pax_global_header00006660000000000000000000000064123735572730014530gustar00rootroot0000000000000052 comment=729317980e0b788f1e151fc36d252a18c72a0393 compress-compress-lzf-1.0.3/000077500000000000000000000000001237355727300160065ustar00rootroot00000000000000compress-compress-lzf-1.0.3/.gitignore000066400000000000000000000003121237355727300177720ustar00rootroot00000000000000*.iml *.ipr *.iws *.log .DS_Store .classpath .settings .project target pom.xml.releaseBackup release.properties *~ temp-testng-customsuite.xml test-output .externalToolBuilders server/logs runtime logs compress-compress-lzf-1.0.3/LICENSE000066400000000000000000000010451237355727300170130ustar00rootroot00000000000000Copyright 2009-2010 Ning, Inc. Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS,WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.compress-compress-lzf-1.0.3/README.md000066400000000000000000000067331237355727300172760ustar00rootroot00000000000000# Ning-Compress ## Overview Ning-compress is a Java library for encoding and decoding data in LZF format, written by Tatu Saloranta (tatu.saloranta@iki.fi) Data format and algorithm based on original [LZF library](http://freshmeat.net/projects/liblzf) by Marc A Lehmann. See [LZF Format](https://github.com/ning/compress/wiki/LZFFormat) for full description. Format differs slightly from some other adaptations, such as one used by [H2 database project](http://www.h2database.com) (by Thomas Mueller); although internal block compression structure is the same, block identifiers differ. This package uses the original LZF identifiers to be 100% compatible with existing command-line lzf tool(s). LZF alfgorithm itself is optimized for speed, with somewhat more modest compression: compared to Deflate (algorithm gzip uses) LZF can be 5-6 times as fast to compress, and twice as fast to decompress. ## Usage See [Wiki](https://github.com/ning/compress/wiki) for more details; here's a "TL;DNR" version. Both compression and decompression can be done either by streaming approach: InputStream in = new LZFInputStream(new FileInputStream("data.lzf")); OutputStream out = new LZFOutputStream(new FileOutputStream("results.lzf")); InputStream compIn = new LZFCompressingInputStream(new FileInputStream("stuff.txt")); or by block operation: byte[] compressed = LZFEncoder.encode(uncompressedData); byte[] uncompressed = LZFDecoder.decode(compressedData); and you can even use the LZF jar as a command-line tool (it has manifest that points to 'com.ning.compress.lzf.LZF' as the class having main() method to call), like so: java -jar compress-lzf-1.0.2.jar (which will display necessary usage arguments for `-c`(ompressing) or `-d`(ecompressing) files. ## Interoperability Besides Java support, LZF codecs / bindings exist for non-JVM languages as well: * C: [liblzf](http://oldhome.schmorp.de/marc/liblzf.html) (the original LZF package!) * Go: [Golly](https://github.com/tav/golly) * Javascript(!): [freecode LZF](http://freecode.com/projects/lzf) (or via [SourceForge](http://sourceforge.net/projects/lzf/)) * Perl: [Compress::LZF](http://search.cpan.org/dist/Compress-LZF/LZF.pm) * Python: [Python-LZF](https://github.com/teepark/python-lzf) * Ruby: [glebtv/lzf](https://github.com/glebtv/lzf), [LZF/Ruby](https://rubyforge.org/projects/lzfruby/) ## Related Check out [jvm-compress-benchmark](https://github.com/ning/jvm-compressor-benchmark) for comparison of space- and time-efficiency of this LZF implementation, relative other available Java-accessible compression libraries. ## More [Project Wiki](https://github.com/ning/compress/wiki). ## Alternative High-Speed Lempel-Ziv Compressors LZF belongs to a family of compression codecs called "simple Lempel-Ziv" codecs. Since LZ compression is also the first part of `deflate` compression (which is used, along with simple framing, for `gzip`), it can be viewed as "first-part of gzip" (second part being Huffman-encoding of compressed content). There are many other codecs in this category, most notable (and competitive being) * [Snappy](http://en.wikipedia.org/wiki/Snappy_%28software%29) * [LZ4](http://en.wikipedia.org/wiki/LZ4_%28compression_algorithm%29) all of which have very similar compression ratios (due to same underlying algorithm, differences coming from slight encoding variations, and efficiency differences in back-reference matching), and similar performance profiles regarding ratio of compression vs uncompression speeds. compress-compress-lzf-1.0.3/VERSION.txt000066400000000000000000000064711237355727300177040ustar00rootroot000000000000001.0.3 (15-Aug-2014) #37: Incorrect de-serialization on Big Endian systems, due to incorrect usage of #numberOfTrailingZeroes (pointed out by Gireesh P, gireeshpunathil@github) 1.0.2 (09-Aug-2014) #38: Overload of factory methods and constructors in Encoders and Streams to allow specifying custom `BufferRecycler` instance (contributed by `serverperformance@github`) #39: VanillaChunkEncoder.tryCompress() not using 'inPos' as it should, potentially causing corruption in rare cases (contributed by Ryan E, rjerns@github) 1.0.1 (08-Apr-2014) #35: Fix a problem with closing of `DeflaterOutputStream` (for gzip output) that could cause corrupt state for reusable `Deflater` (contribyted by thmd@github) 1.0.0 (02-Dec-2013) #34: Add `ChunkEncoder.appendEncodedIfCompresses()` for conditional compression; useful for building efficient "compress but only if it makes enough difference" processing systems 0.9.9 (25-Sep-2013) #14: Added parallel LZF compression, contributed by Cedrik (javabean@github) #25: Allow early termination of push-style `Uncompressor` operation #32: Fix for a rare NPE (suggested by francoisforster@github) 0.9.8 (09-Mar-2013) #24: Problems uncompressing certain types of binary documents - Minor perf improvement for 'appendEncoded', was not reusing buffers 0.9.7 (06-Mar-2013) #23: Add UnsafeChunkEncoder that uses 'sun.misc.Unsafe' for additional Oomph. * Add LZFEncoder.estimateMaxWorkspaceSize() to help allocate work buffers. #22: Add method(s) to allow encoding into caller-provided (pre-allocated) buffer. 0.9.6 (05-Sep-2012) #17: Add IOException subtypes 'LZFException' and 'GZIPException' (with common supertype of 'CompressionFormatException) to allow for better catching of decompression errors #19: (more) Efficient skipping with LZFInputStream, LZFFileInputStream; can skip full chunks without decoding -- much faster (as per simple tests) 0.9.5 (25-May-2012) * Add 'LZFCompressingInputStream' to allow streaming compression "in reverse" (compared to LZFOutputStream) * Add GZIP support functionality: * 'OptimizedGZIPInputStream', 'OptimizedGZIPOutputStream' which add buffer (and Inflater/Deflater) recycling for improved performance compared to default JDK implementations (uses same native ZLIB library for actual decompression) * Add "push-mode" handler, 'Uncompressor' to be used for un-/decompression with non-blocking push-style data sources (like async-http-client) * Implementations for LZF (LZFUncompressor) and GZIP (GZIPUncompressor) * 'UncompressorOutputStream' convenience wrapper to expose 'Uncompressor' as 'OutputStream' 0.9.3 * Fixed Issue #12: Command-line tool out of memory (reported by nodarret@github) * Implemented Issue #16: Add LZFInputStream.readAndWrite(...) method for copying uncompressed data, avoiding an intermediate copy. * Fix for Issue #15: LZFDecoder not passing 'offset', 'length' params (reported by T.Effland) * Fix for Issue #13: problems with Unsafe decoder on some platforms 0.9.0 (and prior) * Rewrote decoder to allow ChunkDecoder variants, to allow optional use of sun.misc.Unsafe (which can boost uncompression speed by up to +50%) * #11: Input/OutputStreams not throwing IOException if reading/writing after close() called, should be. (reported by Dain S) * Fix an NPE in BufferRecycler (reported by Matt Abrams, abramsm@gmail.com) compress-compress-lzf-1.0.3/pom.xml000066400000000000000000000172571237355727300173370ustar00rootroot00000000000000 4.0.0 org.sonatype.oss oss-parent 7 com.ning compress-lzf Compress-LZF 1.0.3 bundle Compression codec for LZF encoding for particularly encoding/decoding, with reasonable compression. Compressor is basic Lempel-Ziv codec, without Huffman (deflate/gzip) or statistical post-encoding. See "http://oldhome.schmorp.de/marc/liblzf.html" for more on original LZF package. 2.2.1 http://github.com/ning/compress scm:git:git@github.com:ning/compress.git scm:git:git@github.com:ning/compress.git http://github.com/ning/compress http://github.com/ning/compress/issues UTF-8 tatu Tatu Saloranta tatu.saloranta@iki.fi Jon Hartlaub jhartlaub@gmail.com Cédrik Lime 2013@cedrik.fr Apache License 2.0 http://www.apache.org/licenses/LICENSE-2.0.html repo org.testng testng 6.5.2 jar test install org.apache.maven.plugins maven-compiler-plugin 2.3.2 1.6 1.6 UTF-8 org.apache.maven.plugins maven-source-plugin 2.1.2 attach-sources jar org.apache.maven.plugins maven-javadoc-plugin 2.6.1 1.6 1.6 UTF-8 http://docs.oracle.com/javase/6/docs/api/ attach-javadocs verify jar org.apache.maven.plugins maven-release-plugin 2.1 forked-path org.apache.felix maven-bundle-plugin 2.3.7 true http://ning.com sun.misc com.ning.compress.lzf.impl com.ning.compress.lzf.LZF release-sign-artifacts performRelease true org.apache.maven.plugins maven-gpg-plugin sign-artifacts verify sign offline-testing org.apache.maven.plugins maven-surefire-plugin standalone online-testing org.apache.maven.plugins maven-surefire-plugin standalone, online compress-compress-lzf-1.0.3/profile-comp-perf000077500000000000000000000002531237355727300212620ustar00rootroot00000000000000#!/bin/sh java -Xmx64m -server \ -cp target/classes:target/test-classes \ -Xrunhprof:cpu=samples,depth=10,verbose=n,interval=2 \ perf.ManualCompressComparison \ $* compress-compress-lzf-1.0.3/profile-skip000077500000000000000000000002471237355727300203430ustar00rootroot00000000000000#!/bin/sh java -Xmx64m -server \ -cp target/classes:target/test-classes \ -Xrunhprof:cpu=samples,depth=10,verbose=n,interval=2 \ perf.ManualSkipComparison \ $* compress-compress-lzf-1.0.3/profile-uncomp-perf000077500000000000000000000002551237355727300216270ustar00rootroot00000000000000#!/bin/sh java -Xmx64m -server \ -cp target/classes:target/test-classes \ -Xrunhprof:cpu=samples,depth=10,verbose=n,interval=2 \ perf.ManualUncompressComparison \ $* compress-compress-lzf-1.0.3/run-comp-perf000077500000000000000000000001641237355727300204270ustar00rootroot00000000000000#!/bin/sh java -Xmx200m -server \ -cp target/classes:target/test-classes \ perf.ManualCompressComparison \ $* compress-compress-lzf-1.0.3/run-skip000077500000000000000000000001561237355727300175060ustar00rootroot00000000000000#!/bin/sh java -Xmx64m -server \ -cp target/classes:target/test-classes \ perf.ManualSkipComparison \ $* compress-compress-lzf-1.0.3/run-uncomp-perf000077500000000000000000000001661237355727300207740ustar00rootroot00000000000000#!/bin/sh java -Xmx200m -server \ -cp target/classes:target/test-classes \ perf.ManualUncompressComparison \ $* compress-compress-lzf-1.0.3/src/000077500000000000000000000000001237355727300165755ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/000077500000000000000000000000001237355727300175215ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/000077500000000000000000000000001237355727300204425ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/000077500000000000000000000000001237355727300212205ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/000077500000000000000000000000001237355727300221535ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/000077500000000000000000000000001237355727300240065ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/BufferRecycler.java000066400000000000000000000103311237355727300275510ustar00rootroot00000000000000package com.ning.compress; import java.lang.ref.SoftReference; /** * Simple helper class to encapsulate details of basic buffer * recycling scheme, which helps a lot (as per profiling) for * smaller encoding cases. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ public final class BufferRecycler { private final static int MIN_ENCODING_BUFFER = 4000; private final static int MIN_OUTPUT_BUFFER = 8000; /** * This ThreadLocal contains a {@link java.lang.ref.SoftReference} * to a {@link BufferRecycler} used to provide a low-cost * buffer recycling for buffers we need for encoding, decoding. */ final protected static ThreadLocal> _recyclerRef = new ThreadLocal>(); private byte[] _inputBuffer; private byte[] _outputBuffer; private byte[] _decodingBuffer; private byte[] _encodingBuffer; private int[] _encodingHash; /** * Accessor to get thread-local recycler instance */ public static BufferRecycler instance() { SoftReference ref = _recyclerRef.get(); BufferRecycler br = (ref == null) ? null : ref.get(); if (br == null) { br = new BufferRecycler(); _recyclerRef.set(new SoftReference(br)); } return br; } /* /////////////////////////////////////////////////////////////////////// // Buffers for encoding (output) /////////////////////////////////////////////////////////////////////// */ public byte[] allocEncodingBuffer(int minSize) { byte[] buf = _encodingBuffer; if (buf == null || buf.length < minSize) { buf = new byte[Math.max(minSize, MIN_ENCODING_BUFFER)]; } else { _encodingBuffer = null; } return buf; } public void releaseEncodeBuffer(byte[] buffer) { if (_encodingBuffer == null || (buffer != null && buffer.length > _encodingBuffer.length)) { _encodingBuffer = buffer; } } public byte[] allocOutputBuffer(int minSize) { byte[] buf = _outputBuffer; if (buf == null || buf.length < minSize) { buf = new byte[Math.max(minSize, MIN_OUTPUT_BUFFER)]; } else { _outputBuffer = null; } return buf; } public void releaseOutputBuffer(byte[] buffer) { if (_outputBuffer == null || (buffer != null && buffer.length > _outputBuffer.length)) { _outputBuffer = buffer; } } public int[] allocEncodingHash(int suggestedSize) { int[] buf = _encodingHash; if (buf == null || buf.length < suggestedSize) { buf = new int[suggestedSize]; } else { _encodingHash = null; } return buf; } public void releaseEncodingHash(int[] buffer) { if (_encodingHash == null || (buffer != null && buffer.length > _encodingHash.length)) { _encodingHash = buffer; } } /* /////////////////////////////////////////////////////////////////////// // Buffers for decoding (input) /////////////////////////////////////////////////////////////////////// */ public byte[] allocInputBuffer(int minSize) { byte[] buf = _inputBuffer; if (buf == null || buf.length < minSize) { buf = new byte[Math.max(minSize, MIN_OUTPUT_BUFFER)]; } else { _inputBuffer = null; } return buf; } public void releaseInputBuffer(byte[] buffer) { if (_inputBuffer == null || (buffer != null && buffer.length > _inputBuffer.length)) { _inputBuffer = buffer; } } public byte[] allocDecodeBuffer(int size) { byte[] buf = _decodingBuffer; if (buf == null || buf.length < size) { buf = new byte[size]; } else { _decodingBuffer = null; } return buf; } public void releaseDecodeBuffer(byte[] buffer) { if (_decodingBuffer == null || (buffer != null && buffer.length > _decodingBuffer.length)) { _decodingBuffer = buffer; } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/CompressionFormatException.java000066400000000000000000000011741237355727300322050ustar00rootroot00000000000000package com.ning.compress; import java.io.IOException; /** * Base exception used by compression codecs when encountering a problem * with underlying data format, usually due to data corruption. */ public class CompressionFormatException extends IOException { private static final long serialVersionUID = 1L; protected CompressionFormatException(String message) { super(message); } protected CompressionFormatException(Throwable t) { super(); initCause(t); } protected CompressionFormatException(String message, Throwable t) { super(message); initCause(t); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/DataHandler.java000066400000000000000000000022201237355727300270140ustar00rootroot00000000000000package com.ning.compress; import java.io.IOException; /** * Interface used by {@link Uncompressor} implementations: receives * uncompressed data and processes it appropriately. */ public interface DataHandler { /** * Method called with uncompressed data as it becomes available. *

* NOTE: return value was added (from void to boolean) in 0.9.9 * * @return True, if caller should process and feed more data; false if * caller is not interested in more data and processing should be terminated * (and {@link #allDataHandled} should be called immediately) */ public boolean handleData(byte[] buffer, int offset, int len) throws IOException; /** * Method called after last call to {@link #handleData}, for successful * operation, if and when caller is informed about end of content * Note that if an exception thrown by {@link #handleData} has caused processing * to be aborted, this method might not get called. * Implementation may choose to free resources, flush state, or perform * validation at this point. */ public void allDataHandled() throws IOException; } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/Uncompressor.java000066400000000000000000000030251237355727300273500ustar00rootroot00000000000000package com.ning.compress; import java.io.IOException; /** * Abstract class that defines "push" style API for various uncompressors * (aka decompressors or decoders). Implements are alternatives to stream * based uncompressors (such as {@link com.ning.compress.lzf.LZFInputStream}) * in cases where "push" operation is important and/or blocking is not allowed; * for example, when handling asynchronous HTTP responses. *

* Note that API does not define the way that listener is attached: this is * typically passed through to constructor of the implementation. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ public abstract class Uncompressor { /** * Method called to feed more compressed data to be uncompressed, and * sent to possible listeners. *

* NOTE: return value was added (from void to boolean) in 0.9.9 * * @return True, if caller should process and feed more data; false if * caller is not interested in more data and processing should be terminated. * (and {@link #complete} should be called immediately) */ public abstract boolean feedCompressedData(byte[] comp, int offset, int len) throws IOException; /** * Method called to indicate that all data to uncompress has already been fed. * This typically results in last block of data being uncompressed, and results * being sent to listener(s); but may also throw an exception if incomplete * block was passed. */ public abstract void complete() throws IOException; } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/UncompressorOutputStream.java000066400000000000000000000023761237355727300317550ustar00rootroot00000000000000package com.ning.compress; import java.io.*; /** * Simple wrapper or wrapper around {@link Uncompressor}, to help * with inter-operability. */ public class UncompressorOutputStream extends OutputStream { protected final Uncompressor _uncompressor; private byte[] _singleByte = null; public UncompressorOutputStream(Uncompressor uncomp) { _uncompressor = uncomp; } /** * Call to this method will result in call to * {@link Uncompressor#complete()}, which is idempotent * (i.e. can be called multiple times without ill effects). */ @Override public void close() throws IOException { _uncompressor.complete(); } @Override public void flush() { } @Override public void write(byte[] b) throws IOException { _uncompressor.feedCompressedData(b, 0, b.length); } @Override public void write(byte[] b, int off, int len) throws IOException { _uncompressor.feedCompressedData(b, off, len); } @Override public void write(int b) throws IOException { if (_singleByte == null) { _singleByte = new byte[1]; } _singleByte[0] = (byte) b; _uncompressor.feedCompressedData(_singleByte, 0, 1); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/000077500000000000000000000000001237355727300247575ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/GZIPException.java000066400000000000000000000006631237355727300302570ustar00rootroot00000000000000package com.ning.compress.gzip; import com.ning.compress.CompressionFormatException; public class GZIPException extends CompressionFormatException { private static final long serialVersionUID = 1L; public GZIPException(String message) { super(message); } public GZIPException(Throwable t) { super(t); } public GZIPException(String message, Throwable t) { super(message, t); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/GZIPRecycler.java000066400000000000000000000037621237355727300300740ustar00rootroot00000000000000package com.ning.compress.gzip; import java.lang.ref.SoftReference; import java.util.zip.Deflater; import java.util.zip.Inflater; /** * GZIP-codec-specific "extension" to {@link com.ning.compress.BufferRecycler}, * used for recycling expensive objects. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ public final class GZIPRecycler { final protected static ThreadLocal> _recyclerRef = new ThreadLocal>(); protected Inflater _inflater; protected Deflater _deflater; /** * Accessor to get thread-local recycler instance */ public static GZIPRecycler instance() { SoftReference ref = _recyclerRef.get(); GZIPRecycler br = (ref == null) ? null : ref.get(); if (br == null) { br = new GZIPRecycler(); _recyclerRef.set(new SoftReference(br)); } return br; } /* /////////////////////////////////////////////////////////////////////// // API /////////////////////////////////////////////////////////////////////// */ public Deflater allocDeflater() { Deflater d = _deflater; if (d == null) { // important: true means 'dont add zlib header'; gzip has its own d = new Deflater(Deflater.DEFAULT_COMPRESSION, true); } else { _deflater = null; } return d; } public void releaseDeflater(Deflater d) { if (d != null) { d.reset(); _deflater = d; } } public Inflater allocInflater() { Inflater i = _inflater; if (i == null) { // important: true means 'dont add zlib header'; gzip has its own i = new Inflater(true); } else { _inflater = null; } return i; } public void releaseInflater(Inflater i) { if (i != null) { i.reset(); _inflater = i; } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/GZIPUncompressor.java000066400000000000000000000455261237355727300310270ustar00rootroot00000000000000package com.ning.compress.gzip; import java.io.IOException; import java.util.zip.CRC32; import java.util.zip.DataFormatException; import java.util.zip.Deflater; import java.util.zip.Inflater; import com.ning.compress.*; /** * {@link com.ning.compress.Uncompressor} implementation for uncompressing * GZIP encoded data in "push" mode, in which input is not * read using {@link java.io.InputStream} but rather pushed to * uncompressor in variable length chunks. */ public class GZIPUncompressor extends Uncompressor { /* /////////////////////////////////////////////////////////////////////// // GZIP constants /////////////////////////////////////////////////////////////////////// */ // little-endian marker bytes: protected final static int GZIP_MAGIC = 0x8b1f; protected final static byte GZIP_MAGIC_0 = (byte) (GZIP_MAGIC & 0xFF); protected final static byte GZIP_MAGIC_1 = (byte) (GZIP_MAGIC >> 8); // // // File header flags. //protected final static int FTEXT = 1; // Extra text protected final static int FHCRC = 2; // Header CRC protected final static int FEXTRA = 4; // Extra field protected final static int FNAME = 8; // File name protected final static int FCOMMENT = 16; // File comment /** * Size of input chunks fed to underlying decoder. Since it is not 100% * clear what its effects are on */ protected final static int DEFAULT_CHUNK_SIZE = 4096; /** * For decoding we should use buffer that is big enough * to contain typical amount of decoded data; 64k seems * like a nice big number */ protected final static int DECODE_BUFFER_SIZE = 0xFFFF; /* /////////////////////////////////////////////////////////////////////// // State constants /////////////////////////////////////////////////////////////////////// */ /** * State in which a new compression stream can start. */ protected final static int STATE_INITIAL = 0; // State in which first byte of signature has been matched, second exepcted protected final static int STATE_HEADER_SIG1 = 1; // State in which 'compression type' byte is expected protected final static int STATE_HEADER_COMP_TYPE = 2; // State in which flag byte is expected protected final static int STATE_HEADER_FLAGS = 3; // State in which we are to skip 6 bytes protected final static int STATE_HEADER_SKIP = 4; protected final static int STATE_HEADER_EXTRA0 = 5; protected final static int STATE_HEADER_EXTRA1 = 6; protected final static int STATE_HEADER_FNAME = 7; protected final static int STATE_HEADER_COMMENT = 8; protected final static int STATE_HEADER_CRC0 = 9; protected final static int STATE_HEADER_CRC1 = 10; protected final static int STATE_TRAILER_INITIAL = 11; protected final static int STATE_TRAILER_CRC1 = 12; protected final static int STATE_TRAILER_CRC2 = 13; protected final static int STATE_TRAILER_CRC3 = 14; protected final static int STATE_TRAILER_LEN0 = 15; protected final static int STATE_TRAILER_LEN1 = 16; protected final static int STATE_TRAILER_LEN2 = 17; protected final static int STATE_TRAILER_LEN3 = 18; /** * State in which we are buffering compressed data for decompression */ protected final static int STATE_BODY = 20; /* /////////////////////////////////////////////////////////////////////// // Configuration, helper objects /////////////////////////////////////////////////////////////////////// */ /** * Handler that will receive uncompressed data. */ protected final DataHandler _handler; /** * Object that handles details of buffer recycling */ protected final BufferRecycler _recycler; protected final GZIPRecycler _gzipRecycler; protected Inflater _inflater; protected final CRC32 _crc; protected final int _inputChunkLength; /** * Buffer used for data uncompressed from _inputBuffer. */ protected byte[] _decodeBuffer; /* /////////////////////////////////////////////////////////////////////// // Decoder state /////////////////////////////////////////////////////////////////////// */ /** * Current decoding state, which determines meaning of following byte(s). */ protected int _state = STATE_INITIAL; /** * Flag set if {@link DataHandler} indicates that processing should be * terminated. */ protected boolean _terminated; /** * Header flags read from gzip header */ protected int _flags; /** * Expected CRC for header, from gzip file itself. */ protected int _headerCRC; /** * Simple counter used when skipping fixed number of bytes */ protected int _skippedBytes; /** * CRC container in trailer, should match calculated CRC over data */ protected int _trailerCRC; /** * Number of bytes that trailer indicates preceding data stream * should have had. */ protected int _trailerCount; /* /////////////////////////////////////////////////////////////////////// // Instance creation /////////////////////////////////////////////////////////////////////// */ public GZIPUncompressor(DataHandler h) { this(h, DEFAULT_CHUNK_SIZE, BufferRecycler.instance(), GZIPRecycler.instance()); } public GZIPUncompressor(DataHandler h, int inputChunkLength) { this(h, inputChunkLength, BufferRecycler.instance(), GZIPRecycler.instance()); } public GZIPUncompressor(DataHandler h, int inputChunkLength, BufferRecycler bufferRecycler, GZIPRecycler gzipRecycler) { _inputChunkLength = inputChunkLength; _handler = h; _recycler = bufferRecycler; _decodeBuffer = bufferRecycler.allocDecodeBuffer(DECODE_BUFFER_SIZE); _gzipRecycler = gzipRecycler; _inflater = gzipRecycler.allocInflater(); _crc = new CRC32(); } /* /////////////////////////////////////////////////////////////////////// // Uncompressor API implementation /////////////////////////////////////////////////////////////////////// */ @Override public boolean feedCompressedData(byte[] comp, int offset, int len) throws IOException { if (_terminated) { return false; } final int end = offset + len; if (_state != STATE_BODY) { if (_state < STATE_TRAILER_INITIAL) { // header offset = _handleHeader(comp, offset, end); if (offset >= end) { // not fully handled yet return true; } // fall through to body } else { // trailer offset = _handleTrailer(comp, offset, end); if (offset < end) { // sanity check _throwInternal(); } // either way, we are done return true; } } // Ok, decode... while (true) { // first: if input is needed, give some if (_inflater.needsInput()) { final int left = end-offset; if (left < 1) { // need input but nothing to give, leve return true; } final int amount = Math.min(left, _inputChunkLength); _inflater.setInput(comp, offset, amount); offset += amount; } // and then see what we can get out if anything while (true) { int decoded; try { decoded = _inflater.inflate(_decodeBuffer); } catch (DataFormatException e) { throw new GZIPException("Problems inflating gzip data: "+e.getMessage(), e); } if (decoded == 0) { break; } _crc.update(_decodeBuffer, 0, decoded); if (!_handler.handleData(_decodeBuffer, 0, decoded)) { _terminated = true; return false; } } if (_inflater.finished() || _inflater.needsDictionary()) { _state = STATE_TRAILER_INITIAL; // also: push back some of data that is buffered int remains = _inflater.getRemaining(); if (remains > 0) { offset -= remains; } break; } } // finally; handle trailer if we got this far offset = _handleTrailer(comp, offset, end); if (offset < end) { // sanity check _throwInternal(); } return !_terminated; } @Override public void complete() throws IOException { byte[] b = _decodeBuffer; if (b != null) { _decodeBuffer = null; _recycler.releaseDecodeBuffer(b); } Inflater i = _inflater; if (i != null) { _inflater = null; _gzipRecycler.releaseInflater(i); } // 24-May-2012, tatu: Should we call this here; or fail with exception? _handler.allDataHandled(); if (!_terminated) { if (_state != STATE_INITIAL) { if (_state >= STATE_TRAILER_INITIAL) { if (_state == STATE_BODY) { throw new GZIPException("Invalid GZIP stream: end-of-input in the middle of compressed data"); } throw new GZIPException("Invalid GZIP stream: end-of-input in the trailer (state: "+_state+")"); } throw new GZIPException("Invalid GZIP stream: end-of-input in header (state: "+_state+")"); } } } /* /////////////////////////////////////////////////////////////////////// // Helper methods, header/trailer /////////////////////////////////////////////////////////////////////// */ protected final boolean _hasFlag(int flag) { return (_flags & flag) == flag; } private final int _handleHeader(byte[] comp, int offset, final int end) throws IOException { main_loop: while (offset < end) { byte b = comp[offset++]; _crc.update(b); switch (_state) { case STATE_INITIAL: if (b != GZIP_MAGIC_0) { _reportBadHeader(comp, offset, end, 0); } if (offset >= end) { _state = STATE_HEADER_SIG1; break; } b = comp[offset++]; _crc.update(b); // fall through case STATE_HEADER_SIG1: if (b != GZIP_MAGIC_1) { _reportBadHeader(comp, offset, end, 1); } if (offset >= end) { _state = STATE_HEADER_COMP_TYPE; break; } b = comp[offset++]; _crc.update(b); // fall through case STATE_HEADER_COMP_TYPE: if (b != Deflater.DEFLATED) { _reportBadHeader(comp, offset, end, 1); } if (offset >= end) { _state = STATE_HEADER_FLAGS; break; } b = comp[offset++]; _crc.update(b); // fall through case STATE_HEADER_FLAGS: _flags = b; // should we validate these? _skippedBytes = 0; _state = STATE_HEADER_SKIP; if (offset >= end) { break; } b = comp[offset++]; _crc.update(b); // fall through case STATE_HEADER_SKIP: while (++_skippedBytes < 6) { if (offset >= end) { break main_loop; } b = comp[offset++]; _crc.update(b); } if (_hasFlag(FEXTRA)) { _state = STATE_HEADER_EXTRA0; } else if (_hasFlag(FNAME)) { _state = STATE_HEADER_FNAME; } else if (_hasFlag(FCOMMENT)) { _state = STATE_HEADER_COMMENT; } else if (_hasFlag(FHCRC)) { _state = STATE_HEADER_CRC0; } else { // no extras... body, I guess? _state = STATE_BODY; break main_loop; } // let's keep things simple, do explicit re-loop to sort it out: continue; case STATE_HEADER_EXTRA0: _state = STATE_HEADER_EXTRA1; break; case STATE_HEADER_EXTRA1: if (_hasFlag(FNAME)) { _state = STATE_HEADER_FNAME; } else if (_hasFlag(FCOMMENT)) { _state = STATE_HEADER_COMMENT; } else if (_hasFlag(FHCRC)) { _state = STATE_HEADER_CRC0; } else { _state = STATE_BODY; break main_loop; } break; case STATE_HEADER_FNAME: // skip until zero while (b != 0) { if (offset >= end) { break main_loop; } b = comp[offset++]; _crc.update(b); } if (_hasFlag(FCOMMENT)) { _state = STATE_HEADER_COMMENT; } else if (_hasFlag(FHCRC)) { _state = STATE_HEADER_CRC0; } else { _state = STATE_BODY; break main_loop; } break; case STATE_HEADER_COMMENT: while (b != 0) { if (offset >= end) { break main_loop; } b = comp[offset++]; } if (_hasFlag(FHCRC)) { _state = STATE_HEADER_CRC0; } else { _state = STATE_BODY; break main_loop; } break; case STATE_HEADER_CRC0: _headerCRC = b & 0xFF; if (offset >= end) { _state = STATE_HEADER_CRC1; break; } b = comp[offset++]; _crc.update(b); // fall through case STATE_HEADER_CRC1: _headerCRC += ((b & 0xFF) << 8); int act = (int)_crc.getValue() & 0xffff; if (act != _headerCRC) { throw new GZIPException("Corrupt GZIP header: header CRC 0x" +Integer.toHexString(act)+", expected 0x " +Integer.toHexString(_headerCRC)); } _state = STATE_BODY; break main_loop; default: _throwInternal("Unknown header state: "+_state); } } if (_state == STATE_BODY) { _crc.reset(); } return offset; } private final int _handleTrailer(byte[] comp, int offset, final int end) throws IOException { while (offset < end) { byte b = comp[offset++]; switch (_state) { case STATE_TRAILER_INITIAL: _trailerCRC = b & 0xFF; _state = STATE_TRAILER_CRC1; break; case STATE_TRAILER_CRC1: _trailerCRC += (b & 0xFF) << 8; _state = STATE_TRAILER_CRC2; break; case STATE_TRAILER_CRC2: _trailerCRC += (b & 0xFF) << 16; _state = STATE_TRAILER_CRC3; break; case STATE_TRAILER_CRC3: _trailerCRC += (b & 0xFF) << 24; final int actCRC = (int) _crc.getValue(); // verify CRC: if (_trailerCRC != actCRC) { throw new GZIPException("Corrupt block or trailer: expected CRC " +Integer.toHexString(_trailerCRC)+", computed "+Integer.toHexString(actCRC)); } _state = STATE_TRAILER_LEN0; break; case STATE_TRAILER_LEN0: _trailerCount = b & 0xFF; _state = STATE_TRAILER_LEN1; break; case STATE_TRAILER_LEN1: _trailerCount += (b & 0xFF) << 8; _state = STATE_TRAILER_LEN2; break; case STATE_TRAILER_LEN2: _trailerCount += (b & 0xFF) << 16; _state = STATE_TRAILER_LEN3; break; case STATE_TRAILER_LEN3: _trailerCount += (b & 0xFF) << 24; _state = STATE_INITIAL; // Verify count... int actCount32 = (int) _inflater.getBytesWritten(); if (actCount32 != _trailerCount) { throw new GZIPException("Corrupt block or trailed: expected byte count "+_trailerCount+", read "+actCount32); } break; default: _throwInternal("Unknown trailer state: "+_state); } } return offset; } /* /////////////////////////////////////////////////////////////////////// // Helper methods, other /////////////////////////////////////////////////////////////////////// */ protected void _throwInternal() throws GZIPException { throw new GZIPException("Internal error"); } protected void _throwInternal(String msg) throws GZIPException { throw new GZIPException("Internal error: "+msg); } protected void _reportBadHeader(byte[] comp, int nextOffset, int end, int relative) throws GZIPException { String byteStr = "0x"+Integer.toHexString(comp[nextOffset] & 0xFF); if (relative <= 1) { int exp = (relative == 0) ? (GZIP_MAGIC & 0xFF) : (GZIP_MAGIC >> 8); --nextOffset; throw new GZIPException("Bad GZIP stream: byte #"+relative+" of header not '" +exp+"' (0x"+Integer.toHexString(exp)+") but "+byteStr); } if (relative == 2) { // odd that throw new GZIPException("Bad GZIP stream: byte #2 of header invalid: type "+byteStr +" not supported, 0x"+Integer.toHexString(Deflater.DEFLATED) +" expected"); } throw new GZIPException("Bad GZIP stream: byte #"+relative+" of header invalid: "+byteStr); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/OptimizedGZIPInputStream.java000066400000000000000000000246601237355727300324640ustar00rootroot00000000000000package com.ning.compress.gzip; import java.io.*; import java.util.zip.*; import com.ning.compress.BufferRecycler; /** * Optimized variant of {@link java.util.zip.GZIPInputStream} that * reuses underlying {@link java.util.zip.Deflater} instance}. */ public class OptimizedGZIPInputStream extends InputStream { /** * What kinds of chunks do we feed underlying {@link Inflater}? */ private final static int INPUT_BUFFER_SIZE = 16000; /** * Enumeration used for keeping track of decoding state within * stream */ enum State { GZIP_HEADER, GZIP_CONTENT, GZIP_TRAILER, GZIP_COMPLETE; }; /* /////////////////////////////////////////////////////////////////////// // Helper objects /////////////////////////////////////////////////////////////////////// */ protected Inflater _inflater; protected final CRC32 _crc; /** * Object that handles details of buffer recycling */ protected final BufferRecycler _bufferRecycler; protected final GZIPRecycler _gzipRecycler; /* /////////////////////////////////////////////////////////////////////// // State /////////////////////////////////////////////////////////////////////// */ protected byte[] _buffer; protected int _bufferPtr; protected int _bufferEnd; /** * Temporary buffer used for single-byte reads, skipping. */ protected byte[] _tmpBuffer; /** * Underlying input stream from which compressed data is to be * read from. */ protected InputStream _rawInput; /** * Flag set to true during handling of header processing */ protected OptimizedGZIPInputStream.State _state; /* /////////////////////////////////////////////////////////////////////// // Construction /////////////////////////////////////////////////////////////////////// */ public OptimizedGZIPInputStream(InputStream in) throws IOException { this(in, BufferRecycler.instance(), GZIPRecycler.instance()); } public OptimizedGZIPInputStream(InputStream in, BufferRecycler bufferRecycler, GZIPRecycler gzipRecycler) throws IOException { super(); _bufferRecycler = bufferRecycler; _gzipRecycler = gzipRecycler; _rawInput = in; _buffer = bufferRecycler.allocInputBuffer(INPUT_BUFFER_SIZE); _bufferPtr = _bufferEnd = 0; _inflater = gzipRecycler.allocInflater(); _crc = new CRC32(); // And then need to process header... _readHeader(); _state = State.GZIP_CONTENT; _crc.reset(); // and if all is good, kick start inflater etc if (_bufferPtr >= _bufferEnd) { // need more data _loadMore(); } _inflater.setInput(_buffer, _bufferPtr, _bufferEnd-_bufferPtr); } /* /////////////////////////////////////////////////////////////////////// // InputStream implementation /////////////////////////////////////////////////////////////////////// */ @Override public int available() { if (_state == State.GZIP_COMPLETE) { return 0; } // not sure if this makes sense but... return _inflater.finished() ? 0 : 1; } @Override public void close() throws IOException { _state = State.GZIP_COMPLETE; if (_rawInput != null) { _rawInput.close(); _rawInput = null; } byte[] b = _buffer; if (b != null) { _buffer = null; _bufferRecycler.releaseInputBuffer(b); } b = _tmpBuffer; if (b != null) { _tmpBuffer = null; _bufferRecycler.releaseDecodeBuffer(b); } Inflater i = _inflater; if (i != null) { _inflater = null; _gzipRecycler.releaseInflater(i); } } @Override public void mark(int limit) { // not supported... but not lethal to call } @Override public boolean markSupported() { return false; } @Override public final int read() throws IOException { byte[] tmp = _getTmpBuffer(); int count = read(tmp, 0, 1); if (count < 0) { return -1; } return tmp[0] & 0xFF; } @Override public final int read(byte[] buf) throws IOException { return read(buf, 0, buf.length); } @Override public final int read(byte[] buf, int offset, int len) throws IOException { if (buf == null) { throw new NullPointerException(); } if (offset < 0 || len < 0 || len > buf.length - offset) { throw new IndexOutOfBoundsException(); } if (_state == State.GZIP_COMPLETE) { // closed or EOF return -1; } if (len == 0) { return 0; } try { int count; while ((count = _inflater.inflate(buf, offset, len)) == 0) { if (_inflater.finished() || _inflater.needsDictionary()) { _readTrailer(); _state = State.GZIP_COMPLETE; return -1; } if (_inflater.needsInput()) { _loadMore(); _inflater.setInput(_buffer, _bufferPtr, _bufferEnd-_bufferPtr); _bufferPtr = _bufferEnd; } } _crc.update(buf, offset, count); return count; } catch (DataFormatException e) { String s = e.getMessage(); throw new GZIPException(s != null ? s : "Invalid ZLIB data format"); } } @Override public void reset() throws IOException { throw new IOException("mark/reset not supported"); } @Override public long skip(long n) throws IOException { if (n < 0) { throw new IllegalArgumentException("negative skip length"); } byte[] tmp = _getTmpBuffer(); long total = 0; while (true) { int max = (int) (n - total); if (max == 0) { break; } int count = read(tmp, 0, Math.min(max, tmp.length)); total += count; } return total; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ protected byte[] _getTmpBuffer() { if (_tmpBuffer == null) { _tmpBuffer = _bufferRecycler.allocDecodeBuffer(INPUT_BUFFER_SIZE); } return _tmpBuffer; } protected final void _readHeader() throws IOException { _state = State.GZIP_HEADER; // Check header magic int sig = _readShort(); if (sig != GZIPUncompressor.GZIP_MAGIC) { throw new GZIPException("Not in GZIP format (got 0x"+Integer.toHexString(sig) +", should be 0x"+Integer.toHexString(GZIPUncompressor.GZIP_MAGIC)+")"); } // Check compression method if (_readByte() != Deflater.DEFLATED) { throw new GZIPException("Unsupported compression method (only support Deflate, "+Deflater.DEFLATED+")"); } // Read flags int flg = _readByte(); // Skip MTIME, XFL, and OS fields _skipBytes(6); // Skip optional extra field if ((flg & GZIPUncompressor.FEXTRA) != 0) { _skipBytes(_readShort()); } // Skip optional file name if ((flg & GZIPUncompressor.FNAME) != 0) { while (_readByte() != 0) ; } // Skip optional file comment if ((flg & GZIPUncompressor.FCOMMENT) != 0) { while (_readByte() != 0) ; } // Check optional header CRC if ((flg & GZIPUncompressor.FHCRC) != 0) { int act = (int)_crc.getValue() & 0xffff; int exp = _readShort(); if (act != exp) { throw new GZIPException("Corrupt GZIP header (header CRC 0x" +Integer.toHexString(act)+", expected 0x " +Integer.toHexString(exp)); } } } protected final void _readTrailer() throws IOException { int actCrc = (int) _crc.getValue(); // does Inflater have leftovers? int remains = _inflater.getRemaining(); if (remains > 0) { // ok, let's update ptr to indicate where we are at... _bufferPtr = _bufferEnd - remains; } else { // if not, just load more _loadMore(8); } int expCrc = _readInt(); int expCount = _readInt(); int actCount32 = (int) _inflater.getBytesWritten(); if (actCount32 != expCount) { throw new GZIPException("Corrupt trailer: expected byte count "+expCount+", read "+actCount32); } if (expCrc != actCrc) { throw new GZIPException("Corrupt trailer: expected CRC "+Integer.toHexString(expCrc)+", computed "+Integer.toHexString(actCrc)); } } private final void _skipBytes(int count) throws IOException { while (--count >= 0) { _readByte(); } } private final int _readByte() throws IOException { if (_bufferPtr >= _bufferEnd) { _loadMore(); } byte b = _buffer[_bufferPtr++]; if (_state == State.GZIP_HEADER) { _crc.update(b); } return b & 0xFF; } private final int _readShort() throws IOException { // LSB... blech return _readByte() | (_readByte() << 8); } private final int _readInt() throws IOException { // LSB... yuck return _readByte() | (_readByte() << 8) | (_readByte() << 16) | (_readByte() << 24); } private final void _loadMore() throws IOException { // let's read at most 8k; deflater has to buffer some of data _loadMore(Math.min(_buffer.length, INPUT_BUFFER_SIZE)); } private final void _loadMore(int max) throws IOException { int count = _rawInput.read(_buffer, 0, max); if (count < 1) { String prob = (count < 0) ? "Unexpected end of input" : "Strange underlying stream (returned 0 bytes for read)"; throw new GZIPException(prob+" when reading "+_state); } _bufferPtr = 0; _bufferEnd = count; } }compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/OptimizedGZIPOutputStream.java000066400000000000000000000111051237355727300326530ustar00rootroot00000000000000package com.ning.compress.gzip; import java.io.*; import java.util.zip.CRC32; import java.util.zip.Deflater; import java.util.zip.DeflaterOutputStream; /** * Optimized variant of {@link java.util.zip.GZIPOutputStream} that * reuses underlying {@link java.util.zip.Deflater} instance}. */ public class OptimizedGZIPOutputStream extends OutputStream { /** * GZIP header magic number; written out LSB like most everything * else (i.e. as 0x1f 0x8b) */ private final static int GZIP_MAGIC = 0x8b1f; /** * For now, static header seems fine, since JDK default gzip writer * does it too: */ final static byte[] DEFAULT_HEADER = new byte[] { (byte) GZIP_MAGIC, // Magic number (short) (byte)(GZIP_MAGIC >> 8), // Magic number (short) Deflater.DEFLATED, // Compression method (CM) 0, // Flags (FLG) 0, // Modification time MTIME (int) 0, // Modification time MTIME (int) 0, // Modification time MTIME (int) 0, // Modification time MTIME (int) 0, // Extra flags (XFLG) (byte) 0xff // Operating system (OS), UNKNOWN }; /* /////////////////////////////////////////////////////////////////////// // Helper objects /////////////////////////////////////////////////////////////////////// */ protected Deflater _deflater; protected final GZIPRecycler _gzipRecycler; protected final byte[] _eightByteBuffer = new byte[8]; /* /////////////////////////////////////////////////////////////////////// // State /////////////////////////////////////////////////////////////////////// */ /** * Underlying output stream that header, compressed content and * footer go to */ protected OutputStream _rawOut; // TODO: write this out, not strictly needed... protected DeflaterOutputStream _deflaterOut; protected CRC32 _crc; /* /////////////////////////////////////////////////////////////////////// // Construction /////////////////////////////////////////////////////////////////////// */ public OptimizedGZIPOutputStream(OutputStream out) throws IOException { super(); _gzipRecycler = GZIPRecycler.instance(); _rawOut = out; // write header: _rawOut.write(DEFAULT_HEADER); _deflater = _gzipRecycler.allocDeflater(); _deflaterOut = new DeflaterOutputStream(_rawOut, _deflater, 4000); _crc = new CRC32(); } /* /////////////////////////////////////////////////////////////////////// // OutputStream implementation /////////////////////////////////////////////////////////////////////// */ @Override public void close() throws IOException { _deflaterOut.finish(); _deflaterOut = null; _writeTrailer(_rawOut); _rawOut.close(); Deflater d = _deflater; if (d != null) { _deflater = null; _gzipRecycler.releaseDeflater(d); } } @Override public void flush() throws IOException { _deflaterOut.flush(); } @Override public final void write(byte[] buf) throws IOException { write(buf, 0, buf.length); } @Override public final void write(int c) throws IOException { _eightByteBuffer[0] = (byte) c; write(_eightByteBuffer, 0, 1); } @Override public void write(byte[] buf, int off, int len) throws IOException { _deflaterOut.write(buf, off, len); _crc.update(buf, off, len); } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ private void _writeTrailer(OutputStream out) throws IOException { _putInt(_eightByteBuffer, 0, (int) _crc.getValue()); _putInt(_eightByteBuffer, 4, _deflater.getTotalIn()); out.write(_eightByteBuffer, 0, 8); } /** * Stupid GZIP, writes stuff in wrong order (not network, but x86) */ private final static void _putInt(byte[] buf, int offset, int value) { buf[offset++] = (byte) (value); buf[offset++] = (byte) (value >> 8); buf[offset++] = (byte) (value >> 16); buf[offset] = (byte) (value >> 24); } }compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/gzip/package-info.java000066400000000000000000000007161237355727300301520ustar00rootroot00000000000000/** Package that contains optimized stream implementations for working with GZIP. Internally JDK provided efficient ZLIB codec is used for actual encoding and decoding. Code here adds appropriate reuse to specifically improve handling of relatively short compressed data; and may also have better support for alternate operating modes such as "push-style" handling that is needed for non-blocking ("async") stream processing. */ package com.ning.compress.gzip; compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/000077500000000000000000000000001237355727300246015ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/ChunkDecoder.java000066400000000000000000000254341237355727300300120ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.IOException; import java.io.InputStream; /** * Decoder that handles decoding of sequence of encoded LZF chunks, * combining them into a single contiguous result byte array. *

