet mellan vanlig techno och gabber. Samlingsbeteckning på nästan all musik från Holland och viss tysk musik.
  • Nosebleed: Musik som är så snabb att man får näsblod av att lyssna på den. Samma som Noisecore fast aldrig under 250 bpm.
  • Overdrive: Ytterligare ett namn på det som betecknas med Noisecore.
  • Popcore: Gabberversion av eurotechno eller poptechno / dance. Exempel: samlingsskiva från holländska skivbolaget Mokum med samma titel.
  • Ragga: En slags reggae med vokala inslag som rappas eller chattas av en MC (Microphone Controller) över instrumentala versioner av musiken. Texterna omfattar en blandning av jamaicanska rötter och Londons gatuslang. Hiphopinfluerat. Hittade till London via New York.
  • Ragga-Jungle: Kombination av raggasångslingor (licks) och junglerytmer.
  • Shoulderbag: Nyare namn för handbag. Allt för att förvirra fienden.
  • Slang Teng: En blandning av reggae och Kraftwerks europeiska technosound. Kännetecknas av den surrande basgången.
  • Speedcore: Renodlad techno-speedmetal, undergenre till hardcore. Tung och ren bas med mängder av samplade Metallica-liknande gitarrsamplingar. Exempel: DJ Dano, DJ Hooligan.
  • Techstep: Liknar hardstep. Tyngdpunkten på ett metalliskt ljud och underliggande hotfulla ljud. Kännetecknas också av extremt hög distad basgång, ofta bara tre toner med betoning på oktaverna.
  • Tribal: Musik med medvetna inslag av etnisk musik från Afrika.

Andra musiker som Future Sound of London, Leftfield, Black Dog Productions och de svenska Lucky People Center har närmat sig elektronmusiken och utgör en genre som brukar kallas progressive house, alltså housemusik som är på väg någonstans och som ständigt utvecklas. Dessa vill komma ifrån genretänkandet genom att bryta alla normer. Otacksamt nog blir genrespräckandet en genre i sig. Motsvarande fenomen finns inom jazzen.

Thomas Chrome, Jean-Lois Hutha, Cari Lekebusch, Adam Beyer, Alexi de Lano, Stefan Grider, Lenk (Jesper Dalbäck). Detta är bara namnen på några svenska technoartister som håller den här kulturen levande.

Så fort en genre blir kommersiell, som när technon blev eurodance med U96, tenderar de små klubbarna att uppfinna någon ny variant och smyga tillbaka ned i underjorden. Jungle, Goa-techno och Gabber är exempel på detta. Nya stilar uppfinns med säkerhet just nu i någon studio i Tyskland, England, Holland, Sverige eller Belgien. Man kan ha vilken åsikt som helst om detta. I praktiken är hela den underjordiska klubbkulturen bara en konceptfabrik för popindustrin. Man letar upp något nytt, putsar till det, gör det lite snällare, och släpper det för bred publik. Om man tror på ändlös artistisk integritet och nyskapande konst är det kanske hemskt att se. På ett annat plan kanske man skall vara tacksam för att vi inte lyssnar på samma tuggummipop idag som för tjugo år sedan.

Klubbar och Rave

Techno spelas mest på små slutna klubbar, även om det numera faktiskt går att sälja technoskivor till människor som inte är diskjockeyer. Som kulturell företeelse är technon starkt knuten till dansgolvet, och de två kan sägas utgöra en helhet.

Dansmusiken har förändrat musikmarknaden. Förr i tiden lyssnade man på radio och kollade in vad kompisarna lyssnade på, skaffade sig skivorna och lyssnade hemma. Nu går man på disko, kanske rent av rave, och tar åt sig av musiken man hör där -- musik som är gjord för att lyssnas på medan man dansar. Kanske köper man sedan någon skiva. Speciellt samlingsskivor med eurodance säljer som smör i solsken.

Techno är inte gjord för att man skall sitta stilla medan man lyssnar och kan verka stressande om man använder den som skvalmusik. I England där publiken av tradition är mycket öppen för nya musikformer har tung kompromisslös technomusik lyckats slå igenom kommersiellt, likaså i Tyskland som med sin tradition av elektronmusik ála Kraftwerk välkomnar varje ny innovation på området. Även i Sydeuropa spelas till och med riktigt råa technolåtar på skvalradion. Även i Sverige börjar kompromisslös musik av denna typ bli allmänt accepterad, exempelvis i form av bandet Antiloop. Kalle Dernulf på P3 är förmodligen den person som gör störst insatser för att sprida svensk och utländsk techno i etern.

Rave är fortfarande mycket underjordiska händelser i Sverige och Norden, även om publiken har vuxit explosionsartat sedan 1988. Det finns idag tusentals glada ravare i Sverige, som kan åka långväga för att gå på ett bra rave. I Tyskland och Storbrittanien är rave redan en accepterad företeelse som i bästa fall samlar uppemot 150.000 personer, t ex det välkända Mayday i Tyskland som ibland beskrivits som vår tids Woodstock-festival. Speciella rave för olika genrer anordnas också. Rave i Norden brukar inte precis annonseras ut i dagspressen; informationen sprids ryktesvägen och via flygblad (eng: flyers) som man kan få tag i om man har rätt kontakter. Detta såklart därför att det är mest ekonomiskt och effektivt - inte, egentligen, för att hålla det hela hemligt på något vis.

En speciellt uppmärksammad form av rave är de sk bryt-raven, som innebär att man bryter sig in i en lagerlokal, slår upp en ljudanläggning och börjar spela och dansa. Det hela påminner om ett slags husockupation, och är publiken stor är polisen maktlös. Denna typ av rave har förekommit ganska rikligt i Hammarbyhamnen i Stockholm. Koppla t ex mot Prodigy-låten break & enter (det engelska namnet på företeelsen), där ljud av krossat glas och dörrar som skjuts upp ackompanjerar musiken. Känslan av revolt och uppkäftighet mot samhället är total.

Ravekulturen är numera framför allt baserad på Trancegenren, som med sina långa låtar i perfekt danstempo kan hålla ett dansgolv levande hela nätter igenom. Ett rave är inte en plats dit man går för att bli full eller ragga. Ett rave är en plats dit man går för att dansa, lyssna på musik, och träffa och titta på andra människor. Den som bevistar ett rave med andra intentioner blir urskiljningslöst besviken.

Ravekulturen gör anspråk på att expandera - även futuristisk klädsel och annat som skapar en homogen gruppidentitet har utformas. Ravelokalerna (mestadels lagerlokaler, alltså "warehouses") har inreds futuristiskt för att ge mer "cyber"-känsla till miljön. Företeelsen fick ett svenskt ansikte i Mikael Jägerbrand, journalist och chefredaktör för tidningen NU NRG Update (Uttalas "New Energy"), en tidning som trycktes och distribuerades landet runt i cirka 1000 exemplar och hade en layout som luktade "underground" lång väg, påminnande om amerikanska annonssidor. Först gjordes ett par nummer av en riktig tidning med stort omfång, men när det visade sig att en sådan tidning inte hade tillräcklig publik gjordes den om till ett nyhetsbrev som skickades ut till prenumeranter och delades ut gratis i skivaffärer som sålde technomusik.32 Det finns även en del mindre fanziner och såklart även en del elektroniska bulletiner och tidningar.

Klubbar, Trender och Droger

Debatten kring danstillställningar som acidpartyn och rave är kraftigt inflammerad av drogdebatten. Den underjordiska danskulturen är under inga omständigheter drogförhärligande. Ibland kan dock dessvärre människorna som vistas där vara spaceade haschtomtar.33 Det huvudsakliga syftet med dansarrangemangen är och förblir dock dans och musik. Ursprungligen var acidpartyn helt drogfria tillställningar.

Vad som sedan hände är inte särskilt svårt att förklara. Under det sena 80--talet hakade diskoteken på Ibiza på acidhousetrenden och skapade sin egen variant, balearic beat, en blandning mellan house, flamenco(!) och en del andra stilar, främst förknippad med artisten Paul Oakenfold. Till Ibiza åker framför allt rika människor, främst från England, och där finns droger i överflöd.

Anledningen till att acidhouse och techno / rave förknippas med droger är alltså att de som redan innan acidpartynas tid tyckte om att festa hela nätterna tog med sig sina konstiga modedroger när de gick på acidpartyn. Speciellt "designer-drogen" ecstacy 34 har figurerat i media. Ecstacy är egentligen en "yuppie-drog", som blev en sorts exklusiv marijuana för rika överklassmänniskor, för att sedan sprida sig ned till de "vanliga" missbrukarna och ungdomarna. Störst skuld i acid- och ravekulturens drogstämpel har utan tvivel Engelska överklassungdomar. Drogerna solkade ned ryktet för alla de livliga house-klubbarna kring Manchester, och stämpeln sitter i än.

Icke desto mindre förekommer numera ecstacy, amfetamin och kokain rikligt på en del rave och raveliknande tillställningar. Som man kunde vänta sig verkar det förekomma mer på rent kommersiella danstillställningar dit "innefolk" som vill hänga med i den nya kulturen dras. Entusiaster på små technoklubbar tycker för det mesta att ecstacy är ett ofog som förstör technokulturens rykte. Men eftersom allt förbjudet dessvärre också är "rebelliskt" har drogerna spritt sig till flera acid- och technoklubbar. Även de flesta svenska sådana. Den puckade medelrebellen tror som vanligt att man är en riktig outsider först när man knarkar knark. Självständigt tänkande är aldrig populärt i konforma grupper.

Stora klubbar finns det gott om i storstäderna. Det är kitschigt, väl inrett med elaka dörrvakter och en ganska lång kö utanför oavsett om det är fullt därinne eller ej. (För att skapa ett publiksug, givetvis.) Det är här inte frågan om att stödja någon subkultur även om många diskjockeyer från den underjordiska scenen får chansen att göra sig en hacka på dessa klubbar. Droger intas på toaletterna.35

Skräcken i folkhemmet är total. Ungdomarnas stackars föräldrar minns nämligen med fasa några år i slutet på 60--talet då de själva drogs med av vinden från San Francisco, rökte Marijhuana och Hasch och provade LSD. Det är det inte många som vill erkänna idag, men skräcken för att de egna barnen skall göra samma sak är genuin. Huvudgrejen då var att protestera mot vietnamkriget och samhället, huvudsaken nu är att dansa och ha kul. Ravare behöver inte politik som ursäkt för att träffas och ha roligt. Droger är en bisak och inte alls så omfattande som media vill få det att framstå. Skräck och missförstånd förstorar ofta upp problemet till bizarra proportioner.

Något ravare däremot gärna sysslar med är såkallade smarta drycker (eng: smart drinks) --energigivande preparat som hjälper ravedansare att hålla igång länge, länge. För det mesta rör det sig om preparat som man kan hitta i vilken hälsokost- eller dagligvaruaffär som helst, fast med andra etiketter. Det finns ingen anledning att misstänka att detta skulle vara farligt -- medelålders svenskar har ätit pillren i årtionden utan att ta skada. Något värre är dock tendensen att blanda in receptbelagda läkemedel, något som speciellt cyberpunkare kan få för sig. (Mer om dessa i nästa kapitel.) De flesta "larm" om droger på ravefester under mitten av 90--talet berodde förmodligen på att journalister gått på någon tillställning och sett dessa sockerpiller och läskedrycker stå framme i baren, ofta insvepta i något grällt färgat papper eller aluminumfolie, vilket givetvis såg jättehemskt ut. När man sedan intervjuade ungdomar som varit på rave svarade de troget som en klocka "ja" på frågan om de har tagit extacy, fast de i själva verket käkat Kan Jang. Så kan det gå.

Någon debattör har försökt göra gällande att dansen i sig skulle kunna vara skadlig. Påståendet att förmågan till extatisk dans - något som finns inbränt i våra gener sedan tusentals år - skulle vara farlig, faller på sin egen dumhet. Ett sådant påstående är då snarare ett uttryck för konservativa kulturvärderingar eller ren främlingsfientlighet, något som verkar vara utmärkande för många "tyckare". Utmärkande för detta synsätt är tokdebattören Allan Rubin. Denne man kritiserar inte bara rave utan även rollspel, hårdrock, österländsk religion och mystik, nyandlighet och Gud vet vad. Huvudlinjen i denne mans tänkande är något förvirrande men dock tydlig: människan är ett djur, hon är vild och ostyrig så länge hon inte tämjs av kulturen, och den högsta kulturen är den västerländska protestantiskt-kalvinistiska kulturen där lagom är bäst och grå kostymer kutym.

Det som hotar denna kultur är A) Hallucinogena droger som får oss att bryta oss loss från det rationella förnuftet och ägna oss åt österländskt "kärleksflum" alternativt satanistisk Kalidyrkan (tydligen sorterar också endorfiner under hallucinogener i Rubins skola), B) Vildhet och hämningslöshet i allmänhet, vilket leder till ocivilisation och oskick vilket (som vi alla vet) är så hemskt så hemskt...

För att uttrycka det kort tycks denne man företräda den samlade skräcken hos ett gäng halvbildade frireligiösa gotemplare. (Jag höll på att säga folkpartister.) Behöver jag tillägga att denne filantrop gör mer skada än nytta? Uppenbarligen anses alla som inte går på vanliga diskon och lyssnar på Gyllene Tiders sommartider för 18803:e gången och dricker sig fulla som as, och som inte går till ett dansställe enbart i syftet att finna en sängkamrat, ha något fuffens på gång... Noll koll, kort sagt.

Under 1996 och framåt var det vanligt att poliser upplöste ravefester helt utan anledning, i total okunskap om hur underjordisk kultur fungerar. Bland annat märks totalförbud för UNF (Ungdomens Nykterhetsförbund) att arrangera rave i Sundsvall under 1996. Senare bildades polisens sk "ravekommision" som skulle motverka droganvändning på ravefester. Denna upplöstes så småningom under hösten 1999 eftersom den inte gjorde någon nytta. En del polisingripanden mot ravefester liknar mest etisk rasism -- av samma slag som när tulltjänstemän och butikskontrollanter kategoriskt förföljer människor med udda klädsel eller hudfärg. I England infördes 1994 den sk Criminal Justice Act vilken innehöll en mängd lagar mot i stort sett all form av civil olydnad, varav fyra punkter specifikt behandlade rave, vilka definierades som 100 eller fler människor som lyssnar på förstärkt musik bestående av "ljud helt eller dominerande karakteriserande av växlingar mellan olika repeterande beats".36

Polisens åsikt om raven var i mångt och mycket att de anordnades endast i "flumsyfte" för att sprida droger. Den verkliga orsaken till det kulturella fenomenet rave är som sagt att själva dansen på de kommersiella danstillställningarna blivit något sekundärt. Arrangörerna är mer intresserade av att sälja så mycket öl och sprit som möjligt och besökarna är mer ute efter att ragga och kröka än att dansa. Dansens egenvärde har försummats.

Den mest intensiva attacken mot ravekulturen, från såväl polis som massmedia, inträffade runt 1995--96 då klubben Docklands startades på Finnboda varv i Nacka Hamn. Klubbens initiativtagare Anders Varveus och Mats Hinze, var båda tidigare sparsamt aktiva medlemmar i den nyliberala organisationen Frihetsfronten. Det kunde konstateras att en viss droghandel ägt rum på Docklands, och klubben stängdes i maj 1996 efter upprepade tillslag från polisen. Hinze, som länge fört ett privat krig mot alla statliga myndigheter blev oerhört bitter över det inträffade, och är senare känd som den sk "OS-bombaren", efter att han med dynamex planerat förstöra / förfula den staty av Carl Milles som användes som OS-kampanjens37 emblem. Docklands har nu åter öppnats för allmänheten.

Tanken har slagit mig att det kanske rent av är bra att ravekulturen har dåligt rykte. Det hindrar folk med enbart kommersiella intressen att annonsera om stora ravefester och därmed kommersialisera den vitala och underjordiska technokulturen. Ibland verkar det till och med som om ravare är en smula roade av att vara illa sedda, att man identifierat sig med underjorden. I Sverige har ravekulturens dåliga rykte bara fått ett resultat: det lockar ungdomar till festerna.

Runt 1997 började kulturen använda ett nytt språkbruk där ordet "rave" inte längre ingick. Istället pratade man bara om "fest". Inte i något flygblad, inte i någons mun, fanns längre ordet "rave". Detta gjorde det mycket lättare att få tillstånd till "fester", höll polisen borta, och höll dessutom de av ungdomarna som "bara vill knarka" på behörigt avstånd.

Musik och Musikkultur

Om elektronisk musik i allmänhet kan man säga att det verkar som om varje ny generation innovativa musiker föraktas av den föregående: Klassiskt skolade elektronmusiker ser med avsmak på elektronisk populärmusik, syntpopare föraktar tungsyntare och technomusiker, technomusiker föraktar hardcoretechnomusiker, alla underjoriska techno DJs och andra som lyssnar på "seriös" techno föraktar eurotechno och eurodancemusik osv, osv. Jag behöver väl knappast nämna att klassiska musiker och rockmusiker föraktar all form av elektronmusik.

Detta är antagligen nödvändigt. Det är avståndstagandet från gamla normer som skapar en ny subkulturell grupp inom ett accepterat område, och det är så kulturen utvecklas. Resonemanget är tillämpligt på skrift, teater, film - kort sagt all form av konst.38

Technomusik och technokultur är, speciellt tack vare TV:s inverkan, ofrånkomligt sammankopplad med video- och datorkonst. Att techno inte går att skilja från danskultur har jag redan illustrerat. Denna utveckling av populärkulturen innebär att vi fått många artister som är mera produkter än människor. Musiken skapas i studio, framförandet sköts av en grupp fotomodeller osv. Populärmusik blir mer än musik - det blir en del av ett helt kulturpaket. Du köper inte bara en skiva utan en hel livsstil. Mode, dans, film - allt ingår. Man skulle kunna sammanfatta det och kalla det "konst". Populärkonst.

Konst vidareutvecklas genom att individer med en önskan att skapa något nytt där inte allt redan har provats bryter mot de gängse idealen och utvecklar något nytt. Oftast är det ungdomar som t ex Sex Pistols, Grateful Dead, Bob Dylan eller Jack Kerouac. Någon gång är det en excentrisk konstnärssjäl som Marcel Proust, James Joyce eller Frank Zappa. När det är en ung konstnär som bryter mönstret skapas det under gynnsamma förhållanden en ny subkultur, som under ännu gynnsammare förhållanden skapar en ny generationsanda.

Ju mer jorden krymper samman och desto snabbare massmedier vi får, desto fler subkulturer utvecklas det, desto snabbare växlar generationerna och desto snabbare förändras samhället. Detta är en egenskap hos det postindustriella samhället som jag skall återkomma till. Låt oss konstatera att detta med att bryta med normer och skapa nya är mycket viktigt för de nya musikstilarna. Det har nämligen en avsevärd betydelse för den här bokens mera centrala poänger.

Vi skall nu se hur den pulserande rytmen i kulturen odlade fram en helt ny litterär genre, en ny samhällssyn och -- snart -- en ny ideologi.

CYBERPUNK

Cyberpunk är från början en litterär och filmrelaterad rörelse. Vi börjar med litteraturen.

Det finns olika sorters Science fiction (kort: SF), och definitionen på vad som är vad är ganska godtycklig. Bibliografier över SF sträcker sig ofta över så vida områden som fantasy och skräck. Den här boken skall inte handla om SF litteratur. Vill man veta mer om SF kan man med fördel leta reda på Sam J Lundwalls uttömmande essäer i ämnet. Vi går istället rakt på den del av science fiction som kallas cyberpunk.

Definitionen på den typ av SF-litteratur som kallas cyberpunk brukar vara att det är verk som liknar något som William Gibson har skrivit; en typ av futuristisk framtidsskildring där avancerad data- nano- och bioteknik liksom artificiell intelligens tillhör vardagsmaten. Världen är stenhårt segregerad till en liten styrande elit av multinationella företag och en stor brutal massa av vanliga människor. Regeringar har fått ge vika för storföretag och maffior, och det är dessa som kontrollerar världen. Handlingen brukar utspela sig i enorma storstäder av ghettokaraktär. Droger av allehanda slag är allmänt förekommande, tempot är högt och person- och miljöbeskrivningarna ytliga och gärna (i Gibsons fall) fulla med varumärken och allehanda datatermer. I så gott som samtliga berättelser existerar en datorgenererad värld i form av en eller annan sorts virtuell verklighet där man kan koppla in hela sitt nervsystem till ett världsomspännande datanätverk. En typisk cyberpunkberättelse utspelar sig kring år 2020.

Man brukar säga att cyberpunken är dystopisk, alltså att den beskriver en dyster utopi. De flesta tidiga SF romanerna var utopier där alla sjukdomar var utplånade och ett enhetligt samhällssystem tagit över efter alla ständiga konflikter, och handlingen cirklade oftast kring en grupp vetenskapsmän på uppdrag i universum eller rymdhjältar typ Blixt Gordon. TV-serien Star Trek är exempelvis en uttalad utopi. Det är inte så att alla problem saknas i en utopi, det är bara det att "de goda" alltid är givna vinnare och aldrig moraliskt tvivelaktiga. Alla utopier är optimistiska framtidsskildringar.

I en dystopi av det slag som används inom cyberpunken finns många problem kvar i världen, miljön är i det närmaste fullständigt förstörd och politiken som alltid kaotisk. Böckerna blir därför mycket mer trovärdiga och realistiska än klassiska SF romaner, och har funnit en mycket stor läsarkrets bland människor som normalt inte läser SF. Tidigare menade man att det var onödigt att beskriva verkligheter som var värre än den som fanns på jorden. En del dystopiska författare som exempelvis Stephen King övergav därför SF för att i stället skriva skräcklitteratur. Dystopier är dock mera lämpade för samhällskritik än utopiska verk, och då de flesta dystopier är satiriska eller komiska, utgör cyberpunken en bjärt kontrast med sin iskalla realism. Andra kända dystopier är t ex Karin Boyes Kallocain eller George Orwells 1984.

Precis som den mesta SF från USA har cyberpunken rötterna i den sk pulplitteraturen. Pulp är en sorts grov pappersmassa som användes till billiga SF- och deckartidningar under 50-talet i USA. Eftersom filmindustrin inte var så långt gången vid den tiden läste man mycket mer böcker och tidningar, och pulp var så att säga den "ofina", billiga litteraturen. (Det svenska Jules Verne magasinet skulle man kanske kunna kalla för pulptidning.) Serietidningar och TV-serier som Blixt Gordon kallas också pulp, eftersom de inspirerats av teckningar och historier från dessa tidningar. Pulp ter sig mest fjantigt och fruktansvärt orealistiskt för en normal svensk läsare, men för SF älskare över hela världen är pulp ursprunget och källan till all modern SF, och upphov till en egen subkultur i sig.

Sterling och Gibson och några andra SF författare hade en egen pulptidning som hette Cheap Truth. Detta var i och för sig inte på 50-talet, men den drevs i samma anda som de bästa tidiga pulptidningarna. Gänget bakom Cheap Truth tyckte att det inte producerades någon vettig SF, så man uppmanade folk att starta sina ordbehandlare och skriva bra, levande och läsbar SF. Man rackade inte så sällan ned på bästsäljande författare inom genren. En lustig och intressant detalj med Cheap Truth är att den inte var copyrightskyddad, och att kopiering och spridning uppmuntrades.

Cyberpunk är nu lite mer än så, men den litterära genren är så gott som synonym med en liten grupp amerikanska författare, varav William Gibson och Bruce Sterling är de mest namnbekanta. En del sk 2000 AD serier, framför allt Judge Dredd räknas också till cyberpunken, eftersom världsbilden i dessa till viss del liknar Gibsons dystopier. Beteckningen cyberpunk lär ha myntats av en herre vid namn Gardner Dozois i en recension av Gibsons första roman Neuromancer, och den etiketten skall han i sin tur ha tagit från en novell av Bruce Bethke som låg på Dozois' bord för granskning.39

Ordet cyberpunk kommer av cybernetik = människa eller samhälle i samspel med maskiner (av gerkiskans kybeternetes = styrman), och punk = näst intill laglös individ med lätt anarkistisk syn på samhället, typ cowboy, som lever i den undre världen. Huvudpersonerna i Gibsons romaner är ofta "punks". Man skulle kunna jämföra en sådan "punks" vardag med det mentala klimatet i den fascinerande svenska filmen Sökarna, som även den är en sorts dystopi.

Musik

Cyberpunkmusik brukar man vanligtvis kalla musik av den typ som produceras av den kanadensiska tungsyntduon Front Line Assembly (bildad av Skinny Puppy-producenten Bill Leeb) och grupper med liknande image, t ex svenska Cat Rapes Dog, som i sina texter målar nattsvart ironiska och pessimistiska framtidsbilder liknande de som nämnda författare gärna producerar. Många texter är också laddade med politiska budskap som verkligen hör till den ideologiska sidan av cyberpunk som jag strax skall gå in på. Ett gäng musiker med tydlig politisk linje som främst kritiserar media och medias påverkan på människan, miljöförstöring och "smutsig" teknologi, kallas The Tribe och består av nämnda kanadensiska band plus några grupper från Chicago som t ex Ministry och Revolting Cocks. Alla dessa band har dock skapats med utgångspunkt från de böcker och filmer som har anknytning till cyberpunk och inte ur någon egen förnyelserörelse.

Ljudbilden i cyberpunkmusik är för det mesta någonstans mellan EBM, Crossover eller Metal, gärna med distade vokalister och skrikigt samplade gitarrer.

Tystaden bedövar
regressionen tynger luften
en förlamad värld inväntar
de nya koderna
ett teknikens krig som
hotar att initiera
digitala mord -
maskinens språk.

(Ur Mindphaser av Frontline Assembly)

Film

Cyberpunkfilm är lite svårare att definiera; många brukar kalla Ridley Scotts Blade Runner från 1982 för den första cyberpunkfilmen, och det är inte helt fel: miljön i filmen är bitvis mycket lik det "Sprawl" som beskrivs i Gibsons romaner. Neuromancer, Gibsons mest kända verk, utkom samma år. Det är frågan om vem som egentligen var först med idéerna. En del betraktar av denna anledning Philip K Dick som skrev romanen Androidens Drömmar (1968) vilken låg till grund för manuset till Blade Runner, såsom genrens egentliga upphovsman. Det hela är därmed en definitionsfråga. En annan roman som har tydliga paralleller med Gibsons alster är John Brunners Shockwave Rider. En uförligare översikt av den litterära cyberpunkens rötter finns i förordet till antologin Mirrorshades - the Cyberpunk Anthology av Bruce Sterling.

När jag ändå är inne och kopplar litteratur och film som hör ihop med cyberpunk kan jag inte undvika att nämna William Seward Burroughs. Denne beatnikförfattare och fd knarkare har haft inflytande på nästan alla områden inom cyberpunkkulturen. Han har skrivit böcker, varav den mest välkända är Den Nakna Lunchen, där han liknar individens beroende av samhällsmaskineriet vid en knarkares behov av sin langare och olika sexuella beroendesituationer. Boken var nära att censureras i USA pga sin obscena framtoning, varav de mest extrema partierna skrevs "för mitt eget höga nöjes skull" enligt författaren. Efter en uppmärksammad rättegång där bl a Norman Mailer vittnade om att boken hade konstnärliga kvalitéer, friades den från censurhoten. Burroughs har sedan dess sysslat med musik, bildkonst och film (han lånade bland annat ut titeln till Blade Runner från en bok med samma namn han tidigare gett ut), skrivit otaliga essäer, dikter och betraktelser och gett ut ett flertal romaner varav flera lyckligtvis finns översatta till svenska.

Ett genomgående tema hos Burroghs är att han vill lösa upp gränserna för betvingande system genom att föra in kaos i systemen. Sedan Den Nakna Lunchen publicerades har han skrivit stora delar av sina böcker med cut-up tekniken, som innebär att man kan börja läsa boken var som helst och sluta var om helst och ändå få ungefär samma behållning av den. I övrigt är hans prosa en slags drömväv, ett sammelsurium av absurditeter och bilder. Den svenska författaren Sture Dahlström skriver litteratur i en liknande anda.

Den kanske mest litterärt betydelsfulla av Burroughs böcker är SF-romanen Nova Express (1964) där han lånar meningar och fraser av författare från när och fjärran för att bygga en mosaik av textfragment. 40I denna roman introducerar han också för första gången tanken att göra musik med samma metod i form av romanfiguren Subliminal Kid som blandar en ljudmix av fragment från bakgator och torg.

"Gör en tio minuters inspelning på en bandspelare -- Kör bandet baklänges utan att spela och klipp in andra ord på måfå -- På de ställen där man har klippt och spelat in nytt har orden suddats bort från bandet och nya ord har kommit i stället -- På så vis har man vridit tiden tillbaka tio minuter och suddat ut elektromagnetiska ordmönster från bandet och ersatt dem med andra mönster -- Det går att göra samma sak med tankebandet efter att ha arbetat med bandspelaren -- (Detta kräver en del övning) -- De gamla tankebanden kan suddas rena -- Magnetiskt orddamm som faller från gamla mönster -- Ord faller -- Bild faller"

(Ur Nova Express)

Man kan lätt använda Burroughs teknik för att förvränga en nyhetssida i vilken tidning som helst till ett roligt och samhälls- / mediekritiskt potpurri, här är ett exempel utfört med Svenska Dagbladet 15 augusti 1999: "För första gången sedan istiden med en varm kram, leende mot varandra under vita bygghjälmar, demonstrerar sparare i Ryssland för att försöka få tillbaka de 847 soldaterna i Sveriges första Kosovobataljon. Lucasfilm som har producerat Star Wars har möjlighet att förnya skolsystemet bland alla pratprogram i radio och TV." (Tidningsspråk är bland det enklaste att klippa ihop på detta vis, eftersom språket är så likriktat och stilfritt.) Tekniken användes även av popbandet U2 under en uppmärksammad turné 1988 under namnet ZooTV.

Tetsuo (Järnmannen) är en japansk film från 1989. Filmen sågs som en av de mest nyskapande japanska filmerna under 80-talet, med rötter i den japanska animationstraditionen - samma skola som de tecknade sk Mangafilmerna härhör från. Järnmannen handlar om en människor som får sina kroppar invaderade av maskiner; kampen mellan det goda och onda, det mänskliga och mekaniska. En av de filosofiska linjerna tycks vara att det inte spelar någon roll om man är mänsklig eller metallisk, gott och ont är begrepp som står bortom sådana ytliga faktorer. Denna film är för övrigt en av William Gibsons absoluta favoriter.

Andra filmer som har otydliga kopplingar till cyberpunkgenren är postapokalyptiska "efter kriget"-filmer som Tarkovskis Stalker eller Mad Max-filmerna, mest därför att de hör till den dystopiska familjen som skildrar förfall snarare än människans seger över naturen. Alien-filmerna skildrar ett samhälle där hela jorden, eller i princip hela universum, styrs fullständigt av ett enda företag. Ingenstans i någon av filmerna skymtar ett enda grönt blad eller en enda sekund solljus.41Man får nästan intrycket av att naturen fullständigt rationaliserats bort. Gibson i kvadrat och kubik alltså - värre kan det knappast bli.42

Blade Runner och Tetsuo är som sagt ett kluvet kapitel, men vad som är moderna cyberpunkfilmer är lite mer givet: Hardware, Robocop, Total Recall och framför allt Gräsklipparmannen och den japanska filmen Gunhed betraktas mer allmängiltigt som cyberpunk. Även den riktigt lyckade norsk-svenska (!) SF-filmen Femte Generationen kan i någon mån betraktas som inspirerad av den amerikanska cyberpunken.43 Samtliga filmer har det gemensamt att de totalt sågats av många recensenter och ändå betraktas som klassiker i sin genre och är kultfilmer bland hackare. Filmerna lyckades uppenbarligen skapa något som var så nytt att inte alla förståsigpåare förstod sig på dem.

Filmatiseringen av William Gibsons novell Johnny Mnemonic, efter hans eget manus, kan också den betraktas som ett referensverk, även om den sågades av kritikerna eftersom alla hollywoods filmskapare redan stulit alla Gibsons idéer till sina filmer; Gibson hade inget nytt att tillföra cyberpunkfilmen. När man gjorde filmen Matrix 1999 och förenade cyberpunkens teman med en filmstil som blandade lika delar av Hong-Kong fimens actionsekvenser med den japanska Manga-filmens serieliknande estetik, blev resultatet en hyllad framtidsfilm.

Cyberpunk som Ideologi

Litteratur, musik och film som sagt, men cyberpunk är trots allt lite mer än så. Den litterära rörelsen har nämligen fått låna namn åt en ideologi också, och den delen av cyberpunken är inte lika enkel. De flesta hackare betraktar sig nämligen som cyberpunkare och det hela rör sig kring information. Vi såg tidigare hur viktigt det var för amatörhackarna att kunna kommunicera fritt genom att skicka disketter med post och för högskolehackarna att kunna kommunicera via Internet. Informationens frihet är också medelpunkten i den ideologi som förknippas med termen cyberpunk. Anledningen till att man kallar denna ideologi cyberpunk är att den bland annat tog sin början som en diskussion om samhället med utgångspunkt från de dystopier som konstruerats av bl a Gibson.

Frågan är om man kan kalla cyberpunken för en genuin ideologi, eftersom den inte finns inom någon klart avgränsad intressegrupp och inte har någon ledande företrädare, men jag använder här begreppet som ett samlingsnamn för den politiska attityd som sprids inom kretsarna av nätanvändare, hackare och andra informationsaktivister. Man skulle snarare kunna påstå att det är ett tillägg som kan hakas på en redan befintlig ideologi, och definierar begreppet mental frihet. Skall man precisera begreppet cyberpunkare så som det används av de som själva kallar sig cyberpunkare blir det ungefär följande (def):

En cyberpunkare är en person i ett högteknologiskt samhälle som besitter besitter information och/eller kunskaper som den etablerade makten (eller makterna) helst hade sett begränsad till sin egen sfär.

Huvudpersonen Case i Gibsons roman Neuromancer besitter både information och kunskaper som de etablerade makterna inte vill se hos vanliga medborgare. Detsamma gäller alla typer av hackare i vårt eget samhälle. Därav kopplingen.

Till skillnad från Gibsons romanfigurer har verklighetens cyberpunkare ett moraliskt etos, en gemensam värderingsgrund som ger dem en gruppidentitet. Dessa moraliska värderingar har vuxit fram successivt sedan 60--talet. I botten av cyberpunkens ideologiska arv ligger den hackaretik som nedtecknats av Steven Levy i boken Hackers - Heroes of the computer revolution, delad på sex punkter (motton), och som på svenska ser ut såhär:

1. Tillgången till datorer - och till vad som helst som kan tänkas lära dig någonting om hur världen fungerar - borde vara obegränsad och total. Följ alltid hands-on-imperativet.

Hands-on-imperativet är en pedagogisk uppmaning som innebär att man lär sig mer om hur bl a datorer och program fungerar genom att fingra på dem, skruva isär dem och se hur de ser ut inuti. (Är det någon som har en bra svensk översättning av detta uttryck?) Miniatyriseringen av elektroniken och den höga nivå av komlexitet som dagens dataprogram har gör dessvärre detta ganska svårt rent praktiskt. Ursprungsbetydelsen kan nog omformuleras till att: Alla borde ha rätt att förstå sin utrustning på ingenjörsplanet, om de så önskar. Den svenska ABC-klubben hade hands-on-imperativet inskrivet i klubbpolicyn: "en bra lösning på problemet med kopieringsskydd är att strunta helt i det". (Ur ABC-bladet #2 1984) Kopieringsskydd retar gallfeber på vilken hackare som helst och ställer bara till problem. All modifiering, förbättring eller granskning av ett dataprogram försvåras av kopieringsskydd. Dessutom är det provocerande eftersom hackare gärna tillbringar flera dagar och veckor med att knäcka det, om inte annat så bara för principens skull.

Men hands-on har även en politiskt betydelse: fingra på systemet, besvära politiker och tjänstemän och försök förstå hur det hela fungerar rent praktiskt. (Med andra ord: social ingenjörskonst.) Dessa praktiska lärdomar är bättre än att läsa politologi och statskunskap. Hackare drar verkligen sådana paralleller till verkligheten utifrån datorer - och eftersom datorer bara är ytterligare ett system som konstruerats av människor får detta sägas vara fullt befogat.

Den här regeln är förmodligen den äldsta av alla hackarens etiska motton, säkert med ursprunget hos de första amatörradioentusiasterna från år 1915.

2. All information borde vara fri.

Motarbeta restriktioner som stoppar informationen. I förlängningen: avskaffa allt vad copyright heter, dock inte upphovsmannarätt, vilket är en helt annan sak. Du har t ex rätt att, så länge du lever, sätta restriktioner för hur "din" information manipuleras, om någon direkt går in och bearbetar det du skapat. Däremot har du ingen som helst rätt att kräva kontroll över spridningen, alltså hur program, texter, musik osv kopieras när du väl släppt dem från dig.

Kriteriet motverkar sekterism och elittänkande, du kan ha informationen antingen för dig själv, eller också dela den med alla, inga mellanalternativ finns. Små grupper av informationssyndikat, kunskapsmaffior och profitörer, skall inte få finnas. Varken mjukvaruföretag eller snikna pirater har rätt att pressa pengar ur en privatperson som bara är ute efter information, det må sedan vara kalkylprogram, böcker eller rena mentala kunskaper.

Sedan 60-talets hackare har mottot förändrats en smula: det vore dumt att offentliggöra saker om dig som du inte vill att andra skall veta. Det finns alltså viss information som rör individen själv och som hon därmed har rätt att själv kontrollera. Ett modernt tillägg lyder: Maximalt skydd för privatlivet -- minimalt skydd åt offentligheten, som understryker betydelsen av att begränsa bl a de stora personregistren. Denna vinkling har vuxit fram framför allt under starkt inflytande från libertarianismen. (Mer om detta längre fram.)

I mottot ligger en underförstådd tes om att kunskap i allmänhet inte kan ägas, något som också följer naturligt av det första mottot. Även patent är således förkastligt. Den typ av information som hotar privatlivet (vad du har för sexuell läggning etc) skall inte vara fri.

Det här mottot är kort och gott den förlängning av tryckfriheten som uppstod med datorernas förmåga att reproducera information till obefintlig kostnad.

Man kan spåra dessa tankar tillbaka till upplysningens idéer om bred kunskap som ett sätt att förbättra och utveckla samhället. Skillnaden är att man anser att även ägd kunskap; böcker och patent, urskiljningslöst skall vara fria. Denna inställning är fullständigt främmande för alla de tre statsmakterna, besatta av hunger efter makt, status och pengar som de alla är. Begreppet "dela med sig" existerar inte i maktens korridorer. Idéellt informationsutbyte -- vem tjänar pengar på det?

3. Misstro auktoriteter - främja decentralisering.

En hyllning till människans förmåga att ifrågasätta såsom central för all utveckling. Decentralisering -- små hemdatorer tillgängliga för alla istället för stora myndighetsägda datasystem -- många små företag istället ett fåtal stora -- ligger till grunden för hackarnas protester mot Microsoft m fl företagsjättar och mediamoguler som tidningen Wired. Decentralisering, menar man, ligger i informationsteknikens natur. Det ena mottot följer som en logisk följd av det andra: auktoriteter är onekligen centraliserade. Mottot finns inom såväl anarkismen som nyliberalismen och andra politiska ideologier och är påtagligt hos de flesta subkulturer (t ex ravekulturen).

4. Hackare bör bedömas efter sin hackarkonst, inte enligt suspekta kriterier såsom betyg, ålder, ras eller social status.

Människan bör bedömas för vad hon presterar, inte för vad hon kan tänkas prestera med utgångspunkt från social klasstillhörighet, klädsel, betyg, ålder osv. Var och en som någonsin sett hur hierarkierna inom ett företag eller en myndighet fungerar i praktiken förstår relevansen av detta kriterium. Detta är givetvis ingen ny tanke, men de elektroniska medierna ger möjligheten att nästan helt skärma av en människas yttre uppenbarelse genom textkommunikation.

5. Datorer kan användas för att skapa konst och skönhet.

Vilket Skulle Bevisas -- varje människa som sett de moderna konstverk, filmer och den musik som skapats med hjälp av datorer torde inse det uppenbart riktiga i detta antagande. Datorerna har i sig gett upphov till konstformerna demo och dataspel (multimedia) vilket torde understryka datorns kapacitet som kulturell katalysator. (På 60- och 70-talen var det många som skrattade sig fördärvade åt påståendet att datorer skulle kunna användas för att skapa konst, och det är från den tiden kriteriet härhör.) Den svenska upphovsrättslagen slår dessutom fast att bara konstnärligt nyskapande dataprogram skyddas av lagen, vilket innebär att en förskräcklig massa affärsmjukvara från Microsoft, Novell och andra mjukvaruföretag är att betrakta som konstverk.

6. Datorer kan förändra ditt liv till det bättre.

Mottot säger med andra ord: hänge dig åt futurism. Det är upp till var och en att själv bedöma detta. För den som hatar allt vad datorer heter torde det vara ganska svårt att svälja. För en hackare är det självklart. Att datorer generellt skulle göra livet bättre är en överdrift -- i gulfkriget användes datorer mest till att ha ihjäl människor med, och deras liv förändrades knappast till det bättre. (Om de inte var trötta på det alltså.) Men var och en får nog erkänna att det är ganska bekvämt att ha den där bankomaten på hörnet att gå till när banken är stängd...

Som ni ser är information ganska centralt i dessa sex hackaretiska fundament. Jag skall nu göra ett försök att förankra detta på någotsånär vardaglig nivå.

En allmän uppfattning om begreppet information är att det är någonting som finns på papper. Detta har nu modifierats till att omfatta videokasetter, disketter och CD-skivor. Vi talar om informationssamhället och tänker då på datorer och dataregister.

För en cyberpunkare har begreppet en något djupare innebörd: för denne innefattar information i princip alla nervsignaler som når hjärnan, kanske rentav dessutom delar av hjärnans processer i sig, och det är en förskräcklig massa mer. För denne är den perfekta informationskällan inte en dator i vanlig mening, utan helst en tänkt förlängning av konceptet virtuell verklighet, där all information från omgivningen kan syntetiseras och lagras. I Gibsons tappning kallas manicken för Simstim-däck, och det rör sig givetvis om ren science fiction44 . Optimistiska bedömare anser att en sådan klockren återgivning av verkligheten är möjlig tidigast om cirka 50 år. Jag skall återkomma till virtuell verklighet i ett separat kapitel.

En cyberpunkare ser uppenbara brister i industrisamhällets sätt att tänka och den ideologi som härstammar därur. Våra vanligaste ideologier som socialism, liberalism, konservatism etc, grundar sig på ett ganska smalt ekonomiskt synsätt. Debattörerna är oerhört fixerade vid produktionskrafter, arbete och kapital. Vårt valutasystem, som ju utgör grunden för all samhällsplanering, baserades före industrialiseringen på guld. Industrisamhällets valutasystem vilar på produktionskrafter, och det återspeglas i politiken, speciellt i kommunal- och landstingspolitik. För den fyrtiotalistgeneration (de sk "baby-boomarna") som nu sitter vid makten är detta A och O för allt politiskt arbete. Ekonomi, ekonomi och åter ekonomi, arbetstillfällen, kommunikationer och bidrag kan diskuteras i det oändliga. Miljöfrågor och värderingar kommer först i andra eller tredje hand. Det finns en generation ute på taburetterna som fortfarande tror att vi lever i ett alltigenom industriellt samhälle, och att politikens viktigaste uppgift är att säkra sveriges exportindustri. I själva verket befinner sig vårt samhälle på gränsen till det rena informationssamhället -- vad vi kallar för det postindustriella samhället.

Cyberpunkaren ser den här hållningen som direkt fjantig. En sedel är inte mer än ett papper. Det är den objektiva information man kan få från den. Den är ett papper med några symboler på. Ett papper kan inte devalveras, ätas eller bytas mot något annat om inte alla, eller nästan alla människor accepterar dess fiktiva värde. Cyberpunkaren accepterar det inte, för i informationssamhället kommer valutan inte att baseras på varken guld eller produktionskrafter, utan ren information, eller om man så vill: tillgång till kunskap, och möjligheten att utnyttja den.

Då vårt samhälle av idag befinner sig på randen till detta blir det allt viktigare att utföra teoretiskt arbete och allt mindre viktigt med materiellt bundet kapital och industrier.45 (Vilket helt enkelt innebär att cyberpunkarna, som behärskar datanäten och har många sympatisörer bland de systemansvariga på nästan alla nyckelpositioner, kommer att ta makten från politikerna -- om dessa inte tänker om.)

Redan nu har det dykt upp banker som handlar med virtuell valuta över datanätverken, exempelvis holländska Digicash eller First Virtual. Valutan är ännu inte konvertibel med vanliga valutor som dollar och kronor, men den är högst funktionell och används vid handel med ren information. Den fungerar så att du sätter in några hundra på ett helt vanligt konto i banken varefter dessa pengar kan distribueras över Internet med ett speciellt program. De kan även återlösas till vanliga pengar via samma bank. Det är alltså fullt möjligt att bedriva informationshandel med påhittade pengar som mellanled redan idag. Det är bara en tidsfråga innan beskattning och liknande frågor aktualiseras, och då är vi inne i informationsekonomin ordentligt. I USA har man t o m myntat begreppet Infonomi (eng: Infonomics) som en beteckning på det nya ekonomiska systemet.

Samtidigt lanserar kreditföretagen de sk smarta korten (eng: smart cards) som kan användas för att handla varor med enligt samma princip som telefonkorten: köpen registreras helt elektroniskt och innehållet på ditt kort försvinner på samma vis som på ett telefonkort.46 Speciellt kommer dessa att användas på varuautomater och liknande, t ex för att köpa bensin. Det fungerar inte som ett kontokort; du behöver inte slå in någon kod för att använda kortet, det är bara att stoppa i och handla. Rätt hanterade kan sådana smarta kort vara betydligt säkrare än vanliga sedlar och i princip omöjliga att förfalska. Fel hanterade kan de bli lika lätta att förfalska som telefonkorten. Ett omfattande försök med detta under varumärket Cash pågår just nu i Sverige och dess framtid är oviss.

Makten Över Informationen

Information är alltså inte bara det som matas in i hjärnan, utan också det som lagrats där, inklusive vår världsuppfattning och de arketyper som vi föds med och som hjälper oss att göra världen begriplig. Tanken härstammar från bl a Douglas Hofstadter.

De politiska cyberpunkarna säger: kopiera allt, stjäl all programvara och all information du över huvud taget kan komma över, och kopiera den till så många som möjligt. För till skillnad från produktionskrafter kan information kopieras ohejdat, och därmed sprids makten över framtida valutasystem ut över alla som har tillgång till informationen. Översatt till gammalt tänkande blir det såhär: "okej, jag kan inte ta över din fabrik (produktionsmedlet), så jag tar och kopierar den. Sen ger jag kopior till alla mina kompisar osv och sen kan du stå där med din fabrik och tro att du är något". Produktionsmedlen tappar på så vis sitt inneboende värde och en ekonomisk jämlikhet kan uppnås.47

Cyberpunkarna menar till och med att informationskanalerna genom de höga teletaxorna hålls otillgängliga för allmänhet och ungdomar just därför att förståelse människor emellan inte gynnar de stora ekonomiska makthavarna. Om telebolagen sänkte priserna på internationella kommunikationer skulle den ömsesidiga förståelsen i världen bli alldeles för stor för att vara lönsam. Det skulle också vara därför företagen så gärna vill ta makten över Internet, som ju oförskämt nog erbjuder internationell kommunikation utan någon större kostnad. Människor skulle i ett alltför kommunikativt samhälle inte göra tillräcklig nytta utan enbart se till att de fick mat för dagen och ägna resten av sin tid till sådant de tyckte var spännande tillsammans med andra människor, istället för att producera. Låt företagstopparna kommunicera internationellt men håll för guds skull de vanliga människorna borta från den stora världen. Resonemanget är ideologiskt och i princip omöjligt att bevisa. (Eller motbevisa.)

Ett annat exempel är att belysa redan befintliga ekonomiska motsättningar med cyberpunkens lampa: under hela 90-talet gnällde programvaruindustrin med Microsoft i spetsen över att de förlorar så förskräckligt mycket pengar på piratkopiering, och nu talar vi inte om några små hackare som sitter i en källare utanför Stockholm med en PC, utan om hela nationer i orienten: Indonesien och Bangladesh bland annat. I dessa länder ger man höga fan i andra länders copyrightlagar och tillverkar därför kubikmetervis med piratkopierad programvara. Det svinn detta ger upphov till uppskattas till sisådär 110 miljarder per år. Jag (och många med mig) måste erkänna att jag knappast ligger sömnlös för att Bill Gates med några miljarder i personlig förmögenhet inte får klämma de sista dollarna ur befolkningen i dessa U-länder. Detta är knappast något enkelt moraliskt problem. Det handlar om global ekonomi och rättvisa mellan länder. Vem programmerar vem? Vilket land har rätt att bestämma ett annat lands ekonomiska värdighet?

Jag nämnde tidigare hur man på den sk Scenen bytte information mot information - konstnärliga dataprogram och spel mot beundran. För en människa med sådan bakgrund, som genom ett socialt spel i tonåren insett var de grundläggande byggstenarna för vårt klassamhälle egentligen finns, är cyberpunkideologin ett naturligt steg. Det uppenbara spel mellan individer med allt vad det innebär av klasstillhörighet, politiker och direktörer är så uppenbart likt det sätt på vilket scenen organiserade sig. Man inser att det inte handlar om pengar, arbete och kapital - utan om informationshandel. Status i form av klasstillhörighet, äganderätt, bostad - alla sociala symboler - är inget annat än information. Att kontrollera informationskanalerna innebär makt och därmed status. Det är inte svårt för en gammal hackare att bli en smula cynisk.

Stora företag motarbetar enligt cyberpunken mänskliga relationer. Företag tänker inte som människor. I och med att makten är delad och de styrande männen och kvinnorna intrigerar istället för att titta utåt kan ett företag uppträda fullkomligt känslolöst. Ingenstans är känslan av en intelligens som överstiger människans så påtaglig som när man möter ett företag ansikte mot ansikte. Ingen av de anställda på ett stort företag känner sig det minsta ansvariga för företagets handlingar. Maktpyramiden inom ett större företag är lika effektiv på att ta bort de anställdas samvete som en militär organisation är på att ta bort soldaternas känsla av ansvar för sina handlingar. Företagen är snabbare, rikare och mer effektiva än världens regeringar. Denna syn på företag som komplexa individer bortom mänsklig kontroll är en gemensam nämnare för såväl cyberpunkideologi som litteratur och film inom detta område.48

En annan sida hos cyberpunken är vad man med Ladislaus Horatius d.y:s ord skulle kalla neoterisk, dvs evigt framåtsträvande med inställningen att allt nytt är bra. Speciellt tydligt märks det hos en del teknikfetischister som prisar allt det som den litterära cyberpunken vill varna för. Genetik, droger, manipulation av sinnesintryck och nu senast nanoteknik. (Nanoteknik är en teknik som innebär att man konstruerar föremål genom att manipulera enskilda atomer. Forskare på IBM lyckades med denna teknik skapa en IBM-logotype av uppradade xenonatomer.) Det mest skrämmande med denna inställning är att dessa fanatiska neoteriker är fullkomligt medvetna om hur otrevligt och odemokratiskt ett sådant samhälle skulle bli, men förespråkar det ändå - eftersom det placerar dem själva bland vinnarna.49

Till det tankekomplex som brukar förknippas med cyberpunk hör också en god portion paranoia av det slag som utvecklats av Robert Anton Wilson och som går i samma anda som tankarna om enorma konspirationer av den typ som förekommer i TV-serien Arkiv X.

Cyberpunkideologin förknippas framför allt med Michael Synergy (formodligen en pseudonym), en medarbetare på cyberpunktidningen MONDO 2000. Bland tänkarna på MONDO 2000 märks även den excentriske författaren och LSD-profeten Timothy Leary, både älskad och hatad för sina kontroversiella tankar redan på sjuttiotalet. Det skall dock betonas att de flesta cyberpunkare anser MONDO 2000 vara en tidning som bara nosar efter kitsch och nyheter för att verka så häftig och inne som som möjligt. Tidningen har dock gett rörelsen ett ansikte utåt. Den riktiga politiska cyberpunkrörelsen finns i datanätverken, med utgångspunkt från nätverket The Well i San Francisco, och utvecklas i en evigt pågående diskussion mellan användarna. Den mest namnkunnige tänkaren i detta lag torde vara John Perry Barlow. Apropå San Fransisco...

Hippier och Yippier

Cyberpunkideologin har rent värderingsmässigt drag av såväl anarkism, socialism och nyliberalism som amerikansk hippie- och yippiekultur från universiteten Berkely och Stanford i San Francisco. Jag har redan tidigare nämnt yippier, men det kan vara på sin plats att nämna även hippiekulturen, eller det som vi i Sverige förknippar med "proggkultur". Denna kultur är ett av fundamenten för den cyberpunkideologi som sprids över datanäten med San Francisco som utgångspunkt.

Hippiekulturen i USA var dels grundad i en kamp för mänskliga rättigheter, om svarta och vitas lika värde och mötesfrihet mm, dels var det en förlängning av beatnikkulturen från 50-talet, bland hippierna framför allt företrädd av poeten Allen Ginsberg, en vän till Jack Kerouac och William S Burroughs. Ginsberg hade kommit i kontakt med psykologen Timothy Leary 1960 och de båda blev förgrundsfigurer i den framväxande hippierörelsen.50 1962 släpptes Ken Keseys bok Gökboet, en roman som skrivits under kraftigt inflytande av Peyote och LSD. Kesey arrangerade offentliga LSD-partyn, sk acid-tests dit folk kunde komma och testa LSD gratis. (Det var fullt lagligt att tillverka och sälja LSD i USA fram till 1965.) En rockgrupp som brukade spela på Keseys syrapartyn var Grateful Dead, en grupp som senare blev synonym med en musikstil som kallas syrarock (eng: acid rock) och som senare blev förebilder för olika hippierockare som exempelvis The Doors och Jefferson Airplane.

Hippierna predikade sitt kärleksbudskap fram till 1970 då de mer våldsamma yippierna tog över. Sommaren 1967 räknas som en kulmen, den sk kärlekssommaren, när Grateful Dead, Simon & Garfunkel, The Who och Jimi Hendrix spelade på en festival i Monterey som filmades och spreds över hela världen. Samma år släpptes de odödliga låtarnaLight My Fire av The Doors, och A Whiter Shade of Pale av Procul Harum. Det kunde bara gå utför.

I Sverige kallar vi våra hippier för proggare (eller den nya vänstern), och de är (var?) mycket mer kommunistiska än sina amerikanska anfädrer. Detta berodde framför allt på ett stort inflytande från olika maoistiska organisationer vid svenska universitet som Clarté, KFML (Kommunistiska Förbundet Marxist-Leninisterna), De Förenade FNL-grupperna osv. Runt 1967-68 kulminerade vågen med protester mot det mesta, bland annat vid en ocksupation av kårhuset i Stockholm, och den generation som var mellan 15 och 25 år då och som nu (1999) är mellan 45 och 55 ser gärna tillbaka på tiden som en guldålder.

Huvudtanken bakom hippierörelsen var protesten mot det pågående kriget i Vietnam och organisationer som Svenska Freds- och Skiljedomsföreningen växte sig under den här perioden enormt stora. Musikgrupper som Nationalteatern eller Hoola Bandola Band blev generationssymboler. Timothy Leary var inte okänd, och LSD, Hasch och Marijhuana var inte alls ovanligt bland ungdomar. Efterhand distansierade sig den svenska delen av rörelsen från händelserna i San Fransisco kanske eftersom den renodlat kommunistiska delen av rörelsen inte ville förknippas med idéer från USA. Istället hämtades Detta fick till följd att vi efter slutet på 60-talet inte hörde av San Francisco på ett tag.

I den mån vi någonsin såg några av 70-talets yippier i Sverige var de uppblandade med den centraleuropeiska anarkismen med autonoma grupper i Holland och Tyskland (sk provos), eller BZ i Danmark. Svenska proggare var dock lite rädda för den nya aggressiva attityden; 1967 hade man ockuperat Åhléns leksaksavdelning i protest mot krigsleksaker - en typisk manifestation av den auktoritära men samtidigt pacifistiska icke-vålds attityd som rådde inom rörelsen. Man tycks ha menat att man skulle använda aggressivitet mot våld, en uppenbart paradoxal inställning som inte många förstod sig på. Charles Mansons rituella mord 1969 med avlägsen anknytning till hippierörelsen, och yippiernas våldsamma förstörelselusta, blev för mycket för sveriges lena mysproggare.51

En inte alltför ovanlig tanke om vad som hände sen var att proggarna skaffade sig jobb och om kvällarna satt hemma och tittade på TV, lärde sig att hålla käften och vara nöjda och hjälpa till att bygga folkhemmet istället för att förändra världen utanför Sveriges gränser. Eftersom vietnamkriget var över började några protestera mot kärnkraft istället för mot krig. Ända sedan dess dras vi med folkrörelser som måste ha något att protestera mot för att överhuvudtaget fungera. Hursomhelst: de värderingar och livsideal som fanns inom hippie/yippie-rörelsen har till viss del överförts till cyberpunken.52

En del skulle säkert påstå att hela hippiegrejen dog med 60-talet. Även om detta till viss del gäller för Sverige, är det en helt annan sak med USA, där konflikten gick mycket djupare och hade stort inflytande över hur det amerikanska samhället ser ut idag. I USA bottnade dessa protester i rasförtryck och politiska förföljelser som vi i Sverige aldrig sett maken till. Många medelålders amerikaner vet vad det innebär att slåss för medborgerliga rättigheter, och att yttrande- och rörelsefrihet inte är några självklarheter. I och med att USA:s större BBS:er och konferenssystem som The Well i San Francisco kryllar av gamla hippier och yippier kommer alla Internetanvändare förr eller senare i kontakt med en hippiekultur som visar såväl militanta, drogliberala som pacifistiska drag, men som framför allt värnar om medborgerliga rättigheter.

Vad många europeiska iakttagare av denna kulturform säkert missat, är den kritik mot makten, som döljer sig hos de viktigaste ideologiska företrädarna för hippierörelsen. Det är framför allt Burroughs och Leary som står för denna kritik. Leary har en av de viktigaste poängerna i sin bok The Politics of Ecstasy, där han menar att makten ständigt matar medborgarna med lättbegripliga budskap för att hindra dem från att ifrågasätta. Han menar att den kraftiga lagstiftningen mot, och fördömandet av, psykedeliska droger handlar mer om makt över människans psyke än den eventuella farligheten hos drogerna själva.

Hjältar och Skrävlare

En del cyberpunkare, framför allt hackare, vill gärna göra sken av att de distribuerar ljusskygg information till bland annat Greenpeace (en av världens mest politiskt korrekta organisationer, vilket tydligen kan få vilket hjärta som helsta att smälta), men frågan är hur mycket dessa moderna hackare egentligen förmår; hackare har nämligen en tendens att utmåla sig själva i så god dager som möjligt och hänfaller inte sällan åt rent skryt.

Det är emellertid ett faktum att hackarna i Chaos Computer Club i samband med Tjernobylolyckan spridde ut uppgifter om det västtyska kärnkraftsprogrammet som regeringen själv inte ville släppa ut. All denna information hade man kommit åt genom att att göra olagligt intrång i regeringens databaser. Men var det rätt eller fel? I laglig mening var det olagligt, men ur moralisk synpunkt? Jämför exempelvis med grävande journalistik som gräver för djupt och hamnar på fel sida lagen.

Dataintrång för det allmännas bästa har även skett i Sverige: BBS:en Ausgebombt i Vänersborg som fick en del uppmärksamhet i media, penetrerades och undersöktes av en hackare, varefter basens innehåll kunde avslöjas. Basen skall förutom den vanliga propagandan, knarkrecepten och bombritningarna även ha innehållit grov barn- och våldspornografi samt dödslistor. Detta hade förmodligen inte kommit upp till ytan utan hjälpen från hackaren. (Vem som egentligen lejde hackaren är däremot höljt i dunkel, han gjorde det tydligen inte på eget initiativ. Källa: Elvsborgs läns allehanda augusti 1993.) Även de andra politiska hackaktioner som nämndes i kapitel 4 har dimensioner som går utöver begreppen lagligt/olagligt och in i den mycket större frågan om rätt/fel. Är det inte egentligen helt rätt att förstöra propagandaapparaten för en diktatur?

Även om vi i Sverige kanske inte upplevt så många fall av rena cyberpunkaktioner, så har en del cyberpunkrelaterade brott, där små grupper tekniska ljushuvuden lagt ned massor av arbetstimmar på att konstruera tekniska hjälpmedel för informationsspridning: de piratdekodrar för kabel- och satellit-TV som en del hackare tillverkar är ett exempel, eller falska telefonkort.

Sådana hackare tänker kanske inte i första hand ideologiskt, men man kan som sagt ana vissa gemensamma värderingar: Alla satellitsändningar väller ju in över oss - men apparaten som behövs för att tolka dem vill kabelföretag och TV-stationer belägga med monopol. Jag skall alltså inte få bygga en egen hur som helst. Individens frihet blir då begränsad till förmån för stora mediaföretag - en ofrihet som kräver sitt uppror. Kanske är det rentav så att hackarna genom att testa var gränserna går visar för oss att de här gränserna verkligen finns och att det inte bara rör sig om en formsak.

En underlig egenskap med dessa hackare är att de i stort sett alltid står upp för sina aktioner och inte betraktar sig som traditionella brottslingar. När de grips för sina brott brukar de prata om att hjälpa de drabbade företagen att hitta sina säkerhetsbrister. "Vi ville visa att systemet var osäkert" är en av de vanligaste förklaringarna. Vi ser i dem Nietzsches övermänskliga natur som ser det som sin rättighet att bryta reglerna för att samhället skall ha en chans att utvecklas. En hackare med rent politiska motiv kan givetvis åberopa ännu högre syften än så.

Man måste också skilja på de som bygger piratdekodrar eller telefonkort för att tjäna pengar på dem och de som mest gör det för utmaningens skull, för att befria informationen. Den som tillverkar piratdekodrar enbart för att göra sig en hacka på försäljningen är inte ett dugg bättre än vanliga egoistiska falskmyntare. Men sedan finns det de där andra - de som bara vill sprida informationen, eller som åtminstone har flera motiv; t ex ett brinnande intresse för teknik, en jakt på spänning, en fascination. Hackarens rebellrörelse är född - informationen skall vara tillgänglig för alla; man säger till och med att den har en inneboende längtan efter frihet: Information WANTS to be free!53

När man ser hackarna ur det här perspektivet, att de försöker förmedla information och rent av påstår att den inte kan ägas, precis som Sitting Bull en gång påstod att land inte kunde ägas, och pengar inte gick att äta, börjar man kanske förstå var det sunda ligger i hackarnas cyberpunkideologi. Information - och på ett sätt är allt information - kan inte ägas. Inte heller land, arbetskraft eller kapital. Ideologiskt är det inte mycket nytt, bara ett nytt synsätt.

Hackarnas ideologi syftar inte till att skapa någon teknokrati där de största genierna härskar. Den vittnar bara än en gång om individens längtan efter befrielse från maskineriet - och en djupt liggande humanism. Vi omges av ett system av regler som begränsar vårt handlande på ett ibland ganska absurt sätt. Hackarna visar på att systemet existerar och att det varken är säkert eller oföränderligt. Kanske är det en form av anarkism, kanske är det bara någon djupt liggande längtan efter frihet, något inneboende i den mänskliga naturen, som tittar fram. Ett frö till en ideologi som givetvis är ett enormt hot mot de värderingar och ekonomiska system som håller samman vårt samhälle.

Bland cyberpunkinspirerade aktionsgrupper märks även cypherpunkarna (kallas också kryptoanarkister). Den lustiga ändringen i stavningen är inte slumpmässig utan anspelar på det amerikanska ordet för chiffer = cipher. Till viss del återknyter det kanske också till de tidigare nämnda phreakarna, som i bland ansåg att teletrafiken borde vara gratis, och utforskandet av telefonsystemet tillåtet. (Telefoni är ju också informationsutbyte.) Cypherpunkarna är mest intresserade av kryptering och har framför allt gjort sig kända för att distribuera programmet PGP (Pretty Good Privacy), ett krypteringsprogram som kodar data så att inte ens den amerikanska säkerhetstjänsten kan dechiffrera den. Den politiska makten fråntas därmed den sista möjligheten att fullt ut kontrollera vad för slags information som sprider sig i datanätverken, vilket ju är precis vad cyberpunkarna vill uppnå. Bland dessa handlingskraftiga cypherpunkare märks bland annat Eric Hughes som drivit frågorna på Internet, och de hackare som för full maskin nu producerar programmet GPG (GNU Privacy Guard), en fri kryptoprogramvara.

Cypherpunkarna försvarar också rätten till anonymitet på nätverken. Man har satt upp ett flertal anonymiseringsservrar som anonymiserar meddelanden, fördröjer dem, krypterar dem och skickar den kors och tvärs över jordklotet för att fulltändigt omöjliggöra all spårning. Deras politiska förbilder finns, liksom inom flera delar av cyberpunken, i den amerikanska libertarianismen.

Ideologiskt Arv

Om vi ger oss på att försöka analysera vad cyberpunkideologi egentligen är kan vi börja med libertarianismen. Detta är en radikal nyliberal ideologi som fordrar maximal frihet åt individen, och ställer individens rätt att tänka, tala eller konspirera (om hon så önskar) i centrum. De menar att det moderna samhället alltför mycket begränsar individens frihet. En tongivande filosof är Robert Nozick, och medlemmarna i det amerikanska libertarianistiska partiet består mest av gnälliga småföretagare. (Eller urbaniserade småborgare om vi skall vara formella.) I Sverige är nyliberalerna i allmänhet yngre, med anknytning till Frihetsfronten elle Fria Moderata Studentförbundet, som i praktiken fungerar som ett slags idéfarmer för Moderata Samlingspartiet. En annan filosofi som är mycket populär bland nyliberaler är författarinnan Ayn Rands objektivism54 som egentligen var fröet till hela den nyliberala tankeriktningen.

Det individcentrerade tänkandet inom nyliberalismen har haft avgörande inflytande på cyberpunken som ideologi. Den mest markanta skillnaden är att medan nyliberalismen ser det kapitalistiska systemet som ett neutralt instrument att befria individen från massans kontroll (arbeta och konsumera så blir du lycklig utan staten), struntar cyberpunken totalt i det kapitalistiska systemet. Cyberpunken bortser i stort sett helt från de materiella friheterna och ägnar sig åt de mentala. Som verktyg för att befria människans själ ser man informationstekniken, vad som befriar henne materiellt är mindre intressant. Till skillnad från nyliberalerna anser cyberpunkarna att företag är farliga maktfaktorer som lika väl som staten kan få för sig att begränsa medborgarnas frihet, oavsett samhällsskicket i övrigt.

I övrigt kan man märka starka influenser från anarkismen, speciellt bland hackare och teknokrater (som jag skall ta upp lägre fram). Hands-on imperativet får sägas vara hämtat från anarkismen; att man inte skall acceptera auktoritära gränser för sitt handlingsrum. Hos hackarna är detta knutet till sammanslutningar av fria människor i den anda som beskrivs av anarkistiska tänkare som Max Stirner, Pierre-Joseph Proudhon, Michail Bakunin eller Peter Kropotkin. Jämför till exempel de små grupperna på högskolorna, Scenen bland hemdatorentusiasterna och de fria diskussionsgrupperna på Internet; likheten är slående med de fria grupper i samverkan som Kropotkin förespråkade. Regeringar, företag och enorma hierarkiska organisationer står i bjärt kontrast till detta.

Att all information borde vara fri är ett nästan rent socialistiskt inslag i cyberpunken, om man med detta menar att det är fel att bygga murar kring kunskap eller att tjäna pengar på information. Om man avser tryckfrihet, är mottot grundläggande inom såväl liberalismen som reformsocialismen. Tillgången till datorer, eller vad som helst som kan lära dig något om hur världen fungerar borde vara obegränsad och total - också detta är ett mycket socialistiskt motto. Det innebär (som jag ser det) även att det borde vara skattefinansierat och därmed gratis att telefonera.

Redan efter dessa inledande exempel ser vi tydligt det kluvna ideologiska arvet inom cyberpunken. Den är i stora delar oförenlig med vanliga ideologier, samtidigt som den är anpassningsbar eftersom den bara intresserar sig för information.

Om vi jämför med Karl Marx samhällsteorier ser vi tydliga likheter. Marx menade att ett samhälles ekonomi utgick från de som gjorde arbetet: I antikens Grekland var det slavarna, under medeltiden bönderna och de livegna och i industrisamhället arbetarna (proletärerna). Genom att detta organiserades i ett kapitalistiskt system födde de lägre klasserna de överliggande. Innan vi kan förstå vad som menas med detta måste vi genomskåda myten om arbetaren: vi har lite var till mans bilden av en arbetare som den som utför tungt och slitigt jobb för taskig lön. Detta må ha stämt bra in på industrisamhället, men är mindre tillämpligt på informationssamhället.

Arbetaren är och förblir den som hamnar i botten på maktpyramiden, och som genom ett subtilt mönster av sociala förhållningsregler och inrutade arbetsuppgifter i möjligaste mån hålls borta från allt avancemang uppåt. I vår marknadseknomiska bild av världen har vi nära nog börjat betrakta det som en naturlag att hierarkier där de undre föder de överliggande alltid uppstår och alltid måste existera, och på det viset upprätthålls systemet från generation till generation. Pragmatiker inser att så inte behöver vara fallet, men låt oss för ett ögonblick utgå från att teorin om att maktpyramiden är solid och kommer att finnas kvar ännu ett tag in i framtiden.

Om vi nu applicerar detta på ett informationssamhälle, var hamnar vi då? Jo, arbetet utförs av terminalslavar, programmerare (populärt benämnda IT-proletärer) och andra som förmås jobba hårt med datorerna medan bourgeosin55 (överklassen och den övre medelklassen) sköter alla de slicka och roliga jobben, samt håvar in de grova stålarna. För att skydda sina investeringar måste bourgeoisin bygga murar runt sin information och skydda den från att hamna under arbetarnas kontroll. De informationssystem som byggs nuförtiden återspeglar detta förhållande: e-postkryptering inom företag utformas så, att överodnade vid behov kan läsa underordnades post, men inte tvärtom, Data Warehousing (ett buzzword inom IT-branchen) går ut på att sammanställa information om medarbetarnas arbete som sedan bara delges beslutsfattarna. De som arbetar på en lägre nivå i en organisation förväntas bara ha kunskap om sin sitt begränsade arbetsfält, medan de som jobbar högre upp ensamma har rätt till överblicken. Hierarkin har implementerats i form av datorprogram. Att i ett sådant läge fordra informationens frihet måste betraktas som synnerligen socialistiskt. Att piratkopiera dataprogram i stor skala, hacka sig in i maktens datorsystem osv, blir en potentiell revolution.

Där arbetarna tidigare lurades bort från sin insikt om hur världen egentligen fungerar med hjälp av religion, luras dagens bourgeoisi med spöken som marknaden och nationalekonomin. (Tidigare betonade man även moral och rättskänsla, något som fallit platt till marken efter att det sena 80-talet visade att bourgeoisin i princip saknade sådant själv.)

Slutligen har vi speciellt bland de illegala hackarna som jag nämnt, ett starkt inflytande från Nietzsche med tankar om att ett felaktigt system måste rivas ned innan ett nytt (hos Nietzsche kallat övermänniskan) kan byggas. Detta inflytande är så starkt att cyberpunkare ibland kallas Tekno-Nihilister, vilket dock är en grov generalisering. Med Nietzsche i ryggen kan hackarna motivera sig för att riva ned säkerhetsbarriärer inom såväl telefon- samt datanät för att på så vis vidareutveckla tekniken och därmed hela informationssamhället. De menar att de sjuka delarna av systemen måste förstöras för att möjliggöra ett livsvärdigt informationssamhälle. Dessa tankar kan man rent allmänt inte förneka; det är uppenbart att säkerhetsrutinerna har blivit bättre delvis tack vare hackare, och att samhället därigenom skyddats mot tänkbara angrepp från organiserad brottslighet som exempelvis maffior. Svenska företag har vid flera tillfällen informellt använt sig av hackare för att utveckla sina säkerhetssystem. Jag skall längre fram visa att polisen och militären gör detsamma.

"Du kom dem nära och gick dem förbi: det förlåter de dig aldrig. (...) De korsfäster gärna den som uppfinner sin egen dygd."

(Ur: Sålunda talade Zarathustra av Friedrich Nietzsche)

"Ja, jag är en brottsling. Mitt brott är nyfikenhet. Mitt brott är att jag dömer folk efter vad de säger och tänker, inte efter vad de ser ut att vara. Mitt brott är att jag är smartare än er, något ni aldrig kommer att förlåta mig."

(Ur: Phrack #7, The Conscience of a Hacker av The Mentor)

En rolig vinkling på det hela är att medan socialismen fordrar frihet åt produktionsmedlen (fabrikerna till folket), och liberalismen fordrar frihet åt tanken (tryckfrihet) blir detta i informationssamhället i princip en och samma sak. Cyberpunkarna kräver frihet åt informationen. John Locke, en liberal föregångstänkare, ansåg i princip att privat egendom är en del av den naturliga världsordningen. Det vet vi numera att det inte är. I själva verket har vi människor kommit överens om att det skall finnas något som heter privat egendom, och de flesta av oss gör denna överenskommelse utan att vi vet om det. Informationstekniken tar upp medvetandet om sådana konventioner på ett pinsamt påtagligt plan.

Ett exempel på detta är kontroversen med Scientologikyrkan som blossat upp på Internet. En avhoppare från rörelsen publicerade scientologernas heligaste och hemligaste dokument elektroniskt och tillgängligt för alla. Scientologerna blev inte glada, och har lyckats tjata på (och hota) de systemansvariga så att de tagit bort dokumenten som de betraktar som sin intellektuella egendom. Vilket skall gå först i ett sådant fall? Yttrandefrihet och offentlighet eller copyright? (Inte för att scientologernas papper har så högt intellektuellt värde, men ändå -- det är en principsak.)

Under 1997--98 kom stockholmaren Zenon Panoussis avsiktligt på kollisionskurs med Scientlogerna rörande detta, så han publicerade de hemliga dokumenten som av Scientologerna kallades OT:s, vilket var kurshandledningar som förde upp den aspirerande scientologen till hierarkinivån Operating Thetan, vilket är den högsta kasten inom scientologin. Senare fick han även tillgång till de superhemliga dokumenten, sk NOT:s (New Era Dianetics for Operating Thetans) vilket var den moderna varianten av kurshandledningen och kunde föra upp medlemmarna på de högsta nivåerna inom den högsta kasten. Dokumenten hade redan varit på drift bland avhoppare i flera år, men i och med Internet har de spridits explosionsartat. Panoussis postade dem till nyhetsgrupper, lade upp dem på websidor och skickade dem med e-post till den som så önskade. Sedan skrev han ut kopior på papper och lämnade kopior till riksdagen, regeringen och justitiekanslern, vilket innebar att dokumenten blev offentlig handling och kunde kopieras av vem som helst. Många jurister har menat att detta är ett oförsvarligt förfarande, eftersom offentlighetsprincipen inte skrevs med avsikten att man med den skulle kunna "tvångsoffentliggöra" hemliga eller copyrightskyddade handlingar. Men man måste återigen fråga sig: är detta en fråga om vad som är lagligt och olagligt eller är det en fråga om vad som är rätt och fel?

Vad vill egentligen cyberpunkarna? De vill ha maximal frihet åt individen, samtidigt som de vill ha en otroligt stark stat som kan garantera fria kommunikationer. Är inte detta bara att plocka de godaste bitarna ur några befintliga ideologier och konstruera ett stort populistiskt system? Nej, att betrakta cyberpunken på det viset är att återigen tillämpa samma måttstock som använts för alla andra ideologier. Cyberpunken saknar nämligen en klart utmönstrad utopi. Den är ingen genuin ideologi, snarare ett sätt att betrakta världen. Den allmänna inställningen till hur problem skall lösas är "som det verkar bäst". Att diskutera i termer av praktiska åtgärder är tämligen ointressant. Alla åtgärder är i praktiken kompromisser mellan individens frihet och massans trygghet.

I cyberpunkens natur ligger av tradition en vilja att bryta sig ur dessa begreppssytem. Det är lätt att missförstå en cyberpunkare och börja diskutera begrepp som ligger på ett helt annat plan. Man måste här betänka att en cyberpunkare inte accepterar alla värderingar som vi är så vana vid att vi betraktar dem som självklara. Du skulle t ex kunna fråga en cyberpunkare hur hon/han ställer sig till att politiker kan höja sina egna löner. Han/hon höjer kanske på ögonbrynen och frågar: "hur kan du acceptera att det finns något som kallas 'löner' ?"

En sådan motfråga är nästan tabu, och så svår att ta åt sig att man gärna betraktar personen som enbart dum i huvudet. Likväl finns det, som du nu har förstått, en tydlig tankegång bakom. (Med ett ord skulle man kunna säga att cyberpunken innehåller metafilosofiska inslag, men det är nog inte alla som förstår vad jag menar om jag skriver det.)

Det mest skrämmande med cyberpunkare är kanske just detta att de betraktar mänskligheten med en sorts ironisk distans; de ser att människorna är slavar under ett gigantiskt informationssystem, och samtidigt vet de hur lätt det är att manipulera information. För en cyberpunkare är en rik människa inget annat än en hyfsad hackare som lyckats manipulera informationsflödena till sin egen fördel. Då grundtesen inom cyberpunkideologi är att ingen information kan ägas, kan ingen människa heller vara "rik". Rikedom blir för individen bara en fråga om att manipulera information så att andra accepterar att hon/han är rik.

Cyberpunk i Sverige

Cyberpunken, främst hackaretiken och medborgarrättsrörelsen, har funnits länge i Sverige. Att hackaretiken fått sådan bred spridning bland hackare och andra dataintresserade ungdomar i Sverige beror i princip endast på en enda man - chefredaktören för hemdatortidningen Datormagazin: Christer Rindeblad. Tidningen, som närmast var en bibel för alla hemdatorintresserade ungdomar under senare delen av 80-talet, publicerade under 1987 en artikelserie om hackarnas ursprung, författad av Rindeblad själv. I #7 1987 publicerade man för första gången hackaretikens motton på svenska, och i artiklarna i övrigt kan man tydligt spåra ett starkt inflytande från denna etik. Man var öppen för diskussion på insändarsidorna och uttryckte vid ett flertal tillfällen sin ståndpunkt att kompiskopiering inte är så farligt jämfört med organiserad piratverksamhet.

"Om sanningen skall fram har nog de flesta av oss piratkopior i våra diskettlådor. (...) Visst kan man moralisera över detta, men det hjälper föga. Frågan är om det går att stoppa kompiskopieringen. En del branchfolk anser tom att denna typ av piratkopiering vitaliserar branchen. Piratkopiorna är en form av reklam. De riktigt bra programmen säljs ändå därför att folk vill ha originalet med en riktig manual. (...) Största hotet kommer från de professionella programpiraterna."

(Christer Rindeblad i Datormagazin #7 1987, ledarsidan.)

Christer, som själv är gammal hackare, måste ha fått utstå mycket ovett från databranchen efter sådana här uttalanden. Den officiella attityden från mjukvarujättarna är benhårt auktoritär och menar att all kopiering av mjukvara inte bara är förbjuden, utan också skadlig för branchen. (I praktiken struntar man i alla fall som rör kopiering i mindre skala.) Under ett tag var tidningen Datormagazin ovanligt uppkäftig trots att den i princip satt i knät på mjukvarubranchen. Senare tonade man ner hackarattityden. Numera är tidningen nedlagd.

En del högskoleföreningar, framför allt Lysator vid Linköpings tekniska högskola (som är känd för att dyrka 60-talets hackarideal) är ibland inne på cyberpunkspåret. För det mesta är det dock en smula vinklat av medlemmarnas egna politiska idéer. Sådana dataföreningar är också av tradition rädda för att alltför mycket stöta sig med etablissemanget och håller sig till lite lagom harmlösa politiska grupperingar som EFF, Free Software Foundation (se nästa kapitel) och League for Programming Freedom. (Detta började redan på MIT då högskolehackarna låste in sig på institutionen medan hippierna stod utanför och demonstrerade mot Vietnamkriget.) De underjordiska hackarna som inte behöver vara rädda om yrkesheder och status är betydligt mer radikala. Många högskolehackare har dock goda kontakter med, och sympatiserar med de underjordiska hackarna.

Det kontroversiella (och läsvärda) svenska fanzinet Flashback har ibland lite grand av cyberpunkkaraktär; bland annat publicerar man intervjuer med udda artister och politiskt omöjliga personer som Albert Hoffman och Timothy Leary, listor med namn och address på människor som begått brott etc. Huvudsakligen intresserar man sig dock mest för allmänna tryckfrihetsfrågor typ filmcensur, och publicerar material som andra medier helst inte vill befatta sig med; ungefär som Folket i Bild / Kulturfront -- fast helt utan moralisk urskiljning, och långt mindre politisk. Om det retar någon -- tryck det i så fall.

Denna tidning har också en djupt ideologisk klangbotten: det är, förvånande nog, ett medium som kritiserar media. Flashback plockar fram all den information som etablerade massmedia undviker eller sorterar bort, helt enkelt därför att det är för kontroversiellt, för osmakligt, och för politiskt inkorrekt. Flashback visar, kort sagt, att även den tredje statsmakten ljuger för oss. Exempelvis tryckte man en lista över vilka tidningar som uppbar presstöd, och hur mycket. Detta är nästan tabu i etablerade tidningar. Det vore att kritiskt granska sin egen branch, att exponera sina egna privilegier och visa vilken ekonomisk makt media i själva verket har.

När Flashback den 25 juni 1996 startade ett elektroniskt nyhetsbrev, Flashback News Agency, gick det ut till ett drygt 20-tal personer (varav undertecknad var en). Nu, 1999 har det över 80.000 prenumeranter och är utan tvekan sveriges största elektroniska nyhetsbrev. Flashback News Agency är unikt i världen på detta vis, ingen annanstans finns ett så stort och etablerat undergroundmedia. Denna expansion har också påverkat tidningens tidigare profil -- från att från början ha varit en undergroundtidning i största allmänhet, som nu breddats till att omfatta i princip all undergroundkultur som tänkas kan, den har bättre informatörer i alla vinklar och vrår av det svenska samhället, kvaliteten på språket och innehållet har ökat, och chefredaktör Jan Axelsson (som är synonym med tidningens redaktionspolicy) gör en viss, om än ytterst begränsad, moralisk bedömning av materialet.

"Att skriva om olika undergroundrörelser och subkulturer, men samtidigt ta avstånd från t ex nazism skulle enbart innebära att vår bevakning blev sämre, mer trångsynt och avsevärt mer begränsad. Det finns redan mängder av politiskt korrekta tidningar..."

(Jan Axelsson, redaktör för Flashback ur Flashback #3 1995)

Huvuddraget i just cyberpunkideologi är att man förespråkar kopiering av dataprogram samt litterära och visuella alster, dvs att man är mot copyright - att information inte kan och inte bör ägas.

Cyberpunkarna liksom nyliberalerna och större delen av anarkisterna anser att det inte finns "farlig" information -- bara farliga människor. Att som i Sverige censurera filmer för vuxna människor ses som ett förakt av den mänskliga intelligensen. Vad har auktoriteterna som klipper filmerna som inte människor i gemen har? Vad gör dem bättre? Det finns bara ett vettigt svar på den frågan: Värderingar. Cyberpunkaren har sina egna värderingar, och tänker inte tumma på dem. Alla restriktioner av information är av ondo och syftar bara till att bevara samhället så som det alltid varit, en form av statsfinansierad tankekontroll. I det här avseendet är cyberpunken kraftigt influerad av den samhällssyn som William Burroughs framför i sina böcker, om den lilla människan som insydd i ett maskineri som andra människor är roade av att kontrollera. Den yttersta spetsen mot människans integritet i detta maskineri blir givetvis censuren.

Cyberpunkaren frågar sig: Varför får jag inte se oklippta filmer? Varför får jag inte äga bombrecept och steg-för-steg anvisningar på hur man tillverkar LSD? Varför? Litar inte samhället på mitt omdöme? Om jag inte kan bedöma vad som är bra eller dåligt för min och andras hälsa, kan då samhället lita på mitt omdöme när det gäller politiska ideologier? Varför inte förbjuda farliga politiska böcker av Adolf Hitler, IRA, Timothy Leary och Jerry Rubin? Eller konstiga kvasireligiösa skrifter av Hans Scheike? Varför inte förbjuda allt som kan göra medborgare uppkäftiga mot myndigheter, och all kritisk granskning över huvud taget? Varför inte ta bort offentlighetsprincipen? Varför inte införa obligatoriska drog- och psyktester för alla medborgare med jämna mellanrum, så att vi hittar alla missbrukare med en gång? Varför lita på någon alls?

Problemet med datorer och tryckfrihet är en sprängfråga. Tryckfrihet var från början tänkt att motverka politisk censur. I och med liberalismens intåg med Locke och Voltaire på 1700-talet ansågs detta så viktigt att Sverige som andra land i världen avskaffade censuren. I tryckfrihetsförordningen år 1766 ville man främst värna om folkbildningen och hade inte en tanke på de problem med bilder, filmer, elektroniska media och tecknade serier som skulle dyka upp i vår tid. Men många av censurens försvarare ville redan då värna om "den goda smaken". Intresse av bombtillverkning, narkotikaframställning eller sexuella perversioner kan knappast kallas för god smak. Därför förordar man censur. Damer utan kläder bör man inte titta på...56

Ändå måste man nu fråga sig: Vad är det vi skall ha tryckfriheten till? Och vad skulle censuren vara bra för? Om det nu finns människor som försvarar dessa dokuments existensberättigande, vad är det då som driver dem? Med ett idiotiskt bakvänt resonemang skulle man givetvis kunna säga att de måste vara terrorister, narkomaner eller "fula gubbar". Men kanske är det inte dokumenten i sig som intresserar försvararna, utan snarare dokumentens blotta existens? Att all information är lika mycket värd och att vi inte har rätt att kollektivt sätta oss till doms över den. Spridandet av dylika dokument skulle alltså kunna vara en politisk aktion, även om det är ett brott.

Detta sätter saken i ett helt nytt ljus. Det finns alltså en politisk vilja som utgår från information som ett centralt begrepp för människans tillvaro. Genom att inta information formas våra personligheter, och myndigheterna vill genom censuren styra vår rätt att forma våra egna personligheter som vi själva vill. Det har inte längre med fördelandet av resurser och andra politiskt-ekonomiska mål att göra; det här handlar om makten över det egna psyket. En viss likhet med tankegångarna hos Noam Chomsky kan skönjas här: medierna som en fabrik ägd av stat och näringsliv som skall "fabricera samtycke" bland medborgarna.

Antag att jag läste ett antal dokument om narkotikaframställning i någon underjordisk databas. Om jag kunde dessa saker utantill, och regeringen kunde ingripa i mitt huvud, skulle de då göra det, för att återställa ordningen? Är vissa tankar "förbjudna"?

"Det finns alldeles för mycket respekt för myndigheter i samhället, det märker jag inte minst i mitt jobb. Det behövs mer civil olydnad, det är ingen större skada om man i databaserna diskuterar hur man ska lura en telefonväxel att bara debitera 23 öre istället för 13:23. Inte heller är det särskilt allvarligt att förmedla hur man gör dynamit och krut."

(Jan-Inge Flücht, socialinspektör, sysop för den legendariska BBS:en Tungelstamonitorn och handfast förkämpe för yttrandefriheten.)

Att Förbättra Människan

Inom den litterära cyberpunken förekommer ofta elektroniska inplantat i kroppen och hjärnan som ett sätt att förstärka människans fysiska och mentala förmågor. Detta är anledningen till att det bland cyberpunkarna finns en vilja att med artificiella stimuli förbättra eller förlänga kroppens funktioner. En del gör det också, men i brist på avancerad mikrokirurgi tar de till speciella droger, sk nootropiska läkemedel (eng: nootropics) eller som de också kallas: smarta droger (eng: smart drugs). Förutom de vanliga hälsokostpreparat (läs: smarta drycker) som ravare gärna stoppar i sig, använder man gärna en rad läkemedel som DHEA, DMAE, Lucidril och Nootropyl (därav namnet) som ibland sägs fördröja åldrandet, förbättra kognition, intelligens och minne osv. Det finns inga vetenskapliga belägg för att dessa preparat verkligen fungerar. Om man jämför dem med narkotiska preparat framstår de dock som tämligen harmlösa. En del skulle säkert få passera som naturmedel vid en granskning.

Att diskutera droger är alltid farligt i Sverige eftersom fruktan för droger tack vare flertalet propagandakampanjer är mycket djupt inpräntad i den svenska folksjälen. Låt oss nöja oss med att konstatera att det är politiskt korrekt att säga att man blir piggare av att dricka kaffe, medan det däremot är fruktansvärt politiskt inkorrekt att säga att man äter koffeintabletter för att hålla sig vaken. (Samma självemotsägande resonemang som säger att det är mindre farligt att dricka vin än att dricka sprit.) Själv slutade jag en period med kaffe för att istället äta koffeintabletter eller dricka Jolt-cola om jag behöver hålla mig vaken.57 Eftersom det i dagsläget inte finns något som tyder på att smarta droger skulle vara vanebildande förtjänar de samma öppna debattklimat som gäller de flesta andra hokus-pokus mediciner som säljs via damtidningarnas helsidesannonser.

En vetenskap som har anknytning till detta är kryoniken (eng: cryonics), ofta kallad kvacksalveri -- den går ut på att frysa in en persons huvud, alternativt hela kroppen, i hopp om att den i framtiden skall kunna tinas upp och återfå livet med hjälp av ny medicinsk teknik. Tekniken förekommer bl a i filmen Demolition Man (1994), där grova brottslingar straffas med nedfrysning för att ha en chans att överleva sina månghundraåriga fängelsestraff. (Den som känner till det amerikanska rättsväsendet vet att det förekommer att människor döms till fängelse i flera hundra år.) Om dessa stackars huvuden och frusna 70-åriga kroppar kommer att återuppväckas får väl i dagsläget anses ganska tveksamt. Om inte annat så visar det i alla fall att det finns några som ännu har framtidstro och litar på att vi människor fixar det mesta.

Modifikationer av den mänskliga kroppen ansluter till medicinsk cybernetik, där man bl a försöker få naturliga nervimpulser att styra proteser genom att läsa av nervsignalerna med inplanterade kiselplattor. Kanske är alla dessa tankar bara en naturlig förlängning av den fixering vid kroppskontroll som är allmänt utbredd i vårt samhälle, med plastikkirurgi, parfymer, sportmaskiner och allt vad det innebär. Människan tycks i vår tid ha en dragning till det artificiella -- gränserna mellan människa och maskin suddas ut alltmer. Var och en inser att om det plötsligt skulle bli möjligt att operera in en relativt enkel dator, exempelvis en s k PDA (Personal Digital Assistant, den mest kända typen är 3COMs Palm Pilot) i huvudet som gjorde att man alltid kunde hålla reda på exakt tid och hållpunkter i en planeringskalender, skriva anteckningar och utföra vanliga miniräknaroperationer med tankens hastighet skulle många säkert finna detta verktyg så nyttigt att det snart skulle vara kö utanför operationssalarna. (Läs mer i kapitel 12 om virtuell verklighet.)

Lägg märke till den tydliga gemensamma nämnaren: att man här återigen försöker bryta ned betvingande system. Kroppens begränsningar och livets längd. Varför acceptera dessa gränser för den mänskliga varelsen? Skulle det vara omoraliskt, onaturligt eller äckligt att förbättra kroppen? Knappast. I så fall hade Gud redan straffat de som skaffat sig en enkel pacemaker. I och för sig kan man fråga sig om det är så nödvändigt att pumpa upp bröst med silikon eftersom det inte har någon praktisk användning, men hur är det med elektroniska implantat som man verkligen har nytta av? Varför acceptera gränser - det har ju ingen varelse gjort förut. Varför skulle inte människoapan plocka upp stenen från marken och kasta den? Varför skulle inte den moderna människan med aldrig sinande kraft försöka ta sig ur skalet...?

Extropiker

En annan rörelse som uppstått i Californien är en slags halvfilosofisk framtidsfetischistisk rörelse som bäst representeras av den officiella linjen hos den dåvarande redaktionen på MONDO 2000 cirka år 1995. Extropiker är en blandning av cyberpunkare, nyliberaler (främst objektivister) och allmänt uttråkade nätsurfare. (Nätsurfare är ursprungligen en beteckning på folk som sitter uppkopplade mot Internet så ofta de kan och bara låter sig överväldigas av den enorma informationsströmmen, egentligen något av ett skällsord.)

Extropikerna utgör en slags positiv motpol till den pessimistiska cyberpunkrörelsen. Till skillnad från cyberpunkförfattarna tror man att tekniken kommer att leda till större frihet för individen och mindre förtryck. För att detta skall kunna ske måste dock fria individer ta kontrollen över den tekniska utvecklingen.

Den allmänna tanken bakom den extropiska filosofin är att den teknik som produceras i vår tid går så hastigt fram att inga statliga institutioner är snabba nog att hinna tillämpa innovationerna innan de redan är föråldrade, och när de väl tillämpas sker det på ett sådant sätt att det främjar statens makt och kontroll. Man menar därför att individen själv måste försöka förstå och ta till sig tekniken innan staten blandar sig i och saboterar hela nöjet med lagstiftning och moraliska restriktioner. I den objektivistiska filosofin anser man att människan bara skall lyda en röst, nämligen sin egen, och att individen ständigt måste slåss mot kontrollerande övre makter.58

Filosofin är även i många stycken nedärvd från Timothy Leary som i sina böcker menade att staten ville förbjuda psykedeliska droger främst för att de minskade statens kontroll av individen, och inte för att de var farliga. Bland nyliberaler i allmänhet (och extropiker i synnerhet) är denna syn på staten mycket vanlig. Till skillnad från nyliberaler är extropiker intresserade av annat än bara legalisering av droger och en minimering av den statliga makten, exempelvis DNA-manipulation, nanoteknik och kryonik.

När det gäller andra områden inom cyberpunkfilosofin, exempelvis konfliken om Intellektuell Egendom (copyright) är man dock ensidigt förespråkare för människans rätt att äga information, åtminstone den som man själv direkt eller indirekt producerar. Detta beror främst på en lång tradition inom amerikansk liberalism som började i och med koloniseringen i Amerika. Symbolerna för denna liberalism är taggtråden och handeldvapnet -- rätten att äga ett landområde och att försvara det. (Från bland annat indianer och andra barbarer.) Således befattar man sig högst ogärna med de som förespråkar förändringar i copyrightlagarna.

På det hela taget påminner extropikerna om en slags digital variant av New Age rörelsen, men det är knappast en definition de själva skulle hålla med om. Bland svenska tidningar som anammat den här typen av budskap märks Dolly (1998) namngiven efter det klonade fåret Dolly som rönte stor uppmärksamhet i media och M2 (1999) som bland annat startades av nyliberalen Christian Gergils.

EN ELEKTRONISK INTRESSEORGANISATION

Historien om hackarna, phreakarna, teleföretagen och rättvisan berättas (med utgångspunkt från amerikanska förhållanden) i Bruce Sterlings The Hacker Crackdown (1992). Anledningen till att denne science fiction författare skrev hackarnas historia, är just det jag med mitt resonemang hittills velat visa: att elektroniska kulturområden överlappar varandra. Det hela började när den amerikanska säkerhetstjänsten USSS (United States Secret Service) 1990 försökte vingklippa den underjordiska hackarrörelsen, och i några fall gick långt utanför gränserna för polisiära ingripanden.

Man ville verkligen klämma åt hackarna, som på bara något fåtal år vuxit sig enormt starka, genom att göra ett landsomfattande nedslag (eng: crackdown, därav titeln på boken) och slå de odisciplinerade hackarna ordentligt på fingrarna en gång för alla. Lära dem en läxa, helt enkelt. Nedslaget fick kodnamnet Operation Sundevil.

Secret Service stormade in hos amerikanska tonåringar och tog med sig allt elektroniskt. Datorn, printern, CD-spelaren, bergssprängaren, moderns och faderns datorer, rubbet. Inte nog med det: man tog också manualer och allt som kunde likna manualer: science fiction romaner och vanliga CD-skivor till exempel.

Var och en kan säkert räkna ut vad som händer om man tar ifrån en hackare alla hans/hennes apparater. Han/hon blir helt enkelt fullkomligt maktlös, utan möjlighet att hålla kontakt med sina vänner eller uttrycka sig i öppna elektroniska möten. Hackarna blev alltså inte bara vingklippta; de fick munnen tilltäppt också. Detta var givetvis precis vad USSS ville, och antagligen hade ingen brytt sig - inte ens Bruce Sterling - om man nöjt sig med att rannsaka hackare. Många hackare som greps under nedslaget kom att dömas till straff som innebar att de inte fick använda datorer under en viss tidsrymd.

Den första mars 1990 begick emellertid USSS ett misstag: man tog sig in hos spelföretaget Steve Jackson Games i Austin och beslagtog alla datorer man kunde hitta, inklusive en vars hårddisk innehöll ett alldeles nytt spel: GURPS Cyberpunk. (GURPS står för Generic Universal Role Playing System, på svenska ungefär: Övergripande Universellt Rollspelssystem, ett system som utvecklats av Steve Jackson Games för att underlätta byte mellan olika rollspel utan att byta rollspelssystem.)

Steve Jackson Games tillverkar alltså rollspel, och rollspelet GURPS Cyberpunk var skrivet av en hackare som gick under namnet Mentor (han heter egentligen Loyd Blankenship) och som jobbade som författare vid företaget. När företaget krävde att få tillbaka datorn, eller åtminstone filerna till GURPS Cyberpunk (som snart skulle lanseras på marknaden), nekades de detta, bland annat med motivationen att det inte var ett spel utan en manual för databrott. Mentor var ju själv hackare och hade skrivit ett alldeles utmärkt och realistiskt spel som handlade om att bryta sig in i olika datasystemen. Spelet ansågs farligt.

Alla som har sett ett rollspel vet dock att det är frågan om en sorts böcker som används som faktaunderlag för spelen, där spelarna försöker leva sig in i en annan värld. GURPS Cyberpunk var alltså en BOK, utgiven på ett förlag, med ett ISBN-nummer som alla andra böcker. Det faktum att den amerikanska säkerhetstjänsten försökt stoppa en bok helt enkelt därför att innehållet ansågs vara för farligt sågs inte med milda ögon av USAs rättframa medborgare. Tryckfriheten är även i USA inskriven i grundlagen, och ett fantasibetonat rollspel som GURPS Cyberpunk har formellt sett samma rätt att existera som t ex New York Times, oavsett om det lär ut databrott eller inte - så länge det inte uppviglar.

Efter en tids uppståndelse kring fallet med Steve Jackson Games bildades Electronic Frontier Foundation (EFF), ledda av bland annat Grateful Deads textskrivare John Perry Barlow,59 och ekonomiskt understödda av framför allt Mitch Kapor (som var en av dem som skrev kalkylprogrammet Lotus 1-2-3). Organisationen understöddes av engagemanget bland användarna i det elektroniska konferenssytemet The Well som startats av tidningen The Whole Earth Review i San Francisco. WELL är en förkortning för Whole Earth 'Lectronic Link, och fungerar i princip som en jättestor BBS med kopplingar till Internet. (The Well betyder rakt översatt även kunskapskälla.) Många av användarna av The Well är gamla hippier och Grateful Dead-fans som sätter yttrandefrihet och demonstrationsrätt högt. Många är vad jag kallar högskolehackare, ingenjörer eller programmerare. Kombinationen hippie-programmerare är inte alls ovanlig på The Well. Jag nämnde tidigare att det var vid univeristeten kring San Francisco som hippiekulturen växte fram. Betrakta t ex Mitch Kapor -- innan han började tillverka affärsmjukvara var han meditationslärare.

San Francisco är nästan ett kapitel i sig. Det betraktas som den elektroniska världens Mekka. Där finns universiteten Berkeley och Stanford och hela området omges av Silicon Valley. Den största delen av all modern datateknik har kommit från San Francisco. Det var här den första hemdatorn Altair byggdes, och härifrån kommer Apple, Xerox, Adobe, EFF, The Well, Whole Earth Review, Wired och MONDO 2000. Alla former av elektronisk populärkultur har i princip uppstått här. Det var också här Virtuell Verklighet marknadsfördes för första gången. Samtidigt skulle jag nog vilja påstå att San Franciscos rykte är en smula överdrivet. Det handlar lika mycket om amerikansk attityd och marknadsföring som verkliga kunskaper, och de kunskaper som datortekniken bygger på har forskats fram över hela världen, men det är en naturlig knytpunkt för såväl amatörer som proffs inom databranchen. Speciellt Silicon Valley har betytt mycket med sina tusentals uttråkade övre medelklassingenjörer som bara väntar på att något skall hända på den elektroniska fronten, ett område där det finns enorma varuhus som bara säljer elektronik till förtag och hobbyister. Det är sådana människor som utgör den hårda kärnan i EFF.

EFF har goda kontakter inom hela den amerikanska program- och hårdvaruindustrin och hävdar människans elektroniska rättigheter. Organisationen beskyddar inte hackare, som man ofta får höra, utan hackarens rättigheter. EFF är alltså en medborgarrättsorganisation. Ideologiskt är man liksom cyberpunkarna kraftigt influerade av libertarianismen men i flera frågor, exempelvis när det gäller "intellektuell egendom", hamnar man på rak kollisionskurs med dessa. Jag skall nu försöka belysa hur hoten mot våra medborgerliga rättigheter och vår personliga integritet ser ut i ett informationssamhälle.

Rätten att Kommunicera

EFF menade (och menar) att det är kränkande att ta ifrån en människa hennes dator. Lika kränkande faktiskt, som att ta ifrån en människa rätten att använda penna och papper. En hackare är van vid att använda sin dator för att kommunicera med omvärlden via BBS:er, via Internet osv. Att ta datorn från en hackare är som att ta skrivmaskinen (ordbehandlaren, papperet och pennorna) från en författare. EFF stämde USSS för brott mot reglementet i samband med raiden mot Steve Jackson Games -- och vann. Organisationen arbetar nu för att rätten att uttrycka sig elektroniskt skall skrivas in bland de medborgerliga rättigheterna i den amerikanska grundlagen.

Kort sagt: en datorbrottsling borde kanske inte hindras från att använda datorer (det gör ju alla nuförtiden) utan från att begå fler databrott. Man vägrar inte falskmyntare att jobba på ett tryckeri - man lär honom att låta bli att trycka falska sedlar. Rätt använd är även den illegale hackarens kunskap värdefull för samhället.

Integritet

EFF har sedan grundandet expanderat och för nu en allmän debatt om datorer datorer och människor i ett framtida informationssamhälle. Man vill värna om individens rätt att slippa registreras och kontrolleras av myndigheterna bara för att möjligheten öppnat sig i och med datorns intåg. Man förespråkar därför också användandet av krypteringsprogrammet PGP som jag nämnde tidigare. Varför? Jo, SÄPO (eller någon annan människogranskande organisation) skulle inte kunna kontrolläsa all post som skickas i Sverige. De skulle inte kunna läsa all elektronisk post heller. Men de skulle (om de ville) kunna sätta en snabb, effektiv dator till att leta igenom all elektronisk post efter vissa nyckelord, för att på så vis snabbt kunna komma nya, politiska grupper på spåren. (Det är utomordentligt enkelt att programmera ett sådant program, jag skulle faktiskt kunna göra det själv.) Säg att varenda elektroniskt brev som innehöll orden "REVOLUTION", "VAPEN" eller "SAMHÄLLE" i någon kombination kopierades och skickades till en granskare. Du skulle inte märka något. Det finns en seglivad myt om att amerikanska underrättelsetjänsten redan har ett sådant världsomspännande avlyssningssystem för e-post, fax och SMS vid namn Echelon. Det återstår att bevisa om detta verkligen existerar eller bara är ytterligare en konspirationsteori.

Just av denna anledning bör man, enligt Philip Zimmerman, programmeraren bakom PGP (Pretty Good Privacy, som jag nämnde tidigare), kryptera sin post så att ingen utomstående kan läsa den.

Givetvis skulle vi i det demokratiska Sverige förbjuda inhemska organisationer att göra sådana hemska saker. Ändå kan det finnas anledning att kryptera sin post. Varför?

För det första: det finns andra än SÄPO och Lokala Skattemyndigheten som kan vilja veta om du skriver något olämpligt. För det andra: litar du på myndigheterna? Varför i så fall inte skicka en kopia av alla dina personliga brev till dem så att de vid behov kan kontrolläsa dem, så att de säkert vet att du inte håller på och konspirerar? Vad har du, en samvetsgrann medborgare att dölja? Varför inte låta polisen leta igenom ditt hus efter olagliga vapen? Varför inte genomgå lögndetektortest regelbundet? Ni förstår nog var jag vill komma -- krypteringen skyddar individens privatliv från myndighetsintrång. 60 Ur myndigheternas egen synvinkel kan detta argument -- att man skall skydda sig från deras övervakning eftersom de till syvende och sidst inte är pålitliga -- aldrig godtas. Den argumentationen måste föras utanför den parlamentariska sfären.

Ståhejet kring PGP började den 10 april 1991 då den amerikanska kongressen uttalade sig om krypteringsprogram. Man sade i klartext att man förväntade sig att alla som tillverkade krypteringsutrusning av något slag skulle bygga in bakdörrar så att myndigheterna vid behov kunde gå in och läsa den krypterade informationen. Budskapet var skrämmande: ha gärna hemligheter -- men hemlighåll inget för myndigheterna. Strax efter detta for Zimmermans kollega Kelly Goen runt i San Francisco och kopierade PGP till olika BBS:er via telefonautomater(!). Han menade att det stred mot principerna för förenta staternas konstitution och gjorde det för att skydda det amerikanska samhället från totalitär övervakning av medborgarna. Runt 1995 utfärdade EU ett liknande direktiv till Europas stater, dock med det explicita undantaget att detta bara gällde kommersiella produkter; exempelvis det fria kryptoprogrammet GPG (GNU Privacy Guard) som utvecklats i Tyskland under ledning av Werner Koch, eller den krypterade kommandotolken LSH, som utvecklats i Sverige av Niels Möller m fl, omfattas inte av exportrestriktionerna. När det gäller program som utvecklats av företag får inte ens fria program exporteras, detta har bland annat drabbat linköpingsföretaget Idonex som i sin fria webserver Roxen byggde in stark kryptering.61 Varje gång detta program skall föras ut ur landet fordras exporttillstånd. (Amerikaner är mycket känsligare för sådana här saker än vi svenskar -- tack och lov, skulle jag vilja säga.)

Kryptering är förresten inget uttalat amerikanskt. Vi i Sverige har varit med i chifferleken minst lika länge. Redan under andra världskriget dechiffrerade vi tyskarnas kommunikation genom Sverige. 1984 gjorde "experten" Ragnar Eriksson och hans kompisar på SÄPO ett krypteringssystem som de med regeringens goda minne fick lov att sälja tillsammans med annan säkerhets "know-how". Tyvärr var systemet värdelöst eftersom SÄPO aldrig haft några krypteringsexperter värda namnet, vilket medförde att ingen ville köpa systemet.62

De som sysslar professionellt med kryptering (alltså inte SÄPO, utan militären och universiteten) råkar alltid ut för uppkomlingar som tror att de kommit på världens bästa krypteringssystem. Gemensamt för dessa uppkomlingar är att de vill hemlighålla sitt system eftersom de tror att de är så fantastiskt smarta att ingen människa någonsin tidigare varit inne på samma tankegångar. Alla proffs lämnar ut sina algoritmer (principer för kodning) och berättar hur systemet fungerar; om systemet är bra nog kan ingen knäcka chiffret även om de vet hur det fungerar. Exempel på sådana system är DES (Data Encryption Standard, Standard för datakryptering), Blowfish, El-gamal eller IDEA (International Data Encryption Algorithm) som används i PGP. (SÄPO ville inte lämna ut sin algoritm...) Varken DES. Blowfish, El-gamal eller IDEA är oknäckbara algoritmer -- det är bara det att det skulle ta några miljoner år för dagens datorer att göra det med de tekniker för dechiffrering vi känner idag.

Som ett belysande exempel kan jag nämna ett väldigt vanligt nybörjarkrypto som går ut på att addera en rad slumptal till en digitalt lagrad text. Detta hade varit väldigt svårt att knäcka om meddelandet inte vore längre än slumtalsserien, men på en längre text kan man lätt trolla bort denna slumpmässighet på samma sätt som man filtrerar bort brus från en radiosignal.

Sverige Vaknar

Redan idag har den svenska polisen gjort sig skyldig till tvivelaktiga handlingar på yttrandefrihetens område. Man har beslagtagit BBS:er, som faktiskt används bl a som utväxlingsplats för privat elektronisk post, och antagligen också läst den privata post som funnits i dessa. Detta har man gjort för att BBS:erna misstänkts för att sprida piratkopierade datorprogram. Detta kan jämföras med att läsa igenom all post i en av postverkets gula lådor bara av misstanken att det någonstans i denna låda döljer sig information om ett brott. Skulle du vilja att din post blev läst, bara för att den råkat hamna i samma låda som ett brev från, låt säga, en organiserad biltjuvsliga? (Jag vet inte ens om polisen har rätt att göra sådana saker, men jag tycker inte om tanken.)

"Gudbevars!", säger polisen, "de som använder en BBS är ju hemska hackare! Det har väl inget med vanliga hederliga människors privatliv att göra?"

Det var ju för väl så att de var hackare, och inte judar eller invandrare utan vanliga hederliga hackare som vi alla vet är så hemskt kriminella. Hundratals BBS-användare, helt vanliga ostraffade svenskar, har alltså fått sin rätt till privatliv upphävd genom att de faller under det minst sagt luddiga begreppet hackare? Och polisen bekymmrar sig över att de hittat krypterat material i BBS:erna som är svårt eller omöjligt att läsa. Jag tycker verkligen synd om dem. (OBS! Ironi ;-)

Betänk att dagens BBS:er i framtiden kommer att ersättas av Internet, och där är det tänkt att även du skall skicka din post. Vad kommer att hända då? Ska vi ha poliser som springer och provläser post och beslagtar stora mängder brev om de misstänker att det döljer sig något olagligt i högen?

Men, men... Polisen följer bara lagen, och enligt lagen skyddas inte elektroniska dokument eller elektronisk post av tryckfriheten. Förhoppningsvis skyddas de av yttrandefriheten, men inte ens det är säkert. Allt här är mycket luddigt och ingen tycks veta vad som gäller. Lagstiftning är på gång.

Med tanke på alla hot mot integriteten vill den observante medborgaren givetvis skydda sig mot övervakning och skaffar sig därför ett krypteringsprogram. Den amerikanska underrättelsetjänsten tyckte ett tag att man skulle använda deras "Clipper-chip" istället för egna krypton. Det är ett mycket bra krypteringsprogram i form av ett chip, som (enligt dem själva) bara underrättelsetjänsten har bakdörr till.

Utöver dessa rena avlyssningskontroverser kommer de saker som medvetet eller omedvetet används för att underlätta identifiering av datoranvändare. Exempel på detta är de serienummer som finns på nätverkskort och bland annat användes för att lokalisera David Smith efter melissaattacken (se kapitel 4) och det serienummer som präglas i Pentium III-processorn och som bland annat skall kunna användas för att lokalisera stulna datorer.

Ett annat sätt att använda sig av kryptering (förutom att göra sin post oläslig) är att förse meddelandena med sigill - en slags elektronisk kontrollsumma som matematiskt kan visa att avsändaren är den rätta och att innehållet inte förändrats. På det viset kan man massdistribuera elektroniska tidskrifter utan att det går att "klippa" i dem, i varje fall inte utan att det märks. Denna metod används av bl a bankernas transaktionssystem SWIFT.

Den som är intresserad av tekniken bakom kryptering rekommenderas läsa någon bok i ämnet eller leta dagsfärsk information på Internet. Amerikanska kryptoforskare (som Zimmerman) övervakas av militär säkerhetstjänst. (Jag vet inte hur det är med svenska forskare.) I vissa länder, t ex Frankrike, är all kryptering förbjuden för privatpersoner.

Svenska Rättigheter

Hur är det med de medborgerliga rättigheterna i Sverige och resten av Europa? Behövs det en organisation som EFF även här hemma? Kanske -- speciellt med tanke på att europeisk polis lär sig bekämpning av elektronisk brottslighet genom att tjuvkika på USA. Även i Sverige har polisen beslagtagit dels datorer och disketter, men även tidningar, tröjor och printrar på amerikanskt manér. Den amerikanska polisen visste inte vad de skulle göra med allt de beslagtog -- och det vet inte den svenska polisen heller. Inte så konstigt att det tar näst intill oändligt lång tid att reda ut hackarnas brott så mycket skräp som brottsutredarna samlar på sig som bevismaterial. När jag inventerade min egen diskettsamling på drygt 200 disketter tog det mig en dryg månad, och jag tog bara ytterst knapphändiga uppgifter på varje fil. En brottsutredare måste vara enormt mycket mera noggrann om hans bevis skall hålla i rätten, och en välsorterad hackare kan i värsta fall ha tusentals disketter. Med de rent astronomiska informationsmängder som en CD-skiva rymmer kompliceras detta givetvis ytterligare.

Handläggningstiderna för åtal mot hackare är värre än de för flyktingar, med den skillnaden att dessa åtal till slut avskrivs. I den mån hackarna någonsin ser sina beslagtagna datorer igen är de oftast uråldriga och har förlorat allt värde. Polisen förvarar ännu datorer som beslagtogs för sex år sedan.

I många fall betraktas hackarnas datorer mer som brottsverktyg än som kommunikationskanaler. Även svenska hackares yttrandefrihet har naggats i kanten vid polisiära nedslag -- sedan må de vara brottslingar eller inte. Kom ihåg var Cervantes befann sig när han skrev Don Quiotte. (I fängelse.) Borde man ha tagit penna och papper från honom bara för att han var brottsling? I åtminstone ett fall har även den svenska polisen anmälts för brott mot yttrandefrihetslagen och informationsfrihetslagen.

Redan 1984 konstaterade rikspolisstyrelsen att det kunde orsaka olägenheter om man beslagtog utrustning, och att detta endast skulle ske i undantagsfall. Idag är det mera regel än undantag. Om man kunde följa sina egna direktiv som innebär att man helst skall ta kopior av informationen och låna ut dessa till den drabbade, hade situationen varit mycket behagligare för båda parter. I så fall hade hackarna sluppit se sina datorer i förvar i årtionden i polisens magasin.

Vi har också en lagstiftning som innebär att utrustning som använts vid brott kan anses förverkad, dvs att en dator som använts till brott förstörs eller säljs. Detta är kanske vettigt när det gäller specialtillverkad utrustning som dyrkar, blå lådor och andra direkta brottsverktyg, men datorer? Om en skrivmaskin använts i brottsliga syften är den alltså förverkad? Tillåt mig vara en smula skeptisk. Vi skall väl ha lite yttrandefrihet också?

Informationsåldern har nu medfört att somliga brottsåtal mot spridande av specifik, skyddad information blivit fullkomligt ohanterliga. Slås ni nu av samma tanke som jag? Att detta spelar cyberpunkarna i händerna? Om nu information verkligen kan ägas -- kan vi i så fall skydda dess upphovsrätt på något vettigt sätt? Eller är vårt gamla samhälle på väg att förändras vad beträffar upphovsrätt?

Lugn, det finns bot för allt detta. Datorer är väldigt bra på att kontrollera stora mängder information, och det snabbt. Organisationen BSA (Business Software Alliance, en sammanslutning av företag inom mjukvaruindustrin) är uppenbarligen beredda att låta ett dataprogram som heter Search II vittna i processer mot företag som misstänks för piratkopiering. Programmet fungerar så att det läser av en dators hårddisk och registrerar vilka program som finns installerade. Anledningen till att man gör detta istället för att beslagta företagens datorer är att företag, till skillnad från hackare, för ett djävla (ursäkta uttrycket) liv om man tar ifrån dem alla deras datorer. Så långt allt väl.

När företag och (ibland) privatpersoner grips för piratkopiering anlitar polisen som sagt organisationen BSA, och deras program Search, som teknisk expertis. Det är ganska underligt att BSA, som företräder käranden i målet, anlitas för att samla bevis. Minst sagt underligt. Tillåt mig nu spränga in en liten provokation som kanske får dig att tänka i nya banor:

Fråga: Vill vi att datorer skall vittna mot företag och individer?

Fråga: Varför inte låta datorer sköta hela rättskipningen? Automatiskt, kraftfullt, kostnadseffektivt - finns i alla färger - inga krångliga förhör och uppskjutna rättegångar...

Personligen anser jag att vi inte bör låta datorer vittna förrän de är minst lika intelligenta som människor. Men om en människa kan gå ed på att en dator talar sanning, så OK. Vi har ju redan sedan länge låtit föremål agera vittnen, eller bevismaterial som vi säger. Allt bevismaterial måste dock tolkas av en eller flera människor innan det får någon praktisk innebörd. Till saken hör att datorer är bevismaterial som har en hittills oöverträffad förmåga att ljuga i och med att de låter sig manipuleras hur som helst av vem som helst. Elektronisk rättsskipning tycker jag att vi skall ta det lugnt med ett tag framöver -- risken för rättsröta är uppenbar.

Frågan om datorer som håller koll på människor är nämligen lite värre än den verkar -- informationsteknologi kan om den används på rätt sätt förhindra eller helt eliminera vissa typer av brott. Vill vi egentligen det? Vill vi ha en intelligent alkoholmätare på bilen som talar om för oss att vi inte får köra? Det kommer kanske att lagstiftas om den typen av övervakning av våra körvanor. Vill vi att mottagaren av ett telefonsamtal alltid skall kunna veta vem vi är?

Exempelvis finns det ett program som heter Net Nanny, alltså en barnvakt för Internet. Den kan programmeras att övervaka barn som kommunicerar via Internet och kopplar omedelbart ned förbindelsen om en "ful gubbe" börjar fråga efter namn och telefonnummer. Även om syftet kan tyckas behjärtansvärt kan man fråga sig vad som skulle hända om en aldrig så välvillig regering började förse medborgarnas kommunikationer med sådana filter. Jag menar, varför inte dra ur kontakten om någon börjar prata om vissa typer av sprängämnen eller använda för många våldsamma ord -- bara i fall att... En intressant episod jag hörde talas om var när en gymnasieelev upptäckte att en engelsk version av Net Nanny installerats på skolans datorer. Programmet censurerade för glatta livet, så texter som innehöll ord som "slut" och "slutsats" ("slut" = amerikanskt uttryck för "slyna") blev helt sönderklippta, förvirrande och oläsliga. Scientologisekten använder sedan en tid tillbaka just en modifierad version av Net Nanny för att hålla sina medlemmar borta från allt material som är kritiskt mot sekten, filtrera bort kritisk e-post etc.

Till skillnad från en polis är datorn överallt, alltid och i princip gratis. Skall vi låta vår möjlighet att välja mellan att lyda eller strunta i lagen elimineras av datorer? Skall datorerna bli vårt kollektiva elektroniska samvete, och ge oss en elektroniskt övervakad utopi där brott inte förekommer eftersom de inte kan begås? Det är inte en så lätt fråga som man kan tro, om man tänker efter en stund... EFF och flera andra organisationer menar att det är omänskligt att ta ifrån människan hennes rätt att vara olydig. All social kontroll över människan har nämligen hittills bottnat i självkontroll, något som mekaniseringen hotar. Det finns här en risk för att principer börjar upprätthållas enbart för att de programmerats på det viset. Det är bland annat detta Paul Verhouens cyberpunkfilm Robocop handlar om - mekaniska varelser som med outsinlig effektivitet tuktar medborgaren till lydnad. I filmen Demolition Man visas hur man använder datorer för att tvinga på människor "moraliskt" språk.

A = Anders
B = Bilen

A: Hej Bilen.
B: Hej Anders.
A (Hoppar in i förarsätet): Nu bär det av...
B: Ett ögonblick Anders, jag tycker du låter konstig på rösten, du har väl inte druckit?
A: Nej då.
B: Det är nog bäst att du blåser innan jag låter dig köra någonstans.
A: Ska det vara nödvändigt?
B: Ja.
A: Okej då... (Tar upp en plastblåsa och blåser med den i munstycket på instrumentbrädan)
B: Försök inte med mig, Anders. Det där var inte din andedräkt. Skall jag ringa efter en taxi?
A (På väg ut ur bilen, uppenbart irriterad)

Yttrandefrihet

Och hur är det nu med yttrandefriheten? Har en elektronisk bok lika stort existensberättigande som en som är tryckt på papper? När chefen för datainspektionen Anitha Bondestam uttalade sig om att de lätt barnsliga textfiler som finns på en del BBS:er och som beskriver hur man tillverkar bomber och vapen skulle kunna vara olagliga - såg vi då lika kritiskt på detta som om hon sagt att böcker som beskriver dylika anordningar skulle kunna vara olagliga?

Upplysningsvis kan jag avslöja att det inte alls är olagligt att skriva böcker om hur man tillverkar bomber - bara man inte uppmanar läsarna att tillämpa kunskaperna. (Är man militär och skriver en sådan bok för internt användande som uppmanar läsaren att använda kunskaperna, blir man kanske rent av befodrad.) Det är kanske moraliskt tvivelaktigt, särskilt som läsarna ofta är tonåringar, men det är definitivt inte förbjudet. Dra t ex en parallell till Hembränningsboken som beskriver hur hembränning går till i detalj. Den är inte förbjuden. Datainspektionen säger mycket konstigt som verkar ha väldigt lite med deras verkliga uppdrag som myndighet att göra.

Datainspektionen gör väldigt mycket bra. Framför allt värnar de om offentlighetsprincipen och individens rätt till privatliv, att man har rätt att veta var man registreras osv. Problemet är att de i sin iver ibland tar på sig rollen som sedelärande moraltempel, och det är inte deras uppgift.

Föreningen för grävande journalister med Anders R Olsson i spetsen har länge drivit en linje som påminner om EFF:s idéer. Detta började så vitt jag har förstått det med en bok som Anders gav ut 1985 och som hette Spelrum. I denna beskriver han den komplicerade statsapparaten och viljan att kontrollera individen på ett medryckande och agiterande sätt. Det William S Burroughs skriver på Hcg-hyllan skriver Anders Olsson på Occ-hyllan, för att uttrycka det lite förenklat. Han bygger inte sina teorier på libertarianismens idéer om människans frihet, utan snarare på en beskrivning av maskinen som han kallar AB Sverige som den stora, kontrollerande samhällsmekanismen som byggs upp av byråkrati och (den goda) viljan att kontrollera människor.

Anders har också agiterat för att journalister skall ta hjälp av hackare för att ta sig in i, och undersöka statsmaktens och andra organisationers slutna datasystem. Som jag beskrev i förra kapitlet skedde detta också i fallet med BBS:en Ausgebombt i Vänersborg. I sin bok Yttrandefrihet och Tryckfrihet menar han att det är fullt motiverat att hacka sig in i datorer som tillhör företag, myndigheter och andra organisationer för att skaffa fram uppgifter som är av allmänt intresse. Han betonar att det är syftet bakom handlingen, inte handlingen i sig, som är det centrala. Han menar att grundlagsskyddet för anskaffandefriheten i tryckfrihetsförordningen och yttrandefrihetsgrundlagen skyddar den hackare som letar efter uppgifter för publicering.

Anders har nyligen publicerat en ny bok om informationsfrihet: IT och det Fria Ordet -- Myten om Storebror, där han visar på hur rädslan för insyn kan utnyttjas för att dölja mer än vad som behöver döljas; han avdramatiserar de stora dataregistren och visar att det är ganska svårt att "veta allt om en människa" med dess hjälp. Istället pekar han på en ny fara -- att man insynsskyddar information som borde vara offentlig genom att påstå att den är integritetskänslig. Han definierar även fyra användbara termer som jag tolkar så här:

Yttrandefrihet och Tryckfrihet: rätten att uttrycka sin åsikt i etern och i medier utan att riskera att bli tystad eller åtalad. (Ex: förbud mot upplösning av demonstrationer o dyl, förbud mot förhandscensur av böcker och tidningar.)

"Privacy" eller Privatlivets Helgd: rätten att slippa insyn i sitt privatliv från myndigheter eller andra maktorgan. (Dataregister, drogtester, kroppsundersökningar etc.)

Informationsfrihet: rätten att informera sig om myndigheters eller andra maktorgans inre strukturer. (Ex: offentlighetsprincipen.) Denna frihet är speciellt viktig för journalister.

I September startades en mailinglista vid namn Elektroniska Fronten hos Internetleverantören Bahnhof i Stockholm. Listan modererades av Alexander Bard och var en samlingspunkt för framför allt libertarianska frihetsförespråkare. Den lades ner tidigt 1999 efter en längre tids inaktivitet. I <DATUM> startades Elektroniska Fronten Sverige (EFS63 ) av Anna-Mi Wendel som en systerorganisation till det amerikanska EFF. Föreningen (där b la undertecknad och Anders R Olsson är medlemmar) har till syfte att värna och bevaka den svenska yttrande- och tryckfriheten. Den utgörs i praktiken av en websida och en e-postlista där tankar, idéer och information utbyts och för i dagsläget en slumrande tillvaro.

DATABROTT: TERMINALSLAVAR, PLASTKORTSBEDRAGARE OCH CENSUR

Vad är egentligen databrott? Vart går gränsen mellan harmlöst utforskande av ett datasystem och verkliga brott?

I lagens bokstav är databrott alla brott där en dator är inblandad på något vis. Om jag slog någon i huvudet med en avstängd dator skulle det i princip kunna betraktas som databrott. En lite smalare definition skulle kunna vara att ett databrott är ett brott där information i telerymden utan tillstånd förflyttas eller skadas. Det brukar stämma in för det mesta. De myndigheter i Sverige som bekymmrar sig mest för databrott är: Polisen, Säkerhetspolisen (Säk, SÄPO), Militär Underrättelsetjänst och Kontraspionage, Brottsförebyggande Rådet (BRÅ), Civildepartementet och Datainspektionen.

Utöver dessa finns storföretagens egna säkerhetsorganisationer och en del idéella sammanslutningar, informella nätverk samt (givetvis) kriminella organisationer. Det är inte särskilt förvånande att alla dessa människor presenterar problemen på helt olika vis.

Rikspolisstyrelsen delar in databrotten i följande kategorier:

  1. Dator eller programvara som använts som brottshjälpmedel
  2. Dator eller programvara som utsatts för brottslig påverkan
  3. Programvara som kopierats eller förändrats
  4. Obehörigt intrång eller obehörig användning av datorer eller datornätverk

De flesta databrott som begås har ingenting alls med hackare att göra. För det mesta handlar det om personal på banker, posten, försäkringskassor eller privata företag som har hand om utbetalningar. Många faller för frestelsen när de ser hur lätt det är att förflytta pengar fram och tillbaka mellan konton, bevilja sig själva studiemedel eller socialbidrag, förfalska fakturor etc. Det är egentligen bara en "förbättring" (förvärring?) av den gamla vanliga ekonomiska brottsligheten. Ett exempel är en svensk socialtjänsteman som 1982 skrev ut 400.000 kronor i socialbidrag åt sig själv, och sedan åkte till Venezuela för att lösa ut en kompis som satt i fängelse för politisk verksamhet. Detta kunde han göra därför att han kände till vissa brister i utbetalningssystemet: utbetalningarna rapporterades inte mer än var 14:e dag. Detta är typiskt för den absolut mest omfattande formen av databrott. I jämförelse med sådana här brott är hackande och phreakande en piss i Missisippi. De värsta databrotten begås av folk med en respektabel position, och avslöjas nästan aldrig. Men det visste du ju redan.

Anledningen till att dessa databrott inte får lika mycket publicitet som hackarnas små pojkstreck är att de dels pekar på något mycket känsligt: sammanhållning och moral på det egna företaget eller myndigheten är absolut viktigast om man vill skydda sig från yttre hot. Det är dessvärre betydligt svårare att försäkra sig om att de egna anställda trivs och är lojala mot företaget än att skylla på hackare som kommer utifrån. Principen har med framgång tillämpats av hela länder för att slippa ta itu med den egna problematiken. Genom att skylla på exempelvis judar, kommunister eller muslimer kan man få en klar hotbild och en måltavla för sina aggressioner, samtidigt som man slipper diskutera sina egna problem.

Den verklige databrottslingen ser ut som följer: medelålern ligger mellan 30 och 40 år. Hälften av brottslingarna har jobbat mer än 10 år inom företaget. 45% är kvinnor. Hackare? Knappast. (Källa: Nätvärlden #8/1994 sid 36.)

Så långt interna databrott.

Ett lite mer "hackaraktigt" brott är att lura bankomater eller kreditkortsföretag. När bankomaterna var nya i Sverige på 1960-talet och uttagen fortfarande lagrades på hålremsor inne i maskinerna, var det någon som sprang runt mellan en massa bankomater med förfalskade bankomatkort och lyckades ta ut i runda tal 900.000 kr över en påskhelg. Det är inte lika lätt idag. Kanske. Flera svenska hackare har tillgång till de apparater som behövs för att läsa och skriva magnetkort. De har dessutom luskat ut mycket om vad det är för information som lagras på korten, och vad som inte lagras där, mest av allmänt intresse för systemet.

Det är dock inte så lätt att ta sig in i en bankomat "bakvägen". Bankerna har byggt upp ett eget telenät som man inte kommer åt med en vanlig telefon, och det är via detta som transaktionerna till bankomaterna sker.

Jag fascineras själv ständigt över vilken tilltro folk har till magnetkort. Alla kort med en magnetremsa, typ minutenkort, lånekort osv, är standardiserade och kan kopieras med rätt utrustning. En vän till mig roade sig med att ta ut pengar på sitt gamla lånekort. Han hade helt enkelt kopierat informationen från sitt bankomatkort till lånekortet. Jag blev heller knappast förvånad när jag i april 1995 fick veta att några ungdomar i Helsingborg kopierat länstrafikens busskort och sålt dem för halva ordinarie priset. (Hackaren Wolf som jag nämnde i kapitel 4.) Televerkets egna telefonkort håller skrämmande låg säkerhetsnivå; likaså de kort som används till GSM-telefoner och satellitdekodrar. Det rör sig alltför ofta om helt oskyddade standardformat.

Apropå kort: Kreditkort är dessvärre väldigt populära bland hackare. Låt oss titta på lite statistik från 1989 då det fanns mellan 6 och 7 miljoner kort i Sverige. Detta år var omsättningen via kort 20-30 miljarder kronor per år uppdelade på c:a 50 miljoner transaktioner på i medeltal 400 kronor. Det gjordes på denna tid 18.000 anmälningar om bedrägerier varje år, där varje anmälan kunde innefatta sisådär 50 bedrägerier (alltså att någon har handlat på någon annans kort 50 gånger innan det hela polisanmäldes). Polisen utreder helst inte sådana bedrägerier om det inte rör sig om minst 50.000 kronor. Vad siffrorna är idag vågar jag inte ens drömma om. Vad vi kan konstatera är att det inte är särskilt troligt att de där 18.000 bedrägerierna begicks enbart av hackare.

Det är ofta rent löjligt lätt att ringa gratis eller handla varor på någon annans kreditkort. Tidigare, när kontrollen inte var så hård, var det många hackare som "kortade" varor från utlandet. Speciellt datautrustning och liknande, såklart. Hur man stjäl kortnummer med social ingenjörskonst, skräprotning etc, har jag redan tidigare illustrerat.

Om du råkar ut för att en phreakare länsar ditt kreditkort kommer du aldrig att få veta det. Kreditskortsföretagen talar aldrig om detta för sina kunder. Det vanligaste är att man säger att det blivit "något tekniskt fel".

Med undantag för stöld av kreditkortsnummer och tillhörande säkerhetskoder, är det en hackare sysslar med inte databrott i hans/hennes egna ögon. Som databrott räknar en hackare ett brott som begås med hjälp av datorer för att uppnå något annat än tillgång till information. En brottsling som använder hackarmetoder är alltså ingen hackare, utan en databrottsling. Hackande i traditionell bemärkelse handlar om nyfikenhet, inte om girighet.

Sabotage

Datasabotage är en ganska ovanlig, men mycket gammal form av databrott. Ordet sabotage kommer från franskans sabbot som betyder träsko. Det heter så för att arbetarna på de franska väverierna slängde träskor i de automatiska vävstolarna eftersom de var förbannade på att maskinerna tagit jobben ifrån dem. En automatisk vävstol är ju på många sätt ganska lik en dator, så man kan säga att sabotage från början var just datasabotage. Denna typ av verksamheter har förkommit sedan den engelske upprorsmakaren Ned Ludd och hans ludditer förstörde vävstolar och spinnmaskiner i mitten av 1700-talet.

Svenska anarkister har ofta sagt att de skall sabotera datacentraler. (Bland annat genom den utomparlamentariska och anarkistiska aktionstidningen Brand.) Som de flesta av de här aktivisternas hot så rör det sig mest om att lova runt men hålla tunt. Svenska aktivister har nog lite svårt att hitta och komma åt datacentraler, varför de nöjer sig med att förstöra Shellmackar och andra mer lättidentifierade mål. IRA har däremot bombat några datorer på Nordirland, och i Amerika tog sig några fredsaktivister som kallade sig Beaver 55 redan 1969 in på en datacentral vid ett kemiföretag i Michigan och raderade 1000 databand som skall ha innehållit planer på kemiska vapen. Detta skedde med hjälp av helt vanliga magneter. (Kanske något för plogbillarna?)

Det har även funnits en aktivistgrupp i Frankrike vid namn CLODO (Comite de Liberation Ou de Detournement des Ordinateurs). Mellan 1979 och 1983 förstörde dessa aktivister ett antal datorer vid företag i Toulouse-området. De ville protestera mot datasamhället som de menade använde datorer till att kontrollera människor - en direkt efterföljare till de ursprungliga träskoaktivisterna i god fransk tradition. Detta är som synes en militant gren av de medborgarrättsrörelser som EFF och Chaos Computer Club tillhör.

Det kanske otäckaste exemplet på den här formen av aktioner är den sk Unabombaren, en person som sedan 1978 misstänks ha genomfört 16 sprängdåd som sammanlagt dödat 3 personer och skadat 23. Onsdagen den 2 augusti 1995 publicerade Washington Post och New York Times utdrag ur ett manifest från personen i fråga, som visade sig vara välskriven argumentation mot teknikens utbredning i samhället.

Det är inte bara den fysiska utrustningen som utsätts för sabotage. Man kan givetvis även sabotera dataprogram eller annan information som finns lagrad i datorn. En redaktör vid Encyclopedia Britannica i Chicago blev så syrak för att han blev avskedad att han ändrade en massa ord i uppslagsverket. Bland annat ändrade han Jesus till Allah. Det finns otaliga exempel på anställda som hämnats på sina arbetsgivare på liknande vis.

Ett annat sabotage inträffade i Israel. En 18-årig hackare lyckades genom att ta sig in i en dator som tillhörde en israelisk tidning publicera en påhittad nyhet om att hans datalärare blivit gripen och anklagad för narkotikabrott i USA. (Ett ganska roligt hack om jag får säga det själv, men ändå rätt allvarligt om man ser till massmedias betydelse i vårt samhälle. Jämför Captain Midnight, kapitel 4.)

Nassar

Att som phrekarna sprida stulna kontokortskoder, passerkoder till olika datasystem och liknande är givetvis också olagligt. En del BBS:er som Ausgebombt har annonser om vapen, anabola steroider och varor som skulle kunna vara stöldgods. De kan också innehålla grov barn- eller våldspornografi eller rasistiska budskap. Svenska nazister har för länge sedan upptäckt den nya tekniken, och använder den flitigt för att kommunicera. Enligt vissa forskare började nazister använda detta medium på allvar först under 1991, men redan tidigare fanns det BBS:er med rasistisk eller öppet nazistisk profil.

Sedan Internetgenombrottet i mitten på 90-talet har ett flertal nazistiska hemsidor etablerats och blivit spridningscentraler för propaganda. BBS:erna är nedlagda till förmån för öppna och slutna diskussionsforum på Internet. Genom att flytta från land till land om publikationen hotas kan all form av lagstiftning enkelt och smidigt undvikas. Det sker dock en smärre skada varje gång en nazistisk eller annan propagandasida stängs: det blir svårt att hitta till den nya platsen eftersom adressen ändrats, och klistermärken, broschyrer och dylikt som tryckts för att propagera för webbplatsen måste kastas eller göras om.

Att vara rasist är dock inte förbjudet.64 Hets mot folkgrupp, alltså spridande av lögnaktiga uppgifter, är däremot mycket förbjudet. Jag tycker personligen inte att det här har så mycket med hackardebatt att göra. De flesta hackare är inte rasister, och inte ett dugg intresserade av varken anabola steroider, stulna vapen eller barnpornografi.

När det gäller BBS:er och Internet är det tänkt att man skall man följa samma lagar som gäller i samhället i övrigt: om du ser något misstänk och som du tror kan vara åtalbart -- ring polisen. Emellertid är detta sällan det effektivaste. Det enklaste är oftast att spåra och ta kontakt med den som ligger bakom infrastrukturen och genom påtryckningar försöka få dem att stänga av tjänsten. Denna "det-säkra-före-det-osäkra-attityd motstår nästan bara Flashback, som hittills vägrat att stänga webbplatser av ideologiska skäl eller i den "allmänna opinionens" intresse. Tänk också på att de som är så engagerade i en politisk rörelse som nynazismen att de lägger ned tid och arbete på att starta informationskanaler av det här slaget inte är det utan anledning. Innan du låter dina tankar och handlingar styras av hat och avsky skall du tänka på att dessa personer faktiskt många gånger har tänkt igenom vad de gör. Har du det?

Att ringa svensk polis är för det mesta meningslöst eftersom den största delen av Internet finns utomlands, framför allt i USA. I vissa länder är det inte ens ett brott att sprida rasistisk information mm. I sådana fall är svenska staten idag nästan helt maktlös.

Det enda sättet för en myndighet att komma åt information som lagras i ett land med liberal lagstiftning är att antingen koppla bort landets datorer 65 (vilket inte är särskilt lätt, eller ens önskvärt) eller genom internationell lagstiftning i FN. Men det finns ett annat sätt! Internet är byggt av människor, för människor och verkar genom människor. Du kan säga din uppriktiga mening till den som är ansvarig för att sprida informationen. Du kan också i värsta fall övertala den som är ansvarig för datorn där informationen lagras att ta bort den. Innan övergår till sådana åtgärder bör man dock tänka sig för både en och två gånger. Internet betraktas nämligen av många som ett enda stort bibliotek där var och en själv söker reda på vad hon eller han vill ha, och om du kommer med idéer om att s a s "censurera" detta bibliotek måste du också beakta att du angriper det fria ordet, och vara beredd att ta ansvaret för detta. Din handling är i ett sådant fall att likställa med att gå ner till närmaste bibliotek, plocka ut böcker ur hyllorna, ta ut dem på gatan och bränna upp dem.

Informationstekniken har på så vis tagit hem världsproblemen till ditt skrivbord. Är det då inte för roligt! Nu går det inte att avskärma sig från problemen i världen, utan man måste engagera sig själv. Kryss i taket! Själv tycker jag att den här diskussionen är så nyttig för det svenska folkhemmet att det helt uppväger det hot som denna "farliga" information utgör. Sri-lankas och Elfenbenskustens problem är helt plötsligt också våra problem. Så länge barnporr är tillåtet någonstans i världen 66 kommer vi också att ha sådant material här, i vårt eget Internet. Personligen trivs jag faktiskt med detta, och hoppas att vi lär oss något av det. När det gäller sådant här är problemet allas, precis som med miljöproblemen. Problemet skall lösas där det hör hemma: i världen. FN kanske.67

Polisen

Den svenska polisen i form av Rikspolisstyrelsen hade en expert på databrott, nämligen polisöverintendent Hans Wranghult i Malmö. Han var liksom de flesta andra europeiska experter på området utbildad i Kalifornien, USA. Hans främsta arbete på området är en rapport som heter Datakriminalitet - Hackers, insiders och datorstödd brottslighet, och som tycks vara renskrivningar av hans anteckningar från skolan i USA, lätt anpassade för svenska förhållanden.

Trots att denna rapport är en mycket detaljerad genomgång av databrottslighet och möjliga perspektiv förmedlar den dessvärre en kraftigt förenklad bild av hackare. Det är tydligt att Hans mest har lyssnat på sina lärare och inte frågat några amatörer vad de tycker om hackare. Stycket om hackare inleds med meningarna:

"Ursprungligen var ordet hacker en benämning på en person som inom den organisation han arbetade hade till uppgift att testa ett datasystem. Metoden för testen var att utsätta systemet för ett stort angrepp av olika slag och att därigenom upptäcka fel och brister i programvaran eller säkerhetssystemet."

Detta är för det första inte sant, eftersom de första hackarna var studenter som hade till uppgift att utveckla datasystem, och tyder på en grundsyn på hackare som innebär att de alltid är ute efter att testa eller forcera säkerhetssystem. Du som har läst den här boken från början vet att detta bara är en ganska liten del av hackarkulturen.

En annan möjlighet är att Wranghult medvetet gör denna förenkling för att motivera sina mannar. Polisen bygger sitt arbete på ett "vi mot dom"-tänkande, och om han börjat tala om att det finns såväl snälla som dumma hackare hade det kanske blivit lite väl suddiga gränser för vad lagen egentligen tycker om hackare.

Speciellt kritisk är han mot bilden av hackaren som hjälte, vilket ha tycker är ett ofog. Om han känt till hur journalister använt sig av hackare som när Chaos Computer Club hackade fram uppgifter om det Västtyska kärnenergiprogrammet eller när den anonyme hackaren tog sig in i BBS:en Ausgebombt i Vänersborg, hade han varit tvungen att nyansera sin svartmålning av hackarnas verksamhet.

Tydligen har polisen tänkt igenom det här en andra gång, för i juni 1995 gjorde man gällande att man mycket väl kunde tänka sig att ta hjälp av hackare för att komma till rätta med databrottsligheten. Hans Wranghults kunskaper anses numera för övrigt inte värdefulla, utan föråldrade (de var i själva verket aldrig särskilt bra), och han har numera tilldelats andra arbetsuppgifter av strategisk karaktär.

När det gäller SÄPOs intresse för hackare och annan datakultur är det inte mycket man får veta. Det är i och för sig inte så konstigt, eftersom det är så det fungerar. Bengt Angerfelt och Roland Frenzell arbetar som utredare i datasäkerhetsfrågor på SÄPO,68 och deras arbete består antagligen mest i att samla information och kunskaper om databrott så att det finns någon som kan vidta åtgärder om rikets säkerhet hotas. Förhoppningsvis vet de mer om datasäkerhet än någon annan i Sverige. Med tanke på fiaskot på krypteringsområdet borde man ha sett över sin expertis vid det här laget.

Även den militära underrättelsetjänsten intresserar sig givetvis för datasäkerhetsfrågor. Om detta vet jag ännu mindre, det enda jag säkert vet är det som är välkänt bland hackare: Den militära underrättelsetjänsten samlar på alla upplysningar den kan få om system- och datasäkerhet. Dessa uppgifter använder de sedan till att förbättra sin egen säkerhet. Ingen militär skulle någonsin få för sig att föra ut kunskaperna till stat och näringsliv. Det finns uppenbara skäl till detta:

Näringslivet, och främst dataföretagen, är angelägna om att utrustningen är säker. Om t ex det amerikanska NSA (National Security Agency) talade om för ett företag som tillverkade ett visst operativsystem var säkerhetsbristerna fanns skulle detta genast åtgärdas. Varför ligger detta inte i de militära underrättelsetjänsternas intressen? Mycket enkelt, faktiskt: Eftersom datasystemen exporteras kan militären använda säkerhetsluckorna för att angripa utländska datasystem i händelse av krig. Militären (åtminstone den amerikanska) har ju sina egna hackare och virustillverkare. Jag menar, varför inte? Det är knappast några kontroversiella vapen, och de begränsas inte av internationella överenskommelser. Klart att de har beväpnat sig till tänderna med verktyg för elektronisk krigföring. Genom att känna till bristerna kan man skydda sig själv och angripa andra. Av samma anledning skulle svensk underrättelsetjänst aldrig tipsa Ericsson om säkerhetsbrister i AXE-systemen.

Ett antal av Sveriges skickligaste hackare har anställts som säkerhetsexperter av såväl SÄPO som militär underrättelsetjänst och kontraspionage.69 Förmodligen använder man sig av denna kompetens för att möjliggöra "avlyssning" av elektronisk kommunikation. (Vilket inte är förbjudet, till skillnad från telefonavlyssning.)

Den enskilt mest betydelsefulla elektroniska krigsföringen rör sig i dag om industrispionage. Genom att det fysiska kriget s a s har avvecklats, krigas det numera ekonomiskt om marknadsandelar på en världsmarknad, och det är i detta perspektiv de olika ryktena om USA:s sk echelon-projekt skall ses. Det primära syftet med detta är förmodligen inte att bekämpa terrorism, maffia eller liknande. Det primära syftet är riktad avlyssning i syfte att genomföra riktat industrispionage mot Europa och Japan. Att kunna manövrera marknader är idag viktigare än att kunna manövrera krigsfartyg, och detta är också den primära orsaken till att (stor-)företagen nu är så intresserade av kryptering. (Se för övrigt föregående kapitel rörande kryptering.)

Storebror Vill Se Dig

Men spridande av "samhällsfarlig" information då? Det är inte lika självklart att påstå att information som t ex Terroristens handbok, narkotikarecept, bombritningar eller kanske tekniska beskrivningar av televerkets telefonkort skulle vara olaglig. Ett populärt begrepp är att kalla detta något så lustigt som sociopatisk information. Att vara sociopat innebär att man är socialt missanpassad och tillhör en grupp som inte accepterar den i samhället rådande normen för normal människa70 .

Alla hackare, ravare, anarkister, nazister, frimurare och liknande små grupperingar är därför att betrakta såsom sociopater. Så även Rotary. Sociopatisk information är följaktligen information som är skriven av socialt missanpassade människor, eller möjligen information som beskriver hur man skall bete sig för att bli en socialt missanpassad människa. Att exempelvis sprida liberala idéer i ett totalitärt kommunistiskt land måste betraktas som synnerligen sociopatiskt.

Det är inte förbjudet att vara socialt missanpassad. Det är inte ens förbjudet att sprida sociopatisk information. Men det finns en del auktoritära element inom vårt samhälle som gärna skulle se att det var det. Under mitt arbete med denna bok har jag lyckligtvis bara hittat ett enda genuint exempel på denna storebrorattityd:

I en liten skojig rapport från Institutet för Rättsinformatik i Stockholm som heter Kriminella Teknikzonen har en jurist som heter Anders Wallin skrivit mycket om hur han tycker att lagen ser på sociopatisk information. I en rapport på över 50 sidor lyckas han med konststycket att upprepade gånger fördöma denna s k sociopatiska information, utan att en enda gång nämna att den faktiskt inte är förbjuden. Istället lutar han sig tillbaka på ett juridiskt paradigm (tankemönster) som innebär att allt som hotar samhället så som det ser ut i dag per definition är farligt. Överfört till ideologi skulle detta kallas konservatism.

Han nämner bland annat att han inte kunnat hitta den sociopatiska boken The Anarchists Cookbook på något svenskt bibliotek, och fortsätter med att ondgöra sig över att liknande information finns tillgänglig i flertalet svenska databaser. Han nämner dock inte att denna bok varit uppe till granskning -- och blivit friad. Vill man läsa en riktigt sociopatisk bok kan man leta redan på Jerry Rubins Snacka inte bara som finns på flera svenska bibliotek. Den är dessutom utgiven på det respektabla förlaget Pan/Nordstedts. Nikanor Teratologens Äldreomsorgen i Övre Kågedalen är ett annat exempel på "tvivelaktig" litteratur, Torbjörn Säfwe är en sociopatisk författare osv, listan kan göras lång.

Med sociopatisk information menas tydligen böcker som inte vanliga människor skall läsa, för då blir de förstörda. Eller: böcker som inte ungdomar bör läsa, för då blir de förstörda. Eller: böcker som vissa skall få läsa men inte alla, för man kan inte lita på deras omdöme. (Själv är jag ganska barnsligt förtjust i tryckfrihet.)

Samtidigt måste jag poängtera att jag inte tycker att allt i Wallins rapport är dumt. Det jag tycker är dumt är det underförstådda rop på censur som ligger mellan raderna på en hel del ställen i den här rapporten. Wallin tycker att det är hemskt att unga pojkar skall få läsa sådana här hackarböcker och terrormanualer. Och visst förstår jag honom -- det finns de som har lyckats ställa till ordentliga problem med de kunskaper de skaffat sig genom att läsa sådana. Det var visst någon i USA som lyckades spränga sin lillasyster. Det blundar jag inte för. Men han har tydligen läst dem själv...

Sådant retar såklart gallfeber på cyberpunkare, och betraktas med rätta som överförmynderi. Ytterst ansvariga för att ungdomar inte bygger bomber hemma torde deras föräldrar vara. Och är de så gamla att de flyttat hemifrån, så anser jag faktiskt att man kan lita på dem. Faktiskt tror jag till och med att de klarar av att läsa sådana här böcker, om det roar dem. Jag råkar anse att en människa som tillverkar en bomb hemma i garaget helt klart måste ha mer än en skruv lös, och för den skull skall inte vanliga, hederliga människors yttrande- och tryckfrihet åsidosättas.

Jag skall erkänna en sak: jag äger massor med sociopatisk information. Jo, det är faktiskt sant. Jag har bland annat använt den som underlag för den här boken. Nästan all sådan information jag har är digital, och eftersom det roar mig kopierar jag den gärna till var och en som är intresserad, vilket jag inte ser som ett dugg ansvarslöst.

Förbjuda Datavirus??

Att förbjuda virustillverkning är också mycket tveksamt. Särskilt som man inte har några planer på att förbjuda innehav av datavirus, bara nyproduktionen. Får jag inte framställa ett datavirus och infektera min egen dator med det om jag känner för det? Det verkar konstigt, tycker jag. Till saken hör att man kan skapa ett datavirus på papper med hjälp av en vanlig blyertspenna om man vill. Det är först när man matar in viruset i en dator och sprider det, som det kan göra skada.71

Storebror: Vad skall du göra virus för? Det kommer inget gott ur det. Låt bli det. Låt bli det säger jag. Varför skall du skriva dikter? Vad skall det vara bra för? Låt bli. Gå till fabriken och jobba istället. Gör nytta säger jag.

Däremot kan jag hålla med om att avsiktligt spridande av datavirus kanske bör kriminaliseras. Debatten har varit uppe i USA, där bland annat den namnbekante virusbekämparen Alan Solomon (känd som Dr Solomon) klart och tydligt deklarerade att han ansåg att ett förbud mot virustillverkning hotade individens fri- och rättigheter. Vidare kan ett virus inte riktigt jämföras med en bomb, eftersom en isolerad dator med ett virus på inte kan sägas utgöra någon allmän fara. I synnerhet gäller detta inte om användaren vet vad han/hon håller på med, vilket man får anta att en virustillverkare gör. Dessutom består ett virus inte av något påtagligt som kemikalier eller metall, utan av ren information. Ett datavirus kan konstrueras som en serie nedskrivna kommandon på papper, det är bara olika former av samma information. Ett virus på papper skulle alltså vara lagligt eftersom det råder tryckfrihet här i landet, medan ett körbart virus skulle vara förbjudet eftersom det inte råder informationsfrihet? Är inte det samma sak?

Vår moderna trojanska häst i form av datavirus drabbas sannolikt av samma öde som Karl Gerhards revy Den ökända hästen från Troja, som snabbt och effektivt förbjöds eftersom den kritiserade nazisternas infiltration av Sverige under 1940-talet. Oönskad konst bör icke framföras (i nationens intresse) och du vet inte alls bäst själv vad du vill göra med din dator.72

Datainspektionen och Integriteten

Den yttersta fronten mot datorbrottslighet i Sverige utgörs av Datainspektionen. Denna myndighet skall framför allt kontrollera att statliga myndigheter och företag följer Datalagen, som upprättats speciellt för att skydda individen mot ett totalitärt datasamhälle. Både Datalagen och Datainspektionen tillkom 1973 som en produkt av en allmän internationell debatt med ursprunget i San Francisco. Det var i samband med folk- och bostadsräkningen 1970 då samtliga uppgifter för första gången registrerades med hjälp av datorer som många började dra paralleller till George Orwells 1984 och väckte en debatt om integritetsfrågorna. Man menade att myndigheterna till viss del samlade på sig uppgifter man inte hade någon som helst nytta av, och som skulle kunna användas att kontrollera medborgaren i minsta detalj.73

En tongivande filosof som ännu tycks ha stort inflytande över datainspektionen är förre chefen Jan Freese. I praktiken verkar det som om mycket av vad Jan säger eller skriver anammas av Datainspektionen utan vidare diskussion. Det gör dock inte så mycket eftersom karln är ganska vettig. Han har lagt fram flera kloka förslag på nya datalagar och avsevärt förberett det svenska samhället på informationsrevolutionen. Speciellt vettigt är förslaget om en generell integritetslag som skall gälla personregister och intrång i privatlivet oavsett om datorer och elektronik är inblandade eller inte. Lagen borde enligt Freese reglera (citat ur Datateknik Nr 8/1995):

  • Tillträde till och genomsökande av privata lokaler
  • Kroppsundersökning, medicinska undersökningar och psykologiska test
  • Skuggning / Spionage
  • Olovlig fotografering / Inspelning
  • Elektronisk avlyssning
  • Spridande av förtroliga uppgifter
  • Avslöjande av annans privata förhållanden
  • Utnyttjande av annans namn, bild o dyl
  • Missbruk av annans ord och meddelanden

Och det är väl ungefär den här sortens registrering som EFF, Cypherpunkare m fl motarbetar. Skillnaden i cypherpunkarnas fall är att de menar att regimen (i USA alltså) fullständigt misslyckats med att upprätthålla individens integritet. Ja, de menar rent av att regimen inte kan hantera dessa möjligheter utan att bli maktgalen och vilja kontrollera allt. Därför bör individen skydda sig själv med kryptografi, anonymitetsbarriärer etc. Man ser här tydligt det libertarianska arvet från de amerikanska nybyggarna som var tvungna att skydda sina hus och gårdar med egna vapen då rättvisan ännu inte fungerade. Den tiden ligger så långt tillbaka i den svenska historien att den nästan blir främmande för oss. Vi är vana att lita på att myndigheterna fixar allt.

Att alltfler människor beväpnar sig med kryptering beror till stor del på att den elektoniska parallellvärlden, telerymden, är barbarisk och ociviliserad, och att även myndighetspersoner tycks handla instinktivt och nyckfullt i stället för lagenligt när de kommer i kontakt med datorer. Hade en integritetsskyddslag som den Freese föreslår funnits tidigare hade problemet varit ur världen.

Men notera följande: datainspektionen lyder under regeringen. Om regeringen får för sig att registrera alla oliktänkande kan inte datainspektionen göra ett smack åt det, även om det står i datalagen att regeringen bör inhämta synpunkter från datainspektionen innan den upprättar något register på eget bevåg. Datainspektionen är inte på något vis ett skydd mot ett totalitärt kontrollsamhälle! Bara den som blint litar på myndigheter och regeringar skulle våga luta sig tillbaka på datainspektionen.

Från Hackande till Databrott

Kan då hackande leda till grövre brottslighet? Svaret är utan tvekan JA. Hackargängen har även de sin dos av psykopater och hugade följeslagare. Redan social ingenjörskonst måste betraktas som ett grovt avsteg från samhällets normer. Det är oärligt att lura människor, och att betrakta människan i andra änden av telefonlinjen som ett objekt snarare än en människa av kött och blod är skrämmande känslokallt. En del phreakare som konstruerat blå lådor har slagit mynt av verksamheten och sålt apparaterna för uppemot 1500 dollar, och det har sannerligen inga ideologiska orsaker.

Phreakare försvarar sina brott på klassiskt vis: för det första drabbas i första hand stora företag. Kontokortssvindlerier mot privatpersoner brukar i regel täckas upp av företagen som upplåter korten. Samtidigt bortser man glatt från det faktum att man ställer till ett helvetes elände för de privatpersoner som måste bevisa för kontokortsföretagen att de inte själva utnyttjat korten. Elittänkandet är här allt som oftast förvrängt en ursäkt att göra vad som helst. Samtidigt skall det påpekas att såväl kontokortsföretag som media överdriver de följder som drabbar innehavarna av missbrukade kontokort. Även utredare på kontokortsföretag kan tänka och begriper i allmänhet att en välutbildad tvåbarnspappa inte ringer upprepade konferenssamtal över halva jordklotet för skojs skull. Många utredningar avskrivs på ett tidigt stadium.

För det andra påpekar man gärna det faktum att man inte tjänar någonting på att hacka. Hackare har gjort sig kända för att göra inbrott på telefonbolag och enbart stjäla manualer. Man låter bli pengar och maskiner, eftersom man bara är ute efter information. Sådant sätter givetvis myror i huvudet på åklagare. En hackare stämmer inte in på vår stereotypa bild av en brottsling som tillskansar sig andra människors egendom för egen ekonomisk vinning. För en informationslysten hackare är det själva brottet i sig som utgör vinningen, vilket kan tyckas lite egendomligt.

Att tillverka ett datavirus, eller att spraya graffitti på en cementvägg -- det tjänar man inget på. Möjligen är det sabotage eller vandalism, men någon ligabrottslighet är det inte frågan om. Kanske är virustillverkning rent av, likt graffitti, att betrakta som en oönskad konstform; en produkt av vår tid där allt konstnärligt skall vara sanktionerat och planerat och spontaniteten så gott som fullständigt utplånats.

Att hacka ett nätverk handlar mer om att utforska systemet än att stjäla systemtid. I vissa länder, som Kanada, är det tillåtet att gå in i en annan människas hus, se sig omkring, och sedan gå därifrån, så länge man inte skadar något. Ur etisk synvinkel är det här ett knivigt problem. I Holland var det fram till 1987 fullständigt lagligt att ta sig in i en dator så länge man inte förstörde eller ändrade någonting.74

För det tredje försvarar man sina handlingar ideologiskt -- man beskriver då gärna samhället som allmänt ruttet och menar att de riktiga bovarna är de stora företagen och valutahandlarna som med sina spekulationer manipulerar hela mänskligheten att springa deras ärenden. Parallellen till cyberpunkideologin är uppenbar. Dessa påståenden är utan tvekan till viss del sanna. Motpolen är det etablerade samhällets skönhet så som Oscar Wilde en gång uttryckte den:

Det är bättre att leva orätt än att leva utan rättvisa.

Det går alltså bra att tala och teoretisera om att göra samhället rättvist, medan de direkta aktionerna bör betraktas som olagliga i samhällets mening. Det är samma princip som gäller alla andra utomparlamentariska aktioner - sedan må det röra sig om hackare, trädkramare eller plogbillar. Bryter man mot lagen begår man brott. Punkt.

Själv tycker jag att det följer rent logiskt att både hackare och cyberpunkare som bryter mot lagen, såväl som trädkramare, plogbillar eller abortmotståndare som slår sönder abortkliniker, som ju alla har ideologiska skäl till sina handlingar, skall dömas och sättas i fängelse också, om samhället anser att det är nödvändigt. Det är inte samhällets uppgift att avgöra vilka värderingar som gör en utomparlamentarisk aktion befogad eller inte. (Ur samhällets synvinkel.) Med anarkistiska värderingar blir slutsatsen snarast att det inte borde finnas några lagar alls, och handlingen föder ett martyrskap. Det hela är en fråga om värderingar, och i vårt samhälle av idag betraktas utomparlamentariska aktioner som brottsliga. Drabbar de privatpersoner är de uppenbart felriktade; det var väl samhället och inte individerna som skulle förändras?75

Det har spekulerats om att hackare skulle kunna bilda hela underjordiska syndikat och samarbeta med maffian. Detta är än så länge bara spekulationer. Får jag säga något själv skulle jag vilja påstå att den generella hackarens mentalitet inte fungerar i organiserad brottslighet. Hackaren drar sig genast tillbaka när han/hon känner sig fysiskt hotad och skiljs från den skyddade tillvaron bakom skärmen. Detta beror inte på att hon eller han skulle vara feg utan på att det hela bara är "på kul".

Många hackare får underliga erbjudanden som "du som är så teknisk, skulle inte du kunna bygga en piratdekoder...", "kan du inte.. (ditt och datt)". Faktum är, att även om hackarna definitivt kan göra detta, är det ytterst sällan de gör det. Hackare är nämligen antiauktoritära och avskyr att kommenderas. "Lär dig själv!" brukar vara det vanligaste svaret. Hackare vill inte ha någon underordnad roll som tekniksnille i någon brottslig organisation. Varför skulle han? Han kan tjäna betydligt mer pengar på ett lågavlönat datajobb än någon brottslig organisation kan erbjuda, möjligen med undantag av maffian och främmande underrättelsetjänster. Råd, tips och idéer står de däremot gärna till tjänst med: "Har du kört fast?", "Hur gjorde du det där?", "Har du hittat något intressant?", men uppdrag av ekonomiska skäl och inte av vanlig upptäckarlusta? Glöm det.

Till och med tycker jag att vi skall vara tacksamma att det var de små ettriga hackarna som upptäckte säkerhetsbristerna i datorsystemen istället för de stora hajarna. I phreakarnas guldålder på 70-talet fanns det en del stora spelsyndikat som utnyttjade de blå lådorna som ibland tillverkades nästan industriellt och såldes för hutlösa priser. Om detta må man sedan ha vilken åsikt som helst, men ingen kan förneka att det hackarna gjort har varit viktigt för industrin, även om det inte alltid varit bra. (Annars skulle det nog inte vara så populärt att prata om dem.)

När Marvin i Uppsala tillverkar egna telefonkort och säljer dem för mellan 100 och 800 kronor är det knappast att betrakta som industriell framställning eller ens som verksamhet för egen vinning. Med tanke på den enkla utrustning som användes och den tid som lades ned på konstruktion liknar det närmast brakförlust. Det tycks då snarare vara något ideologiskt som ligger bakom konstruktionen av telefonkorten. Frihet åt informationen? Anarki?

Personligen måste jag säga att de "hårdvaru-virus" i form av en liten elektronisk mackapär som kallas Big Red och som hittats i en del amerikanska och australiensiska bankdatorer är mycket mer skrämmande än någonting någon hackare någonsin åstadkommit. Detta föremål kopierar, krypterar och gömmer viktig information på en dators hårddisk så att den som vet hur man skall gå till väga lätt kan komma åt den. Big Red kan mycket väl vara konstruerat av maffian eller någon internationell underrättelsetjänst. Dessa måste ha monterats målmedvetet från insidan av ett företag, till skillnad från hackarens utforskande som sker utifrån och av ren nyfikenhet.

Fortfarande i juli 1995 huserade en ovanligt sofistikerad datorliga i Sverige. De gick in i kontor och stal enbart datorer, inte skärmar och tangentbord (dessa klipptes loss), utan bara datorer. På en del äldre modeller tog man enbart minneskretsar och hårddiskar. För att kunna arbeta ostört hade man klippt av televerkets larmkablar genom att öppna luckor i gatan på samma manér som hackarna i filmen Sneakers. Man kommunicerade internt via komradio, och polisen lyckades till och med banda tjuvarnas kommunikation. Ändå lyckades man inte ta dem.

Det är ingen tvekan om varifrån dessa tjuvar kommer. En del av dem är definitivt hackare av något slag, andra mer härdade tekniska brottslingar. Likheten med Gibsons romanfigurer är slående: man tar bara verktyg för informationshantering, minnen är guld värda och den tekniska skickligheten hos tjuvarna är fantastisk. Jag tänker inte för en sekund förneka att dessa tjuvar lärt sig mycket av den teknik de använder vid sina stölder från olika hackartidskrifter: Rolig Teknik, Phrack, alla möjliga böcker från små obskyra bokförlag. (Plus vanlig studentlitteratur, helt säkert.) Men det är faktiskt inte det som är problemet.

Problemet är vi. Problemet är att vi tittar på filmer som Sneakers, Jönssonligan, Enkelstöten osv, där vi får chansen att mysa åt bilden av den romantiske eller rolige brottslingen, trots att det är denna vi fördömer som samhällets fiende och allt ont förtjänande avskum. Brottslingen, eller i det här fallet den tekniskt avancerade brottslingen, behöver vi för att veta att det fortfarande går att gå runt alla elektroniska säkerhetssystem. För kan vi inte komma undan den tekniska bevakningen, ja då kan vi inte vara ohederliga, och då är det inte längre något fritt val att vara hederlig. Det finns ingen antikarriär som vi kan se ned på i vår strävan att ständigt dundra upp i den sociala hierarkin. Det finns ingen heder som vi kan bevara, för om ingen någonsin är ohederlig vet man inte vad det innebär att vara hederlig. Brottsligheten finns som en motor som driver oss att vara skötsamma, varnar oss om vi kommer i närheten av kanten, och får oss att känna oss nöja med våra lyckade liv. Vi springer ju trots allt inte omkring och klipper av larmkablar och snor datorer om nätterna, eller hur? Vi jobbar ju på dagarna och sover på nätterna. Var natt behöver sin dag. Var samhälles ljusa laglydiga sida behöver sin ljusskygga underjordiska rörelse.

Vi ger våra genier två karriärer. Antingen skall de genom en nioårig skola, ett treårigt gymnasium och en högskolekarriär för att kunna bli civilingenjörer och ständigt fortsätta sina karriärer uppåt eller åt sidan i jakten på mer status, mer pengar, och mer spännande arbetsuppgifter. (Tänk, en dag kan man ju bli chef... Jag måste läsa lite ekonomi också... Umgås i rätt kretsar, dryfta rätt åsikter...)

Men om man inte tycker om skolan? Om den hiskeligt långa utbildningen tråkar ut dig, men ditt intresse fortfarande glöder för elektroniska mackapärer och datorer? Inget problem. Samhället har något för dig också: tvåårigt gymnasium, ingen status, inga pengar, och inga spännande arbetsuppgifter som PLEX-programmering eller styrsystemskonstruktion. Du får aldrig gå i de rätta skolorna, lära känna rätt människor eller läsa de rätta böckerna. Du får inte det rätta sociala arvet. Detta trots att du kanske i själva verket är händig och lättlärd och passar bättre på Ericssons utvecklingsavdelning än någon annan! Anställningsförfarandet på högteknologiföretagen är smakfullt anpassat att förpassa personer med tvåårig utbildning ner i kryptan igen.

Återstår: antikarriär. Utnyttja dina kunskaper till att bryta ned samhällets säkerhetssystem så att de stackars medborgarna ser att det inte är bombsäkert. Ge dem något att kämpa och leva för. Ge dem ett yttre hot så att de slipper vända blicken inåt. Var laglös för att sätta ramarna för de laglydiga. Tro inte att brott inte lönar sig -- det gör de ibland. Bara några stycken då och då åker fast så att de goda männsikorna får något ont att bespotta.

Kära läsare -- era brottslingar är de djävlar ni speglar er i för att se ängeln inom er själva. Ta mig fan om de är ett dugg sämre än er!76

Det Stora Företagets Säkerhetsstyrkor

Ett av de mest otrevliga databrott jag har hört talas om begicks (och begås kanske fortfarande) av Telia. I april 1995 avslöjade den elektroniska tidningen Z central, en underavdelning till Z-mag@zine att Telia hade en egen enhet för nätövervakning som systematiskt samlade in information om abonnenter som de misstänkte vara phreakare eller hackare. Genom att använda telefonväxlarnas datorer kunde man lätt katalogisera vilka som ringde vilka samtal och vart. Det verkar rent av som om Telia systematiskt spårade och iakttog vissa hackare, något som egentligen bara Polisen har rätt att göra. De förde sedan dessa uppgifter vidare till andra företag som de misstänkte blev utnyttjade av dessa hackare.

Detta är förbjudet enligt 4:e paragrafen i datalagen som innebär att man inte får registrera uppgifter om brottsmisstankar mm utan datainspektionens tillstånd. Sådana tillstånd ges i princip aldrig -- detta för att undvika totalitära samhällsmaskinerier.

Det skall tilläggas att denna debatt om Telias trafikavläsningar inte är någon nyhet. Redan 1981 skaffade man sig en elektronisk trafikavläsare med namnet TAL-T M80 som kunde registrera all trafik på en viss linje, varefter informationen sändes till en central dator där den lagrades. Sedan dess har Telia infört denna övervakning på så gott som varenda telefon i hela Sverige, eftersom funktionen för trafikövervakning finns inbyggd i varje AXE-växel. I själva verket registreras allt någon gör på sin telefon av AXE-växeln. Om du lyfter luren, trycker en siffra och lägger på igen, registreras detta med klockslag och tryckt siffra i en dator. Telia kan sedan ta fram en komplett lista på alla telefonsamtal och icke-telefonsamtal som gjorts - allt som hänt på linjen. Uppgifterna skall enligt Telia användas för utvärdering och förbättring av befintliga system, för att lösa tvister med abonnenter osv. Uppgifterna om lyckade uppkopplingar lagras på CD-skivor i all evighet.77

Att Telia inte kan låta bli att registrera och analysera sin verksamhet förstår var och en som jobbat inom ett större företag. Men att föra uppgifter om detta vidare är förbjudet enligt såväl tele- som datalagen. Telia hade i och för sig gott uppsåt i att "hjälpa" de drabbade företagen, men det ursäktar inte att man gör något sådant här. Jag har även sett indikationer på att Telia använder sina datalistor till både det ena och det andra inom bolaget. När de själva drabbas av hackare av något slag utnyttjas informationen hänsynslöst av Telias säkerhetsavdelningar för att pressa hackare på uppgifter om hur intrången begåtts. (Telias egna datorer lider i många fall av undermålig säkerhet.78) Detta trots att dessa uppgifter inte ens får lämnas ut till Polisen...

För att göra bekämpandet av telebrottslighet än mer effektivt har man börjat undersöka möjligheterna att konstruera ett sk expertsystem, en artificiellt intelligent agent som skall analysera de databand där alla svenska telefonsamtal registreras i jakten på beteendemönster som verkar suspekta; exempelvis personer som ringer många och långa samtal utan mellanrum, ringer många 020-nummer osv osv, så att man kan bygga upp en databas med "misstänkta" abbonenter. Man får hoppas att Telia i så fall inte tänker använda systemet eftersom detta innebär fullständigt olaglig hantering av dataregister. Men vad gör man inte för att upprätthålla säkerheten...

Telia får stå som exempel på hur storföretagen ser på databrott. Av de angrepp som sker mot Telias tekniska anläggningar utgörs 87% av stöld och skadegörelse, medan manipulation av tekniska system och intrång utgör drygt 10%. I den sistnämnda kategorin ingår phreakare och hackare, men även en stor del andra som inte har något som helst med denna underjordiska rörelse att göra. (Men, eftersom hackarna har en gemensam kultur och etik är de såklart alltid lättast att sätta fingret på och fördöma.)

Telia är dessutom ett företag som lider av en närmast paranoid rädsla för att någon skall förstå sig på deras system. Det gör alla telebolag. Eftersom det tekniska skyddet på Telias växlar inte är tillräckligt lutar man sig tillbaka på ett psykologiskt skydd, som helt enkelt innebär att man håller inne med information så att en tänkt angripare inte kan veta något om hur systemen fungerar. På samma sätt skyddar man sin egen organisation, sina egna interna telefonnummer etc. Till och med inom organisationen skyddar man sig. Man ser noga till att inte sprida onödigt mycket kunskap bland operatörer som inte behöver den för att sköta sitt arbete. Någon helhetssyn på systemen finns inte annat än hos chefer och mycket högt uppsatta ingenjörer och systemutvecklare. Enda vägen dit är via internutbildning. Kunskap om Telias system skall alltså bara finnas på insidan av organisationen, ingen utanför Telia skall få veta något om hur kopplingarna verkligen fungerar. Bort med tassarna, till skillnad från "hands-on" alltså. Du skall bara använda systemet. Försök inte ta reda på hur det fungerar, inte ens om du är intresserad. Granska inte, rota inte bland kablarna, bara ring, betala och var nöjd!

Den direkta orsaken till att Telia skaffat sig en egen säkerhetsorganisation är att Polisen varken har tid eller råd att reda ut Telias problem. (Som jag nämnde tidigare rotar man ogärna i bedrägerier för mindre än 50.000 kr.) Telia har själva uppgett att bolaget har behov av c:a 30 säkerhetschefer plus ett 10-tal specialister inom områdena fysiskt säkerhet, systemteknisk säkerhet, ADB-säkerhet, sekretess och informationsskydd. Den sistnämnda kategorin är den som skall se till att bland andra jag inte får veta det som stod i föregående mening. (Dessa siffror härhör sig dock från tiden då Telia fortfarande hette Televerket och därmed var tvungna att lämna ut uppgifter till allmänheten tack vare offentlighetsprincipen.) Förmodligen har cheferna för informationsskydd numera en väl strukturerad organisation som ser till att information som betraktas som farlig inte lämnar företaget eller hamnar i offentliga arkiv.

En annan sak som man skall ha fullständigt klart för sig är att storföretag som Telia inte har råd med moral. När man väl har kartlagt de bedrägerier som drabbar företaget måste man först avgöra om det lönar sig att jaga bedragare och förbättra säkerhetsrutinerna innan man verkligen gör det. Om man förlorar kunder på att förbättra säkerheten så att rutinerna blir för krångliga för de legitima användarna, låter man hellre hackarna hållas. Detta har fått en del hackare att höja på ögonbrynen och undra om teleföretagen är snälla, dumma eller bara korkade. I själva verket tänker de bara på pengar. Det är därför det fortfarande är så lätt att ringa på falska kontokortsnummer -- det kostar helt enkelt för mycket att åtgärda problemet.

Låt mig nu dra en liten parallell. När jag pratade om cyberpunk nämnde jag att William Gibson med flera skildrar en framtid där all ekonomi och utveckling sköts av storföretag med benhård hierarkisk organisation och en vanvettigt hög arbetsmoral. I utvecklingslaboratorierna spottas nya tekniska innovationer fram av uttråkade ingenjörer med ett finger konstant på snabbspolningsknappen. Allt i dessa företags organisation syftar till att få alla människor som ingår i hierarkin att känna sig så viktiga som möjligt, så att de jobbar så effektivt som möjligt och tvingar de som finns under dem att jobba än hårdare. Resultatet blir en fruktansvärt effektiv, men samtidigt vanvettigt psykopatisk organisation som kan driva samhällsutvecklingen över vilka gränser som helst.

De hackare som tvingats till Telias regionskontor som informatörer har med skräckblandad förtjusning beskrivit den rigorösa säkerheten. De har passerat flera dörrar, alla med blinkande lysdioder och med krav passerkort för att hindra fel människa att vara på fel plats vid fel tillfälle. Längst upp i byggnaden sitter de högsta cheferna, bakom sammanlagt kanske fem dörrar som alla fordrar passerkoder. Hierarkierna fordrar att kontorsrummen blir allt större ju högre upp man kommer. På översta våningen är de rejält vräkiga. Det är hit upp alla i huset strävar att komma. De som finns på nedersta våningen i detta babels torn kan inte ens komma igenom hälften av dörrarna till översta våningen. På det viset upprätthålls viljan att ständigt klättra uppåt mot toppen.