* Note that instances have no state, so they are * fully thread-safe and reusable. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ public abstract class ChunkDecoder { protected final static byte BYTE_NULL = 0; protected final static int HEADER_BYTES = 5; public ChunkDecoder() { } /* /////////////////////////////////////////////////////////////////////// // Public API /////////////////////////////////////////////////////////////////////// */ /** * Method for decompressing a block of input data encoded in LZF * block structure (compatible with lzf command line utility), * and can consist of any number of blocks. * Note that input MUST consists of a sequence of one or more complete * chunks; partial chunks can not be handled. */ public final byte[] decode(final byte[] inputBuffer) throws LZFException { byte[] result = new byte[calculateUncompressedSize(inputBuffer, 0, inputBuffer.length)]; decode(inputBuffer, 0, inputBuffer.length, result); return result; } /** * Method for decompressing a block of input data encoded in LZF * block structure (compatible with lzf command line utility), * and can consist of any number of blocks. * Note that input MUST consists of a sequence of one or more complete * chunks; partial chunks can not be handled. */ public final byte[] decode(final byte[] inputBuffer, int inputPtr, int inputLen) throws LZFException { byte[] result = new byte[calculateUncompressedSize(inputBuffer, inputPtr, inputLen)]; decode(inputBuffer, inputPtr, inputLen, result); return result; } /** * Method for decompressing a block of input data encoded in LZF * block structure (compatible with lzf command line utility), * and can consist of any number of blocks. * Note that input MUST consists of a sequence of one or more complete * chunks; partial chunks can not be handled. */ public final int decode(final byte[] inputBuffer, final byte[] targetBuffer) throws LZFException { return decode(inputBuffer, 0, inputBuffer.length, targetBuffer); } /** * Method for decompressing a block of input data encoded in LZF * block structure (compatible with LZF command line utility), * and can consist of any number of blocks. * Note that input MUST consists of a sequence of one or more complete * chunks; partial chunks can not be handled. */ public int decode(final byte[] sourceBuffer, int inPtr, int inLength, final byte[] targetBuffer) throws LZFException { int outPtr = 0; int blockNr = 0; final int end = inPtr + inLength - 1; // -1 to offset possible end marker while (inPtr < end) { // let's do basic sanity checks; no point in skimping with these checks if (sourceBuffer[inPtr] != LZFChunk.BYTE_Z || sourceBuffer[inPtr+1] != LZFChunk.BYTE_V) { throw new LZFException("Corrupt input data, block #"+blockNr+" (at offset "+inPtr+"): did not start with 'ZV' signature bytes"); } inPtr += 2; int type = sourceBuffer[inPtr++]; int len = uint16(sourceBuffer, inPtr); inPtr += 2; if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { // uncompressed if ((outPtr + len) > targetBuffer.length) { _reportArrayOverflow(targetBuffer, outPtr, len); } System.arraycopy(sourceBuffer, inPtr, targetBuffer, outPtr, len); outPtr += len; } else { // compressed int uncompLen = uint16(sourceBuffer, inPtr); if ((outPtr + uncompLen) > targetBuffer.length) { _reportArrayOverflow(targetBuffer, outPtr, uncompLen); } inPtr += 2; decodeChunk(sourceBuffer, inPtr, targetBuffer, outPtr, outPtr+uncompLen); outPtr += uncompLen; } inPtr += len; ++blockNr; } return outPtr; } /** * Main decode from a stream. Decompressed bytes are placed in the outputBuffer, inputBuffer * is a "scratch-area". * * @param is An input stream of LZF compressed bytes * @param inputBuffer A byte array used as a scratch area. * @param outputBuffer A byte array in which the result is returned * * @return The number of bytes placed in the outputBuffer. */ public abstract int decodeChunk(final InputStream is, final byte[] inputBuffer, final byte[] outputBuffer) throws IOException; /** * Main decode method for individual chunks. */ public abstract void decodeChunk(byte[] in, int inPos, byte[] out, int outPos, int outEnd) throws LZFException; /** * @return If positive number, number of bytes skipped; if -1, end-of-stream was * reached; otherwise, amount of content * decoded (using formula of returnValue = -(decodedAmount + 2)) */ public abstract int skipOrDecodeChunk(final InputStream is, final byte[] inputBuffer, final byte[] outputBuffer, final long maxToSkip) throws IOException; /* /////////////////////////////////////////////////////////////////////// // Public static methods /////////////////////////////////////////////////////////////////////// */ /** * Helper method that will calculate total uncompressed size, for sequence of * one or more LZF blocks stored in given byte array. * Will do basic sanity checking, so that this method can be called to * verify against some types of corruption. */ public static int calculateUncompressedSize(byte[] data, int ptr, int length) throws LZFException { int uncompressedSize = 0; int blockNr = 0; final int end = ptr + length; while (ptr < end) { // can use optional end marker if (ptr == (data.length + 1) && data[ptr] == BYTE_NULL) { ++ptr; // so that we'll be at end break; } // simpler to handle bounds checks by catching exception here... try { if (data[ptr] != LZFChunk.BYTE_Z || data[ptr+1] != LZFChunk.BYTE_V) { throw new LZFException("Corrupt input data, block #"+blockNr+" (at offset "+ptr+"): did not start with 'ZV' signature bytes"); } int type = (int) data[ptr+2]; int blockLen = uint16(data, ptr+3); if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { // uncompressed ptr += 5; uncompressedSize += blockLen; } else if (type == LZFChunk.BLOCK_TYPE_COMPRESSED) { // compressed uncompressedSize += uint16(data, ptr+5); ptr += 7; } else { // unknown... CRC-32 would be 2, but that's not implemented by cli tool throw new LZFException("Corrupt input data, block #"+blockNr+" (at offset "+ptr+"): unrecognized block type "+(type & 0xFF)); } ptr += blockLen; } catch (ArrayIndexOutOfBoundsException e) { throw new LZFException("Corrupt input data, block #"+blockNr+" (at offset "+ptr+"): truncated block header"); } ++blockNr; } // one more sanity check: if (ptr != end) { throw new LZFException("Corrupt input data: block #"+blockNr+" extends "+(data.length - ptr)+" beyond end of input"); } return uncompressedSize; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ protected final static int uint16(byte[] data, int ptr) { return ((data[ptr] & 0xFF) << 8) + (data[ptr+1] & 0xFF); } /** * Helper method to forcibly load header bytes that must be read before * chunk can be handled. */ protected final static int readHeader(final InputStream is, final byte[] inputBuffer) throws IOException { // Ok: simple case first, where we just get all data we need int needed = HEADER_BYTES; int count = is.read(inputBuffer, 0, needed); if (count == needed) { return count; } if (count <= 0) { return 0; } // if not, a source that trickles data (network etc); must loop int offset = count; needed -= count; do { count = is.read(inputBuffer, offset, needed); if (count <= 0) { break; } offset += count; needed -= count; } while (needed > 0); return offset; } protected final static void readFully(InputStream is, boolean compressed, byte[] outputBuffer, int offset, int len) throws IOException { int left = len; while (left > 0) { int count = is.read(outputBuffer, offset, left); if (count < 0) { // EOF not allowed here throw new LZFException("EOF in "+len+" byte (" +(compressed ? "" : "un")+"compressed) block: could only read " +(len-left)+" bytes"); } offset += count; left -= count; } } protected final static void skipFully(final InputStream is, int amount) throws IOException { final int orig = amount; while (amount > 0) { long skipped = is.skip(amount); if (skipped <= 0) { throw new LZFException("Input problem: failed to skip "+orig+" bytes in input stream, only skipped " +(orig-amount)); } amount -= (int) skipped; } } protected void _reportCorruptHeader() throws LZFException { throw new LZFException("Corrupt input data, block did not start with 2 byte signature ('ZV') followed by type byte, 2-byte length)"); } /** * Helper method called when it is determined that the target buffer can not * hold all data to copy or uncompress */ protected void _reportArrayOverflow(byte[] targetBuffer, int outPtr, int dataLen) throws LZFException { throw new LZFException("Target buffer too small ("+targetBuffer.length+"): can not copy/uncompress " +dataLen+" bytes to offset "+outPtr); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/ChunkEncoder.java000066400000000000000000000340271237355727300300220ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package com.ning.compress.lzf; import java.io.Closeable; import java.io.IOException; import java.io.OutputStream; import com.ning.compress.BufferRecycler; /** * Class that handles actual encoding of individual chunks. * Resulting chunks can be compressed or non-compressed; compression * is only used if it actually reduces chunk size (including overhead * of additional header bytes) *

* Note that instances are stateful and hence * not thread-safe; one instance is meant to be used * for processing a sequence of chunks where total length * is known. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ public abstract class ChunkEncoder implements Closeable { // // // Constants // Beyond certain point we won't be able to compress; let's use 16 bytes as cut-off protected static final int MIN_BLOCK_TO_COMPRESS = 16; protected static final int MIN_HASH_SIZE = 256; // Not much point in bigger tables, with 8k window protected static final int MAX_HASH_SIZE = 16384; protected static final int MAX_OFF = 1 << 13; // 8k protected static final int MAX_REF = (1 << 8) + (1 << 3); // 264 /** * How many tail bytes are we willing to just copy as is, to simplify * loop end checks? 4 is bare minimum, may be raised to 8? */ protected static final int TAIL_LENGTH = 4; // // // Encoding tables etc protected final BufferRecycler _recycler; /** * Hash table contains lookup based on 3-byte sequence; key is hash * of such triplet, value is offset in buffer. */ protected int[] _hashTable; protected final int _hashModulo; /** * Buffer in which encoded content is stored during processing */ protected byte[] _encodeBuffer; /** * Small buffer passed to LZFChunk, needed for writing chunk header */ protected byte[] _headerBuffer; /** * Uses a ThreadLocal soft-referenced BufferRecycler instance. * * @param totalLength Total encoded length; used for calculating size * of hash table to use */ protected ChunkEncoder(int totalLength) { this(totalLength, BufferRecycler.instance()); } /** * @param totalLength Total encoded length; used for calculating size * of hash table to use * @param bufferRecycler Buffer recycler instance, for usages where the * caller manages the recycler instances */ protected ChunkEncoder(int totalLength, BufferRecycler bufferRecycler) { // Need room for at most a single full chunk int largestChunkLen = Math.min(totalLength, LZFChunk.MAX_CHUNK_LEN); int suggestedHashLen = calcHashLen(largestChunkLen); _recycler = bufferRecycler; _hashTable = bufferRecycler.allocEncodingHash(suggestedHashLen); _hashModulo = _hashTable.length - 1; // Ok, then, what's the worst case output buffer length? // length indicator for each 32 literals, so: // 21-Feb-2013, tatu: Plus we want to prepend chunk header in place: int bufferLen = largestChunkLen + ((largestChunkLen + 31) >> 5) + LZFChunk.MAX_HEADER_LEN; _encodeBuffer = bufferRecycler.allocEncodingBuffer(bufferLen); } /** * Alternate constructor used when we want to avoid allocation encoding * buffer, in cases where caller wants full control over allocations. */ protected ChunkEncoder(int totalLength, boolean bogus) { this(totalLength, BufferRecycler.instance(), bogus); } /** * Alternate constructor used when we want to avoid allocation encoding * buffer, in cases where caller wants full control over allocations. */ protected ChunkEncoder(int totalLength, BufferRecycler bufferRecycler, boolean bogus) { int largestChunkLen = Math.max(totalLength, LZFChunk.MAX_CHUNK_LEN); int suggestedHashLen = calcHashLen(largestChunkLen); _recycler = bufferRecycler; _hashTable = bufferRecycler.allocEncodingHash(suggestedHashLen); _hashModulo = _hashTable.length - 1; _encodeBuffer = null; } private static int calcHashLen(int chunkSize) { // in general try get hash table size of 2x input size chunkSize += chunkSize; // but no larger than max size: if (chunkSize >= MAX_HASH_SIZE) { return MAX_HASH_SIZE; } // otherwise just need to round up to nearest 2x int hashLen = MIN_HASH_SIZE; while (hashLen < chunkSize) { hashLen += hashLen; } return hashLen; } /* /////////////////////////////////////////////////////////////////////// // Public API /////////////////////////////////////////////////////////////////////// */ /** * Method to close once encoder is no longer in use. Note: after calling * this method, further calls to {@link #encodeChunk} will fail */ @Override public final void close() { byte[] buf = _encodeBuffer; if (buf != null) { _encodeBuffer = null; _recycler.releaseEncodeBuffer(buf); } int[] ibuf = _hashTable; if (ibuf != null) { _hashTable = null; _recycler.releaseEncodingHash(ibuf); } } /** * Method for compressing (or not) individual chunks */ public LZFChunk encodeChunk(byte[] data, int offset, int len) { if (len >= MIN_BLOCK_TO_COMPRESS) { /* If we have non-trivial block, and can compress it by at least * 2 bytes (since header is 2 bytes longer), let's compress: */ int compLen = tryCompress(data, offset, offset+len, _encodeBuffer, 0); if (compLen < (len-2)) { // nah; just return uncompressed return LZFChunk.createCompressed(len, _encodeBuffer, 0, compLen); } } // Otherwise leave uncompressed: return LZFChunk.createNonCompressed(data, offset, len); } /** * Method for compressing individual chunk, if (and only if) it compresses down * to specified ratio or less. * * @param maxResultRatio Value between 0.05 and 1.10 to indicate maximum relative size of * the result to use, in order to append encoded chunk * * @return Encoded chunk if (and only if) input compresses down to specified ratio or less; * otherwise returns null */ public LZFChunk encodeChunkIfCompresses(byte[] data, int offset, int inputLen, double maxResultRatio) { if (inputLen >= MIN_BLOCK_TO_COMPRESS) { final int maxSize = (int) (maxResultRatio * inputLen + LZFChunk.HEADER_LEN_COMPRESSED + 0.5); int compLen = tryCompress(data, offset, offset+inputLen, _encodeBuffer, 0); if (compLen <= maxSize) { return LZFChunk.createCompressed(inputLen, _encodeBuffer, 0, compLen); } } return null; } /** * Alternate chunk compression method that will append encoded chunk in * pre-allocated buffer. Note that caller must ensure that the buffer is * large enough to hold not just encoded result but also intermediate * result; latter may be up to 4% larger than input; caller may use * {@link LZFEncoder#estimateMaxWorkspaceSize(int)} to calculate * necessary buffer size. * * @return Offset in output buffer after appending the encoded chunk */ public int appendEncodedChunk(final byte[] input, final int inputPtr, final int inputLen, final byte[] outputBuffer, final int outputPos) { if (inputLen >= MIN_BLOCK_TO_COMPRESS) { /* If we have non-trivial block, and can compress it by at least * 2 bytes (since header is 2 bytes longer), use as-is */ final int compStart = outputPos + LZFChunk.HEADER_LEN_COMPRESSED; final int end = tryCompress(input, inputPtr, inputPtr+inputLen, outputBuffer, compStart); final int uncompEnd = (outputPos + LZFChunk.HEADER_LEN_NOT_COMPRESSED) + inputLen; if (end < uncompEnd) { // yes, compressed by at least one byte final int compLen = end - compStart; LZFChunk.appendCompressedHeader(inputLen, compLen, outputBuffer, outputPos); return end; } } // Otherwise append as non-compressed chunk instead (length + 5): return LZFChunk.appendNonCompressed(input, inputPtr, inputLen, outputBuffer, outputPos); } /** * Method similar to {@link #appendEncodedChunk}, but that will only append * encoded chunk if it compresses down to specified ratio (also considering header that * will be needed); otherwise will * return -1 without appending anything. * * @param maxResultRatio Value between 0.05 and 1.10 to indicate maximum relative size of * the result to use, in order to append encoded chunk * * @return Offset after appending compressed chunk, if compression produces compact * enough chunk; otherwise -1 to indicate that no compression resulted. */ public int appendEncodedIfCompresses(final byte[] input, double maxResultRatio, final int inputPtr, final int inputLen, final byte[] outputBuffer, final int outputPos) { if (inputLen >= MIN_BLOCK_TO_COMPRESS) { final int compStart = outputPos + LZFChunk.HEADER_LEN_COMPRESSED; final int end = tryCompress(input, inputPtr, inputPtr+inputLen, outputBuffer, compStart); final int maxSize = (int) (maxResultRatio * inputLen + LZFChunk.HEADER_LEN_COMPRESSED + 0.5); if (end <= (outputPos + maxSize)) { // yes, compressed enough, let's do this! final int compLen = end - compStart; LZFChunk.appendCompressedHeader(inputLen, compLen, outputBuffer, outputPos); return end; } } return -1; } /** * Method for encoding individual chunk, writing it to given output stream. */ public void encodeAndWriteChunk(byte[] data, int offset, int len, OutputStream out) throws IOException { if (len >= MIN_BLOCK_TO_COMPRESS) { // If we have non-trivial block, and can compress it by at least // 2 bytes (since header is 2 bytes longer), let's compress: int compEnd = tryCompress(data, offset, offset+len, _encodeBuffer, LZFChunk.HEADER_LEN_COMPRESSED); final int compLen = compEnd - LZFChunk.HEADER_LEN_COMPRESSED; if (compLen < (len-2)) { // yes, compressed block is smaller (consider header is 2 bytes longer) LZFChunk.appendCompressedHeader(len, compLen, _encodeBuffer, 0); out.write(_encodeBuffer, 0, compEnd); return; } } // Otherwise leave uncompressed: byte[] headerBuf = _headerBuffer; if (headerBuf == null) { _headerBuffer = headerBuf = new byte[LZFChunk.MAX_HEADER_LEN]; } LZFChunk.writeNonCompressedHeader(len, out, headerBuf); out.write(data, offset, len); } /** * Method for encoding individual chunk, writing it to given output stream, * if (and only if!) it compresses enough. * * @return True if compression occurred and chunk was written; false if not. */ public boolean encodeAndWriteChunkIfCompresses(byte[] data, int offset, int inputLen, OutputStream out, double resultRatio) throws IOException { if (inputLen >= MIN_BLOCK_TO_COMPRESS) { int compEnd = tryCompress(data, offset, offset+inputLen, _encodeBuffer, LZFChunk.HEADER_LEN_COMPRESSED); final int maxSize = (int) (resultRatio * inputLen + LZFChunk.HEADER_LEN_COMPRESSED + 0.5); if (compEnd <= maxSize) { // yes, down to small enough LZFChunk.appendCompressedHeader(inputLen, compEnd-LZFChunk.HEADER_LEN_COMPRESSED, _encodeBuffer, 0); out.write(_encodeBuffer, 0, compEnd); return true; } } return false; } public BufferRecycler getBufferRecycler() { return _recycler; } /* /////////////////////////////////////////////////////////////////////// // Abstract methods for sub-classes /////////////////////////////////////////////////////////////////////// */ /** * Main workhorse method that will try to compress given chunk, and return * end position (offset to byte after last included byte). * Result will be "raw" encoded contents without chunk header information: * caller is responsible for prepending header, if it chooses to use encoded * data; it may also choose to instead create an uncompressed chunk. * * @return Output pointer after handling content, such that result - originalOutPost * is the actual length of compressed chunk (without header) */ protected abstract int tryCompress(byte[] in, int inPos, int inEnd, byte[] out, int outPos); /* /////////////////////////////////////////////////////////////////////// // Shared helper methods /////////////////////////////////////////////////////////////////////// */ protected final int hash(int h) { // or 184117; but this seems to give better hashing? return ((h * 57321) >> 9) & _hashModulo; // original lzf-c.c used this: //return (((h ^ (h << 5)) >> (24 - HLOG) - h*5) & _hashModulo; // but that didn't seem to provide better matches } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZF.java000066400000000000000000000100671237355727300261030ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package com.ning.compress.lzf; import java.io.*; import com.ning.compress.lzf.util.LZFFileInputStream; import com.ning.compress.lzf.util.LZFFileOutputStream; /** * Simple command-line utility that can be used for testing LZF * compression, or as rudimentary command-line tool. * Arguments are the same as used by the "standard" lzf command line tool * * @author Tatu Saloranta (tatu@ning.com) */ public class LZF { public final static String SUFFIX = ".lzf"; protected void process(String[] args) throws IOException { if (args.length == 2) { String oper = args[0]; boolean compress = "-c".equals(oper); boolean toSystemOutput = !compress && "-o".equals(oper); if (compress || toSystemOutput || "-d".equals(oper)) { String filename = args[1]; File src = new File(filename); if (!src.exists()) { System.err.println("File '"+filename+"' does not exist."); System.exit(1); } if (!compress && !filename.endsWith(SUFFIX)) { System.err.println("File '"+filename+"' does end with expected suffix ('"+SUFFIX+"', won't decompress."); System.exit(1); } if (compress) { int inputLength = 0; File resultFile = new File(filename+SUFFIX); InputStream in = new FileInputStream(src); OutputStream out = new LZFFileOutputStream(resultFile); byte[] buffer = new byte[8192]; int bytesRead; while ((bytesRead = in.read(buffer, 0, buffer.length)) != -1) { inputLength += bytesRead; out.write(buffer, 0, bytesRead); } in.close(); out.flush(); out.close(); System.out.printf("Compressed '%s' into '%s' (%d->%d bytes)\n", src.getPath(), resultFile.getPath(), inputLength, resultFile.length()); } else { OutputStream out; LZFFileInputStream in = new LZFFileInputStream(src); File resultFile = null; if (toSystemOutput) { out = System.out; } else { resultFile = new File(filename.substring(0, filename.length() - SUFFIX.length())); out = new FileOutputStream(resultFile); } int uncompLen = in.readAndWrite(out); in.close(); out.flush(); out.close(); if (resultFile != null) { System.out.printf("Uncompressed '%s' into '%s' (%d->%d bytes)\n", src.getPath(), resultFile.getPath(), src.length(), uncompLen); } } return; } } System.err.println("Usage: java "+getClass().getName()+" -c/-d/-o source-file"); System.err.println(" -d parameter: decompress to file"); System.err.println(" -c parameter: compress to file"); System.err.println(" -o parameter: decompress to stdout"); System.exit(1); } public static void main(String[] args) throws IOException { new LZF().process(args); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFChunk.java000066400000000000000000000126671237355727300271040ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package com.ning.compress.lzf; import java.io.*; /** * Helper class used to store LZF encoded segments (compressed and non-compressed) * that can be sequenced to produce LZF files/streams. * * @author Tatu Saloranta */ public class LZFChunk { /** * Maximum length of literal run for LZF encoding. */ public static final int MAX_LITERAL = 1 << 5; // 32 /** * Chunk length is limited by 2-byte length indicator, to 64k */ public static final int MAX_CHUNK_LEN = 0xFFFF; /** * Header can be either 7 bytes (compressed) or 5 bytes (uncompressed) * long */ public static final int MAX_HEADER_LEN = 7; public static final int HEADER_LEN_COMPRESSED = 7; public static final int HEADER_LEN_NOT_COMPRESSED = 5; public final static byte BYTE_Z = 'Z'; public final static byte BYTE_V = 'V'; public final static int BLOCK_TYPE_NON_COMPRESSED = 0; public final static int BLOCK_TYPE_COMPRESSED = 1; protected final byte[] _data; protected LZFChunk _next; private LZFChunk(byte[] data) { _data = data; } /** * Factory method for constructing compressed chunk */ public static LZFChunk createCompressed(int origLen, byte[] encData, int encPtr, int encLen) { byte[] result = new byte[encLen + HEADER_LEN_COMPRESSED]; result[0] = BYTE_Z; result[1] = BYTE_V; result[2] = BLOCK_TYPE_COMPRESSED; result[3] = (byte) (encLen >> 8); result[4] = (byte) encLen; result[5] = (byte) (origLen >> 8); result[6] = (byte) origLen; System.arraycopy(encData, encPtr, result, HEADER_LEN_COMPRESSED, encLen); return new LZFChunk(result); } public static int appendCompressedHeader(int origLen, int encLen, byte[] headerBuffer, int offset) { headerBuffer[offset++] = BYTE_Z; headerBuffer[offset++] = BYTE_V; headerBuffer[offset++] = BLOCK_TYPE_COMPRESSED; headerBuffer[offset++] = (byte) (encLen >> 8); headerBuffer[offset++] = (byte) encLen; headerBuffer[offset++] = (byte) (origLen >> 8); headerBuffer[offset++] = (byte) origLen; return offset; } public static void writeCompressedHeader(int origLen, int encLen, OutputStream out, byte[] headerBuffer) throws IOException { headerBuffer[0] = BYTE_Z; headerBuffer[1] = BYTE_V; headerBuffer[2] = BLOCK_TYPE_COMPRESSED; headerBuffer[3] = (byte) (encLen >> 8); headerBuffer[4] = (byte) encLen; headerBuffer[5] = (byte) (origLen >> 8); headerBuffer[6] = (byte) origLen; out.write(headerBuffer, 0, HEADER_LEN_COMPRESSED); } /** * Factory method for constructing compressed chunk */ public static LZFChunk createNonCompressed(byte[] plainData, int ptr, int len) { byte[] result = new byte[len + HEADER_LEN_NOT_COMPRESSED]; result[0] = BYTE_Z; result[1] = BYTE_V; result[2] = BLOCK_TYPE_NON_COMPRESSED; result[3] = (byte) (len >> 8); result[4] = (byte) len; System.arraycopy(plainData, ptr, result, HEADER_LEN_NOT_COMPRESSED, len); return new LZFChunk(result); } /** * Method for appending specific content as non-compressed chunk, in * given buffer. */ public static int appendNonCompressed(byte[] plainData, int ptr, int len, byte[] outputBuffer, int outputPtr) { outputBuffer[outputPtr++] = BYTE_Z; outputBuffer[outputPtr++] = BYTE_V; outputBuffer[outputPtr++] = BLOCK_TYPE_NON_COMPRESSED; outputBuffer[outputPtr++] = (byte) (len >> 8); outputBuffer[outputPtr++] = (byte) len; System.arraycopy(plainData, ptr, outputBuffer, outputPtr, len); return outputPtr + len; } public static int appendNonCompressedHeader(int len, byte[] headerBuffer, int offset) { headerBuffer[offset++] = BYTE_Z; headerBuffer[offset++] = BYTE_V; headerBuffer[offset++] = BLOCK_TYPE_NON_COMPRESSED; headerBuffer[offset++] = (byte) (len >> 8); headerBuffer[offset++] = (byte) len; return offset; } public static void writeNonCompressedHeader(int len, OutputStream out, byte[] headerBuffer) throws IOException { headerBuffer[0] = BYTE_Z; headerBuffer[1] = BYTE_V; headerBuffer[2] = BLOCK_TYPE_NON_COMPRESSED; headerBuffer[3] = (byte) (len >> 8); headerBuffer[4] = (byte) len; out.write(headerBuffer, 0, HEADER_LEN_NOT_COMPRESSED); } public void setNext(LZFChunk next) { _next = next; } public LZFChunk next() { return _next; } public int length() { return _data.length; } public byte[] getData() { return _data; } public int copyTo(byte[] dst, int ptr) { int len = _data.length; System.arraycopy(_data, 0, dst, ptr, len); return ptr+len; } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFCompressingInputStream.java000066400000000000000000000222051237355727300325060ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.IOException; import java.io.InputStream; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.util.ChunkEncoderFactory; /** * Decorator {@link InputStream} implementation used for * reading uncompressed data * and compressing it on the fly, such that reads return compressed * data. * It is reverse of {@link LZFInputStream} (which instead uncompresses data). * * @author Tatu Saloranta * * @see com.ning.compress.lzf.LZFInputStream */ public class LZFCompressingInputStream extends InputStream { private final BufferRecycler _recycler; private ChunkEncoder _encoder; /** * Stream used for reading data to be compressed */ protected final InputStream _inputStream; /** * Flag that indicates if we have already called 'inputStream.close()' * (to avoid calling it multiple times) */ protected boolean _inputStreamClosed; /** * Flag that indicates whether we force full reads (reading of as many * bytes as requested), or 'optimal' reads (up to as many as available, * but at least one). Default is false, meaning that 'optimal' read * is used. */ protected boolean _cfgFullReads = false; /** * Buffer in which uncompressed input is first read, before getting * encoded in {@link #_encodedBytes}. */ protected byte[] _inputBuffer; /** * Buffer that contains compressed data that is returned to readers. */ protected byte[] _encodedBytes; /** * The current position (next char to output) in the uncompressed bytes buffer. */ protected int _bufferPosition = 0; /** * Length of the current uncompressed bytes buffer */ protected int _bufferLength = 0; /** * Number of bytes read from the underlying {@link #_inputStream} */ protected int _readCount = 0; /* /////////////////////////////////////////////////////////////////////// // Construction, configuration /////////////////////////////////////////////////////////////////////// */ public LZFCompressingInputStream(InputStream in) { this(null, in, BufferRecycler.instance()); } public LZFCompressingInputStream(final ChunkEncoder encoder, InputStream in) { this(encoder, in, null); } public LZFCompressingInputStream(final ChunkEncoder encoder, InputStream in, BufferRecycler bufferRecycler) { // may be passed by caller, or could be null _encoder = encoder; _inputStream = in; if (bufferRecycler==null) { bufferRecycler = (encoder!=null) ? _encoder._recycler : BufferRecycler.instance(); } _recycler = bufferRecycler; _inputBuffer = bufferRecycler.allocInputBuffer(LZFChunk.MAX_CHUNK_LEN); // let's not yet allocate encoding buffer; don't know optimal size } /** * Method that can be used define whether reads should be "full" or * "optimal": former means that full compressed blocks are read right * away as needed, optimal that only smaller chunks are read at a time, * more being read as needed. */ public void setUseFullReads(boolean b) { _cfgFullReads = b; } /* /////////////////////////////////////////////////////////////////////// // InputStream implementation /////////////////////////////////////////////////////////////////////// */ @Override public int available() { if (_inputStreamClosed) { // javadocs suggest 0 for closed as well (not -1) return 0; } int left = (_bufferLength - _bufferPosition); return (left <= 0) ? 0 : left; } @Override public int read() throws IOException { if (!readyBuffer()) { return -1; } return _encodedBytes[_bufferPosition++] & 255; } @Override public int read(final byte[] buffer) throws IOException { return read(buffer, 0, buffer.length); } @Override public int read(final byte[] buffer, int offset, int length) throws IOException { if (length < 1) { return 0; } if (!readyBuffer()) { return -1; } // First let's read however much data we happen to have... int chunkLength = Math.min(_bufferLength - _bufferPosition, length); System.arraycopy(_encodedBytes, _bufferPosition, buffer, offset, chunkLength); _bufferPosition += chunkLength; if (chunkLength == length || !_cfgFullReads) { return chunkLength; } // Need more data, then int totalRead = chunkLength; do { offset += chunkLength; if (!readyBuffer()) { break; } chunkLength = Math.min(_bufferLength - _bufferPosition, (length - totalRead)); System.arraycopy(_encodedBytes, _bufferPosition, buffer, offset, chunkLength); _bufferPosition += chunkLength; totalRead += chunkLength; } while (totalRead < length); return totalRead; } @Override public void close() throws IOException { _bufferPosition = _bufferLength = 0; byte[] buf = _encodedBytes; if (buf != null) { _encodedBytes = null; _recycler.releaseEncodeBuffer(buf); } if (_encoder != null) { _encoder.close(); } _closeInput(); } private void _closeInput() throws IOException { byte[] buf = _inputBuffer; if (buf != null) { _inputBuffer = null; _recycler.releaseInputBuffer(buf); } if (!_inputStreamClosed) { _inputStreamClosed = true; _inputStream.close(); } } /** * Overridden to just skip at most a single chunk at a time */ @Override public long skip(long n) throws IOException { if (_inputStreamClosed) { return -1; } int left = (_bufferLength - _bufferPosition); // if none left, must read more: if (left <= 0) { // otherwise must read more to skip... int b = read(); if (b < 0) { // EOF return -1; } // push it back to get accurate skip count --_bufferPosition; left = (_bufferLength - _bufferPosition); } // either way, just skip whatever we have decoded if (left > n) { left = (int) n; } _bufferPosition += left; return left; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ /** * Fill the uncompressed bytes buffer by reading the underlying inputStream. * @throws IOException */ protected boolean readyBuffer() throws IOException { if (_bufferPosition < _bufferLength) { return true; } if (_inputStreamClosed) { return false; } // Ok: read as much as we can from input source first int count = _inputStream.read(_inputBuffer, 0, _inputBuffer.length); if (count < 0) { // if no input read, it's EOF _closeInput(); // and we can close input source as well return false; } int chunkLength = count; int left = _inputBuffer.length - count; while ((count = _inputStream.read(_inputBuffer, chunkLength, left)) > 0) { chunkLength += count; left -= count; if (left < 1) { break; } } _bufferPosition = 0; // Ok: if we don't yet have an encoder (and buffer for it), let's get one if (_encoder == null) { // need 7 byte header, plus regular max buffer size: int bufferLen = chunkLength + ((chunkLength + 31) >> 5) + 7; _encoder = ChunkEncoderFactory.optimalNonAllocatingInstance(bufferLen, _recycler); } if (_encodedBytes == null) { int bufferLen = chunkLength + ((chunkLength + 31) >> 5) + 7; _encodedBytes = _recycler.allocEncodingBuffer(bufferLen); } // offset of 7 so we can prepend header as necessary int encodeEnd = _encoder.tryCompress(_inputBuffer, 0, chunkLength, _encodedBytes, 7); // but did it compress? if (encodeEnd < (chunkLength + 5)) { // yes! (compared to 5 byte uncomp prefix, data) // prepend header in situ LZFChunk.appendCompressedHeader(chunkLength, encodeEnd-7, _encodedBytes, 0); _bufferLength = encodeEnd; } else { // no -- so sad... int ptr = LZFChunk.appendNonCompressedHeader(chunkLength, _encodedBytes, 0); // TODO: figure out a way to avoid this copy; need a header System.arraycopy(_inputBuffer, 0, _encodedBytes, ptr, chunkLength); _bufferLength = ptr + chunkLength; } if (count < 0) { // did we get end-of-input? _closeInput(); } return true; } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFDecoder.java000066400000000000000000000127061237355727300273730ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package com.ning.compress.lzf; import java.util.concurrent.atomic.AtomicReference; import com.ning.compress.lzf.util.ChunkDecoderFactory; /** * Decoder that handles decoding of sequence of encoded LZF chunks, * combining them into a single contiguous result byte array. * This class has been mostly replaced by * {@link ChunkDecoder}, although static methods are left here * and may still be used for convenience. * All static methods use {@link ChunkDecoderFactory#optimalInstance} * to find actual {@link ChunkDecoder} instance to use. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) * * @see com.ning.compress.lzf.ChunkDecoder */ public class LZFDecoder { /** * Lazily initialized "fast" instance that may use sun.misc.Unsafe * to speed up decompression */ protected final static AtomicReference _fastDecoderRef = new AtomicReference(); /** * Lazily initialized "safe" instance that DOES NOT use sun.misc.Unsafe * for decompression, just standard JDK functionality. */ protected final static AtomicReference _safeDecoderRef = new AtomicReference(); /* /////////////////////////////////////////////////////////////////////// // Factory methods for ChunkDecoders /////////////////////////////////////////////////////////////////////// */ /** * Accessor method that can be used to obtain {@link ChunkDecoder} * that uses all possible optimization methods available, including * sun.misc.Unsafe for memory access. */ public static ChunkDecoder fastDecoder() { // race conditions are ok here, we don't really mind ChunkDecoder dec = _fastDecoderRef.get(); if (dec == null) { // dec = ChunkDecoderFactory.optimalInstance(); _fastDecoderRef.compareAndSet(null, dec); } return dec; } /** * Accessor method that can be used to obtain {@link ChunkDecoder} * that only uses standard JDK access methods, and should work on * all Java platforms and JVMs. */ public static ChunkDecoder safeDecoder() { // race conditions are ok here, we don't really mind ChunkDecoder dec = _safeDecoderRef.get(); if (dec == null) { // dec = ChunkDecoderFactory.safeInstance(); _safeDecoderRef.compareAndSet(null, dec); } return dec; } /* /////////////////////////////////////////////////////////////////////// // Basic API, general /////////////////////////////////////////////////////////////////////// */ /** * Helper method that checks resulting size of an LZF chunk, regardless of * whether it contains compressed or uncompressed contents. */ public static int calculateUncompressedSize(byte[] data, int offset, int length) throws LZFException { return ChunkDecoder.calculateUncompressedSize(data, length, length); } /* /////////////////////////////////////////////////////////////////////// // Basic API, fast decode methods /////////////////////////////////////////////////////////////////////// */ public static byte[] decode(final byte[] inputBuffer) throws LZFException { return fastDecoder().decode(inputBuffer, 0, inputBuffer.length); } public static byte[] decode(final byte[] inputBuffer, int offset, int length) throws LZFException { return fastDecoder().decode(inputBuffer, offset, length); } public static int decode(final byte[] inputBuffer, final byte[] targetBuffer) throws LZFException { return fastDecoder().decode(inputBuffer, 0, inputBuffer.length, targetBuffer); } public static int decode(final byte[] sourceBuffer, int offset, int length, final byte[] targetBuffer) throws LZFException { return fastDecoder().decode(sourceBuffer, offset, length, targetBuffer); } /* /////////////////////////////////////////////////////////////////////// // Basic API, "safe" decode methods /////////////////////////////////////////////////////////////////////// */ public static byte[] safeDecode(final byte[] inputBuffer) throws LZFException { return safeDecoder().decode(inputBuffer, 0, inputBuffer.length); } public static byte[] safeDecode(final byte[] inputBuffer, int offset, int length) throws LZFException { return safeDecoder().decode(inputBuffer, offset, length); } public static int safeDecode(final byte[] inputBuffer, final byte[] targetBuffer) throws LZFException { return safeDecoder().decode(inputBuffer, 0, inputBuffer.length, targetBuffer); } public static int safeDecode(final byte[] sourceBuffer, int offset, int length, final byte[] targetBuffer) throws LZFException { return safeDecoder().decode(sourceBuffer, offset, length, targetBuffer); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFEncoder.java000066400000000000000000000300111237355727300273720ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package com.ning.compress.lzf; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.util.ChunkEncoderFactory; /** * Encoder that handles splitting of input into chunks to encode, * calls {@link ChunkEncoder} to compress individual chunks and * combines resulting chunks into contiguous output byte array. * * @author Tatu Saloranta */ public class LZFEncoder { /* Approximate maximum size for a full chunk, in case where it does not compress * at all. Such chunks are converted to uncompressed chunks, but during compression * process this amount of space is still needed. */ public final static int MAX_CHUNK_RESULT_SIZE = LZFChunk.MAX_HEADER_LEN + LZFChunk.MAX_CHUNK_LEN + (LZFChunk.MAX_CHUNK_LEN * 32 / 31); // Static methods only, no point in instantiating private LZFEncoder() { } /* /////////////////////////////////////////////////////////////////////// // Helper methods /////////////////////////////////////////////////////////////////////// */ /** * Helper method that can be used to estimate maximum space needed to * try compression of given amount of data. This is slightly larger * than maximum resulting content since compressor has a choice of * uncompressed chunks to use, but that is only done after compression * fails to reduce size; and this temporary expansion of up to 3.3% or so * (1 indicator for every 31 bytes of uncompressed data) * is more than what eventual expansion would be (5 bytes header per * each uncompressed chunk, usually 0.01%). */ public static int estimateMaxWorkspaceSize(int inputSize) { // single chunk; give a rough estimate with +5% (1 + 1/32 + 1/64) if (inputSize <= LZFChunk.MAX_CHUNK_LEN) { return LZFChunk.MAX_HEADER_LEN + inputSize + (inputSize >> 5) + (inputSize >> 6); } // one more special case, 2 chunks inputSize -= LZFChunk.MAX_CHUNK_LEN; if (inputSize <= LZFChunk.MAX_CHUNK_LEN) { // uncompressed chunk actually has 5 byte header but return MAX_CHUNK_RESULT_SIZE + inputSize + LZFChunk.MAX_HEADER_LEN; } // check number of chunks we should be creating (assuming use of full chunks) int chunkCount = 1 + ((inputSize + (LZFChunk.MAX_CHUNK_LEN-1)) / LZFChunk.MAX_CHUNK_LEN); return MAX_CHUNK_RESULT_SIZE + chunkCount * (LZFChunk.MAX_CHUNK_LEN + LZFChunk.MAX_HEADER_LEN); } /* /////////////////////////////////////////////////////////////////////// // Encoding methods, blocks /////////////////////////////////////////////////////////////////////// */ /** * Method for compressing given input data using LZF encoding and * block structure (compatible with lzf command line utility). * Result consists of a sequence of chunks. *