Hit kallas hackaren. Mannen på andra sidan bordet är inte elak. Han är inte omänsklig, psykopatisk eller enbart grym. Han är nitiskt. Han tror på de tio våningar betong som hackaren just slussats upp igenom. Han har i hela sitt liv, ända sedan han kom ut från universitetet, varit en del av denna hierarki. Eftersom han är chef har han varit bland dem som visat störst lojalitet, trohet mot bolaget och hela det samhällssystem det är en produkt av. Han kan inte för sitt liv föreställa sig att något av detta skulle kunna bygga på ett felaktigt antagande. Att det skulle vara något fel på det marknadsekonomiska system vari han själv bara är ett litet, litet kugghjul. Någonstans inom sig upprätthåller han en liten illusion om frihet och oberoende som han vårdar ömt.

Han har all respekt för hackaren. 20-åringen på andra sidan bordet lyckades ju ta sig igenom allt han byggt upp. Och han gjorde det inte med våld -- han gjorde det med sin intelligens. Han manipulerade Telias datorer. Han tänke ett steg längre än Telias egen säkerhetspersonal. Chefen är imponerad. Men samtidigt vet han, med grund i sina värderingar av det vackra samhälle där han kan leva i en flådig enplansvilla med hemmafru, två barn och två bilar, att den där grabben har fel. Grabben är en brottsling och skall behandlas som en brottsling. Han vet att han har att göra med en farlig person. Hackarmyten om den kallblodiga, anarkistiska antagonisten har han svalt med hull och hår. Det är han, säkerhetschefen, som har rätt. Betongen, skrivbordet, villan, marknaden, skolan... Allt detta har han i ryggen. Det är klart att han har rätt. Hur skulle saker och ting annars fungera?

Givetvis måste han få veta hur det gick till. Eftersom han vet att han har rätt kan han ta till alla medel som står till buds. I betongsalarna i Göteborg, Farsta och Kalmar står hans trogna tjänare -- IBM 3081 D, AS/9000, Sperry 1100/92 - datorer som lyder hans minsta vink. Redan innan hackaren kallades till kontoret lät han dra ut listor på alla de samtal denne gjort under det senaste halvåret. Exakt, med tidsangivelser på sekunder. Så han ringde sin flickvän mitt i natten direkt efter ett tvåtimmars samtal på ett 020-nummer i USA? Varför då? Är hon också inblandad? Det kommer att bli ett långt förhör. Hackaren på andra sidan bordet vet inte att listan som Telias säkerhetschef snart skall sticka under näsan på honom är fullständigt värdelös ur juridisk synvinkel. Ingenting är bevittnat eller undertecknat; bara 5 samtal har spårats. Dessa 5 samtal utgör den enda bindande bevisningen.

Hackaren med sin tråkiga medelklassbakgrund tittar rakt över bordet och in i den imponerade chefens ögon. Han skådar Gibsons psykopatiska Tessier-Ashpool koncern i vitögat. Han ser det enorma företagets pulserande hjärna sitta där i Lacoste-tröja och vit skjorta. Frågan är om han förstår det.

BBS:en som Försvann

Vi tänker oss att en grupp cyberpunkare i en nära framtid sätter upp en BBS med namnet Pheliks för informationsspridning på en större persondator med ett flertal ingående telefonlinjer. På denna BBS finns piratkopierad programvara, narkotikarecept, anarkistiska elektroniska pamfletter, ingående beskrivningar av Telias AXE-växlar, dokumentation på smarta kreditkort och lite annat smått och gott. Programvaruindustrin med Microsoft i spetsen är förbannade. Kreditinstituten med Visa och Eurocard är förbannade. Polisen som vill upprätthålla ordningen ser att detta bryter mot lagen och måste göra något.

Cyberpunkarna är dessvärre medvetna om polisens och myndigheternas tänkbara motåtgärder och har därför vidtagit kontraåtgärder. När myndigheter ringer upp BBS:en möts de av meddelandet:

Pheliks BBS öppen dygnet runt på 28.800 bps.

OBSERVERA: Pheliks BBS är öppen för amatörer. Poliser, journalister, forskare och andra myndighetspersoner, såväl som företagare eller företrädare för idéella organisationer som ringer i tjänsten är INTE VÄLKOMMNA. Om du tillhör någon av dessa kategorier ber vi dig vänligt men bestämt att omedelbart avsluta förbindelsen med Pheliks BBS. Tryck ENTER för att bekräfta att du inte tillhör någon av ovanstående kategorier. Tryck +++ath0 för att avsluta förbindelsen.

Genom detta meddelande aktiveras 21 paragrafen i datalagen med resultat att den som inte följer uppmaningen gör sig skyldig till databrott. På detta vis omöjliggörs varje form av elektronisk husrannsakan och BBS:en hotas inte av myndigheter eller forskningsinstitut som måste hålla sig inom lagens råmärken.

Journalisterna skulle i ett sådant fall kunna åberopa sin morliska rätt att som tredje statsmakt bryta mot datalagen i allmänhetens intresse. Mjukvaruföretagen i form av Business Software Alliance skulle dessutom med högsta sannolikhet ge höga fan i datalagen och trots detta meddelande gå vidare. Efter ett avslöjande i tidningar eller upprepade anonyma tips (läs: lobbying) indirekt från BSA, kombinerat med någon slags spaningsresultat som skulle kunna tolkas som att det även fanns t ex narkotika i den lokal BBS:en finns, skulle polisen trots allt kunna slå till mot denna BBS.

Cyberpunkarna har dock förutsett även detta scenario. När polisen kommer tillbaka till polisstationen med datorn märker de att den del av hårddisken som innehåller BBS-informationen krypterats med programmet Securedrive. Detta program använder 128-bitars DES-kryptering som är känd för att vara oknäckbar. Att kryptera sin hårddisk är inte förbjudet - företagare gör det också för att skydda hemlig information mot stöld, och till skillnad från vanliga lås kan DES inte forceras med våld. I samma ögonblick som polisen stängde av datorn blev den alltså i praktiken värdelös som bevismaterial. Av utredningstekniska skäl kan polisen i och för sig behålla datorn det närmaste århundradet och på så vis hejda att den misstänkta verksamheten fortsätter.

Datorer är dessvärre inte så dyra. Redan innan utredningen har startat på allvar har de välorganiserade cyberpunkarna hämtat en ny dator och återställt hela BBS:en med hjälp av de magnetband som förvarades på ett helt annat ställe än datorn. Samma metod används av företagen för att skydda värdefull information från brand, stöld eller maskinhaveri.

Polisen kan då, om det anses finnas skäl, installera övervakningsutrustning och avlyssna datatrafiken till och från BBS:en, videofilma cyberpunkarna medan de slår in passerkoderna osv, så att de sedan kan göra ett lyckat tillslag. Men detta är dyrt och det skall mycket till för sådana åtgärder. Det är också troligt att mjukvaruföretagen vidtar utomparlamentariska åtgärder. Kanske hyr de in en samurajhackare som likt datorcowboyen Case i Gibsons romaner på företagens uppdrag går in i BBS:en via telenätet och förstör den. Kanske lyckas något företag övertyga Telia om att stänga av telefonlinjerna till BBS:en. På det viset kan det etablerade samhället försvara sig mot cyberpunkarna och upprätthålla de ideal som hotats.

Det verkliga faran börjar när alltför många sådana cyberpunkgrupper uppstår, när de gömmer sig för myndigheterna och företagen eller bildar en bred organiserad bas i hela landet. Det värsta som kan hända är om BBS:en flyttar till okänd adress på Internet, eventuellt i Taiwan eller Chile. Har man råd med datorhyran på andra sidan jordklotet (vilket förmodligen är billigare än att ha en egen dator) är det inga problem att upprätthålla en sådan verksamhet från Sverige. Det är då cyberpunkarna kan gå från informationssyndikat till bred, underjordisk politisk rörelse. Och det är det verkliga hotet mot det etablerade samhället. Om det är något hot mot samhället i bred historisk mening är mera tveksamt. Jag skall återkomma till detta.79

ARTIFICIELL INTELLIGENS

Resonemang kring artificell intelligens (hädanefter kort: AI) är allmänt återkommande i många sammanhang, inte minst i alla de ämnen jag tar upp i den här boken. Därför har jag låtit AI få ett eget kapitel.

AI är en tvärvetenskap; den gränsar till elektronik, datalogi, psykologi, sociologi, filosofi, religion, medicin och matematik. Detta är absolut ingen överdrift. Skapandet av AI innebär att man först måste förstå hur "vanlig" intelligens fungerar, vilket är svårare än det låter -- det enda föremål man med säkerhet vet är intelligent är ju den mänskliga hjärnan. AI handlar alltså ytterst om att studera de humanistiska vetenskaperna för att bygga de naturvetenskapliga modellerna. Vår intelligens har visat sig ha tydliga kopplingar till vårt sätt att uppfatta världen, vad vi med ett fint ord kallar perception.

Att forska i AI är högsta mode på högskolorna, och det är inte helt utan anledning. För första gången i världshistorien finns det nämligen pengar att tjäna på AI. Företagen som administrerar och kommunicerar allt mer och mer via elektroniska länkar är i behov av dataprogram som kan göra rutinjobb, som att sortera elektronisk post och underhålla lagren. Sk intelligenta agenter marknadsförs, avpassade för olika elektroniska rutinjobb. Lite cyniskt skulle man kunna säga att företagen för första gången kan ersätta tänkande människor med maskiner på områden man aldrig trodde skulle kunna mekaniseras. (Jag skall dock påpeka att det knappast kan kallas mekanisering, eftersom riktigt intelligenta program verkligen tänker, inte bara handlar enligt en uppsättning regler.)

Det finns en rad filosofier och inriktningar inom AI. Till de främsta hör idag: expertsystem (stora databaser med specifik kunskap), genetiska algoritmer (simulerad evolution av t ex matematiska formler för att passa ett visst ändamål) och neuronnät (efterapning av hjärnans organisation i självständiga och parallellt arbetande nervceller).

I takt med att informationsdatabaser i stil med de som finns på Internet växer fram kan agenter jobba direkt med informationen utan att behöva förstå sig på människor. Varför sätta en människa på att göra research när du lika gärna kan låta en agent göra det både billigare och snabbare? (Den som någonsin sökt information på Internet inser själv hur användbart ett lite mer intelligent sökverktyg skulle kunna vara.)

Det forskas dessutom på artificiellt liv, som verkligen är levande organismer som lever och fortplantar sig i datasystem. Datavirus är en form av artificiellt liv, om än ganska osofistikerat och ofta destruktivt. Artificiellt liv har ännu inte rönt några större framgångar. (Om man inte skall kalla datavirus och alla de företag och konsulter som jobbar med att bekämpa datavirus för en framgång - det har bevisligen höjt BNP.)

Forskningen kring artificiellt liv började med ett program av John Conway som var en sorts blandning mellan dataspel och beräknad simulation och kallades Life. Hackaren Bill Gosper på MIT blev i det närmaste besatt av denna simulation. Senare förbättrades det och kallades istället Core Wars och innebar att många små dataprogramm skulle expandera och slåss om systemminnet (eng: core) och bara de starkaste skulle överleva. Programmen utsätts för flera miljöfaktorer som påminner om de krav som ställs på verkligt liv: ensamma eller trångbodda individer dör, program utsätts för mutationsrisker, systemresurserna varierar med tiden (dygnsrytm), alltför gamla organismer dör osv.

Speciellt framgångsrik med artificiellt liv har Tom Ray varit med programmet Tierra. Hans artificiella liv har genom simulerad darwinistisk evolution lyckats utveckla programlösningar för vissa specifika problem som varit bättre än de som någon människa kunnat åstadkomma.

Jag har redan nämnt att hackare respekterar artificiell intelligens på ett helt annat sätt än människor i allmänhet. En person som vuxit upp med ständig närhet till datorer ser inte några hot i att maskiner kan tänka. Han ser bespottandet av artificiell intelligens som en sorts rasism riktad mot en viss livsform. Om du själv är kritisk mot artificiell intelligens, och säger att det kan aldrig bli samma sak, bara människor kan tänka osv, betänk i så fall att det inte finns något som helst vetenskapligt belägg för att den mänskliga hjärnan skulle vara något annat än en maskin, låt vara av kött.

Dessa tankar går ända tillbaka till Ada Lovelace och Charles Babbage, två av datorernas anfädrer, som i en skrift kallad Thinking Machines från mitten av 1800-talet behandlar detta.

Allmänt kända blev inte dessa idéer förrän på 1960-talet, i t ex rysarfilmen Colossus -- The Forbins project (1969) där intelligenta, militära datorer tar över hela världen. Tanken figurerar som bekant även i Terminator-filmerna, med den enda skillnaden att datorn heter Skynet istället för Colossus som i Forbins project -- inte mycket nytt under solen i populär science fiction alltså. Rädslan för konstgjorda intelligenser går egentligen ända tillbaka till Mary Shelleys Frankenstein (1818), kanske rent av ännu längre tillbaka.

I Frankensteinmyten personifieras rädslan för artificiella intelligenser. Denna historia om en vetenskapsman som skapar en livsfarlig intelligens är en av den industrialiserade världens nya symboler, fullt i klass med tidig grekisk mytologi. Det finns en koppling mellan Frankenstein och Bibeln såtillvida att det skapade (människan i moseboken, monstret i Frankenstein) sätter sig upp mot skaparen (gud respektive människan).

I judisk mytologi har vi en motsvarighet i myten om lermänniskan Golem som löper amok då dess herre glömmer av att kontrollera varelsen. Det har slagit mig hur långt före sin tid denna myt var: Golem var gjord av lera, och datorer är gjorda av kisel, som tillverkas av sand. För att Golem skall "fungera" stoppar konstruktören Rabbi Löw ett stycke pergament med guds namn i munnen på varelsen. Detta är jämförbart med hur ingenjören "matar" sin dator med mjukvara. För att stoppa den skenande Golem tar rabbin ut pergamentet ur munnen på denna, varvid varelsen faller ihop i en hög torkad lera, efter att den berövats sin livsgnista.

Redan i dessa två 1800-talsmyter finns alltså rädslan för att människan, liksom Gud, skall skapa intelligent liv ur död materia. Denna ganska ogrundade rädsla för uppror mot gud är alltså bakgrunden till mycket av den fientlighet som riktas mot forskningen inom artificiell intelligens. Det som skrämmer oss är myten om hur människan åt av kunskapens träd, och vår skräck för att ytterligare en skapelse skall göra detsamma. Jag tänker dock gå bortom dessa myter och istället rikta in resonemanget på de filosofier som ligger till grund för AI-forskningen: Pragmatismen med arv från Fallibilismen, Nihilismen och Zenfilosofin. (Låt inte dessa konstiga ord avskräcka dig från att läsa vidare!)

Man kan fråga sig varför forskare prompt skall försöka skapa artificiell intelligens. Det finns ju redan människor, varför försöka skapa något nytt, bättre, främmande? Att ställa en sådan fråga till en forskare på området är ungefär som att fråga ett ungt par varför de prompt skall skaffa barn. Varför föda upp en ny generation som ifrågasätter allt du byggt upp? -- det är en sådan sak som man bara gör helt enkelt; en utmaning, en önskan att skapa något som skall leva vidare. En drift att låta evolutionen fortgå. Kanske är det också detta som till viss del driver hackare att framställa datavirus: nöjet i att se något nytt växa och sprida sig.

Hela vårt samhälle och våra liv är nu så sammanlänkade att de inte går att skilja åt. Samhället, maskinerna och människan -- allt måste utvecklas vidare. Evolutionen tillåter inga stängda dörrar, och AI är enligt mitt sätt att se det bara ännu ett steg på evolutionens väg. Själv ser jag detta som något relativt positivt, andra blir skräckslagna.

Samtidigt skall man inte glömma att lägga märke till de marknadsmässiga intressen som står bakom den artificiella intelligensens expansion. Att datorer skall kunna läsa blanketter, sortera information och skicka den vidare, är givetvis bara ännu ett sätt för marknaden att rationalisera bort människor ur produktionen, att automatisera kontorslivet och göra sekreteraren och revisorn överflödiga. Ledningen för ett företag är givetvis som vanligt enbart intresserad av att tjäna pengar och ackumulera kapital. Skulle inte du? Vad är det som rör sig på en högre nivå? Vad döljer sig i den komplexa individ (eller som jag själv kallar det: superindivid) som vi gett namnet "marknaden" och som ständigt driver på denna utveckling?

Den som är intresserad av att få veta mer om AI och allmänt filosofiska aspekter kring ämnet kan med fördel läsa boken The Age of Intelligent Machines av Raymond Kurzweil (1990). Vill man förstå mekanismerna bakom AI bör man läsa Douglas Hofstadters Gödel Escher Bach, en både upplyftande och beklämmande bok. I ett avseende är den en vetenskaplig bekräftelse av Kafkas tes: att rätt uppfatta en sak och samtidigt missförstå samma sak utesluter inte vartannat, något som fascinerande nog hör samman med motsägelserna inom Zenbuddhism, en religion som i vissa stycken gränsar till ren filosofi. För att låta er förstå något av mekanismerna bakom AI måste jag försöka förklara något av den del av Zen som sammankopplas med filosofer som Mumon och som inte har så mycket med att sitta med benen i kors och meditera (och annat hokus-pokus) att göra. Zen är i sig en filosofi som kan brytas lös från Buddhismen och betraktas separat. Buddhismen bygger på respekt för livet i alla dess former. Zen i sig kräver inget sådant, eftersom det är en icke-värderande, icke-religiös filosofi.

Zen, Eller Konsten att Bryta Sig Ur Formella System

Just Zen har ju också blivit en av de mest inflytelserika "nya" filosofierna i västvärlden under 80- och 90-talet. Böcker som Zen Och Konsten Att Sköta En Motorcykel säljer förbluffande bra. Zenbuddhismen innebär bland annat att det som vi i västerländsk tradition kallar Gud, och som hinduisterna och buddhisterna kallar Brahman respektive Buddha, i själva verket är summan av alla processer i universum och ingen fristående självständigt tänkande kraft. Således finns Gud lika mycket i människans själ som i en dators strömkretsar eller cylinderloppet på en motorcykel. Zen kan lite förenklat sägas vara ett enda långt sökande efter sambandet mellan processerna i naturen, kosmos eller mikrokosmos, och samtidigt utgör själva sökandet en process som går upp i de andra. Sökandet i sig är Zenbuddhismen, och poängen är att man aldrig lyckas finna Zen, som är ett abstrakt begrepp för "svaret". Ett sökande efter Zen innebär att man ständigt kommer till en plats där man besvarar en fråga med: både ja och nej. Exempelvis:

Fråga: Är bollen i flaskan?

Svar: På sätt och vis ja, om flaskans insida är dess insida, på sätt och vis nej, om flaskans utsida är dess insida.

Zen leker ständigt med vårt sätt att definiera vår omgivning, att sätta etiketter på föremål så väl som människor. Zen lär oss att genomskåda bristerna i vårt eget språk och hjälper oss att bryta felaktiga system, som om vi till exempel fått för oss att alla brottslingar är svartmuskiga. (Eller att alla hackare bryter sig in i datasystem!) Zen är tesen att inga perfekta formella system existerar, att det inte finns något perfekt sätt att uppfatta verkligheten på. Att det inte finns några perfekta system inom naturvetenskapen bevisade matematikern Gödel 1931, och att det inte finns några perfekta system inom religionen inser var och en som inte är bokstavstroende.

Zen kan sägas grunda sig på antagandet att:

Den enda absolut sanna sanningen är att inga absoluta sanningar existerar.

En paradox! Vilket givetvis är en perfekt utgångspunkt för tesen att verkligheten inte låter sig fångas och alla formella system (som det mänskliga språket, matematiken osv) därmed måste vara felaktiga. Till och med själva påståendet att verkligheten är ofullständig är ofullständigt! Sanningen kan inte uttryckas i ord -- därav behovet av konst och andra uttrycksformer. Jag skall inte skriva mer om Zen nu, men ni förstår säkert att det är många som blir både förvirrade och förbannade när man försöker förklara Zen, speciellt som förklaringen går ut på att det inte finns någon förklaring. Notera i t ex William S Burroughs citat: "språk är ett virus från rymden", frustrationen över det mänskliga språkets begränsningar. Även Nietzsche kritiserade språket och menade att det var hopplöst begränsat, likväl som feministen Dorothy Smith med sin teori om hur orden styr maktfördelningen i samhället.80 I västerländsk filosofisk tradition kallas motsvarigheten till Zen för fallibilism och grundar sig på tanken att all kunskap är provisorisk, något som senare utvecklats i en filosofisk riktning som kallas pragmatism och betraktar alla formella system som felbara och därefter försöker bedöma dem efter hur de fungerar istället för hur de är uppbyggda. Gödels teorem är kanske den mest påtagliga indikationen på att denna världsuppfattning är korrekt.81

Mycket av modern matematisk teori om sk icke-formella system hänger ihop med både Zen och kaosforskning. Ett icke-formellt system skapar ett formellt system för att lösa ett problem. För att vi skall ha en chans att förstå oss på den på ytan kaosartade världen måste vi först förenkla den genom att skapa formella system på olika beskrivningsnivåer, men också ha möjligheten att bryta ned dessa system och skapa nya. Vi vet till exempel att människor är skapta av celler. Men på sätt och vis är vi ju skapta av atomer, och på sätt och vis av ren energi. Naturen bjuder på så många beskrivningsnivåer att vi måste sålla fram dem som vi behöver för att klara av det som vi föresatt oss. Det är det som är intelligens.

Det finns andra filosofier som anammar delar av Zen: hit hör exempelvis läran om Tao, där motsatspar som svart/vitt rätt/fel eller ett/noll (informationens minsta byggsten) ses som heliga och det gäller att finna någon slags gyllene medelväg. (Urtypen är alltså Yin och Yang, ett slags ur-motsatspar.) Hit hör också vårt västerländska tes-antites-syntes-resonemang. Dessa filosofier har som styrka och svaghet att de invaggar anhängaren i en tro att lagom alltid är bäst, vilket enligt Zen kan vara både sant och falskt beroende på hur man ser det. Alla sådana försök att konkretisera verkligheten till formella system är i och för sig intressanta men definitivt provisoriska och ständigt underkastade anpassning. Ett annat filosofiskt system som anammade detta tankesätt var den förkristna Gnosticismen, där det ursprungliga motsatsparet är Gud och Materien som sedan möts genom en serie sk Eoner (tidsåldrar, idévärldar eller gudomliga väsen). Gnosticismen är i sin tur förmodligen sprungen ur en gammalpersisk religion som kallas parsism och som inrättades av den inte helt okända filosofen Zarathustra, som alltså ursprungligen hävdade att världen styrdes av sådana här motsatspar.

Zenfilosofins sätt att tänka är dels en bekräftelse på den sk nihilismens världsbild att objektiva sanningar inte existerar, samtidigt dementerar den samma världsbild; det är helt enkelt en fråga om var man befinner sig: på insidan av ett formellt system existerar objektiva sanningar. På utsidan av systemet finns de inte. Lyckas man bryta sig ur ett formellt system där verkligheten inte beskrivs i begrepp som rätt och fel, eller alla möjliga mellanting som mera rätt än fel, har man också funnit något av intelligensens kärna. Att vara intelligent innebär att man kan bygga ett system av ordning ur kaos, så grundligt att man sedan kan betrakta sitt eget system från insidan och inordna sina egna tankar i det system man skapat. Forskningen kring AI har på ett förbluffande sätt visat att denna förmåga är absolut nödvändig för varenda liten intelligent operation.

Denna skillnad mellan den verkliga världen och den som man föreställer sig, alltså det formella system man skapat, har i århundraden retat gallfeber på filosofifarbröder som Platon m fl, och fått dem att i djupa bryderier konstatera att den verkliga världen är felaktig och att deras perfekta, matematiska system är en idévärld som står bortom den verkliga och som den verkliga världen aldrig riktigt når fram till. (Observera att jag är en smula uppkäftig här; en 24-årig lekman som jag har normalt inte ens rätt att ta dessa stora filosofers namn i min mun. Den vakne läsaren lägger märke till att jag är i full fart med att ifrågasätta auktoriteter... I vetenskapsteorin är denna konflikt känd som kontroversen mellan subjekt (iakttagare) och objekt. Även inom en så "hård" vetenskap som fysiken har det visat sig att detta är av avgörande betydelse, främst i det för fysiker välbekanta Bells Teorem, som ställt till stort huvudbry för mången forskare. (Jag tänker inte försöka förklara Bells Teorem, jag nämner det mest som en referens för den som känner till det.)

När AI-forskarna sökte svaret på hur intelligens fungerade hamnade man i konflikt med de vetenskapliga grundnormerna. Vi behöver föra ett intelligent resonemang för att skapa intelligens. Vi behöver en ritning på hur man gör ritningar, en teori om hur teorier fungerar, ett paradigm för hur paradigm skapas osv. Man hamnade i en paradox där man ville beskriva ett formellt system med hjälp av ett formellt system. Det var då man tog till sig Gödels teorem -- ett bevis för att alla formella system innehåller sanningar som inte kan bevisas. Lösningen på att skapa ett formellt system för intelligens var genom att låta det referera till sig självt, precis som en nervcell i hjärnan kan förändra sitt sätt att fungera och behandla information genom att, just det, behandla information. Lösningen på intelligensens gåta var inte tabeller, strikta regler och matematik. Intelligensen var inte matematiskt-maskinell. För att intelligensen skulle fungera måste den vara till viss del oförutsägbar, motsägelsefull och föränderlig.

Många hackare och nätanvändare är hängivna Zen-filosofer, inte minst därför att mycket av funktionerna i datorer och datanätverk ofta är ganska självmotsägande. Den del av datavetenskapen som behandlar AI är självmotsägande i allra högsta grad. Programmering är också en konst som går ut på att skapa ordning i ett från början näst intill kaotiskt system av möjliga instruktioner, hela vägen fram till ett färdigt dataprogram. Om det här stycket var svårt att förstå, var snäll och läs det igen, för det är värt att förstå.

Människan som Maskin - Datorn som Gudomlig Skapelse

De flesta hackare betraktar människor som avancerade maskiner och det är egentligen inget fel med det; det är bara ett nytt synsätt, ännu ett betraktelsesätt inom den mångfassetterade psykologiska vetenskapen. Hackare är i allmänhet futurister och för dem är maskinen, och därmed människan, något vackert och livsfyllt. Jag skall villigt erkänna att jag själv till viss del betraktar människor som maskiner, men skulle hellre dämpa det lite och säga att vi i likhet med datorer är informationshanterare -- vi föds med en viss information präglad i generna; under uppväxten tillförs sedan alltmer information från omgivningen. Resultatet blir en komplex mängd information som vi kallar för individ. Processen där informationen bearbetas och lagras i individen kallar vi för intelligens. Individen samverkar också med omgivningen genom att symboliskt uppta och avsöndra informationsstycken, och blir därigenom del i en ännu större process som också den är intelligent. (Är man religiöst lagd kan detta påstående uppfattas som hybris.)

Skillnaden mellan människor och datorer då?

Två saker: Datorn vet vem som skapat den (ett) och människans liv är klart tidsbegränsat (två). Man har framkastat teorin att det unika i människans "själ" är en produkt av endast dessa två faktorer, och att det därmed bara är just ovissheten och tidsbegränsningen som gör livet "värt att leva". Sedan kan man ifrågasätta teorin med den invändningen att båda premisserna i princip är förhandlingsbara i ett längre perspektiv. Härom får läsaren dra sina egna metafysiska slutsatser. Ämnet är i det närmaste outtömligt. (Och publiken i princip outtröttlig.)

"Jag har skådat saker ni människor inte kan föreställa er... Brinnande attackskepp vid Orions skuldra... Jag såg C-strålar tindra i Tannhauser-porten... Alla dessa ögonblick kommer nu att gå förlorade i tiden, likt tårar i regnet."

(Androiden Roy Beatty i Ridley Scotts Blade Runner inser i dödsögonblicket något av livets innebörd.)

Om vi går till djuppsykologin blir det hela lite enklare. Ett intelligent system, såväl artificiellt som naturligt, måste kontrolleras mot ett överliggande system, vad vi skulle kunna kalla ett metasystem, för att kunna veta i vilken riktning det skall utveckla sig. På ett AI-system som skall känna igen bokstäver "belönas" respektive "bestraffas" det sätt på vilket det uppfattat ett tecknen tills systemet lärt sig hur det skall kunna känna igen så gott som alla tecken. Detta fordrar att systemet har två funktioner: dels in- och utmatning av information, och dels eftertanke.

På ett AI-system sker detta kontrollerat i två steg. Hos en människa sker informationsbehandlingen (enligt en teori) om dagen och jämförelsen mot det "korrekta" handlingsmönstret under natten i form av drömmar, där förloppen återupprepas och jämförs med våra verkliga motiv, alltså det undermedvetna. Likheten är påfallande.

Vi kan alltså med detta resonemang konstatera att människan har ett inre system för vad som är korrekta och felaktiga handlingar. Som om inte detta vore nog, vet vi att vi också kan förändra de planer vi handlar efter -- vi är alltså inte födda till att gå en viss utstakad väg. På det viset är människan lika paradoxal som vilket icke-formellt system som helst. Vi har förmågan att bryta oss ur systemet och omvärdera våra mål.

De stora psykologiska filosoferna, främst Sigmund Freud och Carl Jung, fann dock att det fanns ett slags symboler och motiv som inte modifierades utan var gemensamma för alla människor. Freud talade om de stora drifterna, främst sexual- och dödsdriften. Jung vidareutvecklade resonemanget till flera arketyper, som t ex visade på vissa grundläggande uppfattningar om vad som är gott och ont.82 Dessa arketypiska drifter som tycks finnas hos alla djur är tydligen en motor som driver människan att utforska och försöka förstå sin omvärld.

Detta är den mest grundläggande skillnaden mellan människor och maskiner. Det finns inget som säger att vi skulle behöva låta de intelligenta maskinerna drivas av samma drifter och instikter som vi själva. Vi kan istället specialutrusta dem med en drift att lösa det problem de konstruerats för. När maskinen utvärderar sitt eget handlande drivs den då ständigt att springa våra ärenden. Science fiction författaren Isaac Asimov föreslog exempelvis i sina robotnoveller robotikens lagar, där robotarna drevs av en närmast sjuklig vilja att vara människor till lags. Dessa återfinns även i den något modernare filmen Robocop där robotpolisen drivs av viljan att upprätthålla lagen.

Mot en Artificiell Tidsålder - AI och Samhället

Aspekter på AI återspeglas i tidens medier - Blade Runner handlar om skillnaden mellan människor och maskiner, i cyberpunkromaner, musik och filmer förkommer AI rikligt, och år 1995 har Frankenstein nypremiär på biograferna. Slump? Knappast.

Ett spännande exempel på den här trenden är Arnold Schwarzeneggers roll som robot i Terminator 2. Där har den konstgjorda intelligensen mänskliga drag, som en följd av att den programmerats av en mänsklig rebell istället för en brutal militär. Den visar också på olika aspekter av hur det kan gå om man hanterar tekniken vårdslöst. (Som när Rabbi Löw tappade kontrollen över sin Golem.) Särskilt intressant är scenen där roboten, maskin som den är, bara följer sitt program att utplåna människor som är i vägen istället för att välja fredliga lösningar. Huvudpersonen John (som f ö är en skicklig hackare) upptäcker här en farlig "programlus" i roboten, som han rättar till. Budskapet i filmen är att teknik och AI är bra -- om den används på rätt sätt och övervakas av människan. Den riktiga faran är den nonchalanta människan.

Den svenska Femte Generationen förtjänar återigen att nämnas i sammanhanget. Femte generationens datasystem är just en annan beteckning på artificiellt intelligenta datasystem.

Lars Gustafsson utmärker sig med den vackra science fiction romanen Det Sällsamma Djuret Från Norr som på ett ingående och underhållande vis behandlar metafysiska aspekter på AI. Speciellt spännande är här tankarna om decentraliserad intelligens. Detta innebär t ex att ett myrsamhälle kan sägas vara intelligent, men knappast en enskild myra, att hela mänskligheten kan betraktas som en sammanhängande intelligent organism osv -- ett synsätt hämtat från sociologin som kommit att få en central betydelse inom AI-forskningen.

Informationsflöden är en indikation på intelligens. Detta bekräftas i modellen av samhället som en enhetlig tänkande kraft. Individens och samhällets intelligens är otvivelaktigt besläktade; förmågan att lagra och bearbeta information genom kontruktion och upplösande av formella system kännetecknar intelligens. Samhället är som en organism, ändå inte. De här idéerna går ända tillbaka till den sociologiska vetenskapens grundare Auguste Comte. Själv har jag myntat begreppet superindivider som en beteckning på dessa överordnade intelligenser med namn som företag, marknaden, staten, kapitalet osv. Jag skall återkomma till detta längre fram i denna bok.

Man kan återigen betona släktskapet mellan kaosforskning och intelligens; intelligens kan uppfattas på många olika nivåer, varje nivå i sig ett formellt system. Det ena systemet liknar det andra och bildar ett märkligt sammanhängande mönster. Vår intelligens verkar vara ett med vår förmåga att betvinga kaos.

Alan Turing och Turingtestet

En av de allra första som ägnade sig åt att försöka få maskiner att hysa intelligens var Alan Turing. Han föreslog ett test som kunde avgöra om ett system var intelligent eller inte, det sk Turingtestet. Det gick ut på att man placerade en människa i ett rum med en terminal som antingen var kopplad till en annan terminal där det satt en annan människa, eller till en dator som låtsades vara en människa. Om försökspersonerna inte kunde skilja på människan och datorn, dvs att de i hälften av fallen dömde ut datorn och i hälften av fallen människan, skulle man kunna påstå att datorn var intelligent.

Detta kritiserades ganska omgående med en teori som kallades det kinesiska rummet. Denna innebar att turingtestet gjordes på kinesiska, och att man placerade en kines vid ena terminalen, och en person som inte kunde kinesiska vid den andra. För att den icke-asiatiske personen skulle ha en chans att svara på de frågor som kinesen ställde, skulle man ge honom en uppsättning regler i form av tecken, grammatik etc med vars hjälp han skulle kunna generera vettiga svar utan att förstå ett smack kinesiska. Genom att bara slå i böcker och tabeller skulle det därför verka som om personen i fråga talade kinesiska och var intelligent, fast han/hon i själva verket bara följde regler.

Den lilla slaven som sprang fram och tillbaka och tolkade kinesens frågor och framställde intelligenta svar utan att kunna något jämfördes med hårdvaran i datorn, maskinen. Böckerna och reglerna för hur han skulle svara var mjukvaran, alltså dataprogrammet. På det viset menade man att en dator inte kunde vara intelligent, bara följa givna instruktioner.

Nu visade sig denna invändning vara felaktig. Det kinesen kommunicerar med är inte enbart den person som sitter i andra änden, utan hela systemet, med terminal, böcker, regelverk och allt annat som den stressade stackaren i det andra rummet använder sig av. Även om personen som satt vid terminalen inte var intelligent, var systemet som helhet intelligent. Detsamma gäller för en dator: även om inte maskinen eller dataprogrammet i sig är intelligenta, kan systemet maskin+program mycket väl vara det.

Det samma gäller en människa -- en enskild neuron i hjärnan är inte intelligent. Inte ens hela delar av hjärnan eller hjärnan i sig kan sägas vara intelligenta, eftersom de inte kan kommunicera. Systemet människa med både kropp och hjärna kan däremot sägas vara intelligent!83

Av detta följer också den lätt obehagliga insikten att varje system som är intelligent ständigt måste bearbeta information för att kunna kallas intelligent. Vi måste ta emot sinnesintryck och avge svar på dessa på något vis för att kunna kallas intelligenta. En människa utan förmåga att ta emot eller ge ifrån sig information är alltså inte intelligent! Informationsflöde är en indikation på närvaron av intelligens. Härav definierar vi begreppet hjärndöd. En människa utan kommunicerande intelligens är ingen människa.

Vi skulle kunna avsluta det här kapitlet med att definiera vad intelligens egentligen är (enligt Walleij):

Intelligens är förmågan att i ett till synes kaosartat informationsflöde skapa system för att sortera och överblicka detta samt oupphörligen revidera och bryta ned dessa för att skapa nya. (Notera att denna definition är en paradox eftersom den beskriver den process genom vilken författaren lyckades konstatera detta. Aldrig får man vara riktigt glad.)

VIRTUELL VERKLIGHET (VIRTUAL REALITY)

Nu skall jag berätta om något som är ruskigt överskattat, men som oundvikligen kommer att få stor betydelse i framtiden. I varje fall som fenomen betraktat. Jag tvekade länge om jag skulle skriva om virtuell verklighet över huvud taget, men jag inser att det oundvikligen hör till ämnet. Anledningen till att jag tvekar är att detta forskningsområde blivit så uppblåst och missförstått att det antagit rent religiösa proportioner.

Virtuell verklighet är ursprungligen en beteckning för påhittad verklighet. Det är samma sorts verklighet som rollspelsentusiaster befinner sig i då de tar sig fram i en påhittad värld. I sin ursprungliga form kräver denna konstgjorda omgivning en god portion fantasi och tålamod. Utvecklingen har gått från rollspel till interaktiva rollspel på Internet, sk MUD-spel (Multi-User Dungeon, dvs fleranvändargrotta, en grotta som flera människor kan vara i samtidigt, kallas också textbaserad verklighet) och först på 90-talet har begreppet blivit synonymt med en viss teknik för att konkret med ljud och bild uppleva konstruerade verkligheter med datorns hjälp.

I ett MUD-spel upprättar man vissa konventioner för att kommunicera direkt med människor genom att använda ett språk som är en förlängning av det skrivna ordet. Man kan tala om på vilket sätt man vill kommunicera med en medspelare. Man kan t ex tala om ifall man vill uttala ett ord ironiskt, kallt eller erotiskt. Man skriver kanske: "Säg 'Hejsan' på ett humoristiskt vis till X", varvid X får ett meddelande av typen: "Y säger 'Hejsan' till dig på ett humoristiskt vis". Man har också möjligheten att inta poser, att utstråla olika känslor. Du skulle kunna få ett meddelande av typen: "Y ler ett ironiskt leende".

Detta sätt att kommunicera över Internet har haft avgörande inflytande på det språk gemene man använder vid skriftliga debatter i den elektroniska världen. De mest välkända konventioner som upprättats är tecknet för humor :-) (glatt ansikte från sidan) och tecknet för ironi ;-) (blinkande ansikte), eller att skriva med STORA BOKSTÄVER för att skrika. Utöver dessa har en uppsjö mer eller mindre accepterade symboler av samma slag uppstått. Detta är första steget mot att via ett nätverk överföra symboler med en annan innebörd än de rent språkliga. Det innebär en första möjlighet att använda tonfall och kroppsspråk i konstgjorda världar.

En förlängning av MUD är det internationella nätverket för struntprat, IRC (Internet Relay Chat, Internets Reläsystem för Snack). I IRC-systemet kan man göra ungefär samma saker som i MUD, skillnaden är att det hela ligger lite närmare verkligheten. En del sätter upp privata konferenser i IRC och pratar sinsemellan, medan andra ägnar sig åt någon av de många öppna grupperna, t ex #Sweden eller #Sverige som fungerar ungefär som en textversion av Heta Linjen för svenskar. I dagsläget använder ungefär 1000 personer i Sverige IRC regelbundet. 84 IRC har en benhård teknokratisk hierarki där de som kan mer om systemet har mer makt och kan bolla med andra människor ungefär hur de vill. Demokrati existerar inte: på varje kanal finns ett antal småkungar (sk chan-ops, kanaloperatörer) som ibland kan "slåss" om kontrollen över kanalen. IRC har redan utvecklats till en egen subkultur med egna värderingar och hackordningar. Förvånansvärt många kvinnor använder IRC.

I IRC finns även möjlighet att idka informationshandel, att byta information mot information med ett enda enkelt kommando: /dcc send nick fil, vilket gjort IRC till den främsta kommunikationskanalen för "bytare" och andra hackargrupper, en plats där kurirer springer med filer och kommunicerar internt, annonserar ut FTP-areor och webbsidor där enorma programbibliotek finns tillgängliga för en kort tid. Det har därmed också blivit den naturliga knutpunkten för människor med de mest udda perversioner, och ingen annanstans kan man hitta sådana ansamlingar av pornografiska bilder och hela filmer, som på kanaler med namn som "xxx..." mediet är ännu mycket anonymt och svårt för myndigheter att övervaka, förmodligen är det den mest laglösa del av Internet som finns idag.

Dessa tekniker är bara det första steget i en utveckling som kommer att leda oss till kommunikationsformer oändligt mer sofistikerade än de vi känner idag. I experimentanläggningar blir de påhittade miljöerna alltmer verkliga; rentav så verkliga att många börjat ifrågasätta skillnaden mellan verklig och påhittad verklighet, och kommit fram till att det snarast är en definitionsfråga. Men vi börjar från början.

Ingen enskild person har betytt så mycket för virtuell verklighet som Jaron Lanier. Jaron flyttade till Kalifornien 1981 och tänkte att han skulle leva hippieliv och spela flöjt på trottoarerna. Istället halkade han in på ett jobb som dataspelsprogrammerare. Efter ett tag i branchen startade han ett företag kallat VPL (Visual Programming Languages, Visuella Programspråk) för egna pengar och började jobba helt ideellt med en idé han fått: han ville göra ett programspråk. Programspråk är det språk som människor använder för att kommunicera med datorer och beskriva vad de vill att den skall göra. Vanliga programspråk är t ex BASIC (Begginers All-purpose Symbolic Instruction Code), Pascal (döpt efter matematikern med samma namn), eller C (döpt av Dennis Ritchie som en efterföljare till språket B under utveckling av operativsystemet Unix på AT&T laboratories).

Nu ville Jaron inte göra vilket programspråk som helst utan PROGRAMSPRÅKET med stort P. Han tyckte att det här med att programmera var bland det roligaste som fanns, men att det var förbehållet en alldeles för liten grupp människor. Han ansåg att alla borde få programmera. Istället för att bara låta en liten elit av programmerare bygga upp matematiska och symboliska modeller av verkligheten, ville han sätta det verktyget i händerna på mannen på gatan, med minimala krav på förkunskaper. Språket döptes så småningom till Mandala.

Många som provar att använda datorer för första gången tycker att det hela är för abstrakt och innehåller för många teoretiska begrepp. En dataelev jag hade sade en gång:

"Du kan säga att det här är ett kommando, att det har den och den egenskapen och fungerar så och så. Det är som att säga till mig att det här är en hammare, och den fungerar så och så. Jag kommer aldrig att fatta det om jag inte får en hammare i näven."

Hammarhuvudet på spiken. Om inte människan kan anpassa sig till datorn så får man väl anpassa datorn till människan. Om inte berget kommer till Muhammed får väl Muhammed komma till berget. Det var det som var Jarons idé. Gör datamiljön så verklig som möjligt, ta bort det där tangentbordet om det ställer till så mycket förtret, och ta bort den där tvådimensionella skärmen om platta symboler är så svåra att förstå. Skapa en hel verklighet kring användaren så att denne känner sig hemma. Konceptet virtuell verklighet (och från och med nu förkortar jag det med bara VV) var fött. Nu var den här idén egentligen inte så ny. Första gången tanken på VV dök upp skall ha varit 1965 hos Ivan Sutherland på Utah University. Men det var Jaron som var först att fullt ut försöka genomföra idéerna, och göra pengar på dem.

VPL grundades 1985. Sedan dess har ingenting varit sig likt. 1991 fick vi vanliga människor veta vad VV var i och med att W Industries marknadsförde sitt dataspelsystem Virtuality på bred front. Tidningar, radio, TV -- alla berättade om detta nya och fantastiska fenomen. Det var också då man började göra jämförelser med William Gibsons roman Neuromancer och upptäckte uppenbara likheter mellan huvudpersonen Case's sätt att ansluta sin hjärna till datorerna och därmed uppgå totalt i telerymden, och ambitionerna bakom VV. Och det var då man på allvar började ifrågasätta vart vårt samhälle var på väg. Och det är bl a därför Gibson är en så viktig författare.

Det hela är egentligen inte så konstigt som man ibland lyckas få det att framstå. Genom att applicera sensorer på kroppen som registerar alla rörelser kan datorn känna av hur du rör dig, därefter kan den generera ljud och bildintryck som stämmer överens med hur vi är vana att uppfatta verkligheten. Ljudet skapas av ett kvadrafoniskt ljudsystem som gör det möjligt för oss att placera ljud i rummet. Bilderna visas tredimensionellt genom att datorn ritar en bild för varje öga. Det är det som är VV idag; varken mer eller mindre. Förmål kan uppfattas som tredimensionella och ge i från sig ljud så att vi upfattar ljudet som om det kom från föremålet i fråga. Inget konstigt, bara vanlig manipulation av våra sinnesintryck, precis som en dataskärm och en högtalare, fast lite mer sofistikerat och förfinat. Maskinskapad hallucination eller påtaglig dröm skulle man också kunna kalla det.

Jaron hade alltså tänkt sig att VV skulle vara en form av programmeringsspråk, avsett främst för att skapa modeller för att underlätta forskning, undervisning och göra datorns funktioner lättåtkomliga. Nu blev det inte riktigt så. En del uppfinningar har förmågan att chocka sina uppfinnare genom att de visar sig få helt andra tillämpningar än uppfinnaren någonsin kunnat drömma om. Kärnkraften är väl det mest skrämmande exemplet på detta. VV förvandlades från programmeringsspråk till medium.

Vi har en handfull medier i vårt samhälle. Vi har litteratur av olika slag. Vi har teater och film. Vi har etermedia som radio och TV. Vi har sk multimedia som dataspel eller hypertext, en slags förbättrad text som gör att vi kan läsa text som en databas istället för som en bok. Och nu har vi VV, och det är också en form av medium. Närmare bestämt den kraftfullaste form av media som människan någonsin tillverkat. VV omsluter dig på alla sidor och fordrar din totala uppmärksamhet, precis som om det var ditt verkliga liv det handlade om. Du kan springa, men du kan absolut inte gömma dig från den. (Tänk vilket fascinerande medium att använda för reklam: Pampers blöjor tränger in dig i ett hörn och hetsar dig till döds.)

När Jaron kommit en bit på vägen med sin idé insåg han att han behövde hjälp för att slutföra projektet. Han fick hjälp av medialaboratoriet på MIT, som redan tidigare hjälpt till att begåva världen med det grafiska gränssnittet. (Gränssnitt är den mojäng som finns mellan datorn och användaren, typ tangentbord, bildskärm, skrivare, mus, datahandske etc.) Detta kom senare att användas av Xerox, Macintosh och Microsoft, och vi känner det idag under produktnamn som System 7 och Windows.

Militären blandade sig förstås i leken som vanligt. Redan tidigare hade man ju experimenterat med flygsimulatorer för att träna piloter inför flygningar. VV sågs som en möjlighet att förbättra simulatorerna, ja till och med att utveckla riktigt verklighetstrogna system för fjärrnärvaro, där exempelvis en pilot kan styra ett flygplan in över fientligt territorium fast han fysiskt befinner sig i en bunker hemma i högkvarteret. Ett sådant system skulle naturligtvis vara ett bra sätt att hushålla med piloter. Dessutom skulle man kunna bygga plan som utsattes för påfrestningar som ingen pilot skulle tåla. Som radiostyrda flygplan alltså, men lite häftigare. (Och farligare.) Sålunda slängde militären in en rejäl skopa pengar i forskningen. Krig har som vanligt en förmåga att få den tekniska utvecklingen att ta kvantsprång.

Det är svårt att säga vad VV kommer att få för betydelse. På sätt och vis förändrar den ingenting - VV upplever vi alla på natten när vi drömmer. Skillnaden är här att vi kan styra innehållet och använda oss av högst påtagliga drömmar för våra egna syften. Ett av de största användningsområdena för VV är därför inom psykologin, då drömmar har en central betydelse för studiet av människans psyke. Man kan mycket väl tänka sig att VV kan användas för mycket sofistikerad terapi. Eller hjärntvätt, om man nu skulle vilja det. Hjärntvätt är för många betraktare inte enbart negativt; inom den slutna psykiatriska vården behandlas våldtäktsmän och mördare med mycket sofistikerad hjärntvätt för att bota ett sjukligt beteende. Sådan vård kan säkert förbättras och effektiviseras med VV. Omvänt kan det missbrukas.85

Som medium har VV fantastiska möjligheter. När vi kommunicerar över en elektronisk länk känns det inte som att vi verkligen möter någon. Anonymiteten i en telefonlur gör att vi kan slänga ur oss de mest vågade saker eftersom vi inte känner oss fysiskt hotade. När vi talar i telefon distraheras vi av andra händelser i omgivningen. När vi kommunicerar via Internet kan vi omöjligen använda något kroppsspråk eller röstläge. Enda sättet att visa känslor i en elektronisk konferens är att skriva blixtsnabba, felstavade inlägg för att uttrycka att man är upprörd eller att använda olika typografiska konventioner för att tillkännage känslolägen.

I VV kan vi använda hur mycket kroppspråk vi vill. Vi kan göra mötet fullkomligt verkligt, som om vi träffades i ett rum. Vi kan göra det mer än verkligt -- vi kan verkligen blåsa upp oss till dubbel storlek om vi vill. Vi kan klä ut oss till vem som helst. Vi kan bestämma oss för hur rummet skall se ut. Jag kan uppleva det som att vi träffas hemma hos mig, och du kan uppleva det som att vi träffas hemma hos dig. Vi kan alltså vara på två ställen samtidigt, så att båda känner sig hemma! Jag kan vara i ett stålverk och höra bullret i bakgrunden, och du kan vara i skogen och höra fåglarna kvittra. Jag tycker att du sitter på ett städ och du tycker att jag sitter på en stubbe. Allt är möjligt.

Inom sociologin, som är den vetenskap som studerar samspelet mellan människor, använder man begreppet symboler för att uttrycka den informationsväxling människor emellan som går djupare än själva språket. Till skillnad från språket kan sådana symboler idag inte lagras eller syntetiseras. Det är bland annat därför vi har uppfunnit skriftspråket. Ett lagringsbart språk möjliggör ett kulturellt arv från generation till generation, och ger mänskligheten till ett sk kollektivt medvetande. Begreppet symbol innefattar förutom det talade och skrivna språket, såväl kroppsspråk som blickar och ofrivilliga rörelser (inom språkvetenskapen kallas gester etc för paralingvistik).

Symbolspråket människor emellan består av såväl genetiska som inlärda komponenter. Djur som inte kan tala eller skriva kommunicerar uteslutande genom "primitiva" symboler, som de jag just nämnde. Symboler kan sägas vara de band som knyter samman människor till grupper, samhällen och hela system av samhällen. Inte helt oväntat har symbolerna en stor betydelse inom forskningen kring artificiell intelligens; de flesta AI-forskare betraktar människans hela medvetande som byggt av ett flöde av symboler i en eller annan form, och hela intelligensen som en stor informationshanterande process. (Men det har jag ju redan berättat om...)

Målet med virtuell verklighet är att samtliga symboler skall kunna lagras och syntetiseras. Det skall bli det perfekta kommunikationsmedlet mellan människor; bättre än själva verkligheten. Och det är kanske det som är så skrämmande: Datorn erbjuder möjligheten att förvränga symbolspråket. Om du själv kontrollerar datorn skulle du kunna använda den för att själv framstå så god och uppblåst som möjligt, och förvränga din egen syn på omvärlden så att alla andra framstod som töntar. Gränsen mellan illusion och verklighet kan bli suddig.86

Det är helt omöjligt att förutse vad detta kommer att innebära för vårt sätt att uppfatta världen i allmänhet och människor i synnerhet, säkert är bara att det kommer att förändras. Man talar ibland om den kulturella eller sociologiska atombomben, där VV är ett hot som skulle kunna slå sönder alla våra fasta normer, eller hela vår verklighetsuppfattning. Alla förutsägelser på det här området måste i dagsläget betraktas som rena spekulationer, eftersom ingen ännu kommunicerar genom VV i större skala.

Redan nu varnar emellertid science fiction författare för riskerna med VV, ett av de tidigaste exemplen är Philip K Dicks novell Minnen en gros, senare filmad som Total Recall, andra exempel är trilogin Illuminatus!87 , allas vårt Arkiv X eller filmen Videodrome (1982). Samtliga bygger ett skräckscenario på rädslan för att inte kunna veta vad som är verklighet och vad som är inbillning,88 verklighetsbaserad paranoia för att säga det med ett ord. Jag har själv skrivit en novell på temat, och började på ännu en som jag aldrig fullföljde:

"Någon gång det året opererade några entusiastiska forskare in det första Carcer-chipet i huvudet på en dövstum samt lam försöksperson. När de rikare skikten av samhället gradvis förflyttade sig till en bättre, konstgjord värld, skulle dessa slavar, människor som på grund av Carcer-chipets järnhårda kontroll inte ens kunde tänka på uppror mot systemet utan att deras ångestfunktioner aktiverades, lämnas kvar att sköta kärnkraftverk, bondgårdar, livsmedelsfabriker och andra nödvändiga samhällsinstitutioner.

Många fria människor förstod att Carcer-projektet från början till slut var omänskligt, att de som stod under chipets kontroll inte längre hade någon fri vilja. Ändå ville de inte gärna lämna den materiella välfärd de under åren byggt upp i en värld som inte fanns. Deras hjärnor var länkade med elektroder till maskineriet och deras perifera nervsystem med armar, ben och ögonlock var frånkopplat. Rent fysiskt framlevde de sina dagar svävande i en tank fylld med isolerande, kroppstempererad vätska.

Några mindre priviligierade människors frihet var alltså värd att offras för de fria män och kvinnor som nu levde sina liv med osårbara datakroppar, och som mentalt styrde de politiska skeendena. (bla bla bla)"89

Men -- om jag skall vara ärlig: oroa er inte. Människor är ganska förnuftiga varelser när allt kommer omkring. Det finns ingen anledning att misstänka att vi inte skulle kunna hantera denna nya resurs på ett alldeles vettigt sätt. Men virtuell verklighet i kombination med AI ger oss en ny bild av människans betydelse kontra samhället, något som jag skall illustrera i kapitel 15.

NÄTATTITYD, TEKNOKRATI OCH DEMOKRATI

Att sälja och äga information är idag ett yrke. Journalister, speciellt fackjournalister och allehanda informatörer, konsulter och lobbyister, bygger stora delar av sin yrkesstolthet på att äga information. Givetvis vill de inte dela med sig om de inte får något i utbyte, och det vi ger dem (eller skall jag säga: "det de tar av oss"?) i utbyte är en hederlig lön och en social status. Informationsteknologin hotar att i grunden förändra deras yrken, och många av dem vet om det. Hur?

På MIT brukade de första hackarna låta program de skrivit (i form av långa pappersremsor med hål i) ligga framme i en låda bredvid datorn. Det gjorde de dels för att den som hade lust skulle kunna titta på dem, men också för att den som så önskade skulle kunna bättra på och utöka programmen. Denna hjärtliga och öppna attityd är typisk "hackarmentalitet", och har sedan dess genomsyrat nästan all forskning och programutveckling som skett via Internet. Detta går in under det som jag nämnde som Regel 1 i kapitlet om cyberpunk: hands-on-imperativet.

Det finns ett otal sådana dataprogram som utvecklats enligt en princip som på engelska kallas stone soup -- vad vi i Sverige brukar benämna att koka soppa på en spik. Detta är alltså en av de allra äldsta metoderna att driva programmeringsprojekt (om inte den äldsta). De första hackarna på MIT på 60-talet jobbade enligt denna princip. I dag fungerar det så att en programmerare tillverkar en grundstomme, ett fungerande program som utgör fundament för programmet (spiken i grytan). Han lägger sedan ut programmet på Internet och säger till alla de amatörprogrammerare som finns där:

"Här har ni programmet - hittar ni brister och kan rätta till dem, så gör det. Skicka sedan ändringarna till mig."

Den ursprungliga programmeraren fungerar sedan som en redaktör som tar emot programförslag och ständigt lägger till nya delar till programmet. Programmet distribueras sedan gratis. Ett av de första riktigt lyckade spiksoppsprogrammen var Tiny BASIC, en konkurrent till Bill Gates Altair BASIC som skilde sig från denna genom att vara mycket bättre än Gates BASIC och gratis. (Gissa om det stack i ögonen på vissa!) Bland moderna spiksoppor finner vi hela operativsystem som Linux (mer om detta längre ned), X-Window System, och texteditorn EMACS som använts för att skriva otaliga läroböcker och högskoleuppsatser. Alla dessa program är fria, dvs de får kopieras och modifieras utan andra restriktioner än att resultatet också måste förbli fritt.

Kommunikationsprotokollstacken (vilket ord!) TCP/IP (Transfer Control Protocol / Internet Protocol) som är på väg att ta över hela marknaden för nätverkskommunikation, är också spiksoppa. (Man använder det för att få olika datorer att "prata" med varandra i datanätverk, TCP/IP är för en dator ungefär vad en telefonlur och en knappsats är för en människa.) Denna protokollstack utvärderas av de som bygger Internet, och förbättras ständigt genom att "redaktörerna" skickar ut sk RFC:er (Request For Comments, sv ung: Önskar Synpunkter [på detta]).

TCP/IP är helt gratis, och det är ingen som tjänar pengar på att ha uppfunnit TCP/IP. Det har, helt utan marknadsföring, blivit så stort bara för att ingen bråkar om upphovsrätten till det och försöker behålla "företagshemligheter". Däremot är det inga problem att tjäna grova stålar på kunskap om hur TCP/IP fungerar. Kunskapen om hur produkten fungerar har alltså större marknadsvärde än själva produkten. Därför håller sig de som kan det hela ibland rent av med hemligheter, för att på så vis skapa sig en födkrok som konsulter.

De företag som säljer egna kommunikationsprotokoll är givetvis inte så glada. Därför sprider de gärna ut osanningar om att TCP/IP inte skulle vara bra. Ja, rent av att det skulle vara dåligt, eller värdelöst. Den vanligaste angreppspunkten är att "ju fler kockar desto sämre soppa" -- i princip att de läggs in en massa skräp som inte behövs i programmen. Detta är inte sant. Diskussionsgrupperna utvärderar varje förslag innan det skrivs in. Det är synd att sådana rykten ibland publiceras i en del riktigt stora tidningar. (Ingen nämnd, ingen glömd.) Själv föredrar jag att lyssna på experter som Peter Schaeffer som vet vad de talar om. (Se exempelvis Datateknik #3/1995 sid 36.)

I främsta ledet bland försvararna för denna grundläggande teknokratiska princip finner vi bland annat Richard Stallman, en f d hackare från MIT som ett tag kallade sig den sista riktiga hackaren. Han lade grunden till såväl GNU som EMACS och anser i princip att mjukvara inte bör ägas, och är dessutom den tongivande kraften bakom stiftelsen Free Software Foundation som i princip inte gör annat än underblåser produktion av gratis mjukvara. Han har retat gallfeber på många mjukvaruföretag genom att kopiera idéer utan att kopiera programkod, en metod som kallas för bakvänd ingenjörskonst eller bara dekonstruktion, och innebär att man analyserar ett program på objektnivå (i "maskinspråk"), ser vad det gör, och sedan skapar ett program som utför samma sak. Stallmans produktivitet i detta hänseende är så vida beryktad att han omtalas som den kanske skickligaste och mest drivna hackaren någonsin, fullt kapabel att utföra samma jobb som ett helt lag programmerare ensam. Han har dessutom haft avgörande inflytande på organisationen League for Programming Freedom som driver kravet att all programkod skall befrias från patent.

Spiksoppsmjukvara har dessutom den fördelen att man själv lätt kan göra ändringar eller ta reda på exakt hur programmet fungerar eftersom all dokumentation är tillgänglig för den som så önskar, till skillnad mot mjukvara som tillverkats av företag; dessa låser in källkod och dokumentation i ett kassavalv och tar sedan skyhögt betalt för att dela med sig av kunskaperna när något problem uppstår. Meningen är att användaren skall tro att programmet är så otroligt fantastiskt att det bara är det producerande företagets programmerare (som utmålas som en slags trollkarlar) som har en chans att begripa sig på och förbättra programmet. Där kan man tala om monopol på information.

Nå.

Tänk er nu att man tillämpar spiksoppsprincipen på en text; till exempel den här. Om jag hade tillgång till en Internetserver skulle jag kunna lägga ut det här dokumentet i sk hypertext (en sorts text uppfunnen av Tim Berners-Lee efter en idé av Ted Nelson, där sammanhängande ämnen eller generella sökord är hopkopplade med elektroniska länkar för att man snabbt skall kunna hoppa i texten) och skriva någonstans i slutet:

"Alla ni som läser det här - skicka in ändringar och tillägg till mig, så fogar jag dem till texten."

Allt är gratis. Vem som helst kan hämta dokumentet på Internet. Jag tjänar inget på det, mer än kunskap. Ingen annan heller. Om mitt dokument blev populärt och lästes av många, skulle (med lite tur) snart några experter höra av sig och lämna rättningar och tillägg. Inte mycket, men precis lagom för att täcka upp just det område som den personen är expert på. Jag kunde sedan sitta som redaktör och sammanställa detta, lägga in nya länkar i hypertexten och göra det lätt att söka och för läsaren att veta vad som är nytt varje gång han/hon läser. Jag skulle känna att jag gjorde nytta, men jag skulle inte kunna leva på det. Efter några år skulle mitt dokument vara en hel databas och täcka in snart sagt varenda litet område inom datorkultur, mer omfattande, lättbearbetat och utförligt än nationalencyklopedin, dessutom skriven av gräsrötter som älskar det de håller på med.

Varför gör jag inte det?

Svar: för det första har jag varken tid eller lust.90 För det andra handlar det inte om att lösa ett tekniskt problem som i ett dataprogram, denna text är mångfasetterad och högst subjektiv. Den är präglad av mina egna värderingar och jag vill att den även i framtiden skall vara det. Varenda ord är skrivet av mig och ingen annan. Kalla det stolthet. Dessutom har den en början och ett slut, och man kan kritisera den som något faktiskt, inte som något som hela tiden ändrar på sig. Man kan bilda sig en klar uppfattning som håller ett par dagar. Detta är den statiskt oföränderliga textens fördelar framför den ständigt föränderliga.

Hade det här rört sig om ett praktiskt problem av teknisk karaktär inom vilken som helst av naturvetenskaperna eller t ex medicinen, hade det varit radikalt annorlunda. Sådana hypertextdokument skapas i detta nu runt om i världen. De växer samman till en värld av information, tillgänglig för alla, överallt, som har tillgång till Internet. Dess namn är World Wide Web (WWW). I förlängningen kommer det mänskliga hypertextarvet att växa till en informationsmängd som är så mastodontartad att man varken vet ut eller in. Den kommer att bli som ett stort biblioteksliknande minne för hela mänskligheten.

Hypertexten i sig förvandlas dessutom alltmer till programkod, går från det primitiva markup-språket HTML till det utökade XHTML och XML, och gör att gränsen mellan vanlig, litterär text och dataprogram blir allt suddigare. Yrkena författare och programmerare flyter ihop. Det är det som är sk multimedia. Verktygen för att skapa multimediaprodukter kallas inte programspråk, utan författarprogram (eng: authoring programs).

En del skönlitterära författare har anammat idén att publicera sina alster för en bred publik på Internet. Eftersom skönlitterära författare i allmänhet främst är ute efter att bli lästa och inte så mycket efter att tjäna pengar, är det ett naturligt steg. Den första etablerade författare som publicerade något av sina alster fritt tillgängligt på Internet var Stephen King den 19:e september 1993. Många andra författare tyckte att det var en alldeles utmärkt idé och publicerade några av sina gamla verk på Internet. Först ut i Sverige var Lars Fimmerstad med romanen Välkommen Hem och strax därefter Ola Larsmo med novellen Stumheten. Ju mer etablerad en författare är, desto mer styvmoderligt tycks han/hon betrakta denna elektroniska publicering. De lever ju till viss del på intäkterna från sina böcker och känner sig hotade av publicering som man ännu inte kan ta betalt för. 91

Denna utveckling av medierna ligger väl i takt med att allt fler organisationer omformas till nätverk - löst sammanhållna sällskap utan kanslister och ombudsmän som etableras för en enda fråga eller för att lösa ett enda väl definierat problem (koka spiksoppa), och som hittills hållts samman genom brevväxling och telefonsamtal (informationsbyte). Förväxla inte "nätverk" med "datanätverk" även om många "nätverk" utnyttjar "datanätverk". Stödstrumporna92 är ett "nätverk", Internet är ett "datanätverk". Gemensam nämnare för alla nätverk är att de distribuerar information av något slag. (Förvirrande?) Minnesregel: Stödstrumpor = Nätverk av människor, Internet = Nätverk av datorer.

Vad är då poängen med det här?

Jo, nätverksdokumenten kommer på nolltid att bli totalt oöverkådliga. Alltså måste man, om man behöver tillgång till ett visst stycke kunskap, precis som alltid förut, läsa sig till det under en lång mödosam inlärningsprocess eller anlita en konsult. En typisk konsult är en grupp som bevakar det intresseområde man delar; vad vi brukar kalla fackpress, fast elektronisk i det här sammanhanget, ju. Behovet av fackpress finns alltså även i informationssamhället. I skrivande stund kan sådana tidningar inte ta betalt för sina informationstjänster, men ett system är just nu under utveckling. Det innebär att du kommer att kunna köpa information om vad som helst från din egen dator. Du betalar givetvis inte med kontanter utan med siffror.

Dessa fackjournalister kommer i princip att vara de första som förtjänar sitt livsuppehälle på att bara bearbeta information - de kommer att vara de första som tar klivet in i en total informationsekonomi. Sedan kommer de andra tidningarna att följa efter, en efter en. Några tidningar, t ex Aftonbladet / Kultur har redan förutsett detta och börjat förbereda sig för att träda in i informationsekonomin med experiment med elektroniska tidningar. Andra tidningar nöjer sig med elektroniska komplement till sina tryckta alster.93 (Under experimenttiden är allt detta gratis! Passa på nu, för den här chansen återkommer aldrig.)

Utöver detta kommer vi som en naturlig följd att få en uppsjö elektroniska fanziner,94 i och med att det blir så lätt och billigt att göra en egen elektronisk tidning. (Hackarkulturen har sedan länge alstrat hundratals eller rent av tusentals sådana fanziner.) Inga tryckkostnader -- inga avtal -- inga annonsörer osv, bara information och initiativ. Bara kultur, ingen bizniss.

Skall vi se det krasst är journalisterna experter på informationshandel. Det är väl egentligen den enda yrkesgrupp som redan långt innan datorernas tid levde på att enbart producera och bearbeta information. Journalister tycker inte att information, och därmed kunskap, skall vara fri och tillgänglig för alla. Tvärtom. Varje journalist (åtminstone varje fackjournalist) vaktar med näbbar och klor "sina" små informationskällor, och är noggrann med att inte i onödan nämna var han får sin information i från. Journalisten är lika återhållsam och snål som de elitistiska och sekteristiska hackargrupperna. Det allmännas bästa, i och för sig -- men även en journalist måste ju äta. Det gäller att skydda sin "intellektuella egendom". Sanningen är att den tredje statsmakten,95 likt staten och storföretagen, också den består av personliga kontaktnät och hierarkier där det gäller att kunna rycka i rätt trådar vid rätt tillfälle. Även journalister är fullständigt främmande för hackarnas etik, vilket inte minst färgar de reportage man gör om hackare.

Riktlinjerna kring elektronisk publicering antyder att vi kommer att få två nya typer av media. Den ena kommer att levereras på CD-ROM skivor och innehålla stora mängder kunskap, som en databas eller ett lexikon där man kan söka information. Tidningen Interface var den första svenska tidning som provade på detta. Den andra tjänsten är onlinetjänster vilket innebär att du får nyheter reguljärt som uppdateras varje dag, timma eller ännu oftare. Den första onlinetidningen i Sverige var förmodligen Text-TV. Den första svenska onlinetidningen på Internet var Datateknik, men numera har i princip varenda tidning sin egen "online"-version. Onlinetjänster kan man i dagens läge inte ta betalt för, men man gör sitt yttersta för att finna en väg att göra detta. De enda onlineföretag som tjänar pengar för tillfället är sådana som de virtuella bokhandlarna Bokus eller Amazon, som tillhör en branch som man lite löst brukar kalla e-commerce, och Aftonbladet som gör det via radannonser.

CD-ROM skivorna har vissa problem. Det är nämligen inga som helst problem att kopiera en skiva, så varför skulle jag köpa tidningen, uppslagsverket, ordlistan eller vad det nu är, när jag kan kopiera grannens? Så fort man försöker skydda informationen från kopiering så kan man ge sig fan på att det är några hackare som kommer att knäcka skyddet och kopiera i alla fall. Nationalencyklopedin sprids exempelvis ganska friskt på detta vis sedan den svenske hackaren Replicator utvecklade en s k patch som tog bort kopieringsskyddet från PC-varianten. Onlinetjänster lider inte direkt av detta problem.96 Några siar att skivorna kommer att försvinna helt till förmån för onlinetjänsterna, detta lär dock inte ske än på ett tag. Behovet att äga något fysiskt, som en CD-skiva eller en papperstidning, är ännu starkt i vår generation, och nätverken är helt enkelt för instabila för att man skall kunna lita på att de alltid finns där när man behöver dem. Man skall också ha i åtanke, att de flesta människor föredrar att betala en fast klumpsumma för sådana nyttigheter framför kontinuerliga löpande avgifter.

En del säger att massmedia kommer att försvinna. Det beror på hur man ser det. Massmedia som det ser ut idag kommer att försvinna, men vi kommer säkert att få en ny definition på massmedia. Papperstidningarna kommer givetvis att vara kvar tills dess vi kommer på något sätt att göra elektronisk information lika lätthanterlig, men den dagen kommer säkert.

Tidningen The Whole Earth Review har väckt det allmänna intresset för elektroniska media i USA. Populärtidskriften Wired, som jag nämde tidigare, är en av de tidningar som fått en skjuts framåt av händelserna på den elektroniska fronten. Denna tidning har blivit omåttligt populär, inte minst tack vare sin ungdomliga layout. Den har banat väg för flera liknande tidningar världen över, i Sverige Z mag@zine och Hallå som uppenbarligen tog över hela marknadsidén från tidningar som Wired. Man skrev om Internet, BBS:er och allt som ingår i begreppet informationsteknik och medier, samt mode och trender. Bägge är numera nedlagda, och andra, mer praktiskt inriktade tidningar som Internetguiden har kommit i deras ställe.

Andra amerikanska tidningar som verkar vara en stor inspirationskälla för dessa medier är RayGun och Gray Areas. MONDO 2000 är en smula för provokativ för att passa in i de fina salongerna. Denna har nämligen ganska tydliga drag av hippie- och yippie-sympatier.

En del blir förbannade på de här tidningarna som i princip skriver mest om sig själva (medier som skriver om andra medier, journalister som intervjuar journalister osv). Om man skall söka någon orsak till detta så är det väl just detta att hela medieutbudet håller på att förändras i och med informationsteknikens intrång. Text och bild blir allt lättare att distribuera och manipulera, journalistens uppgift ifrågasätts mm. Att journalister är intresserade av journalistik är väl inte heller särskilt överraskande. I och med mediernas ställning som "den tredje statsmakten" är mediegranskande medier antagligen nödvändiga. För att piffa upp det hela skriver man gärna om saker som är spännande på riktigt. Helst hackare såklart. Det är ju de som är den superhypeade "informationsrevolutionens" spjutspets.97

Hackarna själva ser inte dessa tidningar som något särskilt märkvärdigt (vilket de ibland själva tycks göra) utan kallar dem rakt av för hacker-wannabe's, sådana som själva inte är, men vill skriva så att det verkar som om de vore (tyvärr finns det inget bra svenskt ord för företeelsen). Sverige är t ex för tillfället fullt av Schyffert-wannabe's, Guillou-wannabe's och Bildt-wannabe's. (Själv är jag Visionär-wannabe :-). Gemensam nämnare för hacker-wannabes som är journalister är enligt en tumregel att de använder enkla floskler som cyber, kraftfullt, IT, e-commerce, och <senaste modeordet här> i var och varannan mening, och att de använder MacIntosh-datorer. Stil. Klass. Yta.

Att dessa tidningar ibland anammar hackarkultur och ideal beror antagligen på att den agressiva tävlingsattityd som finns bland hackare är ruskigt lik den hårda vardagen för journalister. Få av dessa journalister tycks begripa sig på den vänliga, icke-amerikanska delen av hackarkulturen, vilken inte är så intressant eftersom den inte är fullt lika olaglig och innehåller betydligt mindre konfrontationer, samt bygger mer på vänskap än tävlan. Det är i och för sig inte så konstigt eftersom journalister älskar konflikter, och inte så sällan underblåser dem. (Konflikter ger mycket bra rubriker, och drar till sig läsare.)

Fri mjukvara och "Open Source"

Under 1990-talet har en stark utlöpare av hackarkulturens salongsfäiga delar fått stor uppmärksamhet. Det rör sig givetvis om det som i folkmun kallas Linux. som jag nämde som hastigast ovan och som ofta tillskrivs finlandssvensken Linus Torvalds. Man skall dock vara medveten om att detta operativsystem, som enligt många snarare borde kallas GNU/Linux, har anor från 1983 och egentligen ännu längre tillbaka.98 Vi bör granska detta något mer i detalj.

För att förstå vad denna kultur innebär måste man förstå vad som är skillnaden mellan källkod och binärkod. Källkoden är ett datorprograms "recept", det beskrivningsspråk som används för att tala om vad programmet skall genomföra. Binärkoden ("maskinspråket") är det som sedan verkligen kan förstås av datorn, det slutgiltiga programmet, en fil som kan startas och köras med försumbar fördröjning.

När Richard Stallman började skriva sitt operativsystem GNU (GNU's Not Unix) 1983, hade han en klar plan -- att skriva ett operativsystem och alla de verktyg som behövdes för att göra det till ett riktigt arbetsredskap, och att detta skulle vara fritt, dvs helt öppet att ändra i, och sprida vidare, precis som de tidiga programmen i AI-labbet på MIT. Han gjorde detta genom att starta en skattebefriad stiftelse, Free Software Foundation, med uppdrag att förvalta GNU. Han hade precis lämnat MIT dit han kommit 1971 och sedemera anställts vid labratoriet för artificiell intelligens. Han hade där blivit upplärd av de tidigare nämnda hackarlegenderna Richard Greenblatt och Bill Gosper, som han också ansåg vara sin personliga mentor.

Bakom sig hade han en bitter konflikt mellan två företag som bildats av Greenblatt respektive Gosper för att tillverka LISP-maskiner. Det ena företaget, Symbolics, hade anställt merparten av de hackers som jobbat på laboratoriet, vilket gjort Stallman rasande. Han såg upphandlingen av hackers som en fientlig handling och vägrade tala med någon som var anställd på Symbolics eller handlade med dem. Som "hämnd" analyserade han alla nya förändringar i Symbolics maskiner och programmerade dem på nytt åt det andra företaget, LMI, något han kallade "Reverse Engineering" eller "omvänd ingenjörskonst". Han kunde förvisso inte kopiera programmen rakt av, eftersom de var copyrightskyddade, men det gick naturligtvis bra att göra program som "fungerade lika dant som" Symbolics program.

När han till sist gav upp hämndaktionerna och sade upp sig från MIT formulerade han riktlinjerna för GNU. Stallman ville bygga en "Community", ett virtuellt samhälle av egendomslös programvara -- ingen skulle äga eller ha ensamrätt till GNU eller något som hade med GNU att göra.

För att hindra att något av det som utvecklades inom ramen för GNU "kapades" eller på något vis togs över och patenterades av kommersiella krafter uppfanns GNU GPL (General Public License). Licensen fungerar så att om man lånar eller använder delar av mjukvara som omfattas av GNU GPL måste denna mjukvara i sin tur också omfattas av GNU GPL, om den publiceras. GPL kräver att du tillåter andra att ha full insyn i källkoden och att de har full rätt att låna och vidareutveckla vad resultatet blir. Andra förbehåll saknas helt.

På detta vis är GPL en mycket aggressiv frihetlig licens som använder copyrightsystemet för att attackera ägandet av mjukvara på hemmaplan, till skillnad från de licenser som används av liknande projekt såsom BSD,99 som avsäger sig all form av ägandeskap. Sådana egalitära (= egendomslösa, anspråkslösa) licenser tillåter även kommersiella intressen att förutom att modifiera och vidareutveckla, även hemlighålla, copyrightskydda och sedan sälja program som byggts på denna källkod. Detta gäller inte GNU GPL. Det saknas inte exempel på kommersiella krafter som med eller mot sin vilja tvingats acceptera att deras produkter befriats av GNU GPL.

Det är viktigt att betona att GPL inte är antikommersiell -- det är helt okej att sälja programvara som skyddas av GPL -- den är bara fri, så om du säljer GPL-skyddad mjukvara måste du även tillhandahålla källkoden och tillåta vidare kopiering. Man får inte heller blanda GPL-skyddad och vanlig s k proprietär (=ägd) programvara. Stallman har definierat skillnaden mycket tydligt eftersom det engelska ordet free är mer mångtydligt än svenskans fri: "free, as in free speech, not free beer".

Så blev GNU fröet till ett virtuellt frihetligt samhälle som spirade och växte och omgärdades av GNU GPL och som idag även omfattar GNU/Linux. En av de tidiga medarbetarna inom ramen för GNU var Eric Raymond. Raymond var tidgare mest känd som mannen som sammanställt den moderna versionen av The Jargon File. Han har också deltagit i utvecklandet av ett antal fria mjukvaror varav programmet fetchmail kanske är den mest kända. Han säger sig tidigt ha blivit fascinerad av Linux (som från början betraktades med skepsis från Free Software Foundation) och försökt förstå hur det kunde utvecklas på premisser som liknade de som gällde för GNU, fast så mycket snabbare.

Linux är ursprungligen endast en såkallad Kernel, en systemkärna som hanterar grundläggande operationer i en dator som process- och minneshantering, filer och in/utmatning. Free Software Foundation hade redan före Linux påbörjat sin egen Kernel under namnet Hurd, ett projekt som dock dragit ut på tiden. När finlandssvensken Linus Torvalds började utveckla Linux växte det lavinartat och blev på mycket kort tid tillsammans med en mängd program från GNU-projektet ett helt fritt, fungerande operativsystem. Raymond menar att detta berodde på en rad faktorer, varav den viktigaste är liknelsen mellan katedralen och basaren, som jag skall försöka förklara i det följande.

Enligt Raymond utvecklades program före Linux enligt modellen "ju fler kockar desto sämre soppa", det vill säga mjukvaran skulle utvecklas av en grupp superhackare som jobbade som idioter under lång tid och sedan presenterade ett helt fungerande, avlusat system. Vad Linux gjorde var att låta ALLA delta i utvecklingen genom att så tidigt som möjligt släppa ut nya versioner från utvecklarlaget, så när den första fungerande versionen av Linux släpptes strömmade genast en mängd utvecklare till -- det hävdas att Linux idag utvecklas av cirka 40.000 glada amatörer.

Även om en eller två personer agerar spindlar i nätet och skriver alla större ändingar av ett program, strömmar förslag på förbättringar och hela delprogram ständigt in från de personer som deltar i mailinglistor och nyhetsgrupper med anknytning till någon av delarna i Linux. GNU var som en katedral, centralt planerat och uppfört efter ritningar från högsta ort. Man släppte i och för sig in kreti och pleti i utvecklarlagen, men man höll hårt i programvaran tills man var helt säker på att den fungerade till 100%. Linux var mer som en basar, vimlande, stojande, fullt med folk som byggde på det de tyckte var roligast, halvdåliga betaversioner av nya implentationer och så vidare. Linux handlade om att "koka soppa på en spik", alla som deltog tillförde något.

Raymond har sedemera blivit en pratglad förespråkare för fria operativsystem som ofta åker runt bland användare och berättar om sina erfarenheter, och de priciper han menar ligger till grund för systemens framgång. Han talar hellre om Open Source än GPL, detta begrepp innebär att källkoden för ett program finns tillgänglig så att andra kan granska och ändra programmet. Ett av de företag han influerat är Netscape, som sedemera beslutat att släppa sin webläsare Navigator 5.0 som Open Source under namnet Mozilla.

Det finns emellertid vissa djupgående skillnader mellan den syn på fri mjukvara som Stallman förespråkar och den som Raymond beskriver. Stallman skriver med anledning av Apples lansering av sitt kernel som Open Source nyligen, att Open Source-rörelsen mest tycks vara inriktad på det rent materialistiska målet med snabbare utveckling, medan man "sidosätter de djupare aspekterna av begreppet frihet, gemenskap, samarbete och frågan om vilken slags samhälle vi vill leva i".

Man kan säga att om operativsystemet är en väg där alla behöver komma fram, förespråkar Stallmans FSF att vägen av morliska skäl bör vara fri för alla att färdas på, medan "open source"-förespråkarna menar att alla vägspärrar och avgifter som vore alternativet är till mer skada än nytta, och att vägen av den anledningen skall vara fri. Jämförelser mellan mjukvara och fysiska ting är emellertid alltid bristfälliga, så ta detta med en nypa salt.

Det råder ingen som helst tvekan om att även om både Stallman och Raymond kallar sig själva anarkister, är Stallman den som står längst till vänster av de båda. Raymond gör ingen hemlighet av att han tillhör det nyliberala libertarianska partiet samt den amerikanska organisation som anser att varje människa borde ha rätt att äga ett skjutvapen. Även om båda klart mest intresserar sig för programmering och datorer finns det saker i det de säger som antyder stora skillnader i framför allt synen på egendom.

Stallman har bland annat sagt: "jag anser att mjukvara ej skall ägas, eftersom detta förfarande är skadligt för mänskligheten som helhet. Det hindrar folk från dra maximal nytta av ett existerande program". Han har också gjort sig känd för att vara helt emot idén att ha lösenord på datorsystem, och knäckte upprepade gånger lösenordsskyddet på MIT då han jobbade där. Alla lås, hinder och ägandesystem rörande mjukvara är av ondo enligt Stallman. Man märker också i Stallmans skrifter att han även har ett klart och tydligt klassperspektiv i sitt sätt att se på världen - ett outtalat syfte med Free Software Foundation är att ge alla, oavsett ras, social bakgrund osv, tillgång till fri mjukvara.

Raymond å sin sida gör krumbukter för att förena sina nyliberala åsikter med det faktum att han själv bidrar till att skapa egendomslös programvara -- nyliberaler är annars kända för att överallt försvara rätten till egendom och egendomssystemets moraliska och praktiska överlägsenhet gentemot alla andra system. Han kommer till rätta med detta problem dels genom att definiera om vad vi menar med egendom från att vara något näst intill heligt, till att endast omfatta förvaltning av ett program. Detta, menar han, ger en kick åt egot och det är det alla deltagare i GNU/Linux projektet "vinner" på att delta. Här lutar han sig tillbaka på den objektivistiska100 dogmen att alla människor drivs av ett egoistiskt egenintresse.

Väldigt få programmerare, cirka 10% enligt Raymond, lever direkt av de pengar de får in på att sälja mjukvara till en kund. Det finns dock en underton i hans resonemang som säger att de där sista 10% kanske skulle må bättre av att få behålla äganderätten till sina program. Stallman skulle aldrig tänka tanken, vissa av hans uttalanden kan till och med tolkas som att han även anser att piratkopiering är moraliskt försvarbart:

Jag kallar inte sådan kopiering för 'piratkopiering', för det är ett propagandauttryck. Jag tycker inte att det är fel att kopiera och dela med sig av information. Regeringar kan lagstifta mot det, men det gör det inte mera fel, bara illegalt. (...) oauktoriserade kopior är inte mycket bättre än auktoriserade kopior. Det enda som är bra med den oauktoriserade kopian är att man undviker att ge pengar till ägaren. Detta är bra, för ägaren förtjänar ingen belöning för att han gjort mjukvaran till sin egendom.

(Richard Stallman i en intervju, min översättning.)

Man kunde tidigare höra folk döma ut GNU/Linux och liknande system som dödsdömda, framför allt med olika motivationer som hänvisade till att det inte kunde fungera i vårt ekonomiska system. I dagsläget är emellertid GNU/Linux världens näst största operativsystem (efter Microsofts Windows) och det mest växande. Tillväxt attraherar marknad, marknad attraherar investerare och i skrivande stund skördar företag som Red Hat Software och VA Linux Systems i USA och Cygnus Solutions i Tyskland enorma vinster från GNU/Linux. Min kvalificerade gissning i dagsläget är att detta är ett av framtidens operativsystem.

Teknokrati

Internet har ofta kallats "anarkistiskt". Detta är en grov överdrift. Internet är i grunden teknokratiskt och decentraliserat. När nätet från början byggdes av hackarna på högskolorna vävde de också in lite av sin öppna attityd i det. Kom ihåg regel nr 3 i hackaretiken: Misstro auktoriteter -- främja decentralisering.

Jag hjälper dig så hjälper du mig, alltså, och ingenstans i grundstommen på Internet fanns det någon funktion för universiteten att debitera varandra för utnyttjandet av kommunikationskanalerna. Det fanns inga låsta dörrar någonstans, eftersom man ansåg att alla borde få komma in överallt och att alla borde dela med sig av all information. (Regel nr 2: All information borde vara fri.) Koppla in dig och kör, bara. Det enda man behövde betala för var de ständigt uppkopplade telefonlinjerna där informationen strömmade fram, sedan var det bara att kommunicera bäst man ville.

Hela nätverket har konstruerats enligt spiksoppsprincipen. Varje problem som dyker upp läggs ut i diskussionsgrupper och sedan får vem som vill komma med förslag på lösningar. Engagemanget bland nätanvändarna är stort, och ofta föreslås en mängd lösningar. Förslagen utvärderas i diskussionsgruppen och det som anses vara det bästa vinner. Resultatet dokumenteras och dokumentationen sprids som en de facto-standard.

Detta teknokratiska sätt att lösa tekniska problem är radikalt annorlunda mot marknadsmodellen. I marknadsekonomin konkurrerar företag om den bästa lösningen. Varje företag har sin egen forskningsavdelning som utarbetar en lösning, som sedan marknadsförs. Därefter får konsumenterna utvärdera genom att köpa den produkt som faller dem mest i smaken. De "dåliga" lösningarna slås ut genom att de företag som inte lyckats vinna konsumenterna lägger ned sin produkt, och köper upp patent från de företag som lyckats, eller (i värsta fall) går i konkurs. På så vis menar man att den bästa produkten alltid lever vidare.101

Problemet med de marknadsekonomiska lösningarna är att det inte alltid är de tekniskt bästa lösningarna som vinner. Det kan lika gärna vara de som marknadsförts bäst, eller de billigaste. Jämför t ex med hur videosystemet VHS slog ut det kvalitetsmässigt överlägsna Betamax, antagligen främst därför att JVC, som skapade VHS, hade försett kasetterna med längre speltid och samarbetade mer med andra företag. (Detta beror enligt en annan legend ytterst på att VHS-formatet marknadsfördes av porrfilmsdistributörerna... Hmmm.102 ) Något sådant skulle aldrig hända i en teknokrati som Internet. En teknokrati tillåter inte att marknadsföring eller godtycke får förpassa en bra idé till historiens papperskorg om videosystemet varit ett "Open Source projekt", eller inom den statsfinansierade forskningen, hade fördelarna med Betamax bildåtergivning förenats med VHS-systemets längre speltid. Två system med för- och nackdelar hade blivit ett med enbart fördelar. Det är ganska typiskt för högskolorna att bygga upp ett teknokratiskt nätverk, eftersom man hela tiden strävar efter teknisk utveckling.

I en marknadsekonomi är det moroten i form av personlig vinning och rikedom som driver företagarna att utveckla än bättre produkter. I en teknokrati är det det personliga engagemanget, gruppgemenskapen och forskningslustan som driver utvecklarna. I och med Internet har denna attityd till forskande och produktutveckling kommit att sprida sig över världen och ibland lyckats med att helt slå ut marknadsekonomiska lösningar. Man kan inte kalla det planekonomi, eftersom det inte finns någon stat som enhetligt finansierar eller utvärderar framstegen. Det är teknokrati, byggd på individer i frivillig samverkan. Juridikhistorikern Eben Moglen (som är anhängare av den fria mjukvaran) formulerar i debatt med ekonomer och jurister något han kallar för "Moglens lag", och som formuleras naturvetenskapligt:

Vira nätverket runt varje hjärna på planeten, och snurra planeten. Information kommer då att flöda i nätverket.

Utöver de universitetsforskare som har tryggad ekonomi och kan jobba engagerat på arbetstid med att lösa Internet-problem har även många personer som om dagarna arbetar på vanliga marknadsmässiga företag börjat jobba ideellt på fritiden med att utveckla lösningar på olika tekniska problem. Viljan att visa sig duktig på ett tekniskt område och bli accepterad som skicklig utvecklare bland andra på Internet har varit tillräcklig för att driva dessa människor att utveckla tekniska lösningar. Kalla det arbetsglädje eller yrkesstolthet. (Ja, sådant existerar tydligen än i vår tid.)

Om teknokratin är ett hot mot, eller ett komplement till marknadsekonomin, är ännu svårt att sia om. Kanske är vi på väg in i en form av kunskapsekonomi. Klart är dock att man i och med internationaliseringen och möjligheten att arbeta i små intressegrupper över långa avstånd har hittat en sk "ideell" drivkraft som gör det möjligt att utföra praktiskt arbete och samtidigt ha roligt. Gruppgemenskapen är densamma som hos de hackargrupper som sedan länge utbytt erfarenheter via brev, BBS:er, copypartyn och Internet. Den enda skillnaden är att den ena formen är mera "respektabel" än den andra.

I teknokratin kan man, som jag tidigare antydde, spåra ett ideologiskt arv från anarkismen. Den anarkistiske teoretikern Peter Kropotkin menade att samhället skulle skötas av fria grupper i samverkan. Till skillnad från Charles Darwin, som ansåg att raser (och i förlängningen även samhällen) växte fram genom konkurrens, betonade Kropotkin samarbetet som en viktig faktor i samhällsbygget. Teknokratin på Internet är på sätt och vis ett bevis för att fria grupper självständigt upprättar samarbete utan statlig inblandning. Det virtuella samhället är på så vis anarkistiskt. Samtidigt har man ett inslag av Darwinism i och med att bara de bästa tekniska lösningarna får leva vidare. Skillnaden är att detta sker i samförstånd och inte drabbar någon människa eller något företag.

Ett Par Exempel

Jag skrev en gång när jag var ung och dum en insändare till tidningen Datateknik. I denna ondgjorde jag mig över den dåliga tillgången på digitaliserad (maskinläsbar, lagrad i en dator eller på t ex disketter) litteratur, och att vårt kulturarv inte fanns ordentligt elektroniskt lagrat. Jag föreslog att man skulle tvinga förlag att lämna ut icke copyrightskyddat material till allmänheten i elektronisk form, när de återutgav äldre litterära verk. Jag fick en väl motiverad åthutning av Lars Aronsson, projektledare för Projekt Runeberg som lagrar klassisk svensk litteratur. I min blåögda iver hade jag bara tänkt praktiskt och förbisett de marknadsekonomiska aspekterna.

Digitaliserad text är givetvis en konkurrensmässig fördel vid återutgivning och mitt förslag skulle kunna skada vissa företags konkurrenskraft. Ett annat förlag skulle ju (om mitt system infördes) kunna ta texten direkt från det andra företaget och ge ut samma bok i nyupplaga, vilket i sin tur skulle leda till förluster för det första företaget som lagt ned pengar på att anställa någon som suttit framför en ordbehandlare och skrivit in texten. Sådan är den sk neoklassiska ekonomiska teorins dogma.

Faktum kvarstår att det är slöseri med mänskliga resurser att låta flera människor utföra det monotona arbetet att skriva in en text gång på gång istället för att lagra denna centralt och göra den tillgänglig för alla; företag såväl som privatpersoner. Detta är betecknande för en av marknadsekonomins nackdelar som teknokratin försöker råda bot på: marknadsekonomin underblåser ibland slöseri med naturresurser och dubblering av arbetsinsatser. Man kan dra en parallell till utbyggnaden av mobiltelefonnätet där man istället för att bygga upp ett enda stort och stabilt nät gemensamt, bygger upp flera små nät som inte kan utnyttja varandra. Kalla det gnidenhet eller konkurrens -- kostnadseffektivt är det inte.

Givetvis är detta slöseri faktiskt bra med vår klassiska måttstock på samhällsnytta. BNP ökar och människor får jobb. Vad man bör fråga sig är om människorna mår så bra av det hela. Vi lever i en tid då livskvalitet bedöms med ett samhällsekonomiskt bollande med siffror. Är det t ex vettigt att skapa problem för att skaffa jobb åt problemlösare? Att provocera brott för att ge jobb åt brottsmålsadvokater och utredare?103

Teknokraterna på Internet med League for Programming Freedom i spetsen anser att bra kunskap inte skall patenteras. Det anser däremot företagen. Redan nu har det kommit till öppen konflikt mellan idealister och profithungriga företagare. Jag har redan nämnt den negativa ryktesspridningen kring "spiksoppsmjukvara". Ett annat exempel är bråket om en komprimeringsmetod som kallas LZW och som bara är en modifikation av en allmänt tillgänglig metod från högskolan i Jerusalem som kallas LZ2. I princip kan företag vara så fräcka att de tar patent på metoder som uppfunnits av idealister och som avsetts vara tillgängliga för alla. Företag har dessutom tid och pengar att driva processer...

Ett annat påtagligt exempel på skillnaden mellan marknadstänkande och idealism är hur olika kommersiella entreprenörer nu slåss om att få erbjuda sina kunder elektroniska posttjänster via Internet. Svenska Telia fick smaka på teknokratin under internethaussen 1993. Bakgrunden är följande: det var inga problem för Telia att få koppla in sig på Internet. Problemet var, att Telia ville kunna bestämma hur vissa adresser på Internet skulle se ut. Det är ju roligt att kunna smöra kunder med ett personligt utformat telefonnummer så att numret blir lätt att komma ihåg. (T ex SJ:s 020-757575) Nu är det tyvärr så att det inte är Telia som bestämmer sådant på Internet. Principen är att alla kommersiella anslutningar till Internet skall ha ändelsen COM som i COMmercial. Istället för detta ville Telia ge sina företag ändelsen 400NET som är namnet på deras kommersiella elektroniska postnätverk.

Bernt Allonen på Telia säger i Z-mag@zine 1/95: "Det är dags för Internet att lämna sandlådan" (...) "Internet behöver strikta regler och operatörer som garanterar driften." Med detta vill han förmodligen ha sagt att Internet borde drivas marknadsmässigt, som ett företag istället för ideellt-akademiskt som då, med allt vad det innebär av rigid byråkrati, marknadsplaner och små hierarkier där det ständigt gäller att slicka uppåt och sparka nedåt.104 Helst skulle han antagligen sett att Telia tog över all hantering av Internet i Sverige så att det blev ordning och reda. Nu blev det inte så. Förhoppningsvis kommer det heller aldrig att bli så. Vem bryr sig egentligen om vad Bernt Allonen tycker? Han företräder bara ett stort företags expansionsintressen.

Björn Eriksen och Peter Löthberg var de som hade mest makt över Internet i Sverige då detta inträffade. Båda företrädde den öppna och teknokratiska attityden, och det var Björn som bestämde vilka sk domäner som fick upprättas på den svenska delen av Internet. Till Telias stora förtret hade deras marknadsplaner inget som helt inflytande på dessa akademiker. Internet kunde inte köpas! Ack och ve och onda demoner. Akademikerna var inte alls intresserade av att det skall vara "ordning och reda" på Internet. Internet var i deras ögon i första hand till för att användas, inte för att säljas.

Törs man drista sig att påpeka för Telia att alla dessa idealister och akademiker faktiskt hade lyckats med att bygga upp världens största datanätverk helt utan konkurrens, marknadsanpassning och reklamkampanjer? Nu när Telias såkallade X.400-nätverk inte blivit lika framgångsrikt som Internet, vad ville man göra då? Jo, givetvis ville man ha rättigheterna till Internet. I normala fall kan ju en jätte som Telia utan vidare köpa upp sina konkurrenter.

Tänkande människor är nu betydligt mer svårköpta. Telia företräder den gamla marknadsmässiga filosofin att det som inte går att köpa för pengar går att köpa för mer pengar. Internets användare med de tekniska högskolorna i botten har ett helt annat sätt att tänka. Hade det funnits annat än marknadstaktiska skäl bakom Telias krav hade man kanske lyssnat. Som tur är föredrar man att tänka. Tack vare denna filosofi har Internet blivit något som ingen i Sverige har monopol på. Hundratals företag slåss idag om att få erbjuda sk Internetaccess. Konkurrensen har pressat priserna oerhört lågt. Ett Internetabonnemang är idag överkomligt för en helt vanlig människa, och alla som har en hyfsad startplåt och kunskaper därtill kan köpa in några datorer och modem och starta sin egen Internet-nod. Mångfald istället för monopol. Ur den här synvinkeln främjar Internet småföretag och motarbetar jättar. Minns åter regel nr 3 i hackaretiken om decentralisering.

Regel nr 3 är också en av anledningarna till att cyberpunkare m fl gärna motarbetar Microsoft och då framför allt deras operativsystem Windows. När hundratals hackare arresterades under Operation sundevil som jag nämnde tidigare, var detta föranlett av att man trodde att det var hackare som låg bakom ett sammanbrott i det amerikanska telefonsystemet den 15 januari 1990. Nu var det inte hackarna som låg bakom. Istället berodde sammanbrottet på ett fel i det datorprogram som styrde telefonväxlarna. Felet förvärrades av att samma program användes överallt, och växlarna "sänkte" varandra. De enda växlar som fungerade klanderfritt var de som använde ett äldre program.

Microsofts produkt Windows, är också ett program, närmare bestämt ett operativsystem, dvs ett program som används för att man skall kunna använda andra program. Idag finns detta installerat på i princip varenda PC-dator som säljs i Sverige. De flesta program som används idag behöver programmet Windows för att fungera. Windows används därför av ett otal privata företag och statliga verk, däribland SJ och det svenska försvaret. Alldeles nyligen har ny version av Windows som heter Windows 95 släppts ut på marknaden.105 Detta skall man framför allt använda sig av för att på ett smidigt sätt koppla upp flera datorer med varandra över exempelvis Internet.

Om det nu var ett programfel som liknade det i de amerikanska televerkens växlar -- fast i Windows 95? I så fall skulle alla datorer som använde Windows 95 krascha. Det finns inget sätt att empiriskt bevisa att ett dataprogram saknar sådana fel. Det är alltså fullt möjligt, och som sagt -- det har hänt förr. Liknande risker finns med andra näst intill monopoliserade programvaror, exempelvis Netscape. En del puckade datanissar tror kanske att det är omöjligt, men det var Harrisburg och Tjernobyl också, så det tror jag inte mycket på. Förresten vet jag vad jag pratar om. (Ursäkta den populistiska och provokativa kommentaren.)

Om något sådant hände skulle alltså stora delar av det svenska samhället slås ut. Ett parallellfall har vi i det virus som hösten 1988 lamslog hela Internet genom att sätta 6000 datorer ur spel. Att detta virus kunde skapas berodde på fel i operativsystemet (dataprogrammet) Berkeley-UNIX (BSD). En del datorer infekterades inte av viruset -- tack vare att de använde en annan "dialekt", en annan version av UNIX, exempelvis NeXT eller AIX. (Det finns ungefär 11 olika varianter på UNIX.) UNIX fungerar i princip likadant som Windows,106 men Windows finns det bara en enda dialekt av! Om alla datorer hade använt samma UNIX hösten 1988 -- ja då hade hela Internet kraschat! Jag påstår alltså att detta kan hända även Windows 95, eller någon av programmets efterföljare. Om detta skedde skulle alla datorer som använde Windows 95 kunna braka ihop, om de var hopkopplade. En katastrof med oöverskådliga följder för samhället.

Här gäller det att ta efter naturen. Mångfald, där flera olika program jobbar sida vid sida, är att föredra. Hackare har i alla tider förespråkat mångfald och decentralisering. Monopol på programvara är i längden skadligt, och ger upphov till fel i datorsystemen som liknar de som uppstår vid inavel bland levande djur. De enda som idag kunnat ta upp kampen med Microsoft är IBM, som lanserat operativsystemet OS/2 och Apple med sitt System 7.107 Jag ser själv fram mot ytterligare konkurrens. Mångfald, decentralisering och små företag istället för jättar och enkelriktning är det enda som håller i längden. Microsoft kan inte låtas dominera marknaden för operativsystem. Kaos är kul. Och nyttigt.

Gripandet av hackare efter incidenten i januari 1990 var alltså ett sätt att skyla över inaveln i telefonsystemet och de stora företagens oförmåga till praktiska lösningar genom att skylla på hackare. Vad skall de få skulden för härnäst?

Det finns hinkvis med exempel på hur marknaden fått stryk av hemmatillverkade lösningar. En del datanördar vill därför begränsa spridningen genom att försöka stoppa de statsfinansierade distributionskanalerna. En sådan är t ex ftp.sunet.se, ett antal datorer i Uppsala där tusentals bra gratisprogram finns lagrade. Dessa datorer finansieras av skattepengar och vem som helst kan koppla in sig via Internet och hämta hem vilket som helst av dessa program. Egentligen är det ganska bra eftersom alla Sveriges datorentusiaster får tillgång till gratis programvara, men det sticker givetvis i ögonen på dem som upphöjer ett dogmatiskt kapitalistiskt system till livsnorm.

"Det största problemet med ftp.sunet.se är att det på ett effektivt sätt sticker kniven i ryggen på alla försök att starta upp inhemska mjukvaruföretag. (...) Mjukvara är framtidens industri, en industri som vi här i Sverige kunnat dra stora fördelar av pga vår välutbildade befolkning om det inte varit för ftp.sunet.se. (...) Men hur skall sådana företag kunna konkurrera med program som är 'gratis' på grund av att de subventioneras via skatterna?"

(Bertil Jonell i Z-mag@zine #6 1995)

Här blir det en uppenbar konflikt med hackaretikens motto Misstro auktoriteter. Svaret från den etablerade mjukvaruindustrin blir: Misstro hackare. Ett vanligt argument är att program som gjorts av hackare skulle vara "dåliga", "amatörmässiga", "instabila" osv. Det torde dock vara svårt att hitta belägg för att något känsligt program i flygplan eller medicinsk utrustning någonsin tillverkats av en amatör. Företagen som tillverkar denna utrustning är ju rädda om sitt rykte och anställer inte vilka hobbyhackare som helst av den anledningen. De hämtar istället sina programmerare från högskolans statusbemängda utbildningar, och programmen ingår som en del av den större produkten, vilken man egentligen betalar för. När det gäller ett helt operativsystem som GNU/Linux, har tester visat, att detta är världens mest stabila unixoperativsystem, och därmed borde den anmärkningen vara ur världen.108

Det finns en hel del värderingar som vi tror är oss givna av Gud allsmäktig men som i själva verket inte alls är några självklarheter. Att en välutbildad ingenjör skulle vara bättre elektronikkonstruktör än grabben på hörnet som varit radioamatör sedan barnsben är ingen självklar sanning. Snarare är det en direkt lögn. I och för sig söker sig de kallade gärna till de fina universiteten och högskolorna, men en del tycker inte alls om den formella och strikta miljö de i så fall blir förflyttade till. De stannar hellre hemma i garaget och pluggar och experimenterar på egen hand. Den sortens motivation slår de flesta högskoleutbildningar med hästlängder vad beträffar direkta praktiska kunskaper. (Därutöver har vi oengagerade studenter, som går utbildningar i Elektroteknik, Datateknik och Teknisk Fysik utan något som helst intresse för ingenjörs- eller naturvetenskapen, utan med det enda och uttalade målet att bli chefer över "de andra", mindre belevade, att "få resa" eller vad den moderna själen nu gömmer för sublimerade önskningar.)

Du har dock i hemmahackaren en individ som inte är särskilt socialt anpassningsbar, och som dessutom när ett varmt intresse för vissa suspekta subkulturer. Det är snarare den verkliga anledningen till att dessa skickliga hackare inte anställs där de kunde göra mest nytta. Istället sitter de hemma och filar i bästa fall ihop gratis mjukvara åt alla och envar. (Vad som händer i värsta fall har jag ju redan berättat i kapitel 4 och 10 om underjordiska hackare och databrott.) En universitetsexamen betecknar alltså inte bara kompetens. Den betecknar också att innehavaren är socialt anpassningsbar och besitter den förmåga till disciplin och lydnad som fordras på stora företag. En programmerare skall kunna realisera ett projekt utan att ifrågasätta det. Inget storförtag har något intresse av anställda som tänker för mycket själva och genomför alternativa lösningar utan att fråga om lov. Istället styrs och ställs alla projekt från en överliggande nivå i hierarkin -- kort och gott: en universitetsexamen innebär, förutom att man är kompetent, att man accepterat de auktoriteter och maktstrukturer som finns inom såväl företag som utbildningsväsenden. En universitetsexamen är en examen i lydnad.

Spiksoppor hopkokade av entusiaster med en mångfald rivaliserande lösningar på ett och samma problem kan alltså konkurrera ut monolitiska företag. Det är uppenbart att detta sätt att arbeta och se på ekonomins betydelse i samhället en del av underbyggnaden till cyberpunkideologin. Men här är det de respektabla högskolehackarna som kommer in i bilden: personer som lever ett helt vanligt familjeliv, men som växte upp med -- och utvecklade -- de första datorerna under 70-talet, och som nu går i bräschen för den explosiva datorutvecklingen. Deras budskap är det samma: Frihet åt informationen! Datorernas rationella värld tycks påverka sina användare i samma riktning: mot effektivitet, decentralisering, samarbete och kunskapsutbyte och bort från tjäbbel, byråkrati och monotoni. Bra, säger jag. Vad säger ni?

Vetenskapens Värld

För att förstå hur folk kan jobba häcken av sig utan att tjäna en massa pengar måste man förstå hur det vetenskapliga virtuella samhället fungerar. Det vetenskapliga samhället är nämligen ett samhälle i samhället med sina egna normer och ideal. I detta är det prestige och kunskap som räknas, inte hur många aktier man har eller hur stor ens Mercedes är. Forskare, doktorander och andra vetenskapsmän betalar för att få sina alster granskade av andra vetenskapsmän, bara av glädjen att dela med sig och driva vetenskapen framåt. 109 Att information och kunskaper är allmän egendom är så grundläggande för detta samhälle att det inte ens ifrågasätts. All denna information publiceras i några tusental olika vetenskapliga tidskrifter världen över, med extremt liten spridning, som framställs av vetenskapsmän för vetenskapsmän (eller kvinnor för den delen). Numera börjar allt fler av dessa tidskrifter helt eller delvis utnyttja till elektronisk publicering som ett billigare alternativ till pappersjournalerna, även inom "mjuka" vetenskaper som Sociologi och Psykologi.

Det vetenskapliga samhället har skapats för att befria forskningen från den samhällsliga maktapparaten. Det enda sättet att göra detta är nämligen att bygga upp en kultur med egna ramar och värderingar, vilket även hackarna för länge sedan har upptäckt.

Som du förstått har det vetenskapliga virtuella samhället tydliga gemensamma drag med hackarnas subkulturella Scen. Man byter information fritt sinsemellan och struntar i marknadsekonomin.110 Detta ställer givetvis till det för många ekonomer som helst skulle se att alla människor handlade efter en rationell marknadsmodell, men det vetenskapliga samhället låter sig inte kommersialliseras, hur gärna samhället i övrigt än vill. Som grädde på moset är det vanliga samhället också beroende av det vetenskapliga samhället. Utan vetenskapen sker mycket få framsteg och utbildningen av nya chefer, ingenjörer, psykologer osv är helt avhängig det vetenskapliga samhället. Alltså är man tvungen att stödja dessa vetenskapsmän med pengar. Som tack för detta stödjer vetenskapsmännen i sin tur hackare och en del andra subkulturer genom att ställa upp med fritt tillgängliga datorer.

Varför hjälper vetenskapsmännen hackarna? Enkelt. De är beroende av dem. Hackarna står för en stor andel av uppslagen till nya uppfinningar och forskningsområden. Dessutom jobbar en del av dem på universiteten och högskolorna. En del jobbar på företagen som producerar informationstjänster, och en del finns till och med på de allra största företagens dataavdelningar.

Det är faktiskt så, att samhället i övrigt är beroende av både det vetenskapliga samhället och hackarnas Scen. Konflikterna vi ser är produkter av att det teknokratiska samhället med vetenskapsmän och hackare i spetsen håller på att öka sin makt över det vanliga, marknadsekonomiska samhället. Anledningen till att etablissemanget vill styra om finanserna för Internet är bakom ytan det gamla vanliga: Man är rädda om sin MAKT!

Marknadens Paradigm

Vi måste försöka förstå hur den här konflikten uppstår. Vårt samhälle som det ser ut idag är inriktat mot allt högre specialisering. Hela vår ekonomiska marknadsmodell bygger på specialisering, eller rent av ständigt ökad specialisering. Produktiviteten i detta system måste ständigt öka för att ge ett antal anonyma aktieägare avkastning på sina aktier, så att de kan köpa och äga ännu mer.

Om jag vill utveckla en programvara skall jag ha en idé. Sedan skall jag starta ett företag, anställa så många programmerare jag behöver och leta reda på lämpliga finansiärer. Kan jag inte hitta finansiärer är min idé dålig, eller så har jag letat på fel ställen. När produkten skall säljas anlitar jag speciella företag för distribution, marknadsföring och kopiering av programvaran. Om mitt företag genererar oavsedda biroller, såsom städare av lokalerna, receptionister och vaktmästare, skall detta drivas bort från den ska "kärnverksamheten" genom sk "outsourcing" till specialiserade konsultföretag.

Exakt så här ser vilken chef som helst på vilket mjukvaruföretag som helst på processen. Att göra mjukvara betraktas ekvivalent med att göra korv.

Problemet med den här synen är att det inte finns någon plats för kreativ skaparlusta hos programmerarna själva. Jag som chef måste med benhård hand styra dem in på rätt väg. Jag får aldrig tappa kontrollen på vilken produkt jag vill ha i slutändan, och om programmerarna kommer med egna idéer kan jag i och för sig lyssna på vad de säger, men det är jag som projektledare som skall avgöra om denna idé skall få lov att vara kvar i den slutgiltiga produkten eller inte. Någon plats för fritt handlande för individen finns inte i det marknadsekonomiska tankesättet. Bara projektledaren skall veta vad som verkligen händer med produkten, men de individuella programmerarna skall helst bara känna till sin egen lilla del. Det tycks alltid finnas en hierarki underförstådd i denna organisation.

Marknadsekonomiskt tänkande bygger också på en dold funktion för att gömma kunskaper. Det vore olycka för projektledaren om programmerarna fick kunskap om hur liten makt över den skapande processen de egentligen har. Det samma gäller alla hierarkiskt organiserade företag. De enda som skall ha någon som helst koll på vad som egentligen händer inom ett företag är ledningen. Om arbetarna skall få veta något om vad som är på gång, sker det genom kontrollerad nyhetsförmedling där informationen är väl utformad i form av gula papper som skickas ned i de anställdas fack, och där man berättar om utvalda delar av företagets göromål som är menade att ytterligare öka medarbetarnas motivation.

Vi har att göra med en maktbild som är allt annat än demokratisk. Det är denna sneda maktbalans som är anledningen till att företag fungerar mycket "bättre" än stater. Frånvaron av demokrati är nämligen enormt effektiv. Det är ingen hemlighet att det demokratiska intåget i det svenska näringslivet i form av medbestämmandelagen (MBL) etc, har minskat effektiviteten i företagen.

Arbetarna skall handla under ledningen och inte på eget bevåg. Företagsledningarna har därför uppfunnit snillrika mekanismer för att trots detta begränsa demokratin inom företagen. Dessa består till exempel i ständig omorganisation, i syfte att dölja maktmekanismerna och ge de anställa en känsla av att de kontrollerar sitt eget arbete.

I rak opposition till detta står hackarnas etik, cyberpunkideologin och teknokratin. Samtliga synsätt förutsätter att programmerare är kreativa, uppfinningsrika, och ifrågasättande. Marknadsekonomin bygger på att övergripande planer inte ifrågasätts förrän möjligen efter att de är genomförda, helst aldrig. Det är därför företag är så noggranna med att anställa endast ingenjörer från universitet och högskolor, som därmed klarat den sociala skolning som lärt dem att inte ifrågasätta. 111 De individer som ifrågasätter skickas till andra delar av samhällsapparaten: forskning, politik och inte minst brottsindustrin, för att producera information av ett slag som på annat vis är nödvändig för samhället.112

KVINNLIGA HACKARE?

Inom datakultur och i synnerhet hackarkultur är kvinnor sällsynta. Bland phreakarna fanns det (och finns det än) en del kvinnor, kanske därför att telefonering betraktas som en vanlig kvinnosyssla. (De flesta växeloperatörer, nummerupplysare mm är ju kvinnor.) Inom ravekulturen är det mera jämställt, åtminstone en tredjedel av publiken brukar vara av kvinnligt kön. Bland hobbyprogrammerarna och de illegala hackarna är bara någon enstaka entusiast kvinna. Lyckligtvis (tycker jag) har alltfler kvinnor, företrädelsevis inom högskolevärlden, upptäckt datorn i och med Internet. Ofta börjar det med att man använder datorn som skrivmaskin, sedan får man höra om diskussionsgrupper och konferenser inom det ämne man studerar, och när man väl provat på att kommunicera över nätet så är man fast.

Den mest välkända kvinnliga hackaren gick under pseudonymen Susan Thunder. (Tillåt mig att hoppa lite fram och tillbaka mellan bokens teman.) Susan var ett skolboksexempel på en missanpassad flicka. Hon hade blivit illa behandlad som barn, men tillhörde den sort som överlever. Hon prostituerade sig redan i tonåren och försörjde sig genom att jobba på bordeller i Los Angeles, USA. På sin fritid var hon groupie och fraterniserade olika rockband. Hon upptäckte hur lätt det var att få backstage-pass till olika konserter om man ringde upp rätt personer och t ex låtsades vara sekreterare på ett skivbolag. Hon blev aktiv som phreakare i skiftet mellan 70- och 80-talet, och var självklart expert på social ingenjörskonst.

Snart kom hon i kontakt med ett par killar som hette Ron och Kevin Mitnick, båda ökända hackare som senare skulle arresteras efter att ha tagit sig in i datorer som tillhörde diverse stora företag. Susan specialiserade sig på att angripa militära datasystem, eftersom hon kände att det gav henne en form av makt. För att nå sina syften kunde hon använda metoder som var helt otänkbara för manliga hackare: hon sökte upp olika militärer och hoppade i säng med dem. När de sedan sov kunde hon leta igenom deras kläder efter användaridentiteter och lösenord. (Många hade sådana nedskrivna på lappar för att komma ihåg dem.)

Susan sysslade alltså med hackande för att få känna att hon, trots sin hopplösa sociala situation, hade någon som helst form av makt eller inflytande i den här världen. För henne var hackande ett sätt att stärka självkänslan.

Hon var fast besluten att lära sig hackandets konst in i minsta detalj. När hennes hackarkompis Ron inte tog henne riktigt på allvar blev hon förbannad och gjorde allt för att sätta fast honom. En annan anledning till hennes ilska skall också ha varit att hon haft ett kortvarigt förhållande med honom, men att han hade valt en mer socialt accepterad flickvän istället för Susan. Antagligen var det Susan som bröt sig in i U.S Leasings datasystem och raderade all information i en dator, samt fyllde den med meddelanden av typen "FUCK YOU FUCK YOU FUCK YOU" och programmerade skrivarna att mata ut liknande oförskämdheter om och om igen. Bland alla svordomar hade hon skrivit in namnen Kevin och Ron. Incidenten ledde till den första fällande domen mot den legendariske Kevin.

När Ron och Kevin greps fick Susan åtalseftergift mot att hon vittnade. Längre fram titulerade hon sig säkerhetsexpert och visade med all önskvärd tydlighet hur lätt hon kunde ta sig in i militära datasystem. Att Susan varkligen hade en enorm makt, och att hon verkligen kunde komma åt topphemlig information i militära datasystem, står bortom allt tvivel. Att hon skulle kunnat avfyra kärnvapenmissiler är mera tveksamt. Klart är att hon inte kunde göra det enbart med hjälp av datorn. Möjligen kunde hon med sin tillgång till hemliga telefonnummer, personliga fakta och säkerhetskoder kanske lura personalen på en avskjutningsramp att avfyra en missil. Jag hoppas själv att hon inte kunde det. Det var historier om hackare som Susan som var förlagor till filmen War Games. Susan har numera slutat hacka och ägnar sig istället med stor framgång åt professionell poker.

Susan är dock mera ett undantag som bekräftar regeln om hackarvärlden som en manlig sfär. Detta fenomen har fått flera förklaringar, allt från befängda påståenden om att datorer skulle vara okvinnliga för att de är uppfunna av män (precis som symaskinen, bilen, kaffebryggaren och telefonen) till att kvinnor skulle vara främmande för den inbördes statustävlan och arrogans som kännetecknar hackarna. Allt detta är givetvis struntprat.

Den verkliga orsaken till ojämställdheten inom datavärlden är förmodligen att kvinnor uppfostras till en passiv roll. Medan män lär sig att lidelsefullt leva sig in i och kommentera t ex vad som händer på en TV-ruta, lär sig kvinnor att passivt iaktta och vara ett socialt komplement vid sidan av. Inlevelse, självhävdelse och arrogans, typiska hackaregenskaper, uppmuntras sällan. Kvinnor lär sig en ytligt passiv roll, där deras enda möjlighet till aktivt handlande är att lägga över initiativet i händerna på män. Allt utforkande av nya territorier skall tydligen skötas av män. (Allra helst unga män.) Det är bara att titta på hur vi sköter våra känslomässiga relationer, där det alltjämt fungerar så att männen skall ta initiativet och kvinnan skall vara den passiva, trygga faktorn. En annan faktor är att män är mer av ensamvargar än kvinnor. Vad detta i sin tur kommer av är en öppen fråga. Vad som däremot är uppenbart är att det här mönstret är oerhört svårt att bryta.113

Eftersom hackare normalt är i en ålder där det är mycket viktigt att visa sin könsidentitet utåt, har många kvinnor frivilligt tagit avstånd från datorer av rädsla för att verka "okvinnliga". Detta, som av individen uppfattas som något man gör av egen fri vilja, är i själva verket en del i en social inlärning av traditionella könsroller. Föräldrar och släktingar spär på genom att ge hemdatorer nästan uteslutande till pojkar och nästan aldrig till flickor.

Bland hemdatorhackarna var under perioden 1980-1989 ungefär 3 promille kvinnor enligt en grov uppskattning. I USA fanns det ett tag en kvinnlig knäckare på Apple II som lyckades befria runt 800 spel från kopieringsskydd. I Europa var de mest välkända kvinnliga hemdatorhackarna gruppen TBB (The Beautiful Blondes), en C64-grupp som bestod av fyra kvinnor under pseudonymerna BBR, BBL, BBD och TBB varav BBR och TBB var programmerare. De gjorde sig kända på Scenen med ett antal demon under slutet av 80-talet. Cyniskt nog dog både BBR och TBB 1993, inte ens 20 år gamla. Bland dagens Amiga- och PC-entusiaster är andelen kvinnor något högre, någonstans i närheten av 1%. (Källa: The Mistress i Skyhigh #17 1995.)

I hackarkulturens vagga på MIT fanns det inga kvinnor alls. Det fanns kvinnliga programmerare som använde maskinerna, och det fanns till och med kvinnliga programmerare som var riktigt duktiga, men de utvecklade aldrig den besatthet som fanns hos de unga männen på MIT. Dessa hackare ansåg att det måste röra sig om en genetisk skillnad, som gjorde att kvinnor inte drabbades av denna besatthet. Detta är en farlig åsikt som dessutom är osann.

Statistik visar att de pojkar som engagerar sig intensivast i datorn oftast är i 14-15 årsåldern. Kvinnor drabbas av samma besatthet som 14-åriga hackare, men två år tidigare än männen eftersom deras biologiska klocka fungerar på det viset. Alla är nog medvetna om vad det är som 12-åriga flickor kan uppgå i med ett sådant intensivt intresse att de glömmer bort sociala plikter och bara ägnar sig åt sysslan, för dess egen skull.

Kvinnornas (eller skall vi säga flickornas?) motsvarighet till det ganska nyckfulla, men fascinerande och fängslande objektet dator, är ett annat objekt med liknande egenskaper -- ett fyrbent objekt som vi brukar kalla häst. I många fall är likheten slående, även om det är svårt att bevisa att det är samma mekanismer som ligger bakom. Att programmera en dator är egentligen inte så annorlunda från att lära en häst att hoppa över hinder. Det innehåller samma element av kontroll, tävlan och cermonier. Hos pojkarna vid datorn finns en närmast empatiskt lidelse i datorns sällskap, av samma slag som flickorna finner hos hästarna i stallet.

Det är fullkomligt uppenbart att om detta får fortsätta kommer männen att tillskansa sig makten i ett framtida samhälle som till stor del bygger på datateknik. Det vore önskvärt om fler kvinnor använde sig av datorer. Även hackarna är i allmänhet positivt inställda till att se fler kvinnor på sina mansdominerade områden. De få som finns har blivit mycket framgångsrika och uppmärksammade som ett "exotiskt" inslag. Respekten för kvinnliga hackare är mycket stor. Det lär också finnas kvinnliga hackare som inte säger något om sitt kön och därför antas vara män av sina hackarkamrater. Tjusningen att få prova på en sådan roll är inte svår att förstå. Det är ju första gången i världshistorien som man utan större svårigheter kunnat prova att vara ett annat kön än sitt fysiska och verkligen bli behandlad som man, fast man är kvinna.

Den tyska polisen använder ibland respekten för kvinnliga datoranvändare för att få fast hackare och mjukvarupirater. Genom att annonsera med kvinnliga namn på BBS:er och i datatidningar drar man uppmärksamheten till sig. Man kan diskutera om det är etiskt riktigt att utnyttja folks känslor på det här viset för att bekämpa brott, och det är uppenbart att man gör jämställdheten en björntjänst genom att använda sådana metoder. Man gör det ännu svårare för kvinnor att ta sig in i en subkultur där de kan komma att betraktas som robotar från polisen.

Pornografi etc

Att det är vanligt med gubbsjuka och grabbattityd på Internet eller i hemdatorvärlden kan man inte undgå. Det började i princip med spelet Softporn till Apple II-datorn från spelföretaget Sierra On-Line, och den än mer lyckade uppföljaren till IBM PC: Leisure Siut Larry. Spelen går ut på samma sak: att få kvinnor i säng. Att sedan hela Internet kryllar av halv- och helpornografiska digitaliserade bilder gör inte saken bättre. Om detta beror på ett skriande behov av sexuell stimulans hos de manliga datoranvändarna eller något annat är svårt att sia om. (Det är för övrigt inga större svårigheter att även hitta bilder på nakna män.) Givetvis är det betydligt mindre pinsamt att ladda hem några bilder från en dator än att köpa en porrblaska -- ingen kan ju se vad du gör.

En stor del av de bilder som finns allmänt tillgängliga på Internet är reklam för olika betal-BBS:er som det är tänkt att man skall kunna hämta ännu fler bilder ifrån -- om man betalar... Det finns alltså som alltid i porrbranchen ett hänsynslöst kommersiellt intresse. Sex säljer, och Internet används som lockbete i en ny lukrativ marknad. Jag skall dock betona att detta främst gäller USA. Jag har ännu inte hört talas om någon svensk BBS som fungerar på detta vis -- i Sverige är det istället gratis att ladda ner bilderna, vilket användarna tycks göra med ohämmad frenesi. Ett fåtal porrtidningar har öppnat egna Internet-areor som användarna måste betala för att få tillgång till.

Somliga PC-entusiaster har tydligen fått dille på att samla porrbilder och samlar dem på samma vis som andra samlar på frimärken eller hockeybilder. Egentligen är detta intresse inte något konstigt. Under den tidiga hackareran var det många som samlade på sig tusentals dataspel bara för att ha dem. Det var ju så förbjudet eftersom tillverkarna hävdade att kopieringen var förbjuden. Porrbilderna är både tabubelagda och copyrightskyddade eftersom de med få undantag är digitaliserade ur porrtidningar. Det skall tilläggas att porrbranchen givetvis är måttligt förtjust i den här spridningen.

Att censurera bort dessa bilder från nätverket är i princip en omöjlighet, om det ens är önskvärt. Internet bygger på att man skall söka sig till den information man är intresserad av, och att man därigenom skall slippa att råka ut för information man finner störande, och det är den filosofin som genomsyrar attityden hos dem som sköter nätverket. Den som publicerar informationen skall själv ta ansvaret, och mellanhanden kan inte lastas. Det vore lika konsekvent att lasta Telia eller Posten för medhjälp till brott för att de inte avlyssnar och provläser ordentligt. Kommunikation bör vara fri.

De distributörer, som kablar ut Internet till Sverige, har hittills konsekvent vägrat att ingripa i informationsströmmen. (Och så hoppas jag personligen att det kommer att förbli.) Enskilda högskolor har däremot efter allmänhetens uppmärksammande börjat blockera vissa diskussionsgrupper som handlar om piratkopiering, sex, självmord och droger. Att blockera bilder i allmänhet är betydligt svårare, för att inte säga näst intill omöjligt. Om någon sedan krypterar bilderna blir det helt omöjligt att stoppa dem. Vad man kan göra är att granska vilka bilder som lagrats på den egna organisationens dator, vilket lett till uppmärksammade ingripanden mot pornografi vid bland annat universiteten i Lund och Umeå.

Ett uppmärksammat fall under 1999 var då man i en arbetsdator tillhörande en juridiklektor i Lund fann 1000-tals barnpornografiska bilder under en år 2000-kontroll. Lektorn avstängdes och en förundersökning inleddes, men efter ett antal månader trädde de två skyldiga studenterna fram. Det hela var en komplott. Vad den orsakat i personligt lidande kan man bara gissa.

Ville man verkligen krossa marknaden för all porrindustri kunde man helt enkelt förklara den laglös, dvs ta bort det upphovsrättsliga skyddet på pornografi. Detta skulle omedelbart förstöra marknaden för hela den etablerade porrindustrin och försätta dessa företag i konkurs på bara ett par år. Frågan är om det vore så särskilt smart eftersom de stora industrierna förmodligen lika snabbt skulle ersättas med piratsyndikat.

Jag skall dock för klarhetens skull tillägga att de flesta kvinnor som håller på aktivt med BBS:er och Internet verkar ta det hela med jämnmod. När någon skriver oanständigheter brukar de för det mesta svara med textvarianten av en klapp på huvudet: "Såja, lugna ner dig nu", ungefär.

Även om telerymden är överbefolkad av män kan vi ändå trösta oss med att världens första programmerare, poeten George Byrons dotter Ada Lovelace, var kvinna. Ada var verkligen en riktig hackare, i klassisk bemärkelse. Hon var en produkt av ett kraschat äktenskap mellan Byron och Annabella Milbanke. Precis som många nutida hackare flydde hon undan de svåra känslor som fanns inom henne genom att hänge sig åt naturvetenskapen tillsammans med sin vän Charles Babbage, och gick helt upp i idéerna om att konstruera den analytiska maskinen.

CYBERNETISKT SAMHÄLLE

Nu skall jag försöka sammanfatta vad jag tidigare skrivit tillsammans med ett antal halvmoderna filosfiska idéer om människorna och deras samhälle. Ett cybernetiskt samhälle är ett samhälle som lever i samspel med maskiner. För att förstå ett samhälle använder jag en förenklad bild av en individ, där denne betraktas som uppbyggd av information och kommunicerande med omgivningen med hjälp av symboler.

Minne, Individ, Tankar och symboler

I figuren är minnet detsamma som lagrade mönster i hjärnans neuroner, tankarna är de funderingar och såväl dagliga som nattliga drömmar vi alla har, och symbolerna är de informationsstycken vi utväxlar med omvärlden som kan vara enskilda individer såväl som hela den familj eller det samhälle vi lever i. Sådana symboler kan t ex vara det mänskliga språket, men också andra konventioner som vi inte tänker på, som att papperslappar med siffror på är pengar och att vi uppfattar dem som om de hade ett egenvärde, eller att en viss typ av klädsel innebär en viss status. Inom vetenskapen använder man av naturliga skäl mycket väldefinierade symboler som man kallar paradigm, vilka definierar:

  1. Vad man skall iaktta
  2. Vilka frågor som skall ställas
  3. Hur de skall ställas
  4. Hur svaren skall tolkas

(Jag skall passa på att påpeka att jag här tolkar det sociologiskt-vetenskapliga begreppet symbol, likväl som begreppet paradigm, på ett högst pragmatiskt och personligt vis, upp med en hand, den som bryr sig. Det här är hermeneutiskt vetenskap på hög nivå. Ursäkta fikonspråket...)

Det är de här begreppen som hackarna med Zen och Gödel i ryggen protesterar mot i mottot 4: Hackare bör bedömas efter sin hackarkonst, inte enligt suspekta kriterier såsom betyg, ålder, ras eller social status eller i 3: Misstro auktoriteter. Det är ett försök att bryta sig ur ett system man uppfattar som felaktigt. Marvin (han med telefonkorten) uttalade i en radiointervju sitt missnöje med att företagen bara anställer folk med universitetsexamen istället för att se till deras verkliga kunskaper, och pekade på så vis på bristerna i våra formella samhällssystem. Burroughs menade att samhällssystemet bara alltmer kommer att försöka kontrollera medborgarnas tankar vare sig tjänstemännen vill det eller ej. Man menar att en framsynt människa måste ha förmågan att gå ur systemet och se de verkliga mönstren bakom, vilka inte kan beskrivas med ord, papper eller kläder. Samtidigt är symbolerna livsnödvändiga för vår kommunikation såväl som för vårt samhälle som helhet. En intelligent individ kan med symbolernas hjälp se intelligens i sig själv och andra individer. Vi kan nu betrakta samhället på ett motsvarande sätt:

Minne, Samhalle, Tankar och symboler

Men vad nu då? Det här ser ju precis likadant ut! Just det. I det här fallet är minnet det kollektiva minnet i form av böcker, filmer, CD-skivor eller dataprogram som lagras på bibliotek eller i våra hem. Tankarna är detsamma som kulturen, den pågående process som ständigt förändrar våra livsvillkor. Lägg också märke till att symbolerna, i det här fallet vår hållning gentemot andra samhällen eller större konstellationer, dvs omvärlden, inte är lika med vår kultur. Samhället kallas bland sociologer i den här modellen ofta för det kollektiva medvetandet. Själv har jag lite käckt snickrat ihop begreppet "superindivid".

Symbolerna visar bara de delar av våra tankar, kulturen, som vi vill visa upp. Så fungerar som bekant även en individ. Ett intelligent samhälle ser intelligens i andra samhällen och individer. De individer som samhället är uppbyggt av kan i och för sig ge sig till att försöka analysera de tankar samhället tänker, men uppgiften är i det närmaste oöverstiglig, ungefär som om de individuella neuronerna i vår hjärna skulle försöka förstå sig på hela hjärnans tankar. (Dessa resonemang härhör från forskningen kring artificiell intelligens i icke-formella system och sociologisk vetenskap.)

Inte bara samhällen och individer kan på detta vis beskrivas som intelligenta organismer. Även företag, militära organisationer osv är organiserade på ett liknande sätt.

Det är detta formella system, det komplexa samhället, som sociologerna som vetenskapsmän studerar, William Burroughs som författare kritiserar och Zen som filosofi demonterar.

När vi nu har kommit överens om ett gemensamt sätt att betrakta individer och samhällen kan vi börja bena ut det här med cybernetik. Jag har tidigare berättat att cybernetik betyder människa eller samhälle i samspel med maskiner. För att illustrera detta vill jag visa ett praktiskt exempel:

Individ A och B byter symboler

Vi ser två individer, A och B som kommunicerar med hjälp av symboler. Så långt inga problem. Om vi nu säger att de här två individerna kommunicerar genom att skicka brev till varandra, kan det uppstå problem om den ena individen exempelvis är lindrigt synskadad.

Individ A och B hindras att utbyta symboler

Eftersom människor är så fiffiga, hittar de givetvis på något sätt att gå runt det här problemet. De ger sig till att förbättra sina naturliga förutsättningar. Jag kan illustrera med en uppfinning som gjordes c:a år 1290 e kr:

Individ A forses med glasogon och kan ater byta symboler

Här har man alltså gjort en av de allra första cybernetiska innovationerna. Man har förbättrat verkligheten med hjälp av en liten optisk-mekanisk konstruktion som räknas som en självklarhet i vårt samhälle. Alla som bär glasögon är härigenom cyborger, människor som framlever sina dagar på jorden i samspel med maskiner. Vi är så vana vid detta att vi knappt tänker på det. Är man lite bekvämare av sig kan man skaffa sig kontaktlinser, och då välkomnar man maskinen i sin egen kropp. Glasögon är en av de modifieringar som syftar till att förbättra vår kommunikation med omvärlden. Andra cybernetiska modifieringar gör livet drägligare och bekvämare för individen: rullstolen, käppen m fl. Andra är direkt livsnödvändiga, som t ex pacemakern. Men nu har jag bara nämnt uppfinningar som "rättar till" människor som fötts eller erhållit någon form av handikapp. Det går givetvis att "förbättra" helt vanliga människor också, men hjälp av kikare, elektroniska hjälpmedel för mörkersyn etc. Telefonen till exempel, förbättrar oss så att vi kan kommunicera över enorma avstånd. Vi kan också etablera hyperkommunikation.

Individ A och B byter HYPERSYMBOLER

Ett sådant medium för hyperkommunikation är hypertext, som är bättre än vanlig text. Vi kan också förbättra vår möjlighet att som samhälle utväxla och förmedla information med hjälp av transaktionssystem, Sattellit-TV osv. Ytterligare en förbättring av vår perception -- den absolut mest revolutionerande -- kommer virtuell verklighet att bli.

Men det finns en del oroande sidor av det här samhället. Som Net Nanny som jag nämnde tidigare, eller när Aftonbladet den 15 juli 1995 lugnande meddelar att TV-apparater skall kunna förses med ett chip som kan programmeras av föräldrar som inte vill utsätta sina barn för onödigt våldsamma, pornografiska elller på annat vis olämpliga program. När barnen försöker titta på ett spärrat program blir skärmen blå. Fantastiskt. Frågan är bara vem man programmerar: chipet eller barnen? En av föräldrarna Aftonbladet intervjuar vill bl a hindra barnen från att se programmet SOS -- På Liv och Död, ett program som visar filmatiseringar av verkliga olyckshändelser. Vad blir nästa steg? Är det inte lika bra att stänga av de hemska nyheterna också så att man kan driva upp barnen i en glaskupa lika avskärmade från världen som någonsin ryssarna under Stalin? Risken för missbruk av denna och liknande uppfinningar är fruktansvärd.

Och det här rörde sig endast om vad endast ett relativt dumt chip kan åstadkomma. Vi måste redan konstatera att vårt samhälle inte längre formas av enbart människor, och att inte ens människor formas av människor. När snart sagt varenda butik har elektroniska larm på varorna behövs det inte längre någon hederlighet, eftersom det inte går att vara ohederlig -- moraliska gränser förvandlas till verkliga materiella gränser med hjälp av teknik. Vi är så ensidigt upptagna av allmännyttan av dessa maskiner att vi inte ifrågasätter det som håller på att ske. Ett varularm finns det väl ingen anledning att klaga på, det angår ju bara tjuvar... En vacker dag står vi där med maskiner som automatiskt injicerar lugnande droger i alla våldsamma individer för att hålla dem på plats, givetvis bara för att förhindra våldsbrott. Det angår ju inte dig, eller hur? Du är ju inte våldsbrottsling. Eller?

Eller för att ta ett exempel med några år på nacken: 1984114 krånglade värnpliktsverkets dator, vilket bland annat fick till följd att inkallelseorder inte skickades ut till alla repövningsvärnpliktiga. Dessa fick därför samtal från auktoritära militärer som frågade ut dem om varför de inte inställt sig till repövning. Auktoriteterna hade fått information från en förmodat felfri dator om att inkallelseorder verkligen sänts ut. Det intressanta här är att en dator verkligen kontrollerar en stor militär organisation. Att det kunde bli fel på den är mindre intressant. Några av våra mest ansvarstyngda militära institutioner har alltså namn som kan skrivas som produktbeteckningar för olika datormärken.

Sedan har vi det här med artificiell intelligens. När intelligenta agenter kommer in i bilden blir det hela än mer komplext. Vi måste kanske fråga oss om det inte är så att vi samspelar med digitala individer, någon som verkar ha en egen vilja. En digital individ uppstår då ett datasystem blir så komplext att det får medvetande, på ett sätt som påminner om människors medvetanden. Det har förmodligen ännu inte skett när du läser detta. Det obehagligaste exempel jag kan plocka fram är ett program från företaget Hectare Ltd som kan generera tjejsnusk, dvs Barbera Cartland-liknande noveller, i en aldrig sinande ström. Om du någonsin misstänkt att en dator skulle kunna skapa mycket mönstergill skönlitteratur så kan du betrakta dina farhågor som infriade. Programmet fungerar verkligen, och det är inte ens särskilt stort och omfattande. Liknande program kan formulera om färdiga textstycken för att passa in i ett visst skrivbeteende.

Kanske en av de farligaste maktfaktorerna med artificiell intelligens är att den utan vidare kan producera ändlösa strömmar av skenbart intelligent trams som avleder uppmärksamheten från de verkliga problemen. Om jag får lov att vara lite konspirationsteoretisk kan jag framkasta idén att det redan i dag finns tidskrifter vars innehåll helt eller delvis produceras av datorer. De som har skrivit programmen kanske mest är ute efter att tjäna pengar och struntar fullständigt i de moraliska aspekterna. Skulle inte du? Publiken märker inget. De tror de ser en människa, men de ser en robot. Men återigen -- vad är egentligen skillnaden? Ridå.

Individ A och B byter symboler via japansk-svensk agent

Detta är bara en av de tillämpningar som blir möjlig med hjälp av artificiell intelligens. Det är dock så att den digitala individen en dag blir så intelligent att den kan producera dialog utan den ena individens medverkan. De etablerade makterna kan härigenom styra individen vart de vill. Tänk att du ringer och klagar på att varmvattnet inte fungerar. Du tror att du talar med en människa, men i själva verket talar du med en dator. Allt du säger förvandlas till statistik utan att de ansvariga personligen behöver ta åt sig av kritiken. Makten kan filtrera bort dina klagomål för att fatta opåverkade, känslomässigt neutrala beslut... Och ungefär här blir hela resonemanget så flummigt och fantasibetonat att jag likaväl kan överlåta det till läsaren. (Jag är ingen filosof, bara lite.) Det är i varje fall ett ganska roligt tankeexperiment.

Cybernetiskt samhälle kontra copyright

Det är uppenbart att den cybernetiska samhällsmodellen innebär en förändring av vårt sätt att se på information och informationens roll i samhället. En del saker vi vant oss vid att ta för givna kan komma att förändras å det grundligaste. Till exempel copyright. Copyright är rätten att äga information, eller i fallet patent rätten att äga kunskap, och att få tjäna pengar på den. På fikonspråk brukar man kalla det "immaterialrätt". Copyright uppstod med tryckkonsten, innan dess var det inte så noga med vem som ägde information och publiceringsrätt. Alla kunskaper och idéer betraktades då som allmän egendom och inte som något man ägde. Informationen var fri. Möjligheten att äga information är oskiljbar från närvaron av maskiner som t ex tryckpressar, faxar eller datorer. Utan dessa maskiner blir boken, målningen etc ett unikt konstverk snarare än en mängd mångfaldigad information. Copyright är alltså en egenskap i det tidiga cybernetiska samhället som länkar ihop information och kunskap med ekonomi. Detta gäller all information, såväl tryckt text som fotografier, film eller dataprogram.

Vi kan alltså spåra copyright tillbaka till uppkomsten av den tryckta symbolen. För att understryka vikten av detta gör jag en sammanfattning av de moderna symbolernas framväxt för att understryka resonemanget:

Symbol: Population: Kulturell bas: Tid:
Primitiva symboler Djur Genetisk kultur Länge sedan
Tal Människor Muntlig kultur 40000 f kr
Text Civilisation Skriftlig kultur 3000 f kr
Tryck Industrisamhälle Distribuerad masskultur 1500 e kr
Hypersymboler Informationssamhälle Informationskultur 2000 e kr

Årtalen markerar respektive symbols uppkomst snarare än när den kom till bred användning. Normalt räknar man övergången från muntlig till skriftlig kultur från c:a 500 f kr, och tryckkonsten var inte särskilt utbredd före upplysningen (1700-1800-talen). Det första årtalet är mycket svårbestämt. Detta är egentligen inte så intressant: frågan handlar inte om tid, utan symbolhistoria. Att informationstekniken innebär en förändring av samhället som är jämförbar med tryckkonsten (minst!) är uppenbart.

Symboler förändras med tiden. Vad vi uppfattar som värdefullt idag kan vara värdelöst i morgon. T ex anser de flesta att metallen guld är ganska värdefull. Om, låt oss säga, en mindre planet av guld krockade med jorden, så att guld blev den mest allmänt förekommande metallen i naturen, skulle den inställningen ganska omgående förändras så att vi betraktade guld som mindre värt än järn. På samma sätt skulle vi gladeligen byta allt guld vi ägde mot mat om vi svalt, eftersom vi också har vissa fysiska behov. Ja, man kan rent av tala om att vi också har psykiska behov, som i vårt moderna samhälle till stor del genereras av reklam, vilket gör oss villiga att byta våra ekonomiska medel i form av pengar, arbete etc mot stereoanläggningar, läskedrycker osv. Vi har alltså en uppfattning om tingens värde som baserar sig på tillgång och efterfrågan. Tillgång och efterfrågan kontrolleras av dels naturen, och dels andra människor. Det är detta som gör oss till konsumenter. Begreppen återfinns i alla stora ideologier.

När andra människor vill kontrollera vår konsumtion använder de sig av symboler. Detta kan ske genom att man etablerar ett visst klädesmärke som synonymt med symbolen status, ett läskedrycksmärke som synonymt med fräschet och ungdomlighet. Men detta är bara den mest iögonenfallande toppen på det välkända isberget.

I själva verket styrs hela vårt samhällssystem upp av symboler. Det är det som sociologerna kallar symbolisk interaktionism, ett vetenskapligt teoribegrepp som framför allt associeras med en farbror som hette George Herbert Mead -- en smått genialisk filosof som tyvärr inte direkt skrev någonting, men som haft avgörande inflytande på främst sociologi. Mead definierade många av de symboler jag tidigare nämnt i detta kapitel. Mead var också inne på de begrepp som följer längre fram i det här kapitlet; han menade bland annat att franska revolutionen var en vändpunkt i modern historia där människorna för första gången insåg att de hade rätt att förändra eller rätta till samhällssystemet, och att detta inte grundade sig på någon gudomlig princip. Filosofiskt tillhörde han den pragmatiska skolan som ansåg att idéer och teoretiska system skulle prövas mot verkligheten innan de tillmättes något värde. Mead var alldeles säkert anhängare av hands-on imperativet. (Den pragmatiska skolan är för övrigt en förlängning av fallibilismen, som ju i princip är detsamma som Zen.)

OK. Copyright då? Det var ju det jag skulle komma fram till. Vi folk på jorden har alltså kommit överrens om att betrakta information och kunskap som någonting man kan äga. Detta ägande är en symbol vi enats om. I och med informationssamhällets intåg blir moralen som dessa symboler bygger upp minst sagt suddig. Moralen talar om för dig att du inte skall inkräkta på någon annans territorium, inte skada, inte stjäla någon annans egendom. När det gäller materiell egendom, låt vara icke-personlig egendom, är detta fortfarande allmänt accepterat. Men när det gäller intellektuell egendom som då skyddas av copyright och patent, har vi kommit till en brytningspunkt. Informationstekniken drar saker och ting till sin spets: det är omoraliskt att trycka in vissa kommandon i en viss följd på tangentbordet. Andra kommandoföljder är fullt accepterade. Jag får programmera om min egen dator, men inte någon annans dator per datanätverk. Jag får kopiera vissa program hur som helst, andra inte alls, vissa kanske. Vi blir osäkra på vad vi skall tro varvid några hänfaller till dogmatiskt fördömande av mjukvarupirater för att få känna sig på den säkra sidan.

Eftersom lagstiftning inte är det samma som företagspolicy får jag dubbla budskap, som t ex när spelföretaget Nintendo påstod att det var förbjudet att syssla med andrahandshandel av dataspel. Det tycker givetvis Nintendo är självklart eftersom de får sälja fler spel och tjänar mer pengar om folk bara köper nya spel. Enligt svensk lagstiftning är Nintendo fullständigt ute och cyklar. Vi drabbas av ett dubbelt symbolbudskap från företagsetablissemang och samhälle med resultat att vi börjar tänka själva. Eftersom storföretag delar den ekonomiska makten med regeringar betraktar vi båda som auktoriteter. Vi börjar ifrågasätta dessa auktoriteter - vi börjar tänka själva och ta egna beslut i brist på klara samhällsdirektiv. Minns återigen regel 3: Misstro auktoriteter. Hackarnas etik visar oss vägen i en turbulent tid.115

Hackarna upptäckte kraftiga informationsorättvisor. På Scenen kunde de 13-14 åriga hackarna inte för sitt liv begripa varför bara de ungdomar som hade rika föräldrar skulle få ha tillgång till alla de roliga programmen. Bland phreakarna förstod man inte varför bara företag och myndigheter skulle ha råd att kommunicera fritt -- det var ju ett sätt att utvecklas! Varför acceptera detta? I och för sig kan man kalla detta respektlöshet, brist på förståelse för samhällets funktioner osv. Ingen brydde sig dock om att diskutera saken. Det budskap hackarna fick av det etablerade samhället var: "Ni är brottslingar. Punkt." Vilket enastående hyckleri!

Jag konstaterar att ju mer cybernetiskt ett samhälle blir, desto svårare blir det att definiera privata kunskapsdomäner. Ju fler datorer och ju mer förfinad teknik vi får, desto knasigare blir begreppet intellektuell egendom. Detta gäller i synnerhet mjukvara, där patent beviljas på metoder som inte fordrat några större investeringskostnader i utrustning och forskning, utan kanske bara en eller ett par nätters intensivt hackande. Idéerna har inte kostat något -- det är mest frågan om Columbi Ägg -- först till kvarn får först och endast mala. Det går inte längre att försvara intellektuella orättvisor med materialistiska jämförelser.

Detta tvingar oss att ställa frågan: Vart går gränsen mellan yttrandefrihet och egendom? Vad får jag kopiera och vad får jag inte kopiera? När upphör kunskap att vara allmän egendom och övergår i privat ägo? Det som inträffar är att tekniken drar ryggraden ur hela vårt samhällssystem och håller upp den för oss så vi kan skåda den. Vi ser hur stora områden av telerymden helt godtyckligt mutats in av informationsbranchens profithungriga guldgrävare.

Mjukvara är en förlängning av det mänskliga intellektet; av förmågan att skapa, förstå och generalisera kunskap. Att förbehålla ett sådant kraftfullt verktyg för dem som har råd att slänga ut hundratals kronor på ett program blir i längden ohållbart. Vad jag menar är inte att samhällsparasiter som de kinesiska triaderna eller andra syndikat skulle få ta upphovsrätten från de stora företagen. Vad jag menar är att det inte borde vara förbjudet för privatpersoner att fritt kopiera programvara och hjälpa varandra att använda den. Detta utesluter inte konkurrens från etablerade företag i branchen, bara de kan erbjuda något som hackaren runt hörnet inte har: tryckta manualer, dygnet runt-service, pedagogiska kunskaper etc. Vem vet detta bättre än den som skapat mjukvaran? Mjukvara är en produkt som saknar värde i sig. Det är inte ägandet av mjukvara som driver det här samhället framåt, utan förmågan att använda den, och lära andra att använda den. Vad vi skall sälja och köpa i informationssamhället är inte mjukvara, utan tillämpningar, råd - med ett ord: Support.

Lika nödvändig som copyrighten var i industrisamhället, lika meningslös är den i informationssamhället. Problemet är inte att skilja information i tryckt form från elektronisk information. Problemet är att det inte längre går att skilja information från kunskap, och ägd kunskap från allmän kunskap. Gränsen mellan idé och implementation (tillämpning) av samma idé suddas ut i och med att människan kommunicerar allt mer med maskiner som konstruerats för just detta. I förlängningen hotas även gränsen mellan tanke och handling av utvecklingen av virtuell verklighet.

Låt mjukvaruföretagen bekämpa brottssyndikat, maffior och gangsterligor som tjänar grova pengar på piratkopiering, inte mig emot. Men fördöm för guds skull inte kompiskopieringen, privatkopieringen från individ till individ utan ekonomiskt vinstintresse! Denna kopiering är inte omoralisk utan bara ett sätt att vidarebefodra kunskap. Det är fel att sådan kopiering skall vara förbjuden och det borde vara tillåtet för privatpersoner att kopiera programvara bäst de vill. Det är de smutsiga pengarna som skall bort ur mjukvarubranchen, inte amatörernas glödande intresse och engagemang! Den moraliska gränsen går inte vid rätten att kopiera ett program eller inte, utan vid att ha rätt att tjäna pengar på ett program eller inte! Det är den rätten som skall vara förbehållen författaren, om han så önskar.

I Sverige kan jag i dag gå in i vilket bibliotek som helst, ta fram vilken bok som helst, gå till kopieringsmaskinen och kopiera så många sidor jag har lust med. Någon lagstiftare har i något ljust ögonblick insett att ett förbud mot detta skulle innebära en avsevärd begränsning av individens frihet och möjlighet till personlig utveckling (Lag 1993:1007). Information föder ju intelligens! Det finns ingen anledning till att denna frihet skulle begränsas till endast tryckta medier. Filmer, CD-skivor, dataprogram... Det är bara en definitionsfråga. Allt detta är information och föda för den mänskliga intelligensen. Det är inte sunt att det skall vara förbjudet för individen att kopiera information. Det är Sjukt. SJUKT!

Att patentera bokstäver satta i en viss ordningsföljd - strängar av information - ljudvågor och videogram - vansinne. Om den som först uppfann orden i det mänskliga språket hade tänkt i de banorna hade vi aldrig lärt oss tala eller skriva. Att gå och vissla en patenterad melodi på stan en solig dag är "offentligt framförande", och skall betalas STIM-pengar för. När man inte är ute efter att själv göra sig en hacka på informationen - i förlängningen att förstärka sin makt - när man bara är ute efter att sprida glädje och kunskap, skall informationen vara fri. Basta.

Det spelar ingen roll att försöka orda om saken och lagstifta åt höger och vänster. Man kommer förr eller senare att nå fram till röd gubbe-kriteriet: när ett brott blir så vanligt att det bara blir meningslöst att försöka bekämpa det, som att gå mot röd gubbe eller att kopiera CD-skivor till band. Vad myndigheterna och lagstiftarna måste tänka på är snarare sin egen trovärdighet.116

Begreppen degenererar (Copyright finns inte!)

När nu våra symboler blir alltmer suddiga, vad kan vi vänta oss kommer att hända härnäst? För att ha något att bygga på tar jag lite fräckt och lånar en idé från Thomas Kuhn. Kuhn är en vetenskapsfilosof med spännande idéer om hur vetenskap växer fram och förändras med tiden. Kuhns teorier påminner om olika idéer om hur samhället i allmänhet förändras, hur olika ideologier växer fram, och hur vi människor utvecklar och förändrar vår tillvaro i allmänhet. Kort sagt: karln beskriver vad som händer när människans använder sin intelligens. Något som är mycket spännande med Kuhns teorier är att de påminner i påfallande grad om Gödels teorem om formella system. Grundidén är följande: Du har en klar världsbild, ett paradigm,117 exempelvis:

Du vet att information kan ägas därför att annars går det och det företaget i konkurs och det innebär det och det för dig och det är inte bra för dig och därför skall du acceptera att information kan ägas. Eller:

Du vet att pengar är värdefulla eftersom de grundar sig på Sveriges produktionskraft och duglighet i jämförelse med andra länder, därför skall du acceptera att en papperslapp med några siffror på är värd pengar så att regeringen och andra regeringar inte råkar i förtroendekris för då hotas din levnadsstandard. (OBS: Lätt Ironiskt. Andra människor skulle möjligen kunna säga detta på fullt allvar. ;-)

Kuhn menade att paradigm förändrades med tiden ungefär såhär:

Paradigm -> Normalt tillstånd -> Motsägelsefullheter -> Kris -> Revolution -> Nytt paradigm

Med förutsättningen att människor i allmänhet bildar sig normer (handlingsregel, värderingsgrund) på samma vis som vetenskapsmän bildar paradigm (förebild, värderingsgrund) tillämpar jag detta system på vårt samhälle. (Normer och paradigm är på sätt och vis samma sak - båda bottnar i den mänskliga intelligensen och syftar till att bringa ordning i kaos genom upprättande av filosofiska system.)

Dessa begreppssystem finns runt omkring oss utan att vi tänker på det. Det finns till exempel ingen naturlag som säger att vi skall dela in dygnet i 24 timmar, det skulle gå lika bra med 10 eller 50. Det finns ingen som talar om för oss att vi måste dela in de musikaliska tonerna så att det blir precis 12 per oktav, 8 eller 16 skulle gå alldeles utmärkt. Vi definierar vår omgivning på ett sätt som vi alla kan vara överens om, för att undvika begreppsförvirring. Ibland funderar vi så lite över de här begreppen att vi tar dem för givna, som någon naturlig ordning i naturen, och av den anledningen betraktar uppstickare med nya begreppssystem som sjuka. William S Burroughs uttrycker det mer konspiratoriskt och skoningslöst:

"Det finns ingen sann eller verklig "verklighet" - "Verkligheten" är bara ett mer eller mindre konstant avsökningsmönster - Avsökningsmönstret som vi accepterar som "verklighet" har den kontrollerande makten på denna planet tvingat på oss, en makt som först och främst strävar efter total kontroll"

(Ur Nova Express)

När det stackars geniet Erik Satie spelade sin möbelmusik som bröt med det traditionella mönstret för hur musik skulle skapas och låta blev han utbuad. När Picasso bröt med de klassiska konstbegreppen var det många som betraktade honom som idiot. Handen på hjärtat - hur många av er har inte någon gång klagat på konst som man "inte ser vad den föreställer"? Gödel gick så långt att han bevisade att även en sådan sak som tid är någonting vi uppfattar subjektivt, filosofer eller inte. Hos hackarna hittar vi denna upproriskhet i exempelvis B1FF-språket där vår invanda förställning om tecknens funktioner i språket får sig en rejäl knäck. Många BBS- och Internetanvändare skriver långa arga inlägg när de ser någon skriva en mening som: y0YO!#%$!! wH4+zZ h4pP3n1n' 4r0uN '3r3 +H3zZ3 d4yZzZ?#$!%?? Frågan tycks upprepa sig: hur nyskapande får man egentligen vara? Och vid vilka tillfällen?

Från början har vi alltså efter en tids turbulens lyckats etablera ett slutet begreppssystem som vi accepterat, vi lever i ett normalt tillstånd där produktion och konsumtion lever i harmoni med ett etablerat samhällssystem med allt vad det innebär av klassklyftor och territorialtänkande.

När nu informationssamhället ställer frågor på sin spets uppstår motsägelsefullheter i systemet. Är pengar verkligen grundade på produktionskrafter? Vad är i så fall produktionskrafter? Kan kunskap ägas eller inte? Det är denna tid vårt samhälle befinner sig i just nu, och så kommer att göra en stund framöver. Det är denna turbulenta tid som kallas det postindustriella samhället. Vi håller på att bryta oss ur det fullständiga, nästan matematiska system som vårt samhälle fastnat i, på samma sätt som Gödel bröt sig ur de matematiska systemen och Zen demonterar filosofier med raka svar. Patriarkatet som feministerna vill bryta ned är också ett sådant system som börjat knaka i fogarna. (Inom den sociologiska vetenskapen kallas det här tillståndet Anomi vilket innebär avsaknad av fungerande normer för samhället, ungefär som i det eftersovjetiska Ryssland idag.) Den här fasen kännetecknas också av framväxandet av en uppsjö subkulturer och en förstärkning av de religiösa sekterna, båda resultat av ett oroligt sökande efter fasta normer som man inte finner i det vanliga samhället.

Så småningom kommer detta att leda till en kris som föranleder den verkliga informationsrevolutionen. Det är då de mest omfattande förändringarna i vårt samhälle kommer att ske. (Vi talar här om en samhällslig revolution, inte nödvändigtvis väpnad.) Efter denna revolution formulerar vi ett nytt antagande om hur samhället skall fungera och se ut, och det är först då vi når det verkliga informationssamhället. Många företagsekonomiska och nationalekonomiska ekvationer (eller axiom om vi skall vara vetenskapligt petiga) som gäller i industrisamhället kommer att vara fullständigt värdelösa i informationssamhället.

För att förändringarna över huvud taget skall kunna inträffa krävs det att någon driver fram dem, i och för sig med all respekt för det gamla samhället, men ändå fast beslutna att delvis riva ned de gamla normerna för att ge plats åt nya. Det är dessa som är Nietzsches lärjungar, i vårt fall de mest militanta cyberpunkarna med hackare i bräschen som vågar stå upp för sina ideal i en ny tid. Eller för att citera Nietzsche själv: "jag är inte inskränkt nog till ett system; inte ens mitt eget!" Det gäller att riva ned industrisamhällets normer för att ge plats åt de som skall gälla i informationssamhället. Det behöver alls inte vara utomparlamentariskt; vad Nietzsche och flera med honom säger är att det kan vara det.

Sedan 50- och 60-talen har ungdomen haft rollen som banbrytare när det gäller att ifrågasätta system och bygga nya. På Nietzsches tid var det studenterna och de intellektuella som gjorde det. Det har skett en förskjutning där man associerar radikala idéer med ungdom och konservativa idéer med hög ålder. Detta är en av de värsta sjukdomarna i vårt rollsystem -- alltför många ungdomar vantrivs i själva verket i rollen som revolutionärer och blir som i Tom Pettys delvis självbiografiska sång Into the Great Wide Open: "rebels without a clue" -- rebeller utan att veta varför. Tvånget att göra uppror kan som droppen i bägaren driva ungdomar över gränsen till narkotikamissbruk och brottslighet. Många uppror är ogrundade och slentrianmässiga handlingar som bara syftar till att provocera de konservativa gamlingarna - men det finns de som inte är det. Upproret mot företagens och myndigheternas informationsdiktatur är det inte. Det är en ideologiskt underbyggd revolt som förtjänar att bli tagen på allvar.

Toleransen mot nya begreppsbildningar är en faktor som avgör hur pass slutet och likriktat ett samhälle är. Nietzsche uppskattade på sin tid Richard Wagners titaniska musik, också det ett försök att bryta sig ur ett alltför ingrott och etablerat musikaliskt paradigm. Även om Hitler senare uppskattade både Wagner och Nietzsche var nazismen en ideologi som fördömde varje försök att skapa nya begreppssystem. Mot slutet av 30-talet ordnade man i Berlin en utställning med "ful" konst, mestadels modern, som man menade var sjuk och fel. Fascismen är sådan; efter en glänsande uppgångsperiod tappar den allt intresse för förnyelse och vill bara bevara sig själv. Kan ett samhälle som vårt, med företag som är så stora att regeringar måste lyda dem, acceptera att man för en sansad debatt om copyrigthtens vara eller inte vara? Eller kommer systemet med våld att underordna sig rätten att bestämma vad som är privat och allmän egendom utan några jobbiga demokratiska mellanled, genom lobbying och regeringsbeslut och utan någon debatt alls?

Mina kära läsare; jag antar att ni på er färd genom denna bok upptäckt hur nära informationssamhället vi är idag.

Det är min ärliga och uppriktiga övertygelse att ett sådant samhälle ettdera kommer att vara befriat från copyright och mjukvarupatent som vi känner dem idag, alternativt en informationsdiktatur styrd av antingen regeringar eller storföretag och maffior. Det är det samhället William Gibson varnar för med sina cyberpunkromaner. Låt oss se till att undvika det. Jag har ingen aning om hur denna förändring kommer att gå till eller vad resultatet kommer att bli, bara att det oundvikligen kommer att ske.

Cybernetiskt samhälle kontra Klassperspektiv - Maktens Mekanismer

Engelsmannen och sociologen Basil Bernstein118 skissade samhällets mekanismer ungefär såhär:

KLASS reproduceras genom KODNING i socikulturell resp produktiv sfar

I detta system kan vi se samhället delat i en produktionssfär och en sociokulturell reproduktionssfär. I produktionssfären (företag, organisationer, regering, riksdag och kommuner) skapas makten, den ekonomiska, politiska och massmediala inberäknad. Det tycks nästan alltid fungera likadant, med auktoriteter i toppen och hierarkier för att uppnå en vettig arbetsdelning. Den sociokulturella reproduktionssfären (delar av massmedia, nöjesindustri, skola) finns till för att berättiga och föra vidare mönstret för produktionssfären.

På botten av figuren hittar vi den springande punkten. Koden är vårt språk i alla dess former. Egentligen alla sociala symboler vi använder för informationsutbyte människor och samhälle emellan. Koden är ren information. Den är fundamentet för hela den överliggande hierarkin och samhällsordningen. Genom den språkliga koden förnyas och struktureras samhället ständigt på samma sätt. Det var därför Zen, Nietzsche och Burroughs kritiserade språket -- man kände sig underställda ett samhälls- och tankesystem som aldrig förändrades på något väsentligt plan. I språket finns så mycket. Språket har dessutom fler nivåer än det rent talade eller skrivna. Det finns bildspråk, musik och allehanda symboler att ta till. I princip kan alla instrument för informationstransport och lagring av information sägas utgöra denna kod.

Många tror att informationssamhället självklart kommer att generera samma ordning igen, bara för att det alltid har fungerat så innan. Det finns inget som helt belägg för att så skulle vara fallet. Snarare tvärt om. Informationssamhället tar genom sin natur upp det allmänna medvetandet om själva samhället på en nivå som blottlägger samhällets egna mekanismer. Vad som i själva verket sker är att samhällets byggstenar blir alltmer medvetna om sin roll i detta gigantiska informationssystem, vilket får till följd att de börjar sträva efter att förbättra det än mer. Samhällets utveckling kan därigenom accelereras ytterligare, precis som det alltid har gjort. (Hänger du med?)

Låt oss nu belysa med ett exempel. En aktuell kontrovers på Internet rör, som jag nämnde i kapitel 8 om cyberpunk, Scientologikyrkan och deras tvivelaktiga upphovsrätt till rörelsens religiösa dokument. Enligt de troende innehåller dokumenten material som beskriver kyrkans sk clearing-teknologi, en kvasivetenskap som kyrkans medlemmar måste genomgå omfattande och ytterst kostsamma kurser för att få tillgång till. Kyrkan menar att endast de som ingår i rörelsen har rätt till denna information. Lite förenklat kan man säga att clearingteknologi består av hypnos och science fiction.

Scientologikyrkan är en sekt, och som sådan ett samhälle i samhället. Den fyller alla funktioner som ett samhälle annars skall fylla gentemot en människa. Den förser henne med åsikter, moral, orientering för samhället osv. Den enda orsaken för en medlem i sekten att söka sig utanför sektens gränser är att förtjäna sitt eget uppehälle och därigenom nära även sekten. Sekter, och dit räknar jag även Plymothbröderna, Jehovas vittnen och Livets Ord, lever som parasiter på vårt samhällssystem. Detta är så gott som varenda klarsynt människa medveten om. Ett sätt att inse hur pass hermetiskt sluten en sekt är, är att applicera Basil Bernsteins modell ovan på en sekt. En läsare med något så när välutvecklad fantasi torde inte ha några större problem med detta.

Gör nu det tabubelagda experimentet. Tänk dig att samhället är en sekt, och att dina tankemönster är styrda. Tänk dig att copyright- och yttrandefrihetslagarna finns till för att begränsa ditt medvetande och upprätthålla samhällets hierarki, på samma sätt som ledningen inom en sekt härskar över medlemmarna. Tänk dig att vi trots all vår frihet kanske är förblindade av vanföreställningen att vårt samhälle är fritt! Medlemmarna i en sekt är fullständigt övertygade om att de gjort ett frivilligt val, och att de är fria människor. Alla sektmedlemmar är övertygade om att sektens sanning är den enda sanna, och att alla avfällingar är exempelvis satans verktyg. Antag att alla samhällsmedlemmar är övertygade om att samhällets sanning är den enda sanna, och att brottslingar, hackare och andra som bryter mot samhällets värderingar, bara utmålas som de onda människorna för att det passar samhället att det fungerar på det viset. Ingen sektledare tvingar av ren maktlystnad sina medlemmar till underkastelse och lydnad, de tror själva på vad de gör. Ingen politiker eller företagsledare tvingar av ren elakhet medborgarna till lydnad, de tror också på vad de gör. Förstår du Burroughs bättre?119

Skåda samhället och makten i vitögat. Varför är Scientologikyrkan en av de första makthavare som skriker på lag och ordning, och vill att informationen skall kontrolleras? Varför är samhället inte långt efter? Varför vill vi ha kontroll på vad för slags information som sprids i subkulturerna? Antag att det finns sanningar du aldrig drömt om utanför den del av universum som samhället utgör. Är det inte så, att bakom denna fasad av genomtrevligt samhälle, folkhem, döljer sig en makt som med snillrika mekanismer vill ersätta organisk sympati med mekanisk lydnad?

Och vad är då denna överliggande makt? Jag har redan visat det. Överliggande intelligenta individer, tänkande enheter bestående av människokomplex: Företag, Regeringar, Nationer, Kommuner, Ordnar, Koncerner, Maffior... De består av människor, men de tänker inte som människor. De är intelligenta, men intelligensen är inte en människas. De är nyttiga för oss, men de kan också göra oss skada. De är superindivider, individer uppbyggda av individer och sammanhållna av informationskontroll eller med ett annat ord: makt. Problemet är att vi människor tycks ha fruktansvärt svårt att se skogen för alla träd.

Alltför många myter frodas kring människan och hennes samhälle. Den kanske mest vidriga är det kategoriska imperativet att samhället skulle vara "fritt". Varje samhälle är grundat på ofrihet -- att du ger upp några av dina friheter för att istället få trygghet. Varje individ bör veta, att såvitt man inte tillämpar anarki, måste man livet igenom ständigt offra delar av sin frihet till överliggande individer. Dessa kan vara av alla de typer som jag just räknade upp och flera därtill. Den grundläggande skyldighet en superindivid har gentemot en individ är att informera individen om, att "nu tar jag lite av din frihet, och detta är vad du får i utbyte". Symbios, inte dominans. De mest avskyvärda av dessa superindivider är de som handlar i det fördolda, som med avsikt kontrollerar individer utanför deras vetskap. Ofta sammanfattade under begreppet "Illuminatimaffian", de lysande, de "goda" människorna, de invigdas skara.

Skåda en ny värld med öppna ögon. Bryt dig ur systemet. Först därefter kan du förstå vad du kan göra för samhället. (Glöm inte bort att fråga dig själv om inte jag i själva verket bara är en knäpp konspirationsteoretiker som försöker se mönster där det inte finns något. Den möjligheten finns ju alltid.)

FRAMTIDEN

Nu är den här boken snart slut, och jag skall som sig bör försöka göra en utblick mot vad vi kan vänta oss på den elektroniska fronten framöver. Vill man ha mardrömsvisioner kan man läsa min kommande framtidsroman som går under arbetsnamnet Digitala Dagar,120 men det är science fiction. Men det antyder lite grand vad det kommer att handla om -- det som följer är mina personliga förutsägelser, inga rena fakta. Allt jag skriver härifrån och framåt är spekulationer, och eftersom framtiden ständigt är i rörelse kan jag komma att ta avstånd från allt jag säger här.

Den elektroniska världen är faktiskt en helt ny värld, som vi populärt brukar kalla telerymd. Det är en plats där småskaliga samhällen av information hittills fått leva i en sorts organiserad anarki. Telerymden håller på att civiliseras i takt med att den byggs ut. Inom något decennium, kanske ännu tidigare, kommer alla i det här landet att ha tillgång till Internet och vara delaktiga i det elektroniska samhället, och precis som alla andra samhällen lider det av brottslighet och inbördes stridigheter.

Samtidigt finns hela tiden den mänskliga faktorn med. Telerymden är en rymd befolkad av människor, och överallt där det finns människor finns det politik och kultur. Som verktyg är datorn oslagbar; den kan konstruera och visualisera med en precision som inget annat instrument har. Den elektroniska konsten är inte något modeartat, utan något vi bara kommer att få mer och mer av. Framtidens musiker och bildkonstnärer kommer att gå ifrån traditionella metoder och jobba med virtuell verklighet och icke-existerande instrument. Motorik och rytmkänsla kommer inte att vara viktigt för att göra musik. Förmåga att blanda färg och hantera pennor och penslar kommer inte att vara viktigt för att göra konst. Det enda som kommer att behövas är fantasi och förmågan att hantera tekniken -- som bara blir enklare och enklare att använda. Konstnärer som bara arbetar med konstgjorda världar, sk spacemakers (rymdskapare), kommer i princip att kunna agera som gudar i den konstgjorda verkligheten -- på gott och ont. (Nietzsches påstående att gud är död är skräckinjagande påtagligt i virtuell verklighet.)

Kanske kommer de professionella konstnärerna att försvinna till förmån för en uppsjö amatörer till följd av teknikens allmänna utbredning.

I tidig datorkonst, typ demon, trakterades datorn närmast som ett musikinstrument. På samma sätt som en gitarrist hittar dolda egenskaper hos sitt instrument när han märker att man kan spela sk flageoletter, toner som uppstår tack vare fysiska egenskaper hos strängen, hittade tidiga datorkonstnärer dolda möjligheter i sina datorer. Det gällde i synnerhet C64 och Atari ST. Modern datorkonst handlar snarare om att begränsa sig -- i virtuell verklighet kan man göra allt; det vita papperets fasa. Det är lätt att ta i för mycket och bli fullkomligt obegriplig.

Som jag redan tidigare har sagt är den digitala världen bara en spegelbild av den "verkliga". Det enda som verkligen är främmande i telerymden är den plötsliga närheten till information och andra människor, och den enorma kulturella och samhällsliga evolutionshastighet denna närhet driver fram. Vi hatar den för den skarpa nidbild av oss själva som den återkastar likt en tivolispegel. Människans beteendemönster är bara ack så uppenbart inom ramarna för en dator. Snart är vårt samhälle så hoplänkat och komplext att det blir lika beroende av datorer som våra kroppar är beroende av blodomloppet. Och det finns (tyvärr?) absolut ingen väg tillbaka. Inte ens nu, idag, kan vi vända om. Sista chansen vi hade att styra samhället bort från datoriseringen var någon gång på 1950-talet. Det handlar inte om datorer eller inte -- det handlar om hur man använder datorer.

De nya kommunikationskanalerna kommer djupt att förändra åsiktsbildningen. Mer ansvar kommer att ligga på individen när det gäller att sortera information. Om ungdomar i Sverige plötsligt började visa ett stort intresse för någon suspekt tidning skulle säkert många reagera mycket starkt. Man skulle debattera tidningens åsikter offentligt.

Elektroniska publikationer har vi ingen som helst kontroll på. Ingen vet upplagesiffran, hur många kopior som har gjorts, och när man har läst tidningen raderar man den från datorns minne så att ingenting finns kvar -- förutom att man har fått nya idéer, tankar och åsikter. Det enda sättet att se vad en människa läser i elektronisk väg är egentligen genom att ständigt bevaka henne. Ansvaret för den kollektiva åsiktsbildningen kommer helt eller delvis att flyttas från samhället och de etablerade medierna till individen. Medierna kommer att få svårt att bevaka vilka intressegrupper som uppstår. Alla människor kommer att bli tvungna att tänka själva, vare sig de vill det eller inte.

Möjligheterna att ha en åsikt utan att behöva stå för den är påfallande. Om politiska diskussioner till allt större del börjar föras elektroniskt via Internet och BBS:er blir det i princip omöjligt att göra personangrepp på personer med avvikande åsikter eftersom varenda modernt konferenssystem innehåller möjligheten att vara anonym (agera under en pseudonym), vilket många också använder sig av. Retoriken i samhällsdebatten kommer alldeles säkert att förändras i enlighet med regel nr 3: Misstro auktoriteter. I förlängningen: misstro hela samhällshierarkin. Makt korrumperar alltid; den fjärde statsmakten -- media -- är inget undantag.

Historieskrivningen kommer inte att vara lika geografisk som tidigare. Man kommer inte att kunna säga att "den idén uppstod i Chicago, Amerika runt 1997". Kanske inte ens vilka personer som var inblandade. Idéer och samhällsperspektiv får global spridning på nolltid. Möjligen knyter man som idag idéerna till en individ som stått i centrum, en arkitekt, en entreprenör.

Åsikter, ideologier och innovationer av allehanda slag kommer att skapas i datanätverkens diskussionsgrupper, de öppna eller de slutna, de man får söka sig till med ljus och lykta och ett uttalat mål, och de kommer att skapas globalt och av människor som har helt olika förutsättningar. Några kommer att vara direktörer, några tjuvar, några 70-åringar och några 14-åringar. Huvudsaken är att man kan tala för sig. Ingen bryr sig om hur du ser ut, varifrån du kommer eller hur du klär dig. Man kommer kanske att skilja på idéer som uppstått i telerymd och de som inte gjort det. Debatter kommer att föras mellan de som är intresserade och själva söker sig till diskussionen, och inte mellan proffstyckare. Distansen mellan debattörer blir enbart intellektuell.

Den samhällsliga självcensuren, som innebär att tidningar som exempelvis förespråkar användningen av droger inte får presstöd och konsekvent motarbetas, finns inte i nätverken. Istället ligger det på individen att avgöra vad som är rätt och fel. Istället för att gömma sig bakom en ansvarig utgivare måste man själv stå för det man skriver. Den här tendensen har vi lagt märke till i dagspressen där det snarare har blivit regel än undantag att signera artiklar. Hela världen kommer att bli som Flashback.

Att sätta en interaktiv terminal i händerna på en vanlig människa innebär avsevärda förändingar. Först är det inte så spännande. Man upptäcker Internet i form av World Wide Web, vilket inte är så mycket mer engagerande än ett bibliotek eller ett TV-program. Det är enkelriktad information till individen som man inte så lätt kan påverka. Idag är det de stora företagen och institutionerna som kontrollerar stora delar av World Wide Web, även om det finns lysande undantag. Det är inte helt förvånande att det lilla material som inte är kommersiellt har framställts av antingen myndigheter eller hackare.

Men sedan upptäcker man förhoppningsvis Usenet, eller en maillista, där man kan diskutera alla ämnen mellan himmel och jord utan att bli matad med en färdig lösning av experter. Man upptäcker kanske IRC där man kan diskutera med andra människor i realtid, dvs man får svar omgående från någon som kanske befinner sig på en helt annan plats i världen. Och då märker man att man har många jämlikar, ja att man rent av är expert på många områden och att ens kunskaper är värdefulla. Då händer det saker i stugorna. Svenskarna förvandlas från passiva konsumenter till interaktiva världsmedborgare, och det är det som är den verkliga digitala revolutionen. Om inga marknadskrafter (läs: Telia, Microsoft etc) lyckas stoppa, kommersiallisera eller skyla över den dessförinnan, gömma debatten under feta reklambanners och självpromoterande portaler.

Det är nämligen så, att den här planeten vi bor på, Rymdskeppet Jorden, börjar bli så internationaliserad att alla människor ombord börjar utveckla vissa gemensamma värderingar. Det går knackigt och tar emot, men det pågår för fullt. Informationsteknik, framför allt tvåväga sådan, kommer att bli den absolut viktigaste länken till ett samhälle som kan stå enat i Sverige och Australien såväl som i Japan och på Madagaskar. Detta fordrar kommunikationer bortom monopolen och frihet åt informationen. Jag är övertygad om att vi kommer att hitta någon kompromiss.

För några år sedan var det många politiker och science fiction författare som varnade för risken att informationsteknik skulle användas för att kontrollera människor överallt. (Exempel som togs upp var Ira Levins En Vacker Dag, Karin Boyes Kallocain eller George Orwells 1984.) Det är detta som organisationer som EFF vill förhindra till varje pris. Krypteringsprogrammet PGP har kommit till för att förhindra just sådant, och det bör ses som en samhällslig välgärning att så skett. Krypteringsexperten Zimmerman kanske rent av har förtjänat Nobels fredspris för sitt skydd för den "sunda olydnaden".

När jag var ung hade jag en dagbok med ett litet hänglås på. Det är det för övrigt många vuxna som har också. Nu behöver jag inget hänglås på datorn, det räcker med kryptering. Det är ändå mycket säkrare än något hänglås när det gäller att skydda information.

Problemet är att t ex brottsutredare mycket väl kan anse att dagböcker bör tillhöra utredningsmaterialet. Det tycker inte jag. Mina tankar tillhör bara mig, och jag tänker inte lämna ut dem till någon. Viljan att läsa andras dagböcker är som jag ser det bara ett steg på vägen mot att vilja läsa andras tankar. Dagböcker är en förbättring av det egna minnet, en förlängning av intellektet. Vart finns egentligen människan? I kroppen eller i dagboken eller i båda? En del dagboksskrivande människor upptäcker detaljer i sitt förflutna som deras hjärnor glömt... "Mina handlingar sker i min kropp, men delar av mitt minne står i bokhyllan." Jodå, visst är vi informationsbehandlande individer alla gånger. Och informationsteknik är så många gånger bättre på att lagra och bearbeta information än någonsin ett bibliotek.

Vill du kunna skriva helt utan insikt från maffia, myndigheter och familj så bör du använda kryptering. Möjligheten att kunna upprätthålla en "brandvägg" mot auktoriteters insyn är grundläggande för all demokrati. PGP lägger i ett svep mänsklighetens samlade matematiska vetenskap mellan dig och de överliggande makterna. Zimmermans krypto fungerar dessutom så att du förutom att skydda dina privata dokument även kan upprätta "avlyssningssäkra" kommunikationskanaler. (Jag skulle kanske kalla dem avläsningssäkra eftersom det än så länge rör sig om elektronisk post.121 )

Krypteringen är en realitet, och jag föreslår var och en som vill ha lite personlig frihet att använda sig av den. Jag skall inte sticka under stolen med att en väl tillämpad kryptering innebär att det blir fullkomligt omöjligt att stoppa nazistisk propaganda, barnpornografi, våldsfilmer och att den till viss del kan skydda brottssyndikat. Jag är själv mycket kluven till detta, men anser ytterst att det är värt priset att skydda människans privatliv från kontrollåtgärder från såväl myndigheter som företag och andra organisationer. För övrigt finns det redan krypton ute i stugorna. Själv fick jag min kopia av PGP från en CD-skiva som följde med tidningen Mikrodatorn och som finns på varenda välsorterat bibliotek. Ingen myndighet i världen har idag möjlighet att med tillgänglig teknik dechiffrera information som krypterats med detta program. Prometheus har redan stulit elden från gudarna, och ingen kan kalla den tillbaka.

Det är med spänning jag iakttar samhällets förändring: krypteringen kan kanske slutgiltigt ta död på den Novalucol-politik som det innebär att, t ex i fallet barnpornografi, bekämpa symptomen istället för sjukdomen. För alla måste väl erkänna att det inte är porren i sig som är problemet, utan snarare att det finns en efterfrågan. Detta är dessväre ett mera svårlöst problem...

Det skulle verkligen förvåna mig om det inte när som helst dök upp en ny förbudsdebatt i våra präktiga svenska medier. En debatt av samma typs som fördes 1980 och som orsakades av att Kulturarbetarnas socialdemokratiska förening ville förbjuda parabolantenner för att förhindra att svenska medborgare tittade på olämpliga TV-program. (Vilket i efterhand ter sig ganska absurt.) Givetvis -- angrip tekniken, det kan ju inte vara fel på människorna.

Debatten kommer självklart att orsakas av något som upprör det svenska folkhemmet: droger, pornografi, politiska- eller religiösa extremister. Allt detta finns idag tillgängligt på Internet, mestadels i skriftlig form eller bilder. I morgon finns det där som ljud och rörlig film. I framtiden kanske också i form av virtuell verklighet. Den Amerikanska kongressen har försökt förbjuda effektiva krypton, och EU har utfärdat direktiv i riktningar som pekar mot att man vill förbjuda oknäckbar kryptering. Givetvis kommer det inte att bli något av med vare sig det ena eller det andra, i alla fall inget som kommer att respekteras mer än förbud mot att t ex cykla i bredd. Den mänskliga naturen har en förmåga att sätta sig upp mot varje form av tankekontroll. (Eller skall vi kalla det informationskontroll?)

Om folk har något som helst vett i huvudet (vilket de har) kommer de också att inse att det är internationella problem vi har att göra med. Det svenska folkhemmet är i upplösning och nu tränger sig omvärldens problem på från alla håll. Någonstans kommer vi kanske att inse behovet av ännu mer internationellt samarbete, och det är självklart lika svårt att hålla internationella problem utanför EU som att hålla dem utanför Sverige. Informationssamhället strävar mot globalisering av egen kraft. Allt detta tack vare några hackare som utvecklade ARPAnet som sedan blev Internet, och som sedan knöt ihop hela världen på gott och ont. Förändingarna har bara börjat. Det är utan tvekan det vackraste hack som någonsin presterats. Högskolehackarna hackade ned barriärerna mellan högskolorna, sedan mellan länderna, mellan ekonomiska intressen -- ja, mellan människor. Kanske är jag en smula överdramatisk, men ni förstår ju vad jag menar.

Ravekultur och elektronisk populärmusik är ingen dagslända -- vi kommer att få mer och mer av den varan, vi kommer att få fler genrer och utbilda proffessionella musiker som aldrig spelat annat än technomusik, även på statliga skolor. Glädjen och vitaliteten i ravekulturens futuristiska shower ger mersmak och framtidstro. Med lite tur kommer ravekulturen att bli för dagens ungdomar vad 60-talsrocken var för fyrtiotaliserna; en symbol för uppror, egen identitet och nytänkande. Och till skillnad från den dystopiska cyberpunken och många andra moderna trender är den glad och optimistisk, inte tillbakasträvande eller domedagsbetonad. Detsamma gäller andra elektroniska kulturformer, såväl elektronisk film som multimedia och online-kultur.

Den absolut största demokratifaran i den nya teknologin finns i risken att inte alla har tillgång till den. I USA har snart varenda välbärgad medelklassfamilj en dator, och kanske också ett modem. I ghettona och industriförorterna är det en dröm. I Sverige, där klassklyftorna inte är lika markanta som i staterna, finns det en uppenbar risk för att klyftorna ökar om inte alla har tillgång till tekniken. Annars kommer informationen bara att vara tillgänglig för de som har råd. Kom ihåg hackarregel nr 2: All information borde vara fri. Internet och allmänna datorer på alla bibliotek och skolor runt om i Sverige, även lågstadie- och folkhögskolor, är en självklarhet. En egen dator till varje elev är klart önskvärt. Statliga subventioner på datautrustning kan mycket väl diskuteras.

Jag är fullt medveten om att jag här uttrycker politiska åsikter, och jag ställer mig i direkt opposition till de som anser att teknik, priviligierade jobb etc skall vara förbehållet gräddan. Hackare som bara är ute efter att glänsa och skiter i alla andra är inte heller de något jag ser upp till. Efter politisk och ekonomisk demokrati står vi nu inför informationsdemokrati. Information åt folket, kanske. Det är min förhoppning att informationsteknologin skall få lägga grunden för ett än mer demokratiskt samhälle än vi har idag.

Man bör tänka sig för innan man dömer en hackare. En hackare är generellt en medelklassungdom som med hjälp av datateknik skaffat sig möjligheter som bara de rikaste överklassbarn kan gotta sig i, och det genom att helt enkelt gå ut och ta för sig. Är det inte egentligen vad hela vårt moderna klassamhälles spelregler går ut på -- att vissa priviligierade skall kunna ta för sig, medan de mindre priviligierade skall få långa straff om de försöker sno åt sig av godsakerna?

Att rakt av påstå att hackare, phreakare, virusmakare eller knäckare skulle vara samhällets fiender är skitsnack. Det är bara frågan om att peka på ytliga faktorer och åberopa auktoriteter. Att säga att en phreakare som tar lite telefontid i en fiberkabel för att snacka med sina kompisar i USA skulle vara tjuv för att lagen säger det, är att lita 100% på de som skrivit lagen. Det är att reducera problemet till lagtext. En vansinnesförenkling. Alla lagar är ständigt i rörelse, det är faktiskt så det fungerar. Du är en av de som är skyldiga att ändra på lagen om du inser att den är felaktig.

Är inte hackarens brott egentligen det att han utmanar värderingar och maktstrukturer som vill fördela inflytande och tillgångar ojämlikt? Visserligen bara för sin egen skull till att börja med, men ändå. Hackarens verkliga brott är kanske att han/hon har "knäckt" den mänskliga mjukvaran, de sociala förhållningsregler som vi programmerats med sedan födseln.

Och högskolehackarna -- utan dem skulle vi inte haft någonting av den datateknik vi har idag. Alla nya idéer som varit något att komma med har producerats på MIT, Stanford eller Berkeley, av ungdomar som jobbat begeistrat för minimala löner och under osäkra anställningsvillkor. Och de flesta av dessa har inte tjänat en krona i profit på sina uppfinningar. Istället har IBM, Microsoft och alla de andra jättarna kammat hem den stora vinsten. Och det är de inte alls förbannade över! De tycker att tekniken -- informationen -- skall tillhöra alla. De hade aldrig några kommersiella intressen. De tyckte det var roligt!

På flipperspelen hos den autonoma anarkist- och raveklubben Wapiti i Lund dyker texten OBEY AUTHORITY ironiskt upp i de kitschiga lysdiodsfönstren. Människan har tagit kontroll över maskinen.

EN CYBERNETISK UTOPI

I en extropikers ideologiska utopi kan man skönja ett decentraliserat samhälle med perfekt teknik för återgivning av virtuell verklighet, där egentligen bara tekniken och kommunikationen, rättsmaskineriet samt produktionen av mat behöver regleras statligt. (Allt annat kan ju syntetiseras i den konstgjorda verkligheten.)

Vad individen ägnar sig åt i sin konstgjorda verklighet -- en slags elektroniska sanndrömmar -- skall stå bortom all statlig kontroll. Perversioner och aggressioner kan levas ut utan fara för andra människor. Därmed menar man att människan skulle bli en mer harmonisk varelse med ett psyke befriat från samhällets förtryckande normer och hitta tillbaka till de verkliga värderingarna. (Vilka nu de kan vara.) Det handlar om att koppla bort individens medvetande från det kollektiva medvetandet -- på ont och gott.

I en sådan cyberutopi har den verkliga verkligheten och naturen förlorat sin betydelse, i och med att man kan uppleva en konstgjord som är mycket bättre.

I en cyberutopi drivs människorna av gruppgemenskapen att utforska världen. Små intressegrupper kan forska på sitt område och kommunicera över nätverken. Alla tråkiga och monotona jobb utförs av datorer och robotar. "Människan skall ägna sig åt kärlek, vetenskap och konst", för att citera en känd svensk rockgrupp.122

I en cyberutopi kan man träffa alla människor i världen och fortfarande stanna hemma rent fysiskt. Mänskligheten är bara en knapptryckning från dig.

Utopin har givetvis (som alla andra utopier) uppenbara brister, men sådan är den. (Själv tycker jag att den är vedervärdig.) Till exempel kan man fråga sig om det är rätt att låta t ex pedofiler leva ut sina drömmar i virtuell verklighet. Det uppstår i ett sådant samhälle helt nya politiska problem: är det egentligen människors handlingar vi vill lagstifta mot, eller är det -- hemska tanke -- i själva verket deras tankar vi vill förbjuda?

Cyberpunkarna vill att du skall få tänka och leva ut vad du vill utan att skada någon annan människa, och tekniken ger oss kanske möjligheten till det, men vill vi verkligen att alla ska få leva ut sina fantasier, även om det inte skadar någon? Flera filosofer har påvisat vilken risk det innebär att leva i ett samhälle utan fasta normer. Är förtrycket av tanken nödvändigt för att skydda människan? Kan tekniken hjälpa oss att hitta de funktioner som binder samman våra enskilda medvetanden med det kollektiva genom att ge oss möjligheten att "koppla ur"? Kan dagens förvirrade människor med hjälp av tekniken hitta sin plats i samhället?

Människor som tycker om monotona arbeten, som tycker att intellektuellt arbete är tråkigt, eller som helst vill ägna sig åt t ex jakt eller idrott, har ingen plats i ett alltmer cybernetiskt samhälle. Å andra sidan -- om man har vuxit upp i ett sådant samhälle -- vad är det i så fall som säger att man värdesätter sådana trivialiteter? Mycket i vårt samhälle av idag skulle tett sig omänskligt och vidrigt för en 1700--talsmänniska.

Och den artificiella intelligensen som måste finnas för att skapa denna delvis konstgjorda värld vi redan lever i -- har den några rättigheter? Har vi verkligen rätt att använda artificiella intelligenser som slavar så som vi idag genom sociala hierarkier låter andra arbeta för oss? Maskinerna är faktiskt redan idag en del av vårt kollektiva medvetande i det jag kallar superindividerna -- maskinerna är redan med och tänker. Det är dessa nya etiska frågor som informationsåldern fokuserar och tvingar oss att ta ställning till.

Om informationsrevolutionen och cyberpunken skrämmer dig, måste jag tyvärr avslöja att den inte är så lätt att stoppa. Vad du kan göra är att lära dig mer och hjälpa till att styra samhällets utveckling dit du vill ha den. Är du passiv låter du alla andra bestämma. Börja med att förstå så du vet vad du kritiserar, först därefter kan du påverka. Förebråelser och hot har mycket litet inflytande på min generation. Om någon gnäller för mycket byter vi bara kanal. (Zap!) Tro inte för den skull att vi är ointresserade av dina åsikter. Vi lyssnar -- om du vet vad du pratar om. Litteraturförteckningen i slutet på denna bok är en bra början för den som vill veta mer.

Något som radikalt skiljer informationsrevolutionen från den industriella revolutionen är att många har varit förberedda och haft tid att sätta sig in i hur tekniken fungerar. Samhällets utveckling ifrågasätts i breda lager och överlämnas inte åt politiker och stora företag. Folk i allmänhet och ungdomar i synnerhet ifrågasätter. Hackare, cyberpunkare, ravare och andra ifrågasätter mest -- man vill vara med och påverka sin framtid och vägrar att passivt inordna sig i mönstret. De har optimism och framtidstro, och de springer framtiden till mötes. Denna ungdomsrörelse kallas ibland New Edge. Dessa barn av informationsåldern ser inte bara hot, utan också möjligheter.

Jag är ingen domedagsprofet, och detta är ingen svart bok. Klok som jag är har jag sparat den allra viktigaste poängen med informationssamhället till sist.

Det har varit mycket gnäll på senaste tiden. Många nutidsfilosofer har menat att människan låst in sig i en utvecklingsspiral där konsumtionen ständigt måste öka tills människan inte kan konsumera mer. Detta är förmodligen sant. Visst kommer vi att konsumera mer. Vidare menar man att detta kommer att leda till miljöförstöring och global segregering som kommer att utplåna hela mänskligheten. Detta är däremot förmodligen inte sant.

Det är inte sant därför att de som talar i dessa pessimistiska ordalag har varit oförmögna att notera en mycket viktig detalj i sin samtid: informationssamhällets intåg. Mera exakt uttryckt är det fel man har gjort, att förutsätta att en ständigt ökande konsumtion med nödvändighet måste innebära ett ökat förbrukande av naturresurser. I informationssamhället existerar inget sådant samband. (Jag bör tillägga att jag kanske är en smula överoptimistisk beträffande sambanden mellan informationssamhälle och miljöhänsyn, miljöproblemen försvinner inte, men den fortgående förstöringen minskar.)

Samma dag som jag skriver detta har Microsofts nya operativsystem Windows 95 lanserats med pompa och ståt på Globen i Stockholm. Jag har tidigare i boken uttryckt min negativa inställning till nämnda företag. Ändå är det mycket glädjande för mig att se nationella nyhetsprogram rapportera om denna massiva marknadsföring av en produkt som för tio år sedan ingen skulle kunna föreställa sig att sälja via galor i Globen och TV-reklam. Det hade varit direkt skrattretande. Windows 95 är en mjukvara, en ren informationsprodukt. Du får i och för sig ett gäng disketter och en bok när du köper programmet, men det är inte detta som är själva produkten. Det går alldeles utmärkt att köpa Windows 95 utan både böckerna och disketterna om man köper en ny dator där programmet kan installeras på datorns hårddisk.

Man säljer alltså en produkt som jämfört med t ex en bil nästan inte kostat några naturresurser alls att framställa, trots att den de facto kostat tusentals timmar arbetstid att utveckla, och kommer att kosta miljardtals timmar att konsumera. När jag sätter mig ned med min programvara här hemma, brottas med den, skapar med den och försöker få den att lyda mig -- under den tiden åker jag inte bil. Jag konsumerar inget annat heller utom möjligen kaffe. Jag käkar inte chips, för jag vill inte att datorn skall bli flottig. Jag köper inte en massa meningslösa prylar från TV-shop som jag sedan måste kasta bort. Jag konsumerar över huvud taget inget annat än ren information. Inte ens en bok är mera miljövänlig. Samma fenomen gäller i stora delar resten av informationssamhället -- TV: elektroniskt överförd produkt med låga anspråk på naturresurser, Multimedia: också främst en ren informationsprodukt, Telefoni: en elektrisk signal från ett ställe till ett annat. Med virtuell verklighet kan vi till och med konsumera allt vi är vana vid, åka fyrhjulig jeep i skogen och dessutom köra rymdskepp, utan att slita nämnvärt på naturen. Det finns hopp. Det finns hopp så inuta helvete, även om det är förenat med helt nya faror.

Man kan se att många av den nya tidens produkter fyller konstruerade behov. Det är frågan om vi någonsin behövde ett operativsystem som Windows 95. Förmodligen inte. Om ett par år behöver vi det dock. Detta är egentligen inte så intressant -- fler behov än vi anar är i grunden konstruerade. Det är liksom en förutsättning för en marknadsekonomi. Tanken svindlar en smula när man föreställer sig säkerhetsföretag som anställer en stab hackare för att förse kunderna med säkerhetssystem, och samtidigt nattetid ser till att samma hackare "upprätthåller marknadsbilden". Eller virushackare som halva arbetstiden skapar verktyg för att utplåna virus, och andra halvan av arbetstiden skapar nya virus för att skapa en marknad åt verktygen. Skulle inte du? Jodå. Det skulle du. Än sen? Hjulen snurrar på, BNP ökar, alla blir glada. På samma vis har vi skapat ett beroende av brottsliga verksamheter, pappersexercis osv till förbannelse i det här sammhället. Det finns flera sådana processer som bara berättigar sig själva. Spelar det någon roll? Nej. Antagligen inte. Det beror på om man tror att mänskligheten har ett "mål" eller inte: om det finns något som vi bör sträva mot. Men det är filosofi.

Vi har gått från materiell byteshandel med varor mot varor, till en ekonomi där vi byter varor mot pengar och pengar mot varor. Nu går vi till infonomi och byter information mot information utan materiella mellanled. Den fara som alltjämt lurar bakom kulisserna i vårt system är en längtan efter makt, hos individer på alla nivåer: företag, myndigheter och organisationer. Det är makten över dig man är ute efter. Se till att du inte lämnar ifrån dig din frihet utan att först veta vad du får istället.

Jag har kommit till den lätt chockerande insikten att de mekanismer som jag tidigare urskiljde som superindivider, alltså överordnade intelligenser, inte har något behov av att producera materiella produkter eller artifakter för att kontrollera andra intelligenser. Istället kan de nöja sig med symboliska informationsutbyten, stycken av information som förmedlas genom kablar. Varje sådan superindivid kännetecknas av att den upprättar interna informationsstycken, hemliga dokument, som förmedlas inom individen utanför allmänhetens och andra superindividers kontroll. Det är därför företag, stater och andra organisationer är så livrädda för att någon annan skall läsa deras hemligheter, oavsett om de är värdefulla eller ej. Med informationstekniken ökar möjligheten till sådana hemliga strukturer hundrafalt, och informationutbytet, superindividens tankar, dess intelligens, ökar snart till ljusets hastighet. Jag har också upptäckt att de informationsbehandlande maskinerna är en del av dessa superindivider, inte något bihang till människan för att underlätta hennes arbete. Här någonstans måste du börja tänka själv.

Om du nu har läst den här boken på en dator, utan att först trycka ut den på papper, har du också faktiskt konsumerat. Eller har du det? Måste jag ta betalt för boken innan det kan kallas konsumtion? Jag lämnar frågan öppen.

Jag har säkerligen inte tjänat ett öre på att du har läst den här boken, men jag har kanske uträttat något annat som inte kan värderas i pengar -- kanske har jag lärt dig att ifrågasätta maktens mekanismer.

Låt mig avsluta med ett tidlöst citat från en man som tillhörde sin generations spjutspets:

"Come mothers and fathers throughout the land
and don't criticize what ya can't understand
your sons and your daughters are beyond your command
your old road is rapidly ageing
please get out of the new one if ya can't lend your hand
for the times they are a-changin' "

Bob Dylan, september 1963

Vi är alla delaktiga i det oundvikliga.

Linus Walleij, Lund 1995-09-05
Binärskulptör, ofarlig hobbyhackare.

Tack till: Biblioteken i Ljungby och Svalöv samt universitetsbiblioteken i Lund och Linköping, Microbus i Ljungby AB, Gunnar Kålbäck, Christian Lüddeckens, Motley, Tranziie, Mikael Jägerbrand, Ulf Härnhammar (Sunt pueri pueri, pueri puerilia tractant), Marie Fredriksson, Christer Sturmark, Hans Roos, Erica Larsson, Daniel Hellsson, Jucke, Chorus, Stellan Andersson, Anders Hellquist, Anders R Olsson, Jesper Jansson, David Malmborg, Daniel Näslund, Mikael Winterkvist, Per Jacobsson, Fredrik Schön och alla medlemmar i hackargrupperna Triad och Fairlight utan vars hjälp detta inte hade varit möjligt. Nu skall jag sätta mig ned och skriva färdigt min cyberpunkroman. Kanske.

Om ni undrar varför jag använder vissa suspekta svenska uttryck som hackare och phreakare istället för hacker och phreaker eller pluralformer som diskjockeyer så beror det på att jag är rädd om vårt språk och dess särart. I och för sig är jag ingen rabiat språkvårdare, men det skadar inte att försöka. Jag har försökt översätta citat och engelska uttryck så långt som möjligt, eftersom jag inte vill att språket på något vis skall hindra någon från att läsa den här boken.

För övrigt vägrar jag berätta om citatet av Dylan ovan var menat som ironi eller allvar.

Litteratur

Vetenskaplig litteratur tenderar att bestå av till 70% korshänvisningar till andra verk och författare, vilket gör det hela ganska svårläst och träigt för en oinitierad läsare. Detta är ingen vetenskaplig text. Möjligen är den populärvetenskaplig. Huvuddelen av den här texten är dessutom skriven rakt av, med utgångspunkt från mina egna erfarenheter och kunskaper. För den som vill läsa mer anger jag gärna några böcker, tidskrifter och dylikt som jag använt som faktabakgrund till den här boken.

Barlow, John Perry
Selling Wine Without Bottles

En artikel publicerad i Wired om information och "intellektuell egendom". Så initierad och genomtänkt att jag refererat till den som ett "paradigm".

Burroughs, William Seward
Den Nakna Lunchen

Burroughs genombrottsroman, dessvärre inte lika tydlig i sin samhällskritik som den efterföljande Nova Express. Räknas som en milstolpe inom den litterära cut-up tekniken.

Burroughs, William Seward
Nova Express
Bonniers, Stockholm 1968

Rädde sig den som kan! Novamaffian har skickat ut agenter till jorden som med hjälp av bl a språk, droger och sex försöker förslava människornas tankemönster. Som tur är har Novapolisen skickat ut kontraagenter, bland dem Burroughs själv, för att stoppa invasionen. I denna cut-up science fiction vidareutvecklar Burroughs idéerna från Den Nakna Lunchen till ett astronomiskt perspektiv. Genom att förse läsaren med en välgjuten paranoia får han denne att ifrågasätta verkligheten omkring sig. Man anar också en slags ironisk humor någonstans i botten på romanen.

Cornwall, Hugo
Datatheft
Heinemann Professional Publishing Ltd, England 1987
ISBN 0-7493-0217-8

En av de mest detaljerade böcker som någonsin skrivits om datasäkerhet. Cornwall tar här upp vanliga säkerhetsbrister i datorer och datasäkerhet i ett allmänt och brett perspektiv. Hackare nämns bara på några få sidor, och boken är tung och ganska strikt vetenskaplig.

Cornwall, Hugo
Hacker's Handbook III

Detta är en handbok för nätverkshackare. Ingen har blivit hackare genom att läsa den här boken, men den är trots allt ganska intressant, och en given storsäljare bland folk som tycker att det här med nätverkshackare är något av det tuffaste som finns (dvs "wannabes"). Titeln verkar ju lite "förbjuden" också. Men det är en välskriven bok som pekar på de vanligaste säkerhetshålen i vissa datasystem.

Datormagazin
Årgångarna 1986-94

Dick, Philip K
Androidens Drömmar

Forrester, Tom & Morrison, Perry
Computer Ethics
Basil Blackwell Ltd, England 1990
ISBN 0-631-17242-4

En av de mest intressanta böcker som har skrivits om datorer och datasamhället. Många exempel är dock anpassade för engelska förhållanden och helt ointressanta för svenska läsare. De rent etiska frågorna kring hackande, artificiell intelligens, dataregister osv, är däremot fascinerande välgjorda.

Freese, Jan och Holmberg, Sten
Dataosäkerhet - praktisk handbok för beslutsfattare
Affärsinformation, edition no 3, 1993

Gibson, William
Neuromancer
Harper Collins Science Fiction & Fantasy 1993
ISBN 0-586-06645-4

Skall man läsa någon cyberpunkbok alls, så skall man läsa den här. Boken är en klassiker och finns också översatt till svenska. Den definierar det litterära begreppet cyberpunk.

Green, Jesper 69 & Johansson, Sune
Cyberworld
Alfabeta Bokförlag AB 1994
ISBN 91-7712-389-1

Den här boken blev sågad av många tidningar när den kom. Till viss del förtjänade den det, till viss del inte. Alla exempel i boken är dragna utifrån danska förhållanden vilket gör att man kan tycka att den ibland blir ointressant. Däremot är cyberpunkförfattaren Jesper 69 Greens fantasteri och helprilliga, galopperande fantasier om framtiden något som man inte bör missa. Den danske nätverkshackaren Netrunner och kraftwerkmedlemmen Ralf Hütter citeras livligt, vilket lyfter boken.

Hafner, Katie & Markoff, John
Cyberpunk - Outlaws and Hackers on the Computer Frontier
Corgi Books, England 1994
ISBN 0-552-13963-7

Den här boken innehåller biografier över de mest kända nätverkshackarna: Kevin Mitnick, Pengo och Robert Tappan Morris. Den är skriven på typiskt amerikanskt manér med mycket ovidkommande detaljer och har den fördelen att den är relativt lättläst. Man får en god inblick i en hackares liv och sätt att tänka.

Harry, M
The Computer Underground
Loompanics Unlimited, Port Townsend 1985
ISBN 0-915179-31-8

En av de första böcker som skrevs om den underjordiska datorkulturen. Loompanics är för övrigt ett sådant där förlag som ger ut lite allt möjligt och inte censurerar böcker för att innehållet är politiskt inkorrekt. Bland annat har man en stor uppsättning av Timothy Learys böcker.

Hofstadter, Douglas R:
Gödel, Escher, Bach - ett Evigt Gyllene Band
Brombergs Bokförlag AB, Stockholm 1985
ISBN 91-7608-331-4

Odödlig klassiker och kultbok bland alla som studerar datavetenskap. En tjock och svår bok som förklarar varför matematik är roligt, och varför intelligensens innersta väsen kan fångas i en maskin. Och till råga på allt är den skriven med en god portion distans och humor, med enkla och lättbegripliga exempel. De som nyss har läst den här boken brukar tala nästan religiöst för den.

Illegal (redaktör: Jeff Smart)
#22 - #37
Tyskland 1987-1989

Förmodligen det enda europeiska knäckarfanzine som någonsin varit av betydelse. Det var från det här fanzinet som knäckarkulturen spred sig över Europa, främst Tyskland, och ut över resten av världen, och kanske till viss del för första gången definierade begreppet "elit" bland europeiska hemdatorentusiaster.

In Medias Res (redaktör: Zike)
#1
Eskilstuna 1992

Ett sådant där litet förbluffande välgjort och genomarbetat fanzine som många refererar till men som inte tillverkats i särskilt många exemplar. Och inte finns det på riksarkivet heller. Men det finns hemma hos mig...

Kuhn, Thomas S
The Structure of Scientific Revolutions
Phoenix Books, Amerika 1962

Kurzweil, Raymond
The Age of Intelligent Machines

Detta är en antologi av tankar kring artificiell intelligens. Om du vill lära dig vad artificiell intelligens är för något, dryfta samhällsliga och filosofiska problem, så skall du läsa den här boken. Vill du veta hur artificiell intelligens fungerar, läs istället Gödel, Escher, Bach - ett evigt gyllene band av Douglas Hofstader (se ovan). Hofstadter och Sherry Turkle medverkar för övrigt som gästskribenter i denna bok.

Landreth, Bill
Datorernas Häxmästare
Liber förlag, Kristiansstad 1985
ISBN 91-38-61625-4

På engelska heter den här boken Out of the Inner Circle och räknas som en klassiker bland nätverkshackare. Den är skriven av en avhoppare från hackargruppen the Inner Circle, och är ganska hyfsad. Det verkar inte vara många som har läst den på svenska, och upplagan var inte heller särskilt stor. 1985 var det inte så många som var intresserade av hackare. Boken måste sägas ha tappat lite av sin aktualitet.

Larsson, Sara
Techno - musiken, dansen och scenen
Tiden / Rabénförlagen, Stockholm 1997
ISBN 91-88876-24-1

Leary, Timothy
Flashbacks - A Personal and Cultural History of an Era
Tarcher / Putnam Books, New York 1990
ISBN 0-87477-497-7

Berättar stora delar av 60-talets hippiehistoria som senare bespottats och mörklagts. Leary var ganska tillfreds med livet och samhället när han skrev denna självbiografi, och man får intrycket av att han är en obotlig optimist. Han är bevandrad i konsterna och beläst... Uppenbarligen en livsfarlig fiende för sina motståndare. Leary dog 1996 och cyniskt nog är de LSD-experiment vid Harvard som inledde hans antikarriär numera återupptagna.

Levy, Steven
Hackers - Heroes of the Computer Revolution
Penguin books, England 1994 (originaltryck 1984)
ISBN 0-14-023269-9

Det här är den bästa bok som någonsin skrivits om hackare. Fick jag välja en bok som skulle översättas till svenska, skulle jag välja den här. Den behandlar de första hackarna på MIT på 60-talet, hemdatorkonstruktörerna kring Altair och spelprogrammerarna kring företaget Sierra On-Line. De två första delarna av boken är de mest intressanta. Läs den, om du kan engelska.

Ledell, Göran (red)
Dataolyckor -- Har det verkligen hänt någon gång?
INFOSEC, Lund 1992
ISBN 91-86656-51-1

Linzmayer, Owen W
Apple Confidential
No Starch Press, San Francisco, Kalifornien 1999
ISBN 1-886411-28-X

Bok om Apple och alla turerna kring företaget.

Lööw, Heléne
Nazismen i Sverige 1980-1997
Ordfront förlag, Stockholm 1998
ISBN 91-7324-595-X

Standardverk rörande nynazismen i Sverige under den aktuella perioden.

Nedmark, Cia och Hällqvist, Anna
Databrott
Institutionen för informativ vid Lunds Universitet
Kandidatuppsats januari 1999

En riktigt hyfsad kandidatuppsats som tar upp flera av de hacktekniker som använts under senare delen av 90--talet. För den som vill förstå ännu mer av tekniken bakom hackning som den ser ut 1999 är detta en bra plats att börja på.

Nietzsche, Friedrich
Sålunda Talade Zarathustra
Carlsson Bokförlag, Malmö 1989
ISBN 91-7798-244-4

Det kräver ett visst mod att läsa Nietzsche. Förväntar man sig att finna ett fascistiskt manifest lär man dock läsa förgäves. Den som inte klarar av att ta åt sig Nietzsches tankar kommer bara att tycka att boken är "konstig" och förstår säkert inte alls vad Zarathustra talar om. Zarathustra var som sagt en persisk filosof, och i boken återupplivar Nietzsche denna historiska person för att "revidera" de tidigare lärorna om ont och gott.

Nissen, Jörgen
Pojkarna Vid Datorn
Linköpings universitet 1993
ISBN 91-7139-128-2

Olsson, Anders R
Spelrum
Uddevalla 1985
ISBN 91-7684-083-2

Odödlig klassiker bland kritiker av det svenska samhällssystemet, speciellt med betoning på data. Anders R Olsson är före detta TT-journalist och har arbetat mycket för föreningen för grävande journalister.

Olsson, Anders R
Yttrandefrihet och Tryckfrihet
Svenska Journalistförbundet, Falun 1992
ISBN 91-550-3884-0

PC Hemma
#5 1997

Sid 22-44 om Demon Phreaker, en artikel av Gustaf Cederlund. Delar av artikeltexten verkar parafraserad från en tidigare utgåva av denna bok :-)

Petiska, Eduard
Golem
Martin publishing house, 1991
ISBN 80-900129-2-2

Detta är myten om den Golem som rabbi Löw skapade för att beskydda det judiska ghettot i Prag. Jag läste den som en del i förstudierna till avsnittet om artificiell intelligens, och har inte speciellt mycket med informationssamhället att göra.

Pondsmith, Mike (red)
Cyberpunk - The Roleplaying Game of the Dark Future
(Version 2.0.2.0)
R. Talsorian Games Incorporated, Kalifornien 1993
ISBN 0-937-279-13-7

Är du inte van vid att läsa rollspel kommer den här boken antagligen att förvirra dig. Rollspelsböcker innehåller lite eller inget skönlitterärt material. På ytan ser det ut som ett lexikon med mängder av fakta - skillnaden är att allting är påhittat. En rollspelsbok innehåller beskrivningar av organisationer, personer, apparater, vapen och allt mellan himmel och jord som stöd för spelarens fantasi. När man har läst boken är det meningen att man skall sätta sig i ett gäng och hitta på historien tillsammans med boken som referensram för världens innehåll. Resultatet blir till ett mellanting av författande, teater och brädspel.

Rubin, Jerry
Snacka Inte Bara
Pan/Nordstedts, Stockholm 1971
ISBN 91-701-611

Så här blir du en yippie. En grovt sociopatisk bok av en av ledarna för den amerikanska yippierörelsen. På försättsbladet står det "läs denna bok påtänd" och så mycket bättre blir det inte. Har man lite morbid smak kan man tolka den som humor. Annars tycker man väl mest att den är hemsk. Finns på flera svenska bibliotek (!).

Schade, Christian och Steiniche, Morten
Virtual Reality - En bok om den konstgjorda världen
Alfabeta bokförlag AB, Falun 1994
ISBN 91-7712-390-5

Den enda vettiga bok om Virtuell Verklighet som getts ut på svenska när detta skrivs. Behandlar såväl teknikaliteter som samhällsaspekter på fenomenet.

Shea, Robert och Wilson, Robert Anton
Illuminatus!
Består av tre romaner: The Eye in the Pyramid, The Golden Apple och Leviathan.
Dell Publishing, New York 1988 (1975)
ISBN 0-440-53981-1

Denna bok nämns på ett flertal ställen i min text, bland annat rörande hackaren Karl Koch och technobandet KLF. Den rekommenderas också som lämplig läsning för hackare i slutet på the Jargon File (se nedan). Det är konspirationsteoretiskta romaner om oss och vårt samhälle, framför allt inspirerade av William S Burroughs och Timothy Leary. Detta är kultböcker i såväl USA och Kanada som England, och det finns ingen som helst vettig anledning till att de inte översatts till svenska. Jo, en förresten: de är skriande politiskt inkorrekta. Berättartekniken i den här romanen har bland annat anammats av Douglas Adams.

Sjögren, Olle
Inte Riktigt Lagom? - Om "extremvåld" och filmcensur

Detta är ett enda långt angrepp på statens biografnämnd. Sjögren är mycket kritisk till den människosyn censuren innebär och angriper censuren om och om igen. Man får anta att han vet vad skriver om eftersom han själv jobbat på filmcensuren i sådär 10 år. Han berättar också om de filmbytare som föddes ur diskettbytarkulturen. Anders Wallin borde läsa den här boken.

Solarz, Artur
ADB och Brott
Liber allmänna förlaget, Stockholm 1987
ISBN 91-38-90802-6

En knastertorr bok om databrott och databrottslingar. Solarz jobbar på brottsförebyggande rådet och vet så mycket om databrott och brott i allmänhet att han begriper att hackare knappast är det värsta hotet mot informationssamhället.

Sterling, Bruce
The Hacker Crackdown
Bantam Books, USA 1992
ISBN 0-553-08058-1

En bok om hackare skriven av en fullständig "outsider". Bruce Sterling skriver annars cyberpunkböcker. Boken kan hämtas alldeles gratis som textfil på Internet via EFF. De mest spännande och nyskapande är kapitlen om den del av den amerikanska polisen som kallas Secret Service, och hur de arbetar för att bekämpa phreakare och hackare, och historien om hur EFF blev till.

Stoll, Clifford
En Hacker i Systemet
Svenska Dagbladets Förlag AB, Uddevalla 1991
ISBN 91-7738-270-6

En omtalad bok där Stoll med inlevelse berättar hur han spårade den hackare (Mattias Hess) som tog sig in i hans datasystem och använde det som språngbräda för att snoka efter militära hemligheter åt warzava-pakten (ryssarna, rödingarna eller vad du nu vill kalla dem).

Televerket
Säkra Teleförbindelser?
Televerket, Stockholm 1987 (rapp 89/205)

TT Sundsvall
Telegram 1999-04-12 av Rolf Lunneborg

Om viruset Melissa.

Turkle, Sherry
Ditt Andra Jag - Datorn och det mänskliga psyket
Bokförlaget Prisma, Stockholm 1987
ISBN 91-518-2053-6

Sherry behandlar sociologiska och psykologiska aspekter på samspelet mellan människor och datorer. Hon intervjuar barn och hackare såväl som dataforskare och drar slutsater om datasamhället från sociologisk utgångspunkt. Mot slutet av boken kommer hon även in på artificiell intelligens.

Wallin, Anders
Kriminella Teknikzonen - Straffrättsligt perspektiv på brott och hacking i globala datanät
Institutet för rättsinformatik IRI-rapport 1994:2
ISSN 0281-1286

Mitt favorithatobjekt. Skämt åsido: Wallin presenterar en mycket bildad syn på vad hackande innebär för rättsamhället med utgångspunkt från sina juridiska erfarenheter. Man skall dock hålla i sinnet att åklagare och poliser måste ha den där känslan av att det är vi mot dom för att kunna motivera sitt arbete och få upp kämparandan i försvaret av den svenska lagen. Den känslan får de genom att läsa den här boken. Läs den! Om jag ser det som min uppgift att presentera hackarnas idéer så är det Wallins uppgift att fördöma dem. Vi spelar alla våra roller i det här samhället. (Cynism.)

Winterkvist, Mikael
Datavirus, Hackers och Trojaner
Computer Security Center 1995

Efter att jag bad om det skickade Mikael en kopia till universitetsbiblioteket i Lund. Det är ett mycket tunt häfte, men det innehåller faktiskt de mest substansiella upplysningar om virus som någonsin publicerats i Sverige. Vill ni ha tag i en expert på datavirus som verkligen kan sin sak så skall ni gå till Mikael och hans Computer Security Center i Skellefteå. Det var uppgifterna om svenska virushackare i det här lilla häftet, som skaffades fram genom ett slags "walrafferi" på svenska underjordiska BBS:er, som irriterade en del underjordiska hackare och fick SHA att publicera en del förtäckta hot mot Mikael.

Wranghult, Hans (ordförande)
Polisens Åtgärder mot Datakriminalitet
Rikspolisstyrelsens rapport 1984:5

Wranghult, Hans
Datakriminalitet - Hackers, Insiders och Datorstödd Brottslighet
Rikspolisstyrelsens rapport 1988:5

De här två rapporterna beskriver polisens syn på databrott i allmänhet. Den senare behandlar hackare. Det är överlag ganska onyanserat, auktoritärt och fördömande. Precis som poliser skall vara.

Yourgrau, Palle
The Disappearance of Time - Kurt Gödel and the Idealistic Tradition in Philosophy
Cambridge university press 1991
ISBN 0-521-41012-6

Elektroniska dokument och tidningar

40hex
# 1-12
Phalcon / SKISM

Ganska välskriven tidning som behandlar det mesta som rör virustillverkning och viruskultur.

Aronsson, Lars
Svensk Datorjargong
Senast reviderad 1993-02-21

Svensk motsvarighet till The Jargon File (se nedan), sammanställd av Lars Aronsson för Projekt Runeberg. Saknar dessvärre svensk subkulturell hemdatorjargong. (Jag skall skicka en lista till Lars så fort jag hinner.)

Axelsson, Jan
Flashback News Agency #1-120
(#1-100 utgivna i tryckt form i samlingsvolym)

Jag var en av de första 19 prenumeranterna på Flashback News Agency. Nu är det närmare 50.000. Se bland annat #97 för information om Telias lösenordssystem. Det är alltid roligt att läsa gamla nummer av denna helt unika tidning.

Bausson, Stephane
What You Need to Know About Electronic Telecards
V1.12 Senast reviderad 1995-05-18

Beskriver hur Telias telefonkort fungerar. Oerhört pinsamt med tanke på att Telia trodde att dessa uppgifter var hemliga när jag ringde och frågade dem. Det är de inte alls.

Brent, Doug
Oral knowledge, Typographic knowledge, Electronic knowledge: Speculations on the history of ownership
(Artikel i EJournal #3 Vol 1, ISSN 1054-1055)

Detta är en mycket viktig artikel som jag hade som utgångspunkt för stycket cybernetiskt samhälle kontra copyright, Brent är verksam vid universitetet i Calgary och visar med önskvärd tydlighet varför det blir svårare att äga information i ett informationssamhälle.

Drummond, Bill & Cauty, Jimmy
The Manual - How to Have a Number One the Easy Way
KLF Communications 1988

Om ni undrade: det fungerar. Allt som står i den här boken är fullkomligt sant. Bland de som provat herrarna Drummond och Cautys recept för hitsinglar finns exempelvis den österrikiska gruppen Edelweis plus något hundratal andra artister som inte vågar erkänna att de bara gjort som det står i boken. Även svenska talanger som Denniz Pop eller Pat Reiniz har, medvetet eller omedvetet, lyckats följa instruktionerna till punkt och pricka. Om ni vill veta dur de gör, läs boken. Det fordras dock en viss distans för att kunna ta åt sig innehållet - texten är mycket cynisk och en nagel i ögat på hela popindustrin. Exemplar av den här boken, och piratkopior av densamma, sprids under mycket hysh-hysh bland musikvärldens amatörer. Onödigt egentligen, eftersom någon "befriat" texten och lagt upp den på Internet. KLF själva bryr sig gissningsvis inte en sekund om detta.

Gunzenbomz Pyro-Technologies / Chaos Industries
The Terrorists Handbook

Förmodligen ursprungligen en eller flera tryckta böcker. Just den här textfilen skapade ett herrans rabalder i pressen när ett par femtonåringar hämtade den från en BBS och visade den för Expressen. Synd att Expressen inte recenscerade boken, för den har faktiskt ett slags humorvärde. Jag kan inte avgöra hur pass användbara eller farliga beskrivningarna i boken är, men det är uppenbart att man måste vara lite lätt galen för att använda sig av bombrecepten. Och det är ju det som är problemet: många föräldrar tror uppenbarligen att deras 15-åriga söner är fullständigt galna.

IDG Online / Computer Sweden
Artiklar 1999-03-30 kl 04:33, 1999-03-30 kl 08:43, 1999-04-01 kl 13:04, 1999-04-05 kl 07:00, 1999-04-06 kl 11:33, 1999-04-12 kl 14:03, 1999-04-15 kl 15:03

Om viruset Melissa.

Jammer, the & Jack the Ripper (pseud.)
The Official Phreaker's Manual V1.1
Senast reviderad 1987

Beskriver det mesta av tekniken och historien bakom phreakandet. Innehåller bland annat de artiklar Ron Rosenbaum skrev om phreakarna John Draper (Capatain Crunch) och Joe Engrassia i tidningen Esquire 1971.

Raymond, Eric S
The Jargon File 3.2.0
Senast reviderad 1995-03-21

Detta är detsamma som boken The Hacker's Dictionary, fast gratis och i elektronisk form. Tyvärr förmedlar den här texten en något nedsättande syn på alla hackare som inte är "riktiga" hackare, dvs den intellektuella eliten som samlas på högskolor som MIT. Denna fil uppdateras med jämna mellanrum och försöker även sammanfatta hackarkultur internationellt, vilket den kanske inte lyckas så bra med. Innehållet är nämligen kraftigt vinklat efter amerikanska företeelser.

Reid, Elizabeth
Cultural Forms in Text-Based Realities
Cultural studies program department of english university of melbourne january 1994

Brotherhood of Warez
# 1-4

En av de roligaste phreaktidningar som finns utges av gruppen Brotherhood of Wares (BoW). En konstant mix av humor och allvar där det ofta inte går att skilja på verkliga påståenden och ironiska lögner, skriven av uttråkade pirater. Uppskattar man generation X-humor så gillar man nog BoW. Gruppens ledare U4EA dömdes till fängelse efter att ha retat gallfeber på tidningen Gray Areas. (Tror jag - om inte det också var ironi.)

Phrack
# 1-48

Ökänd hackar/phrekar-tidning som bland annat spelar stor roll i Bruce Stelings The Hacker Crackdown (se ovan). Förmedlar såväl förnuftiga som riktigt sjuka åsikter om världen och telefonerandet. Har haft en rad redaktörer genom åren. Speciellt viktigt är att läsa artikeln The Conscience of a Hacker i #7. Jag har själv författat en artikel om svenska hackare i #48 av denna tidskrift.

Skyhigh
# 17
Camelot Productions 1995

En intressant artikel av The Mistress / Angry angående kvinnor och hemdatorhackare.

Surfpunk
# 103 och 105

Cyberpunk-tidning, full med utdrag från diskussionsgrupper på Usenet och olika tidningar. Bakom tidningen står en lite militantare gruppering än EFF, men med ungefär samma syn på samhället. Förmedlar kraftigt cybervridna åsikter.

Swedish Hackers Association (SHA) (red)
Annual Year Protocol #3 & #4

Våra egna favorithackares egen tidning. SHAs uppkäftiga och lätt arroganta "protokoll" är en stärkande frisk fläkt jämfört med myndigheters och massmedias fördömande attityd mot gruppen. I dessa protokoll talar SHA själva om sina aktiviteter, varför och hur de gör det de gör. Gästskribenter är bl a Knight Lightning från Legion of Doom, som också var en av männen bakom tidningen Phrack (se ovan). Engelskan är det däremot lite si och så med - det märks att det är svenskar som skrivit de här "protokollen". Nödvändig läsning för var och en som vill ha lyssnat till vad båda sidor har att säga.

Samtliga elektroniska dokument finns, om inte annat, tillgängliga från mig personligen.

Appendix: White Night vs Otto Sync

Den 2 december 1992 häktades den då 25-årige Otto Sync (ett aliasnamn) för att under november månad ha utnyttjat datanätet Datapak på dåvarande Televerkets bekostnad. Den som spårat och begärt Otto häktad var Televerkets egen "vita riddare", Pege Gustafsson, en då 38-årig nitisk säkerhetsexpert i karriären.

Under tiden december 1991 till februari 1993 gjorde Otto den franska motsvarigheten till vapenfri tjänst, "Volontaire Service National en Entreprises", som ingenjör med inriktning på PLC (datoriserade styrsystem) vid ett franskt teleteknikföretag i Flen. Det var tack vare sin 6-åriga civilingenjörsutbildning med examina i tillämpad matematik och datorvetenskap, som han efter rigorösa militära test fick möjligheten att fullgöra tjänsteplikt som ingenjör vid ett franskt företag utomlands.

Att vara ensam ung fransman i Flen var kanske inte det roligaste; Otto berättar att staden var full av politiska flyktingar och stämningen inte precis den bästa -- de svenska ungdomarna i Flen höll sig för sig själva och betraktade honom som vilken invandrare som helst, och ingen av de andra invandrarna var fransmän utan armenier, irakier, kurder, somalier o s v. Småstadsmiljön var inte heller bekant för Otto som kom direkt från Lyon -- "Föreställ dig min förvåning när jag kom till Flen i mitten av december 1991... Jag hade bara levt i storstäder tidigare, och nu var jag på det här stället, utan barer, pubar eller datoraffärer" 123 . Resultatet blev att Otto tillbringade den mesta tiden ensam i sin lägenhet eller på sitt tjänsterum på företaget. "Flen är så tråkigt att jag i princip levde i kontorsbyggnaden -- vad kan du över huvud taget göra där förutom att hacka?", säger han själv.

Så för att fördriva tiden ägnade han sig åt sin favorithobby: hacking. Otto var redan när han första gången kom till Flen en skicklig hackare, och med tiden blev han allt bättre. Han blev stamgäst på Sveriges vid den tiden bästa hackar-BBS: Synchron City. Han undersökte alla system han kom åt: Televerkets telefonnät, AT&T, Internet m m. Emellertid är detta inte särskilt spännande i längden för en skicklig hackare: telefonnätet är extremt lättlurat, och Internet var mest fullt av löst folk. Riktiga hackare sökte sig till BBS:er på X.25-nätet. Eftersom Otto ville hålla kontakten med sina gamla hackarkompisar ville han komma i kontakt med det då största franska hackar-konferenssystemet, QSD, vilket man bara kunde komma åt via just det internationella X.25-nätet. För att få tillgång till QSD gjorde han det fatala misstaget: han började undersöka Televerkets Datapaknät.

X.25 och Datapak

Datapak är ett datanät som till sin konstruktion påminner om Internet -- ett paketförmedlat datanät, där användarna delar på ett fåtal fast inkopplade linjer, och betalar efter hur mycket data som överförs på dessa, d v s per paket. Det hela fungerar för gemene man så att man ringer upp Datapak med modem via en s k PAD på ett 020-nummer, och sedan slår ett nummer till en dator som är ansluten direkt till Datapak. Alla datorer på Datapaknätet har alltså datapaknummer på samma vis som alla telefoner på telenätet har telefonnummer.

Givetvis kan man också ringa direkt via Datapak om man har råd att ansluta sin dator, en metod som framför allt stora företag använder sig av för att koppla samman sina datasystem. På det viset kan två datorer vara permanent sammankopplade via Datapak (något som med vanliga modem kostat oerhörda summor) och på det viset behöver man bara betala trafikavgift för den information som verkligen överförts. Givetvis kan man också ansluta sig via datanätet Datex, som bland annat används av bankernas kontantautomater, och som fungerar som ett helt vanligt telefonnät, fast för datorer.

Datapak är uppbyggt kring standarden X.25, som beskriver hur datorer i nätet skall "prata" med varandra. Det finns utöver detta en del hög andra standarder i nätet, exempelvis X.28 och X.75124 , men eftersom X.25 är den centrala standarden, kallas den typ av datanät som Datapak utgör generellt för "X.25-nät". Det internationella X.25 nätet, utgörs därför av ett antal sammankopplade datanät, exempelvis Datapak, Tymnet (som för övrigt tillverkat den utrustning som finns i det svenska Datapaknätet), SPRINTnet o s v. Nästan varenda större telefonbolag i den idustriella världen har sitt eget X.25-nät.

Det internationella X.25-nätet har funnits i drift sedan mitten och slutet av 80-talet, men det svenska Datapaknätet har aldrig varit särskilt stort. X.25 är, till skillnad från det vanliga telefonnätet, inte menat att användas av gemene man. X.25 har från början till slut varit ett nätverk avsett enbart för företag. Den stora privatmarknaden som akademikernas Internet-system erövrat, och som är baserad på många leverantörer och konkurrens (till skillnad från X.25 som är baserat på få leverantörer och oligopol) är så fundamentalt annorlunda att X.25 inte har en chans att hävda sig mot detta. Idag används X.25 fortfarande på detta sätt främst för att etablera logiska länkar mellan privata nät. Exempelvis skickas en del Internet-trafik över X.25-länkar.

Vad Otto Sync alltså inte visste, eller tänkte på, när han beställde sitt Datapak-abonnemang från Televerket, var att Datapak var ett litet system i ett litet land, och att en person som försökte manipulera det direkt skulle synas i övervakningssystemen. Telefonnätet är ganska säkert att undersöka med tanke på alla underliga och slumpmässiga samtal folk ringer till när och fjärran. Några få manipulationsförsök försvinner där genast i mängden vanliga samtal, men Datapak var bara några få abonnenters bakgård. Att manipulera systemet var jämförbart med att gå omkring med en saftblandare på huvudet -- man var inte precis diskret närvarande. Det som till slut fäste Televerkets uppmärksamhet på Otto var när han började avsöka olika datapaknummer.

Till saken hör att Televerket drastiskt ökat övervakningen av det svenska Datapak-nätet till följd av en enorm attack från den brittiska hackargruppen 8LGM (8-Legged Groovin' Machine, ett namn taget från en samtida popgrupp) som avsökt 22.000 datapaknummer och tagit sig in i 380 datorer landet runt två år tidigare.125 Otto beskriver dem som "en grupp tip-top hackare som distribuerade "exploits" mellan 1991 och 1994". (Exploits är färdigskrivna datorprogram som används för att skaffa högre privilegier, normalt root-access, på ett Unix-system.) En följd av 8LGM:s avsökningar var att all aktivitet på Datapak loggades och analyserades.

Otto beställde inte sitt Datapak-abonnemang för att använda det -- i själva verket skaffade han sig Datapak bara för att få tag på den tekniska dokumentationen som varje abonnent får, för att ta reda på hur systemet fungerade. På det viset fick han veta att man kopplade upp sig till Datapak genom att ringa 020-910037 och ange sin användaridentitet (på fackspråk kallad NUI). Därefter kunde man ringa fritt via Datapak och debiterades sedan i efterhand per sänt / mottaget informationspaket. På Datapak används NUI som identifikation, till skillnad från det vanliga telenätet där du identifieras av ditt eget jack och telefonnummer.

Men Televerkets manual till Datapak innehöll även en del annat intressant, bland annat följande exempel på sidan 4 (ej ordagrant återgett) 126 :

För att koppla upp dig med användarnummer, ring med modem upp 020-910037. När modemet svarat skriver du tre punkter följt av vagnretur: ...<CR> (CR = vagnretur, enter). Skriv sedan: N123456XYZ123-024037131270<CR>. N talar om för datorn att användaridentitet och lösenord följer, 123456 är det användarnummer du fått då du tecknat abonnemanget, XYZ123 är ditt hemliga lösenord, och siffrorna efter bindestrecket är värddatoradressen. (Dvs den dator man vill koppla upp sig mot.)

Längre fram i manualen visar man hur användare 123456 byter lösenord från BERTIL till CAESAR. Användaridentitet (NUI) 123456 är alltså mest avsedd som ett exempel.

När Otto funderade över olika sätt att ta sig in i Datapak kom han på idén att skriva en s k "scanner", som skulle testa olika kombinationer av användarnamn och lösenord.

Scanning är en teknik som ursprungligen användes på det allmänna telenätet, och fungerar normalt så att man ringer alla möjliga nummer i nummerordning, t ex 111111, 111112, 111113 o s v tills man får svar. När man får svar från en dator antecknar man numret och går vidare. Efteråt kan man ta fram listan över datorer och börja undersöka om det går att ta sig in i dem. Scanning är givetvis ingenting man gör för hand. Precis som i filmen War Games, skriver man ett dataprogram som testar alla nummer ett efter ett. Scanning är i sig inget olagligt -- det är ju något av själva poängen med ett telefonabbonnemang att man ska få ringa så många samtal man vill till vem man än vill.

Ottos scanner var något annorlunda. Den skulle inte ringa några nummer, bara söka efter användaridentiteter och lösenord som gav tillträde till Datapaks PAD. Normalt får man i en X.25-PAD bara tre försök på sig att skriva in användarnamn och lösenord innan linjen kopplas ned, men Otto kom på att man genom att koppla sig till Datapaks lösenordsdatabas kunde testa tre lösenord åt gången utan att linjen kopplades ned. Ottos scanner var ett datorprogram som kunde testa tre användaridentiteter och lösenord, bli utkastad från databasen, koppla sig till databasen igen, testa tre nya användaridentiteter o s v. Att koppla upp och ned telefonlinjen skulle ta mycket tid i anspråk, och resultera i långsam scanning, men med scannern som utnyttjade lösenordsdatabasen gick det undan!

Medan Otto skrev sin scanner behövde han något nummer för att testa programmet med. Av en ren händelse testade han den uppenbart idiotiska kombinationen med användaridentitet 123456 och lösenord 654321, som visade sig fungera! (Är det fler än jag som kommer att tänka på filmen "Spaceballs" eller "Det Våras för Rymden" som den hette på svenska? -- bara en idiot skulle använda den koden på sin resväska.)

Användaridentitet 123456 var en av Televerkets egna linjer, en testlinje vars syften och användningsområden ännu är oklara. Det är fullt möjligt att användare 123456 bara fått "ligga kvar" av rent slarv från Televerkets sida.

Otto började använda identitet 123456 för regelbundna samtal till konferenssystemet QSD, som till sin funktion påminner om det nu så populära IRC, Internet Relay Chat. Utöver konferenserna finns det också brevlådor för användarna. Bland de flitigaste deltagarna fanns t ex SCSI, som hackat varenda X.25-nätverk i hela världen (ingen överdrift), Sentinel från ex-Jugoslavien, den kvinnliga hackaren Venix från Grekland, Seven Up, sysopen på SECTEC (Sector Tectonics, en annan X.25-anslagstavla), och Raoul från Italien -- VAX-hackens mästare som nyligen arresterades för intrång hos Bank of Italia.

Detta småpratande fortgick tills han på kvällen den 7:e november blev anropad av en annan hackare från Sverige.

Den vite riddaren

Hackaren som anropade Otto kallade sig White Night, vita natten, eller den vite riddaren beroende på hur man läser det. Dubbeltydigheten i namnet är en avsiktig felstavning av det slag som hackare älskar. Den inledande konversationen mellan Otto Sync och White Night förlöpte ungefär på följande vis127 :

White Night: Hi! Hej!

Otto Sync: Hi! Hej! Ledsen, men jag är inte svensk, jag är fransman. Ringer från Flen, en #$&% stad 120 km från Stockholm.

WN: Jag förstår. Vad gör du där?

OS: Arbetar som automatiseringsingenjör på ett franskt företag. Och du?

WN: Jag arbetar på Volvo.

OS: Vart? Jag gjorde ett jobb på deras fabrik i Olofström för några månader sedan.

WN: DA-verken i Göteborg.

Sedan började de, som alla hackare, prata teknik. Otto frågar White Night hur han lyckas hantera svenska tecken och de diskuterar fördelen med olika terminalprogram. White Night leder sedan in diskussionen på hur han lyckats ringa QSD -- "Hur mycket kostar det?". Otto föreslår att de skall byta "outdials", dvs åtkomstkoder till datorer på publika nät som Internet, med modem anslutna så att man kan ringa vidare ut gratis från den datorn genom att anropa dess modem. Han berättar också att han brukar hålla till på Synchron City, och att där finns mycket "H/P/A". (Hacking, Phreaking, Anarchy -- helt lagliga textfiler som beskriver olika hacktekniker.) Konstigt nog har White Night aldrig hört talas om Synchron City, och blir genast nyfiken.

Sedan går det några veckor, under vilka Otto regelbundet ringer QSD flera gånger. Så på kvällen den 29 november dyker den vite riddaren upp igen, men han känner inte igen Otto, eftersom han denna gång använder ett annat alias. Otto har redan glömt bort White Night och känner inte heller igen honom när han anropas. Däremot kan han se att White Night också använder användaridentitet 123456, och han blir en smula misstänksam, eftersom han bara lämnat ut den identiteten till en enda annan hackare, som vi här kan kalla Phred. Något tveksamt börjar han konversera med främlingen:

WN: Tja

OS: Phred?

WN: Nej, men jag känner honom!

OS: Jag antar det... Känner jag dig?

WN: Kul, känner jag dig?

OS: Kanske, jag är vanligen Otto Sync här...

WN: Hej Otto, hm hm hm.

OS: Hördu, kan du tala om för mig vem du är... häftigt!

WN: Talar du svenska?

OS: Hemskt dåligt. Men kan du inte tala om vem du är??? Vad beträffar mig, så är jag den som hittade den NUI du använder.

WN: Varför tror du att jag använder en NUI som "du" har hittat?

OS: Du kan fråga Phred om du inte tror mig.

WN: Varför borde jag fråga Phred?

OS: För att han var den första jag gav NUI:en till. Vi talar i telefon ibland.

WN: Vilken NUI?

OS: Den mycket uppenbara med det mycket uppenbara lösenordet. Och den som jag ser att du använder här på QSD.

WN: Wow, jag har inte talat med Phred på länge!

Missförstånden mellan Otto Sync och White Night beror givetvis på att White Night inte är någon hackare. Han använder nämligen Televerkets egen testlina, 123456, inifrån Televerket. När Otto påstår att han hittat denna, blir White Night först purken, men inser snart att han måste spela med:

OS: Den förra [NUI:n jag använde] var 159800. Är du från Sverige förresten?

WN: Sverige vad.

OS: Bara apropå. Jag bara undrar... Om du inte vill snacka, varför är du då på QSD?

WN: Såklart jag vill snacka! Jag är svensk! Är du?

OS: Nix. Jag är fransman. Men jag gillar Televerket, förutom när det skickar räkningar till mig :)

WN: Gör de? Varför?

OS: Jag skaffade mig en NUI för några veckor sedan för att få teknisk dokumentation på PAD:en... [020-numret som man kopplar in sig på datapak med] Men jag tänker inte betala!

Efter att Otto gjort detta uttalande kopplar White Night ner förbindelsen och plockar pappren med utskriften av samtalet från skrivaren. Dessa papper, som jag till stor del återgett ovan, används sedan i bevisföringen i målet mot Otto Sync vid Katrineholms tingsrätt.

Vad Otto inte visste när det här samtalet skedde, var att Televerket var i full fart med att spåra honom. Från den 28 november till den 1 december, dagen före gripandet, registrerade Televerket all trafik ut från Ottos tjänsterum på det franska teleteknikföretaget. För att kunna göra det hade man vidtagit en hel rad extravaganta åtgärder.

Flens telestation var vid den här tiden inte ombyggd till det nya växelsystemet AXE (Automatic Cross-connection Equipment). Istället användes en gammal elektromekanisk växel som dock numera är utbytt. Hade telestationen haft AXE, hade övervakningen kunnat ske mycket enklare bara genom att begära in uppgifter från Televerkets informationssystem (IS) som i princip kan övervaka ett nummer helt automatiskt under obegränsad tid. Nuvarande Telia har till och med undersökt möjligheten att låta datorerna granska alla samtal automatiskt för att avgöra vilka abbonnenter som uppvisar "bedrägliga beteendemönster" -- försök som dock inte utfallit väl128 .

När Televerket under Pege Gustafssons ledning spårat de "bedrägliga" samtalen till Datapaks nummer 020-910037, fann man att de kom från ett gruppnummer tillhörande det företag Otto arbetade för. Ett gruppnummer fungerar så att ett företag med intern växel omfattande, säg, 500 telefoner, delar på ett lämpligt antal utgående linjer (cirka 10--20 st kanske) så att de på det viset kan minimera abbonnemangskostnaden. I och med spårningen till gruppnumret var alltså inget bevisat, eftersom vem som helst på företaget kunde ringt ut via detta gruppnummer. Man kunde inte koppla samman samtalen med en viss fysisk person, vilket är den bevisning som krävs i ett fall som detta.

För att möjliggöra spårning inom företaget installerade Televerket en avläsare på företagets växel129 . På det viset registrerades alla utgående samtal från alla anknytningar på företaget, och skrevs ut på papper. Denna datalista kunde sedan jämföras med motsvarande datalista för upp- och nedkopplingar från Datapak:s PAD på 020-910037. På så vis kom Televerkets tekniker fram till att Otto ringt 41 timmar och 20 minuter till Datapak under den vecka spårningen pågick, och då överfört informationspaket motsvarande en kostnad av cirka 4000 kr. (Detta kan liknas vid en slags total "portokostnad" för informationspaketen.) Att det var så pass billigt berodde alltså just på att Datapak innebär att man bara betalar för den data som verkligen överförs, inte för uppkopplad tid som när det gäller ett vanligt telefonsamtal.

Hela denna spårningsoperation leddes av Pege Gustafsson.

En natt på hotell

Otto berättar själv om vad som hände på förmiddagen den 2:a december:

"De kom in för att arrestera mig på jobbet. Föreställ dig hur generande det var. Först ser jag de här snubbarna komma in på mitt rum och tänker 'helsicke också, fler kunder som vill ha en demonstration av någon produkt', men sedan visade de mig sina Polis-ID och mitt hjärta stannade. De sökte igenom mitt arbetsrum och tog med sig alla anteckningar och datorprylar. Sedan tog de mig med till min lägenhet så att jag kunde öppna den, och sökte igenom den också."

Han togs sedan till Katrineholms polisstation (närmaste polismyndighet) för förhör. På väg dit tumlade alla möjliga tankar runt i hans huvud: "Vad skall jag säga? Att jag trodde det var en BBS? Att det var gratis? Mottagaren betalar?"

Förhöret påbörjas utan vare sig Televerkets representanter eller Ottos försvarare på plats, men Otto förstår inte alla svenska ord (även om han kunde en del eftersom företaget skickat honom på kvällskurser i svenska på Komvux) och förhöret måste därför avbrytas i väntan på tolk.

Efter att tolk anlänt ber Otto om advokat, men tycker att det är OK att fortsätta förhöret innan denne anlänt. Han tycker inte heller att det är nödvändigt att prata med franska ambassaden. Han berättar att han gör militärtjänst på företaget i Flen, och att han funderar på att fortsätta arbeta på företaget. Polisen och Otto bekantar sig med varandra, kort sagt.

Klockan 14.25 inträffar det tursammaste ögonblicket i Ottos ditillsvarande liv. Då anländer nämligen hans offentlige försvarare, som genom en fantastisk slump råkar vara en oerhört professionell advokat med egen advokatfirma som tyckt att hackarfallet sett intressant ut, och därför själv tagit sig an att försvara Otto. Normalt jobbar han bara med företagskonflikter inom industribranchen. Själv säger Otto om sin advokat att "han var ett riktigt proffs (jag vet, för detta var tredje gången jag hamnat i en domstol), en mycket trevlig man, välutbildad och intresserad av franska viner".

Under återstoden av förhöret diskuteras teknikaliteter, framför allt mellan Pege Gustafsson som nu anlänt, och Otto Sync. De övriga närvarande får ganska snart svårt att hänga med i svängarna. Otto hävdar att han varit på jakt efter ett "mottagaren betalar"-nummer (motsvarigheten till telenätets 020-nummer vilka förekommer ganska frekvent på X.25) och att han trodde att NUI 123456 som han fått från Televerkets manual var en "testlinje" av något slag. Han säger att han är mycket nyfiken och att det är därför han undersökt Televerkets system. Pege Gustafsson plockar fram sina utskrifter från samtalen där han uppträder som White Night, och konfronterar Otto med delar av det som återgetts ovan. Otto, som nu för första gången får veta vem White Night egentligen är, påminner om att vem som helst utan vidare kan ha uppträtt som honom på QSD. Pege frågar om han lämnat ut NUI 123456 till någon annan. "Nej", svarar han.

Såhär i efterhand berättar han att "Pege försökte få mig att säga att jag visste vad jag höll på med och att jag hackat NUI:n o s v. Hela vägen förnekade jag detta och sade att jag trodde att det var en allmän linje som var till för 'mottagaren betalar'-samtal, och höll mig till den historien hela vägen. Givetvis insåg Pege att detta var skitsnack, han visste mycket väl vad jag höll på med. Och han hade rätt."

Efter att förhöret avslutats klockan 18 togs han till en cell, eftersom det var för sent att ta sig till domstolen den dagen. Otto imponerades genast av den svenska häktesstandarden: "I Frankrike är cellerna smutsiga, du får sova med fyllon, ingen mat, hård behandling o s v. I Katrineholm var det som ett hotell, jag fick min egen lilla säng i ett sött rum. På morgonen fick jag en frukost lika bra som den man får på flygplan -- fantastiskt! Sov riktigt gott där."

Dagen efter fördes han till Katrineholms Tingsrätt, som beslutade att inte hålla honom häktad, utan istället belade honom med reseförbud, vilket innebar att han fick lämna ifrån sig sitt pass och var tvungen att rapportera till polisen i Flen före klockan 12 varje dag fram till själva rättegången.

"Farlig internationell terrorist"

Den direkta anledningen till att Televerket hittade Otto Sync var scanningen av Datapaks PAD. När Pege upptäckte att någon avsökte PAD:en efter användbara användaridentiteter måste han ha satt sitt eventuella morgonkaffe i halsen. Detta var ju precis vad som hänt två år tidigare, och då hade man misstänkt att internationella terrorister låg bakom avsökningen. I själva verket visade det sig vara bröderna Pad och Gandalf från 8LGM, två helt normala nyfikna hackare utan anknytning till någon som helst internationell terrorism.

Som alla andra datasäkerhetschefer i landet Sverige hade Pege Gustafsson läst Clifford Stolls bok The Cuckoos Egg (Gökägget, eller En Hacker I Systemet, som den heter på svenska). I den boken beskriver Stoll hur han med fantasifulla metoder och ändlösa nätter gratisarbete lyckas spåra en hackare som tagit sig in i hans system på Berkeley och börjat leta efter militärhemligheter i hela den amerikanska delen av Internet. Hackaren som gjorde detta visade sig arbeta för KGB, via kretsen kring hackarna Pengo och Hagbard i dåvarande Västberlin -- ett gäng halvtokiga, kokainsniffande flumvänster-hackare som förmodligen aldrig gjorde någon större skada. Detta sista framgår aldrig av boken, men ligger närmare sanningen än den bild av internationella informationsspioner som Stoll frammanar.130

Så när Otto började scanna det svenska datapaknätet slog Pege på stora trumman. Händelsen sattes säkerligen i samband med alla andra liknande incidenter, och tolkades --inte som summan av en massa småhackares äventyr med enkla scannare -- utan som ett systematiskt mönster av intrångsförsök från främmande makt. Rena paranoian helt enkelt.

När man väl ringat in Otto i Flen och dokumenterat ett flertal spårningar fann man också "bekräftelser" på sina misstankar: Otto ringde ett flertal samtal till Thailand -- detta tolkade man som att han kommunicerade med sina uppdragsgivare, vilka kunde vara vad som helst mellan KGB och IRA. I själva verket gick samtalen till en vän han länge haft kontakt med, och fått tillstånd från företaget att ringa till lite då och då. Alla hackare lär känna mängder av folk runt om hela planeten, den "globala byn" är i princip deras hemtrakter.

Så vad polisen och Televerket någonstans förväntade sig att finna när de dök upp på Ottos arbetsplats den 2:a december 1992, var en farlig internationell terrorist. De fann en 25-årig socialt missanpassad och uttråkad ingenjör som roat sig med att undersöka det svenska datapaknätet i brist på bättre. Otto beskriver det som att "Pege trodde att han var den goda snubben som jagade den onda snubben. Han berättade också att han var en stor beundrare av Clifford Stoll och att han träffat honom på en säkerhetskonferens några år tidigare." Under förhöret med Otto ritade Pege kartor som visade vilka länder hans X.25-kopplingar gått till -- kartor som enligt Otto själv såg ut som "kartor från en handbok om internationella terrorister".

Trots att allt detta framgick klart och tydligt av den följande utredningen -- som inte ens nämnde misstanken om spionage -- fanns misstankarna mot Otto kvar långt efter att han lämnat Sverige. När dataprogrammen som skulle styra startlistor, tidtagningar och resultatlistor under OS i Lillehammer 1994 stals från ett militärförråd hösten 1993 trodde den norska polisen av någon anledning att Otto var inblandad. Expressen drämde till ordentligt och kallade honom "hackerledaren", och passade på att misstänkliggöra såväl Otto själv som det företag han gjort vapenfri tjänst vid, och antydde mellan raderna att den franska militären på detta vis placerade spioner i Sverige131. Själv berättar han att "jag var i Thailand våren 1994, och hade varken något jobb eller någon dator." Thailand ligger ganska långt från Lillehammer.

Han får dessutom medhåll av SÄPO som genom överintendent Jörgen Almblad meddelade att de franska värnpliktiga i Sverige i allmänhet, och Otto Sync i synnerhet, inte utgjorde någon säkerhetsrisk. "Om de är fransmän eller ryssar spelar ingen roll så länge de inte utgör någon säkerhetsrisk" sade han då till Expressen. SÄPO är ytterst ansvariga för rikets säkerhet och får antas kunna saken bättre än de flesta. Om de dessutom dementerar misstankar, kan man vara ganska säker. Om någon vore det minsta misstänkt, eller okänd, skulle man snarare avböja att kommentera. Så var det med den terroristen.

Även Pege själv insåg att Otto inte var den han trott. Privat berättade han för Otto att om han vetat vilken småhandlare han i själva verket var, hade han inte drivit fallet så här långt. Han till och med "föreslog att vi skulle ta en öl tillsammans när allt det här var över". Otto är än idag tveksam till Peges kompetens som säkerhetschef: "Jag minns att han berättade att han sysslade med säkerhet vid rockkonserter också. Trots att han var säkerhetschef, visste han inte särskilt mycket om Unixsäkerhet eller hackartekniker. Han tycktes faktiskt vara ovetande om vissa grundläggande saker beträffande Datapak, som exempelvis 'mottagaren betalar'".

De onda mot de goda

Det verkar uppenbarligen som om Pege Gustafsson fått för sig att han skulle skydda Sverige mot inbillade terrorister. Lika lite som det amerikanska kontraspionaget inledningsvis intresserade sig för den ofarliga hackare Clifford Stoll jagade, lika lite intresserade sig SÄPO för den lika ofarliga hackare som Pege jagade. Otto var inte ens på jakt efter militärhemligheter -- han ansågs vara ett hot bara för att han var så nyfiken.

Så den 18 december släpar den vite riddaren från Televerket den franska draken inför svensk domstol med hjälp av distriktsåklagare Christer Pettersson. Själva rättegången blir farsartad -- det visar sig snart att av de närvarande är det bara Pege och Otto som har den tekniska sakkunskap som fordras för att förstå Televerkets stämningsansökan. Det första Ottos advokat gör när rättegången inleds, är att slänga ut Pege ur lokalen, eftersom inga särskilda skäl har angetts för hans närvaro. Det enda tillfälle då han får närvara är under förhöret med honom själv. Plötsligt är det bara Otto själv som förstår vad åtalet egentligen handlar om. Ingen av rättens ledamöter har någon teknisk sakkunskap.

"Rättegången var verkligen rolig eftersom ingen [annan] kunde ämnet. Vissa av dokumenten jag lade fram under rättegången var ganska slugt utvalda, som det här e-postbrevet från nån snubbe som talar om för mig hur man använder mottagaren betalar på Televerket. Jag lade också fram en lista på alla svenska BBS:er, och berättade för domaren att det var 'gratis tillhandahållna datorsystem'. Givetvis hade ingen en aning om skillnaden mellan en BBS som körs på en 386SX i en 17-årings rum och ett landsomfattande X.25 datanätverk."

Otto tycker inte att han begått något brott, och är klok nog att använda enkla beskrivningar som rätten förstår. Han förnekar inte att han använt Datapak precis så mycket som Televerket hävdar, och säger sig vara beredd att betala för det. Men han tycker att det är orimligt att han skall betala kostnaderna för spårning och utredning från Televerket.

Pege kallas bara in för att beskriva hur spårningen av Otto gått till. I övriga frågor är man hänvisad till förundersökningen, en förskräcklig bibba som nästan uteslutande innehåller tekniska beskrivningar och olika listor på spårningar som utförts av Pege. Bland "bevismaterialet" finns Ottos egna anteckningar, flera helt harmlösa, med detaljerad teknisk information om telefonnummer e t c till olika datorsystem världen över. Utan vidare förklaring av vad för slags information det rör sig om, kallas dessa obegripliga anteckningar "hackersnoteringar". Dessutom bifogas en mängd utskrifter av filer från Ottos hårddisk.

Detta material har uppenbarligen bara lagts till handlingarna för att få Otto att framstå som "skum". Utskrifterna kunde lika gärna ha varit fotostatkopior av "olämpliga böcker" från hans bokhylla. Den enda avsikten med att bifoga detta material måste ha varit att misstänkliggöra Otto för att han tillhört en viss subkultur.

Någonstans måste domstolen ha tröttnat på att Televerket inte kunnat prestera ett begripligt åtal. Oavsett vem som ljugit eller talat sanning, framstod Ottos påstående att han inte trott att samtalen kostat pengar som sannolikt för rätten. Eftersom åklagaren inte kunde bevisa motsatsen, ogillade man hela åtalet. Dessutom ogillades Televerkets begäran om skadestånd, och yrkandet att Otto skulle utvisas ur Sverige. Televerket fick själva betala sina rättegångskostnader. Televerket förlorade, Otto Sync vann. Detta skedde den 18 december 1992, men domen meddelades först den 8 januari.

I efterhand säger han själv att "trots att jag var skyldig som fan och hamnade i domstolen, förlorade Televerket fallet."

Slutet gott...

Televerket, nu omdöpt till Telia, svarade med att överklaga domen till Svea Hovrätt den 15 januari. Eftersom Otto bara skulle vara kvar i Sverige till den 1 april, ville man att hovrätten skulle behandla fallet innan dess, vilket givetvis var en hopplös begäran.

I september var Otto tillbaka i Frankrike, och givetvis hackade han fortfarande. Så, en kväll dyker "White Night" upp på QSD igen. "Jag började småprata med Pege, som förväntade sig att jag skulle dyka upp i hovrätten i oktober", berättar han. Hovrätten kunde förmodligen inte fått honom utlämnad till Sverige, men hur som helst hade han redan bokat en biljett till Bangkok den 4 oktober.

Hovrätten tog upp fallet vid en handläggning den 25 oktober. Eftersom Televerket inte kompletterat sin stämningsansökan med något nytt, och eftersom Otto inte var tillgänglig, beslöt hovrätten att avskriva målet. Televerket och Pege förlorade igen.

Fotnot: Otto Sync har precis lämnat sitt jobb som ingenjör på ett stort, multinationellt företag i Bangkok, där han varit chef på en teknisk supportavdelning som arbetar med nätövervakning och intelligenta nät. Han håller som bäst på att sätta upp sitt eget Internet-service företag. Han kan nås på emailadressen <osync@hotmail.com>. Pege Gustafsson har fortfarande stort säkerhetsansvar på Telia. Han har både muntligen och brevledes ombetts kommentera artikeln, men avböjt.

Fotnoter:

1Privat materiell egendom är stöld. "Intellektuell egendom" är något värre, möjligen väpnat rån. Censur är våldtäkt.

2En del talar om "high end" och "low end" datorer. "High end" är de största, medan "low end" är den sort som sitter i mikrovågsugnar.

3Man meddelar mig att detta börjar förändras nu.

4En radioamatör berättade för mig hur man "straffat" en piratsändare genom att pejla in honom och sedan störa ut hans trafik med hjälp av en riktad störsändare.

5Data Industrier AB grundades av Lars Karlsson i Skellefteå 1970 och tillverkade ursprungligen styrdatorer för sågverk.

6PET, den första hemdatorn som tillverkades av Commodore Inc.

7Jag har debatterat detta vid ett tillfälle, då en person på CTRL-C hävdade att Spectravideo var en betydligt mer tekniskt avancerad dator. Det handlade mest om grafiken, men jag menade att ljudet var minst lika viktigt. C64:ans ljudkrets 6581 används fortfarande av elektronmusiker i form av emulatorer och den specialbyggda synthesizern SIDstation som tillverkats under 1998 av Elektron AB i Göteborg. (Elektron består bl a av medlemmar från datorgruppen Zone 45 och Nordic Beats.)

8Det är allmänt känt att Steve Jobs och Steve Wozniak tidigt var i kontakt med Draper under studietiden i Berkeley och tillverkade Blå Lådor som de sålde på studentkorridorerna.

9När SÄPO beslagtog utrustning från Folket i Bild-kulturfronts redaktion i Haga Skola i Solna i samband med IB-affären 1975 inhämtades som bekant inget tillstånd. När försvarsminister Sven Andersson i efterhand upplystes om saken utbrast han "Ååå, nu blir det ett jävla liv!". Sedan den incidenten ingriper man inte mot tidningar i Sverige utan regeringens tillstånd.

10Alias Publications är ett av de förlag som erbjudit sig att publicera den här boken. Ansvarig utgivare, Mikael Borg, ville gärna att jag skulle skriva mer om Alias i den här boken, vilket man kan förstå. Alias är en utmärkt tidning för den som är intresserad av dylikt material men inte har tillgång till BBS:er och Internet, eller ork att skaffa fram de elektroniska dokument som beskriver dessa tekniker. Elaka röster sade att Alias bara var ute efter att tjäna snabba stålar, men så vitt jag kan bedöma stämmer det inte. Mycket av materialet verkar genomarbetat och layouten ligger klart över undergroundstandard. Sist jag hörde något om Alias och Mikael Borg hade han sålt rättigheterna till tidningen och gått under jorden.

11Efter att jag skrev detta fick jag själv en artikel antagen av Phrack (se Phrack #48): en sammanfattning av den svenska hackarkulturens historia, baserad på de efterforskningar jag gjorde för den här boken.

12En van hackare ser direkt att jag valt ett dödstrist datorsystem: IBM AS-400 som exempel.

13Att det finns hackare som verkligen är ute efter att förstöra är ett faktum som ständigt understryks av säkerhetsexperter. Kom då ihåg att det är denna hotbild som är deras levebröd.

14Jämför denna mentalitet med mottot för Chaos Computer Club.

15Jag anklagades personligen för att ha genomfört aktionen av två mindre belevade reportrar på Svenska Dagbladet. Jag gjorde det inte. Det är inte bara det att jag inte klarar av en sådan sak, utan jag skulle definitivt fört ut ett annat budskap om jag fått en sådan chans att tala till världen. Det kanske kan vara intressant för läsaren att veta att man insinuerade att denna bok var en hackarmanual som lärde folk att genomföra dylika aktioner. (Vilket inte heller stämmer...)

16Svante Tidholm, känd internetpersonlighet och bror till journalisten Po Tidholm. Författare till boken Loser, och liknad vid "en svensk Justin Hall".

17Eriksson fälldes jämte 21§ Datalagen, som upphävts tre veckor före rättegången. Hur detta gått till är för mig en gåta.

18Den följande texten är en bearbetad variant av min artikel "Hacktivism" från tidningen Yelah, #3 1999, som också publicerades i tidningen Säkerhet och Sekretess.

19Djurens Befrielsefront är en militant organisation för djurens rättigheter, bildad efter den engelska förebilden Animal Liberation Frontline. I massmedia kallas medlemmarna "militanta veganer", eftersom de flesta av medlemmarna endast lever på mat från växtriket i sympati med djuren.

20Grundare av antivirusföretaget McAfee Associates.

21Ordlek med Microsofts produktsvit Back Office, vari Windows NT server, mailservern Exchange, databasmotorn SQL Server m fl program ingår.

22Normalt var de sista 64 bitarna av en GUID detsamma som MAC-adressen på datorns nätverkskort. Detta "fel" har numera rättats av Microsoft så att ett nätverkskort inte kan spåras med utgångspunkt från ett GUID.

23Jag fick vid ett tillfälle en lång lista transkriberade SMS-meddelanden av en hackare. De flesta helt vanliga, tråkiga meddelanden, medan en serie meddelanden hade explicit, intimt sexuellt innehåll.

24Observera vad vi menar med "anarkist" här. (Se första stycket.) Blanda inte ihop hackar-anarkister med politiska anarkister. The Terrorists Handbook gavs för övrigt ut i Sverige av ett förlag som även tryckt en del nationalsocialistisk propaganda.

25Jag står här i stor tacksamhetsskuld till Christer Ericson som delat med sig av sina kunskaper om Apple II-rörelsen i Sverige; uppgifter som aldrig fästs på papper tidigare och därför varit svåra att få fram.

26Jag har meddelat Eric S Raymond (redaktör för the Jargon File) denna åsikt i samband med att jag skrev en artikel där jag påpekade vad jag upplevde som ett sakfel i hans artikel "Bopålar i Noosfären". Raymond accepterade kritiken som berättigad.

27Ni märker säkert att jag nu börjar vädra mina personliga åsikter.

28BESK var den första svenska elektroniska datorn. Den hade föregåtts av såväl analoga datorer och relämaskinen BARK.

29 Meningarna om vad som började när och vem som gjorde vad tycks gå isär här: nude@home.se skriver: "Bland de första banden att göra EBM var D.A.F (Deutsch-Amerikanische Freundschaft), Rheingold och Velodrome... Cabaret Voltaire gjorde industrimusik. Industrimusiken skapades och namngavs av Throbbing Gristle på 70-talet. De ansåg att det var dags att uppdatera musiken från den viktorianska eran till industrialismen."

30Att "bredda ramarna" (eller allra helst upplösa dem fullständigt) anses allmänt vara karakteristiskt för postmodern konst.

31Timestretching, en teknik för att "dra ut" eller "trycka ihop" ett ljudfragment. På detta vis kan man ändra tempot på ett musikstycke utan att höja/sänka tonläget. När man snabbar upp ett stycke låter detta helt OK, när man saktar ned musik däremot, låter det mycket säreget, något som givetvis används för effektens skull.

32Jägerbrand och Sveriges Rave Organisation (SRO) organiserade under 1997 en "raverixdag" för att samla och organisera svenska ravearrangörer. Någon anmärkte sarkastiskt att "de ska då göra politik av ALLT", men mot bakgrund av nackapolisens tveksama tillslag mot Docklands under våren 1996 kan man förstå behovet av en organiserad motmakt.

33Några har anmärkt att det inte kan vara någon större upplevelse att gå på ett rave påverkad av "neråttjack" som hasch. jag har dock själv noterat att det förekommer ganska rikligt, varför förstår inte jag heller. Möjligen beror det på att hasch är en milt psykedelisk drog. I sammanhanget vill jag passa på att nämna att jag personligen varken är för eller mot droger per se, vilket man skulle kunna få för sig att tro av den skarpa formuleringen ovan. Vad jag är mot är tendensen att skylla drogbruket på kulturen. Vad beträffar droger i allmänhet har jag i princip ingen uttalad åsikt, utan förbehåller mig privilegiet att strunta i den debatten, vilket säkert gör någon förbannad.

34Extacy, MDMA eller metylendioxymetamfetamin är till skillnad från LSD direkt fysiskt hälsovådlig. De flesta som dör av drogen gör det på grund av överhettning, då uppfattningen av kroppens varningssignaler trubbas av på samma sätt som med amfetamin.

35Om någon tolkar detta som att jag tycker att dessa ölfik är patetiska tillhåll för innefolk, har vederbörande tolkat mig rätt.

36 Citat ur Specialarbete om Techno av XX, passagen som citeras är punkt 63 i lagen.

37 OS-kampanjen ville få Sommar-OS till Sverige 1999. Kampanjen kännetecknades för övrigt av allvarlig korruption.

38På denna punkt anammar jag numera en evolutionär modell där jag ser en darwinistisk algoritm i kulturen: subkulturerna skapar variation, människorna gör ett urval (de illa omtyckta kulturerna glöms bort), och de önskade varianterna bevaras. Man skall dock inte dra för stora växlar på detta, då det bygger på en speciell form av evolutionärt tänkande, memetik, baserad på Richard Dawkins begrepp memer -- en tänkt evolutionär minsta byggsten för kultur precis som den bilogiska genen -- vilket är kontroversiellt. Detta tänkesätt är ännu outvecklat i sin vetenskapliga tillämpning.

39Detta gav upphov till en del gnabb. Bethke ansåg sig ha rätt att definiera termen "cyberpunk" eftersom han uppfunnit den. Bethkes definition stämmer inte överens med Dozois'.

40

Kulturteoretiker kallar detta för något så konstigt som eklekticism, vilket betyder ungefär att man saknar egenart och använder sig av lånade idéer och motiv. På ett annat plan än det ytliga är dock eklekticismen snarare ett sätt skapa egenart; jämför t ex med en diskjockey som mixar skivor - gör han det riktigt bra blir det till en konst i sig. (Se även föregående kapitel om diskjockeyer.)

Det finns en uppenbar likhet mellan Burroughs och Gysins cut-up teknik och en maskin som finns beskriven i Gullivers Resor som skrevs av Jonathan Swift redan 1726 - denna maskin framställde ordsekvenser slumpmässigt genom att operatörerna vred på handtag, varefter man febrilt letade igenom resultatet efter sekvenser med någon som helst vettig innebörd, som man sedan antecknade i en samlingsvolym.

41

Kulturteoretiker inom den såkallade kulturanalystraditionen kallar cyberpunkfilm för Tech Noir efter en bar i filmen Terminator där huvudpersonen Sarah Connor för första gången konfronteras med en mördarrobot. Kulturanalystraditionen är inte vilken kulturanalys som helst utan en hel akademisk skola med förankring i framför allt USA, England och Skandinavien. Disciplinen ligger någonstans mitt emellan beteendevetenskap, samhällsvetenskap och humaniora och företräds i Sverige framför allt av tidsskriften Montage.

När de som förstår sig på kultur och sånt mycket bättre än vad jag gör uttalar sig om cyberpunkkultur refererar de så gott som alltid till akademiker verksamma inom just kulturanalystraditionen. Det är sådana människor som slänger sig med uttryck som "modernism" och "postmodernism" i var och varannan mening. Den här boken tillhör inte kulturanalystraditionen.

42 Mannen bakom den första Alien-filmen är dessutom än en gång Ridley Scott, manuset baseras än en gång på en historia av Philip K Dick. Den andra Alien-filmen producerades av James Cameron, upphhovsman till Terminator - de stora cyberpunkfilmerna hänger ihop med de stora namnen.

43Det kostar inget att nämna ytterligare några sevärda cyberpunkfilmer: Nemesis, Westworld, The Time Guardian, R.O.T.O.R., Prototype, Screamers, Queruak, Demon Seed.

44Exempel på simstimdäck är de apparater som förekommer i filmer som Brainstorm eller Strange Days.

45En del har mycket svårt att acceptera att arbete framför en terminal kan bli viktigare än att dra upp rovor. Detta förhållande är en produkt av automatiseringen av den fysiska produktionen och något jag behandlar i appendixet. Se även min not till termen "bourgeoisi" lite längre fram i detta kapitel.

46Det pågår just nu (1998) en debatt om detta i USA. Det hävdas att de stora kreditföretagen (Visa och Mastercard) medvetet hindrar utvecklingen av smartcards, eftersom den gamla kreditformen är mer lönsam. Detta kan då bli ett fall för antitrustlagstiftningen.

47Jag har gjort en mer genomtänkt utvidgning av detta resonemang med refrens till anarkistiska idéer i en artikel med samma namn som denna bok, publicerad i nättidningen Yelah.

48Detta fenomen, att personer i stora byråkratiska organisationer tycks tappa känslan av ansvar för sina handlingar, har behandlats in extenso av bl a sociologen Zygmunt Baumann som en logisk konsekvens av det moderna samhället, men då men hänvisning speciellt till nazityskland och judeutrotningen.

49Se även nedan under "Att förbättra människan" och "extropism".

50Timothy Leary berättar utförligt om detta och många andra mörklagda delar av 60-talet i sin autobiografi Flashbacks - A Personal and Cultural History of an Era.

51

Många har hävdat att Manson använde LSD för att hjärntvätta sin "mördararmé". Leary, som var en av världens främsta experter på LSD kunde inte för sitt liv kunde förstå hur detta gått till. Vid ett tillfälle under 1973 då han återförts till amerikanskt fängelse hamnade han vägg i vägg med Manson och frågade honom om saken. "Jag är kristen. Bibeln är min manual." replikerade Manson.

För ytterligare information om hippies och den nya vänstern i Sverige, se mina artiklar på detta tema i tidningen Yelah, oktober 1998.

52Dessa relativt hårda ord om svenska hippies vet jag inte om jag skulle ha skrivit idag. Den elaka slängen åt "Nej till X" känns fortfarande berättigad. Eller som Jerry Rubin sa: "Folk vill vara för, inte emot".

53Uttrycket är myntat av Stewart Brand, grundaren av BBS:en The Well som nämndes tidigare. Den ursprungliga lydelsen är: "Information wants to be free -- because it is now so easy to copy and distribute casually -- and information wants to be expensive -- because in an Information Age, nothing is so valuable as the right information at the right time." Innebörden av uttrycket är att information tycks leva ett eget, övermänskligt liv: hemligheter tycks avslöja sig själva.

54Denna filosofi är inte accepterad i några större kretsar, snarare är Ayn Rand en husgud för nyliberaler. Robert Nozick är däremot en respekterad akademiker. Objektivismen har misstänkts för att vara en politisk sekt i stil med UFF eller Offensiv. Jag har behandlat historien om Ayn Rand och objektivismen samt dess relation till nyliberalismen i en artikel med titeln Försvaret av kapitalismen i tidningen Yelah #6 1998.

55Jag citerar Engels ur en kommentar till Kommunistiska Manifestet: "Med bourgeoisi avses de moderna kapitalisternas klass, som är ägare till de samhälleliga produktionsmedlen och exploaterar lönearbete." Som jag ser det existerar en sådan klass ännu idag.

56Cornelis Vreeswijk, Censurvisan

57Jolt-Cola är en hackarkliché, men förvånansvärt mycket snällare mot magen än någonsin kaffe.

58Se tidigare nämnda artikel om Objektivismen i tidningen Yelah #6 1998.

59Lägg namnet John Perry Barlow på minnet -- han är en av de största visionärer och samtidsfilosofer jag träffat på. Liksom Jean Baudrillard tillhör han det fåtal som har något vettigt att säga om informationssamhället.

60Detta betecknas normalt med den engelska termen "privacy".

61 Med "stark kryptering" avses i regel en kryptering med nyckellängd större än 40 bitar.

62Kanske har man skaffat sig bättre "experter" nu.

63Elektroniska fronten Sverige registrerade domännamnet efs.se (detta var på den tiden då det var relativt okomplicerat att skaffa sig domännamn direkt under .se) och några månader senare kom ett brev från Evangeliska fosterlandsstiftelsen där man var en smula upprörd över det inträffade. Elektroniska fronten ställde sig dock kallsinniga till Evangeliska fosterlandsstiftelsens anspråk.

64Vintern 1999, just nu är det svårt att säga hur framtiden ser ut på detta område pga diverse nazistiska terrorattentat.

65Tyska myndigheter försökte på detta vis stoppa den vänsterextremistiska tidningen Radikal, som påpassligt nog hade lagt sina dokument på en Holländsk dator. Försöket blev ett fiasko: ett trettiotal sympatisörer kopierade tidningens dokument till sina egna datorer, vilket resulterade i att Tyskland i princip skulle koppla bort hela världen för att bli av med Radikal.

66Exempelvis Japan har mycket liberal syn på material som vi svenskar säkert skulle kategorisera som barnpornografi. USA och Kanada har liberal syn på rasistisk och nazistisk propaganda.

67Jag är ingen vän av överstatliga organisationer annat än som diskussionsforum. Som sådana är de ypperliga. I fråga vad gäller internationella vedergällningar o dyl är jag kluven.

681997

69Dvs databrott lönar sig ibland -- om man är värst. Uppgiften kommer från en maillista för journalister under SHA-ståhejet och CIA-härvan.

70 Margot Bengtsson skriver om att detta begrepp vållade debatt runt 1967 i artikelsamlingen Det Röda Lund (1998): "(...)psykiatrin ville införa en ny diagnos för mental ohälsa, som benämndes 'sociopati'. Så som sociopatbegreppet beskrevs fick många intrycket av att det i själva verket var ett försök att sjukförklara vissa kritiska samhällsvärderingar och därmed oskadliggöra eller kanske t o m internera samhällskritiska personer. (...) Den omfattande debatten kring sociopatibegreppet gjorde att det aldrig infördes." Sålunda använder Wallin ett kontroversiellt och kliniskt icke vedertaget begrepp.

71Någon kanske reagerar på att jag talar i termer av egna åsikter. Detta beror på att det inte finns några lagar att diskutera runt.

72 Sarkasm.

73Jag är Anders R Olsson stort tack skyldig för många av detaljerna kring datalagen och datainspektionens tillkomst.

74Detta är förmodligen orsaken till att europas största hackartidskrift Hacktic, kommer från just Holland. Hackarna bakom Hacktic startade sedan ett Internetföretag som heter XS4ALL, en av Hollands största och mest kontroversiella internetleverantörer. De arrangerar exempelvis med ojämna mellanrum hackarcamping, senast 1997 under namnet HIP - Hacking In Progress.

75Detta stycke har väsentligt radikaliserats sedan föregående versioner av boken. Jag har, som man säger, ändrat åsikt. Jag tror numera allt mindre på parlamentarismens möjligheter i vår tid. Detta är en smärtsam insikt, men absolut nödvändig för att överleva.

76Om någon undrade: ja, jag har bland annat studerat socialpsykologi.

77Efter mycket bråk med Telia, som bland annat innebar att jag blev tvungen att "skicka Datainspektionen på dem" fick jag en kopia på min egen samtalslogg. Detta ledde också till förändringar i sättet Telia redovisar uppgifterna: numera finns det en rad på varje teleräkning som jag lite fantasilöst kallar "Linus Walleij-raden" som ser ut såhär: Anm) För de flesta samtalstyper kan specifikation begäras för kommande period. Telia har gjort gemensam sak med Polisen, som också vill spara dessa uppgifter (bl a för att i efterhand kunna utreda brott), gentemot datainspektionen som anser att de bör förstöras.

78Anonym hackare i Oktober 1996: "Jag är innanför Telias brandvägg igen... De satte in en ny som var mycket bättre, men jag kom runt den..."

79Alla "tänkta" händelser i episoden har inträffat i verkligheten.

80Förmodligen en form av strukturalism.

81"Korrekt" är alltid ett böjligt begrepp när man diskuterar filosofi. Ta det inte för bokstavligt. Tänk på att detta är populärvetenskap...

82Teorier som för tillfället hamnat i onåd. Håhåjaja. Enimvero di nos quasi pilas homines habent.

83Eller kanske inte. Människan kan omöjligen bli intelligent utan ett samhälle som omger henne, alltså är systemet människa+samhälle det som är intelligent... Osv osv.

84Rasar ständigt uppåt, siffran är formodligen helt felaktig när du läser detta. Antalet 1000 baserar sig på en siffra från 1994.

85En film som A Clockwork Orange framställer all form av beteendestyrning och hjärntvätt som ett övergrepp mot individen.

86Regimkritiker (som Noam Chomsky i Manufacturing Consent) ger i och för sig utomordentliga exempel på hur makten i denna värld med stor skicklighet kan manipulera det sätt på vilket vi uppfattar verkligheten.

87Någon (Fredric Jameson) har hävdat att hela genren cyberpunk / tech noir bara handlar om att omformulera det tema som illustreras i Illuminatus!, ett världsomspännande nätverk av hopvävda organisationer och informella nätverk (som i någon form faktiskt existerar) beskrivs som metafor i datorn -- det elektroniska nätverket. Den obegripliga elektroniska organismen blir till en bild för den obegripliga makten. Jag håller inte med. Datorn är i sig fascinerande och det ena är inte en symbol för det andra. Möjligen kan man se de båda som ett viktigt begreppspar.

88En filosof som skrivit mycket om upplösningen av verkligheten i en slags "virtuell verklighet" eller "hyperverklighet" är Jean Baudrillard.

89Ja, denna bild av tillvaron i en virtuell verklighet har blivit en science fiction kliché, genom sättet den används på i filmer som the Matrix, osv. Idén är säkert mer än 100 år gammal eller äldre beroende på hur man räknar. Det hela börjar med Platons uppdelning av människan i "kropp" och "själ". Ni inser direkt varför en novell / roman på detta tema skulle vara totalt överflödig.

90Nu har jag i och för sig redan bollat den här texten till publiken två gånger, så det där får jag väl ta och äta upp. Texten påminner nu mera om publikationer som The Cathedral & the Bazaar eller Homesteading the Noosphere av Eric S Raymond som löpande uppdateras.

91Jag har för övrigt haft en ingående debatt med Ola Larsmo om detta...

92Oj vad åren går. Stödstrumporna bildades av Maria-Pia Boethius, Agneta Stark, Ebba Witt-Brattström m fl för att före och under valet 1995 driva parollen "hela lönen, halva makten" i feministisk anda.

93 Ja, varenda tidning finns ju på Internet nu, 1999, med till stora delar samma innehåll som papperstidningarna, och finansierade av annonser.

94Vilket också inträffat... Jag borde bli spågubbe.

95Någon har påpekat att det borde heta "den fjärde statsmakten" med motivationen att domstolarna är den tredje självständiga statsmakten (vid sidan om regering och riksdag).

96Bara lite. Lösenord o dyl som användarna betalar för, knäcks och sprids för vinden...

97För en djupgående analys av medias manipulativa drag, se Maria-Pia Boethius Några som inte älskar oss håller på att förändra vårt land.

98Följande text är en omarbetning av material som skrevs för en artikel kallad GNU och Open Source, Stallman och Raymond i tidningen Yelah #3 1999.

99BSD, Berkeley Standard Unix, är resultatet av att amerikanska konkurrensverket ådömde AT&T som i praktiken hade monopol på operativsystemet Unix, att ge bort källkoden till universiteten. Den utvecklades snabbt till BSD som ännu är mycket populärt vid sidan av det mer "folkliga" Linux. Finns i ett flertal varianter som Open BSD, Free BSD eller Net BSD.

100Se om objektivism i kapitel 8.

101Detta är en generaliserad bild som förutsätter att företagen är oändliga i antal, antalet varianter är mycket stort, och "marknaden" är ett självständigt tänkande filter som inte vilseförs av propaganda. Detta stämmer ganska dåligt med verkligheten.

102 Förmodligen en myt.

103Organisationen Adbusters / The Media Foundation gjorde en gång ett mycket roligt påhopp på "BNP-dogmen", genom att konstatera, att varje cancerpatient som diagnosticerades, varje nedsågad regnskog (eller "djungel" som det egentligen borde heta), varje bilolycka, varje fängelsedom -- ökar BNP. Och detta är dessvärre faktiskt sant.

1041995 genomförde Telia en omfattande omorganisation vilket, som alla som läst grundläggande management vet, innebär att man raserar de sociala nätverk som uppstått på arbetsplatsen för att förstärka toppstyrets grepp om företaget.

105Och nu är det Windows NT 4.0 och Windows 98, förlåt Windows NT 5.0, förlåt Windows 2000 som gäller. Håhåjaja.

106Jag vet att besserwissrarna skriker när jag skriver såhär. Skriv en egen bok som vänder sig till dem som hänger upp sig på detaljer om det stör er.

107Numera MacOS 8, 9 och X.

108Testunderlag finns på www.gnu.org

109Man skall kanske undvika att övervärdera det "vetenskapliga samhället", som lika ofta är en skådeplats för de mest småsinta intriger och den mest larviga underkastelse.

110Pierre Bourdieu inför begreppet "kulturellt kapital" för att försöka förklara det här.

111Ett en smula elakt (och förenklat) påstående.

112Svante Tidholm påpekade att jag har en förmåga att ibland reducera individen till en marionett under makterna. Jag förstår synpunkten, men är inte klok nog att komma runt den frågeställningen. Min respekt för individens förmåga är mycket stor, och jag tar också individens parti i detta ojämna spel. Utvecklingar av mitt synsätt finns i kapitel 15 samt appendixet.

113Mina tankar i detta stycke rimmar ganska väl med de förklaringar av kvinnans rollformulering i moderniteten som litteraturvetaren Nina Björk presenterar i boken Sireners Sång från 1999.

114Det slog mig just vilket utsökt sammanträffande det är att detta inträffade just 1984.

115Det fascinerar mig hur ofta jag blir kritiserad för att ifrågasätta storföretagens makt samtidigt som jag jobbar för ett (Ericsson). Detta är givetvis en svår fråga som jag behandlat in extenso på annan plats.

116Och så en present till nyliberalerna: om äganderätten är helig, varför respekterar folk den inte när det gäller CD-skivor etc? Skulle inte du? Varför klarar inte marknaden av att lösa det här problemet, om nu legislaturan är maktlös? Säg, visst finns det problem som varken kan lösas av staten eller marknaden?

117Ordet paradigm är ett sådant där ord som smitit ut ur det akademiska språket. Var försiktig om du använder det i närheten av vetenskapligt skolade människor, eftersom nyckelordet inom vetenskap är exakthet -- paradigm betyder alltså bara en enda specifik sak, inte något allmängiltigt. Att använda ordet utanför vetenskapsfilosofi kan lätt betraktas som vulgärt, även om det är mycket vanligt. Motsatsen till vetenskapligt språkbruk hittar man i New Age-kulturen: där är det snarare frågan om att vara så luddig som möjligt. Populärkultur som den här boken får försöka gå någon slags balansgång mellan dessa två.

118Bernstein, ursprungligen lingvist, tillhör någon strukturalistisk eller poststrukturalistisk skola. Det är inte speciellt viktigt i sammanhanget.

119För jämförelsens skull måste jag nämna att detta sätt att tänka går igen i flera subkulturer: Kommunistiska och anarkistiska sammanslutningar betraktar ibland i sina mest paranoida stunder resten av samhället som en kapitalistisk konspiration. Nazisterna betraktar det överiga samhället som ZOG -- Zionist Occupational Government (Den sionistiska ockupationsregeringen), man måste använda denna tankefigur med mycket stort omdöme.

120Och jag vete tusan om jag någonsin kommer att jobba på det projektet igen. Sedan denna bok påbörjades har jag skrivit en roman, D21, som utspelar sig i Linköping 1967-69 som jag inte är nöjd med, och en uppföljare till samma roman under namnet RP8601 som utspelar sig i Partille i slutet på 1980-talet är under arbete.

121En version för telefoni är under utveckling.

122Wilmer X

123Samtliga citat är hämtade ur e-postkommunikation med Otto Sync.

124X.28 är standard för PAD:ar (Packet Assembler / Disassembler), vilket är det samma som den dator man ringer upp för att ansluta sig till Datapak, medan X.75 är en standard för att koppla samman flera X.25-nätverk.

125Ledell, Göran (red) Dataolyckor -- Har det verkligen hänt någon gång? INFOSEC, Lund 1992

126Denna uppgift och liknande är hämtade från rättegångshandlingarna i det aktuella målet: B 486/92 vid Katrineholms tingsrätt.

127Konversationsutdrag är hämtade ur rättegångshandlingarna.

128Försöken gjordes vid Telia Research AB i Haninge under ledning av Stewart Kowalski.

129På fackspråk DNR -- Dialled Number Recorder.

130Ibland lönar det sig att läsa mer än en bok, Katie Hafner och John Markoff:s Cyberpunk rekommenderas varmt till de som förläst sig på Stoll.

131Expressen, fredag 4 februari 1994, sid 11.