* Note that {@link ChunkEncoder} instance used is one produced by * {@link ChunkEncoderFactory#optimalInstance}, which typically * is "unsafe" instance if one can be used on current JVM. */ public static byte[] encode(byte[] data) { return encode(data, 0, data.length); } /** * Method that will use "safe" {@link ChunkEncoder}, as produced by * {@link ChunkEncoderFactory#safeInstance}, for encoding. Safe here * means that it does not use any non-compliant features beyond core JDK. */ public static byte[] safeEncode(byte[] data) { return safeEncode(data, 0, data.length); } /** * Method for compressing given input data using LZF encoding and * block structure (compatible with lzf command line utility). * Result consists of a sequence of chunks. *

* Note that {@link ChunkEncoder} instance used is one produced by * {@link ChunkEncoderFactory#optimalInstance}, which typically * is "unsafe" instance if one can be used on current JVM. */ public static byte[] encode(byte[] data, int offset, int length) { ChunkEncoder enc = ChunkEncoderFactory.optimalInstance(length); byte[] result = encode(enc, data, offset, length); enc.close(); // important for buffer reuse! return result; } /** * Method that will use "safe" {@link ChunkEncoder}, as produced by * {@link ChunkEncoderFactory#safeInstance}, for encoding. Safe here * means that it does not use any non-compliant features beyond core JDK. */ public static byte[] safeEncode(byte[] data, int offset, int length) { ChunkEncoder enc = ChunkEncoderFactory.safeInstance(length); byte[] result = encode(enc, data, offset, length); enc.close(); return result; } /** * Method for compressing given input data using LZF encoding and * block structure (compatible with lzf command line utility). * Result consists of a sequence of chunks. *

* Note that {@link ChunkEncoder} instance used is one produced by * {@link ChunkEncoderFactory#optimalInstance}, which typically * is "unsafe" instance if one can be used on current JVM. */ public static byte[] encode(byte[] data, int offset, int length, BufferRecycler bufferRecycler) { ChunkEncoder enc = ChunkEncoderFactory.optimalInstance(length, bufferRecycler); byte[] result = encode(enc, data, offset, length); enc.close(); // important for buffer reuse! return result; } /** * Method that will use "safe" {@link ChunkEncoder}, as produced by * {@link ChunkEncoderFactory#safeInstance}, for encoding. Safe here * means that it does not use any non-compliant features beyond core JDK. */ public static byte[] safeEncode(byte[] data, int offset, int length, BufferRecycler bufferRecycler) { ChunkEncoder enc = ChunkEncoderFactory.safeInstance(length, bufferRecycler); byte[] result = encode(enc, data, offset, length); enc.close(); return result; } /** * Compression method that uses specified {@link ChunkEncoder} for actual * encoding. */ public static byte[] encode(ChunkEncoder enc, byte[] data, int length) { return encode(enc, data, 0, length); } /** * Method that encodes given input using provided {@link ChunkEncoder}, * and aggregating it into a single byte array and returning that. *

* NOTE: method does NOT call {@link ChunkEncoder#close}; caller is responsible * for doing that after it is done using the encoder. */ public static byte[] encode(ChunkEncoder enc, byte[] data, int offset, int length) { int left = length; int chunkLen = Math.min(LZFChunk.MAX_CHUNK_LEN, left); LZFChunk first = enc.encodeChunk(data, offset, chunkLen); left -= chunkLen; // shortcut: if it all fit in, no need to coalesce: if (left < 1) { return first.getData(); } // otherwise need to get other chunks: int resultBytes = first.length(); offset += chunkLen; LZFChunk last = first; do { chunkLen = Math.min(left, LZFChunk.MAX_CHUNK_LEN); LZFChunk chunk = enc.encodeChunk(data, offset, chunkLen); offset += chunkLen; left -= chunkLen; resultBytes += chunk.length(); last.setNext(chunk); last = chunk; } while (left > 0); // and then coalesce returns into single contiguous byte array byte[] result = new byte[resultBytes]; int ptr = 0; for (; first != null; first = first.next()) { ptr = first.copyTo(result, ptr); } return result; } /* /////////////////////////////////////////////////////////////////////// // Encoding methods, append in caller-provided buffer(s) /////////////////////////////////////////////////////////////////////// */ /** * Alternate version that accepts pre-allocated output buffer. *

* Note that {@link ChunkEncoder} instance used is one produced by * {@link ChunkEncoderFactory#optimalNonAllocatingInstance}, which typically * is "unsafe" instance if one can be used on current JVM. */ public static int appendEncoded(byte[] input, int inputPtr, int inputLength, byte[] outputBuffer, int outputPtr) { ChunkEncoder enc = ChunkEncoderFactory.optimalNonAllocatingInstance(inputLength); int len = appendEncoded(enc, input, inputPtr, inputLength, outputBuffer, outputPtr); enc.close(); return len; } /** * Alternate version that accepts pre-allocated output buffer. *

* Method that will use "safe" {@link ChunkEncoder}, as produced by * {@link ChunkEncoderFactory#safeInstance}, for encoding. Safe here * means that it does not use any non-compliant features beyond core JDK. */ public static int safeAppendEncoded(byte[] input, int inputPtr, int inputLength, byte[] outputBuffer, int outputPtr) { ChunkEncoder enc = ChunkEncoderFactory.safeNonAllocatingInstance(inputLength); int len = appendEncoded(enc, input, inputPtr, inputLength, outputBuffer, outputPtr); enc.close(); return len; } /** * Alternate version that accepts pre-allocated output buffer. *

* Note that {@link ChunkEncoder} instance used is one produced by * {@link ChunkEncoderFactory#optimalNonAllocatingInstance}, which typically * is "unsafe" instance if one can be used on current JVM. */ public static int appendEncoded(byte[] input, int inputPtr, int inputLength, byte[] outputBuffer, int outputPtr, BufferRecycler bufferRecycler) { ChunkEncoder enc = ChunkEncoderFactory.optimalNonAllocatingInstance(inputLength, bufferRecycler); int len = appendEncoded(enc, input, inputPtr, inputLength, outputBuffer, outputPtr); enc.close(); return len; } /** * Alternate version that accepts pre-allocated output buffer. *

* Method that will use "safe" {@link ChunkEncoder}, as produced by * {@link ChunkEncoderFactory#safeInstance}, for encoding. Safe here * means that it does not use any non-compliant features beyond core JDK. */ public static int safeAppendEncoded(byte[] input, int inputPtr, int inputLength, byte[] outputBuffer, int outputPtr, BufferRecycler bufferRecycler) { ChunkEncoder enc = ChunkEncoderFactory.safeNonAllocatingInstance(inputLength, bufferRecycler); int len = appendEncoded(enc, input, inputPtr, inputLength, outputBuffer, outputPtr); enc.close(); return len; } /** * Alternate version that accepts pre-allocated output buffer. */ public static int appendEncoded(ChunkEncoder enc, byte[] input, int inputPtr, int inputLength, byte[] outputBuffer, int outputPtr) { int left = inputLength; int chunkLen = Math.min(LZFChunk.MAX_CHUNK_LEN, left); outputPtr = enc.appendEncodedChunk(input, inputPtr, chunkLen, outputBuffer, outputPtr); left -= chunkLen; // shortcut: if it all fit in, no need to coalesce: if (left < 1) { return outputPtr; } // otherwise need to keep on encoding... inputPtr += chunkLen; do { chunkLen = Math.min(left, LZFChunk.MAX_CHUNK_LEN); outputPtr = enc.appendEncodedChunk(input, inputPtr, chunkLen, outputBuffer, outputPtr); inputPtr += chunkLen; left -= chunkLen; } while (left > 0); return outputPtr; } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFException.java000066400000000000000000000006561237355727300277650ustar00rootroot00000000000000package com.ning.compress.lzf; import com.ning.compress.CompressionFormatException; public class LZFException extends CompressionFormatException { private static final long serialVersionUID = 1L; public LZFException(String message) { super(message); } public LZFException(Throwable t) { super(t); } public LZFException(String message, Throwable t) { super(message, t); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFInputStream.java000066400000000000000000000270421237355727300303000ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.IOException; import java.io.InputStream; import java.io.OutputStream; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.util.ChunkDecoderFactory; /** * Decorator {@link InputStream} implementation used for reading compressed data * and uncompressing it on the fly, such that reads return uncompressed * data. Its direct counterpart is {@link LZFOutputStream}; but there is * also {@link LZFCompressingInputStream} which does reverse of this class. * * @author Tatu Saloranta * * @see com.ning.compress.lzf.util.LZFFileInputStream * @see com.ning.compress.lzf.LZFCompressingInputStream */ public class LZFInputStream extends InputStream { /** * Underlying decoder in use. */ protected final ChunkDecoder _decoder; /** * Object that handles details of buffer recycling */ protected final BufferRecycler _recycler; /** * stream to be decompressed */ protected final InputStream _inputStream; /** * Flag that indicates if we have already called 'inputStream.close()' * (to avoid calling it multiple times) */ protected boolean _inputStreamClosed; /** * Flag that indicates whether we force full reads (reading of as many * bytes as requested), or 'optimal' reads (up to as many as available, * but at least one). Default is false, meaning that 'optimal' read * is used. */ protected boolean _cfgFullReads = false; /** * the current buffer of compressed bytes (from which to decode) * */ protected byte[] _inputBuffer; /** * the buffer of uncompressed bytes from which content is read * */ protected byte[] _decodedBytes; /** * The current position (next char to output) in the uncompressed bytes buffer. */ protected int _bufferPosition = 0; /** * Length of the current uncompressed bytes buffer */ protected int _bufferLength = 0; /* /////////////////////////////////////////////////////////////////////// // Construction /////////////////////////////////////////////////////////////////////// */ public LZFInputStream(final InputStream inputStream) throws IOException { this(inputStream, false); } public LZFInputStream(final ChunkDecoder decoder, final InputStream in) throws IOException { this(decoder, in, BufferRecycler.instance(), false); } /** * @param in Underlying input stream to use * @param fullReads Whether {@link #read(byte[])} should try to read exactly * as many bytes as requested (true); or just however many happen to be * available (false) */ public LZFInputStream(final InputStream in, boolean fullReads) throws IOException { this(ChunkDecoderFactory.optimalInstance(), in, BufferRecycler.instance(), fullReads); } public LZFInputStream(final ChunkDecoder decoder, final InputStream in, boolean fullReads) throws IOException { this(decoder, in, BufferRecycler.instance(), fullReads); } public LZFInputStream(final InputStream inputStream, final BufferRecycler bufferRecycler) throws IOException { this(inputStream, bufferRecycler, false); } /** * @param in Underlying input stream to use * @param fullReads Whether {@link #read(byte[])} should try to read exactly * as many bytes as requested (true); or just however many happen to be * available (false) * @param bufferRecycler Buffer recycler instance, for usages where the * caller manages the recycler instances */ public LZFInputStream(final InputStream in, final BufferRecycler bufferRecycler, boolean fullReads) throws IOException { this(ChunkDecoderFactory.optimalInstance(), in, bufferRecycler, fullReads); } public LZFInputStream(final ChunkDecoder decoder, final InputStream in, final BufferRecycler bufferRecycler, boolean fullReads) throws IOException { super(); _decoder = decoder; _recycler = bufferRecycler; _inputStream = in; _inputStreamClosed = false; _cfgFullReads = fullReads; _inputBuffer = bufferRecycler.allocInputBuffer(LZFChunk.MAX_CHUNK_LEN); _decodedBytes = bufferRecycler.allocDecodeBuffer(LZFChunk.MAX_CHUNK_LEN); } /** * Method that can be used define whether reads should be "full" or * "optimal": former means that full compressed blocks are read right * away as needed, optimal that only smaller chunks are read at a time, * more being read as needed. */ public void setUseFullReads(boolean b) { _cfgFullReads = b; } /* /////////////////////////////////////////////////////////////////////// // InputStream impl /////////////////////////////////////////////////////////////////////// */ /** * Method is overridden to report number of bytes that can now be read * from decoded data buffer, without reading bytes from the underlying * stream. * Never throws an exception; returns number of bytes available without * further reads from underlying source; -1 if stream has been closed, or * 0 if an actual read (and possible blocking) is needed to find out. */ @Override public int available() { if (_inputStreamClosed) { // javadocs suggest 0 for closed as well (not -1) return 0; } int left = (_bufferLength - _bufferPosition); return (left <= 0) ? 0 : left; } @Override public int read() throws IOException { if (!readyBuffer()) { return -1; } return _decodedBytes[_bufferPosition++] & 255; } @Override public int read(final byte[] buffer) throws IOException { return read(buffer, 0, buffer.length); } @Override public int read(final byte[] buffer, int offset, int length) throws IOException { if (length < 1) { return 0; } if (!readyBuffer()) { return -1; } // First let's read however much data we happen to have... int chunkLength = Math.min(_bufferLength - _bufferPosition, length); System.arraycopy(_decodedBytes, _bufferPosition, buffer, offset, chunkLength); _bufferPosition += chunkLength; if (chunkLength == length || !_cfgFullReads) { return chunkLength; } // Need more data, then int totalRead = chunkLength; do { offset += chunkLength; if (!readyBuffer()) { break; } chunkLength = Math.min(_bufferLength - _bufferPosition, (length - totalRead)); System.arraycopy(_decodedBytes, _bufferPosition, buffer, offset, chunkLength); _bufferPosition += chunkLength; totalRead += chunkLength; } while (totalRead < length); return totalRead; } @Override public void close() throws IOException { _bufferPosition = _bufferLength = 0; byte[] buf = _inputBuffer; if (buf != null) { _inputBuffer = null; _recycler.releaseInputBuffer(buf); } buf = _decodedBytes; if (buf != null) { _decodedBytes = null; _recycler.releaseDecodeBuffer(buf); } if (!_inputStreamClosed) { _inputStreamClosed = true; _inputStream.close(); } } /** * Overridden to implement efficient skipping by skipping full chunks whenever * possible. */ @Override public long skip(long n) throws IOException { if (_inputStreamClosed) { return -1; } if (n <= 0L) { return n; } long skipped; // if any left to skip, just return that for simplicity if (_bufferPosition < _bufferLength) { int left = (_bufferLength - _bufferPosition); if (n <= left) { // small skip, fulfilled from what we already got _bufferPosition += (int) n; return n; } _bufferPosition = _bufferLength; skipped = left; n -= left; } else { skipped = 0L; } // and then full-chunk skipping, if possible while (true) { int amount = _decoder.skipOrDecodeChunk(_inputStream, _inputBuffer, _decodedBytes, n); if (amount >= 0) { // successful skipping of the chunk skipped += amount; n -= amount; if (n <= 0L) { return skipped; } continue; } if (amount == -1) { // EOF close(); return skipped; } // decoded buffer-full, more than max skip _bufferLength = -(amount+1); skipped += n; _bufferPosition = (int) n; return skipped; } } /* /////////////////////////////////////////////////////////////////////// // Extended public API /////////////////////////////////////////////////////////////////////// */ /** * Method that can be used to find underlying {@link InputStream} that * we read from to get LZF encoded data to decode. * Will never return null; although underlying stream may be closed * (if this stream has been closed). */ public InputStream getUnderlyingInputStream() { return _inputStream; } /** * Method that can be called to discard any already buffered input, read * from input source. * Specialized method that only makes sense if the underlying {@link InputStream} * can be repositioned reliably. */ public void discardBuffered() { _bufferPosition = _bufferLength = 0; } /** * Convenience method that will read and uncompress all data available, * and write it using given {@link OutputStream}. This avoids having to * make an intermediate copy of uncompressed data which would be needed * when doing the same manually. * * @param out OutputStream to use for writing content * * @return Number of bytes written (uncompressed) */ public int readAndWrite(OutputStream out) throws IOException { int total = 0; while (readyBuffer()) { int avail = _bufferLength - _bufferPosition; out.write(_decodedBytes, _bufferPosition, avail); _bufferPosition += avail; // to ensure it looks like we consumed it all total += avail; } return total; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ /** * Fill the uncompressed bytes buffer by reading the underlying inputStream. * * @throws IOException * * @return True if there is now at least one byte to read in the buffer; false * if there is no more content to read */ protected boolean readyBuffer() throws IOException { if (_bufferPosition < _bufferLength) { return true; } if (_inputStreamClosed) { return false; } _bufferLength = _decoder.decodeChunk(_inputStream, _inputBuffer, _decodedBytes); if (_bufferLength < 0) { close(); return false; } _bufferPosition = 0; return (_bufferPosition < _bufferLength); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFOutputStream.java000066400000000000000000000223621237355727300305010ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.FilterOutputStream; import java.io.IOException; import java.io.InputStream; import java.io.OutputStream; import java.nio.ByteBuffer; import java.nio.MappedByteBuffer; import java.nio.channels.FileChannel; import java.nio.channels.FileChannel.MapMode; import java.nio.channels.WritableByteChannel; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.util.ChunkEncoderFactory; /** * Decorator {@link OutputStream} implementation that will compress * output using LZF compression algorithm, given uncompressed input * to write. Its counterpart is {@link LZFInputStream}; although * in some ways {@link LZFCompressingInputStream} can be seen * as the opposite. * * @author jon hartlaub * @author Tatu Saloranta * * @see LZFInputStream * @see LZFCompressingInputStream */ public class LZFOutputStream extends FilterOutputStream implements WritableByteChannel { private static final int DEFAULT_OUTPUT_BUFFER_SIZE = LZFChunk.MAX_CHUNK_LEN; private final ChunkEncoder _encoder; private final BufferRecycler _recycler; protected byte[] _outputBuffer; protected int _position = 0; /** * Configuration setting that governs whether basic 'flush()' should * first complete a block or not. *

* Default value is 'true' */ protected boolean _cfgFinishBlockOnFlush = true; /** * Flag that indicates if we have already called '_outputStream.close()' * (to avoid calling it multiple times) */ protected boolean _outputStreamClosed; /* /////////////////////////////////////////////////////////////////////// // Construction, configuration /////////////////////////////////////////////////////////////////////// */ public LZFOutputStream(final OutputStream outputStream) { this(ChunkEncoderFactory.optimalInstance(DEFAULT_OUTPUT_BUFFER_SIZE), outputStream); } public LZFOutputStream(final ChunkEncoder encoder, final OutputStream outputStream) { this(encoder, outputStream, DEFAULT_OUTPUT_BUFFER_SIZE, encoder._recycler); } public LZFOutputStream(final OutputStream outputStream, final BufferRecycler bufferRecycler) { this(ChunkEncoderFactory.optimalInstance(bufferRecycler), outputStream, bufferRecycler); } public LZFOutputStream(final ChunkEncoder encoder, final OutputStream outputStream, final BufferRecycler bufferRecycler) { this(encoder, outputStream, DEFAULT_OUTPUT_BUFFER_SIZE, bufferRecycler); } public LZFOutputStream(final ChunkEncoder encoder, final OutputStream outputStream, final int bufferSize, BufferRecycler bufferRecycler) { super(outputStream); _encoder = encoder; if (bufferRecycler==null) { bufferRecycler = _encoder._recycler; } _recycler = bufferRecycler; _outputBuffer = bufferRecycler.allocOutputBuffer(bufferSize); _outputStreamClosed = false; } /** * Method for defining whether call to {@link #flush} will also complete * current block (similar to calling {@link #finishBlock()}) or not. */ public LZFOutputStream setFinishBlockOnFlush(boolean b) { _cfgFinishBlockOnFlush = b; return this; } /* /////////////////////////////////////////////////////////////////////// // OutputStream impl /////////////////////////////////////////////////////////////////////// */ @Override public void write(final int singleByte) throws IOException { checkNotClosed(); if (_position >= _outputBuffer.length) { writeCompressedBlock(); } _outputBuffer[_position++] = (byte) singleByte; } @Override public void write(final byte[] buffer, int offset, int length) throws IOException { checkNotClosed(); final int BUFFER_LEN = _outputBuffer.length; // simple case first: empty _outputBuffer and "big" input buffer: write first full blocks, if any, without copying while (_position == 0 && length >= BUFFER_LEN) { _encoder.encodeAndWriteChunk(buffer, offset, BUFFER_LEN, out); offset += BUFFER_LEN; length -= BUFFER_LEN; } // simple case first: buffering only (for trivially short writes) int free = BUFFER_LEN - _position; if (free > length) { System.arraycopy(buffer, offset, _outputBuffer, _position, length); _position += length; return; } // otherwise, copy whatever we can, flush System.arraycopy(buffer, offset, _outputBuffer, _position, free); offset += free; length -= free; _position += free; writeCompressedBlock(); // then write intermediate full blocks, if any, without copying: while (length >= BUFFER_LEN) { _encoder.encodeAndWriteChunk(buffer, offset, BUFFER_LEN, out); offset += BUFFER_LEN; length -= BUFFER_LEN; } // and finally, copy leftovers in buffer, if any if (length > 0) { System.arraycopy(buffer, offset, _outputBuffer, 0, length); } _position = length; } public void write(final InputStream in) throws IOException { writeCompressedBlock(); // will flush _outputBuffer int read; while ((read = in.read(_outputBuffer)) >= 0) { _position = read; writeCompressedBlock(); } } public void write(final FileChannel in) throws IOException { MappedByteBuffer src = in.map(MapMode.READ_ONLY, 0, in.size()); write(src); } @Override public synchronized int write(final ByteBuffer src) throws IOException { int r = src.remaining(); if (r <= 0) { return r; } writeCompressedBlock(); // will flush _outputBuffer if (src.hasArray()) { // direct compression from backing array write(src.array(), src.arrayOffset(), src.limit() - src.arrayOffset()); } else { // need to copy to heap array first while (src.hasRemaining()) { int toRead = Math.min(src.remaining(), _outputBuffer.length); src.get(_outputBuffer, 0, toRead); _position = toRead; writeCompressedBlock(); } } return r; } @Override public void flush() throws IOException { checkNotClosed(); if (_cfgFinishBlockOnFlush && _position > 0) { writeCompressedBlock(); } super.flush(); } @Override public boolean isOpen() { return ! _outputStreamClosed; } @Override public void close() throws IOException { if (!_outputStreamClosed) { if (_position > 0) { writeCompressedBlock(); } super.close(); // will flush beforehand _encoder.close(); _outputStreamClosed = true; byte[] buf = _outputBuffer; if (buf != null) { _outputBuffer = null; _recycler.releaseOutputBuffer(buf); } } } /* /////////////////////////////////////////////////////////////////////// // Additional public methods /////////////////////////////////////////////////////////////////////// */ /** * Method that can be used to find underlying {@link OutputStream} that * we write encoded LZF encoded data into, after compressing it. * Will never return null; although underlying stream may be closed * (if this stream has been closed). */ public OutputStream getUnderlyingOutputStream() { return out; } /** * Accessor for checking whether call to "flush()" will first finish the * current block or not. */ public boolean getFinishBlockOnFlush() { return _cfgFinishBlockOnFlush; } /** * Method that can be used to force completion of the current block, * which means that all buffered data will be compressed into an * LZF block. This typically results in lower compression ratio * as larger blocks compress better; but may be necessary for * network connections to ensure timely sending of data. */ public LZFOutputStream finishBlock() throws IOException { checkNotClosed(); if (_position > 0) { writeCompressedBlock(); } return this; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ /** * Compress and write the current block to the OutputStream */ protected void writeCompressedBlock() throws IOException { int left = _position; _position = 0; int offset = 0; while (left > 0) { int chunkLen = Math.min(LZFChunk.MAX_CHUNK_LEN, left); _encoder.encodeAndWriteChunk(_outputBuffer, offset, chunkLen, out); offset += chunkLen; left -= chunkLen; } } protected void checkNotClosed() throws IOException { if (_outputStreamClosed) { throw new IOException(getClass().getName()+" already closed"); } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/LZFUncompressor.java000066400000000000000000000310551237355727300305230ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.IOException; import com.ning.compress.BufferRecycler; import com.ning.compress.DataHandler; import com.ning.compress.Uncompressor; import com.ning.compress.lzf.util.ChunkDecoderFactory; /** * {@link com.ning.compress.Uncompressor} implementation for uncompressing * LZF encoded data in "push" mode, in which input is not * read using {@link java.io.InputStream} but rather pushed to * uncompressor in variable length chunks. */ public class LZFUncompressor extends Uncompressor { /* /////////////////////////////////////////////////////////////////////// // State constants /////////////////////////////////////////////////////////////////////// */ /** * State in which a new block or end-of-stream is expected. */ protected final static int STATE_INITIAL = 0; protected final static int STATE_HEADER_Z_GOTTEN = 1; protected final static int STATE_HEADER_ZV_GOTTEN = 2; protected final static int STATE_HEADER_COMPRESSED_0 = 3; protected final static int STATE_HEADER_COMPRESSED_1 = 4; protected final static int STATE_HEADER_COMPRESSED_2 = 5; protected final static int STATE_HEADER_COMPRESSED_3 = 6; protected final static int STATE_HEADER_COMPRESSED_BUFFERING = 7; protected final static int STATE_HEADER_UNCOMPRESSED_0 = 8; protected final static int STATE_HEADER_UNCOMPRESSED_1 = 9; protected final static int STATE_HEADER_UNCOMPRESSED_STREAMING = 10; /* /////////////////////////////////////////////////////////////////////// // Configuration, helper objects /////////////////////////////////////////////////////////////////////// */ /** * Handler that will receive uncompressed data. */ protected final DataHandler _handler; /** * Underlying decompressor we use for chunk decompression. */ protected final ChunkDecoder _decoder; protected final BufferRecycler _recycler; /* /////////////////////////////////////////////////////////////////////// // Decoder state /////////////////////////////////////////////////////////////////////// */ /** * Current decoding state, which determines meaning of following byte(s). */ protected int _state = STATE_INITIAL; /** * Flag set if {@link DataHandler} indicates that processing should be * terminated. */ protected boolean _terminated; /** * Number of bytes in current, compressed block */ protected int _compressedLength; /** * Number of bytes from current block, either after uncompressing data * (for compressed blocks), or included in stream (for uncompressed). */ protected int _uncompressedLength; /** * Buffer in which compressed input is buffered if necessary, to get * full chunks for decoding. */ protected byte[] _inputBuffer; /** * Buffer used for data uncompressed from _inputBuffer. */ protected byte[] _decodeBuffer; /** * Number of bytes that have been buffered in {@link #_inputBuffer} to be * uncompressed; or copied directly from uncompressed block. */ protected int _bytesReadFromBlock; /* /////////////////////////////////////////////////////////////////////// // Instance creation /////////////////////////////////////////////////////////////////////// */ public LZFUncompressor(DataHandler handler) { this(handler, ChunkDecoderFactory.optimalInstance(), BufferRecycler.instance()); } public LZFUncompressor(DataHandler handler, BufferRecycler bufferRecycler) { this(handler, ChunkDecoderFactory.optimalInstance(), bufferRecycler); } public LZFUncompressor(DataHandler handler, ChunkDecoder dec) { this(handler, dec, BufferRecycler.instance()); } public LZFUncompressor(DataHandler handler, ChunkDecoder dec, BufferRecycler bufferRecycler) { _handler = handler; _decoder = dec; _recycler = bufferRecycler; } /* /////////////////////////////////////////////////////////////////////// // Uncompressor API implementation /////////////////////////////////////////////////////////////////////// */ @Override public boolean feedCompressedData(byte[] comp, int offset, int len) throws IOException { final int end = offset + len; while (offset < end) { byte b = comp[offset++]; switch (_state) { case STATE_INITIAL: if (b != LZFChunk.BYTE_Z) { _reportBadHeader(comp, offset, len, 0); } if (offset >= end) { _state = STATE_HEADER_Z_GOTTEN; break; } b = comp[offset++]; // fall through case STATE_HEADER_Z_GOTTEN: if (b != LZFChunk.BYTE_V) { _reportBadHeader(comp, offset, len, 1); } if (offset >= end) { _state = STATE_HEADER_ZV_GOTTEN; break; } b = comp[offset++]; // fall through case STATE_HEADER_ZV_GOTTEN: _bytesReadFromBlock = 0; { int type = b & 0xFF; if (type != LZFChunk.BLOCK_TYPE_COMPRESSED) { if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { _state = STATE_HEADER_UNCOMPRESSED_0; continue; } _reportBadBlockType(comp, offset, len, type); } } _state = STATE_HEADER_COMPRESSED_0; if (offset >= end) { break; } b = comp[offset++]; // fall through for compressed blocks case STATE_HEADER_COMPRESSED_0: // first byte of compressed-length _compressedLength = b & 0xFF; if (offset >= end) { _state = STATE_HEADER_COMPRESSED_1; break; } b = comp[offset++]; // fall through case STATE_HEADER_COMPRESSED_1: _compressedLength = (_compressedLength << 8) + (b & 0xFF); if (offset >= end) { _state = STATE_HEADER_COMPRESSED_2; break; } b = comp[offset++]; // fall through case STATE_HEADER_COMPRESSED_2: _uncompressedLength = b & 0xFF; if (offset >= end) { _state = STATE_HEADER_COMPRESSED_3; break; } b = comp[offset++]; // fall through case STATE_HEADER_COMPRESSED_3: _uncompressedLength = (_uncompressedLength << 8) + (b & 0xFF); _state = STATE_HEADER_COMPRESSED_BUFFERING; if (offset >= end) { break; } b = comp[offset++]; // fall through case STATE_HEADER_COMPRESSED_BUFFERING: offset = _handleCompressed(comp, --offset, end); // either state changes, or we run out of input... break; case STATE_HEADER_UNCOMPRESSED_0: _uncompressedLength = b & 0xFF; if (offset >= end) { _state = STATE_HEADER_UNCOMPRESSED_1; break; } b = comp[offset++]; // fall through case STATE_HEADER_UNCOMPRESSED_1: _uncompressedLength = (_uncompressedLength << 8) + (b & 0xFF); _state = STATE_HEADER_UNCOMPRESSED_STREAMING; if (offset >= end) { break; } b = comp[offset++]; // fall through case STATE_HEADER_UNCOMPRESSED_STREAMING: offset = _handleUncompressed(comp, --offset, end); if (_terminated) { break; } // All done? if (_bytesReadFromBlock == _uncompressedLength) { _state = STATE_INITIAL; } break; } } return !_terminated; } @Override public void complete() throws IOException { byte[] b = _inputBuffer; if (b != null) { _inputBuffer = null; _recycler.releaseInputBuffer(b); } b = _decodeBuffer; if (b != null) { _decodeBuffer = null; _recycler.releaseDecodeBuffer(b); } // 24-May-2012, tatu: Should we call this here; or fail with exception? _handler.allDataHandled(); if (!_terminated) { if (_state != STATE_INITIAL) { if (_state == STATE_HEADER_COMPRESSED_BUFFERING) { throw new LZFException("Incomplete compressed LZF block; only got "+_bytesReadFromBlock +" bytes, needed "+_compressedLength); } if (_state == STATE_HEADER_UNCOMPRESSED_STREAMING) { throw new LZFException("Incomplete uncompressed LZF block; only got "+_bytesReadFromBlock +" bytes, needed "+_uncompressedLength); } throw new LZFException("Incomplete LZF block; decoding state = "+_state); } } } /* /////////////////////////////////////////////////////////////////////// // Helper methods, decompression /////////////////////////////////////////////////////////////////////// */ private final int _handleUncompressed(byte[] comp, int offset, int end) throws IOException { // Simple, we just do pass through... int amount = Math.min(end-offset, _uncompressedLength-_bytesReadFromBlock); if (!_handler.handleData(comp, offset, amount)) { _terminated = true; } _bytesReadFromBlock += amount; return offset + amount; } private final int _handleCompressed(byte[] comp, int offset, int end) throws IOException { // One special case: if we get the whole block, can avoid buffering: int available = end-offset; if (_bytesReadFromBlock == 0 && available >= _compressedLength) { _uncompress(comp, offset, _compressedLength); offset += _compressedLength; _state = STATE_INITIAL; return offset; } // otherwise need to buffer if (_inputBuffer == null) { _inputBuffer = _recycler.allocInputBuffer(LZFChunk.MAX_CHUNK_LEN); } int amount = Math.min(available, _compressedLength - _bytesReadFromBlock); System.arraycopy(comp, offset, _inputBuffer, _bytesReadFromBlock, amount); offset += amount; _bytesReadFromBlock += amount; // Got it all? if (_bytesReadFromBlock == _compressedLength) { _uncompress(_inputBuffer, 0, _compressedLength); _state = STATE_INITIAL; } return offset; } private final void _uncompress(byte[] src, int srcOffset, int len) throws IOException { if (_decodeBuffer == null) { _decodeBuffer = _recycler.allocDecodeBuffer(LZFChunk.MAX_CHUNK_LEN); } _decoder.decodeChunk(src, srcOffset, _decodeBuffer, 0, _uncompressedLength); _handler.handleData(_decodeBuffer, 0, _uncompressedLength); } /* /////////////////////////////////////////////////////////////////////// // Helper methods, error reporting /////////////////////////////////////////////////////////////////////// */ protected void _reportBadHeader(byte[] comp, int nextOffset, int len, int relative) throws IOException { char exp = (relative == 0) ? 'Z' : 'V'; --nextOffset; throw new LZFException("Bad block: byte #"+relative+" of block header not '" +exp+"' (0x"+Integer.toHexString(exp) +") but 0x"+Integer.toHexString(comp[nextOffset] & 0xFF) +" (at "+(nextOffset-1)+"/"+(len)+")"); } protected void _reportBadBlockType(byte[] comp, int nextOffset, int len, int type) throws IOException { throw new LZFException("Bad block: unrecognized type 0x"+Integer.toHexString(type & 0xFF) +" (at "+(nextOffset-1)+"/"+len+")"); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/000077500000000000000000000000001237355727300255425ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/UnsafeChunkDecoder.java000066400000000000000000000270561237355727300321170ustar00rootroot00000000000000package com.ning.compress.lzf.impl; import java.io.IOException; import java.io.InputStream; import java.lang.reflect.Field; import sun.misc.Unsafe; import com.ning.compress.lzf.*; /** * Highly optimized {@link ChunkDecoder} implementation that uses * Sun JDK's Unsafe class (which may be included by other JDK's as well; * IBM's apparently does). *