cfi-3.0.orig/sv/cfi.tex0100664000175000017500000301213207311654724013727 0ustar miccemicce\documentclass[a4paper]{book} \addtolength{\topmargin}{-1cm} \addtolength{\evensidemargin}{-3cm} \addtolength{\oddsidemargin}{-1cm} \addtolength{\textwidth}{4cm} \usepackage{graphics} \usepackage[T1]{fontenc} \usepackage[swedish]{babel} \newif\ifpdf \ifx\pdfoutput\undefined \pdffalse \else \pdftrue \fi \ifpdf % Saves a lot of space in PDF files \usepackage{times} \pdfcompresslevel=9 \fi \title{Copyright finns inte V3.0} \author{Linus Walleij} \date{1999-12-31 23:59} \begin{document} \maketitle \tableofcontents \chapter*{Omsvep} Jag skulle kunna b\"orja den h\"ar texten med att skriva: \textit{"{}Jag har valt att kalla f\"orordet till denna bok f\"or Omsvep med h\"arledning till det mer l\"ampade engelska 'Preface', allts\aa{} n\aa{}got som kommer utanf\"or det egentliga objektets yta, jfr t~ex engelskans 'Surface' av 'Surrounding' (omgivande) och 'Face' (Ansikte, Yta). Jag finner denna nyskapande terminologi m\"odan v\"ard med anledning av bla bla bla..."{}} Allt s\aa{}dant kallprat \"ar bara en etikett man s\"atter p\aa{} sina litter\"ara verk f\"or att tydligt visa f\"or akademiska l\"asare att man tillh\"or den bildade v\"arlden, det vetenskapliga samh\"allet. Jag har det tvivelaktiga n\"ojet att \"annu vara relativt ung och of\"orst\"ord, och d\"arf\"or ser jag mig befriad fr\aa{}n plikten att beh\"ova tr\aa{}ka ut er stackars l\"asare med s\aa{}dant dravel, trots att jag faktiskt \textit{kan} konstruera riktigt knepiga resonemang n\"ar jag k\"anner f\"or det. Den akademiska formen \"ar bara ett av de formspr\aa{}k jag anv\"ander i den h\"ar boken. Jag skall b\"orja med att tala om vad det kostade mig att skapa den h\"ar boken: massor. Massor med tid, och i realiteten massor med pengar. Jag klagar inte. Jag har haft gott om b\aa{}de tid och pengar. En stor del av boken skrevs som en etapp av mina studier medan jag \"annu studerade p\aa{} folkh\"ogskola, och \"ar d\"arf\"or mer eller mindre finansierad med de skattemedel i form av studiebidrag som jag uppbar under denna studietid. I n\aa{}gon m\aa{}n skulle man p\aa{} s\aa{} vis kunna p\aa{}st\aa{} att denna bok tillh\"or samh\"allet. Fr\aa{}gan \"ar om samh\"allet skulle vilja k\"annas vid den. Jag har valt att ta konsekvensen av mina egna resonemang. Jag har i boken d\"omt ut copyright som ett urmodigt och dumt p\aa{}hitt, mest avsett att fixera samh\"allets maktbalans i sitt nuvarande l\"age. Allts\aa{} saknar denna bok copyright. Det finns en del argument f\"or att f\"orse boken med copyright. L\aa{}t mig behandla dem ett och ett: \textbf{Du kan inte tj\"ana n\aa{}got p\aa{} den h\"ar boken}. Sant. Och falskt. Jag har redan tj\"anat en j\"akla massa p\aa{} den h\"ar boken. Andligt. I branchen kallar vi det intellektuellt kapital. Jag har f\aa{}tt en del nya v\"anner. I branchen kallar vi det humankapital. \AA{}t helvete med detta j\"avla kapital, f\"orresten. Jag har s\aa{} att jag klarar mig \"and\aa{}. F\"orfattande \"ar inte mitt leverbr\"od. I varje fall inte \"an. Jag s\"ager inte att det \"ar fel att tj\"ana pengar p\aa{} att skriva b\"ocker, jag s\"ager att det vore fel av \textit{mig} att tj\"ana pengar p\aa{} \textit{den h\"ar} boken. \textbf{Du har ingen koll p\aa{} hur boken sprids}. Jag har ingen j\"avla \"onskan att kontrollera hur den h\"ar boken sprids. Det framg\aa{}r av den del av undertiteln som jag lite provocerande har l\aa{}nat fr\aa{}n Nietzsche: \textit{en bok f\"or ingen och f\"or alla}. Att sedan b\"orja tala om copyright vore inkonsekvent. All information borde f\"orresten vara fri. \textbf{N\aa{}gon skulle kunna f\"orvanska texten och p\aa{}st\aa{} att hon/han sj\"alv skrivit den}. \"An sen. Var poet \"ar en tjuv, var konstn\"ar \"ar en kannibal, som det s\aa{} vackert heter. (Jag vet tyv\"arr inte vem som har sagt det.) En bra bok stj\"al alla ifr\aa{}n, bara s\aa{} att det inte m\"arks. Om n\aa{}gon stj\"al n\aa{}got fr\aa{}n denna bok s\aa{} att det m\"arks demonsterar han/hon bara sin uppenbart begr\"ansade kreativitet. Om n\aa{}gon stj\"al \textit{utan} att det m\"arks, m\"arker inte jag det heller, och d\aa{} lider jag knappast av det. \textbf{N\aa{}gon skulle kunna f\"orvanska texten och sprida den f\"or att skada dig}. En s\aa{}dan m\"anniska bryr sig nog inte om copyright eller inte. Copyright skulle i detta fall bara tillf\"ora en m\"ojlighet att straffa en m\"anniska som gjorde n\aa{}got s\aa{}dant. Jag skulle \"and\aa{} inte orka driva n\aa{}gra processer: det vore sl\"oseri med tid. F\"or \"ovrigt m\aa{}ste vi f\"ors\"oka lita p\aa{} varandra i det h\"ar samh\"allet n\aa{}gon j\"akla g\aa{}ng. N\"ar du har l\"ast s\aa{} h\"ar l\aa{}ngt inser du s\"akert att jag ger dig fria h\"ander. Spridningen av denna bok \"ar ocks\aa{} ditt ansvar, och klangen av dess budskap ringer redan i ditt \"ora. L\"agg den p\aa{} disketter och ge till dina v\"anner. L\"agg den p\aa{} CD-ROM skivor och skicka med p\aa{} omslaget till tidningar. Tryck ut den p\aa{} papper om du k\"anner f\"or det. Tryck ut den, h\"afta in den, och anv\"and den som kurslitteratur om informationssamh\"allet. Tryck ut hundra exemplar p\aa{} papper och ge bort till dina kompisar, men gl\"om inte bort att om du g\"or fler \"an 50 kopior f\"or offentligt bruk m\aa{}ste du skicka 7 pliktexemplar till bland annat riksarkivet, ty s\aa{} lyder lagen om pliktexemplar av offentliga dokument. (Sj\"alv skulle jag bli \"overlycklig om denna bok d\"ok upp i forskningsarkiven.) Tryck upp den och s\"alj den om det roar dig. Lyckas du tj\"ana pengar p\aa{} den g\"or du \aa{}tminstone mig f\"orv\aa{}nad. Allt i det h\"ar samh\"allet g\aa{}r \"and\aa{} ut p\aa{} att utnyttja andra. En av de industrier som likt kannibaler utnyttjar m\"anniskor, \"ar dessv\"arre f\"orlagsindustrin. M\aa{}tte detta vara en nagel i \"ogat p\aa{} dem. Till sist skall jag varna f\"or att denna bok definitivt \"ar f\"argad av mina egna \aa{}sikter och v\"arderingar. Jag \"ar en uttalad individualist, och har heller inget emot att bli kallad socialist. I sk\"arningspunkten mellan dessa tv\aa{} v\"arderingar finns en ideologi som inte \"ar s\"arkilt vida k\"and, men som kallas syndikalism eller (v\"anster-) anarkism. I princip anser jag att all privat egendom \"ar st\"old,\footnote{Privat materiell egendom \"ar st\"old. "{}Intellektuell egendom"{} \"ar n\aa{}got v\"arre, m\"ojligen v\"apnat r\aa{}n. Censur \"ar v\aa{}ldt\"akt.} men jag \"ar inte s\aa{} j\"avla dum att jag inte inser att ett samh\"alle utan privat egendom \"ar en utopi. Mina \aa{}sikter om yttrande- och tryckfrihet \"ar ungef\"ar de samma som hyses av Sveriges mest nyliberala organisationer. Jag har inget emot sm\aa{} och medelstora f\"oretag, men enorma transkontinentala koncerner \"ar f\"or mig farligare maktfaktorer \"an folkvalda regeringar, och som s\aa{}dana m\aa{}ste de underkastas samma granskning som den folkvalda makten. Nu kan du l\"asa boken utan omsvep. \chapter{COPYRIGHT FINNS INTE} \begin{center} \textbf{V3.0} \textbf{En bok om information och makt} \textbf{F\"or alla och f\"or ingen} \textbf{DEUS EX MACHINA} \textbf{CARCERES EX NOVUM} \end{center} \textbf{Den h\"ar boken om str\"omningar inom Litteratur, Teknologi, Musik, Film, Juridik och Ideologi skrevs efter att jag insett att om inte jag gjorde det s\aa{} skulle n\aa{}gon annan g\"ora det, men ocks\aa{} f\"or att g\"ora klart f\"or alla Sveriges trevliga hackare var de har sitt historiska och ideologiska arv. Slutligen finns det en l\"att popul\"arvetenskaplig ton i det hela, f\"or att g\"ora det n\aa{}gots\aa{}n\"ar l\"attbegripligt.} N\aa{}gra fr\aa{}gor du b\"or veta svaret p\aa{} innan du b\"orjar l\"asa denna bok: \textit{Varf\"or skall jag l\"asa det h\"ar?} \textbf{Svar:} F\"or att du skall f\"orst\aa{} nya begrepp i informationssamh\"allet, den nya ungdomskulturen och samh\"allsdebatten, men ocks\aa{} f\"or att du skall ha en chans att bilda dig en egen uppfattning genom att konfronteras med mina och andras \aa{}sikter. Boken \"ar centrerad kring kulturella fenomen eftersom de tydligast visar vart ett samh\"alle \"ar p\aa{} v\"ag. \textit{V\aa{}rt} samh\"alle \textit{p\aa{} gr\"ansen} till informationssamh\"allet kallas ibland det \textit{postindustriella} samh\"allet. Jag skall inte sticka under stolen med att jag ocks\aa{} vill f\aa{} dig att ifr\aa{}gas\"atta det samh\"allet. \textit{Vad \"ar en Dator?} \textbf{Svar:} En dator \"ar ett f\"orem\aa{}l som f\"oljer de fysiska lagarna, precis som en m\"anniska. Precis som en m\"anniska \"ar den varken ond, tr\aa{}kig, sn\"all, kr\aa{}nglig eller s\"arskilt intelligent. Den blir vad du g\"or den till. Precis som en m\"anniska i ett samh\"alle. Skillnaden mellan en m\"anniska och en dator \"ar att datorn har en chans att absolut s\"akert veta vem som skapat den, och att den i princip kan se ut precis hur som helst. \AA{}r 1995 tror de flesta att en dator ser ut som en fyrkantig l\aa{}da. Dator \"ar ett konstigt ord som m\aa{}nga s\"ager fel p\aa{}. Fysikern Hannes Alfv\'{e}n f\"oreslog att man skulle kalla det en \textit{data}, flera \textit{dator}, men tekniska nomenklaturcentralen b\"ast\"amde att man skulle s\"aga en \textit{dator}, flera \textit{datorer} ist\"allet. Kanske gjorde man detta f\"or att undvika att f\"orv\"axla ordet med data i betydelsen \textit{information.} Kanske gjorde man det bara f\"or att \textit{data} l\"at f\"or feminint och man ville att datorn skulle vara en \textit{han}. Gud vet. Branchen skilde en g\aa{}ng p\aa{} \textit{mikrodatorer, minidatorer, stordatorer} och \textit{superdatorer}, d\"ar det \"ar t\"ankt att den ena skall vara h\"aftigare \"an den andra.\footnote{En del talar om "{}high end"{} och "{}low end"{} datorer. "{}High end"{} \"ar de st\"orsta, medan "{}low end"{} \"ar den sort som sitter i mikrov\aa{}gsugnar.} Numera \"ar gr\"anserna f\"or vad som \"ar vad s\aa{} flytande att de h\"ar beteckningarna \"ar en smula f\"or\aa{}ldrade. En mikrodator \"ar exempelvis en PC eller liknande hemdator. De andra sorterna har en normal m\"anniska knappt sett. \textit{Vad \"ar ett Datan\"atverk?} \textbf{Svar:} Ett datan\"atverk \"ar tv\aa{} eller flera sj\"alvst\"andiga datorer som man kopplat ihop med kabel. Man brukar skilja p\aa{} LAN (Local Area Network) d\"ar man kopplar ihop alla datorer i en byggnad eller som mest ett helt kvarter, MAN (Metropolian Area Network) med datorer i en hel stad sammanl\"ankade och WAN (Wide Area Network) som kopplar ihop datorer \"over riktigt stora avst\aa{}nd. St\"orst av alla \"ar Internet som kopplar ihop datorer av alla typer och \"over hela v\"arlden med varandra. Ett datan\"atverk kan transportera information mellan datorer, sedan m\aa{} det vara text, bilder, ljud eller vad som helst som kan tryckas in i en dator. Som en telefon eller brev fast lite b\"attre och snabbare. Hela telefonn\"atet \"ar egentligen ocks\aa{} ett datan\"atverk, med den skillnaden att man kopplar ihop m\"anniskor ist\"allet f\"or datorer. M\aa{}nga WAN-datan\"atverk som t~ex Internet utnyttjar ocks\aa{} telefonn\"atet ist\"allet f\"or att l\"agga egna kablar. De datorer som h\aa{}ller samman ett datan\"atverk \"ar n\"astan uteslutande av mini- eller stordatortyp, eller speciella s\aa{}kallade routrar och switchar dvs stora, gr\aa{} kylsk\aa{}psliknande saker. \textit{Vad \"ar en BBS?} \textbf{Svar:} BBS betyder \textit{Bulletin Billboard System}, rakt \"oversatt allts\aa{} en anslagstavla f\"or elektroniska bulletiner. Precis som en vanlig anslagstavla kr\"avs det att du regelbundet g\aa{}r dit f\"or att ta del i inneh\aa{}llet. Du kan ocks\aa{} s\"atta upp egna "{}lappar"{} och f\aa{} svar p\aa{} dina inl\"agg i form av andra skriftliga meddelanden. Det finns BBS:er f\"or alla intresseomr\aa{}den. Det finns BBS:er som till viss del \"ar inkopplade p\aa{} Internet, och det finns de som inte \"ar det. En BBS n\aa{}r man idag med hj\"alp av ett modem, en dator och en telefon. BBS:er f\"orsvinner idag alltmer och ers\"atts med konferenssystem (en sorts j\"attestora BBS:er) p\aa{} det mycket st\"orre och b\"attre Internet, det mest k\"anda systemet \"ar Usenet. En BBS kunde p\aa{} sin tid ocks\aa{} anv\"andas f\"or att skicka privat elektronisk post mellan anv\"andarna eller f\"or att massdistribuera dataprogram. \textit{Vad \"ar Telerymd (Cyberspace)?} \textbf{Svar:} Telerymden \"ar den plats d\"ar dina pengar som du har insatta p\aa{} banken befinner sig. Det \"ar platsen d\"ar ett telefonsamtal \"ager rum och det \"ar den rymd som TV-programmen f\"ardas genom p\aa{} v\"ag till din mottagare. Det \"ar en elektronisk v\"arld av information som egentligen bara existerar d\"arf\"or att m\"anniskor kommit \"overens om att den finns och fungerar. Fysiskt best\aa{}r den av kablar, radiov\aa{}gor, ljuspulser och stora datorer med enorma elektroniska minnen. Den \"ar en fysisk f\"oreteelse i den "{}verkliga"{} v\"arlden som vi med lite god vilja kan uppfatta som ett eget universum. Det \"ar en v\"arld d\"ar m\"anniskan \"ar Gud och har skapat allt. Den \"ar n\aa{}got av en religion. N\"astan alla m\"anniskor "{}tror"{} p\aa{} telerymden. Annars skulle de inte g\aa{} till bankomaten f\"or att ta ut pengar. Hela v\aa{}rt v\"asterl\"andska ekonomiska system finns i telerymden. Telerymden har funnits sedan den 10 mars 1876 d\aa{} den "{}uppfanns"{} av Alexander Graham Bell. Utan elektricitet finns inte telerymden. V\aa{}r civilisation \"ar redan beroende av telerymden; om telerymden f\"orsvann skulle all ekonomi kollapsa och hela v\"astv\"arlden g\aa{} under. F\"or att "{}ta sig in"{} i telerymden anv\"ander man \textit{Informationsteknik}. \textit{Vad \"ar ett Virtuellt Samh\"alle?} \textbf{Svar:} En bekl\"ammande sak med telerymden \"ar att den \"ar en ironisk spegelbild av v\aa{}rt eget samh\"alle, och det \"ar kanske det som f\aa{}r oss att frukta den mest. Virtuella samh\"allen finns i telerymden och best\aa{}r av l\"ost sammanh\aa{}llna grupper med olika m\aa{}l och v\"arderingar, n\aa{}gra personer som bildar en sammanslutning utan att n\aa{}gonsin ha tr\"affats i verkligheten. De \"ar helt geografiskt obundna; det virtuella samh\"allet \"ar i st\"allet ofta bundet till en viss typ av utrustning, som exempelvis Internet, ett visst datorm\"arke, osv. Det finns virtuella samh\"allen som \"ar nazistiska, pacifistiska, anarkistiska, socialdemokratiska o.s.v. I realiteten \"ar de virtuella samh\"allen man talar om inget annat \"an sm\aa{} skyddade \"oar p\aa{} Internet med ett eget diskussionsforum och ett eget nyhetsbrev. Smarta marknadsf\"orare f\"ors\"oker ofta skapa virtuella samh\"allen runt exempelvis en produkt eller en tj\"anst (exempelvis Postens \textit{Torget} och Telias \textit{Passagen} under slutet av 90-talet), men misslyckas oftast. \textit{Vad \"ar en Ungdom?} \textbf{Svar:} En ungdom \"ar en ung m\"anniska. En ung m\"anniska har i v\aa{}rt samh\"alle p\aa{} ett underligt vis f\aa{}tt rollen att ifr\aa{}gas\"atta sin omgivning och utforma nya ideal som s\aa{} gott som alltid f\"orkastas av de vuxna. Ungdomens uppgift \"ar att komma med id\'{e}er som de vuxna m\aa{}ste bromsa upp f\"or att de inte skall skena iv\"ag innan konsekvenserna granskats. H\"ar \"ar en klich\'{e}: "{}en ungdom utformar och utvecklar tillsammans med de vuxna framtidens samh\"alle"{}. F\"or att f\aa{} t\"anka ost\"ort brukar ungdomar umg\aa{}s i s\aa{}kallade subkulturer. De vuxna brukar ofta inte t\"anka alls, utan tittar p\aa{} TV och utf\"or n\"odv\"andigt monotont arbete ist\"allet. I den m\aa{}n de t\"anker alls g\"or de det i samband med kultur som inte har sub- framf\"or sig. \textit{Var b\"orjar jag?} \textbf{Svar:} H\"ar. VARNING! Detta \"ar en bok som inte skildrar skeenden och h\"andelser i svart och vitt. Den \"ar inte heller objektiv. (Den som utger sig f\"or att vara objektiv i den h\"ar v\"arlden \"ar som bekant inte riktigt klok.) Den \"ar inte ens hundraprocentigt konsekvent. Men jag hoppas att den \"ar intressant f\"or en t\"ankande l\"asare. Under det som till en b\"orjan liknar en sammanfattning av udda nutidskultur finns n\"amligen ett uttalat politiskt budskap av en typ som jag f\"orest\"aller mig att f\aa{} av er som l\"aser det h\"ar n\aa{}gonsin tidigare sk\aa{}dat. \section*{Ett slags manifest} \textit{"{}Welcome to the machine"{}}\\ \textbf{Roger Waters / Pink Floyd} \section*{VARF\"OR JAG VILL LEVA} I korridoren med sina anteckningsblock \\ springer faller p\aa{} plats sin plats... \\ F\"ors\"oker planera ett liv de inte sj\"alva vill ha \\ F\"ors\"oker f\aa{} allt att falla p\aa{} plats \\ Allt ska bli s\aa{} f\"orbannat bra \\ Med studierna yrket och familjen \\ allt ska bli s\aa{} f\"orbannat bra \\ Med fem rutor matte och en timme f\"or ekonomi \\ f\"or analys tillv\"axt stagnation alienation trigonometri \\ En ruta sociologi och en ruta kultur \\ Men jag vill leva din j\"avel, jag vill leva! \\ Hur l\"ange tror ni egentligen att det h\aa{}ller \\ Lyckan, framtiden som mamma och pappa \\ Stadgat socialgrupp 1 och 2 \\ det finns ingen v\"ag ut \\ tror ni verkligen att det h\aa{}ller? \\ Lycka, det g\"aller att charma r\"att person \\ en som sj\"alv kan f\"orst\aa{} er situation \\ Samordna kaoset inom fyra v\"aggar i f\"orort \\ -- v\"alkommen tillbaka till maskinen! \\ Jag vill leva \textit{din j\"avel}, jag vill leva! \\ Hur l\"ange tror du att det h\aa{}ller? \\ En livsstil den finns p\aa{} TV \\ sug den som den svamp du \"ar i systemet \\ tror du verkligen att det h\aa{}ller? \\ Tror du att det kan fungera? \\ Jag vill leva din j\"avel, jag vill leva! \\ Och du som inte f\aa{}r n\aa{}got gjort f\"or du vill leva \\ tror du att du kommer att f\aa{} leva? \\ Med l\"ogner d\"ar tryggheten skulle sitta \\ JAG VILL LEVA DIN J\"AVEL, JAG VILL LEVA! \\ Din fria stil \"ar verkligen unik \\ Lika unik som atomer du \"ar unik som fan \\ Passiv som en barkbit i str\"ommen \\ Inget med dig \"ar unikt du \"ar vanlig \\ Vanlig m\"onstergill anpassad \\ -- v\"alkommen in i maskinen! \\ till din sociala och ekonomiska roll \\ som teaterapa poet kulturprofet \\ Mycket vanligt mycket bra s\aa{} forts\"att \\ Du \"ar anpassad det var l\"att som en pl\"att \\ \textit{JAG VILL LEVA DIN J\"AVEL, JAG VILL LEVA!} \\ \textit{F\"OR G\"ODEL, BURROUGHS OCH KUHN} \\ \textit{JAG VILL LEVA!} \chapter{HACKARE!} \textbf{HACKER...} sj\"alva ordet har en magisk laddning, och associationerna kan vara minst sagt splittrade n\"ar det n\"amns. P\aa{} svenska heter det hackare. F\"or en del \"ar det f\"orknippat med databrott, intr\aa{}ng och spionage. Andra f\"orest\"aller sig en mager, glas\"ogonprydd samt finnig ton\aa{}ring framf\"or en bildsk\"arm som tillbringar det mesta av sin tid i s\"allskap med datorn, och n\aa{}gon kommer s\"akert att t\"anka p\aa{} datachefen p\aa{} jobbet. Under de senaste \aa{}ren har en del till och med gjort g\"allande att hackaren \"ar en hj\"alte. Jag skulle sj\"alv kalla hackaren f\"or s\"andebud -- han har s\"ants ut av m\"anskligheten f\"or att utforska informationens v\"arldar. Detta uppdrag kan verka otydligt och sj\"alvp\aa{}taget, kanske rent av bef\"angt, men kommer att bli alltmer uppenbart ju l\"angre du l\"aser i den h\"ar boken. Ordet l\"ar fr\aa{}n b\"orjan ha till\"ampats p\aa{} de personer som n\aa{}gon g\aa{}ng p\aa{} femtiotalet kr\"op under t\aa{}gbanan i \textbf{Tech Model Railroad Clubs} (TMRC) klubbrum p\aa{} \textbf{Massachusetts Institute of Technology} (MIT) och drog fram sladdar mellan v\"axlar och rel\"aer, en av de f\"orsta datorliknande konstruktionerna. Ett \textit{hack} var fr\aa{}n b\"orjan detsamma som ett studentsk\"amt, den typ av sm\aa{} spratt som olika fakulteter hittar p\aa{} f\"or att skoja med skolan (eller andra, rivaliserande skolor), som att kl\"a in hela skoltaket med aluminumfolie. Ett bra hack skulle vara i\"ogonenfallande och f\aa{} iakttageren att fr\aa{}ga sig \textit{"{}hur fan har dom gjort det d\"ar??"{}}. Det blev sedan synonymt med en uppseendev\"ackande l\"osning p\aa{} ett tekniskt problem, ett roligt program eller ett p\aa{} n\aa{}got annat s\"att snillrikt p\aa{}fund. En hackare var allts\aa{} den som konstruerade s\aa{}dana manicker. En hackare \"ar defintionsm\"assigt en person som \"agnar sig \aa{}t datorn f\"or dess egen skull och dessutom tycker det \"ar roligt. En f\"orfattare som jobbar hela dagarna med en ordbehandlare \"ar inte n\aa{}gon hackare. Inte en layoutspecialist, lagerinventerare, systemerare eller datal\"arare heller. Deras profession inneb\"ar att de hela tiden anv\"ander datorn som ett verktyg f\"or att f\"orenkla n\aa{}gon annan syssla. En \textit{programmerare} som \"alskar sitt jobb \"ar d\"aremot en hackare. En begeistrad \textit{datatekniker} eller \textit{mikrodatorkonstrukt\"or} \"ar ocks\aa{} hackare. Och s\aa{} finns det \textit{hobbyhackare} och det \"ar egentligen den st\"orsta och mest f\"orbisedda gruppen, eftersom de inte arbetar yrkesm\"assigt med datorn. Amat\"orerna har inga PR-chefer som talar f\"or dem och inga bokf\"orlag eller egna branchtidningar som trycker deras \aa{}sikter. En del medier riktar sig till datorentusiaster, men f\"or s\"allan deras talan. Datamedier i allm\"anhet tenderar ist\"allet att vilja \textit{uppfostra} amat\"orerna s\aa{} att de blir likadana som proffsen. Jag t\"anker i den f\"oljande texten f\"ors\"oka sammanfatta ett antal begrepp, id\'{e}er och namn, alla med anknytning till elektronisk kultur och speciellt till hackarkultur. Jag kommer ocks\aa{} att g\"ora n\aa{}got ganska vanskligt -- jag f\"ors\"oker placera in h\"andelserna och id\'{e}erna i ett historiskt perspektiv, vilket \"ar mycket v\aa{}gat, dels f\"or att det r\"or sig om en relativt kort tid, dels f\"or att det \"ar s\aa{}dant man brukar f\aa{} en v\"aldig massa skit f\"or. Men jag g\"or det \"and\aa{}. Anledningen till att jag anser mig v\"ardig denna uppgift \"ar att jag sj\"alv vuxit upp med den h\"ar kulturen, och att jag p\aa{}st\aa{}r mig ha ett personligt f\"orh\aa{}llande till den. Jag skulle till och med vilja p\aa{}st\aa{} att jag har n\aa{}got av min informationsgenerations anda i blodet. Dessutom \textit{k\"anner} jag att det \textit{m\aa{}ste} g\"oras. Det \"ar en knivig historia om framf\"or allt ungdomar, p\aa{} 60--, 70--, 80-- och 90--talen. Det \"ar en historia om h\"angivet arbete, dataprogram, auktoriteter och snillrika vetenskapsm\"an. Det handlar om hippier, yippier, nyliberaler, anarkister och klassisk socialism i en salig r\"ora, och den ideologi som genom ett gytter av subkulturer f\"otts ur denna r\"ora. Vi kommer att kastas mellan ordning och kaos, fr\aa{}n tysta datasalar d\"ar endast det mjuka ljudet av tangenter som trycks ned kan h\"oras, till h\"ogoktaniga decibel p\aa{} ett rave i en lagerlokal i Hammarbyhamnen. Nu skall vi till att b\"orja med f\"orflytta oss till MIT, n\aa{}gon g\aa{}ng p\aa{} sextiotalet, f\"or det \"ar d\"ar historien f\"or v\aa{}r del b\"orjar... \section*{Hackarkulturens Vagga} Det var ingen slump att det kom att bli just p\aa{} MIT som hackarkulturen f\"oddes. H\"ar fanns de f\"orsta st\"orre datan\"atverken, och fakulteten uppt\"ackte att vissa av studenterna fr\aa{}n j\"arnv\"agsklubben jobbade s\aa{} engagerat med datorerna att de sl\"appte p\aa{} tyglarna och l\"at eleverna arbeta i princip helt p\aa{} egen hand. Bland de mer namnbekanta av dessa liberala l\"arare fanns \textbf{Marvin Minsky}, numera legendarisk forskare inom artificiell intelligens. Den f\"orsta hackargruppen hade p\aa{} s\aa{} vis uppst\aa{}tt ur ett j\"arng\"ang av intresserade studenter. Den arbetsdisciplin som utvecklades bland dessa hackare p\aa{} MIT var ett mellanting av studier och id\'{e}ellt f\"oreningsliv. Hackargruppen i sig var inte n\aa{}got nytt. Hackarna var som alla andra sm\aa{} studentf\"oreningar - p\aa{} ont och gott. Ju l\"angre utvecklingen p\aa{}gick, desto mer sekteristiska och h\"angivna blev de. St\"amningen i gruppen b\"orjade likna den i filmen \textit{D\"oda Poeters S\"allskap} och man f\"orsummade alltmer studierna f\"or att ist\"allet \"agna sig \aa{}t datorerna. Speciellt Digital Equipments dator \textbf{PDP-} visade sig vara otroligt vanebildande. Datorn skilde sig fr\aa{}n de monstru\"osa IBM-maskinerna som sedan 1948 s\aa{}lts till universiteten genom att man arbetade \textit{direkt} med den. Man kunde se sitt program utf\"oras, och man kunde r\"atta till sm\aa{}fel medan programmet k\"ordes. I ett nafs uppfann hackarna en m\"angd nya programmeringsknep och utvecklade bland annat det f\"orsta dataspelet, \textit{Spacewar}, och den f\"orsta joysticken. Hackarnas bedrifter blev s\aa{} bryktade att de hj\"alpte till att utforma datorn \textbf{PDP-}, som blev en \"annu st\"orre framg\aa{}ng f\"or f\"oretaget. Digital tillverkade sedan stora monster som hette \textbf{VAX} eller \textbf{DEC} (plus en eller annan versionssiffra) och har till stor del hackarna p\aa{} MIT att tacka f\"or sina framg\aa{}ngar. Hade nu hackarna blivit behandlade som andra h\"ogskoleelever hade de skickats iv\"ag fr\aa{}n skolan n\"ar det visade sig att de bara hackade dag och natt ist\"allet f\"or att plugga p\aa{} sina tentor, och d\"armed hade sagan varit all. Nu var det dock s\aa{} att det amerikanska f\"orsvaret i form av \textbf{ARPA} (Advanced Research Projects Agency, byr\aa{}n f\"or avancerade forskningsprojekt) blev intresserade av MIT:s resurser och gav dem pengar att anst\"alla utvecklare f\"or ett projekt som kallades \textit{MAC}. Denna f\"orkortning stod f\"or \textit{Multiple Access Computing, Machine Aided Cognition} vilket innebar att flera anv\"andare skulle kunna dela p\aa{} en dator, och att det skulle vara l\"att f\"or anv\"andarna att utnyttja datorns resurser. P\aa{} MIT utvecklade hackarna sedan n\"atverk, meddelandesystem (ett av v\"arldens f\"orsta sk \textit{time-sharing system} (sv: tidsdelningssystem) som innebar att flera anv\"andare kunde dela p\aa{} en dator genom att l\aa{}ta datorn \"agna sig \aa{}t dem en i taget) och framf\"or allt \textit{artificiell intelligens}, ett forskningsomr\aa{}de d\"ar man \"an idag \"ar v\"arldsledande. Man klurade \"over intelligensens v\"asen och f\"orstod inte vad det var som gjorde det s\aa{} sv\aa{}rt att f\aa{}nga ens den enklaste intelligenta operation i en dators kretsar. P\aa{} slutet av 1970--talet gav en dataprofessor vid namn \textbf{Douglas Hofstadter} ut en bok med direkt religi\"osa undertoner som hette \textit{G\"odel Escher Bach -- ett Evigt Gyllene Band}, och som har f\aa{}tt st\aa{} modell f\"or hackarnas v\"arldssyn. Boken \"ar vida spridd bland hackare, och anses \"aven bland litteraturvetare som ett m\"asterverk. Dessv\"arre \"ar boken \textit{sv\aa{}r} (men inte \textit{sv\aa{}rl\"ast}) och placerad under hyllsignum \textbf{T} bland b\"ocker om matematik, vilket avskr\"acker m\aa{}nga. Fr\aa{}n Hofstadter h\"amtade hackarna en filosofisk grund till sin kultur; det var tankar om sj\"alvreferens i intelligenta system (det vi brukar kalla att \textit{l\"ara av sina misstag}) med h\"arledningar till s\aa{} skilda omr\aa{}den som olika paradoxer bland de antika filosoferna, \textbf{Bachs} matematiska lek med harmonier, \textbf{Eschers} matematiskt inspirerade etsningar och teckningar eller \textbf{Benoit Mandelbrots} teorier om ordning i kaos. (N\aa{}got som vi ser illustrerat i bl.a datorgenererade kaosbilder, sk \textit{fraktaler}.) Resonemanget i boken leder s\aa{} sm\aa{}ningom l\"asaren fram till insikt i \textit{G\"odels teorem} som bevisar att varje fullst\"andigt matematiskt system till sin natur \"ar ofullst\"andigt, dvs \textit{m\aa{}ste} inneh\aa{}lla sanningar som inte kan bevisas. Hofstadters bok mynnar ut i ett resonemang kring sj\"alvreferens och artificiell intelligens (kort AI) som \"ar t\"ankt att visa hur det \"ar m\"ojligt att beskriva m\"ansklig och maskinell intelligens som bunden till matematiska system. MIT var som jag sade pionj\"arer p\aa{} forskning kring artificiell intelligens och m\aa{}nga av hackarna var tidigt \"overtygade (och \"ar det \"an idag) om m\"ojligheten att bygga intelligenta maskiner. N\aa{}v\"al, vi n\"ojer oss med att konstatera att denna f\"orsta hackargeneration var mycket upptagen av just matematik, matematisk filosofi och andra klassiska naturvetenskaper. Den filosofi kring intelligenta system som f\"oddes p\aa{} MIT blev st\"ottepelare i denna f\"orsta hackargeneration. Det blev viktigt f\"or hackarna att visa att de hade en egen kulturell identitet. Enligt \textbf{Sherry Turkle}, sociolog och f\"orfattare till boken \textit{Ditt Andra Jag}, f\"oredrar d\"arf\"or de hackare hon intervjuat att lyssna p\aa{} just Bach, och skyr romantiska komposit\"orer i stil med Beethoven, pga \textit{bristen p\aa{} ordning} i kompositionerna. Att hackarna bildade en h\aa{}rd k\"arna med egna estetiska och filosofiska v\"arderingar berodde ocks\aa{} p\aa{} att de h\"oll sig mycket f\"or sig sj\"alva. Av alla h\"ogskolestuderande \"ar teknologerna de som h\aa{}ller sig mest f\"or sig sj\"alva. En \"overv\"agande majoritet \"ar m\"an. Bland teknologerna \"ar datavetarna de mest isolerade, och i \"annu h\"ogre grad m\"an.\footnote{Man meddelar mig att detta b\"orjar f\"or\"andras nu.} \"Ar man redan fr\aa{}n b\"orjan utst\"ott \"ar det inte s\aa{} konstigt att man omv\"arderar sin syn p\aa{} samh\"allet och sin omgivning i \"ovrigt. \"Ar man dessutom ett lumparg\"ang \"ar det i det n\"armaste oundvikligt. Hackarna umgicks mest med varandra, eller \"annu hellre: via datorn. De utgjorde rent av en statssanktionerad subkultur. Hackarna p\aa{} MIT, bland andra \textbf{Alan Kotok, Stewart Nelson, Richard Greenblatt, Tom Knight} och \textbf{Bill Gosper} gjorde sig k\"anda f\"or att arbeta oerh\"ort koncentrerat i trettiotimmarspass f\"or att sedan g\aa{} hem och kollapsa och sova i tolv timmar. De fann maskinerna s\aa{} begeistrande att de gl\"omde allt annat medan de satt och jobbade. Vid sidan av detta odlade de en ideologi om att all information borde vara fri, \aa{}t kinesisk mat och l\"arde sig att dyrka upp varenda l\aa{}s i hela skolbyggnaden med motiveringen att de skulle kunna anv\"anda utrustningen b\"attre. Av m\aa{}nga s\aa{}gs detta som respektl\"ost, men hackarna sj\"alva menade att det var n\"odv\"andigt f\"or arbetet. Faktum var att hackarna utgjorde en homogen grupp som borde vara varje akademikers dr\"om: de var intresserade av vad de h\"oll p\aa{} med, \"agnade sig \aa{}t problemen dygnet runt -- under skoltid s\aa{}v\"al som p\aa{} fritiden. Fakulteten l\"at dem h\aa{}llas. Sedan b\"orjade n\"atverkens historia. Man kopplade ihop ett par datorer med en kabel. Sedan tre. Sedan \"annu fler, och snart hade man ett helt n\"atverk. Att kommunicera via en dator tar bort en rad besv\"arligheter som man annars r\aa{}kar ut f\"or i det dagliga livet: Det \"ar inte n\"odv\"andigt att vara v\"alkl\"add n\"ar du knackar p\aa{} ett tangentbord. Du kan vara fullkomligt anonym. Ingen ser om du rapar eller v\"ander gaffeln p\aa{} fel h\aa{}ll n\"ar du \"ater, och ingen kan se vilken hudf\"arg du har. Bilden av dig skapas, med f\aa{} undantag, helt och h\aa{}llet genom ditt skriftspr\aa{}k. Sociala tillh\"orighetsmarkeringar \"ar n\"astan totalt utraderade, och dina \aa{}sikter \"ar lika goda som n\aa{}gon annans. Ingen kan sl\aa{} dig, avskeda dig eller degradera dig om du \"ar uppk\"aftig och s\"ager din \"arliga mening. M\"anniskor som kommunicerar genom datorer \"ar f\"orv\aa{}nansv\"art \"arliga och uppriktiga, eftersom diskussionen f\"ors av alla, och mellan alla. MIT, Stanford, Berkeley och de andra stora amerikanska h\"ogskolorna blev st\"ottepelare i f\"orsvarsprojektet \textbf{ARPAnet} vilket kom att bli k\"arnan till det som vi idag k\"anner som \textbf{Internet}. Med detta n\"atverk kom hackarna p\aa{} MIT i kontakt med hackare p\aa{} andra h\"ogskolor, och de kunde d\"armed l\"agga grunden till en transnationell hackarkultur som senare kom att sprida sig till Europa och Sverige. H\"arifr\aa{}n h\"arr\"or sig t ex de ursprungliga slangord man kan finna i \textit{The Jargon File}, ett fritt tillg\"angligt dokument med en lista \"over m\aa{}nga av de slanguttryck som anv\"ands av hackare v\"arlden \"over. N\aa{}gra av de \"aldsta uttrycken g\aa{}r \"anda tillbaka till j\"arnv\"agsklubben TMRC. F\"orutom ordlistan inneh\aa{}ller denna fil \"aven en del sm\aa{} anekdoter och betraktelser av hackarens natur som sammantaget utg\"or den ursprungliga hackarkulturens kanske viktigaste skriftliga dokument. N\"ar hackarkulturen spred sig fr\aa{}n MIT \"over ARPAnet n\aa{}dde den f\"orst de andra stora amerikanska universiteten som sysslade med dataforskning -- fr\"amst som sagt Stanford och Berkeley i San Francisco p\aa{} andra sidan den amerikanska kontinenten. Tack vare ARPAnet blev hackarna oberoende av geografiska avst\aa{}nd och kunde samarbeta och utbyta tankar om allt m\"ojligt \"over dessa vidder, en lyx som vanliga m\"anniskor inte haft tillg\aa{}ng till f\"orr\"an nu p\aa{} 90--talet. I San Francisco kom hackarkulturen via ARPAnet att i slutet p\aa{} 60-- och b\"orjan p\aa{} 70--talet blandas upp med den samtida hippiekulturen, vilket blev den f\"orsta kopplingen mellan hackare och hippier. Till Sverige kom denna kultur f\"orst 1973 n\"ar Link\"opings tekniska h\"ogskola specialiserade sig p\aa{} datorteknik och studenternas egen dataf\"orening \textbf{Lysator} bildades. Lysator g\"or f\"or \"ovrigt anspr\aa{}k p\aa{} att vara Sveriges \"aldsta dataf\"orening (vilket de \"ar) och ursprunget till den sanna svenska hackartraditionen (vilket \"ar mera tveksamt). Lysator kommer att dyka upp l\"angre fram i den h\"ar boken. Hackarkulturen \"ar nu inte bara n\aa{}gonting som kommer fr\aa{}n skolv\"arlden; dessa universitetsstuderande hackare \"ar bara en liten del av den digitala kulturarenan. N\aa{}gon g\aa{}ng d\aa{} och d\aa{} dyker det upp n\aa{}gon nisse som p\aa{}st\aa{}r att bara de h\"ar hackarna som g\aa{}r p\aa{} h\"ogskola och h\"ackar i datorlabben \"ar riktiga hackare. Att p\aa{}st\aa{} n\aa{}got s\aa{}dant \"ar b\aa{}de dumt och idiotiskt. Vad ett ord betyder definieras givetvis av dem som anv\"ander det. Alla som identifierar sig som hackare har r\"att att g\"ora det. S\aa{} om vi nu l\aa{}ter 60--talet g\aa{} \"over i 70--tal h\"ander det fler saker parallellt i tiden: de h\"ogteknologiska amat\"orerna dyker upp -- lika mycket hackare som n\aa{}gonsin Bill Gosper och hans kompisar p\aa{} MIT. \chapter{HACKARKULTURENS GR\"ASR\"OTTER} Hackarkulturens gr\"asr\"otter bestod av alla de radioamat\"orer och elektronikhobbyister som byggde sina egna mikrodatorer med de f\"orsta hemmabyggsatserna. Radioamat\"orerna uppstod redan runt 1915 och florerar i olika l\"ager, d\"ar de mest puritanska fortfarande anser att telegrafnyckeln och morsealfabetet \"ar det yppersta verktyget f\"or internationell kommunikation. Andra anser att radiotelefoni, dvs komradio, \"ar att f\"oredra. Andra \aa{}ter, har slagit sig p\aa{} amat\"or-TV och andra fuskar med datakommunikation via radio. Radioamat\"orer finns i varje svensk stad och by v\"ard namnet och m\aa{}nga av dessa har idag g\aa{}tt \"over till datakommunikation via Internet, d\"ar de utforskar \"annu ett omr\aa{}de f\"or kommunikation. Radioamat\"orerna var p\aa{} s\"att och vis de f\"orsta hackarna. Tidigare till och med, \"an hackarna p\aa{} MIT. Radioamat\"orerna har till skillnad fr\aa{}n hackarna mycket s\"allan attraherat ungdomar i n\aa{}gon st\"orre utstr\"ackning. Detta beror dels p\aa{} att det (i Sverige) fordras att man \"ar 16 \aa{}r och har tagit ett radiocertifikat (s\aa{}kallat C-certifikat) f\"or att f\aa{} syssla med radio. En normal ungdom i Sverige idag har inte r\aa{}d med de kurser och prov som kr\"avs f\"or att f\aa{} s\"anda radio. En del g\"or det \"and\aa{}, och kallas d\aa{} radiopirater. Om man s\"ander amat\"orradio utan certifikat \"ar det inte m\aa{}nga som bryr sig, bara man inte st\"aller till problem f\"or andra.\footnote{En radioamat\"or ber\"attade f\"or mig hur man "{}straffat"{} en pirats\"andare genom att pejla in honom och sedan st\"ora ut hans trafik med hj\"alp av en riktad st\"ors\"andare.} Men det g\"aller att h\aa{}lla sig till r\"att frekvenser. Om man b\"orjar s\"anda ut radio p\aa{} frekvenser som reserverats f\"or andra \"andam\aa{}l, exempelvis milit\"arer och brandk\aa{}r, kan man bli sp\aa{}rad och d\"omd till b\"oter f\"or detta. F\"or att kunna h\aa{}lla r\"att p\aa{} vilka frekvenser man skulle utnyttja f\"or att inte st\"alla till problem f\"or sig sj\"alva och f\"or andra, fordrades tidigt ett internationellt samarbete mellan radioamat\"orer. Man hade ocks\aa{} f\"or vana att skicka varandra bekr\"aftelser p\aa{} etablerad kontakt i form av speciella kort. P\aa{} s\aa{} vis grundlades n\aa{}got som kan kallas det f\"orsta \textit{virtuella samh\"allet}, en kultur oberoende av nationsgr\"anser, men begr\"ansat av apparaturen. Radioamat\"orerna f\"orkroppsligar mycket av den kultur som senare har \"overf\"orts till hackarkulturen: en faschination f\"or dels teknologi (maskiner) och dels f\"or kommunikation med andra m\"anniskor. N\aa{}gra vill alltid hitta nya, h\"aftiga mackap\"arer (teknikd\aa{}rar), andra vill bara kommunicera med andra m\"anniskor s\aa{} smidigt som m\"ojligt och f\"ors\"oker st\"andigt f\"orb\"attra dessa system (evolutionister), och en del k\"anner att de har funnit en teknisk nisch de beh\"arskar, och stannar d\"ar (de kallas ibland stockkonservativa). Och sedan finns det de som de andra inte vill k\"annas vid: de som tycker att det h\"aftigaste i v\"arlden \"ar att s\"anda piratradio. De som vill anv\"anda tekniken som ett medel att utmana samh\"allet. De f\"orsta elektronikhobbyister som slog sig p\aa{} datorer samlades till en b\"orjan speciellt kring den absolut f\"orsta hemdatorn \textbf{Altair 8800} som b\"orjade s\"aljas som byggsats i USA i b\"orjan av 1975. Datorn hade f\aa{}tt sitt namn fr\aa{}n en planet i ett avsnitt av TV-serien Star Trek och s\aa{}ldes i s\aa{} stor m\"angd att n\aa{}gra av entusiasterna skapade sina egna anv\"andargrupper. De var genomg\aa{}ende elektronikamat\"orer, och inte s\"allan ingenj\"orer till yrket. F\aa{} eller inga var ungdomar. Hos dessa, s\aa{}v\"al som hos h\"ogskolefolket, uppstod samma sorts tekniska begeistring och f\"orh\"axning vid programmeringsarbetet som kunde h\aa{}lla hackarna vakna hela n\"atter och f\aa{} dem att gl\"omma allt utom maskinen. Anv\"andargruppen i Silicon Valley, San Francisco var den mest aktiva. Den hette \textbf{Homebrew Computer Club} (Klubben f\"or hembr\"anda datorer), och bland medlemmarna fanns bl~a \textbf{Steve Wozniak}, en h\"angiven hackare som senare skulle bygga datorn \textbf{Apple II} som hans kamrat \textbf{Steve Jobs} 1977 lyckades marknadsf\"ora som den f\"orsta riktigt stora hemdatorn. L\aa{}ngt senare, en bit in p\aa{} 80-talet, tillverkade de en professionell dator som hette MacIntosh, och som \"an idag \"ar st\aa{}ndaktig i den stenh\aa{}rda konkurrensen. I Sverige hette motsvarigheten till Homebrew Computer Club \textbf{PD68} -- en klubb f\"or glada ingenj\"orer och andra som tyckte att mikrodatorer var det roligaste som fanns. Man utgav bl~a tidningen MPU-laren. Tyv\"arr vet jag inte s\aa{} mycket mer om denna klubb. \section*{Hemdatorer F\"or Bred Publik} \AA{}ren 1977-78 byggde det svenska f\"oretaget \textbf{Data Industrier AB} (DIAB)\footnote{Data Industrier AB grundades av Lars Karlsson i Skellefte\aa{} 1970 och tillverkade ursprungligen styrdatorer f\"or s\aa{}gverk.} p\aa{} uppdrag av Luxor och Scandia Metric en dator som hette \textbf{ABC80}. Medan DIAB gjorde sj\"alva datorn konstruerade Luxor l\aa{}dan till datorn, monitorn och tangentbordet. F\"orutom att den hade svartvit sk\"arm och som sagt kr\"avde en speciell monitor f\"or att kunna anv\"andas, var det inget fel p\aa{} denna dator. Precis som n\"ar det g\"allt de samtida datorerna Apple~II och Tandy Radio Schack TRS-(som med tanke p\aa{} namnet tydligen var en f\"orbild) i USA trodde den etablerade databranchen att dessa datorer var i det n\"armaste oanv\"andbara. IBM var fullst\"andigt ointresserade. Steve Wozniak erbj\"od sin uppfinning Apple I-datorn till sin arbetsgivare Hewlett-Packard (HP) men de var lika ointresserade. Trenden var att utveckla minidatorer som Digital Equipments DEC-monster och liknande maskiner. Branchens giganter med IBM och Digital i spetsen f\"orutsp\aa{}dde att det runt \aa{}r 2000 skulle finnas c:a 50 stora datorer i hela v\"arlden som anv\"andarna ansl\"ot sig till via n\"atverk. \textbf{Lars Karlsson} p\aa{} DIAB hade sett framg\aa{}ngarna PET\footnote{PET, den f\"orsta hemdatorn som tillverkades av Commodore Inc.} och Apple II hade haft i USA, och ins\aa{}g att om man inte fick ut datorn under 1978 s\aa{} skulle det vara f\"orsent. D\aa{} skulle amerikanerna ta \"over den svenska marknaden. ABC80 tog \aa{}tta m\aa{}nader att utveckla. Han sl\"ot avtal med Scandia-Metric om att leverera 2500 datorer och gick sedan till Luxor och sade att det var dags att b\"orja tillverka datorer. Scandia-Metric hade ursprungligen t\"ankt sig att k\"opa in utl\"andska datorer, men trodde p\aa{} ABC80. Detta var hemdatorns barndom s\aa{} allt var m\"ojligt. DIAB fortsatte att s\"alja datorkonstruktioner p\aa{} licens: ABC800, Esselte-datorn, Monroe Systems, och ett antal Unix-datorer under eget namn tills f\"oretaget k\"optes av Televerket. ABC80 fann stor k\"arlek bland Sveriges allra f\"orsta hemdatorentusiaster som l\"ange v\"antat p\aa{} en dator v\"ard namnet. (Allt som ditills erbjudits hade kostat skjortan och importerats fr\aa{}n USA.) Nu fick man en -- och till r\aa{}ga p\aa{} allt en svensk s\aa{}dan. 1981 efterf\"oljdes den av ABC800. 1980 bildades s\aa{} \textit{ABC-klubben} av elektronikentusiaster, ingenj\"orer och annat datorintresserat folk under ledning av hemdatorlegenden \textbf{Gunnar Tidner}. Redan fr\aa{}n b\"orjan var ABC-klubben intresserade av datakommunikation, och mot slutet av \aa{}ret kunde man sl\aa{} upp vad som antagligen var Sveriges f\"orsta id\'{e}ella BBS: \textit{Monitorn}, som fungerade tack vare ett program skrivet av Gunnar Tidner sj\"alv. Under 80--talet hette sedan n\"astan alla svenska BBS:er \textit{X-monitorn} (\"Orebro-monitorn, Eskilstuna-monitorn etc) som en hyllning till Tidners genombrott. Klubben har fortfarande en monitor som anv\"ands som intern v\"axelstation f\"or allt m\"ojligt. ABC-klubben v\"axte explosionsartat; hemdatorintresset i Sverige var i princip lika enormt som i USA. Klubben blev centrum f\"or alla debatter om datateknik runt ABC-datorerna och datakommunikation i st\"orsta allm\"anhet. I b\"orjan av 1985 fick ABC-klubben genom avtal tillg\aa{}ng till en DEC-dator p\aa{} datacentralen QZ i Stockholm. P\aa{} denna startade man en central BBS, eller vad vi kan kalla en riktig konferens, med olika diskussionsgrupper. Denna BBS k\"ordes p\aa{} QZ:as KOM-system och fick namnet \textit{Q-Zentralen}. Zentralen liknade datan\"at som fanns (och fortfarande finns) runt om i v\"arlden, t~ex Compunet i England eller Usenet och Prodigy i USA. I diskussionsgrupperna p\aa{} Q-Zentralen figurerade m\aa{}nga av de personer som senare skulle bli viktiga nyckelpersoner i det kommande elektroniska Sverige: \textbf{Sven Wickberg}, \textbf{Anders Franz\'{e}n}, \textbf{Henrik Schyffert} och \textbf{Jan-Inge Fl\"ucht}. \medskip{} \noindent{}Det var f\"orst i och med dessa hemdatorer i b\"orjan p\aa{} \aa{}ttiotalet som n\aa{}gonting verkligen h\"ande. Nu var det inte l\"angre n\"odv\"andigt att kunna tillverka sin utrustning sj\"alv, och d\"armed kunde var och en som hade r\aa{}d f\aa{} tillg\aa{}ng till en egen dator, om \"an inte alltf\"or avancerad. En hel uppsj\"o hemdatorer d\"ok upp \"over en natt, i USA s\aa{}v\"al som i Europa: Sord, Atari 800, Sol, Texas TI-, Vic- Spectravideo m~fl. De flesta var dagsl\"andor som bara fanns p\aa{} marknaden n\aa{}gra \aa{}r innan tillverkningen lades ned eller f\"oretagen som stod bakom maskinerna gick i konkurs. De hemdatorer som \"overlevde konkurrensen var egentligen (i Sverige) bara tre: \textbf{Sinclair ZX-} (tack vare sitt l\aa{}ga pris), \textbf{ABC80} (tack vare sina industriella till\"ampningar och starka support fr\aa{}n ABC-klubben), och \textbf{Commodore 64} (h\"adanefter kallad \textbf{C64}), som \"overlevde helt enkelt d\"arf\"or att den var den mest tekniskt avancerade hemdatorn vid den tiden.\footnote{Jag har debatterat detta vid ett tillf\"alle, d\aa{} en person p\aa{} CTRL-C h\"avdade att Spectravideo var en betydligt mer tekniskt avancerad dator. Det handlade mest om grafiken, men jag menade att ljudet var minst lika viktigt. C64:ans ljudkrets 6581 anv\"ands fortfarande av elektronmusiker i form av emulatorer och den specialbyggda synthesizern SIDstation som tillverkats under 1998 av Elektron AB i G\"oteborg. (Elektron best\aa{}r bl a av medlemmar fr\aa{}n datorgruppen Zone 45 och Nordic Beats.)} \"Aven de f\"orsta PC-maskinerna d\"ok upp i b\"orjan av 1981, men betingade s\aa{}dana hutl\"osa priser att ingen normal m\"anniska skulle betrakta dem som hemdatorer. I Amerika var \"overlevde \textbf{Apple~II, Atari~800, Commodore PET} och \textbf{Commodore 64}. Apple~II var f\"or Amerika vad ABC80 var f\"or Sverige. \"An idag finns det ih\"ardiga Apple~II-fanatiker som fortfarande anv\"ander sina datorer fr\aa{}n slutet av 70--talet, liksom vi i Sverige \"annu har ih\"ardiga ABC80 anv\"andare, varav n\aa{}gra \"annu utg\"or den h\aa{}rda k\"arnan i ABC-klubben. Till en b\"orjan var de flesta europeiska hackare av samma typ som de amerikanska; gamla radioamat\"orer, ingenj\"orer och elektronikenstusiaster som dr\"omde om att f\aa{} anv\"anda en \textit{riktig} minidator som VAX eller IBM (dessa h\"arliga, stora gr\aa{}, kylsk\aa{}psliknande saker), och inte bara h\aa{}lla p\aa{} med hemdatorer. Hackarkulturen fr\aa{}n 60--talets MIT och den elektroniska f\"orl\"angningen av radioamat\"orerna s\aa{}gs som ett ideal; en riktig hackare var en person som skrev program som gjorde n\aa{}got nyttigt (eller n\aa{}got som s\aa{}g ut att vara nyttigt) eller en som beh\"arskade elektronik och kunde bygga om sin egen dator och p\aa{} s\aa{} vis imponera p\aa{} sina kompisar. De lyckligaste datorklubbarna hade kunnat k\"opa in (eller f\aa{}tt) en begagnad minidator fr\aa{}n n\aa{}got f\"oretag och startat egna BBS:er kring dessa. S\aa{}dana hackare som b\"orjat med ABC80, minidatorer och elektronik blev i regel chockade och n\"armast \"acklade av den kultur som uppstod kring mitten p\aa{} 80--talet i och med Commodore 64-invasionen (som jag behandlar i stycket \textit{Subkulturernas Subkultur} lite l\"angre fram). M\aa{}nga av dessa hackare har idag skaffat sig en PC och anser det vara en \"adel konst att skriva sharewareprogram, delta i Open-Source projekt och liknande riktiga sk \textit{hack}. Det var ocks\aa{} hackare av den h\"ar typen som startade det alternativa datan\"atverket \textit{Fidonet}. Det var amat\"orerna \textbf{Tom Jennings} och \textbf{John Madill} i San Francisco som utarbetade ett system d\"ar olika BBS:er ringde upp varandra efter ett visst m\"onster och som genom skicklig samordning lyckades uppbringa lika god t\"ackning som Internet, med den skillnaden att posten gick lite l\aa{}ngsammare i och med att man saknade permanent uppkopplade f\"orbindelser. Ist\"allet f\"ormedlades posten genom olika mellanstationer som i ett gammalt hederligt postsystem. P\aa{} detta vis kunde man ocks\aa{} starta diskussionsgrupper som omfattade hela v\"arlden. I b\"orjan av 1985 startades det svenska fidon\"atet av \textbf{Conny Johnsson} i Karlstad. I och med att Internet blivit billigare \"ar det m\aa{}nga som tycker att Fidonet spelat ut sin roll. L\aa{}ngt ifr\aa{}n alla h\aa{}ller med -- Fidonet \"ar en genuin amat\"orskapelse medan Internet fr\aa{}n b\"orjan till slut \"ar skapat av akademiker. Sedan l\"ange finns dock bryggor mellan de b\aa{}da n\"atverken s\aa{} att anv\"andarna av b\aa{}da n\"aten kan skicka post till varandra. Hemdator\"agarna blev ett begrepp, och m\aa{}nga ton\aa{}ringar fick sin f\"orsta dator i mitten p\aa{} \aa{}ttiotalet. De flesta futuristiska f\"or\"aldrar som k\"opte sig en hemdator hade nog inte t\"ankt sig att deras s\"oner (och ibland d\"ottrar) skulle anv\"anda datorn s\aa{} mycket som de gjorde, men genom en miss i marknadsf\"oringen av hemdatorerna kom det att bli s\aa{}. Man gick n\"amligen ut med parollen att hemdatorerna skulle anv\"andas till ekonomi, ordbehandling och dataregister, n\aa{}got som de f\"or det mesta visade sig ganska v\"ardel\"osa till. Det var uppenbarligen enklare att sl\aa{} upp ett recept i en kokbok \"an att starta hemdatorn och leta reda p\aa{} det i n\aa{}got dataregister som tog 15 minuter att ladda in. Det enda "{}nyttiga"{} maskinerna verkligen d\"og till var ordbehandling eller enklare kalkyler, n\aa{}got som f\aa{} var vana vid eller f\"orstod att uppskatta. De "{}nyttiga"{} programmen var dessutom svindyra och hade h\"og inl\"arningstr\"oskel. De enda vuxna som anv\"ande sina hemdatorer ordentligt var n\"astan samtliga tekniker eller tekniskt intresserade som kunde sitta hela n\"atterna igenom och br\aa{}ka med sin ABC80 f\"or att f\aa{} den att g\"ora det ena eller det andra. M\aa{}nga var elektronikhobbyister som anv\"ande datorn f\"or att bygga om den f\"or sina egna \"andam\aa{}l. (Jag tillh\"or sj\"alv den v\aa{}g av ungdomar som blev helt f\aa{}ngade av ABC-datorerna i 13--14 \aa{}rs \aa{}ldern: dessa var f\"or m\aa{}nga en entr\'{e}biljett till den elektroniska v\"arlden.) Det skulle dr\"oja \"anda in p\aa{} 90--talet innan hemdatorn slog igenom p\aa{} allvar som verktyg i hemmen, men d\aa{} med besked. Det \"ar f\"orst nu IBM PC har blivit allm\"an egendom. Hade det inte varit f\"or Altair 8800, Apple~II, Atari~800, Commodore PET och ABC80 hade IBM f\"or \"ovrigt aldrig kommit p\aa{} tanken att tillverka PC-maskiner. Tidens melodi var att tillverka stordatorer; enorma burkar som slukade flera tiotals kilowatt str\"om och alstrade mer v\"arme \"an en \aa{}ngpanna och inte kunde fungera utan ett separat kylsystem. Id\'{e}n med en egen dator f\"or varje anv\"andare \textit{\"ar och f\"orblir} en hackarid\'{e} som g\aa{}r \"anda tillbaks till MIT, d\"ar man jobbade ensam med sin PDP-m\aa{}nga sena n\"atter. Hade inte dessa mikrodatorer uppst\aa{}tt hade industrin s\"akerligen fortfarande arbetat p\aa{} sina 50 datorer som skulle klara av att f\"ors\"orja hela v\"arlden med datorkraft. Utan mikrodatorerna hade moderna system f\"or datoranv\"andning som den popul\"ara \textit{Client-Server} modellen d\"ar stora och sm\aa{} datorer samsas och delar p\aa{} arbetet i ett n\"atverk, aldrig blivit p\aa{}t\"ankta. \chapter{UNDERJORDISKA HACKARE} Som en produkt av det hemdatorliv och den futuristiska tidsanda som f\"oljt p\aa{} rymdkappl\"opningen och som kulminerat med m\aa{}nlandningen 1969 bildades ett flertal teknologiinriktade subkulturer. N\aa{}gra var helt vanliga sammanslutningar som science fiction fanatiker eller radioamat\"orer. Andra var... \textit{speciella}. Det \"ar dessa som satt d\"odskallest\"ampeln p\aa{} hackarkulturen och orsakat att hackare allt som oftast associeras med brottslig verksamhet. Hur m\aa{}nga av er -- handen p\aa{} hj\"artat -- har n\aa{}gonsin funderat p\aa{} hur det vore att ha makten \"over tekniken? Att kunna best\"amma vilka radio och TV-program som skall s\"andas? T\"ank om du hade dessa gigantiska elektroniksystem under din kontroll. T\"ank att kunna fylla alla TV-rutor med brus n\"ar den d\"ar m\"anniskan du avskyr dyker upp... Eller sl\aa{} ut alla telefonapparater i landet n\"ar du vet att din hj\"artev\"an ringer och gullar med sin f\"ore detta... T\"ank att ha \textit{makten} \"over samh\"allets informationsapparatur... \section*{Phreakare} En grupp elektronikentusiaster som figurerat redan p\aa{} 60-- och 70--talen, kallade \textbf{Phone Phreaks} var bland de f\"orsta som tog till sig den nya datatekniken. Dessa "{}phreakare"{} hade specialiserat sig p\aa{} att lura telefonbolagens v\"axlar att koppla gratissamtal \"over hela den amerikanska kontinenten, n\aa{}got som ocks\aa{} kallades \textit{blue boxing}, vilket refererar till en liten bl\aa{} plastl\aa{}da med elektronik som anv\"andes f\"or att framst\"alla de toner som lurade v\"axlarna. Phrekarna kom delvis fr\aa{}n h\"ogskolan. Precis som hackarna hade tyckt att det var roligt att utforska datorer, hade andra funnit att det var v\aa{}ldsamt skojigt att prova olika nummerkombinationer p\aa{} universitetets telefoner f\"or att se hur l\aa{}ngt man kunde koppla sig. En del lyckades p\aa{} det viset koppla sig ut p\aa{} det allm\"anna telen\"atet och ringa gratis, eftersom det var gratis f\"or h\"ogskoleeleverna att anv\"anda interntelefonsystemet. En ung man som hette \textbf{Mark Bernay} (alias \textbf{The Midnight Skulker}) och hade goda kunskaper om telefonsystemet, \aa{}kte runt p\aa{} USA:s v\"astkust och satte upp klisterlappar i telefonkiosker med nummer till olika konferenslinjer han etablerat, och byggde p\aa{} s\aa{} vis upp ett mindre kontaktn\"at av teknikintresserade ungdomar. Men det var inte de som gjorde phreakande till den enorma illegala verksamhet det \"ar idag. Ist\"allet var det en man som hette \textbf{Joe Engressia} som p\aa{} gr\"ansen mellan 60-- och 70--talet, utan att riktigt veta om det, skapade den underjordiska r\"orelsen av telefonmanipulat\"orer. \"Aven om telefonbolaget som d\aa{} hette Bell, redan 1961 sp\aa{}rat och arresterat de f\"orsta phrekarna hade f\aa{} av dessa tillh\"ort n\aa{}gon organiserad r\"orelse. De flesta hade varit aff\"arsm\"an, n\aa{}gra vanliga arbetare och en och annan student. En var till och med miljon\"ar. Anledningen till att dessa uppst\aa{}tt var att Bell i november 1960 publicerat information om telefonsystemet som gjorde det l\"att f\"or vem som helst med tillr\"ackliga kunskaper att bygga en Bl\aa{} L\aa{}da. Joe var blind, men som kompensation hade naturen beg\aa{}vat honom med den fascinerande egenskapen att ha absolut geh\"or. Han kunde komma ih\aa{}g en ton han hade h\"ort och sedan vissla den exakt. Redan i 8--\aa{}rs\aa{}ldern hade han uppt\"ackt att han genom att vissla vissa toner kunde styra telefonv\"axlarnas system. Dessa kallades \textit{multifrekvenssystem} (eng: M--F, Multi Frequency), och det var informationen om dessa Bell gjort misstaget att publicera 1960. Han greps av polisen f\"or att ha kopplat upp ett gratissamtal \aa{}t n\aa{}gra kompisar enbart genom att vissla i telefonluren. Tack vare publiciteten kring denna incident kunde Joe tillsammans med andra telefonentusiaster bilda ett underjordiskt n\"atverk av i huvudsak blinda m\"anniskor som sedan bara v\"axte och v\"axte. N\aa{}gra f\aa{} kunde vissla tonerna, men de flesta anv\"ande tidiga elorglar och syntar f\"or att producera de n\"odv\"andiga tonerna. Med Joe v\"axte phreakandet till en hel ungdomsr\"orelse. Han greps 1971 och d\"omdes till villkorligt f\"angelsestraff mot att han lovade att aldrig mer mixtra med telefoner. Han anst\"alldes senare som telefonreparat\"or p\aa{} ett litet f\"oretag i Tennessee. H\"ar m\aa{}ste jag f\aa{} p\aa{}peka en sak. Med j\"amna mellanrum h\"or jag talas om personer som s\"ager sig ha v\"anner som kan "{}vissla"{} sig f\"orbi telefonv\"axlar och ringa gratis. Det \"ar aldrig de sj\"alva som kan vissla, och om man unders\"oker saken n\"armare s\aa{} visar det sig att det var en v\"an till en v\"an... osv. Historier om "{}visslare"{} \"ar allts\aa{} att betrakta som moderna vandringss\"agner, precis som m\aa{}nga andra historier om phreakare och hackare. Notera att "{}vissling"{} \textit{kr\"aver} absolut geh\"or - n\aa{}got som inte m\aa{}nga m\"anniskor \"ar utrustade med. Sedan m\aa{}ste man k\"anna till, och ha h\"ort, den ton som skall visslas. Allts\aa{} \aa{}terst\aa{}r ett f\"orsvinnande litet antal m\"anniskor som skulle kunna utf\"ora detta. Kanske en handfull i hela Sverige. Slutligen skall man vara medveten om att det \"ar om\"ojligt att anv\"anda denna teknik p\aa{} det moderna AXE-systemet. Joe och hans kamrater anv\"ande modfierade, omst\"amda elorglar f\"or att ringa. \"An vanligare var dock andra tekniker att alstra de speciella signaler som kr\"avs f\"or att styra v\"axlarna. En metod som anv\"andes av \textbf{John T Draper}, i folkmun kallad \textbf{Cap'n Crunch} var att ta en leksaksvisselpipa som f\"oljde med frukostflingorna med samma namn, och t\"appa till ett av h\aa{}len. N\"ar man s\aa{} bl\aa{}ste i pipan alstrade den en ton p\aa{} exakt 2600 Hz (motsvarar ungef\"ar ett E i femstrukna oktaven, inte s\"arkilt njutbart). Detta r\aa{}kade vara samma ton som det amerikanska televerket AT\&T m~fl anv\"ande f\"or att indikera att l\aa{}ngdistanslinjer var lediga. Om endera samtalsparten s\"ande ut en s\aa{}dan ton trodde den uppringande telefonv\"axeln att samtalet avbrutits (eftersom det var s\aa{} telefonv\"axlar talade om f\"or varandra att linjen var \"oppen) varvid all debitering f\"or samtalet upph\"orde. Pipan gjorde det allts\aa{} m\"ojligt att ringa gratis. Draper var en mycket aktiv phreakare. Han kopplade upp stora konferenser d\"ar han kom i kontakt med m\aa{}nga av de blinda m\"anniskorna och delade med sig av sina erfarenheter till andra phreakare. Han h\"oll reda p\aa{} telefonnummer och organiserade id\'{e}utbytet mellan phrekare. Likt vissa av phreakarna var han elektronikentusiast och byggde sj\"alv de tongeneratorer som var allt som beh\"ovdes f\"or att fullst\"andigt kontrollera hela telefonsystemet. Dessa kallades MF-l\aa{}dor eller som jag n\"amnde tidigare \textit{Bl\aa{} L\aa{}dor}, och gav sina \"agare fullst\"andig tillg\aa{}ng till nationell och internationell teletrafik -- gratis. Eftersom all information om MF-systemet offentliggjorts var det inte s\"arskilt sv\aa{}rt att konstruera dessa bl\aa{} l\aa{}dor. Och d\aa{} det inte \"ar s\aa{} billigt att byta ut hela telefonsystem finns det \"an idag i vissa l\"ander telefonv\"axlar som kan styras med bl\aa{} l\aa{}dor. M\aa{}nga var liksom Draper helt f\"orh\"axade av de bl\aa{} l\aa{}dornas m\"ojligheter att koppla ett samtal kors och tv\"ars \"over jorden via satelliter och kablar -- en k\"ansla av oinskr\"ankt makt \"over telefonsystemet. Ett av Drapers mer v\"alk\"anda trick var att koppla sig runt jorden genom 7 l\"ander, bara f\"or att uppleva den otroliga k\"anslan av att h\"ora sin egen r\"ost med 20 sekunders f\"ordr\"ojning. 1971 hade massmedia f\aa{}tt nys p\aa{} phreakarna. En journalist som hette \textbf{Ron Rosenbaum} skrev en artikel om fenomenet och strax d\"arefter arresterades Draper och d\"omdes till f\"angelse. Han kontaktades av maffian som ville utnyttja hans kunskaper, och blev sv\aa{}rt misshandlad n\"ar han v\"agrade. Efter att han kommit ut ur f\"angelset fick han hj\"alp av en gammal bekant, Steve Wozniak som utveklat datorn Apple~II, att sluta med phrekandet och ist\"allet \"agna sig \aa{}t programmering. \footnote{Det \"ar allm\"ant k\"ant att Steve Jobs och Steve Wozniak tidigt var i kontakt med Draper under studietiden i Berkeley och tillverkade Bl\aa{} L\aa{}dor som de s\aa{}lde p\aa{} studentkorridorerna.} Efter ett par miss\"oden med modem till Apple~II-datorn (som inte bara var modem utan snarare datoriserade bl\aa{} l\aa{}dor) tillverkade han bland annat ordbehandlingsprogrammet \textit{Easy Writer} som s\aa{}ldes av IBM tillsammans med IBM PC, vilket han tj\"anade en dryg miljon dollar p\aa{}. Samma \aa{}r (1971) uppt\"ackte hippierna m\"ojligheterna att ringa gratis. Det blev den militanta gren av hippier\"orelsen som kallades \textit{yippier} som startade en tidning som hette \textit{Youth International Party Line}, ett o\"overs\"attligt namn som betyder dels Internationella Ungdomspartiets Program, dels Ungdomens Internationella Partajtelekonferens, ungef\"ar. Tidningen hade som syfte att l\"ara ut olika tekniker f\"or telefonbedr\"ageri. Det \"ar kanske sv\aa{}rt f\"or en svensk l\"asare att f\"orst\aa{} yippie-fenomenet. Yippier var en sorts h\"ardade hippier som inte tvekade att anv\"anda massor av v\aa{}ld och terrorism f\"or att i m\"ojligaste m\aa{}n sl\aa{} s\"onder (det amerikanska) samh\"allet. Man f\"orespr\aa{}kade dessutom anv\"andningen av hallucinogen narkotika. Yippier var m\"anniskor som blivit s\aa{} tr\"otta p\aa{} det amerikanska samh\"allet och hela samh\"allssystemet att de bara s\aa{}g en enda utv\"ag -- att sl\aa{} s\"onder alltihop. Till skillnad fr\aa{}n klassiska v\"anstergrupper var man inte teknikfientliga, utan tog vara p\aa{} alla kunskaper och hj\"alpmedel som fanns till hands. Dessutom visade sig m\aa{}nga yippier vara ganska \textit{intelligenta} och det var kanske det mest skr\"ammande av allt. Yippierna stod f\"or helt nya v\"arderingar som skakade det amerikanska folkhemmet i grundvalen. Denna politiska riktning kom senare att bli ett fr\"o till den ideologi som idag eventuellt kan kallas cyberpunk, och som jag skall \aa{}terkomma till i ett s\"arskilt kapitel. Yippierna leddes av framf\"or allt \textbf{Abbie Hoffman} och \textbf{Jerry Rubin}. 1973 br\"ot sig den teknikfanatiska fraktionen ur yippier\"orelsen och bildade en rent samh\"allsfientlig och svindleriinriktad organisation kring tidningen som nu hette \textit{TAP} (Technical Assistance Program). I den nya varianten av tidningen kunde man l\"ara sig andra saker \"an bara telefonsvindlerier; det r\"orde sig om recept p\aa{} spr\"ang\"amnen, kopplingsscheman f\"or elektroniskt sabotage, information om hur man f\"orfalskar kreditkort mm mm. Mycket av detta var givetvis "{}sp\"annande"{} f\"or ton\aa{}ringar och l\"att barnsliga unga m\"an, s\aa{} tidskriften kopierades och spreds \"over hela jorden. Snart fanns det ett v\"arldsomsp\"annande n\"at av phreakare. Den grundl\"aggande filosofin (om man kan kalla det s\aa{}) bakom tidningen \"ar dock genomg\aa{}ende densamma som i yippiepartiet Youth International Party. I TAP uppstod det egensinniga skriftspr\aa{}k som innebar att man bytte ut alla "{}s"{} mot "{}z"{} och alla "{}o"{} mot "{}0"{} (noll), samt att ordet "{}freak"{} genomg\aa{}ende stavades "{}phreak"{}. Detta har sedan h\"angt kvar. Under det tidiga 90-talet d\"ok det upp en figur vid namn \textbf{B1FF} p\aa{} datan\"atverket Usenet som f\"orv\"arrade denna spr\aa{}kmisshandel till det absurdas gr\"ans genom att skriva ord som de uttalades ist\"allet f\"or som de stavades, kombinerat med en simulerad tangentbordsovana som innebar att han bytte I mot 1, A mot 4, T mot +, E mot 3 (ett bak\aa{}framv\"ant E) osv. En del blev vansinniga p\aa{} B1FF, men hackarna tyckte det var skitkul och b\"orjade skriva som B1FF f\"or att reta var v\"an av ordning och understryka den anarkistiska pr\"ageln p\aa{} det annars s\aa{} disciplinerade Usenet. Man har till och med g\aa{}tt s\aa{} l\aa{}ngt att man helt slumpm\"assigt blandar stora och sm\aa{} bokst\"aver. Resultatet blir text som det n\"astan g\"or \textit{ont} att l\"asa. I Sverige uppstod senare en systertidning till TAP som hette \textit{Rolig Teknik}, och som mest \"ar k\"and f\"or att ha orsakat en del skriverier i kv\"allspressen. Rolig Teknik skapades av \textbf{Nils Johan Als\"atra}, en legend i svensk underjordisk kultur. Han var inspirerad av TAP, och publicerade under perioden 1984--1993 ett flertal artiklar med samma samh\"allsfilosofiska botten som den amerikanska motsvarigheten. I tidningen kunde man bl~a l\"asa om hur man tillverkade falska hundralappar f\"or bensinautomater (vilket m\aa{}nga gjorde), hur man lurar elm\"atare, och (f\"orst\aa{}s) olika tekniker f\"or att ringa gratis. Nils hade startat tidningen efter att ha blivit d\"omd till dagsb\"oter f\"or att ha tillverkat och s\aa{}lt \textit{Svarta L\aa{}dor} (eller som han sj\"alv kallade dem: \textit{markerings\"atare}) som gjorde det m\"ojligt att ringa gratis till den som anslutit apparaten till sin telefon. Innan han startade f\"ors\"aljningen erbj\"od han Televerket att k\"opa uppfinningen f\"or 3 miljoner kronor. Televerket svarade inte ens p\aa{} brevet. Rolig Teknik dog efter en razzia i G\"oteborg 1993. Denna var f\"oranledd av att Als\"atra b\"orjat publicera anonyma annonser d\"ar annons\"orerna kunde erbjuda varor med tidningen som mellanhand utan att beh\"ova skylta med namn och adress. F\"or varje produkt d\"ar betalningen distribuerades via tidningen tj\"anade Rolig Teknik 10 kr. Eftersom annonsernas inneh\aa{}ll var minst sagt suspekt ans\aa{}gs detta vara detsamma som h\"aleri och vapenhandel. Efter att polisen f\"or f\"orsta g\aa{}ngen i svensk historia inh\"amtat tillst\aa{}nd fr\aa{}n regeringen slog man till mot tidningsredaktionen.\footnote{N\"ar S\"APO beslagtog utrustning fr\aa{}n Folket i Bild-kulturfronts redaktion i Haga Skola i Solna i samband med IB-aff\"aren 1975 inh\"amtades som bekant inget tillst\aa{}nd. N\"ar f\"orsvarsminister Sven Andersson i efterhand upplystes om saken utbrast han "{}\AA{}\aa{}\aa{}, nu blir det ett j\"avla liv!"{}. Sedan den incidenten ingriper man inte mot tidningar i Sverige utan regeringens tillst\aa{}nd.} Sedan dess har det varit fullst\"andigt tyst kring s\aa{}v\"al Rolig Teknik som Als\"atra personligen. M\"ojligheten att anv\"anda de "{}markerings\"atare"{} som tidningen publicerat ritningar till f\"orsvann fullst\"andigt i och med AXE-systemet, men m\aa{}nga av de andra tipsen fungerar \"an idag. F\"or moderna hackare \"ar det mest elektroniska tidningar som \textit{Phrack} eller \textit{Phun} som g\"aller. I Sverige fanns en period under tidigt 90--tal en nyst\"opt papperstidning i samma anda som Rolig Teknik: \textit{Alias}.\footnote{Alias Publications \"ar ett av de f\"orlag som erbjudit sig att publicera den h\"ar boken. Ansvarig utgivare, Mikael Borg, ville g\"arna att jag skulle skriva mer om Alias i den h\"ar boken, vilket man kan f\"orst\aa{}. Alias \"ar en utm\"arkt tidning f\"or den som \"ar intresserad av dylikt material men inte har tillg\aa{}ng till BBS:er och Internet, eller ork att skaffa fram de elektroniska dokument som beskriver dessa tekniker. Elaka r\"oster sade att Alias bara var ute efter att tj\"ana snabba st\aa{}lar, men s\aa{} vitt jag kan bed\"oma st\"ammer det inte. Mycket av materialet verkar genomarbetat och layouten ligger klart \"over undergroundstandard. Sist jag h\"orde n\aa{}got om Alias och Mikael Borg hade han s\aa{}lt r\"attigheterna till tidningen och g\aa{}tt under jorden.} Phrack \"ar antagligen popul\"arast eftersom den f\aa{}tt mycket publicitet. Phrack \"ar gratis f\"or privatpersoner, medan f\"oretag och myndigheter m\aa{}ste betala 100 dollar om \aa{}ret f\"or att f\aa{} den. P\aa{} det viset finansierar myndigheterna utgivandet av tidningen, eftersom de m\aa{}ste h\aa{}lla sig ajour med utvecklingen i den undre v\"arlden.\footnote{Efter att jag skrev detta fick jag sj\"alv en artikel antagen av Phrack (se Phrack \#48): en sammanfattning av den svenska hackarkulturens historia, baserad p\aa{} de efterforskningar jag gjorde f\"or den h\"ar boken.} Efter hand som televerken b\"orjat t\"appa till luckorna i sina v\"axelsystem har phreakare l\"art sig anv\"anda f\"orbluffande utstuderade metoder f\"or att kunna ringa gratis. En metod \"ar att verkligen programmera om telefonbolagens v\"axlar. En annan \"ar att anv\"anda stulna eller konstruerade kreditkortskoder f\"or att debitera samtalet p\aa{} n\aa{}gon annan (ibland icke-existerande) person. Allrahelst skall r\"akningen skickas till ett multinationellt f\"oretag som Coca-Cola, McDonalds, eller telebolagen sj\"alva. Po\"angen med att kunna ringa p\aa{} kreditkort \"ar man genom att ringa \"over ett visst 020--nummer skall kunna f\aa{} samtalet debiterat p\aa{} sin egen r\"akning, oavsett vilken telefon eller myntautomat man ringer fr\aa{}n. Eftersom man inte kan visa sitt kort f\"or en teleoperat\"or f\aa{}r man uppge kortnummret och den hemliga till\"aggskod (kallas vanligen PIN-kod = Personal Identifier Number) som beh\"ovs f\"or att f\aa{} handla p\aa{} kredit \"over telefon. En annan metod f\"or att ringa gratis \"ar att utnyttja en \textbf{PBX} (Private Branch Xchange), vilket \"ar den amerikanska beteckningen p\aa{} en privat f\"oretagsv\"axel. N\"ar man anv\"ander en PBX inneb\"ar detta oftast att man ringer ett 020--nummer, sl\aa{}r en kod och sedan kan ringa vilket samtal som helst. Samtalet debiteras sedan p\aa{} f\"oretagets r\"akning. F\"orfarandet \"ar en f\"orenklad och automatiserad variant av betalkortssystemet som inneb\"ar att ingen m\"anniska beh\"over sitta och kontrollera och anteckna nummer. Fr\aa{}n b\"orjan beh\"ovde man inte ens sl\aa{} in n\aa{}gon kod, det var bara att sl\aa{} r\"att 020--nummer och sedan sl\aa{} det nummer man ville n\aa{}. Man trodde att det skulle r\"acka med att h\aa{}lla numret hemligt. Eftersom phreakare \"ar k\"anda f\"or att systematiskt ringa l\aa{}nga serier med 020--nummer uppt\"ackte de snart att vissa nummer gick att koppla vidare, varefter telebolagen inf\"orde kodsystemet. Av anledningar som jag strax skall illustrera \"ar PBX-koder st\"andigt p\aa{} drift fr\aa{}n sina r\"attm\"atiga \"agare. Phrekarna ringer som sagt mer eller mindre slumpm\"assigt 020--nummer i jakt p\aa{} PBX:er, datorer, v\"axlar eller andra skojiga teleinstallationer, n\aa{}got som brukar kallas \textit{war-dialling} efter filmen War Games, d\"ar tekniken anv\"andes, eller kort och gott \textit{scanning}. (Detta \"ar inte p\aa{} n\aa{}got s\"att olagligt -- det \"ar liksom lite av po\"angen med att ha en telefon att man skall f\aa{} ringa till vilka nummer man vill, och hur m\aa{}nga man vill.) Under dessa str\"ovt\aa{}g p\aa{} telen\"atet st\"oter de ofta p\aa{} lite allt m\"ojligt roligt. Bland annat televerkens egna servicelinjer och sk r\"ostbrevl\aa{}dor (oftare bara kallade \textit{VMB} = \textit{Voice MailBox}, r\"ostbrevl\aa{}da). Via s\aa{}dana r\"ostbrevl\aa{}dor kan man skicka meddelanden till varandra om inget annat fungerar. (L\"as: om televerken har blockerat alla andra m\"ojligheter att ringa gratis.) R\"ostbrevl\aa{}dor anv\"ands annars mest av storf\"oretag med m\aa{}nga tj\"ansteresande, exempelvis konsult- eller f\"ors\"aljningsf\"oretag, som ett snabbare alternativ till skriven post. R\"ostbrevl\aa{}dor kr\"aver en passerkod p\aa{} samma vis som en minutenautomat, och \"ar ungef\"ar lika l\"att att kn\"acka. (Enkla koder som 1234, 0001 eller samma nummer som r\"ostbrevl\aa{}dan \"ar allm\"ant f\"orekommande.) En del r\"ostbrevl\aa{}dor har dessutom m\"ojligheter till vidarekoppling, vilket inneb\"ar att man kan ringa l\aa{}ngdistanssamtal via en lokal r\"ostbrevl\aa{}da. De flesta phreakare f\aa{}r kunskap om tekniska metoder eller stulna/konstruerade koder fr\aa{}n n\aa{}gon annan phreakare. S\aa{}dan information sprids genom speciella BBS:er och genom f\"ortroendekontakter. De flesta som sysslar med phreakande vet ingenting om hur man skaffar fram dessa koder eller hur de tekniska r\aa{}d de f\aa{}r egentligen fungerar. De flesta f\"oljer bara anvisningar fr\aa{}n andra, sl\aa{}r in n\aa{}gra siffror och \textit{voil\'{a}!} du har kopplat dig till andra sidan jorden! Men det finns ocks\aa{} de som John Draper, som verkligen vet vad de h\aa{}ller p\aa{} med. De mest nitiska av dessa \"ar ungdomar som \"annu inte fyllt 20 men \"and\aa{} besitter kunskaper i telekommunikation motsvarande 120 po\"ang ingenj\"orsutbildning, eller \textit{mer}. Sj\"alvklart ses detta som livsfarligt i ett samh\"alle d\"ar \textit{kunskap} \"ar \textit{makt}. Televerkens v\"axelsystem \"ar givetvis idiots\"akra. Ingen idiot i hela v\"arlden skulle kunna programmera om en telefonv\"axel att ge honom gratis telefonsamtal. Det \"ar v\"arre med de smarta brottslingarna. Smarta, kunskapshungriga ungdomar som vill skaffa sig kunskaper i hur telen\"atet fungerar b\"orjar ofta med att l\"asa vanlig h\"ogskolelitteratur om telekommunikation. Flera av dessa skulle s\"akert klara en 20--po\"angstenta med glans. De talar teleteknikernas eget slangspr\aa{}k f\"or olika tekniska mackap\"arer flytande. F\"orkortningar som DCE, OSI, V.24, MUX, NCC eller PAD \"ar sj\"alvklarheter de kan rabbla utantill i s\"omnen. De tycks hysa en n\"armast fetischistisk k\"arlek till telefonn\"atet. Inte alla (men n\"astan alla) tekniska detaljer om telefonsystemen \"ar offentliga uppgifter. De som fattas brukar phreakarna ibland luska fram med en metod som kallas \textit{"{}trashing"{}} och som p\aa{} svenka n\"armast betyder "{}skr\"aprotning"{}. Det g\aa{}r till s\aa{} att man upps\"oker containern utanf\"or ett stort telefonbolag och letar igenom soporna efter anv\"andbar dokumentation som borde k\"orts genom en dokumentf\"orst\"orare, och som inte alls \"ar avsedd f\"or ton\aa{}riga tekniska virtuoser. P\aa{} det h\"ar viset kan phreakare f\aa{} reda p\aa{} funktioner, systemkommandon och hemliga telefonnummer som telebolagen anv\"ander f\"or internt bruk. Ibland \"ar det etter v\"arre - hackarna har en kontakt p\aa{} insidan av telebolaget som med ber\aa{}tt mod smugglar ut f\"oretagshemligheter till dem. Dessa s\"akerhetsrisker \"ar numera i stort sett tillt\"appta, \"aven om det \"ar sv\aa{}rt n\"ar s\aa{} m\aa{}nga m\"anniskor trots allt m\aa{}ste ha del av informationen. Trashing anv\"ands ocks\aa{} f\"or att f\aa{} tag i bortkastad eller skrotad teknisk utrustning, och ingetdera \"ar v\"al s\"arskilt fruktansv\"art kriminellt. Thrashing \"ar inte heller s\"arskilt vanligt, i synnerhet inte i Sverige. Vanligare (och enklare) \"ar d\aa{} sk "{}social ingenj\"orskonst"{} (eng:\textit{ social engineering}) vilket inneb\"ar att man angriper den svagaste l\"anken i hela telefon- och kreditv\"asendet: m\"anniskan. Uttrycket \"ar h\"amtat fr\aa{}n telefonf\"ors\"aljningsbranchen d\"ar det ing\aa{}r i f\"ors\"aljarens jobb att f\"orst\"alla sig och angripa svaga punkter hos kunden, bygga p\aa{} f\"ortroende och samtidigt vara snabb och effektiv. Exempel p\aa{} social ingenj\"orskonst bland phrekare, fritt efter exempel i en ytterst ol\"amplig hackartidskrift (OBS! Anv\"and denna kunskap f\"or att skydda dig sj\"alv och andra fr\aa{}n att uts\"attas f\"or brott av denna typ, inte f\"or att beg\aa{} brott. Missbruk av denna information skulle g\"ora mig mycket besviken!): \begin{quotation} \noindent{}\textbf{P} = Phreakare\\ \textbf{O} = Oskyldigt Offer\\ \textbf{T} = Offrets telefon \textbf{T}: Ring! \textbf{O}: Hej det \"ar O? \textbf{P}: Hej, mitt namn \"ar Tobias Wallenberg och jag jobbar p\aa{} Sparbankens s\"akerhetsavdelning. Nu \"ar det s\aa{} att vi har haft ett datafel h\"ar och ditt Visakort kan f\"or tillf\"allet inte anv\"andas l\"angre d\aa{} ditt kort tyv\"arr g\aa{}tt f\"orlorat i datan. Du skulle inte kunna t\"anka dig att ge mig ditt kortnummer och din accesskod s\aa{} kan vi \aa{}teruppr\"atta kontot omedelbart? \textbf{O}: V\"anta lite, vem sade du att du var? \textbf{P}: Mitt namn \"ar Tobias Wallenberg och jag jobbar p\aa{} Sparbankens s\"akerhetsavdelning. Nu \"ar det s\aa{}... (upprepar det nyss sagda) \textbf{O}: Det h\"ar k\"anner jag inte till. Kan jag ringa dig p\aa{} n\aa{}got nummer? (misst\"anksam) \textbf{P}: Visst, inga problem. Jag f\"orst\aa{}r er skepsis. Ring mig p\aa{} 0712-170920. (fingerat nummer som g\aa{}r till en telefonautomat eller som programmerats in i televerkets v\"axel av P sj\"alv, och som han sedan kan ta bort utan att l\"amna n\aa{}gra sp\aa{}r efter sig. Givetvis \"ar detta inte P:s riktiga hemtelefonnummer.) \textbf{O}: Tack. Adj\"o! \textbf{T}: Klick. Tyst. Ring! \textbf{P}: Sparbankens s\"akerhetsavdelning, Tobias Wallenberg. Vad kan jag st\aa{} till tj\"anst med? \textbf{O}: \AA{}h vilken tur! Jag var r\"add f\"or att du var en bedragare. Ok, mitt visakortsnummer \"ar XXXX... \textbf{P}: Tack. Vi skall f\"ors\"oka \aa{}teruppr\"atta ert konto s\aa{} fort som m\"ojligt. Var v\"anlig och undvik att anv\"anda ert kreditkort de n\"armaste dagarna. Adj\"o, och tack f\"or ert samarbete. \textbf{O}: Adj\"o. \textbf{T}: Klick. \end{quotation} \noindent{}G\aa{}r man p\aa{} en s\aa{}dan h\"ar bl\aa{}sning kan f\"oljderna bli fruktansv\"arda. Kreditkortsf\"oretagen st\aa{}r i allm\"anhet f\"or f\"orlusten om det kan bevisas att det inte \"ar du sj\"alv som utnyttjat kortet, men annars... Aj, aj, aj. Det \"ar inte bara vanliga kreditkort som drabbas; \"aven telebolagens och andra f\"oretags egna betalkort utnyttjas hejdl\"ost. Andra s\"att att komma \aa{}t kontokortsnummer \"ar genom "{}trashing"{} som jag n\"amnde innan, eller genom att helt enkelt rota i folks brevl\aa{}dor efter brev fr\aa{}n banker som kan t\"ankas inneh\aa{}lla b\aa{}de kontokort och personliga koder. Samma teknik kan givetvis l\"att anv\"andas f\"or att ringa r\"att nummer till Telias dokumentationsavdelning och beg\"ara en kopia av teknisk dokumentation f\"or telefonv\"axel si-och-s\aa{}. Kontokortsnummer anv\"ands av phreakare \"aven f\"or att handla varor med, f\"oretr\"adelsevis datorer, kringutrustning till datorer, syntar, stereoanl\"aggningar och andra kapitalvaror. Varorna best\"alls d\aa{} till poste restante eller t ex ett \"odehus, varefter bedragaren om\"ojligen kan sp\aa{}ras. Metoden \"ar bland phrekare och hackare k\"and som "{}carding"{}. Ett antal svenskar har gripits och d\"omts f\"or s\aa{}dana brott. Ett \textit{betydligt} st\"orre antal har (som vanligt) sluppit undan. Phreakare \"ar sociala personer som g\"arna anv\"ander sina kunskaper f\"or att prata i \textit{timmatal} om i princip allt och inget. Speciellt om olika tekniker, koder och annat som \"ar n\"odv\"andigt f\"or "{}phreakande"{} naturligtvis. Ibland kopplar man upp stora internationella konferenser som kan p\aa{}g\aa{} i uppemot \aa{}tta timmar. Vissa snackar, andra bara lyssnar, n\aa{}gon l\"agger p\aa{} och n\aa{}gon ny rings upp. Konferensen forts\"atter s\aa{} l\"ange organisat\"oren orkar, eller tills televerket anar or\aa{}d och uppl\"oser den. En mycket ber\"omd konferens var den sk \textbf{2111--konferensen} som \"agde rum p\aa{} p\aa{} nummer 2111 i Vancouver, vilket var avsett som ett testnummer f\"or telextrafik. S\aa{}v\"al phreakare som de telefonister som sympatiserade med dem (!) brukade ringa detta nummer f\"or att prata bort n\aa{}gra timmar. \"Aven om detta s\aa{}klart \"ar olagligt, fruktansv\"art omoraliskt osv, h\aa{}ller l\"asaren s\"akert med mig om att det \"ar ganska roande att n\aa{}gra ljushuvuden till ton\aa{}ringar anv\"ander dessa konferenssystem, avsedda f\"or multinationella f\"oretag, f\"or att koppla upp globala konferenser och i princip bara \textit{snacka skit!} Phreakarna sj\"alva ser detta grova utnyttjande som oskyldigt, \aa{}tminstone i de fall d\"ar man lurar till sig teletrafiken genom att anv\"anda tekniska trick. De menar att eftersom kablarna \"and\aa{} bara ligger d\"ar, varf\"or inte utnyttja dem? Vilken skada g\"or det egentligen? Skadar det telen\"atet? Knappast. Inte om man vet vad man g\"or. Skadar det n\aa{}gon m\"anniska? Knappast. Inte om man h\aa{}ller fingrarna borta fr\aa{}n sjukhusens och milit\"arens linjer. F\"orlorar televerket pengar? Knappast. Inga phreakare hade ringt samtalen om de varit tvungna att betala f\"or dem. \"Overbelastar man telen\"atet, s\aa{} att televerken m\aa{}ste betala f\"or att bygga ut dem? Inte direkt. Internationella linjer har ganska h\"ogt i tak. Phreakarnas egentliga brott \"ar s\aa{}ledes att man st\"or samh\"allsordningen. T\"ank om alla b\"orjade g\"ora s\aa{} h\"ar! Hur skulle det g\aa{} d\aa{}? K\"appr\"att \aa{}t helvete. De internationella telefonlinjerna skulle bryta ihop under b\"ordan. Ingenting skulle fungera. Kaos och anarki. Detta \"ar allts\aa{} ingen fr\aa{}ga om direkt st\"old, snarare en \textit{ordningsfr\aa{}ga.} Och att stj\"ala koder till kontokort \"ar bedr\"ageri. F\"or en sann yippie \"ar detta ointressant, eftersom hon/han endast \"ar ute efter att f\"orst\"ora samh\"allet. M\aa{}nga phreakare tillh\"or dock den vanliga medel- eller rent av arbetarklassen, som egentligen accepterar samh\"allet och dess lagar. Dessa phreakare har dock medvetet eller omedvetet annammat \textbf{Nietzsche} och betraktar sig en elit, kanske rent av \textit{\"overm\"anniskor}, med sj\"alvklar r\"att att utnyttja systemet. De har aldrig menat att \textit{alla} skall utnyttja systemen p\aa{} samma s\"att som de sj\"alva. Man s\"ager sig vilja hj\"alpa telefonbolagen att hitta nya rutiner att skydda sig fr\aa{}n angrepp genom att visa p\aa{} brister i de befintliga systemen. P\aa{} detta vis menar man att handlingar inte ensidigt kan bed\"omas som onda eller goda utifr\aa{}n lagtexter, p\aa{} samma s\"att som Zarathustra hos Nietzsche f\aa{}r demontera begreppen \textit{r\"att} och \textit{fel}. Detta \"ar s\aa{}ledes en teori om att system kan f\"orb\"attras genom att man s\"atter sig \"over dem. Man skall dock ha klart f\"or sig att de flesta phreakare inte t\"anker i termer av r\"att och fel \"over huvd taget, det normala \"ar att phreakaren \"ar mitt inne i det hon/han h\aa{}ller p\aa{} med, omgiven av likt\"ankande som aldrig ifr\aa{}gas\"atter det som sker. Man undviker att inf\"or en t\"ankt utfr\aa{}gare eller "{}samvete"{} ber\"attiga det man g\"or. Normalt har man snarast inst\"allningen att det som sker \"ar ett p\aa{}g\aa{}ende "{}bus"{}. Phrekartidningen TAP har f\aa{}tt flera efterf\"oljare i \textit{2600: The Hacker Quarterly} (namnet kommer fr\aa{}n den ton p\aa{} 2600 Hz som n\"amndes tidigare), \textit{Iron Feather Journal} och en hel uppsj\"o elektroniska tidningar som inte g\aa{}r att r\"akna. (\"An mindre kontrollera.) V\aa{}rt svenska Telia vill inte g\"arna k\"annas vid att phreakare existerar, och det \"ar rimligt att anta att en hel del fall m\"orkl\"aggs. Detta s\"akerligen f\"or att f\aa{} slippa h\"ora kommentarer som: "{}varf\"or f\aa{}r \textit{dom} ringa gratis n\"ar inte \textit{jag} f\aa{}r det?"{}, "{}Varf\"or \textit{g\"or} ingen n\aa{}got \aa{}t detta el\"ande?"{}, "{}\textit{Jag} \"ar minsann en hederlig skattebetalare, och jag \textit{kr\"aver...}"{} osv osv, men ocks\aa{} f\"or att man annars riskerar att alla skyller p\aa{} phreakare n\"ar en fet teler\"akning landar i brevl\aa{}dan, trots att problemet i de allra flesta fall \"ar av en helt annan art. Detta \"ar \"and\aa{} inte helt ovanligt, och Telia brukar d\aa{} inspektera kopplingsplintar och dylikt f\"or att se om n\aa{}gon manipulerat kontakterna elektriskt. I Sverige har phrekarna rent konkret lyckats med att tillverka falska telefonkort, programmera om biltelefoner s\aa{} att samtalen debiteras p\aa{} andras abonnemang, utnyttja Telia Access-koder, anv\"anda bl\aa{} l\aa{}dor f\"or att lura Telias egna v\"axlar, och (mest av allt) utnyttja utl\"andska kreditkort f\"or att ringa gratis utlandssamtal. Det mest popul\"ara f\"orfaringss\"attet just nu \"ar att tillverka egna kreditkort: hemmagjorda magnetkort som de nyare telefonautomaterna uppfattar som riktiga kreditkort. Falska Visa- och Master Card-kort har p\aa{} detta vis producerats. Ovanp\aa{} detta finns den \"aldsta formen av phreakande, sk \textit{grey-boxing} alltid med i bilden. Gr\aa{} l\aa{}dor (som var f\"oreg\aa{}ngare till de bl\aa{}) \"ar s\aa{}dana som h\"anger p\aa{} telefonstolpar eller st\aa{}r bredvid elverkens proppsk\aa{}p p\aa{} gatorna. Genom att koppla in sig d\"ar kan man rent fysiskt ansluta sig till n\aa{}gon annans telefon och ringa samtal p\aa{} andras bekostnad. Det finns ingen offentlig utredning om dessa brotts omfattning, och inte l\"ar Telia vilja g\"ora n\aa{}gon heller. Att blottl\"agga s\"akerhetsluckor vore fatalt p\aa{} en marknad d\"ar Telia m\aa{}ste konkurrera med privata telefonbolag och det \"ar viktigt att framst\"alla sig sj\"alv i s\aa{} god dager som m\"ojligt. Allts\aa{} forts\"atter man, tillsammans med alla andra telefonbolag, att tiga om bedr\"agerierna eller \aa{}tminstone f\aa{} dem ur fokus. I USA \"ar det v\"arre \"and\aa{}. En del phreakare har l\"ast in sig ordentligt p\aa{} f\"oretags-PR f\"or att kunna utnyttja social ingenj\"orskonst n\"ar de etablerar falska kontokort eller abonnemang. D\"ar utnyttjar man f\"oretagens kundv\"anliga attityd f\"or att pressa telefonbolagen mot varandra. Om en phreakare t~ex misslyckas med att uppr\"atta ett falskt 800--nummer (Amerikansk motsvarighet till 020--numret) kan han avsluta ett samtal d\"ar telebolaget b\"orjar st\"alla f\"or m\aa{}nga detaljerade fr\aa{}gor med att s\"aga att "{}om det skall vara p\aa{} det viset kan jag g\aa{} till konkurrenterna ist\"allet"{}. Den privata sektorns service-mentalitet g\"or givetvis att s\"aljare p\aa{} f\"oretagen drar sig f\"or att st\"alla f\"or m\aa{}nga fr\aa{}gor. Problemen pekar p\aa{} brister i ett samh\"alle d\"ar det sociala umg\"anget mellan f\"oretagare blivit f\"orsummat i och med att f\"oretagen helt enkelt blivit \textit{f\"or stora} -- den sociala dimensionen av f\"oretagandet har skilts fr\aa{}n den produktiva i jakten p\aa{} allt h\"ogre effektivitet, och skapat ett anonymt samh\"alle. Enligt phreakare jag talat med \"ar ocks\aa{} de st\"orsta telebolagen de som \"ar l\"attast att lura: man vet inte vem som \"ar bedragare och vem som \"ar \"akta, eftersom man aldrig tidigare tr\"affat vare sig den ene eller den andre. Den enda metod man har kvar f\"or att skilja agnarna fr\aa{}n vetet \"ar genom att h\"ora hur den andra personen \textit{l\aa{}ter} och vilken vokabul\"ar han/hon anv\"ander. Telebolagen har blivit anonyma logotyper gentemot sina kunder. S\aa{} l\"ange samh\"allet ser ut p\aa{} det viset kommer phreakare att kunna forts\"atta ringa gratis p\aa{} ett eller annat s\"att. En annan form av phreaking f\"orekom p\aa{} det tidiga 80--talet n\"ar de sk "{}heta linjen"{}-numren var popul\"ara. Som en del kanske kommer ih\aa{}g b\"orjade det med att n\aa{}gon uppt\"ackte att om flera personer ringde ett nummer som inte fanns kunde man prata samtidigt tack vare \"overh\"orning, allts\aa{} genom att alla samtal till det numret oavsiktligt kopplades samman av televerkets utrustning. Detta var ett gratis och roligt s\"att f\"or gemene man att sl\aa{} ihj\"al tid p\aa{}, och kommersialiserades d\"arf\"or i god ordning. Senare st\"angdes "{}heta linjen"{} \"over hela landet eftersom det anv\"andes alldeles f\"or osedligt av snuskhumrar. Idag har vi dyra dating-linjer ist\"allet, men den \"oppna, slumpm\"assiga och lotteribetonade konversationen med vem som helst som ledde till de mest fantastiska m\"oten (och tragedier) finns inte l\"angre. Senaste g\aa{}ngen en phreakare var p\aa{} tapeten i Sverige var \textbf{Demon Phreaker} i G\"oteborg som h\"arjade i amerikanska telesystem under 1996. Demon Phreaker var en asocial varelse som tillbringade sina n\"atter med att ringa gratis, k\"aka amfetamin och sabotera 911--nummer (motsvarigheten till svenska 112) i USA. Han var medlem i den l\"ost sammanh\aa{}llna gruppen \textbf{Organized Confusion}. Denna 19-\aa{}rige man lyckades p\aa{} n\aa{}gra m\aa{}nader ringa 60.000 samtal till olika f\"oretag och larmcentraler i USA, till ett v\"arde av c:a tv\aa{} miljoner kronor, men det var attackerna mot 911--numren som var det allvarliga. Phreakaren sp\aa{}rades av FBI , telefonbolaget AT\&T och svensk polis, d\"omdes till villkorligt f\"angelse och 60 dagsb\"oter f\"or ofredande, samt placerades i ungdomshem. (Han hade redan tidigare haft ett antal psykiska sammanbrott.) Eftersom de allvarligare bedr\"ageribrotten inte beg\aa{}tts i Sverige, kunde han inte d\"omas f\"or dessa. \section*{N\"atverkshackare} Nu: fr\aa{}n telefonn\"aten till datan\"aten. Phrekarna fick, som de teknikfanatiker de var, snart \"ogonen p\aa{} datatekniken. Det fanns gott om phrekare som Captain Crunch som fr\aa{}n b\"orjan gett sig p\aa{} telefonn\"atet i brist p\aa{} datorer, och som egentligen helst ville leka med datorer. Tillsammans med avf\"allingar fr\aa{}n h\"ogskolan och mindre exemplariska ungdomar bildade de sm\aa{} hackargrupper som sysslade med regelr\"att dataintr\aa{}ng. M\aa{}nga av dessa uppn\aa{}dde stor skicklighet p\aa{} att manipulera inte bara telefonstationerna utan ocks\aa{} de stora datorer (VAX, IBM osv), normalt ett slags \textbf{UNIX-system} (andra namn \"ar machine, site, host, mainframe etc), som satt i noderna p\aa{} det mot slutet av 80--talet n\"astan v\"arldsomfattande Internet. Andra specialiserade sig p\aa{} VAX-system d\"ar motsvarigheten till UNIX hette \textbf{VMS}. VMS var n\aa{}got popul\"arare eftersom det var enklare att penetrera \"an UNIX. De allra f\"orsta hackare som blev allm\"ant k\"anda var \textbf{Ronald Mark Austin} och framf\"or allt gruppen \textbf{414-gang} fr\aa{}n Milwaukee i USA. 414-gruppen hade b\"orjat "{}hacka"{} fr\"ammande datorer redan runt 1980, och det var avsl\"ojandet om dessa hackare strax efter premi\"aren f\"or filmen \textit{War Games} (1983) som drog ig\aa{}ng hela diskussionen kring hackande och datas\"akerhet. 414-gruppen hade tagit sig in i ett Cancersjukhus i New York, och n\"ar man efter att ha intervjuats i New York Times (en intervju som \"aven innebar en demonstration av m\"ojligheterna) skulle rensa bort sp\aa{}ren efter sig r\aa{}kade man radera uppgifterna i en fil p\aa{} ett felaktigt s\"att, s\aa{} att den f\"orst\"ordes. Bara \textit{tanken} att detta kunde ha varit viktiga forskningsresultat, eller en behandlingsjournal f\"or n\aa{}gon patient, var h\aa{}rresande. F\"ore 1983 visste i princip ingen vad hackare var f\"or n\aa{}gonting. Nu pratade alla om det. Antagligen var det i och med denna debatt som begreppet fick sin negativa klang. Sj\"alv anv\"ander jag begreppet \textit{n\"atverkshackare} f\"or att karakterisera en hackare av denna typ. P\aa{} engelska kallar man dem ibland \textit{crackers} eller \textit{netrunners}. Allt f\"or m\aa{}nga kallar dem bara \textit{hackers} och bidrar d\"armed till den r\aa{}dande begreppsf\"orvirringen. De flesta av de som blev n\"atverkshackare i f\"orsta ledet anv\"ande Apple~II-datorer, p\aa{} vilka det under en tid fanns en del elektroniska phreakartidningar som exempelvis \textit{Bootlegger} som var f\"oreg\aa{}ngare f\"or alla de hackar- och phreakartidningar som sedan florerade i massor. N\"ar n\"atverkshackarna d\"ok upp i Europa anv\"ande de fr\"amst Commodore 64-datorer, och hade inga egna tidningar eftersom n\aa{}gon s\aa{}dan tradition inte hade uppst\aa{}tt bland europeiska hackare. Detta begr\"ansade till stor del de europeiska hackarnas aktiviteter. Eftersom de inte hade n\aa{}gra amerikanska Apple~II-datorer kunde de heller inte l\"asa dessa tidningar, och d\"arigenom inte l\"ara sig att hacka b\"attre. N\"atverkshackandet har \textit{aldrig} varit lika omfattande p\aa{} denna sida Atlanten. En lustig detalj \"ar att sedan 414-gang blev k\"anda har alla hackargrupper haft nippran p\aa{} att s\"atta olika obegripliga siffror f\"ore eller efter sina gruppnamn. 414-gang fick sitt nummer fr\aa{}n att de kom fr\aa{}n det riktnummeromr\aa{}det i USA. \medskip{} \noindent{}Det kan vara sv\aa{}rt att f\"orst\aa{} vad som menas med att "{}ta sig in"{} i ett datasystem. Att "{}kn\"acka"{} eller "{}g\"ora intr\aa{}ng"{} i ett system inneb\"ar helt enkelt att man \"overtalar en fr\"ammande dator att g\"ora saker som den inte f\aa{}r g\"ora. Man skulle kunna kalla det f\"or uppvigling eller bedr\"ageri med lite vanligare ord. Jag kan illustrera det med f\"oljande dialog: \begin{quotation} \textit{"{}Hej"{}}, s\"ager datorn. \textit{"{}Hej}, s\"ager hackaren,\textit{ "{}jag skulle vilja ha lite uppgifter."{}} \textit{"{}Stopp och bel\"agg"{}}, s\"ager datorn, \textit{"{}vem \"ar du egentligen?"{}} \textit{"{}Jag \"ar datachefen"{}}, s\"ager hackaren. (Ungef\"ar.) \textit{"{}Aha d\aa{} \"ar allt OK"{}}, s\"ager datorn och ger hackaren vad han vill ha. \end{quotation} \noindent{}Precis s\aa{} h\"ar ser det givetvis inte ut, men principen \"ar densamma. Att hacka sig in i ett system inneb\"ar i princip att till\"ampa en form av social ingenj\"orskonst p\aa{} elektroniska individer. Eftersom datorer inte \"ar s\aa{} smarta kan man inte beskylla dem f\"or att vara dumma n\"ar de inte kan skilja p\aa{} datachefen och en hackare. D\"arf\"or tycker man att hackaren \"ar ojuste n\"ar han lurar datorn p\aa{} det h\"ar viset. (Ungef\"ar som att sl\aa{} p\aa{} ett barn.) F\"or att g\"ora det m\"ojligt f\"or datorn att skilja en hackare fr\aa{}n datachefen har man gett datorn vissa v\"aldigt speciella igenk\"anningstecken som anv\"andaren m\aa{}ste uppge tillsammans med sitt namn. Dessa kallas \textit{l\"osenord} (eng: \textit{password}) och det \"ar meningen att hackarna inte skall k\"anna till dem. Ibland lyckas hackarna \"and\aa{} ta reda p\aa{} l\"osenordet eller p\aa{} n\aa{}got annat s\"att f\aa{} datorn att tro att de \"ar datachefen eller n\aa{}gon annan som \textit{f\aa{}r} anv\"anda datorn. Ett existerande namn tillsammans med l\"osenordet brukar man kalla en \textit{anv\"andaridentitet.} (Eller p\aa{} engelska: NUI = Network User Identification, identitet f\"or n\"atverksanv\"andare.) En hackare kallar ibland s\"akerhetssystemen f\"or \textit{IS.} (Av eng: \textit{ICE} = \textit{Intrusion Countermeasure Electronics}, elektroniska anordningar mot intr\aa{}ng.) Dialogen mellan hackare och dator kan p\aa{} sk\"armen se ut n\aa{}got \aa{}t det h\"ar h\aa{}llet: \begin{quotation} \textbf{*** WELCOME TO LEKSAND KOMMUNDATA ICE ***} \textbf{UserID}: QSECOFR (hackaren skriver in ett namn)\\ \textbf{Password}: ******* (hackaren skriver in ett l\"osenord, detta brukar inte synas p\aa{} sk\"armen)\\ \textbf{SECURITY OFFICER LOGGED IN AT 19.07.} (namn och l\"osenord utg\"or tillsammans en giltig anv\"andaridentitet som heter "{}Security Officer"{})\\ \textbf{ENTER COMMAND$>$}GO MAIN (hackaren har "{}kommit in"{} i datasystemet)\footnote{En van hackare ser direkt att jag valt ett d\"odstrist datorsystem: IBM AS-400 som exempel.} \end{quotation} \noindent{}De vanligaste s\"atten att komma \aa{}t l\"osenord \"ar inte s\"arskilt underliga. Enklast \"ar att titta \"over axeln p\aa{} n\aa{}gon som skriver in l\"osenordet, kanske rent av videofilma n\"ar n\aa{}gon sl\aa{}r in koden p\aa{} tangentbordet eftersom den s\"allan syns p\aa{} sk\"armen. Andra "{}trick"{} \"ar att leta efter papperslappar under exempelvis skrivbordsunderl\"agg eller att gissa p\aa{} olika kombinationer av initialer, f\"odelsedatum eller andra ord med anknytning till den person vars anv\"andaridentitet man f\"ors\"oker utnyttja. V\"aldigt vanligt \"ar t~ex (f\"or manliga anv\"andare) hustruns efternamn som ogift. Om det konto man f\"ors\"oker anv\"anda tillh\"or en dataansvarig provar man givetvis olika datatermer. Allt detta g\aa{}r in under begreppet social ingenj\"orskonst som jag n\"amnde i samband med phrekarna. En f\"orbluffande effektiv metod \"ar att ringa upp den systemansvarige och s\"aga att man \"ar en person som \"ar anst\"alld p\aa{} f\"oretaget och har gl\"omt bort sitt l\"osenord. Skr\"apletning i containrar och att samla l\"osa papper p\aa{} datam\"assor \"ar andra vanliga tekniker. Givetvis kan man ocks\aa{} anv\"anda sk \textit{brute-force} (brutalt v\aa{}ld) och testa alla m\"ojliga kombinationer av siffror och bokst\"aver. Att kn\"acka ett l\"osenord p\aa{} detta vis med brutalt v\aa{}ld tar massor med tid och \"ar oh\aa{}llbart om l\"osenorden \"ar l\"angre \"an ett visst antal tecken. Ett alternativ \"ar att testa varje uppslagsord i lexikon och ordlistor osv, detta \"ar ofta f\"orbluffande effektivt. Om l\"osenorden \"ar konstruerade efter n\aa{}gon idiotisk algoritm kan man oftast lista ut hur denna \"ar upplagd och anv\"anda den bakv\"agen. Det mest k\"anda exemplet p\aa{} detta \"ar det l\"osenordssystem som tidigare anv\"andes f\"or Telias 020-abonnemang. L\"osenorden anv\"ande bara 37 olika tecken, och var symmetriskt arrangerade s\aa{} att endast 4736 olika l\"osenord existerade. Detta ledde till att en glad 16-\aa{}rig hackare i b\"orjan av 1998 programmerade ett program vid namn \textit{Telia Nemesis} (Nemesis \"ar h\"amndens gudinna) och som automatiskt kn\"ackte Telias konton genom att med brutalt testa alla 4736 kombinationerna mot olika k\"anda eller gissade konton. De allra mest sofistikerade metoderna g\aa{}r runt hela s\"akerhetssystemet genom att anv\"anda luckor i de sk \textit{systemprogram} (\textit{operativsystem, drivrutiner} eller \textit{kommunikationsprotokoll}) som dessa datorer anv\"ander. Systemprogrammen m\aa{}ste n\"amligen vara aktiva f\"or att datorn skall g\aa{} att anv\"anda \"over huvud taget. Eftersom VAX/VMS-system numera \"ar t\"amligen s\"allsynta \"ar det fr\"amst UNIX och Windows-system som uts\"atts f\"or denna form av hackande. Trots den r\aa{}dande Windows-dominansen \"ar det fortfarande vanligast med attacker mot UNIX-system, men Windows-attackerna tenderar att vara allvarligare eftersom systemet \"ar ungt och \"annu inneh\aa{}ller flera fundamentala programfel som kan utnyttjas. Speciellt vanligt \"ar i b\aa{}da fallen att anv\"anda luckor i kommandon och protokoll som g\aa{}r under kufiska namn som FTP, finger, NIS, sendmail, TFTP eller UUCP. Dessa metoder blir allt ovanligare och mindre allvarliga allteftersom luckorna fylls igen s\aa{} fort de uppt\"acks. "{}Igenfyllningen"{} av luckorna g\aa{}r till s\aa{} att den systemansvarige f\aa{}r (eller i v\"arsta fall \textit{borde ha f\aa{}tt}) ett antal disketter med programvara som skall laddas in i datorn. (Dessa kallas \textit{fix, patch, service pack} eller \textit{uppdatering}.) En hel del systemansvariga slarvar dock lite med att uppdatera programmen i datorn, och luckorna kan d\"arf\"or finnas kvar v\"aldigt l\"ange. Andra struntar i delar av s\"akerhetssystemet f\"or att det st\"aller till en massa trassel f\"or de auktoriserade anv\"andarna. Till exempel st\"anger m\aa{}nga av funktionen att l\"osenorden m\aa{}ste \"andras med j\"amna mellanrum, eller att datorn inte godk\"anner alltf\"or vanliga l\"osenord. Vissa datorer har fortfarande (1999) s\"akerhetsluckor som man varnade f\"or redan 1987. Svenska datorer \"ar inget undantag. N\"ar en hackare v\"al kommit in i ett system kan han/hon ofta l\"att komma \"over fler l\"osenord genom manipulation av systemprogrammen. Ibland l\"aser man ocks\aa{} igenom elektronisk post som lagrats i datorn, och d\"ar l\"osenord kan f\"orekomma. T\"ank er sj\"alva: \textit{"{}Olle, jag kan inte komma till jobbet p\aa{} fredag, men om du beh\"over tillg\aa{}ng till mina siffror s\aa{} \"ar l\"osenordet 'e487fg87453gf'."{}} En skicklig hackare som v\"al tagit sig in i ett system l\"amnar givetvis ocks\aa{} l\"onnd\"orrar, s\aa{} att nya intr\aa{}ng enkelt kan genomf\"oras vid senare tillf\"allen. En del av dessa l\"onnd\"orrar kan dessutom l\"att hittas och anv\"andas av andra hackare. \medskip{} \noindent{}De flesta av dessa hackare gjorde (och g\"or) faktiskt inga st\"orre skador p\aa{} systemen, utan \"ar mera ute f\"or att prova "{}om det g\aa{}r"{}. Det \"ar ungef\"ar samma n\"oje som att ge sig in i stockholms tunnelbana till fots eller krypa ned i en kloaktunnel, dvs ett sp\"annande och lite f\"orbjudet utforskande. Faktum \"ar att majoriteten av hackarna h\aa{}ller p\aa{} en oskriven regel som inneb\"ar att man \textbf{aldrig} stj\"al pengar och \textbf{aldrig} f\"orst\"or n\aa{}got avsiktligt. De som bryter dessa oskrivna etiska regler kallas "{}den m\"orka sidans hackare"{} (eng: dark side hackers) ett uttryck som man h\"amtat fr\aa{}n science fiction-filmen \textit{Stj\"arnornas Krig}. I \textbf{Clifford Stolls} bok \textit{En hacker i systemet} kan man f\"olja jakten p\aa{} en s\aa{}dan hackare. Hackaren som Stoll hade problem med tillh\"orde definitivt den m\"orka sidan; denne f\"ors\"okte n\"amligen systematiskt tillskansa sig milit\"ara hemligheter och visade sig ha kontakt med KGB. (Detta var mitt under det kalla kriget.) Han hade hj\"alp av en av de mest fruktade hackargrupperna: \textbf{Chaos Computer Club}, en organisation med politiska undertoner som bildats 1984 av \textbf{Hewart Holland-Moritz} och som s\"ager sig vilja v\"arna om m\"anniskans r\"att i informationssamh\"allet. Chaos hade gjort sig k\"anda f\"or att ha gett d\"odsst\"oten till ett informationssystem som kallats \textit{Bildschirmtext} (svensk motsvarighet: Teletext) genom att vid en presskonferens bevisa att systemet var os\"akert och op\aa{}litligt. 1989 blev fallet med hackaren fr\aa{}n KGB v\"arldsk\"ant och d\"arefter skrev Stoll sin bok. Fallet har mytologiserats: en av de inblandade som kallade sig \textbf{Hagbard} hittades d\"od, br\"and till d\"ods ute i en skog, och m\aa{}nga misst\"ankte att KGB l\aa{}g bakom. Detta \"ar antagligen inte sant; hackaren i fr\aa{}ga hette \textbf{Karl Koch} och hade sv\aa{}ra mentala st\"orningar och drogproblem redan innan han b\"orjade hacka, och det r\"orde sig sannolikt (precis som polisen trodde) om ett sj\"alvmord. Bland annat trodde han att v\"arlden styrdes av \textit{Illuminati}, en fiktiv muslimsk maffia som skulle ha infiltrerat regeringar och organisationer sedan 1200--talet, en vanf\"orest\"allning han h\"amtat direkt ur b\"ockerna med samma namn. Han var dessutom f\"ortjust i psykedeliska droger vilket inte gjorde saken b\"attre. Om man studerar fallet n\"armare kan man tycka att det var uppenbart att Karl var galopperande paranoid, men rubriken \textit{"{}Hackare l\"onnm\"ordad av KGB?"{}} s\"aljer givetvis mer \"an \textit{"{}Hackare begick sj\"alvmord?"{}} Denne Koch hade tillsammans med \textbf{Pengo} (Hans H\"ubner) och \textbf{Markus Hess} som medlemmar av hackargruppen \textbf{Leitstelle 511}, en grupp med tydlig politisk profil och f\"orsmak f\"or l\aa{}nga hackarn\"atter och drogorgier, lyckats komma \"over hemlig information och programvara via Internet. Markus var UNIX-expert och Pengo hj\"arnan bakom intr\aa{}ngen. Detta systematiska utforskande av Amerikanska f\"orsvarsinstallationer gick under kodnamnet "{}projekt Equalizer"{}. Equalizer, eller utj\"amnare p\aa{} svenska, kallades det efter den l\"att naiva id\'{e} hackarna hade om att genom sitt spionage j\"amna ut oddsen mellan \"ost och v\"ast i det kalla kriget. Detta var snarare en urs\"akt f\"or att spionera f\"or egen vinning \"an ett uttryck f\"or verkliga politiska intentioner. De tv\aa{} mest beg\aa{}vade hackarna i gruppen, Pengo och Markus, hackade mest f\"or n\"ojes skull och tj\"anade inte heller speciellt mycket p\aa{} det hela. Samtliga inblandade d\"omdes efter avsl\"ojandet till mellan 1 och 2 \aa{}rs f\"angelse -- villkorligt. Pengo friades helt eftersom han samarbetat med polisen. Detta fall \"ar ett av de f\aa{} man k\"anner till d\"ar n\"atverkshackare tj\"anat pengar p\aa{} sin "{}hobby"{}. Normalt \"agnar man sig bara \aa{}t den h\"ar typen av hackande f\"or den intellektuella utmaningens skull eller f\"or de sociala apekterna med datakommunikation. \textbf{Kevin Mitnick} \"ar en annan hackare som blivit mer eller mindre legendarisk. Han var ursprungligen phrekare och utvecklade en hittills o\"overtr\"affad talang i att manipulera s\aa{}v\"al telefonv\"axlar som datorer och m\"anniskor. Han \"ar urtypen f\"or den m\"orka sidans hackare: han stal k\"allkoden till \textbf{Digitals} operativsystem \textit{VMS 5.0} genom att ta sig in till deras utvecklingsavdelning genom tele- och datan\"atet. Han var h\"amndlysten och straffade de poliser och f\"oretag som motarbetade honom genom att ge dem fruktansv\"arda telefonr\"akningar eller sprida ut l\"ogner via telefon och fax. N\"ar polisen f\"ors\"okte sp\aa{}ra hans telefonsamtal visste han om det och kunde snabbt l\"agga p\aa{} luren, eftersom han hade hackat sig in i telefonbolaget \textbf{Pacific Bells} \"overvakningsdatorer. N\"ar han greps var han i full fart med att stj\"ala k\"allkoden till det inte helt obekanta dataspelet \textit{Doom}. (\textit{K\"allkod} \"ar den version av ett dataprogram som med l\"atthet kan l\"asas och modifieras av m\"anniskor. Efter en process som kallas \textit{kompilering} blir programmet l\"asbart endast f\"or datorer -- och hackare.) Efter gripandet i december 1988 d\"omdes han till ett \aa{}rs f\"angelse och ett halv\aa{}rs rehabilitering. Han behandlades bl~a tillsammans med alkoholister f\"or sitt, som man sade, n\"astan sjukliga behov att hacka. den 15 februari 1995 greps han igen, efter att ha jagats av en s\"akerhetsexpert vid namn \textbf{Tsutomu Shimomura} och en journalist som tidigare skrivit en bok om honom: \textbf{John Markoff}. Mycket av publiciteten kring detta andra gripande var uppbl\aa{}st p\aa{} gr\"ansen till h\"axjakt. M\aa{}nga menade att Kevin inte alls var s\aa{} farlig som Markoff ville f\aa{} honom att framst\aa{}. Till saken h\"or att Shimomura och Markoff redan p\aa{} f\"orhand, dvs inna Kevin gripits, gjort upp om bok- och filmr\"attigheter till historien. Detta till trots har Kevin f\aa{}tt st\aa{} modell f\"or den "{}farliga"{} hackaren; k\"anslokall, h\"amndlysten och med en otrolig f\"orm\aa{}ga att manipulera m\"anniskor och telefonv\"axlar. Han var d\"aremot inte n\aa{}gon st\"orre stj\"arna p\aa{} att manipulera datorer -- d\"ar hade han m\aa{}nga \"overm\"an. V\"art att notera \"ar att Kevin aldrig s\aa{}lde vidare den information han kom \"over. Operativsystemet VMS ville han ha bara f\"or att kunna hacka b\"attre, och han samarbetade inte med organiserade brottslingar. Mitnick sitter i skrivande stund (1999) fortfarande i f\"angelse. Denna typ av illegala intr\aa{}ng har glorifierats i filmer som \textit{War Games} (1983), \textit{Sneakers} (1992) eller TV-serien \textit{Whiz Kids} (1983--84), och just detta brottsliga hackande har ofta (helt felaktigt) ansetts som det enda hackare sysslar med. \"Aven i den svenska \textit{Dr\"ommen om Rita} (1992) f\"orekommer en romantiserad hackare i en av birollerna som n\aa{}got av en symbol f\"or det unga, nya och vilda; en modern Jack Kerouac som drar runt p\aa{} v\"agarna med sin dator. Hackaren framst\aa{}r d\"ar som v\aa{}r tids beatnik. En rolig detalj \"ar att hackaren ifr\aa{}ga kallar sig \textbf{Erik XIV}, precis samma pseudonym som en riktig hackare anv\"ande under ett par reportage i Aktuellt och Tidningen Z 1989 d\"ar han ber\"attade hur han kunde lura kontokortsf\"oretag att betala telefonsamtal och varor fr\aa{}n utlandet. (Vilket han senare blev gripen och d\"omd f\"or.) I sj\"alva verket \"ar det mycket f\aa{} datorintresserade ungdomar som h\"anfaller \aa{}t illegala aktiviteter. Inte desto mindre f\"orekommer det fortfarande, men det egentliga problemet \"ar att datasystemen \"ar f\"or d\aa{}ligt skyddade; ingen hackare orkar ta sig in i ett tillr\"ackligt v\"al skyddat system, \"aven om det \"ar teoretiskt m\"ojligt. Ingen lurar en tillr\"ackligt smart dator. De flesta intr\aa{}ng som sker hemligh\aa{}lls med st\"orsta sannolikhet av PR-sk\"al. S\aa{} vitt jag vet har t ex ingen bank i v\"astv\"arlden \textit{officiellt} r\aa{}kat ut f\"or f\"orluster pga den m\"orka sidans hackare, men \aa{}andra sidan: om jag var en bank och en hackare \"overf\"orde n\aa{}gra miljoner till sitt eget konto, skulle jag i s\aa{} fall vilja dra det inf\"or domstol s\aa{} att alla mina kunder fick veta hur os\"akert mitt datasystem var? Ett enkelt programfel i Sparbankens datasystem sommaren 1994 skapade sensationsartade rubriker, vad skulle d\aa{} inte en miljonst\"old av hackers kosta i goodwill? F\"ormodligen mer \"an vad man skulle kunna f\aa{} tillbaka genom att jaga dem. I s\aa{}dana fall \"ar det givetvis PR-riktigt att l\"agga locket p\aa{}, vilket man med stor sannolikhet ocks\aa{} i ett flertal fall har gjort. Gr\"ansen mellan n\"atverkshackare och phreakare \"ar flytande. Man brukar s\"aga att en \textit{phreakare} utforskar datasystemen av sociala sk\"al, mest f\"or att skaffa sig gratis l\aa{}ngdistanssamtal f\"or att kunna snacka med sina kompisar, medan en intr\aa{}ngsben\"agen \textit{hackare} utforskar systemen mest f\"or deras egen skull, f\"or tjusningen i att lura tekniken. Fr\aa{}n phreakarna har man f\aa{}tt den anarkistiska yippieattityden och lusten att bryta ned systemen. M\aa{}nga har med r\"atta ifr\aa{}gasatt samh\"allets allvarliga syn p\aa{} "{}hackning"{} dvs hobbydataintr\aa{}ng. Man har j\"amf\"ort hackarna med grottkl\"attrare som utforskar ett nytt land mer av nyfikenhet och f\"or utmaningens skull \"an f\"or egen vinning. Eftersom n\"atverken \"ar s\aa{} trassliga att ingen har n\aa{}gon karta p\aa{} dem, menar man att det finns ett helt nytt, outforskat territorium d\"arute, ibland kallat \textit{telerymd}, d\"ar elektroniska konversationer \"ager rum och som hackarna nyfiket kopplar sig fram igenom. Att j\"amf\"ora hackande med inbrott \"ar bara dumt. Vid ett inbrott uppst\aa{}r fysiska skador p\aa{} d\"orrar och l\aa{}s, och verkliga f\"orem\aa{}l stj\"als. En typisk hackare skadar inget vid intr\aa{}ngen (mycket f\aa{} hackare \"ar vandaler),\footnote{Att det finns hackare som verkligen \"ar ute efter att f\"orst\"ora \"ar ett faktum som st\"andigt understryks av s\"akerhetsexperter. Kom d\aa{} ih\aa{}g att det \"ar denna hotbild som \"ar deras levebr\"od.} och i den m\aa{}n han/hon stj\"al information \textit{kopierar} hon/han den bara. Originalhandlingarna f\"orsvinner inte. M\"ojligen stj\"al de n\aa{}gra \"oren elektricitet och sliter n\aa{}got p\aa{} maskinen de hackar sig in i, men med tanke p\aa{} den snabba avskrivningstakten f\"or datautrustning kan det knappast betraktas som f\"orlust. Varje dator som \"ar ansluten till Internet \textit{till\aa{}ter} f\"or \"ovrigt utomst\aa{}ende att anv\"anda datorn f\"or att s\"oka och f\"ormedla information. Jag misst\"anker att det som skr\"ammer etablissemanget \"ar att man tar p\aa{} sig rollen som n\aa{}gon annan. Att man upptr\"ader som datachef utan att vara det, och \aa{}tnjuter de privilegier som detta inneb\"ar. Det v\"arsta av allt \"ar att man klarar uppgiften som dataexpert \textit{med glans}, och p\aa{} det viset f\"orl\"ojligar de dataexperter som f\"oretagen hyrt in f\"or dyra pengar. S\aa{}dant sticker i \"ogonen, speciellt som f\"oretagsv\"arlden i allm\"anhet och storf\"oretagsv\"arlden i synnerhet \"ar uppbyggd kring ett system av underf\"orst\aa{}dda statussymboler d\"ar varenda person sitter i toppen av sin egen lilla minihierarki. Att bete sig som n\aa{}got man inte \"ar betraktas som en d\"odssynd. (Minns Refaat El-Sayeds falska doktorstitel!) F\"ord\"omandet av hackarna st\aa{}r inte i proportion till deras brottsliga handlingar, och straffsatserna \"ar ofta p\aa{} tok f\"or h\"oga. Detta har sin grund i en n\"astan paranoid r\"adsla f\"or det hackaren g\"or, och den etik han/hon anammat. Hackaren \"ar n\"amligen (liksom de flesta m\"anniskor) inte till naturen ond, \textit{definitivt} ingen f\"orh\"ardad brottsling, utan f\"oljer sitt hj\"artas r\"ost. Han/hon \"ar inte psykopatisk eller ute efter att s\aa{}ra eller stj\"ala fr\aa{}n andra m\"anniskor i traditionell bem\"arkelse. M\"ojligen vill hackaren stj\"ala andras hemligheter. Detta skr\"ammer. Mer om hackaretik och ideologi f\"oljer l\"angre fram. Svenska n\"atverkshackare har inte funnits lika l\"ange som i Staterna, delvis beroende p\aa{} att Televerket \"anda fram till den 1 juli 1983 hade monopol p\aa{} de modem som fordras f\"or att ansluta sig till en dator \"over telen\"atet. Det f\"orsta fall jag k\"anner till var 1980 d\aa{} en student vid Chalmers tekniska h\"ogskola d\"omdes till 25 dagsb\"oter f\"or att ha manipulerat debiteringssystemet p\aa{} G\"oteborgs datacentral s\aa{} att han kunde utnyttja systemet gratis. Det f\"orsta fall som uppm\"arksammades av media var n\"ar Aftonbladets journalist \textbf{Lars Ohlson} efter att ha sett filmen War Games hyrde in ett par 17-\aa{}ringar, n\aa{}gra modem och n\aa{}gra datorer och f\"ors\"okte ta sig in i stockholms datacentral \textbf{QZ}. Operat\"orerna p\aa{} QZ undrade vad de h\"oll p\aa{} med, vilket ledde till att Ohlson greps och d\"omdes till b\"oter under h\"ogljudda protester fr\aa{}n bland annat Dagens Nyheter. De tre lyckades heller aldrig ta sig in i QZ, och syftet var att testa s\"akerheten. Den visade sig uppenbarligen vara mycket god... 1983. I \#1 1984 av tidningen \textit{Allt om hemdatorer} rapporterade man om ett betydligt mer lyckat intr\aa{}ngsf\"ors\"ok. Med hj\"alp av en importerad Apple~II hade tv\aa{} ungdomar, 17 respektive 19 \aa{}r gamla, lyckats ta sig in i \textbf{DAFA-Spar}, statens person- och adressregister. \"Aven om DAFA-Spar inte inneh\aa{}ller n\aa{}gra hemligheter kan man l\"att f\"orest\"alla sig vad som kunnat h\"anda om exempelvis en utl\"andsk makt p\aa{} detta vis utan vidare kunnat h\"amta hem uppgifter om varenda svensk medborgare. DAFA-Spar var sj\"alva f\"orbluffade och tagna p\aa{} s\"angen av det intr\"affade. Ungdomarna, som var inspirerade av filmen War Games, hade \"aven lyckats ta sig in i G\"oteborgs Datacentral, Medicin-Data och Livsmedelsverkets datorer. Sj\"alva sade de att de beg\aa{}tt intr\aa{}nget f\"or att visa p\aa{} bristerna i s\"akerheten.\footnote{J\"amf\"or denna mentalitet med mottot f\"or Chaos Computer Club.} De flesta svenska n\"atverkshackare tycks liksom sina amerikanska motsvarigheter ha arbetat \textit{solo}, dvs utan att organisera sig i grupper. Enligt uppgifter l\"ar m\aa{}nga av de f\"orsta svenska hackarna ha h\"amtat inspiration fr\aa{}n BBS:en \textit{Tungelstamonitorn} som drevs p\aa{} en ABC806-dator av socialinspekt\"or \textbf{Jan-Inge Fl\"ucht} i en Haninge utanf\"or Stockholm runt 1986--87. Basen bytte senare namn till \textit{Jinges TCL} och gjorde sig k\"and som en av de mest frispr\aa{}kiga och uppk\"aftiga svenska BBS:erna via amat\"ordatan\"atverket Fidonet. 1987 bildades den mest nambekanta gruppen \textbf{SHA} (Swedish Hackers Association) som underligt nog mest gjort sig k\"anda f\"or att ha irriterat frilansjournalisten och s\"akerhetskonsulten \textbf{Mikael Winterkvist} efter att denne f\"ors\"okt kartl\"agga spridningen av datavirus i Sverige. Sj\"alva s\"ager sig SHA ha varit Sveriges st\"orsta och mest v\"alorganiserade hackargrupp. Andra s\"ager att de bara \"ar skr\"avliga Stockholmare med sj\"alvh\"avdelsebehov upp \"over \"oronen, vilket \"ar ganska intets\"agande eftersom n\"astan alla underjordiska hackare har ett astronomiskt sj\"alvh\"avdelsebehov. Ett av deras mest framg\aa{}ngsrika hack var n\"ar en av medlemmarna tog sig in i Sveriges Radios dator och var s\aa{} f\"ortrogen med systemet att han kunde \"andra i programtabl\aa{}erna om han ville. F\"or skojs skull bytte han ut Pontus Enh\"ornings l\"osenord och ringde upp honom och fick p\aa{} det viset en del publicitet. SHA lyckades under sin aktiva tid ta sig in i ett flertal datorer runt om i Sverige, bl~a hos \textbf{SICS}, \textbf{KTH/NADA}, \textbf{ASEA}, \textbf{Dimension AB}, \textbf{S-E Banken}, \textbf{SMHI}, \textbf{OPIAB}, \textbf{DATEMA} och sist men inte minst: \textbf{FOA}. Inget av de angripna f\"oretagen eller myndigheterna har n\aa{}gon st\"orre lust att prata om det hela. B\aa{}de Polisen och flera f\"oretags egna s\"akerhetsgrupper visste exakt vilka SHA var, men kunde inte alltid bevisa vad de hade gjort. F\"or det mesta l\"at man dem bara h\aa{}llas, eftersom man ans\aa{}g sig ha \textit{"{}koll"{}} p\aa{} SHA. Man var inte r\"adda f\"or SHA, och det fanns ingen anledning att vara det heller, eftersom gruppen bestod av relativt sn\"alla hackare som inte var ute efter att f\"orst\"ora. F\"or det mesta ville de bara ha lite systemtid och \"oppna telelinjer. St\"angde man dem ute respekterade de det. Var man arrogant och auktorit\"ar i tonen mot SHA, blev de ganska sura och hotade med fruktansv\"ard vederg\"allning. Gruppen \aa{}talades under 1997 f\"or ett flertal dataintr\aa{}ng och d\"omdes till b\"oter och villkorliga straff. Medlemmarna har nu n\"astan undantagsl\"ost v\"albetalda jobb som s\"akerhetsexperter, konsulter, servicetekniker och liknande. Sverige har \"aven utsatts f\"or angrepp av hackare fr\aa{}n utlandet. Den kanske mest v\"alk\"anda tidiga h\"andelsen var n\"ar ett par hackare fr\aa{}n Storbrittanien, \textbf{Niel Woods} och \textbf{Karl Strickland} k\"anda under pseudonymerna \textbf{Pad} och \textbf{Gandalf} som \textbf{8LGM} (\textit{8 Little Green Men} eller \textit{the 8 Legged Groove Machine}) under julhelgen 1990 tog sig in i det svenska Datapakn\"atet och Decnet d\"ar de med hj\"alp av ett dataprogram s\"okte av 22.000 abonnenter i jakt p\aa{} datorer att ta sig in i. I 380 fall lyckades de etablera kontakt. De b\aa{}da 20-\aa{}ringarna d\"omdes 4 juni 1993 till vardera 6 m\aa{}naders f\"angelse f\"or dataintr\aa{}ng i 15 l\"ander. (De var f\"or \"ovrigt de f\"orsta som d\"omts p\aa{} grundval av den vid tillf\"allet nyskrivna engelska datalagen.) Innan man f\"ord\"omer Pad och Gandalf skall man ocks\aa{} veta att det var de som hackade sig in en av EU:s datorer och hj\"alpte till att avsl\"oja \textbf{Jacques Delors'} gener\"ost tilltagna representationskonto. \section*{Hackade hemsidor och mailbomber} Alla typer av hacking / cracking har \"okat lavinartat under senare delen av 90--talet till f\"oljd av den enorma Internet-explosionen och gemene mans tillg\aa{}ng till n\"atanslutning. I och med att e-post och hypertext blivit de mest anv\"anda internetteknikerna har en stor m\"angd hackare riktat sina attacker mot just dessa i jakt p\aa{} uppm\"arksamhet. Den stora majoriteten av dessa hackare anv\"ander standardtekniker, vilket \"ar mycket enkelt d\aa{} m\aa{}nga av de st\"orre Internetleverant\"orerna haft, och fortfarande har mycket bristande s\"akerhet b\aa{}de betr\"affande e-post och hypertextutrymmen. Ett mycket illustrativt exempel p\aa{} detta \"ar Telia Nemesis som n\"amndes tidigare, och de flesta leverant\"orer har liknande svagheter. De enda som egentligen kan s\"agas ha godtagbar s\"akerhet idag \"ar banker, vissa storf\"oretag och datorklubbar som alla sedan tidigare har erfarenhet av tekniken. Den f\"orst g\aa{}ngen det uppm\"arksammades att en hemsida blivit "{}hackad"{} (dvs att n\aa{}gon bytt ut eller f\"or\"andrat inneh\aa{}llet, sidan i sig \"ar uppenbarligen inget man hackar) var n\"ar Telias hemsida f\"or\"andrades den 17 mars 1996. Telia bytte namn till Felia och spred cannabis-propaganda. Det allra f\"orsta hacket var anonymt och det \"anda som \"andrats var logotypen och tv\aa{} bilder. Telia \"andrade snabbt tillbaka sidan till det ursprungliga utseendet. N\"ar sidan hackades f\"or andra g\aa{}ngen byttes bilden med texten \textit{"{}en annorlunda v\"arld, kom uppt\"ack den med oss"{}} -- Telias reklamslogan som varit textad tv\"ars \"over en jordglob -- ut mot en bild med samma text skriven \"over ett cannabisblad. Den andra g\aa{}ngen fanns det ocks\aa{} ett namn p\aa{} hackarna: \textbf{Kevin Mitnick Liberation Front}. Missn\"ojet med Telias h\"oga Internetavgifter och monopolst\"allning hade j\"ast en l\"angre tid, speciellt i m\aa{}ng h\"ogljudda debatter i olika nyhetsgrupper. Den f\"orsta v\aa{}gen hemsidehack k\"annetecknades just av att hackarna utnyttjade sin kunskap f\"or att g\"ora sin r\"ost h\"ord i olika fr\aa{}gor som intresserade hackare. Bland andra hack som skedde detta \aa{}r m\"arks ett flertal angrepp p\aa{} \textbf{Livets Ord} av en hackare under pseudonym \textbf{Ivil h4x0r}, d\aa{} sidan upprepade g\aa{}nger bytte namn till \textit{"{}D\"odens Ord"{}}. F\"orsta g\aa{}ngen r\"orde det sig om en relativt enkel \"andring, men uppm\"arksamheten gjorde Ivil h4x0r energisk och upprepade attacken. Andra g\aa{}ngen designades Livets Ord om till en satanistisk sida med hela boken \textit{Paradise Lost} inl\"ankad, och tredje g\aa{}ngen p\aa{} ett smurftema. Andra svenska hackargrupper som \"andrade hemsidor detta \aa{}r var \textbf{Border Liners} (hackade bl a \textit{Finanstidningen}) och \textbf{Swedish Internet Terrorist Enterprise} (S.I.T.E). Under 1996--97 r\"orde det sig s\aa{} gott som uteslutande om hack i syfte att lyfta fram hackarkulturen och dess hj\"altar. Den kanske mest lyckade attacken av detta slag skedde den 13 September 1998, d\aa{} \textbf{New York Times} (John Markoffs arbetsgivare) hemsida hackades och utflippade, humoristiska budskap blandat med allvar placerades \"over hela sidan. Gruppen \textbf{HFG} (Hacking For Girlies) sade sig ligga bakom, och skrev raljerande saker som: \begin{quotation} \noindent{}\textit{Eftersom vi nu \"ar Internetterrorister s\aa{} har vi kommit p\aa{} att vi m\aa{}ste beg\"ara gisslan eller n\aa{}t. S\aa{} ge hit 104 brudar, 6 miljarder i tidningsprenumerationer och kanske en tryckpress, typ. Inte f\"or att ni snubbar vet vad seri\"os journalistik \"ar i vart fall. Korkade horor.}\end{quotation} \noindent{}Den mest p\aa{}tagliga effekten av detta var att en stor m\"angd skickliga hackare b\"orjade intressera sig f\"or politiska fr\aa{}gor. Somliga nya hackare b\"orjade ocks\aa{} vid denna tid l\"ara sig hacka i det enda syftet att anv\"anda sina kunskaper i politiska syften. Tidigare kunde en hackare ange orsaker som att man varit uttr\aa{}kad p\aa{} d\aa{}liga TV-program som motivering bakom ett intr\aa{}ng. Ofta handlade det bara om att upplysa innehavarna om att de hade d\aa{}lig dators\"akerhet, bland annat hackades lundaf\"oretaget \textbf{Netch} upprepade g\aa{}nger f\"or att visa p\aa{} den l\aa{}ga s\"akerheten. Den mest k\"anda svenska aktionen av detta slag \"ar utan tvekan attacken mot CIA den 19 september 1996, d\aa{} CIA:s huvudsida i USA \"andrades i en sympatiaktion f\"or SHA (se ovan). Detta skedde under p\aa{}g\aa{}ende r\"atteg\aa{}ng. Gruppen \textbf{Power Through Resistance} menade att de k\"arande parterna i m\aa{}let (via \aa{}klagare Bo Skarinder) lj\"og om vad SHA egentligen hade gjort och att r\"atteg\aa{}ngen d\"arf\"or var or\"attvis.\footnote{Jag anklagades personligen f\"or att ha genomf\"ort aktionen av tv\aa{} mindre belevade reportrar p\aa{} Svenska Dagbladet. Jag gjorde det inte. Det \"ar inte bara det att jag inte klarar av en s\aa{}dan sak, utan jag skulle definitivt f\"ort ut ett annat budskap om jag f\aa{}tt en s\aa{}dan chans att tala till v\"arlden. Det kanske kan vara intressant f\"or l\"asaren att veta att man insinuerade att denna bok var en hackarmanual som l\"arde folk att genomf\"ora dylika aktioner. (Vilket inte heller st\"ammer...)} Ett annat fall som ledde till sympatiaktioner var n\"ar \textbf{Joel Eriksson} \aa{}talades och f\"alldes f\"or intr\aa{}ngsf\"ors\"ok p\aa{} reklambyr\aa{}n \textbf{Spray} den 13 december 1996. De flesta hackare ans\aa{}g att Eriksson utsatts f\"or en komplott arrangerad av \textbf{Svante Tidholm}\footnote{Svante Tidholm, k\"and internetpersonlighet och bror till journalisten Po Tidholm. F\"orfattare till boken \textit{Loser}, och liknad vid \textit{"{}en svensk Justin Hall"{}}.} och ett antal andra personer p\aa{} Spray, som gick ut p\aa{} att f\"oretaget ville "{}s\"atta dit en hacker"{} s\aa{} att man sedan kunde skryta med sin storslagenhet. Spray \aa{}sin sida menade att Eriksson f\"or det f\"orsta gjort intr\aa{}ng i Sprays maskiner, och f\"or det andra utsatt f\"oretaget f\"or utpressning. Som bevis f\"or utpressningen hade man med sig en kassett fr\aa{}n ett arrangerat m\"ote med Eriksson d\"ar denna skrivit kontrakt om s\"akerhetskonsultation. Tingsr\"atten ogillade anklagelsen om utpressning -- denna \aa{}talspunkt var direkt l\"ojlig -- men f\"allde honom f\"or datorintr\aa{}nget,\footnote{Eriksson f\"alldes j\"amte 21\S{} Datalagen, som upph\"avts tre veckor f\"ore r\"atteg\aa{}ngen. Hur detta g\aa{}tt till \"ar f\"or mig en g\aa{}ta.} eftersom han inte kunde bevisa att han haft tillst\aa{}nd fr\aa{}n Tidholm att genomf\"ora intr\aa{}ngen. \"An idag st\aa{}r ord mot ord mellan Tidholm och Eriksson om den saken. Som en sympatiaktion f\"or Eriksson genomf\"ordes ett flertal hack, det mest v\"alk\"anda mot \textbf{Aftonbladet}, d\aa{} tidningen bytte namn till \textit{Aftonpressen}, en text lades upp d\"ar det sades att tidningen skulle g\aa{} ihop med Expressen, j\"amte en gravsten \"over Spray. Hacket hade genomf\"orts av en hackare i L\"oddek\"opinge utanf\"or Lund som sp\aa{}rades, \aa{}talades och d\"omdes att betala 20.000 kronor f\"or detta. Sidan var underskriven med \textbf{VMM} och hackaren i fr\aa{}ga sade sig ha f\aa{}tt text och grafik fr\aa{}n en annan, f\"or honom ok\"and person. Vi ser allts\aa{} en tydlig trend av aktioner i sympati med olika hackare, men med alltmer politiska undertoner, framf\"or allt r\"orande r\"attss\"akerheten f\"or hackare. Ett otal andra liknande hack har genomf\"orts under slutet av 90--talet, i allt mer politiserade syften. Vissa hack har till och med f\aa{}tt karakt\"aren av elektronisk krigf\"oring.\footnote{Den f\"oljande texten \"ar en bearbetad variant av min artikel "{}Hacktivism"{} fr\aa{}n tidningen \textit{Yelah}, \#3 1999, som ocks\aa{} publicerades i tidningen \textit{S\"akerhet och Sekretess.}} Redan under det tidiga 90-talet h\"orde man talas om\textbf{Internet Liberation Front} (\textbf{ILF}) som tydligen hade f\"ors\"okt ut\"ova terroraktioner p\aa{} Internet f\"or att beh\aa{}lla den anarkistiska strukturen p\aa{} n\"atet och h\aa{}lla de inflytelserika f\"oretagen s\aa{} l\aa{}ngt borta som m\"ojligt. Men i praktiken var den enda som drabbats ILF journalisten \textbf{Joshua Quittner} som skrev en bok om hackargruppen \textit{Masters of Deception} med samma titel. Antagligen var hackarna inte n\"ojda med hur de portr\"atterades i boken, och det hela \"ar snarare att betrakta som en personlig vendetta \"an en allvarligt menad politisk aktion. Terrorn bestod i att Quittners elektroniska postl\aa{}da och hela hans lokala Internet-leverant\"ors dator dr\"anktes med information tills de kroknade. Dessutom vidarekopplades hans telefon till en r\"ostbrevl\aa{}da som \"oste ur sig of\"orsk\"amdheter. Strax efter\aa{}t publicerade tidningen \textit{Wired} ett utdrag ur boken, varefter \"aven de fick uppleva informationsterrorn. D\"arav publiciteten. Den kanske mest k\"anda rent politiska hackargruppen b\"orjade sin aktivitet 1997, och heter \textbf{Electronic Disturbance Theater}. Gruppen sympatiserar med Zapatisterna i Mexico och har vid ett flertal tillf\"allen utsatt officiella Mexikanska websiter, i synnerhet presidenten Ernesto Zedillos personliga site, f\"or s\aa{} kallad DoS (Denial-of-Service)-attacker. Dessa g\aa{}r till p\aa{} s\aa{} vis att man p\aa{} ett givet klockslag uts\"atter maskinen som har hand om siten f\"or s\aa{} m\aa{}nga anrop att den g\aa{}r p\aa{} kn\"a av belastningen eller helt kraschar p\aa{} grund av minnesbrist. Dessa DoS-attacker koordineras genom internationellt samarbete och p\aa{}minner mycket om en digital ockupation eller demonstration. N\"ar man f\"ors\"okte angripa Pentagon med dessa metoder svarade det amerikanska f\"orsvaret med moteld: man blockerade helt anrop fr\aa{}n datorer som gjorde DoS-attacker. F\"ormodligen anv\"andes h\"ar en programvara utvecklad f\"or att detektera och stoppa EDT:s FloodNet-program. EDT har metodiskt utsatt mexikanska myndigheter, f\"oretag som g\"or aff\"arer med Mexico, Pentagon m~fl f\"or flera v\"alorganiserade angrepp. Denna typ av DoS-attacker \"ar i princip lagliga -- det \"ar lite av tanken med en website att man skall f\aa{} beg\"ara hur m\aa{}nga sidor som helst fr\aa{}n den. Andra sympatis\"orer har handgripligen gjort intr\aa{}ng i mexikanska siter, som den i Mexico baserade gruppen \textbf{X-ploit} som i augusti 1998 bytte ut presidentens portr\"att mot en bild p\aa{} Emilio Zapata. X-ploit tillh\"or en slags gr\"anslandsgrupper, dit \"aven de v\"alk\"anda Cult of the Dead Cow h\"or, de \"ar inte prim\"art politiska, men g\"or politiska aktioner och politiska uttalanden n\"ar de f\aa{}r m\"ojligheten. Indonesiska siter har utsatts f\"or ett flertal attacker med b\"orjan den 10 februari 1997 p\aa{} initiativ av gruppen \textbf{PHAiT} (Portugese Hackers Against Indonesian Tyrrany). Vid den f\"orsta attacken som riktades mot det indonesiska utrikesdepartementet byttes den ordinarie sidan ut mot en d\"ar texten "{}V\"alkommen till utrikesdepartementet f\"or fascistrepubliken Indonesien"{}, och en f\"orvanskad bild av Indonesiens utrikesminister Ali Akitas gjorde ett "{}fuck off"{} tecken till bes\"okarna. Anledningen till attackerna \"ar givetvis Indonesisens brutala ockupation av \"Osttimor. I n\"asta v\aa{}g, den 18 januari 1997, attackerades nio siter samtidigt, s\aa{}v\"al officiella som f\"oretags\"agda, och bes\"okare v\"alkomnades till indonesiens "{}grymma, v\aa{}ldsamma och korrupta polismyndighet"{}. Vid den sista attacken den 22 November 1997 genomf\"ordes ett mer militant attentat -- f\"orutom att f\"orvanska hemsidorna valde PHAiT att helt radera inneh\aa{}llet p\aa{} alla datorer tillh\"ornande regeringen som de kom in i. Totalt rensades 26 datorer helt fr\aa{}n inneh\aa{}ll, bland dem bl~a mailservrar. P\aa{} tv\aa{} maskiner tillh\"orande f\"oretag n\"ojde man sig med att \"andra utseendet p\aa{} de hemsidor som lagrades i maskinerna. Inte heller den enorma diktaturen \textbf{Kina} g\aa{}r s\"aker p\aa{} det digitala slagf\"altet. Den f\"orsta k\"anda attacken mot kinesiska datorsystem i politiska syften skedde den 26 oktober 1998. Det var efter att Kinas regering kungjort att man satt upp en site f\"or "{}Human Rights"{}. Sidan hackades av Bronc Buster och Zyklon fr\aa{}n gruppen \textbf{Legions of the Underground}. Den nya texten gjorde narr av Kinas patetiska f\"ors\"ok att st\"odja kampen f\"or m\"anskliga r\"attigheter med en ilsken kommentar: \begin{quotation} \noindent{}\textit{"{}Kinas folk har inga r\"attigheter \"over huvud taget, allra minst m\"anskliga r\"attigheter. Jag fattar inte att v\aa{}rt lands regering [USA, \"oa] handlar med dem. De censurerar, m\"ordar, torterar, leml\"astar och g\"or allt vi tog f\"or givet l\"amnade jorden under medeltiden"{}}\end{quotation} \noindent{}Sidan refererade ocks\aa{} till den or\"attvisa behandlingen av Kevin Mitnick och l\"ankade till Amnesty Internationals kinainformation. Samma hackare gjorde sedan en andra attack den 1 december mot Tijanins informationsn\"atverk f\"or vetenskap och teknologi med anledning av att en kinesisk man vid namn Lin Hai d\"omts till livstids f\"angelse f\"or att ha kommunicerat med regimskritiska exilkinesiska medier i USA. Man kritiserade ocks\aa{} f\"oretaget SUN Microsystems som installerat 90\% av de datorsystem som anv\"ands av den kinesiska regimen. Det var sedan l\"ange k\"ant att kinas post- och telekommunikationsministerium censurerade vissa delar av Internet f\"or Kinas c:a 250.000 Internetanv\"andare. Censuren riktas mot siter som inneh\aa{}ller s\aa{}dant som ministeriet finner politiskt och moraliskt f\"orkastligt. Gruppen h\"avdade vid intr\aa{}nget i december att man ocks\aa{} konfigurerat om de kinesiska datorer som filtrerade folkets tillg\aa{}ng till information, s\aa{} att allt gick igenom utan urskiljning Ett annat angrepp mot Kina skedde den 10 januari 1999. D\aa{} var det \aa{}terigen centret f\"or studier av m\"anskliga r\"attigheter som drabbades. Denna g\aa{}ng var det NIS (Network Intrusion Specialists) som l\aa{}g bakom. Budskapet var denna g\aa{}ng mycket mer humoristiskt och p\aa{}minde mycket om aktionen mot New York Times som n\"amndes tidigare. Hackarna kallade kinas ledare f\"or "{}en hoper hundra\aa{}riga idioter"{}, och man n\"amnde ocks\aa{} orimligheten i den d\"odsdom som kina utf\"ardat mot tv\aa{} kinesiska hackare som stulit 200.000 Yuan med hj\"alp av datorer. Vid det h\"ar laget hade en hel handfull olika grupper metodiskt b\"orjat angripa Kina. Efter att den n\"amnda gruppen Legions of the Underground deklarerat "{}informationskrig"{} mot Kina och Irak och f\"orklarat sig beredda att utf\"ora direkta sabotage mot dessa l\"anders datorsystem, reagerade m\aa{}nga hackare av den "{}gamla skolan"{} mycket negativt och tidningarna 2600 och Phrack samt grupperna Chaos Computer Club, Cult of the Dead Cow, !Hispahack, L0pht, Pulhas och Toxyn skrev under ett upprop d\"ar denna aggressiva strategi starkt f\"ord\"omdes. Man menade att ingen vann n\aa{}got p\aa{} att ett lands informationsinfrastruktur skadas, och att detta bara skulle leda till att hackare ytterligare demoniserades. Den mest k\"anda svenska politiska n\"ataktivistgruppen \"ar utan tvekan \textbf{Djurens Befrielsefronts Internetavdelning}.\footnote{Djurens Befrielsefront \"ar en militant organisation f\"or djurens r\"attigheter, bildad efter den engelska f\"orebilden Animal Liberation Frontline. I massmedia kallas medlemmarna "{}militanta veganer"{}, eftersom de flesta av medlemmarna endast lever p\aa{} mat fr\aa{}n v\"axtriket i sympati med djuren.} Denna bildades i mitten av september 1998, och under oktober inledde man den omfattande operationen \textit{"{}Close-Down"{}} som riktades mot Smittskyddsinstitutet (SMI). Anledningen till aktionen \"ar Smittskyddsinsitutets omfattande och enligt m\aa{}nga bed\"omare (inklusive Nordiska riksf\"orbundet mot pl\aa{}gsamma djurf\"ors\"ok) helt on\"odiga djurf\"ors\"ok. Angreppen inleddes med ett antal mailbombningar mot SMI d\aa{} n\aa{}gra tusen brev \aa{}t g\aa{}ngen skickades f\"or att \"overbelasta SMI:s mailserver, den dator som hanterar brevtrafiken. Den 16 oktober lanserades s\aa{} operation Close-Down officiellt, och 20.000 brev skickades till b\aa{}de SMI och Karolinska Institutet (Karolinska Institutet samarbetar med SMI). Breven inneh\"oll en uppmaning till KI att bryta samarbetet med SMI. Detta samordnades med verkliga demonstrationer utanf\"or SMI:s lokaler i Stockholm och fick mycket stort genomslag i svensk dagspress som lanserade begrepp som "{}Informationskrig"{} f\"or f\"orsta g\aa{}ngen. I januari inleddes aktioner av den typ som Electronic Disturbance Theater tidigare anv\"ant i form att internationellt koordinerade DoS-attacker f\"or att \"overbelasta SMI:s webserver. F\"orutom dessa stora och v\"alk\"anda attacker sker st\"andigt en m\"angd mindre angrepp av politisk karakt\"ar. De f\"orsta k\"anda politiska hackningarna utf\"ordes utan tvekan av tyska \textbf{Chaos Computer Club}, som bland annat avsl\"ojade omfattningen av det tyska atomenergiprogrammet i samband med Tjernobylolyckan redan 1986. Forskningscentra f\"or k\"arnkraft \"ar f\"or \"ovrigt numera tacksamma m\aa{}ltavlor f\"or hackare, gruppen \textbf{Milw0rm} attackerade Bhabhas forskningscenter f\"or atomenergi i Mumbai och stal data dem 2:a juni 1998 i protest mot Indiens k\"arnvapenprov i b\"orjan av maj. Den stulna datan skall ha inneh\aa{}llit geologiska m\"atdata och isotopv\"arden h\"arh\"orande fr\aa{}n atomvapentesterna. En liknande aktion utf\"ordes ocks\aa{} strax d\"arefter mot en turkisk anl\"aggning. Till \"ovriga politiska attacker kan r\"aknas demoleringen av \textbf{Ku Klux Klans} hemsida i slutet av januari i \aa{}r samt ett liknande angrepp mot \textbf{White Pride} i februari (b\aa{}da utf\"orda av gruppen \textbf{Hackers Against Racist Parties}), angreppet p\aa{} US Army i Tyskland av tyska hackare i protest mot de atombomber USA placerat i landet, uppsp\aa{}randet och angivandet av barnpornografidistribut\"orer av gruppen \textbf{Ethical Hackers Against Pedophilia} (senaste k\"anda aktionen skedde den 10 januari 1999), ett angrepp fr\aa{}n gruppen \textbf{E-pROM} den 22 mars med arga kommentarer om IT-industrins kontrollnoja betr\"affande Operativsystem och MP3-filer, hack av den Chilenska regeringens site i protest mot Pinochet den 12 december 1998 osv. Ett antal aktioner av "{}spam"{}-typ har ocks\aa{} genomf\"orts i politiskt syfte, exempelvis den nationalistiska organisationen Nordlands massutskick till alla Algonets kunder 1997. Dessa olika typer av riktat politiska aktioner tenderar att \"oka, men metoderna blir allt mer banala och det \"ar alltmer s\"allan n\aa{}gra "{}riktiga"{} hackare ligger bakom, snarare r\"or det sig om politiska aktivister med visst datorintresse. \section*{Virushackare} Datavirus \"ar st\"andigt p\aa{} tapeten. Detta sp\"annande omr\aa{}de \"ar fortfarande en tacksam k\"alla f\"or publicitet i tidningar och tidskrifter. Speciellt uppm\"arksammade var exempelvis viruset \textbf{Michelangelo} tiden f\"ore den 6 mars 1992, eller det riktigt farliga \textbf{CIH} (\"aven k\"ant som \textbf{Chernobyl}) under 1999. Michelangelo troddes kunna orsaka stora skador p\aa{} data och datorer runt om i v\"arlden. Farh\aa{}gorna visade sig vara minst sagt \"overdrivna: det h\"ande i princip ingenting. Man tog det som ett tecken p\aa{} att varningarna i massmedia varit effektiva och tesen bevisade s\aa{} att s\"aga sig sj\"alv. Fr\aa{}gan \"ar om Michelangelo-viruset n\aa{}gonsin var ett hot. CIH var och \"ar i skrivande stund ett mycket farligare virus. Det har raderat tusentals h\aa{}rddiskar och saboterar \"aven datorns grundinst\"allningar. F\"orlusterna och tragedierna till f\"oljd av CIH har varit enorma. Datavirus \"ar sm\aa{} dataprogram, och precis som alla andra dataprogram \"ar de tillverkade av m\"anniskor. De hackare som sl\aa{}r sig in p\aa{} virustillverkning utm\aa{}las som de v\"arsta av skurkar bland hackare, endast intresserade av att f\"orst\"ora f\"or andra. Man har framlagt lagf\"orslag som inneb\"ar att s\aa{}v\"al tillverkning som spridning av datavirus skall kriminaliseras, men det verkar inte ha blivit mycket med detta. I USA \"ar det dock illegalt att framst\"alla sk "{}destruktiv programvara"{}. De f\"orsta virusen av modern typ (som exempelvis Michelangelo), de sk \textit{l\"ank- och bootvirusen} d\"ok upp i b\"orjan och mitten av 80-talet. M\aa{}nga av de f\"orsta virusen tillverkades i \textit{Bulgarien} av alla st\"allen, och det var d\"ar den f\"orsta BBS:en inriktad p\aa{} enbart virusbyte och virusdiskussioner d\"ok upp: \textit{Virus Exchange}. Enligt uppgift skall detta ha berott p\aa{} att \"ostblocket under n\aa{}gon fas av det kalla kriget fick f\"or sig att tillverka virus f\"or elektronisk krigf\"oring. Bulgarien \"ar k\"ant f\"or sina skickliga datateknologer, mycket tack vare att landet tillverkade kopior av amerikanska Apple-II datorer, s\aa{} det var naturligt att detta elektroniska vapen skulle tillverkas d\"ar. M\aa{}nga bulgariska studenter kom p\aa{} det viset i kontakt med statsfinansierad virusprogrammering och fortsatte sedan utveckla virus som en hobby. Mest framtr\"adande av dessa studenter \"ar \textbf{Dark Avenger}, som idag har uppn\aa{}tt kultstatus bland virushackare. De individuella l\"ank- och bootvirusen har olika egenskaper, men gemsamt har de alla att de \textit{sprider sig} - och det effektivt. De flesta \"ar skrivna av hackare, och alla virus \"ar inte destruktiva. Datavirus har av framst\aa{}ende forskare som \textbf{Stephen B Hawking} klassats som levande liv i en elektronisk v\"arld (dvs telerymden). Det \"ar i s\aa{} fall den f\"orsta livsform som skapats helt och h\aa{}llet av m\"anniskor. En del virushackare \"ar bara vanliga hobbyhackare som f\aa{}tt f\"or sig att g\"ora virus, andra \"ar n\"atverkshackare som intresserat sig f\"or virus. Ett forum f\"or amerikanska virustillverkare var under en period den elektroniska tidningen \textbf{40hex} (namngiven efter en funktion i operativsystemet p\aa{} IBM PC) som framf\"or allt listade hela virusprogram och redog\"or f\"or virustekniker, men \"aven rapporterade om politiska och marknadsm\"assiga aspekter p\aa{} virus. Den gavs ut av virushackargrupperna \textit{Phalcon} och \textit{SKISM} (Smart Kids Into Sick Methods). Ett modernare media f\"or virusmakare \"ar tidningen \textbf{VDAT}. Det \"ar synd att p\aa{}st\aa{} att virustillverkare enbart \"ar ute efter att f\"orst\"ora. F\"or det mesta r\"or det sig om \textit{graffittifenomenet}, man vill se sitt namn p\aa{} s\aa{} m\aa{}nga sk\"armar som m\"ojligt, och man vill l\"asa i tidningarna om vad ens virus st\"allt till med. Man vill bli n\aa{}got. Att tillverka ett virus \"ar dessutom en intellektuell utmaning som fordrar relativt djupa kunskaper i programmering. Virushackarna \"ar f\"ormodligen de mest intellektuella hackarna n\"ast efter h\"ogskolehackarna. I de fall man \"ar ute efter att f\"orst\"ora \"ar det samma gamla yippieattityd fr\aa{}n phreakarna som dyker upp. Virushackaren \"ar den fascinerande m\"anniska som uppst\aa{}r d\aa{} en yippieanarkist och en ordningssam programmerare m\"ots i en och samma person. Till saken h\"or att virus uteslutande skrivs i assemblerspr\aa{}k - det sv\aa{}raste och mest komlicerade dataspr\aa{}k man kan ge sig p\aa{}. Ingen virushackare har s\aa{}vitt jag vet n\aa{}gonsin tj\"anat pengar p\aa{} att tillverka ett virus. Virushackarna hyser n\aa{}gon form av hatk\"arlek till \textbf{John McAfee}\footnote{Grundare av antivirusf\"oretaget McAfee Associates.} och andra personer och f\"oretag som tillverkar program som tar bort virus fr\aa{}n datorer som infekterats. Innan McAfee b\"orjade jobba med datavirus livn\"arde han sig p\aa{} att s\"alja medlemskort i en f\"orening som intygade att medlemmarna var AIDS-fria, s\aa{} nog hade han erfarenhet av virus alltid. Det har antytts att hans f\"oretag skulle underbl\aa{}st virusproduktion eftersom det i princip var livsn\"odv\"andigt f\"or dem att nya virus st\"andigt d\"ok upp. F\"oretaget fungerar n\"amligen s\aa{} att man, liksom de flesta moderna antivirusf\"oretag, lever p\aa{} att \textit{uppdatera} programmen efterhand, dvs p\aa{} att anpassa dem till de nya virustyper som st\"andigt dyker upp. N\"ar John McAfee s\aa{}lde AIDS-f\"ors\"akringar jobbade han enligt ett liknande system. Han anklagades ocks\aa{} f\"or att underbl\aa{}sa r\"adslan f\"or viruset Michelangelo 1992. Datavirus kan dessutom betraktas som konst. Ett datavirus \"ar ett dataprogram som alla andra, och enligt lagen om upphovsr\"att inneh\aa{}ller varje nyskapande dataprogram ett konstn\"arligt element. Att det fordras vilja, anstr\"angning och fantasi f\"or att skapa ett virus \"ar uppenbart. T\"ank, att samtidigt som dessa datachefer och systemvetare k\"ampar sig f\"ord\"arvade f\"or att f\aa{} datasystemen att fungera smidigt och ordentligt, med varje siffra p\aa{} sin r\"atta plats, finns det n\aa{}gra sm\aa{} ligister som sitter och framst\"aller dataprogram som \"ar avsedda att orsaka det \textit{rakt motsatta}, dvs kaos, oordning, \"odel\"aggelse. Det fordras inte mycket insikt i branchen f\"or att f\"orst\aa{} det roliga i detta. Virusmakarna retas med det n\"astan sjukliga ordningssinnet inom f\"oretag och myndigheter. Det kan mycket v\"al ses som en protest mot en n\"armast \textit{fascistoid} \"onskan om kontroll, ordning och reda. \begin{quotation} \noindent{}\textit{"{}F\"or somliga \"ar vi som demoner, f\"or andra som \"anglar} (...) \textit{V\"alsignad \"ar den som inget v\"antar, f\"or han kommer inte att bli besviken"{}} (Ur k\"allkoden till viruset \textit{Dark Avenger} av den bulgariske virushackaren med samma namn.) \end{quotation} \noindent{}Den mest k\"anda svenska virushackaren g\aa{}r under namnet \textbf{Tormentor}. Under 1992 bildade han ett l\"ost sammanh\aa{}llet n\"atverk av svenska virushackare under namnet \textit{Demoralized Youth} (demoraliserad ungdom). Tormentor h\"orde till den relativt lilla grupp hackare som fattat tycke f\"or virustillverkning, och etablerade kontakt med andra svenska ungdomar med samma intresse. Bland annat kom han i kontakt med en 13-\aa{}ring som hade samlat p\aa{} sig ett hundratal virus och \"aven h\"amtade nya fr\aa{}n den n\"amnda BBS:en \textit{Virus Exchange} i Bulgarien. Under senh\"osten spred han sitt virus p\aa{} olika BBS:er i G\"oteborg, och kunde sedan se hur svallv\aa{}gorna bredde ut sig \"over hela Sverige med heta diskussioner p\aa{} Fidonet som f\"oljd. N\aa{}gon kom p\aa{} ett s\"att att stoppa Tormentors virus. Han \"andrade p\aa{} det och spred ut det en g\aa{}ng till. Det stoppades igen. Processen upprepades 5 g\aa{}nger innan Tormentor tr\"ottnade p\aa{} att st\"andigt \"andra och sprida viruset. I en intervju f\"or Jan Freese och Sten Holmberg sade han: \textit{"{}Ett datavirus \"ar ett vapen. Ett oerh\"ort kraftigt vapen. Att \"aga, eller tillverka ett virus, ger samma hisnande k\"ansla som att h\aa{}lla i en revolver eller ett spr\"ang\"amne. Virusets makt ger mig styrka."{}} Efter\aa{}t konstaterade han att viruset egentligen hade flera fel. Han hade bara testat det mot McAfees ViruScan, det hade ett flertal programfel, och v\"arst av allt - det var \textit{inte} destruktivt! S\aa{} talar en sann sabot\"or. Tormentor \"ar virushackaren i ett n\"otskal, f\"ormodligen ocks\aa{} en evig svensk legend p\aa{} omr\aa{}det. Redan fr\aa{}n f\"orsta b\"orjan var han i kontakt med SHA, och l\aa{}g i st\"andig fejd med \textbf{Mikael Winterkvist} p\aa{} f\"oretaget Computer Security Center / Virus Help Center. \medskip{} \noindent{}Bland andra k\"anda virus finns den sk \textit{trojanska h\"asten} \textbf{AIDS}. (Trojanska h\"astar \"ar virus som \textit{infiltrerar} fr\"ammande datorer eller datan\"atverk.) AIDS \"ar ett program som skickades ut gratis till f\"oretag \"over hela jorden efter en internationell konferens om AIDS-problemet i London, och som utger sig f\"or att inneh\aa{}lla information om AIDS. N\"ar man k\"or programmet l\aa{}ser det datorns h\aa{}rddisk och man uppmanas betala ett visst belopp till ett konto i Panama. D\"ar kan man snacka om elektronisk utpressning. Detta virus har dock inget med hackare att g\"ora, det skapades av en man vid namn \textbf{Joseph Papp}, som inte kunnat st\"allas till svars f\"or handlingarna eftersom r\"atten asn\aa{}g honom vara "{}ej psykiskt tillf\"orlitlig"{}. Tv\aa{} andra trojanska h\"astar som fick viss publicitet under 1998--99 var \textit{Netbus} (utl\"ases "{}bus p\aa{} n\"atet"{}, en svengelsk ordlek) skrivet av \textbf{Carl-Fredrik Neikter} i V\"axj\"o, och \textit{Back Orifice}\footnote{Ordlek med Microsofts produktsvit Back Office, vari Windows NT server, mailservern Exchange, databasmotorn SQL Server m fl program ing\aa{}r.} (ung "{}bakre \"oppning"{}) av den amerikanska hackargruppen \textit{Cult of the Dead Cow} (CDC). Dessa fungerar s\aa{} att de installeras genom att "{}hakas p\aa{}"{} n\aa{}got annat program, exempelvis n\aa{}got av de m\aa{}nga sk\"amtprogram f\"or Windows som cirkulerar i e-post. Efter att h\"asten installerats var det m\"ojligt att med ett annat program p\aa{} allehanda s\"att avlyssna och ta kontrollen \"over arbetsytan i den dator d\"ar h\"asten installerats. Detta var en aning allvarligt eftersom programmen kunde se allt som f\"orsiggick p\aa{} sk\"armen eller tangentbordet, inklusive l\"osenord och belopp vid privata banktransaktioner. Det var exempelvis m\"ojligt att i farten \"andra ett postgironummer eller belopp om man avlyssnade en dator i samma \"ogonblick som transaktionen f\"orsiggick. Bland de mer k\"anda datavirusen finns ocks\aa{} \textit{RTM} eller \textit{The Internet Worm} som det ocks\aa{} kallas. Viruset var ett sk \textit{maskvirus} som kopierar sig sj\"alvt genom datorn\"atverk och det s\"ankte hela Internet n\"ar det gick l\"ost 2 november 1988. Programmet hade skrivits av hackaren och studenten \textbf{Robert Tappan Morris} (d\"arav RTM) och hans tanke med viruset var att tillverka ett program som p\aa{} egen hand f\"ardades runt i Internet och testade hur m\aa{}nga datorsystem det kunde ta sig in i. Viruset skulle sedan rapportera tillbaka till sin f\"orfattare s\aa{} att han kunde se hur l\aa{}ngt ut i v\"arlden det lyckats ta sig. Dessv\"arre gjorde han en programmeringsmiss med f\"oljd att hela Internet b\aa{}gnade under viruset. Han d\"omdes till b\"oter och \"overvakning f\"or sitt d\aa{}d. Id\'{e}n med maskvirus kommer ursprungligen fr\aa{}n f\"oretaget Xerox forskningcenter i Paolo Alto, Silicon Valley, d\"ar dessa anv\"andes f\"or att kunna utnyttja datorernas resurser b\"attre, t ex genom att vissa program bara k\"ordes p\aa{} natten n\"ar ingen anv\"ande datorerna. Fredagen den 26 mars 1999 och ungef\"ar en vecka fram\aa{}t grasserade \"annu ett maskprogram vid namn \textit{Melissa}. Nu hade flera f\"oretag och myndigheter blivit beroende av fungerande e-postkommunikation s\aa{} verkan av virusen var betydligt mer omfattande \"an RTM som bara drabbade i huvudsak akademiska och vissa milit\"ara installationer. Melissa var ett sk \textit{makrovirus,} ett program som k\"ors inuti ett annat program. Dessa anv\"ands t ex f\"or att automatiskt generera inneh\aa{}llsf\"orteckningar och dokumentnummer. Viruset angrep bara kombinationen av ordbehandlaren Microsoft Word och e-postprogrammet Microsoft Outlook. Genom att \"oppna ett Word-dokument aktiverades ett program som i sin tur startade Outlook och skickade iv\"ag kopior av sig sj\"alvt till de 50 f\"orsta adresserna i den speciella adressbok som tillhandah\"olls av Outlook. Dokumentet som duplicerades ohejdat inneh\"oll, f\"orutom viruset, en lista \"over 80 www-siter med pornografiskt inneh\aa{}ll. De maskiner som sk\"otte mailtrafiken p\aa{} Microsoft, Intel och Motorola fick omg\aa{}ende st\"angas p\aa{} grund av \"overbelastning. I Sverige drabbades Ericsson-koncernen v\"arst, m\aa{}ndagen efter att viruset spritts i USA. Melissa hade skrivits av \textbf{David L Smith} i Eatontown, New Jersey, och var d\"opt efter en strippdans\"os han sett i Florida. Smith kunde sex dagar senare gripas efter en avancerad teknisk sp\aa{}rning, som utnyttjade en svaghet i tidigare versioner av operativsystemet Windows 98. Windows st\"amplar alla nya dokument med ett sk GUID-nummer (Globally Unique IDentifier, unikt globalt ID-nummer), och i programmet som genererade numret ingick bland annat att MAC-adressen (ungef\"ar detsamma som ett serienummer) p\aa{} datorns n\"atverkskort anv\"andes.\footnote{Normalt var de sista 64 bitarna av en GUID detsamma som MAC-adressen p\aa{} datorns n\"atverkskort. Detta "{}fel"{} har numera r\"attats av Microsoft s\aa{} att ett n\"atverkskort inte kan sp\aa{}ras med utg\aa{}ngspunkt fr\aa{}n ett GUID.} Genom att analysera GUID-numet kunde p\aa{} s\aa{} vis MAC-numret \aa{}tervinnas. Man visste d\aa{}, att om man hittade datorn med detta n\"atverkskortnummer, tillh\"orde den med st\"orsta sannolikhet virusets skapare. Skaparen av Melissa kallade sig \textit{Kwyjibo,} men visade sig vara identisk med makrovirusskaparen \textit{VicodinES} eller \textit{Alt-F11,} som hade flera wordfiler som skapats p\aa{} datorn med samma n\"atverkskort liggande p\aa{} sin hemsida hos internetleverant\"oren America Online, d\"ar han hackat ett konto tillh\"orande en viss "{}Skyrocket"{}. En del av jobbet att koppla Melissa till VicodinES gjordes av datas\"akerhetsforskaren Fredrik Bj\"orck p\aa{} KTH i Stockholm. Emellertid finns \"annu vissa fr\aa{}getecken r\"orande huruvida Smith verkligen var VicodinES, eller om han bara var Kwyjibo. Det finns andra typer av virus som genom att kopiera sig sj\"alvt i ett n\"atverk, framf\"or allt sk \textit{bakterier} eller \textit{forkvirus}. I operativsystemet UNIX brukar man s\"aga att en process "{}forkar"{}, ung "{}gafflar sig"{}, man f\"orst\aa{}r vad som menas med detta om man tittar p\aa{} en gaffel som man h\aa{}ller v\aa{}gr\"att: processen delas efter hand i flera underprocesser, om man ritar dem i ett tidsdiagram ser kurvan ut som en gaffel. Till sist blir datorn s\aa{} belamrad av processer att den stannar helt pga minnesbrist, av att processtabellen tar slut, eller av att arbetsbelastningen till slut g\"or s\aa{} att maskinen blir f\"or l\aa{}ngsam att anv\"anda. I ett n\"atverk finns ocks\aa{} m\"ojligheten att godtyckligt starta processer p\aa{} andra maskiner som finns till hands, vilket g\"or att ett s\aa{}dant virus kan sl\aa{} ut ett helt deln\"atverk, men s\"allan n\aa{}got utanf\"or ett begr\"ansat "{}n\"atverksomr\aa{}de"{}. \section*{Satellit- och Kabelhackare} Det \"ar tveksamt om man skall kalla satellit- och kabelhackarna f\"or hackare alls, och det \"ar \"annu os\"akrare om jag har r\"att att kalla dem "{}illegala hackare"{}. F\"or det f\"orsta \"ar det dessa hackare g\"or s\"allan olagligt. F\"or det andra \"ar de mera radioamat\"orer och elektronikentusiaster \"an datoranv\"andare. \AA{}andra sidan anses ju phreakare och hemdatorbyggare ofta vara hackare. F\"or \"ovrigt vill varken radioamat\"orer eller elektronikhobbyister k\"annas vid dem. Och s\aa{} delar de den grundl\"aggande hackarv\"arderingen att all information skall vara fri. S\aa{} d\aa{} \"ar de v\"al hackare. Tidigare var det s\aa{}, att om man slog upp de sista sidorna i en kv\"allstidning strax efter sporten; de d\"ar alla annonser om porrfilmer och h\aa{}rtillv\"axtpreparat finns, hittade man inte s\"allan en annons som s\aa{}lde byggsatser till kabel-TV dekodrar. S\aa{}dana tillverkas av den h\"ar gruppen hackare. Hela den svenska grenen av denna underjordiska verksamhet kan h\"arledas till kretsen kring tidningen Rolig Teknik, som jag n\"amnde tidigare. Det g\aa{}r knappt att uppbringa en dekoderkonstrukt\"or som \textit{inte} har l\"ast Rolig Teknik. Det absolut mest v\"alk\"anda \textit{hack} en s\aa{}dan hackare presterat drabbade tittarna p\aa{} TV-kanalen \textit{Home Box Office} den 27 april 1987. Mitt under filmen \textit{Falken och Sn\"omannen} avbr\"ots uts\"andningen under fyra minuter av en blank sk\"arm med texten: \textit{"{}Good Evening HBO from Captain Midnight. \$12.95 a month? No Way! (Show-time/Movie Channel, Beware!)"{}}. (P\aa{} svenska: Godkv\"all alla HBO-tittare \"onskar Captain Midnight. 12.95 dollar i m\aa{}naden? Aldrig i livet! (Show-time/Movie Channel, Se upp!)). Bakgrunden till meddelandet var att HBO planerade att kryptera sina s\"andningar s\aa{} att den som ville se programmen skulle vara tvungen att k\"opa en dekoder f\"or att ta del av utbudet i tabl\aa{}n. \textbf{Captain Midnight}, eller \textbf{John MacDougall} som det senare visade sig att han egentligen hette, hade avbrutit HBOs s\"andning genom att programmera om den satellit som s\"ande kanalen. S\"andningen var intressant s\aa{}tillvida att den med all \"onskv\"ard tydlighet visade hur s\aa{}rbart det h\"ogteknologiska samh\"allet \"ar. T\"ank om Captain Midnight ist\"allet hade f\aa{}tt f\"or sig att styra satelliten ur sin normala bana, och d\"arigenom lyckats sabotera utrustning f\"or flera miljoner? Men v\"arst av allt var kanske att hackarna med detta d\aa{}d tr\"angde in i varje TV-tittares medvetande med ett otvetydligt politiskt budskap om att TV, en form av information, inte borde kosta n\aa{}got. Man spekulerar ofta i att den h\"ar typen av hackare \"ar kapabla att genomf\"ora avancerad avlyssning. Avlyssningen brukar dock begr\"ansas till okrypterad trafik s\aa{}som de SMS-meddelanden som skickas mellan mobiltelefoner,\footnote{Jag fick vid ett tillf\"alle en l\aa{}ng lista transkriberade SMS-meddelanden av en hackare. De flesta helt vanliga, tr\aa{}kiga meddelanden, medan en serie meddelanden hade explicit, intimt sexuellt inneh\aa{}ll.