* Credits for the idea go to Dain Sundstrom, who kindly suggested this use, * and is all-around great source for optimization tips and tricks. * Big thanks also to LZ4-java developers, whose stellar performance made * me go back and see what more I can do to optimize this code! */ @SuppressWarnings("restriction") public class UnsafeChunkDecoder extends ChunkDecoder { private static final Unsafe unsafe; static { try { Field theUnsafe = Unsafe.class.getDeclaredField("theUnsafe"); theUnsafe.setAccessible(true); unsafe = (Unsafe) theUnsafe.get(null); } catch (Exception e) { throw new RuntimeException(e); } } private static final long BYTE_ARRAY_OFFSET = unsafe.arrayBaseOffset(byte[].class); // private static final long SHORT_ARRAY_OFFSET = unsafe.arrayBaseOffset(short[].class); // private static final long SHORT_ARRAY_STRIDE = unsafe.arrayIndexScale(short[].class); public UnsafeChunkDecoder() { } @Override public final int decodeChunk(final InputStream is, final byte[] inputBuffer, final byte[] outputBuffer) throws IOException { /* note: we do NOT read more than 5 bytes because otherwise might need to shuffle bytes * for output buffer (could perhaps optimize in future?) */ int bytesRead = readHeader(is, inputBuffer); if ((bytesRead < HEADER_BYTES) || inputBuffer[0] != LZFChunk.BYTE_Z || inputBuffer[1] != LZFChunk.BYTE_V) { if (bytesRead == 0) { // probably fine, clean EOF return -1; } _reportCorruptHeader(); } int type = inputBuffer[2]; int compLen = uint16(inputBuffer, 3); if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { // uncompressed readFully(is, false, outputBuffer, 0, compLen); return compLen; } // compressed readFully(is, true, inputBuffer, 0, 2+compLen); // first 2 bytes are uncompressed length int uncompLen = uint16(inputBuffer, 0); decodeChunk(inputBuffer, 2, outputBuffer, 0, uncompLen); return uncompLen; } @Override public final void decodeChunk(byte[] in, int inPos, byte[] out, int outPos, int outEnd) throws LZFException { // We need to take care of end condition, leave last 32 bytes out final int outputEnd8 = outEnd - 8; final int outputEnd32 = outEnd - 32; main_loop: do { int ctrl = in[inPos++] & 255; while (ctrl < LZFChunk.MAX_LITERAL) { // literal run(s) if (outPos > outputEnd32) { System.arraycopy(in, inPos, out, outPos, ctrl+1); } else { copyUpTo32(in, inPos, out, outPos, ctrl); } ++ctrl; inPos += ctrl; outPos += ctrl; if (outPos >= outEnd) { break main_loop; } ctrl = in[inPos++] & 255; } // back reference int len = ctrl >> 5; ctrl = -((ctrl & 0x1f) << 8) - 1; // short back reference? 2 bytes; run lengths of 2 - 8 bytes if (len < 7) { ctrl -= in[inPos++] & 255; if (ctrl < -7 && outPos < outputEnd8) { // non-overlapping? can use efficient bulk copy final long rawOffset = BYTE_ARRAY_OFFSET + outPos; unsafe.putLong(out, rawOffset, unsafe.getLong(out, rawOffset + ctrl)); // moveLong(out, outPos, outEnd, ctrl); outPos += len+2; continue; } // otherwise, byte-by-byte outPos = copyOverlappingShort(out, outPos, ctrl, len); continue; } // long back reference: 3 bytes, length of up to 264 bytes len = (in[inPos++] & 255) + 9; ctrl -= in[inPos++] & 255; // First: ovelapping case can't use default handling, off line. if ((ctrl > -9) || (outPos > outputEnd32)) { outPos = copyOverlappingLong(out, outPos, ctrl, len-9); continue; } // but non-overlapping is simple if (len <= 32) { copyUpTo32(out, outPos+ctrl, outPos, len-1); outPos += len; continue; } copyLong(out, outPos+ctrl, outPos, len, outputEnd32); outPos += len; } while (outPos < outEnd); // sanity check to guard against corrupt data: if (outPos != outEnd) { throw new LZFException("Corrupt data: overrun in decompress, input offset "+inPos+", output offset "+outPos); } } @Override public int skipOrDecodeChunk(final InputStream is, final byte[] inputBuffer, final byte[] outputBuffer, final long maxToSkip) throws IOException { int bytesRead = readHeader(is, inputBuffer); if ((bytesRead < HEADER_BYTES) || inputBuffer[0] != LZFChunk.BYTE_Z || inputBuffer[1] != LZFChunk.BYTE_V) { if (bytesRead == 0) { // probably fine, clean EOF return -1; } _reportCorruptHeader(); } int type = inputBuffer[2]; int compLen = uint16(inputBuffer, 3); if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { // uncompressed, simple if (compLen <= maxToSkip) { skipFully(is, compLen); return compLen; } readFully(is, false, outputBuffer, 0, compLen); return -(compLen+1); } // compressed: need 2 more bytes to know uncompressed length... readFully(is, true, inputBuffer, 0, 2); int uncompLen = uint16(inputBuffer, 0); // can we just skip it wholesale? if (uncompLen <= maxToSkip) { // awesome: skip N physical compressed bytes, which mean M logical (uncomp) bytes skipFully(is, compLen); return uncompLen; } // otherwise, read and uncompress the chunk normally readFully(is, true, inputBuffer, 2, compLen); // first 2 bytes are uncompressed length decodeChunk(inputBuffer, 2, outputBuffer, 0, uncompLen); return -(uncompLen+1); } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ private final int copyOverlappingShort(final byte[] out, int outPos, final int offset, int len) { out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; switch (len) { case 6: out[outPos] = out[outPos++ + offset]; case 5: out[outPos] = out[outPos++ + offset]; case 4: out[outPos] = out[outPos++ + offset]; case 3: out[outPos] = out[outPos++ + offset]; case 2: out[outPos] = out[outPos++ + offset]; case 1: out[outPos] = out[outPos++ + offset]; } return outPos; } private final static int copyOverlappingLong(final byte[] out, int outPos, final int offset, int len) { // otherwise manual copy: so first just copy 9 bytes we know are needed out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; // then loop // Odd: after extensive profiling, looks like magic number // for unrolling is 4: with 8 performance is worse (even // bit less than with no unrolling). len += outPos; final int end = len - 3; while (outPos < end) { out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; out[outPos] = out[outPos++ + offset]; } switch (len - outPos) { case 3: out[outPos] = out[outPos++ + offset]; case 2: out[outPos] = out[outPos++ + offset]; case 1: out[outPos] = out[outPos++ + offset]; } return outPos; } private final static void copyUpTo32(byte[] buffer, int inputIndex, int outputIndex, int lengthMinusOne) { long inPtr = BYTE_ARRAY_OFFSET + inputIndex; long outPtr = BYTE_ARRAY_OFFSET + outputIndex; unsafe.putLong(buffer, outPtr, unsafe.getLong(buffer, inPtr)); if (lengthMinusOne > 7) { inPtr += 8; outPtr += 8; unsafe.putLong(buffer, outPtr, unsafe.getLong(buffer, inPtr)); if (lengthMinusOne > 15) { inPtr += 8; outPtr += 8; unsafe.putLong(buffer, outPtr, unsafe.getLong(buffer, inPtr)); if (lengthMinusOne > 23) { inPtr += 8; outPtr += 8; unsafe.putLong(buffer, outPtr, unsafe.getLong(buffer, inPtr)); } } } } private final static void copyUpTo32(byte[] in, int inputIndex, byte[] out, int outputIndex, int lengthMinusOne) { long inPtr = BYTE_ARRAY_OFFSET + inputIndex; long outPtr = BYTE_ARRAY_OFFSET + outputIndex; unsafe.putLong(out, outPtr, unsafe.getLong(in, inPtr)); if (lengthMinusOne > 7) { inPtr += 8; outPtr += 8; unsafe.putLong(out, outPtr, unsafe.getLong(in, inPtr)); if (lengthMinusOne > 15) { inPtr += 8; outPtr += 8; unsafe.putLong(out, outPtr, unsafe.getLong(in, inPtr)); if (lengthMinusOne > 23) { inPtr += 8; outPtr += 8; unsafe.putLong(out, outPtr, unsafe.getLong(in, inPtr)); } } } } private final static void copyLong(byte[] buffer, int inputIndex, int outputIndex, int length, int outputEnd8) { if ((outputIndex + length) > outputEnd8) { copyLongTail(buffer, inputIndex,outputIndex, length); return; } long inPtr = BYTE_ARRAY_OFFSET + inputIndex; long outPtr = BYTE_ARRAY_OFFSET + outputIndex; while (length >= 8) { unsafe.putLong(buffer, outPtr, unsafe.getLong(buffer, inPtr)); inPtr += 8; outPtr += 8; length -= 8; } if (length > 4) { unsafe.putLong(buffer, outPtr, unsafe.getLong(buffer, inPtr)); } else if (length > 0) { unsafe.putInt(buffer, outPtr, unsafe.getInt(buffer, inPtr)); } } private final static void copyLongTail(byte[] buffer, int inputIndex, int outputIndex, int length) { for (final int inEnd = inputIndex + length; inputIndex < inEnd; ) { buffer[outputIndex++] = buffer[inputIndex++]; } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/UnsafeChunkEncoder.java000066400000000000000000000135241237355727300321240ustar00rootroot00000000000000package com.ning.compress.lzf.impl; import com.ning.compress.BufferRecycler; import java.lang.reflect.Field; import sun.misc.Unsafe; import com.ning.compress.lzf.ChunkEncoder; import com.ning.compress.lzf.LZFChunk; /** * {@link ChunkEncoder} implementation that handles actual encoding of individual chunks, * using Sun's sun.misc.Unsafe functionality, which gives * nice extra boost for speed. * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ @SuppressWarnings("restriction") public abstract class UnsafeChunkEncoder extends ChunkEncoder { // // Our Nitro Booster, mr. Unsafe! protected static final Unsafe unsafe; static { try { Field theUnsafe = Unsafe.class.getDeclaredField("theUnsafe"); theUnsafe.setAccessible(true); unsafe = (Unsafe) theUnsafe.get(null); } catch (Exception e) { throw new RuntimeException(e); } } protected static final long BYTE_ARRAY_OFFSET = unsafe.arrayBaseOffset(byte[].class); protected static final long BYTE_ARRAY_OFFSET_PLUS2 = BYTE_ARRAY_OFFSET + 2; public UnsafeChunkEncoder(int totalLength) { super(totalLength); } public UnsafeChunkEncoder(int totalLength, boolean bogus) { super(totalLength, bogus); } public UnsafeChunkEncoder(int totalLength, BufferRecycler bufferRecycler) { super(totalLength, bufferRecycler); } public UnsafeChunkEncoder(int totalLength, BufferRecycler bufferRecycler, boolean bogus) { super(totalLength, bufferRecycler, bogus); } /* /////////////////////////////////////////////////////////////////////// // Shared helper methods /////////////////////////////////////////////////////////////////////// */ protected final static int _copyPartialLiterals(byte[] in, int inPos, byte[] out, int outPos, int literals) { out[outPos++] = (byte) (literals-1); // Here use of Unsafe is clear win: // System.arraycopy(in, inPos-literals, out, outPos, literals); long rawInPtr = BYTE_ARRAY_OFFSET + inPos - literals; long rawOutPtr= BYTE_ARRAY_OFFSET + outPos; switch (literals >> 3) { case 3: unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; case 2: unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; case 1: unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; } int left = (literals & 7); if (left > 4) { unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); } else { unsafe.putInt(out, rawOutPtr, unsafe.getInt(in, rawInPtr)); } return outPos+literals; } protected final static int _copyLongLiterals(byte[] in, int inPos, byte[] out, int outPos, int literals) { inPos -= literals; long rawInPtr = BYTE_ARRAY_OFFSET + inPos; long rawOutPtr = BYTE_ARRAY_OFFSET + outPos; while (literals >= LZFChunk.MAX_LITERAL) { out[outPos++] = (byte) 31; ++rawOutPtr; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; inPos += LZFChunk.MAX_LITERAL; outPos += LZFChunk.MAX_LITERAL; literals -= LZFChunk.MAX_LITERAL; } if (literals > 0) { return _copyPartialLiterals(in, inPos+literals, out, outPos, literals); } return outPos; } protected final static int _copyFullLiterals(byte[] in, int inPos, byte[] out, int outPos) { // literals == 32 out[outPos++] = (byte) 31; long rawInPtr = BYTE_ARRAY_OFFSET + inPos - 32; long rawOutPtr = BYTE_ARRAY_OFFSET + outPos; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); rawInPtr += 8; rawOutPtr += 8; unsafe.putLong(out, rawOutPtr, unsafe.getLong(in, rawInPtr)); return (outPos + 32); } protected final static int _handleTail(byte[] in, int inPos, int inEnd, byte[] out, int outPos, int literals) { while (inPos < inEnd) { ++inPos; ++literals; if (literals == LZFChunk.MAX_LITERAL) { out[outPos++] = (byte) (literals-1); // <= out[outPos - literals - 1] = MAX_LITERAL_MINUS_1; System.arraycopy(in, inPos-literals, out, outPos, literals); outPos += literals; literals = 0; } } if (literals > 0) { out[outPos++] = (byte) (literals - 1); System.arraycopy(in, inPos-literals, out, outPos, literals); outPos += literals; } return outPos; } protected final static int _findTailMatchLength(final byte[] in, int ptr1, int ptr2, final int maxPtr1) { final int start1 = ptr1; while (ptr1 < maxPtr1 && in[ptr1] == in[ptr2]) { ++ptr1; ++ptr2; } return ptr1 - start1 + 1; // i.e. } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/UnsafeChunkEncoderBE.java000066400000000000000000000126211237355727300323300ustar00rootroot00000000000000package com.ning.compress.lzf.impl; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.LZFChunk; /** * Implementation to use on Big-Endian architectures. */ @SuppressWarnings("restriction") public final class UnsafeChunkEncoderBE extends UnsafeChunkEncoder { public UnsafeChunkEncoderBE(int totalLength) { super(totalLength); } public UnsafeChunkEncoderBE(int totalLength, boolean bogus) { super(totalLength, bogus); } public UnsafeChunkEncoderBE(int totalLength, BufferRecycler bufferRecycler) { super(totalLength, bufferRecycler); } public UnsafeChunkEncoderBE(int totalLength, BufferRecycler bufferRecycler, boolean bogus) { super(totalLength, bufferRecycler, bogus); } @Override protected int tryCompress(byte[] in, int inPos, int inEnd, byte[] out, int outPos) { final int[] hashTable = _hashTable; int literals = 0; inEnd -= TAIL_LENGTH; final int firstPos = inPos; // so that we won't have back references across block boundary int seen = _getInt(in, inPos) >> 16; while (inPos < inEnd) { seen = (seen << 8) + (in[inPos + 2] & 255); int off = hash(seen); int ref = hashTable[off]; hashTable[off] = inPos; // First expected common case: no back-ref (for whatever reason) if ((ref >= inPos) // can't refer forward (i.e. leftovers) || (ref < firstPos) // or to previous block || (off = inPos - ref) > MAX_OFF || ((seen << 8) != (_getInt(in, ref-1) << 8))) { ++inPos; ++literals; if (literals == LZFChunk.MAX_LITERAL) { outPos = _copyFullLiterals(in, inPos, out, outPos); literals = 0; } continue; } // match int maxLen = inEnd - inPos + 2; if (maxLen > MAX_REF) { maxLen = MAX_REF; } if (literals > 0) { outPos = _copyPartialLiterals(in, inPos, out, outPos, literals); literals = 0; } int len = _findMatchLength(in, ref+3, inPos+3, ref+maxLen); --off; // was off by one earlier if (len < 7) { out[outPos++] = (byte) ((off >> 8) + (len << 5)); } else { out[outPos++] = (byte) ((off >> 8) + (7 << 5)); out[outPos++] = (byte) (len - 7); } out[outPos++] = (byte) off; inPos += len; seen = _getInt(in, inPos); hashTable[hash(seen >> 8)] = inPos; ++inPos; hashTable[hash(seen)] = inPos; ++inPos; } // try offlining the tail return _handleTail(in, inPos, inEnd+4, out, outPos, literals); } private final static int _getInt(final byte[] in, final int inPos) { return unsafe.getInt(in, BYTE_ARRAY_OFFSET + inPos); } /* /////////////////////////////////////////////////////////////////////// // Methods for finding length of a back-reference /////////////////////////////////////////////////////////////////////// */ private final static int _findMatchLength(final byte[] in, int ptr1, int ptr2, final int maxPtr1) { // Expect at least 8 bytes to check for fast case; offline others if ((ptr1 + 8) >= maxPtr1) { // rare case, offline return _findTailMatchLength(in, ptr1, ptr2, maxPtr1); } // short matches common, so start with specialized comparison // NOTE: we know that we have 4 bytes of slack before end, so this is safe: int i1 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr1); int i2 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr2); if (i1 != i2) { return 1 + _leadingBytes(i1, i2); } ptr1 += 4; ptr2 += 4; i1 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr1); i2 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr2); if (i1 != i2) { return 5 + _leadingBytes(i1, i2); } return _findLongMatchLength(in, ptr1+4, ptr2+4, maxPtr1); } private final static int _findLongMatchLength(final byte[] in, int ptr1, int ptr2, final int maxPtr1) { final int base = ptr1 - 9; // and then just loop with longs if we get that far final int longEnd = maxPtr1-8; while (ptr1 <= longEnd) { long l1 = unsafe.getLong(in, BYTE_ARRAY_OFFSET + ptr1); long l2 = unsafe.getLong(in, BYTE_ARRAY_OFFSET + ptr2); if (l1 != l2) { return ptr1 - base + _leadingBytes(l1, l2); } ptr1 += 8; ptr2 += 8; } // or, if running out of runway, handle last bytes with loop-de-loop... while (ptr1 < maxPtr1 && in[ptr1] == in[ptr2]) { ++ptr1; ++ptr2; } return ptr1 - base; // i.e. } /* With Big-Endian, in-memory layout is "natural", so what we consider * leading is also leading for in-register. */ private final static int _leadingBytes(int i1, int i2) { return Integer.numberOfLeadingZeros(i1 ^ i2) >> 3; } private final static int _leadingBytes(long l1, long l2) { return Long.numberOfLeadingZeros(l1 ^ l2) >> 3; } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/UnsafeChunkEncoderLE.java000066400000000000000000000132261237355727300323440ustar00rootroot00000000000000package com.ning.compress.lzf.impl; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.LZFChunk; /** * Implementation to use on Little Endian architectures. */ @SuppressWarnings("restriction") public class UnsafeChunkEncoderLE extends UnsafeChunkEncoder { public UnsafeChunkEncoderLE(int totalLength) { super(totalLength); } public UnsafeChunkEncoderLE(int totalLength, boolean bogus) { super(totalLength, bogus); } public UnsafeChunkEncoderLE(int totalLength, BufferRecycler bufferRecycler) { super(totalLength, bufferRecycler); } public UnsafeChunkEncoderLE(int totalLength, BufferRecycler bufferRecycler, boolean bogus) { super(totalLength, bufferRecycler, bogus); } @Override protected int tryCompress(byte[] in, int inPos, int inEnd, byte[] out, int outPos) { final int[] hashTable = _hashTable; int literals = 0; inEnd -= TAIL_LENGTH; final int firstPos = inPos; // so that we won't have back references across block boundary int seen = _getInt(in, inPos) >> 16; while (inPos < inEnd) { seen = (seen << 8) + (in[inPos + 2] & 255); // seen = (seen << 8) + (unsafe.getByte(in, BYTE_ARRAY_OFFSET_PLUS2 + inPos) & 0xFF); int off = hash(seen); int ref = hashTable[off]; hashTable[off] = inPos; // First expected common case: no back-ref (for whatever reason) if ((ref >= inPos) // can't refer forward (i.e. leftovers) || (ref < firstPos) // or to previous block || (off = inPos - ref) > MAX_OFF || ((seen << 8) != (_getInt(in, ref-1) << 8))) { ++inPos; ++literals; if (literals == LZFChunk.MAX_LITERAL) { outPos = _copyFullLiterals(in, inPos, out, outPos); literals = 0; } continue; } if (literals > 0) { outPos = _copyPartialLiterals(in, inPos, out, outPos, literals); literals = 0; } // match final int maxLen = Math.min(MAX_REF, inEnd - inPos + 2); /*int maxLen = inEnd - inPos + 2; if (maxLen > MAX_REF) { maxLen = MAX_REF; }*/ int len = _findMatchLength(in, ref+3, inPos+3, ref+maxLen); --off; // was off by one earlier if (len < 7) { out[outPos++] = (byte) ((off >> 8) + (len << 5)); } else { out[outPos++] = (byte) ((off >> 8) + (7 << 5)); out[outPos++] = (byte) (len - 7); } out[outPos++] = (byte) off; inPos += len; seen = _getInt(in, inPos); hashTable[hash(seen >> 8)] = inPos; ++inPos; hashTable[hash(seen)] = inPos; ++inPos; } // try offlining the tail return _handleTail(in, inPos, inEnd+4, out, outPos, literals); } private final static int _getInt(final byte[] in, final int inPos) { return Integer.reverseBytes(unsafe.getInt(in, BYTE_ARRAY_OFFSET + inPos)); } /* /////////////////////////////////////////////////////////////////////// // Methods for finding length of a back-reference /////////////////////////////////////////////////////////////////////// */ private final static int _findMatchLength(final byte[] in, int ptr1, int ptr2, final int maxPtr1) { // Expect at least 8 bytes to check for fast case; offline others if ((ptr1 + 8) >= maxPtr1) { // rare case, offline return _findTailMatchLength(in, ptr1, ptr2, maxPtr1); } // short matches common, so start with specialized comparison // NOTE: we know that we have 4 bytes of slack before end, so this is safe: int i1 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr1); int i2 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr2); if (i1 != i2) { return 1 + _leadingBytes(i1, i2); } ptr1 += 4; ptr2 += 4; i1 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr1); i2 = unsafe.getInt(in, BYTE_ARRAY_OFFSET + ptr2); if (i1 != i2) { return 5 + _leadingBytes(i1, i2); } return _findLongMatchLength(in, ptr1+4, ptr2+4, maxPtr1); } private final static int _findLongMatchLength(final byte[] in, int ptr1, int ptr2, final int maxPtr1) { final int base = ptr1 - 9; // and then just loop with longs if we get that far final int longEnd = maxPtr1-8; while (ptr1 <= longEnd) { long l1 = unsafe.getLong(in, BYTE_ARRAY_OFFSET + ptr1); long l2 = unsafe.getLong(in, BYTE_ARRAY_OFFSET + ptr2); if (l1 != l2) { return ptr1 - base + _leadingBytes(l1, l2); } ptr1 += 8; ptr2 += 8; } // or, if running out of runway, handle last bytes with loop-de-loop... while (ptr1 < maxPtr1 && in[ptr1] == in[ptr2]) { ++ptr1; ++ptr2; } return ptr1 - base; // i.e. } /* With Little-Endian, in-memory layout is reverse of what we expect for * in-register, so we either have to reverse bytes, or, simpler, * calculate trailing zeroes instead. */ private final static int _leadingBytes(int i1, int i2) { return Integer.numberOfTrailingZeros(i1 ^ i2) >> 3; } private final static int _leadingBytes(long l1, long l2) { return Long.numberOfTrailingZeros(l1 ^ l2) >> 3; } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/UnsafeChunkEncoders.java000066400000000000000000000042171237355727300323060ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package com.ning.compress.lzf.impl; import com.ning.compress.BufferRecycler; import java.nio.ByteOrder; /** * Class that handles actual encoding of individual chunks. * Resulting chunks can be compressed or non-compressed; compression * is only used if it actually reduces chunk size (including overhead * of additional header bytes) * * @author Tatu Saloranta (tatu.saloranta@iki.fi) */ public final class UnsafeChunkEncoders { private final static boolean LITTLE_ENDIAN = (ByteOrder.nativeOrder() == ByteOrder.LITTLE_ENDIAN); public static UnsafeChunkEncoder createEncoder(int totalLength) { if (LITTLE_ENDIAN) { return new UnsafeChunkEncoderLE(totalLength); } return new UnsafeChunkEncoderBE(totalLength); } public static UnsafeChunkEncoder createNonAllocatingEncoder(int totalLength) { if (LITTLE_ENDIAN) { return new UnsafeChunkEncoderLE(totalLength, false); } return new UnsafeChunkEncoderBE(totalLength, false); } public static UnsafeChunkEncoder createEncoder(int totalLength, BufferRecycler bufferRecycler) { if (LITTLE_ENDIAN) { return new UnsafeChunkEncoderLE(totalLength, bufferRecycler); } return new UnsafeChunkEncoderBE(totalLength, bufferRecycler); } public static UnsafeChunkEncoder createNonAllocatingEncoder(int totalLength, BufferRecycler bufferRecycler) { if (LITTLE_ENDIAN) { return new UnsafeChunkEncoderLE(totalLength, bufferRecycler, false); } return new UnsafeChunkEncoderBE(totalLength, bufferRecycler, false); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/VanillaChunkDecoder.java000066400000000000000000000255061237355727300322620ustar00rootroot00000000000000package com.ning.compress.lzf.impl; import java.io.IOException; import java.io.InputStream; import com.ning.compress.lzf.*; /** * Safe {@link ChunkDecoder} implementation that can be used on any * platform. */ public class VanillaChunkDecoder extends ChunkDecoder { public VanillaChunkDecoder() { } @Override public final int decodeChunk(final InputStream is, final byte[] inputBuffer, final byte[] outputBuffer) throws IOException { /* note: we do NOT read more than 5 bytes because otherwise might need to shuffle bytes * for output buffer (could perhaps optimize in future?) */ int bytesRead = readHeader(is, inputBuffer); if ((bytesRead < HEADER_BYTES) || inputBuffer[0] != LZFChunk.BYTE_Z || inputBuffer[1] != LZFChunk.BYTE_V) { if (bytesRead == 0) { // probably fine, clean EOF return -1; } _reportCorruptHeader(); } int type = inputBuffer[2]; int compLen = uint16(inputBuffer, 3); if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { // uncompressed readFully(is, false, outputBuffer, 0, compLen); return compLen; } // compressed readFully(is, true, inputBuffer, 0, 2+compLen); // first 2 bytes are uncompressed length int uncompLen = uint16(inputBuffer, 0); decodeChunk(inputBuffer, 2, outputBuffer, 0, uncompLen); return uncompLen; } @Override public final void decodeChunk(byte[] in, int inPos, byte[] out, int outPos, int outEnd) throws LZFException { do { int ctrl = in[inPos++] & 255; if (ctrl < LZFChunk.MAX_LITERAL) { // literal run switch (ctrl) { case 31: out[outPos++] = in[inPos++]; case 30: out[outPos++] = in[inPos++]; case 29: out[outPos++] = in[inPos++]; case 28: out[outPos++] = in[inPos++]; case 27: out[outPos++] = in[inPos++]; case 26: out[outPos++] = in[inPos++]; case 25: out[outPos++] = in[inPos++]; case 24: out[outPos++] = in[inPos++]; case 23: out[outPos++] = in[inPos++]; case 22: out[outPos++] = in[inPos++]; case 21: out[outPos++] = in[inPos++]; case 20: out[outPos++] = in[inPos++]; case 19: out[outPos++] = in[inPos++]; case 18: out[outPos++] = in[inPos++]; case 17: out[outPos++] = in[inPos++]; case 16: out[outPos++] = in[inPos++]; case 15: out[outPos++] = in[inPos++]; case 14: out[outPos++] = in[inPos++]; case 13: out[outPos++] = in[inPos++]; case 12: out[outPos++] = in[inPos++]; case 11: out[outPos++] = in[inPos++]; case 10: out[outPos++] = in[inPos++]; case 9: out[outPos++] = in[inPos++]; case 8: out[outPos++] = in[inPos++]; case 7: out[outPos++] = in[inPos++]; case 6: out[outPos++] = in[inPos++]; case 5: out[outPos++] = in[inPos++]; case 4: out[outPos++] = in[inPos++]; case 3: out[outPos++] = in[inPos++]; case 2: out[outPos++] = in[inPos++]; case 1: out[outPos++] = in[inPos++]; case 0: out[outPos++] = in[inPos++]; } continue; } // back reference int len = ctrl >> 5; ctrl = -((ctrl & 0x1f) << 8) - 1; if (len < 7) { // 2 bytes; length of 3 - 8 bytes ctrl -= in[inPos++] & 255; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; switch (len) { case 6: out[outPos] = out[outPos++ + ctrl]; case 5: out[outPos] = out[outPos++ + ctrl]; case 4: out[outPos] = out[outPos++ + ctrl]; case 3: out[outPos] = out[outPos++ + ctrl]; case 2: out[outPos] = out[outPos++ + ctrl]; case 1: out[outPos] = out[outPos++ + ctrl]; } continue; } // long version (3 bytes, length of up to 264 bytes) len = in[inPos++] & 255; ctrl -= in[inPos++] & 255; // First: if there is no overlap, can just use arraycopy: if ((ctrl + len) < -9) { len += 9; if (len <= 32) { copyUpTo32WithSwitch(out, outPos+ctrl, out, outPos, len-1); } else { System.arraycopy(out, outPos+ctrl, out, outPos, len); } outPos += len; continue; } // otherwise manual copy: so first just copy 9 bytes we know are needed out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; // then loop // Odd: after extensive profiling, looks like magic number // for unrolling is 4: with 8 performance is worse (even // bit less than with no unrolling). len += outPos; final int end = len - 3; while (outPos < end) { out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; out[outPos] = out[outPos++ + ctrl]; } switch (len - outPos) { case 3: out[outPos] = out[outPos++ + ctrl]; case 2: out[outPos] = out[outPos++ + ctrl]; case 1: out[outPos] = out[outPos++ + ctrl]; } } while (outPos < outEnd); // sanity check to guard against corrupt data: if (outPos != outEnd) { throw new LZFException("Corrupt data: overrun in decompress, input offset "+inPos+", output offset "+outPos); } } @Override public int skipOrDecodeChunk(final InputStream is, final byte[] inputBuffer, final byte[] outputBuffer, final long maxToSkip) throws IOException { int bytesRead = readHeader(is, inputBuffer); if ((bytesRead < HEADER_BYTES) || inputBuffer[0] != LZFChunk.BYTE_Z || inputBuffer[1] != LZFChunk.BYTE_V) { if (bytesRead == 0) { // probably fine, clean EOF return -1; } _reportCorruptHeader(); } int type = inputBuffer[2]; int compLen = uint16(inputBuffer, 3); if (type == LZFChunk.BLOCK_TYPE_NON_COMPRESSED) { // uncompressed, simple if (compLen <= maxToSkip) { skipFully(is, compLen); return compLen; } readFully(is, false, outputBuffer, 0, compLen); return -(compLen+1); } // compressed: need 2 more bytes to know uncompressed length... readFully(is, true, inputBuffer, 0, 2); int uncompLen = uint16(inputBuffer, 0); // can we just skip it wholesale? if (uncompLen <= maxToSkip) { // awesome: skip N physical compressed bytes, which mean M logical (uncomp) bytes skipFully(is, compLen); return uncompLen; } // otherwise, read and uncompress the chunk normally readFully(is, true, inputBuffer, 2, compLen); // first 2 bytes are uncompressed length decodeChunk(inputBuffer, 2, outputBuffer, 0, uncompLen); return -(uncompLen+1); } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ protected static final void copyUpTo32WithSwitch(byte[] in, int inPos, byte[] out, int outPos, int lengthMinusOne) { switch (lengthMinusOne) { case 31: out[outPos++] = in[inPos++]; case 30: out[outPos++] = in[inPos++]; case 29: out[outPos++] = in[inPos++]; case 28: out[outPos++] = in[inPos++]; case 27: out[outPos++] = in[inPos++]; case 26: out[outPos++] = in[inPos++]; case 25: out[outPos++] = in[inPos++]; case 24: out[outPos++] = in[inPos++]; case 23: out[outPos++] = in[inPos++]; case 22: out[outPos++] = in[inPos++]; case 21: out[outPos++] = in[inPos++]; case 20: out[outPos++] = in[inPos++]; case 19: out[outPos++] = in[inPos++]; case 18: out[outPos++] = in[inPos++]; case 17: out[outPos++] = in[inPos++]; case 16: out[outPos++] = in[inPos++]; case 15: out[outPos++] = in[inPos++]; case 14: out[outPos++] = in[inPos++]; case 13: out[outPos++] = in[inPos++]; case 12: out[outPos++] = in[inPos++]; case 11: out[outPos++] = in[inPos++]; case 10: out[outPos++] = in[inPos++]; case 9: out[outPos++] = in[inPos++]; case 8: out[outPos++] = in[inPos++]; case 7: out[outPos++] = in[inPos++]; case 6: out[outPos++] = in[inPos++]; case 5: out[outPos++] = in[inPos++]; case 4: out[outPos++] = in[inPos++]; case 3: out[outPos++] = in[inPos++]; case 2: out[outPos++] = in[inPos++]; case 1: out[outPos++] = in[inPos++]; case 0: out[outPos++] = in[inPos++]; } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/VanillaChunkEncoder.java000066400000000000000000000136301237355727300322670ustar00rootroot00000000000000package com.ning.compress.lzf.impl; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.ChunkEncoder; import com.ning.compress.lzf.LZFChunk; public class VanillaChunkEncoder extends ChunkEncoder { /** * @param totalLength Total encoded length; used for calculating size * of hash table to use */ public VanillaChunkEncoder(int totalLength) { super(totalLength); } /** * Alternate constructor used when we want to avoid allocation encoding * buffer, in cases where caller wants full control over allocations. */ protected VanillaChunkEncoder(int totalLength, boolean bogus) { super(totalLength, bogus); } /** * @param totalLength Total encoded length; used for calculating size * of hash table to use * @param bufferRecycler The BufferRecycler instance */ public VanillaChunkEncoder(int totalLength, BufferRecycler bufferRecycler) { super(totalLength, bufferRecycler); } /** * Alternate constructor used when we want to avoid allocation encoding * buffer, in cases where caller wants full control over allocations. */ protected VanillaChunkEncoder(int totalLength, BufferRecycler bufferRecycler, boolean bogus) { super(totalLength, bufferRecycler, bogus); } public static VanillaChunkEncoder nonAllocatingEncoder(int totalLength) { return new VanillaChunkEncoder(totalLength, true); } public static VanillaChunkEncoder nonAllocatingEncoder(int totalLength, BufferRecycler bufferRecycler) { return new VanillaChunkEncoder(totalLength, bufferRecycler, true); } /* /////////////////////////////////////////////////////////////////////// // Abstract method implementations /////////////////////////////////////////////////////////////////////// */ /** * Main workhorse method that will try to compress given chunk, and return * end position (offset to byte after last included byte) * * @return Output pointer after handling content, such that result - originalOutPost * is the actual length of compressed chunk (without header) */ @Override protected int tryCompress(byte[] in, int inPos, int inEnd, byte[] out, int outPos) { final int[] hashTable = _hashTable; ++outPos; // To leave one byte for literal-length indicator int seen = first(in, inPos); // past 4 bytes we have seen... (last one is LSB) int literals = 0; inEnd -= TAIL_LENGTH; final int firstPos = inPos; // so that we won't have back references across block boundary while (inPos < inEnd) { byte p2 = in[inPos + 2]; // next seen = (seen << 8) + (p2 & 255); int off = hash(seen); int ref = hashTable[off]; hashTable[off] = inPos; // First expected common case: no back-ref (for whatever reason) if (ref >= inPos // can't refer forward (i.e. leftovers) || (ref < firstPos) // or to previous block || (off = inPos - ref) > MAX_OFF || in[ref+2] != p2 // must match hash || in[ref+1] != (byte) (seen >> 8) || in[ref] != (byte) (seen >> 16)) { out[outPos++] = in[inPos++]; literals++; if (literals == LZFChunk.MAX_LITERAL) { out[outPos - 33] = (byte) 31; // <= out[outPos - literals - 1] = MAX_LITERAL_MINUS_1; literals = 0; outPos++; // To leave one byte for literal-length indicator } continue; } // match int maxLen = inEnd - inPos + 2; if (maxLen > MAX_REF) { maxLen = MAX_REF; } if (literals == 0) { outPos--; // We do not need literal length indicator, go back } else { out[outPos - literals - 1] = (byte) (literals - 1); literals = 0; } int len = 3; // find match length while (len < maxLen && in[ref + len] == in[inPos + len]) { len++; } len -= 2; --off; // was off by one earlier if (len < 7) { out[outPos++] = (byte) ((off >> 8) + (len << 5)); } else { out[outPos++] = (byte) ((off >> 8) + (7 << 5)); out[outPos++] = (byte) (len - 7); } out[outPos++] = (byte) off; outPos++; inPos += len; seen = first(in, inPos); seen = (seen << 8) + (in[inPos + 2] & 255); hashTable[hash(seen)] = inPos; ++inPos; seen = (seen << 8) + (in[inPos + 2] & 255); // hash = next(hash, in, inPos); hashTable[hash(seen)] = inPos; ++inPos; } // try offlining the tail return _handleTail(in, inPos, inEnd+4, out, outPos, literals); } private final int _handleTail(byte[] in, int inPos, int inEnd, byte[] out, int outPos, int literals) { while (inPos < inEnd) { out[outPos++] = in[inPos++]; literals++; if (literals == LZFChunk.MAX_LITERAL) { out[outPos - literals - 1] = (byte) (literals - 1); literals = 0; outPos++; } } out[outPos - literals - 1] = (byte) (literals - 1); if (literals == 0) { outPos--; } return outPos; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ private final int first(byte[] in, int inPos) { return (in[inPos] << 8) + (in[inPos + 1] & 0xFF); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/impl/package-info.java000066400000000000000000000002161237355727300307300ustar00rootroot00000000000000/** Package that contains implementation classes that are not part of public interface of LZF codec. */ package com.ning.compress.lzf.impl; compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/package-info.java000066400000000000000000000002731237355727300277720ustar00rootroot00000000000000/** Package that contains public API of the LZF codec, as well as some of the implementation (specifically parts that are designed to be overridable). */ package com.ning.compress.lzf; compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/parallel/000077500000000000000000000000001237355727300263755ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/parallel/BlockManager.java000066400000000000000000000021601237355727300315640ustar00rootroot00000000000000package com.ning.compress.lzf.parallel; import java.util.concurrent.BlockingDeque; import java.util.concurrent.LinkedBlockingDeque; /** * @author Cédrik LIME */ class BlockManager { /* used as a blocking Stack (FIFO) */ private final BlockingDeque blockPool; public BlockManager(int blockPoolSize, int blockSize) { // log.debug("Using block pool size of " + blockPoolSize); blockPool = new LinkedBlockingDeque(blockPoolSize); for (int i = 0; i < blockPoolSize; ++i) { blockPool.addFirst(new byte[blockSize]); } } public byte[] getBlockFromPool() { byte[] block = null; try { block = blockPool.takeFirst(); } catch (InterruptedException e) { throw new RuntimeException(e); } return block; } public void releaseBlockToPool(byte[] block) { assert ! blockPool.contains(block); // Arrays.fill(block, (byte)0); try { blockPool.putLast(block); } catch (InterruptedException e) { throw new RuntimeException(e); } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/parallel/CompressTask.java000066400000000000000000000023761237355727300316660ustar00rootroot00000000000000package com.ning.compress.lzf.parallel; import java.util.concurrent.Callable; import com.ning.compress.lzf.ChunkEncoder; import com.ning.compress.lzf.LZFChunk; import com.ning.compress.lzf.util.ChunkEncoderFactory; /** * @author Cédrik LIME */ class CompressTask implements Callable { private static final ThreadLocal ENCODER = new ThreadLocal() { @Override protected ChunkEncoder initialValue() { return ChunkEncoderFactory.optimalInstance(); } }; protected byte[] data; protected int offset, length; protected BlockManager blockManager; public CompressTask(byte[] input, int offset, int length, BlockManager blockManager) { super(); this.data = input; this.offset = offset; this.length = length; this.blockManager = blockManager; } public CompressTask(byte[] input, BlockManager blockManager) { this(input, 0, input.length, blockManager); } /** {@inheritDoc} */ @Override public LZFChunk call() { if (data != null) { LZFChunk lzfChunk = ENCODER.get().encodeChunk(data, offset, length); // input data is fully processed, we can now discard it blockManager.releaseBlockToPool(data); return lzfChunk; } else { // cleanup time! ENCODER.remove(); return null; } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/parallel/PLZFOutputStream.java000066400000000000000000000242051237355727300324130ustar00rootroot00000000000000package com.ning.compress.lzf.parallel; import java.io.FilterOutputStream; import java.io.IOException; import java.io.InputStream; import java.io.OutputStream; import java.lang.management.ManagementFactory; import java.lang.management.OperatingSystemMXBean; import java.nio.ByteBuffer; import java.nio.MappedByteBuffer; import java.nio.channels.FileChannel; import java.nio.channels.FileChannel.MapMode; import java.nio.channels.WritableByteChannel; import java.util.ArrayList; import java.util.Collection; import java.util.concurrent.ExecutorService; import java.util.concurrent.Executors; import java.util.concurrent.Future; import java.util.concurrent.LinkedBlockingQueue; import java.util.concurrent.ThreadPoolExecutor; import java.util.concurrent.TimeUnit; import com.ning.compress.lzf.LZFChunk; /** * Decorator {@link OutputStream} implementation that will compress * output using LZF compression algorithm, given uncompressed input * to write. Its counterpart is {@link com.ning.compress.lzf.LZFInputStream}; although * in some ways {@link com.ning.compress.lzf.LZFCompressingInputStream} can be seen * as the opposite. *

* This class uses a parallel implementation to make use of all available cores, * modulo system load. * * @author Tatu Saloranta * @author Cédrik Lime * * @see com.ning.compress.lzf.LZFInputStream * @see com.ning.compress.lzf.LZFCompressingInputStream * @see com.ning.compress.lzf.LZFOutputStream */ public class PLZFOutputStream extends FilterOutputStream implements WritableByteChannel { private static final int DEFAULT_OUTPUT_BUFFER_SIZE = LZFChunk.MAX_CHUNK_LEN; protected byte[] _outputBuffer; protected int _position = 0; /** * Flag that indicates if we have already called '_outputStream.close()' * (to avoid calling it multiple times) */ protected boolean _outputStreamClosed; private BlockManager blockManager; private final ExecutorService compressExecutor; private final ExecutorService writeExecutor; volatile Exception writeException = null; /* /////////////////////////////////////////////////////////////////////// // Construction, configuration /////////////////////////////////////////////////////////////////////// */ public PLZFOutputStream(final OutputStream outputStream) { this(outputStream, DEFAULT_OUTPUT_BUFFER_SIZE, getNThreads()); } protected PLZFOutputStream(final OutputStream outputStream, int nThreads) { this(outputStream, DEFAULT_OUTPUT_BUFFER_SIZE, nThreads); } protected PLZFOutputStream(final OutputStream outputStream, final int bufferSize, int nThreads) { super(outputStream); _outputStreamClosed = false; compressExecutor = new ThreadPoolExecutor(nThreads, nThreads, 60L, TimeUnit.SECONDS, new LinkedBlockingQueue()); // unbounded ((ThreadPoolExecutor)compressExecutor).allowCoreThreadTimeOut(true); writeExecutor = Executors.newSingleThreadExecutor(); // unbounded blockManager = new BlockManager(nThreads * 2, bufferSize); // this is where the bounds will be enforced! _outputBuffer = blockManager.getBlockFromPool(); } protected static int getNThreads() { int nThreads = Runtime.getRuntime().availableProcessors(); OperatingSystemMXBean jmx = ManagementFactory.getOperatingSystemMXBean(); if (jmx != null) { int loadAverage = (int) jmx.getSystemLoadAverage(); if (nThreads > 1 && loadAverage >= 1) { nThreads = Math.max(1, nThreads - loadAverage); } } return nThreads; } /* /////////////////////////////////////////////////////////////////////// // OutputStream impl /////////////////////////////////////////////////////////////////////// */ /** * {@inheritDoc} * WARNING: using this method will lead to very poor performance! */ @Override public void write(final int singleByte) throws IOException { checkNotClosed(); if (_position >= _outputBuffer.length) { writeCompressedBlock(); } _outputBuffer[_position++] = (byte) singleByte; } @Override public void write(final byte[] buffer, int offset, int length) throws IOException { checkNotClosed(); final int BUFFER_LEN = _outputBuffer.length; // simple case first: buffering only (for trivially short writes) int free = BUFFER_LEN - _position; if (free > length) { System.arraycopy(buffer, offset, _outputBuffer, _position, length); _position += length; return; } // otherwise, copy whatever we can, flush System.arraycopy(buffer, offset, _outputBuffer, _position, free); offset += free; length -= free; _position += free; writeCompressedBlock(); // then write intermediate full blocks, if any: while (length >= BUFFER_LEN) { System.arraycopy(buffer, offset, _outputBuffer, 0, BUFFER_LEN); _position = BUFFER_LEN; writeCompressedBlock(); offset += BUFFER_LEN; length -= BUFFER_LEN; } // and finally, copy leftovers in buffer, if any if (length > 0) { System.arraycopy(buffer, offset, _outputBuffer, 0, length); } _position = length; } public void write(final InputStream in) throws IOException { writeCompressedBlock(); // will flush _outputBuffer int read; while ((read = in.read(_outputBuffer)) >= 0) { _position = read; writeCompressedBlock(); } } public void write(final FileChannel in) throws IOException { MappedByteBuffer src = in.map(MapMode.READ_ONLY, 0, in.size()); write(src); } @Override public synchronized int write(final ByteBuffer src) throws IOException { int r = src.remaining(); if (r <= 0) { return r; } writeCompressedBlock(); // will flush _outputBuffer if (src.hasArray()) { // direct compression from backing array write(src.array(), src.arrayOffset(), src.limit() - src.arrayOffset()); } else { // need to copy to heap array first while (src.hasRemaining()) { int toRead = Math.min(src.remaining(), _outputBuffer.length); src.get(_outputBuffer, 0, toRead); _position = toRead; writeCompressedBlock(); } } return r; } /** * This flush method does nothing. */ @Override public void flush() throws IOException { checkNotClosed(); } @Override public boolean isOpen() { return ! _outputStreamClosed; } @Override public void close() throws IOException { if (!_outputStreamClosed) { if (_position > 0) { writeCompressedBlock(); } byte[] buf = _outputBuffer; if (buf != null) { assert _position == 0; blockManager.releaseBlockToPool(_outputBuffer); _outputBuffer = null; } writeExecutor.shutdown(); try { writeExecutor.awaitTermination(1, TimeUnit.HOURS); // at this point compressExecutor should have no pending tasks: cleanup ThreadLocal's // we don't know how many threads; go to the max for now. This will change once we get a proper configuration bean. int maxThreads = Runtime.getRuntime().availableProcessors(); Collection cleanupTasks = new ArrayList(maxThreads); for (int i = 0; i < maxThreads; ++i) { cleanupTasks.add(new CompressTask(null, -1, -1, null)); } compressExecutor.invokeAll(cleanupTasks); compressExecutor.shutdown(); compressExecutor.awaitTermination(1, TimeUnit.MINUTES); } catch (InterruptedException e) { throw new IOException(e); } finally { super.flush(); super.close(); _outputStreamClosed = true; compressExecutor.shutdownNow(); writeExecutor.shutdownNow(); blockManager = null; checkWriteException(); } } } /* /////////////////////////////////////////////////////////////////////// // Additional public methods /////////////////////////////////////////////////////////////////////// */ /** * Method that can be used to find underlying {@link OutputStream} that * we write encoded LZF encoded data into, after compressing it. * Will never return null; although underlying stream may be closed * (if this stream has been closed). */ public OutputStream getUnderlyingOutputStream() { return out; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ /** * Compress and write the current block to the OutputStream */ protected void writeCompressedBlock() throws IOException { if (_position == 0) { return; } Future lzfFuture = compressExecutor.submit(new CompressTask(_outputBuffer, 0, _position, blockManager)); writeExecutor.execute(new WriteTask(out, lzfFuture, this)); _outputBuffer = blockManager.getBlockFromPool(); _position = 0; checkWriteException(); } protected void checkWriteException() throws IOException { if (writeException != null) { IOException ioe = (writeException instanceof IOException) ? (IOException) writeException : new IOException(writeException); writeException = null; throw ioe; } } protected void checkNotClosed() throws IOException { if (_outputStreamClosed) { throw new IOException(getClass().getName()+" already closed"); } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/parallel/WriteTask.java000066400000000000000000000016431237355727300311610ustar00rootroot00000000000000package com.ning.compress.lzf.parallel; import java.io.OutputStream; import java.util.concurrent.Future; import com.ning.compress.lzf.LZFChunk; /** * @author Cédrik LIME */ class WriteTask implements Runnable { private final OutputStream output; private final Future lzfFuture; private final PLZFOutputStream caller; public WriteTask(OutputStream output, Future lzfFuture, PLZFOutputStream caller) { super(); this.output = output; this.lzfFuture = lzfFuture; this.caller = caller; } /** {@inheritDoc} */ @Override public void run() { try { LZFChunk lzfChunk = lzfFuture.get(); while (lzfChunk != null) { output.write(lzfChunk.getData()); lzfChunk = lzfChunk.next(); } } catch (Exception e) { caller.writeException = e; } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/parallel/package-info.java000066400000000000000000000006411237355727300315650ustar00rootroot00000000000000/** Package that contains parallel implementation of LZF compressor: granularity is at chunk-level, so that each processing thread operates on a single chunk at a time (and conversely, no chunk is "split" across threads).

The main abstraction to use is {@link com.ning.compress.lzf.parallel.PLZFOutputStream}, which orchestrates operation of multi-thread compression. */ package com.ning.compress.lzf.parallel; compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/util/000077500000000000000000000000001237355727300255565ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/util/ChunkDecoderFactory.java000066400000000000000000000045461237355727300323200ustar00rootroot00000000000000package com.ning.compress.lzf.util; import com.ning.compress.lzf.ChunkDecoder; import com.ning.compress.lzf.impl.VanillaChunkDecoder; import com.ning.compress.lzf.impl.UnsafeChunkDecoder; /** * Simple helper class used for loading * {@link ChunkDecoder} implementations, based on criteria * such as "fastest available". *

* Yes, it looks butt-ugly, but does the job. Nonetheless, if anyone * has lipstick for this pig, let me know. */ public class ChunkDecoderFactory { private final static ChunkDecoderFactory _instance; static { Class impl = null; try { // first, try loading optimal one, which uses Sun JDK Unsafe... impl = (Class) Class.forName(UnsafeChunkDecoder.class.getName()); } catch (Throwable t) { } if (impl == null) { impl = VanillaChunkDecoder.class; } _instance = new ChunkDecoderFactory(impl); } private final Class _implClass; @SuppressWarnings("unchecked") private ChunkDecoderFactory(Class imp) { _implClass = (Class) imp; } /* /////////////////////////////////////////////////////////////////////// // Public API /////////////////////////////////////////////////////////////////////// */ /** * Method to use for getting decoder instance that uses the most optimal * available methods for underlying data access. It should be safe to call * this method as implementations are dynamically loaded; however, on some * non-standard platforms it may be necessary to either directly load * instances, or use {@link #safeInstance()}. */ public static ChunkDecoder optimalInstance() { try { return _instance._implClass.newInstance(); } catch (Exception e) { throw new IllegalStateException("Failed to load a ChunkDecoder instance ("+e.getClass().getName()+"): " +e.getMessage(), e); } } /** * Method that can be used to ensure that a "safe" decoder instance is loaded. * Safe here means that it should work on any and all Java platforms. */ public static ChunkDecoder safeInstance() { // this will always succeed loading; no need to use dynamic class loading or instantiation return new VanillaChunkDecoder(); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/util/ChunkEncoderFactory.java000066400000000000000000000147041237355727300323270ustar00rootroot00000000000000package com.ning.compress.lzf.util; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.ChunkEncoder; import com.ning.compress.lzf.LZFChunk; import com.ning.compress.lzf.impl.UnsafeChunkEncoders; import com.ning.compress.lzf.impl.VanillaChunkEncoder; /** * Simple helper class used for loading * {@link ChunkEncoder} implementations, based on criteria * such as "fastest available" or "safe to run anywhere". */ public class ChunkEncoderFactory { /* /////////////////////////////////////////////////////////////////////// // Public API /////////////////////////////////////////////////////////////////////// */ /** * Convenience method, equivalent to: * * return optimalInstance(LZFChunk.MAX_CHUNK_LEN); * */ public static ChunkEncoder optimalInstance() { return optimalInstance(LZFChunk.MAX_CHUNK_LEN); } /** * Method to use for getting compressor instance that uses the most optimal * available methods for underlying data access. It should be safe to call * this method as implementations are dynamically loaded; however, on some * non-standard platforms it may be necessary to either directly load * instances, or use {@link #safeInstance}. * *

Uses a ThreadLocal soft-referenced BufferRecycler instance. * * @param totalLength Expected total length of content to compress; only matters * for content that is smaller than maximum chunk size (64k), to optimize * encoding hash tables */ public static ChunkEncoder optimalInstance(int totalLength) { try { return UnsafeChunkEncoders.createEncoder(totalLength); } catch (Exception e) { return safeInstance(totalLength); } } /** * Factory method for constructing encoder that is always passed buffer * externally, so that it will not (nor need) allocate encoding buffer. *

* Uses a ThreadLocal soft-referenced BufferRecycler instance. */ public static ChunkEncoder optimalNonAllocatingInstance(int totalLength) { try { return UnsafeChunkEncoders.createNonAllocatingEncoder(totalLength); } catch (Exception e) { return safeNonAllocatingInstance(totalLength); } } /** * Convenience method, equivalent to: * * return safeInstance(LZFChunk.MAX_CHUNK_LEN); * */ public static ChunkEncoder safeInstance() { return safeInstance(LZFChunk.MAX_CHUNK_LEN); } /** * Method that can be used to ensure that a "safe" compressor instance is loaded. * Safe here means that it should work on any and all Java platforms. *

* Uses a ThreadLocal soft-referenced BufferRecycler instance. * * @param totalLength Expected total length of content to compress; only matters * for content that is smaller than maximum chunk size (64k), to optimize * encoding hash tables */ public static ChunkEncoder safeInstance(int totalLength) { return new VanillaChunkEncoder(totalLength); } /** * Factory method for constructing encoder that is always passed buffer * externally, so that it will not (nor need) allocate encoding buffer. *

Uses a ThreadLocal soft-referenced BufferRecycler instance. */ public static ChunkEncoder safeNonAllocatingInstance(int totalLength) { return VanillaChunkEncoder.nonAllocatingEncoder(totalLength); } /** * Convenience method, equivalent to: * * return optimalInstance(LZFChunk.MAX_CHUNK_LEN, bufferRecycler); * */ public static ChunkEncoder optimalInstance(BufferRecycler bufferRecycler) { return optimalInstance(LZFChunk.MAX_CHUNK_LEN, bufferRecycler); } /** * Method to use for getting compressor instance that uses the most optimal * available methods for underlying data access. It should be safe to call * this method as implementations are dynamically loaded; however, on some * non-standard platforms it may be necessary to either directly load * instances, or use {@link #safeInstance}. * * @param totalLength Expected total length of content to compress; only matters * for content that is smaller than maximum chunk size (64k), to optimize * encoding hash tables * @param bufferRecycler The BufferRecycler instance */ public static ChunkEncoder optimalInstance(int totalLength, BufferRecycler bufferRecycler) { try { return UnsafeChunkEncoders.createEncoder(totalLength, bufferRecycler); } catch (Exception e) { return safeInstance(totalLength, bufferRecycler); } } /** * Factory method for constructing encoder that is always passed buffer * externally, so that it will not (nor need) allocate encoding buffer. */ public static ChunkEncoder optimalNonAllocatingInstance(int totalLength, BufferRecycler bufferRecycler) { try { return UnsafeChunkEncoders.createNonAllocatingEncoder(totalLength, bufferRecycler); } catch (Exception e) { return safeNonAllocatingInstance(totalLength, bufferRecycler); } } /** * Convenience method, equivalent to: * * return safeInstance(LZFChunk.MAX_CHUNK_LEN, bufferRecycler); * */ public static ChunkEncoder safeInstance(BufferRecycler bufferRecycler) { return safeInstance(LZFChunk.MAX_CHUNK_LEN, bufferRecycler); } /** * Method that can be used to ensure that a "safe" compressor instance is loaded. * Safe here means that it should work on any and all Java platforms. * * @param totalLength Expected total length of content to compress; only matters * for content that is smaller than maximum chunk size (64k), to optimize * encoding hash tables * @param bufferRecycler The BufferRecycler instance */ public static ChunkEncoder safeInstance(int totalLength, BufferRecycler bufferRecycler) { return new VanillaChunkEncoder(totalLength, bufferRecycler); } /** * Factory method for constructing encoder that is always passed buffer * externally, so that it will not (nor need) allocate encoding buffer. */ public static ChunkEncoder safeNonAllocatingInstance(int totalLength, BufferRecycler bufferRecycler) { return VanillaChunkEncoder.nonAllocatingEncoder(totalLength, bufferRecycler); } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/util/LZFFileInputStream.java000066400000000000000000000307621237355727300320600ustar00rootroot00000000000000package com.ning.compress.lzf.util; import java.io.*; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.*; /** * Helper class that allows use of LZF compression even if a library requires * use of {@link FileInputStream}. *

* Note that use of this class is not recommended unless you absolutely must * use a {@link FileInputStream} instance; otherwise basic {@link LZFInputStream} * (which uses aggregation for underlying streams) is more appropriate *

*

* Implementation note: much of the code is just copied from {@link LZFInputStream}, * so care must be taken to keep implementations in sync if there are fixes. */ public class LZFFileInputStream extends FileInputStream { /** * Underlying decoder in use. */ protected final ChunkDecoder _decompressor; /** * Object that handles details of buffer recycling */ protected final BufferRecycler _recycler; /** * Flag that indicates if we have already called 'inputStream.close()' * (to avoid calling it multiple times) */ protected boolean _inputStreamClosed; /** * Flag that indicates whether we force full reads (reading of as many * bytes as requested), or 'optimal' reads (up to as many as available, * but at least one). Default is false, meaning that 'optimal' read * is used. */ protected boolean _cfgFullReads = false; /** * the current buffer of compressed bytes (from which to decode) * */ protected byte[] _inputBuffer; /** * the buffer of uncompressed bytes from which content is read * */ protected byte[] _decodedBytes; /** * The current position (next char to output) in the uncompressed bytes buffer. * */ protected int _bufferPosition = 0; /** * Length of the current uncompressed bytes buffer * */ protected int _bufferLength = 0; /** * Wrapper object we use to allow decoder to read directly from the * stream, without ending in infinite loop... */ protected final Wrapper _wrapper; /* /////////////////////////////////////////////////////////////////////// // Construction, configuration /////////////////////////////////////////////////////////////////////// */ public LZFFileInputStream(File file) throws FileNotFoundException { this(file, ChunkDecoderFactory.optimalInstance(), BufferRecycler.instance()); } public LZFFileInputStream(FileDescriptor fdObj) { this(fdObj, ChunkDecoderFactory.optimalInstance(), BufferRecycler.instance()); } public LZFFileInputStream(String name) throws FileNotFoundException { this(name, ChunkDecoderFactory.optimalInstance(), BufferRecycler.instance()); } public LZFFileInputStream(File file, ChunkDecoder decompressor) throws FileNotFoundException { this(file, decompressor, BufferRecycler.instance()); } public LZFFileInputStream(FileDescriptor fdObj, ChunkDecoder decompressor) { this(fdObj, decompressor, BufferRecycler.instance()); } public LZFFileInputStream(String name, ChunkDecoder decompressor) throws FileNotFoundException { this(name, decompressor, BufferRecycler.instance()); } public LZFFileInputStream(File file, ChunkDecoder decompressor, BufferRecycler bufferRecycler) throws FileNotFoundException { super(file); _decompressor = decompressor; _recycler = bufferRecycler; _inputStreamClosed = false; _inputBuffer = bufferRecycler.allocInputBuffer(LZFChunk.MAX_CHUNK_LEN); _decodedBytes = bufferRecycler.allocDecodeBuffer(LZFChunk.MAX_CHUNK_LEN); _wrapper = new Wrapper(); } public LZFFileInputStream(FileDescriptor fdObj, ChunkDecoder decompressor, BufferRecycler bufferRecycler) { super(fdObj); _decompressor = decompressor; _recycler = bufferRecycler; _inputStreamClosed = false; _inputBuffer = bufferRecycler.allocInputBuffer(LZFChunk.MAX_CHUNK_LEN); _decodedBytes = bufferRecycler.allocDecodeBuffer(LZFChunk.MAX_CHUNK_LEN); _wrapper = new Wrapper(); } public LZFFileInputStream(String name, ChunkDecoder decompressor, BufferRecycler bufferRecycler) throws FileNotFoundException { super(name); _decompressor = decompressor; _recycler = bufferRecycler; _inputStreamClosed = false; _inputBuffer = bufferRecycler.allocInputBuffer(LZFChunk.MAX_CHUNK_LEN); _decodedBytes = bufferRecycler.allocDecodeBuffer(LZFChunk.MAX_CHUNK_LEN); _wrapper = new Wrapper(); } /** * Method that can be used define whether reads should be "full" or * "optimal": former means that full compressed blocks are read right * away as needed, optimal that only smaller chunks are read at a time, * more being read as needed. */ public void setUseFullReads(boolean b) { _cfgFullReads = b; } /* /////////////////////////////////////////////////////////////////////// // FileInputStream overrides /////////////////////////////////////////////////////////////////////// */ @Override public int available() { if (_inputStreamClosed) { // javadocs suggest 0 for closed as well (not -1) return 0; } int left = (_bufferLength - _bufferPosition); return (left <= 0) ? 0 : left; } @Override public void close() throws IOException { _bufferPosition = _bufferLength = 0; byte[] buf = _inputBuffer; if (buf != null) { _inputBuffer = null; _recycler.releaseInputBuffer(buf); } buf = _decodedBytes; if (buf != null) { _decodedBytes = null; _recycler.releaseDecodeBuffer(buf); } if (!_inputStreamClosed) { _inputStreamClosed = true; super.close(); } } // fine as is: don't override // public FileChannel getChannel(); // final, can't override: //public FileDescriptor getFD(); @Override public int read() throws IOException { if (!readyBuffer()) { return -1; } return _decodedBytes[_bufferPosition++] & 255; } @Override public int read(byte[] b) throws IOException { return read(b, 0, b.length); } @Override public int read(byte[] buffer, int offset, int length) throws IOException { if (!readyBuffer()) { return -1; } if (length < 1) { return 0; } // First let's read however much data we happen to have... int chunkLength = Math.min(_bufferLength - _bufferPosition, length); System.arraycopy(_decodedBytes, _bufferPosition, buffer, offset, chunkLength); _bufferPosition += chunkLength; if (chunkLength == length || !_cfgFullReads) { return chunkLength; } // Need more data, then int totalRead = chunkLength; do { offset += chunkLength; if (!readyBuffer()) { break; } chunkLength = Math.min(_bufferLength - _bufferPosition, (length - totalRead)); System.arraycopy(_decodedBytes, _bufferPosition, buffer, offset, chunkLength); _bufferPosition += chunkLength; totalRead += chunkLength; } while (totalRead < length); return totalRead; } /** * Overridden to just skip at most a single chunk at a time */ /* @Override public long skip(long n) throws IOException { if (!readyBuffer()) { return -1L; } int left = (_bufferLength - _bufferPosition); // either way, just skip whatever we have decoded if (left > n) { left = (int) n; } _bufferPosition += left; return left; } */ /** * Overridden to implement efficient skipping by skipping full chunks whenever * possible. */ @Override public long skip(long n) throws IOException { if (_inputStreamClosed) { return -1; } if (n <= 0L) { return n; } long skipped; // if any left to skip, just return that for simplicity if (_bufferPosition < _bufferLength) { int left = (_bufferLength - _bufferPosition); if (n <= left) { // small skip, fulfilled from what we already got _bufferPosition += (int) n; return n; } _bufferPosition = _bufferLength; skipped = left; n -= left; } else { skipped = 0L; } // and then full-chunk skipping, if possible while (true) { int amount = _decompressor.skipOrDecodeChunk(_wrapper, _inputBuffer, _decodedBytes, n); if (amount >= 0) { // successful skipping of the chunk skipped += amount; n -= amount; if (n <= 0L) { return skipped; } continue; } if (amount == -1) { // EOF close(); return skipped; } // decoded buffer-full, more than max skip _bufferLength = -(amount+1); skipped += n; _bufferPosition = (int) n; return skipped; } } /* /////////////////////////////////////////////////////////////////////// // Extended public API /////////////////////////////////////////////////////////////////////// */ /** * Convenience method that will read and uncompress all data available, * and write it using given {@link OutputStream}. This avoids having to * make an intermediate copy of uncompressed data which would be needed * when doing the same manually. * * @param out OutputStream to use for writing content * * @return Number of bytes written (uncompressed) */ public int readAndWrite(OutputStream out) throws IOException { int total = 0; while (readyBuffer()) { int avail = _bufferLength - _bufferPosition; out.write(_decodedBytes, _bufferPosition, avail); _bufferPosition += avail; // to ensure it looks like we consumed it all total += avail; } return total; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ /** * Fill the uncompressed bytes buffer by reading the underlying inputStream. * @throws IOException */ protected boolean readyBuffer() throws IOException { if (_inputStreamClosed) { throw new IOException("Input stream closed"); } if (_bufferPosition < _bufferLength) { return true; } _bufferLength = _decompressor.decodeChunk(_wrapper, _inputBuffer, _decodedBytes); if (_bufferLength < 0) { close(); return false; } _bufferPosition = 0; return (_bufferPosition < _bufferLength); } protected final int readRaw(byte[] buffer, int offset, int length) throws IOException { return super.read(buffer, offset, length); } protected final long skipRaw(long amount) throws IOException { return super.skip(amount); } /* /////////////////////////////////////////////////////////////////////// // Helper class(es) /////////////////////////////////////////////////////////////////////// */ /** * This simple wrapper is needed to re-route read calls so that they will * use "raw" reads */ private final class Wrapper extends InputStream { @Override public void close() throws IOException { throw new UnsupportedOperationException(); } @Override public int read() throws IOException { throw new UnsupportedOperationException(); } @Override public int read(byte[] buffer, int offset, int length) throws IOException { return readRaw(buffer, offset, length); } @Override public int read(byte[] buffer) throws IOException { return readRaw(buffer, 0, buffer.length); } @Override public long skip(long n) throws IOException { return skipRaw(n); } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/util/LZFFileOutputStream.java000066400000000000000000000316001237355727300322510ustar00rootroot00000000000000package com.ning.compress.lzf.util; import java.io.File; import java.io.FileDescriptor; import java.io.FileNotFoundException; import java.io.FileOutputStream; import java.io.IOException; import java.io.InputStream; import java.io.OutputStream; import java.nio.ByteBuffer; import java.nio.MappedByteBuffer; import java.nio.channels.FileChannel; import java.nio.channels.FileChannel.MapMode; import java.nio.channels.WritableByteChannel; import com.ning.compress.BufferRecycler; import com.ning.compress.lzf.ChunkEncoder; import com.ning.compress.lzf.LZFChunk; import com.ning.compress.lzf.LZFOutputStream; /** * Helper class that allows use of LZF compression even if a library requires * use of {@link FileOutputStream}. *

* Note that use of this class is not recommended unless you absolutely must * use a {@link FileOutputStream} instance; otherwise basic {@link LZFOutputStream} * (which uses aggregation for underlying streams) is more appropriate *

* Implementation note: much of the code is just copied from {@link LZFOutputStream}, * so care must be taken to keep implementations in sync if there are fixes. */ public class LZFFileOutputStream extends FileOutputStream implements WritableByteChannel { private static final int OUTPUT_BUFFER_SIZE = LZFChunk.MAX_CHUNK_LEN; private final ChunkEncoder _encoder; private final BufferRecycler _recycler; protected byte[] _outputBuffer; protected int _position = 0; /** * Configuration setting that governs whether basic 'flush()' should * first complete a block or not. *