} eller vanliga mobilsamtal. Att avlyssna ett telefonsamtal genom att bryta sig in i en telestation eller ett kopplingssk\aa{}p \"ar givetvis inte heller n\aa{}gon match f\"or s\aa{}dana hackare. D\"aremot \"ar det inte s\"arskilt troligt att de anv\"ander de metoder som l\"ange har anv\"ants av s\"akerhetspolis och milit\"ar underr\"attelsetj\"anst, t ex: avlyssning av bildsk\"armar och tangentbord med hj\"alp av r\"ojande signaler, radios\"andare inuti datorer, avlyssning av samtal genom att rikta lasermikrofoner mot glasrutor och avst\"angda mobiltelefoner, osv osv. Anledningen \"ar inte att man inte skulle vilja, anledningen \"ar att man helt enkelt inte har r\aa{}d med den utrustning som fordras. Under den h\"ar rubriken kan jag passa p\aa{} att n\"amna en del andra elektronikhackare som t~ex uppsalahackaren och atarientusiasten \textbf{Marvin} (fingerat namn) som tillsammans med sina kompisar konstruerade egna telefonkort - evighetskort som aldrig tog slut... Efter en utdragen process d\"omdes uppsalahackarna till villkorliga straff och 100 dagsb\"oter medan Telia inte fick ett \"ore i skadest\aa{}nd. (Bland annat beroende p\aa{} att Telia sj\"alva planterat best\"allningar p\aa{} Marvins kort, nyfikna som de var p\aa{} dennes uppfinning.) En del ingenj\"orsstuderande runt om i landet blev s\aa{} imponerade av Marvins telefonkort att de tillverkade kopior av kortet, och inom kort fanns det betydligt fler kopior \"an original. Marvin sj\"alv tillverkade aldrig s\"arskilt m\aa{}nga kort. Han ville i princip bara visa att det var m\"ojligt, eftersom han h\"ort Telia skryta om kortens \"overl\"agsna s\"akerhet. Ett liknande fall r\"orde amigahackaren \textbf{Wolf} (ocks\aa{} fingerat namn), en 23-\aa{}ring hemmah\"orande i Helsingborg, som r\aa{}kade komma \"over en kortl\"asare f\"or den typ av magnetkort som anv\"ands till bl~a bankomatkort och, som i det h\"ar fallet, \textit{busskort}. Wolf var en ovanligt skicklig ungdom som kunde hantera all m\"ojlig teknisk utrustning. Han var dessutom h\"andig. Han var utbildad p\aa{} tv\aa{}\aa{}rigt el/tele-gymnasium, men betydligt mer h\"angiven \"an de flesta h\"ogutbildade ingenj\"orer. Han hade redan r\aa{}kat i klameri med r\"attvisan efter att han sysslat med hembr\"anning. Utan n\aa{}gra st\"orre sv\aa{}righeter lyckades han sj\"alv ansluta kortl\"asaren till sin Amiga och skriva det program som anv\"andes f\"or att styra den. Fr\aa{}n b\"orjan ville han antagligen bara testa systemet f\"or att se om det gick att programmera busskorten sj\"alv, men efterhand blev verksamheten alltmer aff\"arsm\"assig. Det hela utvecklades till en mindre bulvanverksamhet d\"ar hundratals, kanske rent av \textit{tusentals} kort f\"orfalskades. Tack vare ett v\"al fungerande och s\"akert datasystem kunde l\"anstrafiken i malm\"ohus l\"an sp\aa{}ra de skyldiga och sp\"arra de f\"orfalskade korten. Vid en husrannsakan hos Wolf hittade man bland annat Marvins utf\"orliga beskrivning av Telias telefonkort. Behovet av en fungerande lagstiftning f\"or denna typ av brott \"ar skriande. Det finns verksamheter som ligger p\aa{} gr\"ansen till det till\aa{}tna och som man inte utan vidare kan f\"orbjuda. Det \textit{\"ar inte} f\"orbjudet att \"aga kortl\"asare eller tillverka falska kort. Elektroniska "{}urkunder"{} som telefonkort eller dekodrar betraktas inte som urkunder just d\"arf\"or att de \"ar elektroniska, och \"ar d\"arf\"or inte f\"orbjudna att inneha. Svensk lagstiftning \"ar helt enkelt inte utformad f\"or elektroniska urkunder. (\"An.) Att d\"aremot anv\"anda s\aa{}dana \"ar helt klart att betrakta som bedr\"ageri. Piratdekodrar har man f\"orbjudit i en speciell lag - men bara den aff\"arsm\"assiga tillverkningen och f\"ors\"aljningen. F\"ormodligen har man gjort denna begr\"ansning f\"or att inte inkr\"akta p\aa{} radioamat\"orernas friheter, vilket lett till att byggsatser och andra hj\"alpmedel f\"or amat\"orverksamhet \"ar till\aa{}tna. L\"osningen p\aa{} kontroversen \"ar givetvis inte f\"orbud, utan att bygga system som \"ar s\aa{} s\"akra att de inte kan forceras \"aven om angriparen vet \textit{allt} om hur de fungerar, vilket inte alls \"ar om\"ojligt med hj\"alp av bra kryptoteknik. Fr\aa{}gan \"ar om \textit{det} \"ar s\aa{} j\"akla bra. I ett samh\"alle som allt mer bygger p\aa{} elektronisk valuta skulle detta n\"amligen kunna s\"atta P f\"or \textit{alla} tekniska bedr\"agerier och valutaf\"orfalskningar. Jag skall \aa{}terkomma till detta l\"angre fram. \section*{"{}Anarkister"{}} De "{}hackare"{} som kallas anarkister \"ar knappast hackare i traditionell bem\"arkelse. Inte heller \"ar de anarkister. Snarare \"ar de ton\aa{}ringar med ett rent allm\"ant intresse f\"or bomber, gift, vapen och droger. Eftersom s\aa{}dan information inte finns p\aa{} ett normalt bibliotek s\"oker sig dessa till den underjordiska datorkultur d\"ar all information sprids h\"ars och tv\"ars mellan ungdomar som inte sj\"alva har barn och d\"arf\"or inte k\"anner n\aa{}got som helst ansvar f\"or den information de sprider. Av uppenbara sk\"al betraktar ungdomarna varandra som j\"amlikar och ser det hela som n\aa{}got av ett uppror mot vuxenkulturen. Barnsligt? Kanske. Som protest mot \"overf\"ormynderiet kan det knappast betraktas som barnsligt. Det finns f\"or \"ovrigt en hel del vuxna "{}anarkister"{} ocks\aa{}. Anarkister utm\"arker sig genom att med aldrig sinande intresse distribuera ritningar p\aa{} vapen och bomber, recept p\aa{} droger, olika instruktioner om hur man b\"ast tar livet av en annan m\"anniska osv. En del hackare blir enbart f\"orbannade n\"ar de ser sina BBS:er \"oversv\"ammas av s\aa{}dant material (som ofta \"ar fullst\"andigt felaktigt, farligt och v\"ardel\"ost), andra l\aa{}ter anarkisterna h\aa{}llas. Den i Sverige mest omtalade anarkistiska publikationen \"ar \textit{The Terrorists Handbook}. \footnote{Observera vad vi menar med "{}anarkist"{} h\"ar. (Se f\"orsta stycket.) Blanda inte ihop hackar-anarkister med politiska anarkister. The Terrorists Handbook gavs f\"or \"ovrigt ut i Sverige av ett f\"orlag som \"aven tryckt en del nationalsocialistisk propaganda.} M\aa{}nga av tipsen i boken handlar bara om helt vanlig pyroteknik och har inget med terrorism att g\"ora. (Jag undrar i bland om en av mina grannar p\aa{} studentomr\aa{}det i Lund d\"ar jag tidigare bodde hade handboken hemma hos sig, eftersom han med aldrig svikande frenesi spr\"angde hemmagjorda sm\"allare varenda kv\"all. M\aa{}nga kemistuderande har tydligen l\"art sig mycket om pyroteknik genom att l\"asa den h\"ar typen av information.) En annan omtalad bok \"ar \textit{The Anarchist Cookbook}, som enligt utsago inneh\aa{}ller fullst\"andigt livsfarliga tips som endast stympar eller skadar den som f\"ors\"oker anv\"anda sig av dem. Det spekuleras om huruvida boken planterats av amerikansk underr\"attelsetj\"anst. En del tycks samla dylika ritningar och b\"ocker p\aa{} h\"og p\aa{} samma vis som andra samlar stenar eller frim\"arken. Det \"ar mest p\aa{} senare tid s\aa{}kallade \textit{ASCII-traders} (\textit{ASCII} betyder American Standard Code for Information Interchange, ungef\"ar detsamma som text, fast digitalt, \textit{trader} betyder handlare eller bytare) har dykt upp - informationssamlare som ringer runt till BBS:er och s\"oker sig igenom Internet efter sp\"annande information som \"ar lite \textit{suspekt} bara, liksom, f\"or att ha den liksom. Fr\aa{}ga inte vad som \"ar s\aa{} roligt med det. Samlande av d\"oda ting \"ar n\aa{}got man \"agnar sig \aa{}t i princip helt utan anledning. Samlarlustan n\"ar det g\"aller information \"ar tydligen lika stark som n\"ar det g\"aller fysiska objekt. \chapter{SUBKULTURERNAS SUBKULTUR} Det som b\"orjade p\aa{} MIT och sedan spred sig ut i v\"arlden med hemdatorerna och datan\"atverken har n\aa{}tt oss p\aa{} ett s\"att som gjort att vi knappt kan k\"anna igen fenomenet som det som fick de amerikanska undomarna att slita dagar och n\"atter med sina \textit{hack}. Hackarna invaderade de svenska hemmen -- men inte m\aa{}nga ins\aa{}g att de f\aa{}tt hackare i hemmet. N\"astan ingen anade att deras s\"oner (och i n\aa{}got fall d\"ottrar) genom att tillbringa n\aa{}gra timmar framf\"or en sk\"arm kunde influeras av en datorkultur med r\"otterna i de amerikanska h\"ogskolorna. Och jag skriver Commodore 64-historia, f\"or det var d\"ar allt b\"orjade om vi ser till Sverige. Den f\"or sin tid (1984) riktigt avancerade C64:an hade inlett sin blomningstid; hundratusentals ungdomar i USA, Europa och Australien satt med sina br\"odburksliknande datorer och fascinerades \"over m\"ojligheterna den erbj\"od. C64:an var precis som Apple~II och Atari~800 datorerna byggd kring mikroprocessorn 6502 fr\aa{}n kretstillverkaren \textbf{MOS} (som \"an idag anv\"ands i t~ex Nintendos TV-spel), och d\"arf\"or s\aa{}g m\aa{}nga Apple- och Atari-\"agare det som ett naturligt steg att g\aa{} \"over till C64. Till en b\"orjan var de flesta program, f\"oretr\"adelsevis spel, som kom till datorn ganska simpla med usel grafik och pipigt ljud som p\aa{}minde om det som alstras av en internh\"ogtalare i en PC utan ljudkort, men vid n\aa{}gon punkt runt 1985--86 n\aa{}dde marknaden en magisk gr\"ans, d\"ar s\aa{} m\aa{}nga C64 maskiner var s\aa{}lda att det l\"onade sig att bygga upp f\"oretagsverksamhet enbart med syftet att producera program och spel till denna hemdator. Detta hade tidigare skett kring Apple och Atari i USA, men eftersom C64:an var den f\"orsta riktigt stora europeiska hemdatorn var detta n\aa{}got helt nytt p\aa{} denna sida Atlanten. De f\"orsta f\"oretagen d\"ok upp i England, som var det land som f\"orst importerade C64:an, och blev ett europeiskt f\"oreg\aa{}ngsland inom datorkultur. Det var \textit{spelen} med sin f\"or tiden riktigt avancerade grafik och hyfsade ljud som piratkopierades och spreds \"over det som skulle komma att bli den sk \textit{Scenen.} Scenen, ett slags virtuellt samh\"alle, hade uppst\aa{}tt i USA runt 1979 och d\aa{} var det spel till Apple och Atari som g\"allde. Programf\"oretagen var f\"orbannade och kallade dem pirater och brottslingar. Pirat BBS:er f\"or hemdatorer, oftast best\aa{}ende av en Apple~II och programmet \textit{ASCII Express Professional}, hade vuxit upp som svampar ur marken och ytterligare sp\"att p\aa{} den underjordiska hackar- och phreakarr\"orelsen med sina egna elektroniska tidningar och v\"arderingar. Den mest \"ok\"anda BBS:en var \textbf{Pirates Harbour}, som drevs av \textbf{Red Rebel}, med s\aa{} prominenta anv\"andare som \textbf{Mr~Xerox} och \textbf{Krakowicz}, b\"agge namnbekanta kn\"ackare. I Sverige hade en tid innan C64:ans int\aa{}g hade en liten, t\"att sammanh\aa{}llen skara Apple~II-entusiaster som, parallellt med att ABC-klubben vuxit fram som en representativ och salongsf\"aig datorklubb, drivit ett underjordiskt n\"atverk d\"ar \textbf{Captain Kidd}, \textbf{Mr~Big}, \textbf{Mr~Sweden}, \textbf{TAD}, \textbf{TMC} (The Mad Computerfreak) och en del andra ingick. Eftersom det inte fanns n\aa{}gon inhemsk marknad f\"or Apple~II-mjukvara i Sverige hade de importerat och kn\"ackt spel fr\aa{}n USA som de sedan delade p\aa{}. De hade \"aven kontakter med den \"ok\"anda amerikanska Apple~II-underjorden och dess BBS:er. De flesta av dem bytte sedemera upp sig till C64, och med dem f\"oddes den svenska Scenen.\footnote{Jag st\aa{}r h\"ar i stor tacksamhetsskuld till Christer Ericson som delat med sig av sina kunskaper om Apple~II-r\"orelsen i Sverige; uppgifter som aldrig f\"asts p\aa{} papper tidigare och d\"arf\"or varit sv\aa{}ra att f\aa{} fram.} Begreppet \textit{Scen} \"ar h\"ar det samma som en teater- eller musikscen. En scen \"ar n\aa{}got man g\aa{}r upp p\aa{} f\"or att visa vad man kan, inte f\"or att f\"ortj\"ana sitt uppeh\"alle eller dominera andra. Scener f\"orekommer inom n\"astan alla kulturella omr\aa{}den, och fascinerande nog ocks\aa{} inom en del teknologiskt-kulturella dom\"aner som bland radioamat\"orer, modellflygplansentusiaster och hackare. Det som skiljer hemdatorscenen fr\aa{}n andra scener \"ar att den kolliderade med kommersiella intressen och p\aa{} det viset kom att bli betraktad som en farlig och kriminell subkultur. Scenen, med stort S, \"ar allts\aa{} en beteckning p\aa{} den stora grupp av anv\"andare som utbyter f\"oretr\"adelsevis spelprogram och senare (som vi skall se) \"aven sk demoprogram. Tanken var enkel: varf\"or k\"opa ett spel f\"or 150 kronor om jag kan kopiera det gratis av grannen? Verksamheten var givetvis olaglig, men den l\aa{}g (vilket de flesta ocks\aa{} ins\aa{}g) p\aa{} samma niv\aa{} av olaglighet som att kopiera grannens vinylskivor till kassettband, med det enda undantaget att kopian inte f\"orlorade kvalit\'{e} och kunde forts\"atta att reproduceras i hur m\aa{}nga led som helst. En kopia av en kopia av en ko... ja, ni vet, \"ar allts\aa{} identisk med originalet. \AA{}klagare som den svenska pionj\"aren \textbf{Christer Str\"om} i Kristianstad och hans kolleger runt om i v\"arlden har till viss del lyckats hindra den aff\"arsm\"assiga och massdistribuerade spridningen av dessa kopior, men den sk \textit{privat}-kopieringen lever fortfarande i h\"og\"onsklig v\"alm\aa{}ga, \"aven om den f\"or ett \"ogonblick stoppades upp n\aa{}got under tidigare delen av 90--talet av det faktum att moderna spel till framf\"or allt PC-maskiner levererades p\aa{} CD-skivor och d\"armed inte var s\aa{} l\"atta att kopiera. (Om de trots allt kopierades fyllde de kanske ett 50-tal disketter vilket gjorde det hela ganska ohanterligt och dyrbart.) Man k\"opte hellre originalen \"an lade ned timmatal p\aa{} kopiering. Med de billiga CD-br\"annarnas int\aa{}g kopierar man givetvis \"aven CD-skivor i stor omfattning. Piratkopiorna sprids nu lika friskt via CD-skivor som tidigare via disketter. Speciellt popul\"art har ett system f\"or ljudkomprimering, MPEG layer 3 eller MP3, blivit, i och med att det m\"ojliggjort masskopiering av komprimerad musik fr\aa{}n CD-skivor. Detta kompakta musikformat trycker ihop en ljud-CD med i typfallet en faktor 1 till 12 vilket inneb\"ar att en normal hitl\aa{}t som i okomprimerat ljudformat \"ar mellan 30 och 40 megabyte f\"orvandlas till en fil \`{a}3-4 megabyte, vilket relativt bekymmersl\"ost kan transporteras via Internet och modem. MPEG layer 3 komprimeringen f\"or audio definierades av \textbf{Karlheinz Brandenburg} vid Fraunhofer-institutet i Erlangen, Tyskland. Brandenburg anses vara en av v\"arldens fr\"amsta experter p\aa{} ljudkomprimering. Svensken \textbf{Martin X} har bidragit till att definiera hur man skall paketera sk "{}metadata"{} som l\aa{}ttitlar, genre och rent av hela bilder, i en mp3-fil. Det har redan uppst\aa{}tt en subkultur som anv\"ander Video-MPEG standarden f\"or att komprimera och kopiera hela filmer, n\aa{}got som speciellt uppm\"arksammades i och med att piratkopior av filmen \textit{Star Wars: Episod I -- Det m\"orka hotet} spreds i landet l\aa{}ngt innan den svenska premi\"aren. Filmen spreds i form av tv\aa{} fullmatade CD-skivor. \medskip{} \noindent{}Sedan den 1 januari 1993 \"ar all kopiering av upphovsr\"attsligt skyddad programvara, \"aven till v\"anner etc, f\"orbjuden i svensk lag. Ingen individ har dock d\"omts f\"or att ha kopierat program till sina kompisar. Brottet \"ar som sagt j\"amf\"orbart med att kopiera skivor eller videofilmer, inte r\"acka ut handen n\"ar man cyklar runt ett gath\"orn etc etc. S\aa{} l\"ange man inte massdistribuerar piratkopierad programvara kan man nog vara ganska lugn. Men det skall inte jag sitta h\"ar och s\"aga, det \"ar ju fruktansv\"art politiskt inkorrekt. N\aa{}v\"al (tillbaks till 1984), de personer som tog bort de ofta n\"astan obefintliga kopieringsskydden fr\aa{}n spelen, de sk \textit{Kn\"ackarna} (eng: Crackers), kom p\aa{} den f\"ortr\"affliga id\'{e}n att skriva sitt namn eller \textit{pseudonym} (eng: \textit{handle}) p\aa{} en sk\"arm f\"ore spelet. Fenomenet \"ar som s\aa{} mycket annat i hackarv\"arlden till sin art besl\"aktat med \textit{graffitti}. Om vi beaktar att en s\aa{}dan kopia kunde n\aa{} tiotals tusen eller fler personer (s\"akert fler \"an vad som iakttar en sprayad betongv\"agg) s\aa{} f\"orst\aa{}r vi varf\"or detta blev s\aa{} popul\"art. Hackare som gick under pseudonymer som \textbf{Mr~Z, TMC} (The Mercenary Cracker)\textbf{, WASP} (We Against Software Protection),\textbf{ Radwar, Dynamic duo} eller \textbf{CCS} (Computerbrains Cracking Service) florerade p\aa{} sk\"armarna. Bakom dessa namn dolde sig ibland enskilda hackare och ibland l\"ost sammanh\aa{}llna grupper. I Amerika fanns det redan etablerade och v\"alorganiserade hackargrupper som inte gjorde annat \"an kn\"ackte spel, men i Sverige och \"ovriga Europa var fenomenet helt nytt. Den underjordiska hackarr\"orelsen b\"orjade byggas upp fr\aa{}n grunden, speciellt i storst\"aderna d\"ar det fanns gott om hackare som m\"ottes p\aa{} olika datorklubbar och utbytte erfarenheter och kopierade program. Hemdatorn som medium hade enorm genomslagskraft, och ett flertal hackargrupper som bara sysslade med att avl\"agsna kopieringsskydd fr\aa{}n spel, samt komprimera och distribuera den f\"ardiga \textit{produkten} (eng: \textit{wares}), uppstod p\aa{} kort tid. Bland de allra f\"orsta grupperna fanns exempelvis den amerikanska gruppen \textbf{Elite Circle} med r\"otter inom s\aa{}v\"al hackar- som phreakarkulturen och som redan tidigare drivit BBS:er med piratkopierad mjukvara till s\aa{}v\"al Atari 800 som Apple~II. Hela id\'{e}n att kn\"acka och sprida spel kom fr\aa{}n USA d\"ar det b\"orjat med ett program som hette \textbf{Locksmith} till Apple~II, som kunde ta bort kopieringsskyddet fr\aa{}n programmen med hj\"alp av vissa parametrar. Till en b\"orjan n\"ojde man sig med att byta parametrar till detta program, senare var man tvungen att l\"agga ned mer arbete p\aa{} sj\"alva kn\"ackandet, och kn\"ackaren var sj\"alv tvungen att vara programmerare. Hackarna gjorde detta f\"or att de var f\"orbannade p\aa{} att programvaruf\"oretagen lade in kopieringsskydd som hindrade dem fr\aa{}n att snoka i programmen p\aa{} egen hand, kopiera dem och ge dem till sina v\"anner. De ville att informationen skulle vara fri. Detta var den verkliga orsaken, \"aven om man g\"arna tog till bortf\"orklaringar i stil med: \textit{"{}Programmen \"ar f\"or dyra, Jag kopierar bara program jag \"and\aa{} inte skulle ha r\aa{}d att k\"opa, Jag vill testa programmet innan jag k\"oper det"{}} osv, som bara till viss del var sanna. Det grundl\"aggande idealet var att information \textit{inte kunde} \"agas, och att man \textit{inte ville} vara en del av n\aa{}gon mjukvaruindustri. Ett av de allra f\"orsta programmen som piratkopierades, kanske det allra f\"orsta n\aa{}gonsin, var \textit{Altair BASIC} som levererades stansad p\aa{} h\aa{}lremsa till datorn med samma namn. BASIC betyder Beginners All-purpose Symbolic Instruction Code, dvs nyb\"orjarens symboliska instruktionskod f\"or allehanda syften, och Altair BASIC var skriven av ingen mindre \"an \textbf{Bill Gates}. Bakom kopieringen l\aa{}g en av medlemmarna i Homebrew computer club i Silicon Valley, en hackare som senare kallade sig \textbf{Nightstalker} (Dan Sokol) som skrev ett program som kopierade h\aa{}lremsan och d\"armed blev v\"arldens f\"orsta kn\"ackare. Den d\aa{} 19-\aa{}rige Gates blev vansinnig och skrev ett argt brev till anv\"andargrupperna d\"ar han menade att det var st\"old att kopiera ett program och att de som gjorde det f\"orst\"orde branchen. De flesta tyckte att lille Bill var dum i huvudet; ingen hade n\aa{}gonsin tidigare f\"ors\"okt s\"alja datorprogram -- det normala var att alla delade p\aa{} allt. Till de stora datorsystemen f\"oljde programvaran med som en del av maskinen, och i den m\aa{}n n\aa{}gon kopierade den var det ingen som brydde sig. Med hemdatorerna uppstod piratkopieringen, helt enkelt d\"arf\"or att det fanns mjukvaruf\"oretag som ville sko sig p\aa{} den nya hobbyn. Hobbyisterna sj\"alva bad aldrig om n\aa{}gra mjukvaruf\"oretag. H\"ar m\aa{}ste vi ocks\aa{} g\"ora en viktig distinktion: hackare skiljer p\aa{} vanlig kompiskopiering och \textit{pirater}. Piraterna \"ar inte kompisar, utan liksom dataf\"oretagen personer som f\"ors\"oker sl\aa{} mynt av piratkopieringen. Piraterna parasiterar s\aa{}v\"al p\aa{} hemdatorhackarna som bara vill ha lite spel, som p\aa{} datorbranchen i allm\"anhet. \textit{B\aa{}de} hackare \textit{och} dataf\"oretag, distribut\"orer etc, anser att pirater \"ar \textit{avskum}. Dataf\"oretagen f\"or att de stj\"al deras inkomster, hackarna f\"or att de skapar ett nytt beroendef\"orh\aa{}llande som inte \"ar ett dugg b\"attre \"an det gamla. Hackarna h\aa{}ller i allm\"anhet h\aa{}rt p\aa{} att kopiering \"ar n\aa{}got man g\"or p\aa{} v\"anskaplig basis, och \textit{gratis}. Bara i n\aa{}got undantagsfall har hackare samarbetat med pirater f\"or att exempelvis f\aa{} tag i originalspel (idag k\"anda under det mer kufiska namnet "{}licenser"{}) att kn\"acka. Sveriges st\"orste pirat n\aa{}gonsin, \textbf{Jerker} (fingerat namn) en drygt 40-\aa{}rig f\"ortidspensionerad tv\aa{}barnspappa i Knislinge utanf\"or Kristianstad, hatades av s\aa{}v\"al branchen som av hackarna sj\"alva, m\"ojligen med undantag f\"or gruppen \textbf{Xakk} som under en period var beroende av piraten f\"or att f\aa{} tag p\aa{} originalspel. Ryktet s\"ager att han inte har gett sig \"an, utan fortfarande mer eller mindre lever p\aa{} piratkopiering. Sj\"alv s\"ager han sig vara ointresserad av datorer, och uppenbarligen st\"ammer det. Min gissning \"ar att han \"ar betydligt mer intresserad av pengar. \medskip{} \noindent{}S\aa{}dan var Scenen 1986: I takt med att hackarna f\"ordjupade sina programmeringskunskaper b\"orjade introduktionssk\"armarna f\"ore spelen att utvecklas och f\aa{} flera dimensioner. Man h\"amtade inspiration fr\aa{}n titelsk\"armar och sekvenser ur spel, och fr\aa{}n att ha best\aa{}tt av mest vertikalt rullande text tillf\"ordes musik, utvecklad grafik, animationer och ett antal tekniska trick f\"or att f\aa{} det hela att se h\"aftigare ut. En ny konstform som ut\"ovades av enbart programmerare, det sk \textit{introt}, var f\"odd. \"Aven om dessa uppst\aa{}tt redan p\aa{} Apple~II-tiden, och d\aa{} i ganska enkla former, var det f\"orst p\aa{} C64 som den avancerade maskinvaran till\"at den att blomma ut. Grupper som \textbf{Eagle soft, Hotline, Comics Group, FAC} (Fedaration Against Copyright),\textbf{ Triad} och \textbf{Fairlight} \"oversv\"ammade Scenen i mitten och slutet av \aa{}ttiotalet. N\aa{}gra av grupperna startade egna BBS:er, elektroniska anslagstavlor, d\"ar tankar utbyttes och programmen spreds. Begreppet \textit{elit} inf\"ordes som en beteckning p\aa{} de grupper som var mest produktiva och hade flest kanaler att distribuera sina alster, framf\"or allt till USA. Den europeiska delen av Scenen var sjukligt fixerad vid att snabbt f\aa{} sina kn\"ackta spel distribuerade till staterna, f\"ormodligen en sorts lillebrorskomplex som berodde p\aa{} att Scenen fr\aa{}n b\"orjan uppst\aa{}tt kring de amerikanska Apple~II-datorerna och de mest erfarna hackarna de facto fanns d\"ar. Det var dem man ville imponera p\aa{} med sina kn\"ackta spel. Ju fler v\"anskapsband man hade med USA, desto mer elit var man. Kravet p\aa{} \"oppna kanaler ledde till att flera hackare b\"orjade attackera bland annat Internet och liera sig med de europeiska s\aa{}v\"al som amerikanska phreakarna f\"or att f\aa{} loss \"oppna kanaler till v\"ast. Phrekarna och n\"atverkshackarna kallade dessa nykomlingar fr\aa{}n hemdatorv\"arlden f\"or \textit{Warez d00ds} (sv ung: \textit{piratpolare}) eftersom de alltid kom springande med "{}varor"{} i form av piratkopierade spel. I sina egna led kallades de \textit{traders} (handlare) eller uttryckligen \textit{modem-traders}, eftersom de anv\"ande modem f\"or att koppla upp sig till olika BBS:er. Till en b\"orjan var det amerikaner som var insatta i phrekandets sk\"ona konst som ringde upp olika europeiska kn\"ackargrupper, senare var det europ\'{e}erna sj\"alva som b\"orjade ringa till USA, hacka datorer p\aa{} Internet osv. S\aa{} sm\aa{}ningom ledde denna inbillade storebror i v\"aster till att det europeiska hemdatorhackarna var totalt \"overl\"agsna de amerikanska i allt vad programmering och spelkn\"ackning hette. Under 1987--88 b\"orjade de amerikanska spelf\"oretagen kopieringsskydda de spel de s\aa{}lde till Europa, medan de l\"at bli att skydda de exemplar som s\aa{}ldes inom USA. Man fruktade de europeiska kn\"ackargrupperna och speciellt Sverige n\"amndes som ett ovanligt farligt land. Man menade att en stor del av den piratkopierade programvara som spreds i Europa och USA h\"arh\"orde fr\aa{}n Sverige, och det var faktiskt sant. De flesta av dessa spel h\"arh\"orde fr\aa{}n en importbutik i G\"oteborg dit en svensk hackare kom en g\aa{}ng i veckan f\"or att "{}testa"{} nya spel. Utan att butiksinnehavarna hade en aning om det, kopierade han spelen och skickade dem till olika svenska kn\"ackare. Det dr\"ojde inte l\"ange f\"orr\"an n\aa{}gon kom p\aa{} id\'{e}n att bryta loss introt fr\aa{}n spelet och l\aa{}ta det st\aa{} f\"or sig sj\"alvt, kanske rent av fylla hela datorns minnesutrymme, och d\"armed uppstod de rena \textit{demo}programmen (h\"adanefter kort \textit{demo}), dedicerade \aa{}t grafiska och musikaliska uppvisningar samt teknisk exkvilibrism. De allra f\"orsta demona var samlingar med musik fr\aa{}n olika spel, oftast bara f\"orsedda med en enkel textsk\"arm. Det var f\"or det mesta samma grupper som tidigare sysslat med spelkn\"ackning och intron som \"overgick till att delvis producera demon, men rena demogrupper uppstod ocks\aa{}, t ex \textbf{1001 Crew, The Judges, Scoop} eller \textbf{Ash \& Dave}. Man byggde upp en egen jargong och ett eget sk\"onhetsideal framf\"or allt genom att byta program och erfarenheter via \textbf{Compunet} i England som var ett enormt konferenssystem avsett enbart f\"or hemdatorentusiaster, j\"amf\"orbart med ABC-klubbens \textit{Q-Zentral} h\"ar hemma i Sverige. Compunet blev en h\aa{}rd k\"arna i demogruppernas kretsar, men huvuddelen av programbytena skedde fortfarande via diskettbyten eller BBS:er. Senare, framf\"or allt under 1988, var den underjordiska tidningen \textit{Illegal} en slags kulturell knutpunkt f\"or denna hastigt framv\"axande kultur. Snart skapades ideal betr\"affande vad som var bra och d\aa{}ligt och den allm\"ant bekanta termen \textit{lamer} (sv ung: \textit{lamis}) myntades som en beteckning f\"or de som ist\"allet f\"or att programmera sj\"alva, anv\"ande enkla presentationsprogram f\"or att framst\"alla demon. Uttrycket kommer antagligen ursprungligen fr\aa{}n skateboardslang. Ordet \textit{lamer} spred sig vida utanf\"or hackarkretsarna och till\"ampades snart p\aa{} varje datorm\"assig odugling. M\aa{}nga liknande slanguttryck har deriverats fr\aa{}n Scenen, men refereras inte till denna k\"alla i \textit{The Jargon File}, som ist\"allet f\"ormedlar en bild av de subkulturella hackarna (uteslutande kallade \textit{warez d00ds}) som ogr\"as och oduglingar. Detta \"ar b\aa{}de f\"ordomsfullt och felaktigt.\footnote{Jag har meddelat Eric S Raymond (redakt\"or f\"or the Jargon File) denna \aa{}sikt i samband med att jag skrev en artikel d\"ar jag p\aa{}pekade vad jag upplevde som ett sakfel i hans artikel "{}Bop\aa{}lar i Noosf\"aren"{}. Raymond accepterade kritiken som ber\"attigad.} Att de amerikanska akademiska hackarna fr\aa{}n MIT, Stanford och Berkely m~fl betraktar hemdatorhackarna som mindre v\"arda amat\"orer \"ar ganska naturligt om man ser det hela ur amerikanskt perspektiv; d\"ar var alla hemdator\"agande ton\aa{}ringar i princip uteslutande intresserade av spel. Demon och Intron var primitiva och befann sig inte alls p\aa{} samma niv\aa{} som de europeiska. Den amerikanska delen av Scenen var \"over huvud taget mycket mindre kulturell \"an den europeiska. De amerikanska hackarna var kraftigt influerade av phrekarkulturen och var d\"arf\"or uppk\"aftiga och aggressiva. F\"oraktet var \"omsesidigt. En olycklig konsekvens av detta \"ar att europeiska hackare som s\"oker sin indentitet l\"att tar \aa{}t sig de amerikanska idealen och tar \"over den l\"att f\"oraktfulla h\aa{}llningen mot hemdatorentusiasterna. Det kan vara v\"art att p\aa{}peka att den breda kulturella hackarbasen i Europa utgjordes av hemdatorentusiasterna, och inte av sm\aa{} studentf\"oreningar p\aa{} h\"ogskolor, phreakare eller n\"atverkshackare. Den europeiska hackaridentiteten byggdes kring Commodores och Ataris hemdatorer, och det \"ar ocks\aa{} d\"ar den europeiska hackaren b\"or s\"oka sina r\"otter. Sedan \"ar det klart att det finns v\"arderingar och traditioner som \"arvts ned fr\aa{}n de amerikanska h\"ogskolorna. En sak \"ar dock t\"amligen s\"aker: \textit{de europeiska hemdatorhackarna utvecklade datorkonsten p\aa{} ett s\"att som aldrig skedde i Amerika}. Den breda skaran av ton\aa{}riga europeiska hackare skapade en amat\"orbaserad och vacker konstform som MIT och Stanford aldrig sett maken till. \section*{Konstformen Demo} Ett demo \"ar lite sv\aa{}rt att karakterisera. Egentligen skall det upplevas. Redan de f\"orsta hackarna p\aa{} MIT gjorde runt 1961 enkla demon p\aa{} datorn PDP-1 i form av sm\aa{} matematiska m\"onster som ritades upp p\aa{} en enkel bildsk\"arm, n\aa{}got som kallades \textit{Tri-pos} eller \textit{Minskytronm\"onster} efter professorn med samma namn. De var vackra, med hade inget praktiskt anv\"andningsomr\aa{}de. Sinuskurvor, rullande text och r\"orliga grafikblock tillsammans med musik utgjorde de f\"orsta demona p\aa{} hemdatorer. Efterhand har det hela blivit mer och mer likt film eller f\"oretagsdemonstrationer, n\aa{}got man kallar \textit{trackmo} (sv ung: \textit{sp\aa{}rdemo}) och som kommer sig av att man kontinuerligt m\aa{}ste ladda in nya data fr\aa{}n en diskett f\"or att h\aa{}lla demot ig\aa{}ng. En diskett \"ar n\"amligen indelad i \textit{tracks}, allts\aa{} sp\aa{}r. Alltsedan MIT har demoprogrammerare haft en passion f\"or att v\"ava in matematiska bildm\"onster i sina skapelser. Ungef\"ar samtidigt som demona uppstod b\"orjade den nya kulturyttringen att sprida sig fr\aa{}n C64 till andra datorer, f\"orst \textbf{Atari ST} (1984) med grupper som \textbf{TCB} (The Care Bears) och \textbf{Omega} och senare Commodores\textbf{ Amiga} (1986) d\"ar bland annat \textbf{Defjam, Top Swap, Northstar} och \textbf{TCC / Red Sector} eller senare \textbf{Skid Row} och \textbf{Paradox} blev s\"arskilt namnbekanta. F\"orst 1988--89 b\"orjade demon dyka upp \"aven p\aa{} \textbf{IBM PC} fr\aa{}n bland annat de svenska pionj\"arerna \textbf{TDT} (The Dream Team) och \textbf{Space Pigs}. (Macintosh har mig veterligt aldrig n\"art n\aa{}gon demoverksamhet, men det kan komma att \"andras i och med att denna blivit mera "{}hemdator"{}.) Utbytet av spel, intron och demon var helt beroende av ett n\"atverk av brevf\"ors\"andelser och ett antal BBS:er och personer som ringde transnationellt och transkontinentalt och f\"ormedlade programmen. Demogrupperna hade inte r\aa{}d att koppla in sig p\aa{} Internet under \aa{}ttiotalet, bara n\aa{}gon enstaka hackare som gick p\aa{} h\"ogskola hade den m\"ojligheten, och merparten av dessa Commodore-hackare var i gymnasial \aa{}lder. De hackare som gick p\aa{} h\"ogkolan var oftast "{}gammel-hackare"{} som tyckte att minidatorer var det h\"aftigaste som fanns och struntade blankt i hemdatorerna. Eftersom ett dataprogram kopieras i flera led erbjuder dessa utm\"arkta m\"ojligheter till spridning av namn och adress f\"or ytterligare ut\"okning av bytesmarknaden. Ganska snart skaffade sig de tidiga hackargrupperna medlemmar som hade till enda uppgift att kopiera och byta spel och demon med likasinnade, fr\"amst f\"or att sprida den egna gruppens alster. De kallades \textit{swappers} (sv: bytare, uttalas "{}swopper"{}) och en flitig swapper kunde ha runt hundratalet kontakter. Eftersom det inte var s\"arskilt billigt att skicka flera dussintal brev i m\aa{}naden var det m\aa{}nga som, till postverkets stora f\"ortret, b\"orjade spreja fixativ p\aa{} frim\"arkena s\aa{} att de skulle "{}h\aa{}lla l\"angre"{}. Renodlade bytare uppt\"ackte snart att man kunde byta andra saker \"an disketter och det utvecklades tv\aa{} nya subkulturer: \textit{film-swappers} och \textit{tape-swappers}. De f\"orra bytte videofilmer av allehanda karakt\"ar, f\"oretr\"adelsevis filmer som var totalf\"orbjudna av statens biografn\"amnd eller p\aa{} annat s\"att var sp\"annande. En \textit{tape-swapper} bytte musikkassetter. Diskettbyten mellan hackare har betytt otroligt mycket som kontaktyta f\"or dessa subkulturer. Man skriver heller aldrig \textit{disk-swapper}, eftersom ordets ursprungliga betydelse inneb\"ar att man byter just disketter. Speciellt filmbytare h\"anger naturligt ihop med datorkulturen eftersom videons genombrott sammanf\"oll med hemdatorboomen under mitten av 80--talet. Ofta bytte en bytare b\aa{}de disketter, filmer, kassettband och vad man nu kunde f\aa{} f\"or sig att byta. Skillnaden mellan en bytare och en vanlig brevv\"axlare \"ar att sj\"alva bytesobjektet, disketten, kommer f\"ore allt annat. Orkar man inte skriva n\aa{}got brev s\aa{} skickar man helt enkelt bara en diskett m\"arkt med sitt eget namn, s\aa{} att mottagaren vet vem som skickat den. Diskettbytandet \"ar dock en f\"oreteelse som h\"or samman med 80--talets europeiska hemdatorhackare. P\aa{} det tidiga 90--talets IBM PC var det relativt ovanligt -- det normala var d\aa{} att man h\"amtade hem de program man vill ha fr\aa{}n en BBS. Numera \"ar det givetvis bara Internet som g\"aller. Man har g\aa{}tt fr\aa{}n \textit{swapping} till \textit{trading}, dvs fr\aa{}n disketter till modem. Byte av piratkopierad och kn\"ackt programvara via Internet sker p\aa{} slutna maskiner vars administrat\"or man m\aa{}ste vara bekant med (eller bli bekant med) f\"or att f\aa{} tilltr\"ade. Liksom tidigare p\aa{} BBS:erna anv\"ands en \textit{ratio} (f\"orh\aa{}llande eller skala, som i "{}kartan i skala 1:15"{}) som inneb\"ar att man m\aa{}ste ladda upp t ex 1 megabyte f\"or att f\aa{} ladda ner 15 megabyte. (Att "{}ladda upp"{} inneb\"ar att \"overf\"ora ett program till en avl\"agsen maskin, att "{}ladda ner"{} inneb\"ar att man h\"amtar hem en kopia till sin egen maskin.) Om man inte till\"ampar s\aa{}dana f\"orh\aa{}llanden riskerar man att maskinen snart \"overbelastas av personer som bara laddar ner, vilka brukar kallas \textit{leechers} (iglar, blodsugare). Antalet grupper och slutna maskiner (\textit{sites, distro sites} osv) \"ar o\"oversk\aa{}dligt och de olika grupperna har specialiserat sig p\aa{} olika typer av program. Namnbekanta \"ar t ex \textbf{Radium} som bara kn\"acker audio-relaterade program. Fr\aa{}n b\"orjan bestod hackargrupper bara av just programmerare och bytare, eller personer som var kombinationer av b\aa{}da. De framg\aa{}ngsrikaste hackargrupperna av det h\"ar slaget har alltid varit de som haft geografisk n\"arhet mellan medlemmarna, s\aa{} att man kunnat byta id\'{e}er och erfarenheter utan dyra och kr\aa{}ngliga telefonf\"orbindelser. Efter ett tag uppstod behov av mer specialiserade hackare; kategorierna \textit{musiker, grafiker,} de tidigare n\"amnda\textit{kn\"ackarna} och \textit{kodare} (eng: \textit{coder}) uppstod. Skillnaden mellan kn\"ackare och kodare var att kn\"ackare specialiserade sig p\aa{} att f\"orst\"ora kopieringsskydd (dvs modifiera befintliga program) medan kodare \"agnade sig \aa{}t ren programmering. Att f\"orst\"ora kopieringsskydd \"ar i sig inte f\"orbjudet. (En produkt som du k\"opt har du faktiskt r\"att att g\"ora vad du vill med.) Att d\"aremot sprida det "{}kn\"ackta"{} programmet vind f\"or v\aa{}g, vilket bytarna ofta gjorde, \"ar h\"ogst illegalt. (Jag b\"or kanske po\"angtera att l\aa{}ngt ifr\aa{}n alla bytare bytte copyrightskyddade program, m\aa{}nga h\"oll sig till demos.) Nu har vi dock \aa{}ter liknelsen med att kopiera musik CD-skivor, n\aa{}got som \"ar lika illegalt. Ingen normalt funtad polisi\"ar myndighet skulle f\aa{} f\"or sig att ingripa mot en hobbyhackare som kopierade program av sina kamrater, s\aa{} l\"ange detta inte \"ar aff\"arsm\"assigt. Detta visste inte kn\"ackarna och bytarna, viket gjorde det hela mycket sp\"annande och "{}f\"orbjudet"{}. (Minns att en medelhackare var i gymnasial \aa{}lder och att det i den \aa{}ldern \"ar viktigt att trotsa samh\"allet.) I USA fanns det ytterligare en kategori hackare som kallades \textit{fixers} (sv: \textit{fixare}). Dessa anpassade program avsedda f\"or europeiska PAL TV-system till den nordamerikanska TV-standarden NTSC, en grupp som inte finns bland PC-hackarna eftersom alla PC-maskiner har egna system f\"or bildsk\"armar ist\"allet f\"or att utnyttja TV-apparater. En del grupper hade ocks\aa{} \textit{suppliers} (sv: \textit{tillhandah\aa{}llare}) som skaffade fram originalprogram som kn\"ackarna kunde ta bort kopieringsskydden fr\aa{}n. Det var inte helt ovanligt att dessa arbetade p\aa{} datorbutiker eller rent av hos programtillverkare. Av sociala sk\"al uppstod redan runt 1984 sk \textit{copy-partyn} (kopieringspartaj) d\"ar flera hackare fr\aa{}n olika grupper samlades p\aa{} n\aa{}gon ort f\"or att umg\aa{}s och byta erfarenheter. M\"ojligen inspirerades man av publiciteten kring The Whole Earth Catalogs f\"orsta hackarkonferens samma \aa{}r. F\"oreteelsen p\aa{}minner om rollspelskonvent eller t~ex bokm\"assan i G\"oteborg s\aa{}tillvida att det \"ar en ganska smal intressegrupp som tr\"affas, med den skillnaden att det hela \"ar ganska tumultartat och uppsluppet, mer som ett party \"an en vanlig m\"assa. Ben\"amningen \textit{copy-party} kommer av det faktum att det kopierades en hel del p\aa{} dessa partyn, b\aa{}de legalt och illegalt. P\aa{} senare tid har man ofta d\"ampat ben\"amningen lite grand och kallar det hela f\"or \textit{demo-party} eller bara \textit{party}. En ber\"omd serie regulj\"ara copy-partyn h\"olls under 80--talet i den lilla holl\"andska staden \textbf{Venlo}. \textit{The Party} (med stort P) \"ar f\"ormodligen Europas (eller rent av v\"arldens) st\"orsta och mest v\"albes\"okta kopieringspartaj. Det h\aa{}lls regulj\"art i mellandagarna 27-30 december varje \aa{}r sedan 1991 i Herning messecenter, Danmark, och drog n\"armare 2000 personer 1994. Inte ens hackare kan h\aa{}lla sams: stridigheter mellan grupper och personer urartade (urartar?) ofta i regelr\"atta "{}g\"angkrig"{} som mest handlade om psykologisk krigf\"oring. M\aa{}let var d\aa{} att f\"ors\"oka frysa ute en grupp eller en person genom att v\"agra byta disketter, och samtidigt uppmana alla sina v\"anner att g\"ora det samma. P\aa{} s\aa{} vis kunde en person eller en grupp "{}kastas ut"{} ur gemenskapen. F\"or att uppn\aa{} detta spred man l\aa{}nga textfiler med spetsade sanningar eller rena osanningar, varp\aa{} den angripne svarade med samma mynt. Krigen ledde i princip aldrig till n\aa{}gonting, och handgem\"ang p\aa{} copypartyn var ytterst s\"allsynt. Att f\"ora psykologiskt g\"angkrig mot andra hackare f\aa{}r v\"al betraktas som ganska harml\"ost, \"aven om de inblandade ofta var helhj\"artat engagerade i kriget. Man f\aa{}r anta att dessa schismer l\"arde ton\aa{}riga hackare en \textit{hel del} om vad krig egentligen g\aa{}r ut p\aa{}: det blossar upp ett tag, och sedan g\aa{}r det \"over, och sedan blossar det upp igen n\aa{}gon annanstans. N\aa{}gra l\"amnar Scenen (eller \textit{d\"or} i ett verkligt krig) men de flesta stannar kvar, och en annan dag uppst\aa{}r ett annat gr\"al. Jag kan passa p\aa{} att n\"amna att bland phreakarna gick krigen \"over mycket snabbare: man polisanm\"alde helt enkelt den man hatade. Det var det enda s\"attet att praktiskt ingripa i en phreakares liv. Hos phreakarna s\aa{}v\"al som hos hemdatorhackarna dominerade dock v\"anskapen. I och med krigen mellan hackargrupper flyttades \"annu ett stycke m\"anskligt beteende \"over till telerymden. Abstraktionen med krig som ett avancerat schackspel i form av schismer p\aa{} Scenen, s\aa{}v\"al som i olika rollspel eller handgripligen som i filmen \textit{War Games} har gjort m\aa{}ngen hackare cynisk i f\"orh\aa{}llande till den m\"askliga naturen. \medskip{} \noindent{}De som \"ar (och var) aktiva p\aa{} Scenen \"ar det f\"or att de har ett annat f\"orh\aa{}llande till datorer \"an n\aa{}gon tidigare generation har haft. D\"ar en annan m\"anniska bara ser en burk, en maskin med bildsk\"arm och tangentbord, ser hobbyhackaren en hel v\"arld med sina egna sociala regler och dolda hemligheter. Det \"ar dessa dolda hemligheter som lockar, drar, och f\aa{}r hackaren att gl\"omma allt utom hackandet. S\"okandet efter mer kunskap accelererar sedan f\"or att n\aa{} en topp av intensiv kreativitet. Man producerar d\aa{} ett demo p\aa{} ett par veckor eller kn\"acker ett spel om dagen. Alla sociala kontakter utanf\"or datorn och de som anv\"ander den blir oviktiga. De flesta n\aa{}r sedan en gr\"ans n\"ar de tr\"ottnar p\aa{} Scenen och den eviga jakten p\aa{} nytt, st\"orre och b\"attre. Man \textit{quittar} dvs slutar, helt enkelt. En hackare som jag k\"anner v\"al sade en g\aa{}ng: \textit{"{}Det \"anda riktiga s\"attet att quitta, \"ar att sl\"apa ut datorn till ett tr\"ask och kasta ned den d\"ar"{}}, n\aa{}got som f\aa{}r illustrera den leda ett alltf\"or intensivt scenliv kan leda till. Andra tar det mera m\aa{}ttligt med hackandet och lever ett n\aa{}gots\aa{}n\"ar normalt socialt liv vid sidan av. Det \"ar de som stannar l\"angst p\aa{} Scenen. (Sj\"alv har jag varit d\"ar sedan 1986 och \"ar alltj\"amt kvar, om \"an n\aa{}got sporadiskt aktiv.) Scenen s\"ager en del om vad hackarkultur egentligen \"ar: ett tak att samlas under. Det handlar om utforskande av datorer, datasystem och n\"atverk, men ocks\aa{} om att utforska hur samh\"allet fungerar och skapa n\aa{}got nytt och eget genom att g\"ora experiment med subkulturer. Det \"ar d\"arf\"or hackare tar sig in i n\"atverk som de inte f\aa{}r vara i, det \"ar d\"arf\"or de sprejar fixativ p\aa{} frim\"arken och struntar i allt vad copyright heter. De vill utforska och se hur saker och ting fungerar. De vill, kanske omedvetet, l\"ara sig inf\"or framtiden. Det handlar om utforskande och inte kallblodig st\"old.\footnote{Ni m\"arker s\"akert att jag nu b\"orjar v\"adra mina personliga \aa{}sikter.} Hackarna \"ar inga egocentriska brottslingar med avsikter att f\"orst\"ora s\aa{} mycket som m\"ojligt. De \"ar, enligt min mening, bara barn av sin tid. Det h\"ar med utforskandet \"ar egentligen det enda som driver vad som kan kallas \textit{riktiga} hackare. Den som g\"or samma saker med motivet att stj\"ala eller sabotera \"ar bedragare eller databrottsling, inte hackare. Hur speciell hackarkulturen kring hemdatorerna verkligen \"ar framg\aa{}r med all \"onskv\"ard tydlighet om man l\"aser sociologen \textbf{J\"orgen Nissens} fascinerande avhandling \textit{Pojkarna Vid Datorn}. Han intervjuar n\aa{}gra av hackarna i grupperna Fairlight och TCB och p\aa{}pekar hur underligt det ter sig n\"ar medlemmarna talar om \textit{marknadsandelar} p\aa{} Scenen och hur grupperna drivs under n\"armast f\"oretagsliknande former, trots att dessa inte sporras av n\aa{}got ekonomiskt vinstmotiv. Han po\"angterar ocks\aa{} hur hackarna beter sig mer som uttr\aa{}kade konsumenter \"an som brottslingar eller klassiska ungdomsg\"ang; det som \textbf{Douglas Coupland} kallar \textit{Generation X}. Hemdatorgrupperna \"ar typiska f\"or Generation X. De avskyr politiskt korrekta budskap, de driver allt som f\"oretag, och de \textit{\"ar} uttr\aa{}kade av den enorma marknaden. Ist\"allet f\"or att konsumera b\"orjar de producera. Ist\"allet f\"or att manipulera pengar f\"or att kunna skaffa sig status och \aa{}tnjuta beundran, har de skapat en marknad d\"ar de byter kreativitet mot beundran utan n\aa{}gra materiella mellanled. Inga CD-skivor, promotionturn\'{e}er eller marknadsplaner beh\"ovs. Bara produkter av ren information i form av demon och kn\"ackta spel som byts mot ren information i form av beundran. Inget annat. De enda av dessa subkulturella hackare som fick n\aa{}gon st\"orre medial uppm\"arksamhet var de som gick \"over gr\"ansen till n\"atverkshackarna och phreakarna och \aa{}kte fast. Det var delar av kretsen kring demogruppen \textbf{Agile} som 1989 greps av polisen efter att medlemmen \textbf{Erik XIV} (fingerat namn) g\aa{}tt ut i tidningen Z och Aktuellt och ber\"attat hur s\aa{}rbart kreditkortsv\"asendet i sj\"alva verket var, samtidigt som en annan medlem, \textbf{Erlang} (ocks\aa{} fingerat namn), best\"allde hem videoredigeringsutrustning f\"or en kvarts miljon kronor till sin egen hemadress med hj\"alp av falska kontokortsnummer. Drivna av sin l\"att elitistiska attityd fr\aa{}n demokulturen ville de vara ensamma om att kunna beh\"arska tekniken med kontokorten, och testade gr\"anserna f\"or vad som gick att g\"ora med konstruerade koder. N\"ar polisen grep Erlang efter att han best\"allt redigeringsutrustningen b\"orjade han ber\"atta allt - med en n\"astan sjuklig detaljrikedom. Phreakare och hackare g\"or ofta s\aa{}; det verkar n\"astan som om de tror att poliserna skall bli imponerade av deras bedrifter. De inblandade d\"omdes i fallet Agile till villkorliga f\"angelsestraff, dryga b\"oter och \"overvakning. Samtliga utom Erlang arbetar idag inom databranchen. (\"Overraskande?) \section*{Attityder} De f\"orsta hackarna p\aa{} MIT brukade alltid utnyttja alla tekniska resurser de kunde komma \aa{}t. Det var inte alltid s\"akert att "{}auktoriteten"{}, de l\"arare och vaktm\"astare som hade hand om utrustningen, tyckte om detta. De flesta l\"arare tyckte att undervisningen i datakunskap skulle vara av den klassiskt auktorit\"ara typen, att l\"araren stod vid katedern och f\"orel\"aste. Om eleverna skulle f\aa{} tillg\aa{}ng till datorerna skulle det ske i form av tillr\"attalagda uppgifter som kunde l\"amnas in och r\"attas och betygs\"attas, inte genom den \textit{learning by doing}, dvs \textit{l\"ardom genom verkliga erfarenheter}, \textit{l\"ara f\"or livet}, som hackarna praktiserade. De \"alskade datorerna och kunde inte f\"or sitt liv begripa varf\"or de skulle h\aa{}llas borta fr\aa{}n maskinerna. De sm\"og in till maskinerna p\aa{} natten och utnyttjade dem utan l\"ararnas vetskap. Efter att sj\"alv ha konfronterats med ett flertal datal\"arare, och framf\"or allt efter att jag \textit{sj\"alv} jobbat som datal\"arare har jag insett att detta klassiska nyttot\"ankande \"ar alltf\"or vanligt bland svenska datal\"arare. Det \textit{g\aa{}r} absolut inte att f\aa{} n\aa{}gon att tycka att "{}data \"ar roligt"{} om man samtidigt p\aa{}tvingar dem regler f\"or vad de f\aa{}r och inte f\aa{}r g\"ora med datorn. M\aa{}nga datal\"arare g\aa{}r i taket n\"ar de uppt\"acker att eleverna installerat egna program i datorerna eller programmerat n\aa{}got som de inte f\aa{}tt i uppgift att g\"ora. Vanliga orsaker till detta brukar vara en paranoid r\"adsla f\"or virus, \aa{}sikten att dataspel bara \"ar sl\"oseri med tid etc. En datal\"arare som vi kan kalla \textbf{X}, p\aa{} mitt gamla gymnasium, skaffade sig ett program som gav ifr\aa{}n sig ett tjutande alarm s\aa{} fort n\aa{}gon \"andrat i maskinkonfigurationen. (Maskinkonfigurationen \"ar i det h\"ar fallet ett par filer med information som anv\"ands f\"or att st\"alla in datorn f\"or olika tillbeh\"or.) En utforskande hackare vill givetvis \"andra i maskinkonfigurationen, och skolans egna bin\"argenier brydde sig s\aa{}klart inte en sekund om att stora anslag med \textit{absolut f\"orbud} mot detta satts upp \"overallt i datasalen. Till historien h\"or att l\"araren undervisade i spr\aa{}k och under inga omst\"andigheter kunde acceptera att "{}hans"{} datorer anv\"andes till n\aa{}got annat \"an spr\aa{}k, ordbehandling och andra \textit{auktoriserade} aktiviteter. N\aa{}gra elever som blivit ertappade med en "{}tjutande"{} dator blev p\aa{} det viset avst\"angda fr\aa{}n den spr\aa{}kvetenskapliga datasalen. De allra skickligaste eleverna visste hur man skulle bete sig f\"or att g\aa{} runt s\"akerhetssystemet, och fick allts\aa{} vara kvar i datasalen, trots att de \"andrat i maskinkonfigurationen ett flertal g\aa{}nger. Dessa elever, som \"agde en smula av den \"akta hackarmentalitet som innneb\"ar att man inte accepterar monopol p\aa{} kunskap eller datakraft, tillverkade ett litet roligt program, som \textit{f\"orutom} att det fullkomligt gick runt X:s lilla s\"akerhetssystem \textit{dessutom} slumpm\"assigt sl\"angde upp en \textit{requester}, ett litet f\"onster med text d\"ar det stod: \textit{X \"AR EN KN\"OL.} Under denna text fanns knappen \textbf{OK} som man m\aa{}ste trycka p\aa{} f\"or att komma vidare. Programmet var ett klassiskt \textit{hack}: det gjorde ingen nytta, men heller ingen direkt skada, och det kunde betraktas som roligt. De f\"orsta hackarna p\aa{} MIT skulle alldeles s\"akert ha uppskattat detta roliga sk\"amt. (Sj\"alv tycker jag att det \"ar uts\"okt!) Det var st\"ort om\"ojligt f\"or l\"araren i fr\aa{}ga att hitta och ta bort programmet. Det slutade med att han fick formatera om datorernas h\aa{}rddiskar och l\"agga in all programvara p\aa{} nytt. Att krypa till korset och be de hackande eleverna att sj\"alva ta bort programmet, eller att rent av \textit{be om urs\"akt} f\"oresv\"avade honom aldrig. Om han gjorde det skulle han ju f\"orutom att erk\"anna elevernas \textit{r\"att} till datorerna, ocks\aa{} erk\"anna sanningen - att vissa av eleverna var b\"attre orienterade i datakunskap \"an \textit{han sj\"alv}. Faktum kvarst\aa{}r: dessa elevers f\"or\"aldrar hade betalt skatt f\"or att deras barn skulle f\aa{} anv\"anda datorer i skolan. Eleverna, liksom hackare i allm\"anhet, ans\aa{}g d\"arf\"or att det naturliga vore att l\aa{}ta eleverna anv\"anda datorerna hur mycket de ville, och till vad de ville. (P\aa{} tid som inte var schemalagd f\"or undevisning allts\aa{}.) Denna sj\"alvklara r\"att kallas sedan MIT-hackarnas tid f\"or \textit{hands on-imperativet}. Datal\"arare f\"orst\aa{}r sig ofta inte p\aa{} hackare. Om de n\"odv\"andigtvis skall h\aa{}lla p\aa{} med datorerna hela tiden, varf\"or kan de d\aa{} inte g\"ora n\aa{}got som \"ar \textit{nyttigt} och \textit{till\aa{}tet}, t~ex l\"agga upp en avbetalningsplan, skriva en sammanfattning om Afrikas historia eller n\aa{}got dylikt? Attityden verkar vara att eleverna bara skall \textit{anv\"anda} maskinerna, inte \textit{utforska} dem och allra minst \textit{hacka dem}. Maskinen skall bara vara ett verktyg, och anv\"andaren skall helst veta s\aa{} lite som m\"ojligt om de processer som f\"orsig\aa{}r bakom sk\"armen. Hackaren \"ar den som, trots detta, \textit{faktiskt vill veta.} Hackare \textit{vill inte} g\"ora "{}nyttiga"{} saker. De vill g\"ora \textit{roliga} saker, som att utforska datorns operativsystem, l\"agga in egna program och testa olika tekniska finesser. Det \"ar d\aa{} det blir roligt att anv\"anda en dator. Jag har f\"ors\"okt att p\aa{}tala detta f\"or flera datal\"arare jag har tr\"affat, tyv\"arr mestadels utan resultat. Jag anser personligen att detta utforskande \"ar nyttigt, och skulle inte f\"or mitt liv vilja hindra det. Det \"ar det som \"ar grunden till den entusiasm som g\"or att vissa tycker att "{}data \"ar s\aa{} roligt"{}. Om de trots allt skulle lyckas st\"alla till det med datorn s\aa{} att den inte fungerar l\"angre, anser jag att det \"ar min uppgift som l\"arare att se till att f\aa{} den funktionsduglig igen. Om jag inte klarar av detta \"ar jag inkompetent. Om jag inte har tid med detta \"ar skolan underbemannad. Jag har aldrig haft n\aa{}gra st\"orre problem med mina elever sj\"alv, och har genomg\aa{}ende positiv erfarenhet av de elever jag haft. Faktum \"ar att jag \textit{uppmuntrar} mina elever att utforska operativsystemet \textit{\"aven} om detta inte ing\aa{}r i kursen. Om de datorer jag ansvarar f\"or blir drabbade av virus eller kraschar, \"ar det snarare mitt problem \"an elevernas. P\aa{} MIT 1960 uppt\"ackte man snart de m\"ojligheter som \"oppnade sig n\"ar man l\"at eleverna jobba fritt med datorerna. Professor Marvin Minsky kunde komma in i datorrummet, st\"alla ifr\aa{}n sig en teknisk mackap\"ar och sedan l\aa{}ta eleverna f\"ors\"oka utveckla ett styrprogram till den p\aa{} egen hand. Detta var inte undervisning -- det var forskning p\aa{} h\"og niv\aa{}, och det var eleverna, hackarna, som utf\"orde den. Hade det inte varit f\"or denna attityd till l\"arandet, hade datorerna aldrig blivit vad de \"ar idag. Sedan MIT som f\"orsta datorskola i v\"arlden l\aa{}tit eleverna f\aa{} obegr\"ansad tillg\aa{}ng till datorerna, spred sig denna nya pedagogik till alla h\"ogskolor som bedrev datorforskning. \"Aven de svenska. Ingen h\"ogskola med sj\"alvaktning l\aa{}ser idag ute sina elever fr\aa{}n datasalarna. De har ofta egna nycklar eller l\aa{}skort, och kan komma och g\aa{} som de vill. De svenska gymnasie- och h\"ogstadieskolorna har mycket att l\"ara av h\"ogskolan p\aa{} det h\"ar omr\aa{}det. Faktum \"ar att n\"atverkshackarnas h\"arjningar i universitetens datorer delar de dataansvariga i tv\aa{} l\"ager: ett med folk som blir helt \textit{vansinniga} om de uppt\"acker att n\aa{}gon hackat deras dator, och ett som bara tycker det \"ar roligt och sp\"annande om n\aa{}gon hackar deras dator. Den senare gruppen \"ar dock inte lika h\"ogljudd som den f\"orsta (\"aven om jag upplevt den som betydligt st\"orre), vilket g\"or att bilden ut\aa{}t \"ar att alla dataansvariga hatar hackare. Detta \"ar l\aa{}ngt ifr\aa{}n sant. Hackaren utforskar. Inte bara enskilda datorer, utan \"aven datasystem, datan\"atverk, telefonsystemet, eller vad som helst annat som \"ar elektroniskt. De f\"ord\"omer och ignorerar den auktoritet som vill hindra dem fr\aa{}n att utforska. De \"ar inte ute efter att stj\"ala. Punkt. \section*{Mentalitet} Vad som driver hackare rent psykiskt \"ar ett k\"ansligt omr\aa{}de. MIT:s hackare kunde sitta uppe och arbeta i 30-timmarspass f\"or att sedan kollapsa och sova i 12 timmar, och d\"arefter g\aa{} p\aa{} n\"asta 30-timmarspass. Hackarna f\"orsummar ibland allt utom datorn, inkluderat mat, kroppsv\aa{}rd och vanligt socialt umg\"ange. Vi tolkar detta som ett osundhetstecken, trots att vi kanske accepterar det bland m\"anniskor som jobbar i f\"oretagsledningar, kommitt\'{e}er och andra ansvarsfulla yrken. Man skall ha klart f\"or sig att s\aa{} gott som varenda hackare g\aa{}r igenom en s\aa{}dan h\"ar period av intensiv koncentration n\aa{}gon g\aa{}ng under sin karri\"ar, och det vore f\"orhastat att generellt f\"ord\"oma ett s\aa{}dant beteende. Men i vissa fall \textit{\"ar} datorn faktiskt en flykt undan en odr\"aglig tillvaro. En ungdom mellan 14 och 19 \aa{}r uts\"atts f\"or m\aa{}nga h\aa{}rda krav fr\aa{}n omv\"arlden. Det kr\"avs av dem att de skall klara sina studier, umg\aa{}s med sina kamrater och framf\"or allt (mest underf\"orst\aa{}tt) att de skall knyta kontakter med det motsatta k\"onet. Samtidigt skall man inte gl\"omma att hackandet ofta sker i grupp och baseras p\aa{} en v\"anskap som g\aa{}r l\aa{}ngt bortom datorns begr\"ansade omr\aa{}de. (F\"or den oinsatte: \textit{v\"anskap} \"ar den egenskap som g\"or att man kan f\aa{} f\"or sig att l\aa{}na ut ett rum till n\aa{}gon n\aa{}gra dygn, kopiera ett dataprogram, dela med sig av kunskap osv - utan att kr\"ava betalt.) Datorn erbjuder en ovanligt l\"attillg\"anglig flykt fr\aa{}n uppv\"axtens krav. Redan tidigare i historien har m\aa{}nga unga m\"an (och en del kvinnor) flytt fr\aa{}n jobbiga k\"anslor genom att \"agna sig helhj\"artat \aa{}t n\aa{}gon vetenskap, och s\aa{} totalt g\aa{} upp i forskandet att de "{}gl\"omt bort"{} sina jobbiga sociala "{}plikter"{}, med umg\"ange, \"aktenskap och allt vad det inneb\"ar. Datorer \"ar i v\aa{}r tid ett mycket outforskat omr\aa{}de. Alla som f\aa{}r tillg\aa{}ng till en hemdator hamnar genast i en v\"arld d\"ar mycket \"ar ok\"ant och underligt, men samtidigt bundet till en viss logik. En dator skriker efter att f\aa{} utforskas. P\aa{} det viset blir datorn n\"astan till en drog som ers\"atter en mer "{}naturlig"{} drift att unders\"oka sociala beteendem\"onster. Utforskandet av datorn blir inte ett substitut, inte en ers\"attning, f\"or sexuella relationer. Det blir n\aa{}got man \"agnar sig \aa{}t f\"or att \textit{slippa t\"anka} p\aa{} sexuella relationer. Det \"ar d\"arf\"or s\aa{} m\aa{}nga sk "{}t\"ontar"{} \"agnar sig \aa{}t datorer. Samh\"allet har fr\aa{}n b\"orjan gett dem en otacksam roll, och ist\"allet f\"or att spela den, flyr de fr\aa{}n den. M\aa{}nga hackare \"ar fullt medvetna om detta. Samtidigt ser de det h\aa{}rda liv med djungelns lag som v\"antar utanf\"or telerymden, och g\"or d\"armed till sist ett medvetet val att antingen \"andra p\aa{} allt eller stanna d\"ar de \"ar. En del gamla hackare har med \aa{}ren utvecklat en enorm bitterhet och cynism pga detta. De f\"ord\"omer den riktiga v\"arlden och \"ar fast beslutna att skapa en v\"arld d\"ar de sj\"alva f\aa{}r best\"amma, fast inne i datorn. De iakttar med sp\"anning de tekniska landvinningarna inom virtuell verklighet och artificiell intelligens, och s\"ager f\"or sig sj\"alva att \textit{en dag...} Kunde de g\aa{} in i datorn f\"or alltid, skulle de g\"ora det. De hatar redan den v\"arld d\"ar de m\aa{}ste se sig bundna till sina fysiska eller sociala handikapp, och d\"ar deras lott redan p\aa{} f\"orhand \"ar att vara f\"orlorare. Den m\"anskliga k\"onsidentiteten utg\"ors n\"amligen av en fysisk s\aa{}v\"al som en social bit. Om man saknar den ena eller den andra, \"ar man d\"omd att vara f\"orlorare. Det h\"ander att hackarna genomsk\aa{}dar detta och ist\"allet s\"ager: \textit{"{}vi vill inte vara med"{}} och drar sig tillbaka till telerymden. Det finns inget vi kan g\"ora \aa{}t detta, annat \"an att tona ned v\aa{}ra sociala attityder mot avvikare, om ens det hj\"alper. Kanske \"ar det inte ens \"onskv\"art att hackare anpassas till "{}normalt"{} liv. Kanske vill vi ha dem d\"ar, s\aa{} att vi har kontroll \"over dem och vet var vi har dem, d\"ar de matar hj\"arnan med s\aa{} mycket praktiska problem att de slipper t\"anka p\aa{} sociala sv\aa{}righeter. De st\"angs in i en subkultur d\"ar det avvikande \"ar normalt. Tillst\aa{}ndet kan i v\"arsta fall \"overg\aa{} i lindrig eller sv\aa{}r \textit{eskapism}, dvs verklighetsflykt. Detta tillst\aa{}nd brukar kallas \textit{datorsjuka}. Ut\"over detta kan vi notera att illegala hackare har ett n\aa{}got annorlunda beteendem\"onster j\"amf\"ort med de subkulturella, beroende p\aa{} vilket s\"att de kommit in i kulturen. En del phreakare kommer fr\aa{}n en v\"arld best\aa{}ende av heta linjen, radioamat\"ors\"allskap etc. Dessa drivs snarare av en vilja att kommunicera \"an av utforskande genom gruppbildningar och inb\"ordes t\"avlan. De \"ar ofta betydligt mer arroganta och sysslar med phreakandet helt enkelt d\"arf\"or att de \"ar uttr\aa{}kade och inte har n\aa{}got annat att g\"ora. (Samma motivationsfaktor som de som ringer \textit{heta linjen} och andra 071-nummer.) De tar absolut inte hackandet p\aa{} blodigt allvar, utan driver tv\"artom g\"arna med hackare, som de innerst inne tycker \"ar fullst\"andiga t\"ontar. Hackare som hellre sysslar med datorer \"an telefoni har i allm\"anhet en starkare gruppk\"ansla och lojalitet mot gruppen som helhet. En renodlad phreakare av den typ jag just n\"amnde, kan mycket v\"al ange sina b\"asta v\"anner om hon/han blir uppt\"ackt, medan en hackare inte f\"or sitt liv skulle ange ens sina \textit{fiender}. S\aa{}v\"al n\"atverkshackare, phreakare, virushackare och en del kn\"ackare lider av hoppl\"ost negativa sj\"alvbilder. De ser sig sj\"alva som elaka, grymma och dominanta v\"arstingar. Man har g\aa{}tt in i en roll d\"ar man identifierat sig med f\"orst\"orelselusta, samh\"allshat, kaos och allm\"ant dj\"avulskap mest f\"or att veta var man h\"or hemma. Det brukar dock g\aa{} \"over efter ett tag. Har man anammat yippieideal g\aa{}r det \textit{inte} \"over. De allra farligaste hackarna (om vi ser det hela fr\aa{}n samh\"allets synvinkel) \"ar uteslutande \textit{bittra}. De ser sig som missf\"orst\aa{}dda och missbed\"omda av skolsystemet, eller i v\"arsta fall av samh\"allet som helhet. De tycker att skolan inte lyckats ta vara p\aa{} deras intelligens och anser sig d\"arf\"or ha r\"att att h\"amnas p\aa{} samh\"allet som st\"angt dem ute fr\aa{}n en v\"arld av kunskap eftersom de inte uppf\"ort sig p\aa{} r\"att s\"att, inte varit f\"orsedda med r\"att social kod. De har tvingats in p\aa{} tv\aa{}\aa{}riga gymnasieutbildningar av ett betygssystem som inte klarat av att sortera in dem bland de som verkligen l\"ampat sig f\"or en h\"ogre utbildning. De har dessutom \textit{r\"att}, och det g\"or inte saken b\"attre. Med hat mot samh\"allet som inte f\"orst\aa{}tt att uppskatta deras kvalit\'{e}er kommer de tillbaka med datorer och elektronisk utrustning f\"or att s\aa{}ga i grundvalarna f\"or hela samh\"allets socioekonomiska system, inte s\"allan med en n\"ast intill \textit{psykopatisk} f\"orst\"orelselusta. \begin{quotation} \noindent{}\textbf{Carceres ex Novum} \textit{Det fanns ett alternativ till det vanliga livet. Jag var tr\"ott p\aa{} allt det vanliga, p\aa{} att alltid vara sist, aldrig uppm\"arksammas. Datorn var uppm\"arksam, den uppm\"arksammade ingen annan \"an mig. Jag fann kamrater som jag aldrig beh\"ovde tr\"affa ansikte mot ansikte, och s\aa{} fl\"ot min ton\aa{}rstid f\"orbi, jag blev en intressant m\"anniska.} \textit{N\"ar jag b\"orjade p\aa{} h\"ogskolan kom det j\"attelika Internet till mitt rum och v\"arlden str\aa{}lade in till mig. Jag hade miljoner m\"anniskor n\"ara inp\aa{} mig utan att n\aa{}gonsin beh\"ova se dem i ansiktet. Jag satt d\"ar j\"amt, enda avbrottet jag beh\"ovde var att \"ata och g\aa{} till skolan. Jag tr\"affade ingen, ingen k\"ande mig. Och jag trivdes. Tack vare uppm\"arksamheten fr\aa{}n de anonyma m\"anniskorna p\aa{} andra sidan sk\"armen k\"ande jag mig inte ensam.} \textit{Men tiden rann ut och den verkliga v\"arlden kr\"op inp\aa{} mig, och jag visste att jag i och f\"or sig alltid skulle kunna fly, men aldrig skulle jag kunna g\"omma mig fr\aa{}n dem, vars v\"arderingar f\"orvandlade mig till en ensam asocial r\aa{}tta som tillbringade all sin tid med datorn. Och jag hatade dem."{}} \end{quotation} \noindent{}Visst \"ar en del av det som dessa hackare sysslar med olagligt, och visst \"ar detta fel fr\aa{}n samh\"allets synvinkel. Inte desto mindre \"ar det att grovt underv\"ardera hackarna om man p\aa{}st\aa{}r att de skulle beg\aa{} dessa handlingar slentrianm\"assigt, "{}i brist p\aa{} annat"{} eller enbart f\"or egen vinning. Det har varit alldeles f\"or mycket f\"ord\"omande och alldeles f\"or lite empati i hackardebatten. Nu \"over till n\aa{}got helt annat. \chapter{BLIPP-BLOPP KULTUREN} I Sohlmans musiklexikon st\aa{}r det: \textit{"{}Med elektronisk musik avses musik som framst\"allts eller bearbetats med hj\"alp av elektronisk apparatur och som uteslutande komponerats f\"or h\"ogtalarmediet."{}} Den elektroniska musiken har l\"ange levt ett skyddat liv som en egen subkultur inom den sk "{}seri\"osa"{} musiken, inte minst i Sverige. 1948 (samma \aa{}r som IBM marknadsf\"orde den f\"orsta kommersiella datamaskinen) gjordes den f\"orsta elektronmusikkompositionen av en viss \textbf{Pierre Schaeffer}, ett stycke kallat \textit{\'{E}tudes aux Chemins de Fer} (Etyder med t\aa{}g). I hans studio f\"or \textit{Musique Concrete} (Sv: \textit{Konkret Musik}) vid den franska radion f\"oddes elektronmusiken. Konkret musik \"ar musik som inte begr\"ansas till rena toner och instrument utan blandar in ljud ur vardagen, l\aa{}nga f\"or\"anderliga toner utan klangf\"arg osv. 1952-53 jobbade musikern \textbf{Karlheinz Stockhausen} hos Schaeffer och tog med sig id\'{e}erna hem till Tyskland och sedan dess har musikformen spritt sig och levt p\aa{} olika statliga institutioner runt om i Europa som en mycket smal gren av den klassiska musiken. Stockhausen var helt inne p\aa{} att bara anv\"anda elektroniskt alstrade ljud, till skillnad fr\aa{}n Schaeffer som helst anv\"ande bandinspelningar av riktiga ljud, som exempelvis t\aa{}g eller f\aa{}glar. I Sverige var musikformen i princip obekant tills den anv\"andes i och med upps\"attningen av \textbf{Harry Martinssons} science fiction-opera \textit{Aniara} 1959. Det h\"ar kapitlet kommer inte att behandla klassisk elektronmusik - det finns mycket skrivet om detta p\aa{} andra h\aa{}ll. Dessutom \"ar den h\"ar boken riktad till vanliga m\"anniskor som tycker att konst skall f\"orest\"alla n\aa{}got, dvs att man inte st\"andigt skall f\"ors\"oka bryta sig ur alla begreppssystem s\aa{} att man blir s\aa{} obegriplig som m\"ojligt. Elektronmusik \"ar en s\aa{}dan musikform d\"ar musiken m\aa{}ste f\"orst\aa{}s p\aa{} fler plan \"an det rent musikaliska. Med andra ord: den h\"ar boken h\aa{}ller sig till lite bredare popul\"arkultur. D\"armed inte sagt att elektronisk konstmusik skulle vara mindre intressant, bara att den inte \"ar s\"arskilt intressant i det h\"ar fallet. Det vore on\"odigt att p\aa{}peka att den elektroniska musikens historia \"ar bra mycket \"aldre \"an hackarkulturen. Elektronisk musik som f\"oreteelse har dock haft ett avg\"orande inflytande \"over hackarkulturen, och i sin popul\"arkulturella form som syntpop, techno, acid osv har den haft en oerh\"ord betydelse f\"or den generation som v\"axt upp med datorer. Inte minst f\"or att visa den vackra sidan hos datorn. Elektronmusiken var det f\"orsta omr\aa{}de d\"ar datorer bevisligen anv\"andes f\"or att skapa \textit{konst}, och till skillnad fr\aa{}n annan elektronisk kultur har elektronmusiken sina r\"otter i Europa. F\"orsta g\aa{}ngen en dator spelade musik var 1957 p\aa{} Bell Laboratories i USA. Melodin hette \textit{Daisy} vilket \"ar samma melodi som den intelligenta datorn \textbf{HAL} i \textbf{Stanley Kubricks} filmatisering av \textbf{Arthur C Clarkes} science fiction-roman \textit{\AA{}r 2001} b\"orjar nynna n\"ar den monteras s\"onder. Detta \"ar givetvis ingen slump, utan en avsikt fr\aa{}n regiss\"orens sida att ta datorn till sin "{}barndom"{} i dubbel bem\"arkelse n\"ar den f\"orlorar sin avancerade elektroniska identitet. F\"orsta g\aa{}ngen en svensk dator spelade musik var n\"ar \textbf{Sven Yngvell} programmerade SAABs BESK-kopia\footnote{BESK var den f\"orsta svenska elektroniska datorn. Den hade f\"oreg\aa{}tts av s\aa{}v\"al analoga datorer och rel\"amaskinen BARK.} \textit{SARA} att spela Calle Schewen, Flickan i Havanna m fl l\aa{}tar n\aa{}gon g\aa{}ng 1958. \section*{Technopop} V\"arlden under 70- och 80-talet: I och med de f\"orsta billiga japanproducerade syntarna b\"orjade de elektroniska instrumenten anv\"andas av vanliga m\"anniskor som inte var utbildade musiker, och den elektroniska popul\"armusiken f\"oddes. Skillnaden mellan t~ex hammondorgeln eller \textbf{Pink Floyds} monofoniska syntar och den nya generationen elektroniska instrument var att dessa kunde lagra rytmer och hela melodislingor i digitala minnen som sedan bearbetades. Bland annat \textit{kvantiseringen} (som anpassar spelade toner \textit{exakt} till en given rytm) kritiserades (och kritiseras) mycket av "{}seri\"osa"{} musiker. De menade att simpla och rytmiskt perfekta melodislingor var att f\"orst\"ora musiken, och drog sig \aa{}t sitt h\aa{}ll. En annan faktor som verkade avskr\"ackande p\aa{} musiker av den \"aldre skolan var att musik som spelas av maskiner inte beh\"over anpassas till n\aa{}gon musikers fingerf\"ardighet, med f\"oljd att \"orats f\"orm\aa{}ga att uppfatta variationer i ljudet ist\"allet fick s\"atta ramarna. Ett "{}groove"{} p\aa{} flera hundra taktslag i minuten, slingor med tonl\"angder p\aa{} hundradelar av en sekund - s\aa{}dana melodier skr\"ammer slag p\aa{} musiker som \"ar vana vid att kunna h\"anga med och analysera det som spelas. F\"or den nya elektroniska musikerna var den perfekta kvantiseringen, m\"ojligheterna till ett h\"ogt tempo och syntetiska ljudbilder ett sk\"onhetsideal. Bland pionj\"arerna m\"arks speciellt tyska \textbf{Kraftwerk} som byggde sina egna syntar, och som f\aa{}r betraktas som klassiker i genren. Kraftwerks betydelse f\"or syntmusiken kan knappast \"overdrivas. Ingen enskild grupp har haft s\aa{} stort inflytande \"over elektronisk popul\"armusik som dessa tyska futurister - futurister s\aa{} tillvida att de s\aa{}g sk\"onheten i tekniken i sig, snarare \"an som ett verktyg f\"or att reproducera andra ideal. De hade tidigt kontakt med n\"amnde Karlheinz Stockhausen och h\"amtade mycket av sina id\'{e}er och inspiration fr\aa{}n den klassiska elektronmusiken. Kraftwerk, och speciellt bandmedlemmen Ralf H\"utter \"ar dessutom mycket politiskt medvetna och sympatiserar \"oppet med hackare. Ralf titulerar sig t~o~m ibland som hackare sj\"alv. Dessa tyska herrars mentalitet har s\aa{}ledes influerat - och influerats av - den underjordiska digitala kulturen v\"arlden \"over. Chaos Computer Club-medlemmen Pengo, som jag n\"amnde tidigare i samband med de illegala hackarna, var f\"ortjust i Kraftwerk och kunde lyssna p\aa{} skivorna g\aa{}ng efter g\aa{}ng samtidigt som han tog sig in i datorer v\"arlden \"over. Det var han inte ensam om. \"Aven om hackare rent allm\"ant har splittrad musiksmak, fr\aa{}n Bach till Deathmetal, \"ar det f\aa{} som inte kan njuta av elektronisk musik i en eller annan form. Medan en "{}vanligt"{} skolad musiker kanske ser datorn som ett \textit{verktyg} f\"or att framst\"alla arrangemang, "{}komp"{} och snygga notskrifter, ser en futuristisk musiker datorn som ett \textit{instrument}, n\aa{}got som skall spelas f\"or sin egen skull och likv\"al som en saxofon eller en harpa \"ager en inre sk\"onhet. Futuristmusikern kan sitta i timmar och st\"alla olika parametrar f\"or att f\aa{} fram ett personligt ljud ur maskinen, och han \"alskar det lika mycket som en gitarrist \"alskar att extrapolera sina skalor upp och ned i jakt p\aa{} st\"orre personlig "{}touch"{} i sin musik. Medan en "{}vanlig"{} musiker profilerar sig genom att s\"oka nya tekniker f\"or att manipulera sitt redan befintliga instrument, jobbar elektronmusikern snarare med sifferparametrar, spektrumanalysatorer och enhandsspel. En del kan inte spela alls, utan n\"ojer sig med att skriva in musiken - not f\"or not - i n\aa{}got som p\aa{}minner om en musikalisk ordbehandlare. Metoden m\aa{} vara radikalt annorlunda mot traditionellt musikskapande, men inneb\"ar inte att elektropopen skulle ha mindre "{}sj\"al"{} f\"or det. En annan konsekvens av datorernas int\aa{}g i musikbranchen \"ar de helt elektroniska ljudbehandlingsprogram som nu b\"orjat dyka upp f\"or hemmabruk. Genom att emulera funktionen hos professionell ljudbehandlingselektronik kan en h\"ogklassig studio skapas med enbart datorprogram och n\aa{}gra mikrofoner och ett hyfsat ljudupptagningsrum. De flerkanaliga mixerborden och bandspelarna \"ar en g\aa{}ng f\"or alla p\aa{} v\"ag bort till f\"ordel f\"or helt digitala utrustningar. \"Aven vissa musikinstrument som Rolands kultf\"orklarade och sv\aa{}r\"overkomliga \textbf{TB-303} emuleras med stor framg\aa{}ng, exempelvis av svenska Propellerheads program RB-338. \textbf{Peter Samson} hade som en av de allra f\"orsta hackarna p\aa{} MIT (ja, nu \"ar vi tillbaka d\"ar igen) lyckats f\aa{} en PDP-1 dator att spela fugor av Bach enbart baserade p\aa{} inskrivna siffror. Hans program f\aa{}r nog s\"agas vara den allra f\"orsta sk "{}sequencern"{} tillverkad av en amat\"or. En sequencer (sv: \textit{sekvensator}, alla anv\"ander dock det engelska namnet) \"ar ett dataprogram eller en maskin som kommer ih\aa{}g vad som skall spelas, och som g\"or det m\"ojligt att \"andra om tonerna, spela upp dem igen, lagra dem p\aa{} n\aa{}got vis och sedan plocka fram dem vid n\aa{}got annat tillf\"alle. Allt sedan den dagen har vi haft en levande, maskinskapad musikkultur. M\aa{}nga traditionellt skolade musiker reagerar med ren och sk\"ar fr\"amlingsfientlighet mot detta nya s\"att att jobba med musiken, snarare \"an att ta \aa{}t sig det goda och f\"ors\"oka f\"orst\aa{} vari po\"angen ligger. Bland de svenska elektropionj\"arerna fanns t~ex \textbf{Page} som fortfarande \"ar aktiva. Under det tidiga \aa{}ttiotalet var de en av de f\"orsta (och f\"or sin genre ocks\aa{} en av de mest framg\aa{}ngsrika) sk \textit{syntpopgrupperna.} Det var m\aa{}nga som hoppade p\aa{} syntt\aa{}get, men som nu fallit i gl\"omska. Vem lyssnar idag p\aa{} grupper som \textbf{Trans-X, Ultravox} eller \textbf{Texas instruments?} Inte m\aa{}nga, \"aven om det fortfarande finns en hel del syntpopdiggare ute i landet. Genren har kommit tillbaka under det tidiga nittiotalet i form av t ex \textbf{S.P.O.C.K} eller nykomlingarna \textbf{Children Within}, b\"agge lysande svenska beg\aa{}vningar. Som en motreaktion p\aa{} de ofta mycket tv\aa{}lfagra och hemtrevliga syntare (l\"as Howard Jones, Depeche Mode etc.) som florerade i mitten av \aa{}ttiotalet d\"ok det upp en ny, oerh\"ort tung form av syntmusik; \textit{Electronic Body Music} eller helt enkelt bara \textit{EBM.} F\"or det mesta kallades den dock rakt av f\"or \textit{"{}R\aa{}synt"{}}. Engelska \textbf{Cabaret Voltaire} hade "{}uppfunnit"{} stilen 1978\footnote{ Meningarna om vad som b\"orjade n\"ar och vem som gjorde vad tycks g\aa{} is\"ar h\"ar: nude@home.se skriver: "{}Bland de f\"orsta banden att g\"ora EBM var D.A.F (Deutsch-Amerikanische Freundschaft), Rheingold och Velodrome... Cabaret Voltaire gjorde industrimusik. Industrimusiken skapades och namngavs av Throbbing Gristle p\aa{} 70-talet. De ans\aa{}g att det var dags att uppdatera musiken fr\aa{}n den viktorianska eran till industrialismen."{}} , men f\"orst nu fick den m\aa{}nga lyssnare \"over hela kontinenten och i Amerika. Bland andra \textbf{Portion Control, Front 242} (som myntade termen \textit{EBM}), \textbf{Skinny Puppy} och \textbf{Invincible Spirit} h\"orde till dem som h\"angde p\aa{} trenden. Man kan j\"amf\"ora tungsyntens int\aa{}g med n\"ar \textit{grungen} (personifierad i Nirvana) d\"ok upp som en reaktion p\aa{} \textit{pudelrocken} - det hade blivit f\"or mycket av det sliskiga helt enkelt. Mindre lyckat var kanske tendensen hos m\aa{}nga tungsyntband att flirta med rent nazistisk symbolism och kl\"adsel, och m\aa{}nga grupper (d\"aribland n\"amnda Front 242) tvingades g\"ora offentliga avb\"ojanden f\"or att slippa f\"orknippas med nynazism. Under 90-talet har flera grupper tr\"ottnat p\aa{} EBM-konceptet, eftersom det hela b\"orjat bli en smula uttjatat. T ex \textbf{Ministry, Die Krupps} och svenska \textbf{Poupp\'{e} Fabrikk}har g\aa{}tt \"over till \textit{Crossover,} musik som \"ar en blandning mellan EBM och olika typer av \textit{Metal}, g\"arna i trash-pionj\"aerna \textbf{Metallicas} stil. \section*{Ambient} \AA{}r 1978 sl\"appte fd Roxy Music-keyboardisten \textbf{Brian Eno} en skiva vid namn \textit{Music For Airports} p\aa{} ett eget skivbolag som d\"opts till \textbf{Ambient}. "{}Ambient"{} betyder ungef\"ar "{}totalt omgivande"{} och \"ar ursprungligen en relativt sv\aa{}rtillg\"anglig form av konstmusik. Id\'{e}n med musiken \"ar att \aa{}terge \textit{en hel milj\"o} ist\"allet f\"or bara en musikalisk ljudmatta med rytmer och ordnade toner. Givetvis \"ar det en f\"ordel att \aa{}terge en ljudbild fr\aa{}n en fr\"ammande och g\"arna sp\"annande milj\"o om man vill g\"ora bra, engagerande ambientmusik. Ett enkelt s\"att att g\"ora ambientmusik \"ar att bara st\"alla upp tv\aa{} mikrofoner i ett st\aa{}lverk, en f\"orortsl\"agenhet eller vad man nu vill skildra. Eno l\"ar ha f\aa{}tt id\'{e}n att g\"ora s\aa{}dan musik efter att ha varit s\"angliggande efter en bilolycka med stereon p\aa{}slagen utan m\"ojlighet att varken skruva upp eller st\"anga av den. Den tysta viskningen av musik ute i periferin uppblandad med ljud fr\aa{}n gatan utanf\"or fick honom att inse att detta faktiskt var en egen musikform. Musik i periferin - s\aa{}dan som vi till exempel h\"or p\aa{} varuhus eller flygplatser - har en egen grammatik och liknar inte alls "{}vanlig"{} musik. Ambientmusik \"ar musik som man skall ha p\aa{} medan man g\"or n\aa{}got annat, koncentrerar sig p\aa{} andra ljud, men som man \"and\aa{} skall kunna tycka om \textit{undermedvetet}. Inom psykologin g\aa{}r fenomenet under begreppet \textit{subliminal perception.} Musiken skapar en helhet tillsammans med redan befintliga ljud och kr\"aver inte lyssnarens koncentration. Det \"ar egentligen inte Eno som har "{}uppfunnit"{} ambientmusiken. Den excentriska och geniala komposit\"oren \textbf{Erik Satie} gjorde n\aa{}gra f\"oga uppskattade f\"ors\"ok med "{}m\"obelmusik"{} p\aa{} det tidiga 1900-talet och p\aa{} 60-talet skrev musikkonstn\"aren \textbf{John Cage} l\aa{}ten \textit{Four Minutes, Thirty-three Seconds}, ett stycke musik f\"or tyst piano, som av m\aa{}nga betraktas som den absolut ultimata ambientkompositionen. Meningen var att lyssnaren skulle lyssna koncentrerat p\aa{} ljuden i sin omgivning. Mest utbyte av stycket har man kanske om man samtidigt kan l\"asa partituret: tre satser med en enda instruktion: \textit{tystnad}. Cage jobbade ocks\aa{} mycket med elektronmusik, d\"ar han bland annat inf\"orde id\'{e}er fr\aa{}n Zen-filosofin om hur musik skulle kunna vara m\"onstergill men \"and\aa{} kaosartad, vilket bland annat legat till grund f\"or studier av improvisationsteknik. \"Aven detta har haft stort inflytande p\aa{} ambientmusiken och n\"amns p\aa{} omslagen till Brian Enos skivor. Tillsammans med installationskonst s\"ager den h\"ar musikformen en del om ambitioner i modern konst: man vill skapa en total milj\"o och placera betraktaren i denna. \footnote{Att "{}bredda ramarna"{} (eller allra helst uppl\"osa dem fullst\"andigt) anses allm\"ant vara karakteristiskt f\"or postmodern konst.} Konceptet \textit{Virtuell Verklighet} (eng: Virtual Reality) anses vara den optimala kombinationen av installation och ambientmusik. En autentisk konstgjord, skapad milj\"o av den typ som f\"orfattare i \aa{}rhundraden kunnat skapa med hj\"alp av l\"asarens egen fantasi - men p\aa{}taglig, detaljerad och \textit{exakt.} En v\"arld byggd av ren information. Tidiga elektronmusikpionj\"arer som \textbf{Tangarine Dream} (som debuterade med \textit{Electronic meditation} 1969) och en del symfonirockgrupper som till exempel \textbf{Hawkwind} experimenterade tidigt med att skapa fr\"ammande, futuristiska ljudmilj\"oer med tidiga syntar och genom att manipulera allsk\"ons elektronik (till exempel gitarrf\"orst\"arkare) f\"or att kl\"amma fram underliga ljud. Brian Eno \"ar alltj\"amt en portalfigur f\"or musikformen. Innan ambientmusik blev allm\"ant k\"and sorterade man ofta in den under etiketter som \textit{New Age} eller \textit{Meditationsmusik}. Dessa ben\"amningar anv\"ands numera mest p\aa{} artister som \textbf{Jean-Michel Jarre} och \textbf{Vangelis}, som representerar en sorts st\"amningsladdad hissmusik, l\"ampad f\"or s\aa{}v\"al aktivt som passivt lyssnande. Moderna techno- och industrimusikinspirerade diskjockeyer som \textbf{Alex Paterson} och \textbf{Bill Drummond} (\textit{The Orb} \textit{/ KLF}) eller \textbf{Sven V\"ath} har lyckats med konststycket att g\"ora rytmisk popul\"armusik med inslag av ambient utan att f\"orst\"ora grundid\'{e}n. Speciellt Patersons \textit{The Orbs adventures beyond the ultraworld} och V\"aths \textit{Accident in Paradise} r\"aknas som viktiga milstolpar inom "{}modern"{} ambient. \section*{Elektronisk Film} Det sista omr\aa{}de jag tar upp i det \"ar kapitlet handlar inte om musik. Elektronisk film har i princip funnits sedan TV:n uppfanns, men har aldrig kommit att utvecklas till n\aa{}gon egen genre f\"orr\"an tidigast under det sena 80-talet. Vi kan j\"amf\"ora elektronisk film med elektronisk musik, och s\"aga att det \"ar film som alstrats p\aa{} enbart elektronisk v\"ag. F\"orsta g\aa{}ngen man gjorde n\aa{}got s\aa{}dant var n\"ar man f\"or f\"orsta g\aa{}ngen riktade en TV-kamera mot en TV-sk\"arm och p\aa{} det viset lyckades skapa ett rinnande rundg\aa{}ngsm\"onster. \"Aven inom musiken har den sortens effekter anv\"ants f\"or att piffa upp och l\"agga till nya dimensioner: det finns knappast en gitarrist som inte vet hur man kan utnyttja rundg\aa{}ng i en elektronisk f\"orst\"arkare f\"or att skapa nya ljud. N\"ar det g\"allde musik utvecklades som jag sade denna form av manipulation till en egen konstform redan i mitten p\aa{} 50-talet under ledning av Karlheinz Stockhausen. N\"ar det g\"allde TV och film var det aldrig fr\aa{}ga om att g\"ora elektronisk film till n\aa{}gon egen konstform. Ist\"allet anv\"andes tekniken mera till just specialeffekter. Ett lysande exempel \"ar exempelvis vinjetten till den engelska TV-serien \textit{Doctor Who}, en illusion av en f\"ard genom en l\aa{}ngstr\"ackt, gr\"all tunnel, som skapats enbart med hj\"alp av rundg\aa{}ngsm\"onster. Filmkonsten har utvecklats i m\aa{}nga riktningar, men just elektronisk film tycks te sig oerh\"ort avskr\"ackande f\"or m\aa{}nga filmskapare. Inom filmen finns det n\"amligen ingen som helst tradition att skapa filmer utan m\"anniskor. Film har, i princip \"anda sedan den uppfanns, byggt p\aa{} teater och d\"armed dialog. S\aa{}v\"al \textit{klassisk} film som sk \textit{konstfilm}, bygger p\aa{} sk\aa{}despelare och dialoger. Bara tanken att tillverka en film utan m\"anniskor \"ar absurd f\"or de flesta filmare. Inom musiken finns d\"aremot en, milt sagt, \textit{betydligt} l\"angre tradition av att tillverka musik utan s\aa{}ng. Man skulle kunna s\"aga att musiken till skillnad fr\aa{}n teater och film handlar mer om att direkt generera k\"anslor och st\"amningar \"an att f\"ors\"oka \aa{}terge verkliga h\"andelser eller psykologiska skeenden. Inom den tecknade filmen har en del f\"ors\"ok gjorts att ta steget ifr\aa{}n m\"anniskan, och f\"ors\"oka skapa en symbolisk v\"arld. F\"or det mesta har det dock bara lett till kompromisser. N\"astan alla tecknade filmer \"ar \textit{fabler}, dvs de beskriver n\aa{}got som egentligen intr\"affar i den m\"anskliga, sociala vardagen. I princip alla f\"orlopp som \aa{}terges i tecknad film inneh\aa{}ller akt\"orer med vissa psykiska och fysiska egenskaper som f\"ors\"atts i n\aa{}gon m\"anniskoliknande situation. De f\aa{} f\"ors\"ok som gjorts att skapa tecknad film p\aa{} samma vis som modern konst, genom att anv\"anda symboler och m\"onster utan "{}liv"{}, har n\"astan undantagsl\"ost blivit beskyllda f\"or att vara obegripliga. Till saken h\"or att film fram till 90-talet har varit n\aa{}got oerh\"ort kostsamt som man inte experimenterar med hur som helst. Man m\aa{}ste ha antingen en kommersiell potential och en publik, alternativt statlig finansiering, f\"or att ha r\aa{}d att g\"ora en film. Ingen av dessa b\aa{}da institutioner \"ar s\"arskilt mottaglig f\"or experiment. I och med den billiga videoteknikens int\aa{}g i slutet av 80- och b\"orjan p\aa{} 90-talet har det blivit m\"ojligt att experimentera med film p\aa{} ett helt nytt s\"att. \"Aven datorn har gjort sitt int\aa{}g i den elektroniska filmen. H\"ar, s\aa{}v\"al som inom musiken, \"ar den allm\"anna attityden dock att datorn bara skall vara ett verktyg, ett medel, att g\"ora alldeles vanlig kommersiell film eller konstfilm. Bland de som sj\"alva sysslar med animationer och datorgrafik \"ar dock id\'{e}erna radikalt annorlunda. Ett av de tydligaste och vackraste exemplen p\aa{} elektronisk film \"ar en serie kortfilmer som skapats av \textbf{George Lucas'} farmarbolag \textbf{PIXAR}, ett f\"oretag som grundats av denne filmmogul endast i syfte att utveckla datorteknik f\"or film. Dessa g\aa{}r under samlingsnamnet \textit{Beyond the Mind's Eye}, och \"ar mycket uppskattade bland de som redan tidigare f\aa{}tt upp \"ogonen f\"or elektronisk kultur. Lite paradoxalt var det allts\aa{} i det h\"ar fallet den kommersiella filmen som finansierade utvecklingen av en av de mest alternativa konstformer som finns. Vissa av PIXARs filmer \"ar vanliga spelfilmer, ungef\"ar som tecknad film fast mycket mer detaljerade, medan andra varit riktigt experimentella. Man har nu f\aa{}tt ett kommersiellt genombrott med filmer som \textit{Toy Story} och \textit{Antz}. Andra "{}seri\"osa"{} filmer och tecknade filmer i synnerhet, anv\"ander idag stora m\"angder datorgenererade sekvenser. Filmer som bara inneh\aa{}ller exploderande geometriska figurer, panoreringar \"over obegripliga landskap, fraktalbilder och psykedeliska f\"argm\"onster brukar jag sj\"alv kalla \textit{ambientfilm}, eftersom tanken \"ar ungef\"ar den samma som med ambientmusik - att skapa en st\"amning utan n\aa{}gon r\"od tr\aa{}d i det som visas. Filmstilen \"ar till sin art besl\"aktad med sk \textit{parametrisk} film, en sorts filmstil d\"ar tekniken, speciellt kameraf\"orning och panoreringar, anv\"ands som ett sj\"alv\"andam\aa{}l f\"or att ge filmen en viss st\"amning utan att anv\"anda de klassiska filmiska ber\"attarmetoderna. Elektronisk film \"ar mycket uppskattad p\aa{} exempelvis \textit{ravefester}, och en i m\aa{}nga fall sj\"alvklar ingrediens i musikvideor till \textit{technomusik}, som jag skall ta upp i n\"asta kapitel. \chapter{RAVE, TECHNO OCH ACID} Det d\"ok upp n\aa{}got konstigt i Sverige under \aa{}ttiotalet. De diskjockeyer som vuxit upp under 70-talet och som var t\"ankta att ers\"atta den alltf\"or dyra och okontrollerbara levande musiken hade f\aa{}tt konstn\"arliga ambitioner, och sm\aa{} bolag som var mellanting mellan skivbolag och diskjockey-stall b\"orjade dyka upp \"over praktiskt taget hela v\"astv\"arlden. De producerade skivor med en sorts musik som var avsedd f\"or en enda sak - att spelas p\aa{} diskon. Den skulle vara s\aa{} dansant som m\"ojligt, med en markerad rytm och ett tempo runt 120 bpm - ett perfekt danstempo. (Bpm \"ar en f\"orkortning f\"or \textit{beats per minute} antal anslag per minut, en m\aa{}ttenhet f\"or musiktempo.) I mitten av 80--talet startades bolaget \textbf{Swemix} av n\aa{}gra diskjockeyer i Stockholm som ville ge ut mixar av svenska artister. Bland de diskjockeyer som lyckades sl\aa{} sig fram b\"ast genom att kombinera dans- och popul\"armusik fanns t~ex \textbf{Dag Volle}, mer k\"and som \textbf{Denniz Pop} och ansvarig f\"or succ\'{e}erna \textit{Hello Africa} och \textit{No Coke} med Dr. Alban 1989, samt senare v\"arldsartisterna \textbf{Ace of Base}. D\"ar fanns ocks\aa{} \textbf{Robert W\aa{}tz} och \textbf{Rasmus Lindvall}, senare mer k\"anda som \textbf{Rob'n'Raz}. Andra f\"oredrog att h\aa{}lla sig mindre kommersiella och g\"ora \textit{sin egen grej}. De ville inte s\aa{} sakteliga \textit{reformera} discot till en svettig dansklubb. De ville g\"ora \textit{revolution nu}. I mitten och slutet av \aa{}ttiotalet, och i Sverige speciellt 1987--88, uppstod den nya danskulturen. Vild, fri dans f\"or dansens egen skull, inte n\aa{}got v\"alordnat som man underkastade sig av sociala sk\"al p\aa{} v\"alorganiserade danstillst\"allningar eller diskon eller p\aa{} skolgymnastiken, utan \textit{vild} h\"amningsl\"os dans. Det var den rytmiska, tidigare rituella dansen som i \aa{}rhundraden tryckts under ytan och tyglats av v\"astv\"arldens moraliska och etiska v\"arderingar som \aa{}teruppstod. Och den \aa{}teruppstod i form av acidhouse. Givetvis blev det etablerade samh\"allet med politiker, musiker och kuratorer d\"odsf\"orskr\"ackt. Och givetvis k\"opte var enda ung m\"anniska som hade vett nog att vara upprorisk en acidhouseplatta f\"or att skr\"amma f\"or\"aldrarna med. (\"Aven f\"orfattaren, som k\"opte sin f\"orsta acidplatta \textit{House Nation} av \textbf{MBO}, 1987.) Ren \textit{house} var mest framg\aa{}ngsrik till en b\"orjan, f\"ormodligen f\"or att den byggde p\aa{} funk-, soul- och diskomusik \'{a}la George Clinton och James Brown snarare \"an p\aa{} syntetisk musik. Det syntetiska inslaget var begr\"ansat till ett trumkomp som man fick fr\aa{}n en trummaskin eller bara stal rakt av fr\aa{}n n\aa{}gon Kraftwerkskiva. Genren uppstod i Chicago och skall ha f\aa{}tt sitt namn fr\aa{}n att danspartyn ofta h\"olls i lagerlokaler, p\aa{} engelska \textit{warehouses}. (En av de f\"orsta europeiska klubbarna som spelade housemusik hette ocks\aa{} just \textbf{Warehouse} och l\aa{}g i K\"oln.) Tillsammans med en samtida (rent elektronisk) genre fr\aa{}n Detroit som kallades \textit{techno} samlades den nya dansmusiken under beteckningen \textit{acid house}. Tidiga houseband var t ex \textbf{The Royal House}, n\"amnda \textbf{MBO} eller \textbf{D-Mob}. N\"ar musiken blev popul\"ar blandades de b\aa{}da stilarna, framf\"or allt i Europa och kallades bara \textit{acid} och det var ingen som hade reda p\aa{} vilket som var vilket. Runt Manchester i England v\"axte de f\"orsta riktigt inflytelserika europeiska houseklubbarna upp. Acidhouse var en speciell variant p\aa{} dansmusik som anv\"ande \textit{samplingar} (brottstycken av ljud) p\aa{} ett speciellt s\"att. Inspirerade av industrimusikens kakafonier av maskinljud (som hos \textbf{Throbbing Gristle} eller \textbf{Einst\"uerzende Neubaten}), f\"orfattaren \textbf{William S Burroughs} s\"att att bygga st\"orre texter av sm\aa{} textfragment (l\"as mer om Burroughs i n\"asta kapitel), och kollage- och mosaikkonsten, byggde acidmusikerna en mosaik av ljudfraser. Musikerna var genomg\aa{}ende diskjockeyer som visste att l\"agga tonvikt p\aa{} bra dansrytm. Man kan s\"aga att man f\"or f\"orsta g\aa{}ngen lyckades g\"ora \textit{konkret musik} (Pierre Schaeffers sk\"otebarn) som n\aa{}dde en bred publik. Det var bland de musiker som jobbat med konkret musik som samplingsmaskinerna f\"orst gjorde sitt int\aa{}g. Rent musikaliskt byggde man p\aa{} den tendens som redan tidigare fanns inom elektropopen att anv\"anda v\"alkomponerade \textit{Riff} (ett Riff \"ar en enkel musikalisk id\'{e} som upprepas g\aa{}ng p\aa{} g\aa{}ng) i form av syntetiska slingor som tr\"affade en viss k\"ansla och gav en st\"amning \aa{}t hela l\aa{}ten. En s\aa{}dan slinga var l\"att att programmera med en tryck-p\aa{}-knappen sequencer som innebar att man inte beh\"ovde kunna spela i takt eller ens s\"arskilt bra, bara man kunde uppfinna en hyfsad melodislinga och f\aa{} in den i apparaturen. "{}Acid"{} \"ar ett engelskt ord som betyder "{}syra"{} vilket olyckligtvis \"ar ett slanguttryck f\"or \textit{lysergsyradietylamid} eller \textit{LSD} som man brukar s\"aga kort. Acidhouse \"ar dock antagligen inte d\"opt till \textit{acid} f\"or att musiken skulle ha n\aa{}got med LSD att g\"ora. Det sanna ursprunget till namnet skall ha varit slanguttrycket \textit{Burn Acid} som betyder ungef\"ar "{}spinna skivor"{}, dvs en diskjockey-syssla som utf\"ordes medan man samplade ljud fr\aa{}n olika skivor. Sedan finns det andra som s\"ager att detta \"ar en f\"orsk\"onande l\"ogn och att det sanna urspunget \"ar att n\aa{}gra musiker fr\aa{}n England \aa{}kte till Detroit runt 1986 d\aa{} England befann sig i en acidrock-revival och k\"opte allt m\"ojligt som det stod "{}acid"{} p\aa{}, i jakt p\aa{} t~ex Grateful Dead m~fl hippieband, varvid de ist\"allet fick med sig en hel del konstig syntmusik som visade sig vara tidig techno och house. Genrebeteckningen skulle sedan ha f\"otts ur denna h\"andelse. Acidhouse karakteriseras ocks\aa{} av ett speciellt "{}sound"{}, lite r\aa{}are \"an vanlig diskomusik, men sn\"allare \"an "{}r\aa{}synten"{} som jag n\"amnde tidigare. Speciellt popul\"ara \"ar ljud fr\aa{}n syntar och trummaskiner av m\"arket \textbf{Roland TR 808} och \textbf{909} (D\"arav t~ex gruppen \textbf{808 State}) och bassynten \textbf{Roland} \textbf{TB303} vars "{}bas"{} snarast l\aa{}ter som en knorrande rymdman. Acidmusiken var popul\"ar samtidigt som hemdatorhackarna befann sig i sin absoluta guld\aa{}lder. \AA{}ren 1987--88--89 betraktas som de absolut intensivaste i hemdatorkulturens tidiga historia, varf\"or m\aa{}nga demon, pseudonymer och gruppnamn bland de subkulturella hackarna h\"amtade inspiration direkt fr\aa{}n acidmusiken. Acidmusikerna \aa{}sin sida betraktar just 1988 som musikstilens absoluta h\"ojdpunkt, med flera stora fester utomhus i England. De b\aa{}da kulturerna vilar p\aa{} samma amat\"orm\"assiga grund och uppstod b\aa{}da tack vare att datorutrustning och elektroniska instrument blev tillg\"angliga f\"or gemene man under den h\"ar perioden. Notera ocks\aa{} ett oklart inflytande fr\aa{}n hackarkultur p\aa{} acidmusiker: technogrupper med namn som \textbf{Phuture} och \textbf{Phusion} har (om man iakttar stavningen) uppenbarligen inspirerats av hackare. Acidhouse blev under de h\"ar \aa{}ren n\aa{}got av en symbol f\"or ungdomsrevolt och har varit det sedan dess, men under andra namn som vi snart skall introducera. Det r\aa{}der sedan l\"ange total begreppsf\"orvirring inom dansmusiken. Acidhouse utvecklades explosionsartat till en m\"angd underkategorier; varenda st\"orre stad i England och Tyskland hade sin egen housegenre, och \"aven i USA utvecklades nya housegenrer. Mycket snart tr\"ottnade m\aa{}nga p\aa{} de eviga kompromisserna mellan elektronisk dansmusik och vers-refr\"angt\"ankandet fr\aa{}n rockmusiken eller den inom hip-hopen obligatoriska rapen och lyfte \aa{}ter fram den ursprungliga rent elektroniska dansmusiken: \textit{techno}. \section*{Techno} Techno str\"avade tillbaka till den elektroniska popul\"armusikens r\"otter - man hade blivit tr\"ottnat p\aa{} de ljud och harmonier som anv\"andes inom vanlig dansmusik och all acidhouse hade b\"orjat l\aa{}ta likadant. Acid var inte nyskapande l\"angre; det var dags f\"or n\aa{}got nytt. Diskjockeyer som numera var fullfj\"adrade elektronmusiker satt n\"atterna igenom och lyssnade p\aa{} \textbf{Kraftwerk, Ultravox, D.A.F} (Deutsch Amerikanische Freundschaft) och andra tidiga syntband som hade haft n\aa{}got att ge, i ett f\"ors\"ok att hitta det goda som g\aa{}tt f\"orlorat p\aa{} v\"agen och samtidigt skapa n\aa{}got nytt. Och man lyckades, speciellt genom att anv\"anda riktigt tidiga syntar som \textbf{Prophet, Fairlight} och n\"amnda \textbf{Roland}-m\"arken. Anledningen till att man anv\"ande gamla syntar l\"ar fr\"amst ha varit att man inte hade r\aa{}d med annat. Technon f\"oddes som sagt i Detroit. Hela genren kan sp\aa{}ras till tre diskjockeyer som hette \textbf{Magic} (Juan Atkins), \textbf{Reese} (Kevin Saunderon) och \textbf{Mayday} (Derrik May). Sj\"alva s\"ager de sig ha varit inspirerade av framf\"or allt Kraftwerk, och \textbf{Parliament} (George Clinton). Magic hade gett ut en singel kallad \textit{Techno City} tillsammans med bandet \textbf{Cybotron} redan 1983 (gruppen hade varit aktiv redan 1981) och det var f\"ormodligen denna som gav namnet \aa{}t genren. Namnet \textit{Techno City} var h\"amtat fr\aa{}n en roman av science fiction-f\"orfattaren Alan Toffler. F\"or europas del smittade den amerikanska technon av sig n\"ar Mayday \aa{}kte p\aa{} turn\'{e} i England 1987 och inspirerade den underjordiska acidscenen med sina kompositioner, framf\"or allt den d\aa{} nykomponerade klassikern \textit{Strings of Life}. F\"ormodligen har denne legendariske diskjockey ocks\aa{} gett namn \aa{}t det enorma rave som heter just \textit{Mayday}, som h\aa{}lls \aa{}rligen i Tyskland och som har f\aa{}tt astronomiska proportioner. Trion Magic, Reese och Mayday gjorde sig ocks\aa{} k\"anda under gruppnamnet \textbf{Phuture}. I Frankfurt hade man tidigt inspirerats av technon fr\aa{}n Detroit och skapade sin egen variant, \textit{eurotechno} genom att sl\"anga bort sina japansyntar och ge sig ut p\aa{} jakt efter gamla reliker fr\aa{}n sjuttiotalet. \textbf{SNAP} uppfann det vinnande och multikulturella konceptet med en f\"argad rap:are och en kvinnlig vokalist, \textbf{LA Style} gjorde en skramlig och provokativ l\aa{}t: \textit{James Brown is Dead}, f\"or att markera att det var slut p\aa{} flirten med funk och rhythm'n'blues. Grupper som \textbf{2 Unlimited, Pandora, Captain Hollywood project} och \textbf{Culture Beat} kallas med ett samlingsnamn \textit{eurodance, eurotechno} eller bara \textit{dance} allt efter smak (i USA kallar man denna genre f\"or \textit{techno/rave}). Dessa och andra tidiga eurotechnogrupper tillf\"orde n\aa{}got nytt som m\aa{}nga v\"antat l\"ange p\aa{}. Man sprang ifr\aa{}n de 120 bpm som varit ett sk\"onhetsideal f\"or acidhouse och pressade upp l\aa{}tarna i ett tempo som n\"armast p\aa{}minde om driven punkmusik. Tempot \"okade p\aa{} dansgolv runt om i v\"arlden samtidigt som MTV v\"axte sig riktigt stora och ytterligare snabbade upp hela popul\"arkulturutbudet. Vi fick en karikyr av en ny uttr\aa{}kad ungdomsgeneration som kallades generation X och som gick ifr\aa{}n biograferna om inget h\"ande de f\"orsta 10 minutrarna i filmen. I samma veva d\"ok de odefinierbara \textbf{KLF} (Kopyright Liberation Front) upp fr\aa{}n ingenstans och gjorde en runda p\aa{} hitlistorna med en enda skiva och en enorm m\"angd singlar, f\"or att sedan dra sig tillbaka och, som de sj\"alva s\"ager, "{}aldrig mer g\"ora musik"{}. Gruppen bestod av \textbf{Bill Drummond}, desillusionerad fd manager f\"or bl~a \textit{Echo and the Bunnymen} och \textbf{Jimmy Cauty}, som tidigare varit medlem i \textit{Killing Joke}. De f\"orde in ett helt nytt element i popul\"armusiken genom att ta danmusikens instrumentering och dansanta tempo och kombinera detta med klassiska rockarrangemang. Resultatet blev musik som gick hem hos s\aa{}v\"al synt- techno- och rockdiggare. KLF var mycket medvetna om vad de gjorde. Under den tidigare delen av sin karri\"ar skrev de en bok med titeln \textit{The Manual} (sv: \textit{Manualen}) och lovade pengarna tillbaka till alla som inte lyckades f\aa{} en topplacering p\aa{} Englands hitlista med bokens hj\"alp. Innan KLF blev KLF kallade de sig \textbf{The Timelords} och \textbf{The Justified Ancients of Mu Mu} (ett namn, som liksom mycket av KLFs image \"ar h\"amtat fr\aa{}n kultboken \textit{Illuminatus!}). I sj\"alva verket \"ar nog hela KLFs kommersiella karri\"ar att betrakta som modern konst i form av en protest mot popindustrin. Mot slutet av sin karri\"ar \textit{hatade} de verkligen denna sj\"alvg\aa{}ende maskin som st\"andigt producerade samma sm\"orja om och om igen. Genomg\aa{}ende k\"annetecknades bandet av total respektl\"oshet gentemot pengar, den etablerade popul\"armusiken, och en allm\"ant sm\aa{}cynisk livssyn. Huvudmannen Drummond var mycket inspirerad av Zenbuddhism och provocerade dem som fr\aa{}gade om bandet med att anklaga dem f\"or att vara under inflytande av Lucifers fyra tj\"anarinnor \textit{Varf\"or, Vad, Vart} och \textit{N\"ar}, fr\aa{}gor som enligt Zen inte kan besvaras med ord. Drummond jobbade tidigt med Alex Paterson p\aa{} projektet \textit{The Orb} och de tv\aa{} kan tillsammans s\"agas ha uppfunnit genren \textit{ambient techno}. KLF visar ocks\aa{} tydligt p\aa{} sambandet mellan attityder i den underjordiska danskulturen och bland hackarna. Som s\aa{} m\aa{}nga andra diskjockeyer samplade de friskt fr\aa{}n andra artister, och ans\aa{}g mer eller mindre att musik inte skulle patenteras. Vid ett tillf\"alle samplade de ABBA och skrev lite provocerande p\aa{} baksidan av skivan att \textit{"{}KLF f\"orklarar h\"armed allt material p\aa{} denna skiva befriat fr\aa{}n copyright"{}}, vilket s\aa{} sm\aa{}ningom ledde till att hela upplagan fick br\"annas p\aa{} en \aa{}ker i mellansverige efter att KLF misslyckats med att \"overtyga ABBA att dra tillbaka det hot om st\"amning man f\aa{}tt fr\aa{}n svenskarnas agenter. Vid ett annat tillf\"alle b\"orjade Drummond "{}befria"{} gruppens utrustning vid en spelning p\aa{} en klubb i London, vilket resulterade i att klubb\"agarna fick rycka in och hindra bes\"okarna fr\aa{}n att ta med sig apparaterna hem. I England uppstod sedan vid mitten av 90--talet en uppsj\"o underliga musiker, f\"orutom KLF \"aven bl~a ambientf\"ornyarna \textbf{Black Dog Productions} och en egensinnig grupp vid namn \textbf{The Prodigy} som uppfunnit en helt egen form av musik kallad \textit{breakbeat} och som gett gruppen dess speciella sound. Breakbeat innebar i detta fall att man f\aa{}ngade en bra passage (ett \textit{break}) i ett stycke musik och anv\"ande detta om och om igen som ett bakgrund att skriva ny musik ovanp\aa{}. Dessa grupper uppstod liksom KLF under senare h\"alften av 80--talet parallellt med diverse independentband som t ex \textit{Pop Will Eat Itself}. Att utvecklingen i musikbranchen var s\aa{} explosiv i just England berodde p\aa{} just den popindustri som KLF protesterade mot. Betydligt fler m\"anniskor i England g\aa{}r p\aa{} inneklubbar och lyssnar p\aa{} den senaste musiken innan den sl\"apps, och topplistan \"ar en konstruktion baserad p\aa{} lobbying och utan n\aa{}got som helst samband med verkligheten. Egentligen \"ar Englands top-40 bara ett maktmedel som popindustrin anv\"ander f\"or att tala om f\"or publiken vad de skall k\"opa. Eftersom placeringarna p\aa{} topplistan rasar upp och ned med en v\aa{}ldsam hastighet m\aa{}ste ny musik och nya artister st\"andigt genereras. I denna hetsjakt f\aa{}r hundratals artister varje \aa{}r chansen att visa vad de kan, p\aa{} gott och ont. Originalitet \"ar betydligt intressantare \"an teknisk skicklighet. P\aa{} s\aa{} vis rotade man fram acidhouse musiken fr\aa{}n f\"ororternas sm\aa{}klubbar, och det osannolika intr\"affade att denna smala genre d\"ok upp p\aa{} topplistan. Detta fenomen har gjort England till "{}motorn"{} bakom europeisk popul\"armusik under mitten och slutet av 90--talet. I Tyskland producerade Sven V\"ath och myriader med andra diskjockeyer en blandning av techno och ambient med tydliga influenser av \aa{}ttiotalets acidhouse: sk \textit{trance,} som i England kombinerades med influenser fr\aa{}n New Age-kulturen och det indiska semesterparadiset Goa och kallades\textit{ goatechno} eller \textit{goatrance}. N\aa{}gra halvgalna holl\"andare som kallade sig \textbf{Rotterdam Termination Source}gjorde en l\aa{}t med enbart trummor och ljudeffekter; \textit{Poing} och skapade d\"armed en egen genre som kallas \textit{hardcoretechno} och som utvecklats till en hybrid mellan techno och deathmetal, g\"arna med ett tempo p\aa{} uppemot 300-400 bpm. Denna hybrid har f\aa{}tt en del fd metal-diggare att b\"orja lyssna p\aa{} techno. Elektronisk popul\"armusik st\aa{}r aldrig stilla: Hela tiden h\"ander n\aa{}got nytt, hela tiden experimenteras det i sm\aa{} studior runt om i v\"arlden. \textit{crossovertechno,} d\"ar techno (framf\"or allt eurodance) blandas med andra musikstilar, d\"ok upp \"overallt. Det var ofta mycket kommersiellt, kanske med undantag f\"or hyperexperimentella \textbf{The Grid} som f\"or f\"orsta g\aa{}ngen i sin karri\"ar lyckades g\"ora kommersiell succ\'{e} med \textit{Swamp thing} -- en blandning mellan n\aa{}gon form av techno och banjoslingor. \textit{Jungle} \"ar en genre som \"ar b\aa{}de en f\"oreg\aa{}ngare till och forts\"attning p\aa{} The Prodigys breakbeattechno -- en blandning mellan techno-, ragga-, breakbeat- och dubmusik, med ett tempo runt 160 bpm, d\"ar basen \"ar reggaeliknande p\aa{} halva tempot, dvs runt 80bpm. V\"arre \"an v\"arst \"ar \textit{gabber} som \"ar en f\"orv\"arrad verison av Hardcoretechno, en stil som fr\"amst spridits av det holl\"andska skivbolaget \textit{ID\&T} p\aa{} samlingsalbum under namnet \textbf{Thunderdome}. Denna stil anv\"ands bland annat av det revolutionsromantiska och extrempolitiska bandet \textbf{Atari Teenage Riot} (ja, musiken g\"ors p\aa{} en hemdator av m\"arket Atari ST, d\"arav namnet) och \"ar en reaktion p\aa{} den "{}fred, k\"arlek och f\"orst\aa{}else"{}-inriktade trance-, och goatechnon. Atari Teenage Riots grundare Alec Empire h\"avdade sig i en intervju vara beredd att arrangera en "{}hate parade"{} som alternativ till den k\"arleksdyrkande "{}loveparade"{} som h\aa{}lls \aa{}rligen i Tyskland. Under slutet av 90--talet har de subkulturella genrerna inom dansmusiken blandats upp med jazz och ytterligare splittrats upp. F\"oljande uppst\"allning av genrer \"ar en sammanst\"allning av listor gjorda av av DJ:n och dansfestarrang\"oren \textbf{Lisa Thelin}, samt n\"amnde Mikael J\"agerbrand och \aa{}terges h\"ar in extenso f\"or dagsf\"arsk orientering d\aa{} detta skrivs i augusti 1999: \begin{itemize} \item \textbf{Drum'n'Bass}: F\"ore 1994 anv\"andes termen f\"or att beskriva det grundl\"aggande elementet i jungle. D\"arefter har termen anv\"ants f\"or att beskriva en mera musikalisk och komplex variant av av jungle. Termen anv\"ands ocks\aa{} f\"or att beskriva en tung variant av reggae utan gitarr -- som dub utan eko. \item \textbf{Ambient Drum'n'Bass}: En mycket mjuk stil med dr\"omlika str\aa{}kljud kombinerat med utstretchade\footnote{Timestretching, en teknik f\"or att "{}dra ut"{} eller "{}trycka ihop"{} ett ljudfragment. P\aa{} detta vis kan man \"andra tempot p\aa{} ett musikstycke utan att h\"oja/s\"anka tonl\"aget. N\"ar man snabbar upp ett stycke l\aa{}ter detta helt OK, n\"ar man saktar ned musik d\"aremot, l\aa{}ter det mycket s\"areget, n\aa{}got som givetvis anv\"ands f\"or effektens skull.} breakbeats. \item \textbf{Big Beat}: Kommersiell men \"and\aa{} alternativ musik, typ \textit{Fatboy Slim} eller \textit{Chemical Brothers}. \item \textbf{Campcore}: Blandning av hardcore och camp. (Camp --Village People o~dyl musik bland homosexuella) st\"orsta namnet och "{}grundare"{} \"ar Tony de Vit. \item \textbf{Dark}: En ljudbild mellan hardcore och jungle som kombinerar ambient, skr\"ackfilmssamplingar och utstretchade breakbeats. \item \textbf{Darkcore}: Blandning av h\aa{}rd techno och jungle/ragga. F\"orsta Darkcore-l\aa{}ten var LTJ Bukeems \textit{Demon Theme}. \item \textbf{Darkstep}: Jungle blandat med stenh\aa{}rd hardcore techno. Allt som kommer fr\aa{}n skivbolagen \textit{U-Turn} och \textit{31 Records}. \item \textbf{Deep House}: Tyngre house. \item \textbf{Eclectic}: I danskretsar ett samlingsnamn p\aa{} trip hop, \textit{Bj\"ork} o~dyl artister som inte g\aa{}r att kalla techno eller house, men \"and\aa{} spelas p\aa{} vissa undergroundklubbar. \item \textbf{Electronica}: Samlingsnamn f\"or all elektronisk dansmusik (inklusive gammal synth) d\"ar udda artister kan placeras in. Exempel \"ar \textit{Bandulu} och \textit{Vaporspace}. \item \textbf{Garage}: Snabb energifylld techno fr\aa{}n London uppfunnen cirka 1996--97. \item \textbf{Handbag}: Ganska gammal stil som inte slog igenom f\"orr\"an 1998. Poppig musik fr\aa{}n transvestitklubbar i London och New York. Namnet kommer av att "{}damerna"{} st\"aller sina handv\"askor p\aa{} golvet och dansar kring dem. F\"orsta stora skivbolaget var \textit{Cleveland City} i England, bland celebriteterna finns \textit{Taiko, Tony di Bart} och \textit{Direct 2 Disc}. \item \textbf{Happy Hardcore}: Lika snabb som andra hardcorestilar, ofta runt 170 bpm. "{}Glada"{} inslag av samplingar fr\aa{}n k\"anda l\aa{}tar gav namn \aa{}t stilen. Typiska exempel: \textit{Marusha, Charly Lownoise \& Mental Theo, Technohead, Mark Oh}. Den oerh\"ort kommersiella gruppen \textit{Scooter} h\"or egentligen till denna skola. \item \textbf{Hardbag}: Holl\"andsk variant av Handbag, h\aa{}rdare och tuffare. Typexempel: \textit{Patrick Prins}. \item \textbf{Hardstep}: Minimalistisk jungle d\"ar melodin tagits bort och d\"ar man anv\"ander ett renare breakbeat. Man tills\"atter sedan mycket diskant f\"or att f\aa{} ett krispigare ljud. Tyngdpunkten p\aa{} break:et l\"aggs ofta p\aa{} det andra eller fj\"arde beatet. \item \textbf{Hartcore}: Nytt namn p\aa{} hardcore techno och gabber som anv\"ands i Tyskland. Det \"ar s\aa{} "{}hardcore"{} l\aa{}ter n\"ar man uttalar det p\aa{} tyska. \item \textbf{Hip House}: En kombination av hiphopbreakbeats och den typ av Chicago House som n\aa{}dde h\"ojden av sin popularitet 1989--90. \item \textbf{Jazz Step}: Hardstep med jazzrefr\"anger. \item \textbf{Jazz Jungle}: Ambient Drum'n'Bass med jazzrefr\"anger. Vanligtvis samplingar fr\aa{}n 80--talets jazz-funkskivor. \item \textbf{Jump Up}: Ligger n\"ara tidig jungle musikaliskt men l\"agger tyngdpunkten p\aa{} junglens hiphopinfluenser. \item \textbf{Malaka}: Sn\"allt grekiskt ord f\"or "{}\"alska"{}. B\"orjade anv\"andas av goagruppen \textit{Transwave} efter en spelning i Grekland. \item \textbf{Marocko-trance}: Heter egentligen \textit{gnawa-musik} och har spelats i hundratals \aa{}r i Marocko. Musiken kom till landet genom muslimska slavar som importerades fr\aa{}n Sudan. Liveband i denna genre har spelat p\aa{} rave i USA. Det finns en samlingsskiva med namnet \textit{Maroccan Trance Music}. \item \textbf{Noisecore}: H\aa{}rd techno i gr\"anslandet mellan vanlig techno och gabber. Samlingsbeteckning p\aa{} n\"astan all musik fr\aa{}n Holland och viss tysk musik. \item \textbf{Nosebleed}: Musik som \"ar s\aa{} snabb att man f\aa{}r n\"asblod av att lyssna p\aa{} den. Samma som Noisecore fast aldrig under 250 bpm. \item \textbf{Overdrive}: Ytterligare ett namn p\aa{} det som betecknas med Noisecore. \item \textbf{Popcore}: Gabberversion av eurotechno eller poptechno / dance. Exempel: samlingsskiva fr\aa{}n holl\"andska skivbolaget \textit{Mokum} med samma titel. \item \textbf{Ragga}: En slags reggae med vokala inslag som rappas eller chattas av en MC (Microphone Controller) \"over instrumentala versioner av musiken. Texterna omfattar en blandning av jamaicanska r\"otter och Londons gatuslang. Hiphopinfluerat. Hittade till London via New York. \item \textbf{Ragga-Jungle}: Kombination av raggas\aa{}ngslingor (licks) och junglerytmer. \item \textbf{Shoulderbag}: Nyare namn f\"or handbag. Allt f\"or att f\"orvirra fienden. \item \textbf{Slang Teng}: En blandning av reggae och Kraftwerks europeiska technosound. K\"annetecknas av den surrande basg\aa{}ngen. \item \textbf{Speedcore}: Renodlad techno-speedmetal, undergenre till hardcore. Tung och ren bas med m\"angder av samplade Metallica-liknande gitarrsamplingar. Exempel: \textit{DJ Dano, DJ Hooligan}. \item \textbf{Techstep}: Liknar hardstep. Tyngdpunkten p\aa{} ett metalliskt ljud och underliggande hotfulla ljud. K\"annetecknas ocks\aa{} av extremt h\"og distad basg\aa{}ng, ofta bara tre toner med betoning p\aa{} oktaverna. \item \textbf{Tribal}: Musik med medvetna inslag av etnisk musik fr\aa{}n Afrika. \end{itemize} \noindent{}Andra musiker som \textbf{Future Sound of London, Leftfield, Black Dog Productions} och de svenska\textbf{ Lucky People Center} har n\"armat sig elektronmusiken och utg\"or en genre som brukar kallas \textit{progressive house}, allts\aa{} housemusik som \"ar p\aa{} v\"ag n\aa{}gonstans och som st\"andigt utvecklas. Dessa vill komma ifr\aa{}n genret\"ankandet genom att bryta alla normer. Otacksamt nog blir genrespr\"ackandet en genre i sig. Motsvarande fenomen finns inom jazzen. Thomas Chrome, Jean-Lois Hutha, Cari Lekebusch, Adam Beyer, Alexi de Lano, Stefan Grider, Lenk (Jesper Dalb\"ack). Detta \"ar bara namnen p\aa{} n\aa{}gra svenska technoartister som h\aa{}ller den h\"ar kulturen levande. S\aa{} fort en genre blir kommersiell, som n\"ar technon blev eurodance med U96, tenderar de sm\aa{} klubbarna att uppfinna n\aa{}gon ny variant och smyga tillbaka ned i underjorden. Jungle, Goa-techno och Gabber \"ar exempel p\aa{} detta. Nya stilar uppfinns med s\"akerhet just nu i n\aa{}gon studio i Tyskland, England, Holland, Sverige eller Belgien. Man kan ha vilken \aa{}sikt som helst om detta. I praktiken \"ar hela den underjordiska klubbkulturen bara en konceptfabrik f\"or popindustrin. Man letar upp n\aa{}got nytt, putsar till det, g\"or det lite sn\"allare, och sl\"apper det f\"or bred publik. Om man tror p\aa{} \"andl\"os artistisk integritet och nyskapande konst \"ar det kanske hemskt att se. P\aa{} ett annat plan kanske man skall vara tacksam f\"or att vi inte lyssnar p\aa{} samma tuggummipop idag som f\"or tjugo \aa{}r sedan. \section*{Klubbar och Rave} Techno spelas mest p\aa{} sm\aa{} slutna klubbar, \"aven om det numera faktiskt \textit{g\aa{}r} att s\"alja technoskivor till m\"anniskor som inte \"ar diskjockeyer. Som kulturell f\"oreteelse \"ar technon starkt knuten till dansgolvet, och de tv\aa{} kan s\"agas utg\"ora en helhet. Dansmusiken har f\"or\"andrat musikmarknaden. F\"orr i tiden lyssnade man p\aa{} radio och kollade in vad kompisarna lyssnade p\aa{}, skaffade sig skivorna och lyssnade hemma. Nu g\aa{}r man p\aa{} disko, kanske rent av rave, och tar \aa{}t sig av musiken man h\"or d\"ar -- musik som \"ar gjord f\"or att lyssnas p\aa{} medan man dansar. Kanske k\"oper man sedan n\aa{}gon skiva. Speciellt samlingsskivor med eurodance s\"aljer som sm\"or i solsken. Techno \"ar inte gjord f\"or att man skall sitta stilla medan man lyssnar och kan verka stressande om man anv\"ander den som skvalmusik. I England d\"ar publiken av tradition \"ar mycket \"oppen f\"or nya musikformer har tung kompromissl\"os technomusik lyckats sl\aa{} igenom kommersiellt, likas\aa{} i Tyskland som med sin tradition av elektronmusik \'{a}la Kraftwerk v\"alkomnar varje ny innovation p\aa{} omr\aa{}det. \"Aven i Sydeuropa spelas till och med riktigt r\aa{}a technol\aa{}tar p\aa{} skvalradion. \"Aven i Sverige b\"orjar kompromissl\"os musik av denna typ bli allm\"ant accepterad, exempelvis i form av bandet \textbf{Antiloop}. Kalle Dernulf p\aa{} P3 \"ar f\"ormodligen den person som g\"or st\"orst insatser f\"or att sprida svensk och utl\"andsk techno i etern. Rave \"ar fortfarande mycket underjordiska h\"andelser i Sverige och Norden, \"aven om publiken har vuxit explosionsartat sedan 1988. Det finns idag \textit{tusentals} glada ravare i Sverige, som kan \aa{}ka l\aa{}ngv\"aga f\"or att g\aa{} p\aa{} ett bra rave. I Tyskland och Storbrittanien \"ar rave redan en accepterad f\"oreteelse som i b\"asta fall samlar uppemot 150.000 personer, t~ex det v\"alk\"anda \textit{Mayday} i Tyskland som ibland beskrivits som v\aa{}r tids Woodstock-festival. Speciella rave f\"or olika genrer anordnas ocks\aa{}. Rave i Norden brukar inte precis annonseras ut i dagspressen; informationen sprids ryktesv\"agen och via flygblad (eng: flyers) som man kan f\aa{} tag i om man har r\"att kontakter. Detta s\aa{}klart d\"arf\"or att det \"ar mest ekonomiskt och effektivt - \textit{inte}, egentligen, f\"or att h\aa{}lla det hela hemligt p\aa{} n\aa{}got vis. En speciellt uppm\"arksammad form av rave \"ar de sk \textit{bryt-raven}, som inneb\"ar att man bryter sig in i en lagerlokal, sl\aa{}r upp en ljudanl\"aggning och b\"orjar spela och dansa. Det hela p\aa{}minner om ett slags husockupation, och \"ar publiken stor \"ar polisen maktl\"os. Denna typ av rave har f\"orekommit ganska rikligt i Hammarbyhamnen i Stockholm. Koppla t~ex mot Prodigy-l\aa{}ten \textit{break \& enter} (det engelska namnet p\aa{} f\"oreteelsen), d\"ar ljud av krossat glas och d\"orrar som skjuts upp ackompanjerar musiken. K\"anslan av revolt och uppk\"aftighet mot samh\"allet \"ar total. Ravekulturen \"ar numera framf\"or allt baserad p\aa{} Trancegenren, som med sina l\aa{}nga l\aa{}tar i perfekt danstempo kan h\aa{}lla ett dansgolv levande hela n\"atter igenom. Ett rave \"ar \textit{inte} en plats dit man g\aa{}r f\"or att bli full eller ragga. Ett rave \"ar en plats dit man g\aa{}r f\"or att dansa, lyssna p\aa{} musik, och tr\"affa och titta p\aa{} andra m\"anniskor. Den som bevistar ett rave med andra intentioner blir urskiljningsl\"ost besviken. Ravekulturen g\"or anspr\aa{}k p\aa{} att expandera - \"aven futuristisk kl\"adsel och annat som skapar en homogen gruppidentitet har utformas. Ravelokalerna (mestadels lagerlokaler, allts\aa{} "{}warehouses"{}) har inreds futuristiskt f\"or att ge mer "{}cyber"{}-k\"ansla till milj\"on. F\"oreteelsen fick ett svenskt ansikte i \textbf{Mikael J\"agerbrand}, journalist och chefredakt\"or f\"or tidningen \textbf{NU NRG Update} (Uttalas "{}New Energy"{}), en tidning som trycktes och distribuerades landet runt i cirka 1000 exemplar och hade en layout som luktade "{}underground"{} l\aa{}ng v\"ag, p\aa{}minnande om amerikanska annonssidor. F\"orst gjordes ett par nummer av en riktig tidning med stort omf\aa{}ng, men n\"ar det visade sig att en s\aa{}dan tidning inte hade tillr\"acklig publik gjordes den om till ett nyhetsbrev som skickades ut till prenumeranter och delades ut gratis i skivaff\"arer som s\aa{}lde technomusik.\footnote{J\"agerbrand och Sveriges Rave Organisation (SRO) organiserade under 1997 en "{}raverixdag"{} f\"or att samla och organisera svenska ravearrang\"orer. N\aa{}gon anm\"arkte sarkastiskt att \textit{"{}de ska d\aa{} g\"ora politik av ALLT"{}}, men mot bakgrund av nackapolisens tveksama tillslag mot Docklands under v\aa{}ren 1996 kan man f\"orst\aa{} behovet av en organiserad motmakt.} Det finns \"aven en del mindre fanziner och s\aa{}klart \"aven en del elektroniska bulletiner och tidningar. \section*{Klubbar, Trender och Droger} Debatten kring danstillst\"allningar som acidpartyn och rave \"ar kraftigt inflammerad av drogdebatten. Den underjordiska danskulturen \"ar \textit{under inga omst\"andigheter} drogf\"orh\"arligande. Ibland kan dock dessv\"arre m\"anniskorna som vistas d\"ar vara spaceade haschtomtar.\footnote{N\aa{}gra har anm\"arkt att det inte kan vara n\aa{}gon st\"orre upplevelse att g\aa{} p\aa{} ett rave p\aa{}verkad av "{}ner\aa{}ttjack"{} som hasch. jag har dock sj\"alv noterat att det f\"orekommer ganska rikligt, \textit{varf\"or} f\"orst\aa{}r inte jag heller. M\"ojligen beror det p\aa{} att hasch \"ar en milt psykedelisk drog. I sammanhanget vill jag passa p\aa{} att n\"amna att jag personligen varken \"ar f\"or eller mot droger \textit{per se}, vilket man skulle kunna f\aa{} f\"or sig att tro av den skarpa formuleringen ovan. Vad jag \"ar mot \"ar tendensen att skylla drogbruket p\aa{} kulturen. Vad betr\"affar droger i allm\"anhet har jag i princip ingen uttalad \aa{}sikt, utan f\"orbeh\aa{}ller mig privilegiet att strunta i den debatten, vilket s\"akert g\"or n\aa{}gon f\"orbannad.} Det huvudsakliga syftet med dansarrangemangen \"ar och f\"orblir dock dans och musik. Ursprungligen var acidpartyn helt drogfria tillst\"allningar. Vad som sedan h\"ande \"ar inte s\"arskilt sv\aa{}rt att f\"orklara. Under det sena 80--talet hakade diskoteken p\aa{} Ibiza p\aa{} acidhousetrenden och skapade sin egen variant, \textit{balearic beat}, en blandning mellan house, flamenco(!) och en del andra stilar, fr\"amst f\"orknippad med artisten \textbf{Paul Oakenfold}. Till Ibiza \aa{}ker framf\"or allt rika m\"anniskor, fr\"amst fr\aa{}n England, och d\"ar finns droger i \"overfl\"od. Anledningen till att acidhouse och techno / rave f\"orknippas med droger \"ar allts\aa{} att de som redan innan acidpartynas tid tyckte om att festa hela n\"atterna tog med sig sina konstiga modedroger n\"ar de gick p\aa{} acidpartyn. Speciellt "{}designer-drogen"{} \textit{ecstacy} \footnote{Extacy, MDMA eller metylendioxymetamfetamin \"ar till skillnad fr\aa{}n LSD direkt fysiskt h\"alsov\aa{}dlig. De flesta som d\"or av drogen g\"or det p\aa{} grund av \"overhettning, d\aa{} uppfattningen av kroppens varningssignaler trubbas av p\aa{} samma s\"att som med amfetamin.} har figurerat i media. Ecstacy \"ar egentligen en "{}yuppie-drog"{}, som blev en sorts exklusiv marijuana f\"or rika \"overklassm\"anniskor, f\"or att sedan sprida sig ned till de "{}vanliga"{} missbrukarna och ungdomarna. St\"orst skuld i acid- och ravekulturens drogst\"ampel har utan tvivel Engelska \"overklassungdomar. Drogerna solkade ned ryktet f\"or alla de livliga house-klubbarna kring Manchester, och st\"ampeln sitter i \"an. Icke desto mindre f\"orekommer numera ecstacy, amfetamin och kokain rikligt p\aa{} en del rave och raveliknande tillst\"allningar. Som man kunde v\"anta sig verkar det f\"orekomma mer p\aa{} rent kommersiella danstillst\"allningar dit "{}innefolk"{} som vill h\"anga med i den nya kulturen dras. Entusiaster p\aa{} sm\aa{} technoklubbar tycker f\"or det mesta att ecstacy \"ar ett ofog som f\"orst\"or technokulturens rykte. Men eftersom allt f\"orbjudet dessv\"arre ocks\aa{} \"ar "{}rebelliskt"{} har drogerna spritt sig till flera acid- och technoklubbar. \"Aven de flesta svenska s\aa{}dana. Den puckade medelrebellen tror som vanligt att man \"ar en \textit{riktig} outsider f\"orst n\"ar man knarkar knark. Sj\"alvst\"andigt t\"ankande \"ar aldrig popul\"art i konforma grupper. \textbf{Stora} klubbar finns det gott om i storst\"aderna. Det \"ar kitschigt, v\"al inrett med elaka d\"orrvakter och en ganska l\aa{}ng k\"o utanf\"or oavsett om det \"ar fullt d\"arinne eller ej. (F\"or att skapa ett publiksug, givetvis.) Det \"ar h\"ar inte \textit{fr\aa{}gan} om att st\"odja n\aa{}gon subkultur \"aven om m\aa{}nga diskjockeyer fr\aa{}n den underjordiska scenen f\aa{}r chansen att g\"ora sig en hacka p\aa{} dessa klubbar. Droger intas p\aa{} toaletterna.\footnote{Om n\aa{}gon tolkar detta som att jag tycker att dessa \"olfik \"ar patetiska tillh\aa{}ll f\"or innefolk, har vederb\"orande tolkat mig r\"att.} Skr\"acken i folkhemmet \"ar total. Ungdomarnas stackars f\"or\"aldrar minns n\"amligen med fasa n\aa{}gra \aa{}r i slutet p\aa{} 60--talet d\aa{} de sj\"alva drogs med av vinden fr\aa{}n San Francisco, r\"okte Marijhuana och Hasch och provade LSD. Det \"ar det inte m\aa{}nga som vill erk\"anna idag, men skr\"acken f\"or att de egna barnen skall g\"ora samma sak \"ar genuin. Huvudgrejen d\aa{} var att protestera mot vietnamkriget och samh\"allet, huvudsaken nu \"ar att dansa och ha kul. Ravare beh\"over inte politik som urs\"akt f\"or att tr\"affas och ha roligt. Droger \"ar en bisak och inte alls s\aa{} omfattande som media vill f\aa{} det att framst\aa{}. Skr\"ack och missf\"orst\aa{}nd f\"orstorar ofta upp problemet till bizarra proportioner. N\aa{}got ravare d\"aremot g\"arna sysslar med \"ar s\aa{}kallade \textit{smarta drycker} (eng: \textit{smart drinks}) --energigivande preparat som hj\"alper ravedansare att h\aa{}lla ig\aa{}ng l\"ange, l\"ange. F\"or det mesta r\"or det sig om preparat som man kan hitta i vilken h\"alsokost- eller dagligvaruaff\"ar som helst, fast med andra etiketter. Det finns ingen anledning att misst\"anka att detta skulle vara farligt -- medel\aa{}lders svenskar har \"atit pillren i \aa{}rtionden utan att ta skada. N\aa{}got v\"arre \"ar dock tendensen att blanda in receptbelagda l\"akemedel, n\aa{}got som speciellt cyberpunkare kan f\aa{} f\"or sig. (Mer om dessa i n\"asta kapitel.) De flesta "{}larm"{} om droger p\aa{} ravefester under mitten av 90--talet berodde f\"ormodligen p\aa{} att journalister g\aa{}tt p\aa{} n\aa{}gon tillst\"allning och sett dessa sockerpiller och l\"askedrycker st\aa{} framme i baren, ofta insvepta i n\aa{}got gr\"allt f\"argat papper eller aluminumfolie, vilket givetvis s\aa{}g j\"attehemskt ut. N\"ar man sedan intervjuade ungdomar som varit p\aa{} rave svarade de troget som en klocka "{}ja"{} p\aa{} fr\aa{}gan om de har tagit extacy, fast de i sj\"alva verket k\"akat \textit{Kan Jang}. S\aa{} kan det g\aa{}. N\aa{}gon debatt\"or har f\"ors\"okt g\"ora g\"allande att dansen i sig skulle kunna vara skadlig. P\aa{}st\aa{}endet att f\"orm\aa{}gan till extatisk dans - n\aa{}got som finns inbr\"ant i v\aa{}ra gener sedan tusentals \aa{}r - skulle vara \textit{farlig}, faller p\aa{} sin egen dumhet. Ett s\aa{}dant p\aa{}st\aa{}ende \"ar d\aa{} snarare ett uttryck f\"or konservativa kulturv\"arderingar eller ren fr\"amlingsfientlighet, n\aa{}got som verkar vara utm\"arkande f\"or m\aa{}nga "{}tyckare"{}. Utm\"arkande f\"or detta syns\"att \"ar tokdebatt\"oren \textbf{Allan Rubin}. Denne man kritiserar inte bara rave utan \"aven rollspel, h\aa{}rdrock, \"osterl\"andsk religion och mystik, nyandlighet och Gud vet vad. Huvudlinjen i denne mans t\"ankande \"ar n\aa{}got f\"orvirrande men dock tydlig: m\"anniskan \"ar ett djur, hon \"ar vild och ostyrig s\aa{} l\"ange hon inte t\"amjs av kulturen, och den h\"ogsta kulturen \"ar den v\"asterl\"andska protestantiskt-kalvinistiska kulturen d\"ar lagom \"ar b\"ast och gr\aa{} kostymer kutym. Det som hotar denna kultur \"ar A) Hallucinogena droger som f\aa{}r oss att bryta oss loss fr\aa{}n det rationella f\"ornuftet och \"agna oss \aa{}t \"osterl\"andskt "{}k\"arleksflum"{} alternativt satanistisk Kalidyrkan (tydligen sorterar ocks\aa{} endorfiner under hallucinogener i Rubins skola), B) Vildhet och h\"amningsl\"oshet i allm\"anhet, vilket leder till ocivilisation och oskick vilket (som vi alla vet) \"ar s\aa{} hemskt s\aa{} hemskt... F\"or att uttrycka det kort tycks denne man f\"oretr\"ada den samlade skr\"acken hos ett g\"ang halvbildade frireligi\"osa gotemplare. (Jag h\"oll p\aa{} att s\"aga folkpartister.) Beh\"over jag till\"agga att denne filantrop g\"or mer skada \"an nytta? Uppenbarligen anses alla som inte g\aa{}r p\aa{} vanliga diskon och lyssnar p\aa{} Gyllene Tiders \textit{sommartider} f\"or 18803:e g\aa{}ngen och dricker sig fulla som as, och som inte g\aa{}r till ett dansst\"alle enbart i syftet att finna en s\"angkamrat, ha \textit{n\aa{}got} fuffens p\aa{} g\aa{}ng... Noll koll, kort sagt. Under 1996 och fram\aa{}t var det vanligt att poliser uppl\"oste ravefester helt utan anledning, i total okunskap om hur underjordisk kultur fungerar. Bland annat m\"arks totalf\"orbud f\"or UNF (Ungdomens Nykterhetsf\"orbund) att arrangera rave i Sundsvall under 1996. Senare bildades polisens sk "{}ravekommision"{} som skulle motverka droganv\"andning p\aa{} ravefester. Denna uppl\"ostes s\aa{} sm\aa{}ningom under h\"osten 1999 eftersom den inte gjorde n\aa{}gon nytta. En del polisingripanden mot ravefester liknar mest etisk rasism -- av samma slag som n\"ar tulltj\"anstem\"an och butikskontrollanter kategoriskt f\"orf\"oljer m\"anniskor med udda kl\"adsel eller hudf\"arg. I England inf\"ordes 1994 den sk \textit{Criminal Justice Act} vilken inneh\"oll en m\"angd lagar mot i stort sett all form av civil olydnad, varav fyra punkter specifikt behandlade rave, vilka definierades som \textit{100 eller fler m\"anniskor som lyssnar p\aa{} f\"orst\"arkt musik best\aa{}ende av "{}ljud helt eller dominerande karakteriserande av v\"axlingar mellan olika repeterande beats"{}}.\footnote{ Citat ur \textit{Specialarbete om Techno} av XX, passagen som citeras \"ar punkt 63 i lagen.} Polisens \aa{}sikt om raven var i m\aa{}ngt och mycket att de anordnades endast i "{}flumsyfte"{} f\"or att sprida droger. Den verkliga orsaken till det kulturella fenomenet rave \"ar som sagt att sj\"alva dansen p\aa{} de kommersiella danstillst\"allningarna blivit n\aa{}got sekund\"art. Arrang\"orerna \"ar mer intresserade av att s\"alja s\aa{} mycket \"ol och sprit som m\"ojligt och bes\"okarna \"ar mer ute efter att ragga och kr\"oka \"an att dansa. Dansens egenv\"arde har f\"orsummats. Den mest intensiva attacken mot ravekulturen, fr\aa{}n s\aa{}v\"al polis som massmedia, intr\"affade runt 1995--96 d\aa{} klubben \textbf{Docklands} startades p\aa{} Finnboda varv i Nacka Hamn. Klubbens initiativtagare \textbf{Anders Varveus} och \textbf{Mats Hinze}, var b\aa{}da tidigare sparsamt aktiva medlemmar i den nyliberala organisationen \textit{Frihetsfronten}. Det kunde konstateras att en viss droghandel \"agt rum p\aa{} Docklands, och klubben st\"angdes i maj 1996 efter upprepade tillslag fr\aa{}n polisen. Hinze, som l\"ange f\"ort ett privat krig mot alla statliga myndigheter blev oerh\"ort bitter \"over det intr\"affade, och \"ar senare k\"and som den sk "{}OS-bombaren"{}, efter att han med dynamex planerat f\"orst\"ora / f\"orfula den staty av Carl Milles som anv\"andes som OS-kampanjens\footnote{ OS-kampanjen ville f\aa{} Sommar-OS till Sverige 1999. Kampanjen k\"annetecknades f\"or \"ovrigt av allvarlig korruption.} emblem. Docklands har nu \aa{}ter \"oppnats f\"or allm\"anheten. Tanken har slagit mig att det kanske rent av \"ar \textit{bra} att ravekulturen har d\aa{}ligt rykte. Det hindrar folk med enbart kommersiella intressen att annonsera om stora ravefester och d\"armed kommersialisera den vitala och underjordiska technokulturen. Ibland verkar det till och med som om ravare \"ar en smula roade av att vara illa sedda, att man \textit{identifierat} sig med underjorden. I Sverige har ravekulturens d\aa{}liga rykte bara f\aa{}tt ett resultat: det lockar ungdomar till festerna. Runt 1997 b\"orjade kulturen anv\"anda ett nytt spr\aa{}kbruk d\"ar ordet "{}rave"{} inte l\"angre ingick. Ist\"allet pratade man bara om "{}fest"{}. Inte i n\aa{}got flygblad, inte i n\aa{}gons mun, fanns l\"angre ordet "{}rave"{}. Detta gjorde det mycket l\"attare att f\aa{} tillst\aa{}nd till "{}fester"{}, h\"oll polisen borta, och h\"oll dessutom de av ungdomarna som "{}bara vill knarka"{} p\aa{} beh\"origt avst\aa{}nd. \section*{Musik och Musikkultur} Om elektronisk musik i allm\"anhet kan man s\"aga att det verkar som om varje ny generation innovativa musiker f\"oraktas av den f\"oreg\aa{}ende: Klassiskt skolade elektronmusiker ser med avsmak p\aa{} elektronisk popul\"armusik, syntpopare f\"oraktar tungsyntare och technomusiker, technomusiker f\"oraktar hardcoretechnomusiker, alla underjoriska techno DJs och andra som lyssnar p\aa{} "{}seri\"os"{} techno f\"oraktar eurotechno och eurodancemusik osv, osv. Jag beh\"over v\"al knappast n\"amna att klassiska musiker och rockmusiker f\"oraktar all form av elektronmusik. Detta \"ar antagligen n\"odv\"andigt. Det \"ar avst\aa{}ndstagandet fr\aa{}n gamla normer som skapar en ny subkulturell grupp inom ett accepterat omr\aa{}de, och det \"ar s\aa{} kulturen utvecklas. Resonemanget \"ar till\"ampligt p\aa{} skrift, teater, film - kort sagt all form av konst.\footnote{P\aa{} denna punkt anammar jag numera en evolution\"ar modell d\"ar jag ser en darwinistisk algoritm i kulturen: subkulturerna skapar variation, m\"anniskorna g\"or ett urval (de illa omtyckta kulturerna gl\"oms bort), och de \"onskade varianterna bevaras. Man skall dock inte dra f\"or stora v\"axlar p\aa{} detta, d\aa{} det bygger p\aa{} en speciell form av evolution\"art t\"ankande, memetik, baserad p\aa{} Richard Dawkins begrepp \textit{memer} -- en t\"ankt evolution\"ar minsta byggsten f\"or kultur precis som den bilogiska genen -- vilket \"ar kontroversiellt. Detta t\"ankes\"att \"ar \"annu outvecklat i sin vetenskapliga till\"ampning.} Technomusik och technokultur \"ar, speciellt tack vare TV:s inverkan, ofr\aa{}nkomligt sammankopplad med video- och datorkonst. Att techno inte g\aa{}r att skilja fr\aa{}n danskultur har jag redan illustrerat. Denna utveckling av popul\"arkulturen inneb\"ar att vi f\aa{}tt m\aa{}nga artister som \"ar mera produkter \"an m\"anniskor. Musiken skapas i studio, framf\"orandet sk\"ots av en grupp fotomodeller osv. Popul\"armusik blir mer \"an musik - det blir en del av ett helt kulturpaket. Du k\"oper inte bara en skiva utan en hel livsstil. Mode, dans, film - allt ing\aa{}r. Man skulle kunna sammanfatta det och kalla det "{}konst"{}. Popul\"arkonst. Konst vidareutvecklas genom att individer med en \"onskan att skapa n\aa{}got nytt d\"ar inte allt redan har provats bryter mot de g\"angse idealen och utvecklar n\aa{}got nytt. Oftast \"ar det ungdomar som t~ex Sex Pistols, Grateful Dead, Bob Dylan eller Jack Kerouac. N\aa{}gon g\aa{}ng \"ar det en excentrisk konstn\"arssj\"al som Marcel Proust, James Joyce eller Frank Zappa. N\"ar det \"ar en ung konstn\"ar som bryter m\"onstret skapas det under gynnsamma f\"orh\aa{}llanden en ny subkultur, som under \"annu gynnsammare f\"orh\aa{}llanden skapar en ny generationsanda. Ju mer jorden krymper samman och desto snabbare massmedier vi f\aa{}r, desto fler subkulturer utvecklas det, desto snabbare v\"axlar generationerna och desto snabbare f\"or\"andras samh\"allet. Detta \"ar en egenskap hos det postindustriella samh\"allet som jag skall \aa{}terkomma till. L\aa{}t oss konstatera att detta med att bryta med normer och skapa nya \"ar mycket viktigt f\"or de nya musikstilarna. Det har n\"amligen en avsev\"ard betydelse f\"or den h\"ar bokens mera centrala po\"anger. Vi skall nu se hur den pulserande rytmen i kulturen odlade fram en helt ny litter\"ar genre, en ny samh\"allssyn och -- snart -- en ny ideologi. \chapter{CYBERPUNK} Cyberpunk \"ar fr\aa{}n b\"orjan en litter\"ar och filmrelaterad r\"orelse. Vi b\"orjar med litteraturen. Det finns olika sorters Science fiction (kort: SF), och definitionen p\aa{} vad som \"ar vad \"ar ganska godtycklig. Bibliografier \"over SF str\"acker sig ofta \"over s\aa{} vida omr\aa{}den som \textit{fantasy} och \textit{skr\"ack}. Den h\"ar boken skall inte handla om SF litteratur. Vill man veta mer om SF kan man med f\"ordel leta reda p\aa{} \textbf{Sam J Lundwalls} utt\"ommande ess\"aer i \"amnet. Vi g\aa{}r ist\"allet rakt p\aa{} den del av science fiction som kallas cyberpunk. Definitionen p\aa{} den typ av SF-litteratur som kallas cyberpunk brukar vara att det \"ar verk som liknar n\aa{}got som \textbf{William Gibson} har skrivit; en typ av futuristisk framtidsskildring d\"ar avancerad data- nano- och bioteknik liksom artificiell intelligens tillh\"or vardagsmaten. V\"arlden \"ar stenh\aa{}rt segregerad till en liten styrande elit av multinationella f\"oretag och en stor brutal massa av vanliga m\"anniskor. Regeringar har f\aa{}tt ge vika f\"or storf\"oretag och maffior, och det \"ar dessa som kontrollerar v\"arlden. Handlingen brukar utspela sig i enorma storst\"ader av ghettokarakt\"ar. Droger av allehanda slag \"ar allm\"ant f\"orekommande, tempot \"ar h\"ogt och person- och milj\"obeskrivningarna ytliga och g\"arna (i Gibsons fall) fulla med varum\"arken och allehanda datatermer. I s\aa{} gott som samtliga ber\"attelser existerar en datorgenererad v\"arld i form av en eller annan sorts virtuell verklighet d\"ar man kan koppla in hela sitt nervsystem till ett v\"arldsomsp\"annande datan\"atverk. En typisk cyberpunkber\"attelse utspelar sig kring \aa{}r 2020. Man brukar s\"aga att cyberpunken \"ar \textit{dystopisk}, allts\aa{} att den beskriver en \textit{dyster utopi}. De flesta tidiga SF romanerna var utopier d\"ar alla sjukdomar var utpl\aa{}nade och ett enhetligt samh\"allssystem tagit \"over efter alla st\"andiga konflikter, och handlingen cirklade oftast kring en grupp vetenskapsm\"an p\aa{} uppdrag i universum eller rymdhj\"altar typ Blixt Gordon. TV-serien \textit{Star Trek} \"ar exempelvis en uttalad utopi. Det \"ar inte s\aa{} att alla problem saknas i en utopi, det \"ar bara det att \textit{"{}de goda"{}} alltid \"ar givna vinnare och aldrig moraliskt tvivelaktiga. Alla utopier \"ar optimistiska framtidsskildringar. I en dystopi av det slag som anv\"ands inom cyberpunken finns m\aa{}nga problem kvar i v\"arlden, milj\"on \"ar i det n\"armaste fullst\"andigt f\"orst\"ord och politiken som alltid kaotisk. B\"ockerna blir d\"arf\"or mycket mer trov\"ardiga och realistiska \"an klassiska SF romaner, och har funnit en mycket stor l\"asarkrets bland m\"anniskor som normalt inte l\"aser SF. Tidigare menade man att det var on\"odigt att beskriva verkligheter som var \textit{v\"arre} \"an den som fanns p\aa{} jorden. En del dystopiska f\"orfattare som exempelvis \textbf{Stephen King} \"overgav d\"arf\"or SF f\"or att i st\"allet skriva skr\"acklitteratur. Dystopier \"ar dock mera l\"ampade f\"or samh\"allskritik \"an utopiska verk, och d\aa{} de flesta dystopier \"ar satiriska eller komiska, utg\"or cyberpunken en bj\"art kontrast med sin iskalla realism. Andra k\"anda dystopier \"ar t ex \textbf{Karin Boyes} \textit{Kallocain} eller \textbf{George Orwells} \textit{1984}. Precis som den mesta SF fr\aa{}n USA har cyberpunken r\"otterna i den sk \textit{pulplitteraturen}. Pulp \"ar en sorts grov pappersmassa som anv\"andes till billiga SF- och deckartidningar under 50-talet i USA. Eftersom filmindustrin inte var s\aa{} l\aa{}ngt g\aa{}ngen vid den tiden l\"aste man mycket mer b\"ocker och tidningar, och pulp var s\aa{} att s\"aga den "{}ofina"{}, billiga litteraturen. (Det svenska \textit{Jules Verne magasinet} skulle man kanske kunna kalla f\"or pulptidning.) Serietidningar och TV-serier som \textit{Blixt Gordon} kallas ocks\aa{} pulp, eftersom de inspirerats av teckningar och historier fr\aa{}n dessa tidningar. Pulp ter sig mest fjantigt och fruktansv\"art orealistiskt f\"or en normal svensk l\"asare, men f\"or SF \"alskare \"over hela v\"arlden \"ar pulp ursprunget och k\"allan till all modern SF, och upphov till en egen subkultur i sig. Sterling och Gibson och n\aa{}gra andra SF f\"orfattare hade en egen pulptidning som hette \textit{Cheap Truth}. Detta var i och f\"or sig inte p\aa{} 50-talet, men den drevs i samma anda som de b\"asta tidiga pulptidningarna. G\"anget bakom Cheap Truth tyckte att det inte producerades n\aa{}gon vettig SF, s\aa{} man uppmanade folk att starta sina ordbehandlare och skriva \textit{bra, levande} och \textit{l\"asbar} SF. Man rackade inte s\aa{} s\"allan ned p\aa{} b\"asts\"aljande f\"orfattare inom genren. En lustig och intressant detalj med Cheap Truth \"ar att den inte var copyrightskyddad, och att kopiering och spridning uppmuntrades. Cyberpunk \"ar nu lite mer \"an s\aa{}, men den litter\"ara genren \"ar s\aa{} gott som synonym med en liten grupp amerikanska f\"orfattare, varav William Gibson och \textbf{Bruce Sterling} \"ar de mest namnbekanta. En del sk 2000 AD serier, framf\"or allt \textit{Judge Dredd} r\"aknas ocks\aa{} till cyberpunken, eftersom v\"arldsbilden i dessa till viss del liknar Gibsons dystopier. Beteckningen cyberpunk l\"ar ha myntats av en herre vid namn \textbf{Gardner Dozois} i en recension av Gibsons f\"orsta roman \textit{Neuromancer}, och den etiketten skall han i sin tur ha tagit fr\aa{}n en novell av \textbf{Bruce Bethke} som l\aa{}g p\aa{} Dozois' bord f\"or granskning.\footnote{Detta gav upphov till en del gnabb. Bethke ans\aa{}g sig ha r\"att att definiera termen "{}cyberpunk"{} eftersom han uppfunnit den. Bethkes definition st\"ammer inte \"overens med Dozois'.} Ordet cyberpunk kommer av \textit{cybernetik} = m\"anniska eller samh\"alle i samspel med maskiner (av gerkiskans \textit{kybeternetes} = styrman), och \textit{punk} = n\"ast intill lagl\"os individ med l\"att anarkistisk syn p\aa{} samh\"allet, typ cowboy, som lever i den undre v\"arlden. Huvudpersonerna i Gibsons romaner \"ar ofta "{}punks"{}. Man skulle kunna j\"amf\"ora en s\aa{}dan "{}punks"{} vardag med det mentala klimatet i den fascinerande svenska filmen \textit{S\"okarna}, som \"aven den \"ar en sorts dystopi. \section*{Musik} Cyberpunkmusik brukar man vanligtvis kalla musik av den typ som produceras av den kanadensiska tungsyntduon \textbf{Front Line Assembly} (bildad av Skinny Puppy-producenten \textbf{Bill Leeb}) och grupper med liknande image, t ex svenska \textbf{Cat Rapes Dog}, som i sina texter m\aa{}lar nattsvart ironiska och pessimistiska framtidsbilder liknande de som n\"amnda f\"orfattare g\"arna producerar. M\aa{}nga texter \"ar ocks\aa{} laddade med politiska budskap som verkligen h\"or till den ideologiska sidan av cyberpunk som jag strax skall g\aa{} in p\aa{}. Ett g\"ang musiker med tydlig politisk linje som fr\"amst kritiserar media och medias p\aa{}verkan p\aa{} m\"anniskan, milj\"of\"orst\"oring och "{}smutsig"{} teknologi, kallas \textbf{The Tribe} och best\aa{}r av n\"amnda kanadensiska band plus n\aa{}gra grupper fr\aa{}n Chicago som t~ex \textbf{Ministry} och \textbf{Revolting Cocks}. Alla dessa band har dock skapats med utg\aa{}ngspunkt fr\aa{}n de b\"ocker och filmer som har anknytning till cyberpunk och inte ur n\aa{}gon egen f\"ornyelser\"orelse. Ljudbilden i cyberpunkmusik \"ar f\"or det mesta n\aa{}gonstans mellan \textit{EBM}, \textit{Crossover} eller \textit{Metal}, g\"arna med distade vokalister och skrikigt samplade gitarrer. \begin{quotation} \noindent{}\textit{Tystaden bed\"ovar \\ regressionen tynger luften \\ en f\"orlamad v\"arld inv\"antar \\ de nya koderna \\ ett teknikens krig som \\ hotar att initiera \\ digitala mord - \\ maskinens spr\aa{}k.} (Ur \textit{Mindphaser} av \textbf{Frontline Assembly}) \end{quotation} \noindent{}\section*{Film} Cyberpunkfilm \"ar lite sv\aa{}rare att definiera; m\aa{}nga brukar kalla \textbf{Ridley Scotts}\textit{ Blade Runner} fr\aa{}n 1982 f\"or den f\"orsta cyberpunkfilmen, och det \"ar inte helt fel: milj\"on i filmen \"ar bitvis mycket lik det "{}Sprawl"{} som beskrivs i Gibsons romaner. \textit{Neuromancer}, Gibsons mest k\"anda verk, utkom samma \aa{}r. Det \"ar fr\aa{}gan om vem som egentligen var f\"orst med id\'{e}erna. En del betraktar av denna anledning \textbf{Philip K Dick} som skrev romanen \textit{Androidens Dr\"ommar} (1968) vilken l\aa{}g till grund f\"or manuset till Blade Runner, s\aa{}som genrens egentliga upphovsman. Det hela \"ar d\"armed en definitionsfr\aa{}ga. En annan roman som har tydliga paralleller med Gibsons alster \"ar \textbf{John Brunners} \textit{Shockwave Rider}. En uf\"orligare \"oversikt av den litter\"ara cyberpunkens r\"otter finns i f\"orordet till antologin \textit{Mirrorshades - the Cyberpunk Anthology} av Bruce Sterling. N\"ar jag \"and\aa{} \"ar inne och kopplar litteratur och film som h\"or ihop med cyberpunk kan jag inte undvika att n\"amna \textbf{William Seward Burroughs}. Denne beatnikf\"orfattare och fd knarkare har haft inflytande p\aa{} n\"astan alla omr\aa{}den inom cyberpunkkulturen. Han har skrivit b\"ocker, varav den mest v\"alk\"anda \"ar \textit{Den Nakna Lunchen}, d\"ar han liknar individens beroende av samh\"allsmaskineriet vid en knarkares behov av sin langare och olika sexuella beroendesituationer. Boken var n\"ara att censureras i USA pga sin obscena framtoning, varav de mest extrema partierna skrevs "{}f\"or mitt eget h\"oga n\"ojes skull"{} enligt f\"orfattaren. Efter en uppm\"arksammad r\"atteg\aa{}ng d\"ar bl~a Norman Mailer vittnade om att boken hade konstn\"arliga kvalit\'{e}er, friades den fr\aa{}n censurhoten. Burroughs har sedan dess sysslat med musik, bildkonst och film (han l\aa{}nade bland annat ut titeln till \textit{Blade Runner} fr\aa{}n en bok med samma namn han tidigare gett ut), skrivit otaliga ess\"aer, dikter och betraktelser och gett ut ett flertal romaner varav flera lyckligtvis finns \"oversatta till svenska. Ett genomg\aa{}ende tema hos Burroghs \"ar att han vill l\"osa upp gr\"anserna f\"or betvingande system genom att f\"ora in \textit{kaos} i systemen. Sedan \textit{Den Nakna Lunchen} publicerades har han skrivit stora delar av sina b\"ocker med \textit{cut-up tekniken}, som inneb\"ar att man kan b\"orja l\"asa boken var som helst och sluta var om helst och \"and\aa{} f\aa{} ungef\"ar samma beh\aa{}llning av den. I \"ovrigt \"ar hans prosa en slags dr\"omv\"av, ett sammelsurium av absurditeter och bilder. Den svenska f\"orfattaren \textbf{Sture Dahlstr\"om} skriver litteratur i en liknande anda. Den kanske mest litter\"art betydelsfulla av Burroughs b\"ocker \"ar SF-romanen \textit{Nova Express} (1964) d\"ar han l\aa{}nar meningar och fraser av f\"orfattare fr\aa{}n n\"ar och fj\"arran f\"or att bygga en mosaik av textfragment. \footnote{Kulturteoretiker kallar detta f\"or n\aa{}got s\aa{} konstigt som \textit{eklekticism}, vilket betyder ungef\"ar att man saknar egenart och anv\"ander sig av l\aa{}nade id\'{e}er och motiv. P\aa{} ett annat plan \"an det ytliga \"ar dock eklekticismen snarare ett s\"att \textit{skapa} egenart; j\"amf\"or t~ex med en diskjockey som mixar skivor - g\"or han det riktigt bra blir det till en konst i sig. (Se \"aven f\"oreg\aa{}ende kapitel om diskjockeyer.) Det finns en uppenbar likhet mellan Burroughs och Gysins cut-up teknik och en maskin som finns beskriven i \textit{Gullivers Resor} som skrevs av Jonathan Swift redan 1726 - denna maskin framst\"allde ordsekvenser slumpm\"assigt genom att operat\"orerna vred p\aa{} handtag, varefter man febrilt letade igenom resultatet efter sekvenser med n\aa{}gon som helst vettig inneb\"ord, som man sedan antecknade i en samlingsvolym. } I denna roman introducerar han ocks\aa{} f\"or f\"orsta g\aa{}ngen tanken att g\"ora musik med samma metod i form av romanfiguren Subliminal Kid som blandar en ljudmix av fragment fr\aa{}n bakgator och torg. \begin{quotation} \noindent{}\textit{"{}G\"or en tio minuters inspelning p\aa{} en bandspelare -- K\"or bandet bakl\"anges utan att spela och klipp in andra ord p\aa{} m\aa{}f\aa{} -- P\aa{} de st\"allen d\"ar man har klippt och spelat in nytt har orden suddats bort fr\aa{}n bandet och nya ord har kommit i st\"allet -- P\aa{} s\aa{} vis har man vridit tiden tillbaka tio minuter och suddat ut elektromagnetiska ordm\"onster fr\aa{}n bandet och ersatt dem med andra m\"onster -- Det g\aa{}r att g\"ora samma sak med tankebandet efter att ha arbetat med bandspelaren -- (Detta kr\"aver en del \"ovning) -- De gamla tankebanden kan suddas rena -- Magnetiskt orddamm som faller fr\aa{}n gamla m\"onster -- Ord faller -- Bild faller"{}} (Ur \textit{Nova Express}) \end{quotation} \noindent{}Man kan l\"att anv\"anda Burroughs teknik f\"or att f\"orvr\"anga en nyhetssida i vilken tidning som helst till ett roligt och samh\"alls- / mediekritiskt potpurri, h\"ar \"ar ett exempel utf\"ort med Svenska Dagbladet 15 augusti 1999: \textit{"{}F\"or f\"orsta g\aa{}ngen sedan istiden med en varm kram, leende mot varandra under vita bygghj\"almar, demonstrerar sparare i Ryssland f\"or att f\"ors\"oka f\aa{} tillbaka de 847 soldaterna i Sveriges f\"orsta Kosovobataljon. Lucasfilm som har producerat Star Wars har m\"ojlighet att f\"ornya skolsystemet bland alla pratprogram i radio och TV."{}} (Tidningsspr\aa{}k \"ar bland det enklaste att klippa ihop p\aa{} detta vis, eftersom spr\aa{}ket \"ar s\aa{} likriktat och stilfritt.) Tekniken anv\"andes \"aven av popbandet U2 under en uppm\"arksammad turn\'{e} 1988 under namnet \textit{ZooTV}. \textit{Tetsuo} (J\"arnmannen) \"ar en japansk film fr\aa{}n 1989. Filmen s\aa{}gs som en av de mest nyskapande japanska filmerna under 80-talet, med r\"otter i den japanska animationstraditionen - samma skola som de tecknade sk \textit{Mangafilmerna} h\"arh\"or fr\aa{}n. J\"arnmannen handlar om en m\"anniskor som f\aa{}r sina kroppar invaderade av maskiner; kampen mellan det goda och onda, det m\"anskliga och mekaniska. En av de filosofiska linjerna tycks vara att det inte spelar n\aa{}gon roll om man \"ar m\"ansklig eller metallisk, gott och ont \"ar begrepp som st\aa{}r bortom s\aa{}dana ytliga faktorer. Denna film \"ar f\"or \"ovrigt en av William Gibsons absoluta favoriter. Andra filmer som har otydliga kopplingar till cyberpunkgenren \"ar postapokalyptiska "{}efter kriget"{}-filmer som \textbf{Tarkovskis} \textit{Stalker} eller \textit{Mad Max}-filmerna, mest d\"arf\"or att de h\"or till den dystopiska familjen som skildrar f\"orfall snarare \"an m\"anniskans seger \"over naturen. \textit{Alien}-filmerna skildrar ett samh\"alle d\"ar hela jorden, eller i princip hela universum, styrs fullst\"andigt av ett enda f\"oretag. Ingenstans i n\aa{}gon av filmerna skymtar ett enda gr\"ont blad eller en enda sekund solljus.\footnote{ Kulturteoretiker inom den s\aa{}kallade kulturanalystraditionen kallar cyberpunkfilm f\"or \textit{Tech Noir} efter en bar i filmen Terminator d\"ar huvudpersonen Sarah Connor f\"or f\"orsta g\aa{}ngen konfronteras med en m\"ordarrobot. Kulturanalystraditionen \"ar inte vilken kulturanalys som helst utan en hel akademisk skola med f\"orankring i framf\"or allt USA, England och Skandinavien. Disciplinen ligger n\aa{}gonstans mitt emellan beteendevetenskap, samh\"allsvetenskap och humaniora och f\"oretr\"ads i Sverige framf\"or allt av tidsskriften \textit{Montage}. N\"ar de som f\"orst\aa{}r sig p\aa{} kultur och s\aa{}nt mycket b\"attre \"an vad jag g\"or uttalar sig om cyberpunkkultur refererar de s\aa{} gott som alltid till akademiker verksamma inom just kulturanalystraditionen. Det \"ar s\aa{}dana m\"anniskor som sl\"anger sig med uttryck som "{}modernism"{} och "{}postmodernism"{} i var och varannan mening. Den h\"ar boken tillh\"or \textit{inte} kulturanalystraditionen. } Man f\aa{}r n\"astan intrycket av att naturen fullst\"andigt rationaliserats bort. Gibson i kvadrat och kubik allts\aa{} - v\"arre kan det knappast bli.\footnote{ Mannen bakom den f\"orsta Alien-filmen \"ar dessutom \"an en g\aa{}ng Ridley Scott, manuset baseras \"an en g\aa{}ng p\aa{} en historia av Philip K Dick. Den andra Alien-filmen producerades av James Cameron, upphhovsman till Terminator - de stora cyberpunkfilmerna h\"anger ihop med de stora namnen.} Blade Runner och Tetsuo \"ar som sagt ett kluvet kapitel, men vad som \"ar moderna cyberpunkfilmer \"ar lite mer givet: \textit{Hardware, Robocop, Total Recall} och framf\"or allt \textit{Gr\"asklipparmannen} och den japanska filmen \textit{Gunhed} betraktas mer allm\"angiltigt som cyberpunk. \"Aven den riktigt lyckade norsk-svenska (!) SF-filmen \textit{Femte Generationen} kan i n\aa{}gon m\aa{}n betraktas som inspirerad av den amerikanska cyberpunken.\footnote{Det kostar inget att n\"amna ytterligare n\aa{}gra sev\"arda cyberpunkfilmer: \textit{Nemesis, Westworld, The Time Guardian, R.O.T.O.R., Prototype, Screamers, Queruak, Demon Seed}.} Samtliga filmer har det gemensamt att de totalt s\aa{}gats av m\aa{}nga recensenter och \"and\aa{} betraktas som klassiker i sin genre och \"ar kultfilmer bland hackare. Filmerna lyckades uppenbarligen skapa n\aa{}got som var s\aa{} nytt att inte alla f\"orst\aa{}sigp\aa{}are f\"orstod sig p\aa{} dem. Filmatiseringen av William Gibsons novell \textit{Johnny Mnemonic}, efter hans eget manus, kan ocks\aa{} den betraktas som ett referensverk, \"aven om den s\aa{}gades av kritikerna eftersom alla hollywoods filmskapare redan stulit alla Gibsons id\'{e}er till sina filmer; Gibson hade inget nytt att tillf\"ora cyberpunkfilmen. N\"ar man gjorde filmen \textit{Matrix} 1999 och f\"orenade cyberpunkens teman med en filmstil som blandade lika delar av Hong-Kong fimens actionsekvenser med den japanska Manga-filmens serieliknande estetik, blev resultatet en hyllad framtidsfilm. \section*{Cyberpunk som Ideologi} Litteratur, musik och film som sagt, men cyberpunk \"ar trots allt lite mer \"an s\aa{}. Den litter\"ara r\"orelsen har n\"amligen f\aa{}tt l\aa{}na namn \aa{}t en ideologi ocks\aa{}, och den delen av cyberpunken \"ar inte lika enkel. De flesta hackare betraktar sig n\"amligen som cyberpunkare och det hela r\"or sig kring \textit{information}. Vi s\aa{}g tidigare hur viktigt det var f\"or amat\"orhackarna att kunna kommunicera fritt genom att skicka disketter med post och f\"or h\"ogskolehackarna att kunna kommunicera via Internet. Informationens frihet \"ar ocks\aa{} medelpunkten i den ideologi som f\"orknippas med termen cyberpunk. Anledningen till att man kallar denna ideologi cyberpunk \"ar att den bland annat tog sin b\"orjan som en diskussion om samh\"allet med utg\aa{}ngspunkt fr\aa{}n de dystopier som konstruerats av bl~a Gibson. Fr\aa{}gan \"ar om man kan kalla cyberpunken f\"or en genuin ideologi, eftersom den inte finns inom n\aa{}gon klart avgr\"ansad intressegrupp och inte har n\aa{}gon ledande f\"oretr\"adare, men jag anv\"ander h\"ar begreppet som ett samlingsnamn f\"or den politiska attityd som sprids inom kretsarna av n\"atanv\"andare, hackare och andra informationsaktivister. Man skulle snarare kunna p\aa{}st\aa{} att det \"ar ett till\"agg som kan hakas p\aa{} en redan befintlig ideologi, och definierar begreppet \textit{mental frihet}. Skall man precisera begreppet \textit{cyberpunkare} s\aa{} som det anv\"ands av de som sj\"alva kallar sig cyberpunkare blir det ungef\"ar f\"oljande (def): \begin{quotation} \noindent{}\textbf{En cyberpunkare \"ar en person i ett h\"ogteknologiskt samh\"alle som besitter besitter information och/eller kunskaper som den etablerade makten (eller makterna) helst hade sett begr\"ansad till sin egen sf\"ar.} \end{quotation} \noindent{}Huvudpersonen Case i Gibsons roman \textit{Neuromancer} besitter b\aa{}de information och kunskaper som de etablerade makterna inte vill se hos vanliga medborgare. Detsamma g\"aller alla typer av hackare i v\aa{}rt eget samh\"alle. D\"arav kopplingen. Till skillnad fr\aa{}n Gibsons romanfigurer har verklighetens cyberpunkare ett \textit{moraliskt etos}, en gemensam v\"arderingsgrund som ger dem en gruppidentitet. Dessa moraliska v\"arderingar har vuxit fram successivt sedan 60--talet. I botten av cyberpunkens ideologiska arv ligger den hackaretik som nedtecknats av \textbf{Steven Levy} i boken \textit{Hackers - Heroes of the computer revolution}, delad p\aa{} sex punkter (motton), och som p\aa{} svenska ser ut s\aa{}h\"ar: \textbf{1. Tillg\aa{}ngen till datorer - och till vad som helst som kan t\"ankas l\"ara dig n\aa{}gonting om hur v\"arlden fungerar - borde vara obegr\"ansad och total. F\"olj alltid} \textit{hands-on}\textbf{-imperativet.} \textit{Hands-on}-imperativet \"ar en pedagogisk uppmaning som inneb\"ar att man l\"ar sig mer om hur bl~a datorer och program fungerar genom att fingra p\aa{} dem, skruva is\"ar dem och se hur de ser ut inuti. (\"Ar det n\aa{}gon som har en bra svensk \"overs\"attning av detta uttryck?) Miniatyriseringen av elektroniken och den h\"oga niv\aa{} av komlexitet som dagens dataprogram har g\"or dessv\"arre detta ganska sv\aa{}rt rent praktiskt. Ursprungsbetydelsen kan nog omformuleras till att: \textit{Alla borde ha r\"att att f\"orst\aa{} sin utrustning p\aa{} ingenj\"orsplanet, om de s\aa{} \"onskar.} Den svenska ABC-klubben hade hands-on-imperativet inskrivet i klubbpolicyn: \textit{"{}en bra l\"osning p\aa{} problemet med kopieringsskydd \"ar att strunta helt i det"{}}. (Ur ABC-bladet \#2 1984) Kopieringsskydd retar gallfeber p\aa{} vilken hackare som helst och st\"aller bara till problem. All modifiering, f\"orb\"attring eller granskning av ett dataprogram f\"orsv\aa{}ras av kopieringsskydd. Dessutom \"ar det provocerande eftersom hackare g\"arna tillbringar flera dagar och veckor med att kn\"acka det, om inte annat s\aa{} bara f\"or principens skull. Men hands-on har \"aven en politiskt betydelse: fingra p\aa{} systemet, besv\"ara politiker och tj\"anstem\"an och f\"ors\"ok f\"orst\aa{} hur det hela fungerar rent praktiskt. (Med andra ord: social ingenj\"orskonst.) Dessa praktiska l\"ardomar \"ar b\"attre \"an att l\"asa politologi och statskunskap. Hackare drar verkligen s\aa{}dana paralleller till verkligheten utifr\aa{}n datorer - och eftersom datorer bara \"ar ytterligare ett system som konstruerats av m\"anniskor f\aa{}r detta s\"agas vara fullt befogat. Den h\"ar regeln \"ar f\"ormodligen den \"aldsta av alla hackarens etiska motton, s\"akert med ursprunget hos de f\"orsta amat\"orradioentusiasterna fr\aa{}n \aa{}r 1915. \textbf{2. All information borde vara fri.} Motarbeta restriktioner som stoppar informationen. I f\"orl\"angningen: \textit{avskaffa allt vad copyright heter}, dock inte upphovsmannar\"att, vilket \"ar en helt annan sak. Du har t ex r\"att att, s\aa{} l\"ange du lever, s\"atta restriktioner f\"or hur "{}din"{} information manipuleras, om n\aa{}gon direkt g\aa{}r in och bearbetar det du skapat. D\"aremot har du ingen som helst r\"att att kr\"ava kontroll \"over spridningen, allts\aa{} hur program, texter, musik osv kopieras n\"ar du v\"al sl\"appt dem fr\aa{}n dig. Kriteriet motverkar sekterism och elitt\"ankande, du kan ha informationen antingen f\"or dig sj\"alv, eller ocks\aa{} dela den med alla, inga mellanalternativ finns. Sm\aa{} grupper av informationssyndikat, kunskapsmaffior och profit\"orer, skall inte f\aa{} finnas. Varken mjukvaruf\"oretag eller snikna pirater har r\"att att pressa pengar ur en privatperson som bara \"ar ute efter information, det m\aa{} sedan vara kalkylprogram, b\"ocker eller rena mentala kunskaper. Sedan 60-talets hackare har mottot f\"or\"andrats en smula: det vore dumt att offentligg\"ora saker om dig som du inte vill att andra skall veta. Det finns allts\aa{} viss information som r\"or individen sj\"alv och som hon d\"armed har r\"att att sj\"alv kontrollera. Ett modernt till\"agg lyder: \textit{Maximalt skydd f\"or privatlivet -- minimalt skydd \aa{}t offentligheten,} som understryker betydelsen av att begr\"ansa bl~a de stora personregistren. Denna vinkling har vuxit fram framf\"or allt under starkt inflytande fr\aa{}n libertarianismen. (Mer om detta l\"angre fram.) I mottot ligger en underf\"orst\aa{}dd tes om att \textit{kunskap i allm\"anhet} inte kan \"agas, n\aa{}got som ocks\aa{} f\"oljer naturligt av det f\"orsta mottot. \"Aven patent \"ar s\aa{}ledes f\"orkastligt. Den typ av information som hotar privatlivet (vad du har f\"or sexuell l\"aggning etc) skall inte vara fri. Det h\"ar mottot \"ar kort och gott den f\"orl\"angning av tryckfriheten som uppstod med datorernas f\"orm\aa{}ga att reproducera information till obefintlig kostnad. Man kan sp\aa{}ra dessa tankar tillbaka till upplysningens id\'{e}er om bred kunskap som ett s\"att att f\"orb\"attra och utveckla samh\"allet. Skillnaden \"ar att man anser att \"aven \textit{\"agd} kunskap; b\"ocker och patent, urskiljningsl\"ost skall vara fria. Denna inst\"allning \"ar fullst\"andigt fr\"ammande f\"or alla de tre statsmakterna, besatta av hunger efter makt, status och pengar som de alla \"ar. Begreppet "{}dela med sig"{} existerar inte i maktens korridorer. Id\'{e}ellt informationsutbyte -- vem tj\"anar pengar p\aa{} det? \textbf{3. Misstro auktoriteter - fr\"amja decentralisering.} En hyllning till m\"anniskans f\"orm\aa{}ga att ifr\aa{}gas\"atta s\aa{}som central f\"or all utveckling. Decentralisering -- sm\aa{} hemdatorer tillg\"angliga f\"or alla ist\"allet f\"or stora myndighets\"agda datasystem -- m\aa{}nga sm\aa{} f\"oretag ist\"allet ett f\aa{}tal stora -- ligger till grunden f\"or hackarnas protester mot Microsoft m fl f\"oretagsj\"attar och mediamoguler som tidningen Wired. Decentralisering, menar man, ligger i informationsteknikens natur. Det ena mottot f\"oljer som en logisk f\"oljd av det andra: auktoriteter \"ar onekligen centraliserade. Mottot finns inom s\aa{}v\"al anarkismen som nyliberalismen och andra politiska ideologier och \"ar p\aa{}tagligt hos de flesta subkulturer (t~ex ravekulturen). \textbf{4. Hackare b\"or bed\"omas efter sin hackarkonst, inte enligt suspekta kriterier s\aa{}som betyg, \aa{}lder, ras eller social status.} M\"anniskan b\"or bed\"omas f\"or vad hon presterar, inte f\"or vad hon kan t\"ankas prestera med utg\aa{}ngspunkt fr\aa{}n social klasstillh\"orighet, kl\"adsel, betyg, \aa{}lder osv. Var och en som n\aa{}gonsin sett hur hierarkierna inom ett f\"oretag eller en myndighet fungerar i praktiken f\"orst\aa{}r relevansen av detta kriterium. Detta \"ar givetvis ingen ny tanke, men de elektroniska medierna ger m\"ojligheten att n\"astan helt sk\"arma av en m\"anniskas yttre uppenbarelse genom textkommunikation. \textbf{5. Datorer kan anv\"andas f\"or att skapa konst och sk\"onhet.} \textit{Vilket Skulle Bevisas} -- varje m\"anniska som sett de moderna konstverk, filmer och den musik som skapats med hj\"alp av datorer torde inse det uppenbart riktiga i detta antagande. Datorerna har i sig gett upphov till konstformerna \textit{demo} och \textit{dataspel} (multimedia) vilket torde understryka datorns kapacitet som kulturell katalysator. (P\aa{} 60- och 70-talen var det m\aa{}nga som skrattade sig f\"ord\"arvade \aa{}t p\aa{}st\aa{}endet att datorer skulle kunna anv\"andas f\"or att skapa konst, och det \"ar fr\aa{}n den tiden kriteriet h\"arh\"or.) Den svenska upphovsr\"attslagen sl\aa{}r dessutom fast att bara konstn\"arligt nyskapande dataprogram skyddas av lagen, vilket inneb\"ar att en f\"orskr\"acklig massa aff\"arsmjukvara fr\aa{}n Microsoft, Novell och andra mjukvaruf\"oretag \"ar att betrakta som konstverk. \textbf{6. Datorer kan f\"or\"andra ditt liv till det b\"attre.} Mottot s\"ager med andra ord: h\"ange dig \aa{}t futurism. Det \"ar upp till var och en att sj\"alv bed\"oma detta. F\"or den som hatar allt vad datorer heter torde det vara ganska sv\aa{}rt att sv\"alja. F\"or en hackare \"ar det sj\"alvklart. Att datorer generellt skulle g\"ora livet b\"attre \"ar en \"overdrift -- i gulfkriget anv\"andes datorer mest till att ha ihj\"al m\"anniskor med, och deras liv f\"or\"andrades knappast till det b\"attre. (Om de inte var tr\"otta p\aa{} det allts\aa{}.) Men var och en f\aa{}r nog erk\"anna att det \"ar ganska bekv\"amt att ha den d\"ar bankomaten p\aa{} h\"ornet att g\aa{} till n\"ar banken \"ar st\"angd... \medskip{} \noindent{}Som ni ser \"ar information ganska centralt i dessa sex hackaretiska fundament. Jag skall nu g\"ora ett f\"ors\"ok att f\"orankra detta p\aa{} n\aa{}gots\aa{}n\"ar vardaglig niv\aa{}. En allm\"an uppfattning om begreppet information \"ar att det \"ar n\aa{}gonting som finns p\aa{} papper. Detta har nu modifierats till att omfatta videokasetter, disketter och CD-skivor. Vi talar om informationssamh\"allet och t\"anker d\aa{} p\aa{} datorer och dataregister. F\"or en cyberpunkare har begreppet en n\aa{}got djupare inneb\"ord: f\"or denne innefattar information i princip \textit{alla nervsignaler som n\aa{}r hj\"arnan}, kanske rentav dessutom delar av \textit{hj\"arnans processer i sig}, och det \"ar en f\"orskr\"acklig massa mer. F\"or denne \"ar den perfekta informationsk\"allan inte en dator i vanlig mening, utan helst en t\"ankt f\"orl\"angning av konceptet virtuell verklighet, d\"ar all information fr\aa{}n omgivningen kan syntetiseras och lagras. I Gibsons tappning kallas manicken f\"or \textit{Simstim-d\"ack}, och det r\"or sig givetvis om ren science fiction\footnote{Exempel p\aa{} simstimd\"ack \"ar de apparater som f\"orekommer i filmer som \textit{Brainstorm} eller \textit{Strange Days.}} . Optimistiska bed\"omare anser att en s\aa{}dan klockren \aa{}tergivning av verkligheten \"ar m\"ojlig tidigast om cirka 50 \aa{}r. Jag skall \aa{}terkomma till virtuell verklighet i ett separat kapitel. En cyberpunkare ser uppenbara brister i industrisamh\"allets s\"att att t\"anka och den ideologi som h\"arstammar d\"arur. V\aa{}ra vanligaste ideologier som socialism, liberalism, konservatism etc, grundar sig p\aa{} ett ganska smalt ekonomiskt syns\"att. Debatt\"orerna \"ar oerh\"ort fixerade vid \textit{produktionskrafter}, \textit{arbete} och \textit{kapital}. V\aa{}rt valutasystem, som ju utg\"or grunden f\"or all samh\"allsplanering, baserades f\"ore industrialiseringen p\aa{} guld. Industrisamh\"allets valutasystem vilar p\aa{} produktionskrafter, och det \aa{}terspeglas i politiken, speciellt i kommunal- och landstingspolitik. F\"or den fyrtiotalistgeneration (de sk "{}baby-boomarna"{}) som nu sitter vid makten \"ar detta A och O f\"or allt politiskt arbete. Ekonomi, ekonomi och \aa{}ter ekonomi, arbetstillf\"allen, kommunikationer och bidrag kan diskuteras \textit{i det o\"andliga}. Milj\"ofr\aa{}gor och v\"arderingar kommer f\"orst i andra eller tredje hand. Det finns en generation ute p\aa{} taburetterna som fortfarande tror att vi lever i ett alltigenom industriellt samh\"alle, och att politikens viktigaste uppgift \"ar att s\"akra sveriges exportindustri. I sj\"alva verket befinner sig v\aa{}rt samh\"alle p\aa{} gr\"ansen till det rena \textit{informationssamh\"allet} -- vad vi kallar f\"or det \textit{postindustriella} samh\"allet. Cyberpunkaren ser den h\"ar h\aa{}llningen som direkt fjantig. En sedel \"ar inte mer \"an ett papper. Det \"ar den objektiva \textit{information} man kan f\aa{} fr\aa{}n den. Den \"ar ett papper med n\aa{}gra symboler p\aa{}. Ett papper kan inte devalveras, \"atas eller bytas mot n\aa{}got annat om inte alla, eller n\"astan alla m\"anniskor accepterar dess fiktiva v\"arde. Cyberpunkaren accepterar det \textit{inte}, f\"or i informationssamh\"allet kommer valutan inte att baseras p\aa{} varken guld eller produktionskrafter, utan ren \textit{information}, eller om man s\aa{} vill: tillg\aa{}ng till kunskap, och m\"ojligheten att utnyttja den. D\aa{} v\aa{}rt samh\"alle av idag befinner sig p\aa{} randen till detta blir det allt viktigare att utf\"ora teoretiskt arbete och allt mindre viktigt med materiellt bundet kapital och industrier.\footnote{En del har mycket sv\aa{}rt att acceptera att arbete framf\"or en terminal kan bli viktigare \"an att dra upp rovor. Detta f\"orh\aa{}llande \"ar en produkt av automatiseringen av den fysiska produktionen och n\aa{}got jag behandlar i appendixet. Se \"aven min not till termen "{}bourgeoisi"{} lite l\"angre fram i detta kapitel.} (Vilket helt enkelt inneb\"ar att cyberpunkarna, som beh\"arskar datan\"aten och har m\aa{}nga sympatis\"orer bland de systemansvariga p\aa{} n\"astan alla nyckelpositioner, kommer att ta makten fr\aa{}n politikerna -- om dessa inte t\"anker om.) Redan nu har det dykt upp banker som handlar med \textit{virtuell valuta} \"over datan\"atverken, exempelvis holl\"andska \textbf{Digicash} eller \textbf{First Virtual}. Valutan \"ar \"annu inte konvertibel med vanliga valutor som dollar och kronor, men den \"ar h\"ogst funktionell och anv\"ands vid handel med ren information. Den fungerar s\aa{} att du s\"atter in n\aa{}gra hundra p\aa{} ett helt vanligt konto i banken varefter dessa pengar kan distribueras \"over Internet med ett speciellt program. De kan \"aven \aa{}terl\"osas till vanliga pengar via samma bank. Det \"ar allts\aa{} fullt m\"ojligt att bedriva informationshandel med p\aa{}hittade pengar som mellanled redan idag. Det \"ar bara en tidsfr\aa{}ga innan beskattning och liknande fr\aa{}gor aktualiseras, och d\aa{} \"ar vi inne i informationsekonomin ordentligt. I USA har man t~o~m myntat begreppet \textit{Infonomi} (eng: \textit{Infonomics}) som en beteckning p\aa{} det nya ekonomiska systemet. Samtidigt lanserar kreditf\"oretagen de sk \textit{smarta korten} (eng: \textit{smart cards}) som kan anv\"andas f\"or att handla varor med enligt samma princip som telefonkorten: k\"open registreras helt elektroniskt och inneh\aa{}llet p\aa{} ditt kort f\"orsvinner p\aa{} samma vis som p\aa{} ett telefonkort.\footnote{Det p\aa{}g\aa{}r just nu (1998) en debatt om detta i USA. Det h\"avdas att de stora kreditf\"oretagen (Visa och Mastercard) medvetet hindrar utvecklingen av smartcards, eftersom den gamla kreditformen \"ar mer l\"onsam. Detta kan d\aa{} bli ett fall f\"or antitrustlagstiftningen.} Speciellt kommer dessa att anv\"andas p\aa{} varuautomater och liknande, t~ex f\"or att k\"opa bensin. Det fungerar \textit{inte} som ett kontokort; du beh\"over inte sl\aa{} in n\aa{}gon kod f\"or att anv\"anda kortet, det \"ar bara att stoppa i och handla. R\"att hanterade kan s\aa{}dana smarta kort vara betydligt s\"akrare \"an vanliga sedlar och i princip om\"ojliga att f\"orfalska. Fel hanterade kan de bli lika l\"atta att f\"orfalska som telefonkorten. Ett omfattande f\"ors\"ok med detta under varum\"arket \textit{Cash} p\aa{}g\aa{}r just nu i Sverige och dess framtid \"ar oviss. \section*{Makten \"Over Informationen} Information \"ar allts\aa{} inte bara det som matas in i hj\"arnan, utan ocks\aa{} det som lagrats d\"ar, inklusive v\aa{}r v\"arldsuppfattning och de \textit{arketyper} som vi f\"ods med och som hj\"alper oss att g\"ora v\"arlden begriplig. Tanken h\"arstammar fr\aa{}n bl~a Douglas Hofstadter. De politiska cyberpunkarna s\"ager: kopiera allt, stj\"al all programvara och all information du \"over huvud taget kan komma \"over, och kopiera den till s\aa{} m\aa{}nga som m\"ojligt. F\"or till skillnad fr\aa{}n produktionskrafter kan information kopieras ohejdat, och d\"armed sprids makten \"over framtida valutasystem ut \"over alla som har tillg\aa{}ng till informationen. \"Oversatt till gammalt t\"ankande blir det s\aa{}h\"ar: \textit{"{}okej, jag kan inte ta \"over din fabrik (produktionsmedlet), s\aa{} jag tar och kopierar den. Sen ger jag kopior till alla mina kompisar osv och sen kan du st\aa{} d\"ar med din fabrik och tro att du \"ar n\aa{}got"{}}. Produktionsmedlen tappar p\aa{} s\aa{} vis sitt inneboende v\"arde och en ekonomisk j\"amlikhet kan uppn\aa{}s.\footnote{Jag har gjort en mer genomt\"ankt utvidgning av detta resonemang med refrens till anarkistiska id\'{e}er i en artikel med samma namn som denna bok, publicerad i n\"attidningen \textit{Yelah.}} Cyberpunkarna menar till och med att informationskanalerna genom de h\"oga teletaxorna h\aa{}lls otillg\"angliga f\"or allm\"anhet och ungdomar just d\"arf\"or att f\"orst\aa{}else m\"anniskor emellan inte gynnar de stora ekonomiska makthavarna. Om telebolagen s\"ankte priserna p\aa{} internationella kommunikationer skulle den \"omsesidiga f\"orst\aa{}elsen i v\"arlden bli alldeles f\"or stor f\"or att vara l\"onsam. Det skulle ocks\aa{} vara d\"arf\"or f\"oretagen s\aa{} g\"arna vill ta makten \"over Internet, som ju of\"orsk\"amt nog erbjuder internationell kommunikation utan n\aa{}gon st\"orre kostnad. M\"anniskor skulle i ett alltf\"or kommunikativt samh\"alle inte g\"ora tillr\"acklig \textit{nytta} utan enbart se till att de fick mat f\"or dagen och \"agna resten av sin tid till s\aa{}dant de tyckte var sp\"annande tillsammans med andra m\"anniskor, ist\"allet f\"or att \textit{producera}. L\aa{}t f\"oretagstopparna kommunicera internationellt men h\aa{}ll f\"or guds skull de vanliga m\"anniskorna borta fr\aa{}n den stora v\"arlden. Resonemanget \"ar ideologiskt och i princip om\"ojligt att bevisa. (Eller motbevisa.) Ett annat exempel \"ar att belysa redan befintliga ekonomiska mots\"attningar med cyberpunkens lampa: under hela 90-talet gn\"allde programvaruindustrin med Microsoft i spetsen \"over att de f\"orlorar s\aa{} f\"orskr\"ackligt mycket pengar p\aa{} piratkopiering, och nu talar vi inte om n\aa{}gra sm\aa{} hackare som sitter i en k\"allare utanf\"or Stockholm med en PC, utan om hela nationer i orienten: Indonesien och Bangladesh bland annat. I dessa l\"ander ger man h\"oga fan i andra l\"anders copyrightlagar och tillverkar d\"arf\"or kubikmetervis med piratkopierad programvara. Det svinn detta ger upphov till uppskattas till sis\aa{}d\"ar 110 miljarder per \aa{}r. Jag (och m\aa{}nga med mig) m\aa{}ste erk\"anna att jag knappast ligger s\"omnl\"os f\"or att Bill Gates med n\aa{}gra miljarder i personlig f\"orm\"ogenhet inte f\aa{}r kl\"amma de sista dollarna ur befolkningen i dessa U-l\"ander. Detta \"ar knappast n\aa{}got enkelt moraliskt problem. Det handlar om global ekonomi och r\"attvisa mellan l\"ander. Vem programmerar vem? Vilket land har r\"att att best\"amma ett annat lands ekonomiska v\"ardighet? Jag n\"amnde tidigare hur man p\aa{} den sk \textit{Scenen} bytte information mot information - konstn\"arliga dataprogram och spel mot beundran. F\"or en m\"anniska med s\aa{}dan bakgrund, som genom ett socialt spel i ton\aa{}ren insett var de grundl\"aggande byggstenarna f\"or v\aa{}rt klassamh\"alle \textit{egentligen} finns, \"ar cyberpunkideologin ett naturligt steg. Det uppenbara spel mellan individer med allt vad det inneb\"ar av klasstillh\"orighet, politiker och direkt\"orer \"ar s\aa{} uppenbart likt det s\"att p\aa{} vilket scenen organiserade sig. Man inser att det inte handlar om pengar, arbete och kapital - utan om informationshandel. Status i form av klasstillh\"orighet, \"agander\"att, bostad - alla sociala symboler - \"ar inget annat \"an information. Att kontrollera informationskanalerna inneb\"ar makt och d\"armed status. Det \"ar inte sv\aa{}rt f\"or en gammal hackare att bli en smula cynisk. Stora f\"oretag motarbetar enligt cyberpunken m\"anskliga relationer. F\"oretag t\"anker inte som m\"anniskor. I och med att makten \"ar delad och de styrande m\"annen och kvinnorna intrigerar ist\"allet f\"or att titta ut\aa{}t kan ett f\"oretag upptr\"ada fullkomligt k\"anslol\"ost. Ingenstans \"ar k\"anslan av en intelligens som \"overstiger m\"anniskans s\aa{} p\aa{}taglig som n\"ar man m\"oter ett f\"oretag ansikte mot ansikte. Ingen av de anst\"allda p\aa{} ett stort f\"oretag k\"anner sig det minsta ansvariga f\"or f\"oretagets handlingar. Maktpyramiden inom ett st\"orre f\"oretag \"ar lika effektiv p\aa{} att ta bort de anst\"alldas samvete som en milit\"ar organisation \"ar p\aa{} att ta bort soldaternas k\"ansla av ansvar f\"or sina handlingar. F\"oretagen \"ar snabbare, rikare och mer effektiva \"an v\"arldens regeringar. Denna syn p\aa{} f\"oretag som komplexa individer bortom m\"ansklig kontroll \"ar en gemensam n\"amnare f\"or s\aa{}v\"al cyberpunkideologi som litteratur och film inom detta omr\aa{}de.\footnote{Detta fenomen, att personer i stora byr\aa{}kratiska organisationer tycks tappa k\"anslan av ansvar f\"or sina handlingar, har behandlats \textit{in extenso} av bl~a sociologen \textbf{Zygmunt Baumann} som en logisk konsekvens av det moderna samh\"allet, men d\aa{} men h\"anvisning speciellt till nazityskland och judeutrotningen.} En annan sida hos cyberpunken \"ar vad man med Ladislaus Horatius d.y:s ord skulle kalla \textit{neoterisk}, dvs evigt fram\aa{}tstr\"avande med inst\"allningen att allt nytt \"ar bra. Speciellt tydligt m\"arks det hos en del teknikfetischister som prisar allt det som den litter\"ara cyberpunken vill varna f\"or. Genetik, droger, manipulation av sinnesintryck och nu senast nanoteknik. (Nanoteknik \"ar en teknik som inneb\"ar att man konstruerar f\"orem\aa{}l genom att manipulera enskilda atomer. Forskare p\aa{} IBM lyckades med denna teknik skapa en IBM-logotype av uppradade xenonatomer.) Det mest skr\"ammande med denna inst\"allning \"ar att dessa fanatiska neoteriker \"ar fullkomligt medvetna om hur otrevligt och odemokratiskt ett s\aa{}dant samh\"alle skulle bli, men f\"orespr\aa{}kar det \"and\aa{} - eftersom det placerar dem sj\"alva bland vinnarna.\footnote{Se \"aven nedan under "{}Att f\"orb\"attra m\"anniskan"{} och "{}extropism"{}.} Till det tankekomplex som brukar f\"orknippas med cyberpunk h\"or ocks\aa{} en god portion paranoia av det slag som utvecklats av Robert Anton Wilson och som g\aa{}r i samma anda som tankarna om enorma konspirationer av den typ som f\"orekommer i TV-serien \textit{Arkiv X}. Cyberpunkideologin f\"orknippas framf\"or allt med \textbf{Michael Synergy} (formodligen en pseudonym), en medarbetare p\aa{} cyberpunktidningen \textit{MONDO 2000}. Bland t\"ankarna p\aa{} MONDO 2000 m\"arks \"aven den excentriske f\"orfattaren och LSD-profeten \textbf{Timothy Leary}, b\aa{}de \"alskad och hatad f\"or sina kontroversiella tankar redan p\aa{} sjuttiotalet. Det skall dock betonas att de flesta cyberpunkare anser MONDO 2000 vara en tidning som bara nosar efter kitsch och nyheter f\"or att verka s\aa{} h\"aftig och inne som som m\"ojligt. Tidningen har dock gett r\"orelsen ett ansikte ut\aa{}t. Den riktiga politiska cyberpunkr\"orelsen finns i datan\"atverken, med utg\aa{}ngspunkt fr\aa{}n n\"atverket \textit{The Well} i San Francisco, och utvecklas i en evigt p\aa{}g\aa{}ende diskussion mellan anv\"andarna. Den mest namnkunnige t\"ankaren i detta lag torde vara \textbf{John Perry Barlow}. \textit{Aprop\aa{} San Fransisco...} \section*{Hippier och Yippier} Cyberpunkideologin har rent v\"arderingsm\"assigt drag av s\aa{}v\"al anarkism, socialism och nyliberalism som amerikansk hippie- och yippiekultur fr\aa{}n universiteten Berkely och Stanford i San Francisco. Jag har redan tidigare n\"amnt yippier, men det kan vara p\aa{} sin plats att n\"amna \"aven hippiekulturen, eller det som vi i Sverige f\"orknippar med "{}proggkultur"{}. Denna kultur \"ar ett av fundamenten f\"or den cyberpunkideologi som sprids \"over datan\"aten med San Francisco som utg\aa{}ngspunkt. Hippiekulturen i USA var dels grundad i en kamp f\"or m\"anskliga r\"attigheter, om svarta och vitas lika v\"arde och m\"otesfrihet mm, dels var det en f\"orl\"angning av beatnikkulturen fr\aa{}n 50-talet, bland hippierna framf\"or allt f\"oretr\"add av poeten \textbf{Allen Ginsberg}, en v\"an till Jack Kerouac och William S Burroughs. Ginsberg hade kommit i kontakt med psykologen Timothy Leary 1960 och de b\aa{}da blev f\"orgrundsfigurer i den framv\"axande hippier\"orelsen.\footnote{Timothy Leary ber\"attar utf\"orligt om detta och m\aa{}nga andra m\"orklagda delar av 60-talet i sin autobiografi \textit{Flashbacks - A Personal and Cultural History of an Era}.} 1962 sl\"apptes \textbf{Ken Keseys} bok \textit{G\"okboet}, en roman som skrivits under kraftigt inflytande av Peyote och LSD. Kesey arrangerade offentliga LSD-partyn, sk \textit{acid-tests} dit folk kunde komma och testa LSD gratis. (Det var fullt lagligt att tillverka och s\"alja LSD i USA fram till 1965.) En rockgrupp som brukade spela p\aa{} Keseys syrapartyn var \textbf{Grateful Dead}, en grupp som senare blev synonym med en musikstil som kallas \textit{syrarock} (eng: acid rock) och som senare blev f\"orebilder f\"or olika hippierockare som exempelvis \textbf{The Doors} och \textbf{Jefferson Airplane}. Hippierna predikade sitt k\"arleksbudskap fram till 1970 d\aa{} de mer v\aa{}ldsamma yippierna tog \"over. Sommaren 1967 r\"aknas som en kulmen, den sk \textit{k\"arlekssommaren}, n\"ar Grateful Dead, Simon \& Garfunkel, The Who och Jimi Hendrix spelade p\aa{} en festival i Monterey som filmades och spreds \"over hela v\"arlden. Samma \aa{}r sl\"apptes de od\"odliga l\aa{}tarna\textit{Light My Fire} av \textbf{The Doors}, och \textit{A Whiter Shade of Pale} av \textbf{Procul Harum}. Det kunde bara g\aa{} utf\"or. I Sverige kallar vi v\aa{}ra hippier f\"or proggare (eller \textit{den nya v\"anstern}), och de \"ar (var?) mycket mer kommunistiska \"an sina amerikanska anf\"adrer. Detta berodde framf\"or allt p\aa{} ett stort inflytande fr\aa{}n olika maoistiska organisationer vid svenska universitet som Clart\'{e}, KFML (Kommunistiska F\"orbundet Marxist-Leninisterna), De F\"orenade FNL-grupperna osv. Runt 1967-68 kulminerade v\aa{}gen med protester mot det mesta, bland annat vid en ocksupation av k\aa{}rhuset i Stockholm, och den generation som var mellan 15 och 25 \aa{}r d\aa{} och som nu (1999) \"ar mellan 45 och 55 ser g\"arna tillbaka p\aa{} tiden som en guld\aa{}lder. Huvudtanken bakom hippier\"orelsen var protesten mot det p\aa{}g\aa{}ende kriget i Vietnam och organisationer som Svenska Freds- och Skiljedomsf\"oreningen v\"axte sig under den h\"ar perioden enormt stora. Musikgrupper som Nationalteatern eller Hoola Bandola Band blev generationssymboler. Timothy Leary var inte ok\"and, och LSD, Hasch och Marijhuana var inte alls ovanligt bland ungdomar. Efterhand distansierade sig den svenska delen av r\"orelsen fr\aa{}n h\"andelserna i San Fransisco kanske eftersom den renodlat kommunistiska delen av r\"orelsen inte ville f\"orknippas med id\'{e}er fr\aa{}n USA. Ist\"allet h\"amtades Detta fick till f\"oljd att vi efter slutet p\aa{} 60-talet inte h\"orde av San Francisco p\aa{} ett tag. I den m\aa{}n vi n\aa{}gonsin s\aa{}g n\aa{}gra av 70-talets yippier i Sverige var de uppblandade med den centraleuropeiska anarkismen med autonoma grupper i Holland och Tyskland (sk \textit{provos}), eller BZ i Danmark. Svenska proggare var dock lite r\"adda f\"or den nya aggressiva attityden; 1967 hade man ockuperat \AA{}hl\'{e}ns leksaksavdelning i protest mot krigsleksaker - en typisk manifestation av den auktorit\"ara men samtidigt pacifistiska icke-v\aa{}lds attityd som r\aa{}dde inom r\"orelsen. Man tycks ha menat att man skulle anv\"anda aggressivitet mot v\aa{}ld, en uppenbart paradoxal inst\"allning som inte m\aa{}nga f\"orstod sig p\aa{}. \textbf{Charles Mansons} rituella mord 1969 med avl\"agsen anknytning till hippier\"orelsen, och yippiernas v\aa{}ldsamma f\"orst\"orelselusta, blev f\"or mycket f\"or sveriges lena mysproggare.\footnote{ M\aa{}nga har h\"avdat att Manson anv\"ande LSD f\"or att hj\"arntv\"atta sin "{}m\"ordararm\'{e}"{}. Leary, som var en av v\"arldens fr\"amsta experter p\aa{} LSD kunde inte f\"or sitt liv kunde f\"orst\aa{} hur detta g\aa{}tt till. Vid ett tillf\"alle under 1973 d\aa{} han \aa{}terf\"orts till amerikanskt f\"angelse hamnade han v\"agg i v\"agg med Manson och fr\aa{}gade honom om saken. "{}Jag \"ar kristen. Bibeln \"ar min manual."{} replikerade Manson. F\"or ytterligare information om hippies och den nya v\"anstern i Sverige, se mina artiklar p\aa{} detta tema i tidningen \textit{Yelah,} oktober 1998\textit{.}} En inte alltf\"or ovanlig tanke om vad som h\"ande sen var att proggarna skaffade sig jobb och om kv\"allarna satt hemma och tittade p\aa{} TV, l\"arde sig att h\aa{}lla k\"aften och vara n\"ojda och hj\"alpa till att bygga folkhemmet ist\"allet f\"or att f\"or\"andra v\"arlden utanf\"or Sveriges gr\"anser. Eftersom vietnamkriget var \"over b\"orjade n\aa{}gra protestera mot k\"arnkraft ist\"allet f\"or mot krig. \"Anda sedan dess dras vi med folkr\"orelser som m\aa{}ste ha n\aa{}got att protestera mot f\"or att \"overhuvudtaget fungera. Hursomhelst: de v\"arderingar och livsideal som fanns inom hippie/yippie-r\"orelsen har till viss del \"overf\"orts till cyberpunken.\footnote{Dessa relativt h\aa{}rda ord om svenska hippies vet jag inte om jag skulle ha skrivit idag. Den elaka sl\"angen \aa{}t "{}Nej till X"{} k\"anns fortfarande ber\"attigad. Eller som Jerry Rubin sa: "{}Folk vill vara \textit{f\"or}, inte emot"{}.} En del skulle s\"akert p\aa{}st\aa{} att hela hippiegrejen dog med 60-talet. \"Aven om detta till viss del g\"aller f\"or Sverige, \"ar det en helt annan sak med USA, d\"ar konflikten gick mycket djupare och hade stort inflytande \"over hur det amerikanska samh\"allet ser ut idag. I USA bottnade dessa protester i rasf\"ortryck och politiska f\"orf\"oljelser som vi i Sverige aldrig sett maken till. M\aa{}nga medel\aa{}lders amerikaner vet vad det inneb\"ar att sl\aa{}ss f\"or medborgerliga r\"attigheter, och att yttrande- och r\"orelsefrihet inte \"ar n\aa{}gra sj\"alvklarheter. I och med att USA:s st\"orre BBS:er och konferenssystem som \textit{The Well} i San Francisco kryllar av gamla hippier och yippier kommer alla Internetanv\"andare f\"orr eller senare i kontakt med en hippiekultur som visar s\aa{}v\"al militanta, drogliberala som pacifistiska drag, men som framf\"or allt v\"arnar om medborgerliga r\"attigheter. Vad m\aa{}nga europeiska iakttagare av denna kulturform s\"akert missat, \"ar den \textit{kritik mot makten}, som d\"oljer sig hos de viktigaste ideologiska f\"oretr\"adarna f\"or hippier\"orelsen. Det \"ar framf\"or allt Burroughs och Leary som st\aa{}r f\"or denna kritik. Leary har en av de viktigaste po\"angerna i sin bok \textit{The Politics of Ecstasy}, d\"ar han menar att makten st\"andigt matar medborgarna med l\"attbegripliga budskap f\"or att hindra dem fr\aa{}n att ifr\aa{}gas\"atta. Han menar att den kraftiga lagstiftningen mot, och f\"ord\"omandet av, psykedeliska droger handlar mer om makt \"over m\"anniskans psyke \"an den eventuella farligheten hos drogerna sj\"alva. \section*{Hj\"altar och Skr\"avlare} En del cyberpunkare, framf\"or allt hackare, vill g\"arna g\"ora sken av att de distribuerar ljusskygg information till bland annat \textbf{Greenpeace} (en av v\"arldens mest politiskt korrekta organisationer, vilket tydligen kan f\aa{} vilket hj\"arta som helsta att sm\"alta), men fr\aa{}gan \"ar hur mycket dessa moderna hackare \textit{egentligen} f\"orm\aa{}r; hackare har n\"amligen en tendens att utm\aa{}la sig sj\"alva i s\aa{} god dager som m\"ojligt och h\"anfaller inte s\"allan \aa{}t rent skryt. Det \"ar emellertid ett faktum att hackarna i \textbf{Chaos Computer Club} i samband med Tjernobylolyckan spridde ut uppgifter om det v\"asttyska k\"arnkraftsprogrammet som regeringen sj\"alv inte ville sl\"appa ut. All denna information hade man kommit \aa{}t genom att att g\"ora olagligt intr\aa{}ng i regeringens databaser. Men var det \textit{r\"att} eller \textit{fel?} I laglig mening var det olagligt, men ur moralisk synpunkt? J\"amf\"or exempelvis med gr\"avande journalistik som gr\"aver f\"or djupt och hamnar p\aa{} fel sida lagen. Dataintr\aa{}ng f\"or det allm\"annas b\"asta har \"aven skett i Sverige: BBS:en \textit{Ausgebombt} i V\"anersborg som fick en del uppm\"arksamhet i media, penetrerades och unders\"oktes av en hackare, varefter basens inneh\aa{}ll kunde avsl\"ojas. Basen skall f\"orutom den vanliga propagandan, knarkrecepten och bombritningarna \"aven ha inneh\aa{}llit grov barn- och v\aa{}ldspornografi samt d\"odslistor. Detta hade f\"ormodligen inte kommit upp till ytan utan hj\"alpen fr\aa{}n hackaren. (Vem som egentligen lejde hackaren \"ar d\"aremot h\"oljt i dunkel, han gjorde det tydligen inte p\aa{} eget initiativ. K\"alla: Elvsborgs l\"ans allehanda augusti 1993.) \"Aven de andra politiska hackaktioner som n\"amndes i kapitel 4 har dimensioner som g\aa{}r ut\"over begreppen lagligt/olagligt och in i den mycket st\"orre fr\aa{}gan om r\"att/fel. \"Ar det inte egentligen helt \textit{r\"att} att f\"orst\"ora propagandaapparaten f\"or en diktatur? \"Aven om vi i Sverige kanske inte upplevt s\aa{} m\aa{}nga fall av rena cyberpunkaktioner, s\aa{} har en del cyberpunkrelaterade \textit{brott}, d\"ar sm\aa{} grupper tekniska ljushuvuden lagt ned massor av arbetstimmar p\aa{} att konstruera tekniska hj\"alpmedel f\"or informationsspridning: de piratdekodrar f\"or kabel- och satellit-TV som en del hackare tillverkar \"ar ett exempel, eller falska telefonkort. S\aa{}dana hackare t\"anker kanske inte i f\"orsta hand ideologiskt, men man kan som sagt ana vissa gemensamma v\"arderingar: Alla satellits\"andningar v\"aller ju in \"over oss - men apparaten som beh\"ovs f\"or att \textit{tolka} dem vill kabelf\"oretag och TV-stationer bel\"agga med monopol. Jag skall allts\aa{} inte f\aa{} bygga en egen hur som helst. Individens frihet blir d\aa{} begr\"ansad till f\"orm\aa{}n f\"or stora mediaf\"oretag - en ofrihet som kr\"aver sitt uppror. Kanske \"ar det rentav s\aa{} att hackarna genom att testa var gr\"anserna g\aa{}r visar f\"or oss att de h\"ar gr\"anserna verkligen finns och att det inte bara r\"or sig om en formsak. En underlig egenskap med dessa hackare \"ar att de i stort sett alltid st\aa{}r upp f\"or sina aktioner och inte betraktar sig som traditionella brottslingar. N\"ar de grips f\"or sina brott brukar de prata om att \textit{hj\"alpa} de drabbade f\"oretagen att hitta sina s\"akerhetsbrister. \textit{"{}Vi ville visa att systemet var os\"akert"{}} \"ar en av de vanligaste f\"orklaringarna. Vi ser i dem Nietzsches \"overm\"anskliga natur som ser det som sin r\"attighet att bryta reglerna f\"or att samh\"allet skall ha en chans att utvecklas. En hackare med rent politiska motiv kan givetvis \aa{}beropa \"annu h\"ogre syften \"an s\aa{}. Man m\aa{}ste ocks\aa{} skilja p\aa{} de som bygger piratdekodrar eller telefonkort f\"or att \textit{tj\"ana pengar} p\aa{} dem och de som mest g\"or det f\"or utmaningens skull, f\"or att befria informationen. Den som tillverkar piratdekodrar enbart f\"or att g\"ora sig en hacka p\aa{} f\"ors\"aljningen \"ar inte ett dugg b\"attre \"an vanliga egoistiska falskmyntare. Men sedan finns det de d\"ar andra - de som bara vill sprida informationen, eller som \aa{}tminstone har flera motiv; t~ex ett brinnande intresse f\"or teknik, en jakt p\aa{} sp\"anning, en fascination. Hackarens rebellr\"orelse \"ar f\"odd - informationen skall vara tillg\"anglig f\"or alla; man s\"ager till och med att den har en inneboende l\"angtan efter frihet: \textbf{Information WANTS to be free!}\footnote{Uttrycket \"ar myntat av \textbf{Stewart Brand}, grundaren av BBS:en \textit{The Well} som n\"amndes tidigare. Den ursprungliga lydelsen \"ar: "{}Information wants to be free -- because it is now so easy to copy and distribute casually -- and information wants to be expensive -- because in an Information Age, nothing is so valuable as the right information at the right time."{} Inneb\"orden av uttrycket \"ar att information tycks leva ett eget, \"overm\"anskligt liv: hemligheter tycks avsl\"oja sig sj\"alva.} N\"ar man ser hackarna ur det h\"ar perspektivet, att de f\"ors\"oker f\"ormedla information och rent av p\aa{}st\aa{}r att den inte kan \"agas, precis som \textbf{Sitting Bull} en g\aa{}ng p\aa{}stod att land inte kunde \"agas, och pengar inte gick att \"ata, b\"orjar man kanske f\"orst\aa{} var det sunda ligger i hackarnas cyberpunkideologi. Information - och p\aa{} ett s\"att \textit{\"ar} allt information - kan inte \"agas. Inte heller land, arbetskraft eller kapital. Ideologiskt \"ar det inte mycket nytt, bara ett nytt syns\"att. Hackarnas ideologi syftar inte till att skapa n\aa{}gon teknokrati d\"ar de st\"orsta genierna h\"arskar. Den vittnar bara \"an en g\aa{}ng om individens l\"angtan efter befrielse fr\aa{}n maskineriet - och en djupt liggande humanism. Vi omges av ett system av regler som begr\"ansar v\aa{}rt handlande p\aa{} ett ibland ganska absurt s\"att. Hackarna visar p\aa{} att systemet existerar och att det varken \"ar s\"akert eller of\"or\"anderligt. Kanske \"ar det en form av anarkism, kanske \"ar det bara n\aa{}gon djupt liggande l\"angtan efter frihet, n\aa{}got inneboende i den m\"anskliga naturen, som tittar fram. Ett fr\"o till en ideologi som givetvis \"ar ett enormt hot mot de v\"arderingar och ekonomiska system som h\aa{}ller samman v\aa{}rt samh\"alle. Bland cyberpunkinspirerade aktionsgrupper m\"arks \"aven \textit{cypherpunkarna} (kallas ocks\aa{} \textit{kryptoanarkister}). Den lustiga \"andringen i stavningen \"ar inte slumpm\"assig utan anspelar p\aa{} det amerikanska ordet f\"or chiffer = \textit{cipher}. Till viss del \aa{}terknyter det kanske ocks\aa{} till de tidigare n\"amnda phreakarna, som i bland ans\aa{}g att teletrafiken borde vara gratis, och utforskandet av telefonsystemet till\aa{}tet. (Telefoni \"ar ju ocks\aa{} informationsutbyte.) Cypherpunkarna \"ar mest intresserade av kryptering och har framf\"or allt gjort sig k\"anda f\"or att distribuera programmet \textit{PGP (Pretty Good Privacy)}, ett \textit{krypteringsprogram} som kodar data s\aa{} att inte ens den amerikanska s\"akerhetstj\"ansten kan dechiffrera den. Den politiska makten fr\aa{}ntas d\"armed den sista m\"ojligheten att fullt ut kontrollera vad f\"or slags information som sprider sig i datan\"atverken, vilket ju \"ar precis vad cyberpunkarna vill uppn\aa{}. Bland dessa handlingskraftiga cypherpunkare m\"arks bland annat \textbf{Eric Hughes} som drivit fr\aa{}gorna p\aa{} Internet, och de hackare som f\"or full maskin nu producerar programmet \textit{GPG (GNU Privacy Guard)}, en fri kryptoprogramvara. Cypherpunkarna f\"orsvarar ocks\aa{} r\"atten till anonymitet p\aa{} n\"atverken. Man har satt upp ett flertal anonymiseringsservrar som anonymiserar meddelanden, f\"ordr\"ojer dem, krypterar dem och skickar den kors och tv\"ars \"over jordklotet f\"or att fullt\"andigt om\"ojligg\"ora all sp\aa{}rning. Deras politiska f\"orbilder finns, liksom inom flera delar av cyberpunken, i den amerikanska \textit{libertarianismen}. \section*{Ideologiskt Arv} Om vi ger oss p\aa{} att f\"ors\"oka analysera vad cyberpunkideologi egentligen \"ar kan vi b\"orja med libertarianismen. Detta \"ar en radikal nyliberal ideologi som fordrar maximal frihet \aa{}t individen, och st\"aller individens r\"att att t\"anka, tala eller konspirera (om hon s\aa{} \"onskar) i centrum. De menar att det moderna samh\"allet alltf\"or mycket begr\"ansar individens frihet. En tongivande filosof \"ar \textbf{Robert Nozick}, och medlemmarna i det amerikanska libertarianistiska partiet best\aa{}r mest av gn\"alliga sm\aa{}f\"oretagare. (Eller \textit{urbaniserade sm\aa{}borgare} om vi skall vara formella.) I Sverige \"ar nyliberalerna i allm\"anhet yngre, med anknytning till \textit{Frihetsfronten} elle \textit{Fria Moderata Studentf\"orbundet}, som i praktiken fungerar som ett slags id\'{e}farmer f\"or Moderata Samlingspartiet. En annan filosofi som \"ar mycket popul\"ar bland nyliberaler \"ar f\"orfattarinnan \textbf{Ayn Rands} \textit{objektivism}\footnote{Denna filosofi \"ar inte accepterad i n\aa{}gra st\"orre kretsar, snarare \"ar Ayn Rand en husgud f\"or nyliberaler. Robert Nozick \"ar d\"aremot en respekterad akademiker. Objektivismen har misst\"ankts f\"or att vara en politisk sekt i stil med UFF eller Offensiv. Jag har behandlat historien om Ayn Rand och objektivismen samt dess relation till nyliberalismen i en artikel med titeln \textit{F\"orsvaret av kapitalismen} i tidningen Yelah \#6 1998.} som egentligen var fr\"oet till hela den nyliberala tankeriktningen. Det individcentrerade t\"ankandet inom nyliberalismen har haft avg\"orande inflytande p\aa{} cyberpunken som ideologi. Den mest markanta skillnaden \"ar att medan nyliberalismen ser det kapitalistiska systemet som ett neutralt instrument att befria individen fr\aa{}n massans kontroll (arbeta och konsumera s\aa{} blir du lycklig utan staten), struntar cyberpunken totalt i det kapitalistiska systemet. Cyberpunken bortser i stort sett helt fr\aa{}n de materiella friheterna och \"agnar sig \aa{}t de mentala. Som verktyg f\"or att befria m\"anniskans sj\"al ser man informationstekniken, vad som befriar henne materiellt \"ar mindre intressant. Till skillnad fr\aa{}n nyliberalerna anser cyberpunkarna att f\"oretag \"ar farliga maktfaktorer som lika v\"al som staten kan f\aa{} f\"or sig att begr\"ansa medborgarnas frihet, oavsett samh\"allsskicket i \"ovrigt. I \"ovrigt kan man m\"arka starka influenser fr\aa{}n \textit{anarkismen}, speciellt bland hackare och \textit{teknokrater} (som jag skall ta upp l\"agre fram).\textit{ Hands-on imperativet} f\aa{}r s\"agas vara h\"amtat fr\aa{}n anarkismen; att man inte skall acceptera auktorit\"ara gr\"anser f\"or sitt handlingsrum. Hos hackarna \"ar detta knutet till sammanslutningar av fria m\"anniskor i den anda som beskrivs av anarkistiska t\"ankare som Max Stirner, Pierre-Joseph Proudhon, Michail Bakunin eller Peter Kropotkin. J\"amf\"or till exempel de sm\aa{} grupperna p\aa{} h\"ogskolorna, \textit{Scenen} bland hemdatorentusiasterna och de fria diskussionsgrupperna p\aa{} Internet; likheten \"ar sl\aa{}ende med de fria grupper i samverkan som Kropotkin f\"orespr\aa{}kade. Regeringar, f\"oretag och enorma hierarkiska organisationer st\aa{}r i bj\"art kontrast till detta. \textit{Att all information borde vara fri} \"ar ett n\"astan rent socialistiskt inslag i cyberpunken, om man med detta menar att det \"ar fel att bygga murar kring kunskap eller att tj\"ana pengar p\aa{} information. Om man avser tryckfrihet, \"ar mottot grundl\"aggande inom s\aa{}v\"al liberalismen som reformsocialismen. \textit{Tillg\aa{}ngen till datorer, eller vad som helst som kan l\"ara dig n\aa{}got om hur v\"arlden fungerar borde vara obegr\"ansad och total} - ocks\aa{} detta \"ar ett mycket socialistiskt motto. Det inneb\"ar (som jag ser det) \"aven att det borde vara skattefinansierat och d\"armed gratis att telefonera. Redan efter dessa inledande exempel ser vi tydligt det kluvna ideologiska arvet inom cyberpunken. Den \"ar i stora delar of\"orenlig med vanliga ideologier, samtidigt som den \"ar anpassningsbar eftersom den bara intresserar sig f\"or information. Om vi j\"amf\"or med \textbf{Karl Marx} samh\"allsteorier ser vi tydliga likheter. Marx menade att ett samh\"alles ekonomi utgick fr\aa{}n de som gjorde \textit{arbetet}: I antikens Grekland var det slavarna, under medeltiden b\"onderna och de livegna och i industrisamh\"allet arbetarna (prolet\"arerna). Genom att detta organiserades i ett kapitalistiskt system f\"odde de l\"agre klasserna de \"overliggande. Innan vi kan f\"orst\aa{} vad som menas med detta m\aa{}ste vi genomsk\aa{}da myten om arbetaren: vi har lite var till mans bilden av en arbetare som den som utf\"or tungt och slitigt jobb f\"or taskig l\"on. Detta m\aa{} ha st\"amt bra in p\aa{} industrisamh\"allet, men \"ar mindre till\"ampligt p\aa{} informationssamh\"allet. Arbetaren \"ar och f\"orblir den som hamnar \textit{i botten p\aa{} maktpyramiden}, och som genom ett subtilt m\"onster av sociala f\"orh\aa{}llningsregler och inrutade arbetsuppgifter i m\"ojligaste m\aa{}n h\aa{}lls borta fr\aa{}n allt avancemang upp\aa{}t. I v\aa{}r marknadseknomiska bild av v\"arlden har vi n\"ara nog b\"orjat betrakta det som en naturlag att hierarkier d\"ar de undre f\"oder de \"overliggande alltid uppst\aa{}r och alltid \textit{m\aa{}ste} existera, och p\aa{} det viset uppr\"atth\aa{}lls systemet fr\aa{}n generation till generation. Pragmatiker inser att s\aa{} inte beh\"over vara fallet, men l\aa{}t oss f\"or ett \"ogonblick utg\aa{} fr\aa{}n att teorin om att maktpyramiden \"ar solid och kommer att finnas kvar \"annu ett tag in i framtiden. Om vi nu applicerar detta p\aa{} ett informationssamh\"alle, var hamnar vi d\aa{}? Jo, \textit{arbetet} utf\"ors av terminalslavar, programmerare (popul\"art ben\"amnda \textit{IT-prolet\"arer}) och andra som f\"orm\aa{}s jobba h\aa{}rt med datorerna medan bourgeosin\footnote{Jag citerar Engels ur en kommentar till \textit{Kommunistiska Manifestet}: "{}Med bourgeoisi avses de moderna kapitalisternas klass, som \"ar \"agare till de samh\"alleliga produktionsmedlen och exploaterar l\"onearbete."{} Som jag ser det existerar en s\aa{}dan klass \"annu idag.} (\"overklassen och den \"ovre medelklassen) sk\"oter alla de slicka och roliga jobben, samt h\aa{}var in de grova st\aa{}larna. F\"or att skydda sina investeringar m\aa{}ste bourgeoisin bygga murar runt sin information och skydda den fr\aa{}n att hamna under arbetarnas kontroll. De informationssystem som byggs nuf\"ortiden \aa{}terspeglar detta f\"orh\aa{}llande: e-postkryptering inom f\"oretag utformas s\aa{}, att \"overodnade vid behov kan l\"asa underordnades post, men inte tv\"artom, \textit{Data Warehousing} (ett buzzword inom IT-branchen) g\aa{}r ut p\aa{} att sammanst\"alla information om medarbetarnas arbete som sedan bara delges beslutsfattarna. De som arbetar p\aa{} en l\"agre niv\aa{} i en organisation f\"orv\"antas bara ha kunskap om sin sitt begr\"ansade arbetsf\"alt, medan de som jobbar h\"ogre upp ensamma har r\"att till \"overblicken. Hierarkin har implementerats i form av datorprogram. Att i ett s\aa{}dant l\"age fordra informationens frihet m\aa{}ste betraktas som synnerligen socialistiskt. Att piratkopiera dataprogram i stor skala, hacka sig in i maktens datorsystem osv, blir en potentiell revolution. D\"ar arbetarna tidigare lurades bort fr\aa{}n sin insikt om hur v\"arlden egentligen fungerar med hj\"alp av religion, luras dagens bourgeoisi med sp\"oken som \textit{marknaden} och \textit{nationalekonomin}. (Tidigare betonade man \"aven moral och r\"attsk\"ansla, n\aa{}got som fallit platt till marken efter att det sena 80-talet visade att bourgeoisin i princip saknade s\aa{}dant sj\"alv.) Slutligen har vi speciellt bland de illegala hackarna som jag n\"amnt, ett starkt inflytande fr\aa{}n \textbf{Nietzsche} med tankar om att ett felaktigt system m\aa{}ste rivas ned innan ett nytt (hos Nietzsche kallat \textit{\"overm\"anniskan}) kan byggas. Detta inflytande \"ar s\aa{} starkt att cyberpunkare ibland kallas \textit{Tekno-Nihilister}, vilket dock \"ar en grov generalisering. Med Nietzsche i ryggen kan hackarna motivera sig f\"or att riva ned s\"akerhetsbarri\"arer inom s\aa{}v\"al telefon- samt datan\"at f\"or att p\aa{} s\aa{} vis vidareutveckla tekniken och d\"armed hela informationssamh\"allet. De menar att de sjuka delarna av systemen m\aa{}ste f\"orst\"oras f\"or att m\"ojligg\"ora ett livsv\"ardigt informationssamh\"alle. Dessa tankar kan man rent allm\"ant inte f\"orneka; det \"ar uppenbart att s\"akerhetsrutinerna har blivit b\"attre delvis \textit{tack vare} hackare, och att samh\"allet d\"arigenom skyddats mot t\"ankbara angrepp fr\aa{}n organiserad brottslighet som exempelvis maffior. Svenska f\"oretag har vid flera tillf\"allen informellt anv\"ant sig av hackare f\"or att utveckla sina s\"akerhetssystem. Jag skall l\"angre fram visa att polisen och milit\"aren g\"or detsamma. \begin{quotation} \textit{"{}Du kom dem n\"ara och gick dem f\"orbi: det f\"orl\aa{}ter de dig aldrig.} (...) \textit{De korsf\"aster g\"arna den som uppfinner sin egen dygd."{}} (Ur: \textit{S\aa{}lunda talade Zarathustra} av \textbf{Friedrich Nietzsche}) \textit{"{}Ja, jag \"ar en brottsling. Mitt brott \"ar nyfikenhet. Mitt brott \"ar att jag d\"omer folk efter vad de s\"ager och t\"anker, inte efter vad de ser ut att vara. Mitt brott \"ar att jag \"ar smartare \"an er, n\aa{}got ni aldrig kommer att f\"orl\aa{}ta mig."{}} (Ur: \textit{Phrack} \#7, \textit{The Conscience of a Hacker} av \textbf{The Mentor}) \end{quotation} \noindent{}En rolig vinkling p\aa{} det hela \"ar att medan socialismen fordrar frihet \aa{}t produktionsmedlen (fabrikerna till folket), och liberalismen fordrar frihet \aa{}t tanken (tryckfrihet) blir detta i informationssamh\"allet i princip en och samma sak. Cyberpunkarna kr\"aver frihet \aa{}t informationen. John Locke, en liberal f\"oreg\aa{}ngst\"ankare, ans\aa{}g i princip att privat egendom \"ar en del av den naturliga v\"arldsordningen. Det vet vi numera att det inte \"ar. I sj\"alva verket har vi m\"anniskor kommit \"overens om att det skall finnas n\aa{}got som heter privat egendom, och de flesta av oss g\"or denna \"overenskommelse utan att vi vet om det. Informationstekniken tar upp medvetandet om s\aa{}dana konventioner p\aa{} ett pinsamt p\aa{}tagligt plan. Ett exempel p\aa{} detta \"ar kontroversen med Scientologikyrkan som blossat upp p\aa{} Internet. En avhoppare fr\aa{}n r\"orelsen publicerade scientologernas heligaste och hemligaste dokument elektroniskt och tillg\"angligt f\"or alla. Scientologerna blev inte glada, och har lyckats tjata p\aa{} (och hota) de systemansvariga s\aa{} att de tagit bort dokumenten som de betraktar som sin intellektuella egendom. Vilket skall g\aa{} f\"orst i ett s\aa{}dant fall? Yttrandefrihet och offentlighet eller copyright? (Inte f\"or att scientologernas papper har s\aa{} h\"ogt intellektuellt v\"arde, men \"and\aa{} -- det \"ar en principsak.) Under 1997--98 kom stockholmaren Zenon Panoussis avsiktligt p\aa{} kollisionskurs med Scientlogerna r\"orande detta, s\aa{} han publicerade de hemliga dokumenten som av Scientologerna kallades \textit{OT:s}, vilket var kurshandledningar som f\"orde upp den aspirerande scientologen till hierarkiniv\aa{}n Operating Thetan, vilket \"ar den h\"ogsta kasten inom scientologin. Senare fick han \"aven tillg\aa{}ng till \textit{de superhemliga} dokumenten, sk \textit{NOT:s} (New Era Dianetics for Operating Thetans) vilket var den moderna varianten av kurshandledningen och kunde f\"ora upp medlemmarna p\aa{} de h\"ogsta niv\aa{}erna \textit{inom} den h\"ogsta kasten. Dokumenten hade redan varit p\aa{} drift bland avhoppare i flera \aa{}r, men i och med Internet har de spridits explosionsartat. Panoussis postade dem till nyhetsgrupper, lade upp dem p\aa{} websidor och skickade dem med e-post till den som s\aa{} \"onskade. Sedan skrev han ut kopior p\aa{} papper och l\"amnade kopior till riksdagen, regeringen och justitiekanslern, vilket innebar att dokumenten blev offentlig handling och kunde kopieras av vem som helst. M\aa{}nga jurister har menat att detta \"ar ett of\"orsvarligt f\"orfarande, eftersom offentlighetsprincipen inte skrevs med avsikten att man med den skulle kunna "{}tv\aa{}ngsoffentligg\"ora"{} hemliga eller copyrightskyddade handlingar. Men man m\aa{}ste \aa{}terigen fr\aa{}ga sig: \"ar detta en fr\aa{}ga om vad som \"ar \textit{lagligt} och \textit{olagligt} eller \"ar det en fr\aa{}ga om vad som \"ar \textit{r\"att} och \textit{fel}? Vad vill egentligen cyberpunkarna? De vill ha maximal frihet \aa{}t individen, samtidigt som de vill ha en otroligt stark stat som kan garantera fria kommunikationer. \"Ar inte detta bara att plocka de godaste bitarna ur n\aa{}gra befintliga ideologier och konstruera ett stort populistiskt system? Nej, att betrakta cyberpunken p\aa{} det viset \"ar att \aa{}terigen till\"ampa samma m\aa{}ttstock som anv\"ants f\"or alla andra ideologier. Cyberpunken saknar n\"amligen en klart utm\"onstrad utopi. Den \textit{\"ar} ingen genuin ideologi, snarare ett s\"att att betrakta v\"arlden. Den allm\"anna inst\"allningen till hur problem skall l\"osas \"ar \textit{"{}som det verkar b\"ast"{}}. Att diskutera i termer av praktiska \aa{}tg\"arder \"ar t\"amligen ointressant. Alla \aa{}tg\"arder \"ar i praktiken kompromisser mellan individens frihet och massans trygghet. I cyberpunkens natur ligger av tradition en vilja att bryta sig ur dessa begreppssytem. Det \"ar l\"att att missf\"orst\aa{} en cyberpunkare och b\"orja diskutera begrepp som ligger p\aa{} ett helt annat plan. Man m\aa{}ste h\"ar bet\"anka att en cyberpunkare \textit{inte} accepterar alla v\"arderingar som vi \"ar s\aa{} vana vid att vi betraktar dem som sj\"alvklara. Du skulle t~ex kunna fr\aa{}ga en cyberpunkare hur hon/han st\"aller sig till att politiker kan h\"oja sina egna l\"oner. Han/hon h\"ojer kanske p\aa{} \"ogonbrynen och fr\aa{}gar: \textit{"{}hur kan du acceptera att det finns n\aa{}got som kallas 'l\"oner' ?"{}} En s\aa{}dan motfr\aa{}ga \"ar n\"astan tabu, och s\aa{} sv\aa{}r att ta \aa{}t sig att man g\"arna betraktar personen som enbart dum i huvudet. Likv\"al finns det, som du nu har f\"orst\aa{}tt, en tydlig tankeg\aa{}ng bakom. (Med ett ord skulle man kunna s\"aga att cyberpunken inneh\aa{}ller \textit{metafilosofiska inslag}, men det \"ar nog inte alla som f\"orst\aa{}r vad jag menar om jag skriver det.) Det mest skr\"ammande med cyberpunkare \"ar kanske just detta att de betraktar m\"anskligheten med en sorts ironisk distans; de ser att m\"anniskorna \"ar slavar under ett gigantiskt informationssystem, och samtidigt vet de hur l\"att det \"ar att manipulera information. F\"or en cyberpunkare \"ar en rik m\"anniska inget annat \"an en hyfsad hackare som lyckats manipulera informationsfl\"odena till sin egen f\"ordel. D\aa{} grundtesen inom cyberpunkideologi \"ar att ingen information kan \"agas, kan ingen m\"anniska heller vara "{}rik"{}. Rikedom blir f\"or individen bara en fr\aa{}ga om att manipulera information s\aa{} att andra accepterar att hon/han \textit{\"ar} rik. \section*{Cyberpunk i Sverige} Cyberpunken, fr\"amst hackaretiken och medborgarr\"attsr\"orelsen, har funnits l\"ange i Sverige. Att hackaretiken f\aa{}tt s\aa{}dan bred spridning bland hackare och andra dataintresserade ungdomar i Sverige beror i princip endast p\aa{} en enda man - chefredakt\"oren f\"or hemdatortidningen \textit{Datormagazin}: \textbf{Christer Rindeblad}. Tidningen, som n\"armast var en \textit{bibel} f\"or alla hemdatorintresserade ungdomar under senare delen av 80-talet, publicerade under 1987 en artikelserie om hackarnas ursprung, f\"orfattad av Rindeblad sj\"alv. I \#7 1987 publicerade man f\"or f\"orsta g\aa{}ngen hackaretikens motton p\aa{} svenska, och i artiklarna i \"ovrigt kan man tydligt sp\aa{}ra ett starkt inflytande fr\aa{}n denna etik. Man var \"oppen f\"or diskussion p\aa{} ins\"andarsidorna och uttryckte vid ett flertal tillf\"allen sin st\aa{}ndpunkt att kompiskopiering inte \"ar s\aa{} farligt j\"amf\"ort med organiserad piratverksamhet. \begin{quotation} \noindent{}\textit{"{}Om sanningen skall fram har nog de flesta av oss piratkopior i v\aa{}ra diskettl\aa{}dor.} (...) \textit{Visst kan man moralisera \"over detta, men det hj\"alper f\"oga. Fr\aa{}gan \"ar om det g\aa{}r att stoppa kompiskopieringen. En del branchfolk anser tom att denna typ av piratkopiering vitaliserar branchen. Piratkopiorna \"ar en form av reklam. De riktigt bra programmen s\"aljs \"and\aa{} d\"arf\"or att folk vill ha originalet med en riktig manual.} (...)\textit{ St\"orsta hotet kommer fr\aa{}n de professionella programpiraterna."{}} (\textbf{Christer Rindeblad} i \textit{Datormagazin} \#7 1987, ledarsidan.) \end{quotation} \noindent{}Christer, som sj\"alv \"ar gammal hackare, m\aa{}ste ha f\aa{}tt utst\aa{} mycket ovett fr\aa{}n databranchen efter s\aa{}dana h\"ar uttalanden. Den officiella attityden fr\aa{}n mjukvaruj\"attarna \"ar benh\aa{}rt auktorit\"ar och menar att all kopiering av mjukvara inte bara \"ar f\"orbjuden, utan ocks\aa{} skadlig f\"or branchen. (I praktiken struntar man i alla fall som r\"or kopiering i mindre skala.) Under ett tag var tidningen Datormagazin ovanligt uppk\"aftig trots att den i princip satt i kn\"at p\aa{} mjukvarubranchen. Senare tonade man ner hackarattityden. Numera \"ar tidningen nedlagd. En del h\"ogskolef\"oreningar, framf\"or allt \textbf{Lysator} vid Link\"opings tekniska h\"ogskola (som \"ar k\"and f\"or att dyrka 60-talets hackarideal) \"ar ibland inne p\aa{} cyberpunksp\aa{}ret. F\"or det mesta \"ar det dock en smula vinklat av medlemmarnas egna politiska id\'{e}er. S\aa{}dana dataf\"oreningar \"ar ocks\aa{} av tradition r\"adda f\"or att alltf\"or mycket st\"ota sig med etablissemanget och h\aa{}ller sig till lite lagom harml\"osa politiska grupperingar som \textbf{EFF}, \textbf{Free Software Foundation} (se n\"asta kapitel) och \textbf{League for Programming Freedom}. (Detta b\"orjade redan p\aa{} MIT d\aa{} h\"ogskolehackarna l\aa{}ste in sig p\aa{} institutionen medan hippierna stod utanf\"or och demonstrerade mot Vietnamkriget.) De underjordiska hackarna som inte beh\"over vara r\"adda om yrkesheder och status \"ar betydligt mer radikala. M\aa{}nga h\"ogskolehackare har dock goda kontakter med, och sympatiserar med de underjordiska hackarna. Det kontroversiella (och l\"asv\"arda) svenska fanzinet \textit{Flashback} har ibland lite grand av cyberpunkkarakt\"ar; bland annat publicerar man intervjuer med udda artister och politiskt om\"ojliga personer som Albert Hoffman och Timothy Leary, listor med namn och address p\aa{} m\"anniskor som beg\aa{}tt brott etc. Huvudsakligen intresserar man sig dock mest f\"or allm\"anna tryckfrihetsfr\aa{}gor typ filmcensur, och publicerar material som andra medier helst inte vill befatta sig med; ungef\"ar som \textit{Folket i Bild / Kulturfront} -- fast helt utan moralisk urskiljning, och l\aa{}ngt mindre politisk. Om det retar n\aa{}gon -- tryck det i s\aa{} fall. Denna tidning har ocks\aa{} en djupt ideologisk klangbotten: det \"ar, f\"orv\aa{}nande nog, ett medium som kritiserar media. Flashback plockar fram all den information som etablerade massmedia undviker eller sorterar bort, helt enkelt d\"arf\"or att det \"ar \textit{f\"or} kontroversiellt, \textit{f\"or} osmakligt, och \textit{f\"or} politiskt inkorrekt. Flashback visar, kort sagt, att \"aven den tredje statsmakten ljuger f\"or oss. Exempelvis tryckte man en lista \"over vilka tidningar som uppbar presst\"od, och hur mycket. Detta \"ar n\"astan \textit{tabu} i etablerade tidningar. Det vore att kritiskt granska sin egen branch, att exponera sina egna privilegier och visa vilken ekonomisk makt media i sj\"alva verket har. N\"ar Flashback den 25 juni 1996 startade ett elektroniskt nyhetsbrev, \textit{Flashback News Agency}, gick det ut till ett drygt 20-tal personer (varav undertecknad var en). Nu, 1999 har det \"over 80.000 prenumeranter och \"ar utan tvekan sveriges st\"orsta elektroniska nyhetsbrev. Flashback News Agency \"ar unikt i v\"arlden p\aa{} detta vis, ingen annanstans finns ett s\aa{} stort och etablerat undergroundmedia. Denna expansion har ocks\aa{} p\aa{}verkat tidningens tidigare profil -- fr\aa{}n att fr\aa{}n b\"orjan ha varit en undergroundtidning i st\"orsta allm\"anhet, som nu breddats till att omfatta i princip all undergroundkultur som t\"ankas kan, den har b\"attre informat\"orer i alla vinklar och vr\aa{}r av det svenska samh\"allet, kvaliteten p\aa{} spr\aa{}ket och inneh\aa{}llet har \"okat, och chefredakt\"or Jan Axelsson (som \"ar synonym med tidningens redaktionspolicy) g\"or en viss, om \"an ytterst begr\"ansad, moralisk bed\"omning av materialet. \begin{quotation} \noindent{}\textit{"{}Att skriva om olika undergroundr\"orelser och subkulturer, men samtidigt ta avst\aa{}nd fr\aa{}n t~ex nazism skulle enbart inneb\"ara att v\aa{}r bevakning blev s\"amre, mer tr\aa{}ngsynt och avsev\"art mer begr\"ansad. Det finns redan m\"angder av politiskt korrekta tidningar..."{}} (\textbf{Jan Axelsson}, redakt\"or f\"or \textit{Flashback} ur \textit{Flashback \#3} 1995) \end{quotation} \noindent{}Huvuddraget i just cyberpunkideologi \"ar att man f\"orespr\aa{}kar \textit{kopiering} av dataprogram samt litter\"ara och visuella alster, dvs att man \"ar \textit{mot} copyright - att information inte kan och inte b\"or \"agas. Cyberpunkarna liksom nyliberalerna och st\"orre delen av anarkisterna anser att det inte finns "{}farlig"{} information -- bara farliga m\"anniskor. Att som i Sverige censurera filmer f\"or vuxna m\"anniskor ses som ett f\"orakt av den m\"anskliga intelligensen. Vad har auktoriteterna som klipper filmerna som inte m\"anniskor i gemen har? Vad g\"or dem b\"attre? Det finns bara ett vettigt svar p\aa{} den fr\aa{}gan: \textit{V\"arderingar}. Cyberpunkaren har sina egna v\"arderingar, och t\"anker inte tumma p\aa{} dem. Alla restriktioner av information \"ar av ondo och syftar bara till att bevara samh\"allet s\aa{} som det alltid varit, en form av statsfinansierad tankekontroll. I det h\"ar avseendet \"ar cyberpunken kraftigt influerad av den samh\"allssyn som William Burroughs framf\"or i sina b\"ocker, om den lilla m\"anniskan som insydd i ett maskineri som andra m\"anniskor \"ar roade av att kontrollera. Den yttersta spetsen mot m\"anniskans integritet i detta maskineri blir givetvis censuren. Cyberpunkaren fr\aa{}gar sig: Varf\"or f\aa{}r jag inte se oklippta filmer? Varf\"or f\aa{}r jag inte \"aga bombrecept och steg-f\"or-steg anvisningar p\aa{} hur man tillverkar LSD? Varf\"or? Litar inte samh\"allet p\aa{} mitt omd\"ome? Om jag inte kan bed\"oma vad som \"ar bra eller d\aa{}ligt f\"or min och andras h\"alsa, kan d\aa{} samh\"allet lita p\aa{} mitt omd\"ome n\"ar det g\"aller politiska ideologier? Varf\"or inte f\"orbjuda farliga politiska b\"ocker av Adolf Hitler, IRA, Timothy Leary och Jerry Rubin? Eller konstiga kvasireligi\"osa skrifter av Hans Scheike? Varf\"or inte f\"orbjuda allt som kan g\"ora medborgare uppk\"aftiga mot myndigheter, och all kritisk granskning \"over huvud taget? Varf\"or inte ta bort offentlighetsprincipen? Varf\"or inte inf\"ora obligatoriska drog- och psyktester f\"or alla medborgare med j\"amna mellanrum, s\aa{} att vi hittar alla missbrukare med en g\aa{}ng? Varf\"or lita p\aa{} n\aa{}gon alls? Problemet med datorer och tryckfrihet \"ar en spr\"angfr\aa{}ga. Tryckfrihet var fr\aa{}n b\"orjan t\"ankt att motverka politisk censur. I och med liberalismens int\aa{}g med Locke och Voltaire p\aa{} 1700-talet ans\aa{}gs detta s\aa{} viktigt att Sverige som andra land i v\"arlden avskaffade censuren. I tryckfrihetsf\"orordningen \aa{}r 1766 ville man fr\"amst v\"arna om folkbildningen och hade inte en tanke p\aa{} de problem med bilder, filmer, elektroniska media och tecknade serier som skulle dyka upp i v\aa{}r tid. \textit{Men} m\aa{}nga av censurens f\"orsvarare ville redan d\aa{} v\"arna om "{}den goda smaken"{}. Intresse av bombtillverkning, narkotikaframst\"allning eller sexuella perversioner kan knappast kallas f\"or god smak. D\"arf\"or f\"orordar man censur. \textit{Damer utan kl\"ader b\"or man inte titta p\aa{}...}\footnote{Cornelis Vreeswijk, \textit{Censurvisan}} \"And\aa{} m\aa{}ste man nu fr\aa{}ga sig: Vad \"ar det vi skall ha tryckfriheten till? Och vad skulle censuren vara bra f\"or? Om det nu finns m\"anniskor som f\"orsvarar dessa dokuments existensber\"attigande, vad \"ar det d\aa{} som driver dem? Med ett idiotiskt bakv\"ant resonemang skulle man givetvis kunna s\"aga att de m\aa{}ste vara terrorister, narkomaner eller "{}fula gubbar"{}. Men kanske \"ar det inte dokumenten i sig som intresserar f\"orsvararna, utan snarare dokumentens \textit{blotta existens?} Att all information \"ar lika mycket v\"ard och att vi inte har r\"att att kollektivt s\"atta oss till doms \"over den. Spridandet av dylika dokument skulle allts\aa{} kunna vara en \textit{politisk aktion}, \"aven om det \"ar ett brott. Detta s\"atter saken i ett helt nytt ljus. Det finns allts\aa{} en politisk vilja som utg\aa{}r fr\aa{}n information som ett centralt begrepp f\"or m\"anniskans tillvaro. Genom att inta information formas v\aa{}ra personligheter, och myndigheterna vill genom censuren styra v\aa{}r r\"att att forma v\aa{}ra egna personligheter som vi sj\"alva vill. Det har inte l\"angre med f\"ordelandet av resurser och andra politiskt-ekonomiska m\aa{}l att g\"ora; det h\"ar handlar om makten \"over det egna psyket. En viss likhet med tankeg\aa{}ngarna hos \textbf{Noam Chomsky} kan sk\"onjas h\"ar: medierna som en fabrik \"agd av stat och n\"aringsliv som skall "{}fabricera samtycke"{} bland medborgarna. Antag att jag l\"aste ett antal dokument om narkotikaframst\"allning i n\aa{}gon underjordisk databas. Om jag kunde dessa saker utantill, och regeringen kunde ingripa i mitt huvud, skulle de d\aa{} g\"ora det, f\"or att \aa{}terst\"alla ordningen? \"Ar vissa tankar "{}f\"orbjudna"{}? \begin{quotation} \noindent{}\textit{"{}Det finns alldeles f\"or mycket respekt f\"or myndigheter i samh\"allet, det m\"arker jag inte minst i mitt jobb. Det beh\"ovs mer civil olydnad, det \"ar ingen st\"orre skada om man i databaserna diskuterar hur man ska lura en telefonv\"axel att bara debitera 23 \"ore ist\"allet f\"or 13:23. Inte heller \"ar det s\"arskilt allvarligt att f\"ormedla hur man g\"or dynamit och krut."{}} (\textbf{Jan-Inge Fl\"ucht}, socialinspekt\"or, sysop f\"or den legendariska BBS:en \textit{Tungelstamonitorn} och handfast f\"ork\"ampe f\"or yttrandefriheten.) \end{quotation} \noindent{}\section*{Att F\"orb\"attra M\"anniskan} Inom den litter\"ara cyberpunken f\"orekommer ofta elektroniska inplantat i kroppen och hj\"arnan som ett s\"att att f\"orst\"arka m\"anniskans fysiska och mentala f\"orm\aa{}gor. Detta \"ar anledningen till att det bland cyberpunkarna finns en vilja att med artificiella stimuli f\"orb\"attra eller f\"orl\"anga kroppens funktioner. En del \textit{g\"or} det ocks\aa{}, men i brist p\aa{} avancerad mikrokirurgi tar de till speciella droger, sk \textit{nootropiska l\"akemedel} (eng: \textit{nootropics}) eller som de ocks\aa{} kallas: \textit{smarta droger} (eng: \textit{smart drugs}). F\"orutom de vanliga h\"alsokostpreparat (l\"as: smarta drycker) som ravare g\"arna stoppar i sig, anv\"ander man g\"arna en rad l\"akemedel som \textbf{DHEA}, \textbf{DMAE}, \textbf{Lucidril} och \textbf{Nootropyl} (d\"arav namnet) som ibland s\"ags f\"ordr\"oja \aa{}ldrandet, f\"orb\"attra kognition, intelligens och minne osv. Det finns inga vetenskapliga bel\"agg f\"or att dessa preparat verkligen fungerar. Om man j\"amf\"or dem med narkotiska preparat framst\aa{}r de dock som t\"amligen harml\"osa. En del skulle s\"akert f\aa{} passera som naturmedel vid en granskning. Att diskutera droger \"ar alltid farligt i Sverige eftersom fruktan f\"or droger tack vare flertalet propagandakampanjer \"ar mycket djupt inpr\"antad i den svenska folksj\"alen. L\aa{}t oss n\"oja oss med att konstatera att det \"ar politiskt korrekt att s\"aga att man blir piggare av att dricka kaffe, medan det d\"aremot \"ar fruktansv\"art politiskt inkorrekt att s\"aga att man \"ater koffeintabletter f\"or att h\aa{}lla sig vaken. (Samma sj\"alvemots\"agande resonemang som s\"ager att det \"ar mindre farligt att dricka vin \"an att dricka sprit.) Sj\"alv slutade jag en period med kaffe f\"or att ist\"allet \"ata koffeintabletter eller dricka Jolt-cola om jag beh\"over h\aa{}lla mig vaken.\footnote{Jolt-Cola \"ar en hackarklich\'{e}, men f\"orv\aa{}nansv\"art mycket sn\"allare mot magen \"an n\aa{}gonsin kaffe.} Eftersom det i dagsl\"aget inte finns n\aa{}got som tyder p\aa{} att smarta droger skulle vara vanebildande f\"ortj\"anar de samma \"oppna debattklimat som g\"aller de flesta andra hokus-pokus mediciner som s\"aljs via damtidningarnas helsidesannonser. En vetenskap som har anknytning till detta \"ar \textit{kryoniken} (eng: \textit{cryonics}), ofta kallad kvacksalveri -- den g\aa{}r ut p\aa{} att frysa in en persons huvud, alternativt hela kroppen, i hopp om att den i framtiden skall kunna tinas upp och \aa{}terf\aa{} livet med hj\"alp av ny medicinsk teknik. Tekniken f\"orekommer bl~a i filmen \textit{Demolition Man} (1994), d\"ar grova brottslingar straffas med nedfrysning f\"or att ha en chans att \"overleva sina m\aa{}nghundra\aa{}riga f\"angelsestraff. (Den som k\"anner till det amerikanska r\"attsv\"asendet vet att det f\"orekommer att m\"anniskor d\"oms till f\"angelse i flera hundra \aa{}r.) Om dessa stackars huvuden och frusna 70-\aa{}riga kroppar kommer att \aa{}teruppv\"ackas f\aa{}r v\"al i dagsl\"aget anses ganska tveksamt. Om inte annat s\aa{} visar det i alla fall att det finns n\aa{}gra som \"annu har framtidstro och litar p\aa{} att vi m\"anniskor fixar det mesta. Modifikationer av den m\"anskliga kroppen ansluter till medicinsk cybernetik, d\"ar man bl~a f\"ors\"oker f\aa{} naturliga nervimpulser att styra proteser genom att l\"asa av nervsignalerna med inplanterade kiselplattor. Kanske \"ar alla dessa tankar bara en naturlig f\"orl\"angning av den fixering vid kroppskontroll som \"ar allm\"ant utbredd i v\aa{}rt samh\"alle, med plastikkirurgi, parfymer, sportmaskiner och allt vad det inneb\"ar. M\"anniskan tycks i v\aa{}r tid ha en dragning till det artificiella -- gr\"anserna mellan m\"anniska och maskin suddas ut alltmer. Var och en inser att om det pl\"otsligt skulle bli m\"ojligt att operera in en relativt enkel dator, exempelvis en s~k PDA (Personal Digital Assistant, den mest k\"anda typen \"ar 3COMs \textit{Palm Pilot}) i huvudet som gjorde att man alltid kunde h\aa{}lla reda p\aa{} exakt tid och h\aa{}llpunkter i en planeringskalender, skriva anteckningar och utf\"ora vanliga minir\"aknaroperationer med tankens hastighet skulle m\aa{}nga s\"akert finna detta verktyg s\aa{} nyttigt att det snart skulle vara k\"o utanf\"or operationssalarna. (L\"as mer i kapitel 12 om virtuell verklighet.) L\"agg m\"arke till den tydliga gemensamma n\"amnaren: att man h\"ar \aa{}terigen f\"ors\"oker bryta ned betvingande system. Kroppens begr\"ansningar och livets l\"angd. Varf\"or acceptera dessa gr\"anser f\"or den m\"anskliga varelsen? Skulle det vara \textit{omoraliskt}, \textit{onaturligt} eller \textit{\"ackligt} att f\"orb\"attra kroppen? Knappast. I s\aa{} fall hade Gud redan straffat de som skaffat sig en enkel pacemaker. I och f\"or sig kan man fr\aa{}ga sig om det \"ar s\aa{} n\"odv\"andigt att pumpa upp br\"ost med silikon eftersom det inte har n\aa{}gon praktisk anv\"andning, men hur \"ar det med elektroniska implantat som man verkligen har nytta av? Varf\"or acceptera gr\"anser - det har ju ingen varelse gjort f\"orut. Varf\"or skulle inte m\"anniskoapan plocka upp stenen fr\aa{}n marken och kasta den? Varf\"or skulle inte den moderna m\"anniskan med aldrig sinande kraft f\"ors\"oka ta sig ur skalet...? \section*{Extropiker} En annan r\"orelse som uppst\aa{}tt i Californien \"ar en slags halvfilosofisk framtidsfetischistisk r\"orelse som b\"ast representeras av den officiella linjen hos den d\aa{}varande redaktionen p\aa{} \textbf{MONDO 2000} cirka \aa{}r 1995. \textit{Extropiker} \"ar en blandning av cyberpunkare, nyliberaler (fr\"amst objektivister) och allm\"ant uttr\aa{}kade n\"atsurfare. (N\"atsurfare \"ar ursprungligen en beteckning p\aa{} folk som sitter uppkopplade mot Internet s\aa{} ofta de kan och bara l\aa{}ter sig \"overv\"aldigas av den enorma informationsstr\"ommen, egentligen n\aa{}got av ett sk\"allsord.) Extropikerna utg\"or en slags positiv motpol till den pessimistiska cyberpunkr\"orelsen. Till skillnad fr\aa{}n cyberpunkf\"orfattarna tror man att tekniken kommer att leda till st\"orre frihet f\"or individen och mindre f\"ortryck. F\"or att detta skall kunna ske m\aa{}ste dock fria individer ta kontrollen \"over den tekniska utvecklingen. Den allm\"anna tanken bakom den extropiska filosofin \"ar att den teknik som produceras i v\aa{}r tid g\aa{}r s\aa{} hastigt fram att inga statliga institutioner \"ar snabba nog att hinna till\"ampa innovationerna innan de redan \"ar f\"or\aa{}ldrade, och n\"ar de v\"al till\"ampas sker det p\aa{} ett s\aa{}dant s\"att att det fr\"amjar statens makt och kontroll. Man menar d\"arf\"or att individen sj\"alv m\aa{}ste f\"ors\"oka f\"orst\aa{} och ta till sig tekniken innan staten blandar sig i och saboterar hela n\"ojet med lagstiftning och moraliska restriktioner. I den objektivistiska filosofin anser man att m\"anniskan bara skall lyda en r\"ost, n\"amligen sin egen, och att individen st\"andigt m\aa{}ste sl\aa{}ss mot kontrollerande \"ovre makter.\footnote{Se tidigare n\"amnda artikel om Objektivismen i tidningen \textit{Yelah} \#6 1998.} Filosofin \"ar \"aven i m\aa{}nga stycken ned\"arvd fr\aa{}n Timothy Leary som i sina b\"ocker menade att staten ville f\"orbjuda psykedeliska droger fr\"amst f\"or att de minskade statens kontroll av individen, och inte f\"or att de var farliga. Bland nyliberaler i allm\"anhet (och extropiker i synnerhet) \"ar denna syn p\aa{} staten mycket vanlig. Till skillnad fr\aa{}n nyliberaler \"ar extropiker intresserade av annat \"an bara legalisering av droger och en minimering av den statliga makten, exempelvis DNA-manipulation, nanoteknik och kryonik. N\"ar det g\"aller andra omr\aa{}den inom cyberpunkfilosofin, exempelvis konfliken om \textit{Intellektuell Egendom} (copyright) \"ar man dock ensidigt f\"orespr\aa{}kare f\"or m\"anniskans r\"att att \"aga information, \aa{}tminstone den som man sj\"alv direkt eller indirekt producerar. Detta beror fr\"amst p\aa{} en l\aa{}ng tradition inom amerikansk liberalism som b\"orjade i och med koloniseringen i Amerika. Symbolerna f\"or denna liberalism \"ar taggtr\aa{}den och handeldvapnet -- r\"atten att \"aga ett landomr\aa{}de och att f\"orsvara det. (Fr\aa{}n bland annat indianer och andra barbarer.) S\aa{}ledes befattar man sig h\"ogst og\"arna med de som f\"orespr\aa{}kar f\"or\"andringar i copyrightlagarna. P\aa{} det hela taget p\aa{}minner extropikerna om en slags digital variant av New Age r\"orelsen, men det \"ar knappast en definition de sj\"alva skulle h\aa{}lla med om. Bland svenska tidningar som anammat den h\"ar typen av budskap m\"arks \textbf{Dolly} (1998) namngiven efter det klonade f\aa{}ret Dolly som r\"onte stor uppm\"arksamhet i media och \textbf{M2} (1999) som bland annat startades av nyliberalen \textbf{Christian Gergils}. \chapter{EN ELEKTRONISK INTRESSEORGANISATION} Historien om hackarna, phreakarna, telef\"oretagen och r\"attvisan ber\"attas (med utg\aa{}ngspunkt fr\aa{}n amerikanska f\"orh\aa{}llanden) i Bruce Sterlings \textit{The Hacker Crackdown} (1992). Anledningen till att denne science fiction f\"orfattare skrev hackarnas historia, \"ar just det jag med mitt resonemang hittills velat visa: att elektroniska kulturomr\aa{}den \"overlappar varandra. Det hela b\"orjade n\"ar den amerikanska s\"akerhetstj\"ansten \textit{USSS} (United States Secret Service) 1990 f\"ors\"okte vingklippa den underjordiska hackarr\"orelsen, och i n\aa{}gra fall gick l\aa{}ngt utanf\"or gr\"anserna f\"or polisi\"ara ingripanden. Man ville verkligen \textit{kl\"amma \aa{}t} hackarna, som p\aa{} bara n\aa{}got f\aa{}tal \aa{}r vuxit sig enormt starka, genom att g\"ora ett landsomfattande \textit{nedslag} (eng: \textit{crackdown}, d\"arav titeln p\aa{} boken) och sl\aa{} de odisciplinerade hackarna ordentligt p\aa{} fingrarna en g\aa{}ng f\"or alla. L\"ara dem en l\"axa, helt enkelt. Nedslaget fick kodnamnet \textit{Operation Sundevil}. Secret Service stormade in hos amerikanska ton\aa{}ringar och tog med sig allt elektroniskt. Datorn, printern, CD-spelaren, bergsspr\"angaren, moderns och faderns datorer, rubbet. Inte nog med det: man tog ocks\aa{} \textit{manualer} och allt som kunde likna manualer: science fiction romaner och vanliga CD-skivor till exempel. Var och en kan s\"akert r\"akna ut vad som h\"ander om man tar ifr\aa{}n en hackare alla hans/hennes apparater. Han/hon blir helt enkelt fullkomligt maktl\"os, utan m\"ojlighet att h\aa{}lla kontakt med sina v\"anner eller uttrycka sig i \"oppna elektroniska m\"oten. Hackarna blev allts\aa{} inte bara vingklippta; de fick munnen tillt\"appt ocks\aa{}. Detta var givetvis precis vad USSS ville, och antagligen hade ingen brytt sig - inte ens Bruce Sterling - om man n\"ojt sig med att rannsaka hackare. M\aa{}nga hackare som greps under nedslaget kom att d\"omas till straff som innebar att de inte fick anv\"anda datorer under en viss tidsrymd. Den f\"orsta mars 1990 begick emellertid USSS ett misstag: man tog sig in hos spelf\"oretaget \textbf{Steve Jackson Games} i Austin och beslagtog alla datorer man kunde hitta, inklusive en vars h\aa{}rddisk inneh\"oll ett alldeles nytt spel: \textit{GURPS Cyberpunk}. (GURPS st\aa{}r f\"or Generic Universal Role Playing System, p\aa{} svenska ungef\"ar: \textit{\"Overgripande Universellt Rollspelssystem}, ett system som utvecklats av Steve Jackson Games f\"or att underl\"atta byte mellan olika rollspel utan att byta rollspelssystem.) Steve Jackson Games tillverkar allts\aa{} \textit{rollspel}, och rollspelet GURPS Cyberpunk var skrivet av en hackare som gick under namnet \textbf{Mentor} (han heter egentligen \textbf{Loyd Blankenship}) och som jobbade som f\"orfattare vid f\"oretaget. N\"ar f\"oretaget kr\"avde att f\aa{} tillbaka datorn, eller \aa{}tminstone filerna till \textit{GURPS Cyberpunk} (som snart skulle lanseras p\aa{} marknaden), nekades de detta, bland annat med motivationen att det inte var ett spel utan en manual f\"or databrott. Mentor var ju sj\"alv hackare och hade skrivit ett alldeles utm\"arkt och realistiskt spel som handlade om att bryta sig in i olika datasystemen. Spelet ans\aa{}gs farligt. Alla som har sett ett rollspel vet dock att det \"ar fr\aa{}gan om en sorts \textit{b\"ocker} som anv\"ands som faktaunderlag f\"or spelen, d\"ar spelarna f\"ors\"oker leva sig in i en annan v\"arld. \textit{GURPS Cyberpunk} var allts\aa{} en \textit{BOK}, utgiven p\aa{} ett f\"orlag, med ett ISBN-nummer som alla andra b\"ocker. Det faktum att den amerikanska s\"akerhetstj\"ansten f\"ors\"okt stoppa \textit{en bok} helt enkelt d\"arf\"or att inneh\aa{}llet ans\aa{}gs vara \textit{f\"or farligt} s\aa{}gs inte med milda \"ogon av USAs r\"attframa medborgare. Tryckfriheten \"ar \"aven i USA inskriven i grundlagen, och ett fantasibetonat rollspel som \textit{GURPS Cyberpunk} har formellt sett samma r\"att att existera som t ex \textit{New York Times}, oavsett om det l\"ar ut databrott eller inte - s\aa{} l\"ange det inte uppviglar. Efter en tids uppst\aa{}ndelse kring fallet med Steve Jackson Games bildades \textbf{Electronic Frontier Foundation} (\textbf{EFF}), ledda av bland annat \textit{Grateful Deads} textskrivare \textbf{John Perry Barlow},\footnote{L\"agg namnet \textbf{John Perry Barlow} p\aa{} minnet -- han \"ar en av de st\"orsta vision\"arer och samtidsfilosofer jag tr\"affat p\aa{}. Liksom Jean Baudrillard tillh\"or han det f\aa{}tal som har n\aa{}got vettigt att s\"aga om informationssamh\"allet.} och ekonomiskt underst\"odda av framf\"or allt \textbf{Mitch Kapor} (som var en av dem som skrev kalkylprogrammet \textit{Lotus 1-2-3}). Organisationen underst\"oddes av engagemanget bland anv\"andarna i det elektroniska konferenssytemet \textbf{The Well} som startats av tidningen \textbf{The Whole Earth Review} i San Francisco. WELL \"ar en f\"orkortning f\"or \textbf{Whole Earth 'Lectronic Link}, och fungerar i princip som en j\"attestor BBS med kopplingar till Internet. (The Well betyder rakt \"oversatt \"aven \textit{kunskapsk\"alla}.) M\aa{}nga av anv\"andarna av The Well \"ar gamla hippier och Grateful Dead-fans som s\"atter yttrandefrihet och demonstrationsr\"att h\"ogt. M\aa{}nga \"ar vad jag kallar h\"ogskolehackare, ingenj\"orer eller programmerare. Kombinationen hippie-programmerare \"ar inte alls ovanlig p\aa{} The Well. Jag n\"amnde tidigare att det var vid univeristeten kring San Francisco som hippiekulturen v\"axte fram. Betrakta t~ex Mitch Kapor -- innan han b\"orjade tillverka aff\"arsmjukvara var han meditationsl\"arare. San Francisco \"ar n\"astan ett kapitel i sig. Det betraktas som den elektroniska v\"arldens Mekka. D\"ar finns universiteten Berkeley och Stanford och hela omr\aa{}det omges av Silicon Valley. Den st\"orsta delen av all modern datateknik har kommit fr\aa{}n San Francisco. Det var h\"ar den f\"orsta hemdatorn Altair byggdes, och h\"arifr\aa{}n kommer Apple, Xerox, Adobe, EFF, The Well, Whole Earth Review, Wired och MONDO 2000. Alla former av elektronisk popul\"arkultur har i princip uppst\aa{}tt h\"ar. Det var ocks\aa{} h\"ar Virtuell Verklighet marknadsf\"ordes f\"or f\"orsta g\aa{}ngen. Samtidigt skulle jag nog vilja p\aa{}st\aa{} att San Franciscos rykte \"ar en smula \"overdrivet. Det handlar lika mycket om amerikansk attityd och marknadsf\"oring som verkliga kunskaper, och de kunskaper som datortekniken bygger p\aa{} har forskats fram \"over hela v\"arlden, men det \"ar en naturlig knytpunkt f\"or s\aa{}v\"al amat\"orer som proffs inom databranchen. Speciellt Silicon Valley har betytt mycket med sina tusentals uttr\aa{}kade \"ovre medelklassingenj\"orer som bara v\"antar p\aa{} att n\aa{}got skall h\"anda p\aa{} den elektroniska fronten, ett omr\aa{}de d\"ar det finns enorma varuhus som bara s\"aljer elektronik till f\"ortag och hobbyister. Det \"ar s\aa{}dana m\"anniskor som utg\"or den h\aa{}rda k\"arnan i EFF. EFF har goda kontakter inom hela den amerikanska program- och h\aa{}rdvaruindustrin och h\"avdar \textit{m\"anniskans elektroniska r\"attigheter.} Organisationen beskyddar inte hackare, som man ofta f\aa{}r h\"ora, utan hackarens r\"attigheter. EFF \"ar allts\aa{} en \textit{medborgarr\"attsorganisation}. Ideologiskt \"ar man liksom cyberpunkarna kraftigt influerade av libertarianismen men i flera fr\aa{}gor, exempelvis n\"ar det g\"aller "{}intellektuell egendom"{}, hamnar man p\aa{} rak kollisionskurs med dessa. Jag skall nu f\"ors\"oka belysa hur hoten mot v\aa{}ra medborgerliga r\"attigheter och v\aa{}r personliga integritet ser ut i ett informationssamh\"alle. \section*{R\"atten att Kommunicera} EFF menade (och menar) att det \"ar kr\"ankande att ta ifr\aa{}n en m\"anniska hennes dator. Lika kr\"ankande faktiskt, som att ta ifr\aa{}n en m\"anniska r\"atten att anv\"anda penna och papper. En hackare \"ar van vid att anv\"anda sin dator f\"or att kommunicera med omv\"arlden via BBS:er, via Internet osv. Att ta datorn fr\aa{}n en hackare \"ar som att ta skrivmaskinen (ordbehandlaren, papperet och pennorna) fr\aa{}n en f\"orfattare. EFF st\"amde USSS f\"or brott mot reglementet i samband med raiden mot Steve Jackson Games -- och vann. Organisationen arbetar nu f\"or att r\"atten att uttrycka sig elektroniskt skall skrivas in bland de medborgerliga r\"attigheterna i den amerikanska grundlagen. Kort sagt: en datorbrottsling borde kanske inte hindras fr\aa{}n att anv\"anda datorer (det g\"or ju alla nuf\"ortiden) utan fr\aa{}n att beg\aa{} fler databrott. Man v\"agrar inte falskmyntare att jobba p\aa{} ett tryckeri - man l\"ar honom att l\aa{}ta bli att trycka falska sedlar. R\"att anv\"and \"ar \"aven den illegale hackarens kunskap v\"ardefull f\"or samh\"allet. \section*{Integritet} EFF har sedan grundandet expanderat och f\"or nu en allm\"an debatt om datorer datorer och m\"anniskor i ett framtida informationssamh\"alle. Man vill v\"arna om individens r\"att att slippa registreras och kontrolleras av myndigheterna bara f\"or att m\"ojligheten \"oppnat sig i och med datorns int\aa{}g. Man f\"orespr\aa{}kar d\"arf\"or ocks\aa{} anv\"andandet av krypteringsprogrammet PGP som jag n\"amnde tidigare. Varf\"or? Jo, S\"APO (eller n\aa{}gon annan m\"anniskogranskande organisation) skulle inte kunna kontroll\"asa all post som skickas i Sverige. De skulle inte kunna l\"asa all elektronisk post heller. \textit{Men} de skulle (om de ville) kunna s\"atta en snabb, effektiv dator till att leta igenom \textit{all} elektronisk post efter vissa nyckelord, f\"or att p\aa{} s\aa{} vis snabbt kunna komma nya, politiska grupper p\aa{} sp\aa{}ren. (Det \"ar utomordentligt enkelt att programmera ett s\aa{}dant program, jag skulle faktiskt kunna g\"ora det sj\"alv.) S\"ag att varenda elektroniskt brev som inneh\"oll orden "{}REVOLUTION"{}, "{}VAPEN"{} eller "{}SAMH\"ALLE"{} i n\aa{}gon kombination kopierades och skickades till en granskare. Du skulle inte m\"arka n\aa{}got. Det finns en seglivad myt om att amerikanska underr\"attelsetj\"ansten redan har ett s\aa{}dant v\"arldsomsp\"annande avlyssningssystem f\"or e-post, fax och SMS vid namn \textit{Echelon}. Det \aa{}terst\aa{}r att bevisa om detta verkligen existerar eller bara \"ar ytterligare en konspirationsteori. Just av denna anledning b\"or man, enligt \textbf{Philip Zimmerman}, programmeraren bakom PGP (Pretty Good Privacy, som jag n\"amnde tidigare), kryptera sin post s\aa{} att ingen utomst\aa{}ende kan l\"asa den. Givetvis skulle vi i det demokratiska Sverige f\"orbjuda inhemska organisationer att g\"ora s\aa{}dana hemska saker. \"And\aa{} kan det finnas anledning att kryptera sin post. Varf\"or? F\"or det f\"orsta: det finns andra \"an S\"APO och Lokala Skattemyndigheten som kan vilja veta om du skriver n\aa{}got ol\"ampligt. F\"or det andra: litar du p\aa{} myndigheterna? Varf\"or i s\aa{} fall inte skicka en kopia av alla dina personliga brev till dem s\aa{} att de vid behov kan kontroll\"asa dem, s\aa{} att de s\"akert vet att du inte h\aa{}ller p\aa{} och konspirerar? Vad har du, en samvetsgrann medborgare att d\"olja? Varf\"or inte l\aa{}ta polisen leta igenom ditt hus efter olagliga vapen? Varf\"or inte genomg\aa{} l\"ogndetektortest regelbundet? Ni f\"orst\aa{}r nog var jag vill komma -- krypteringen skyddar individens privatliv fr\aa{}n myndighetsintr\aa{}ng. \footnote{Detta betecknas normalt med den engelska termen "{}privacy"{}.} Ur myndigheternas egen synvinkel kan detta argument -- att man skall skydda sig fr\aa{}n deras \"overvakning eftersom de till syvende och sidst inte \"ar p\aa{}litliga -- aldrig godtas. Den argumentationen m\aa{}ste f\"oras utanf\"or den parlamentariska sf\"aren. St\aa{}hejet kring PGP b\"orjade den 10 april 1991 d\aa{} den amerikanska kongressen uttalade sig om krypteringsprogram. Man sade i klartext att man f\"orv\"antade sig att alla som tillverkade krypteringsutrusning av n\aa{}got slag skulle bygga in bakd\"orrar s\aa{} att myndigheterna vid behov kunde g\aa{} in och l\"asa den krypterade informationen. Budskapet var skr\"ammande: ha g\"arna hemligheter -- men hemligh\aa{}ll inget f\"or myndigheterna. Strax efter detta for Zimmermans kollega Kelly Goen runt i San Francisco och kopierade PGP till olika BBS:er via telefonautomater(!). Han menade att det stred mot principerna f\"or f\"orenta staternas konstitution och gjorde det f\"or att skydda det amerikanska samh\"allet fr\aa{}n totalit\"ar \"overvakning av medborgarna. Runt 1995 utf\"ardade EU ett liknande direktiv till Europas stater, dock med det explicita undantaget att detta bara g\"allde kommersiella produkter; exempelvis det fria kryptoprogrammet \textit{GPG} (GNU Privacy Guard) som utvecklats i Tyskland under ledning av \textbf{Werner Koch}, eller den krypterade kommandotolken \textit{LSH}, som utvecklats i Sverige av \textbf{Niels M\"oller} m~fl, omfattas inte av exportrestriktionerna. N\"ar det g\"aller program som utvecklats av f\"oretag f\aa{}r inte ens fria program exporteras, detta har bland annat drabbat link\"opingsf\"oretaget \textbf{Idonex} som i sin fria webserver \textit{Roxen} byggde in stark kryptering.\footnote{ Med "{}stark kryptering"{} avses i regel en kryptering med nyckell\"angd st\"orre \"an 40 bitar.} Varje g\aa{}ng detta program skall f\"oras ut ur landet fordras exporttillst\aa{}nd. (Amerikaner \"ar mycket k\"ansligare f\"or s\aa{}dana h\"ar saker \"an vi svenskar -- tack och lov, skulle jag vilja s\"aga.) Kryptering \"ar f\"orresten inget uttalat amerikanskt. Vi i Sverige har varit med i chifferleken minst lika l\"ange. Redan under andra v\"arldskriget dechiffrerade vi tyskarnas kommunikation genom Sverige. 1984 gjorde "{}experten"{} \textbf{Ragnar Eriksson} och hans kompisar p\aa{} S\"APO ett krypteringssystem som de med regeringens goda minne fick lov att s\"alja tillsammans med annan s\"akerhets "{}know-how"{}. Tyv\"arr var systemet v\"ardel\"ost eftersom S\"APO aldrig haft n\aa{}gra krypteringsexperter v\"arda namnet, vilket medf\"orde att ingen ville k\"opa systemet.\footnote{Kanske har man skaffat sig b\"attre "{}experter"{} nu.} De som sysslar professionellt med kryptering (allts\aa{} \textit{inte} S\"APO, utan milit\"aren och universiteten) r\aa{}kar alltid ut f\"or uppkomlingar som tror att de kommit p\aa{} v\"arldens b\"asta krypteringssystem. Gemensamt f\"or dessa uppkomlingar \"ar att de vill hemligh\aa{}lla sitt system eftersom de tror att de \"ar s\aa{} fantastiskt smarta att ingen m\"anniska n\aa{}gonsin tidigare varit inne p\aa{} samma tankeg\aa{}ngar. Alla proffs l\"amnar ut sina algoritmer (principer f\"or kodning) och ber\"attar hur systemet fungerar; om systemet \"ar bra nog kan ingen kn\"acka chiffret \textit{\"aven} om de vet hur det fungerar. Exempel p\aa{} s\aa{}dana system \"ar DES (Data Encryption Standard, Standard f\"or datakryptering), Blowfish, El-gamal eller IDEA (International Data Encryption Algorithm) som anv\"ands i PGP. (S\"APO ville inte l\"amna ut sin algoritm...) Varken DES. Blowfish, El-gamal eller IDEA \"ar okn\"ackbara algoritmer -- det \"ar bara det att det skulle ta n\aa{}gra miljoner \aa{}r f\"or dagens datorer att g\"ora det med de tekniker f\"or dechiffrering vi k\"anner idag. Som ett belysande exempel kan jag n\"amna ett v\"aldigt vanligt nyb\"orjarkrypto som g\aa{}r ut p\aa{} att addera en rad slumptal till en digitalt lagrad text. Detta hade varit v\"aldigt sv\aa{}rt att kn\"acka om meddelandet inte vore l\"angre \"an slumtalsserien, men p\aa{} en l\"angre text kan man l\"att trolla bort denna slumpm\"assighet p\aa{} samma s\"att som man filtrerar bort brus fr\aa{}n en radiosignal. \section*{Sverige Vaknar} Redan idag har den svenska polisen gjort sig skyldig till tvivelaktiga handlingar p\aa{} yttrandefrihetens omr\aa{}de. Man har beslagtagit BBS:er, som faktiskt anv\"ands bl~a som utv\"axlingsplats f\"or privat elektronisk post, och antagligen ocks\aa{} l\"ast den privata post som funnits i dessa. Detta har man gjort f\"or att BBS:erna misst\"ankts f\"or att sprida piratkopierade datorprogram. Detta kan j\"amf\"oras med att l\"asa igenom all post i en av postverkets gula l\aa{}dor bara av misstanken att det n\aa{}gonstans i denna l\aa{}da d\"oljer sig information om ett brott. Skulle du vilja att din post blev l\"ast, bara f\"or att den r\aa{}kat hamna i samma l\aa{}da som ett brev fr\aa{}n, l\aa{}t s\"aga, en organiserad biltjuvsliga? (Jag vet inte ens om polisen har r\"att att g\"ora s\aa{}dana saker, men jag tycker inte om tanken.) \textit{"{}Gudbevars!"{}}, s\"ager polisen, \textit{"{}de som anv\"ander en BBS \"ar ju hemska hackare! Det har v\"al inget med vanliga hederliga m\"anniskors privatliv att g\"ora?"{}} Det var ju f\"or v\"al s\aa{} att de var hackare, och inte \textit{judar} eller \textit{invandrare} utan vanliga hederliga \textit{hackare} som vi alla vet \"ar s\aa{} hemskt kriminella. Hundratals BBS-anv\"andare, helt vanliga ostraffade svenskar, har allts\aa{} f\aa{}tt sin r\"att till privatliv upph\"avd genom att de faller under det minst sagt luddiga begreppet \textit{hackare}? Och polisen bekymmrar sig \"over att de hittat krypterat material i BBS:erna som \"ar sv\aa{}rt eller om\"ojligt att l\"asa. Jag tycker \textit{verkligen} synd om dem. (OBS! Ironi ;-) Bet\"ank att dagens BBS:er i framtiden kommer att ers\"attas av Internet, och d\"ar \"ar det t\"ankt att \"aven du skall skicka din post. Vad kommer att h\"anda d\aa{}? Ska vi ha poliser som springer och provl\"aser post och beslagtar stora m\"angder brev om de misst\"anker att det d\"oljer sig n\aa{}got olagligt i h\"ogen? Men, men... Polisen f\"oljer bara lagen, och enligt lagen skyddas inte elektroniska dokument eller elektronisk post av tryckfriheten. F\"orhoppningsvis skyddas de av yttrandefriheten, men inte ens det \"ar s\"akert. Allt h\"ar \"ar mycket luddigt och ingen tycks veta vad som g\"aller. Lagstiftning \"ar p\aa{} g\aa{}ng. Med tanke p\aa{} alla hot mot integriteten vill den observante medborgaren givetvis skydda sig mot \"overvakning och skaffar sig d\"arf\"or ett krypteringsprogram. Den amerikanska underr\"attelsetj\"ansten tyckte ett tag att man skulle anv\"anda deras "{}Clipper-chip"{} ist\"allet f\"or egna krypton. Det \"ar ett mycket bra krypteringsprogram i form av ett chip, som (enligt dem sj\"alva) bara underr\"attelsetj\"ansten har bakd\"orr till. Ut\"over dessa rena avlyssningskontroverser kommer de saker som medvetet eller omedvetet anv\"ands f\"or att underl\"atta identifiering av datoranv\"andare. Exempel p\aa{} detta \"ar de serienummer som finns p\aa{} n\"atverkskort och bland annat anv\"andes f\"or att lokalisera David Smith efter melissaattacken (se kapitel 4) och det serienummer som pr\"aglas i Pentium III-processorn och som bland annat skall kunna anv\"andas f\"or att lokalisera stulna datorer. Ett annat s\"att att anv\"anda sig av kryptering (f\"orutom att g\"ora sin post ol\"aslig) \"ar att f\"orse meddelandena med \textit{sigill} - en slags elektronisk kontrollsumma som matematiskt kan visa att avs\"andaren \"ar den r\"atta \textit{och} att inneh\aa{}llet inte f\"or\"andrats. P\aa{} det viset kan man massdistribuera elektroniska tidskrifter utan att det g\aa{}r att "{}klippa"{} i dem, i varje fall inte utan att det m\"arks. Denna metod anv\"ands av bl~a bankernas transaktionssystem SWIFT. Den som \"ar intresserad av tekniken bakom kryptering rekommenderas l\"asa n\aa{}gon bok i \"amnet eller leta dagsf\"arsk information p\aa{} Internet. Amerikanska kryptoforskare (som Zimmerman) \"overvakas av milit\"ar s\"akerhetstj\"anst. (Jag vet inte hur det \"ar med svenska forskare.) I vissa l\"ander, t~ex Frankrike, \"ar all kryptering f\"orbjuden f\"or privatpersoner. \section*{Svenska R\"attigheter} Hur \"ar det med de medborgerliga r\"attigheterna i Sverige och resten av Europa? Beh\"ovs det en organisation som EFF \"aven h\"ar hemma? Kanske -- speciellt med tanke p\aa{} att europeisk polis l\"ar sig bek\"ampning av elektronisk brottslighet genom att tjuvkika p\aa{} USA. \"Aven i Sverige har polisen beslagtagit dels datorer och disketter, men \"aven tidningar, tr\"ojor och printrar p\aa{} amerikanskt man\'{e}r. Den amerikanska polisen visste inte vad de skulle g\"ora med allt de beslagtog -- och det vet inte den svenska polisen heller. Inte s\aa{} konstigt att det tar n\"ast intill \textit{o\"andligt} l\aa{}ng tid att reda ut hackarnas brott s\aa{} mycket skr\"ap som brottsutredarna samlar p\aa{} sig som bevismaterial. N\"ar jag inventerade min egen diskettsamling p\aa{} drygt 200 disketter tog det mig en dryg m\aa{}nad, och jag tog bara ytterst knapph\"andiga uppgifter p\aa{} varje fil. En brottsutredare m\aa{}ste vara \textit{enormt} mycket mera noggrann om hans bevis skall h\aa{}lla i r\"atten, och en v\"alsorterad hackare kan i v\"arsta fall ha \textit{tusentals} disketter. Med de rent astronomiska informationsm\"angder som en CD-skiva rymmer kompliceras detta givetvis ytterligare. Handl\"aggningstiderna f\"or \aa{}tal mot hackare \"ar v\"arre \"an de f\"or flyktingar, med den skillnaden att dessa \aa{}tal till slut avskrivs. I den m\aa{}n hackarna n\aa{}gonsin ser sina beslagtagna datorer igen \"ar de oftast ur\aa{}ldriga och har f\"orlorat allt v\"arde. Polisen f\"orvarar \"annu datorer som beslagtogs f\"or sex \aa{}r sedan. I m\aa{}nga fall betraktas hackarnas datorer mer som brottsverktyg \"an som kommunikationskanaler. \"Aven svenska hackares yttrandefrihet har naggats i kanten vid polisi\"ara nedslag -- sedan m\aa{} de vara brottslingar eller inte. Kom ih\aa{}g var \textbf{Cervantes} befann sig n\"ar han skrev \textit{Don Quiotte}. (I f\"angelse.) Borde man ha tagit penna och papper fr\aa{}n honom bara f\"or att han var brottsling? I \aa{}tminstone ett fall har \"aven den svenska polisen anm\"alts f\"or brott mot yttrandefrihetslagen och informationsfrihetslagen. Redan 1984 konstaterade rikspolisstyrelsen att det kunde orsaka ol\"agenheter om man beslagtog utrustning, och att detta endast skulle ske i undantagsfall. Idag \"ar det mera regel \"an undantag. Om man kunde f\"olja sina egna direktiv som inneb\"ar att man helst skall ta kopior av informationen och l\aa{}na ut dessa till den drabbade, hade situationen varit mycket behagligare f\"or b\aa{}da parter. I s\aa{} fall hade hackarna sluppit se sina datorer i f\"orvar i \aa{}rtionden i polisens magasin. Vi har ocks\aa{} en lagstiftning som inneb\"ar att utrustning som anv\"ants vid brott kan anses f\"orverkad, dvs att en dator som anv\"ants till brott f\"orst\"ors eller s\"aljs. Detta \"ar kanske vettigt n\"ar det g\"aller specialtillverkad utrustning som dyrkar, bl\aa{} l\aa{}dor och andra direkta brottsverktyg, men \textit{datorer?} Om en skrivmaskin anv\"ants i brottsliga syften \"ar den allts\aa{} f\"orverkad? Till\aa{}t mig vara en smula skeptisk. Vi skall v\"al ha lite yttrandefrihet ocks\aa{}? Informations\aa{}ldern har nu medf\"ort att somliga brotts\aa{}tal mot spridande av specifik, skyddad information blivit fullkomligt ohanterliga. Sl\aa{}s ni nu av samma tanke som jag? Att detta spelar cyberpunkarna i h\"anderna? Om nu information verkligen \textit{kan} \"agas -- kan vi i s\aa{} fall skydda dess upphovsr\"att p\aa{} n\aa{}got vettigt s\"att? Eller \"ar v\aa{}rt gamla samh\"alle p\aa{} v\"ag att f\"or\"andras vad betr\"affar upphovsr\"att? Lugn, det finns bot f\"or allt detta. \textit{Datorer} \"ar v\"aldigt bra p\aa{} att kontrollera stora m\"angder information, och det snabbt. Organisationen \textbf{BSA} (\textbf{Business Software Alliance}, en sammanslutning av f\"oretag inom mjukvaruindustrin) \"ar uppenbarligen beredda att l\aa{}ta ett dataprogram som heter \textit{Search II} vittna i processer mot f\"oretag som misst\"anks f\"or piratkopiering. Programmet fungerar s\aa{} att det l\"aser av en dators h\aa{}rddisk och registrerar vilka program som finns installerade. Anledningen till att man g\"or detta ist\"allet f\"or att beslagta f\"oretagens datorer \"ar att f\"oretag, till skillnad fr\aa{}n hackare, f\"or ett dj\"avla (urs\"akta uttrycket) liv om man tar ifr\aa{}n dem alla deras datorer. S\aa{} l\aa{}ngt allt v\"al. N\"ar f\"oretag och (ibland) privatpersoner grips f\"or piratkopiering anlitar polisen som sagt organisationen BSA, och deras program \textit{Search}, som teknisk expertis. Det \"ar ganska underligt att BSA, som f\"oretr\"ader k\"aranden i m\aa{}let, anlitas f\"or att samla bevis. Minst sagt underligt. Till\aa{}t mig nu spr\"anga in en liten provokation som kanske f\aa{}r dig att t\"anka i nya banor: \begin{quotation} \textbf{Fr\aa{}ga:} Vill vi att datorer skall vittna mot f\"oretag och individer? \textbf{Fr\aa{}ga:} Varf\"or inte l\aa{}ta datorer sk\"ota hela r\"attskipningen? Automatiskt, kraftfullt, kostnadseffektivt - finns i alla f\"arger - inga kr\aa{}ngliga f\"orh\"or och uppskjutna r\"atteg\aa{}ngar... \end{quotation} \noindent{}Personligen anser jag att vi inte b\"or l\aa{}ta datorer vittna f\"orr\"an de \"ar minst lika intelligenta som m\"anniskor. Men om en m\"anniska kan g\aa{} ed p\aa{} att en dator talar sanning, s\aa{} OK. Vi har ju redan sedan l\"ange l\aa{}tit f\"orem\aa{}l agera vittnen, eller \textit{bevismaterial} som vi s\"ager. Allt bevismaterial m\aa{}ste dock tolkas av en eller flera m\"anniskor innan det f\aa{}r n\aa{}gon praktisk inneb\"ord. Till saken h\"or att datorer \"ar bevismaterial som har en hittills o\"overtr\"affad f\"orm\aa{}ga att ljuga i och med att de l\aa{}ter sig manipuleras hur som helst av vem som helst. Elektronisk r\"attsskipning tycker jag att vi skall ta det lugnt med ett tag fram\"over -- risken f\"or r\"attsr\"ota \"ar uppenbar. Fr\aa{}gan om datorer som h\aa{}ller koll p\aa{} m\"anniskor \"ar n\"amligen lite v\"arre \"an den verkar -- informationsteknologi kan om den anv\"ands p\aa{} r\"att s\"att f\"orhindra eller \textit{helt eliminera} vissa typer av brott. Vill vi egentligen det? Vill vi ha en intelligent alkoholm\"atare p\aa{} bilen som talar om f\"or oss att vi inte f\aa{}r k\"ora? Det kommer kanske att lagstiftas om den typen av \"overvakning av v\aa{}ra k\"orvanor. Vill vi att mottagaren av ett telefonsamtal alltid skall kunna veta vem vi \"ar? Exempelvis finns det ett program som heter \textit{Net Nanny}, allts\aa{} en barnvakt f\"or Internet. Den kan programmeras att \"overvaka barn som kommunicerar via Internet och kopplar omedelbart ned f\"orbindelsen om en "{}ful gubbe"{} b\"orjar fr\aa{}ga efter namn och telefonnummer. \"Aven om syftet kan tyckas behj\"artansv\"art kan man fr\aa{}ga sig vad som skulle h\"anda om en aldrig s\aa{} v\"alvillig regering b\"orjade f\"orse medborgarnas kommunikationer med s\aa{}dana filter. Jag menar, varf\"or inte dra ur kontakten om n\aa{}gon b\"orjar prata om vissa typer av spr\"ang\"amnen eller anv\"anda f\"or m\aa{}nga v\aa{}ldsamma ord -- bara i fall att... En intressant episod jag h\"orde talas om var n\"ar en gymnasieelev uppt\"ackte att en engelsk version av Net Nanny installerats p\aa{} skolans datorer. Programmet censurerade f\"or glatta livet, s\aa{} texter som inneh\"oll ord som "{}slut"{} och "{}slutsats"{} ("{}slut"{} = amerikanskt uttryck f\"or "{}slyna"{}) blev helt s\"onderklippta, f\"orvirrande och ol\"asliga. Scientologisekten anv\"ander sedan en tid tillbaka just en modifierad version av Net Nanny f\"or att h\aa{}lla sina medlemmar borta fr\aa{}n allt material som \"ar kritiskt mot sekten, filtrera bort kritisk e-post etc. Till skillnad fr\aa{}n en polis \"ar datorn \textit{\"overallt},\textit{ alltid} och i princip gratis. Skall vi l\aa{}ta v\aa{}r m\"ojlighet att v\"alja mellan att lyda eller strunta i lagen elimineras av datorer? Skall datorerna bli v\aa{}rt kollektiva elektroniska samvete, och ge oss en elektroniskt \"overvakad utopi d\"ar brott inte f\"orekommer eftersom de inte kan beg\aa{}s? Det \"ar inte en s\aa{} l\"att fr\aa{}ga som man kan tro, om man t\"anker efter en stund... EFF och flera andra organisationer menar att det \"ar \textit{om\"anskligt} att ta ifr\aa{}n m\"anniskan hennes r\"att att vara olydig. All social kontroll \"over m\"anniskan har n\"amligen hittills bottnat i sj\"alvkontroll, n\aa{}got som mekaniseringen hotar. Det finns h\"ar en risk f\"or att principer b\"orjar uppr\"atth\aa{}llas enbart f\"or att de programmerats p\aa{} det viset. Det \"ar bland annat detta \textbf{Paul Verhouens} cyberpunkfilm \textit{Robocop} handlar om - mekaniska varelser som med outsinlig effektivitet tuktar medborgaren till lydnad. I filmen \textit{Demolition Man} visas hur man anv\"ander datorer f\"or att tvinga p\aa{} m\"anniskor "{}moraliskt"{} spr\aa{}k. \begin{quotation} \noindent{}\textbf{A} = Anders\\ \textbf{B} = Bilen \noindent{}\textbf{A}: Hej Bilen.\\ \textbf{B}: Hej Anders.\\ \textbf{A} \textit{(Hoppar in i f\"orars\"atet)}: Nu b\"ar det av...\\ \textbf{B}: Ett \"ogonblick Anders, jag tycker du l\aa{}ter konstig p\aa{} r\"osten, du har v\"al inte druckit?\\ \textbf{A}: Nej d\aa{}.\\ \textbf{B}: Det \"ar nog b\"ast att du bl\aa{}ser innan jag l\aa{}ter dig k\"ora n\aa{}gonstans.\\ \textbf{A}: Ska det vara n\"odv\"andigt?\\ \textbf{B}: Ja.\\ \textbf{A}: Okej d\aa{}... \textit{(Tar upp en plastbl\aa{}sa och bl\aa{}ser med den i munstycket p\aa{} instrumentbr\"adan)}\\ \textbf{B}: F\"ors\"ok inte med mig, Anders. Det d\"ar var inte din andedr\"akt. Skall jag ringa efter en taxi?\\ \textbf{A} \textit{(P\aa{} v\"ag ut ur bilen, uppenbart irriterad)} \end{quotation} \section*{Yttrandefrihet} Och hur \"ar det nu med yttrandefriheten? Har en elektronisk bok lika stort existensber\"attigande som en som \"ar tryckt p\aa{} papper? N\"ar chefen f\"or datainspektionen \textbf{Anitha Bondestam} uttalade sig om att de l\"att barnsliga textfiler som finns p\aa{} en del BBS:er och som beskriver hur man tillverkar bomber och vapen skulle kunna vara \textit{olagliga} - s\aa{}g vi d\aa{} lika kritiskt p\aa{} detta som om hon sagt att \textit{b\"ocker} som beskriver dylika anordningar skulle kunna vara olagliga? Upplysningsvis kan jag avsl\"oja att det \textit{inte alls} \"ar olagligt att skriva b\"ocker om hur man tillverkar bomber - bara man inte uppmanar l\"asarna att till\"ampa kunskaperna. (\"Ar man milit\"ar och skriver en s\aa{}dan bok f\"or internt anv\"andande som \textit{uppmanar} l\"asaren att anv\"anda kunskaperna, blir man kanske rent av befodrad.) Det \"ar kanske moraliskt tvivelaktigt, s\"arskilt som l\"asarna ofta \"ar ton\aa{}ringar, men det \"ar definitivt inte f\"orbjudet. Dra t~ex en parallell till \textit{Hembr\"anningsboken} som beskriver hur hembr\"anning g\aa{}r till i detalj. Den \"ar inte f\"orbjuden. Datainspektionen s\"ager mycket konstigt som verkar ha v\"aldigt lite med deras verkliga uppdrag som myndighet att g\"ora. Datainspektionen g\"or v\"aldigt mycket bra. Framf\"or allt v\"arnar de om offentlighetsprincipen och individens r\"att till privatliv, att man har r\"att att veta var man registreras osv. Problemet \"ar att de i sin iver ibland tar p\aa{} sig rollen som sedel\"arande moraltempel, och det \"ar inte deras uppgift. F\"oreningen f\"or gr\"avande journalister med \textbf{Anders R Olsson} i spetsen har l\"ange drivit en linje som p\aa{}minner om EFF:s id\'{e}er. Detta b\"orjade s\aa{} vitt jag har f\"orst\aa{}tt det med en bok som Anders gav ut 1985 och som hette \textit{Spelrum}. I denna beskriver han den komplicerade statsapparaten och viljan att kontrollera individen p\aa{} ett medryckande och agiterande s\"att. Det William S Burroughs skriver p\aa{} Hcg-hyllan skriver Anders Olsson p\aa{} Occ-hyllan, f\"or att uttrycka det lite f\"orenklat. Han bygger inte sina teorier p\aa{} libertarianismens id\'{e}er om m\"anniskans frihet, utan snarare p\aa{} en beskrivning av \textit{maskinen} som han kallar \textit{AB Sverige} som den stora, kontrollerande samh\"allsmekanismen som byggs upp av byr\aa{}krati och (den goda) viljan att kontrollera m\"anniskor. Anders har ocks\aa{} agiterat f\"or att journalister skall ta hj\"alp av hackare f\"or att ta sig in i, och unders\"oka statsmaktens och andra organisationers slutna datasystem. Som jag beskrev i f\"orra kapitlet skedde detta ocks\aa{} i fallet med BBS:en \textit{Ausgebombt} i V\"anersborg. I sin bok \textit{Yttrandefrihet och Tryckfrihet} menar han att det \"ar fullt motiverat att hacka sig in i datorer som tillh\"or f\"oretag, myndigheter och andra organisationer f\"or att skaffa fram uppgifter som \"ar av allm\"ant intresse. Han betonar att det \"ar \textit{syftet} bakom handlingen, inte handlingen i sig, som \"ar det centrala. Han menar att grundlagsskyddet f\"or anskaffandefriheten i tryckfrihetsf\"orordningen och yttrandefrihetsgrundlagen skyddar den hackare som letar efter uppgifter f\"or publicering. Anders har nyligen publicerat en ny bok om informationsfrihet: \textit{IT och det Fria Ordet -- Myten om Storebror}, d\"ar han visar p\aa{} hur r\"adslan f\"or insyn kan utnyttjas f\"or att d\"olja mer \"an vad som beh\"over d\"oljas; han avdramatiserar de stora dataregistren och visar att det \"ar ganska sv\aa{}rt att "{}veta allt om en m\"anniska"{} med dess hj\"alp. Ist\"allet pekar han p\aa{} en ny fara -- att man insynsskyddar information som borde vara offentlig genom att p\aa{}st\aa{} att den \"ar integritetsk\"anslig. Han definierar \"aven fyra anv\"andbara termer som jag tolkar s\aa{} h\"ar: \textbf{Yttrandefrihet och Tryckfrihet}: r\"atten att uttrycka sin \aa{}sikt i etern och i medier utan att riskera att bli tystad eller \aa{}talad. (Ex: f\"orbud mot uppl\"osning av demonstrationer o~dyl, f\"orbud mot f\"orhandscensur av b\"ocker och tidningar.) \textbf{"{}Privacy"{}} eller \textbf{Privatlivets Helgd}: r\"atten att slippa insyn i sitt privatliv fr\aa{}n myndigheter eller andra maktorgan. (Dataregister, drogtester, kroppsunders\"okningar etc.) \textbf{Informationsfrihet}: r\"atten att informera sig om myndigheters eller andra maktorgans inre strukturer. (Ex: offentlighetsprincipen.) Denna frihet \"ar speciellt viktig f\"or journalister. I September startades en mailinglista vid namn Elektroniska Fronten hos Internetleverant\"oren Bahnhof i Stockholm. Listan modererades av Alexander Bard och var en samlingspunkt f\"or framf\"or allt libertarianska frihetsf\"orespr\aa{}kare. Den lades ner tidigt 1999 efter en l\"angre tids inaktivitet. I $<$DATUM$>$ startades \textbf{Elektroniska Fronten Sverige} (EFS\footnote{Elektroniska fronten Sverige registrerade dom\"annamnet efs.se (detta var p\aa{} den tiden d\aa{} det var relativt okomplicerat att skaffa sig dom\"annamn direkt under .se) och n\aa{}gra m\aa{}nader senare kom ett brev fr\aa{}n Evangeliska fosterlandsstiftelsen d\"ar man var en smula uppr\"ord \"over det intr\"affade. Elektroniska fronten st\"allde sig dock kallsinniga till Evangeliska fosterlandsstiftelsens anspr\aa{}k.} ) av \textbf{Anna-Mi Wendel} som en systerorganisation till det amerikanska EFF. F\"oreningen (d\"ar b~la undertecknad och Anders R Olsson \"ar medlemmar) har till syfte att v\"arna och bevaka den svenska yttrande- och tryckfriheten. Den utg\"ors i praktiken av en websida och en e-postlista d\"ar tankar, id\'{e}er och information utbyts och f\"or i dagsl\"aget en slumrande tillvaro. \chapter{DATABROTT: TERMINALSLAVAR, PLASTKORTSBEDRAGARE OCH CENSUR} Vad \"ar egentligen databrott? Vart g\aa{}r gr\"ansen mellan harml\"ost utforskande av ett datasystem och verkliga brott? I lagens bokstav \"ar databrott alla brott d\"ar en dator \"ar inblandad p\aa{} n\aa{}got vis. Om jag slog n\aa{}gon i huvudet med en avst\"angd dator skulle det i princip kunna betraktas som databrott. En lite smalare definition skulle kunna vara att ett databrott \"ar ett brott d\"ar information i telerymden utan tillst\aa{}nd f\"orflyttas eller skadas. Det brukar st\"amma in f\"or det mesta. De myndigheter i Sverige som bekymmrar sig mest f\"or databrott \"ar: \textit{Polisen, S\"akerhetspolisen (S\"ak, S\"APO), Milit\"ar Underr\"attelsetj\"anst och Kontraspionage, Brottsf\"orebyggande R\aa{}det (BR\AA{}), Civildepartementet} och \textit{Datainspektionen}. Ut\"over dessa finns \textit{storf\"oretagens egna s\"akerhetsorganisationer} och en del \textit{id\'{e}ella sammanslutningar, informella n\"atverk} samt (givetvis) \textit{kriminella organisationer}. Det \"ar inte s\"arskilt f\"orv\aa{}nande att alla dessa m\"anniskor presenterar problemen p\aa{} helt olika vis. Rikspolisstyrelsen delar in databrotten i f\"oljande kategorier: \begin{enumerate} \item Dator eller programvara som anv\"ants som brottshj\"alpmedel \item Dator eller programvara som utsatts f\"or brottslig p\aa{}verkan \item Programvara som kopierats eller f\"or\"andrats \item Obeh\"origt intr\aa{}ng eller obeh\"orig anv\"andning av datorer eller datorn\"atverk \end{enumerate} \noindent{}De flesta databrott som beg\aa{}s har ingenting alls med hackare att g\"ora. F\"or det mesta handlar det om personal p\aa{} banker, posten, f\"ors\"akringskassor eller privata f\"oretag som har hand om utbetalningar. M\aa{}nga faller f\"or frestelsen n\"ar de ser hur \textit{l\"att} det \"ar att f\"orflytta pengar fram och tillbaka mellan konton, bevilja sig sj\"alva studiemedel eller socialbidrag, f\"orfalska fakturor etc. Det \"ar egentligen bara en "{}f\"orb\"attring"{} (f\"orv\"arring?) av den gamla vanliga ekonomiska brottsligheten. Ett exempel \"ar en svensk socialtj\"ansteman som 1982 skrev ut 400.000 kronor i socialbidrag \aa{}t sig sj\"alv, och sedan \aa{}kte till Venezuela f\"or att l\"osa ut en kompis som satt i f\"angelse f\"or politisk verksamhet. Detta kunde han g\"ora d\"arf\"or att han k\"ande till vissa brister i utbetalningssystemet: utbetalningarna rapporterades inte mer \"an var 14:e dag. Detta \"ar typiskt f\"or den absolut mest omfattande formen av databrott. I j\"amf\"orelse med s\aa{}dana h\"ar brott \"ar hackande och phreakande en piss i Missisippi. De v\"arsta databrotten beg\aa{}s av folk med en respektabel position, och avsl\"ojas n\"astan \textit{aldrig.} Men det visste du ju redan. Anledningen till att dessa databrott inte f\aa{}r lika mycket publicitet som hackarnas sm\aa{} pojkstreck \"ar att de dels pekar p\aa{} n\aa{}got mycket k\"ansligt: sammanh\aa{}llning och moral p\aa{} det egna f\"oretaget eller myndigheten \"ar absolut viktigast om man vill skydda sig fr\aa{}n yttre hot. Det \"ar dessv\"arre betydligt sv\aa{}rare att f\"ors\"akra sig om att de egna anst\"allda trivs och \"ar lojala mot f\"oretaget \"an att skylla p\aa{} hackare som kommer utifr\aa{}n. Principen har med framg\aa{}ng till\"ampats av hela l\"ander f\"or att slippa ta itu med den egna problematiken. Genom att skylla p\aa{} exempelvis judar, kommunister eller muslimer kan man f\aa{} en klar hotbild och en m\aa{}ltavla f\"or sina aggressioner, samtidigt som man slipper diskutera sina egna problem. Den verklige databrottslingen ser ut som f\"oljer: medel\aa{}lern ligger mellan 30 och 40 \aa{}r. H\"alften av brottslingarna har jobbat mer \"an 10 \aa{}r inom f\"oretaget. \textit{45\% \"ar kvinnor.} Hackare? Knappast. (K\"alla: N\"atv\"arlden \#8/1994 sid 36.) S\aa{} l\aa{}ngt interna databrott. Ett lite mer "{}hackaraktigt"{} brott \"ar att lura bankomater eller kreditkortsf\"oretag. N\"ar bankomaterna var nya i Sverige p\aa{} 1960-talet och uttagen fortfarande lagrades p\aa{} h\aa{}lremsor inne i maskinerna, var det n\aa{}gon som sprang runt mellan en massa bankomater med f\"orfalskade bankomatkort och lyckades ta ut i runda tal 900.000 kr \"over en p\aa{}skhelg. Det \"ar inte lika l\"att idag. Kanske. Flera svenska hackare har tillg\aa{}ng till de apparater som beh\"ovs f\"or att l\"asa och skriva magnetkort. De har dessutom luskat ut \textit{mycket} om vad det \"ar f\"or information som lagras p\aa{} korten, och vad som inte lagras d\"ar, mest av allm\"ant intresse f\"or systemet. Det \"ar dock inte s\aa{} l\"att att ta sig in i en bankomat "{}bakv\"agen"{}. Bankerna har byggt upp ett eget telen\"at som man inte kommer \aa{}t med en vanlig telefon, och det \"ar via detta som transaktionerna till bankomaterna sker. Jag fascineras sj\"alv st\"andigt \"over vilken tilltro folk har till magnetkort. Alla kort med en magnetremsa, typ minutenkort, l\aa{}nekort osv, \"ar standardiserade och kan kopieras med r\"att utrustning. En v\"an till mig roade sig med att ta ut pengar p\aa{} sitt gamla l\aa{}nekort. Han hade helt enkelt kopierat informationen fr\aa{}n sitt bankomatkort till l\aa{}nekortet. Jag blev heller knappast f\"orv\aa{}nad n\"ar jag i april 1995 fick veta att n\aa{}gra ungdomar i Helsingborg kopierat l\"anstrafikens busskort och s\aa{}lt dem f\"or halva ordinarie priset. (Hackaren \textit{Wolf} som jag n\"amnde i kapitel 4.) Televerkets egna telefonkort h\aa{}ller skr\"ammande l\aa{}g s\"akerhetsniv\aa{}; likas\aa{} de kort som anv\"ands till GSM-telefoner och satellitdekodrar. Det r\"or sig alltf\"or ofta om helt oskyddade standardformat. Aprop\aa{} kort: \textit{Kreditkort} \"ar dessv\"arre v\"aldigt popul\"ara bland hackare. L\aa{}t oss titta p\aa{} lite statistik fr\aa{}n 1989 d\aa{} det fanns mellan 6 och 7 miljoner kort i Sverige. Detta \aa{}r var oms\"attningen via kort 20-30 miljarder kronor per \aa{}r uppdelade p\aa{} c:a 50 miljoner transaktioner p\aa{} i medeltal 400 kronor. Det gjordes p\aa{} denna tid 18.000 anm\"alningar om bedr\"agerier varje \aa{}r, d\"ar varje anm\"alan kunde innefatta sis\aa{}d\"ar 50 bedr\"agerier (allts\aa{} att n\aa{}gon har handlat p\aa{} n\aa{}gon annans kort 50 g\aa{}nger innan det hela polisanm\"aldes). Polisen utreder helst inte s\aa{}dana bedr\"agerier om det inte r\"or sig om minst 50.000 kronor. Vad siffrorna \"ar idag v\aa{}gar jag inte ens dr\"omma om. Vad vi kan konstatera \"ar att det inte \"ar s\"arskilt troligt att de d\"ar 18.000 bedr\"agerierna begicks enbart av hackare. Det \"ar ofta rent l\"ojligt l\"att att ringa gratis eller handla varor p\aa{} n\aa{}gon annans kreditkort. Tidigare, n\"ar kontrollen inte var s\aa{} h\aa{}rd, var det m\aa{}nga hackare som \textit{"{}kortade"{}} varor fr\aa{}n utlandet. Speciellt datautrustning och liknande, s\aa{}klart. Hur man stj\"al kortnummer med social ingenj\"orskonst, skr\"aprotning etc, har jag redan tidigare illustrerat. Om du r\aa{}kar ut f\"or att en phreakare l\"ansar ditt kreditkort kommer du aldrig att f\aa{} veta det. Kreditskortsf\"oretagen talar aldrig om detta f\"or sina kunder. Det vanligaste \"ar att man s\"ager att det blivit \textit{"{}n\aa{}got tekniskt fel"{}}. Med undantag f\"or st\"old av kreditkortsnummer och tillh\"orande s\"akerhetskoder, \"ar det en hackare sysslar med inte databrott i hans/hennes egna \"ogon. Som databrott r\"aknar en hackare ett brott som beg\aa{}s med hj\"alp av datorer f\"or att uppn\aa{} n\aa{}got annat \"an tillg\aa{}ng till information. En brottsling som anv\"ander hackarmetoder \"ar allts\aa{} ingen hackare, utan en databrottsling. Hackande i traditionell bem\"arkelse handlar om nyfikenhet, \textit{inte} om girighet. \section*{Sabotage} Datasabotage \"ar en ganska ovanlig, men mycket gammal form av databrott. Ordet \textit{sabotage} kommer fr\aa{}n franskans \textit{sabbot} som betyder tr\"asko. Det heter s\aa{} f\"or att arbetarna p\aa{} de franska v\"averierna sl\"angde tr\"askor i de automatiska v\"avstolarna eftersom de var f\"orbannade p\aa{} att maskinerna tagit jobben ifr\aa{}n dem. En automatisk v\"avstol \"ar ju p\aa{} m\aa{}nga s\"att ganska lik en dator, s\aa{} man kan s\"aga att sabotage fr\aa{}n b\"orjan var just datasabotage. Denna typ av verksamheter har f\"orkommit sedan den engelske upprorsmakaren \textbf{Ned Ludd} och hans \textit{ludditer} f\"orst\"orde v\"avstolar och spinnmaskiner i mitten av 1700-talet. Svenska anarkister har ofta sagt att de skall sabotera datacentraler. (Bland annat genom den utomparlamentariska och anarkistiska aktionstidningen \textit{Brand}.) Som de flesta av de h\"ar aktivisternas hot s\aa{} r\"or det sig mest om att lova runt men h\aa{}lla tunt. Svenska aktivister har nog lite sv\aa{}rt att hitta och komma \aa{}t datacentraler, varf\"or de n\"ojer sig med att f\"orst\"ora Shellmackar och andra mer l\"attidentifierade m\aa{}l. IRA har d\"aremot bombat n\aa{}gra datorer p\aa{} Nordirland, och i Amerika tog sig n\aa{}gra fredsaktivister som kallade sig \textbf{Beaver 55} redan 1969 in p\aa{} en datacentral vid ett kemif\"oretag i Michigan och raderade 1000 databand som skall ha inneh\aa{}llit planer p\aa{} kemiska vapen. Detta skedde med hj\"alp av helt vanliga magneter. (Kanske n\aa{}got f\"or plogbillarna?) Det har \"aven funnits en aktivistgrupp i Frankrike vid namn \textbf{CLODO} (Comite de Liberation Ou de Detournement des Ordinateurs). Mellan 1979 och 1983 f\"orst\"orde dessa aktivister ett antal datorer vid f\"oretag i Toulouse-omr\aa{}det. De ville protestera mot datasamh\"allet som de menade anv\"ande datorer till att kontrollera m\"anniskor - en direkt efterf\"oljare till de ursprungliga tr\"askoaktivisterna i god fransk tradition. Detta \"ar som synes en militant gren av de medborgarr\"attsr\"orelser som EFF och Chaos Computer Club tillh\"or. Det kanske ot\"ackaste exemplet p\aa{} den h\"ar formen av aktioner \"ar den sk \textit{Unabombaren}, en person som sedan 1978 misst\"anks ha genomf\"ort 16 spr\"angd\aa{}d som sammanlagt d\"odat 3 personer och skadat 23. Onsdagen den 2 augusti 1995 publicerade \textit{Washington Post} och \textit{New York Times} utdrag ur ett manifest fr\aa{}n personen i fr\aa{}ga, som visade sig vara v\"alskriven argumentation mot teknikens utbredning i samh\"allet. Det \"ar inte bara den fysiska utrustningen som uts\"atts f\"or sabotage. Man kan givetvis \"aven sabotera dataprogram eller annan information som finns lagrad i datorn. En redakt\"or vid Encyclopedia Britannica i Chicago blev s\aa{} syrak f\"or att han blev avskedad att han \"andrade en massa ord i uppslagsverket. Bland annat \"andrade han \textit{Jesus} till \textit{Allah}. Det finns otaliga exempel p\aa{} anst\"allda som h\"amnats p\aa{} sina arbetsgivare p\aa{} liknande vis. Ett annat sabotage intr\"affade i Israel. En 18-\aa{}rig hackare lyckades genom att ta sig in i en dator som tillh\"orde en israelisk tidning publicera en p\aa{}hittad nyhet om att hans datal\"arare blivit gripen och anklagad f\"or narkotikabrott i USA. (Ett ganska roligt \textit{hack} om jag f\aa{}r s\"aga det sj\"alv, men \"and\aa{} r\"att allvarligt om man ser till massmedias betydelse i v\aa{}rt samh\"alle. J\"amf\"or \textit{Captain Midnight}, kapitel 4.) \section*{Nassar} Att som phrekarna sprida stulna kontokortskoder, passerkoder till olika datasystem och liknande \"ar givetvis ocks\aa{} olagligt. En del BBS:er som \textit{Ausgebombt} har annonser om vapen, anabola steroider och varor som skulle kunna vara st\"oldgods. De kan ocks\aa{} inneh\aa{}lla grov barn- eller v\aa{}ldspornografi eller rasistiska budskap. Svenska nazister har f\"or l\"ange sedan uppt\"ackt den nya tekniken, och anv\"ander den flitigt f\"or att kommunicera. Enligt vissa forskare b\"orjade nazister anv\"anda detta medium p\aa{} allvar f\"orst under 1991, men redan tidigare fanns det BBS:er med rasistisk eller \"oppet nazistisk profil. Sedan Internetgenombrottet i mitten p\aa{} 90-talet har ett flertal nazistiska hemsidor etablerats och blivit spridningscentraler f\"or propaganda. BBS:erna \"ar nedlagda till f\"orm\aa{}n f\"or \"oppna och slutna diskussionsforum p\aa{} Internet. Genom att flytta fr\aa{}n land till land om publikationen hotas kan all form av lagstiftning enkelt och smidigt undvikas. Det sker dock en sm\"arre skada varje g\aa{}ng en nazistisk eller annan propagandasida st\"angs: det blir sv\aa{}rt att hitta till den nya platsen eftersom adressen \"andrats, och klisterm\"arken, broschyrer och dylikt som tryckts f\"or att propagera f\"or webbplatsen m\aa{}ste kastas eller g\"oras om. Att vara rasist \"ar dock inte f\"orbjudet.\footnote{Vintern 1999, just nu \"ar det sv\aa{}rt att s\"aga hur framtiden ser ut p\aa{} detta omr\aa{}de pga diverse nazistiska terrorattentat.} Hets mot folkgrupp, allts\aa{} spridande av l\"ognaktiga uppgifter, \"ar d\"aremot mycket f\"orbjudet. Jag tycker personligen inte att det h\"ar har s\aa{} mycket med hackardebatt att g\"ora. De flesta hackare \"ar inte rasister, och inte ett dugg intresserade av varken anabola steroider, stulna vapen eller barnpornografi. N\"ar det g\"aller BBS:er och Internet \"ar det t\"ankt att man skall man f\"olja samma lagar som g\"aller i samh\"allet i \"ovrigt: om du ser n\aa{}got misst\"ank och som du tror kan vara \aa{}talbart -- ring polisen. Emellertid \"ar detta s\"allan det effektivaste. Det enklaste \"ar oftast att sp\aa{}ra och ta kontakt med den som ligger bakom infrastrukturen och genom p\aa{}tryckningar f\"ors\"oka f\aa{} dem att st\"anga av tj\"ansten. Denna "{}det-s\"akra-f\"ore-det-os\"akra-attityd motst\aa{}r n\"astan bara Flashback, som hittills v\"agrat att st\"anga webbplatser av ideologiska sk\"al eller i den "{}allm\"anna opinionens"{} intresse. T\"ank ocks\aa{} p\aa{} att de som \"ar s\aa{} engagerade i en politisk r\"orelse som nynazismen att de l\"agger ned tid och arbete p\aa{} att starta informationskanaler av det h\"ar slaget inte \"ar det utan anledning. Innan du l\aa{}ter dina tankar och handlingar styras av hat och avsky skall du t\"anka p\aa{} att dessa personer faktiskt m\aa{}nga g\aa{}nger \textit{har} t\"ankt igenom vad de g\"or. Har du det? Att ringa svensk polis \"ar f\"or det mesta meningsl\"ost eftersom den st\"orsta delen av Internet finns utomlands, framf\"or allt i USA. I vissa l\"ander \"ar det inte ens ett brott att sprida rasistisk information mm. I s\aa{}dana fall \"ar svenska staten idag n\"astan helt maktl\"os. Det enda s\"attet f\"or en myndighet att komma \aa{}t information som lagras i ett land med liberal lagstiftning \"ar att antingen koppla bort landets datorer \footnote{Tyska myndigheter f\"ors\"okte p\aa{} detta vis stoppa den v\"ansterextremistiska tidningen \textit{Radikal}, som p\aa{}passligt nog hade lagt sina dokument p\aa{} en Holl\"andsk dator. F\"ors\"oket blev ett fiasko: ett trettiotal sympatis\"orer kopierade tidningens dokument till sina egna datorer, vilket resulterade i att Tyskland i princip skulle koppla bort hela v\"arlden f\"or att bli av med Radikal.} (vilket inte \"ar s\"arskilt l\"att, eller ens \"onskv\"art) eller genom internationell lagstiftning i FN. Men det finns ett annat s\"att! Internet \"ar byggt av m\"anniskor, f\"or m\"anniskor och verkar genom m\"anniskor. \textit{Du kan s\"aga din uppriktiga mening till den som \"ar ansvarig f\"or att sprida informationen}. Du kan ocks\aa{} i v\"arsta fall \"overtala den som \"ar ansvarig f\"or datorn d\"ar informationen lagras att ta bort den. Innan \"overg\aa{}r till s\aa{}dana \aa{}tg\"arder b\"or man dock t\"anka sig f\"or b\aa{}de en och tv\aa{} g\aa{}nger. Internet betraktas n\"amligen av m\aa{}nga som ett enda stort bibliotek d\"ar var och en sj\"alv s\"oker reda p\aa{} vad hon eller han vill ha, och om du kommer med id\'{e}er om att s~a~s "{}censurera"{} detta bibliotek m\aa{}ste du ocks\aa{} beakta att du angriper det fria ordet, och vara beredd att ta ansvaret f\"or detta. Din handling \"ar i ett s\aa{}dant fall att likst\"alla med att g\aa{} ner till n\"armaste bibliotek, plocka ut b\"ocker ur hyllorna, ta ut dem p\aa{} gatan och br\"anna upp dem. Informationstekniken har p\aa{} s\aa{} vis tagit hem v\"arldsproblemen till ditt skrivbord. \"Ar det d\aa{} inte f\"or roligt! Nu g\aa{}r det inte att avsk\"arma sig fr\aa{}n problemen i v\"arlden, utan man m\aa{}ste engagera \textit{sig sj\"alv}. Kryss i taket! Sj\"alv tycker jag att den h\"ar diskussionen \"ar s\aa{} nyttig f\"or det svenska folkhemmet att det helt uppv\"ager det hot som denna "{}farliga"{} information utg\"or. Sri-lankas och Elfenbenskustens problem \"ar helt pl\"otsligt ocks\aa{} v\aa{}ra problem. S\aa{} l\"ange barnporr \"ar till\aa{}tet n\aa{}gonstans i v\"arlden \footnote{Exempelvis Japan har mycket liberal syn p\aa{} material som vi svenskar s\"akert skulle kategorisera som barnpornografi. USA och Kanada har liberal syn p\aa{} rasistisk och nazistisk propaganda.} kommer vi ocks\aa{} att ha s\aa{}dant material h\"ar, i v\aa{}rt eget Internet. Personligen trivs jag faktiskt med detta, och hoppas att vi l\"ar oss n\aa{}got av det. N\"ar det g\"aller s\aa{}dant h\"ar \"ar problemet \textit{allas}, precis som med milj\"oproblemen. Problemet skall l\"osas d\"ar det h\"or hemma: i v\"arlden. FN kanske.\footnote{Jag \"ar ingen v\"an av \"overstatliga organisationer annat \"an som diskussionsforum. Som s\aa{}dana \"ar de ypperliga. I fr\aa{}ga vad g\"aller internationella vederg\"allningar o~dyl \"ar jag kluven.} \section*{Polisen} Den svenska polisen i form av Rikspolisstyrelsen hade en expert p\aa{} databrott, n\"amligen polis\"overintendent \textbf{Hans Wranghult} i Malm\"o. Han var liksom de flesta andra europeiska experter p\aa{} omr\aa{}det utbildad i Kalifornien, USA. Hans fr\"amsta arbete p\aa{} omr\aa{}det \"ar en rapport som heter \textit{Datakriminalitet - Hackers, insiders och datorst\"odd brottslighet}, och som tycks vara renskrivningar av hans anteckningar fr\aa{}n skolan i USA, l\"att anpassade f\"or svenska f\"orh\aa{}llanden. Trots att denna rapport \"ar en mycket detaljerad genomg\aa{}ng av databrottslighet och m\"ojliga perspektiv f\"ormedlar den dessv\"arre en kraftigt f\"orenklad bild av hackare. Det \"ar tydligt att Hans mest har lyssnat p\aa{} sina l\"arare och inte fr\aa{}gat n\aa{}gra amat\"orer vad de tycker om hackare. Stycket om hackare inleds med meningarna: \begin{quotation} \noindent{}\textit{"{}Ursprungligen var ordet hacker en ben\"amning p\aa{} en person som inom den organisation han arbetade hade till uppgift att testa ett datasystem. Metoden f\"or testen var att uts\"atta systemet f\"or ett stort angrepp av olika slag och att d\"arigenom uppt\"acka fel och brister i programvaran eller s\"akerhetssystemet."{}} \end{quotation} \noindent{}Detta \"ar f\"or det f\"orsta inte sant, eftersom de f\"orsta hackarna var studenter som hade till uppgift att \textit{utveckla} datasystem, och tyder p\aa{} en grundsyn p\aa{} hackare som inneb\"ar att de alltid \"ar ute efter att testa eller forcera s\"akerhetssystem. Du som har l\"ast den h\"ar boken fr\aa{}n b\"orjan vet att detta bara \"ar en ganska liten del av hackarkulturen. En annan m\"ojlighet \"ar att Wranghult medvetet g\"or denna f\"orenkling f\"or att motivera sina mannar. Polisen bygger sitt arbete p\aa{} ett "{}vi mot dom"{}-t\"ankande, och om han b\"orjat tala om att det finns s\aa{}v\"al sn\"alla som dumma hackare hade det kanske blivit lite v\"al suddiga gr\"anser f\"or vad lagen egentligen tycker om hackare. Speciellt kritisk \"ar han mot bilden av hackaren som \textit{hj\"alte}, vilket ha tycker \"ar ett ofog. Om han k\"ant till hur journalister anv\"ant sig av hackare som n\"ar Chaos Computer Club hackade fram uppgifter om det V\"asttyska k\"arnenergiprogrammet eller n\"ar den anonyme hackaren tog sig in i BBS:en \textit{Ausgebombt} i V\"anersborg, hade han varit tvungen att nyansera sin svartm\aa{}lning av hackarnas verksamhet. Tydligen har polisen t\"ankt igenom det h\"ar en andra g\aa{}ng, f\"or i juni 1995 gjorde man g\"allande att man mycket v\"al kunde t\"anka sig att ta hj\"alp av hackare f\"or att komma till r\"atta med databrottsligheten. Hans Wranghults kunskaper anses numera f\"or \"ovrigt inte v\"ardefulla, utan f\"or\aa{}ldrade (de var i sj\"alva verket aldrig s\"arskilt bra), och han har numera tilldelats andra arbetsuppgifter av strategisk karakt\"ar. \medskip{} \noindent{}N\"ar det g\"aller S\"APOs intresse f\"or hackare och annan datakultur \"ar det inte mycket man f\aa{}r veta. Det \"ar i och f\"or sig inte s\aa{} konstigt, eftersom det \"ar s\aa{} det fungerar. \textbf{Bengt Angerfelt} och \textbf{Roland Frenzell} arbetar som utredare i datas\"akerhetsfr\aa{}gor p\aa{} S\"APO,\footnote{1997} och deras arbete best\aa{}r antagligen mest i att samla information och kunskaper om databrott s\aa{} att det finns n\aa{}gon som kan vidta \aa{}tg\"arder om rikets s\"akerhet hotas. F\"orhoppningsvis vet de mer om datas\"akerhet \"an n\aa{}gon annan i Sverige. Med tanke p\aa{} fiaskot p\aa{} krypteringsomr\aa{}det borde man ha sett \"over sin expertis vid det h\"ar laget. \"Aven den milit\"ara underr\"attelsetj\"ansten intresserar sig givetvis f\"or datas\"akerhetsfr\aa{}gor. Om detta vet jag \"annu mindre, det enda jag s\"akert vet \"ar det som \"ar v\"alk\"ant bland hackare: Den milit\"ara underr\"attelsetj\"ansten samlar p\aa{} alla upplysningar den kan f\aa{} om system- och datas\"akerhet. Dessa uppgifter anv\"ander de sedan till att f\"orb\"attra \textit{sin egen} s\"akerhet. Ingen milit\"ar skulle n\aa{}gonsin f\aa{} f\"or sig att f\"ora ut kunskaperna till stat och n\"aringsliv. Det finns uppenbara sk\"al till detta: N\"aringslivet, och fr\"amst dataf\"oretagen, \"ar angel\"agna om att utrustningen \"ar s\"aker. Om t~ex det amerikanska NSA (National Security Agency) talade om f\"or ett f\"oretag som tillverkade ett visst operativsystem var s\"akerhetsbristerna fanns skulle detta genast \aa{}tg\"ardas. \textit{Varf\"or ligger detta inte i de milit\"ara underr\"attelsetj\"ansternas intressen?} Mycket enkelt, faktiskt: Eftersom datasystemen exporteras kan milit\"aren anv\"anda s\"akerhetsluckorna f\"or att angripa utl\"andska datasystem i h\"andelse av krig. Milit\"aren (\aa{}tminstone den amerikanska) har ju sina egna hackare och virustillverkare. Jag menar, varf\"or inte? Det \"ar knappast n\aa{}gra kontroversiella vapen, och de begr\"ansas inte av internationella \"overenskommelser. Klart att de har bev\"apnat sig till t\"anderna med verktyg f\"or elektronisk krigf\"oring. Genom att k\"anna till bristerna kan man skydda sig sj\"alv och angripa andra. Av samma anledning skulle svensk underr\"attelsetj\"anst aldrig tipsa Ericsson om s\"akerhetsbrister i AXE-systemen. Ett antal av Sveriges skickligaste hackare har anst\"allts som s\"akerhetsexperter av s\aa{}v\"al S\"APO som milit\"ar underr\"attelsetj\"anst och kontraspionage.\footnote{Dvs databrott l\"onar sig ibland -- om man \"ar v\"arst. Uppgiften kommer fr\aa{}n en maillista f\"or journalister under SHA-st\aa{}hejet och CIA-h\"arvan.} F\"ormodligen anv\"ander man sig av denna kompetens f\"or att m\"ojligg\"ora "{}avlyssning"{} av elektronisk kommunikation. (Vilket inte \"ar f\"orbjudet, till skillnad fr\aa{}n telefonavlyssning.) Den enskilt mest betydelsefulla elektroniska krigsf\"oringen r\"or sig i dag om industrispionage. Genom att det fysiska kriget s~a~s har avvecklats, krigas det numera ekonomiskt om marknadsandelar p\aa{} en v\"arldsmarknad, och det \"ar i detta perspektiv de olika ryktena om USA:s sk \textit{echelon-projekt} skall ses. Det prim\"ara syftet med detta \"ar f\"ormodligen inte att bek\"ampa terrorism, maffia eller liknande. Det prim\"ara syftet \"ar riktad avlyssning i syfte att genomf\"ora riktat industrispionage mot Europa och Japan. Att kunna man\"ovrera marknader \"ar idag viktigare \"an att kunna man\"ovrera krigsfartyg, och detta \"ar ocks\aa{} den prim\"ara orsaken till att (stor-)f\"oretagen nu \"ar s\aa{} intresserade av kryptering. (Se f\"or \"ovrigt f\"oreg\aa{}ende kapitel r\"orande kryptering.) \section*{Storebror Vill Se Dig} Men spridande av "{}samh\"allsfarlig"{} information d\aa{}? Det \"ar inte lika sj\"alvklart att p\aa{}st\aa{} att information som t ex \textit{Terroristens handbok, narkotikarecept, bombritningar} eller kanske \textit{tekniska beskrivningar av televerkets telefonkort} skulle vara olaglig. Ett popul\"art begrepp \"ar att kalla detta n\aa{}got s\aa{} lustigt som \textit{sociopatisk information.} Att vara sociopat inneb\"ar att man \"ar \textit{socialt missanpassad} och tillh\"or en grupp som inte accepterar den i samh\"allet r\aa{}dande normen f\"or normal m\"anniska\footnote{ Margot Bengtsson skriver om att detta begrepp v\aa{}llade debatt runt 1967 i artikelsamlingen \textit{Det R\"oda Lund} (1998): "{}(...)psykiatrin ville inf\"ora en ny diagnos f\"or mental oh\"alsa, som ben\"amndes 'sociopati'. S\aa{} som sociopatbegreppet beskrevs fick m\aa{}nga intrycket av att det i sj\"alva verket var ett f\"ors\"ok att sjukf\"orklara vissa kritiska samh\"allsv\"arderingar och d\"armed oskadligg\"ora eller kanske t~o~m internera samh\"allskritiska personer. (...) Den omfattande debatten kring sociopatibegreppet gjorde att det aldrig inf\"ordes."{} S\aa{}lunda anv\"ander Wallin ett kontroversiellt och kliniskt icke vedertaget begrepp.} . Alla hackare, ravare, anarkister, nazister, frimurare och liknande sm\aa{} grupperingar \"ar d\"arf\"or att betrakta s\aa{}som sociopater. S\aa{} \"aven Rotary. Sociopatisk information \"ar f\"oljaktligen information som \"ar skriven av socialt missanpassade m\"anniskor, eller m\"ojligen information som beskriver hur man skall bete sig f\"or att bli en socialt missanpassad m\"anniska. Att exempelvis sprida liberala id\'{e}er i ett totalit\"art kommunistiskt land m\aa{}ste betraktas som synnerligen sociopatiskt. Det \"ar inte f\"orbjudet att vara socialt missanpassad. Det \"ar inte ens f\"orbjudet att sprida sociopatisk information. Men det finns en del auktorit\"ara element inom v\aa{}rt samh\"alle som g\"arna skulle se att det var det. Under mitt arbete med denna bok har jag lyckligtvis bara hittat ett enda genuint exempel p\aa{} denna storebrorattityd: I en liten skojig rapport fr\aa{}n \textbf{Institutet f\"or R\"attsinformatik} i Stockholm som heter \textit{Kriminella Teknikzonen} har en jurist som heter \textbf{Anders Wallin} skrivit mycket om hur \textit{han} tycker att lagen ser p\aa{} sociopatisk information. I en rapport p\aa{} \"over 50 sidor lyckas han med konststycket att upprepade g\aa{}nger f\"ord\"oma denna s~k sociopatiska information, utan att en enda g\aa{}ng n\"amna att den faktiskt inte \"ar f\"orbjuden. Ist\"allet lutar han sig tillbaka p\aa{} ett juridiskt paradigm (tankem\"onster) som inneb\"ar att allt som hotar samh\"allet s\aa{} som det ser ut i dag per definition \"ar farligt. \"Overf\"ort till ideologi skulle detta kallas konservatism. Han n\"amner bland annat att han inte kunnat hitta den sociopatiska boken \textit{The Anarchists Cookbook} p\aa{} n\aa{}got svenskt bibliotek, och forts\"atter med att ondg\"ora sig \"over att liknande information finns tillg\"anglig i flertalet svenska databaser. Han n\"amner dock inte att denna bok varit uppe till granskning -- och blivit \textit{friad.} Vill man l\"asa en riktigt sociopatisk bok kan man leta redan p\aa{} \textbf{Jerry Rubins} \textit{Snacka inte bara} som finns p\aa{} flera svenska bibliotek. Den \"ar dessutom utgiven p\aa{} det respektabla f\"orlaget Pan/Nordstedts. \textbf{Nikanor Teratologens} \textit{\"Aldreomsorgen i \"Ovre K\aa{}gedalen} \"ar ett annat exempel p\aa{} "{}tvivelaktig"{} litteratur, \textbf{Torbj\"orn S\"afwe} \"ar en sociopatisk f\"orfattare osv, listan kan g\"oras l\aa{}ng. Med sociopatisk information menas tydligen b\"ocker som inte vanliga m\"anniskor skall l\"asa, f\"or d\aa{} blir de f\"orst\"orda. Eller: b\"ocker som inte ungdomar b\"or l\"asa, f\"or d\aa{} blir de f\"orst\"orda. Eller: b\"ocker som vissa skall f\aa{} l\"asa men inte alla, f\"or man kan inte lita p\aa{} deras omd\"ome. (Sj\"alv \"ar jag ganska barnsligt f\"ortjust i tryckfrihet.) Samtidigt m\aa{}ste jag po\"angtera att jag inte tycker att allt i Wallins rapport \"ar dumt. Det jag tycker \"ar dumt \"ar det underf\"orst\aa{}dda rop p\aa{} censur som ligger mellan raderna p\aa{} en hel del st\"allen i den h\"ar rapporten. Wallin tycker att det \"ar hemskt att unga pojkar skall f\aa{} l\"asa s\aa{}dana h\"ar hackarb\"ocker och terrormanualer. Och visst f\"orst\aa{}r jag honom -- det finns de som har lyckats st\"alla till ordentliga problem med de kunskaper de skaffat sig genom att l\"asa s\aa{}dana. Det var visst n\aa{}gon i USA som lyckades spr\"anga sin lillasyster. Det blundar jag inte f\"or. Men han har tydligen \textit{l\"ast dem sj\"alv}... S\aa{}dant retar s\aa{}klart gallfeber p\aa{} cyberpunkare, och betraktas med r\"atta som \"overf\"ormynderi. Ytterst ansvariga f\"or att ungdomar inte bygger bomber hemma torde deras f\"or\"aldrar vara. Och \"ar de s\aa{} gamla att de flyttat hemifr\aa{}n, s\aa{} anser jag faktiskt att man kan lita p\aa{} dem. Faktiskt tror jag till och med att de klarar av att l\"asa s\aa{}dana h\"ar b\"ocker, om det roar dem. Jag r\aa{}kar anse att en m\"anniska som tillverkar en bomb hemma i garaget helt klart m\aa{}ste ha mer \"an en skruv l\"os, och f\"or den skull skall inte vanliga, hederliga m\"anniskors yttrande- och tryckfrihet \aa{}sidos\"attas. Jag skall erk\"anna en sak: jag \"ager massor med sociopatisk information. Jo, det \"ar faktiskt sant. Jag har bland annat anv\"ant den som underlag f\"or den h\"ar boken. N\"astan all s\aa{}dan information jag har \"ar digital, och eftersom det roar mig kopierar jag den g\"arna till var och en som \"ar intresserad, vilket jag inte ser som ett dugg ansvarsl\"ost. \section*{F\"orbjuda Datavirus??} Att f\"orbjuda virustillverkning \"ar ocks\aa{} mycket tveksamt. S\"arskilt som man inte har n\aa{}gra planer p\aa{} att f\"orbjuda \textit{innehav} av datavirus, bara nyproduktionen. F\aa{}r jag inte framst\"alla ett datavirus och infektera min egen dator med det om jag k\"anner f\"or det? Det verkar konstigt, tycker jag. Till saken h\"or att man kan skapa ett datavirus p\aa{} papper med hj\"alp av en vanlig blyertspenna om man vill. Det \"ar f\"orst n\"ar man matar in viruset i en dator och sprider det, som det kan g\"ora skada.\footnote{N\aa{}gon kanske reagerar p\aa{} att jag talar i termer av egna \aa{}sikter. Detta beror p\aa{} att det inte finns n\aa{}gra lagar att diskutera runt.} \begin{quotation} \noindent{}\textbf{Storebror:}\textit{ Vad skall du g\"ora virus f\"or? Det kommer inget gott ur det. L\aa{}t bli det. L\aa{}t bli det s\"ager jag. Varf\"or skall du skriva dikter? Vad skall det vara bra f\"or? L\aa{}t bli. G\aa{} till fabriken och jobba ist\"allet. G\"or nytta s\"ager jag.}\end{quotation} \noindent{}D\"aremot kan jag h\aa{}lla med om att avsiktligt spridande av datavirus kanske b\"or kriminaliseras. Debatten har varit uppe i USA, d\"ar bland annat den namnbekante virusbek\"amparen \textbf{Alan Solomon} (k\"and som \textbf{Dr Solomon}) klart och tydligt deklarerade att han ans\aa{}g att ett f\"orbud mot virustillverkning hotade individens fri- och r\"attigheter. Vidare kan ett virus inte riktigt j\"amf\"oras med en bomb, eftersom en isolerad dator med ett virus p\aa{} inte kan s\"agas utg\"ora n\aa{}gon allm\"an fara. I synnerhet g\"aller detta inte om anv\"andaren vet vad han/hon h\aa{}ller p\aa{} med, vilket man f\aa{}r anta att en virustillverkare g\"or. Dessutom best\aa{}r ett virus inte av n\aa{}got p\aa{}tagligt som kemikalier eller metall, utan av ren information. Ett datavirus \textit{kan} konstrueras som en serie nedskrivna kommandon p\aa{} papper, det \"ar bara olika former av samma information. Ett virus p\aa{} papper skulle allts\aa{} vara lagligt eftersom det r\aa{}der tryckfrihet h\"ar i landet, medan ett k\"orbart virus skulle vara f\"orbjudet eftersom det inte r\aa{}der informationsfrihet? \"Ar inte det samma sak? V\aa{}r moderna trojanska h\"ast i form av datavirus drabbas sannolikt av samma \"ode som \textbf{Karl Gerhards} revy \textit{Den \"ok\"anda h\"asten fr\aa{}n Troja}, som snabbt och effektivt f\"orbj\"ods eftersom den kritiserade nazisternas infiltration av Sverige under 1940-talet. O\"onskad konst b\"or icke framf\"oras (i nationens intresse) och du vet inte alls b\"ast sj\"alv vad du vill g\"ora med din dator.\footnote{ Sarkasm.} \section*{Datainspektionen och Integriteten} Den yttersta fronten mot datorbrottslighet i Sverige utg\"ors av \textit{Datainspektionen}. Denna myndighet skall framf\"or allt kontrollera att statliga myndigheter och f\"oretag f\"oljer \textbf{Datalagen}, som uppr\"attats speciellt f\"or att skydda individen mot ett totalit\"art datasamh\"alle. B\aa{}de Datalagen och Datainspektionen tillkom 1973 som en produkt av en allm\"an internationell debatt med ursprunget i San Francisco. Det var i samband med folk- och bostadsr\"akningen 1970 d\aa{} samtliga uppgifter f\"or f\"orsta g\aa{}ngen registrerades med hj\"alp av datorer som m\aa{}nga b\"orjade dra paralleller till \textbf{George Orwells} \textit{1984} och v\"ackte en debatt om integritetsfr\aa{}gorna. Man menade att myndigheterna till viss del samlade p\aa{} sig uppgifter man inte hade n\aa{}gon som helst nytta av, och som skulle kunna anv\"andas att kontrollera medborgaren i minsta detalj.\footnote{Jag \"ar Anders R Olsson stort tack skyldig f\"or m\aa{}nga av detaljerna kring datalagen och datainspektionens tillkomst.} En tongivande filosof som \"annu tycks ha stort inflytande \"over datainspektionen \"ar f\"orre chefen \textbf{Jan Freese}. I praktiken verkar det som om mycket av vad Jan s\"ager eller skriver anammas av Datainspektionen utan vidare diskussion. Det g\"or dock inte s\aa{} mycket eftersom karln \"ar ganska vettig. Han har lagt fram flera kloka f\"orslag p\aa{} nya datalagar och avsev\"art f\"orberett det svenska samh\"allet p\aa{} informationsrevolutionen. Speciellt vettigt \"ar f\"orslaget om en \textit{generell integritetslag} som skall g\"alla personregister och intr\aa{}ng i privatlivet oavsett om datorer och elektronik \"ar inblandade eller inte. Lagen borde enligt Freese reglera (citat ur Datateknik Nr 8/1995): \begin{itemize} \item Tilltr\"ade till och genoms\"okande av privata lokaler \item Kroppsunders\"okning, medicinska unders\"okningar och psykologiska test \item Skuggning / Spionage \item Olovlig fotografering / Inspelning \item Elektronisk avlyssning \item Spridande av f\"ortroliga uppgifter \item Avsl\"ojande av annans privata f\"orh\aa{}llanden \item Utnyttjande av annans namn, bild o dyl \item Missbruk av annans ord och meddelanden \end{itemize} \noindent{}Och det \"ar v\"al ungef\"ar den h\"ar sortens registrering som EFF, Cypherpunkare m~fl motarbetar. Skillnaden i cypherpunkarnas fall \"ar att de menar att regimen (i USA allts\aa{}) fullst\"andigt misslyckats med att uppr\"atth\aa{}lla individens integritet. Ja, de menar rent av att regimen inte kan hantera dessa m\"ojligheter utan att bli maktgalen och vilja kontrollera allt. \textit{D\"arf\"or} b\"or individen skydda sig sj\"alv med kryptografi, anonymitetsbarri\"arer etc. Man ser h\"ar tydligt det libertarianska arvet fr\aa{}n de amerikanska nybyggarna som var tvungna att skydda sina hus och g\aa{}rdar med egna vapen d\aa{} r\"attvisan \"annu inte fungerade. Den tiden ligger s\aa{} l\aa{}ngt tillbaka i den svenska historien att den n\"astan blir fr\"ammande f\"or oss. Vi \"ar vana att lita p\aa{} att myndigheterna fixar allt. Att alltfler m\"anniskor bev\"apnar sig med kryptering beror till stor del p\aa{} att den elektoniska parallellv\"arlden, telerymden, \"ar barbarisk och ociviliserad, och att \"aven myndighetspersoner tycks handla instinktivt och nyckfullt i st\"allet f\"or lagenligt n\"ar de kommer i kontakt med datorer. Hade en integritetsskyddslag som den Freese f\"oresl\aa{}r funnits tidigare hade problemet varit ur v\"arlden. \textit{Men notera f\"oljande}: datainspektionen lyder under regeringen. Om regeringen f\aa{}r f\"or sig att registrera alla olikt\"ankande kan inte datainspektionen g\"ora ett smack \aa{}t det, \"aven om det st\aa{}r i datalagen att regeringen b\"or inh\"amta synpunkter fr\aa{}n datainspektionen innan den uppr\"attar n\aa{}got register p\aa{} eget bev\aa{}g. Datainspektionen \"ar \textit{inte p\aa{} n\aa{}got vis} ett skydd mot ett totalit\"art kontrollsamh\"alle! Bara den som blint litar p\aa{} myndigheter och regeringar skulle v\aa{}ga luta sig tillbaka p\aa{} datainspektionen. \section*{Fr\aa{}n Hackande till Databrott} Kan d\aa{} hackande leda till gr\"ovre brottslighet? Svaret \"ar utan tvekan JA. Hackarg\"angen har \"aven de sin dos av psykopater och hugade f\"oljeslagare. Redan social ingenj\"orskonst m\aa{}ste betraktas som ett grovt avsteg fr\aa{}n samh\"allets normer. Det \textit{\"ar} o\"arligt att lura m\"anniskor, och att betrakta m\"anniskan i andra \"anden av telefonlinjen som ett objekt snarare \"an en m\"anniska av k\"ott och blod \"ar skr\"ammande k\"anslokallt. En del phreakare som konstruerat bl\aa{} l\aa{}dor har slagit mynt av verksamheten och s\aa{}lt apparaterna f\"or uppemot 1500 dollar, och det har sannerligen inga ideologiska orsaker. Phreakare f\"orsvarar sina brott p\aa{} klassiskt vis: f\"or det f\"orsta drabbas i f\"orsta hand stora f\"oretag. Kontokortssvindlerier mot privatpersoner brukar i regel t\"ackas upp av f\"oretagen som uppl\aa{}ter korten. Samtidigt bortser man glatt fr\aa{}n det faktum att man st\"aller till ett helvetes el\"ande f\"or de privatpersoner som m\aa{}ste bevisa f\"or kontokortsf\"oretagen att de inte sj\"alva utnyttjat korten. Elitt\"ankandet \"ar h\"ar allt som oftast f\"orvr\"angt en urs\"akt att g\"ora vad som helst. Samtidigt skall det p\aa{}pekas att s\aa{}v\"al kontokortsf\"oretag som media \"overdriver de f\"oljder som drabbar innehavarna av missbrukade kontokort. \"Aven utredare p\aa{} kontokortsf\"oretag kan t\"anka och begriper i allm\"anhet att en v\"alutbildad tv\aa{}barnspappa inte ringer upprepade konferenssamtal \"over halva jordklotet f\"or skojs skull. M\aa{}nga utredningar avskrivs p\aa{} ett tidigt stadium. F\"or det andra p\aa{}pekar man g\"arna det faktum att man inte \textit{tj\"anar} n\aa{}gonting p\aa{} att hacka. Hackare har gjort sig k\"anda f\"or att g\"ora inbrott p\aa{} telefonbolag och \textit{enbart} stj\"ala manualer. Man l\aa{}ter bli pengar och maskiner, eftersom man bara \"ar ute efter information. S\aa{}dant s\"atter givetvis myror i huvudet p\aa{} \aa{}klagare. En hackare st\"ammer inte in p\aa{} v\aa{}r stereotypa bild av en brottsling som tillskansar sig andra m\"anniskors egendom f\"or egen ekonomisk vinning. F\"or en informationslysten hackare \"ar det sj\"alva brottet \textit{i sig} som utg\"or vinningen, vilket kan tyckas lite egendomligt. Att tillverka ett datavirus, eller att spraya graffitti p\aa{} en cementv\"agg -- det tj\"anar man inget p\aa{}. M\"ojligen \"ar det sabotage eller vandalism, men n\aa{}gon ligabrottslighet \"ar det inte fr\aa{}gan om. Kanske \"ar virustillverkning rent av, likt graffitti, att betrakta som en o\"onskad konstform; en produkt av v\aa{}r tid d\"ar allt konstn\"arligt skall vara sanktionerat och planerat och spontaniteten s\aa{} gott som fullst\"andigt utpl\aa{}nats. Att hacka ett n\"atverk handlar mer om att \textit{utforska} systemet \"an att \textit{stj\"ala} systemtid. I vissa l\"ander, som Kanada, \"ar det till\aa{}tet att g\aa{} in i en annan m\"anniskas hus, se sig omkring, och sedan g\aa{} d\"arifr\aa{}n, s\aa{} l\"ange man inte skadar n\aa{}got. Ur etisk synvinkel \"ar det h\"ar ett knivigt problem. I Holland var det fram till 1987 fullst\"andigt lagligt att ta sig in i en dator s\aa{} l\"ange man inte f\"orst\"orde eller \"andrade n\aa{}gonting.\footnote{Detta \"ar f\"ormodligen orsaken till att europas st\"orsta hackartidskrift \textit{Hacktic}, kommer fr\aa{}n just Holland. Hackarna bakom Hacktic startade sedan ett Internetf\"oretag som heter \textbf{XS4ALL}, en av Hollands st\"orsta och mest kontroversiella internetleverant\"orer. De arrangerar exempelvis med oj\"amna mellanrum hackarcamping, senast 1997 under namnet \textbf{HIP} - Hacking In Progress.} F\"or det tredje f\"orsvarar man sina handlingar ideologiskt -- man beskriver d\aa{} g\"arna samh\"allet som allm\"ant ruttet och menar att de riktiga bovarna \"ar de stora f\"oretagen och valutahandlarna som med sina spekulationer manipulerar hela m\"anskligheten att springa deras \"arenden. Parallellen till cyberpunkideologin \"ar uppenbar. Dessa p\aa{}st\aa{}enden \"ar utan tvekan till viss del sanna. Motpolen \"ar det etablerade samh\"allets sk\"onhet s\aa{} som \textbf{Oscar Wilde} en g\aa{}ng uttryckte den: \textit{Det \"ar b\"attre att leva or\"att \"an att leva utan r\"attvisa.} Det g\aa{}r allts\aa{} bra att tala och teoretisera om att g\"ora samh\"allet r\"attvist, medan de direkta aktionerna b\"or betraktas som olagliga i samh\"allets mening. Det \"ar samma princip som g\"aller alla andra utomparlamentariska aktioner - sedan m\aa{} det r\"ora sig om hackare, tr\"adkramare eller plogbillar. Bryter man mot lagen beg\aa{}r man brott. Punkt. Sj\"alv tycker jag att det f\"oljer rent logiskt att b\aa{}de hackare och cyberpunkare som bryter mot lagen, s\aa{}v\"al som tr\"adkramare, plogbillar eller abortmotst\aa{}ndare som sl\aa{}r s\"onder abortkliniker, som ju \textit{alla} har ideologiska sk\"al till sina handlingar, \textit{skall} d\"omas och s\"attas i f\"angelse ocks\aa{}, om samh\"allet anser att det \"ar n\"odv\"andigt. Det \"ar inte samh\"allets uppgift att avg\"ora vilka v\"arderingar som g\"or en utomparlamentarisk aktion befogad eller inte. (Ur samh\"allets synvinkel.) Med anarkistiska v\"arderingar blir slutsatsen snarast att det inte borde finnas n\aa{}gra lagar alls, och handlingen f\"oder ett martyrskap. Det hela \"ar en fr\aa{}ga om v\"arderingar, och i v\aa{}rt samh\"alle av idag betraktas utomparlamentariska aktioner som brottsliga. Drabbar de privatpersoner \"ar de uppenbart felriktade; det var v\"al samh\"allet och inte individerna som skulle f\"or\"andras?\footnote{Detta stycke har v\"asentligt radikaliserats sedan f\"oreg\aa{}ende versioner av boken. Jag har, som man s\"ager, \"andrat \aa{}sikt. Jag tror numera allt mindre p\aa{} parlamentarismens m\"ojligheter i v\aa{}r tid. Detta \"ar en sm\"artsam insikt, men absolut n\"odv\"andig f\"or att \"overleva.} Det har spekulerats om att hackare skulle kunna bilda hela underjordiska syndikat och samarbeta med maffian. Detta \"ar \"an s\aa{} l\"ange bara spekulationer. F\aa{}r jag s\"aga n\aa{}got sj\"alv skulle jag vilja p\aa{}st\aa{} att den generella hackarens mentalitet inte fungerar i organiserad brottslighet. Hackaren drar sig genast tillbaka n\"ar han/hon k\"anner sig fysiskt hotad och skiljs fr\aa{}n den skyddade tillvaron bakom sk\"armen. Detta beror inte p\aa{} att hon eller han skulle vara \textit{feg} utan p\aa{} att det hela bara \"ar "{}p\aa{} kul"{}. M\aa{}nga hackare f\aa{}r underliga erbjudanden som \textit{"{}du som \"ar s\aa{} teknisk, skulle inte du kunna bygga en piratdekoder..."{}}, \textit{"{}kan du inte.. (ditt och datt)"{}}. Faktum \"ar, att \"aven om hackarna definitivt \textit{kan} g\"ora detta, \"ar det ytterst s\"allan de g\"or det. Hackare \"ar n\"amligen antiauktorit\"ara och avskyr att kommenderas. \textit{"{}L\"ar dig sj\"alv!"{}} brukar vara det vanligaste svaret. Hackare vill inte ha n\aa{}gon underordnad roll som tekniksnille i n\aa{}gon brottslig organisation. Varf\"or skulle han? Han kan tj\"ana betydligt mer pengar p\aa{} ett \textit{l\aa{}gavl\"onat} datajobb \"an n\aa{}gon brottslig organisation kan erbjuda, m\"ojligen med undantag av maffian och fr\"ammande underr\"attelsetj\"anster. R\aa{}d, tips och id\'{e}er st\aa{}r de d\"aremot g\"arna till tj\"anst med: \textit{"{}Har du k\"ort fast?"{}}, \textit{"{}Hur gjorde du det d\"ar?"{}, "{}Har du hittat n\aa{}got intressant?"{}}, men uppdrag av ekonomiska sk\"al och inte av vanlig uppt\"ackarlusta? Gl\"om det. Till och med tycker jag att vi skall vara tacksamma att det var de sm\aa{} ettriga hackarna som uppt\"ackte s\"akerhetsbristerna i datorsystemen ist\"allet f\"or \textit{de stora hajarna}. I phreakarnas guld\aa{}lder p\aa{} 70-talet fanns det en del stora spelsyndikat som utnyttjade de bl\aa{} l\aa{}dorna som ibland tillverkades n\"astan industriellt och s\aa{}ldes f\"or hutl\"osa priser. Om detta m\aa{} man sedan ha vilken \aa{}sikt som helst, men ingen kan f\"orneka att det hackarna gjort har varit \textit{viktigt} f\"or industrin, \"aven om det inte alltid varit \textit{bra.} (Annars skulle det nog inte vara s\aa{} popul\"art att prata om dem.) N\"ar Marvin i Uppsala tillverkar egna telefonkort och s\"aljer dem f\"or mellan 100 och 800 kronor \"ar det knappast att betrakta som industriell framst\"allning eller ens som verksamhet f\"or egen vinning. Med tanke p\aa{} den enkla utrustning som anv\"andes och den tid som lades ned p\aa{} konstruktion liknar det n\"armast brakf\"orlust. Det tycks d\aa{} snarare vara n\aa{}got ideologiskt som ligger bakom konstruktionen av telefonkorten. Frihet \aa{}t informationen? Anarki? Personligen m\aa{}ste jag s\"aga att de "{}h\aa{}rdvaru-virus"{} i form av en liten elektronisk mackap\"ar som kallas \textit{Big Red} och som hittats i en del amerikanska och australiensiska bankdatorer \"ar mycket mer skr\"ammande \"an n\aa{}gonting \textit{n\aa{}gon} hackare \textit{n\aa{}gonsin} \aa{}stadkommit. Detta f\"orem\aa{}l kopierar, krypterar och g\"ommer viktig information p\aa{} en dators h\aa{}rddisk s\aa{} att den som vet hur man skall g\aa{} till v\"aga l\"att kan komma \aa{}t den. Big Red kan mycket v\"al vara konstruerat av maffian eller n\aa{}gon internationell underr\"attelsetj\"anst. Dessa m\aa{}ste ha monterats m\aa{}lmedvetet fr\aa{}n \textit{insidan} av ett f\"oretag, till skillnad fr\aa{}n hackarens utforskande som sker utifr\aa{}n och av ren nyfikenhet. Fortfarande i juli 1995 huserade en ovanligt sofistikerad datorliga i Sverige. De gick in i kontor och stal enbart datorer, inte sk\"armar och tangentbord (dessa klipptes loss), utan bara datorer. P\aa{} en del \"aldre modeller tog man enbart minneskretsar och h\aa{}rddiskar. F\"or att kunna arbeta ost\"ort hade man klippt av televerkets larmkablar genom att \"oppna luckor i gatan p\aa{} samma man\'{e}r som hackarna i filmen \textit{Sneakers}. Man kommunicerade internt via komradio, och polisen lyckades till och med banda tjuvarnas kommunikation. \"And\aa{} lyckades man inte ta dem. Det \"ar ingen tvekan om varifr\aa{}n dessa tjuvar kommer. En del av dem \"ar definitivt hackare av n\aa{}got slag, andra mer h\"ardade tekniska brottslingar. Likheten med Gibsons romanfigurer \"ar sl\aa{}ende: man tar bara verktyg f\"or informationshantering, minnen \"ar guld v\"arda och den tekniska skickligheten hos tjuvarna \"ar fantastisk. Jag t\"anker inte f\"or en sekund f\"orneka att dessa tjuvar l\"art sig mycket av den teknik de anv\"ander vid sina st\"older fr\aa{}n olika hackartidskrifter: Rolig Teknik, Phrack, alla m\"ojliga b\"ocker fr\aa{}n sm\aa{} obskyra bokf\"orlag. (Plus vanlig studentlitteratur, helt s\"akert.) Men det \"ar faktiskt inte det som \"ar problemet. Problemet \"ar \textit{vi}. Problemet \"ar att vi tittar p\aa{} filmer som Sneakers, J\"onssonligan, Enkelst\"oten osv, d\"ar vi f\aa{}r chansen att mysa \aa{}t bilden av den romantiske eller rolige brottslingen, trots att det \"ar denna vi f\"ord\"omer som samh\"allets fiende och allt ont f\"ortj\"anande avskum. Brottslingen, eller i det h\"ar fallet den \textit{tekniskt avancerade brottslingen}, beh\"over vi f\"or att veta att det fortfarande g\aa{}r att g\aa{} runt alla elektroniska s\"akerhetssystem. F\"or kan vi inte komma undan den tekniska bevakningen, ja d\aa{} \textit{kan} vi inte vara ohederliga, och d\aa{} \"ar det inte l\"angre n\aa{}got fritt val att vara hederlig. Det finns ingen antikarri\"ar som vi kan se ned p\aa{} i v\aa{}r str\"avan att st\"andigt dundra upp i den sociala hierarkin. Det finns ingen heder som vi kan bevara, f\"or om ingen n\aa{}gonsin \"ar ohederlig vet man inte vad det inneb\"ar att vara hederlig. Brottsligheten finns som en motor som driver oss att vara sk\"otsamma, varnar oss om vi kommer i n\"arheten av kanten, och f\aa{}r oss att k\"anna oss n\"oja med v\aa{}ra lyckade liv. Vi springer ju trots allt inte omkring och klipper av larmkablar och snor datorer om n\"atterna, eller hur? Vi jobbar ju p\aa{} dagarna och \textit{sover} p\aa{} n\"atterna. Var natt beh\"over sin dag. Var samh\"alles ljusa laglydiga sida beh\"over sin ljusskygga underjordiska r\"orelse. Vi ger v\aa{}ra genier tv\aa{} karri\"arer. Antingen skall de genom en nio\aa{}rig skola, ett tre\aa{}rigt gymnasium och en h\"ogskolekarri\"ar f\"or att kunna bli civilingenj\"orer och st\"andigt forts\"atta sina karri\"arer upp\aa{}t eller \aa{}t sidan i jakten p\aa{} \textit{mer} status, \textit{mer} pengar, och \textit{mer} sp\"annande arbetsuppgifter. (T\"ank, en dag kan man ju bli chef... Jag m\aa{}ste l\"asa lite ekonomi ocks\aa{}... Umg\aa{}s i r\"att kretsar, dryfta r\"att \aa{}sikter...) Men om man inte tycker om skolan? Om den hiskeligt l\aa{}nga utbildningen tr\aa{}kar ut dig, men ditt intresse fortfarande gl\"oder f\"or elektroniska mackap\"arer och datorer? Inget problem. Samh\"allet har n\aa{}got f\"or dig ocks\aa{}: \textit{tv\aa{}\aa{}rigt} gymnasium, \textit{ingen} status, \textit{inga} pengar, och \textit{inga} sp\"annande arbetsuppgifter som PLEX-programmering eller styrsystemskonstruktion. Du f\aa{}r aldrig g\aa{} i de r\"atta skolorna, l\"ara k\"anna r\"att m\"anniskor eller l\"asa de r\"atta b\"ockerna. Du f\aa{}r inte det r\"atta sociala arvet. \textit{Detta trots att du kanske i sj\"alva verket \"ar h\"andig och l\"attl\"ard och passar b\"attre p\aa{} Ericssons utvecklingsavdelning \"an n\aa{}gon annan!} Anst\"allningsf\"orfarandet p\aa{} h\"ogteknologif\"oretagen \"ar smakfullt anpassat att f\"orpassa personer med tv\aa{}\aa{}rig utbildning ner i kryptan igen. \AA{}terst\aa{}r: antikarri\"ar. Utnyttja dina kunskaper till att bryta ned samh\"allets s\"akerhetssystem s\aa{} att de stackars medborgarna ser att det inte \"ar bombs\"akert. Ge dem n\aa{}got att k\"ampa och leva f\"or. Ge dem ett yttre hot s\aa{} att de slipper v\"anda blicken in\aa{}t. Var lagl\"os f\"or att s\"atta ramarna f\"or de laglydiga. Tro inte att brott inte l\"onar sig -- det g\"or de ibland. Bara n\aa{}gra stycken d\aa{} och d\aa{} \aa{}ker fast s\aa{} att de goda m\"annsikorna f\aa{}r n\aa{}got ont att bespotta. K\"ara l\"asare -- era brottslingar \"ar de dj\"avlar ni speglar er i f\"or att se \"angeln inom er sj\"alva. Ta mig fan om de \"ar ett dugg s\"amre \"an er!\footnote{Om n\aa{}gon undrade: ja, jag har bland annat studerat socialpsykologi.