* Default value is 'true'. */ protected boolean _cfgFinishBlockOnFlush = true; /** * Flag that indicates if we have already called '_outputStream.close()' * (to avoid calling it multiple times) */ protected boolean _outputStreamClosed; /** * Wrapper object we use to allow decoder to write directly to the * stream, without ending in infinite loop... */ private final Wrapper _wrapper; /* /////////////////////////////////////////////////////////////////////// // Construction, configuration /////////////////////////////////////////////////////////////////////// */ public LZFFileOutputStream(File file) throws FileNotFoundException { this(ChunkEncoderFactory.optimalInstance(OUTPUT_BUFFER_SIZE), file); } public LZFFileOutputStream(File file, boolean append) throws FileNotFoundException { this(ChunkEncoderFactory.optimalInstance(OUTPUT_BUFFER_SIZE), file, append); } public LZFFileOutputStream(FileDescriptor fdObj) { this(ChunkEncoderFactory.optimalInstance(OUTPUT_BUFFER_SIZE), fdObj); } public LZFFileOutputStream(String name) throws FileNotFoundException { this(ChunkEncoderFactory.optimalInstance(OUTPUT_BUFFER_SIZE), name); } public LZFFileOutputStream(String name, boolean append) throws FileNotFoundException { this(ChunkEncoderFactory.optimalInstance(OUTPUT_BUFFER_SIZE), name, append); } public LZFFileOutputStream(ChunkEncoder encoder, File file) throws FileNotFoundException { this(encoder, file, encoder.getBufferRecycler()); } public LZFFileOutputStream(ChunkEncoder encoder, File file, boolean append) throws FileNotFoundException { this(encoder, file, append, encoder.getBufferRecycler()); } public LZFFileOutputStream(ChunkEncoder encoder, FileDescriptor fdObj) { this(encoder, fdObj, encoder.getBufferRecycler()); } public LZFFileOutputStream(ChunkEncoder encoder, String name) throws FileNotFoundException { this(encoder, name, encoder.getBufferRecycler()); } public LZFFileOutputStream(ChunkEncoder encoder, String name, boolean append) throws FileNotFoundException { this(encoder, name, append, encoder.getBufferRecycler()); } public LZFFileOutputStream(ChunkEncoder encoder, File file, BufferRecycler bufferRecycler) throws FileNotFoundException { super(file); _encoder = encoder; if (bufferRecycler==null) { bufferRecycler = encoder.getBufferRecycler(); } _recycler = bufferRecycler; _outputBuffer = bufferRecycler.allocOutputBuffer(OUTPUT_BUFFER_SIZE); _wrapper = new Wrapper(); } public LZFFileOutputStream(ChunkEncoder encoder, File file, boolean append, BufferRecycler bufferRecycler) throws FileNotFoundException { super(file, append); _encoder = encoder; _recycler = bufferRecycler; _outputBuffer = bufferRecycler.allocOutputBuffer(OUTPUT_BUFFER_SIZE); _wrapper = new Wrapper(); } public LZFFileOutputStream(ChunkEncoder encoder, FileDescriptor fdObj, BufferRecycler bufferRecycler) { super(fdObj); _encoder = encoder; _recycler = bufferRecycler; _outputBuffer = bufferRecycler.allocOutputBuffer(OUTPUT_BUFFER_SIZE); _wrapper = new Wrapper(); } public LZFFileOutputStream(ChunkEncoder encoder, String name, BufferRecycler bufferRecycler) throws FileNotFoundException { super(name); _encoder = encoder; _recycler = bufferRecycler; _outputBuffer = bufferRecycler.allocOutputBuffer(OUTPUT_BUFFER_SIZE); _wrapper = new Wrapper(); } public LZFFileOutputStream(ChunkEncoder encoder, String name, boolean append, BufferRecycler bufferRecycler) throws FileNotFoundException { super(name, append); _encoder = encoder; _recycler = bufferRecycler; _outputBuffer = bufferRecycler.allocOutputBuffer(OUTPUT_BUFFER_SIZE); _wrapper = new Wrapper(); } /** * Method for defining whether call to {@link #flush} will also complete * current block (similar to calling {@link #finishBlock()}) or not. */ public LZFFileOutputStream setFinishBlockOnFlush(boolean b) { _cfgFinishBlockOnFlush = b; return this; } /* /////////////////////////////////////////////////////////////////////// // FileOutputStream overrides /////////////////////////////////////////////////////////////////////// */ @Override public boolean isOpen() { return ! _outputStreamClosed; } @Override public void close() throws IOException { if (!_outputStreamClosed) { if (_position > 0) { writeCompressedBlock(); } super.flush(); super.close(); _outputStreamClosed = true; _encoder.close(); byte[] buf = _outputBuffer; if (buf != null) { _outputBuffer = null; _recycler.releaseOutputBuffer(buf); } } } @Override public void flush() throws IOException { checkNotClosed(); if (_cfgFinishBlockOnFlush && _position > 0) { writeCompressedBlock(); } super.flush(); } // fine as is: don't override // public FileChannel getChannel(); // final, can't override: // public FileDescriptor getFD(); @Override public void write(byte[] b) throws IOException { write(b, 0, b.length); } @Override public void write(byte[] buffer, int offset, int length) throws IOException { checkNotClosed(); final int BUFFER_LEN = _outputBuffer.length; // simple case first: empty _outputBuffer and "big" input buffer: write first full blocks, if any, without copying while (_position == 0 && length >= BUFFER_LEN) { _encoder.encodeAndWriteChunk(buffer, offset, BUFFER_LEN, _wrapper); offset += BUFFER_LEN; length -= BUFFER_LEN; } // simple case first: buffering only (for trivially short writes) int free = BUFFER_LEN - _position; if (free > length) { System.arraycopy(buffer, offset, _outputBuffer, _position, length); _position += length; return; } // otherwise, copy whatever we can, flush System.arraycopy(buffer, offset, _outputBuffer, _position, free); offset += free; length -= free; _position += free; writeCompressedBlock(); // then write intermediate full blocks, if any, without copying: while (length >= BUFFER_LEN) { _encoder.encodeAndWriteChunk(buffer, offset, BUFFER_LEN, _wrapper); offset += BUFFER_LEN; length -= BUFFER_LEN; } // and finally, copy leftovers in buffer, if any if (length > 0) { System.arraycopy(buffer, offset, _outputBuffer, 0, length); } _position = length; } @Override public void write(int b) throws IOException { checkNotClosed(); if (_position >= _outputBuffer.length) { writeCompressedBlock(); } _outputBuffer[_position++] = (byte) b; } public void write(final InputStream in) throws IOException { writeCompressedBlock(); // will flush _outputBuffer int read; while ((read = in.read(_outputBuffer)) >= 0) { _position = read; writeCompressedBlock(); } } /* /////////////////////////////////////////////////////////////////////// // WritableByteChannel implementation /////////////////////////////////////////////////////////////////////// */ /* 26-Nov-2013, tatu: Why is this synchronized? Pretty much nothing else is, * so why this method? */ @Override public synchronized int write(final ByteBuffer src) throws IOException { int r = src.remaining(); if (r <= 0) { return r; } writeCompressedBlock(); // will flush _outputBuffer if (src.hasArray()) { // direct compression from backing array write(src.array(), src.arrayOffset(), src.limit() - src.arrayOffset()); } else { // need to copy to heap array first while (src.hasRemaining()) { int toRead = Math.min(src.remaining(), _outputBuffer.length); src.get(_outputBuffer, 0, toRead); _position = toRead; writeCompressedBlock(); } } return r; } public void write(final FileChannel in) throws IOException { MappedByteBuffer src = in.map(MapMode.READ_ONLY, 0, in.size()); write(src); } /* /////////////////////////////////////////////////////////////////////// // Additional public methods /////////////////////////////////////////////////////////////////////// */ /** * Accessor for checking whether call to "flush()" will first finish the * current block or not */ public boolean getFinishBlockOnFlush() { return _cfgFinishBlockOnFlush; } /** * Method that can be used to force completion of the current block, * which means that all buffered data will be compressed into an * LZF block. This typically results in lower compression ratio * as larger blocks compress better; but may be necessary for * network connections to ensure timely sending of data. */ public LZFFileOutputStream finishBlock() throws IOException { checkNotClosed(); if (_position > 0) { writeCompressedBlock(); } return this; } /* /////////////////////////////////////////////////////////////////////// // Internal methods /////////////////////////////////////////////////////////////////////// */ /** * Compress and write the current block to the OutputStream */ protected void writeCompressedBlock() throws IOException { int left = _position; _position = 0; int offset = 0; while (left > 0) { int chunkLen = Math.min(LZFChunk.MAX_CHUNK_LEN, left); _encoder.encodeAndWriteChunk(_outputBuffer, offset, chunkLen, _wrapper); offset += chunkLen; left -= chunkLen; } } protected void rawWrite(byte[] buffer, int offset, int length) throws IOException { super.write(buffer, offset, length); } protected void checkNotClosed() throws IOException { if (_outputStreamClosed) { throw new IOException(getClass().getName()+" already closed"); } } /* /////////////////////////////////////////////////////////////////////// // Helper class(es) /////////////////////////////////////////////////////////////////////// */ /** * This simple wrapper is needed to re-route read calls so that they will * use "raw" writes */ private final class Wrapper extends OutputStream { @Override public void write(int arg0) throws IOException { throw new UnsupportedOperationException(); } @Override public void write(byte[] buffer, int offset, int length) throws IOException { rawWrite(buffer, offset, length); } } } compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/lzf/util/package-info.java000066400000000000000000000001441237355727300307440ustar00rootroot00000000000000/** Package that contains helper classes uses by LZF codec. */ package com.ning.compress.lzf.util; compress-compress-lzf-1.0.3/src/main/java/com/ning/compress/package-info.java000066400000000000000000000002061237355727300271730ustar00rootroot00000000000000/** Package that contains part of public API that is shared between all different compression codecs. */ package com.ning.compress; compress-compress-lzf-1.0.3/src/main/resources/000077500000000000000000000000001237355727300215335ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/resources/META-INF/000077500000000000000000000000001237355727300226735ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/main/resources/META-INF/LICENSE000066400000000000000000000004571237355727300237060ustar00rootroot00000000000000This copy of Compress-LZF library is licensed under the Apache (Software) License, version 2.0 ("the License"). See the License for details about distribution rights, and the specific rights regarding derivate works. You may obtain a copy of the License at: http://www.apache.org/licenses/LICENSE-2.0 compress-compress-lzf-1.0.3/src/main/resources/META-INF/NOTICE000066400000000000000000000014471237355727300236050ustar00rootroot00000000000000# Compress LZF This library contains efficient implementation of LZF compression format, as well as additional helper classes that build on JDK-provided gzip (deflat) codec. ## Licensing Library is licensed under Apache License 2.0, as per accompanying LICENSE file. ## Credit Library has been written by Tatu Saloranta (tatu.saloranta@iki.fi). It was started at Ning, inc., as an official Open Source process used by platform backend, but after initial versions has been developed outside of Ning by supporting community. Other contributors include: * Jon Hartlaub (first versions of streaming reader/writer; unit tests) * Cedrik Lime: parallel LZF implementation Various community members have contributed bug reports, and suggested minor fixes; these can be found from file "VERSION.txt" in SCM. compress-compress-lzf-1.0.3/src/test/000077500000000000000000000000001237355727300175545ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/000077500000000000000000000000001237355727300204755ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/000077500000000000000000000000001237355727300212535ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/ning/000077500000000000000000000000001237355727300222065ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/000077500000000000000000000000001237355727300240415ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/BaseForTests.java000066400000000000000000000044241237355727300272540ustar00rootroot00000000000000package com.ning.compress; import java.io.ByteArrayOutputStream; import java.io.IOException; import java.io.InputStream; import java.util.Random; import com.ning.compress.lzf.LZFDecoder; import com.ning.compress.lzf.LZFEncoder; import com.ning.compress.lzf.LZFException; public class BaseForTests { private final static byte[] ABCD = new byte[] { 'a', 'b', 'c', 'd' }; protected byte[] constructFluff(int length) { Random rnd = new Random(length); ByteArrayOutputStream bytes = new ByteArrayOutputStream(length + 100); while (bytes.size() < length) { int num = rnd.nextInt(); switch (num & 3) { case 0: try { bytes.write(ABCD); } catch (IOException e) { throw new RuntimeException(e); } break; case 1: bytes.write(num); break; default: bytes.write((num >> 3) & 0x7); break; } } return bytes.toByteArray(); } protected byte[] constructUncompressable(int length) { byte[] result = new byte[length]; Random rnd = new Random(length); // SecureRandom is "more random", but not reproduceable, so use default instead: // SecureRandom.getInstance("SHA1PRNG").nextBytes(result); rnd.nextBytes(result); return result; } protected byte[] readAll(InputStream in) throws IOException { ByteArrayOutputStream bytes = new ByteArrayOutputStream(1024); byte[] buf = new byte[1024]; int count; while ((count = in.read(buf)) > 0) { bytes.write(buf, 0, count); } in.close(); return bytes.toByteArray(); } protected byte[] compress(byte[] input) { return LZFEncoder.encode(input); } protected byte[] compress(byte[] input, int offset, int len) { return LZFEncoder.encode(input, offset, len); } protected byte[] uncompress(byte[] input) throws LZFException { return LZFDecoder.safeDecode(input); } protected byte[] uncompress(byte[] input, int offset, int len) throws LZFException { return LZFDecoder.safeDecode(input, offset, len); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/gzip/000077500000000000000000000000001237355727300250125ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/gzip/TestGzipStreams.java000066400000000000000000000037721237355727300307760ustar00rootroot00000000000000package com.ning.compress.gzip; import java.io.*; import java.util.zip.*; import org.junit.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; public class TestGzipStreams extends BaseForTests { private final static String INPUT_STR = "Some somewhat short text string -- but enough repetition to overcome shortness of input"; private final static byte[] INPUT_BYTES; static { try { INPUT_BYTES = INPUT_STR.getBytes("UTF-8"); } catch (Exception e) { throw new RuntimeException(e); } } @Test public void testReusableInputStreams() throws IOException { // Create known good gzip via JDK ByteArrayOutputStream bytes = new ByteArrayOutputStream(); GZIPOutputStream comp = new GZIPOutputStream(bytes); comp.write(INPUT_BYTES); comp.close(); // then decode with 'our' thing, twice: byte[] raw = bytes.toByteArray(); OptimizedGZIPInputStream re = new OptimizedGZIPInputStream(new ByteArrayInputStream(raw)); byte[] b = _readAll(re); Assert.assertArrayEquals(INPUT_BYTES, b); } @Test public void testReusableOutputStreams() throws IOException { // first use custom stream ByteArrayOutputStream bytes = new ByteArrayOutputStream(); OptimizedGZIPOutputStream re = new OptimizedGZIPOutputStream(bytes); re.write(INPUT_BYTES); re.close(); byte[] raw = bytes.toByteArray(); byte[] b = _readAll(new GZIPInputStream(new ByteArrayInputStream(raw))); Assert.assertArrayEquals(INPUT_BYTES, b); } private byte[] _readAll(InputStream in) throws IOException { byte[] buffer = new byte[1000]; ByteArrayOutputStream bytes = new ByteArrayOutputStream(1000); int count; while ((count = in.read(buffer)) > 0) { bytes.write(buffer, 0, count); } in.close(); return bytes.toByteArray(); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/gzip/TestGzipUncompressor.java000066400000000000000000000076451237355727300320620ustar00rootroot00000000000000package com.ning.compress.gzip; import java.io.*; import java.util.Random; import org.junit.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; import com.ning.compress.DataHandler; import com.ning.compress.UncompressorOutputStream; public class TestGzipUncompressor extends BaseForTests { @Test public void testSimpleSmall1by1() throws IOException { byte[] fluff = constructFluff(4000); byte[] comp = gzipAll(fluff); Collector co = new Collector(); GZIPUncompressor uncomp = new GZIPUncompressor(co); for (int i = 0, end = comp.length; i < end; ++i) { uncomp.feedCompressedData(comp, i, 1); } uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleSmallAsChunk() throws IOException { byte[] fluff = constructFluff(4000); byte[] comp = gzipAll(fluff); // and then uncompress, first byte by bytes Collector co = new Collector(); GZIPUncompressor uncomp = new GZIPUncompressor(co); uncomp.feedCompressedData(comp, 0, comp.length); uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleBiggerVarLength() throws IOException { byte[] fluff = constructFluff(190000); byte[] comp = gzipAll(fluff); // and then uncompress with arbitrary-sized blocks... Random rnd = new Random(123); Collector co = new Collector(); GZIPUncompressor uncomp = new GZIPUncompressor(co); for (int i = 0, end = comp.length; i < end; ) { int size = Math.min(end-i, 1+rnd.nextInt(7)); uncomp.feedCompressedData(comp, i, size); i += size; } uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleBiggerOneChunk() throws IOException { byte[] fluff = constructFluff(275000); byte[] comp = gzipAll(fluff); // and then uncompress in one chunk Collector co = new Collector(); GZIPUncompressor uncomp = new GZIPUncompressor(co); uncomp.feedCompressedData(comp, 0, comp.length); uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleBiggerAsStream() throws IOException { byte[] fluff = constructFluff(277000); byte[] comp = gzipAll(fluff); Collector co = new Collector(); UncompressorOutputStream out = new UncompressorOutputStream(new GZIPUncompressor(co)); out.write(comp, 0, comp.length); out.close(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } /* /////////////////////////////////////////////////////////////////////// // Helper methods /////////////////////////////////////////////////////////////////////// */ private byte[] gzipAll(byte[] input) throws IOException { ByteArrayOutputStream bytes = new ByteArrayOutputStream(16 + input.length>>2); OptimizedGZIPOutputStream gz = new OptimizedGZIPOutputStream(bytes); gz.write(input); gz.close(); return bytes.toByteArray(); } private final static class Collector implements DataHandler { private final ByteArrayOutputStream bytes = new ByteArrayOutputStream(); @Override public boolean handleData(byte[] buffer, int offset, int len) throws IOException { bytes.write(buffer, offset, len); return true; } @Override public void allDataHandled() throws IOException { } public byte[] getBytes() { return bytes.toByteArray(); } } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/000077500000000000000000000000001237355727300246345ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFCompressingInputStream.java000066400000000000000000000024611237355727300334030ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.*; import org.testng.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; public class TestLZFCompressingInputStream extends BaseForTests { @Test public void testSimpleCompression() throws IOException { // produce multiple chunks, about 3 here: byte[] source = constructFluff(140000); LZFCompressingInputStream compIn = new LZFCompressingInputStream(new ByteArrayInputStream(source)); byte[] comp = readAll(compIn); byte[] uncomp = uncompress(comp); Assert.assertEquals(uncomp, source); // and then check that size is about same as with static methods byte[] comp2 = compress(source); Assert.assertEquals(comp2.length, comp.length); } @Test public void testSimpleNonCompressed() throws IOException { // produce two chunks as well byte[] source = this.constructUncompressable(89000); LZFCompressingInputStream compIn = new LZFCompressingInputStream(new ByteArrayInputStream(source)); byte[] comp = readAll(compIn); // 2 non-compressed chunks with headers: Assert.assertEquals(comp.length, 89000 + 5 + 5); byte[] uncomp = uncompress(comp); Assert.assertEquals(uncomp, source); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFDecoder.java000066400000000000000000000062631237355727300302670ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.*; import org.testng.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; import com.ning.compress.lzf.util.ChunkDecoderFactory; public class TestLZFDecoder extends BaseForTests { @Test public void testSimple() throws IOException { _testSimple(ChunkDecoderFactory.safeInstance()); _testSimple(ChunkDecoderFactory.optimalInstance()); } @Test public void testLonger() throws IOException { _testLonger(ChunkDecoderFactory.safeInstance()); _testLonger(ChunkDecoderFactory.optimalInstance()); } @Test public void testChunks() throws IOException { _testChunks(ChunkDecoderFactory.safeInstance()); _testChunks(ChunkDecoderFactory.optimalInstance()); } /* /////////////////////////////////////////////////////////////////////// // Second-level test methods /////////////////////////////////////////////////////////////////////// */ private void _testSimple(ChunkDecoder decoder) throws IOException { byte[] orig = "Another trivial test".getBytes("UTF-8"); byte[] compressed = compress(orig); byte[] result = decoder.decode(compressed); Assert.assertEquals(result, orig); // also, ensure that offset, length are passed byte[] compressed2 = new byte[compressed.length + 4]; System.arraycopy(compressed, 0, compressed2, 2, compressed.length); result = decoder.decode(compressed2, 2, compressed.length); Assert.assertEquals(result, orig); // two ways to do that as well: result = LZFDecoder.decode(compressed2, 2, compressed.length); Assert.assertEquals(result, orig); } private void _testLonger(ChunkDecoder decoder) throws IOException { byte[] orig = this.constructFluff(250000); // 250k byte[] compressed = compress(orig); byte[] result = decoder.decode(compressed); Assert.assertEquals(result, orig); // also, ensure that offset, length are passed byte[] compressed2 = new byte[compressed.length + 4]; System.arraycopy(compressed, 0, compressed2, 2, compressed.length); result = decoder.decode(compressed2, 2, compressed.length); Assert.assertEquals(result, orig); // two ways to do that as well: result = LZFDecoder.decode(compressed2, 2, compressed.length); Assert.assertEquals(result, orig); } private void _testChunks(ChunkDecoder decoder) throws IOException { byte[] orig1 = "Another trivial test".getBytes("UTF-8"); byte[] orig2 = " with some of repepepepepetitition too!".getBytes("UTF-8"); ByteArrayOutputStream out = new ByteArrayOutputStream(); out.write(orig1); out.write(orig2); byte[] orig = out.toByteArray(); byte[] compressed1 = compress(orig1); byte[] compressed2 = compress(orig2); out = new ByteArrayOutputStream(); out.write(compressed1); out.write(compressed2); byte[] compressed = out.toByteArray(); byte[] result = decoder.decode(compressed); Assert.assertEquals(result, orig); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFEncoder.java000066400000000000000000000136201237355727300302740ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.*; import java.util.Arrays; import org.testng.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; import com.ning.compress.lzf.util.ChunkEncoderFactory; public class TestLZFEncoder extends BaseForTests { @Test public void testSizeEstimate() { int max = LZFEncoder.estimateMaxWorkspaceSize(10000); // somewhere between 103 and 105% if (max < 10300 || max > 10500) { Assert.fail("Expected ratio to be 1010 <= x <= 1050, was: "+max); } } @Test public void testCompressableChunksSingle() throws Exception { byte[] source = constructFluff(55000); _testCompressableChunksSingle(source, ChunkEncoderFactory.safeInstance()); _testCompressableChunksSingle(source, ChunkEncoderFactory.optimalInstance()); } private void _testCompressableChunksSingle(byte[] source, ChunkEncoder encoder) throws Exception { byte[] buffer = new byte[LZFEncoder.estimateMaxWorkspaceSize(source.length)]; int compLen = LZFEncoder.appendEncoded(encoder, source, 0, source.length, buffer, 0); // and make sure we get identical compression byte[] bufferAsBlock = Arrays.copyOf(buffer, compLen); byte[] asBlockStd = LZFEncoder.encode(source); Assert.assertEquals(compLen, asBlockStd.length); Assert.assertEquals(bufferAsBlock, asBlockStd); // then uncompress, verify byte[] uncomp = uncompress(buffer, 0, compLen); Assert.assertEquals(uncomp.length, source.length); Assert.assertEquals(uncomp, source); } @Test public void testCompressableChunksMulti() throws Exception { // let's do bit over 256k, to get multiple chunks byte[] source = constructFluff(4 * 0xFFFF + 4000); _testCompressableChunksMulti(source, ChunkEncoderFactory.safeInstance()); _testCompressableChunksMulti(source, ChunkEncoderFactory.optimalInstance()); } private void _testCompressableChunksMulti(byte[] source, ChunkEncoder encoder) throws Exception { byte[] buffer = new byte[LZFEncoder.estimateMaxWorkspaceSize(source.length)]; int compLen = LZFEncoder.appendEncoded(encoder, source, 0, source.length, buffer, 0); // and make sure we get identical compression byte[] bufferAsBlock = Arrays.copyOf(buffer, compLen); byte[] asBlockStd = LZFEncoder.encode(encoder, source, 0, source.length); Assert.assertEquals(compLen, asBlockStd.length); Assert.assertEquals(bufferAsBlock, asBlockStd); // then uncompress, verify byte[] uncomp = uncompress(buffer, 0, compLen); Assert.assertEquals(uncomp.length, source.length); Assert.assertEquals(uncomp, source); } @Test public void testNonCompressableChunksSingle() throws Exception { byte[] source = constructUncompressable(4000); _testNonCompressableChunksSingle(source, ChunkEncoderFactory.safeInstance()); _testNonCompressableChunksSingle(source, ChunkEncoderFactory.optimalInstance()); } private void _testNonCompressableChunksSingle(byte[] source, ChunkEncoder encoder) throws Exception { byte[] buffer = new byte[LZFEncoder.estimateMaxWorkspaceSize(source.length)]; int compLen = LZFEncoder.appendEncoded(source, 0, source.length, buffer, 0); // and make sure we get identical compression byte[] bufferAsBlock = Arrays.copyOf(buffer, compLen); byte[] asBlockStd = LZFEncoder.encode(encoder, source, 0, source.length); Assert.assertEquals(compLen, asBlockStd.length); Assert.assertEquals(bufferAsBlock, asBlockStd); // then uncompress, verify byte[] uncomp = uncompress(buffer, 0, compLen); Assert.assertEquals(uncomp.length, source.length); Assert.assertEquals(uncomp, source); } @Test public void testConditionalCompression() throws Exception { final byte[] input = constructFluff(52000); _testConditionalCompression(ChunkEncoderFactory.safeInstance(), input); _testConditionalCompression(ChunkEncoderFactory.optimalInstance(), input); } private void _testConditionalCompression(ChunkEncoder enc, final byte[] input) throws IOException { // double-check expected compression ratio byte[] comp = enc.encodeChunk(input, 0, input.length).getData(); int pct = (int) (100.0 * comp.length / input.length); // happens to compress to about 61%, good Assert.assertEquals(pct, 61); // should be ok if we only require down to 70% compression byte[] buf = new byte[60000]; int offset = enc.appendEncodedIfCompresses(input, 0.70, 0, input.length, buf, 0); Assert.assertEquals(offset, comp.length); // but not to 60% offset = enc.appendEncodedIfCompresses(input, 0.60, 0, input.length, buf, 0); Assert.assertEquals(offset, -1); // // // Second part: OutputStream alternatives ByteArrayOutputStream bytes = new ByteArrayOutputStream(60000); Assert.assertTrue(enc.encodeAndWriteChunkIfCompresses(input, 0, input.length, bytes, 0.70)); Assert.assertEquals(comp.length, bytes.size()); byte[] output = bytes.toByteArray(); Assert.assertEquals(output, comp); bytes = new ByteArrayOutputStream(60000); Assert.assertFalse(enc.encodeAndWriteChunkIfCompresses(input, 0, input.length, bytes, 0.60)); Assert.assertEquals(0, bytes.size()); // // // Third part: chunk creation LZFChunk chunk = enc.encodeChunkIfCompresses(input, 0, input.length, 0.70); Assert.assertNotNull(chunk); Assert.assertEquals(chunk.length(), comp.length); Assert.assertEquals(chunk.getData(), comp); chunk = enc.encodeChunkIfCompresses(input, 0, input.length, 0.60); Assert.assertNull(chunk); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFInputStream.java000066400000000000000000000212411237355727300311660ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.*; import java.util.Random; import java.security.SecureRandom; import org.testng.Assert; import org.testng.annotations.BeforeTest; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; public class TestLZFInputStream extends BaseForTests { private static int BUFFER_SIZE = LZFChunk.MAX_CHUNK_LEN * 64; private byte[] nonEncodableBytesToWrite = new byte[BUFFER_SIZE]; private byte[] bytesToWrite = new byte[BUFFER_SIZE]; private byte[] nonCompressableBytes; private int compressableInputLength = BUFFER_SIZE; private byte[] compressedBytes; @BeforeTest(alwaysRun = true) public void setUp() throws Exception { SecureRandom.getInstance("SHA1PRNG").nextBytes(nonEncodableBytesToWrite); String phrase = "all work and no play make Jack a dull boy"; byte[] bytes = phrase.getBytes(); int cursor = 0; while(cursor <= bytesToWrite.length) { System.arraycopy(bytes, 0, bytesToWrite, cursor, (bytes.length+cursor < bytesToWrite.length)?bytes.length:bytesToWrite.length-cursor); cursor += bytes.length; } ByteArrayOutputStream nonCompressed = new ByteArrayOutputStream(); OutputStream os = new LZFOutputStream(nonCompressed); os.write(nonEncodableBytesToWrite); os.close(); nonCompressableBytes = nonCompressed.toByteArray(); ByteArrayOutputStream compressed = new ByteArrayOutputStream(); os = new LZFOutputStream(compressed); os.write(bytesToWrite); os.close(); compressedBytes = compressed.toByteArray(); } @Test public void testDecompressNonEncodableReadByte() throws IOException { doDecompressReadByte(nonCompressableBytes, nonEncodableBytesToWrite); } @Test public void testDecompressNonEncodableReadBlock() throws IOException { doDecompressReadBlock(nonCompressableBytes, nonEncodableBytesToWrite); } @Test public void testDecompressEncodableReadByte() throws IOException { doDecompressReadByte(compressedBytes, bytesToWrite); } @Test public void testDecompressEncodableReadBlock() throws IOException { doDecompressReadBlock(compressedBytes, bytesToWrite); } @Test public void testRead0() throws IOException { ByteArrayInputStream bis = new ByteArrayInputStream(compressedBytes); InputStream is = new LZFInputStream(bis); Assert.assertEquals(0, is.available()); byte[] buffer = new byte[65536+23]; int val = is.read(buffer, 0, 0); // read of 0 or less should return a 0-byte read. Assert.assertEquals(0, val); val = is.read(buffer, 0, -1); Assert.assertEquals(0, val); // close should work. is.close(); } @Test public void testAvailable() throws IOException { ByteArrayInputStream bis = new ByteArrayInputStream(compressedBytes); LZFInputStream is = new LZFInputStream(bis); Assert.assertSame(is.getUnderlyingInputStream(), bis); Assert.assertEquals(0, is.available()); // read one byte; should decode bunch more, make available is.read(); int total = 1; // since we read one byte already Assert.assertEquals(is.available(), 65534); // and after we skip through all of it, end with -1 for EOF long count; while ((count = is.skip(16384L)) > 0L) { total += (int) count; } // nothing more available; but we haven't yet closed so: Assert.assertEquals(is.available(), 0); // and then we close it: is.close(); Assert.assertEquals(is.available(), 0); Assert.assertEquals(total, compressableInputLength); } @Test void testIncrementalWithFullReads() throws IOException { doTestIncremental(true); } @Test void testIncrementalWithMinimalReads() throws IOException { doTestIncremental(false); } @Test public void testReadAndWrite() throws Exception { byte[] fluff = constructFluff(132000); byte[] comp = LZFEncoder.encode(fluff); ByteArrayOutputStream bytes = new ByteArrayOutputStream(fluff.length); LZFInputStream in = new LZFInputStream(new ByteArrayInputStream(comp)); in.readAndWrite(bytes); in.close(); byte[] actual = bytes.toByteArray(); Assert.assertEquals(actual.length, fluff.length); Assert.assertEquals(actual, fluff); } // Mostly for [Issue#19] @Test public void testLongSkips() throws Exception { // 64k per block, 200k gives 3 full, one small byte[] fluff = constructFluff(200000); byte[] comp = LZFEncoder.encode(fluff); // we get about 200k, maybe byte or two more, so: final int LENGTH = fluff.length; LZFInputStream in = new LZFInputStream(new ByteArrayInputStream(comp)); // read one byte for fun Assert.assertEquals(in.read(), fluff[0] & 0xFF); // then skip all but one long amt = in.skip(LENGTH-2); Assert.assertEquals(amt, (long) (LENGTH-2)); Assert.assertEquals(in.read(), fluff[LENGTH-1] & 0xFF); Assert.assertEquals(in.read(), -1); in.close(); } /* /////////////////////////////////////////////////////////////////// // Helper methods /////////////////////////////////////////////////////////////////// */ /** * Test that creates a longer piece of content, compresses it, and reads * back in arbitrary small reads. */ private void doTestIncremental(boolean fullReads) throws IOException { // first need to compress something... String[] words = new String[] { "what", "ever", "some", "other", "words", "too" }; StringBuilder sb = new StringBuilder(258000); Random rnd = new Random(123); while (sb.length() < 256000) { int i = (rnd.nextInt() & 31); if (i < words.length) { sb.append(words[i]); } else { sb.append(i); } } byte[] uncomp = sb.toString().getBytes("UTF-8"); ByteArrayOutputStream bytes = new ByteArrayOutputStream(); LZFOutputStream lzOut = new LZFOutputStream(bytes); lzOut.write(uncomp); lzOut.close(); byte[] comp = bytes.toByteArray(); // read back, in chunks bytes = new ByteArrayOutputStream(uncomp.length); byte[] buffer = new byte[500]; LZFInputStream lzIn = new LZFInputStream(new ByteArrayInputStream(comp), fullReads); int pos = 0; while (true) { int len = 1 + ((rnd.nextInt() & 0x7FFFFFFF) % buffer.length); int offset = buffer.length - len; int count = lzIn.read(buffer, offset, len); if (count < 0) { break; } if (count > len) { Assert.fail("Requested "+len+" bytes (offset "+offset+", array length "+buffer.length+"), got "+count); } pos += count; // with full reads, ought to get full results if (count != len) { if (fullReads) { // Except at the end, with last incomplete chunk if (pos != uncomp.length) { Assert.fail("Got partial read (when requested full read!), position "+pos+" (of full "+uncomp.length+")"); } } } bytes.write(buffer, offset, count); } byte[] result = bytes.toByteArray(); Assert.assertEquals(result.length, uncomp.length); Assert.assertEquals(result, uncomp); lzIn.close(); } private void doDecompressReadByte(byte[] bytes, byte[] reference) throws IOException { ByteArrayInputStream bis = new ByteArrayInputStream(bytes); InputStream is = new LZFInputStream(bis); int i = 0; int testVal = 0; while((testVal=is.read()) != -1) { int rVal = ((int)reference[i]) & 255; Assert.assertEquals(rVal, testVal); ++i; } is.close(); } private void doDecompressReadBlock(byte[] bytes, byte[] reference) throws IOException { ByteArrayInputStream bis = new ByteArrayInputStream(bytes); int outputBytes = 0; InputStream is = new LZFInputStream(bis); int val; byte[] buffer = new byte[65536+23]; while((val=is.read(buffer)) != -1) { for(int i = 0; i < val; i++) { byte testVal = buffer[i]; Assert.assertTrue(testVal == reference[outputBytes]); ++outputBytes; } } Assert.assertTrue(outputBytes == reference.length); is.close(); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFOutputStream.java000066400000000000000000000102651237355727300313730ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.ByteArrayInputStream; import java.io.ByteArrayOutputStream; import java.io.OutputStream; import org.testng.Assert; import org.testng.annotations.BeforeTest; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; public class TestLZFOutputStream extends BaseForTests { private static int BUFFER_SIZE = LZFChunk.MAX_CHUNK_LEN * 64; private byte[] nonEncodableBytesToWrite; private byte[] bytesToWrite; @BeforeTest(alwaysRun = true) public void setUp() throws Exception { nonEncodableBytesToWrite = constructUncompressable(BUFFER_SIZE); String phrase = "all work and no play make Jack a dull boy"; bytesToWrite = new byte[BUFFER_SIZE]; byte[] bytes = phrase.getBytes(); int cursor = 0; while(cursor <= bytesToWrite.length) { System.arraycopy(bytes, 0, bytesToWrite, cursor, (bytes.length+cursor < bytesToWrite.length)?bytes.length:bytesToWrite.length-cursor); cursor += bytes.length; } } @Test public void testUnencodable() throws Exception { ByteArrayOutputStream bos = new ByteArrayOutputStream(); OutputStream os = new LZFOutputStream(bos); os.write(nonEncodableBytesToWrite); os.close(); Assert.assertTrue(bos.toByteArray().length > nonEncodableBytesToWrite.length); verifyOutputStream(bos, nonEncodableBytesToWrite); } @Test public void testStreaming() throws Exception { ByteArrayOutputStream bos = new ByteArrayOutputStream(); OutputStream os = new LZFOutputStream(bos); os.write(bytesToWrite); os.close(); int len = bos.toByteArray().length; int max = bytesToWrite.length/2; if (len <= 10 || len >= max) { Assert.fail("Sanity check: should have 10 < len < "+max+"; len = "+len); } verifyOutputStream(bos, bytesToWrite); } @Test public void testSingleByte() throws Exception { ByteArrayOutputStream bos = new ByteArrayOutputStream(); OutputStream os = new LZFOutputStream(bos); int idx = 0; for(; idx < BUFFER_SIZE; idx++) { os.write(bytesToWrite[idx]); if(idx % 1023 == 0 && idx > BUFFER_SIZE/2) { os.flush(); } } os.close(); int len = bos.toByteArray().length; int max = bytesToWrite.length/2; if (len <= 10 || len >= max) { Assert.fail("Sanity check: should have 10 < len < "+max+"; len = "+len); } verifyOutputStream(bos, bytesToWrite); } @Test public void testPartialBuffer() throws Exception { int offset = 255; int len = 1<<17; ByteArrayOutputStream bos = new ByteArrayOutputStream(); OutputStream os = new LZFOutputStream(bos); os.write(bytesToWrite, offset, len); os.close(); Assert.assertTrue(bos.toByteArray().length > 10); Assert.assertTrue(bos.toByteArray().length < bytesToWrite.length*.5); int bytesToCopy = Math.min(len, bytesToWrite.length); byte[] compareBytes = new byte[bytesToCopy]; System.arraycopy(bytesToWrite, offset, compareBytes, 0, bytesToCopy); verifyOutputStream(bos, compareBytes); } @Test public void testEmptyBuffer() throws Exception { byte[] input = new byte[0]; ByteArrayOutputStream bos = new ByteArrayOutputStream(); OutputStream os = new LZFOutputStream(bos); os.write(input); os.close(); int len = bos.toByteArray().length; if (len != 0) { Assert.fail("Sanity check: should have len == 0; len = "+len); } verifyOutputStream(bos, input); } private void verifyOutputStream(ByteArrayOutputStream bos, byte[] reference) throws Exception { ByteArrayInputStream bis = new ByteArrayInputStream(bos.toByteArray()); LZFInputStream lzfi = new LZFInputStream(bis); int val =0; int idx = 0; while((val = lzfi.read()) != -1) { int refVal = ((int)reference[idx++]) & 255; Assert.assertEquals(refVal, val); } lzfi.close(); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFRoundTrip.java000066400000000000000000000151111237355727300306400ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.*; import java.util.Arrays; import org.testng.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; import com.ning.compress.lzf.LZFChunk; import com.ning.compress.lzf.impl.UnsafeChunkDecoder; import com.ning.compress.lzf.impl.VanillaChunkDecoder; import com.ning.compress.lzf.util.ChunkEncoderFactory; public class TestLZFRoundTrip { private final static String[] FILES = { "/shakespeare.tar", "/shakespeare/hamlet.xml", "/shakespeare/macbeth.xml", "/shakespeare/play.dtd", "/shakespeare/r_and_j.xml" ,"/binary/help.bin" ,"/binary/word.doc" }; @Test public void testVanillaCodec() throws Exception { _testUsingBlock(new VanillaChunkDecoder()); _testUsingReader(new VanillaChunkDecoder()); } @Test public void testUnsafeCodec() throws IOException { _testUsingBlock(new UnsafeChunkDecoder()); _testUsingReader(new UnsafeChunkDecoder()); } @Test public void testLZFCompressionOnTestFiles() throws IOException { for (int i = 0; i < 100; i++) { testLZFCompressionOnDir(new File("src/test/resources/shakespeare")); } } private void testLZFCompressionOnDir(File dir) throws IOException { File[] files = dir.listFiles(); for (int i = 0; i < files.length; i++) { File file = files[i]; if (!file.isDirectory()) { testLZFCompressionOnFile(file); } else { testLZFCompressionOnDir(file); } } } private void testLZFCompressionOnFile(File file) throws IOException { final ChunkDecoder decoder = new UnsafeChunkDecoder(); // File compressedFile = createEmptyFile("test.lzf"); File compressedFile = new File("/tmp/test.lzf"); InputStream in = new BufferedInputStream(new FileInputStream(file)); OutputStream out = new LZFOutputStream(new BufferedOutputStream( new FileOutputStream(compressedFile))); byte[] buf = new byte[64 * 1024]; int len; while ((len = in.read(buf, 0, buf.length)) >= 0) { out.write(buf, 0, len); } in.close(); out.close(); // decompress and verify bytes haven't changed in = new BufferedInputStream(new FileInputStream(file)); DataInputStream compressedIn = new DataInputStream(new LZFInputStream(decoder, new FileInputStream(compressedFile), false)); while ((len = in.read(buf, 0, buf.length)) >= 0) { byte[] buf2 = new byte[len]; compressedIn.readFully(buf2, 0, len); byte[] trimmedBuf = new byte[len]; System.arraycopy(buf, 0, trimmedBuf, 0, len); Assert.assertEquals(trimmedBuf, buf2); } Assert.assertEquals(-1, compressedIn.read()); in.close(); compressedIn.close(); } @Test public void testHashCollision() throws IOException { // this test generates a hash collision: [0,1,153,64] hashes the same as [1,153,64,64] // and then leverages the bug s/inPos/0/ to corrupt the array // the first array is used to insert a reference from this hash to offset 6 // and then the hash table is reused and still thinks that there is such a hash at position 6 // and at position 7, it finds a sequence with the same hash // so it inserts a buggy reference final byte[] b1 = new byte[] {0,1,2,3,4,(byte)153,64,64,64,9,9,9,9,9,9,9,9,9,9}; final byte[] b2 = new byte[] {1,(byte)153,0,0,0,0,(byte)153,64,64,64,0,0,0,0,0,0,0,0,0,0,0,0,0,0}; final int off = 6; ChunkEncoder encoder = ChunkEncoderFactory.safeInstance(); ChunkDecoder decoder = new VanillaChunkDecoder(); _testCollision(encoder, decoder, b1, 0, b1.length); _testCollision(encoder, decoder, b2, off, b2.length - off); encoder = ChunkEncoderFactory.optimalInstance(); decoder = new UnsafeChunkDecoder(); _testCollision(encoder, decoder, b1, 0, b1.length); _testCollision(encoder, decoder, b2, off, b2.length - off); } private void _testCollision(ChunkEncoder encoder, ChunkDecoder decoder, byte[] bytes, int offset, int length) throws IOException { ByteArrayOutputStream outputStream = new ByteArrayOutputStream(); byte[] expected = new byte[length]; byte[] buffer = new byte[LZFChunk.MAX_CHUNK_LEN]; byte[] output = new byte[length]; System.arraycopy(bytes, offset, expected, 0, length); encoder.encodeAndWriteChunk(bytes, offset, length, outputStream); InputStream inputStream = new ByteArrayInputStream(outputStream.toByteArray()); Assert.assertEquals(decoder.decodeChunk(inputStream, buffer, output), length); Assert.assertEquals(expected, output); } /* /////////////////////////////////////////////////////////////////////// // Helper method /////////////////////////////////////////////////////////////////////// */ protected void _testUsingBlock(ChunkDecoder decoder) throws IOException { for (String name : FILES) { byte[] data = readResource(name); byte[] lzf = LZFEncoder.encode(data); byte[] decoded = decoder.decode(lzf); Assert.assertEquals(decoded.length, data.length); Assert.assertEquals(decoded, data, String.format("File '%s', %d->%d bytes", name, data.length, lzf.length)); } } protected void _testUsingReader(ChunkDecoder decoder) throws IOException { for (String name : FILES) { byte[] data = readResource(name); byte[] lzf = LZFEncoder.encode(data); LZFInputStream comp = new LZFInputStream(decoder, new ByteArrayInputStream(lzf), false); byte[] decoded = readAll(comp); Assert.assertEquals(decoded.length, data.length); Assert.assertEquals(decoded, data); } } protected byte[] readResource(String name) throws IOException { return readAll(getClass().getResourceAsStream(name)); } protected byte[] readAll(InputStream in) throws IOException { Assert.assertNotNull(in); byte[] buffer = new byte[4000]; int count; ByteArrayOutputStream bytes = new ByteArrayOutputStream(4000); while ((count = in.read(buffer)) > 0) { bytes.write(buffer, 0, count); } in.close(); return bytes.toByteArray(); } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/TestLZFUncompressor.java000066400000000000000000000067051237355727300314220ustar00rootroot00000000000000package com.ning.compress.lzf; import java.io.