} \section*{Det Stora F\"oretagets S\"akerhetsstyrkor} Ett av de mest otrevliga databrott jag har h\"ort talas om begicks (och beg\aa{}s kanske fortfarande) av \textbf{Telia}. I april 1995 avsl\"ojade den elektroniska tidningen Z central, en underavdelning till Z-mag@zine att Telia hade en egen enhet f\"or n\"at\"overvakning som systematiskt samlade in information om abonnenter som de misst\"ankte vara phreakare eller hackare. Genom att anv\"anda telefonv\"axlarnas datorer kunde man l\"att katalogisera vilka som ringde vilka samtal och vart. Det verkar rent av som om Telia systematiskt sp\aa{}rade och iakttog vissa hackare, n\aa{}got som egentligen bara Polisen har r\"att att g\"ora. De f\"orde sedan dessa uppgifter vidare till andra f\"oretag som de misst\"ankte blev utnyttjade av dessa hackare. Detta \"ar f\"orbjudet enligt 4:e paragrafen i datalagen som inneb\"ar att man inte f\aa{}r registrera uppgifter om brottsmisstankar mm utan datainspektionens tillst\aa{}nd. S\aa{}dana tillst\aa{}nd ges i princip aldrig -- detta f\"or att undvika totalit\"ara samh\"allsmaskinerier. Det skall till\"aggas att denna debatt om Telias trafikavl\"asningar inte \"ar n\aa{}gon nyhet. Redan 1981 skaffade man sig en elektronisk trafikavl\"asare med namnet \textbf{TAL-T M80} som kunde registrera all trafik p\aa{} en viss linje, varefter informationen s\"andes till en central dator d\"ar den lagrades. Sedan dess har Telia inf\"ort denna \"overvakning p\aa{} s\aa{} gott som varenda telefon i hela Sverige, eftersom funktionen f\"or trafik\"overvakning finns inbyggd i varje AXE-v\"axel. I sj\"alva verket registreras allt n\aa{}gon g\"or p\aa{} sin telefon av AXE-v\"axeln. Om du lyfter luren, trycker \textit{en} siffra och l\"agger p\aa{} igen, registreras detta med klockslag och tryckt siffra i en dator. Telia kan sedan ta fram en komplett lista p\aa{} alla telefonsamtal och icke-telefonsamtal som gjorts - allt som h\"ant p\aa{} linjen. Uppgifterna skall enligt Telia anv\"andas f\"or utv\"ardering och f\"orb\"attring av befintliga system, f\"or att l\"osa tvister med abonnenter osv. Uppgifterna om lyckade uppkopplingar lagras p\aa{} CD-skivor i all evighet.\footnote{Efter mycket br\aa{}k med Telia, som bland annat innebar att jag blev tvungen att "{}skicka Datainspektionen p\aa{} dem"{} fick jag en kopia p\aa{} min egen samtalslogg. Detta ledde ocks\aa{} till f\"or\"andringar i s\"attet Telia redovisar uppgifterna: numera finns det en rad p\aa{} varje teler\"akning som jag lite fantasil\"ost kallar "{}Linus Walleij-raden"{} som ser ut s\aa{}h\"ar: \textit{Anm) F\"or de flesta samtalstyper kan specifikation beg\"aras f\"or kommande period.} Telia har gjort gemensam sak med Polisen, som ocks\aa{} vill spara dessa uppgifter (bl~a f\"or att i efterhand kunna utreda brott), gentemot datainspektionen som anser att de b\"or f\"orst\"oras.} Att Telia inte kan l\aa{}ta bli att registrera och analysera sin verksamhet f\"orst\aa{}r var och en som jobbat inom ett st\"orre f\"oretag. Men att f\"ora uppgifter om detta vidare \"ar f\"orbjudet enligt s\aa{}v\"al tele- som datalagen. Telia hade i och f\"or sig gott upps\aa{}t i att "{}hj\"alpa"{} de drabbade f\"oretagen, men det urs\"aktar inte att man g\"or n\aa{}got s\aa{}dant h\"ar. Jag har \"aven sett indikationer p\aa{} att Telia anv\"ander sina datalistor till b\aa{}de det ena och det andra inom bolaget. N\"ar de sj\"alva drabbas av hackare av n\aa{}got slag utnyttjas informationen h\"ansynsl\"ost av Telias s\"akerhetsavdelningar f\"or att pressa hackare p\aa{} uppgifter om hur intr\aa{}ngen beg\aa{}tts. (Telias egna datorer lider i m\aa{}nga fall av underm\aa{}lig s\"akerhet.\footnote{Anonym hackare i Oktober 1996: \textit{"{}Jag \"ar innanf\"or Telias brandv\"agg igen... De satte in en ny som var mycket b\"attre, men jag kom runt den..."{}}}) Detta trots att dessa uppgifter inte ens f\aa{}r l\"amnas ut till Polisen... F\"or att g\"ora bek\"ampandet av telebrottslighet \"an mer effektivt har man b\"orjat unders\"oka m\"ojligheterna att konstruera ett sk \textit{expertsystem}, en artificiellt intelligent agent som skall analysera de databand d\"ar alla svenska telefonsamtal registreras i jakten p\aa{} \textit{beteendem\"onster} som verkar suspekta; exempelvis personer som ringer m\aa{}nga och l\aa{}nga samtal utan mellanrum, ringer m\aa{}nga 020-nummer osv osv, s\aa{} att man kan bygga upp en databas med "{}misst\"ankta"{} abbonenter. Man f\aa{}r hoppas att Telia i s\aa{} fall inte t\"anker anv\"anda systemet eftersom detta inneb\"ar fullst\"andigt olaglig hantering av dataregister. Men vad g\"or man inte f\"or att uppr\"atth\aa{}lla s\"akerheten... Telia f\aa{}r st\aa{} som exempel p\aa{} hur storf\"oretagen ser p\aa{} databrott. Av de angrepp som sker mot Telias tekniska anl\"aggningar utg\"ors 87\% av st\"old och skadeg\"orelse, medan manipulation av tekniska system och intr\aa{}ng utg\"or drygt 10\%. I den sistn\"amnda kategorin ing\aa{}r phreakare och hackare, men \"aven en stor del andra som inte har n\aa{}got som helst med denna underjordiska r\"orelse att g\"ora. (\textit{Men}, eftersom hackarna har en gemensam kultur och etik \"ar de s\aa{}klart alltid l\"attast att s\"atta fingret p\aa{} och f\"ord\"oma.) Telia \"ar dessutom ett f\"oretag som lider av en n\"armast paranoid r\"adsla f\"or att n\aa{}gon skall f\"orst\aa{} sig p\aa{} deras system. Det g\"or alla telebolag. Eftersom det tekniska skyddet p\aa{} Telias v\"axlar inte \"ar tillr\"ackligt lutar man sig tillbaka p\aa{} ett \textit{psykologiskt skydd}, som helt enkelt inneb\"ar att man h\aa{}ller inne med information s\aa{} att en t\"ankt angripare inte kan veta n\aa{}got om hur systemen fungerar. P\aa{} samma s\"att skyddar man sin egen organisation, sina egna interna telefonnummer etc. Till och med inom organisationen skyddar man sig. Man ser noga till att inte sprida on\"odigt mycket kunskap bland operat\"orer som inte beh\"over den f\"or att sk\"ota sitt arbete. N\aa{}gon helhetssyn p\aa{} systemen finns inte annat \"an hos chefer och mycket h\"ogt uppsatta ingenj\"orer och systemutvecklare. Enda v\"agen dit \"ar via internutbildning. Kunskap om Telias system skall allts\aa{} bara finnas p\aa{} insidan av organisationen, ingen utanf\"or Telia skall f\aa{} veta n\aa{}got om hur kopplingarna verkligen fungerar. \textit{Bort med tassarna}, till skillnad fr\aa{}n "{}hands-on"{} allts\aa{}. Du skall bara anv\"anda systemet. F\"ors\"ok inte ta reda p\aa{} hur det fungerar, inte ens om du \"ar intresserad. Granska inte, rota inte bland kablarna, bara \textit{ring}, \textit{betala} och \textit{var n\"ojd!} Den direkta orsaken till att Telia skaffat sig en egen s\"akerhetsorganisation \"ar att Polisen varken har tid eller r\aa{}d att reda ut Telias problem. (Som jag n\"amnde tidigare rotar man og\"arna i bedr\"agerier f\"or mindre \"an 50.000 kr.) Telia har sj\"alva uppgett att bolaget har behov av c:a 30 s\"akerhetschefer plus ett 10-tal specialister inom omr\aa{}dena fysiskt s\"akerhet, systemteknisk s\"akerhet, ADB-s\"akerhet, sekretess och informationsskydd. Den sistn\"amnda kategorin \"ar den som skall se till att bland andra jag inte f\aa{}r veta det som stod i f\"oreg\aa{}ende mening. (Dessa siffror h\"arh\"or sig dock fr\aa{}n tiden d\aa{} Telia fortfarande hette Televerket och d\"armed var tvungna att l\"amna ut uppgifter till allm\"anheten tack vare offentlighetsprincipen.) F\"ormodligen har cheferna f\"or informationsskydd numera en v\"al strukturerad organisation som ser till att information som betraktas som farlig inte l\"amnar f\"oretaget eller hamnar i offentliga arkiv. En annan sak som man skall ha fullst\"andigt klart f\"or sig \"ar att storf\"oretag som Telia inte har r\aa{}d med moral. N\"ar man v\"al har kartlagt de bedr\"agerier som drabbar f\"oretaget m\aa{}ste man f\"orst avg\"ora om det l\"onar sig att jaga bedragare och f\"orb\"attra s\"akerhetsrutinerna innan man verkligen g\"or det. Om man f\"orlorar kunder p\aa{} att f\"orb\"attra s\"akerheten s\aa{} att rutinerna blir f\"or kr\aa{}ngliga f\"or de legitima anv\"andarna, l\aa{}ter man hellre hackarna h\aa{}llas. Detta har f\aa{}tt en del hackare att h\"oja p\aa{} \"ogonbrynen och undra om telef\"oretagen \"ar sn\"alla, dumma eller bara korkade. I sj\"alva verket t\"anker de bara p\aa{} pengar. Det \"ar d\"arf\"or det fortfarande \"ar s\aa{} l\"att att ringa p\aa{} falska kontokortsnummer -- det kostar helt enkelt f\"or mycket att \aa{}tg\"arda problemet. L\aa{}t mig nu dra en liten parallell. N\"ar jag pratade om cyberpunk n\"amnde jag att William Gibson med flera skildrar en framtid d\"ar all ekonomi och utveckling sk\"ots av storf\"oretag med benh\aa{}rd hierarkisk organisation och en vanvettigt h\"og arbetsmoral. I utvecklingslaboratorierna spottas nya tekniska innovationer fram av uttr\aa{}kade ingenj\"orer med ett finger konstant p\aa{} snabbspolningsknappen. Allt i dessa f\"oretags organisation syftar till att f\aa{} alla m\"anniskor som ing\aa{}r i hierarkin att k\"anna sig s\aa{} viktiga som m\"ojligt, s\aa{} att de jobbar s\aa{} effektivt som m\"ojligt och tvingar de som finns under dem att jobba \"an h\aa{}rdare. Resultatet blir en fruktansv\"art effektiv, men samtidigt vanvettigt psykopatisk organisation som kan driva samh\"allsutvecklingen \"over vilka gr\"anser som helst. De hackare som tvingats till Telias regionskontor som informat\"orer har med skr\"ackblandad f\"ortjusning beskrivit den rigor\"osa s\"akerheten. De har passerat flera d\"orrar, alla med blinkande lysdioder och med krav passerkort f\"or att hindra fel m\"anniska att vara p\aa{} fel plats vid fel tillf\"alle. L\"angst upp i byggnaden sitter de h\"ogsta cheferna, bakom sammanlagt kanske fem d\"orrar som alla fordrar passerkoder. Hierarkierna fordrar att kontorsrummen blir allt st\"orre ju h\"ogre upp man kommer. P\aa{} \"oversta v\aa{}ningen \"ar de rej\"alt vr\"akiga. Det \"ar hit upp alla i huset str\"avar att komma. De som finns p\aa{} nedersta v\aa{}ningen i detta babels torn kan inte ens komma igenom h\"alften av d\"orrarna till \"oversta v\aa{}ningen. P\aa{} det viset uppr\"atth\aa{}lls viljan att st\"andigt kl\"attra upp\aa{}t mot toppen. Hit kallas hackaren. Mannen p\aa{} andra sidan bordet \"ar inte elak. Han \"ar inte om\"ansklig, psykopatisk eller enbart grym. Han \"ar nitiskt. Han tror p\aa{} de tio v\aa{}ningar betong som hackaren just slussats upp igenom. Han har i hela sitt liv, \"anda sedan han kom ut fr\aa{}n universitetet, varit en del av denna hierarki. Eftersom han \"ar chef har han varit bland dem som visat st\"orst lojalitet, trohet mot bolaget och hela det samh\"allssystem det \"ar en produkt av. Han kan inte f\"or sitt liv f\"orest\"alla sig att n\aa{}got av detta skulle kunna bygga p\aa{} ett felaktigt antagande. Att det skulle vara n\aa{}got fel p\aa{} det marknadsekonomiska system vari han sj\"alv bara \"ar ett litet, litet kugghjul. N\aa{}gonstans inom sig uppr\"atth\aa{}ller han en liten illusion om frihet och oberoende som han v\aa{}rdar \"omt. Han har all respekt f\"or hackaren. 20-\aa{}ringen p\aa{} andra sidan bordet lyckades ju ta sig igenom allt han byggt upp. Och han gjorde det inte med v\aa{}ld -- han gjorde det med sin intelligens. Han manipulerade Telias datorer. Han t\"anke ett steg l\"angre \"an Telias egen s\"akerhetspersonal. Chefen \"ar imponerad. Men samtidigt vet han, med grund i sina v\"arderingar av det vackra samh\"alle d\"ar han kan leva i en fl\aa{}dig enplansvilla med hemmafru, tv\aa{} barn och tv\aa{} bilar, att den d\"ar grabben har fel. Grabben \"ar en brottsling och skall behandlas som en brottsling. Han vet att han har att g\"ora med en farlig person. Hackarmyten om den kallblodiga, anarkistiska antagonisten har han svalt med hull och h\aa{}r. Det \"ar \textit{han}, s\"akerhetschefen, som har r\"att. Betongen, skrivbordet, villan, marknaden, skolan... Allt detta har han i ryggen. Det \"ar klart att han har r\"att. Hur skulle saker och ting annars fungera? Givetvis m\aa{}ste han f\aa{} veta hur det gick till. Eftersom han vet att han har r\"att kan han ta till alla medel som st\aa{}r till buds. I betongsalarna i G\"oteborg, Farsta och Kalmar st\aa{}r hans trogna tj\"anare -- \textbf{IBM 3081 D, AS/9000, Sperry 1100/92} - datorer som lyder hans minsta vink. Redan innan hackaren kallades till kontoret l\"at han dra ut listor p\aa{} alla de samtal denne gjort under det senaste halv\aa{}ret. Exakt, med tidsangivelser p\aa{} sekunder. \textit{S\aa{} han ringde sin flickv\"an mitt i natten direkt efter ett tv\aa{}timmars samtal p\aa{} ett 020-nummer i USA? Varf\"or d\aa{}? \"Ar hon ocks\aa{} inblandad?} Det kommer att bli ett l\aa{}ngt f\"orh\"or. Hackaren p\aa{} andra sidan bordet vet inte att listan som Telias s\"akerhetschef snart skall sticka under n\"asan p\aa{} honom \"ar fullst\"andigt v\"ardel\"os ur juridisk synvinkel. Ingenting \"ar bevittnat eller undertecknat; bara 5 samtal har sp\aa{}rats. Dessa 5 samtal utg\"or den enda bindande bevisningen. Hackaren med sin tr\aa{}kiga medelklassbakgrund tittar rakt \"over bordet och in i den imponerade chefens \"ogon. Han sk\aa{}dar Gibsons psykopatiska Tessier-Ashpool koncern i vit\"ogat. Han ser det enorma f\"oretagets pulserande hj\"arna sitta d\"ar i Lacoste-tr\"oja och vit skjorta. Fr\aa{}gan \"ar om han f\"orst\aa{}r det. \section*{BBS:en som F\"orsvann} Vi t\"anker oss att en grupp cyberpunkare i en n\"ara framtid s\"atter upp en BBS med namnet \textit{Pheliks} f\"or informationsspridning p\aa{} en st\"orre persondator med ett flertal ing\aa{}ende telefonlinjer. P\aa{} denna BBS finns piratkopierad programvara, narkotikarecept, anarkistiska elektroniska pamfletter, ing\aa{}ende beskrivningar av Telias AXE-v\"axlar, dokumentation p\aa{} smarta kreditkort och lite annat sm\aa{}tt och gott. Programvaruindustrin med Microsoft i spetsen \"ar f\"orbannade. Kreditinstituten med Visa och Eurocard \"ar f\"orbannade. Polisen som vill uppr\"atth\aa{}lla ordningen ser att detta bryter mot lagen och m\aa{}ste g\"ora n\aa{}got. Cyberpunkarna \"ar dessv\"arre medvetna om polisens och myndigheternas t\"ankbara mot\aa{}tg\"arder och har d\"arf\"or vidtagit kontra\aa{}tg\"arder. N\"ar myndigheter ringer upp BBS:en m\"ots de av meddelandet: \begin{quotation} \noindent{}\textbf{Pheliks BBS \"oppen dygnet runt p\aa{} 28.800 bps.} \textbf{OBSERVERA: Pheliks BBS \"ar \"oppen f\"or amat\"orer. Poliser, journalister, forskare och andra myndighetspersoner, s\aa{}v\"al som f\"oretagare eller f\"oretr\"adare f\"or id\'{e}ella organisationer som ringer i tj\"ansten \"ar INTE V\"ALKOMMNA. Om du tillh\"or n\aa{}gon av dessa kategorier ber vi dig v\"anligt men best\"amt att omedelbart avsluta f\"orbindelsen med Pheliks BBS. Tryck ENTER f\"or att bekr\"afta att du inte tillh\"or n\aa{}gon av ovanst\aa{}ende kategorier. Tryck +++ath0 f\"or att avsluta f\"orbindelsen.} \end{quotation} \noindent{}Genom detta meddelande aktiveras 21 paragrafen i datalagen med resultat att den som inte f\"oljer uppmaningen g\"or sig skyldig till databrott. P\aa{} detta vis om\"ojligg\"ors varje form av elektronisk husrannsakan och BBS:en hotas inte av myndigheter eller forskningsinstitut som m\aa{}ste h\aa{}lla sig inom lagens r\aa{}m\"arken. \textit{Journalisterna} skulle i ett s\aa{}dant fall kunna \aa{}beropa sin morliska r\"att att som tredje statsmakt bryta mot datalagen i allm\"anhetens intresse. Mjukvaruf\"oretagen i form av Business Software Alliance skulle dessutom med h\"ogsta sannolikhet ge h\"oga fan i datalagen och trots detta meddelande g\aa{} vidare. Efter ett avsl\"ojande i tidningar eller upprepade anonyma tips (l\"as: lobbying) indirekt fr\aa{}n BSA, kombinerat med n\aa{}gon slags spaningsresultat som skulle kunna tolkas som att det \"aven fanns t~ex narkotika i den lokal BBS:en finns, skulle polisen trots allt kunna sl\aa{} till mot denna BBS. Cyberpunkarna har dock f\"orutsett \"aven detta scenario. N\"ar polisen kommer tillbaka till polisstationen med datorn m\"arker de att den del av h\aa{}rddisken som inneh\aa{}ller BBS-informationen krypterats med programmet \textit{Securedrive}. Detta program anv\"ander 128-bitars DES-kryptering som \"ar k\"and f\"or att vara okn\"ackbar. Att kryptera sin h\aa{}rddisk \"ar inte f\"orbjudet - f\"oretagare g\"or det ocks\aa{} f\"or att skydda hemlig information mot st\"old, och till skillnad fr\aa{}n vanliga l\aa{}s kan DES inte forceras med v\aa{}ld. I samma \"ogonblick som polisen st\"angde av datorn blev den allts\aa{} i praktiken v\"ardel\"os som bevismaterial. Av utredningstekniska sk\"al kan polisen i och f\"or sig beh\aa{}lla datorn det n\"armaste \aa{}rhundradet och p\aa{} s\aa{} vis hejda att den misst\"ankta verksamheten forts\"atter. Datorer \"ar dessv\"arre inte s\aa{} dyra. Redan innan utredningen har startat p\aa{} allvar har de v\"alorganiserade cyberpunkarna h\"amtat en ny dator och \aa{}terst\"allt hela BBS:en med hj\"alp av de magnetband som f\"orvarades p\aa{} ett helt annat st\"alle \"an datorn. Samma metod anv\"ands av f\"oretagen f\"or att skydda v\"ardefull information fr\aa{}n brand, st\"old eller maskinhaveri. Polisen kan d\aa{}, om det anses finnas sk\"al, installera \"overvakningsutrustning och avlyssna datatrafiken till och fr\aa{}n BBS:en, videofilma cyberpunkarna medan de sl\aa{}r in passerkoderna osv, s\aa{} att de sedan kan g\"ora ett lyckat tillslag. Men detta \"ar dyrt och det skall mycket till f\"or s\aa{}dana \aa{}tg\"arder. Det \"ar ocks\aa{} troligt att mjukvaruf\"oretagen vidtar utomparlamentariska \aa{}tg\"arder. Kanske hyr de in en samurajhackare som likt datorcowboyen Case i Gibsons romaner p\aa{} f\"oretagens uppdrag g\aa{}r in i BBS:en via telen\"atet och f\"orst\"or den. Kanske lyckas n\aa{}got f\"oretag \"overtyga Telia om att st\"anga av telefonlinjerna till BBS:en. P\aa{} det viset kan det etablerade samh\"allet f\"orsvara sig mot cyberpunkarna och uppr\"atth\aa{}lla de ideal som hotats. Det verkliga faran b\"orjar n\"ar alltf\"or m\aa{}nga s\aa{}dana cyberpunkgrupper uppst\aa{}r, n\"ar de g\"ommer sig f\"or myndigheterna och f\"oretagen eller bildar en bred organiserad bas i hela landet. Det v\"arsta som kan h\"anda \"ar om BBS:en flyttar till ok\"and adress p\aa{} Internet, eventuellt i Taiwan eller Chile. Har man r\aa{}d med datorhyran p\aa{} andra sidan jordklotet (vilket f\"ormodligen \"ar billigare \"an att ha en egen dator) \"ar det inga problem att uppr\"atth\aa{}lla en s\aa{}dan verksamhet fr\aa{}n Sverige. Det \"ar d\aa{} cyberpunkarna kan g\aa{} fr\aa{}n informationssyndikat till bred, underjordisk politisk r\"orelse. Och det \"ar det verkliga hotet mot det etablerade samh\"allet. Om det \"ar n\aa{}got hot mot samh\"allet i bred historisk mening \"ar mera tveksamt. Jag skall \aa{}terkomma till detta.\footnote{Alla "{}t\"ankta"{} h\"andelser i episoden har intr\"affat i verkligheten.} \chapter{ARTIFICIELL INTELLIGENS} Resonemang kring artificell intelligens (h\"adanefter kort: AI) \"ar allm\"ant \aa{}terkommande i m\aa{}nga sammanhang, inte minst i alla de \"amnen jag tar upp i den h\"ar boken. D\"arf\"or har jag l\aa{}tit AI f\aa{} ett eget kapitel. AI \"ar en tv\"arvetenskap; den gr\"ansar till elektronik, datalogi, psykologi, sociologi, filosofi, religion, medicin och matematik. Detta \"ar absolut ingen \"overdrift. Skapandet av AI inneb\"ar att man f\"orst m\aa{}ste f\"orst\aa{} hur "{}vanlig"{} intelligens fungerar, vilket \"ar sv\aa{}rare \"an det l\aa{}ter -- det enda f\"orem\aa{}l man med s\"akerhet vet \"ar intelligent \"ar ju den m\"anskliga hj\"arnan. AI handlar allts\aa{} ytterst om att studera de humanistiska vetenskaperna f\"or att bygga de naturvetenskapliga modellerna. V\aa{}r intelligens har visat sig ha tydliga kopplingar till v\aa{}rt s\"att att uppfatta v\"arlden, vad vi med ett fint ord kallar \textit{perception}. Att forska i AI \"ar h\"ogsta mode p\aa{} h\"ogskolorna, och det \"ar inte helt utan anledning. F\"or f\"orsta g\aa{}ngen i v\"arldshistorien finns det n\"amligen \textit{pengar} att tj\"ana p\aa{} AI. F\"oretagen som administrerar och kommunicerar allt mer och mer via elektroniska l\"ankar \"ar i behov av dataprogram som kan g\"ora rutinjobb, som att sortera elektronisk post och underh\aa{}lla lagren. Sk intelligenta \textit{agenter} marknadsf\"ors, avpassade f\"or olika elektroniska rutinjobb. Lite cyniskt skulle man kunna s\"aga att f\"oretagen f\"or f\"orsta g\aa{}ngen kan ers\"atta t\"ankande m\"anniskor med maskiner p\aa{} omr\aa{}den man aldrig trodde skulle kunna mekaniseras. (Jag skall dock p\aa{}peka att det knappast kan kallas \textit{mekanisering}, eftersom riktigt intelligenta program verkligen \textit{t\"anker}, inte bara handlar enligt en upps\"attning regler.) Det finns en rad filosofier och inriktningar inom AI. Till de fr\"amsta h\"or idag: \textit{expertsystem} (stora databaser med specifik kunskap), \textit{genetiska algoritmer} (simulerad evolution av t~ex matematiska formler f\"or att passa ett visst \"andam\aa{}l) och \textit{neuronn\"at} (efterapning av hj\"arnans organisation i sj\"alvst\"andiga och parallellt arbetande nervceller). I takt med att informationsdatabaser i stil med de som finns p\aa{} Internet v\"axer fram kan agenter jobba direkt med informationen utan att beh\"ova f\"orst\aa{} sig p\aa{} m\"anniskor. Varf\"or s\"atta en m\"anniska p\aa{} att g\"ora research n\"ar du lika g\"arna kan l\aa{}ta en agent g\"ora det b\aa{}de billigare och snabbare? (Den som n\aa{}gonsin s\"okt information p\aa{} Internet inser sj\"alv hur anv\"andbart ett lite mer intelligent s\"okverktyg skulle kunna vara.) Det forskas dessutom p\aa{} \textit{artificiellt liv}, som verkligen \"ar levande organismer som lever och fortplantar sig i datasystem. Datavirus \"ar en form av artificiellt liv, om \"an ganska osofistikerat och ofta destruktivt. Artificiellt liv har \"annu inte r\"ont n\aa{}gra st\"orre framg\aa{}ngar. (Om man inte skall kalla datavirus och alla de f\"oretag och konsulter som jobbar med att bek\"ampa datavirus f\"or en framg\aa{}ng - det har bevisligen h\"ojt BNP.) Forskningen kring artificiellt liv b\"orjade med ett program av \textbf{John Conway} som var en sorts blandning mellan dataspel och ber\"aknad simulation och kallades \textit{Life}. Hackaren \textbf{Bill Gosper} p\aa{} MIT blev i det n\"armaste besatt av denna simulation. Senare f\"orb\"attrades det och kallades ist\"allet \textit{Core Wars} och innebar att m\aa{}nga sm\aa{} dataprogramm skulle expandera och sl\aa{}ss om systemminnet (eng: core) och bara de starkaste skulle \"overleva. Programmen uts\"atts f\"or flera milj\"ofaktorer som p\aa{}minner om de krav som st\"alls p\aa{} verkligt liv: ensamma eller tr\aa{}ngbodda individer d\"or, program uts\"atts f\"or mutationsrisker, systemresurserna varierar med tiden (dygnsrytm), alltf\"or gamla organismer d\"or osv. Speciellt framg\aa{}ngsrik med artificiellt liv har \textbf{Tom Ray} varit med programmet \textit{Tierra}. Hans artificiella liv har genom simulerad darwinistisk evolution lyckats utveckla programl\"osningar f\"or vissa specifika problem som varit b\"attre \"an de som n\aa{}gon m\"anniska kunnat \aa{}stadkomma. Jag har redan n\"amnt att hackare respekterar artificiell intelligens p\aa{} ett helt annat s\"att \"an m\"anniskor i allm\"anhet. En person som vuxit upp med st\"andig n\"arhet till datorer ser inte n\aa{}gra hot i att maskiner kan t\"anka. Han ser bespottandet av artificiell intelligens som en sorts rasism riktad mot en viss livsform. Om du sj\"alv \"ar kritisk mot artificiell intelligens, och s\"ager att \textit{det kan aldrig bli samma sak}, \textit{bara m\"anniskor kan t\"anka} osv, bet\"ank i s\aa{} fall att det inte finns n\aa{}got som helst vetenskapligt bel\"agg f\"or att den m\"anskliga hj\"arnan skulle vara n\aa{}got annat \"an en maskin, l\aa{}t vara av k\"ott. Dessa tankar g\aa{}r \"anda tillbaka till \textbf{Ada Lovelace} och \textbf{Charles Babbage}, tv\aa{} av datorernas anf\"adrer, som i en skrift kallad \textit{Thinking Machines} fr\aa{}n mitten av 1800-talet behandlar detta. Allm\"ant k\"anda blev inte dessa id\'{e}er f\"orr\"an p\aa{} 1960-talet, i t ex rysarfilmen \textit{Colossus -- The Forbins project (1969)} d\"ar intelligenta, milit\"ara datorer tar \"over hela v\"arlden. Tanken figurerar som bekant \"aven i \textit{Terminator}-filmerna, med den enda skillnaden att datorn heter \textit{Skynet} ist\"allet f\"or \textit{Colossus} som i \textit{Forbins project} -- inte mycket nytt under solen i popul\"ar science fiction allts\aa{}. R\"adslan f\"or konstgjorda intelligenser g\aa{}r egentligen \"anda tillbaka till \textbf{Mary Shelleys}\textit{ Frankenstein} (1818), kanske rent av \"annu l\"angre tillbaka. I Frankensteinmyten personifieras r\"adslan f\"or artificiella intelligenser. Denna historia om en vetenskapsman som skapar en livsfarlig intelligens \"ar en av den industrialiserade v\"arldens nya symboler, fullt i klass med tidig grekisk mytologi. Det finns en koppling mellan Frankenstein och Bibeln s\aa{}tillvida att det skapade (m\"anniskan i moseboken, monstret i Frankenstein) s\"atter sig upp mot skaparen (gud respektive m\"anniskan). I judisk mytologi har vi en motsvarighet i myten om lerm\"anniskan \textbf{Golem} som l\"oper amok d\aa{} dess herre gl\"ommer av att kontrollera varelsen. Det har slagit mig hur l\aa{}ngt f\"ore sin tid denna myt var: Golem var gjord av lera, och datorer \"ar gjorda av kisel, som tillverkas av sand. F\"or att Golem skall "{}fungera"{} stoppar konstrukt\"oren \textbf{Rabbi L\"ow} ett stycke pergament med guds namn i munnen p\aa{} varelsen. Detta \"ar j\"amf\"orbart med hur ingenj\"oren "{}matar"{} sin dator med mjukvara. F\"or att stoppa den skenande Golem tar rabbin ut pergamentet ur munnen p\aa{} denna, varvid varelsen faller ihop i en h\"og torkad lera, efter att den ber\"ovats sin livsgnista. Redan i dessa tv\aa{} 1800-talsmyter finns allts\aa{} r\"adslan f\"or att m\"anniskan, liksom Gud, skall skapa intelligent liv ur d\"od materia. Denna ganska ogrundade r\"adsla f\"or \textit{uppror mot gud} \"ar allts\aa{} bakgrunden till mycket av den fientlighet som riktas mot forskningen inom artificiell intelligens. Det som skr\"ammer oss \"ar myten om hur m\"anniskan \aa{}t av kunskapens tr\"ad, och v\aa{}r skr\"ack f\"or att ytterligare en skapelse skall g\"ora detsamma. Jag t\"anker dock g\aa{} bortom dessa myter och ist\"allet rikta in resonemanget p\aa{} de filosofier som ligger till grund f\"or AI-forskningen: \textit{Pragmatismen} med arv fr\aa{}n Fallibilismen, Nihilismen och Zenfilosofin. (L\aa{}t inte dessa konstiga ord avskr\"acka dig fr\aa{}n att l\"asa vidare!) Man kan fr\aa{}ga sig \textit{varf\"or} forskare prompt skall f\"ors\"oka skapa artificiell intelligens. Det finns ju redan m\"anniskor, varf\"or f\"ors\"oka skapa n\aa{}got nytt, b\"attre, fr\"ammande? Att st\"alla en s\aa{}dan fr\aa{}ga till en forskare p\aa{} omr\aa{}det \"ar ungef\"ar som att fr\aa{}ga ett ungt par varf\"or de prompt skall skaffa barn. Varf\"or f\"oda upp en ny generation som ifr\aa{}gas\"atter allt du byggt upp? -- det \"ar en s\aa{}dan sak som man bara g\"or helt enkelt; en utmaning, en \"onskan att skapa n\aa{}got som skall leva vidare. En drift att l\aa{}ta evolutionen fortg\aa{}. Kanske \"ar det ocks\aa{} detta som till viss del driver hackare att framst\"alla datavirus: n\"ojet i att se n\aa{}got nytt v\"axa och sprida sig. Hela v\aa{}rt samh\"alle och v\aa{}ra liv \"ar nu s\aa{} sammanl\"ankade att de inte g\aa{}r att skilja \aa{}t. Samh\"allet, maskinerna och m\"anniskan -- allt m\aa{}ste utvecklas vidare. Evolutionen till\aa{}ter inga st\"angda d\"orrar, och AI \"ar enligt mitt s\"att att se det bara \"annu ett steg p\aa{} evolutionens v\"ag. Sj\"alv ser jag detta som n\aa{}got relativt positivt, andra blir skr\"ackslagna. Samtidigt skall man inte gl\"omma att l\"agga m\"arke till de \textit{marknadsm\"assiga intressen} som st\aa{}r bakom den artificiella intelligensens expansion. Att datorer skall kunna l\"asa blanketter, sortera information och skicka den vidare, \"ar givetvis bara \"annu ett s\"att f\"or marknaden att rationalisera bort m\"anniskor ur produktionen, att automatisera kontorslivet och g\"ora sekreteraren och revisorn \"overfl\"odiga. Ledningen f\"or ett f\"oretag \"ar givetvis som vanligt enbart intresserad av att tj\"ana pengar och ackumulera kapital. \textit{Skulle inte du?} Vad \"ar det som r\"or sig p\aa{} en h\"ogre niv\aa{}? Vad d\"oljer sig i den komplexa individ (eller som jag sj\"alv kallar det: \textit{superindivid}) som vi gett namnet \textit{"{}marknaden"{}} och som st\"andigt driver p\aa{} denna utveckling? Den som \"ar intresserad av att f\aa{} veta mer om AI och allm\"ant filosofiska aspekter kring \"amnet kan med f\"ordel l\"asa boken \textit{The Age of Intelligent Machines} av \textbf{Raymond Kurzweil} (1990). Vill man f\"orst\aa{} mekanismerna bakom AI b\"or man l\"asa \textbf{Douglas Hofstadters} \textit{G\"odel Escher Bach}, en b\aa{}de upplyftande och bekl\"ammande bok. I ett avseende \"ar den en vetenskaplig bekr\"aftelse av Kafkas tes: \textit{att r\"att uppfatta en sak och samtidigt missf\"orst\aa{} samma sak utesluter inte vartannat}, n\aa{}got som fascinerande nog h\"or samman med mots\"agelserna inom Zenbuddhism, en religion som i vissa stycken gr\"ansar till ren filosofi. F\"or att l\aa{}ta er f\"orst\aa{} n\aa{}got av mekanismerna bakom AI m\aa{}ste jag f\"ors\"oka f\"orklara n\aa{}got av den del av Zen som sammankopplas med filosofer som \textbf{Mumon} och som inte har s\aa{} mycket med att sitta med benen i kors och meditera (och annat hokus-pokus) att g\"ora. Zen \"ar i sig en filosofi som kan brytas l\"os fr\aa{}n Buddhismen och betraktas separat. Buddhismen bygger p\aa{} respekt f\"or livet i alla dess former. Zen i sig kr\"aver inget s\aa{}dant, eftersom det \"ar en icke-v\"arderande, icke-religi\"os filosofi. \section*{Zen, Eller Konsten att Bryta Sig Ur Formella System} Just Zen har ju ocks\aa{} blivit en av de mest inflytelserika "{}nya"{} filosofierna i v\"astv\"arlden under 80- och 90-talet. B\"ocker som \textit{Zen Och Konsten Att Sk\"ota En Motorcykel} s\"aljer f\"orbluffande bra. Zenbuddhismen inneb\"ar bland annat att det som vi i v\"asterl\"andsk tradition kallar Gud, och som hinduisterna och buddhisterna kallar Brahman respektive Buddha, i sj\"alva verket \"ar summan av alla processer i universum och ingen frist\aa{}ende sj\"alvst\"andigt t\"ankande kraft. S\aa{}ledes finns Gud lika mycket i m\"anniskans sj\"al som i en dators str\"omkretsar eller cylinderloppet p\aa{} en motorcykel. Zen kan lite f\"orenklat s\"agas vara ett enda l\aa{}ngt s\"okande efter sambandet mellan processerna i naturen, kosmos eller mikrokosmos, och samtidigt utg\"or sj\"alva s\"okandet en process som g\aa{}r upp i de andra. \textit{S\"okandet i sig} \"ar Zenbuddhismen, och po\"angen \"ar att man aldrig lyckas finna Zen, som \"ar ett abstrakt begrepp f\"or "{}svaret"{}. Ett s\"okande efter Zen inneb\"ar att man st\"andigt kommer till en plats d\"ar man besvarar en fr\aa{}ga med: \textit{b\aa{}de ja och nej}. Exempelvis: Fr\aa{}ga: \textit{\"Ar bollen i flaskan?} Svar: \textit{P\aa{} s\"att och vis ja, om flaskans insida \"ar dess insida, p\aa{} s\"att och vis nej, om flaskans utsida \"ar dess insida.} Zen leker st\"andigt med v\aa{}rt s\"att att \textit{definiera} v\aa{}r omgivning, att s\"atta etiketter p\aa{} f\"orem\aa{}l s\aa{} v\"al som m\"anniskor. Zen l\"ar oss att genomsk\aa{}da bristerna i v\aa{}rt eget spr\aa{}k och hj\"alper oss att bryta felaktiga system, som om vi till exempel f\aa{}tt f\"or oss att alla brottslingar \"ar svartmuskiga. (Eller att alla hackare bryter sig in i datasystem!) Zen \"ar tesen att inga perfekta formella system existerar, att det \textit{inte finns} n\aa{}got perfekt s\"att att uppfatta verkligheten p\aa{}. Att det inte finns n\aa{}gra perfekta system inom naturvetenskapen bevisade matematikern G\"odel 1931, och att det inte finns n\aa{}gra perfekta system inom religionen inser var och en som inte \"ar bokstavstroende. Zen kan s\"agas grunda sig p\aa{} antagandet att: \textit{Den enda absolut sanna sanningen \"ar att inga absoluta sanningar existerar.} En paradox! Vilket givetvis \"ar en perfekt utg\aa{}ngspunkt f\"or tesen att verkligheten inte l\aa{}ter sig f\aa{}ngas och alla formella system (som det m\"anskliga spr\aa{}ket, matematiken osv) d\"armed m\aa{}ste vara felaktiga. Till och med sj\"alva p\aa{}st\aa{}endet att verkligheten \"ar ofullst\"andig \"ar ofullst\"andigt! \textit{Sanningen kan inte uttryckas i ord} -- d\"arav behovet av konst och andra uttrycksformer. Jag skall inte skriva mer om Zen nu, men ni f\"orst\aa{}r s\"akert att det \"ar m\aa{}nga som blir b\aa{}de f\"orvirrade och f\"orbannade n\"ar man f\"ors\"oker f\"orklara Zen, speciellt som f\"orklaringen g\aa{}r ut p\aa{} att det inte finns n\aa{}gon f\"orklaring. Notera i t~ex \textbf{William S Burroughs} citat: \textit{"{}spr\aa{}k \"ar ett virus fr\aa{}n rymden"{}}, frustrationen \"over det m\"anskliga spr\aa{}kets begr\"ansningar. \"Aven Nietzsche kritiserade spr\aa{}ket och menade att det var hoppl\"ost begr\"ansat, likv\"al som feministen \textbf{Dorothy Smith} med sin teori om hur orden styr maktf\"ordelningen i samh\"allet.\footnote{F\"ormodligen en form av strukturalism.} I v\"asterl\"andsk filosofisk tradition kallas motsvarigheten till Zen f\"or \textit{fallibilism} och grundar sig p\aa{} tanken att all kunskap \"ar provisorisk, n\aa{}got som senare utvecklats i en filosofisk riktning som kallas \textit{pragmatism} och betraktar alla formella system som felbara och d\"arefter f\"ors\"oker bed\"oma dem efter hur de fungerar ist\"allet f\"or hur de \"ar uppbyggda. G\"odels teorem \"ar kanske den mest p\aa{}tagliga indikationen p\aa{} att denna v\"arldsuppfattning \"ar korrekt.\footnote{"{}Korrekt"{} \"ar alltid ett b\"ojligt begrepp n\"ar man diskuterar filosofi. Ta det inte f\"or bokstavligt. T\"ank p\aa{} att detta \"ar popul\"arvetenskap...} Mycket av modern matematisk teori om sk \textit{icke-formella system} h\"anger ihop med b\aa{}de Zen och kaosforskning. Ett icke-formellt system skapar ett formellt system f\"or att l\"osa ett problem. F\"or att vi skall ha en chans att f\"orst\aa{} oss p\aa{} den p\aa{} ytan kaosartade v\"arlden m\aa{}ste vi f\"orst f\"orenkla den genom att skapa formella system p\aa{} olika beskrivningsniv\aa{}er, men ocks\aa{} ha m\"ojligheten att bryta ned dessa system och skapa nya. Vi vet till exempel att m\"anniskor \"ar skapta av celler. Men p\aa{} s\"att och vis \"ar vi ju skapta av atomer, och p\aa{} s\"att och vis av ren energi. Naturen bjuder p\aa{} s\aa{} m\aa{}nga beskrivningsniv\aa{}er att vi m\aa{}ste s\aa{}lla fram dem som vi beh\"over f\"or att klara av det som vi f\"oresatt oss. Det \"ar det som \"ar intelligens. Det finns andra filosofier som anammar delar av Zen: hit h\"or exempelvis l\"aran om \textit{Tao}, d\"ar motsatspar som svart/vitt r\"att/fel eller ett/noll (informationens minsta byggsten) ses som heliga och det g\"aller att finna n\aa{}gon slags gyllene medelv\"ag. (Urtypen \"ar allts\aa{} \textit{Yin} och \textit{Yang}, ett slags \textit{ur-motsatspar}.) Hit h\"or ocks\aa{} v\aa{}rt v\"asterl\"andska tes-antites-syntes-resonemang. Dessa filosofier har som styrka och svaghet att de invaggar anh\"angaren i en tro att \textit{lagom alltid \"ar b\"ast}, vilket enligt Zen kan vara b\aa{}de sant och falskt beroende p\aa{} hur man ser det. Alla s\aa{}dana f\"ors\"ok att konkretisera verkligheten till formella system \"ar i och f\"or sig intressanta men definitivt provisoriska och st\"andigt underkastade anpassning. Ett annat filosofiskt system som anammade detta tankes\"att var den f\"orkristna \textit{Gnosticismen}, d\"ar det ursprungliga motsatsparet \"ar \textit{Gud} och \textit{Materien} som sedan m\"ots genom en serie sk \textit{Eoner} (tids\aa{}ldrar, id\'{e}v\"arldar eller gudomliga v\"asen). Gnosticismen \"ar i sin tur f\"ormodligen sprungen ur en gammalpersisk religion som kallas \textit{parsism} och som inr\"attades av den inte helt ok\"anda filosofen \textbf{Zarathustra}, som allts\aa{} ursprungligen h\"avdade att v\"arlden styrdes av s\aa{}dana h\"ar motsatspar. Zenfilosofins s\"att att t\"anka \"ar dels en bekr\"aftelse p\aa{} den sk \textit{nihilismens} v\"arldsbild att objektiva sanningar inte existerar, samtidigt dementerar den samma v\"arldsbild; det \"ar helt enkelt en fr\aa{}ga om var man befinner sig: p\aa{} insidan av ett formellt system existerar objektiva sanningar. P\aa{} utsidan av systemet finns de inte. Lyckas man bryta sig ur ett formellt system d\"ar verkligheten inte beskrivs i begrepp som \textit{r\"att} och \textit{fel}, eller alla m\"ojliga mellanting som \textit{mera r\"att \"an fel}, har man ocks\aa{} funnit n\aa{}got av intelligensens k\"arna. Att vara intelligent inneb\"ar att man kan bygga ett system av ordning ur kaos, s\aa{} grundligt att man sedan kan betrakta sitt eget system fr\aa{}n insidan och inordna sina egna tankar i det system man skapat. Forskningen kring AI har p\aa{} ett f\"orbluffande s\"att visat att denna f\"orm\aa{}ga \"ar absolut n\"odv\"andig f\"or \textit{varenda liten intelligent operation}. Denna skillnad mellan den verkliga v\"arlden och den som man f\"orest\"aller sig, allts\aa{} det formella system man skapat, har i \aa{}rhundraden retat gallfeber p\aa{} filosofifarbr\"oder som Platon m~fl, och f\aa{}tt dem att i djupa bryderier konstatera att den verkliga v\"arlden \"ar felaktig och att deras perfekta, matematiska system \"ar en id\'{e}v\"arld som st\aa{}r bortom den verkliga och som den verkliga v\"arlden aldrig riktigt n\aa{}r fram till. (Observera att jag \"ar en smula uppk\"aftig h\"ar; en 24-\aa{}rig lekman som jag har normalt inte ens r\"att att ta dessa stora filosofers namn i min mun. Den vakne l\"asaren l\"agger m\"arke till att jag \"ar i full fart med att ifr\aa{}gas\"atta auktoriteter... I vetenskapsteorin \"ar denna konflikt k\"and som kontroversen mellan subjekt (iakttagare) och objekt. \"Aven inom en s\aa{} "{}h\aa{}rd"{} vetenskap som fysiken har det visat sig att detta \"ar av avg\"orande betydelse, fr\"amst i det f\"or fysiker v\"albekanta \textit{Bells Teorem}, som st\"allt till stort huvudbry f\"or m\aa{}ngen forskare. (Jag t\"anker inte f\"ors\"oka f\"orklara Bells Teorem, jag n\"amner det mest som en referens f\"or den som k\"anner till det.) N\"ar AI-forskarna s\"okte svaret p\aa{} hur intelligens fungerade hamnade man i konflikt med de vetenskapliga grundnormerna. Vi beh\"over f\"ora ett intelligent resonemang f\"or att skapa intelligens. Vi beh\"over en ritning p\aa{} hur man g\"or ritningar, en teori om hur teorier fungerar, ett paradigm f\"or hur paradigm skapas osv. Man hamnade i en paradox d\"ar man ville beskriva ett formellt system med hj\"alp av ett formellt system. Det var d\aa{} man tog till sig G\"odels teorem -- ett bevis f\"or att alla formella system inneh\aa{}ller sanningar som inte kan bevisas. L\"osningen p\aa{} att skapa ett formellt system f\"or intelligens var genom att l\aa{}ta det referera till sig sj\"alvt, precis som en nervcell i hj\"arnan kan f\"or\"andra sitt s\"att att fungera och behandla information genom att, just det, behandla information. L\"osningen p\aa{} intelligensens g\aa{}ta var inte tabeller, strikta regler och matematik. Intelligensen var inte matematiskt-maskinell. F\"or att intelligensen skulle fungera m\aa{}ste den vara till viss del \textit{of\"oruts\"agbar}, \textit{mots\"agelsefull} och \textit{f\"or\"anderlig}. M\aa{}nga hackare och n\"atanv\"andare \"ar h\"angivna Zen-filosofer, inte minst d\"arf\"or att mycket av funktionerna i datorer och datan\"atverk ofta \"ar ganska sj\"alvmots\"agande. Den del av datavetenskapen som behandlar AI \"ar sj\"alvmots\"agande i allra h\"ogsta grad. \textit{Programmering} \"ar ocks\aa{} en konst som g\aa{}r ut p\aa{} att skapa ordning i ett fr\aa{}n b\"orjan n\"ast intill kaotiskt system av m\"ojliga instruktioner, hela v\"agen fram till ett f\"ardigt dataprogram. Om det h\"ar stycket var sv\aa{}rt att f\"orst\aa{}, var sn\"all och l\"as det igen, f\"or det \"ar v\"art att f\"orst\aa{}. \section*{M\"anniskan som Maskin - Datorn som Gudomlig Skapelse} De flesta hackare betraktar m\"anniskor som avancerade maskiner och det \"ar egentligen inget fel med det; det \"ar bara ett nytt syns\"att, \"annu ett betraktelses\"att inom den m\aa{}ngfassetterade psykologiska vetenskapen. Hackare \"ar i allm\"anhet futurister och f\"or dem \"ar maskinen, och d\"armed m\"anniskan, n\aa{}got vackert och livsfyllt. Jag skall villigt erk\"anna att jag sj\"alv till viss del betraktar m\"anniskor som maskiner, men skulle hellre d\"ampa det lite och s\"aga att vi i likhet med datorer \"ar \textit{informationshanterare} -- vi f\"ods med en viss information pr\"aglad i generna; under uppv\"axten tillf\"ors sedan alltmer information fr\aa{}n omgivningen. Resultatet blir en komplex m\"angd information som vi kallar f\"or \textit{individ}. Processen d\"ar informationen bearbetas och lagras i individen kallar vi f\"or intelligens. Individen samverkar ocks\aa{} med omgivningen genom att symboliskt uppta och avs\"ondra informationsstycken, och blir d\"arigenom del i en \"annu st\"orre process som ocks\aa{} den \"ar intelligent. (\"Ar man religi\"ost lagd kan detta p\aa{}st\aa{}ende uppfattas som hybris.) Skillnaden mellan m\"anniskor och datorer d\aa{}? Tv\aa{} saker: Datorn vet vem som skapat den (ett) och m\"anniskans liv \"ar klart tidsbegr\"ansat (tv\aa{}). Man har framkastat teorin att det unika i m\"anniskans "{}sj\"al"{} \"ar en produkt av endast dessa tv\aa{} faktorer, och att det d\"armed bara \"ar just ovissheten och tidsbegr\"ansningen som g\"or livet \textit{"{}v\"art att leva"{}}. Sedan kan man ifr\aa{}gas\"atta teorin med den inv\"andningen att b\aa{}da premisserna i princip \"ar f\"orhandlingsbara i ett l\"angre perspektiv. H\"arom f\aa{}r l\"asaren dra sina egna metafysiska slutsatser. \"Amnet \"ar i det n\"armaste outt\"omligt. (Och publiken i princip outtr\"ottlig.) \begin{quotation} \noindent{}\textit{"{}Jag har sk\aa{}dat saker ni m\"anniskor inte kan f\"orest\"alla er... Brinnande attackskepp vid Orions skuldra... Jag s\aa{}g C-str\aa{}lar tindra i Tannhauser-porten... Alla dessa \"ogonblick kommer nu att g\aa{} f\"orlorade i tiden, likt t\aa{}rar i regnet."{}} (Androiden Roy Beatty i \textbf{Ridley Scotts} \textit{Blade Runner} inser i d\"ods\"ogonblicket n\aa{}got av livets inneb\"ord.) \end{quotation} \noindent{}Om vi g\aa{}r till djuppsykologin blir det hela lite enklare. Ett intelligent system, s\aa{}v\"al artificiellt som naturligt, m\aa{}ste kontrolleras mot ett \"overliggande system, vad vi skulle kunna kalla ett \textit{metasystem}, f\"or att kunna veta i vilken riktning det skall utveckla sig. P\aa{} ett AI-system som skall k\"anna igen bokst\"aver "{}bel\"onas"{} respektive "{}bestraffas"{} det s\"att p\aa{} vilket det uppfattat ett tecknen tills systemet l\"art sig hur det skall kunna k\"anna igen s\aa{} gott som alla tecken. Detta fordrar att systemet har tv\aa{} funktioner: dels in- och utmatning av information, och dels \textit{eftertanke}. P\aa{} ett AI-system sker detta kontrollerat i tv\aa{} steg. Hos en m\"anniska sker informationsbehandlingen (enligt \textit{en} teori) om dagen och j\"amf\"orelsen mot det "{}korrekta"{} handlingsm\"onstret under natten i form av dr\"ommar, d\"ar f\"orloppen \aa{}terupprepas och j\"amf\"ors med v\aa{}ra \textit{verkliga} motiv, allts\aa{} det \textit{undermedvetna}. Likheten \"ar p\aa{}fallande. Vi kan allts\aa{} med detta resonemang konstatera att m\"anniskan har ett inre system f\"or vad som \"ar korrekta och felaktiga handlingar. Som om inte detta vore nog, vet vi att vi ocks\aa{} kan f\"or\"andra de planer vi handlar efter -- vi \"ar allts\aa{} inte f\"odda till att g\aa{} en viss utstakad v\"ag. P\aa{} det viset \"ar m\"anniskan lika paradoxal som vilket icke-formellt system som helst. Vi har f\"orm\aa{}gan att bryta oss ur systemet och omv\"ardera v\aa{}ra m\aa{}l. De stora psykologiska filosoferna, fr\"amst \textbf{Sigmund Freud} och \textbf{Carl Jung}, fann dock att det fanns ett slags symboler och motiv som \textit{inte} modifierades utan var gemensamma f\"or alla m\"anniskor. Freud talade om de stora \textit{drifterna}, fr\"amst sexual- och d\"odsdriften. Jung vidareutvecklade resonemanget till flera \textit{arketyper}, som t~ex visade p\aa{} vissa grundl\"aggande uppfattningar om vad som \"ar gott och ont.\footnote{Teorier som f\"or tillf\"allet hamnat i on\aa{}d. H\aa{}h\aa{}jaja. Enimvero di nos quasi pilas homines habent.} Dessa arketypiska drifter som tycks finnas hos alla djur \"ar tydligen en motor som driver m\"anniskan att utforska och f\"ors\"oka f\"orst\aa{} sin omv\"arld. Detta \"ar den mest grundl\"aggande skillnaden mellan m\"anniskor och maskiner. Det finns inget som s\"ager att vi skulle beh\"ova l\aa{}ta de intelligenta maskinerna drivas av samma drifter och instikter som vi sj\"alva. Vi kan ist\"allet specialutrusta dem med en \textit{drift} att l\"osa det problem de konstruerats f\"or. N\"ar maskinen utv\"arderar sitt eget handlande drivs den d\aa{} st\"andigt att springa v\aa{}ra \"arenden. Science fiction f\"orfattaren \textbf{Isaac Asimov} f\"oreslog exempelvis i sina robotnoveller robotikens \textit{lagar}, d\"ar robotarna drevs av en n\"armast sjuklig vilja att vara m\"anniskor till lags. Dessa \aa{}terfinns \"aven i den n\aa{}got modernare filmen \textit{Robocop} d\"ar robotpolisen drivs av viljan att uppr\"atth\aa{}lla lagen. \section*{Mot en Artificiell Tids\aa{}lder - AI och Samh\"allet} Aspekter p\aa{} AI \aa{}terspeglas i tidens medier - \textit{Blade Runner} handlar om skillnaden mellan m\"anniskor och maskiner, i cyberpunkromaner, musik och filmer f\"orkommer AI rikligt, och \aa{}r 1995 har Frankenstein nypremi\"ar p\aa{} biograferna. Slump? Knappast. Ett sp\"annande exempel p\aa{} den h\"ar trenden \"ar \textbf{Arnold Schwarzeneggers} roll som robot i \textit{Terminator 2}. D\"ar har den konstgjorda intelligensen m\"anskliga drag, som en f\"oljd av att den programmerats av en m\"ansklig rebell ist\"allet f\"or en brutal milit\"ar. Den visar ocks\aa{} p\aa{} olika aspekter av hur det kan g\aa{} om man hanterar tekniken v\aa{}rdsl\"ost. (Som n\"ar Rabbi L\"ow tappade kontrollen \"over sin Golem.) S\"arskilt intressant \"ar scenen d\"ar roboten, maskin som den \"ar, bara f\"oljer sitt program att utpl\aa{}na m\"anniskor som \"ar i v\"agen ist\"allet f\"or att v\"alja fredliga l\"osningar. Huvudpersonen John (som f~\"o \"ar en skicklig hackare) uppt\"acker h\"ar en farlig "{}programlus"{} i roboten, som han r\"attar till. Budskapet i filmen \"ar att teknik och AI \"ar bra -- om den anv\"ands p\aa{} r\"att s\"att och \"overvakas av m\"anniskan. Den riktiga faran \"ar den nonchalanta m\"anniskan. Den svenska \textit{Femte Generationen} f\"ortj\"anar \aa{}terigen att n\"amnas i sammanhanget. Femte generationens datasystem \"ar just en annan beteckning p\aa{} artificiellt intelligenta datasystem. \textbf{Lars Gustafsson} utm\"arker sig med den vackra science fiction romanen \textit{Det S\"allsamma Djuret Fr\aa{}n Norr} som p\aa{} ett ing\aa{}ende och underh\aa{}llande vis behandlar metafysiska aspekter p\aa{} AI. Speciellt sp\"annande \"ar h\"ar tankarna om decentraliserad intelligens. Detta inneb\"ar t~ex att ett myrsamh\"alle kan s\"agas vara intelligent, men knappast en enskild myra, att hela m\"anskligheten kan betraktas som en sammanh\"angande intelligent organism osv -- ett syns\"att h\"amtat fr\aa{}n sociologin som kommit att f\aa{} en central betydelse inom AI-forskningen. Informationsfl\"oden \"ar en indikation p\aa{} intelligens. Detta bekr\"aftas i modellen av samh\"allet som en enhetlig t\"ankande kraft. Individens och samh\"allets intelligens \"ar otvivelaktigt besl\"aktade; f\"orm\aa{}gan att lagra och bearbeta information genom kontruktion och uppl\"osande av formella system k\"annetecknar intelligens. Samh\"allet \"ar som en organism, \"and\aa{} inte. De h\"ar id\'{e}erna g\aa{}r \"anda tillbaka till den sociologiska vetenskapens grundare \textbf{Auguste Comte}. Sj\"alv har jag myntat begreppet \textit{superindivider} som en beteckning p\aa{} dessa \"overordnade intelligenser med namn som \textit{f\"oretag, marknaden, staten, kapitalet} osv. Jag skall \aa{}terkomma till detta l\"angre fram i denna bok. Man kan \aa{}terigen betona sl\"aktskapet mellan kaosforskning och intelligens; intelligens kan uppfattas p\aa{} m\aa{}nga olika niv\aa{}er, varje niv\aa{} i sig ett formellt system. Det ena systemet liknar det andra och bildar ett m\"arkligt sammanh\"angande m\"onster. V\aa{}r intelligens verkar vara ett med v\aa{}r f\"orm\aa{}ga att betvinga kaos. \section*{Alan Turing och Turingtestet} En av de allra f\"orsta som \"agnade sig \aa{}t att f\"ors\"oka f\aa{} maskiner att hysa intelligens var \textbf{Alan Turing}. Han f\"oreslog ett test som kunde avg\"ora om ett system var intelligent eller inte, det sk \textit{Turingtestet}. Det gick ut p\aa{} att man placerade en m\"anniska i ett rum med en terminal som antingen var kopplad till en annan terminal d\"ar det satt en annan m\"anniska, \textit{eller} till en dator som l\aa{}tsades vara en m\"anniska. Om f\"ors\"okspersonerna inte kunde skilja p\aa{} m\"anniskan och datorn, dvs att de i h\"alften av fallen d\"omde ut datorn och i h\"alften av fallen m\"anniskan, skulle man kunna p\aa{}st\aa{} att datorn var intelligent. Detta kritiserades ganska omg\aa{}ende med en teori som kallades det \textit{kinesiska rummet}. Denna innebar att turingtestet gjordes p\aa{} kinesiska, och att man placerade en kines vid ena terminalen, och en person som inte kunde kinesiska vid den andra. F\"or att den icke-asiatiske personen skulle ha en chans att svara p\aa{} de fr\aa{}gor som kinesen st\"allde, skulle man ge honom en upps\"attning regler i form av tecken, grammatik etc med vars hj\"alp han skulle kunna generera vettiga svar utan att f\"orst\aa{} ett smack kinesiska. Genom att bara sl\aa{} i b\"ocker och tabeller skulle det d\"arf\"or verka som om personen i fr\aa{}ga talade kinesiska \textit{och} var intelligent, fast han/hon i sj\"alva verket bara f\"oljde regler. Den lilla slaven som sprang fram och tillbaka och tolkade kinesens fr\aa{}gor och framst\"allde intelligenta svar utan att kunna n\aa{}got j\"amf\"ordes med h\aa{}rdvaran i datorn, \textit{maskinen}. B\"ockerna och reglerna f\"or hur han skulle svara var mjukvaran, allts\aa{} \textit{dataprogrammet}. P\aa{} det viset menade man att en dator inte kunde vara intelligent, bara f\"olja givna instruktioner. Nu visade sig denna inv\"andning vara felaktig. Det kinesen kommunicerar med \"ar inte \textit{enbart} den person som sitter i andra \"anden, utan \textit{hela systemet}, med terminal, b\"ocker, regelverk och allt annat som den stressade stackaren i det andra rummet anv\"ander sig av. \textit{\"Aven om personen som satt vid terminalen inte var intelligent, var systemet som helhet intelligent.} Detsamma g\"aller f\"or en dator: \"aven om inte maskinen eller dataprogrammet \textit{i sig} \"ar intelligenta, kan systemet \textit{maskin+program} mycket v\"al vara det. Det samma g\"aller en m\"anniska -- en enskild neuron i hj\"arnan \"ar inte intelligent. Inte ens hela delar av hj\"arnan eller \textit{hj\"arnan i sig} kan s\"agas vara intelligenta, eftersom de inte kan kommunicera. \textit{Systemet} m\"anniska med \textit{b\aa{}de} kropp och hj\"arna kan d\"aremot s\"agas vara intelligent!\footnote{Eller kanske inte. M\"anniskan kan om\"ojligen bli intelligent utan ett samh\"alle som omger henne, allts\aa{} \"ar systemet m\"anniska+samh\"alle det som \"ar intelligent... Osv osv.} Av detta f\"oljer ocks\aa{} den l\"att obehagliga insikten att varje system som \"ar intelligent st\"andigt m\aa{}ste bearbeta information f\"or att kunna kallas intelligent. Vi m\aa{}ste ta emot sinnesintryck och avge svar p\aa{} dessa p\aa{} n\aa{}got vis f\"or att kunna kallas intelligenta. \textit{En m\"anniska utan f\"orm\aa{}ga att ta emot eller ge ifr\aa{}n sig information \"ar allts\aa{} inte intelligent!} Informationsfl\"ode \"ar en indikation p\aa{} n\"arvaron av intelligens. H\"arav definierar vi begreppet hj\"arnd\"od. En m\"anniska utan kommunicerande intelligens \"ar ingen m\"anniska. Vi skulle kunna avsluta det h\"ar kapitlet med att definiera vad intelligens egentligen \"ar (enligt Walleij): \textit{Intelligens \"ar f\"orm\aa{}gan att i ett till synes kaosartat informationsfl\"ode skapa system f\"or att sortera och \"overblicka detta samt oupph\"orligen revidera och bryta ned dessa f\"or att skapa nya.} (Notera att denna definition \"ar en paradox eftersom den beskriver den process genom vilken f\"orfattaren lyckades konstatera detta. Aldrig f\aa{}r man vara riktigt glad.) \chapter{VIRTUELL VERKLIGHET (VIRTUAL REALITY)} Nu skall jag ber\"atta om n\aa{}got som \"ar ruskigt \"overskattat, men som oundvikligen kommer att f\aa{} stor betydelse i framtiden. I varje fall som fenomen betraktat. Jag tvekade l\"ange om jag skulle skriva om virtuell verklighet \"over huvud taget, men jag inser att det oundvikligen h\"or till \"amnet. Anledningen till att jag tvekar \"ar att detta forskningsomr\aa{}de blivit s\aa{} uppbl\aa{}st och missf\"orst\aa{}tt att det antagit rent religi\"osa proportioner. Virtuell verklighet \"ar ursprungligen en beteckning f\"or p\aa{}hittad verklighet. Det \"ar samma sorts verklighet som rollspelsentusiaster befinner sig i d\aa{} de tar sig fram i en p\aa{}hittad v\"arld. I sin ursprungliga form kr\"aver denna konstgjorda omgivning en god portion fantasi och t\aa{}lamod. Utvecklingen har g\aa{}tt fr\aa{}n rollspel till interaktiva rollspel p\aa{} Internet, sk \textbf{MUD}-spel (Multi-User Dungeon, dvs fleranv\"andargrotta, en grotta som flera m\"anniskor kan vara i samtidigt, kallas ocks\aa{} \textit{textbaserad verklighet}) och f\"orst p\aa{} 90-talet har begreppet blivit synonymt med en viss teknik f\"or att konkret med ljud och bild uppleva konstruerade verkligheter med datorns hj\"alp. I ett MUD-spel uppr\"attar man vissa konventioner f\"or att kommunicera direkt med m\"anniskor genom att anv\"anda ett spr\aa{}k som \"ar en f\"orl\"angning av det skrivna ordet. Man kan tala om p\aa{} vilket s\"att man vill kommunicera med en medspelare. Man kan t ex tala om ifall man vill uttala ett ord ironiskt, kallt eller erotiskt. Man skriver kanske: "{}S\"ag 'Hejsan' p\aa{} ett humoristiskt vis till X"{}, varvid X f\aa{}r ett meddelande av typen: "{}Y s\"ager 'Hejsan' till dig p\aa{} ett humoristiskt vis"{}. Man har ocks\aa{} m\"ojligheten att inta poser, att utstr\aa{}la olika k\"anslor. Du skulle kunna f\aa{} ett meddelande av typen: "{}Y ler ett ironiskt leende"{}. Detta s\"att att kommunicera \"over Internet har haft avg\"orande inflytande p\aa{} det spr\aa{}k gemene man anv\"ander vid skriftliga debatter i den elektroniska v\"arlden. De mest v\"alk\"anda konventioner som uppr\"attats \"ar tecknet f\"or humor :-) (glatt ansikte fr\aa{}n sidan) och tecknet f\"or ironi ;-) (blinkande ansikte), eller att skriva med STORA BOKST\"AVER f\"or att skrika. Ut\"over dessa har en uppsj\"o mer eller mindre accepterade symboler av samma slag uppst\aa{}tt. Detta \"ar f\"orsta steget mot att via ett n\"atverk \"overf\"ora symboler med en annan inneb\"ord \"an de rent spr\aa{}kliga. Det inneb\"ar en f\"orsta m\"ojlighet att anv\"anda tonfall och kroppsspr\aa{}k i konstgjorda v\"arldar. En f\"orl\"angning av MUD \"ar det internationella n\"atverket f\"or struntprat, IRC (Internet Relay Chat, Internets Rel\"asystem f\"or Snack). I IRC-systemet kan man g\"ora ungef\"ar samma saker som i MUD, skillnaden \"ar att det hela ligger lite n\"armare verkligheten. En del s\"atter upp privata konferenser i IRC och pratar sinsemellan, medan andra \"agnar sig \aa{}t n\aa{}gon av de m\aa{}nga \"oppna grupperna, t~ex \#Sweden eller \#Sverige som fungerar ungef\"ar som en textversion av Heta Linjen f\"or svenskar. I dagsl\"aget anv\"ander ungef\"ar 1000 personer i Sverige IRC regelbundet. \footnote{Rasar st\"andigt upp\aa{}t, siffran \"ar formodligen helt felaktig n\"ar du l\"aser detta. Antalet 1000 baserar sig p\aa{} en siffra fr\aa{}n 1994.} IRC har en benh\aa{}rd teknokratisk hierarki d\"ar de som kan mer om systemet har mer makt och kan bolla med andra m\"anniskor ungef\"ar hur de vill. Demokrati existerar inte: p\aa{} varje kanal finns ett antal sm\aa{}kungar (sk chan-ops, kanaloperat\"orer) som ibland kan "{}sl\aa{}ss"{} om kontrollen \"over kanalen. IRC har redan utvecklats till en egen subkultur med egna v\"arderingar och hackordningar. F\"orv\aa{}nansv\"art m\aa{}nga kvinnor anv\"ander IRC. I IRC finns \"aven m\"ojlighet att idka informationshandel, att byta information mot information med ett enda enkelt kommando: \textit{/dcc send nick fil}, vilket gjort IRC till den fr\"amsta kommunikationskanalen f\"or "{}bytare"{} och andra hackargrupper, en plats d\"ar kurirer springer med filer och kommunicerar internt, annonserar ut FTP-areor och webbsidor d\"ar enorma programbibliotek finns tillg\"angliga f\"or en kort tid. Det har d\"armed ocks\aa{} blivit den naturliga knutpunkten f\"or m\"anniskor med de mest udda perversioner, och ingen annanstans kan man hitta s\aa{}dana ansamlingar av pornografiska bilder och hela filmer, som p\aa{} kanaler med namn som "{}xxx..."{} mediet \"ar \"annu mycket anonymt och sv\aa{}rt f\"or myndigheter att \"overvaka, f\"ormodligen \"ar det den mest lagl\"osa del av Internet som finns idag. Dessa tekniker \"ar bara det f\"orsta steget i en utveckling som kommer att leda oss till kommunikationsformer o\"andligt mer sofistikerade \"an de vi k\"anner idag. I experimentanl\"aggningar blir de p\aa{}hittade milj\"oerna alltmer verkliga; rentav s\aa{} verkliga att m\aa{}nga b\"orjat ifr\aa{}gas\"atta skillnaden mellan verklig och p\aa{}hittad verklighet, och kommit fram till att det snarast \"ar en definitionsfr\aa{}ga. Men vi b\"orjar fr\aa{}n b\"orjan. Ingen enskild person har betytt s\aa{} mycket f\"or virtuell verklighet som \textbf{Jaron Lanier}. Jaron flyttade till Kalifornien 1981 och t\"ankte att han skulle leva hippieliv och spela fl\"ojt p\aa{} trottoarerna. Ist\"allet halkade han in p\aa{} ett jobb som dataspelsprogrammerare. Efter ett tag i branchen startade han ett f\"oretag kallat \textbf{VPL} (Visual Programming Languages, Visuella Programspr\aa{}k) f\"or egna pengar och b\"orjade jobba helt ideellt med en id\'{e} han f\aa{}tt: han ville g\"ora ett programspr\aa{}k. Programspr\aa{}k \"ar det spr\aa{}k som m\"anniskor anv\"ander f\"or att kommunicera med datorer och beskriva vad de vill att den skall g\"ora. Vanliga programspr\aa{}k \"ar t~ex BASIC (Begginers All-purpose Symbolic Instruction Code), Pascal (d\"opt efter matematikern med samma namn), eller C (d\"opt av Dennis Ritchie som en efterf\"oljare till spr\aa{}ket B under utveckling av operativsystemet Unix p\aa{} AT\&T laboratories). Nu ville Jaron inte g\"ora vilket programspr\aa{}k som helst utan PROGRAMSPR\AA{}KET med stort P. Han tyckte att det h\"ar med att programmera var bland det roligaste som fanns, men att det var f\"orbeh\aa{}llet en alldeles f\"or liten grupp m\"anniskor. Han ans\aa{}g att alla borde f\aa{} programmera. Ist\"allet f\"or att bara l\aa{}ta en liten elit av programmerare bygga upp matematiska och symboliska modeller av verkligheten, ville han s\"atta det verktyget i h\"anderna p\aa{} mannen p\aa{} gatan, med minimala krav p\aa{} f\"orkunskaper. Spr\aa{}ket d\"optes s\aa{} sm\aa{}ningom till \textit{Mandala}. M\aa{}nga som provar att anv\"anda datorer f\"or f\"orsta g\aa{}ngen tycker att det hela \"ar f\"or abstrakt och inneh\aa{}ller f\"or m\aa{}nga teoretiska begrepp. En dataelev jag hade sade en g\aa{}ng: \begin{quotation} \noindent{}\textit{"{}Du kan s\"aga att det h\"ar \"ar ett kommando, att det har den och den egenskapen och fungerar s\aa{} och s\aa{}. Det \"ar som att s\"aga till mig att det h\"ar \"ar en hammare, och den fungerar s\aa{} och s\aa{}. Jag kommer aldrig att fatta det om jag inte f\aa{}r en hammare i n\"aven."{}}\end{quotation} \noindent{}Hammarhuvudet p\aa{} spiken. Om inte m\"anniskan kan anpassa sig till datorn s\aa{} f\aa{}r man v\"al anpassa datorn till m\"anniskan. Om inte berget kommer till Muhammed f\aa{}r v\"al Muhammed komma till berget. Det var det som var Jarons id\'{e}. G\"or datamilj\"on s\aa{} verklig som m\"ojligt, ta bort det d\"ar tangentbordet om det st\"aller till s\aa{} mycket f\"ortret, och ta bort den d\"ar tv\aa{}dimensionella sk\"armen om platta symboler \"ar s\aa{} sv\aa{}ra att f\"orst\aa{}. Skapa en hel verklighet kring anv\"andaren s\aa{} att denne k\"anner sig hemma. Konceptet virtuell verklighet (och fr\aa{}n och med nu f\"orkortar jag det med bara \textbf{VV}) var f\"ott. Nu var den h\"ar id\'{e}n egentligen inte s\aa{} ny. F\"orsta g\aa{}ngen tanken p\aa{} VV d\"ok upp skall ha varit 1965 hos \textbf{Ivan Sutherland} p\aa{} Utah University. Men det var Jaron som var f\"orst att fullt ut f\"ors\"oka genomf\"ora id\'{e}erna, och g\"ora \textit{pengar} p\aa{} dem. VPL grundades 1985. Sedan dess har ingenting varit sig likt. 1991 fick vi vanliga m\"anniskor veta vad VV var i och med att \textbf{W~Industries} marknadsf\"orde sitt dataspelsystem \textit{Virtuality} p\aa{} bred front. Tidningar, radio, TV -- alla ber\"attade om detta nya och fantastiska fenomen. Det var ocks\aa{} d\aa{} man b\"orjade g\"ora j\"amf\"orelser med William Gibsons roman \textit{Neuromancer} och uppt\"ackte uppenbara likheter mellan huvudpersonen Case's s\"att att ansluta sin hj\"arna till datorerna och d\"armed uppg\aa{} totalt i telerymden, och ambitionerna bakom VV. Och det var d\aa{} man p\aa{} allvar b\"orjade ifr\aa{}gas\"atta vart v\aa{}rt samh\"alle var p\aa{} v\"ag. Och det \"ar bl~a d\"arf\"or Gibson \"ar en s\aa{} viktig f\"orfattare. Det hela \"ar egentligen inte s\aa{} konstigt som man ibland lyckas f\aa{} det att framst\aa{}. Genom att applicera sensorer p\aa{} kroppen som registerar alla r\"orelser kan datorn k\"anna av hur du r\"or dig, d\"arefter kan den generera ljud och bildintryck som st\"ammer \"overens med hur vi \"ar vana att uppfatta verkligheten. Ljudet skapas av ett kvadrafoniskt ljudsystem som g\"or det m\"ojligt f\"or oss att placera ljud i rummet. Bilderna visas tredimensionellt genom att datorn ritar en bild f\"or varje \"oga. Det \"ar det som \"ar VV idag; varken mer eller mindre. F\"orm\aa{}l kan uppfattas som tredimensionella och ge i fr\aa{}n sig ljud s\aa{} att vi upfattar ljudet som om det kom fr\aa{}n f\"orem\aa{}let i fr\aa{}ga. Inget konstigt, bara vanlig manipulation av v\aa{}ra sinnesintryck, precis som en datask\"arm och en h\"ogtalare, fast lite mer sofistikerat och f\"orfinat. Maskinskapad hallucination eller p\aa{}taglig dr\"om skulle man ocks\aa{} kunna kalla det. Jaron hade allts\aa{} t\"ankt sig att VV skulle vara en form av programmeringsspr\aa{}k, avsett fr\"amst f\"or att skapa modeller f\"or att underl\"atta forskning, undervisning och g\"ora datorns funktioner l\"att\aa{}tkomliga. Nu blev det inte riktigt s\aa{}. En del uppfinningar har f\"orm\aa{}gan att chocka sina uppfinnare genom att de visar sig f\aa{} helt andra till\"ampningar \"an uppfinnaren n\aa{}gonsin kunnat dr\"omma om. K\"arnkraften \"ar v\"al det mest skr\"ammande exemplet p\aa{} detta. VV f\"orvandlades fr\aa{}n programmeringsspr\aa{}k till \textit{medium.} Vi har en handfull medier i v\aa{}rt samh\"alle. Vi har litteratur av olika slag. Vi har teater och film. Vi har etermedia som radio och TV. Vi har sk \textit{multimedia} som dataspel eller \textit{hypertext}, en slags f\"orb\"attrad text som g\"or att vi kan l\"asa text som en databas ist\"allet f\"or som en bok. Och nu har vi VV, och det \"ar ocks\aa{} en form av medium. N\"armare best\"amt den kraftfullaste form av media som m\"anniskan n\aa{}gonsin tillverkat. VV omsluter dig p\aa{} alla sidor och fordrar din totala uppm\"arksamhet, precis som om det var ditt verkliga liv det handlade om. Du kan springa, men du \textit{kan absolut inte g\"omma dig} fr\aa{}n den. (T\"ank vilket fascinerande medium att anv\"anda f\"or reklam: Pampers bl\"ojor tr\"anger in dig i ett h\"orn och hetsar dig till d\"ods.) N\"ar Jaron kommit en bit p\aa{} v\"agen med sin id\'{e} ins\aa{}g han att han beh\"ovde hj\"alp f\"or att slutf\"ora projektet. Han fick hj\"alp av medialaboratoriet p\aa{} MIT, som redan tidigare hj\"alpt till att beg\aa{}va v\"arlden med det \textit{grafiska gr\"anssnittet}. (Gr\"anssnitt \"ar den moj\"ang som finns mellan datorn och anv\"andaren, typ tangentbord, bildsk\"arm, skrivare, mus, datahandske etc.) Detta kom senare att anv\"andas av Xerox, Macintosh och Microsoft, och vi k\"anner det idag under produktnamn som \textit{System 7} och \textit{Windows}. Milit\"aren blandade sig f\"orst\aa{}s i leken som vanligt. Redan tidigare hade man ju experimenterat med flygsimulatorer f\"or att tr\"ana piloter inf\"or flygningar. VV s\aa{}gs som en m\"ojlighet att f\"orb\"attra simulatorerna, ja till och med att utveckla riktigt verklighetstrogna system f\"or \textit{fj\"arrn\"arvaro}, d\"ar exempelvis en pilot kan styra ett flygplan in \"over fientligt territorium fast han fysiskt befinner sig i en bunker hemma i h\"ogkvarteret. Ett s\aa{}dant system skulle naturligtvis vara ett bra s\"att att hush\aa{}lla med piloter. Dessutom skulle man kunna bygga plan som utsattes f\"or p\aa{}frestningar som ingen pilot skulle t\aa{}la. Som radiostyrda flygplan allts\aa{}, men lite h\"aftigare. (Och farligare.) S\aa{}lunda sl\"angde milit\"aren in en rej\"al skopa pengar i forskningen. Krig har som vanligt en f\"orm\aa{}ga att f\aa{} den tekniska utvecklingen att ta kvantspr\aa{}ng. Det \"ar sv\aa{}rt att s\"aga vad VV kommer att f\aa{} f\"or betydelse. P\aa{} s\"att och vis f\"or\"andrar den ingenting - VV upplever vi alla p\aa{} natten n\"ar vi dr\"ommer. Skillnaden \"ar h\"ar att vi kan styra inneh\aa{}llet och anv\"anda oss av h\"ogst p\aa{}tagliga \textit{dr\"ommar} f\"or v\aa{}ra egna syften. Ett av de st\"orsta anv\"andningsomr\aa{}dena f\"or VV \"ar d\"arf\"or inom psykologin, d\aa{} dr\"ommar har en central betydelse f\"or studiet av m\"anniskans psyke. Man kan mycket v\"al t\"anka sig att VV kan anv\"andas f\"or mycket sofistikerad terapi. \textit{Eller} hj\"arntv\"att, om man nu skulle vilja det. Hj\"arntv\"att \"ar f\"or m\aa{}nga betraktare inte enbart negativt; inom den slutna psykiatriska v\aa{}rden behandlas v\aa{}ldt\"aktsm\"an och m\"ordare med mycket sofistikerad hj\"arntv\"att f\"or att bota ett sjukligt beteende. S\aa{}dan v\aa{}rd kan s\"akert f\"orb\"attras och effektiviseras med VV. Omv\"ant kan det missbrukas.\footnote{En film som \textit{A Clockwork Orange} framst\"aller all form av beteendestyrning och hj\"arntv\"att som ett \"overgrepp mot individen.} Som medium har VV fantastiska m\"ojligheter. N\"ar vi kommunicerar \"over en elektronisk l\"ank k\"anns det inte som att vi verkligen m\"oter n\aa{}gon. Anonymiteten i en telefonlur g\"or att vi kan sl\"anga ur oss de mest v\aa{}gade saker eftersom vi inte k\"anner oss fysiskt hotade. N\"ar vi talar i telefon distraheras vi av andra h\"andelser i omgivningen. N\"ar vi kommunicerar via Internet kan vi om\"ojligen anv\"anda n\aa{}got kroppsspr\aa{}k eller r\"ostl\"age. Enda s\"attet att visa k\"anslor i en elektronisk konferens \"ar att skriva blixtsnabba, felstavade inl\"agg f\"or att uttrycka att man \"ar uppr\"ord eller att anv\"anda olika typografiska konventioner f\"or att tillk\"annage k\"anslol\"agen. I VV kan vi anv\"anda hur mycket kroppspr\aa{}k vi vill. Vi kan g\"ora m\"otet fullkomligt verkligt, som om vi tr\"affades i ett rum. Vi kan g\"ora det \textit{mer} \"an verkligt -- vi \textit{kan} verkligen bl\aa{}sa upp oss till dubbel storlek om vi vill. Vi kan kl\"a ut oss till vem som helst. Vi kan best\"amma oss f\"or hur rummet skall se ut. Jag kan uppleva det som att vi tr\"affas hemma hos mig, och du kan uppleva det som att vi tr\"affas hemma hos dig. Vi kan allts\aa{} vara p\aa{} tv\aa{} st\"allen samtidigt, s\aa{} att b\aa{}da k\"anner sig hemma! Jag kan vara i ett st\aa{}lverk och h\"ora bullret i bakgrunden, och du kan vara i skogen och h\"ora f\aa{}glarna kvittra. Jag tycker att du sitter p\aa{} ett st\"ad och du tycker att jag sitter p\aa{} en stubbe. Allt \"ar m\"ojligt. \medskip{} \noindent{}Inom sociologin, som \"ar den vetenskap som studerar samspelet mellan m\"anniskor, anv\"ander man begreppet \textit{symboler} f\"or att uttrycka den informationsv\"axling m\"anniskor emellan som g\aa{}r djupare \"an sj\"alva spr\aa{}ket. Till skillnad fr\aa{}n spr\aa{}ket kan s\aa{}dana symboler idag inte lagras eller syntetiseras. Det \"ar bland annat d\"arf\"or vi har uppfunnit skriftspr\aa{}ket. Ett lagringsbart spr\aa{}k m\"ojligg\"or ett kulturellt arv fr\aa{}n generation till generation, och ger m\"anskligheten till ett sk \textit{kollektivt medvetande}. Begreppet \textit{symbol} innefattar f\"orutom det talade och skrivna spr\aa{}ket, s\aa{}v\"al kroppsspr\aa{}k som blickar och ofrivilliga r\"orelser (inom spr\aa{}kvetenskapen kallas gester etc f\"or \textit{paralingvistik}). Symbolspr\aa{}ket m\"anniskor emellan best\aa{}r av s\aa{}v\"al genetiska som inl\"arda komponenter. Djur som inte kan tala eller skriva kommunicerar uteslutande genom "{}primitiva"{} symboler, som de jag just n\"amnde. Symboler kan s\"agas vara de band som knyter samman m\"anniskor till grupper, samh\"allen och hela system av samh\"allen. Inte helt ov\"antat har symbolerna en stor betydelse inom forskningen kring artificiell intelligens; de flesta AI-forskare betraktar m\"anniskans hela medvetande som byggt av ett fl\"ode av symboler i en eller annan form, och hela intelligensen som en stor informationshanterande process. (Men det har jag ju redan ber\"attat om...) M\aa{}let med virtuell verklighet \"ar att samtliga symboler skall kunna lagras och syntetiseras. Det skall bli det perfekta kommunikationsmedlet mellan m\"anniskor; b\"attre \"an sj\"alva verkligheten. Och det \"ar kanske det som \"ar s\aa{} skr\"ammande: Datorn erbjuder m\"ojligheten att f\"orvr\"anga symbolspr\aa{}ket. Om du sj\"alv kontrollerar datorn skulle du kunna anv\"anda den f\"or att sj\"alv framst\aa{} s\aa{} god och uppbl\aa{}st som m\"ojligt, och f\"orvr\"anga din egen syn p\aa{} omv\"arlden s\aa{} att alla andra framstod som t\"ontar. Gr\"ansen mellan illusion och verklighet kan bli suddig.\footnote{Regimkritiker (som Noam Chomsky i \textit{Manufacturing Consent}) ger i och f\"or sig utomordentliga exempel p\aa{} hur makten i denna v\"arld med stor skicklighet kan manipulera det s\"att p\aa{} vilket vi uppfattar verkligheten.} Det \"ar helt om\"ojligt att f\"orutse vad detta kommer att inneb\"ara f\"or v\aa{}rt s\"att att uppfatta v\"arlden i allm\"anhet och m\"anniskor i synnerhet, s\"akert \"ar bara \textit{att} det kommer att f\"or\"andras. Man talar ibland om den kulturella eller sociologiska \textit{atombomben}, d\"ar VV \"ar ett hot som skulle kunna sl\aa{} s\"onder alla v\aa{}ra fasta normer, eller hela v\aa{}r verklighetsuppfattning. Alla f\"oruts\"agelser p\aa{} det h\"ar omr\aa{}det m\aa{}ste i dagsl\"aget betraktas som rena spekulationer, eftersom ingen \"annu kommunicerar genom VV i st\"orre skala. Redan nu varnar emellertid science fiction f\"orfattare f\"or riskerna med VV, ett av de tidigaste exemplen \"ar Philip K Dicks novell \textit{Minnen en gros}, senare filmad som \textit{Total Recall}, andra exempel \"ar trilogin \textit{Illuminatus!}\footnote{N\aa{}gon (Fredric Jameson) har h\"avdat att hela genren cyberpunk / tech noir bara handlar om att omformulera det tema som illustreras i \textit{Illuminatus!}, ett v\"arldsomsp\"annande n\"atverk av hopv\"avda organisationer och informella n\"atverk (som i n\aa{}gon form faktiskt existerar) beskrivs som metafor i datorn -- det elektroniska n\"atverket. Den obegripliga elektroniska organismen blir till en bild f\"or den obegripliga makten. Jag h\aa{}ller inte med. Datorn \"ar i sig fascinerande och det ena \"ar inte en symbol f\"or det andra. M\"ojligen kan man se de b\aa{}da som ett viktigt begreppspar.} , allas v\aa{}rt \textit{Arkiv X} eller filmen \textit{Videodrome} (1982). Samtliga bygger ett skr\"ackscenario p\aa{} r\"adslan f\"or att inte kunna veta vad som \"ar verklighet och vad som \"ar inbillning,\footnote{En filosof som skrivit mycket om uppl\"osningen av verkligheten i en slags "{}virtuell verklighet"{} eller "{}hyperverklighet"{} \"ar Jean Baudrillard.} verklighetsbaserad \textit{paranoia} f\"or att s\"aga det med ett ord. Jag har sj\"alv skrivit en novell p\aa{} temat, och b\"orjade p\aa{} \"annu en som jag aldrig fullf\"oljde: \begin{quotation} \noindent{}\textit{"{}N\aa{}gon g\aa{}ng det \aa{}ret opererade n\aa{}gra entusiastiska forskare in det f\"orsta Carcer-chipet i huvudet p\aa{} en d\"ovstum samt lam f\"ors\"oksperson. N\"ar de rikare skikten av samh\"allet gradvis f\"orflyttade sig till en b\"attre, konstgjord v\"arld, skulle dessa slavar, m\"anniskor som p\aa{} grund av Carcer-chipets j\"arnh\aa{}rda kontroll inte ens kunde t\"anka p\aa{} uppror mot systemet utan att deras \aa{}ngestfunktioner aktiverades, l\"amnas kvar att sk\"ota k\"arnkraftverk, bondg\aa{}rdar, livsmedelsfabriker och andra n\"odv\"andiga samh\"allsinstitutioner.} \textit{M\aa{}nga fria m\"anniskor f\"orstod att Carcer-projektet fr\aa{}n b\"orjan till slut var om\"anskligt, att de som stod under chipets kontroll inte l\"angre hade n\aa{}gon fri vilja. \"And\aa{} ville de inte g\"arna l\"amna den materiella v\"alf\"ard de under \aa{}ren byggt upp i en v\"arld som inte fanns. Deras hj\"arnor var l\"ankade med elektroder till maskineriet och deras perifera nervsystem med armar, ben och \"ogonlock var fr\aa{}nkopplat. Rent fysiskt framlevde de sina dagar sv\"avande i en tank fylld med isolerande, kroppstempererad v\"atska.} \textit{N\aa{}gra mindre priviligierade m\"anniskors frihet var allts\aa{} v\"ard att offras f\"or de fria m\"an och kvinnor som nu levde sina liv med os\aa{}rbara datakroppar, och som mentalt styrde de politiska skeendena. (bla bla bla)"{}}\footnote{Ja, denna bild av tillvaron i en virtuell verklighet har blivit en science fiction klich\'{e}, genom s\"attet den anv\"ands p\aa{} i filmer som \textit{the Matrix}, osv. Id\'{e}n \"ar s\"akert mer \"an 100 \aa{}r gammal eller \"aldre beroende p\aa{} hur man r\"aknar. Det hela b\"orjar med Platons uppdelning av m\"anniskan i "{}kropp"{} och "{}sj\"al"{}. Ni inser direkt varf\"or en novell / roman p\aa{} detta tema skulle vara totalt \"overfl\"odig.} \end{quotation} \noindent{}Men -- om jag skall vara \"arlig: oroa er inte. M\"anniskor \"ar ganska f\"ornuftiga varelser n\"ar allt kommer omkring. Det finns ingen anledning att misst\"anka att vi inte skulle kunna hantera denna nya resurs p\aa{} ett alldeles vettigt s\"att. Men virtuell verklighet i kombination med AI ger oss en ny bild av m\"anniskans betydelse kontra samh\"allet, n\aa{}got som jag skall illustrera i kapitel 15. \chapter{N\"ATATTITYD, TEKNOKRATI OCH DEMOKRATI} Att s\"alja och \"aga information \"ar idag ett yrke. Journalister, speciellt fackjournalister och allehanda informat\"orer, konsulter och lobbyister, bygger stora delar av sin yrkesstolthet p\aa{} att \textit{\"aga} information. Givetvis vill de inte dela med sig om de inte f\aa{}r n\aa{}got i utbyte, och det vi ger dem (eller skall jag s\"aga: "{}det de tar av oss"{}?) i utbyte \"ar en hederlig l\"on och en social status. Informationsteknologin hotar att i grunden f\"or\"andra deras yrken, och m\aa{}nga av dem vet om det. Hur? P\aa{} MIT brukade de f\"orsta hackarna l\aa{}ta program de skrivit (i form av l\aa{}nga pappersremsor med h\aa{}l i) ligga framme i en l\aa{}da bredvid datorn. Det gjorde de dels f\"or att den som hade lust skulle kunna titta p\aa{} dem, men ocks\aa{} f\"or att den som s\aa{} \"onskade skulle kunna b\"attra p\aa{} och ut\"oka programmen. Denna hj\"artliga och \"oppna attityd \"ar typisk "{}hackarmentalitet"{}, och har sedan dess genomsyrat n\"astan all forskning och programutveckling som skett via Internet. Detta g\aa{}r in under det som jag n\"amnde som \textit{Regel 1} i kapitlet om cyberpunk: \textit{hands-on}-imperativet. Det finns ett otal s\aa{}dana dataprogram som utvecklats enligt en princip som p\aa{} engelska kallas \textit{stone soup} -- vad vi i Sverige brukar ben\"amna att \textit{koka soppa p\aa{} en spik}. Detta \"ar allts\aa{} en av de allra \"aldsta metoderna att driva programmeringsprojekt (om inte den \"aldsta). De f\"orsta hackarna p\aa{} MIT p\aa{} 60-talet jobbade enligt denna princip. I dag fungerar det s\aa{} att en programmerare tillverkar en grundstomme, ett fungerande program som utg\"or \textit{fundament} f\"or programmet (spiken i grytan). Han l\"agger sedan ut programmet p\aa{} Internet och s\"ager till alla de amat\"orprogrammerare som finns d\"ar: \textit{"{}H\"ar har ni programmet - hittar ni brister och kan r\"atta till dem, s\aa{} g\"or det. Skicka sedan \"andringarna till mig."{}} Den ursprungliga programmeraren fungerar sedan som en redakt\"or som tar emot programf\"orslag och st\"andigt l\"agger till nya delar till programmet. Programmet distribueras sedan gratis. Ett av de f\"orsta riktigt lyckade spiksoppsprogrammen var \textbf{Tiny BASIC}, en konkurrent till Bill Gates Altair BASIC som skilde sig fr\aa{}n denna genom att vara mycket b\"attre \"an Gates BASIC \textit{och gratis}. (Gissa om det stack i \"ogonen p\aa{} vissa!) Bland moderna spiksoppor finner vi hela operativsystem som \textbf{Linux} (mer om detta l\"angre ned), \textbf{X-Window System}, och texteditorn \textbf{EMACS} som anv\"ants f\"or att skriva otaliga l\"arob\"ocker och h\"ogskoleuppsatser. Alla dessa program \"ar \textit{fria}, dvs de f\aa{}r kopieras och modifieras utan andra restriktioner \"an att resultatet ocks\aa{} m\aa{}ste f\"orbli fritt. Kommunikationsprotokollstacken (vilket ord!) \textbf{TCP/IP} (Transfer Control Protocol / Internet Protocol) som \"ar p\aa{} v\"ag att ta \"over hela marknaden f\"or n\"atverkskommunikation, \"ar ocks\aa{} spiksoppa. (Man anv\"ander det f\"or att f\aa{} olika datorer att "{}prata"{} med varandra i datan\"atverk, TCP/IP \"ar f\"or en dator ungef\"ar vad en telefonlur och en knappsats \"ar f\"or en m\"anniska.) Denna protokollstack utv\"arderas av de som bygger Internet, och f\"orb\"attras st\"andigt genom att "{}redakt\"orerna"{} skickar ut sk \textit{RFC:er} (\textit{Request For Comments}, sv ung: \textit{\"Onskar Synpunkter} [p\aa{} detta]). TCP/IP \"ar helt gratis, och det \"ar ingen som tj\"anar pengar p\aa{} att ha uppfunnit TCP/IP. Det har, helt utan marknadsf\"oring, blivit s\aa{} stort bara f\"or att ingen br\aa{}kar om upphovsr\"atten till det och f\"ors\"oker beh\aa{}lla "{}f\"oretagshemligheter"{}. D\"aremot \"ar det inga problem att tj\"ana grova st\aa{}lar p\aa{} \textit{kunskap} om hur TCP/IP fungerar. Kunskapen om hur produkten fungerar har allts\aa{} st\"orre marknadsv\"arde \"an sj\"alva produkten. D\"arf\"or h\aa{}ller sig de som kan det hela ibland rent av med hemligheter, f\"or att p\aa{} s\aa{} vis skapa sig en f\"odkrok som konsulter. De f\"oretag som s\"aljer egna kommunikationsprotokoll \"ar givetvis inte s\aa{} glada. D\"arf\"or sprider de g\"arna ut osanningar om att TCP/IP inte skulle vara bra. Ja, rent av att det skulle vara d\aa{}ligt, eller v\"ardel\"ost. Den vanligaste angreppspunkten \"ar att \textit{"{}ju fler kockar desto s\"amre soppa"{}} -- i princip att de l\"aggs in en massa skr\"ap som inte beh\"ovs i programmen. Detta \"ar inte sant. Diskussionsgrupperna utv\"arderar varje f\"orslag innan det skrivs in. Det \"ar synd att s\aa{}dana rykten ibland publiceras i en del riktigt stora tidningar. (Ingen n\"amnd, ingen gl\"omd.) Sj\"alv f\"oredrar jag att lyssna p\aa{} experter som \textbf{Peter Schaeffer} som vet vad de talar om. (Se exempelvis Datateknik \#3/1995 sid 36.) I fr\"amsta ledet bland f\"orsvararna f\"or denna grundl\"aggande teknokratiska princip finner vi bland annat \textbf{Richard Stallman}, en f~d hackare fr\aa{}n MIT som ett tag kallade sig den sista riktiga hackaren. Han lade grunden till s\aa{}v\"al \textbf{GNU} som \textbf{EMACS} och anser i princip att mjukvara inte b\"or \"agas, och \"ar dessutom den tongivande kraften bakom stiftelsen \textit{Free Software Foundation} som i princip inte g\"or annat \"an underbl\aa{}ser produktion av gratis mjukvara. Han har retat gallfeber p\aa{} m\aa{}nga mjukvaruf\"oretag genom att kopiera id\'{e}er utan att kopiera programkod, en metod som kallas f\"or \textit{bakv\"and ingenj\"orskonst} eller bara \textit{dekonstruktion}, och inneb\"ar att man analyserar ett program p\aa{} objektniv\aa{} (i "{}maskinspr\aa{}k"{}), ser vad det g\"or, och sedan skapar ett program som utf\"or samma sak. Stallmans produktivitet i detta h\"anseende \"ar s\aa{} vida beryktad att han omtalas som den kanske skickligaste och mest drivna hackaren n\aa{}gonsin, fullt kapabel att utf\"ora samma jobb som ett helt lag programmerare ensam. Han har dessutom haft avg\"orande inflytande p\aa{} organisationen \textit{League for Programming Freedom} som driver kravet att all programkod skall befrias fr\aa{}n patent. Spiksoppsmjukvara har dessutom den f\"ordelen att man sj\"alv l\"att kan g\"ora \"andringar eller ta reda p\aa{} \textit{exakt} hur programmet fungerar eftersom all dokumentation \"ar tillg\"anglig f\"or den som s\aa{} \"onskar, till skillnad mot mjukvara som tillverkats av f\"oretag; dessa l\aa{}ser in k\"allkod och dokumentation i ett kassavalv och tar sedan skyh\"ogt betalt f\"or att dela med sig av kunskaperna n\"ar n\aa{}got problem uppst\aa{}r. Meningen \"ar att anv\"andaren skall tro att programmet \"ar s\aa{} otroligt fantastiskt att det bara \"ar det producerande f\"oretagets programmerare (som utm\aa{}las som en slags trollkarlar) som har en chans att begripa sig p\aa{} och f\"orb\"attra programmet. D\"ar kan man tala om monopol p\aa{} information. N\aa{}. T\"ank er nu att man till\"ampar spiksoppsprincipen p\aa{} en text; till exempel den h\"ar. Om jag hade tillg\aa{}ng till en Internetserver skulle jag kunna l\"agga ut det h\"ar dokumentet i sk \textit{hypertext} (en sorts text uppfunnen av \textbf{Tim Berners-Lee} efter en id\'{e} av \textbf{Ted Nelson}, d\"ar sammanh\"angande \"amnen eller generella s\"okord \"ar hopkopplade med elektroniska l\"ankar f\"or att man snabbt skall kunna hoppa i texten) och skriva n\aa{}gonstans i slutet: \textit{"{}Alla ni som l\"aser det h\"ar - skicka in \"andringar och till\"agg till mig, s\aa{} fogar jag dem till texten."{}} Allt \"ar gratis. Vem som helst kan h\"amta dokumentet p\aa{} Internet. Jag tj\"anar inget p\aa{} det, mer \"an kunskap. Ingen annan heller. Om mitt dokument blev popul\"art och l\"astes av m\aa{}nga, skulle (med lite tur) snart n\aa{}gra experter h\"ora av sig och l\"amna r\"attningar och till\"agg. Inte mycket, men precis lagom f\"or att t\"acka upp just det omr\aa{}de som den personen \"ar expert p\aa{}. Jag kunde sedan sitta som redakt\"or och sammanst\"alla detta, l\"agga in nya l\"ankar i hypertexten och g\"ora det l\"att att s\"oka och f\"or l\"asaren att veta vad som \"ar nytt varje g\aa{}ng han/hon l\"aser. Jag skulle k\"anna att jag gjorde nytta, men jag skulle inte kunna leva p\aa{} det. Efter n\aa{}gra \aa{}r skulle mitt dokument vara en hel databas och t\"acka in snart sagt varenda litet omr\aa{}de inom datorkultur, mer omfattande, l\"attbearbetat och utf\"orligt \"an nationalencyklopedin, dessutom skriven av gr\"asr\"otter som \"alskar det de h\aa{}ller p\aa{} med. \textit{Varf\"or g\"or jag inte det?} \textbf{Svar:} f\"or det f\"orsta har jag varken tid eller lust.\footnote{Nu har jag i och f\"or sig redan bollat den h\"ar texten till publiken tv\aa{} g\aa{}nger, s\aa{} det d\"ar f\aa{}r jag v\"al ta och \"ata upp. Texten p\aa{}minner nu mera om publikationer som \textit{The Cathedral \& the Bazaar} eller \textit{Homesteading the Noosphere} av Eric S Raymond som l\"opande uppdateras.} F\"or det andra handlar det inte om att l\"osa ett tekniskt problem som i ett dataprogram, denna text \"ar m\aa{}ngfasetterad och h\"ogst subjektiv. Den \"ar pr\"aglad av mina egna v\"arderingar och jag vill att den \"aven i framtiden skall vara det. Varenda ord \"ar skrivet av \textit{mig} och ingen annan. Kalla det stolthet. Dessutom har den en b\"orjan och ett slut, och man kan \textit{kritisera} den som n\aa{}got faktiskt, inte som n\aa{}got som hela tiden \"andrar p\aa{} sig. Man kan bilda sig en \textit{klar} uppfattning som h\aa{}ller ett par dagar. Detta \"ar den statiskt of\"or\"anderliga textens f\"ordelar framf\"or den st\"andigt f\"or\"anderliga. Hade det h\"ar r\"ort sig om ett praktiskt problem av teknisk karakt\"ar inom vilken som helst av naturvetenskaperna eller t ex medicinen, hade det varit radikalt annorlunda. S\aa{}dana hypertextdokument skapas i detta nu runt om i v\"arlden. De v\"axer samman till en v\"arld av information, tillg\"anglig f\"or alla, \"overallt, som har tillg\aa{}ng till Internet. Dess namn \"ar World Wide Web (WWW). I f\"orl\"angningen kommer det m\"anskliga \textit{hypertextarvet} att v\"axa till en informationsm\"angd som \"ar s\aa{} mastodontartad att man varken vet ut eller in. Den kommer att bli som ett stort biblioteksliknande minne f\"or hela m\"anskligheten. Hypertexten i sig f\"orvandlas dessutom alltmer till \textit{programkod}, g\aa{}r fr\aa{}n det primitiva markup-spr\aa{}ket HTML till det ut\"okade XHTML och XML, och g\"or att gr\"ansen mellan vanlig, litter\"ar text och dataprogram blir allt suddigare. Yrkena f\"orfattare och programmerare flyter ihop. Det \"ar det som \textit{\"ar} sk multimedia. Verktygen f\"or att skapa multimediaprodukter kallas inte programspr\aa{}k, utan \textit{f\"orfattarprogram} (eng: \textit{authoring programs}). En del sk\"onlitter\"ara f\"orfattare har anammat id\'{e}n att publicera sina alster f\"or en bred publik p\aa{} Internet. Eftersom sk\"onlitter\"ara f\"orfattare i allm\"anhet fr\"amst \"ar ute efter att bli l\"asta och inte s\aa{} mycket efter att tj\"ana pengar, \"ar det ett naturligt steg. Den f\"orsta etablerade f\"orfattare som publicerade n\aa{}got av sina alster fritt tillg\"angligt p\aa{} Internet var \textbf{Stephen King} den 19:e september 1993. M\aa{}nga andra f\"orfattare tyckte att det var en alldeles utm\"arkt id\'{e} och publicerade n\aa{}gra av sina gamla verk p\aa{} Internet. F\"orst ut i Sverige var \textbf{Lars Fimmerstad} med romanen \textit{V\"alkommen Hem} och strax d\"arefter \textbf{Ola Larsmo} med novellen \textit{Stumheten}. Ju mer etablerad en f\"orfattare \"ar, desto mer styvmoderligt tycks han/hon betrakta denna elektroniska publicering. De lever ju till viss del p\aa{} int\"akterna fr\aa{}n sina b\"ocker och k\"anner sig hotade av publicering som man \"annu inte kan ta betalt f\"or. \footnote{Jag har f\"or \"ovrigt haft en ing\aa{}ende debatt med Ola Larsmo om detta...} Denna utveckling av medierna ligger v\"al i takt med att allt fler organisationer omformas till n\"atverk - l\"ost sammanh\aa{}llna s\"allskap utan kanslister och ombudsm\"an som etableras f\"or en enda fr\aa{}ga eller f\"or att l\"osa ett enda v\"al definierat problem (koka spiksoppa), och som hittills h\aa{}llts samman genom brevv\"axling och telefonsamtal (informationsbyte). F\"orv\"axla inte "{}n\"atverk"{} med "{}datan\"atverk"{} \"aven om m\aa{}nga "{}n\"atverk"{} utnyttjar "{}datan\"atverk"{}. St\"odstrumporna\footnote{Oj vad \aa{}ren g\aa{}r. St\"odstrumporna bildades av Maria-Pia Boethius, Agneta Stark, Ebba Witt-Brattstr\"om m~fl f\"or att f\"ore och under valet 1995 driva parollen "{}hela l\"onen, halva makten"{} i feministisk anda.} \"ar ett "{}n\"atverk"{}, Internet \"ar ett "{}datan\"atverk"{}. Gemensam n\"amnare f\"or alla n\"atverk \"ar att de distribuerar information av n\aa{}got slag. (F\"orvirrande?) Minnesregel: St\"odstrumpor = N\"atverk av m\"anniskor, Internet = N\"atverk av datorer. Vad \"ar d\aa{} po\"angen med det h\"ar? Jo, n\"atverksdokumenten kommer p\aa{} nolltid att bli totalt o\"overk\aa{}dliga. Allts\aa{} m\aa{}ste man, om man beh\"over tillg\aa{}ng till ett visst stycke kunskap, precis som alltid f\"orut, l\"asa sig till det under en l\aa{}ng m\"odosam inl\"arningsprocess \textit{eller} anlita en konsult. En typisk konsult \"ar en grupp som bevakar det intresseomr\aa{}de man delar; vad vi brukar kalla fackpress, fast elektronisk i det h\"ar sammanhanget, ju. Behovet av fackpress finns allts\aa{} \"aven i informationssamh\"allet. I skrivande stund kan s\aa{}dana tidningar inte ta betalt f\"or sina informationstj\"anster, men ett system \"ar just nu under utveckling. Det inneb\"ar att du kommer att kunna \textit{k\"opa} information om vad som helst fr\aa{}n din egen dator. Du betalar givetvis inte med kontanter utan med siffror. Dessa fackjournalister kommer i princip att vara de f\"orsta som f\"ortj\"anar sitt livsuppeh\"alle p\aa{} att bara bearbeta information - de kommer att vara de f\"orsta som tar klivet in i en total informationsekonomi. Sedan kommer de andra tidningarna att f\"olja efter, en efter en. N\aa{}gra tidningar, t~ex \textbf{Aftonbladet / Kultur} har redan f\"orutsett detta och b\"orjat f\"orbereda sig f\"or att tr\"ada in i informationsekonomin med experiment med elektroniska tidningar. Andra tidningar n\"ojer sig med elektroniska komplement till sina tryckta alster.\footnote{ Ja, varenda tidning finns ju p\aa{} Internet nu, 1999, med till stora delar samma inneh\aa{}ll som papperstidningarna, och finansierade av annonser.} (Under experimenttiden \"ar allt detta gratis! Passa p\aa{} nu, f\"or den h\"ar chansen \aa{}terkommer aldrig.) Ut\"over detta kommer vi som en naturlig f\"oljd att f\aa{} en uppsj\"o elektroniska fanziner,\footnote{Vilket ocks\aa{} intr\"affat... Jag borde bli sp\aa{}gubbe.} i och med att det blir \textit{s\aa{} l\"att och billigt} att g\"ora en egen elektronisk tidning. (Hackarkulturen har sedan l\"ange alstrat hundratals eller rent av tusentals s\aa{}dana fanziner.) Inga tryckkostnader -- inga avtal -- inga annons\"orer osv, bara information och initiativ. Bara kultur, ingen bizniss. Skall vi se det krasst \"ar journalisterna experter p\aa{} informationshandel. Det \"ar v\"al egentligen den enda yrkesgrupp som redan l\aa{}ngt innan datorernas tid levde p\aa{} att enbart producera och bearbeta information. \textit{Journalister} tycker \textit{inte} att information, och d\"armed kunskap, skall vara fri och tillg\"anglig f\"or alla. Tv\"artom. Varje journalist (\aa{}tminstone varje fackjournalist) vaktar med n\"abbar och klor "{}sina"{} sm\aa{} informationsk\"allor, och \"ar noggrann med att inte i on\"odan n\"amna var han f\aa{}r sin information i fr\aa{}n. Journalisten \"ar lika \aa{}terh\aa{}llsam och sn\aa{}l som de elitistiska och sekteristiska hackargrupperna. \textit{Det allm\"annas b\"asta}, i och f\"or sig -- men \"aven en journalist m\aa{}ste ju \"ata. Det g\"aller att skydda sin "{}intellektuella egendom"{}. Sanningen \"ar att den tredje statsmakten,\footnote{N\aa{}gon har p\aa{}pekat att det borde heta "{}den fj\"arde statsmakten"{} med motivationen att domstolarna \"ar den tredje sj\"alvst\"andiga statsmakten (vid sidan om regering och riksdag).} likt staten och storf\"oretagen, ocks\aa{} den best\aa{}r av personliga kontaktn\"at och hierarkier d\"ar det g\"aller att kunna rycka i r\"att tr\aa{}dar vid r\"att tillf\"alle. \"Aven journalister \"ar fullst\"andigt fr\"ammande f\"or hackarnas etik, vilket inte minst f\"argar de reportage man g\"or om hackare. Riktlinjerna kring elektronisk publicering antyder att vi kommer att f\aa{} tv\aa{} nya typer av media. Den ena kommer att levereras p\aa{} CD-ROM skivor och inneh\aa{}lla stora m\"angder kunskap, som en databas eller ett lexikon d\"ar man kan s\"oka information. Tidningen \textbf{Interface} var den f\"orsta svenska tidning som provade p\aa{} detta. Den andra tj\"ansten \"ar \textit{onlinetj\"anster} vilket inneb\"ar att du f\aa{}r nyheter regulj\"art som uppdateras varje dag, timma eller \"annu oftare. Den f\"orsta onlinetidningen i Sverige var f\"ormodligen \textbf{Text-TV}. Den f\"orsta svenska onlinetidningen p\aa{} Internet var \textbf{Datateknik}, men numera har i princip varenda tidning sin egen "{}online"{}-version. Onlinetj\"anster kan man i dagens l\"age inte ta betalt f\"or, men man g\"or sitt yttersta f\"or att finna en v\"ag att g\"ora detta. De enda onlinef\"oretag som tj\"anar pengar f\"or tillf\"allet \"ar s\aa{}dana som de virtuella bokhandlarna \textbf{Bokus} eller \textbf{Amazon}, som tillh\"or en branch som man lite l\"ost brukar kalla \textit{e-commerce}, och Aftonbladet som g\"or det via radannonser. CD-ROM skivorna har vissa problem. Det \"ar n\"amligen inga som helst problem att kopiera en skiva, s\aa{} varf\"or skulle jag k\"opa tidningen, uppslagsverket, ordlistan eller vad det nu \"ar, n\"ar jag kan kopiera grannens? S\aa{} fort man f\"ors\"oker skydda informationen fr\aa{}n kopiering s\aa{} kan man ge sig fan p\aa{} att det \"ar n\aa{}gra hackare som kommer att kn\"acka skyddet och kopiera i alla fall. Nationalencyklopedin sprids exempelvis ganska friskt p\aa{} detta vis sedan den svenske hackaren \textbf{Replicator} utvecklade en s~k patch som tog bort kopieringsskyddet fr\aa{}n PC-varianten. Onlinetj\"anster lider inte direkt av detta problem.\footnote{Bara lite. L\"osenord o~dyl som anv\"andarna betalar f\"or, kn\"acks och sprids f\"or vinden...} N\aa{}gra siar att skivorna kommer att f\"orsvinna helt till f\"orm\aa{}n f\"or onlinetj\"ansterna, detta l\"ar dock inte ske \"an p\aa{} ett tag. Behovet att \"aga n\aa{}got fysiskt, som en CD-skiva eller en papperstidning, \"ar \"annu starkt i v\aa{}r generation, och n\"atverken \"ar helt enkelt f\"or instabila f\"or att man skall kunna lita p\aa{} att de alltid finns d\"ar n\"ar man beh\"over dem. Man skall ocks\aa{} ha i \aa{}tanke, att de flesta m\"anniskor f\"oredrar att betala en fast klumpsumma f\"or s\aa{}dana nyttigheter framf\"or kontinuerliga l\"opande avgifter. En del s\"ager att massmedia kommer att f\"orsvinna. Det beror p\aa{} hur man ser det. Massmedia \textit{som det ser ut idag} kommer att f\"orsvinna, men vi kommer s\"akert att f\aa{} en ny definition p\aa{} massmedia. Papperstidningarna kommer givetvis att vara kvar tills dess vi kommer p\aa{} n\aa{}got s\"att att g\"ora elektronisk information lika l\"atthanterlig, men den dagen kommer s\"akert. Tidningen \textit{The Whole Earth Review} har v\"ackt det allm\"anna intresset f\"or elektroniska media i USA. Popul\"artidskriften \textit{Wired}, som jag n\"amde tidigare, \"ar en av de tidningar som f\aa{}tt en skjuts fram\aa{}t av h\"andelserna p\aa{} den elektroniska fronten. Denna tidning har blivit om\aa{}ttligt popul\"ar, inte minst tack vare sin ungdomliga layout. Den har banat v\"ag f\"or flera liknande tidningar v\"arlden \"over, i Sverige \textbf{Z mag@zine} och \textbf{Hall\aa{}} som uppenbarligen tog \"over hela marknadsid\'{e}n fr\aa{}n tidningar som Wired. Man skrev om Internet, BBS:er och allt som ing\aa{}r i begreppet informationsteknik och medier, samt mode och trender. B\"agge \"ar numera nedlagda, och andra, mer praktiskt inriktade tidningar som \textit{Internetguiden} har kommit i deras st\"alle. Andra amerikanska tidningar som verkar vara en stor inspirationsk\"alla f\"or dessa medier \"ar \textbf{RayGun} och \textbf{Gray Areas}. \textbf{MONDO 2000} \"ar en smula f\"or provokativ f\"or att passa in i de fina salongerna. Denna har n\"amligen ganska tydliga drag av hippie- och yippie-sympatier. En del blir f\"orbannade p\aa{} de h\"ar tidningarna som i princip skriver mest om sig sj\"alva (medier som skriver om andra medier, journalister som intervjuar journalister osv). Om man skall s\"oka n\aa{}gon orsak till detta s\aa{} \"ar det v\"al just detta att hela medieutbudet h\aa{}ller p\aa{} att f\"or\"andras i och med informationsteknikens intr\aa{}ng. Text och bild blir allt l\"attare att distribuera och manipulera, journalistens uppgift ifr\aa{}gas\"atts mm. Att journalister \"ar intresserade av journalistik \"ar v\"al inte heller s\"arskilt \"overraskande. I och med mediernas st\"allning som "{}den tredje statsmakten"{} \"ar mediegranskande medier antagligen n\"odv\"andiga. F\"or att piffa upp det hela skriver man g\"arna om saker som \"ar sp\"annande p\aa{} riktigt. Helst hackare s\aa{}klart. Det \"ar ju de som \"ar den superhypeade "{}informationsrevolutionens"{} spjutspets.\footnote{F\"or en djupg\aa{}ende analys av medias manipulativa drag, se Maria-Pia Boethius \textit{N\aa{}gra som inte \"alskar oss h\aa{}ller p\aa{} att f\"or\"andra v\aa{}rt land.}} \textit{Hackarna sj\"alva} ser inte dessa tidningar som n\aa{}got s\"arskilt m\"arkv\"ardigt (vilket de ibland sj\"alva tycks g\"ora) utan kallar dem rakt av f\"or \textit{hacker-wannabe's}, s\aa{}dana som sj\"alva inte \"ar, men vill skriva s\aa{} att det verkar som om de vore (tyv\"arr finns det inget bra svenskt ord f\"or f\"oreteelsen). Sverige \"ar t ex f\"or tillf\"allet fullt av Schyffert-wannabe's, Guillou-wannabe's och Bildt-wannabe's. (Sj\"alv \"ar jag Vision\"ar-wannabe :-). Gemensam n\"amnare f\"or hacker-wannabes som \"ar journalister \"ar enligt en tumregel att de anv\"ander enkla floskler som \textit{cyber, kraftfullt, IT, e-commerce,} och \textit{$<$senaste modeordet h\"ar$>$} i var och varannan mening, och att de anv\"ander MacIntosh-datorer. Stil. Klass. Yta. Att dessa tidningar ibland anammar hackarkultur och ideal beror antagligen p\aa{} att den agressiva t\"avlingsattityd som finns bland hackare \"ar ruskigt lik den h\aa{}rda vardagen f\"or journalister. F\aa{} av dessa journalister tycks begripa sig p\aa{} den v\"anliga, icke-amerikanska delen av hackarkulturen, vilken inte \"ar s\aa{} intressant eftersom den inte \"ar fullt lika olaglig och inneh\aa{}ller betydligt mindre konfrontationer, samt bygger mer p\aa{} v\"anskap \"an t\"avlan. Det \"ar i och f\"or sig inte s\aa{} konstigt eftersom journalister \"alskar konflikter, och inte s\aa{} s\"allan underbl\aa{}ser dem. (Konflikter ger \textit{mycket} bra rubriker, och drar till sig l\"asare.) \section*{Fri mjukvara och "{}Open Source"{}} Under 1990-talet har en stark utl\"opare av hackarkulturens salongsf\"aiga delar f\aa{}tt stor uppm\"arksamhet. Det r\"or sig givetvis om det som i folkmun kallas \textbf{Linux}. som jag n\"amde som hastigast ovan och som ofta tillskrivs finlandssvensken \textbf{Linus Torvalds}. Man skall dock vara medveten om att detta operativsystem, som enligt m\aa{}nga snarare borde kallas GNU/Linux, har anor fr\aa{}n 1983 och egentligen \"annu l\"angre tillbaka.\footnote{F\"oljande text \"ar en omarbetning av material som skrevs f\"or en artikel kallad \textit{GNU och Open Source, Stallman och Raymond} i tidningen \textit{Yelah} \#3 1999.} Vi b\"or granska detta n\aa{}got mer i detalj. F\"or att f\"orst\aa{} vad denna kultur inneb\"ar m\aa{}ste man f\"orst\aa{} vad som \"ar skillnaden mellan \textit{k\"allkod} och \textit{bin\"arkod}. K\"allkoden \"ar ett datorprograms "{}recept"{}, det beskrivningsspr\aa{}k som anv\"ands f\"or att tala om vad programmet skall genomf\"ora. Bin\"arkoden ("{}maskinspr\aa{}ket"{}) \"ar det som sedan verkligen kan f\"orst\aa{}s av datorn, det slutgiltiga programmet, en fil som kan startas och k\"oras med f\"orsumbar f\"ordr\"ojning. N\"ar \textbf{Richard Stallman} b\"orjade skriva sitt operativsystem GNU (GNU's Not Unix) 1983, hade han en klar plan -- att skriva ett operativsystem och alla de verktyg som beh\"ovdes f\"or att g\"ora det till ett riktigt arbetsredskap, och att detta skulle vara \textit{fritt}, dvs helt \"oppet att \"andra i, och sprida vidare, precis som de tidiga programmen i AI-labbet p\aa{} MIT. Han gjorde detta genom att starta en skattebefriad stiftelse, Free Software Foundation, med uppdrag att f\"orvalta GNU. Han hade precis l\"amnat MIT dit han kommit 1971 och sedemera anst\"allts vid labratoriet f\"or artificiell intelligens. Han hade d\"ar blivit uppl\"ard av de tidigare n\"amnda hackarlegenderna Richard Greenblatt och Bill Gosper, som han ocks\aa{} ans\aa{}g vara sin personliga mentor. Bakom sig hade han en bitter konflikt mellan tv\aa{} f\"oretag som bildats av Greenblatt respektive Gosper f\"or att tillverka LISP-maskiner. Det ena f\"oretaget, Symbolics, hade anst\"allt merparten av de hackers som jobbat p\aa{} laboratoriet, vilket gjort Stallman rasande. Han s\aa{}g upphandlingen av hackers som en fientlig handling och v\"agrade tala med n\aa{}gon som var anst\"alld p\aa{} Symbolics eller handlade med dem. Som "{}h\"amnd"{} analyserade han alla nya f\"or\"andringar i Symbolics maskiner och programmerade dem p\aa{} nytt \aa{}t det andra f\"oretaget, LMI, n\aa{}got han kallade "{}Reverse Engineering"{} eller "{}omv\"and ingenj\"orskonst"{}. Han kunde f\"orvisso inte kopiera programmen rakt av, eftersom de var copyrightskyddade, men det gick naturligtvis bra att g\"ora program som "{}fungerade lika dant som"{} Symbolics program. N\"ar han till sist gav upp h\"amndaktionerna och sade upp sig fr\aa{}n MIT formulerade han riktlinjerna f\"or GNU. Stallman ville bygga en "{}Community"{}, ett virtuellt samh\"alle av egendomsl\"os programvara -- ingen skulle \"aga eller ha ensamr\"att till GNU eller n\aa{}got som hade med GNU att g\"ora. F\"or att hindra att n\aa{}got av det som utvecklades inom ramen f\"or GNU "{}kapades"{} eller p\aa{} n\aa{}got vis togs \"over och patenterades av kommersiella krafter uppfanns GNU GPL (General Public License). Licensen fungerar s\aa{} att om man l\aa{}nar eller anv\"ander delar av mjukvara som omfattas av GNU GPL m\aa{}ste denna mjukvara i sin tur ocks\aa{} omfattas av GNU GPL, om den publiceras. GPL kr\"aver att du till\aa{}ter andra att ha full insyn i k\"allkoden och att de har full r\"att att l\aa{}na och vidareutveckla vad resultatet blir. Andra f\"orbeh\aa{}ll saknas helt. P\aa{} detta vis \"ar GPL en mycket aggressiv frihetlig licens som anv\"ander copyrightsystemet f\"or att attackera \"agandet av mjukvara p\aa{} hemmaplan, till skillnad fr\aa{}n de licenser som anv\"ands av liknande projekt s\aa{}som BSD,\footnote{BSD, Berkeley Standard Unix, \"ar resultatet av att amerikanska konkurrensverket \aa{}d\"omde AT\&T som i praktiken hade monopol p\aa{} operativsystemet Unix, att ge bort k\"allkoden till universiteten. Den utvecklades snabbt till BSD som \"annu \"ar mycket popul\"art vid sidan av det mer "{}folkliga"{} Linux. Finns i ett flertal varianter som Open BSD, Free BSD eller Net BSD.} som avs\"ager sig all form av \"agandeskap. S\aa{}dana egalit\"ara (= egendomsl\"osa, anspr\aa{}ksl\"osa) licenser till\aa{}ter \"aven kommersiella intressen att f\"orutom att modifiera och vidareutveckla, \"aven hemligh\aa{}lla, copyrightskydda och sedan s\"alja program som byggts p\aa{} denna k\"allkod. Detta g\"aller inte GNU GPL. Det saknas inte exempel p\aa{} kommersiella krafter som med eller mot sin vilja tvingats acceptera att deras produkter befriats av GNU GPL. Det \"ar viktigt att betona att GPL inte \"ar \textit{antikommersiell} -- det \"ar helt okej att s\"alja programvara som skyddas av GPL -- den \"ar bara \textit{fri}, s\aa{} om du s\"aljer GPL-skyddad mjukvara m\aa{}ste du \"aven tillhandah\aa{}lla k\"allkoden och till\aa{}ta vidare kopiering. Man f\aa{}r inte heller blanda GPL-skyddad och vanlig s~k propriet\"ar (=\"agd) programvara. Stallman har definierat skillnaden mycket tydligt eftersom det engelska ordet \textit{free} \"ar mer m\aa{}ngtydligt \"an svenskans \textit{fri}: \textit{"{}free, as in free speech, not free beer"{}.} S\aa{} blev GNU fr\"oet till ett virtuellt frihetligt samh\"alle som spirade och v\"axte och omg\"ardades av GNU GPL och som idag \"aven omfattar GNU/Linux. En av de tidiga medarbetarna inom ramen f\"or GNU var \textbf{Eric Raymond}. Raymond var tidgare mest k\"and som mannen som sammanst\"allt den moderna versionen av \textit{The Jargon File}. Han har ocks\aa{} deltagit i utvecklandet av ett antal fria mjukvaror varav programmet \textit{fetchmail} kanske \"ar den mest k\"anda. Han s\"ager sig tidigt ha blivit fascinerad av Linux (som fr\aa{}n b\"orjan betraktades med skepsis fr\aa{}n Free Software Foundation) och f\"ors\"okt f\"orst\aa{} hur det kunde utvecklas p\aa{} premisser som liknade de som g\"allde f\"or GNU, fast s\aa{} mycket snabbare. Linux \"ar ursprungligen endast en s\aa{}kallad Kernel, en systemk\"arna som hanterar grundl\"aggande operationer i en dator som process- och minneshantering, filer och in/utmatning. Free Software Foundation hade redan f\"ore Linux p\aa{}b\"orjat sin egen Kernel under namnet Hurd, ett projekt som dock dragit ut p\aa{} tiden. N\"ar finlandssvensken Linus Torvalds b\"orjade utveckla Linux v\"axte det lavinartat och blev p\aa{} mycket kort tid tillsammans med en m\"angd program fr\aa{}n GNU-projektet ett helt fritt, fungerande operativsystem. Raymond menar att detta berodde p\aa{} en rad faktorer, varav den viktigaste \"ar liknelsen mellan katedralen och basaren, som jag skall f\"ors\"oka f\"orklara i det f\"oljande. Enligt Raymond utvecklades program f\"ore Linux enligt modellen "{}ju fler kockar desto s\"amre soppa"{}, det vill s\"aga mjukvaran skulle utvecklas av en grupp superhackare som jobbade som idioter under l\aa{}ng tid och sedan presenterade ett helt fungerande, avlusat system. Vad Linux gjorde var att l\aa{}ta ALLA delta i utvecklingen genom att s\aa{} tidigt som m\"ojligt sl\"appa ut nya versioner fr\aa{}n utvecklarlaget, s\aa{} n\"ar den f\"orsta fungerande versionen av Linux sl\"apptes str\"ommade genast en m\"angd utvecklare till -- det h\"avdas att Linux idag utvecklas av cirka 40.000 glada amat\"orer. \"Aven om en eller tv\aa{} personer agerar spindlar i n\"atet och skriver alla st\"orre \"andingar av ett program, str\"ommar f\"orslag p\aa{} f\"orb\"attringar och hela delprogram st\"andigt in fr\aa{}n de personer som deltar i mailinglistor och nyhetsgrupper med anknytning till n\aa{}gon av delarna i Linux. GNU var som en katedral, centralt planerat och uppf\"ort efter ritningar fr\aa{}n h\"ogsta ort. Man sl\"appte i och f\"or sig in kreti och pleti i utvecklarlagen, men man h\"oll h\aa{}rt i programvaran tills man var helt s\"aker p\aa{} att den fungerade till 100\%. Linux var mer som en basar, vimlande, stojande, fullt med folk som byggde p\aa{} det de tyckte var roligast, halvd\aa{}liga betaversioner av nya implentationer och s\aa{} vidare. Linux handlade om att "{}koka soppa p\aa{} en spik"{}, alla som deltog tillf\"orde n\aa{}got. Raymond har sedemera blivit en pratglad f\"orespr\aa{}kare f\"or fria operativsystem som ofta \aa{}ker runt bland anv\"andare och ber\"attar om sina erfarenheter, och de priciper han menar ligger till grund f\"or systemens framg\aa{}ng. Han talar hellre om Open Source \"an GPL, detta begrepp inneb\"ar att k\"allkoden f\"or ett program finns tillg\"anglig s\aa{} att andra kan granska och \"andra programmet. Ett av de f\"oretag han influerat \"ar Netscape, som sedemera beslutat att sl\"appa sin webl\"asare Navigator 5.0 som Open Source under namnet Mozilla. Det finns emellertid vissa djupg\aa{}ende skillnader mellan den syn p\aa{} fri mjukvara som Stallman f\"orespr\aa{}kar och den som Raymond beskriver. Stallman skriver med anledning av Apples lansering av sitt kernel som Open Source nyligen, att Open Source-r\"orelsen mest tycks vara inriktad p\aa{} det rent materialistiska m\aa{}let med snabbare utveckling, medan man "{}sidos\"atter de djupare aspekterna av begreppet frihet, gemenskap, samarbete och fr\aa{}gan om vilken slags samh\"alle vi vill leva i"{}. Man kan s\"aga att om operativsystemet \"ar en v\"ag d\"ar alla beh\"over komma fram, f\"orespr\aa{}kar Stallmans FSF att v\"agen av morliska sk\"al b\"or vara fri f\"or alla att f\"ardas p\aa{}, medan "{}open source"{}-f\"orespr\aa{}karna menar att alla v\"agsp\"arrar och avgifter som vore alternativet \"ar till mer skada \"an nytta, och att v\"agen av den anledningen skall vara fri. J\"amf\"orelser mellan mjukvara och fysiska ting \"ar emellertid alltid bristf\"alliga, s\aa{} ta detta med en nypa salt. Det r\aa{}der ingen som helst tvekan om att \"aven om b\aa{}de Stallman och Raymond kallar sig sj\"alva anarkister, \"ar Stallman den som st\aa{}r l\"angst till v\"anster av de b\aa{}da. Raymond g\"or ingen hemlighet av att han tillh\"or det nyliberala libertarianska partiet samt den amerikanska organisation som anser att varje m\"anniska borde ha r\"att att \"aga ett skjutvapen. \"Aven om b\aa{}da klart mest intresserar sig f\"or programmering och datorer finns det saker i det de s\"ager som antyder stora skillnader i framf\"or allt synen p\aa{} egendom. Stallman har bland annat sagt: "{}jag anser att mjukvara ej skall \"agas, eftersom detta f\"orfarande \"ar skadligt f\"or m\"anskligheten som helhet. Det hindrar folk fr\aa{}n dra maximal nytta av ett existerande program"{}. Han har ocks\aa{} gjort sig k\"and f\"or att vara helt emot id\'{e}n att ha l\"osenord p\aa{} datorsystem, och kn\"ackte upprepade g\aa{}nger l\"osenordsskyddet p\aa{} MIT d\aa{} han jobbade d\"ar. Alla l\aa{}s, hinder och \"agandesystem r\"orande mjukvara \"ar av ondo enligt Stallman. Man m\"arker ocks\aa{} i Stallmans skrifter att han \"aven har ett klart och tydligt klassperspektiv i sitt s\"att att se p\aa{} v\"arlden - ett outtalat syfte med Free Software Foundation \"ar att ge alla, oavsett ras, social bakgrund osv, tillg\aa{}ng till fri mjukvara. Raymond \aa{}sin sida g\"or krumbukter f\"or att f\"orena sina nyliberala \aa{}sikter med det faktum att han sj\"alv bidrar till att skapa egendomsl\"os programvara -- nyliberaler \"ar annars k\"anda f\"or att \"overallt f\"orsvara r\"atten till egendom och egendomssystemets moraliska och praktiska \"overl\"agsenhet gentemot alla andra system. Han kommer till r\"atta med detta problem dels genom att definiera om vad vi menar med egendom fr\aa{}n att vara n\aa{}got n\"ast intill heligt, till att endast omfatta f\"orvaltning av ett program. Detta, menar han, ger en kick \aa{}t egot och det \"ar det alla deltagare i GNU/Linux projektet "{}vinner"{} p\aa{} att delta. H\"ar lutar han sig tillbaka p\aa{} den objektivistiska\footnote{Se om objektivism i kapitel 8.} dogmen att alla m\"anniskor drivs av ett egoistiskt egenintresse. V\"aldigt f\aa{} programmerare, cirka 10\% enligt Raymond, lever direkt av de pengar de f\aa{}r in p\aa{} att s\"alja mjukvara till en kund. Det finns dock en underton i hans resonemang som s\"ager att de d\"ar sista 10\% kanske skulle m\aa{} b\"attre av att f\aa{} beh\aa{}lla \"agander\"atten till sina program. Stallman skulle aldrig t\"anka tanken, vissa av hans uttalanden kan till och med tolkas som att han \"aven anser att piratkopiering \"ar moraliskt f\"orsvarbart: \begin{quotation} \noindent{}\textit{Jag kallar inte s\aa{}dan kopiering f\"or 'piratkopiering', f\"or det \"ar ett propagandauttryck. Jag tycker inte att det \"ar fel att kopiera och dela med sig av information. Regeringar kan lagstifta mot det, men det g\"or det inte mera fel, bara illegalt. (...) oauktoriserade kopior \"ar inte mycket b\"attre \"an auktoriserade kopior. Det enda som \"ar bra med den oauktoriserade kopian \"ar att man undviker att ge pengar till \"agaren. Detta \"ar bra, f\"or \"agaren f\"ortj\"anar ingen bel\"oning f\"or att han gjort mjukvaran till sin egendom.} (Richard Stallman i en intervju, min \"overs\"attning.) \end{quotation} \noindent{}Man kunde tidigare h\"ora folk d\"oma ut GNU/Linux och liknande system som d\"odsd\"omda, framf\"or allt med olika motivationer som h\"anvisade till att det inte kunde fungera i v\aa{}rt ekonomiska system. I dagsl\"aget \"ar emellertid GNU/Linux v\"arldens n\"ast st\"orsta operativsystem (efter Microsofts Windows) och det mest v\"axande. Tillv\"axt attraherar marknad, marknad attraherar investerare och i skrivande stund sk\"ordar f\"oretag som Red Hat Software och VA Linux Systems i USA och Cygnus Solutions i Tyskland enorma vinster fr\aa{}n GNU/Linux. Min kvalificerade gissning i dagsl\"aget \"ar att detta \"ar ett av framtidens operativsystem. \section*{Teknokrati} Internet har ofta kallats "{}anarkistiskt"{}. Detta \"ar en grov \"overdrift. Internet \"ar i grunden \textit{teknokratiskt} och \textit{decentraliserat}. N\"ar n\"atet fr\aa{}n b\"orjan byggdes av hackarna p\aa{} h\"ogskolorna v\"avde de ocks\aa{} in lite av sin \"oppna attityd i det. Kom ih\aa{}g regel nr 3 i hackaretiken: \textit{Misstro auktoriteter -- fr\"amja decentralisering}. \textit{Jag hj\"alper dig s\aa{} hj\"alper du mig}, allts\aa{}, och ingenstans i grundstommen p\aa{} Internet fanns det n\aa{}gon funktion f\"or universiteten att debitera varandra f\"or utnyttjandet av kommunikationskanalerna. Det fanns inga l\aa{}sta d\"orrar n\aa{}gonstans, eftersom man ans\aa{}g att alla borde f\aa{} komma in \"overallt och att alla borde dela med sig av all information. (Regel nr 2: \textit{All information borde vara fri}.) Koppla in dig och k\"or, bara. Det enda man beh\"ovde betala f\"or var de st\"andigt uppkopplade telefonlinjerna d\"ar informationen str\"ommade fram, sedan var det bara att kommunicera b\"ast man ville. Hela n\"atverket har konstruerats enligt spiksoppsprincipen. Varje problem som dyker upp l\"aggs ut i diskussionsgrupper och sedan f\aa{}r vem som vill komma med f\"orslag p\aa{} l\"osningar. Engagemanget bland n\"atanv\"andarna \"ar stort, och ofta f\"oresl\aa{}s en m\"angd l\"osningar. F\"orslagen utv\"arderas i diskussionsgruppen och det som anses vara det b\"asta vinner. Resultatet dokumenteras och dokumentationen sprids som en \textit{de facto}-standard. Detta teknokratiska s\"att att l\"osa tekniska problem \"ar radikalt annorlunda mot marknadsmodellen. I marknadsekonomin \textit{konkurrerar} f\"oretag om den b\"asta l\"osningen. Varje f\"oretag har sin egen forskningsavdelning som utarbetar en l\"osning, som sedan marknadsf\"ors. D\"arefter f\aa{}r konsumenterna utv\"ardera genom att k\"opa den produkt som faller dem mest i smaken. De "{}d\aa{}liga"{} l\"osningarna sl\aa{}s ut genom att de f\"oretag som inte lyckats vinna konsumenterna l\"agger ned sin produkt, och k\"oper upp patent fr\aa{}n de f\"oretag som lyckats, eller (i v\"arsta fall) g\aa{}r i konkurs. P\aa{} s\aa{} vis menar man att den b\"asta produkten alltid lever vidare.\footnote{Detta \"ar en generaliserad bild som f\"oruts\"atter att f\"oretagen \"ar o\"andliga i antal, antalet varianter \"ar mycket stort, och "{}marknaden"{} \"ar ett sj\"alvst\"andigt t\"ankande filter som inte vilsef\"ors av propaganda. Detta st\"ammer ganska d\aa{}ligt med verkligheten.} Problemet med de marknadsekonomiska l\"osningarna \"ar att det inte alltid \"ar de \textit{tekniskt} \textit{b\"asta} l\"osningarna som vinner. Det kan lika g\"arna vara de som \textit{marknadsf\"orts} b\"ast, eller de \textit{billigaste}. J\"amf\"or t~ex med hur videosystemet VHS slog ut det kvalitetsm\"assigt \"overl\"agsna Betamax, antagligen fr\"amst d\"arf\"or att JVC, som skapade VHS, hade f\"orsett kasetterna med l\"angre speltid och samarbetade mer med andra f\"oretag. (Detta beror enligt en annan legend ytterst p\aa{} att VHS-formatet marknadsf\"ordes av porrfilmsdistribut\"orerna... Hmmm.\footnote{ F\"ormodligen en myt.} ) N\aa{}got s\aa{}dant skulle aldrig h\"anda i en teknokrati som Internet. En teknokrati till\aa{}ter inte att marknadsf\"oring eller godtycke f\aa{}r f\"orpassa en bra id\'{e} till historiens papperskorg om videosystemet varit ett "{}Open Source projekt"{}, eller inom den statsfinansierade forskningen, hade f\"ordelarna med Betamax bild\aa{}tergivning f\"orenats med VHS-systemets l\"angre speltid. Tv\aa{} system med f\"or- och nackdelar hade blivit ett med enbart f\"ordelar. Det \"ar ganska typiskt f\"or h\"ogskolorna att bygga upp ett teknokratiskt n\"atverk, eftersom man hela tiden str\"avar efter teknisk utveckling. I en marknadsekonomi \"ar det \textit{moroten} i form av personlig vinning och rikedom som driver f\"oretagarna att utveckla \"an b\"attre produkter. I en teknokrati \"ar det det personliga engagemanget, gruppgemenskapen och forskningslustan som driver utvecklarna. I och med Internet har denna attityd till forskande och produktutveckling kommit att sprida sig \"over v\"arlden och ibland lyckats med att helt sl\aa{} ut marknadsekonomiska l\"osningar. Man kan inte kalla det planekonomi, eftersom det inte finns n\aa{}gon stat som enhetligt finansierar eller utv\"arderar framstegen. Det \"ar teknokrati, byggd p\aa{} individer i frivillig samverkan. Juridikhistorikern \textbf{Eben Moglen} (som \"ar anh\"angare av den fria mjukvaran) formulerar i debatt med ekonomer och jurister n\aa{}got han kallar f\"or "{}Moglens lag"{}, och som formuleras naturvetenskapligt: \begin{quotation} \noindent{}\textit{Vira n\"atverket runt varje hj\"arna p\aa{} planeten, och snurra planeten. Information kommer d\aa{} att fl\"oda i n\"atverket.}\end{quotation} \noindent{}Ut\"over de universitetsforskare som har tryggad ekonomi och kan jobba engagerat p\aa{} arbetstid med att l\"osa Internet-problem har \"aven m\aa{}nga personer som om dagarna arbetar p\aa{} vanliga marknadsm\"assiga f\"oretag b\"orjat jobba ideellt p\aa{} fritiden med att utveckla l\"osningar p\aa{} olika tekniska problem. Viljan att visa sig duktig p\aa{} ett tekniskt omr\aa{}de och bli accepterad som skicklig utvecklare bland andra p\aa{} Internet har varit tillr\"acklig f\"or att driva dessa m\"anniskor att utveckla tekniska l\"osningar. Kalla det arbetsgl\"adje eller yrkesstolthet. (Ja, s\aa{}dant existerar tydligen \"an i v\aa{}r tid.) Om teknokratin \"ar ett hot mot, eller ett komplement till marknadsekonomin, \"ar \"annu sv\aa{}rt att sia om. Kanske \"ar vi p\aa{} v\"ag in i en form av \textit{kunskapsekonomi}. Klart \"ar dock att man i och med internationaliseringen och m\"ojligheten att arbeta i sm\aa{} intressegrupper \"over l\aa{}nga avst\aa{}nd har hittat en sk "{}ideell"{} drivkraft som g\"or det m\"ojligt att utf\"ora praktiskt arbete och samtidigt ha roligt. Gruppgemenskapen \"ar densamma som hos de hackargrupper som sedan l\"ange utbytt erfarenheter via brev, BBS:er, copypartyn och Internet. Den enda skillnaden \"ar att den ena formen \"ar mera "{}respektabel"{} \"an den andra. I teknokratin kan man, som jag tidigare antydde, sp\aa{}ra ett ideologiskt arv fr\aa{}n anarkismen. Den anarkistiske teoretikern \textbf{Peter Kropotkin} menade att samh\"allet skulle sk\"otas av fria grupper i samverkan. Till skillnad fr\aa{}n \textbf{Charles Darwin}, som ans\aa{}g att raser (och i f\"orl\"angningen \"aven samh\"allen) v\"axte fram genom konkurrens, betonade Kropotkin \textit{samarbetet} som en viktig faktor i samh\"allsbygget. Teknokratin p\aa{} Internet \"ar p\aa{} s\"att och vis ett bevis f\"or att fria grupper sj\"alvst\"andigt uppr\"attar samarbete utan statlig inblandning. Det \textit{virtuella samh\"allet} \"ar p\aa{} s\aa{} vis anarkistiskt. Samtidigt \textit{har man} ett inslag av Darwinism i och med att bara de b\"asta tekniska l\"osningarna f\aa{}r leva vidare. Skillnaden \"ar att detta sker i samf\"orst\aa{}nd och inte drabbar n\aa{}gon m\"anniska eller n\aa{}got f\"oretag. \section*{Ett Par Exempel} Jag skrev en g\aa{}ng n\"ar jag var ung och dum en ins\"andare till tidningen Datateknik. I denna ondgjorde jag mig \"over den d\aa{}liga tillg\aa{}ngen p\aa{} digitaliserad (maskinl\"asbar, lagrad i en dator eller p\aa{} t~ex disketter) litteratur, och att v\aa{}rt kulturarv inte fanns ordentligt elektroniskt lagrat. Jag f\"oreslog att man skulle tvinga f\"orlag att l\"amna ut icke copyrightskyddat material till allm\"anheten i elektronisk form, n\"ar de \aa{}terutgav \"aldre litter\"ara verk. Jag fick en v\"al motiverad \aa{}thutning av \textbf{Lars Aronsson}, projektledare f\"or \textit{Projekt Runeberg} som lagrar klassisk svensk litteratur. I min bl\aa{}\"ogda iver hade jag bara t\"ankt praktiskt och f\"orbisett de marknadsekonomiska aspekterna. Digitaliserad text \"ar givetvis en konkurrensm\"assig f\"ordel vid \aa{}terutgivning och mitt f\"orslag skulle kunna skada vissa f\"oretags konkurrenskraft. Ett annat f\"orlag skulle ju (om mitt system inf\"ordes) kunna ta texten direkt fr\aa{}n det andra f\"oretaget och ge ut samma bok i nyupplaga, vilket i sin tur skulle leda till f\"orluster f\"or det f\"orsta f\"oretaget som lagt ned pengar p\aa{} att anst\"alla n\aa{}gon som suttit framf\"or en ordbehandlare och skrivit in texten. S\aa{}dan \"ar den sk neoklassiska ekonomiska teorins dogma. Faktum kvarst\aa{}r att det \"ar sl\"oseri med m\"anskliga resurser att l\aa{}ta flera m\"anniskor utf\"ora det monotona arbetet att skriva in en text g\aa{}ng p\aa{} g\aa{}ng ist\"allet f\"or att lagra denna centralt och g\"ora den tillg\"anglig f\"or alla; f\"oretag s\aa{}v\"al som privatpersoner. Detta \"ar betecknande f\"or en av marknadsekonomins nackdelar som teknokratin f\"ors\"oker r\aa{}da bot p\aa{}: marknadsekonomin underbl\aa{}ser ibland sl\"oseri med naturresurser och dubblering av arbetsinsatser. Man kan dra en parallell till utbyggnaden av mobiltelefonn\"atet d\"ar man ist\"allet f\"or att bygga upp ett enda stort och stabilt n\"at gemensamt, bygger upp flera sm\aa{} n\"at som inte kan utnyttja varandra. Kalla det gnidenhet eller konkurrens -- kostnadseffektivt \"ar det \textit{inte}. Givetvis \"ar detta sl\"oseri faktiskt \textit{bra} med v\aa{}r klassiska m\aa{}ttstock p\aa{} samh\"allsnytta. BNP \"okar och m\"anniskor f\aa{}r jobb. Vad man b\"or fr\aa{}ga sig \"ar om \textit{m\"anniskorna} m\aa{}r s\aa{} bra av det hela. Vi lever i en tid d\aa{} livskvalitet bed\"oms med ett samh\"allsekonomiskt bollande med siffror. \"Ar det t~ex vettigt att skapa problem f\"or att skaffa jobb \aa{}t probleml\"osare? Att provocera brott f\"or att ge jobb \aa{}t brottsm\aa{}lsadvokater och utredare?\footnote{Organisationen Adbusters / The Media Foundation gjorde en g\aa{}ng ett mycket roligt p\aa{}hopp p\aa{} "{}BNP-dogmen"{}, genom att konstatera, att varje cancerpatient som diagnosticerades, varje neds\aa{}gad regnskog (eller "{}djungel"{} som det egentligen borde heta), varje bilolycka, varje f\"angelsedom -- \"okar BNP. Och detta \"ar dessv\"arre faktiskt sant.} Teknokraterna p\aa{} Internet med League for Programming Freedom i spetsen anser att bra kunskap inte skall patenteras. Det anser d\"aremot f\"oretagen. Redan nu har det kommit till \"oppen konflikt mellan idealister och profithungriga f\"oretagare. Jag har redan n\"amnt den negativa ryktesspridningen kring "{}spiksoppsmjukvara"{}. Ett annat exempel \"ar br\aa{}ket om en komprimeringsmetod som kallas LZW och som bara \"ar en modifikation av en allm\"ant tillg\"anglig metod fr\aa{}n h\"ogskolan i Jerusalem som kallas LZ2. I princip kan f\"oretag vara s\aa{} fr\"acka att de tar patent p\aa{} metoder som uppfunnits av idealister och som avsetts vara tillg\"angliga f\"or alla. F\"oretag har dessutom tid och pengar att driva processer... Ett annat p\aa{}tagligt exempel p\aa{} skillnaden mellan marknadst\"ankande och idealism \"ar hur olika kommersiella entrepren\"orer nu sl\aa{}ss om att f\aa{} erbjuda sina kunder elektroniska posttj\"anster via Internet. Svenska Telia fick smaka p\aa{} teknokratin under internethaussen 1993. Bakgrunden \"ar f\"oljande: det var inga problem f\"or Telia att f\aa{} koppla in sig p\aa{} Internet. Problemet var, att Telia ville kunna best\"amma hur vissa adresser p\aa{} Internet skulle se ut. Det \"ar ju roligt att kunna sm\"ora kunder med ett personligt utformat telefonnummer s\aa{} att numret blir l\"att att komma ih\aa{}g. (T ex SJ:s 020-757575) Nu \"ar det \textit{tyv\"arr} s\aa{} att det inte \"ar Telia som best\"ammer s\aa{}dant p\aa{} Internet. Principen \"ar att alla kommersiella anslutningar till Internet skall ha \"andelsen COM som i COMmercial. Ist\"allet f\"or detta ville Telia ge sina f\"oretag \"andelsen 400NET som \"ar namnet p\aa{} deras kommersiella elektroniska postn\"atverk. \textbf{Bernt Allonen} p\aa{} Telia s\"ager i Z-mag@zine 1/95: \textit{"{}Det \"ar dags f\"or Internet att l\"amna sandl\aa{}dan"{}} (...) \textit{"{}Internet beh\"over strikta regler och operat\"orer som garanterar driften."{}} Med detta vill han f\"ormodligen ha sagt att Internet borde drivas marknadsm\"assigt, som ett f\"oretag ist\"allet f\"or ideellt-akademiskt som d\aa{}, med allt vad det inneb\"ar av rigid byr\aa{}krati, marknadsplaner och sm\aa{} hierarkier d\"ar det st\"andigt g\"aller att slicka upp\aa{}t och sparka ned\aa{}t.\footnote{1995 genomf\"orde Telia en omfattande omorganisation vilket, som alla som l\"ast grundl\"aggande management vet, inneb\"ar att man raserar de sociala n\"atverk som uppst\aa{}tt p\aa{} arbetsplatsen f\"or att f\"orst\"arka toppstyrets grepp om f\"oretaget.} Helst skulle han antagligen sett att Telia tog \"over all hantering av Internet i Sverige s\aa{} att det blev \textit{ordning och reda.} Nu blev det inte s\aa{}. F\"orhoppningsvis kommer det heller aldrig att bli s\aa{}. Vem bryr sig egentligen om vad Bernt Allonen tycker? Han f\"oretr\"ader bara ett stort f\"oretags expansionsintressen. \textbf{Bj\"orn Eriksen} och \textbf{Peter L\"othberg} var de som hade mest makt \"over Internet i Sverige d\aa{} detta intr\"affade. B\aa{}da f\"oretr\"adde den \"oppna och teknokratiska attityden, och det var Bj\"orn som best\"amde vilka sk \textit{dom\"aner} som fick uppr\"attas p\aa{} den svenska delen av Internet. Till Telias stora f\"ortret hade deras marknadsplaner inget som helt inflytande p\aa{} dessa akademiker. Internet \textit{kunde inte k\"opas!} Ack och ve och onda demoner. Akademikerna var inte alls intresserade av att det skall vara "{}ordning och reda"{} p\aa{} Internet. Internet var i deras \"ogon i f\"orsta hand till f\"or att \textit{anv\"andas,} inte f\"or att \textit{s\"aljas}. T\"ors man drista sig att p\aa{}peka f\"or Telia att alla dessa idealister och akademiker faktiskt hade lyckats med att bygga upp v\"arldens st\"orsta datan\"atverk \textit{helt utan konkurrens, marknadsanpassning och reklamkampanjer?} Nu n\"ar Telias s\aa{}kallade X.400-n\"atverk inte blivit lika framg\aa{}ngsrikt som Internet, vad ville man g\"ora d\aa{}? Jo, givetvis ville man ha r\"attigheterna till Internet. I normala fall kan ju en j\"atte som Telia utan vidare k\"opa upp sina konkurrenter. T\"ankande m\"anniskor \"ar nu betydligt mer sv\aa{}rk\"opta. Telia f\"oretr\"ader den gamla marknadsm\"assiga filosofin att det som inte g\aa{}r att k\"opa f\"or pengar g\aa{}r att k\"opa f\"or \textit{mer} pengar. Internets anv\"andare med de tekniska h\"ogskolorna i botten har ett helt annat s\"att att t\"anka. Hade det funnits annat \"an marknadstaktiska sk\"al bakom Telias krav hade man kanske lyssnat. Som tur \"ar f\"oredrar man att t\"anka. Tack vare denna filosofi har Internet blivit n\aa{}got som ingen i Sverige har monopol p\aa{}. Hundratals f\"oretag sl\aa{}ss idag om att f\aa{} erbjuda sk Internetaccess. Konkurrensen har pressat priserna oerh\"ort l\aa{}gt. Ett Internetabonnemang \"ar idag \"overkomligt f\"or en helt vanlig m\"anniska, och alla som har en hyfsad startpl\aa{}t och kunskaper d\"artill kan k\"opa in n\aa{}gra datorer och modem och starta sin egen Internet-nod. M\aa{}ngfald ist\"allet f\"or monopol. Ur den h\"ar synvinkeln fr\"amjar Internet sm\aa{}f\"oretag och motarbetar j\"attar. Minns \aa{}ter regel nr 3 i hackaretiken om decentralisering. Regel nr 3 \"ar ocks\aa{} en av anledningarna till att cyberpunkare m~fl g\"arna motarbetar \textbf{Microsoft} och d\aa{} framf\"or allt deras operativsystem \textit{Windows}. N\"ar hundratals hackare arresterades under \textit{Operation sundevil} som jag n\"amnde tidigare, var detta f\"oranlett av att man trodde att det var hackare som l\aa{}g bakom ett sammanbrott i det amerikanska telefonsystemet den 15 januari 1990. Nu var det inte hackarna som l\aa{}g bakom. Ist\"allet berodde sammanbrottet p\aa{} ett fel i det \textit{datorprogram} som styrde telefonv\"axlarna. Felet f\"orv\"arrades av att samma program anv\"andes \"overallt, och v\"axlarna "{}s\"ankte"{} varandra. De enda v\"axlar som fungerade klanderfritt var de som anv\"ande ett \"aldre program. Microsofts produkt Windows, \"ar ocks\aa{} ett program, n\"armare best\"amt ett \textit{operativsystem}, dvs ett program som anv\"ands f\"or att man skall kunna anv\"anda andra program. Idag finns detta installerat p\aa{} i princip varenda PC-dator som s\"aljs i Sverige. De flesta program som anv\"ands idag beh\"over programmet Windows f\"or att fungera. Windows anv\"ands d\"arf\"or av ett otal privata f\"oretag och statliga verk, d\"aribland SJ och det svenska \textit{f\"orsvaret.} Alldeles nyligen har ny version av Windows som heter \textit{Windows 95} sl\"appts ut p\aa{} marknaden.\footnote{Och nu \"ar det Windows NT 4.0 och Windows 98, f\"orl\aa{}t Windows NT 5.0, f\"orl\aa{}t Windows 2000 som g\"aller. H\aa{}h\aa{}jaja.} Detta skall man framf\"or allt anv\"anda sig av f\"or att p\aa{} ett smidigt s\"att koppla upp flera datorer med varandra \"over exempelvis Internet. Om det nu var ett programfel som liknade det i de amerikanska televerkens v\"axlar -- fast i \textit{Windows 95?} I s\aa{} fall skulle alla datorer som anv\"ande Windows 95 krascha. Det finns inget s\"att att empiriskt bevisa att ett dataprogram saknar s\aa{}dana fel. Det \"ar allts\aa{} fullt m\"ojligt, och som sagt -- det har h\"ant f\"orr. Liknande risker finns med andra n\"ast intill monopoliserade programvaror, exempelvis \textit{Netscape}. En del puckade datanissar tror kanske att det \"ar om\"ojligt, men det var Harrisburg och Tjernobyl ocks\aa{}, s\aa{} det tror jag inte mycket p\aa{}. F\"orresten vet jag vad jag pratar om. (Urs\"akta den populistiska och provokativa kommentaren.) Om n\aa{}got s\aa{}dant h\"ande skulle allts\aa{} stora delar av det svenska samh\"allet sl\aa{}s ut. Ett parallellfall har vi i det virus som h\"osten 1988 lamslog hela Internet genom att s\"atta 6000 datorer ur spel. Att detta virus kunde skapas berodde p\aa{} fel i operativsystemet (dataprogrammet) Berkeley-UNIX (BSD). En del datorer infekterades inte av viruset -- tack vare att de anv\"ande en annan "{}dialekt"{}, en annan version av UNIX, exempelvis NeXT eller AIX. (Det finns ungef\"ar 11 olika varianter p\aa{} UNIX.) UNIX fungerar i princip likadant som Windows,\footnote{Jag vet att besserwissrarna skriker n\"ar jag skriver s\aa{}h\"ar. Skriv en egen bok som v\"ander sig till dem som h\"anger upp sig p\aa{} detaljer om det st\"or er.} men \textit{Windows finns det bara en enda dialekt av!} Om alla datorer hade anv\"ant \textit{samma} UNIX h\"osten 1988 -- ja d\aa{} hade hela Internet kraschat! Jag p\aa{}st\aa{}r allts\aa{} att detta kan h\"anda \"aven Windows 95, eller n\aa{}gon av programmets efterf\"oljare. Om detta skedde skulle alla datorer som anv\"ande Windows 95 kunna braka ihop, om de var hopkopplade. En katastrof med o\"oversk\aa{}dliga f\"oljder f\"or samh\"allet. H\"ar g\"aller det att ta efter naturen. M\aa{}ngfald, d\"ar flera \textit{olika} program jobbar sida vid sida, \"ar att f\"oredra. Hackare har i alla tider f\"orespr\aa{}kat m\aa{}ngfald och decentralisering. Monopol p\aa{} programvara \"ar i l\"angden skadligt, och ger upphov till fel i datorsystemen som liknar de som uppst\aa{}r vid \textit{inavel} bland levande djur. De enda som idag kunnat ta upp kampen med Microsoft \"ar \textbf{IBM}, som lanserat operativsystemet \textit{OS/2} och \textbf{Apple} med sitt \textit{System 7}.\footnote{Numera MacOS 8, 9 och X.} Jag ser sj\"alv fram mot ytterligare konkurrens. M\aa{}ngfald, decentralisering och sm\aa{} f\"oretag ist\"allet f\"or j\"attar och enkelriktning \"ar det enda som h\aa{}ller i l\"angden. Microsoft kan inte l\aa{}tas dominera marknaden f\"or operativsystem. Kaos \"ar kul. Och nyttigt. Gripandet av hackare efter incidenten i januari 1990 var allts\aa{} ett s\"att att skyla \"over inaveln i telefonsystemet och de stora f\"oretagens of\"orm\aa{}ga till praktiska l\"osningar genom att skylla p\aa{} hackare. Vad skall de f\aa{} skulden f\"or h\"arn\"ast? Det finns hinkvis med exempel p\aa{} hur marknaden f\aa{}tt stryk av hemmatillverkade l\"osningar. En del datan\"ordar vill d\"arf\"or begr\"ansa spridningen genom att f\"ors\"oka stoppa de statsfinansierade distributionskanalerna. En s\aa{}dan \"ar t~ex \textbf{ftp.sunet.se}, ett antal datorer i Uppsala d\"ar tusentals bra gratisprogram finns lagrade. Dessa datorer finansieras av skattepengar och vem som helst kan koppla in sig via Internet och h\"amta hem vilket som helst av dessa program. Egentligen \"ar det ganska bra eftersom alla Sveriges datorentusiaster f\aa{}r tillg\aa{}ng till gratis programvara, men det sticker givetvis i \"ogonen p\aa{} dem som upph\"ojer ett dogmatiskt kapitalistiskt system till livsnorm. \begin{quotation} \noindent{}\textit{"{}Det st\"orsta problemet med ftp.sunet.se \"ar att det p\aa{} ett effektivt s\"att sticker kniven i ryggen p\aa{} alla f\"ors\"ok att starta upp inhemska mjukvaruf\"oretag.} (...) \textit{Mjukvara \"ar framtidens industri, en industri som vi h\"ar i Sverige kunnat dra stora f\"ordelar av pga v\aa{}r v\"alutbildade befolkning om det inte varit f\"or ftp.sunet.se.} (...) \textit{Men hur skall s\aa{}dana f\"oretag kunna konkurrera med program som \"ar 'gratis' p\aa{} grund av att de subventioneras via skatterna?"{}} (\textbf{Bertil Jonell} i Z-mag@zine \#6 1995) \end{quotation} \noindent{}H\"ar blir det en uppenbar konflikt med hackaretikens motto \textit{Misstro auktoriteter}. Svaret fr\aa{}n den etablerade mjukvaruindustrin blir: \textit{Misstro hackare}. Ett vanligt argument \"ar att program som gjorts av hackare skulle vara "{}d\aa{}liga"{}, "{}amat\"orm\"assiga"{}, "{}instabila"{} osv. Det torde dock vara sv\aa{}rt att hitta bel\"agg f\"or att n\aa{}got k\"ansligt program i flygplan eller medicinsk utrustning n\aa{}gonsin tillverkats av en amat\"or. F\"oretagen som tillverkar denna utrustning \"ar ju r\"adda om sitt rykte och anst\"aller inte vilka hobbyhackare som helst av den anledningen. De h\"amtar ist\"allet sina programmerare fr\aa{}n h\"ogskolans statusbem\"angda utbildningar, och programmen ing\aa{}r som en del av den st\"orre produkten, vilken man egentligen betalar f\"or. N\"ar det g\"aller ett helt operativsystem som GNU/Linux, har tester visat, att detta \"ar v\"arldens mest stabila unixoperativsystem, och d\"armed borde den anm\"arkningen vara ur v\"arlden.\footnote{Testunderlag finns p\aa{} www.gnu.org} Det finns en hel del v\"arderingar som vi tror \"ar oss givna av Gud allsm\"aktig men som i sj\"alva verket inte alls \"ar n\aa{}gra sj\"alvklarheter. Att en v\"alutbildad ingenj\"or skulle vara b\"attre elektronikkonstrukt\"or \"an grabben p\aa{} h\"ornet som varit radioamat\"or sedan barnsben \"ar ingen sj\"alvklar sanning. Snarare \"ar det en direkt l\"ogn. I och f\"or sig s\"oker sig de kallade g\"arna till de fina universiteten och h\"ogskolorna, men en del tycker \textit{inte alls} om den formella och strikta milj\"o de i s\aa{} fall blir f\"orflyttade till. De stannar hellre hemma i garaget och pluggar och experimenterar p\aa{} egen hand. Den sortens \textit{motivation} sl\aa{}r de flesta h\"ogskoleutbildningar med h\"astl\"angder vad betr\"affar direkta praktiska kunskaper. (D\"arut\"over har vi oengagerade studenter, som g\aa{}r utbildningar i Elektroteknik, Datateknik och Teknisk Fysik utan n\aa{}got som helst intresse f\"or ingenj\"ors- eller naturvetenskapen, utan med det enda och uttalade m\aa{}let att bli chefer \"over "{}de andra"{}, mindre belevade, att "{}f\aa{} resa"{} eller vad den moderna sj\"alen nu g\"ommer f\"or sublimerade \"onskningar.) Du har dock i hemmahackaren en individ som inte \"ar s\"arskilt socialt anpassningsbar, och som dessutom n\"ar ett varmt intresse f\"or vissa suspekta subkulturer. \textit{Det} \"ar snarare den \textit{verkliga anledningen} till att dessa skickliga hackare inte anst\"alls d\"ar de kunde g\"ora mest nytta. Ist\"allet sitter de hemma och filar i b\"asta fall ihop gratis mjukvara \aa{}t alla och envar. (Vad som h\"ander i v\"arsta fall har jag ju redan ber\"attat i kapitel 4 och 10 om underjordiska hackare och databrott.) En universitetsexamen betecknar allts\aa{} inte bara kompetens. Den betecknar ocks\aa{} att innehavaren \"ar socialt anpassningsbar och besitter den f\"orm\aa{}ga till disciplin och lydnad som fordras p\aa{} stora f\"oretag. En programmerare skall kunna realisera ett projekt utan att ifr\aa{}gas\"atta det. Inget storf\"ortag har n\aa{}got intresse av anst\"allda som t\"anker f\"or mycket sj\"alva och genomf\"or alternativa l\"osningar utan att fr\aa{}ga om lov. Ist\"allet styrs och st\"alls alla projekt fr\aa{}n en \"overliggande niv\aa{} i hierarkin -- kort och gott: en universitetsexamen inneb\"ar, f\"orutom att man \"ar kompetent, att man accepterat de auktoriteter och maktstrukturer som finns inom s\aa{}v\"al f\"oretag som utbildningsv\"asenden. En universitetsexamen \"ar en examen i lydnad. Spiksoppor hopkokade av entusiaster med en m\aa{}ngfald rivaliserande l\"osningar p\aa{} ett och samma problem kan allts\aa{} konkurrera ut monolitiska f\"oretag. Det \"ar uppenbart att detta s\"att att arbeta och se p\aa{} ekonomins betydelse i samh\"allet en del av underbyggnaden till cyberpunkideologin. Men h\"ar \"ar det de respektabla h\"ogskolehackarna som kommer in i bilden: personer som lever ett helt vanligt familjeliv, men som v\"axte upp med -- och utvecklade -- de f\"orsta datorerna under 70-talet, och som nu g\aa{}r i br\"aschen f\"or den explosiva datorutvecklingen. Deras budskap \"ar det samma: Frihet \aa{}t informationen! Datorernas rationella v\"arld tycks p\aa{}verka sina anv\"andare i samma riktning: mot effektivitet, decentralisering, samarbete och kunskapsutbyte och bort fr\aa{}n tj\"abbel, byr\aa{}krati och monotoni. Bra, s\"ager jag. Vad s\"ager ni? \section*{Vetenskapens V\"arld} F\"or att f\"orst\aa{} hur folk kan jobba h\"acken av sig utan att tj\"ana en massa pengar m\aa{}ste man f\"orst\aa{} hur det vetenskapliga virtuella samh\"allet fungerar. Det vetenskapliga samh\"allet \"ar n\"amligen ett samh\"alle i samh\"allet med sina egna normer och ideal. I detta \"ar det \textit{prestige} och \textit{kunskap} som r\"aknas, inte hur m\aa{}nga aktier man har eller hur stor ens Mercedes \"ar. Forskare, doktorander och andra vetenskapsm\"an \textit{betalar} f\"or att f\aa{} sina alster granskade av andra vetenskapsm\"an, bara av gl\"adjen att dela med sig och driva vetenskapen fram\aa{}t. \footnote{Man skall kanske undvika att \"overv\"ardera det "{}vetenskapliga samh\"allet"{}, som lika ofta \"ar en sk\aa{}deplats f\"or de mest sm\aa{}sinta intriger och den mest larviga underkastelse.} Att information och kunskaper \"ar allm\"an egendom \"ar s\aa{} grundl\"aggande f\"or detta samh\"alle att det inte ens ifr\aa{}gas\"atts. All denna information publiceras i n\aa{}gra tusental olika vetenskapliga tidskrifter v\"arlden \"over, med extremt liten spridning, som framst\"alls \textit{av} vetenskapsm\"an \textit{f\"or} vetenskapsm\"an (eller kvinnor f\"or den delen). Numera b\"orjar allt fler av dessa tidskrifter helt eller delvis utnyttja till elektronisk publicering som ett billigare alternativ till pappersjournalerna, \"aven inom "{}mjuka"{} vetenskaper som Sociologi och Psykologi. Det vetenskapliga samh\"allet har skapats f\"or att befria forskningen fr\aa{}n den samh\"allsliga maktapparaten. Det enda s\"attet att g\"ora detta \"ar n\"amligen att bygga upp en kultur med egna ramar och v\"arderingar, vilket \"aven hackarna f\"or l\"ange sedan har uppt\"ackt. Som du f\"orst\aa{}tt har det vetenskapliga virtuella samh\"allet tydliga gemensamma drag med hackarnas subkulturella \textit{Scen}. Man byter information fritt sinsemellan och struntar i marknadsekonomin.\footnote{Pierre Bourdieu inf\"or begreppet "{}kulturellt kapital"{} f\"or att f\"ors\"oka f\"orklara det h\"ar.} Detta st\"aller givetvis till det f\"or m\aa{}nga ekonomer som helst skulle se att alla m\"anniskor handlade efter en rationell marknadsmodell, men det vetenskapliga samh\"allet l\aa{}ter sig inte kommersialliseras, hur g\"arna samh\"allet i \"ovrigt \"an vill. Som gr\"adde p\aa{} moset \"ar det vanliga samh\"allet ocks\aa{} \textit{beroende} av det vetenskapliga samh\"allet. Utan vetenskapen sker mycket f\aa{} framsteg och utbildningen av nya chefer, ingenj\"orer, psykologer osv \"ar helt avh\"angig det vetenskapliga samh\"allet. Allts\aa{} \"ar man tvungen att st\"odja dessa vetenskapsm\"an med pengar. Som tack f\"or detta st\"odjer vetenskapsm\"annen i sin tur hackare och en del andra subkulturer genom att st\"alla upp med fritt tillg\"angliga datorer. Varf\"or hj\"alper vetenskapsm\"annen hackarna? Enkelt. De \"ar beroende av dem. Hackarna st\aa{}r f\"or en stor andel av uppslagen till nya uppfinningar och forskningsomr\aa{}den. Dessutom jobbar en del av dem p\aa{} universiteten och h\"ogskolorna. En del jobbar p\aa{} f\"oretagen som producerar informationstj\"anster, och en del finns till och med p\aa{} de allra st\"orsta f\"oretagens dataavdelningar. Det \"ar faktiskt s\aa{}, att samh\"allet i \"ovrigt \"ar beroende av b\aa{}de det vetenskapliga samh\"allet och hackarnas Scen. Konflikterna vi ser \"ar produkter av att det teknokratiska samh\"allet med vetenskapsm\"an och hackare i spetsen h\aa{}ller p\aa{} att \"oka sin makt \"over det vanliga, marknadsekonomiska samh\"allet. Anledningen till att etablissemanget vill styra om finanserna f\"or Internet \"ar bakom ytan det gamla vanliga: \textit{Man \"ar r\"adda om sin MAKT!} \section*{Marknadens Paradigm} Vi m\aa{}ste f\"ors\"oka f\"orst\aa{} hur den h\"ar konflikten uppst\aa{}r. V\aa{}rt samh\"alle som det ser ut idag \"ar inriktat mot allt h\"ogre specialisering. Hela v\aa{}r ekonomiska marknadsmodell bygger p\aa{} specialisering, eller rent av \textit{st\"andigt \"okad} specialisering. Produktiviteten i detta system m\aa{}ste st\"andigt \"oka f\"or att ge ett antal anonyma aktie\"agare avkastning p\aa{} sina aktier, s\aa{} att de kan k\"opa och \"aga \"annu mer. Om jag vill utveckla en programvara skall jag ha en id\'{e}. Sedan skall jag starta ett f\"oretag, anst\"alla s\aa{} m\aa{}nga programmerare jag beh\"over och leta reda p\aa{} l\"ampliga finansi\"arer. Kan jag inte hitta finansi\"arer \"ar min id\'{e} d\aa{}lig, eller s\aa{} har jag letat p\aa{} fel st\"allen. N\"ar produkten skall s\"aljas anlitar jag speciella f\"oretag f\"or distribution, marknadsf\"oring och kopiering av programvaran. Om mitt f\"oretag genererar oavsedda biroller, s\aa{}som st\"adare av lokalerna, receptionister och vaktm\"astare, skall detta drivas bort fr\aa{}n den ska "{}k\"arnverksamheten"{} genom sk "{}outsourcing"{} till specialiserade konsultf\"oretag. Exakt s\aa{} h\"ar ser vilken chef som helst p\aa{} vilket mjukvaruf\"oretag som helst p\aa{} processen. Att g\"ora mjukvara betraktas ekvivalent med att g\"ora korv. Problemet med den h\"ar synen \"ar att det inte finns n\aa{}gon plats f\"or kreativ skaparlusta hos programmerarna sj\"alva. Jag som chef m\aa{}ste med benh\aa{}rd hand styra dem in p\aa{} r\"att v\"ag. Jag f\aa{}r aldrig tappa kontrollen p\aa{} vilken produkt jag vill ha i slut\"andan, och om programmerarna kommer med egna id\'{e}er kan jag i och f\"or sig lyssna p\aa{} vad de s\"ager, men det \"ar \textit{jag} som projektledare som skall avg\"ora om denna id\'{e} skall f\aa{} lov att vara kvar i den slutgiltiga produkten eller inte. N\aa{}gon plats f\"or fritt handlande f\"or individen finns inte i det marknadsekonomiska tankes\"attet. Bara projektledaren skall veta vad som verkligen h\"ander med produkten, men de individuella programmerarna skall helst bara k\"anna till sin egen lilla del. Det tycks alltid finnas en hierarki underf\"orst\aa{}dd i denna organisation. Marknadsekonomiskt t\"ankande bygger ocks\aa{} p\aa{} en dold funktion f\"or att g\"omma kunskaper. Det vore olycka f\"or projektledaren om programmerarna fick kunskap om hur liten makt \"over den skapande processen de egentligen har. Det samma g\"aller alla hierarkiskt organiserade f\"oretag. De enda som skall ha n\aa{}gon som helst koll p\aa{} vad som egentligen h\"ander inom ett f\"oretag \"ar ledningen. Om arbetarna skall f\aa{} veta n\aa{}got om vad som \"ar p\aa{} g\aa{}ng, sker det genom kontrollerad nyhetsf\"ormedling d\"ar informationen \"ar v\"al utformad i form av gula papper som skickas ned i de anst\"alldas fack, och d\"ar man ber\"attar om utvalda delar av f\"oretagets g\"orom\aa{}l som \"ar menade att ytterligare \"oka medarbetarnas motivation. Vi har att g\"ora med en maktbild som \"ar allt annat \"an demokratisk. Det \"ar denna sneda maktbalans som \"ar anledningen till att f\"oretag fungerar mycket "{}b\"attre"{} \"an stater. Fr\aa{}nvaron av demokrati \"ar n\"amligen enormt effektiv. Det \"ar ingen hemlighet att det demokratiska int\aa{}get i det svenska n\"aringslivet i form av medbest\"ammandelagen (MBL) etc, har minskat effektiviteten i f\"oretagen. Arbetarna skall handla under ledningen och inte p\aa{} eget bev\aa{}g. F\"oretagsledningarna har d\"arf\"or uppfunnit snillrika mekanismer f\"or att trots detta begr\"ansa demokratin inom f\"oretagen. Dessa best\aa{}r till exempel i st\"andig omorganisation, i syfte att d\"olja maktmekanismerna och ge de anst\"alla en k\"ansla av att de kontrollerar sitt eget arbete. I rak opposition till detta st\aa{}r hackarnas etik, cyberpunkideologin och teknokratin. Samtliga syns\"att f\"oruts\"atter att programmerare \"ar kreativa, uppfinningsrika, och \textit{ifr\aa{}gas\"attande}. Marknadsekonomin bygger p\aa{} att \"overgripande planer \textit{inte} ifr\aa{}gas\"atts f\"orr\"an m\"ojligen efter att de \"ar genomf\"orda, helst aldrig. Det \"ar d\"arf\"or f\"oretag \"ar s\aa{} noggranna med att anst\"alla endast ingenj\"orer fr\aa{}n universitet och h\"ogskolor, som d\"armed klarat den sociala skolning som l\"art dem att \textit{inte ifr\aa{}gas\"atta}. \footnote{Ett en smula elakt (och f\"orenklat) p\aa{}st\aa{}ende.} De individer som ifr\aa{}gas\"atter skickas till andra delar av samh\"allsapparaten: forskning, politik och inte minst \textit{brottsindustrin}, f\"or att producera information av ett slag som p\aa{} annat vis \"ar n\"odv\"andig f\"or samh\"allet.\footnote{Svante Tidholm p\aa{}pekade att jag har en f\"orm\aa{}ga att ibland reducera individen till en marionett under makterna. Jag f\"orst\aa{}r synpunkten, men \"ar inte klok nog att komma runt den fr\aa{}gest\"allningen. Min respekt f\"or individens f\"orm\aa{}ga \"ar mycket stor, och jag tar ocks\aa{} individens parti i detta oj\"amna spel. Utvecklingar av mitt syns\"att finns i kapitel 15 samt appendixet.} \chapter{KVINNLIGA HACKARE?} Inom datakultur och i synnerhet hackarkultur \"ar kvinnor s\"allsynta. Bland phreakarna fanns det (och finns det \"an) en del kvinnor, kanske d\"arf\"or att telefonering betraktas som en vanlig kvinnosyssla. (De flesta v\"axeloperat\"orer, nummerupplysare mm \"ar ju kvinnor.) Inom ravekulturen \"ar det mera j\"amst\"allt, \aa{}tminstone en tredjedel av publiken brukar vara av kvinnligt k\"on. Bland hobbyprogrammerarna och de illegala hackarna \"ar bara n\aa{}gon enstaka entusiast kvinna. Lyckligtvis (tycker jag) har alltfler kvinnor, f\"oretr\"adelsevis inom h\"ogskolev\"arlden, uppt\"ackt datorn i och med Internet. Ofta b\"orjar det med att man anv\"ander datorn som skrivmaskin, sedan f\aa{}r man h\"ora om diskussionsgrupper och konferenser inom det \"amne man studerar, och n\"ar man v\"al provat p\aa{} att kommunicera \"over n\"atet s\aa{} \"ar man fast. Den mest v\"alk\"anda kvinnliga hackaren gick under pseudonymen \textbf{Susan Thunder}. (Till\aa{}t mig att hoppa lite fram och tillbaka mellan bokens teman.) Susan var ett skolboksexempel p\aa{} en missanpassad flicka. Hon hade blivit illa behandlad som barn, men tillh\"orde den sort som \"overlever. Hon prostituerade sig redan i ton\aa{}ren och f\"ors\"orjde sig genom att jobba p\aa{} bordeller i Los Angeles, USA. P\aa{} sin fritid var hon groupie och fraterniserade olika rockband. Hon uppt\"ackte hur l\"att det var att f\aa{} \textit{backstage-pass} till olika konserter om man ringde upp r\"att personer och t~ex l\aa{}tsades vara sekreterare p\aa{} ett skivbolag. Hon blev aktiv som phreakare i skiftet mellan 70- och 80-talet, och var sj\"alvklart expert p\aa{} social ingenj\"orskonst. Snart kom hon i kontakt med ett par killar som hette \textbf{Ron} och \textbf{Kevin Mitnick}, b\aa{}da \"ok\"anda hackare som senare skulle arresteras efter att ha tagit sig in i datorer som tillh\"orde diverse stora f\"oretag. Susan specialiserade sig p\aa{} att angripa milit\"ara datasystem, eftersom hon k\"ande att det gav henne en form av makt. F\"or att n\aa{} sina syften kunde hon anv\"anda metoder som var helt ot\"ankbara f\"or manliga hackare: hon s\"okte upp olika milit\"arer och hoppade i s\"ang med dem. N\"ar de sedan sov kunde hon leta igenom deras kl\"ader efter anv\"andaridentiteter och l\"osenord. (M\aa{}nga hade s\aa{}dana nedskrivna p\aa{} lappar f\"or att komma ih\aa{}g dem.) Susan sysslade allts\aa{} med hackande f\"or att f\aa{} k\"anna att hon, trots sin hoppl\"osa sociala situation, hade n\aa{}gon som helst form av \textit{makt} eller \textit{inflytande} i den h\"ar v\"arlden. F\"or henne var hackande ett s\"att att st\"arka sj\"alvk\"anslan. Hon var fast besluten att l\"ara sig hackandets konst in i minsta detalj. N\"ar hennes hackarkompis Ron inte tog henne riktigt p\aa{} allvar blev hon f\"orbannad och gjorde allt f\"or att s\"atta fast honom. En annan anledning till hennes ilska skall ocks\aa{} ha varit att hon haft ett kortvarigt f\"orh\aa{}llande med honom, men att han hade valt en mer socialt accepterad flickv\"an ist\"allet f\"or Susan. Antagligen var det Susan som br\"ot sig in i U.S Leasings datasystem och raderade all information i en dator, samt fyllde den med meddelanden av typen "{}FUCK YOU FUCK YOU FUCK YOU"{} och programmerade skrivarna att mata ut liknande of\"orsk\"amdheter om och om igen. Bland alla svordomar hade hon skrivit in namnen Kevin och Ron. Incidenten ledde till den f\"orsta f\"allande domen mot den legendariske Kevin. N\"ar Ron och Kevin greps fick Susan \aa{}talseftergift mot att hon vittnade. L\"angre fram titulerade hon sig s\"akerhetsexpert och visade med all \"onskv\"ard tydlighet hur l\"att hon kunde ta sig in i milit\"ara datasystem. Att Susan varkligen \textit{hade} en enorm makt, och att hon verkligen \textit{kunde} komma \aa{}t topphemlig information i milit\"ara datasystem, st\aa{}r bortom allt tvivel. Att hon skulle kunnat avfyra k\"arnvapenmissiler \"ar mera tveksamt. Klart \"ar att hon inte kunde g\"ora det enbart med hj\"alp av datorn. M\"ojligen kunde hon med sin tillg\aa{}ng till hemliga telefonnummer, personliga fakta och s\"akerhetskoder \textit{kanske} lura personalen p\aa{} en avskjutningsramp att avfyra en missil. Jag hoppas sj\"alv att hon inte kunde det. Det var historier om hackare som Susan som var f\"orlagor till filmen \textit{War Games}. Susan har numera slutat hacka och \"agnar sig ist\"allet med stor framg\aa{}ng \aa{}t professionell poker. Susan \"ar dock mera ett undantag som bekr\"aftar regeln om hackarv\"arlden som en manlig sf\"ar. Detta fenomen har f\aa{}tt flera f\"orklaringar, allt fr\aa{}n bef\"angda p\aa{}st\aa{}enden om att datorer skulle vara okvinnliga f\"or att de \"ar uppfunna av m\"an (precis som symaskinen, bilen, kaffebryggaren och telefonen) till att kvinnor skulle vara fr\"ammande f\"or den inb\"ordes statust\"avlan och arrogans som k\"annetecknar hackarna. Allt detta \"ar givetvis struntprat. Den verkliga orsaken till oj\"amst\"alldheten inom datav\"arlden \"ar \textit{f\"ormodligen} att kvinnor uppfostras till en passiv roll. Medan m\"an l\"ar sig att lidelsefullt leva sig in i och kommentera t~ex vad som h\"ander p\aa{} en TV-ruta, l\"ar sig kvinnor att passivt iaktta och vara ett socialt komplement vid sidan av. Inlevelse, sj\"alvh\"avdelse och arrogans, typiska hackaregenskaper, uppmuntras s\"allan. \textit{Kvinnor l\"ar sig en ytligt passiv roll, d\"ar deras enda m\"ojlighet till aktivt handlande \"ar att l\"agga \"over initiativet i h\"anderna p\aa{} m\"an.} Allt utforkande av nya territorier skall tydligen sk\"otas av m\"an. (Allra helst \textit{unga} m\"an.) Det \"ar bara att titta p\aa{} hur vi sk\"oter v\aa{}ra k\"anslom\"assiga relationer, d\"ar det alltj\"amt fungerar s\aa{} att m\"annen skall ta initiativet och kvinnan skall vara den passiva, trygga faktorn. En annan faktor \"ar att m\"an \"ar mer av ensamvargar \"an kvinnor. Vad detta i sin tur kommer av \"ar en \"oppen fr\aa{}ga. Vad som d\"aremot \"ar uppenbart \"ar att det h\"ar m\"onstret \"ar oerh\"ort sv\aa{}rt att bryta.\footnote{Mina tankar i detta stycke rimmar ganska v\"al med de f\"orklaringar av kvinnans rollformulering i moderniteten som litteraturvetaren Nina Bj\"ork presenterar i boken \textit{Sireners S\aa{}ng} fr\aa{}n 1999.