*; import java.util.Random; import org.junit.Assert; import org.testng.annotations.Test; import com.ning.compress.BaseForTests; import com.ning.compress.DataHandler; import com.ning.compress.UncompressorOutputStream; public class TestLZFUncompressor extends BaseForTests { @Test public void testSimpleSmall1by1() throws IOException { byte[] fluff = constructFluff(4000); byte[] comp = LZFEncoder.encode(fluff); Collector co = new Collector(); LZFUncompressor uncomp = new LZFUncompressor(co); for (int i = 0, end = comp.length; i < end; ++i) { uncomp.feedCompressedData(comp, i, 1); } uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleSmallAsChunk() throws IOException { byte[] fluff = constructFluff(4000); byte[] comp = LZFEncoder.encode(fluff); // and then uncompress, first byte by bytes Collector co = new Collector(); LZFUncompressor uncomp = new LZFUncompressor(co); uncomp.feedCompressedData(comp, 0, comp.length); uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleBiggerVarLength() throws IOException { byte[] fluff = constructFluff(190000); byte[] comp = LZFEncoder.encode(fluff); // and then uncompress with arbitrary-sized blocks... Random rnd = new Random(123); Collector co = new Collector(); LZFUncompressor uncomp = new LZFUncompressor(co); for (int i = 0, end = comp.length; i < end; ) { int size = Math.min(end-i, 1+rnd.nextInt(7)); uncomp.feedCompressedData(comp, i, size); i += size; } uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleBiggerOneChunk() throws IOException { byte[] fluff = constructFluff(275000); byte[] comp = LZFEncoder.encode(fluff); // and then uncompress in one chunk Collector co = new Collector(); LZFUncompressor uncomp = new LZFUncompressor(co); uncomp.feedCompressedData(comp, 0, comp.length); uncomp.complete(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } @Test public void testSimpleBiggerAsStream() throws IOException { byte[] fluff = constructFluff(277000); byte[] comp = LZFEncoder.encode(fluff); Collector co = new Collector(); UncompressorOutputStream out = new UncompressorOutputStream(new LZFUncompressor(co)); out.write(comp, 0, comp.length); out.close(); byte[] result = co.getBytes(); Assert.assertArrayEquals(fluff, result); } private final static class Collector implements DataHandler { private final ByteArrayOutputStream bytes = new ByteArrayOutputStream(); @Override public boolean handleData(byte[] buffer, int offset, int len) throws IOException { bytes.write(buffer, offset, len); return true; } @Override public void allDataHandled() throws IOException { } public byte[] getBytes() { return bytes.toByteArray(); } } } compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/util/000077500000000000000000000000001237355727300256115ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/com/ning/compress/lzf/util/TestFileStreams.java000066400000000000000000000032071237355727300315340ustar00rootroot00000000000000package com.ning.compress.lzf.util; import java.io.*; import org.testng.annotations.Test; import org.testng.Assert; import com.ning.compress.BaseForTests; public class TestFileStreams extends BaseForTests { @Test public void testStreams() throws Exception { File f = File.createTempFile("lzf-test", ".lzf"); f.deleteOnExit(); // First, write encoded stuff (won't compress, but produces something) byte[] input = "Whatever stuff...".getBytes("UTF-8"); LZFFileOutputStream out = new LZFFileOutputStream(f); out.write(input); out.close(); long len = f.length(); // happens to be 22; 17 bytes uncompressed, with 5 byte header Assert.assertEquals(len, 22L); LZFFileInputStream in = new LZFFileInputStream(f); for (int i = 0; i < input.length; ++i) { Assert.assertEquals(in.read(), input[i] & 0xFF); } Assert.assertEquals(in.read(), -1); in.close(); } @Test public void testReadAndWrite() throws Exception { File f = File.createTempFile("lzf-test", ".lzf"); f.deleteOnExit(); byte[] fluff = constructFluff(132000); LZFFileOutputStream fout = new LZFFileOutputStream(f); fout.write(fluff); fout.close(); LZFFileInputStream in = new LZFFileInputStream(f); ByteArrayOutputStream bytes = new ByteArrayOutputStream(fluff.length); in.readAndWrite(bytes); in.close(); byte[] actual = bytes.toByteArray(); Assert.assertEquals(actual.length, fluff.length); Assert.assertEquals(actual, fluff); } } compress-compress-lzf-1.0.3/src/test/java/perf/000077500000000000000000000000001237355727300214315ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/java/perf/ManualCompressComparison.java000066400000000000000000000312601237355727300272620ustar00rootroot00000000000000package perf; import java.io.*; import java.util.zip.DeflaterOutputStream; import com.ning.compress.gzip.OptimizedGZIPOutputStream; import com.ning.compress.lzf.*; /** * Simple manual performance micro-benchmark that compares compress and * decompress speeds of this LZF implementation with other codecs. */ public class ManualCompressComparison { protected int size = 0; protected int totalSize; protected int REPS; // 10 megs per cycle protected final static int PER_ITERATION_LENGTH = 10 * 1000 * 1000; private ManualCompressComparison(int totalSize) { this.totalSize = totalSize; } private void test(String[] names, byte[][] docs, int workSize) throws Exception { final int DOC_COUNT = docs.length; final byte[] WORKSPACE = new byte[totalSize]; // Let's try to guestimate suitable size... to get to 10 megs to process // but, with more docs, give more time REPS = Math.max(1, (int) ((double) (PER_ITERATION_LENGTH * Math.sqrt(DOC_COUNT)) / (double) totalSize)); // final int TYPES = 1; final int TYPES = 2; final int WARMUP_ROUNDS = 5; int roundTotal = 0; int roundsDone = 0; final long[][] times = new long[DOC_COUNT][]; for (int i = 0; i < times.length; ++i) { times[i] = new long[TYPES]; } System.out.printf("Read %d bytes to compress, uncompress; will do %d repetitions, %.1f MB per round\n", totalSize, REPS, (REPS * totalSize) / 1000000.0); // But first, validate! _preValidate(docs); int[] msecs = new int[DOC_COUNT]; for (;; ++roundTotal) { try { Thread.sleep(100L); } catch (InterruptedException ie) { } int round = (roundTotal % TYPES); String msg; long msec; switch (round) { case 0: msg = "GZIP compress/stream/NING"; msec = testGzipCompressNing(docs, msecs); break; case 1: msg = "GZIP compress/stream/JDK"; msec = testGzipCompressJDK(docs, msecs); break; /* case 0: msg = "LZF-Unsafe compress/block"; msec = testLZFUnsafeCompress(docs, WORKSPACE, msecs); break; case 0: msg = "LZF compress/block"; msec = testLZFSafeCompress(REPS, docs, WORKSPACE, msecs); roundDone = true; break; case 1: msg = "LZF compress/stream"; msec = testLZFUnsafeCompressStream(docs, msecs); break; */ default: throw new Error(); } boolean roundDone = (round == 1); // skip first 5 rounds to let results stabilize if (roundsDone >= WARMUP_ROUNDS) { for (int i = 0; i < DOC_COUNT; ++i) { times[i][round] += msecs[i]; } } System.out.printf("Test '%s' [%d bytes] -> %d msecs\n", msg, size, msec); if (roundDone) { roundDone = false; ++roundsDone; if ((roundsDone % 3) == 0 && roundsDone > WARMUP_ROUNDS) { _printResults((roundsDone - WARMUP_ROUNDS), names, times); } } if ((roundTotal % 17) == 0) { System.out.println("[GC]"); Thread.sleep(100L); System.gc(); Thread.sleep(100L); } } } protected void _printResults(int rounds, String[] names, long[][] timeSets) { System.out.printf("Averages after %d rounds:", rounds); double den = (double) rounds; double[] totals = null; for (int file = 0; file < names.length; ++file) { System.out.printf(" %s(", names[file]); long[] times = timeSets[file]; if (totals == null) { totals = new double[times.length]; } for (int i = 0; i < times.length; ++i){ if (i > 0) { System.out.print('/'); } double msecs = times[i] / den; System.out.printf("%.1f", msecs); totals[i] += msecs; } System.out.printf(")"); } System.out.println(); // then totals System.out.printf(" for a total of: "); // first, msecs for (int i = 0; i < totals.length; ++i) { if (i > 0) { System.out.print('/'); } double msecs = totals[i]; System.out.printf("%.1f", msecs); } System.out.print(" msecs; "); // then throughput for (int i = 0; i < totals.length; ++i) { if (i > 0) { System.out.print('/'); } double msecs = totals[i]; double bytes = (REPS * totalSize); // msecs-to-seconds, x1000; bytes to megabytes, /1M System.out.printf("%.1f", (bytes / msecs) / 1000.0); } System.out.println(" MB/s"); } protected void _preValidate(byte[][] inputs) throws LZFException { int index = 0; for (byte[] input : inputs) { ++index; byte[] encoded1 = LZFEncoder.encode(input); byte[] encoded2 = LZFEncoder.safeEncode(input); if (encoded1.length == encoded2.length) { for (int i = 0, len = encoded1.length; i < len; ++i) { if (encoded1[i] != encoded2[i]) { throw new IllegalStateException("Compressed contents of entry "+index+"/"+input.length+" differ at "+i+"/"+len); } } } else { // Actually, let's allow some slack... int diff = Math.abs(encoded1.length - encoded2.length); // 1/256 seems fine (but at least 16) int maxDiff = Math.max(16, encoded1.length >> 8); if (diff > maxDiff) { throw new IllegalStateException("Compressed contents of entry "+index+"/"+input.length+" differ by more than "+maxDiff+" bytes: expected "+encoded1.length+", got "+encoded2.length); } System.err.printf("WARN: sizes differ slightly, %d vs %s (old/new)\n", encoded1.length, encoded2.length); } // uncompress too byte[] output1 = LZFDecoder.decode(encoded1); byte[] output2 = LZFDecoder.decode(encoded2); if (output1.length != output2.length) { throw new IllegalStateException("Uncompressed contents of entry "+index+"/"+input.length+" differ!"); } for (int i = 0, len = output1.length; i < len; ++i) { if (output1[i] != output2[i]) { throw new IllegalStateException("Uncompressed contents of entry "+index+"/"+input.length+" differ at "+i+"/"+len); } } } } protected final long testLZFSafeCompress(byte[][] inputs, final byte[] WORKSPACE, int[] msecs) throws Exception { size = 0; final long mainStart = System.currentTimeMillis(); for (int i = 0, len = inputs.length; i < len; ++i) { final long start = System.currentTimeMillis(); int reps = REPS; int bytes = 0; while (--reps >= 0) { final byte[] input = inputs[i]; bytes = LZFEncoder.safeAppendEncoded(input, 0, input.length, WORKSPACE, 0); } size += bytes; msecs[i] = (int) (System.currentTimeMillis() - start); } return System.currentTimeMillis() - mainStart; } protected final long testLZFUnsafeCompress(byte[][] inputs, final byte[] WORKSPACE, int[] msecs) throws Exception { size = 0; final long mainStart = System.currentTimeMillis(); for (int i = 0, len = inputs.length; i < len; ++i) { final long start = System.currentTimeMillis(); int reps = REPS; int bytes = 0; while (--reps >= 0) { final byte[] input = inputs[i]; bytes = LZFEncoder.appendEncoded(input, 0, input.length, WORKSPACE, 0); } size += bytes; msecs[i] = (int) (System.currentTimeMillis() - start); } return System.currentTimeMillis() - mainStart; } protected final long testLZFUnsafeCompressStream(byte[][] inputs, int[] msecs) throws Exception { ByteArrayOutputStream bytes = new ByteArrayOutputStream(8000); size = 0; final long mainStart = System.currentTimeMillis(); for (int i = 0, len = inputs.length; i < len; ++i) { bytes.reset(); final long start = System.currentTimeMillis(); int reps = REPS; while (--reps >= 0) { bytes.reset(); LZFOutputStream out = new LZFOutputStream(bytes); out.write(inputs[i]); out.close(); } size += bytes.size(); msecs[i] = (int) (System.currentTimeMillis() - start); } return System.currentTimeMillis() - mainStart; } protected final long testGzipCompressNing(byte[][] inputs, int[] msecs) throws IOException { ByteArrayOutputStream bytes = new ByteArrayOutputStream(8000); size = 0; final long mainStart = System.currentTimeMillis(); for (int i = 0, len = inputs.length; i < len; ++i) { bytes.reset(); final long start = System.currentTimeMillis(); int reps = REPS; while (--reps >= 0) { bytes.reset(); OptimizedGZIPOutputStream out = new OptimizedGZIPOutputStream(bytes); out.write(inputs[i]); out.close(); } size += bytes.size(); msecs[i] = (int) (System.currentTimeMillis() - start); } return System.currentTimeMillis() - mainStart; } protected final long testGzipCompressJDK(byte[][] inputs, int[] msecs) throws IOException { ByteArrayOutputStream bytes = new ByteArrayOutputStream(8000); size = 0; final long mainStart = System.currentTimeMillis(); for (int i = 0, len = inputs.length; i < len; ++i) { bytes.reset(); final long start = System.currentTimeMillis(); int reps = REPS; while (--reps >= 0) { bytes.reset(); DeflaterOutputStream out = new DeflaterOutputStream(bytes); out.write(inputs[i]); out.close(); } size += bytes.size(); msecs[i] = (int) (System.currentTimeMillis() - start); } return System.currentTimeMillis() - mainStart; } public static void main(String[] args) throws Exception { if (args.length < 1) { System.err.println("Usage: java ... [file1] ... [fileN]"); System.exit(1); } byte[][] data = new byte[args.length][]; String[] names = new String[args.length]; int totalSize = 0; int maxSize = 0; for (int i = 0; i < args.length; ++i) { File f = new File(args[i]); names[i] = f.getName(); ByteArrayOutputStream bytes = new ByteArrayOutputStream((int) f.length()); byte[] buffer = new byte[4000]; int count; FileInputStream in = new FileInputStream(f); while ((count = in.read(buffer)) > 0) { bytes.write(buffer, 0, count); } in.close(); data[i] = bytes.toByteArray(); final int len = data[i].length; totalSize += len; maxSize = Math.max(maxSize, LZFEncoder.estimateMaxWorkspaceSize(len)); } new ManualCompressComparison(totalSize).test(names, data, maxSize); } protected final static class BogusOutputStream extends OutputStream { protected int _bytes; @Override public void write(byte[] buf) { write(buf, 0, buf.length); } @Override public void write(byte[] buf, int offset, int len) { _bytes += len; } @Override public void write(int b) throws IOException { _bytes++; } public int length() { return _bytes; } public void reset() { _bytes = 0; } } } compress-compress-lzf-1.0.3/src/test/java/perf/ManualSkipComparison.java000066400000000000000000000062311237355727300263750ustar00rootroot00000000000000package perf; import java.io.*; import com.ning.compress.lzf.*; import com.ning.compress.lzf.util.LZFFileInputStream; import com.ning.compress.lzf.util.LZFFileOutputStream; /** * Micro-benchmark for testing performance of skip alternatives. */ public class ManualSkipComparison { private int size = 0; private void test(File file, int origSize) throws Exception { // Let's try to guestimate suitable size... to get to 50 megs to process final int REPS = (int) ((double) (50 * 1000 * 1000) / (double) file.length()); System.out.printf("Skipping %d bytes of compressed data, %d reps.\n", file.length(), REPS); int i = 0; while (true) { try { Thread.sleep(100L); } catch (InterruptedException ie) { } int round = (i++ % 2); String msg; boolean lf = (round == 0); long msecs; switch (round) { case 0: msg = "LZF skip/old"; msecs = testSkip(REPS, file, false); break; case 1: msg = "LZF skip/NEW"; msecs = testSkip(REPS, file, true); break; default: throw new Error(); } if (lf) { System.out.println(); } System.out.println("Test '"+msg+"' ["+size+" bytes] -> "+msecs+" msecs"); if (size != origSize) { // sanity check throw new Error("Wrong skip count!!!"); } } } private final long testSkip(int REPS, File file, boolean newSkip) throws Exception { long start = System.currentTimeMillis(); long len = -1L; // final byte[] buffer = new byte[16000]; while (--REPS >= 0) { InputStream in = newSkip ? new LZFFileInputStream(file) : new LZFInputStream(new FileInputStream(file)); len = 0; long skipped; while ((skipped = in.skip(Integer.MAX_VALUE)) >= 0L) { len += skipped; } in.close(); } size = (int) len; return System.currentTimeMillis() - start; } public static void main(String[] args) throws Exception { if (args.length != 1) { System.err.println("Usage: java ... [file]"); System.exit(1); } File in = new File(args[0]); System.out.printf("Reading input, %d bytes...\n", in.length()); File out = File.createTempFile("skip-perf", ".lzf"); System.out.printf("(writing as file '%s')\n", out.getPath()); byte[] buffer = new byte[4000]; int count; FileInputStream ins = new FileInputStream(in); LZFFileOutputStream outs = new LZFFileOutputStream(out); while ((count = ins.read(buffer)) > 0) { outs.write(buffer, 0, count); } ins.close(); outs.close(); System.out.printf("Compressed as file '%s', %d bytes\n", out.getPath(), out.length()); new ManualSkipComparison().test(out, (int) in.length()); } } compress-compress-lzf-1.0.3/src/test/java/perf/ManualUncompressComparison.java000066400000000000000000000124661237355727300276340ustar00rootroot00000000000000package perf; import java.io.*; import com.ning.compress.lzf.*; import com.ning.compress.lzf.util.ChunkDecoderFactory; /** * Simple manual performance micro-benchmark that compares compress and * decompress speeds of this LZF implementation with other codecs. */ public class ManualUncompressComparison { protected int size = 0; protected byte[] _lzfEncoded; private void test(byte[] input) throws Exception { _lzfEncoded = LZFEncoder.encode(input); // Let's try to guestimate suitable size... to get to 20 megs to process final int REPS = Math.max(1, (int) ((double) (20 * 1000 * 1000) / (double) input.length)); // final int TYPES = 1; final int TYPES = 2; final int WARMUP_ROUNDS = 5; int i = 0; int roundsDone = 0; final long[] times = new long[TYPES]; System.out.println("Read "+input.length+" bytes to compress, uncompress; will do "+REPS+" repetitions"); // But first, validate! _preValidate(_lzfEncoded); while (true) { try { Thread.sleep(100L); } catch (InterruptedException ie) { } int round = (i++ % TYPES); String msg; boolean lf = (round == 0); long msecs; switch (round) { case 0: msg = "LZF decompress/block/safe"; msecs = testLZFDecompress(REPS, _lzfEncoded, ChunkDecoderFactory.safeInstance()); break; case 1: msg = "LZF decompress/block/UNSAFE"; msecs = testLZFDecompress(REPS, _lzfEncoded, ChunkDecoderFactory.optimalInstance()); break; case 2: msg = "LZF decompress/stream"; msecs = testLZFDecompressStream(REPS, _lzfEncoded); break; default: throw new Error(); } // skip first 5 rounds to let results stabilize if (roundsDone >= WARMUP_ROUNDS) { times[round] += msecs; } System.out.printf("Test '%s' [%d bytes] -> %d msecs\n", msg, size, msecs); if (lf) { ++roundsDone; if ((roundsDone % 3) == 0 && roundsDone > WARMUP_ROUNDS) { double den = (double) (roundsDone - WARMUP_ROUNDS); if (times.length == 1) { System.out.printf("Averages after %d rounds: %.1f msecs\n", (int) den, times[0] / den); } else { System.out.printf("Averages after %d rounds (safe / UNSAFE): %.1f / %.1f msecs\n", (int) den, times[0] / den, times[1] / den); } System.out.println(); } } if ((i % 17) == 0) { System.out.println("[GC]"); Thread.sleep(100L); System.gc(); Thread.sleep(100L); } } } protected void _preValidate(byte[] compressed) throws LZFException { byte[] decoded1 = LZFDecoder.decode(compressed); byte[] decoded2 = LZFDecoder.safeDecode(compressed); if (decoded1.length == decoded2.length) { for (int i = 0, len = decoded1.length; i < len; ++i) { if (decoded1[i] != decoded2[i]) { throw new IllegalStateException("Uncompressed contents differ at "+i+"/"+len); } } } else { throw new IllegalStateException("Uncompressed content lengths diff: expected "+decoded1.length+", got "+decoded2.length); } } protected final long testLZFDecompress(int REPS, byte[] encoded, ChunkDecoder decoder) throws Exception { size = encoded.length; long start = System.currentTimeMillis(); byte[] uncomp = null; while (--REPS >= 0) { uncomp = decoder.decode(encoded); } size = uncomp.length; return System.currentTimeMillis() - start; } protected final long testLZFDecompressStream(int REPS, byte[] encoded) throws Exception { final byte[] buffer = new byte[8000]; size = 0; long start = System.currentTimeMillis(); while (--REPS >= 0) { int total = 0; LZFInputStream in = new LZFInputStream(new ByteArrayInputStream(encoded)); int count; while ((count = in.read(buffer)) > 0) { total += count; } size = total; in.close(); } return System.currentTimeMillis() - start; } public static void main(String[] args) throws Exception { if (args.length != 1) { System.err.println("Usage: java ... [file]"); System.exit(1); } File f = new File(args[0]); ByteArrayOutputStream bytes = new ByteArrayOutputStream((int) f.length()); byte[] buffer = new byte[4000]; int count; FileInputStream in = new FileInputStream(f); while ((count = in.read(buffer)) > 0) { bytes.write(buffer, 0, count); } in.close(); new ManualUncompressComparison().test(bytes.toByteArray()); } } compress-compress-lzf-1.0.3/src/test/java/perf/ManualUnsafePerf.java000066400000000000000000000126761237355727300255040ustar00rootroot00000000000000package perf; import java.lang.reflect.Field; import sun.misc.Unsafe; @SuppressWarnings("restriction") public class ManualUnsafePerf { protected static final Unsafe unsafe; static { try { Field theUnsafe = Unsafe.class.getDeclaredField("theUnsafe"); theUnsafe.setAccessible(true); unsafe = (Unsafe) theUnsafe.get(null); } catch (Exception e) { throw new RuntimeException(e); } } protected static final long BYTE_ARRAY_OFFSET = unsafe.arrayBaseOffset(byte[].class); protected static final long CHAR_ARRAY_OFFSET = unsafe.arrayBaseOffset(char[].class); static final int INPUT_LEN = 48; private void test() throws Exception { // Let's try to guestimate suitable size... to get to 10 megs to process // but, with more docs, give more time final int REPS = 2500 * 1000; final int WARMUP_ROUNDS = 5; int roundTotal = 0; int roundsDone = 0; final String[] names = new String[] {"Decode/JDK", "Decode/Unsafe" }; final int TYPES = names.length; final long[] times = new long[TYPES]; StringBuilder sb = new StringBuilder(); for (int i = 0; i < INPUT_LEN; ++i) { sb.append((char) ('A'+i)); } byte[] INPUT = new byte[INPUT_LEN + 8]; { byte[] b = sb.toString().getBytes("UTF-8"); System.arraycopy(b, 0, INPUT, 4, INPUT_LEN); } for (;; ++roundTotal) { try { Thread.sleep(100L); } catch (InterruptedException ie) { } int round = (roundTotal % TYPES); String msg = names[round]; long msec; switch (round) { case 0: msec = testDecodeJDK(REPS, INPUT, 4, INPUT_LEN); break; case 1: msec = testDecodeUnsafe(REPS, INPUT, 4, INPUT_LEN); break; default: throw new Error(); } boolean roundDone = (round == 1); // skip first 5 rounds to let results stabilize if (roundsDone >= WARMUP_ROUNDS) { times[round] += msec; } System.out.printf("Test '%s' -> %d msecs\n", msg, msec); if (roundDone) { roundDone = false; ++roundsDone; if ((roundsDone % 7) == 0 && roundsDone > WARMUP_ROUNDS) { _printResults((roundsDone - WARMUP_ROUNDS), names, times); } } if ((roundTotal % 17) == 0) { System.out.println("[GC]"); Thread.sleep(100L); System.gc(); Thread.sleep(100L); } } } public long testDecodeJDK(int reps, byte[] input, final int offset, final int len) { final long mainStart = System.currentTimeMillis(); char[] result = new char[64]; while (--reps >= 0) { for (int i = 0; i < len; ++i) { result[i] = (char) input[offset+i]; } } long time = System.currentTimeMillis() - mainStart; return time; } public long testDecodeUnsafe(int reps, byte[] input, final int offset, final int len) { final long mainStart = System.currentTimeMillis(); char[] result = new char[100]; while (--reps >= 0) { // long inBase = BYTE_ARRAY_OFFSET + offset; // long outBase = CHAR_ARRAY_OFFSET; // final long inEnd = inBase + len; for (int i = 0; i < len; ) { result[i++] = (char) input[offset+1]; /* int quad = unsafe.getInt(input, inBase); inBase += 4; result[i++] = (char) (quad >>> 24); result[i++] = (char) ((quad >> 16) & 0xFF); result[i++] = (char) ((quad >> 8) & 0xFF); result[i++] = (char) (quad & 0xFF); */ /* int q1 = ((quad >>> 24) << 16) + ((quad >> 16) & 0xFF); unsafe.putInt(result, outBase, q1); outBase += 4; int q2 = (quad & 0xFFFF); q2 = ((q2 >> 8) << 16) | (q2 & 0xFF); unsafe.putInt(result, outBase, q2); outBase += 4; long l = q1; l = (l << 32) | q2; unsafe.putLong(result, outBase, l); outBase += 8; */ } } long time = System.currentTimeMillis() - mainStart; /* String str = new String(result, 0, len); System.out.println("("+str.length()+") '"+str+"'"); */ return time; } protected void _printResults(int rounds, String[] names, long[] times) { System.out.printf(" Averages after %d rounds:", rounds); double den = (double) rounds; for (int file = 0; file < names.length; ++file) { if (file > 0) { System.out.print(" / "); } System.out.printf(" %s(", names[file]); long time = times[file]; double msecs = time / den; System.out.printf("%.1f)", msecs); } System.out.println(); } public static void main(String[] args) throws Exception { new ManualUnsafePerf().test(); } } compress-compress-lzf-1.0.3/src/test/lzf/000077500000000000000000000000001237355727300203475ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/lzf/TestLZF.java000066400000000000000000000041221237355727300225040ustar00rootroot00000000000000/* Licensed under the Apache License, Version 2.0 (the "License"); you may not use this * file except in compliance with the License. You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software distributed under * the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS * OF ANY KIND, either express or implied. See the License for the specific language * governing permissions and limitations under the License. */ package lzf; import java.io.*; import junit.framework.TestCase; /** * Semi-automatic non-unit test: will use all files on current working * directory (and its subdirs) for testing that LZF encode+decode * will correctly round-trip content. */ public class TestLZF { public void testWithFiles() throws Exception { File currDir = new File("").getAbsoluteFile(); int count = _handleFiles(currDir); System.out.println("OK: tested with "+count+" files."); } private int _handleFiles(File dir) throws IOException { System.out.println("Testing files from dir '"+dir.getAbsolutePath()+"'..."); int count = 0; for (File f : dir.listFiles()) { if (f.isDirectory()) { count += _handleFiles(f); } else { byte[] data = _readData(f); byte[] enc = LZFEncoder.encode(data); byte[] dec = LZFDecoder.decode(enc); assertArrayEquals("File '"+f.getAbsolutePath()+"'", data, dec); ++count; } } return count; } private static byte[] _readData(File in) throws IOException { int len = (int) in.length(); byte[] result = new byte[len]; int offset = 0; FileInputStream fis = new FileInputStream(in); while (len > 0) { int count = fis.read(result, offset, len); if (count < 0) break; len -= count; offset += count; } fis.close(); return result; } }compress-compress-lzf-1.0.3/src/test/resources/000077500000000000000000000000001237355727300215665ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/resources/binary/000077500000000000000000000000001237355727300230525ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/resources/binary/help.bin000066400000000000000000175615121237355727300245160ustar00rootroot00000000000000?_Ir6@J>0'l!0First Impression OCX UG Help]2BrowseButtons()ZmainmainZ secondary(w95sec)First Impression OCX UG HelpQ  /~$;)z4dd|CONTEXT|CTXOMAPLg|FONTd|KWBTREEM|KWDATAv|KWMAP |SYSTEM|TOPICo|TTLBTREE||bm0'|bm10u|bm11l |bm12E| |bm13 |bm14ţ |bm15k |bm16{ |bm17 |bm18 |bm19- |bm20@ |bm21 |bm22 |bm23$ |bm24\ |bm250 |bm26 |bm27|bm28|bm29_|bm30$|bm31U|bm32*|bm33|bm34ai|bm35|bm362|bm37|bm38|bm39i|bm4O(|bm40u[|bm41|bm42|bm43t|bm44|bm45|bm46@|bm47|bm48|bm49JH|bm5/[|bm50-|bm51z|bm52 |bm53u|bm54|bm55h|bm56 |bm57|bm58-|bm59!|bm6|bm60{|bm61v|bm62_+|bm63˗|bm64|bm65 <|bm66|bm67L|bm68|bm69L |bm7G|bm70}|bm716|bm72.|bm73 v|bm74F|bm75Wl|bm76|bm770 |bm78=l |bm79]!|bm87|bm808e!|bm81!|bm82"|bm83fH"|bm84v"|bm85ǎ"|bm86"|bm872"|bm88;"|bm89#|bm9\|bm90A#|bm91#|bm92#|bm93Q($^^ @L1L7About This Help7 % $About This HelpL7% This user's guide presents background information about using First Impression, as well as task-oriented discussions of First Impression features. For information about adding First Impression to your application, handling error messages and events, and alphabetical references of First Impression's OCX object, methods, events, and properties, refer to the First Impression OCX Reference Manual.J1 / Documentation ConventionsA7% 8Documentation Conventions% Throughout this documentation, a set of typographic conventions are used to define elements and references to First Impression items. Recognizing these conventions will assist your comprehension of this documentation.y#<V#|F,Convention exampleDescription%a"  x<F#\VAxisSelected, AllowSelections, Select, Names of events, properties, and methods, are in proper case and bold font.aD#V1>To install First Impression:A series of numbered instructions are preceded by an introductory line. The introductory line begins with an arrowhead.NIW#|0 .1.Type a:\setup.Numbered instructions provide step-by-step directions for performing tasks. The instructions should be performed in the order they are presented.In numbered steps, items you are to enter are shown in Letter Gothic font.`F#\chart plotIn general sections, italic text is used for the first occurrence of a new term.rIF#\$thicknessratioIn reference sections, italic text indicates variable or argument information you must supply.n^ I#b$[axis_id]In reference sections, italic text surrounded by square brackets indicates optional arguments.O D#V[{TRUE|FALSE}In reference sections, text surrounded by braces indicates you must make a choice among the items inside the braces. Choices are separated by vertical bars.N^ F#\6VtChart1.AllowDitheringLetter Gothic font is used for all code examples.~;O a C#VvVCFI32.OCXFile names are presented in upper case text.[  F#\LVtChart1.RowCount 'number of rowsIn code examples, an apostrophe precedes a comment.-a / ( B q 1$ q Chart Terminology9/ % (Chart Terminology"q Z ";Ȗz -* f# Charts provide a graphical representation of data. Values or data points are displayed in formats such as: bars, lines, markers, filled areas, bubbles, or pie slices. These data points are grouped into series that are identified with unique colors or patterns. In many chart types, one data point from each series is grouped together by category along an axis.Related Topics:General Chart Elements 2D Chart Elements 3D Chart Elements } T xIi9   /S π Selecting Chart Elements Formatting Chart Elements Double Clicking on Chart Elements Using Dialog Boxes G @1; @J@TBGeneral Chart Elements @>J@% 2General Chart Elements | @TB "$; -* f# Ii9   /S π Charts can also have titles, backdrops, legends, plots, and footnotes. The following illustration identifies these common chart elements in their default positions. Related Topics:Chart Terminology 2D Chart Elements 3D Chart Elements Selecting Chart Elements Formatting Chart Elements Double Clicking on Chart Elements Using Dialog Boxes BJ@B1 ЂBBD2D Chart Elements9TBB% (2D Chart Elements%BD M"$; ;Ȗz f# Ii9   /S π The following illustration identifies the elements in a typical 2D chart.Related Topics:Chart Terminology General Chart Elements 3D Chart Elements Selecting Chart Elements Formatting Chart Elements Double Clicking on Chart Elements Using Dialog Boxes BBD1+ DDF3D Chart Elements9DD% (3D Chart ElementspLDmE$ The following illustration identifies the elements in a typical 3D chart.2DE. , "XmEF ΀$; ;Ȗz -* Ii9   /S π Related Topics:Chart Terminology General Chart Elements 2D Chart Elements Selecting Chart Elements Formatting Chart Elements Double Clicking on Chart Elements Using Dialog Boxes IE@G1Ђ@GGPSelecting Chart Elements@FG% 6Selecting Chart Elements@G>H% 3You can click the left mouse button once on a chart element to select it. The following table provides information about selecting each chart element."GHk#D F  4To select...Click...Effectp>HIt# F Chart In the chart, but not on a specific chart element.Selection handles appear around the chart. }HJd# F \Chart titleAnywhere in the title area.Selection handles appear around the title. You can resize or reposition it.IuKe# F \FootnoteAnywhere in the footnote area.Selection handles appear around the footnote. You can resize or reposition it.J`Le#  F lLegend In the legend, but not the legend keys.Selection handles appear around the legend. You can resize or reposition it.&uKMe# F €SeriesOn an element in an unselected series, or on the legend key identifying the series.Selection handles appear on all elements of chart series. Handle also appears on legend key.v`L`Nd# F  bSeries LabelAnywhere in the series label.Selection handles appear around the label. You can reposition it.MVOe## F zPlotIn the plot, but not on a specific chart element.Selection handles appear around the chart plot. You can resize or reposition it.`NMe#  F pAxis On the axis text, axis line, or axis ticks.Selection haVOMFndles appear on the axis. You cannot manually resize the axis.fVOd# F dAxis titleAnywhere in the axis title area.Selection handles appear around the axis title. QḾd# F FChart gridOn any grid line.Selection handles appear around the grid. e#q F >2D wall and 3D wall or baseAny part of the base or wall other than a grid line.Selection handles appear around the wall in a 2D chart, and the base and wall in a 3D chart. $́ e# F Data pointClick on a data point in a selected series, or on a data point in the same series as another selected data point. Selection handles appear on the single data point only.e# F (rData point labelAnywhere in the data point label.Selection handles appear around the data point label. You can reposition it.U P Ԁ$; ;Ȗz -* f#   /S π Related Topics:Chart Terminology General Chart Elements 2D Chart Elements 3D Chart Elements Formatting Chart Elements Double Clicking on Chart Elements Using Dialog Boxes J1 ۆYFormatting Chart ElementsAPۆ% 8Formatting Chart Elements%' You can format any element of a First Impression chart by changing settings in a dialog box. First Impression dialog boxes can be displayed by making a selection from a menu or by double clicking the appropriate chart element.Click the right mouse button anywhere within a First Impression chart to display the floating menu. Once the menu appears, use the left mouse button to select a menu item. Clicking on menu items followed by three periods displays a submenu as shown in the following illustration.Qۆ. ,"The following table describes the purpose of each item on the floating menu.'k#N F <ItemDialog Box DisplayedPurposeG̊t# F 6WizardChart WizardGuides you through chart design process.hd# F &NEdit Chart DataData Grid EditorModifies the data, rows, columns and labels in the data grid.B̊ڌe# F 6GeneralFormat ChartFormats the fill, frame, and shadow displayed in the chart backdrop and provides a convenient place to toggle on and off the display of the title, the legend, the footnote or the 2nd Y axis.{Ue#- F .PlotFormat PlotChanges the chart type, stacks or unstacks chart series, turns lines and markers on or off, controls the location of the plot, formats the plot backdrop, reorders series, sets chart-type specific options, and controls 3D chart formatting and lighting.^ڌe# F 6SeriesFormat SeriesControls the display of series, plots a series on a secondary axis, formats series appearance such as bar shape, line style, markers, and fill colors, sets series smoothing, and formats statistics lines and guidelines.Ue#c F  P@LabelFormat Series LabelControls the series label location and line style, edits the label text, formats the label text and position, and formats the label backdrop.`d# F FData PointFormat Data PointFormats the fill and marker for an individual data point./e# F (^Data Point LabelFormat Data Point LabelControls the type and location of the label on an individual data point, formats the font and layout of the label text, and formats the label backdrop.vd# F .AxisFormat AxisFormats the width and color of the axis, axis grid, and axis ticks, and changes axis scale.e# F <LabelFormat Axis LabelFormats the axis label backdrop and font, and controls the positioning and alignment of the axis labels.e#G F <TitleFormat Axis TitleFormats the axis title backdrop and font, edits the axis title text, and controls the display of the axis title and its location.e# F 6LegendFormat LegendFormats the legend backdrop, changes the font used to display the legend text, and controls the legend location.e#' F 2TitleFormat TitleFormats the title backdrop and font, edits the title text, and controls the display of the title and the its location.e#= F >FootnoteFormat FootnoteFormats the footnote backdrop and font, edits the footnote text, controls the display of the footnote and the its location.jVd# F  CopyNonePlaces a copy of the current chart on the clipboard in Windows Metafile (.wmf) format.ok#] F *" PasteNoneTakes a graphic in Windows Bitmap (.bmp) or Windows Metafile (.wmf) format from the clipboard and places it in the selected elements backdrop or fill.5Vd#j F &PrintPrint Displays the Print dialog box.nod# F ,Save AsSave AsSaves the current file as a chart file (.vtc), a bitmap (.bmp), or a metafile (.wmf)e#) F ,LoadLoad ChartLoads an existing chart file into the current chart control. The chart you load replaces the chart already in the control. j E$; ;Ȗz -* f# Ii9 If you use the menu to display the Format Axis, Format Axis Title, Format Axis Label, Format Series, Format Series Label, Format Data Point, or Format Data Point Label dialog boxes, you are prompted to identify the specific axis, series, or data point you want to modify.Related Topics:Chart Terminology General Chart Elements 2D Chart Elements 3D Chart Elements Selecting Chart Elements z@Y: D /S π Double Clicking on Chart Elements Using Dialog Boxes R!1w  @Double Clicking on Chart ElementsI$Y % HDouble Clicking on Chart Elements Y% sYou can also display First Impression dialog boxes by double clicking chart elements. The following table lists the dialog box displayed when you double click various chart elements.2 #Ѐd  BZTo format...Double-click...Dialog BoxTaba# &Chart BackdropThe chart but not on a specific chart element.Format ChartBackdropDI|#Ȁ RxFootnoteAny part of the footnote.Format FootnoteText<|#Ȁx HhTitle Any part of the title.Format TitleTextmI|#Ȁ &€Legend BackdropAnywhere in the legend area other than the text or keys.Format Legend Backdrop<|#Ȁx FhLegend TextThe legend text.Format LegendFontf|#Ȁ PlotAnywhere in the plot area, but not on a specific chart element.Format PlotBackdrop==|#Ȁz @jAxis LabelAn axis label.Format Axis LabelFontO|#Ȁ ,nAxis Line or TicksThe line or ticks on an axis.Format AxisScaleC=|#Ȁ LvAxis TitleThe axis title text.Format Axis TitleText1t |#Ȁb 4RGridAny grid line.Format AxisGridjZ |#Ȁ &3D Base or WallAnywhere on the base or wall other than a grid line.Format PlotBase & Walls,t  #E SeriesA chart element in an unselected series or the legend key identifying the series.Format SeriesLine for line type seriesFill for all others=Z  #e €Data PointA selected data point, or a point in the same series as a selected data point.Format Data PointOptions or Fill if series defaults have been overridden.E  |#Ȁ  JxSeries LabelThe series label.Format Series LabelText. }#Ȁ (ZData Point LabelThe data point label.Format Data Point LabelOptions or Text if series defaults have been overriddenH  @ ΀$; ;Ȗz -* f# Ii9  π Related Topics:Chart Terminology General Chart Elements 2D Chart Elements 3D Chart Elements Selecting Chart Elements Formatting Chart Elements Using Dialog Boxes  @YCO@1 O@@CUsing Dialog Boxes: @@% *Using Dialog BoxeslO@B% Most First Impression dialog boxes provide sets of options grouped on separate tabs. As you click each tab, the controls in the dialog box change to allow you to edit a different set of options. Any options that are not appropriate for the current chart type or situation are grayed. The following illustration shows an example of a First Impression dialog box.2@LB. , " BC ր $; ;Ȗz -* f# Ii9   /S Click on a button or tab to learn what it does.Related Topics:Chart Terminology General Chart Elements 2D Chart Elements 3D Chart Elements Selecting Chart Elements Formatting Chart Elements Double Clicking on Chart Elements @LBD1 DDThreeD View Tab7COD(  3D View TabfBDD$ Displays the 3D View tab to set options for viewing a 3D chart.DODD1 DEThreeD Lighting Tab;D4E( & 3D Lighting TabkGDE$ Displays the 3D Lighting tab to set lighting options for a 3D chart.C4EE1 EFBase and Walls Tab>E F( , Base and Walls TabpLEF$ Displays the Base and Walls tab to set base and wall options for a chart.