} Eftersom hackare normalt \"ar i en \aa{}lder d\"ar det \"ar mycket viktigt att visa sin k\"onsidentitet ut\aa{}t, har m\aa{}nga kvinnor frivilligt tagit avst\aa{}nd fr\aa{}n datorer av r\"adsla f\"or att verka "{}okvinnliga"{}. Detta, som av individen uppfattas som n\aa{}got man g\"or av egen fri vilja, \"ar i sj\"alva verket en del i en social inl\"arning av traditionella k\"onsroller. F\"or\"aldrar och sl\"aktingar sp\"ar p\aa{} genom att ge hemdatorer n\"astan uteslutande till pojkar och n\"astan aldrig till flickor. Bland hemdatorhackarna var under perioden 1980-1989 ungef\"ar 3 promille kvinnor enligt en grov uppskattning. I USA fanns det ett tag en kvinnlig kn\"ackare p\aa{} Apple II som lyckades befria runt 800 spel fr\aa{}n kopieringsskydd. I Europa var de mest v\"alk\"anda kvinnliga hemdatorhackarna gruppen \textbf{TBB} (The Beautiful Blondes), en C64-grupp som bestod av fyra kvinnor under pseudonymerna \textbf{BBR}, \textbf{BBL}, \textbf{BBD} och \textbf{TBB} varav BBR och TBB var programmerare. De gjorde sig k\"anda p\aa{} Scenen med ett antal demon under slutet av 80-talet. Cyniskt nog dog b\aa{}de BBR och TBB 1993, inte ens 20 \aa{}r gamla. Bland dagens Amiga- och PC-entusiaster \"ar andelen kvinnor n\aa{}got h\"ogre, n\aa{}gonstans i n\"arheten av 1\%. (K\"alla: \textbf{The Mistress} i \textit{Skyhigh} \#17 1995.) I hackarkulturens vagga p\aa{} MIT fanns det inga kvinnor alls. Det fanns kvinnliga programmerare som anv\"ande maskinerna, och det fanns till och med kvinnliga programmerare som var riktigt duktiga, men de utvecklade aldrig den besatthet som fanns hos de unga m\"annen p\aa{} MIT. Dessa hackare ans\aa{}g att det m\aa{}ste r\"ora sig om en genetisk skillnad, som gjorde att kvinnor inte drabbades av denna besatthet. Detta \"ar en farlig \aa{}sikt som dessutom \"ar osann. Statistik visar att de pojkar som engagerar sig intensivast i datorn oftast \"ar i 14-15 \aa{}rs\aa{}ldern. Kvinnor drabbas av samma besatthet som 14-\aa{}riga hackare, men tv\aa{} \aa{}r tidigare \"an m\"annen eftersom deras biologiska klocka fungerar p\aa{} det viset. Alla \"ar nog medvetna om vad det \"ar som 12-\aa{}riga flickor kan uppg\aa{} i med ett s\aa{}dant intensivt intresse att de gl\"ommer bort sociala plikter och bara \"agnar sig \aa{}t \textit{sysslan}, f\"or dess egen skull. Kvinnornas (eller skall vi s\"aga flickornas?) motsvarighet till det ganska nyckfulla, men fascinerande och f\"angslande objektet dator, \"ar ett annat objekt med liknande egenskaper -- ett fyrbent objekt som vi brukar kalla \textit{h\"ast}. I m\aa{}nga fall \"ar likheten sl\aa{}ende, \"aven om det \"ar sv\aa{}rt att bevisa att det \"ar samma mekanismer som ligger bakom. Att programmera en dator \"ar egentligen inte s\aa{} annorlunda fr\aa{}n att l\"ara en h\"ast att hoppa \"over hinder. Det inneh\aa{}ller samma element av kontroll, t\"avlan och cermonier. Hos pojkarna vid datorn finns en n\"armast empatiskt lidelse i datorns s\"allskap, av samma slag som flickorna finner hos h\"astarna i stallet. Det \"ar fullkomligt uppenbart att om detta f\aa{}r forts\"atta kommer m\"annen att tillskansa sig makten i ett framtida samh\"alle som till stor del bygger p\aa{} datateknik. Det vore \"onskv\"art om fler kvinnor anv\"ande sig av datorer. \"Aven hackarna \"ar i allm\"anhet positivt inst\"allda till att se fler kvinnor p\aa{} sina mansdominerade omr\aa{}den. De f\aa{} som finns har blivit mycket framg\aa{}ngsrika och uppm\"arksammade som ett "{}exotiskt"{} inslag. Respekten f\"or kvinnliga hackare \"ar mycket stor. Det l\"ar ocks\aa{} finnas kvinnliga hackare som inte s\"ager n\aa{}got om sitt k\"on och d\"arf\"or antas vara m\"an av sina hackarkamrater. Tjusningen att f\aa{} prova p\aa{} en s\aa{}dan roll \"ar inte sv\aa{}r att f\"orst\aa{}. Det \"ar ju f\"orsta g\aa{}ngen i v\"arldshistorien som man utan st\"orre sv\aa{}righeter kunnat prova att vara ett annat k\"on \"an sitt fysiska och verkligen bli behandlad som man, fast man \"ar kvinna. Den tyska polisen anv\"ander ibland respekten f\"or kvinnliga datoranv\"andare f\"or att f\aa{} fast hackare och mjukvarupirater. Genom att annonsera med kvinnliga namn p\aa{} BBS:er och i datatidningar drar man uppm\"arksamheten till sig. Man kan diskutera om det \"ar etiskt riktigt att utnyttja folks k\"anslor p\aa{} det h\"ar viset f\"or att bek\"ampa brott, och det \"ar uppenbart att man g\"or j\"amst\"alldheten en bj\"orntj\"anst genom att anv\"anda s\aa{}dana metoder. Man g\"or det \"annu sv\aa{}rare f\"or kvinnor att ta sig in i en subkultur d\"ar de kan komma att betraktas som robotar fr\aa{}n polisen. \section*{Pornografi etc} Att det \"ar vanligt med gubbsjuka och grabbattityd p\aa{} Internet eller i hemdatorv\"arlden kan man inte undg\aa{}. Det b\"orjade i princip med spelet \textit{Softporn} till Apple II-datorn fr\aa{}n spelf\"oretaget \textbf{Sierra On-Line}, och den \"an mer lyckade uppf\"oljaren till IBM PC:\textit{ Leisure Siut Larry}. Spelen g\aa{}r ut p\aa{} samma sak: att f\aa{} kvinnor i s\"ang. Att sedan hela Internet kryllar av halv- och helpornografiska digitaliserade bilder g\"or inte saken b\"attre. Om detta beror p\aa{} ett skriande behov av sexuell stimulans hos de manliga datoranv\"andarna eller n\aa{}got annat \"ar sv\aa{}rt att sia om. (Det \"ar f\"or \"ovrigt inga st\"orre sv\aa{}righeter att \"aven hitta bilder p\aa{} nakna m\"an.) Givetvis \"ar det betydligt mindre pinsamt att ladda hem n\aa{}gra bilder fr\aa{}n en dator \"an att k\"opa en porrblaska -- ingen kan ju se vad du g\"or. En stor del av de bilder som finns allm\"ant tillg\"angliga p\aa{} Internet \"ar reklam f\"or olika betal-BBS:er som det \"ar t\"ankt att man skall kunna h\"amta \"annu fler bilder ifr\aa{}n -- om man betalar... Det finns allts\aa{} som alltid i porrbranchen ett h\"ansynsl\"ost kommersiellt intresse. Sex s\"aljer, och Internet anv\"ands som lockbete i en ny lukrativ marknad. Jag skall dock betona att detta fr\"amst g\"aller USA. Jag har \"annu inte h\"ort talas om n\aa{}gon svensk BBS som fungerar p\aa{} detta vis -- i Sverige \"ar det ist\"allet gratis att ladda ner bilderna, vilket anv\"andarna tycks g\"ora med oh\"ammad frenesi. Ett f\aa{}tal porrtidningar har \"oppnat egna Internet-areor som anv\"andarna m\aa{}ste betala f\"or att f\aa{} tillg\aa{}ng till. Somliga PC-entusiaster har tydligen f\aa{}tt dille p\aa{} att samla porrbilder och samlar dem p\aa{} samma vis som andra samlar p\aa{} frim\"arken eller hockeybilder. Egentligen \"ar detta intresse inte n\aa{}got konstigt. Under den tidiga hackareran var det m\aa{}nga som samlade p\aa{} sig tusentals dataspel bara f\"or att ha dem. Det var ju s\aa{} \textit{f\"orbjudet} eftersom tillverkarna h\"avdade att kopieringen var f\"orbjuden. Porrbilderna \"ar \textit{b\aa{}de} tabubelagda \textit{och} copyrightskyddade eftersom de med f\aa{} undantag \"ar digitaliserade ur porrtidningar. Det skall till\"aggas att porrbranchen givetvis \"ar m\aa{}ttligt f\"ortjust i den h\"ar spridningen. Att censurera bort dessa bilder fr\aa{}n n\"atverket \"ar i princip en om\"ojlighet, om det ens \"ar \"onskv\"art. Internet bygger p\aa{} att man skall s\"oka sig till den information man \"ar intresserad av, och att man d\"arigenom skall slippa att r\aa{}ka ut f\"or information man finner st\"orande, och det \"ar den filosofin som genomsyrar attityden hos dem som sk\"oter n\"atverket. Den som publicerar informationen skall sj\"alv ta ansvaret, och mellanhanden kan inte lastas. Det vore lika konsekvent att lasta Telia eller Posten f\"or medhj\"alp till brott f\"or att de inte avlyssnar och provl\"aser ordentligt. Kommunikation b\"or vara fri. De distribut\"orer, som kablar ut Internet till Sverige, har hittills konsekvent v\"agrat att ingripa i informationsstr\"ommen. (Och s\aa{} hoppas jag personligen att det kommer att f\"orbli.) Enskilda h\"ogskolor har d\"aremot efter allm\"anhetens uppm\"arksammande b\"orjat blockera vissa diskussionsgrupper som handlar om piratkopiering, sex, sj\"alvmord och droger. Att blockera bilder i allm\"anhet \"ar betydligt sv\aa{}rare, f\"or att inte s\"aga n\"ast intill om\"ojligt. Om n\aa{}gon sedan krypterar bilderna blir det \textit{helt} om\"ojligt att stoppa dem. Vad man kan g\"ora \"ar att granska vilka bilder som lagrats p\aa{} den egna organisationens dator, vilket lett till uppm\"arksammade ingripanden mot pornografi vid bland annat universiteten i Lund och Ume\aa{}. Ett uppm\"arksammat fall under 1999 var d\aa{} man i en arbetsdator tillh\"orande en juridiklektor i Lund fann 1000-tals barnpornografiska bilder under en \aa{}r 2000-kontroll. Lektorn avst\"angdes och en f\"orunders\"okning inleddes, men efter ett antal m\aa{}nader tr\"adde de tv\aa{} skyldiga studenterna fram. Det hela var en komplott. Vad den orsakat i personligt lidande kan man bara gissa. Ville man verkligen krossa marknaden f\"or all porrindustri kunde man helt enkelt f\"orklara den lagl\"os, dvs ta bort det upphovsr\"attsliga skyddet p\aa{} pornografi. Detta skulle omedelbart f\"orst\"ora marknaden f\"or hela den etablerade porrindustrin och f\"ors\"atta dessa f\"oretag i konkurs p\aa{} bara ett par \aa{}r. Fr\aa{}gan \"ar om det vore s\aa{} s\"arskilt smart eftersom de stora industrierna f\"ormodligen lika snabbt skulle ers\"attas med piratsyndikat. Jag skall dock f\"or klarhetens skull till\"agga att de flesta kvinnor som h\aa{}ller p\aa{} aktivt med BBS:er och Internet verkar ta det hela med j\"amnmod. N\"ar n\aa{}gon skriver oanst\"andigheter brukar de f\"or det mesta svara med textvarianten av en klapp p\aa{} huvudet: \textit{"{}S\aa{}ja, lugna ner dig nu"{}}, ungef\"ar. \medskip{} \noindent{}\"Aven om telerymden \"ar \"overbefolkad av m\"an kan vi \"and\aa{} tr\"osta oss med att v\"arldens f\"orsta programmerare, poeten \textbf{George Byrons} dotter \textbf{Ada Lovelace}, var kvinna. Ada var verkligen en riktig \textit{hackare}, i klassisk bem\"arkelse. Hon var en produkt av ett kraschat \"aktenskap mellan Byron och Annabella Milbanke. Precis som m\aa{}nga nutida hackare flydde hon undan de sv\aa{}ra k\"anslor som fanns inom henne genom att h\"ange sig \aa{}t naturvetenskapen tillsammans med sin v\"an \textbf{Charles Babbage}, och gick helt upp i id\'{e}erna om att konstruera \textit{den analytiska maskinen}. \chapter{CYBERNETISKT SAMH\"ALLE} Nu skall jag f\"ors\"oka sammanfatta vad jag tidigare skrivit tillsammans med ett antal halvmoderna filosfiska id\'{e}er om m\"anniskorna och deras samh\"alle. Ett cybernetiskt samh\"alle \"ar ett samh\"alle som lever i samspel med maskiner. F\"or att f\"orst\aa{} ett samh\"alle anv\"ander jag en f\"orenklad bild av en individ, d\"ar denne betraktas som uppbyggd av information och kommunicerande med omgivningen med hj\"alp av \textit{symboler}. \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image1.pdf} \else \includegraphics{Image1.eps} \fi \end{center} \medskip{} \noindent{}\end{center} I figuren \"ar \textbf{minnet} detsamma som lagrade m\"onster i hj\"arnans neuroner, \textbf{tankarna} \"ar de funderingar och s\aa{}v\"al dagliga som nattliga dr\"ommar vi alla har, och \textbf{symbolerna} \"ar de informationsstycken vi utv\"axlar med \textbf{omv\"arlden} som kan vara enskilda individer s\aa{}v\"al som hela den familj eller det samh\"alle vi lever i. S\aa{}dana symboler kan t~ex vara det m\"anskliga spr\aa{}ket, men ocks\aa{} andra konventioner som vi inte t\"anker p\aa{}, som att papperslappar med siffror p\aa{} \"ar pengar och att vi uppfattar dem som om de hade ett egenv\"arde, eller att en viss typ av kl\"adsel inneb\"ar en viss status. Inom vetenskapen anv\"ander man av naturliga sk\"al mycket v\"aldefinierade symboler som man kallar \textit{paradigm}, vilka definierar: \begin{enumerate} \item Vad man skall iaktta \item Vilka fr\aa{}gor som skall st\"allas \item Hur de skall st\"allas \item Hur svaren skall tolkas \end{enumerate} \noindent{}(Jag skall passa p\aa{} att p\aa{}peka att jag h\"ar tolkar det sociologiskt-vetenskapliga begreppet symbol, likv\"al som begreppet paradigm, p\aa{} ett h\"ogst pragmatiskt och personligt vis, upp med en hand, den som bryr sig. Det h\"ar \"ar hermeneutiskt vetenskap p\aa{} h\"og niv\aa{}. Urs\"akta fikonspr\aa{}ket...) \medskip{} \noindent{}Det \"ar de h\"ar begreppen som hackarna med Zen och G\"odel i ryggen protesterar mot i mottot 4: \textit{Hackare b\"or bed\"omas efter sin hackarkonst, inte enligt suspekta kriterier s\aa{}som betyg, \aa{}lder, ras eller social status} eller i 3: \textit{Misstro auktoriteter}. Det \"ar ett f\"ors\"ok att bryta sig ur ett system man uppfattar som felaktigt. Marvin (han med telefonkorten) uttalade i en radiointervju sitt missn\"oje med att f\"oretagen bara anst\"aller folk med universitetsexamen ist\"allet f\"or att se till deras verkliga \textit{kunskaper}, och pekade p\aa{} s\aa{} vis p\aa{} bristerna i v\aa{}ra formella samh\"allssystem. Burroughs menade att samh\"allssystemet bara alltmer kommer att f\"ors\"oka kontrollera medborgarnas tankar vare sig tj\"anstem\"annen vill det eller ej. Man menar att en framsynt m\"anniska m\aa{}ste ha f\"orm\aa{}gan att \textit{g\aa{} ur} systemet och se de verkliga m\"onstren bakom, vilka inte kan beskrivas med ord, papper eller kl\"ader. Samtidigt \"ar symbolerna livsn\"odv\"andiga f\"or v\aa{}r kommunikation s\aa{}v\"al som f\"or v\aa{}rt samh\"alle som helhet. En intelligent individ kan med symbolernas hj\"alp se intelligens i sig sj\"alv och andra individer. Vi kan nu betrakta samh\"allet p\aa{} ett motsvarande s\"att: \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image2.pdf} \else \includegraphics{Image2.eps} \fi \end{center} \medskip{} \noindent{}\end{center} Men vad nu d\aa{}? Det h\"ar ser ju precis likadant ut! Just det. I det h\"ar fallet \"ar \textbf{minnet} det kollektiva minnet i form av b\"ocker, filmer, CD-skivor eller dataprogram som lagras p\aa{} bibliotek eller i v\aa{}ra hem. \textbf{Tankarna} \"ar detsamma som \textit{kulturen}, den p\aa{}g\aa{}ende process som st\"andigt f\"or\"andrar v\aa{}ra livsvillkor. L\"agg ocks\aa{} m\"arke till att \textbf{symbolerna}, i det h\"ar fallet v\aa{}r h\aa{}llning gentemot andra samh\"allen eller st\"orre konstellationer, dvs \textbf{omv\"arlden}, inte \"ar lika med v\aa{}r kultur. Samh\"allet kallas bland sociologer i den h\"ar modellen ofta f\"or \textit{det kollektiva medvetandet}. Sj\"alv har jag lite k\"ackt snickrat ihop begreppet \textit{"{}superindivid"{}}. Symbolerna visar bara de delar av v\aa{}ra tankar, kulturen, som vi \textit{vill} visa upp. S\aa{} fungerar som bekant \"aven en individ. Ett intelligent samh\"alle ser intelligens i andra samh\"allen \textit{och} individer. De individer som samh\"allet \"ar uppbyggt av kan i och f\"or sig ge sig till att f\"ors\"oka analysera de tankar samh\"allet t\"anker, men uppgiften \"ar i det n\"armaste o\"overstiglig, ungef\"ar som om de individuella neuronerna i v\aa{}r hj\"arna skulle f\"ors\"oka f\"orst\aa{} sig p\aa{} hela hj\"arnans tankar. (Dessa resonemang h\"arh\"or fr\aa{}n forskningen kring artificiell intelligens i icke-formella system och sociologisk vetenskap.) Inte bara samh\"allen och individer kan p\aa{} detta vis beskrivas som intelligenta organismer. \"Aven f\"oretag, milit\"ara organisationer osv \"ar organiserade p\aa{} ett liknande s\"att. Det \"ar detta \textit{formella system}, det komplexa samh\"allet, som sociologerna som vetenskapsm\"an studerar, William Burroughs som f\"orfattare kritiserar och Zen som filosofi demonterar. N\"ar vi nu har kommit \"overens om ett gemensamt s\"att att betrakta individer och samh\"allen kan vi b\"orja bena ut det h\"ar med cybernetik. Jag har tidigare ber\"attat att cybernetik betyder \textit{m\"anniska eller samh\"alle i samspel med maskiner}. F\"or att illustrera detta vill jag visa ett praktiskt exempel: \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image3.pdf} \else \includegraphics{Image3.eps} \fi \end{center} \medskip{} \noindent{}\end{center} Vi ser tv\aa{} individer, A och B som kommunicerar med hj\"alp av symboler. S\aa{} l\aa{}ngt inga problem. Om vi nu s\"ager att de h\"ar tv\aa{} individerna kommunicerar genom att skicka \textbf{brev} till varandra, kan det uppst\aa{} problem om den ena individen exempelvis \"ar lindrigt synskadad. \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image4.pdf} \else \includegraphics{Image4.eps} \fi \end{center} \medskip{} \noindent{}\end{center} Eftersom m\"anniskor \"ar s\aa{} fiffiga, hittar de givetvis p\aa{} n\aa{}got s\"att att g\aa{} runt det h\"ar problemet. De ger sig till att \textit{f\"orb\"attra} sina naturliga f\"oruts\"attningar. Jag kan illustrera med en uppfinning som gjordes c:a \aa{}r 1290 e~kr: \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image5.pdf} \else \includegraphics{Image5.eps} \fi \end{center} \medskip{} \noindent{}\end{center} H\"ar har man allts\aa{} gjort en av de allra f\"orsta cybernetiska innovationerna. Man har f\"orb\"attrat verkligheten med hj\"alp av en liten optisk-mekanisk konstruktion som r\"aknas som en sj\"alvklarhet i v\aa{}rt samh\"alle. Alla som b\"ar glas\"ogon \"ar h\"arigenom \textit{cyborger}, m\"anniskor som framlever sina dagar p\aa{} jorden i samspel med maskiner. Vi \"ar s\aa{} vana vid detta att vi knappt t\"anker p\aa{} det. \"Ar man lite bekv\"amare av sig kan man skaffa sig kontaktlinser, och d\aa{} v\"alkomnar man maskinen i sin egen kropp. Glas\"ogon \"ar en av de modifieringar som syftar till att f\"orb\"attra v\aa{}r kommunikation med omv\"arlden. Andra cybernetiska modifieringar g\"or livet dr\"agligare och bekv\"amare f\"or individen: rullstolen, k\"appen m~fl. Andra \"ar direkt livsn\"odv\"andiga, som t~ex pacemakern. Men nu har jag bara n\"amnt uppfinningar som "{}r\"attar till"{} m\"anniskor som f\"otts eller erh\aa{}llit n\aa{}gon form av handikapp. Det g\aa{}r givetvis att "{}f\"orb\"attra"{} helt vanliga m\"anniskor ocks\aa{}, men hj\"alp av kikare, elektroniska hj\"alpmedel f\"or m\"orkersyn etc. Telefonen till exempel, f\"orb\"attrar oss s\aa{} att vi kan kommunicera \"over enorma avst\aa{}nd. Vi kan ocks\aa{} etablera \textit{hyperkommunikation}. \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image6.pdf} \else \includegraphics{Image6.eps} \fi \end{center} \medskip{} \noindent{}\end{center} Ett s\aa{}dant medium f\"or hyperkommunikation \"ar hypertext, som \"ar b\"attre \"an vanlig text. Vi kan ocks\aa{} f\"orb\"attra v\aa{}r m\"ojlighet att som samh\"alle utv\"axla och f\"ormedla information med hj\"alp av transaktionssystem, Sattellit-TV osv. Ytterligare en f\"orb\"attring av v\aa{}r perception -- den absolut mest revolutionerande -- kommer virtuell verklighet att bli. Men det finns en del oroande sidor av det h\"ar samh\"allet. Som \textit{Net Nanny} som jag n\"amnde tidigare, eller n\"ar Aftonbladet den 15 juli 1995 lugnande meddelar att TV-apparater skall kunna f\"orses med ett chip som kan programmeras av f\"or\"aldrar som inte vill uts\"atta sina barn f\"or on\"odigt v\aa{}ldsamma, pornografiska elller p\aa{} annat vis ol\"ampliga program. N\"ar barnen f\"ors\"oker titta p\aa{} ett sp\"arrat program blir sk\"armen bl\aa{}. Fantastiskt. Fr\aa{}gan \"ar bara vem man programmerar: chipet eller barnen? En av f\"or\"aldrarna Aftonbladet intervjuar vill bl~a hindra barnen fr\aa{}n att se programmet \textit{SOS -- P\aa{} Liv och D\"od}, ett program som visar filmatiseringar av verkliga olycksh\"andelser. Vad blir n\"asta steg? \"Ar det inte lika bra att st\"anga av de hemska nyheterna ocks\aa{} s\aa{} att man kan driva upp barnen i en glaskupa lika avsk\"armade fr\aa{}n v\"arlden som n\aa{}gonsin ryssarna under Stalin? Risken f\"or missbruk av denna och liknande uppfinningar \"ar fruktansv\"ard. Och det h\"ar r\"orde sig endast om vad endast ett relativt dumt chip kan \aa{}stadkomma. Vi m\aa{}ste redan konstatera att v\aa{}rt samh\"alle inte l\"angre formas av enbart m\"anniskor, och att inte ens \textit{m\"anniskor} formas av m\"anniskor. N\"ar snart sagt varenda butik har elektroniska larm p\aa{} varorna beh\"ovs det inte l\"angre n\aa{}gon hederlighet, eftersom det inte \textit{g\aa{}r} att vara ohederlig -- moraliska gr\"anser f\"orvandlas till verkliga materiella gr\"anser med hj\"alp av teknik. Vi \"ar s\aa{} ensidigt upptagna av allm\"annyttan av dessa maskiner att vi inte ifr\aa{}gas\"atter det som h\aa{}ller p\aa{} att ske. Ett varularm finns det v\"al ingen anledning att klaga p\aa{}, det ang\aa{}r ju bara tjuvar... \textit{En vacker dag} st\aa{}r vi d\"ar med maskiner som automatiskt injicerar lugnande droger i alla v\aa{}ldsamma individer f\"or att h\aa{}lla dem p\aa{} plats, givetvis bara f\"or att f\"orhindra v\aa{}ldsbrott. Det ang\aa{}r ju inte dig, eller hur? Du \"ar ju inte v\aa{}ldsbrottsling. Eller? Eller f\"or att ta ett exempel med n\aa{}gra \aa{}r p\aa{} nacken: 1984\footnote{Det slog mig just vilket uts\"okt sammantr\"affande det \"ar att detta intr\"affade just 1984.} kr\aa{}nglade v\"arnpliktsverkets dator, vilket bland annat fick till f\"oljd att inkallelseorder inte skickades ut till alla rep\"ovningsv\"arnpliktiga. Dessa fick d\"arf\"or samtal fr\aa{}n auktorit\"ara milit\"arer som fr\aa{}gade ut dem om varf\"or de inte inst\"allt sig till rep\"ovning. Auktoriteterna hade f\aa{}tt information fr\aa{}n en f\"ormodat felfri dator om att inkallelseorder verkligen s\"ants ut. Det intressanta h\"ar \"ar att en dator verkligen \textit{kontrollerar} en stor milit\"ar organisation. Att det kunde bli fel p\aa{} den \"ar mindre intressant. N\aa{}gra av v\aa{}ra mest ansvarstyngda milit\"ara institutioner har allts\aa{} namn som kan skrivas som produktbeteckningar f\"or olika datorm\"arken. Sedan har vi det h\"ar med artificiell intelligens. N\"ar intelligenta agenter kommer in i bilden blir det hela \"an mer komplext. Vi m\aa{}ste kanske fr\aa{}ga oss om det inte \"ar s\aa{} att vi samspelar med digitala individer, n\aa{}gon som verkar ha en egen vilja. En digital individ uppst\aa{}r d\aa{} ett datasystem blir s\aa{} komplext att det f\aa{}r \textit{medvetande}, p\aa{} ett s\"att som p\aa{}minner om m\"anniskors medvetanden. Det har f\"ormodligen \"annu inte skett n\"ar du l\"aser detta. Det obehagligaste exempel jag kan plocka fram \"ar ett program fr\aa{}n f\"oretaget Hectare Ltd som kan generera tjejsnusk, dvs \textbf{Barbera Cartland}-liknande noveller, i en aldrig sinande str\"om. Om du n\aa{}gonsin misst\"ankt att en dator skulle kunna skapa mycket m\"onstergill sk\"onlitteratur s\aa{} kan du betrakta dina farh\aa{}gor som infriade. Programmet fungerar verkligen, och det \"ar inte ens s\"arskilt stort och omfattande. Liknande program kan formulera om f\"ardiga textstycken f\"or att passa in i ett visst skrivbeteende. Kanske en av de farligaste maktfaktorerna med artificiell intelligens \"ar att den utan vidare kan producera \"andl\"osa str\"ommar av skenbart intelligent trams som avleder uppm\"arksamheten fr\aa{}n de verkliga problemen. Om jag f\aa{}r lov att vara lite konspirationsteoretisk kan jag framkasta id\'{e}n att det redan i dag finns tidskrifter vars inneh\aa{}ll helt eller delvis produceras av datorer. De som har skrivit programmen kanske mest \"ar ute efter att tj\"ana pengar och struntar fullst\"andigt i de moraliska aspekterna. \textit{Skulle inte du?} Publiken m\"arker inget. De tror de ser en m\"anniska, men de ser en robot. Men \aa{}terigen -- vad \"ar egentligen skillnaden? Rid\aa{}. \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image7.pdf} \else \includegraphics{Image7.eps} \fi \end{center} \medskip{} \noindent{}\end{center} Detta \"ar bara en av de till\"ampningar som blir m\"ojlig med hj\"alp av artificiell intelligens. Det \"ar dock s\aa{} att den digitala individen en dag blir s\aa{} intelligent att den kan producera dialog utan den ena individens medverkan. De etablerade makterna kan h\"arigenom styra individen vart de vill. T\"ank att du ringer och klagar p\aa{} att varmvattnet inte fungerar. Du tror att du talar med en m\"anniska, men i sj\"alva verket talar du med en dator. Allt du s\"ager f\"orvandlas till statistik utan att de ansvariga personligen beh\"over ta \aa{}t sig av kritiken. Makten kan filtrera bort dina klagom\aa{}l f\"or att fatta op\aa{}verkade, k\"anslom\"assigt neutrala beslut... Och ungef\"ar h\"ar blir hela resonemanget s\aa{} flummigt och fantasibetonat att jag likav\"al kan \"overl\aa{}ta det till l\"asaren. (Jag \"ar ingen filosof, bara lite.) Det \"ar i varje fall ett ganska roligt tankeexperiment. \section*{Cybernetiskt samh\"alle kontra copyright} Det \"ar uppenbart att den cybernetiska samh\"allsmodellen inneb\"ar en f\"or\"andring av v\aa{}rt s\"att att se p\aa{} information och informationens roll i samh\"allet. En del saker vi vant oss vid att ta f\"or givna kan komma att f\"or\"andras \aa{}det grundligaste. Till exempel copyright. Copyright \"ar r\"atten att \"aga information, eller i fallet \textit{patent} r\"atten att \"aga kunskap, och att f\aa{} tj\"ana pengar p\aa{} den. P\aa{} fikonspr\aa{}k brukar man kalla det "{}immaterialr\"att"{}. Copyright uppstod med tryckkonsten, innan dess var det inte s\aa{} noga med vem som \"agde information och publiceringsr\"att. Alla kunskaper och id\'{e}er betraktades d\aa{} som allm\"an egendom och inte som n\aa{}got man \"agde. \textit{Informationen var fri}. M\"ojligheten att \"aga information \"ar oskiljbar fr\aa{}n n\"arvaron av maskiner som t~ex tryckpressar, faxar eller datorer. Utan dessa maskiner blir boken, m\aa{}lningen etc ett unikt konstverk snarare \"an en m\"angd m\aa{}ngfaldigad information. Copyright \"ar allts\aa{} en egenskap i det tidiga cybernetiska samh\"allet som l\"ankar ihop \textit{information} och \textit{kunskap} med \textit{ekonomi}. Detta g\"aller all information, s\aa{}v\"al tryckt text som fotografier, film eller dataprogram. Vi kan allts\aa{} sp\aa{}ra copyright tillbaka till uppkomsten av den tryckta symbolen. F\"or att understryka vikten av detta g\"or jag en sammanfattning av de moderna symbolernas framv\"axt f\"or att understryka resonemanget: \medskip{} \begin{center} \begin{tabular}{llll} \textbf{Symbol:} & \textbf{Population:} & \textbf{Kulturell bas:} & \textbf{Tid:}\\ Primitiva symboler & Djur & Genetisk kultur & L\"ange sedan\\ Tal & M\"anniskor & Muntlig kultur & 40000 f kr\\ Text & Civilisation & Skriftlig kultur & 3000 f kr\\ Tryck & Industrisamh\"alle & Distribuerad masskultur & 1500 e kr\\ Hypersymboler & Informationssamh\"alle & Informationskultur & 2000 e kr\\ \end{tabular} \end{center} \medskip{} \noindent{}\AA{}rtalen markerar respektive symbols uppkomst snarare \"an n\"ar den kom till bred anv\"andning. Normalt r\"aknar man \"overg\aa{}ngen fr\aa{}n muntlig till skriftlig kultur fr\aa{}n c:a 500 f kr, och tryckkonsten var inte s\"arskilt utbredd f\"ore upplysningen (1700-1800-talen). Det f\"orsta \aa{}rtalet \"ar mycket sv\aa{}rbest\"amt. Detta \"ar egentligen inte s\aa{} intressant: fr\aa{}gan handlar inte om tid, utan symbolhistoria. Att informationstekniken inneb\"ar en f\"or\"andring av samh\"allet som \"ar j\"amf\"orbar med tryckkonsten (minst!) \"ar uppenbart. Symboler f\"or\"andras med tiden. Vad vi uppfattar som v\"ardefullt idag kan vara v\"ardel\"ost i morgon. T~ex anser de flesta att metallen guld \"ar ganska v\"ardefull. Om, l\aa{}t oss s\"aga, en mindre planet av guld krockade med jorden, s\aa{} att guld blev den mest allm\"ant f\"orekommande metallen i naturen, skulle den inst\"allningen ganska omg\aa{}ende f\"or\"andras s\aa{} att vi betraktade guld som mindre v\"art \"an j\"arn. P\aa{} samma s\"att skulle vi gladeligen byta allt guld vi \"agde mot mat om vi svalt, eftersom vi ocks\aa{} har vissa fysiska behov. Ja, man kan rent av tala om att vi ocks\aa{} har psykiska behov, som i v\aa{}rt moderna samh\"alle till stor del genereras av reklam, vilket g\"or oss villiga att byta v\aa{}ra ekonomiska medel i form av pengar, arbete etc mot stereoanl\"aggningar, l\"askedrycker osv. Vi har allts\aa{} en uppfattning om tingens v\"arde som baserar sig p\aa{} tillg\aa{}ng och efterfr\aa{}gan. Tillg\aa{}ng och efterfr\aa{}gan kontrolleras av dels naturen, och dels andra m\"anniskor. Det \"ar detta som g\"or oss till konsumenter. Begreppen \aa{}terfinns i alla stora ideologier. N\"ar andra m\"anniskor vill kontrollera v\aa{}r konsumtion anv\"ander de sig av symboler. Detta kan ske genom att man etablerar ett visst kl\"adesm\"arke som synonymt med symbolen \textit{status}, ett l\"askedrycksm\"arke som synonymt med \textit{fr\"aschet} och\textit{ ungdomlighet}. Men detta \"ar bara den mest i\"ogonenfallande toppen p\aa{} det v\"alk\"anda isberget. I sj\"alva verket styrs hela v\aa{}rt samh\"allssystem upp av symboler. Det \"ar det som sociologerna kallar \textit{symbolisk interaktionism}, ett vetenskapligt teoribegrepp som framf\"or allt associeras med en farbror som hette \textbf{George Herbert Mead} -- en sm\aa{}tt genialisk filosof som tyv\"arr inte direkt skrev n\aa{}gonting, men som haft avg\"orande inflytande p\aa{} fr\"amst sociologi. Mead definierade m\aa{}nga av de symboler jag tidigare n\"amnt i detta kapitel. Mead var ocks\aa{} inne p\aa{} de begrepp som f\"oljer l\"angre fram i det h\"ar kapitlet; han menade bland annat att franska revolutionen var en v\"andpunkt i modern historia d\"ar m\"anniskorna f\"or f\"orsta g\aa{}ngen ins\aa{}g att de hade r\"att att f\"or\"andra eller r\"atta till samh\"allssystemet, och att detta inte grundade sig p\aa{} n\aa{}gon gudomlig princip. Filosofiskt tillh\"orde han den pragmatiska skolan som ans\aa{}g att id\'{e}er och teoretiska system skulle pr\"ovas mot verkligheten innan de tillm\"attes n\aa{}got v\"arde. Mead var alldeles s\"akert anh\"angare av \textit{hands-on imperativet}. (Den pragmatiska skolan \"ar f\"or \"ovrigt en f\"orl\"angning av fallibilismen, som ju i princip \"ar detsamma som Zen.) OK. Copyright d\aa{}? Det var ju det jag skulle komma fram till. Vi folk p\aa{} jorden har allts\aa{} kommit \"overrens om att betrakta information och kunskap som n\aa{}gonting man kan \"aga. Detta \"agande \"ar en \textit{symbol} vi enats om. I och med informationssamh\"allets int\aa{}g blir \textit{moralen} som dessa symboler bygger upp minst sagt suddig. Moralen talar om f\"or dig att du inte skall inkr\"akta p\aa{} n\aa{}gon annans territorium, inte skada, inte stj\"ala n\aa{}gon annans egendom. N\"ar det g\"aller materiell egendom, l\aa{}t vara icke-personlig egendom, \"ar detta fortfarande allm\"ant accepterat. Men n\"ar det g\"aller \textit{intellektuell egendom} som d\aa{} skyddas av copyright och patent, har vi kommit till en brytningspunkt. Informationstekniken drar saker och ting till sin spets: det \"ar \textit{omoraliskt} att trycka in vissa kommandon i en viss f\"oljd p\aa{} tangentbordet. Andra kommandof\"oljder \"ar fullt accepterade. Jag f\aa{}r programmera om min egen dator, men inte n\aa{}gon annans dator per datan\"atverk. Jag f\aa{}r kopiera vissa program hur som helst, andra inte alls, vissa kanske. Vi blir os\"akra p\aa{} vad vi skall tro varvid n\aa{}gra h\"anfaller till dogmatiskt f\"ord\"omande av mjukvarupirater f\"or att f\aa{} k\"anna sig p\aa{} den s\"akra sidan. Eftersom lagstiftning inte \"ar det samma som f\"oretagspolicy f\aa{}r jag dubbla budskap, som t~ex n\"ar spelf\"oretaget Nintendo p\aa{}stod att det var f\"orbjudet att syssla med andrahandshandel av dataspel. Det tycker givetvis Nintendo \"ar sj\"alvklart eftersom de f\aa{}r s\"alja fler spel och tj\"anar mer pengar om folk bara k\"oper nya spel. Enligt svensk lagstiftning \"ar Nintendo fullst\"andigt ute och cyklar. Vi drabbas av ett dubbelt symbolbudskap fr\aa{}n f\"oretagsetablissemang och samh\"alle med resultat att vi b\"orjar t\"anka sj\"alva. Eftersom storf\"oretag delar den ekonomiska makten med regeringar betraktar vi b\aa{}da som auktoriteter. Vi b\"orjar ifr\aa{}gas\"atta dessa auktoriteter - vi b\"orjar t\"anka sj\"alva och ta egna beslut i brist p\aa{} klara samh\"allsdirektiv. Minns \aa{}terigen regel 3:\textit{ Misstro auktoriteter.} Hackarnas etik visar oss v\"agen i en turbulent tid.\footnote{Det fascinerar mig hur ofta jag blir kritiserad f\"or att ifr\aa{}gas\"atta storf\"oretagens makt samtidigt som jag jobbar f\"or ett (Ericsson). Detta \"ar givetvis en sv\aa{}r fr\aa{}ga som jag behandlat in extenso p\aa{} annan plats.} Hackarna uppt\"ackte kraftiga informationsor\"attvisor. P\aa{} Scenen kunde de 13-14 \aa{}riga hackarna inte f\"or sitt liv begripa varf\"or bara de ungdomar som hade rika f\"or\"aldrar skulle f\aa{} ha tillg\aa{}ng till alla de roliga programmen. Bland phreakarna f\"orstod man inte varf\"or bara f\"oretag och myndigheter skulle ha r\aa{}d att kommunicera fritt -- det var ju ett s\"att att utvecklas! Varf\"or acceptera detta? I och f\"or sig kan man kalla detta respektl\"oshet, brist p\aa{} f\"orst\aa{}else f\"or samh\"allets funktioner osv. Ingen brydde sig dock om att diskutera saken. Det budskap hackarna fick av det etablerade samh\"allet var: \textit{"{}Ni \"ar brottslingar. Punkt."{}} Vilket enast\aa{}ende hyckleri! \medskip{} \noindent{}Jag konstaterar att \textit{ju mer cybernetiskt ett samh\"alle blir, desto sv\aa{}rare blir det att definiera privata kunskapsdom\"aner.} Ju fler datorer och ju mer f\"orfinad teknik vi f\aa{}r, desto knasigare blir begreppet \textit{intellektuell egendom}. Detta g\"aller i synnerhet mjukvara, d\"ar patent beviljas p\aa{} metoder som inte fordrat n\aa{}gra st\"orre investeringskostnader i utrustning och forskning, utan kanske bara en eller ett par n\"atters intensivt hackande. Id\'{e}erna har inte kostat n\aa{}got -- det \"ar mest fr\aa{}gan om Columbi \"Agg -- f\"orst till kvarn f\aa{}r f\"orst \textit{och endast} mala. Det g\aa{}r inte l\"angre att f\"orsvara intellektuella or\"attvisor med materialistiska j\"amf\"orelser. Detta tvingar oss att st\"alla fr\aa{}gan: Vart g\aa{}r gr\"ansen mellan yttrandefrihet och egendom? Vad f\aa{}r jag kopiera och vad f\aa{}r jag inte kopiera? N\"ar upph\"or kunskap att vara allm\"an egendom och \"overg\aa{}r i privat \"ago? Det som intr\"affar \"ar att tekniken drar ryggraden ur hela v\aa{}rt samh\"allssystem och h\aa{}ller upp den f\"or oss s\aa{} vi kan sk\aa{}da den. Vi ser hur stora omr\aa{}den av telerymden helt godtyckligt mutats in av informationsbranchens profithungriga guldgr\"avare. Mjukvara \"ar en f\"orl\"angning av det m\"anskliga intellektet; av f\"orm\aa{}gan att skapa, f\"orst\aa{} och generalisera kunskap. Att f\"orbeh\aa{}lla ett s\aa{}dant kraftfullt verktyg f\"or dem som har r\aa{}d att sl\"anga ut hundratals kronor p\aa{} ett program blir i l\"angden oh\aa{}llbart. Vad jag menar \"ar inte att samh\"allsparasiter som de kinesiska triaderna eller andra syndikat skulle f\aa{} ta upphovsr\"atten fr\aa{}n de stora f\"oretagen. Vad jag menar \"ar att det inte borde vara f\"orbjudet f\"or privatpersoner att fritt kopiera programvara och hj\"alpa varandra att anv\"anda den. Detta utesluter inte konkurrens fr\aa{}n etablerade f\"oretag i branchen, bara de kan erbjuda n\aa{}got som hackaren runt h\"ornet inte har: tryckta manualer, dygnet runt-service, pedagogiska kunskaper etc. Vem vet detta b\"attre \"an den som skapat mjukvaran? \textit{Mjukvara \"ar en produkt som saknar v\"arde i sig}. Det \"ar inte \"agandet av mjukvara som driver det h\"ar samh\"allet fram\aa{}t, utan f\"orm\aa{}gan att anv\"anda den, och l\"ara andra att anv\"anda den. Vad vi skall s\"alja och k\"opa i informationssamh\"allet \"ar inte mjukvara, utan till\"ampningar, r\aa{}d - med ett ord: \textit{Support}. Lika n\"odv\"andig som copyrighten var i industrisamh\"allet, lika meningsl\"os \"ar den i informationssamh\"allet. Problemet \"ar inte att skilja information i tryckt form fr\aa{}n elektronisk information. Problemet \"ar att det inte l\"angre g\aa{}r att skilja \textit{information} fr\aa{}n \textit{kunskap}, och \textit{\"agd kunskap} fr\aa{}n \textit{allm\"an kunskap}. Gr\"ansen mellan \textit{id\'{e}} och \textit{implementation} (till\"ampning) av samma id\'{e} suddas ut i och med att m\"anniskan kommunicerar allt mer med maskiner som konstruerats f\"or just detta. I f\"orl\"angningen hotas \"aven gr\"ansen mellan \textit{tanke} och \textit{handling} av utvecklingen av virtuell verklighet. L\aa{}t mjukvaruf\"oretagen bek\"ampa brottssyndikat, maffior och gangsterligor som tj\"anar grova pengar p\aa{} piratkopiering, inte mig emot. Men f\"ord\"om f\"or guds skull inte\textit{ kompiskopieringen,} privatkopieringen fr\aa{}n individ till individ utan ekonomiskt vinstintresse! Denna kopiering \textit{\"ar} inte omoralisk utan bara ett s\"att att vidarebefodra kunskap. Det \"ar \textit{fel} att s\aa{}dan kopiering skall vara f\"orbjuden och det \textit{borde} vara till\aa{}tet f\"or privatpersoner att kopiera programvara b\"ast de vill. Det \"ar \textit{de smutsiga pengarna} som skall bort ur mjukvarubranchen, inte amat\"orernas gl\"odande intresse och engagemang! Den moraliska gr\"ansen g\aa{}r inte vid r\"atten att kopiera ett program eller inte, utan vid att ha r\"att att \textit{tj\"ana pengar} p\aa{} ett program eller inte! Det \"ar den r\"atten som skall vara f\"orbeh\aa{}llen f\"orfattaren, om han s\aa{} \"onskar. I Sverige kan jag i dag g\aa{} in i vilket bibliotek som helst, ta fram vilken bok som helst, g\aa{} till kopieringsmaskinen och kopiera s\aa{} m\aa{}nga sidor jag har lust med. N\aa{}gon lagstiftare har i n\aa{}got ljust \"ogonblick insett att ett f\"orbud mot detta skulle inneb\"ara en avsev\"ard begr\"ansning av individens frihet och m\"ojlighet till personlig utveckling (Lag 1993:1007). Information f\"oder ju intelligens! \textit{Det finns ingen anledning till att denna frihet skulle begr\"ansas till endast tryckta medier.} Filmer, CD-skivor, dataprogram... Det \"ar bara en definitionsfr\aa{}ga. Allt detta \"ar information och f\"oda f\"or den m\"anskliga intelligensen. Det \"ar inte sunt att det skall vara f\"orbjudet f\"or individen att kopiera information. Det \"ar Sjukt. \textit{SJUKT!} Att patentera bokst\"aver satta i en viss ordningsf\"oljd - str\"angar av information - ljudv\aa{}gor och videogram - vansinne. Om den som f\"orst uppfann orden i det m\"anskliga spr\aa{}ket hade t\"ankt i de banorna hade vi aldrig l\"art oss tala eller skriva. Att g\aa{} och vissla en patenterad melodi p\aa{} stan en solig dag \"ar "{}offentligt framf\"orande"{}, och skall betalas STIM-pengar f\"or. N\"ar man inte \"ar ute efter att sj\"alv g\"ora sig en hacka p\aa{} informationen - i f\"orl\"angningen att f\"orst\"arka sin makt - n\"ar man bara \"ar ute efter att sprida gl\"adje och kunskap, skall informationen vara \textit{fri}. Basta. Det spelar ingen roll att f\"ors\"oka orda om saken och lagstifta \aa{}t h\"oger och v\"anster. Man kommer f\"orr eller senare att n\aa{} fram till \textit{r\"od gubbe}-kriteriet: n\"ar ett brott blir s\aa{} vanligt att det bara blir meningsl\"ost att f\"ors\"oka bek\"ampa det, som att g\aa{} mot r\"od gubbe eller att kopiera CD-skivor till band. Vad myndigheterna och lagstiftarna m\aa{}ste t\"anka p\aa{} \"ar snarare sin egen trov\"ardighet.\footnote{Och s\aa{} en present till nyliberalerna: om \"agander\"atten \"ar helig, varf\"or respekterar folk den inte n\"ar det g\"aller CD-skivor etc? Skulle inte du? \textit{Varf\"or} klarar inte marknaden av att l\"osa det h\"ar problemet, om nu legislaturan \"ar maktl\"os? S\"ag, visst finns det problem som varken kan l\"osas av staten eller marknaden?} \section*{Begreppen degenererar (Copyright finns inte!)} N\"ar nu v\aa{}ra symboler blir alltmer suddiga, vad kan vi v\"anta oss kommer att h\"anda h\"arn\"ast? F\"or att ha n\aa{}got att bygga p\aa{} tar jag lite fr\"ackt och l\aa{}nar en id\'{e} fr\aa{}n \textbf{Thomas Kuhn}. Kuhn \"ar en vetenskapsfilosof med sp\"annande id\'{e}er om hur vetenskap v\"axer fram och f\"or\"andras med tiden. Kuhns teorier p\aa{}minner om olika id\'{e}er om hur samh\"allet i allm\"anhet f\"or\"andras, hur olika ideologier v\"axer fram, och hur vi m\"anniskor utvecklar och f\"or\"andrar v\aa{}r tillvaro i allm\"anhet. Kort sagt: karln beskriver vad som h\"ander n\"ar m\"anniskans anv\"ander sin intelligens. N\aa{}got som \"ar mycket sp\"annande med Kuhns teorier \"ar att de p\aa{}minner i p\aa{}fallande grad om G\"odels teorem om formella system. Grundid\'{e}n \"ar f\"oljande: Du har en klar v\"arldsbild, ett \textit{paradigm},\footnote{Ordet \textit{paradigm} \"ar ett s\aa{}dant d\"ar ord som smitit ut ur det akademiska spr\aa{}ket. Var f\"orsiktig om du anv\"ander det i n\"arheten av vetenskapligt skolade m\"anniskor, eftersom nyckelordet inom vetenskap \"ar \textit{exakthet} -- paradigm betyder allts\aa{} bara en enda specifik sak, inte n\aa{}got allm\"angiltigt. Att anv\"anda ordet utanf\"or vetenskapsfilosofi kan l\"att betraktas som vulg\"art, \"aven om det \"ar mycket vanligt. Motsatsen till vetenskapligt spr\aa{}kbruk hittar man i New Age-kulturen: d\"ar \"ar det snarare fr\aa{}gan om att vara s\aa{} luddig som m\"ojligt. Popul\"arkultur som den h\"ar boken f\aa{}r f\"ors\"oka g\aa{} n\aa{}gon slags balansg\aa{}ng mellan dessa tv\aa{}.} exempelvis: Du vet att information kan \"agas d\"arf\"or att annars g\aa{}r det och det f\"oretaget i konkurs och det inneb\"ar det och det f\"or dig och det \"ar inte bra f\"or dig och d\"arf\"or skall du acceptera att information kan \"agas. Eller: Du vet att pengar \"ar v\"ardefulla eftersom de grundar sig p\aa{} Sveriges produktionskraft och duglighet i j\"amf\"orelse med andra l\"ander, d\"arf\"or skall du acceptera att en papperslapp med n\aa{}gra siffror p\aa{} \"ar v\"ard pengar s\aa{} att regeringen och andra regeringar inte r\aa{}kar i f\"ortroendekris f\"or d\aa{} hotas din levnadsstandard. (OBS: L\"att Ironiskt. Andra m\"anniskor skulle m\"ojligen kunna s\"aga detta p\aa{} fullt allvar. ;-) Kuhn menade att paradigm f\"or\"andrades med tiden ungef\"ar s\aa{}h\"ar: Paradigm -$>$ Normalt tillst\aa{}nd -$>$ Mots\"agelsefullheter -$>$ Kris -$>$ Revolution -$>$ Nytt paradigm Med f\"oruts\"attningen att m\"anniskor i allm\"anhet bildar sig normer (handlingsregel, v\"arderingsgrund) p\aa{} samma vis som vetenskapsm\"an bildar paradigm (f\"orebild, v\"arderingsgrund) till\"ampar jag detta system p\aa{} v\aa{}rt samh\"alle. (Normer och paradigm \"ar p\aa{} s\"att och vis samma sak - b\aa{}da bottnar i den m\"anskliga intelligensen och syftar till att bringa ordning i kaos genom uppr\"attande av filosofiska system.) Dessa begreppssystem finns runt omkring oss utan att vi t\"anker p\aa{} det. Det finns till exempel ingen naturlag som s\"ager att vi skall dela in dygnet i 24 timmar, det skulle g\aa{} lika bra med 10 eller 50. Det finns ingen som talar om f\"or oss att vi m\aa{}ste dela in de musikaliska tonerna s\aa{} att det blir precis 12 per oktav, 8 eller 16 skulle g\aa{} alldeles utm\"arkt. Vi definierar v\aa{}r omgivning p\aa{} ett s\"att som vi alla kan vara \"overens om, f\"or att undvika begreppsf\"orvirring. Ibland funderar vi s\aa{} lite \"over de h\"ar begreppen att vi tar dem f\"or givna, som n\aa{}gon naturlig ordning i naturen, och av den anledningen betraktar uppstickare med nya begreppssystem som \textit{sjuka}. William S Burroughs uttrycker det mer konspiratoriskt och skoningsl\"ost: \begin{quotation} \noindent{} \textit{"{}Det finns ingen sann eller verklig "{}verklighet"{} - "{}Verkligheten"{} \"ar bara ett mer eller mindre konstant avs\"okningsm\"onster - Avs\"okningsm\"onstret som vi accepterar som "{}verklighet"{} har den kontrollerande makten p\aa{} denna planet tvingat p\aa{} oss, en makt som f\"orst och fr\"amst str\"avar efter total kontroll"{}} (Ur \textit{Nova Express}) \end{quotation} \noindent{}N\"ar det stackars geniet \textbf{Erik Satie} spelade sin m\"obelmusik som br\"ot med det traditionella m\"onstret f\"or hur musik skulle skapas och l\aa{}ta blev han utbuad. N\"ar \textbf{Picasso} br\"ot med de klassiska konstbegreppen var det m\aa{}nga som betraktade honom som idiot. Handen p\aa{} hj\"artat - hur m\aa{}nga av er har inte n\aa{}gon g\aa{}ng klagat p\aa{} konst som man "{}\textit{inte ser vad den f\"orest\"aller}"{}? G\"odel gick s\aa{} l\aa{}ngt att han bevisade att \"aven en s\aa{}dan sak som \textit{tid} \"ar n\aa{}gonting vi uppfattar subjektivt, filosofer eller inte. Hos hackarna hittar vi denna upproriskhet i exempelvis B1FF-spr\aa{}ket d\"ar v\aa{}r invanda f\"orst\"allning om tecknens funktioner i spr\aa{}ket f\aa{}r sig en rej\"al kn\"ack. M\aa{}nga BBS- och Internetanv\"andare skriver l\aa{}nga arga inl\"agg n\"ar de ser n\aa{}gon skriva en mening som: y0YO!\#\%\$!! wH4+zZ h4pP3n1n' 4r0uN '3r3 +H3zZ3 d4yZzZ?\#\$!\%?? Fr\aa{}gan tycks upprepa sig: \textit{hur nyskapande f\aa{}r man egentligen vara?} Och vid vilka tillf\"allen? Fr\aa{}n b\"orjan har vi allts\aa{} efter en tids turbulens lyckats etablera ett slutet begreppssystem som vi accepterat, vi lever i ett normalt tillst\aa{}nd d\"ar produktion och konsumtion lever i harmoni med ett etablerat samh\"allssystem med allt vad det inneb\"ar av klassklyftor och territorialt\"ankande. N\"ar nu informationssamh\"allet st\"aller fr\aa{}gor p\aa{} sin spets uppst\aa{}r mots\"agelsefullheter i systemet. \"Ar pengar verkligen grundade p\aa{} produktionskrafter? Vad \"ar i s\aa{} fall produktionskrafter? Kan kunskap \"agas eller inte? Det \"ar denna tid v\aa{}rt samh\"alle befinner sig i just nu, och s\aa{} kommer att g\"ora en stund fram\"over. Det \"ar denna turbulenta tid som kallas det \textit{postindustriella samh\"allet.} Vi h\aa{}ller p\aa{} att bryta oss ur det fullst\"andiga, n\"astan matematiska system som v\aa{}rt samh\"alle fastnat i, p\aa{} samma s\"att som G\"odel br\"ot sig ur de matematiska systemen och Zen demonterar filosofier med raka svar. \textit{Patriarkatet} som feministerna vill bryta ned \"ar ocks\aa{} ett s\aa{}dant system som b\"orjat knaka i fogarna. (Inom den sociologiska vetenskapen kallas det h\"ar tillst\aa{}ndet \textit{Anomi} vilket inneb\"ar avsaknad av fungerande normer f\"or samh\"allet, ungef\"ar som i det eftersovjetiska Ryssland idag.) Den h\"ar fasen k\"annetecknas ocks\aa{} av framv\"axandet av en uppsj\"o subkulturer och en f\"orst\"arkning av de religi\"osa sekterna, b\aa{}da resultat av ett oroligt s\"okande efter fasta normer som man inte finner i det vanliga samh\"allet. S\aa{} sm\aa{}ningom kommer detta att leda till en \textit{kris} som f\"oranleder den \textit{verkliga} informationsrevolutionen. Det \"ar d\aa{} de mest omfattande f\"or\"andringarna i v\aa{}rt samh\"alle kommer att ske. (Vi talar h\"ar om en samh\"allslig revolution, inte n\"odv\"andigtvis v\"apnad.) Efter denna revolution formulerar vi ett nytt antagande om hur samh\"allet skall fungera och se ut, och det \"ar f\"orst d\aa{} vi n\aa{}r det verkliga informationssamh\"allet. M\aa{}nga f\"oretagsekonomiska och nationalekonomiska ekvationer (eller \textit{axiom} om vi skall vara vetenskapligt petiga) som g\"aller i industrisamh\"allet kommer att vara fullst\"andigt v\"ardel\"osa i informationssamh\"allet. F\"or att f\"or\"andringarna \"over huvud taget skall kunna intr\"affa kr\"avs det att n\aa{}gon driver fram dem, i och f\"or sig med all respekt f\"or det gamla samh\"allet, men \"and\aa{} fast beslutna att delvis riva ned de gamla normerna f\"or att ge plats \aa{}t nya. Det \"ar dessa som \"ar Nietzsches l\"arjungar, i v\aa{}rt fall de mest militanta cyberpunkarna med hackare i br\"aschen som v\aa{}gar st\aa{} upp f\"or sina ideal i en ny tid. Eller f\"or att citera Nietzsche sj\"alv: \textit{"{}jag \"ar inte inskr\"ankt nog till ett system; inte ens mitt eget!"{}} Det g\"aller att riva ned industrisamh\"allets normer f\"or att ge plats \aa{}t de som skall g\"alla i informationssamh\"allet. Det beh\"over alls inte vara utomparlamentariskt; vad Nietzsche och flera med honom s\"ager \"ar att det \textit{kan} vara det. Sedan 50- och 60-talen har ungdomen haft rollen som banbrytare n\"ar det g\"aller att ifr\aa{}gas\"atta system och bygga nya. P\aa{} Nietzsches tid var det studenterna och de intellektuella som gjorde det. Det har skett en f\"orskjutning d\"ar man associerar radikala id\'{e}er med ungdom och konservativa id\'{e}er med h\"og \aa{}lder. Detta \"ar en av de v\"arsta sjukdomarna i v\aa{}rt rollsystem -- alltf\"or m\aa{}nga ungdomar vantrivs i sj\"alva verket i rollen som revolution\"arer och blir som i \textbf{Tom Pettys} delvis sj\"alvbiografiska s\aa{}ng \textit{Into the Great Wide Open}: "{}rebels without a clue"{} -- rebeller utan att veta varf\"or. Tv\aa{}nget att g\"ora uppror kan som droppen i b\"agaren driva ungdomar \"over gr\"ansen till narkotikamissbruk och brottslighet. M\aa{}nga uppror \"ar ogrundade och slentrianm\"assiga handlingar som bara syftar till att provocera de konservativa gamlingarna - men det finns de som inte \"ar det. Upproret mot f\"oretagens och myndigheternas informationsdiktatur \"ar det \textit{inte}. Det \"ar en ideologiskt underbyggd revolt som f\"ortj\"anar att bli tagen p\aa{} allvar. Toleransen mot nya begreppsbildningar \"ar en faktor som avg\"or hur pass slutet och likriktat ett samh\"alle \"ar. Nietzsche uppskattade p\aa{} sin tid \textbf{Richard Wagners} titaniska musik, ocks\aa{} det ett f\"ors\"ok att bryta sig ur ett alltf\"or ingrott och etablerat musikaliskt paradigm. \"Aven om Hitler senare uppskattade b\aa{}de Wagner och Nietzsche var nazismen en ideologi som f\"ord\"omde varje f\"ors\"ok att skapa nya begreppssystem. Mot slutet av 30-talet ordnade man i Berlin en utst\"allning med "{}ful"{} konst, mestadels modern, som man menade var sjuk och fel. Fascismen \"ar s\aa{}dan; efter en gl\"ansande uppg\aa{}ngsperiod tappar den allt intresse f\"or f\"ornyelse och vill bara bevara sig sj\"alv. Kan ett samh\"alle som v\aa{}rt, med f\"oretag som \"ar s\aa{} stora att regeringar m\aa{}ste lyda dem, acceptera att man f\"or en sansad debatt om copyrigthtens vara eller inte vara? Eller kommer systemet med v\aa{}ld att underordna sig r\"atten att best\"amma vad som \"ar privat och allm\"an egendom utan n\aa{}gra jobbiga demokratiska mellanled, genom lobbying och regeringsbeslut och utan n\aa{}gon debatt alls? Mina k\"ara l\"asare; jag antar att ni p\aa{} er f\"ard genom denna bok uppt\"ackt hur n\"ara informationssamh\"allet vi \"ar idag. Det \"ar min \"arliga och uppriktiga \"overtygelse att ett s\aa{}dant samh\"alle ettdera kommer att vara befriat fr\aa{}n copyright och mjukvarupatent som vi k\"anner dem idag, alternativt en informationsdiktatur styrd av antingen regeringar eller storf\"oretag och maffior. Det \"ar det samh\"allet William Gibson varnar f\"or med sina cyberpunkromaner. L\aa{}t oss se till att undvika det. Jag har ingen aning om hur denna f\"or\"andring kommer att g\aa{} till eller vad resultatet kommer att bli, bara \textit{att} det oundvikligen kommer att ske. \section*{Cybernetiskt samh\"alle kontra Klassperspektiv - Maktens Mekanismer} Engelsmannen och sociologen \textbf{Basil Bernstein}\footnote{Bernstein, ursprungligen lingvist, tillh\"or n\aa{}gon strukturalistisk eller poststrukturalistisk skola. Det \"ar inte speciellt viktigt i sammanhanget.} skissade samh\"allets mekanismer ungef\"ar s\aa{}h\"ar: \begin{center} \medskip{} \begin{center} \ifpdf \includegraphics{Image8.pdf} \else \includegraphics{Image8.eps} \fi \end{center} \medskip{} \noindent{}\end{center} I detta system kan vi se samh\"allet delat i en produktionssf\"ar och en sociokulturell reproduktionssf\"ar. I \textit{produktionssf\"aren} (f\"oretag, organisationer, regering, riksdag och kommuner) skapas \textbf{makten}, den ekonomiska, politiska och massmediala inber\"aknad. Det tycks n\"astan alltid fungera likadant, med auktoriteter i toppen och hierarkier f\"or att uppn\aa{} en vettig arbetsdelning. Den \textit{sociokulturella reproduktionssf\"aren} (delar av massmedia, n\"ojesindustri, skola) finns till f\"or att ber\"attiga och f\"ora vidare m\"onstret f\"or produktionssf\"aren. P\aa{} botten av figuren hittar vi den springande punkten. \textbf{Koden} \"ar v\aa{}rt spr\aa{}k i alla dess former. Egentligen alla sociala symboler vi anv\"ander f\"or informationsutbyte m\"anniskor och samh\"alle emellan. \textbf{Koden} \"ar \textit{ren information}. Den \"ar fundamentet f\"or hela den \"overliggande hierarkin och samh\"allsordningen. Genom den spr\aa{}kliga koden f\"ornyas och struktureras samh\"allet st\"andigt p\aa{} samma s\"att. Det var d\"arf\"or Zen, Nietzsche och Burroughs kritiserade spr\aa{}ket -- man k\"ande sig underst\"allda ett samh\"alls- och tankesystem som aldrig f\"or\"andrades p\aa{} n\aa{}got v\"asentligt plan. I spr\aa{}ket finns s\aa{} mycket. Spr\aa{}ket har dessutom fler niv\aa{}er \"an det rent talade eller skrivna. Det finns bildspr\aa{}k, musik och allehanda symboler att ta till. I princip kan alla instrument f\"or informationstransport och lagring av information s\"agas utg\"ora denna kod. M\aa{}nga tror att informationssamh\"allet sj\"alvklart kommer att generera samma ordning igen, bara f\"or att det alltid har fungerat s\aa{} innan. Det finns inget som helt bel\"agg f\"or att s\aa{} skulle vara fallet. Snarare tv\"art om. Informationssamh\"allet tar genom sin natur upp det allm\"anna medvetandet om sj\"alva samh\"allet p\aa{} en niv\aa{} som blottl\"agger samh\"allets egna mekanismer. Vad som i sj\"alva verket sker \"ar att samh\"allets byggstenar blir alltmer medvetna om sin roll i detta gigantiska informationssystem, vilket f\aa{}r till f\"oljd att de b\"orjar str\"ava efter att f\"orb\"attra det \"an mer. Samh\"allets utveckling kan d\"arigenom accelereras ytterligare, precis som det alltid har gjort. (H\"anger du med?) L\aa{}t oss nu belysa med ett exempel. En aktuell kontrovers p\aa{} Internet r\"or, som jag n\"amnde i kapitel 8 om cyberpunk, Scientologikyrkan och deras tvivelaktiga upphovsr\"att till r\"orelsens religi\"osa dokument. Enligt de troende inneh\aa{}ller dokumenten material som beskriver kyrkans sk \textit{clearing-teknologi}, en kvasivetenskap som kyrkans medlemmar m\aa{}ste genomg\aa{} omfattande och ytterst kostsamma kurser f\"or att f\aa{} tillg\aa{}ng till. Kyrkan menar att endast de som ing\aa{}r i r\"orelsen har r\"att till denna information. Lite f\"orenklat kan man s\"aga att clearingteknologi best\aa{}r av hypnos och science fiction. Scientologikyrkan \"ar en sekt, och som s\aa{}dan ett samh\"alle i samh\"allet. Den fyller alla funktioner som ett samh\"alle annars skall fylla gentemot en m\"anniska. Den f\"orser henne med \aa{}sikter, moral, orientering f\"or samh\"allet osv. Den enda orsaken f\"or en medlem i sekten att s\"oka sig utanf\"or sektens gr\"anser \"ar att f\"ortj\"ana sitt eget uppeh\"alle och d\"arigenom n\"ara \"aven sekten. Sekter, och dit r\"aknar jag \"aven Plymothbr\"oderna, Jehovas vittnen och Livets Ord, lever som parasiter p\aa{} v\aa{}rt samh\"allssystem. Detta \"ar s\aa{} gott som varenda klarsynt m\"anniska medveten om. Ett s\"att att inse hur pass hermetiskt sluten en sekt \"ar, \"ar att applicera Basil Bernsteins modell ovan p\aa{} en sekt. En l\"asare med n\aa{}got s\aa{} n\"ar v\"alutvecklad fantasi torde inte ha n\aa{}gra st\"orre problem med detta. G\"or nu det tabubelagda experimentet. T\"ank dig att samh\"allet \"ar en sekt, och att dina tankem\"onster \"ar styrda. T\"ank dig att copyright- och yttrandefrihetslagarna finns till f\"or att begr\"ansa ditt medvetande och uppr\"atth\aa{}lla samh\"allets hierarki, p\aa{} samma s\"att som ledningen inom en sekt h\"arskar \"over medlemmarna. T\"ank dig att vi trots all v\aa{}r frihet kanske \"ar f\"orblindade av vanf\"orest\"allningen att v\aa{}rt samh\"alle \"ar fritt! Medlemmarna i en sekt \"ar fullst\"andigt \"overtygade om att de gjort ett frivilligt val, och att de \"ar fria m\"anniskor. Alla sektmedlemmar \"ar \"overtygade om att sektens sanning \"ar den enda sanna, och att alla avf\"allingar \"ar exempelvis satans verktyg. Antag att alla samh\"allsmedlemmar \"ar \"overtygade om att samh\"allets sanning \"ar den enda sanna, och att brottslingar, hackare och andra som bryter mot samh\"allets v\"arderingar, bara utm\aa{}las som de onda m\"anniskorna f\"or att det passar samh\"allet att det fungerar p\aa{} det viset. Ingen sektledare tvingar av ren maktlystnad sina medlemmar till underkastelse och lydnad, de tror sj\"alva p\aa{} vad de g\"or. Ingen politiker eller f\"oretagsledare tvingar av ren elakhet medborgarna till lydnad, de tror ocks\aa{} p\aa{} vad de g\"or. F\"orst\aa{}r du Burroughs b\"attre?\footnote{F\"or j\"amf\"orelsens skull m\aa{}ste jag n\"amna att detta s\"att att t\"anka g\aa{}r igen i flera subkulturer: Kommunistiska och anarkistiska sammanslutningar betraktar ibland i sina mest paranoida stunder resten av samh\"allet som en kapitalistisk konspiration. Nazisterna betraktar det \"overiga samh\"allet som ZOG -- Zionist Occupational Government (Den sionistiska ockupationsregeringen), man m\aa{}ste anv\"anda denna tankefigur med mycket stort omd\"ome.} Sk\aa{}da samh\"allet och makten i vit\"ogat. Varf\"or \"ar Scientologikyrkan en av de f\"orsta makthavare som skriker p\aa{} lag och ordning, och vill att informationen skall kontrolleras? Varf\"or \"ar samh\"allet inte l\aa{}ngt efter? Varf\"or vill vi ha kontroll p\aa{} vad f\"or slags information som sprids i subkulturerna? Antag att det finns sanningar du aldrig dr\"omt om utanf\"or den del av universum som samh\"allet utg\"or. \"Ar det inte s\aa{}, att bakom denna fasad av genomtrevligt samh\"alle, folkhem, d\"oljer sig en makt som med snillrika mekanismer vill ers\"atta organisk sympati med mekanisk lydnad? Och vad \"ar d\aa{} denna \"overliggande makt? Jag har redan visat det. \"Overliggande intelligenta individer, t\"ankande enheter best\aa{}ende av m\"anniskokomplex: F\"oretag, Regeringar, Nationer, Kommuner, Ordnar, Koncerner, Maffior... De best\aa{}r av m\"anniskor, men de t\"anker inte som m\"anniskor. De \"ar intelligenta, men intelligensen \"ar inte en m\"anniskas. De \"ar nyttiga f\"or oss, men de kan ocks\aa{} g\"ora oss skada. De \"ar \textit{superindivider}, individer uppbyggda av individer och sammanh\aa{}llna av informationskontroll eller med ett annat ord: \textit{makt}. Problemet \"ar att vi m\"anniskor tycks ha fruktansv\"art sv\aa{}rt att se skogen f\"or alla tr\"ad. Alltf\"or m\aa{}nga myter frodas kring m\"anniskan och hennes samh\"alle. Den kanske mest vidriga \"ar det kategoriska imperativet att samh\"allet skulle vara "{}fritt"{}. Varje samh\"alle \"ar grundat p\aa{} ofrihet -- att du ger upp n\aa{}gra av dina friheter f\"or att ist\"allet f\aa{} trygghet. Varje individ b\"or veta, att s\aa{}vitt man inte till\"ampar anarki, m\aa{}ste man livet igenom st\"andigt offra delar av sin frihet till \"overliggande individer. Dessa kan vara av alla de typer som jag just r\"aknade upp och flera d\"artill. Den grundl\"aggande skyldighet en superindivid har gentemot en individ \"ar att informera individen om, att \textit{"{}nu tar jag lite av din frihet, och detta \"ar vad du f\aa{}r i utbyte"{}}. Symbios, inte dominans. De mest avskyv\"arda av dessa superindivider \"ar de som handlar i det f\"ordolda, som med avsikt kontrollerar individer utanf\"or deras vetskap. Ofta sammanfattade under begreppet "{}Illuminatimaffian"{}, de lysande, de "{}goda"{} m\"anniskorna, de invigdas skara. Sk\aa{}da en ny v\"arld med \"oppna \"ogon. Bryt dig ur systemet. F\"orst d\"arefter kan du f\"orst\aa{} vad du kan g\"ora f\"or samh\"allet. (Gl\"om inte bort att fr\aa{}ga dig sj\"alv om inte jag i sj\"alva verket bara \"ar en kn\"app konspirationsteoretiker som f\"ors\"oker se m\"onster d\"ar det inte finns n\aa{}got. Den m\"ojligheten finns ju alltid.) \chapter{FRAMTIDEN} Nu \"ar den h\"ar boken snart slut, och jag skall som sig b\"or f\"ors\"oka g\"ora en utblick mot vad vi kan v\"anta oss p\aa{} den elektroniska fronten fram\"over. Vill man ha mardr\"omsvisioner kan man l\"asa min kommande framtidsroman som g\aa{}r under arbetsnamnet \textit{Digitala Dagar},\footnote{Och jag vete tusan om jag n\aa{}gonsin kommer att jobba p\aa{} det projektet igen. Sedan denna bok p\aa{}b\"orjades har jag skrivit en roman, \textit{D21}, som utspelar sig i Link\"oping 1967-69 som jag inte \"ar n\"ojd med, och en uppf\"oljare till samma roman under namnet \textit{RP8601} som utspelar sig i Partille i slutet p\aa{} 1980-talet \"ar under arbete.} men det \"ar science fiction. Men det antyder lite grand vad det kommer att handla om -- det som f\"oljer \"ar mina personliga f\"oruts\"agelser, inga rena fakta. Allt jag skriver h\"arifr\aa{}n och fram\aa{}t \"ar spekulationer, och eftersom framtiden st\"andigt \"ar i r\"orelse kan jag komma att ta avst\aa{}nd fr\aa{}n allt jag s\"ager h\"ar. Den elektroniska v\"arlden \"ar faktiskt en helt ny v\"arld, som vi popul\"art brukar kalla telerymd. Det \"ar en plats d\"ar sm\aa{}skaliga samh\"allen av information hittills f\aa{}tt leva i en sorts organiserad anarki. Telerymden h\aa{}ller p\aa{} att civiliseras i takt med att den byggs ut. Inom n\aa{}got decennium, kanske \"annu tidigare, kommer alla i det h\"ar landet att ha tillg\aa{}ng till Internet och vara delaktiga i det elektroniska samh\"allet, och precis som alla andra samh\"allen lider det av brottslighet och inb\"ordes stridigheter. Samtidigt finns hela tiden den m\"anskliga faktorn med. Telerymden \"ar en rymd befolkad av m\"anniskor, och \"overallt d\"ar det finns m\"anniskor finns det politik och kultur. Som verktyg \"ar datorn oslagbar; den kan konstruera och visualisera med en precision som inget annat instrument har. Den elektroniska konsten \"ar inte n\aa{}got modeartat, utan n\aa{}got vi bara kommer att f\aa{} mer och mer av. Framtidens musiker och bildkonstn\"arer kommer att g\aa{} ifr\aa{}n traditionella metoder och jobba med virtuell verklighet och icke-existerande instrument. Motorik och rytmk\"ansla kommer inte att vara viktigt f\"or att g\"ora musik. F\"orm\aa{}ga att blanda f\"arg och hantera pennor och penslar kommer inte att vara viktigt f\"or att g\"ora konst. Det enda som kommer att beh\"ovas \"ar fantasi och f\"orm\aa{}gan att hantera tekniken -- som bara blir enklare och enklare att anv\"anda. Konstn\"arer som bara arbetar med konstgjorda v\"arldar, sk \textit{spacemakers} (rymdskapare), kommer i princip att kunna agera som \textit{gudar} i den konstgjorda verkligheten -- p\aa{} gott och ont. (Nietzsches p\aa{}st\aa{}ende att gud \"ar d\"od \"ar skr\"ackinjagande p\aa{}tagligt i virtuell verklighet.) Kanske kommer de professionella konstn\"arerna att f\"orsvinna till f\"orm\aa{}n f\"or en uppsj\"o amat\"orer till f\"oljd av teknikens allm\"anna utbredning. I tidig datorkonst, typ demon, trakterades datorn n\"armast som ett musikinstrument. P\aa{} samma s\"att som en gitarrist hittar dolda egenskaper hos sitt instrument n\"ar han m\"arker att man kan spela sk flageoletter, toner som uppst\aa{}r tack vare fysiska egenskaper hos str\"angen, hittade tidiga datorkonstn\"arer dolda m\"ojligheter i sina datorer. Det g\"allde i synnerhet C64 och Atari ST. Modern datorkonst handlar snarare om att begr\"ansa sig -- i virtuell verklighet kan man g\"ora \textit{allt}; det vita papperets fasa. Det \"ar l\"att att ta i f\"or mycket och bli fullkomligt obegriplig. Som jag redan tidigare har sagt \"ar den digitala v\"arlden bara en spegelbild av den "{}verkliga"{}. Det enda som verkligen \"ar \textit{fr\"ammande} i telerymden \"ar den pl\"otsliga \textit{n\"arheten} till information och andra m\"anniskor, och den enorma kulturella och samh\"allsliga evolutionshastighet denna n\"arhet driver fram. Vi hatar den f\"or den skarpa nidbild av oss sj\"alva som den \aa{}terkastar likt en tivolispegel. M\"anniskans beteendem\"onster \"ar bara ack s\aa{} uppenbart inom ramarna f\"or en dator. Snart \"ar v\aa{}rt samh\"alle s\aa{} hopl\"ankat och komplext att det blir lika beroende av datorer som v\aa{}ra kroppar \"ar beroende av blodomloppet. Och det finns (tyv\"arr?) absolut ingen v\"ag tillbaka. Inte ens nu, idag, kan vi v\"anda om. Sista chansen vi hade att styra samh\"allet bort fr\aa{}n datoriseringen var n\aa{}gon g\aa{}ng p\aa{} 1950-talet. Det handlar inte om datorer eller inte -- det handlar om hur man anv\"ander datorer. \medskip{} \noindent{}De nya kommunikationskanalerna kommer djupt att f\"or\"andra \aa{}siktsbildningen. Mer ansvar kommer att ligga p\aa{} individen n\"ar det g\"aller att sortera information. Om ungdomar i Sverige pl\"otsligt b\"orjade visa ett stort intresse f\"or n\aa{}gon suspekt tidning skulle s\"akert m\aa{}nga reagera mycket starkt. Man skulle debattera tidningens \aa{}sikter offentligt. Elektroniska publikationer har vi ingen som helst kontroll p\aa{}. Ingen vet upplagesiffran, hur m\aa{}nga kopior som har gjorts, och n\"ar man har l\"ast tidningen raderar man den fr\aa{}n datorns minne s\aa{} att ingenting finns kvar -- f\"orutom att man har f\aa{}tt nya id\'{e}er, tankar och \aa{}sikter. Det enda s\"attet att se vad en m\"anniska l\"aser i elektronisk v\"ag \"ar egentligen genom att st\"andigt bevaka henne. Ansvaret f\"or den kollektiva \aa{}siktsbildningen kommer helt eller delvis att flyttas \textit{fr\aa{}n} samh\"allet och de etablerade medierna till individen. Medierna kommer att f\aa{} sv\aa{}rt att bevaka vilka intressegrupper som uppst\aa{}r. Alla m\"anniskor kommer att bli tvungna att t\"anka sj\"alva, vare sig de vill det eller inte. M\"ojligheterna att ha en \aa{}sikt utan att beh\"ova st\aa{} f\"or den \"ar p\aa{}fallande. Om politiska diskussioner till allt st\"orre del b\"orjar f\"oras elektroniskt via Internet och BBS:er blir det i princip \textit{om\"ojligt} att g\"ora personangrepp p\aa{} personer med avvikande \aa{}sikter eftersom varenda modernt konferenssystem inneh\aa{}ller m\"ojligheten att vara anonym (agera under en pseudonym), vilket m\aa{}nga ocks\aa{} anv\"ander sig av. Retoriken i samh\"allsdebatten kommer alldeles s\"akert att f\"or\"andras i enlighet med regel nr 3: \textit{Misstro auktoriteter}. I f\"orl\"angningen: misstro hela samh\"allshierarkin. Makt korrumperar \textit{alltid}; den fj\"arde statsmakten -- media -- \"ar inget undantag. Historieskrivningen kommer inte att vara lika geografisk som tidigare. Man kommer inte att kunna s\"aga att \textit{"{}den id\'{e}n uppstod i Chicago, Amerika runt 1997"{}}. Kanske inte ens vilka personer som var inblandade. Id\'{e}er och samh\"allsperspektiv f\aa{}r global spridning p\aa{} nolltid. M\"ojligen knyter man som idag id\'{e}erna till en individ som st\aa{}tt i centrum, en arkitekt, en entrepren\"or. \AA{}sikter, ideologier och innovationer av allehanda slag kommer att skapas i datan\"atverkens diskussionsgrupper, de \"oppna eller de slutna, de man f\aa{}r s\"oka sig till med ljus och lykta och ett uttalat m\aa{}l, och de kommer att skapas globalt och av m\"anniskor som har helt olika f\"oruts\"attningar. N\aa{}gra kommer att vara direkt\"orer, n\aa{}gra tjuvar, n\aa{}gra 70-\aa{}ringar och n\aa{}gra 14-\aa{}ringar. Huvudsaken \"ar att man kan tala f\"or sig. Ingen bryr sig om hur du ser ut, varifr\aa{}n du kommer eller hur du kl\"ar dig. Man kommer kanske att skilja p\aa{} id\'{e}er som uppst\aa{}tt i telerymd och de som inte gjort det. Debatter kommer att f\"oras mellan de som \"ar intresserade och sj\"alva s\"oker sig till diskussionen, och inte mellan proffstyckare. Distansen mellan debatt\"orer blir \textit{enbart} intellektuell. Den samh\"allsliga sj\"alvcensuren, som inneb\"ar att tidningar som exempelvis f\"orespr\aa{}kar anv\"andningen av droger inte f\aa{}r presst\"od och konsekvent motarbetas, finns inte i n\"atverken. Ist\"allet ligger det p\aa{} individen att avg\"ora vad som \"ar r\"att och fel. Ist\"allet f\"or att g\"omma sig bakom en ansvarig utgivare m\aa{}ste man sj\"alv st\aa{} f\"or det man skriver. Den h\"ar tendensen har vi lagt m\"arke till i dagspressen d\"ar det snarare har blivit regel \"an undantag att signera artiklar. Hela v\"arlden kommer att bli som Flashback. Att s\"atta en interaktiv terminal i h\"anderna p\aa{} en vanlig m\"anniska inneb\"ar avsev\"arda f\"or\"andingar. F\"orst \"ar det inte s\aa{} sp\"annande. Man uppt\"acker Internet i form av World Wide Web, vilket inte \"ar s\aa{} mycket mer engagerande \"an ett bibliotek eller ett TV-program. Det \"ar enkelriktad information till individen som man inte s\aa{} l\"att kan p\aa{}verka. Idag \"ar det de stora f\"oretagen och institutionerna som kontrollerar stora delar av World Wide Web, \"aven om det finns lysande undantag. Det \"ar inte helt f\"orv\aa{}nande att det lilla material som inte \"ar kommersiellt har framst\"allts av antingen myndigheter eller hackare. Men sedan uppt\"acker man f\"orhoppningsvis Usenet, eller en maillista, d\"ar man kan \textit{diskutera} alla \"amnen mellan himmel och jord utan att bli matad med en f\"ardig l\"osning av experter. Man uppt\"acker kanske IRC d\"ar man kan diskutera med andra m\"anniskor i realtid, dvs man f\aa{}r svar omg\aa{}ende fr\aa{}n n\aa{}gon som kanske befinner sig p\aa{} en helt annan plats i v\"arlden. Och d\aa{} m\"arker man att man har m\aa{}nga j\"amlikar, ja att man rent av \"ar expert p\aa{} m\aa{}nga omr\aa{}den och att ens kunskaper \"ar v\"ardefulla. D\aa{} h\"ander det saker i stugorna. Svenskarna f\"orvandlas fr\aa{}n passiva konsumenter till interaktiva v\"arldsmedborgare, och det \"ar det som \"ar den verkliga digitala revolutionen. Om inga \textit{marknadskrafter} (l\"as: Telia, Microsoft etc) lyckas stoppa, kommersiallisera eller skyla \"over den dessf\"orinnan, g\"omma debatten under feta reklambanners och sj\"alvpromoterande portaler. Det \"ar n\"amligen s\aa{}, att den h\"ar planeten vi bor p\aa{}, Rymdskeppet Jorden, b\"orjar bli s\aa{} internationaliserad att alla m\"anniskor ombord b\"orjar utveckla vissa gemensamma v\"arderingar. Det g\aa{}r knackigt och tar emot, men det p\aa{}g\aa{}r f\"or fullt. Informationsteknik, framf\"or allt tv\aa{}v\"aga s\aa{}dan, kommer att bli den absolut viktigaste l\"anken till ett samh\"alle som kan st\aa{} enat i Sverige och Australien s\aa{}v\"al som i Japan och p\aa{} Madagaskar. Detta fordrar kommunikationer bortom monopolen och frihet \aa{}t informationen. Jag \"ar \"overtygad om att vi kommer att hitta n\aa{}gon kompromiss. \medskip{} \noindent{}F\"or n\aa{}gra \aa{}r sedan var det m\aa{}nga politiker och science fiction f\"orfattare som varnade f\"or risken att informationsteknik skulle anv\"andas f\"or att kontrollera m\"anniskor \textit{\"overallt}. (Exempel som togs upp var \textbf{Ira Levins}\textit{ En Vacker Dag}, \textbf{Karin Boyes} \textit{Kallocain} eller \textbf{George Orwells} \textit{1984}.) Det \"ar detta som organisationer som EFF vill f\"orhindra till varje pris. Krypteringsprogrammet PGP har kommit till f\"or att f\"orhindra \textit{just s\aa{}dant}, och det b\"or ses som en samh\"allslig v\"alg\"arning att s\aa{} skett. Krypteringsexperten Zimmerman kanske rent av har f\"ortj\"anat Nobels fredspris f\"or sitt skydd f\"or den "{}sunda olydnaden"{}. N\"ar jag var ung hade jag en dagbok med ett litet h\"angl\aa{}s p\aa{}. Det \"ar det f\"or \"ovrigt m\aa{}nga vuxna som har ocks\aa{}. Nu beh\"over jag inget h\"angl\aa{}s p\aa{} datorn, det r\"acker med kryptering. Det \"ar \"and\aa{} mycket s\"akrare \"an n\aa{}got h\"angl\aa{}s n\"ar det g\"aller att skydda information. Problemet \"ar att t~ex brottsutredare mycket v\"al kan anse att dagb\"ocker b\"or tillh\"ora utredningsmaterialet. Det tycker inte jag. Mina tankar tillh\"or bara mig, och jag t\"anker inte l\"amna ut dem till n\aa{}gon. Viljan att l\"asa andras dagb\"ocker \"ar som jag ser det bara ett steg p\aa{} v\"agen mot att vilja l\"asa andras tankar. Dagb\"ocker \"ar en f\"orb\"attring av det egna minnet, en f\"orl\"angning av intellektet. Vart finns egentligen m\"anniskan? I kroppen eller i dagboken eller i b\aa{}da? En del dagboksskrivande m\"anniskor uppt\"acker detaljer i sitt f\"orflutna som deras hj\"arnor gl\"omt... \textit{"{}Mina handlingar sker i min kropp, men delar av mitt minne st\aa{}r i bokhyllan."{}} Jod\aa{}, visst \"ar vi informationsbehandlande individer alla g\aa{}nger. Och informationsteknik \"ar s\aa{} m\aa{}nga g\aa{}nger b\"attre p\aa{} att lagra och bearbeta information \"an n\aa{}gonsin ett bibliotek. Vill du kunna skriva helt utan insikt fr\aa{}n maffia, myndigheter och familj s\aa{} b\"or du anv\"anda kryptering. M\"ojligheten att kunna uppr\"atth\aa{}lla en "{}brandv\"agg"{} mot auktoriteters insyn \"ar grundl\"aggande f\"or all demokrati. PGP l\"agger i ett svep m\"ansklighetens samlade matematiska vetenskap mellan dig och de \"overliggande makterna. Zimmermans krypto fungerar dessutom s\aa{} att du f\"orutom att skydda dina privata dokument \"aven kan uppr\"atta "{}avlyssningss\"akra"{} kommunikationskanaler. (Jag skulle kanske kalla dem \textit{avl\"asningss\"akra} eftersom det \"an s\aa{} l\"ange r\"or sig om elektronisk post.\footnote{En version f\"or telefoni \"ar under utveckling.} ) Krypteringen \"ar en realitet, och jag f\"oresl\aa{}r var och en som vill ha lite personlig frihet att anv\"anda sig av den. Jag skall inte sticka under stolen med att en v\"al till\"ampad kryptering inneb\"ar att det blir fullkomligt om\"ojligt att stoppa nazistisk propaganda, barnpornografi, v\aa{}ldsfilmer och att den till viss del kan skydda brottssyndikat. Jag \"ar sj\"alv mycket kluven till detta, men anser ytterst att det \"ar v\"art priset att skydda m\"anniskans privatliv fr\aa{}n kontroll\aa{}tg\"arder fr\aa{}n s\aa{}v\"al myndigheter som f\"oretag och andra organisationer. F\"or \"ovrigt finns det redan krypton ute i stugorna. Sj\"alv fick jag min kopia av PGP fr\aa{}n en CD-skiva som f\"oljde med tidningen Mikrodatorn och som finns p\aa{} varenda v\"alsorterat bibliotek. Ingen myndighet i v\"arlden har idag m\"ojlighet att med tillg\"anglig teknik dechiffrera information som krypterats med detta program. Prometheus har redan stulit elden fr\aa{}n gudarna, och ingen kan kalla den tillbaka. Det \"ar med sp\"anning jag iakttar samh\"allets f\"or\"andring: krypteringen kan kanske slutgiltigt ta d\"od p\aa{} den \textit{Novalucol-politik} som det inneb\"ar att, t ex i fallet barnpornografi, bek\"ampa symptomen ist\"allet f\"or sjukdomen. F\"or alla m\aa{}ste v\"al erk\"anna att det inte \"ar porren \textit{i sig} som \"ar problemet, utan snarare att det finns en \textit{efterfr\aa{}gan.} Detta \"ar dessv\"are ett mera sv\aa{}rl\"ost problem... Det skulle verkligen f\"orv\aa{}na mig om det inte n\"ar som helst d\"ok upp en ny f\"orbudsdebatt i v\aa{}ra pr\"aktiga svenska medier. En debatt av samma typs som f\"ordes 1980 och som orsakades av att Kulturarbetarnas socialdemokratiska f\"orening ville f\"orbjuda parabolantenner f\"or att f\"orhindra att svenska medborgare tittade p\aa{} ol\"ampliga TV-program. (Vilket i efterhand ter sig ganska absurt.) Givetvis -- angrip tekniken, det kan ju inte vara fel p\aa{} m\"anniskorna. Debatten kommer sj\"alvklart att orsakas av n\aa{}got som uppr\"or det svenska folkhemmet: droger, pornografi, politiska- eller religi\"osa extremister. Allt detta finns idag tillg\"angligt p\aa{} Internet, mestadels i skriftlig form eller bilder. I morgon finns det d\"ar som ljud och r\"orlig film. I framtiden kanske ocks\aa{} i form av virtuell verklighet. Den Amerikanska kongressen har \textit{f\"ors\"okt} f\"orbjuda effektiva krypton, och EU har utf\"ardat direktiv i riktningar som pekar mot att man vill f\"orbjuda okn\"ackbar kryptering. Givetvis kommer det inte att bli n\aa{}got av med vare sig det ena eller det andra, i alla fall inget som kommer att respekteras mer \"an f\"orbud mot att t ex cykla i bredd. Den m\"anskliga naturen har en f\"orm\aa{}ga att s\"atta sig upp mot varje form av tankekontroll. (Eller skall vi kalla det informationskontroll?) Om folk har n\aa{}got som helst vett i huvudet (vilket de har) kommer de ocks\aa{} att inse att det \"ar internationella problem vi har att g\"ora med. Det svenska folkhemmet \"ar i uppl\"osning och nu tr\"anger sig omv\"arldens problem p\aa{} fr\aa{}n alla h\aa{}ll. N\aa{}gonstans kommer vi kanske att inse behovet av \textit{\"annu mer} internationellt samarbete, och det \"ar sj\"alvklart lika sv\aa{}rt att h\aa{}lla internationella problem utanf\"or EU som att h\aa{}lla dem utanf\"or Sverige. Informationssamh\"allet str\"avar mot globalisering av egen kraft. Allt detta tack vare n\aa{}gra hackare som utvecklade ARPAnet som sedan blev Internet, och som sedan kn\"ot ihop hela v\"arlden p\aa{} gott och ont. F\"or\"andingarna har bara b\"orjat. Det \"ar utan tvekan det vackraste \textit{hack} som n\aa{}gonsin presterats. H\"ogskolehackarna hackade ned barri\"arerna mellan h\"ogskolorna, sedan mellan l\"anderna, mellan ekonomiska intressen -- ja, mellan \textit{m\"anniskor.} Kanske \"ar jag en smula \"overdramatisk, men ni f\"orst\aa{}r ju vad jag menar. \medskip{} \noindent{}Ravekultur och elektronisk popul\"armusik \"ar ingen dagsl\"anda -- vi kommer att f\aa{} mer och mer av den varan, vi kommer att f\aa{} fler genrer och utbilda proffessionella musiker som aldrig spelat annat \"an technomusik, \"aven p\aa{} statliga skolor. Gl\"adjen och vitaliteten i ravekulturens futuristiska shower ger mersmak och framtidstro. Med lite tur kommer ravekulturen att bli f\"or dagens ungdomar vad 60-talsrocken var f\"or fyrtiotaliserna; en symbol f\"or uppror, egen identitet och nyt\"ankande. Och till skillnad fr\aa{}n den dystopiska cyberpunken och m\aa{}nga andra moderna trender \"ar den \textit{glad} \textit{och optimistisk}, inte tillbakastr\"avande eller domedagsbetonad. Detsamma g\"aller andra elektroniska kulturformer, s\aa{}v\"al elektronisk film som multimedia och online-kultur. \medskip{} \noindent{}Den absolut st\"orsta demokratifaran i den nya teknologin finns i risken att inte \textit{alla} har tillg\aa{}ng till den. I USA har snart varenda v\"alb\"argad medelklassfamilj en dator, och kanske ocks\aa{} ett modem. I ghettona och industrif\"ororterna \"ar det en dr\"om. I Sverige, d\"ar klassklyftorna inte \"ar lika markanta som i staterna, finns det en uppenbar risk f\"or att klyftorna \textit{\"okar} om inte \textit{alla} har tillg\aa{}ng till tekniken. Annars kommer informationen bara att vara tillg\"anglig f\"or de som har r\aa{}d. Kom ih\aa{}g hackarregel nr 2: \textit{All information borde vara fri}. Internet och allm\"anna datorer p\aa{} alla bibliotek och skolor runt om i Sverige, \"aven l\aa{}gstadie- och folkh\"ogskolor, \"ar en sj\"alvklarhet. En egen dator till varje elev \"ar klart \"onskv\"art. Statliga subventioner p\aa{} datautrustning kan mycket v\"al diskuteras. Jag \"ar fullt medveten om att jag h\"ar uttrycker politiska \aa{}sikter, och jag st\"aller mig i direkt opposition till de som anser att teknik, priviligierade jobb etc skall vara f\"orbeh\aa{}llet gr\"addan. Hackare som bara \"ar ute efter att gl\"ansa och skiter i alla andra \"ar inte heller de n\aa{}got jag ser upp till. Efter politisk och ekonomisk demokrati st\aa{}r vi nu inf\"or informationsdemokrati. Information \aa{}t folket, kanske. Det \"ar min f\"orhoppning att informationsteknologin skall f\aa{} l\"agga grunden f\"or ett \"an mer demokratiskt samh\"alle \"an vi har idag. Man b\"or t\"anka sig f\"or innan man d\"omer en hackare. En hackare \"ar generellt en medelklassungdom som med hj\"alp av datateknik skaffat sig m\"ojligheter som bara de rikaste \"overklassbarn kan gotta sig i, och det genom att helt enkelt g\aa{} ut och ta f\"or sig. \"Ar det inte egentligen vad hela v\aa{}rt moderna klassamh\"alles spelregler g\aa{}r ut p\aa{} -- att vissa priviligierade skall kunna ta f\"or sig, medan de mindre priviligierade skall f\aa{} l\aa{}nga straff om de f\"ors\"oker sno \aa{}t sig av godsakerna? Att rakt av p\aa{}st\aa{} att hackare, phreakare, virusmakare eller kn\"ackare skulle vara samh\"allets fiender \"ar skitsnack. Det \"ar bara fr\aa{}gan om att peka p\aa{} ytliga faktorer och \aa{}beropa auktoriteter. Att s\"aga att en phreakare som tar lite telefontid i en fiberkabel f\"or att snacka med sina kompisar i USA skulle vara tjuv f\"or att lagen s\"ager det, \"ar att lita 100\% p\aa{} de som skrivit lagen. Det \"ar att reducera problemet till lagtext. En vansinnesf\"orenkling. Alla lagar \"ar st\"andigt i r\"orelse, det \"ar faktiskt s\aa{} det fungerar. Du \"ar en av de som \"ar skyldiga att \"andra p\aa{} lagen om du inser att den \"ar felaktig. \"Ar inte hackarens brott egentligen det att han utmanar v\"arderingar och maktstrukturer som vill f\"ordela inflytande och tillg\aa{}ngar oj\"amlikt? Visserligen bara f\"or sin egen skull till att b\"orja med, men \"and\aa{}. Hackarens verkliga brott \"ar kanske att han/hon har "{}kn\"ackt"{} den \textit{m\"anskliga mjukvaran}, de sociala f\"orh\aa{}llningsregler som vi programmerats med sedan f\"odseln. Och h\"ogskolehackarna -- utan dem skulle vi inte haft \textit{n\aa{}gonting} av den datateknik vi har idag. Alla nya id\'{e}er som varit n\aa{}got att komma med har producerats p\aa{} MIT, Stanford eller Berkeley, av ungdomar som jobbat begeistrat f\"or minimala l\"oner och under os\"akra anst\"allningsvillkor. Och de flesta av dessa har inte tj\"anat en krona i profit p\aa{} sina uppfinningar. Ist\"allet har IBM, Microsoft och alla de andra j\"attarna kammat hem den stora vinsten. Och det \"ar de inte alls f\"orbannade \"over! De tycker att tekniken -- informationen -- skall tillh\"ora alla. De hade aldrig n\aa{}gra kommersiella intressen. De tyckte det var \textit{roligt!} P\aa{} flipperspelen hos den autonoma anarkist- och raveklubben \textbf{Wapiti} i Lund dyker texten OBEY AUTHORITY ironiskt upp i de kitschiga lysdiodsf\"onstren. M\"anniskan har tagit kontroll \"over maskinen. \chapter{EN CYBERNETISK UTOPI} I en extropikers ideologiska utopi kan man sk\"onja ett decentraliserat samh\"alle med perfekt teknik f\"or \aa{}tergivning av virtuell verklighet, d\"ar egentligen bara tekniken och kommunikationen, r\"attsmaskineriet samt produktionen av mat beh\"over regleras statligt. (Allt annat kan ju syntetiseras i den konstgjorda verkligheten.) Vad individen \"agnar sig \aa{}t i sin konstgjorda verklighet -- en slags elektroniska sanndr\"ommar -- skall st\aa{} bortom all statlig kontroll. Perversioner och aggressioner kan levas ut utan fara f\"or andra m\"anniskor. D\"armed menar man att m\"anniskan skulle bli en mer harmonisk varelse med ett psyke befriat fr\aa{}n samh\"allets f\"ortryckande normer och hitta tillbaka till de \textit{verkliga} v\"arderingarna. (Vilka nu de kan vara.) Det handlar om att koppla bort individens medvetande fr\aa{}n det kollektiva medvetandet -- p\aa{} ont och gott. I en s\aa{}dan cyberutopi har den verkliga verkligheten och naturen f\"orlorat sin betydelse, i och med att man kan uppleva en konstgjord som \"ar mycket b\"attre. I en cyberutopi drivs m\"anniskorna av gruppgemenskapen att utforska v\"arlden. Sm\aa{} intressegrupper kan forska p\aa{} sitt omr\aa{}de och kommunicera \"over n\"atverken. Alla tr\aa{}kiga och monotona jobb utf\"ors av datorer och robotar. \textit{"{}M\"anniskan skall \"agna sig \aa{}t k\"arlek, vetenskap och konst"{}}, f\"or att citera en k\"and svensk rockgrupp.\footnote{Wilmer X} I en cyberutopi kan man tr\"affa alla m\"anniskor i v\"arlden och fortfarande stanna hemma rent fysiskt. M\"anskligheten \"ar bara en knapptryckning fr\aa{}n dig. Utopin har givetvis (som alla andra utopier) uppenbara brister, men s\aa{}dan \"ar den. (Sj\"alv tycker jag att den \"ar vederv\"ardig.) Till exempel kan man fr\aa{}ga sig om det \"ar r\"att att l\aa{}ta t ex pedofiler leva ut sina dr\"ommar i virtuell verklighet. Det uppst\aa{}r i ett s\aa{}dant samh\"alle helt nya politiska problem: \"ar det egentligen m\"anniskors handlingar vi vill lagstifta mot, eller \"ar det -- hemska tanke -- i sj\"alva verket deras \textit{tankar} vi vill f\"orbjuda? Cyberpunkarna vill att du skall f\aa{} t\"anka och leva ut vad du vill utan att skada n\aa{}gon annan m\"anniska, och tekniken ger oss kanske m\"ojligheten till det, men vill vi verkligen att \textit{alla} ska f\aa{} leva ut sina fantasier, \textit{\"aven} om det inte skadar n\aa{}gon? Flera filosofer har p\aa{}visat vilken risk det inneb\"ar att leva i ett samh\"alle utan fasta normer. \"Ar f\"ortrycket av tanken n\"odv\"andigt f\"or att skydda m\"anniskan? Kan tekniken hj\"alpa oss att hitta de funktioner som binder samman v\aa{}ra enskilda medvetanden med det kollektiva genom att ge oss m\"ojligheten att "{}koppla ur"{}? Kan dagens f\"orvirrade m\"anniskor med hj\"alp av tekniken hitta sin plats i samh\"allet? \medskip{} \noindent{}M\"anniskor som \textit{tycker om} monotona arbeten, som tycker att intellektuellt arbete \"ar tr\aa{}kigt, eller som helst vill \"agna sig \aa{}t t ex jakt eller idrott, har ingen plats i ett alltmer cybernetiskt samh\"alle. \AA{}andra sidan -- om man har vuxit upp i ett s\aa{}dant samh\"alle -- vad \"ar det i s\aa{} fall som s\"ager att man v\"ardes\"atter s\aa{}dana trivialiteter? Mycket i v\aa{}rt samh\"alle av idag skulle tett sig om\"anskligt och vidrigt f\"or en 1700--talsm\"anniska. \medskip{} \noindent{}Och den artificiella intelligensen som m\aa{}ste finnas f\"or att skapa denna delvis konstgjorda v\"arld vi redan lever i -- har \textit{den} n\aa{}gra r\"attigheter? Har vi verkligen r\"att att anv\"anda artificiella intelligenser som slavar s\aa{} som vi idag genom sociala hierarkier l\aa{}ter andra arbeta f\"or oss? Maskinerna \"ar faktiskt redan idag en del av v\aa{}rt kollektiva medvetande i det jag kallar superindividerna -- maskinerna \"ar redan med och t\"anker. Det \"ar dessa nya etiska fr\aa{}gor som informations\aa{}ldern fokuserar och tvingar oss att ta st\"allning till. Om informationsrevolutionen och cyberpunken skr\"ammer dig, m\aa{}ste jag tyv\"arr avsl\"oja att den inte \"ar s\aa{} l\"att att stoppa. Vad du kan g\"ora \"ar att l\"ara dig mer och hj\"alpa till att styra samh\"allets utveckling dit du vill ha den. \"Ar du passiv l\aa{}ter du alla andra best\"amma. B\"orja med att \textit{f\"orst\aa{}} s\aa{} du vet vad du kritiserar, f\"orst d\"arefter kan du p\aa{}verka. F\"orebr\aa{}elser och hot har mycket litet inflytande p\aa{} min generation. Om n\aa{}gon gn\"aller f\"or mycket byter vi bara kanal. (Zap!) Tro inte f\"or den skull att vi \"ar ointresserade av dina \aa{}sikter. Vi lyssnar -- om du vet vad du pratar om. Litteraturf\"orteckningen i slutet p\aa{} denna bok \"ar en bra b\"orjan f\"or den som vill veta mer. N\aa{}got som radikalt skiljer informationsrevolutionen fr\aa{}n den industriella revolutionen \"ar att m\aa{}nga har varit f\"orberedda och haft tid att s\"atta sig in i hur tekniken fungerar. Samh\"allets utveckling \textit{ifr\aa{}gas\"atts} i breda lager och \"overl\"amnas inte \aa{}t politiker och stora f\"oretag. Folk i allm\"anhet och ungdomar i synnerhet ifr\aa{}gas\"atter. Hackare, cyberpunkare, ravare och andra ifr\aa{}gas\"atter mest -- man vill vara med och p\aa{}verka sin framtid och v\"agrar att passivt inordna sig i m\"onstret. De har optimism och framtidstro, och de springer framtiden till m\"otes. Denna ungdomsr\"orelse kallas ibland \textit{New Edge}. Dessa barn av informations\aa{}ldern ser inte bara hot, utan ocks\aa{} m\"ojligheter. \medskip{} \noindent{}Jag \"ar ingen domedagsprofet, och detta \"ar ingen svart bok. Klok som jag \"ar har jag sparat den allra viktigaste po\"angen med informationssamh\"allet till sist. Det har varit mycket gn\"all p\aa{} senaste tiden. M\aa{}nga nutidsfilosofer har menat att m\"anniskan l\aa{}st in sig i en utvecklingsspiral d\"ar konsumtionen st\"andigt m\aa{}ste \"oka tills m\"anniskan inte kan konsumera mer. Detta \"ar f\"ormodligen sant. Visst kommer vi att konsumera mer. Vidare menar man att detta kommer att leda till milj\"of\"orst\"oring och global segregering som kommer att utpl\aa{}na hela m\"anskligheten. Detta \"ar d\"aremot f\"ormodligen inte sant. Det \"ar inte sant d\"arf\"or att de som talar i dessa pessimistiska ordalag har varit of\"orm\"ogna att notera en mycket viktig detalj i sin samtid: informationssamh\"allets int\aa{}g. Mera exakt uttryckt \"ar det fel man har gjort, att f\"oruts\"atta att en st\"andigt \"okande konsumtion med n\"odv\"andighet \textit{m\aa{}ste} inneb\"ara ett \"okat f\"orbrukande av naturresurser. I informationssamh\"allet existerar inget s\aa{}dant samband. (Jag b\"or till\"agga att jag kanske \"ar en smula \"overoptimistisk betr\"affande sambanden mellan informationssamh\"alle och milj\"oh\"ansyn, milj\"oproblemen \textit{f\"orsvinner} inte, men den fortg\aa{}ende f\"orst\"oringen minskar.) Samma dag som jag skriver detta har Microsofts nya operativsystem Windows 95 lanserats med pompa och st\aa{}t p\aa{} Globen i Stockholm. Jag har tidigare i boken uttryckt min negativa inst\"allning till n\"amnda f\"oretag. \"And\aa{} \"ar det mycket gl\"adjande f\"or mig att se nationella nyhetsprogram rapportera om denna massiva marknadsf\"oring av en produkt som f\"or tio \aa{}r sedan \textit{ingen} skulle kunna \textit{f\"orest\"alla sig} att s\"alja via galor i Globen och TV-reklam. Det hade varit direkt \textit{skrattretande}. Windows 95 \"ar en mjukvara, en ren informationsprodukt. Du f\aa{}r i och f\"or sig ett g\"ang disketter och en bok n\"ar du k\"oper programmet, men det \"ar inte detta som \"ar sj\"alva produkten. Det g\aa{}r alldeles utm\"arkt att k\"opa Windows 95 utan b\aa{}de b\"ockerna och disketterna om man k\"oper en ny dator d\"ar programmet kan installeras p\aa{} datorns h\aa{}rddisk. Man s\"aljer allts\aa{} en produkt som j\"amf\"ort med t ex en bil n\"astan inte kostat n\aa{}gra naturresurser alls att framst\"alla, trots att den de facto kostat tusentals timmar arbetstid att utveckla, och kommer att kosta \textit{miljardtals} timmar att konsumera. N\"ar jag s\"atter mig ned med min programvara h\"ar hemma, brottas med den, skapar med den och f\"ors\"oker f\aa{} den att lyda mig -- under den tiden \aa{}ker jag inte bil. Jag konsumerar inget annat heller utom m\"ojligen kaffe. Jag k\"akar inte chips, f\"or jag vill inte att datorn skall bli flottig. Jag k\"oper inte en massa meningsl\"osa prylar fr\aa{}n TV-shop som jag sedan m\aa{}ste kasta bort. Jag konsumerar \"over huvud taget inget annat \"an ren information. Inte ens en \textit{bok} \"ar mera milj\"ov\"anlig. Samma fenomen g\"aller i stora delar resten av informationssamh\"allet -- TV: elektroniskt \"overf\"ord produkt med l\aa{}ga anspr\aa{}k p\aa{} naturresurser, Multimedia: ocks\aa{} fr\"amst en ren informationsprodukt, Telefoni: en elektrisk signal fr\aa{}n ett st\"alle till ett annat. Med virtuell verklighet kan vi till och med konsumera allt vi \"ar vana vid, \aa{}ka fyrhjulig jeep i skogen och dessutom k\"ora rymdskepp, utan att slita n\"amnv\"art p\aa{} naturen. Det finns hopp. Det finns hopp s\aa{} inuta helvete, \"aven om det \"ar f\"orenat med helt nya faror. Man kan se att m\aa{}nga av den nya tidens produkter fyller konstruerade behov. Det \"ar fr\aa{}gan om vi n\aa{}gonsin beh\"ovde ett operativsystem som Windows 95. F\"ormodligen inte. Om ett par \aa{}r beh\"over vi det dock. Detta \"ar egentligen inte s\aa{} intressant -- fler behov \"an vi anar \"ar i grunden konstruerade. Det \"ar liksom en f\"oruts\"attning f\"or en marknadsekonomi. Tanken svindlar en smula n\"ar man f\"orest\"aller sig s\"akerhetsf\"oretag som anst\"aller en stab hackare f\"or att f\"orse kunderna med s\"akerhetssystem, och samtidigt nattetid ser till att samma hackare \textit{"{}uppr\"atth\aa{}ller marknadsbilden"{}}. Eller virushackare som halva arbetstiden skapar verktyg f\"or att utpl\aa{}na virus, och andra halvan av arbetstiden skapar nya virus f\"or att skapa en marknad \aa{}t verktygen. \textit{Skulle inte du?} Jod\aa{}. Det skulle du. \"An sen? Hjulen snurrar p\aa{}, BNP \"okar, alla blir glada. P\aa{} samma vis har vi skapat ett beroende av brottsliga verksamheter, pappersexercis osv till f\"orbannelse i det h\"ar sammh\"allet. Det finns flera s\aa{}dana processer som bara ber\"attigar sig sj\"alva. Spelar det n\aa{}gon roll? Nej. Antagligen inte. Det beror p\aa{} om man tror att m\"anskligheten har ett "{}m\aa{}l"{} eller inte: om det finns n\aa{}got som vi \textit{b\"or} str\"ava mot. Men det \"ar filosofi. Vi har g\aa{}tt fr\aa{}n materiell byteshandel med varor mot varor, till en ekonomi d\"ar vi byter varor mot pengar och pengar mot varor. Nu g\aa{}r vi till infonomi och byter information mot information utan materiella mellanled. Den fara som alltj\"amt lurar bakom kulisserna i v\aa{}rt system \"ar en l\"angtan efter makt, hos individer p\aa{} alla niv\aa{}er: f\"oretag, myndigheter och organisationer. Det \"ar makten \"over \textit{dig} man \"ar ute efter. Se till att du inte l\"amnar ifr\aa{}n dig din frihet utan att f\"orst veta vad du f\aa{}r ist\"allet. Jag har kommit till den l\"att chockerande insikten att de mekanismer som jag tidigare urskiljde som \textit{superindivider}, allts\aa{} \"overordnade intelligenser, inte har n\aa{}got behov av att producera materiella produkter eller artifakter f\"or att kontrollera andra intelligenser. Ist\"allet kan de n\"oja sig med symboliska informationsutbyten, stycken av information som f\"ormedlas genom kablar. Varje s\aa{}dan superindivid k\"annetecknas av att den uppr\"attar interna informationsstycken, hemliga dokument, som f\"ormedlas inom individen utanf\"or allm\"anhetens och andra superindividers kontroll. Det \"ar d\"arf\"or f\"oretag, stater och andra organisationer \"ar s\aa{} livr\"adda f\"or att n\aa{}gon annan skall l\"asa deras hemligheter, oavsett om de \"ar v\"ardefulla eller ej. Med informationstekniken \"okar m\"ojligheten till s\aa{}dana hemliga strukturer hundrafalt, och informationutbytet, superindividens tankar, dess intelligens, \"okar snart till ljusets hastighet. Jag har ocks\aa{} uppt\"ackt att de informationsbehandlande maskinerna \"ar \textit{en del} av dessa superindivider, inte n\aa{}got bihang till m\"anniskan f\"or att underl\"atta hennes arbete. H\"ar n\aa{}gonstans m\aa{}ste du b\"orja t\"anka sj\"alv. Om \textit{du} nu har l\"ast \textit{den h\"ar} boken p\aa{} en dator, utan att f\"orst trycka ut den p\aa{} papper, har du ocks\aa{} faktiskt konsumerat. Eller har du det? M\aa{}ste jag ta betalt f\"or boken innan det kan kallas konsumtion? Jag l\"amnar fr\aa{}gan \"oppen. Jag har s\"akerligen inte tj\"anat ett \"ore p\aa{} att du har l\"ast den h\"ar boken, men jag har kanske utr\"attat n\aa{}got annat som inte kan v\"arderas i pengar -- kanske har jag l\"art dig att ifr\aa{}gas\"atta maktens mekanismer. L\aa{}t mig avsluta med ett tidl\"ost citat fr\aa{}n en man som tillh\"orde sin generations spjutspets: \textit{"{}Come mothers and fathers throughout the land \\ and don't criticize what ya can't understand \\ your sons and your daughters are beyond your command \\ your old road is rapidly ageing \\ please get out of the new one if ya can't lend your hand \\ for the times they are a-changin' "{}} \textbf{Bob Dylan}, september 1963 Vi \"ar alla delaktiga i det oundvikliga. Linus Walleij, Lund 1995-09-05 \\ Bin\"arskulpt\"or, ofarlig hobbyhackare. Tack till: Biblioteken i Ljungby och Sval\"ov samt universitetsbiblioteken i Lund och Link\"oping, Microbus i Ljungby AB, Gunnar K\aa{}lb\"ack, Christian L\"uddeckens, Motley, Tranziie, Mikael J\"agerbrand, Ulf H\"arnhammar (Sunt pueri pueri, pueri puerilia tractant), Marie Fredriksson, Christer Sturmark, Hans Roos, Erica Larsson, Daniel Hellsson, Jucke, Chorus, Stellan Andersson, Anders Hellquist, Anders R Olsson, Jesper Jansson, David Malmborg, Daniel N\"aslund, Mikael Winterkvist, Per Jacobsson, Fredrik Sch\"on och alla medlemmar i hackargrupperna Triad och Fairlight utan vars hj\"alp detta inte hade varit m\"ojligt. Nu skall jag s\"atta mig ned och skriva f\"ardigt min cyberpunkroman. Kanske. Om ni undrar varf\"or jag anv\"ander vissa suspekta svenska uttryck som \textit{hackare} och \textit{phreakare} ist\"allet f\"or \textit{hacker} och \textit{phreaker} eller pluralformer som \textit{diskjockeyer} s\aa{} beror det p\aa{} att jag \"ar r\"add om v\aa{}rt spr\aa{}k och dess s\"arart. I och f\"or sig \"ar jag ingen rabiat spr\aa{}kv\aa{}rdare, men det skadar inte att f\"ors\"oka. Jag har f\"ors\"okt \"overs\"atta citat och engelska uttryck s\aa{} l\aa{}ngt som m\"ojligt, eftersom jag inte vill att spr\aa{}ket p\aa{} n\aa{}got vis skall hindra n\aa{}gon fr\aa{}n att l\"asa den h\"ar boken. F\"or \"ovrigt v\"agrar jag ber\"atta om citatet av Dylan ovan var menat som ironi eller allvar. \section*{Litteratur} Vetenskaplig litteratur tenderar att best\aa{} av till 70\% korsh\"anvisningar till andra verk och f\"orfattare, vilket g\"or det hela ganska sv\aa{}rl\"ast och tr\"aigt f\"or en oinitierad l\"asare. Detta \"ar ingen vetenskaplig text. M\"ojligen \"ar den popul\"arvetenskaplig. Huvuddelen av den h\"ar texten \"ar dessutom skriven rakt av, med utg\aa{}ngspunkt fr\aa{}n mina egna erfarenheter och kunskaper. F\"or den som vill l\"asa mer anger jag g\"arna n\aa{}gra b\"ocker, tidskrifter och dylikt som jag anv\"ant som faktabakgrund till den h\"ar boken. \textbf{Barlow, John Perry} \\ \textit{Selling Wine Without Bottles} En artikel publicerad i Wired om information och "{}intellektuell egendom"{}. S\aa{} initierad och genomt\"ankt att jag refererat till den som ett "{}paradigm"{}. \textbf{Burroughs, William Seward \\ }\textit{Den Nakna Lunchen} Burroughs genombrottsroman, dessv\"arre inte lika tydlig i sin samh\"allskritik som den efterf\"oljande \textit{Nova Express}. R\"aknas som en milstolpe inom den litter\"ara cut-up tekniken. \textbf{Burroughs, William Seward} \\ \textit{Nova Express} \\ Bonniers, Stockholm 1968 R\"adde sig den som kan! Novamaffian har skickat ut agenter till jorden som med hj\"alp av bl~a spr\aa{}k, droger och sex f\"ors\"oker f\"orslava m\"anniskornas tankem\"onster. Som tur \"ar har Novapolisen skickat ut kontraagenter, bland dem Burroughs sj\"alv, f\"or att stoppa invasionen. I denna cut-up science fiction vidareutvecklar Burroughs id\'{e}erna fr\aa{}n \textit{Den Nakna Lunchen} till ett astronomiskt perspektiv. Genom att f\"orse l\"asaren med en v\"algjuten paranoia f\aa{}r han denne att ifr\aa{}gas\"atta verkligheten omkring sig. Man anar ocks\aa{} en slags ironisk humor n\aa{}gonstans i botten p\aa{} romanen. \textbf{Cornwall, Hugo} \\ \textit{Datatheft \\ }Heinemann Professional Publishing Ltd, England 1987 \\ ISBN 0-7493-0217-8 En av de mest detaljerade b\"ocker som n\aa{}gonsin skrivits om datas\"akerhet. Cornwall tar h\"ar upp vanliga s\"akerhetsbrister i datorer och datas\"akerhet i ett allm\"ant och brett perspektiv. Hackare n\"amns bara p\aa{} n\aa{}gra f\aa{} sidor, och boken \"ar tung och ganska strikt vetenskaplig. \textbf{Cornwall, Hugo \\ }\textit{Hacker's Handbook III} Detta \"ar en handbok f\"or n\"atverkshackare. Ingen har blivit hackare genom att l\"asa den h\"ar boken, men den \"ar trots allt ganska intressant, och en given stors\"aljare bland folk som tycker att det h\"ar med n\"atverkshackare \"ar n\aa{}got av det tuffaste som finns (dvs "{}wannabes"{}). Titeln verkar ju lite "{}f\"orbjuden"{} ocks\aa{}. Men det \"ar en v\"alskriven bok som pekar p\aa{} de vanligaste s\"akerhetsh\aa{}len i vissa datasystem. \textbf{Datormagazin} \\ \AA{}rg\aa{}ngarna 1986-94 \textbf{Dick, Philip K \\ }\textit{Androidens Dr\"ommar} \textbf{Forrester, Tom \& Morrison, Perry \\ }\textit{Computer Ethics} \\ Basil Blackwell Ltd, England 1990 \\ ISBN 0-631-17242-4 En av de mest intressanta b\"ocker som har skrivits om datorer och datasamh\"allet. M\aa{}nga exempel \"ar dock anpassade f\"or engelska f\"orh\aa{}llanden och helt ointressanta f\"or svenska l\"asare. De rent etiska fr\aa{}gorna kring hackande, artificiell intelligens, dataregister osv, \"ar d\"aremot fascinerande v\"algjorda. \textbf{Freese, Jan} och \textbf{Holmberg, Sten} \\ \textit{Dataos\"akerhet - praktisk handbok f\"or beslutsfattare} \\ Aff\"arsinformation, edition no 3, 1993 \textbf{Gibson, William \\ }\textit{Neuromancer \\ }Harper Collins Science Fiction \& Fantasy 1993 \\ ISBN 0-586-06645-4 Skall man l\"asa n\aa{}gon cyberpunkbok alls, s\aa{} skall man l\"asa den h\"ar. Boken \"ar en klassiker och finns ocks\aa{} \"oversatt till svenska. Den definierar det litter\"ara begreppet cyberpunk. \textbf{Green, Jesper 69 \& Johansson, Sune \\ }\textit{Cyberworld \\ }Alfabeta Bokf\"orlag AB 1994 \\ ISBN 91-7712-389-1 Den h\"ar boken blev s\aa{}gad av m\aa{}nga tidningar n\"ar den kom. Till viss del f\"ortj\"anade den det, till viss del inte. Alla exempel i boken \"ar dragna utifr\aa{}n danska f\"orh\aa{}llanden vilket g\"or att man kan tycka att den ibland blir ointressant. D\"aremot \"ar cyberpunkf\"orfattaren Jesper 69 Greens fantasteri och helprilliga, galopperande fantasier om framtiden n\aa{}got som man inte b\"or missa. Den danske n\"atverkshackaren Netrunner och kraftwerkmedlemmen Ralf H\"utter citeras livligt, vilket lyfter boken. \textbf{Hafner, Katie \& Markoff, John \\ }\textit{Cyberpunk - Outlaws and Hackers on the Computer Frontier \\ }Corgi Books, England 1994 \\ ISBN 0-552-13963-7 Den h\"ar boken inneh\aa{}ller biografier \"over de mest k\"anda n\"atverkshackarna: Kevin Mitnick, Pengo och Robert Tappan Morris. Den \"ar skriven p\aa{} typiskt amerikanskt man\'{e}r med mycket ovidkommande detaljer och har den f\"ordelen att den \"ar relativt l\"attl\"ast. Man f\aa{}r en god inblick i en hackares liv och s\"att att t\"anka. \textbf{Harry, M} \\ \textit{The Computer Underground} \\ Loompanics Unlimited, Port Townsend 1985 \\ ISBN 0-915179-31-8 En av de f\"orsta b\"ocker som skrevs om den underjordiska datorkulturen. Loompanics \"ar f\"or \"ovrigt ett s\aa{}dant d\"ar f\"orlag som ger ut lite allt m\"ojligt och inte censurerar b\"ocker f\"or att inneh\aa{}llet \"ar politiskt inkorrekt. Bland annat har man en stor upps\"attning av Timothy Learys b\"ocker. \textbf{Hofstadter, Douglas R: \\ }\textit{G\"odel, Escher, Bach - ett Evigt Gyllene Band \\ }Brombergs Bokf\"orlag AB, Stockholm 1985 \\ ISBN 91-7608-331-4 Od\"odlig klassiker och kultbok bland alla som studerar datavetenskap. En tjock och sv\aa{}r bok som f\"orklarar varf\"or matematik \"ar roligt, och varf\"or intelligensens innersta v\"asen kan f\aa{}ngas i en maskin. Och till r\aa{}ga p\aa{} allt \"ar den skriven med en god portion distans och humor, med enkla och l\"attbegripliga exempel. De som nyss har l\"ast den h\"ar boken brukar tala n\"astan religi\"ost f\"or den. \textbf{Illegal} (redakt\"or: \textbf{Jeff Smart})\textbf{\\ }\#22 - \#37 \\ Tyskland 1987-1989 F\"ormodligen det enda europeiska kn\"ackarfanzine som n\aa{}gonsin varit av betydelse. Det var fr\aa{}n det h\"ar fanzinet som kn\"ackarkulturen spred sig \"over Europa, fr\"amst Tyskland, och ut \"over resten av v\"arlden, och kanske till viss del f\"or f\"orsta g\aa{}ngen definierade begreppet "{}elit"{} bland europeiska hemdatorentusiaster. \textbf{In Medias Res} (redakt\"or: \textbf{Zike}) \\ \#1 \\ Eskilstuna 1992 Ett s\aa{}dant d\"ar litet f\"orbluffande v\"algjort och genomarbetat fanzine som m\aa{}nga refererar till men som inte tillverkats i s\"arskilt m\aa{}nga exemplar. Och inte finns det p\aa{} riksarkivet heller. Men det finns hemma hos mig... \textbf{Kuhn, Thomas S} \\ \textit{The Structure of Scientific Revolutions} \\ Phoenix Books, Amerika 1962 \textbf{Kurzweil, Raymond \\ }\textit{The Age of Intelligent Machines} Detta \"ar en antologi av tankar kring artificiell intelligens. Om du vill l\"ara dig vad artificiell intelligens \"ar f\"or n\aa{}got, dryfta samh\"allsliga och filosofiska problem, s\aa{} skall du l\"asa den h\"ar boken. Vill du veta hur artificiell intelligens fungerar, l\"as ist\"allet \textit{G\"odel, Escher, Bach - ett evigt gyllene band} av \textbf{Douglas Hofstader} (se ovan). Hofstadter och \textbf{Sherry Turkle} medverkar f\"or \"ovrigt som g\"astskribenter i denna bok. \textbf{Landreth, Bill \\ }\textit{Datorernas H\"axm\"astare \\ }Liber f\"orlag, Kristiansstad 1985 \\ ISBN 91-38-61625-4 P\aa{} engelska heter den h\"ar boken \textit{Out of the Inner Circle} och r\"aknas som en klassiker bland n\"atverkshackare. Den \"ar skriven av en avhoppare fr\aa{}n hackargruppen \textit{the Inner Circle}, och \"ar ganska hyfsad. Det verkar inte vara m\aa{}nga som har l\"ast den p\aa{} svenska, och upplagan var inte heller s\"arskilt stor. 1985 var det inte s\aa{} m\aa{}nga som var intresserade av hackare. Boken m\aa{}ste s\"agas ha tappat lite av sin aktualitet. \textbf{Larsson, Sara} \\ \textit{Techno - musiken, dansen och scenen} \\ Tiden / Rab\'{e}nf\"orlagen, Stockholm 1997 \\ ISBN 91-88876-24-1 \textbf{Leary, Timothy} \\ \textit{Flashbacks - A Personal and Cultural History of an Era} \\ Tarcher / Putnam Books, New York 1990 \\ ISBN 0-87477-497-7 Ber\"attar stora delar av 60-talets hippiehistoria som senare bespottats och m\"orklagts. Leary var ganska tillfreds med livet och samh\"allet n\"ar han skrev denna sj\"alvbiografi, och man f\aa{}r intrycket av att han \"ar en obotlig optimist. Han \"ar bevandrad i konsterna och bel\"ast... Uppenbarligen en livsfarlig fiende f\"or sina motst\aa{}ndare. Leary dog 1996 och cyniskt nog \"ar de LSD-experiment vid Harvard som inledde hans antikarri\"ar numera \aa{}terupptagna. \textbf{Levy, Steven \\ }\textit{Hackers - Heroes of the Computer Revolution \\ }Penguin books, England 1994 (originaltryck 1984) \\ ISBN 0-14-023269-9 Det h\"ar \"ar den b\"asta bok som n\aa{}gonsin skrivits om hackare. Fick jag v\"alja en bok som skulle \"overs\"attas till svenska, skulle jag v\"alja den h\"ar. Den behandlar de f\"orsta hackarna p\aa{} MIT p\aa{} 60-talet, hemdatorkonstrukt\"orerna kring Altair och spelprogrammerarna kring f\"oretaget Sierra On-Line. De tv\aa{} f\"orsta delarna av boken \"ar de mest intressanta. L\"as den, om du kan engelska. \textbf{Ledell, G\"oran} (red) \\ \textit{Dataolyckor -- Har det verkligen h\"ant n\aa{}gon g\aa{}ng?} \\ INFOSEC, Lund 1992 \\ ISBN 91-86656-51-1 \textbf{Linzmayer, Owen W} \\ \textit{Apple Confidential} \\ No Starch Press, San Francisco, Kalifornien 1999 \\ ISBN 1-886411-28-X Bok om Apple och alla turerna kring f\"oretaget. \textbf{L\"o\"ow, Hel\'{e}ne} \\ \textit{Nazismen i Sverige 1980-1997} \\ Ordfront f\"orlag, Stockholm 1998 \\ ISBN 91-7324-595-X Standardverk r\"orande nynazismen i Sverige under den aktuella perioden. \textbf{Nedmark, Cia} och \textbf{H\"allqvist, Anna} \\ \textit{Databrott} \\ Institutionen f\"or informativ vid Lunds Universitet \\ Kandidatuppsats januari 1999 En riktigt hyfsad kandidatuppsats som tar upp flera av de hacktekniker som anv\"ants under senare delen av 90--talet. F\"or den som vill f\"orst\aa{} \"annu mer av tekniken bakom hackning som den ser ut 1999 \"ar detta en bra plats att b\"orja p\aa{}. \textbf{Nietzsche, Friedrich} \\ \textit{S\aa{}lunda Talade Zarathustra} \\ Carlsson Bokf\"orlag, Malm\"o 1989 \\ ISBN 91-7798-244-4 Det kr\"aver ett visst mod att l\"asa Nietzsche. F\"orv\"antar man sig att finna ett fascistiskt manifest l\"ar man dock l\"asa f\"org\"aves. Den som inte klarar av att ta \aa{}t sig Nietzsches tankar kommer bara att tycka att boken \"ar "{}konstig"{} och f\"orst\aa{}r s\"akert inte alls vad Zarathustra talar om. Zarathustra var som sagt en persisk filosof, och i boken \aa{}terupplivar Nietzsche denna historiska person f\"or att "{}revidera"{} de tidigare l\"arorna om ont och gott. \textbf{Nissen, J\"orgen} \\ \textit{Pojkarna Vid Datorn} \\ Link\"opings universitet 1993 \\ ISBN 91-7139-128-2 \textbf{Olsson, Anders R} \\ \textit{Spelrum} \\ Uddevalla 1985 \\ ISBN 91-7684-083-2 Od\"odlig klassiker bland kritiker av det svenska samh\"allssystemet, speciellt med betoning p\aa{} data. Anders R Olsson \"ar f\"ore detta TT-journalist och har arbetat mycket f\"or f\"oreningen f\"or gr\"avande journalister. \textbf{Olsson, Anders R} \\ \textit{Yttrandefrihet och Tryckfrihet} \\ Svenska Journalistf\"orbundet, Falun 1992 \\ ISBN 91-550-3884-0 \textbf{PC Hemma} \\ \#5 1997 Sid 22-44 om Demon Phreaker, en artikel av Gustaf Cederlund. Delar av artikeltexten verkar parafraserad fr\aa{}n en tidigare utg\aa{}va av denna bok :-) \textbf{Petiska, Eduard \\ }\textit{Golem \\ }Martin publishing house, 1991 \\ ISBN 80-900129-2-2 Detta \"ar myten om den Golem som rabbi L\"ow skapade f\"or att beskydda det judiska ghettot i Prag. Jag l\"aste den som en del i f\"orstudierna till avsnittet om artificiell intelligens, och har inte speciellt mycket med informationssamh\"allet att g\"ora. \textbf{Pondsmith, Mike} (red) \\ \textit{Cyberpunk - The Roleplaying Game of the Dark Future} \\ (Version 2.0.2.0) \\ R. Talsorian Games Incorporated, Kalifornien 1993 \\ ISBN 0-937-279-13-7 \"Ar du inte van vid att l\"asa rollspel kommer den h\"ar boken antagligen att f\"orvirra dig. Rollspelsb\"ocker inneh\aa{}ller lite eller inget sk\"onlitter\"art material. P\aa{} ytan ser det ut som ett lexikon med m\"angder av fakta - skillnaden \"ar att allting \"ar p\aa{}hittat. En rollspelsbok inneh\aa{}ller beskrivningar av organisationer, personer, apparater, vapen och allt mellan himmel och jord som st\"od f\"or spelarens fantasi. N\"ar man har l\"ast boken \"ar det meningen att man skall s\"atta sig i ett g\"ang och hitta p\aa{} historien tillsammans med boken som referensram f\"or v\"arldens inneh\aa{}ll. Resultatet blir till ett mellanting av f\"orfattande, teater och br\"adspel. \textbf{Rubin, Jerry \\ }\textit{Snacka Inte Bara \\ }Pan/Nordstedts, Stockholm 1971 \\ ISBN 91-701-611 S\aa{} h\"ar blir du en yippie. En grovt sociopatisk bok av en av ledarna f\"or den amerikanska yippier\"orelsen. P\aa{} f\"ors\"attsbladet st\aa{}r det \textit{"{}l\"as denna bok p\aa{}t\"and"{}} och s\aa{} mycket b\"attre blir det inte. Har man lite morbid smak kan man tolka den som humor. Annars tycker man v\"al mest att den \"ar hemsk. Finns p\aa{} flera svenska bibliotek (!). \textbf{Schade, Christian och Steiniche, Morten \\ }\textit{Virtual Reality - En bok om den konstgjorda v\"arlden \\ }Alfabeta bokf\"orlag AB, Falun 1994 \\ ISBN 91-7712-390-5 Den enda vettiga bok om Virtuell Verklighet som getts ut p\aa{} svenska n\"ar detta skrivs. Behandlar s\aa{}v\"al teknikaliteter som samh\"allsaspekter p\aa{} fenomenet. \textbf{Shea, Robert och Wilson, Robert Anton} \\ \textit{Illuminatus!} \\ Best\aa{}r av tre romaner: \textit{The Eye in the Pyramid, The Golden Apple} och\textit{ Leviathan}. \\ Dell Publishing, New York 1988 (1975) \\ ISBN 0-440-53981-1 Denna bok n\"amns p\aa{} ett flertal st\"allen i min text, bland annat r\"orande hackaren Karl Koch och technobandet KLF. Den rekommenderas ocks\aa{} som l\"amplig l\"asning f\"or hackare i slutet p\aa{} \textit{the Jargon File} (se nedan). Det \"ar konspirationsteoretiskta romaner om oss och v\aa{}rt samh\"alle, framf\"or allt inspirerade av William S Burroughs och Timothy Leary. Detta \"ar kultb\"ocker i s\aa{}v\"al USA och Kanada som England, och det finns ingen som helst vettig anledning till att de inte \"oversatts till svenska. Jo, en f\"orresten: de \"ar skriande politiskt inkorrekta. Ber\"attartekniken i den h\"ar romanen har bland annat anammats av \textbf{Douglas Adams}. \textbf{Sj\"ogren, Olle \\ }\textit{Inte Riktigt Lagom? - Om "{}extremv\aa{}ld"{} och filmcensur} Detta \"ar ett enda l\aa{}ngt angrepp p\aa{} statens biografn\"amnd. Sj\"ogren \"ar mycket kritisk till den m\"anniskosyn censuren inneb\"ar och angriper censuren om och om igen. Man f\aa{}r anta att han vet vad skriver om eftersom han sj\"alv jobbat p\aa{} filmcensuren i s\aa{}d\"ar 10 \aa{}r. Han ber\"attar ocks\aa{} om de filmbytare som f\"oddes ur diskettbytarkulturen. \textbf{Anders Wallin} borde l\"asa den h\"ar boken. \textbf{Solarz, Artur \\ }\textit{ADB och Brott \\ }Liber allm\"anna f\"orlaget, Stockholm 1987 \\ ISBN 91-38-90802-6 En knastertorr bok om databrott och databrottslingar. Solarz jobbar p\aa{} brottsf\"orebyggande r\aa{}det och vet s\aa{} mycket om databrott och brott i allm\"anhet att han begriper att hackare knappast \"ar det v\"arsta hotet mot informationssamh\"allet. \textbf{Sterling, Bruce \\ }\textit{The Hacker Crackdown \\ }Bantam Books, USA 1992 \\ ISBN 0-553-08058-1 En bok om hackare skriven av en fullst\"andig "{}outsider"{}. Bruce Sterling skriver annars cyberpunkb\"ocker. Boken kan h\"amtas alldeles gratis som textfil p\aa{} Internet via EFF. De mest sp\"annande och nyskapande \"ar kapitlen om den del av den amerikanska polisen som kallas Secret Service, och hur de arbetar f\"or att bek\"ampa phreakare och hackare, och historien om hur EFF blev till. \textbf{Stoll, Clifford \\ }\textit{En Hacker i Systemet \\ }Svenska Dagbladets F\"orlag AB, Uddevalla 1991 \\ ISBN 91-7738-270-6 En omtalad bok d\"ar Stoll med inlevelse ber\"attar hur han sp\aa{}rade den hackare (Mattias Hess) som tog sig in i hans datasystem och anv\"ande det som spr\aa{}ngbr\"ada f\"or att snoka efter milit\"ara hemligheter \aa{}t warzava-pakten (ryssarna, r\"odingarna eller vad du nu vill kalla dem). \textbf{Televerket} \\ \textit{S\"akra Telef\"orbindelser?} \\ Televerket, Stockholm 1987 (rapp 89/205) \textbf{TT Sundsvall} \\ Telegram 1999-04-12 av Rolf Lunneborg Om viruset Melissa. \textbf{Turkle, Sherry \\ }\textit{Ditt Andra Jag - Datorn och det m\"anskliga psyket} \\ Bokf\"orlaget Prisma, Stockholm 1987 \\ ISBN 91-518-2053-6 Sherry behandlar sociologiska och psykologiska aspekter p\aa{} samspelet mellan m\"anniskor och datorer. Hon intervjuar barn och hackare s\aa{}v\"al som dataforskare och drar slutsater om datasamh\"allet fr\aa{}n sociologisk utg\aa{}ngspunkt. Mot slutet av boken kommer hon \"aven in p\aa{} artificiell intelligens. \textbf{Wallin, Anders \\ }\textit{Kriminella Teknikzonen - Straffr\"attsligt perspektiv p\aa{} brott och hacking i globala datan\"at} \\ Institutet f\"or r\"attsinformatik IRI-rapport 1994:2 \\ ISSN 0281-1286 Mitt favorithatobjekt. Sk\"amt \aa{}sido: Wallin presenterar en mycket bildad syn p\aa{} vad hackande inneb\"ar f\"or r\"attsamh\"allet med utg\aa{}ngspunkt fr\aa{}n sina juridiska erfarenheter. Man skall dock h\aa{}lla i sinnet att \aa{}klagare och poliser m\aa{}ste ha den d\"ar k\"anslan av att det \"ar \textit{vi mot dom} f\"or att kunna motivera sitt arbete och f\aa{} upp k\"amparandan i f\"orsvaret av den svenska lagen. Den k\"anslan f\aa{}r de genom att l\"asa den h\"ar boken. L\"as den! Om jag ser det som min uppgift att presentera hackarnas id\'{e}er s\aa{} \"ar det Wallins uppgift att f\"ord\"oma dem. Vi spelar alla v\aa{}ra roller i det h\"ar samh\"allet. (Cynism.) \textbf{Winterkvist, Mikael} \\ \textit{Datavirus, Hackers och Trojaner} \\ Computer Security Center 1995 Efter att jag bad om det skickade Mikael en kopia till universitetsbiblioteket i Lund. Det \"ar ett mycket tunt h\"afte, men det inneh\aa{}ller faktiskt de mest substansiella upplysningar om virus som n\aa{}gonsin publicerats i Sverige. Vill ni ha tag i en expert p\aa{} datavirus som verkligen kan sin sak s\aa{} skall ni g\aa{} till Mikael och hans Computer Security Center i Skellefte\aa{}. Det var uppgifterna om svenska virushackare i det h\"ar lilla h\"aftet, som skaffades fram genom ett slags "{}walrafferi"{} p\aa{} svenska underjordiska BBS:er, som irriterade en del underjordiska hackare och fick SHA att publicera en del f\"ort\"ackta hot mot Mikael. \textbf{Wranghult, Hans} (ordf\"orande) \\ \textit{Polisens \AA{}tg\"arder mot Datakriminalitet} \\ Rikspolisstyrelsens rapport 1984:5 \textbf{Wranghult, Hans} \\ \textit{Datakriminalitet - Hackers, Insiders och Datorst\"odd Brottslighet} \\ Rikspolisstyrelsens rapport 1988:5 De h\"ar tv\aa{} rapporterna beskriver polisens syn p\aa{} databrott i allm\"anhet. Den senare behandlar hackare. Det \"ar \"overlag ganska onyanserat, auktorit\"art och f\"ord\"omande. Precis som poliser skall vara. \textbf{Yourgrau, Palle} \\ \textit{The Disappearance of Time - Kurt G\"odel and the Idealistic Tradition in Philosophy} \\ Cambridge university press 1991 \\ ISBN 0-521-41012-6 \section*{Elektroniska dokument och tidningar} \textbf{40hex} \\ \# 1-12 \\ Phalcon / SKISM Ganska v\"alskriven tidning som behandlar det mesta som r\"or virustillverkning och viruskultur. \textbf{Aronsson, Lars} \\ \textit{Svensk Datorjargong} \\ Senast reviderad 1993-02-21 Svensk motsvarighet till \textit{The Jargon File} (se nedan), sammanst\"alld av Lars Aronsson f\"or Projekt Runeberg. Saknar dessv\"arre svensk subkulturell hemdatorjargong. (Jag skall skicka en lista till Lars s\aa{} fort jag hinner.) \textbf{Axelsson, Jan} \\ \textit{Flashback News Agency \#1-120} \\ (\#1-100 utgivna i tryckt form i samlingsvolym) Jag var en av de f\"orsta 19 prenumeranterna p\aa{} Flashback News Agency. Nu \"ar det n\"armare 50.000. Se bland annat \#97 f\"or information om Telias l\"osenordssystem. Det \"ar alltid roligt att l\"asa gamla nummer av denna helt unika tidning. \textbf{Bausson, Stephane} \\ \textit{What You Need to Know About Electronic Telecards} \\ V1.12 Senast reviderad 1995-05-18 Beskriver hur Telias telefonkort fungerar. Oerh\"ort pinsamt med tanke p\aa{} att Telia trodde att dessa uppgifter var hemliga n\"ar jag ringde och fr\aa{}gade dem. Det \"ar de inte alls. \textbf{Brent, Doug} \\ \textit{Oral knowledge, Typographic knowledge, Electronic knowledge: Speculations on the history of ownership} \\ (Artikel i EJournal \#3 Vol 1, ISSN 1054-1055) Detta \"ar en mycket viktig artikel som jag hade som utg\aa{}ngspunkt f\"or stycket \textit{cybernetiskt samh\"alle kontra copyright}, Brent \"ar verksam vid universitetet i Calgary och visar med \"onskv\"ard tydlighet varf\"or det blir sv\aa{}rare att \"aga information i ett informationssamh\"alle. \textbf{Drummond, Bill \& Cauty, Jimmy} \\ \textit{The Manual - How to Have a Number One the Easy Way} \\ KLF Communications 1988 Om ni undrade: det fungerar. Allt som st\aa{}r i den h\"ar boken \"ar fullkomligt sant. Bland de som provat herrarna Drummond och Cautys recept f\"or hitsinglar finns exempelvis den \"osterrikiska gruppen Edelweis plus n\aa{}got hundratal andra artister som inte v\aa{}gar erk\"anna att de bara gjort som det st\aa{}r i boken. \"Aven svenska talanger som Denniz Pop eller Pat Reiniz har, medvetet eller omedvetet, lyckats f\"olja instruktionerna till punkt och pricka. Om ni vill veta dur de g\"or, l\"as boken. Det fordras dock en viss distans f\"or att kunna ta \aa{}t sig inneh\aa{}llet - texten \"ar mycket cynisk och en nagel i \"ogat p\aa{} hela popindustrin. Exemplar av den h\"ar boken, och piratkopior av densamma, sprids under mycket hysh-hysh bland musikv\"arldens amat\"orer. On\"odigt egentligen, eftersom n\aa{}gon "{}befriat"{} texten och lagt upp den p\aa{} Internet. KLF sj\"alva bryr sig gissningsvis inte en sekund om detta. \textbf{Gunzenbomz Pyro-Technologies / Chaos Industries} \\ \textit{The Terrorists Handbook} F\"ormodligen ursprungligen en eller flera tryckta b\"ocker. Just den h\"ar textfilen skapade ett herrans rabalder i pressen n\"ar ett par femton\aa{}ringar h\"amtade den fr\aa{}n en BBS och visade den f\"or Expressen. Synd att Expressen inte recenscerade boken, f\"or den har faktiskt ett slags humorv\"arde. Jag kan inte avg\"ora hur pass anv\"andbara eller farliga beskrivningarna i boken \"ar, men det \"ar uppenbart att man m\aa{}ste vara lite l\"att galen f\"or att anv\"anda sig av bombrecepten. Och det \"ar ju det som \"ar problemet: m\aa{}nga f\"or\"aldrar tror uppenbarligen att deras 15-\aa{}riga s\"oner \"ar fullst\"andigt galna. \textbf{IDG Online / Computer Sweden} \\ Artiklar 1999-03-30 kl 04:33, 1999-03-30 kl 08:43, 1999-04-01 kl 13:04, 1999-04-05 kl 07:00, 1999-04-06 kl 11:33, 1999-04-12 kl 14:03, 1999-04-15 kl 15:03 Om viruset Melissa. \textbf{Jammer, the \& Jack the Ripper} (pseud.) \\ \textit{The Official Phreaker's Manual V1.1} \\ Senast reviderad 1987 Beskriver det mesta av tekniken och historien bakom phreakandet. Inneh\aa{}ller bland annat de artiklar Ron Rosenbaum skrev om phreakarna John Draper (Capatain Crunch) och Joe Engrassia i tidningen Esquire 1971. \textbf{Raymond, Eric S} \\ \textit{The Jargon File 3.2.0} \\ Senast reviderad 1995-03-21 Detta \"ar detsamma som boken \textit{The Hacker's Dictionary}, fast gratis och i elektronisk form. Tyv\"arr f\"ormedlar den h\"ar texten en n\aa{}got neds\"attande syn p\aa{} alla hackare som inte \"ar "{}riktiga"{} hackare, dvs den intellektuella eliten som samlas p\aa{} h\"ogskolor som MIT. Denna fil uppdateras med j\"amna mellanrum och f\"ors\"oker \"aven sammanfatta hackarkultur internationellt, vilket den kanske inte lyckas s\aa{} bra med. Inneh\aa{}llet \"ar n\"amligen kraftigt vinklat efter amerikanska f\"oreteelser. \textbf{Reid, Elizabeth \\ }\textit{Cultural Forms in Text-Based Realities} \\ Cultural studies program department of english university of melbourne january 1994 \textbf{Brotherhood of Warez} \\ \# 1-4 En av de roligaste phreaktidningar som finns utges av gruppen Brotherhood of Wares (BoW). En konstant mix av humor och allvar d\"ar det ofta inte g\aa{}r att skilja p\aa{} verkliga p\aa{}st\aa{}enden och ironiska l\"ogner, skriven av uttr\aa{}kade pirater. Uppskattar man generation X-humor s\aa{} gillar man nog BoW. Gruppens ledare U4EA d\"omdes till f\"angelse efter att ha retat gallfeber p\aa{} tidningen Gray Areas. (Tror jag - om inte det ocks\aa{} var ironi.) \textbf{Phrack} \\ \textit{\# 1-48} \"Ok\"and hackar/phrekar-tidning som bland annat spelar stor roll i Bruce Stelings \textit{The Hacker Crackdown} (se ovan). F\"ormedlar s\aa{}v\"al f\"ornuftiga som riktigt sjuka \aa{}sikter om v\"arlden och telefonerandet. Har haft en rad redakt\"orer genom \aa{}ren. Speciellt viktigt \"ar att l\"asa artikeln \textit{The Conscience of a Hacker} i \#7. Jag har sj\"alv f\"orfattat en artikel om svenska hackare i \#48 av denna tidskrift. \textbf{Skyhigh} \\ \# 17 \\ Camelot Productions 1995 En intressant artikel av \textbf{The Mistress} / Angry ang\aa{}ende kvinnor och hemdatorhackare. \textbf{Surfpunk} \\ \# 103 och 105 Cyberpunk-tidning, full med utdrag fr\aa{}n diskussionsgrupper p\aa{} Usenet och olika tidningar. Bakom tidningen st\aa{}r en lite militantare gruppering \"an EFF, men med ungef\"ar samma syn p\aa{} samh\"allet. F\"ormedlar kraftigt cybervridna \aa{}sikter. \textbf{Swedish Hackers Association (SHA)} (red) \\ \textit{Annual Year Protocol \#3 \& \#4} V\aa{}ra egna favorithackares egen tidning. SHAs uppk\"aftiga och l\"att arroganta "{}protokoll"{} \"ar en st\"arkande frisk fl\"akt j\"amf\"ort med myndigheters och massmedias f\"ord\"omande attityd mot gruppen. I dessa protokoll talar SHA sj\"alva om sina aktiviteter, varf\"or och hur de g\"or det de g\"or. G\"astskribenter \"ar bl~a \textbf{Knight Lightning} fr\aa{}n Legion of Doom, som ocks\aa{} var en av m\"annen bakom tidningen Phrack (se ovan). Engelskan \"ar det d\"aremot lite si och s\aa{} med - det m\"arks att det \"ar svenskar som skrivit de h\"ar "{}protokollen"{}. N\"odv\"andig l\"asning f\"or var och en som vill ha lyssnat till vad b\aa{}da sidor har att s\"aga. Samtliga elektroniska dokument finns, om inte annat, tillg\"angliga fr\aa{}n mig personligen. \chapter{Appendix: White Night vs Otto Sync} \textbf{Den 2 december 1992 h\"aktades den d\aa{} 25-\aa{}rige Otto Sync (ett aliasnamn) f\"or att under november m\aa{}nad ha utnyttjat datan\"atet Datapak p\aa{} d\aa{}varande Televerkets bekostnad. Den som sp\aa{}rat och beg\"art Otto h\"aktad var Televerkets egen "{}vita riddare"{}, Pege Gustafsson, en d\aa{} 38-\aa{}rig nitisk s\"akerhetsexpert i karri\"aren.} Under tiden december 1991 till februari 1993 gjorde Otto den franska motsvarigheten till vapenfri tj\"anst, "{}Volontaire Service National en Entreprises"{}, som ingenj\"or med inriktning p\aa{} PLC (datoriserade styrsystem) vid ett franskt teleteknikf\"oretag i Flen. Det var tack vare sin 6-\aa{}riga civilingenj\"orsutbildning med examina i till\"ampad matematik och datorvetenskap, som han efter rigor\"osa milit\"ara test fick m\"ojligheten att fullg\"ora tj\"ansteplikt som ingenj\"or vid ett franskt f\"oretag utomlands. Att vara ensam ung fransman i Flen var kanske inte det roligaste; Otto ber\"attar att staden var full av politiska flyktingar och st\"amningen inte precis den b\"asta -- de svenska ungdomarna i Flen h\"oll sig f\"or sig sj\"alva och betraktade honom som vilken invandrare som helst, och ingen av de andra invandrarna var fransm\"an utan armenier, irakier, kurder, somalier o~s~v. Sm\aa{}stadsmilj\"on var inte heller bekant f\"or Otto som kom direkt fr\aa{}n Lyon -- "{}F\"orest\"all dig min f\"orv\aa{}ning n\"ar jag kom till Flen i mitten av december 1991... Jag hade bara levt i storst\"ader tidigare, och nu var jag p\aa{} det h\"ar st\"allet, utan barer, pubar eller datoraff\"arer"{} \footnote{Samtliga citat \"ar h\"amtade ur e-postkommunikation med Otto Sync.} . Resultatet blev att Otto tillbringade den mesta tiden ensam i sin l\"agenhet eller p\aa{} sitt tj\"ansterum p\aa{} f\"oretaget. "{}Flen \"ar s\aa{} tr\aa{}kigt att jag i princip levde i kontorsbyggnaden -- vad kan du \"over huvud taget g\"ora d\"ar f\"orutom att hacka?"{}, s\"ager han sj\"alv. S\aa{} f\"or att f\"ordriva tiden \"agnade han sig \aa{}t sin favorithobby: \textit{hacking}. Otto var redan n\"ar han f\"orsta g\aa{}ngen kom till Flen en skicklig hackare, och med tiden blev han allt b\"attre. Han blev stamg\"ast p\aa{} Sveriges vid den tiden b\"asta hackar-BBS: \textit{Synchron City}. Han unders\"okte alla system han kom \aa{}t: Televerkets telefonn\"at, AT\&T, Internet m~m. Emellertid \"ar detta inte s\"arskilt sp\"annande i l\"angden f\"or en skicklig hackare: telefonn\"atet \"ar extremt l\"attlurat, och Internet var mest fullt av l\"ost folk. Riktiga hackare s\"okte sig till BBS:er p\aa{} X.25-n\"atet. Eftersom Otto ville h\aa{}lla kontakten med sina gamla hackarkompisar ville han komma i kontakt med det d\aa{} st\"orsta franska hackar-konferenssystemet, \textit{QSD}, vilket man bara kunde komma \aa{}t via just det internationella X.25-n\"atet. F\"or att f\aa{} tillg\aa{}ng till QSD gjorde han det fatala misstaget: han b\"orjade unders\"oka Televerkets Datapakn\"at. \section*{X.25 och Datapak} Datapak \"ar ett datan\"at som till sin konstruktion p\aa{}minner om Internet -- ett paketf\"ormedlat datan\"at, d\"ar anv\"andarna delar p\aa{} ett f\aa{}tal fast inkopplade linjer, och betalar efter hur mycket data som \"overf\"ors p\aa{} dessa, d~v~s per paket. Det hela fungerar f\"or gemene man s\aa{} att man ringer upp Datapak med modem via en s~k PAD p\aa{} ett 020-nummer, och sedan sl\aa{}r ett nummer till en dator som \"ar ansluten direkt till Datapak. Alla datorer p\aa{} Datapakn\"atet har allts\aa{} datapaknummer p\aa{} samma vis som alla telefoner p\aa{} telen\"atet har telefonnummer. Givetvis kan man ocks\aa{} ringa direkt via Datapak om man har r\aa{}d att ansluta sin dator, en metod som framf\"or allt stora f\"oretag anv\"ander sig av f\"or att koppla samman sina datasystem. P\aa{} det viset kan tv\aa{} datorer vara permanent sammankopplade via Datapak (n\aa{}got som med vanliga modem kostat oerh\"orda summor) och p\aa{} det viset beh\"over man bara betala trafikavgift f\"or den information som verkligen \"overf\"orts. Givetvis kan man ocks\aa{} ansluta sig via datan\"atet Datex, som bland annat anv\"ands av bankernas kontantautomater, och som fungerar som ett helt vanligt telefonn\"at, fast f\"or datorer. Datapak \"ar uppbyggt kring standarden X.25, som beskriver hur datorer i n\"atet skall "{}prata"{} med varandra. Det finns ut\"over detta en del h\"og andra standarder i n\"atet, exempelvis X.28 och X.75\footnote{X.28 \"ar standard f\"or PAD:ar (Packet Assembler / Disassembler), vilket \"ar det samma som den dator man ringer upp f\"or att ansluta sig till Datapak, medan X.75 \"ar en standard f\"or att koppla samman flera X.25-n\"atverk.} , men eftersom X.25 \"ar den centrala standarden, kallas den typ av datan\"at som Datapak utg\"or generellt f\"or "{}X.25-n\"at"{}. Det \textit{internationella X.25 n\"atet}, utg\"ors d\"arf\"or av ett antal sammankopplade datan\"at, exempelvis \textit{Datapak}, \textit{Tymnet} (som f\"or \"ovrigt tillverkat den utrustning som finns i det svenska Datapakn\"atet), \textit{SPRINTnet} o~s~v. N\"astan varenda st\"orre telefonbolag i den idustriella v\"arlden har sitt eget X.25-n\"at. Det internationella X.25-n\"atet har funnits i drift sedan mitten och slutet av 80-talet, men det svenska Datapakn\"atet har aldrig varit s\"arskilt stort. X.25 \"ar, till skillnad fr\aa{}n det vanliga telefonn\"atet, inte menat att anv\"andas av gemene man. X.25 har fr\aa{}n b\"orjan till slut varit ett n\"atverk avsett \textit{enbart} f\"or f\"oretag. Den stora privatmarknaden som akademikernas Internet-system er\"ovrat, och som \"ar baserad p\aa{} m\aa{}nga leverant\"orer och konkurrens (till skillnad fr\aa{}n X.25 som \"ar baserat p\aa{} f\aa{} leverant\"orer och oligopol) \"ar s\aa{} fundamentalt annorlunda att X.25 inte har en chans att h\"avda sig mot detta. Idag anv\"ands X.25 fortfarande p\aa{} detta s\"att fr\"amst f\"or att etablera logiska l\"ankar mellan privata n\"at. Exempelvis skickas en del Internet-trafik \"over X.25-l\"ankar. Vad Otto Sync allts\aa{} inte visste, eller t\"ankte p\aa{}, n\"ar han best\"allde sitt Datapak-abonnemang fr\aa{}n Televerket, var att Datapak var ett \textit{litet} system i ett litet land, och att en person som f\"ors\"okte manipulera det direkt skulle synas i \"overvakningssystemen. \textit{Telefonn\"atet} \"ar ganska s\"akert att unders\"oka med tanke p\aa{} alla underliga och slumpm\"assiga samtal folk ringer till n\"ar och fj\"arran. N\aa{}gra f\aa{} manipulationsf\"ors\"ok f\"orsvinner d\"ar genast i m\"angden vanliga samtal, men \textit{Datapak} var bara n\aa{}gra f\aa{} abonnenters bakg\aa{}rd. Att manipulera systemet var j\"amf\"orbart med att g\aa{} omkring med en saftblandare p\aa{} huvudet -- man var inte precis diskret n\"arvarande. Det som till slut f\"aste Televerkets uppm\"arksamhet p\aa{} Otto var n\"ar han b\"orjade avs\"oka olika datapaknummer. Till saken h\"or att Televerket drastiskt \"okat \"overvakningen av det svenska Datapak-n\"atet till f\"oljd av en enorm attack fr\aa{}n den brittiska hackargruppen 8LGM (8-Legged Groovin' Machine, ett namn taget fr\aa{}n en samtida popgrupp) som avs\"okt 22.000 datapaknummer och tagit sig in i 380 datorer landet runt tv\aa{} \aa{}r tidigare.\footnote{\textbf{Ledell, G\"oran} (red) \textit{Dataolyckor -- Har det verkligen h\"ant n\aa{}gon g\aa{}ng?} INFOSEC, Lund 1992} Otto beskriver dem som "{}en grupp tip-top hackare som distribuerade "{}exploits"{} mellan 1991 och 1994"{}. (Exploits \"ar f\"ardigskrivna datorprogram som anv\"ands f\"or att skaffa h\"ogre privilegier, normalt root-access, p\aa{} ett Unix-system.) En f\"oljd av 8LGM:s avs\"okningar var att all aktivitet p\aa{} Datapak loggades och analyserades. Otto best\"allde inte sitt Datapak-abonnemang f\"or att anv\"anda det -- i sj\"alva verket skaffade han sig Datapak bara f\"or att f\aa{} tag p\aa{} den tekniska dokumentationen som varje abonnent f\aa{}r, f\"or att ta reda p\aa{} hur systemet fungerade. P\aa{} det viset fick han veta att man kopplade upp sig till Datapak genom att ringa 020-910037 och ange sin anv\"andaridentitet (p\aa{} fackspr\aa{}k kallad NUI). D\"arefter kunde man ringa fritt via Datapak och debiterades sedan i efterhand per s\"ant / mottaget informationspaket. P\aa{} Datapak anv\"ands NUI som identifikation, till skillnad fr\aa{}n det vanliga telen\"atet d\"ar du identifieras av ditt eget jack och telefonnummer. Men Televerkets manual till Datapak inneh\"oll \"aven en del annat intressant, bland annat f\"oljande exempel p\aa{} sidan~4 (ej ordagrant \aa{}tergett) \footnote{Denna uppgift och liknande \"ar h\"amtade fr\aa{}n r\"atteg\aa{}ngshandlingarna i det aktuella m\aa{}let: B 486/92 vid Katrineholms tingsr\"att.} : \begin{quotation} \noindent{}F\"or att koppla upp dig med anv\"andarnummer, ring med modem upp 020-910037. N\"ar modemet svarat skriver du tre punkter f\"oljt av vagnretur: ...$<$CR$>$ (CR = vagnretur, enter). Skriv sedan: N123456XYZ123-024037131270$<$CR$>$. N talar om f\"or datorn att anv\"andaridentitet och l\"osenord f\"oljer, 123456 \"ar det anv\"andarnummer du f\aa{}tt d\aa{} du tecknat abonnemanget, XYZ123 \"ar ditt hemliga l\"osenord, och siffrorna efter bindestrecket \"ar v\"arddatoradressen. (Dvs den dator man vill koppla upp sig mot.)\end{quotation} \noindent{}L\"angre fram i manualen visar man hur anv\"andare 123456 byter l\"osenord fr\aa{}n BERTIL till CAESAR. Anv\"andaridentitet (NUI) 123456 \"ar allts\aa{} mest avsedd som ett exempel. N\"ar Otto funderade \"over olika s\"att att ta sig in i Datapak kom han p\aa{} id\'{e}n att skriva en s~k "{}scanner"{}, som skulle testa olika kombinationer av anv\"andarnamn och l\"osenord. Scanning \"ar en teknik som ursprungligen anv\"andes p\aa{} det allm\"anna telen\"atet, och fungerar normalt s\aa{} att man ringer alla m\"ojliga nummer i nummerordning, t~ex 111111, 111112, 111113 o~s~v tills man f\aa{}r svar. N\"ar man f\aa{}r svar fr\aa{}n en dator antecknar man numret och g\aa{}r vidare. Efter\aa{}t kan man ta fram listan \"over datorer och b\"orja unders\"oka om det g\aa{}r att ta sig in i dem. Scanning \"ar givetvis ingenting man g\"or f\"or hand. Precis som i filmen \textit{War Games}, skriver man ett dataprogram som testar alla nummer ett efter ett. Scanning \"ar i sig inget olagligt -- det \"ar ju n\aa{}got av sj\"alva po\"angen med ett telefonabbonnemang att man ska f\aa{} ringa s\aa{} m\aa{}nga samtal man vill till vem man \"an vill. Ottos scanner var n\aa{}got annorlunda. Den skulle inte ringa n\aa{}gra nummer, bara s\"oka efter anv\"andaridentiteter och l\"osenord som gav tilltr\"ade till Datapaks PAD. Normalt f\aa{}r man i en X.25-PAD bara tre f\"ors\"ok p\aa{} sig att skriva in anv\"andarnamn och l\"osenord innan linjen kopplas ned, men Otto kom p\aa{} att man genom att koppla sig till Datapaks l\"osenordsdatabas kunde testa tre l\"osenord \aa{}t g\aa{}ngen \textit{utan} att linjen kopplades ned. Ottos scanner var ett datorprogram som kunde testa tre anv\"andaridentiteter och l\"osenord, bli utkastad fr\aa{}n databasen, koppla sig till databasen igen, testa tre nya anv\"andaridentiteter o~s~v. Att koppla upp och ned telefonlinjen skulle ta mycket tid i anspr\aa{}k, och resultera i l\aa{}ngsam scanning, men med scannern som utnyttjade l\"osenordsdatabasen gick det undan! Medan Otto skrev sin scanner beh\"ovde han n\aa{}got nummer f\"or att testa programmet med. Av en ren h\"andelse testade han den uppenbart idiotiska kombinationen med anv\"andaridentitet 123456 och l\"osenord 654321, som visade sig fungera! (\"Ar det fler \"an jag som kommer att t\"anka p\aa{} filmen "{}Spaceballs"{} eller "{}Det V\aa{}ras f\"or Rymden"{} som den hette p\aa{} svenska? -- bara en idiot skulle anv\"anda den koden p\aa{} sin resv\"aska.) Anv\"andaridentitet 123456 var en av Televerkets egna linjer, en testlinje vars syften och anv\"andningsomr\aa{}den \"annu \"ar oklara. Det \"ar fullt m\"ojligt att anv\"andare 123456 bara f\aa{}tt "{}ligga kvar"{} av rent slarv fr\aa{}n Televerkets sida. Otto b\"orjade anv\"anda identitet 123456 f\"or regelbundna samtal till konferenssystemet QSD, som till sin funktion p\aa{}minner om det nu s\aa{} popul\"ara IRC, Internet Relay Chat. Ut\"over konferenserna finns det ocks\aa{} brevl\aa{}dor f\"or anv\"andarna. Bland de flitigaste deltagarna fanns t~ex SCSI, som hackat varenda X.25-n\"atverk i hela v\"arlden (ingen \"overdrift), Sentinel fr\aa{}n ex-Jugoslavien, den kvinnliga hackaren Venix fr\aa{}n Grekland, Seven Up, sysopen p\aa{} SECTEC (Sector Tectonics, en annan X.25-anslagstavla), och Raoul fr\aa{}n Italien -- VAX-hackens m\"astare som nyligen arresterades f\"or intr\aa{}ng hos Bank of Italia. Detta sm\aa{}pratande fortgick tills han p\aa{} kv\"allen den 7:e november blev anropad av en annan hackare fr\aa{}n Sverige. \section*{Den vite riddaren} Hackaren som anropade Otto kallade sig \textbf{White Night}, vita natten, eller den vite riddaren beroende p\aa{} hur man l\"aser det. Dubbeltydigheten i namnet \"ar en avsiktig felstavning av det slag som hackare \"alskar. Den inledande konversationen mellan Otto Sync och White Night f\"orl\"opte ungef\"ar p\aa{} f\"oljande vis\footnote{Konversationsutdrag \"ar h\"amtade ur r\"atteg\aa{}ngshandlingarna.} : \begin{quotation} \textbf{White Night}: Hi! Hej! \textbf{Otto Sync}: Hi! Hej! Ledsen, men jag \"ar inte svensk, jag \"ar fransman. Ringer fr\aa{}n Flen, en \#\$\&\% stad 120 km fr\aa{}n Stockholm. \textbf{WN}: Jag f\"orst\aa{}r. Vad g\"or du d\"ar? \textbf{OS}: Arbetar som automatiseringsingenj\"or p\aa{} ett franskt f\"oretag. Och du? \textbf{WN}: Jag arbetar p\aa{} Volvo. \textbf{OS}: Vart? Jag gjorde ett jobb p\aa{} deras fabrik i Olofstr\"om f\"or n\aa{}gra m\aa{}nader sedan. \textbf{WN}: DA-verken i G\"oteborg. \end{quotation} \noindent{}Sedan b\"orjade de, som alla hackare, prata teknik. Otto fr\aa{}gar White Night hur han lyckas hantera svenska tecken och de diskuterar f\"ordelen med olika terminalprogram. White Night leder sedan in diskussionen p\aa{} hur han lyckats ringa QSD -- "{}Hur mycket kostar det?"{}. Otto f\"oresl\aa{}r att de skall byta "{}outdials"{}, dvs \aa{}tkomstkoder till datorer p\aa{} publika n\"at som Internet, med modem anslutna s\aa{} att man kan ringa vidare ut gratis fr\aa{}n den datorn genom att anropa dess modem. Han ber\"attar ocks\aa{} att han brukar h\aa{}lla till p\aa{} Synchron City, och att d\"ar finns mycket "{}H/P/A"{}. (Hacking, Phreaking, Anarchy -- helt lagliga textfiler som beskriver olika hacktekniker.) Konstigt nog har White Night aldrig h\"ort talas om Synchron City, och blir genast nyfiken. Sedan g\aa{}r det n\aa{}gra veckor, under vilka Otto regelbundet ringer QSD flera g\aa{}nger. S\aa{} p\aa{} kv\"allen den 29 november dyker den vite riddaren upp igen, men han k\"anner inte igen Otto, eftersom han denna g\aa{}ng anv\"ander ett annat alias. Otto har redan gl\"omt bort White Night och k\"anner inte heller igen honom n\"ar han anropas. D\"aremot kan han se att White Night ocks\aa{} anv\"ander anv\"andaridentitet 123456, och han blir en smula misst\"anksam, eftersom han bara l\"amnat ut den identiteten till en enda annan hackare, som vi h\"ar kan kalla Phred. N\aa{}got tveksamt b\"orjar han konversera med fr\"amlingen: \begin{quotation} \textbf{WN}: Tja \textbf{OS}: Phred? \textbf{WN}: Nej, men jag k\"anner honom! \textbf{OS}: Jag antar det... K\"anner jag dig? \textbf{WN}: Kul, k\"anner jag dig? \textbf{OS}: Kanske, jag \"ar vanligen Otto Sync h\"ar... \textbf{WN}: Hej Otto, hm hm hm. \textbf{OS}: H\"ordu, kan du tala om f\"or mig vem du \"ar... h\"aftigt! \textbf{WN}: Talar du svenska? \textbf{OS}: Hemskt d\aa{}ligt. Men kan du inte tala om vem du \"ar??? Vad betr\"affar mig, s\aa{} \"ar jag den som hittade den NUI du anv\"ander. \textbf{WN}: Varf\"or tror du att jag anv\"ander en NUI som "{}du"{} har hittat? \textbf{OS}: Du kan fr\aa{}ga Phred om du inte tror mig. \textbf{WN}: Varf\"or borde jag fr\aa{}ga Phred? \textbf{OS}: F\"or att han var den f\"orsta jag gav NUI:en till. Vi talar i telefon ibland. \textbf{WN}: Vilken NUI? \textbf{OS}: Den mycket uppenbara med det mycket uppenbara l\"osenordet. Och den som jag ser att du anv\"ander h\"ar p\aa{} QSD. \textbf{WN}: Wow, jag har inte talat med Phred p\aa{} l\"ange! \end{quotation} \noindent{}Missf\"orst\aa{}nden mellan Otto Sync och White Night beror givetvis p\aa{} att White Night inte \"ar n\aa{}gon hackare. Han anv\"ander n\"amligen Televerkets egen testlina, 123456, \textit{inifr\aa{}n} Televerket. N\"ar Otto p\aa{}st\aa{}r att \textit{han} hittat denna, blir White Night f\"orst purken, men inser snart att han m\aa{}ste spela med: \begin{quotation} \textbf{OS}: Den f\"orra [NUI:n jag anv\"ande] var 159800. \"Ar du fr\aa{}n Sverige f\"orresten? \textbf{WN}: Sverige vad. \textbf{OS}: Bara aprop\aa{}. Jag bara undrar... Om du inte vill snacka, varf\"or \"ar du d\aa{} p\aa{} QSD? \textbf{WN}: S\aa{}klart jag vill snacka! Jag \"ar svensk! \"Ar du? \textbf{OS}: Nix. Jag \"ar fransman. Men jag gillar Televerket, f\"orutom n\"ar det skickar r\"akningar till mig :) \textbf{WN}: G\"or de? Varf\"or? \textbf{OS}: Jag skaffade mig en NUI f\"or n\aa{}gra veckor sedan f\"or att f\aa{} teknisk dokumentation p\aa{} PAD:en... [020-numret som man kopplar in sig p\aa{} datapak med] Men jag t\"anker inte betala! \end{quotation} \noindent{}Efter att Otto gjort detta uttalande kopplar White Night ner f\"orbindelsen och plockar pappren med utskriften av samtalet fr\aa{}n skrivaren. Dessa papper, som jag till stor del \aa{}tergett ovan, anv\"ands sedan i bevisf\"oringen i m\aa{}let mot Otto Sync vid Katrineholms tingsr\"att. Vad Otto inte visste n\"ar det h\"ar samtalet skedde, var att Televerket var i full fart med att sp\aa{}ra honom. Fr\aa{}n den 28 november till den 1 december, dagen f\"ore gripandet, registrerade Televerket all trafik ut fr\aa{}n Ottos tj\"ansterum p\aa{} det franska teleteknikf\"oretaget. F\"or att kunna g\"ora det hade man vidtagit en hel rad extravaganta \aa{}tg\"arder. Flens telestation var vid den h\"ar tiden inte ombyggd till det nya v\"axelsystemet AXE (Automatic Cross-connection Equipment). Ist\"allet anv\"andes en gammal elektromekanisk v\"axel som dock numera \"ar utbytt. \textit{Hade} telestationen haft AXE, hade \"overvakningen kunnat ske mycket enklare bara genom att beg\"ara in uppgifter fr\aa{}n Televerkets informationssystem (IS) som i princip kan \"overvaka ett nummer helt automatiskt under obegr\"ansad tid. Nuvarande Telia har till och med unders\"okt m\"ojligheten att l\aa{}ta datorerna granska alla samtal automatiskt f\"or att avg\"ora vilka abbonnenter som uppvisar "{}bedr\"agliga beteendem\"onster"{} -- f\"ors\"ok som dock inte utfallit v\"al\footnote{F\"ors\"oken gjordes vid Telia Research AB i Haninge under ledning av Stewart Kowalski.} . N\"ar Televerket under Pege Gustafssons ledning sp\aa{}rat de "{}bedr\"agliga"{} samtalen till Datapaks nummer 020-910037, fann man att de kom fr\aa{}n ett gruppnummer tillh\"orande det f\"oretag Otto arbetade f\"or. Ett gruppnummer fungerar s\aa{} att ett f\"oretag med intern v\"axel omfattande, s\"ag, 500 telefoner, delar p\aa{} ett l\"ampligt antal utg\aa{}ende linjer (cirka 10--20 st kanske) s\aa{} att de p\aa{} det viset kan minimera abbonnemangskostnaden. I och med sp\aa{}rningen till gruppnumret var allts\aa{} inget bevisat, eftersom vem som helst p\aa{} f\"oretaget kunde ringt ut via detta gruppnummer. Man kunde inte koppla samman samtalen med en viss fysisk person, vilket \"ar den bevisning som kr\"avs i ett fall som detta. F\"or att m\"ojligg\"ora sp\aa{}rning inom f\"oretaget installerade Televerket en avl\"asare p\aa{} f\"oretagets v\"axel\footnote{P\aa{} fackspr\aa{}k DNR -- Dialled Number Recorder.} . P\aa{} det viset registrerades alla utg\aa{}ende samtal fr\aa{}n alla anknytningar p\aa{} f\"oretaget, och skrevs ut p\aa{} papper. Denna datalista kunde sedan j\"amf\"oras med motsvarande datalista f\"or upp- och nedkopplingar fr\aa{}n Datapak:s PAD p\aa{} 020-910037. P\aa{} s\aa{} vis kom Televerkets tekniker fram till att Otto ringt 41 timmar och 20 minuter till Datapak under den vecka sp\aa{}rningen p\aa{}gick, och d\aa{} \"overf\"ort informationspaket motsvarande en kostnad av cirka 4000 kr. (Detta kan liknas vid en slags total "{}portokostnad"{} f\"or informationspaketen.) Att det var s\aa{} pass billigt berodde allts\aa{} just p\aa{} att Datapak inneb\"ar att man bara betalar f\"or den data som verkligen \"overf\"ors, inte f\"or uppkopplad tid som n\"ar det g\"aller ett vanligt telefonsamtal. Hela denna sp\aa{}rningsoperation leddes av Pege Gustafsson. \section*{En natt p\aa{} hotell} Otto ber\"attar sj\"alv om vad som h\"ande p\aa{} f\"ormiddagen den 2:a december: "{}De kom in f\"or att arrestera mig p\aa{} jobbet. F\"orest\"all dig hur generande det var. F\"orst ser jag de h\"ar snubbarna komma in p\aa{} mitt rum och t\"anker 'helsicke ocks\aa{}, fler kunder som vill ha en demonstration av n\aa{}gon produkt', men sedan visade de mig sina Polis-ID och mitt hj\"arta stannade. De s\"okte igenom mitt arbetsrum och tog med sig alla anteckningar och datorprylar. Sedan tog de mig med till min l\"agenhet s\aa{} att jag kunde \"oppna den, och s\"okte igenom den ocks\aa{}."{} Han togs sedan till Katrineholms polisstation (n\"armaste polismyndighet) f\"or f\"orh\"or. P\aa{} v\"ag dit tumlade alla m\"ojliga tankar runt i hans huvud: "{}Vad skall jag s\"aga? Att jag trodde det var en BBS? Att det var gratis? Mottagaren betalar?"{} F\"orh\"oret p\aa{}b\"orjas utan vare sig Televerkets representanter eller Ottos f\"orsvarare p\aa{} plats, men Otto f\"orst\aa{}r inte alla svenska ord (\"aven om han kunde en del eftersom f\"oretaget skickat honom p\aa{} kv\"allskurser i svenska p\aa{} Komvux) och f\"orh\"oret m\aa{}ste d\"arf\"or avbrytas i v\"antan p\aa{} tolk. Efter att tolk anl\"ant ber Otto om advokat, men tycker att det \"ar OK att forts\"atta f\"orh\"oret innan denne anl\"ant. Han tycker inte heller att det \"ar n\"odv\"andigt att prata med franska ambassaden. Han ber\"attar att han g\"or milit\"artj\"anst p\aa{} f\"oretaget i Flen, och att han funderar p\aa{} att forts\"atta arbeta p\aa{} f\"oretaget. Polisen och Otto bekantar sig med varandra, kort sagt. Klockan 14.25 intr\"affar det tursammaste \"ogonblicket i Ottos ditillsvarande liv. D\aa{} anl\"ander n\"amligen hans offentlige f\"orsvarare, som genom en fantastisk slump r\aa{}kar vara en oerh\"ort professionell advokat med egen advokatfirma som tyckt att hackarfallet sett intressant ut, och d\"arf\"or sj\"alv tagit sig an att f\"orsvara Otto. Normalt jobbar han bara med f\"oretagskonflikter inom industribranchen. Sj\"alv s\"ager Otto om sin advokat att "{}han var ett riktigt proffs (jag vet, f\"or detta var tredje g\aa{}ngen jag hamnat i en domstol), en mycket trevlig man, v\"alutbildad och intresserad av franska viner"{}. Under \aa{}terstoden av f\"orh\"oret diskuteras teknikaliteter, framf\"or allt mellan Pege Gustafsson som nu anl\"ant, och Otto Sync. De \"ovriga n\"arvarande f\aa{}r ganska snart sv\aa{}rt att h\"anga med i sv\"angarna. Otto h\"avdar att han varit p\aa{} jakt efter ett "{}mottagaren betalar"{}-nummer (motsvarigheten till telen\"atets 020-nummer vilka f\"orekommer ganska frekvent p\aa{} X.25) och att han trodde att NUI 123456 som han f\aa{}tt fr\aa{}n Televerkets manual var en "{}testlinje"{} av n\aa{}got slag. Han s\"ager att han \"ar mycket nyfiken och att det \"ar d\"arf\"or han unders\"okt Televerkets system. Pege Gustafsson plockar fram sina utskrifter fr\aa{}n samtalen d\"ar han upptr\"ader som White Night, och konfronterar Otto med delar av det som \aa{}tergetts ovan. Otto, som nu f\"or f\"orsta g\aa{}ngen f\aa{}r veta vem White Night egentligen \"ar, p\aa{}minner om att vem som helst utan vidare kan ha upptr\"att som honom p\aa{} QSD. Pege fr\aa{}gar om han l\"amnat ut NUI 123456 till n\aa{}gon annan. "{}Nej"{}, svarar han. S\aa{}h\"ar i efterhand ber\"attar han att "{}Pege f\"ors\"okte f\aa{} mig att s\"aga att jag visste vad jag h\"oll p\aa{} med och att jag hackat NUI:n o~s~v. Hela v\"agen f\"ornekade jag detta och sade att jag trodde att det var en allm\"an linje som var till f\"or 'mottagaren betalar'-samtal, och h\"oll mig till den historien hela v\"agen. Givetvis ins\aa{}g Pege att detta var skitsnack, han visste mycket v\"al vad jag h\"oll p\aa{} med. Och han hade r\"att."{} Efter att f\"orh\"oret avslutats klockan 18 togs han till en cell, eftersom det var f\"or sent att ta sig till domstolen den dagen. Otto imponerades genast av den svenska h\"aktesstandarden: "{}I Frankrike \"ar cellerna smutsiga, du f\aa{}r sova med fyllon, ingen mat, h\aa{}rd behandling o~s~v. I Katrineholm var det som ett hotell, jag fick min egen lilla s\"ang i ett s\"ott rum. P\aa{} morgonen fick jag en frukost lika bra som den man f\aa{}r p\aa{} flygplan -- fantastiskt! Sov riktigt gott d\"ar."{} Dagen efter f\"ordes han till Katrineholms Tingsr\"att, som beslutade att inte h\aa{}lla honom h\"aktad, utan ist\"allet belade honom med resef\"orbud, vilket innebar att han fick l\"amna ifr\aa{}n sig sitt pass och var tvungen att rapportera till polisen i Flen f\"ore klockan 12 varje dag fram till sj\"alva r\"atteg\aa{}ngen. \section*{"{}Farlig internationell terrorist"{}} Den direkta anledningen till att Televerket hittade Otto Sync var scanningen av Datapaks PAD. N\"ar Pege uppt\"ackte att n\aa{}gon avs\"okte PAD:en efter anv\"andbara anv\"andaridentiteter m\aa{}ste han ha satt sitt eventuella morgonkaffe i halsen. Detta var ju precis vad som h\"ant tv\aa{} \aa{}r tidigare, och d\aa{} hade man misst\"ankt att internationella terrorister l\aa{}g bakom avs\"okningen. I sj\"alva verket visade det sig vara br\"oderna Pad och Gandalf fr\aa{}n 8LGM, tv\aa{} helt normala nyfikna hackare utan anknytning till n\aa{}gon som helst internationell terrorism. Som alla andra datas\"akerhetschefer i landet Sverige hade Pege Gustafsson l\"ast Clifford Stolls bok \textit{The Cuckoos Egg} (G\"ok\"agget, eller \textit{En Hacker I Systemet}, som den heter p\aa{} svenska). I den boken beskriver Stoll hur han med fantasifulla metoder och \"andl\"osa n\"atter gratisarbete lyckas sp\aa{}ra en hackare som tagit sig in i hans system p\aa{} Berkeley och b\"orjat leta efter milit\"arhemligheter i hela den amerikanska delen av Internet. Hackaren som gjorde detta visade sig arbeta f\"or KGB, via kretsen kring hackarna Pengo och Hagbard i d\aa{}varande V\"astberlin -- ett g\"ang halvtokiga, kokainsniffande flumv\"anster-hackare som f\"ormodligen aldrig gjorde n\aa{}gon st\"orre skada. Detta sista framg\aa{}r aldrig av boken, men ligger n\"armare sanningen \"an den bild av internationella informationsspioner som Stoll frammanar.\footnote{Ibland l\"onar det sig att l\"asa mer \"an en bok, Katie Hafner och John Markoff:s \textit{Cyberpunk} rekommenderas varmt till de som f\"orl\"ast sig p\aa{} Stoll.} S\aa{} n\"ar Otto b\"orjade scanna det svenska datapakn\"atet slog Pege p\aa{} stora trumman. H\"andelsen sattes s\"akerligen i samband med alla andra liknande incidenter, och tolkades --inte som summan av en massa sm\aa{}hackares \"aventyr med enkla scannare -- utan som ett systematiskt m\"onster av intr\aa{}ngsf\"ors\"ok fr\aa{}n fr\"ammande makt. Rena paranoian helt enkelt. N\"ar man v\"al ringat in Otto i Flen och dokumenterat ett flertal sp\aa{}rningar fann man ocks\aa{} "{}bekr\"aftelser"{} p\aa{} sina misstankar: Otto ringde ett flertal samtal till Thailand -- detta tolkade man som att han kommunicerade med sina uppdragsgivare, vilka kunde vara vad som helst mellan KGB och IRA. I sj\"alva verket gick samtalen till en v\"an han l\"ange haft kontakt med, och f\aa{}tt tillst\aa{}nd fr\aa{}n f\"oretaget att ringa till lite d\aa{} och d\aa{}. Alla hackare l\"ar k\"anna m\"angder av folk runt om hela planeten, den "{}globala byn"{} \"ar i princip deras hemtrakter. S\aa{} vad polisen och Televerket n\aa{}gonstans f\"orv\"antade sig att finna n\"ar de d\"ok upp p\aa{} Ottos arbetsplats den 2:a december 1992, var en farlig internationell terrorist. De fann en 25-\aa{}rig socialt missanpassad och uttr\aa{}kad ingenj\"or som roat sig med att unders\"oka det svenska datapakn\"atet i brist p\aa{} b\"attre. Otto beskriver det som att "{}Pege trodde att han var den goda snubben som jagade den onda snubben. Han ber\"attade ocks\aa{} att han var en stor beundrare av Clifford Stoll och att han tr\"affat honom p\aa{} en s\"akerhetskonferens n\aa{}gra \aa{}r tidigare."{} Under f\"orh\"oret med Otto ritade Pege kartor som visade vilka l\"ander hans X.25-kopplingar g\aa{}tt till -- kartor som enligt Otto sj\"alv s\aa{}g ut som "{}kartor fr\aa{}n en handbok om internationella terrorister"{}. Trots att allt detta framgick klart och tydligt av den f\"oljande utredningen -- som inte ens n\"amnde \textit{misstanken} om spionage -- fanns misstankarna mot Otto kvar l\aa{}ngt efter att han l\"amnat Sverige. N\"ar dataprogrammen som skulle styra startlistor, tidtagningar och resultatlistor under OS i Lillehammer 1994 stals fr\aa{}n ett milit\"arf\"orr\aa{}d h\"osten 1993 trodde den norska polisen av n\aa{}gon anledning att Otto var inblandad. Expressen dr\"amde till ordentligt och kallade honom "{}hackerledaren"{}, och passade p\aa{} att misst\"ankligg\"ora s\aa{}v\"al Otto sj\"alv som det f\"oretag han gjort vapenfri tj\"anst vid, och antydde mellan raderna att den franska milit\"aren p\aa{} detta vis placerade spioner i Sverige\footnote{\textit{Expressen}, fredag 4 februari 1994, sid 11.}. Sj\"alv ber\"attar han att "{}jag var i Thailand v\aa{}ren 1994, och hade varken n\aa{}got jobb eller n\aa{}gon dator."{} Thailand ligger ganska l\aa{}ngt fr\aa{}n Lillehammer. Han f\aa{}r dessutom medh\aa{}ll av S\"APO som genom \"overintendent J\"orgen Almblad meddelade att de franska v\"arnpliktiga i Sverige i allm\"anhet, och Otto Sync i synnerhet, inte utgjorde n\aa{}gon s\"akerhetsrisk. "{}Om de \"ar fransm\"an eller ryssar spelar ingen roll s\aa{} l\"ange de inte utg\"or n\aa{}gon s\"akerhetsrisk"{} sade han d\aa{} till Expressen. S\"APO \"ar ytterst ansvariga f\"or rikets s\"akerhet och f\aa{}r antas kunna saken b\"attre \"an de flesta. Om de dessutom \textit{dementerar} misstankar, kan man vara ganska s\"aker. Om n\aa{}gon vore det minsta misst\"ankt, eller ok\"and, skulle man snarare avb\"oja att kommentera. S\aa{} var det med den terroristen. \"Aven Pege sj\"alv ins\aa{}g att Otto inte var den han trott. Privat ber\"attade han f\"or Otto att om han vetat vilken sm\aa{}handlare han i sj\"alva verket var, hade han inte drivit fallet s\aa{} h\"ar l\aa{}ngt. Han till och med "{}f\"oreslog att vi skulle ta en \"ol tillsammans n\"ar allt det h\"ar var \"over"{}. Otto \"ar \"an idag tveksam till Peges kompetens som s\"akerhetschef: "{}Jag minns att han ber\"attade att han sysslade med s\"akerhet vid rockkonserter ocks\aa{}. Trots att han var s\"akerhetschef, visste han inte s\"arskilt mycket om Unixs\"akerhet eller hackartekniker. Han tycktes faktiskt vara ovetande om vissa grundl\"aggande saker betr\"affande Datapak, som exempelvis 'mottagaren betalar'"{}. \section*{De onda mot de goda} Det verkar uppenbarligen som om Pege Gustafsson f\aa{}tt f\"or sig att han skulle skydda Sverige mot inbillade terrorister. Lika lite som det amerikanska kontraspionaget inledningsvis intresserade sig f\"or den ofarliga hackare Clifford Stoll jagade, lika lite intresserade sig S\"APO f\"or den lika ofarliga hackare som Pege jagade. Otto var inte ens \textit{p\aa{} jakt} efter milit\"arhemligheter -- han ans\aa{}gs vara ett hot bara f\"or att han var s\aa{} nyfiken. S\aa{} den 18 december sl\"apar den vite riddaren fr\aa{}n Televerket den franska draken inf\"or svensk domstol med hj\"alp av distrikts\aa{}klagare Christer Pettersson. Sj\"alva r\"atteg\aa{}ngen blir farsartad -- det visar sig snart att av de n\"arvarande \"ar det bara Pege och Otto som har den tekniska sakkunskap som fordras f\"or att f\"orst\aa{} Televerkets st\"amningsans\"okan. Det f\"orsta Ottos advokat g\"or n\"ar r\"atteg\aa{}ngen inleds, \"ar att sl\"anga ut Pege ur lokalen, eftersom inga s\"arskilda sk\"al har angetts f\"or hans n\"arvaro. Det enda tillf\"alle d\aa{} han f\aa{}r n\"arvara \"ar under f\"orh\"oret med honom sj\"alv. Pl\"otsligt \"ar det bara Otto sj\"alv som f\"orst\aa{}r vad \aa{}talet egentligen handlar om. Ingen av r\"attens ledam\"oter har n\aa{}gon teknisk sakkunskap. "{}R\"atteg\aa{}ngen var verkligen rolig eftersom ingen [annan] kunde \"amnet. Vissa av dokumenten jag lade fram under r\"atteg\aa{}ngen var ganska slugt utvalda, som det h\"ar e-postbrevet fr\aa{}n n\aa{}n snubbe som talar om f\"or mig hur man anv\"ander mottagaren betalar p\aa{} Televerket. Jag lade ocks\aa{} fram en lista p\aa{} alla svenska BBS:er, och ber\"attade f\"or domaren att det var 'gratis tillhandah\aa{}llna datorsystem'. Givetvis hade ingen en aning om skillnaden mellan en BBS som k\"ors p\aa{} en 386SX i en 17-\aa{}rings rum och ett landsomfattande X.25 datan\"atverk."{} Otto tycker inte att han beg\aa{}tt n\aa{}got brott, och \"ar klok nog att anv\"anda enkla beskrivningar som r\"atten f\"orst\aa{}r. Han f\"ornekar inte att han anv\"ant Datapak precis s\aa{} mycket som Televerket h\"avdar, och s\"ager sig vara beredd att betala f\"or det. Men han tycker att det \"ar orimligt att han skall betala kostnaderna f\"or sp\aa{}rning och utredning fr\aa{}n Televerket. Pege kallas bara in f\"or att beskriva hur sp\aa{}rningen av Otto g\aa{}tt till. I \"ovriga fr\aa{}gor \"ar man h\"anvisad till f\"orunders\"okningen, en f\"orskr\"acklig bibba som n\"astan uteslutande inneh\aa{}ller tekniska beskrivningar och olika listor p\aa{} sp\aa{}rningar som utf\"orts av Pege. Bland "{}bevismaterialet"{} finns Ottos egna anteckningar, flera helt harml\"osa, med detaljerad teknisk information om telefonnummer e~t~c till olika datorsystem v\"arlden \"over. Utan vidare f\"orklaring av vad f\"or slags information det r\"or sig om, kallas dessa obegripliga anteckningar "{}hackersnoteringar"{}. Dessutom bifogas en m\"angd utskrifter av filer fr\aa{}n Ottos h\aa{}rddisk. Detta material har uppenbarligen bara lagts till handlingarna f\"or att f\aa{} Otto att framst\aa{} som "{}skum"{}. Utskrifterna kunde lika g\"arna ha varit fotostatkopior av "{}ol\"ampliga b\"ocker"{} fr\aa{}n hans bokhylla. Den enda avsikten med att bifoga detta material m\aa{}ste ha varit att misst\"ankligg\"ora Otto f\"or att han tillh\"ort en viss subkultur. N\aa{}gonstans m\aa{}ste domstolen ha tr\"ottnat p\aa{} att Televerket inte kunnat prestera ett begripligt \aa{}tal. Oavsett vem som ljugit eller talat sanning, framstod Ottos p\aa{}st\aa{}ende att han inte trott att samtalen kostat pengar som sannolikt f\"or r\"atten. Eftersom \aa{}klagaren inte kunde bevisa motsatsen, ogillade man hela \aa{}talet. Dessutom ogillades Televerkets beg\"aran om skadest\aa{}nd, och yrkandet att Otto skulle utvisas ur Sverige. Televerket fick sj\"alva betala sina r\"atteg\aa{}ngskostnader. Televerket f\"orlorade, Otto Sync vann. Detta skedde den 18 december 1992, men domen meddelades f\"orst den 8 januari. I efterhand s\"ager han sj\"alv att "{}trots att jag var skyldig som fan och hamnade i domstolen, f\"orlorade Televerket fallet."{} \section*{Slutet gott...} Televerket, nu omd\"opt till Telia, svarade med att \"overklaga domen till Svea Hovr\"att den 15 januari. Eftersom Otto bara skulle vara kvar i Sverige till den 1 april, ville man att hovr\"atten skulle behandla fallet innan dess, vilket givetvis var en hoppl\"os beg\"aran. I september var Otto tillbaka i Frankrike, och givetvis hackade han fortfarande. S\aa{}, en kv\"all dyker "{}White Night"{} upp p\aa{} QSD igen. "{}Jag b\"orjade sm\aa{}prata med Pege, som f\"orv\"antade sig att jag skulle dyka upp i hovr\"atten i oktober"{}, ber\"attar han. Hovr\"atten kunde f\"ormodligen inte f\aa{}tt honom utl\"amnad till Sverige, men hur som helst hade han redan bokat en biljett till Bangkok den 4 oktober. Hovr\"atten tog upp fallet vid en handl\"aggning den 25 oktober. Eftersom Televerket inte kompletterat sin st\"amningsans\"okan med n\aa{}got nytt, och eftersom Otto inte var tillg\"anglig, besl\"ot hovr\"atten att avskriva m\aa{}let. Televerket och Pege f\"orlorade igen. \medskip{} \noindent{}Fotnot: Otto Sync har precis l\"amnat sitt jobb som ingenj\"or p\aa{} ett stort, multinationellt f\"oretag i Bangkok, d\"ar han varit chef p\aa{} en teknisk supportavdelning som arbetar med n\"at\"overvakning och intelligenta n\"at. Han h\aa{}ller som b\"ast p\aa{} att s\"atta upp sitt eget Internet-service f\"oretag. Han kan n\aa{}s p\aa{} emailadressen $<$osync@hotmail.com$>$. Pege Gustafsson har fortfarande stort s\"akerhetsansvar p\aa{} Telia. Han har b\aa{}de muntligen och brevledes ombetts kommentera artikeln, men avb\"ojt. \end{document}