= FF1 FtGLocation Tab8FG(  Location TaboKFtG$ Displays the Location tab to set options for positioning chart elements.= GG1GNHBackdrop Tab8tGG(  Backdrop TabeAGNH$ Displays the Backdrop tab to set options for plot backgrounds.: GH1HIOrder Tab5 NHH(  Order TabZ6HI$ lDisplays the Order tab for reordering chart series.< HSI1SIIOptions Tab7II(  Options TabN*SII$ TDisplays the general chart options tab.@IJ1JJOK Button Popup5 IMJ(  OK Button`;JJ% v Click Ok to update the chart and dismiss the dialog box.DMJJ1JKCancel Button Popup9J*K( " Cancel Button{WJK$ Click Cancel to discard any changes you have not applied and dismiss the dialog box.B*KK1K{LHelp Button Popup7KL(  Help Button]9K{L$ rClick Help to display help for the dialog box options.CLL1L_MApply Button Popup8{LL(  Apply ButtoniEL_M$ Click Apply to update the chart without dismissing the dialog box.ALM1Y3MM The Chart Wizard8_MM% &The Chart Wizardc<M;O' yXgThe Chart Wizard is a series of tabbed dialog boxes that guides you through the process required to create a new First Impression chart or modify an existing chart for use with your application. With the Chart Wizard, you can quickly accomplish many design tasks that would otherwise take much longer to complete.HMO* $<Xg\:HTo Access the Chart Wizard:_1;O . ,bXg\NH|1.Right-click the chart control on the form.O _MS$O_/ .HXg\NH|2.Select Wizard from the menu.Y/ * $^Xg\NH|The Chart Wizard tabbed dialog will display.8_4 8 Xg\NH|" Pv6 <Xg\NH|, To learn how to use the chart wizard, see Navigating in the Chart Wizard.6$ $Related Topics:Ev/ .,XgmZ The Gallery Tab A2- *(髇y The Style Tab Dv/ .*Xg# The Layout Tab @2- *&CȀ The Axes Tab V'v / .NXg' Modifying Charts with the Wizard O[1![Navigating in the Chart WizardF! % BNavigating in the Chart Wizard\[$' XgThe Chart Wizard provides four tabs that control various design aspects such as choosing a chart type, setting chart options, controlling chart layout, and specifying chart and axis titles. You can navigate through these tabs by clicking on the tab at the top of the dialog box, or by using the navigation buttons at the bottom of the dialog box2V. , " a;$& vXg Click on the navigational buttons to learn what they do.6V$ $Related Topics:F3/ ..XgN The Chart Wizard Cv- *,mZ The Gallery Tab C3/ .(Xg髇y The Style Tab Bv- **# The Layout Tab B=/ .&XgCȀ The Axes Tab T'- *N' Modifying Charts with the Wizard @=ч1i3ч BThe Gallery Tab9 ' $XgThe Gallery TabчՈ% MThe Gallery Tab allows you to select the type of chart you wish to design. Two radio buttons allow you to differentiate between 2D chart types and 3D chart types.4  0 0 Xg" N*ՈW$ T Click on buttons to learn what they do.8 & $XgRelated Topics:DWӉ- *.N The Chart Wizard T%'/ .JXg, Navigating in the Chart Wizard AӉh- *(髇y The Style Tab D'/ .*Xg# The Layout Tab @h- *&CȀ The Axes Tab V'B/ .NXg' Modifying Charts with the Wizard G1Wizard 2D Radio Button>BNj% 2 Wizard 2D Radio ButtonN(& PXgClick here to display 2D chart types.GNj\1\Wizard 3D Radio ButtonB( 4 Wizard 3D Radio ButtonN(\& PXgClick here to display 3D chart types.> *1:*_The Style Tab5_%  The Style Tab*A' wXgThe Style Tab lets you set the style for the chart type you have selected. By using the style tab, you can easily set chart display options such as series labels, stacking and bar gap.2_s. , " P*AÎ& TXg Click on buttons to learn what they do.6s$ $Related Topics:FÎ?/ ..XgN The Chart Wizard R%- *J, Navigating in the Chart Wizard E?֏/ .,XgmZ The Gallery Tab B$- **# ֏$The Layout Tab B֏f/ .&XgCȀ The Axes Tab T'$- *N' Modifying Charts with the Wizard ?f10N10The Layout Tab81' "XgThe Layout Tab^$ The Layout Tab provides methods for determining the elements and layout of the chart plot. 410 0 Xg"]9D$ r Click on buttons and text boxes to learn what they do.8|& $XgRelated Topics:DD- *.N The Chart Wizard T%|/ .JXg, Navigating in the Chart Wizard CW- *,mZ The Gallery Tab C/ .(Xg髇y The Style Tab @W- *&CȀ The Axes Tab V'0/ .NXg' Modifying Charts with the Wizard Eu1u5Chart Title Text Box<0% . Chart Title Text Box^u5& XgThe Chart Title text box allows you to enter the title you wish to display above the chart.H}1}<Chart Footnote Text Box?5% 4 Chart Footnote Text BoxZ}<& XgThe Chart Footnote text box allows you to enter a footnote to display beneath the chartI1CChart Legend Pop Up Menu@<% 6 Chart Legend Pop Up MenufQ& XgThe Chart Legend pop up menu provides options for displaying the chart legend. The options include:m:3 6v" Bottom The legend is displayed beneath the chart.t?Q25 :Xg" Left The legend is displayed to the left of the chart.g43 6j" None No legend is displayed with the chart.vA25 :Xg" Right The legend is displayed to the right of the chart.p=3 6|" Top The legend is displayed at the top of the chart.J1Series Data Radio ButtonsG* $:Xg Series Data Radio Buttons~$ Click on a button to determine how series data is read from the data grid. The two choices for reading series data include:q<#5 :zXg"Rows Series data is read from rows of the data grid.uB3 6"Columns Series data is read from columns of the data grid.= #1:r  The Axes Tab6 ' XgThe Axes TabS/^$ ^The Axes Tab allows you to label chart axes.3 / . Xg"]9^$ r Click on buttons and text boxes to learn what they do.8&& $XgRelated Topics:Dj- *.N The Chart Wizard T%&/ .JXg, Navigating in the Chart Wizard Cj- *,mZ The Gallery Tab CD/ .(Xg髇y The Style Tab B- **# The Layout Tab V'D/ .NXg' Modifying Charts with the Wizard B1A!)Category Text Box=[( * Category Text BoxlF& XgThe Category text box allows you to label the X axis for the chart.V2[)$ dThe X axis is referr)ed to as the Category axis.?h1;"h`Value Text Box<)* $$Xg Value Text BoxgCh $ The Value text box allows you to label the Y axis for the chart.U/`& ^XgThe y axis is referred to as the value axis.? 11#Depth Text Box6`% " Depth Text BoxiC>& XgThe Depth text box allows you to label the Z axis for the chart.S/$ ^The Z axis is referred to as the depth axis.C>1$Secondary Text Box<' *Xg Secondary Text BoxzV$ The Secondary text box allows you to label the secondary Y axis (Y2) for the chart.Q 1N%%Modifying Charts with the WizardJ#%' FXgModifying Charts with the Wizard% 3When you use the chart wizard to modify existing charts, the wizard will initialize the chart back to its default settings and then restore only those features it controls in the Gallery, Layout and Axes tabs. You will want to exercise care when modifying existing charts that may have originally been created without the wizard. You may need to manually adjust some chart settings after using the wizard.8%& $XgRelated Topics:D_- *.N The Chart Wizard T%/ .JXg, Navigating in the Chart Wizard C_- *,mZ The Gallery Tab C9/ .(Xg髇y The Style Tab B{- **# The Layout Tab B9/ .&XgCȀ The Axes Tab C{1&|Wizard Help Button>>( , Wizard Help Button>|& 0XgDisplays Wizard Help.F>1'; Wizard Cancel ButtonA| ( 2 Wizard Cancel Button8; & $XgAborts Changes.C ~ 1(~  Wizard Back Button>;  ( , Wizard Back Button?~  & 2XgDisplays Previous Tab.C > 1)>  Wizard Next Button> | ( , Wizard Next Button;>  & *XgDisplays Next Tab.E|  1* y Wizard Finish Button@ < ( 0 Wizard Finish Button= y $ 2Applies Modifications.@<  1i+  AChart Data Grid7y  % $Chart Data Gridh7 X1 0q"Each chart is associated with a data grid. This data grid is a table that holds the data being charted. The data grid can also include labels used to identify series and categories on the chart. The person who designs your chart application fills the data grid with information by inserting data, or by importing data from a spreadsheet or array. The following illustration shows the relationship between a data grid and a chart.In most cases, each column in the data grid translates to one series on the chart. However, First Impression supports a number of chart types that require two or more columns of data to chart a series. These chart types include XY, polar, bubble, hi-lo, and gantt charts. Specific information about the data grid requirements of these chart types is included in the following discussion. "A- (#XgȄHNote You may be formatting a chart in an application designed for you by someone else. To use one of the chart types tX"Ay hat requires more than one column of data for a series, you may need to have the chart designer familiarize you with the structure of the chart data. If you are attempting to design a chart, refer to the First Impression Reference Manual for more information about data grids.iXAK fn: ]*w ksɀ Related Topics:The DataGrid EditorResizing the Data GridModifying Data in the Data GridD"AB1N,BUBEThe DataGrid Editor;AUB% ,The DataGrid EditorvRBB$ You can easily modify the data in the Data Grid by using the Data Grid Editor. J!UBC) "BXg\:To Access the Data Grid EditorBC8 >MXg\NH|1.Right-click the chart control on the form to display the floating menu.2.Choose Edit Chart Data... from the menu.The Data Grid Editor dialog will display.CE] m" N=4 ]*w ksɀ Click on the Data Grid Editor buttons and menus to learn their function.Related Topics:Chart Data Grid Resizing the Data Grid Modifying Data in the Data Grid GCLE1i-LEEKKResizing the Data Grid>EE% 2Resizing the Data GridLEmG& {Since the chart grid is initially filled with random data, you might want to start by resizing the data grid to agree with the size of the worksheet containing your data. You can resize the grid simply by indicating the correct number of rows and columns of your worksheet in the Data Grid Editor. You can also indicate the number of levels of labels the rows and columns have. The following example steps you through resizing the Data Grid:b9EG) "rXg\:To Resize the Data Grid for 8 Rows and Columns of DatamGIQ pSXg\NH|1.Double-click the mouse cursor in the Rows field of the Editor dialog to select the current row value.2.Type the number 8.3.Tab to the Columns field.The Data Grid will redisplay to reflect the change in number of rows.4.In the Columns field, type the number 8.5.Tab to exit the Columns field.The data grid should now display 8 columns and 8 rows. The additional column and row cells will appear empty.GJ- (QXgȄHImportant Although the grid redisplays as you exit a cell, thoses changes have not yet been applied to the chart. You must click Apply or Ok to affect the chart.bIKKK fN=4 n: ksɀ Related Topics:Chart Data GridThe DataGrid EditorModifying Data in the Data GridPJK1<N.KK Modifying Data in the Data GridG"KKK% DModifying Data in the Data GridyKL$ Once you have resized the data grid to accommodate your worksheet data, you are ready to modify the data in the grid. J!KL) "BXg\:To Modify The Data In The GridLNG \Xg\NH|1.Use the mouse cursor to click and select a cell or use the tab key, left or right, up or down arrow keys to navigate to the desired cell.2.The cell location will be highlighted by a thick black border, indicating that the cell is active.3.Once the cell is active, type the new data value.4.The cell will display the new value and replace the previous value once you have exited the cell. You may exit the grid cell by navigational keys or the Enter key.L f ?N=4 n: ]*w ۷m l>$ Related Topics:Chart Data GridThe DataGrid EditorResizing the Data GridAdding Row and Column LabelsModifying Row and Column Labels N KKMNY1/YnAdding Row and Column LabelsD % >Adding Row and Column LabelscY$$ The Data Grid Editor provides an easy method for changing the number of row and column labels. P't) "NXg\:To add Row Labels and Column Labels.#$Q pXg\NH|1.Double-click the mouse cursor in the Row Labels field of the Editor dialog to select the current number of row labels.2.Type the number of desired row labels.3.Tab to the Column Labels field.The Data Grid will redisplay to reflect the change in number of row labels.4.In the Column Labels field, type the number of desired column labels.5.Tab to exit the Column Labels field.The data grid should now display additional column and row labels.tb/ ,9Xg\NH|Remember You must click Apply or OK to affect the chart.Once you have added row and column labels, you are ready to modify the row and column labels. nf MN=4 n: ]*w ksɀ l>$ Related Topics:Chart Data Grid The DataGrid Editor Resizing the Data Grid Modifying Data in the Data Grid Modifying Row and Column Labels Pb1A0Modifying Row and Column LabelsG"n% DModifying Row and Column Labels]9b$ rYou can change data grid labels in a few simple steps.W.) "\Xg\:To Modify Row and Column Labels In The Grid bوG \Xg\NH|1.Use the mouse cursor to click and select a label cell or use the tab key, left or right, up or down arrow keys to navigate to the desired cell.2.The cell location will be highlighted by a thick black border, indicating that the cell is active.3.Once the cell is active, type the new label.4.The cell will display the new label and replace the previous label once you have exited the cell. You may exit the grid cell by navigational keys or the Enter key.< +ksɀ ۷m  @H& Q @ g( 㓲;  D l Related Topics:Modifying Data in the Data Grid Adding Row and Column Labels Inserting a Data Grid RowInserting a Data Grid Column Deleting a Data Grid RowDeleting a Data Grid Column Inserting a Column of Data Grid Row LabelsInserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row Labels Deleting a Row of Data Grid Column Labels = وR1 1R@The Menu Bar4% The Menu Bar"R ؀="  @H& Q @ g( 㓲; The Data Grid Editor menu bar contains three menus which provide methods to simplify the data editing process.Click on the Data Grid Editor Menus to learn what they do.Related Topics:Inserting a Data Grid RowInserting a Data Grid ColumnDeleting a Data Grid Row Deleting a Data Grid ColumnInserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels ^@: D D l Deleting a Column of Data Grid Row LabelsDeleting a Row of Data Grid Column Labels J112ˎInserting a Data Grid RowA@ˎ% 8Inserting a Data Grid RowE) "8Xg\:To Insert a Data Grid Row{Oˎ, (Xg\N|1. Use the mouse or navigational keys to move to the desired cell location.dH ^9Xg\NH|2. The cell location will be highlighted by@ a thick black border, indicating that the cell is active.3. Once the cell is active, select Row from the Insert menu.4. An entire data grid row will be inserted at that point in the grid, moving the current row down one level.1 ΀c@H& Q @ g( 㓲;  D l Related Topics:Inserting a Data Grid Column Deleting a Data Grid RowDeleting a Data Grid Column Inserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row LabelsDeleting a Row of Data Grid Column Labels M1 3=Inserting a Data Grid ColumnD=% >Inserting a Data Grid ColumnH) ">Xg\:To Insert a Data Grid Columny=AC TXg\NH|1. Use the mouse or navigational keys to move to the desired cell location.2. The cell location will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Column from the Insert menu.4. An entire data grid column will be inserted at that point in the grid, moving the current column on position to the right./ ΀_ Q @ g( 㓲;  D l Related Topics:Inserting a Data Grid RowDeleting a Data Grid Row Deleting a Data Grid Column Inserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row Labels Deleting a Row of Data Grid Column Labels IA91149yADeleting a Data Grid Row@y% 6Deleting a Data Grid RowF9) ":Xg\:To Delete a Data Grid Row yO lXg\NH|1. Use the mouse or navigational keys to move to the desired cell location.2. The cell location will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Row from the Delete menu.4. The entire data grid row will be deleted at that point, moving the row below the current cell location up to the current position.1A ΀c @H& @ g( 㓲;  D l Related Topics:Inserting a Data Grid RowInserting a Data Grid Column Deleting a Data Grid ColumnInserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row Labels Deleting a Row of Data Grid Column Labels L15Deleting a Data Grid ColumnCA% <Deleting a Data Grid ColumnH) ">Xg\:To Delete a Data Grid ColumnO lXg\NH|1. Use the mouse or navigational keys to move to the desired cell location.2. The cell location will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Column from the Delete menu.4. The entire data grid column will be deleted at that point, moving the column to the right of the current cell location left one position./ ΀_ @H& Q g( 㓲;  D l Related Topics:Inserting a Data Grid RowInserting a Data Grid ColumnDeleting a Data Grid Row Inserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row Labels Deleting a Row of Data Grid Column Labels [* 1M6 ^Inserting a Column of Data Grid Row Labels R-^% ZInserting a Column of Data Grid Row LabelsV- ) "ZXg\:To Insert a Column of Data Grid Row Labels/^a Xg\NH|1. Use the mouse or navigational keys to move to the desired row label location.2. The row label location will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Row Label from the Insert menu.4. Choose Before to insert a column of row labels to the left of the currently selected label. Choose After to insert a column of row labels to the right of the currently selected label.73 6 Xg\NH|"  ΀A @H& Q @ 㓲;  D l Related Topics:Inserting a Data Grid RowInserting a Data Grid Column Deleting a Data Grid Row Deleting a Data Grid Column Inserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row Labels Deleting a Row of Data Grid Column Labels [*1~7h Inserting a Row of Data Grid Column LabelsS.h% \Inserting a Row of Data Grid Column Labels V-) "ZXg\:To Insert a Row of Data Grid Column Labels#ha Xg\NH|1. Use the mouse or navigational keys to move to the desired column label location.2. The column label location will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Column Label from the Insert menu.4. Choose Before to insert a row of column labels above the currently selected label. Choose After to insert a row of column labels below the currently selected label73 6 Xg\NH|"  ΀; @H& Q @ g(  D l Related Topics:Inserting a Data Grid RowInserting a Data Grid Column Deleting a Data Grid RowDeleting a Data Grid Column Inserting a Column of Data Grid Row Labels Deleting a Column of Data Grid Row LabelsDeleting a Row of Data Grid Column Labels Z) 1 M 8 ` :Deleting a Column of Data Grid Row LabelsQ, ` % XDeleting a Column of Data Grid Row LabelsV-  ) "ZXg\:To Delete a Column of Data Grid Row Labels`  U xXg\NH|1. Use the mouse or navigational keys to move to the desired row label location.2. The row label location will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Row Label from the Delete menu.4. The entire column of row labels will be deleted at that point in the grid, moving the existing row labels left one position.! : ΀C @H& Q @ g( 㓲; l Related Topics:Inserting a Data Grid Row Inserting a Data Grid Column Deleting a Data Grid RowDeleting a Data Grid ColumnInserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels Deleting a Row of Data Grid Column Labels Z) 19BDeleting a Row of Data Grid Column LabelsR-:% ZDeleting a Row of Data Grid Column Labels V-<) "ZXg\:To Delete a Row of Data Grid Column Labels!AO lXg\NH|1. Use the mouse or navigational keys to move to the desired column label location.2. The column label location <!A:will be highlighted by a thick black border, indicating that the cell is active.3. Once the cell is active, select Column Label from the Delete menu.4. A row of column labels will be deleted at that point in the grid, moving the existing row labels up one position."<B ΀E @H& Q @ g( 㓲;  D Related Topics:Inserting a Data Grid Row Inserting a Data Grid Column Deleting a Data Grid Row Deleting a Data Grid Column Inserting a Column of Data Grid Row Labels Inserting a Row of Data Grid Column Labels Deleting a Column of Data Grid Row Labels < !AB1v:B2CIArea Charts3B2C% Area ChartsBIE3 4"Use area charts to emphasize the relative importance of values over a period of time. An area chart focuses on the magnitude of change rather than the rate of change. Each filled-area on the chart represents a series and is identified by a different color or pattern. Values are plotted on the vertical (Y) axis and categories are plotted on the horizontal (X) axis. You can also chart one or more series against the secondary Y axis instead of the primary axis.Related Topics:'2CEX#N *- 3 *"2w Bar Charts Horizontal Bars 'IEGFX#N *<Ā **u Clustered Bars Line Charts +EFX#V *8 *$J Step Charts Combination Charts 1GFSGX#b *w *<4lB Pie and Doughnut Charts Radar Charts {#FGX#F *rar * Cj XY Charts Polar Charts 'SGMHX#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?GHX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,MHhIX#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $HI" ; hII1n"m;IIKBar Charts2 II% Bar ChartsIL% Use bar charts to compare one item to another, or to compare a number of items over a period of time. These charts are particularly effective at showing large changes from one category to another. Each 2D or 3D bar represents a value in the data grid. Bars representing a series are located at the same position in each category and have the same color and pattern.In 2D charts, values are grouped on the vertical (Y) axis, and bars are grouped by category along the horizontal (X) axis. On 3D charts, values are plotted on the vertical (Y) axis, categories are grouped along the horizontal (X) axis, and the depth (Z) axis shows series.FIL1 2,"Related Topics:(LdMX#P *9 *$2w Area Charts Horizontal Bars 'LMX#N *<Ā **u Clustered Bars Line Charts +dMfNX#V *8 *$J Step Charts Combination Charts 1MNX#b *w *<4lB Pie and Doughnut Charts Radar Charts {#fNjOX#F *rar * Cj XY Charts Polar Charts 'N X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts jO I?jOX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour , 'X#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $K" @'1av<Horizontal Bars7K% $Horizontal Bars3 4"Horizontal bars are similar to standard bar charts except that the categories are organized on a vertical (X) axis and the values are plotted on a horizontal (Y) axis. Related Topics:{#.X#F *9 *$- 3 Area Charts Bar Charts 'X#N *<Ā **u Clustered Bars Line Charts +.0X#V *8 *$J Step Charts Combination Charts 1X#b *w *<4lB Pie and Doughnut Charts Radar Charts {#04X#F *rar * Cj XY Charts Polar Charts 'X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?4JX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,ΆX#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $J" ?Ά11Xm=1gClustered Bars6g% "Clustered Bars1N3 4k"Series and data points in a clustered bar chart are displayed as they are in a 2D bar chart, however the chart and all the chart elements are displayed in 3D.Related Topics:{#gɈX#F *9 *$- 3 Area Charts Bar Charts (NIX#P *2w *,u Horizontal Bars Line Charts +Ɉ̉X#V *8 *$J Step Charts Combination Charts 1IUX#b *w *<4lB Pie and Doughnut Charts Radar Charts {#̉ЊX#F *rar * Cj XY Charts Polar Charts 'UOX#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?ЊX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,OjX#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $" < jʌ1>ʌQLine Charts3% Line Chartsʌ3 4"Use line charts to show trends or changes in data over a period of time. These charts emphasize time flow and rate of change rather than amount of change. In 2D line charts, values are plotted along the vertical (Y) axis and categories are displayed on the horizontal (X) axis. In 3D charts, values are plotted on the vertical (Y) axis, categories are grouped along the horizontal (X) axis, and the depth (Z) axis shows series. Related Topics:{#mX#F *9 *$- 3 Area Charts Bar Charts + X#V *2w *,<Ā Horizontal Bars Clustered Bars m +mX#V *8 *$J Step Charts Combination Charts 1 X#b *w *<4lB Pie and Doughnut Charts Radar Charts {#X#F *rar * Cj XY Charts Polar Charts 'X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?X#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,-X#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $Q" < -1z?-Step Charts3Q% Step Charts*3 4"Use step charts to compare items that do not show trends. Step charts display distinct points along the value (Y) axis, with vertical lines showing the difference between each point. The horizontal (X) axis shows categories. Related Topics:{#eX#F *9 *$- 3 Area Charts Bar Charts +X#V *2w *,<Ā Horizontal Bars Clustered Bars +ekX#V *u *$J Line Charts Combination Charts 1X#b *w *<4lB Pie and Doughnut Charts Radar Charts {#koX#F *rar * Cj XY Charts Polar Charts 'X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?oX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour , X#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $-" C p1N@pCombination Charts:-% *Combination Chartsp3 4_"Use combination charts to visually highlight the differences between multiple series of data. A different method can be used to draw each data series. Related Topics:{#X#F *9 *$- 3 Area Charts Bar Charts +X#V *2w *,<Ā Horizontal Bars Clustered Bars |$X#H *u *$8 Line Charts Step Charts 1X#b *w *<4lB Pie and Doughnut Charts Radar Charts {# X#F *rar * Cj XY Charts Polar Charts 'X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ? X#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,X#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $" H1zUAN'Pie and Doughnut Charts?N% 4Pie and Doughnut ChartsW? L"Use pie or doughnut charts to show the relationship of parts to the whole. Each pie or doughnut represents a categNory. Each slice of the pie or doughnut represents a value in that category. You can separate or explode slices in a chart by clicking a slice and dragging it away from the rest of the pie or doughnut. Related Topics:{#NkX#F *9 *$- 3 Area Charts Bar Charts +X#V *2w *,<Ā Horizontal Bars Clustered Bars |$kjX#H *u *$8 Line Charts Step Charts ,X#X *J *24lB Combination Charts Radar Charts {#jiX#F *rar * Cj XY Charts Polar Charts 'X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?iX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,X#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $'" = d1Bd Radar Charts4'% Radar Charts5d3 4"Use radar charts to show changes or frequencies of each series relative to a center point and to one another. Lines connect all the data markers in the same series. You can choose to fill the lines, thereby creating a radar area chart. Related Topics:{#HX#F *9 *$- 3 Area Charts Bar Charts +X#V *2w *,<Ā Horizontal Bars Clustered Bars |$HGX#H *u *$8 Line Charts Step Charts 7X#n *J *2w Combination Charts Pie and Doughnut Charts {#GQ X#F *rar * Cj XY Charts Polar Charts ' X#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?Q g X#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,  X#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $g  " : I 1UCI z YBXY Charts1  z % XY ChartsH#I  % GUse XY charts to plot two groups of numbers as one series of XY coordinates. Each series on the chart requires two columns of data in the data grid. The first column holds the X coordinate and the second column the Y coordinate. The column label on the first column in each series is used to identify the series in the legend. Additionally, any formatting applied to the first column is used to display the series on the chart. Any formatting applied to the second column is ignored. You can use markers or lines or both to draw the XY points. Fz 1 2,"Related Topics:{# X#F *9 *$- 3 Area Charts Bar Charts +X#V *2w *,<Ā Horizontal Bars Clustered Bars |$X#H *u *$8 Line Charts Step Charts 7@X#n *J *2w Combination Charts Pie and Dou@ ghnut Charts ~&@X#L *4lB *&Cj Radar Charts Polar Charts '@AX#N *fv׀ *(3=' Bubble Charts Hi-Lo Charts ?@AX#~ *r *&1^U Gantt Charts Elevation Charts: Surface and Contour ,A5BX#X *}ډ *( 3D XYZ Charts 3D Scatter Charts $AYB" = 5BB1FDBB~IPolar Charts4YBB% Polar Charts,BD% Use polar charts to show cyclical trends. The polar chart requires two columns in the data grid for each chart series: the first column holds the distance from the center of the chart (the radius), and the second column contains the angle on the perimeter of the chart. The column label on the first column in each series identifies the series in the legend. Additionally, any formatting applied to the first column is used to display the series on the chart. Any formatting applied to the second column is ignored. FB 1OXThe Edit Menu9S( " The Edit Menu`X. ,"%The Edit menu allows you to cut, copy and paste data between cells in the data grid editor.@12Pi@The Insert Menu;X( & The Insert Menu\i@. ,"i@XThe Insert Menu allows you to insert data grid rows, columns and row and column labels.@@1Q@jAThe Delete Menu7i@@% $ The Delete Menu\@jA. ,"&The Delete Menu allows you to delete data grid rows, columns and row and column labels.?@A1RAaBGrid Size Rows6jAA% " Grid Size Rows^AaB$ Double click this value and enter a new one to modify the number of rows in the data grid. BAB1SB`CGrid Size Columns9aBB% ( Grid Size Columns`B`C$ Double click this value and enter a new one to modify the number of columns in the data grid.EBC1TChDGrid Size Row Labels<`CC% . Grid Size Row LabelscChD$ Double click this value and enter a new one to modify the number of row labels in the data grid.HCD1UDyEGrid Size Column Labels?hDD% 4 Grid Size Column LabelsfDyE$ Double click this value and enter a new one to modify the number of column labels in the data grid.KDE1VEFData Grid Rows and ColumnsByEF% : Data Grid Rows and ColumnszVEF$ Click to select a cell in a row or column and enter a new value to modify the data.EFF1WFrGData Grid Row Labels<FG% . Data Grid Row LabelsqMFrG$ Click to select a row label cell and enter a new value to modify the data.HGG1XGoHData Grid Column Labels?rGG% 4 Data Grid Column LabelsvQGoH% Click to select a column label cell and enter a new value to modify the data.GGH1j܆ YHH-MThe Format Plot Dialog>oHH% 2The Format Plot DialogT/HHJ% _There are a number of variations for several of the chart types. For example, you can choose to stack some charts or determine whether lines or markers represent chart elements. One of the ways Chart types and variations are controlled is by setting options in the Type tab of the Format Plot dialog.R)HJ) "RXg\:To display the Format Plot dialog box:iHJNLK dXg\N|25 1.Double click the chart plot; or, use the right mouse button to display the floating menu and select Plot.The Format Plot dialog box is displayed.2.If necessary, click the Type tab. This will display the Format Plot Dialog Type Tab.3.When you have made all necessary changes, click OK or Apply to redraw the chart to reflect the new settings.6JL$ $Related Topics:bNL-MG ^ L 0 Selecting a Chart Type Stacking on a Percent Axis DataPoints As Lines or Markers GLtM1{ w ZtMM݀Selecting a Chart Type>-MM% 2Selecting a Chart TypeQtM3 4=25 The options grouped in the Chart section of the Format Plot Type Tab control the chart type and whether the chart is stacked.You can stack series in a bar, line, area, step, combination, clustered bar, and horizontal bar chart. Stacking places the data points from the same category on top of each other. Each bar still represents the same value. Stacking data shows how all categories in a series compare over time, or compares each part to the total. The following illustration shows the stacked variations of several chart types.M-M vM݀X "' L 0 Related Topics:The Format Plot Dialog Stacking on a Percent Axis DataPoints As Lines or Markers K(1P܆  [(jStacking on a Percent AxisB݀j% :Stacking on a Percent Axis(<< F/25 "(When series data is stacked on a percent axis, all the values in each category are added together. That sum is considered 100 percent. Each data point in the category is drawn as a percentage of that sum. You can stack series by setting the option in the Type Tab of the Format Plot Dialog box.The following illustration shows the same chart with regular stacking and stacking on a percent axis. bjЃ2 4XgȄHNote To display other types of percent stacking, change the scale of the charts Y axis. n<K f  0 Related Topics:The Format Plot Dialog Selecting a Chart Type DataPoints As Lines or Markers OЃ؄1w % \؄DataPoints As Lines or MarkersF!% BDataPoints As Lines or Markers؄7O l25 ") If your chart type is any 2D or 3D chart other than pie or bubble, you have the option to set datapoints as lines or markers. Markers and lines can both represent all data points on 2D line, XY, Radar, and Polar charts.On the Format Plot Type Tab, to display lines, select the Lines check box.To display markers, select the Markers check box.To display both markers and lines, select both check boxes.Related Topics:The Format Plot Dialog x>: D| L Selecting a Chart Type Stacking on a Percent Axis I71s  ]8zUsing Combination Charts@8% 6Using Combination Charts<t& -Combination charts allow you to plot each series differently on a chart. By depicting each series in its own unique way, you increase the impact and readability of your chart.When using Combination charts, you must specify the type used to display each series in the chart. D8) "6Xg\:To change a series type:r.t*D V]Xg\N|25 1.Select a series in the Series Names list box on the Format Plot Type Tab. The Series Types list now shows the valid types for the selected series.2.Select the type you want to use for the selected series. You can also select All Series to set the same type for all series in the chart.PzM h "*1WT 0(6y Continue specifying types for each series as necessary. The following illustration shows the results of changing the Clothing series to a line chart and the Travel series to an area chart. Related Topics:Using Radar Charts Using Hi-Lo Charts C*1% ^Using Radar Charts:z% *Using Radar Charts% Radar charts show changes or frequencies of each series relatvie to a center point and to one another. When you select Radar as the chart type, you can specify whether each series is displayed as a line or filled area.U,N) "XXg\:To change the variation of a radar chart:NR rXg\N|25 1.Select the 2D radio button to display a list of 2D chart types.2.Select Radar in the Chart Type list box of the Format Plot Type Tab3.Select a series in the Series Name list.4.Select a type for the series in the Series Type list.HNM h"+$Ѐ 0(6y Continue selecting typzes for additional series as necessary. The following illustration shows a radar chart with two series displayed as area and one series displayed as line.Related Topics:Using Combination Charts Using Hi-Lo Charts C31 _3mUsing Hi-Lo Charts:m% *Using Hi-Lo Charts3{Z k",$Ѐ 1WT Cm If your chart depicts stock market information, or changes in data over a period of time, then a Hi-Lo Chart is the best choice for plotting your data. When you select Hi-Lo as the chart type, you can specify the variation of hi-lo chart you want to display as well as assign different types to other series.Related Topics:Using Combination Charts Using Radar Charts Specifying Volume Information for Hi-Lo Charts ^1m- *bߑY Displaying Hi-Lo Bars In Other Chart Types _.{81L i `8Specifying Volume Information for Hi-Lo ChartsV1% bSpecifying Volume Information for Hi-Lo Charts 8% When you select Hi-Lo as the chart type, you can specify the variation of hi-lo chart you want to display as well as assign different types to other series. The following tutorial tells you step-by-step how to set up a hi-lo chart to depict volume.c:) "tXg\:To specify a Hi-Lo-Close chart with Volume information:K\J bXg\N|25 1.Select the 2D radio button to display a list of 2D chart types from the Format Plot Type Tab.2.Select Hi-Lo in the Chart Type list.3.If a column in the data grid holds dates, select that series name and then select the Dates series type. 7) eXg|This instructs First Impression to use the values in this column to create a date axis for this chart. The series is automatically excluded so that it is not actually charted.\ 6 :9Xg\N|4.Select the first series that holds stock information in Series Names list.5.Select one of the Hi-Lo-Close variations in the Series Type list box.7) #Xg|The second and third column in every series are indented to show that the series requires three columns of data to chart a Hi-Lo-Close chart. 6 :7Xg\N|6.Select the series that contains volume information in the Series Name list box.7.Select the series type you want to use to display volume data. sK( Xg|Bar, Line, or Area would be typical choices for displaying volume data. Z-a- *ZXg\N|8.Click OK or Apply to redraw the chart.*) AXg|Since volume information is usually very different from the high, low, and close price of stock you may need to take the following steps to finish the chart.a. *UXg\N|9.Double-click the Volume series in the chart; or, use the right mouse button to display the floating menu and select Series to display the Format Series dialog box.qI*s( Xg|If you use the menu, you must specify which series you want to format.o+I bXg\N|㞰ө 10.If necessary, click the Options tab.11.Check the Plot on 2nd Y Axis check box. 12.Click OK.s- (sXgȄHNote You can display a date axis on a line or bar chart by selecting hi-lo as the chart type, specifying the first series type as Date, and the remaining series as lines or bars.Z+> L0(6y ߑY Related Topics:Using Hi-Lo Charts Displaying Hi-Lo Bars In Other Chart Types [*18  abiDisplaying Hi-Lo Bars In Other Chart TypesR-b% ZDisplaying Hi-Lo Bars In Other Chart TypesiM hw"-0(6y Cm You can use hi-lo bars to represent a range of values from a beginning point other than zero. Hi-lo bars are a series type available on bar, combination, horizontal bar, hi-lo and clustered bar charts. Each bar requires two columns from the data grid - a beginning value and an end value. The following illustration shows hi-lo bars in a chart.Related Topics:Using Hi-Lo Charts Specifying Volume Information for Hi-Lo Charts Bb1i  bReordering Series9i% (Reordering Series0 % You can change the order in which the series in a chart are displayed. This can be particularly useful if one series obscures the view of the data in another series. By rearranging the series, you can find the most aesthetically pleasing way to present your data. M$a) "HXg\:To reorder the series in a chart:aZ Xg\N| 1.Double-click the chart plot; or, use the right mouse button to display the floating menu and select Plot.2.Click the Order tab.3.Select a series in the Series Order list box.4.Click Up to move the series up in the drawing order. Click Down to move the series down in the drawing order. 5.Click OK or Apply to redraw the chart.Ua> L&0J VhS: Related Topics:How Reordering Series Affects the Chart. Stacking Series Y(1  cW How Reordering Series Affects the Chart.O*W% THow Reordering Series Affects the ChartY' The results of reordering series in a chart can be quite effective in enhancing your display of data.Simply changing the drawing order of series on a chart can make more data visible, and increase the impact your chart has.The following illustrations show the result of moving the series labeled Europe in front of the series labeled Asia. 6W 2 4 Xg\N|". O lk  VhS: You can also use buttons on the Order tab to stack and unstack series and to change the order of stacked series. Related Topics:Reordering Series Stacking Series @ Q 1 dQ  eStacking Series7  % $Stacking Series?Q  % 5Stacking series in a chart can provide a better way of plotting similar data for multiple series. By stacking the data, you can illustrate changes and trends for multiple series together in one chart position. Stacking data can eliminate the obstructed views common to 3D charts.M$  ) "HXg\:To stack series in the Order tab:  ? L_Xg\N|1.Select the last series in the Series Order list box.2.Click Stack.The series you highlighted is shown as stacked with the preceding series.3.Click Stack again.  % The two stacked columns are now stacked with the preceding series. The order in which they appear in the stacked list is the order in which they are drawn, first series on the bottom of the stack.  C T?Xg\N|"/4.Click Apply to redraw the chart.5.To unstack the series, select the Stack associated with the series in the Series Order list and click Unstack.W e> L &0J Related Topics:Reordering Series How Reordering Series Affects the Chart. F1 c e @=IAdding Chart Elements=e @% 0Adding Chart Elements @e@% CIn addition to the plot, the major chart elements are titles, legends, and footnotes. The following information explains how to add these elements to a chart.F @A) ":Xg\:To add a title to a chart:m@Bv Xg\N|ĥo l 1.Use the right mouse button to display the floating menu.2.Select Title to display the Format Title dialog box.3.Select the Location Tab if necessary4.Check the Visible check box to display the title.5.Select the Text tab.6.Type the title text in the Text field.7.Click OK or Apply to redraw the chart to include the new title.BA=C$ <To add a legend to a chart:4BqDR rXg\N| 1.Use the right mouse button to display the floating menu.2.Select Legend to display the Format Legend dialog box.3.Select the Location Tab if necessary4.Check the Visible check box to display the legend. tL=CD( Xg|By default, series labels are used to identify each series in the legend.pCqDUE- *Xg\N|5.Click OK or Apply to redraw the chart to include the legend.I DE) "@Xg\:To add a footnote to a chart:}UEGv Xg\N|hἀ P!Q΀ 1.Use the right mouse button to display the floating menu.3.Select Footnote to display the Format Footnote dialog box.4.Select the Location Tab if necessary5.Check the Visible check box to display the footnote.6.Select the Text tab.7.Type the footnote text in the Text field.8.Click OK or Apply to redraw the chart to include the new footnote. 6EG$ $Related Topics:vG=I| ƀI E  /uP ㉂ސ G Qx Controlling the Display of Chart Elements Automatic Chart Layout Chart Element Areas Positioning Chart Elements Repositioning Chart ElementsCustom Chart Element Positions Effect of Element Positioning on the Chart Z)GI1 k fIIVOControlling the Display of Chart ElementsQ,=II% XControlling the Display of Chart ElementsIJ% _First Impression provides a quick and easy way to turn off or on the display of existing chart elements such as the title, the legend, the footnote, and the second Y axis. h?I$K) "~Xg\:To hide or show a title, footnote, legend, or second Y axis:GJLJ bXg\N|IB 1.Click the right mouse button to display the floating menu.2.Select General to display the Format Chart dialog box with the Options tab selected.3Check the Show Title, Show Footnote, Show Legend, or Show 2nd Y Axis check box to display any of those elements. Uncheck those items to hide any of those elements.$KdM- (XgȄHNote If you have not created a title or footnote, checking the Show Title or Show Footnote check box displays default text.Z-LM- *ZXg\N|4.Click OK or Apply to redraw the chart.6dMM$ $Related Topics:bMVO| ƀGـ E  /uP ㉂ސ G Qx Adding Chart Elements Automatic Chart Layout Chart Element Areas Positioning Chart Elements Repositioning Chart ElementsCustom Chart Element Positions Effect of Element Positioning on the Chart GMO1]c  gOO Automatic Chart Layout>VOO% 2Automatic Chart LayoutwHO^/ ,O^VO"0By default, First Impression operates in automatic layout mode. As you add elements such as a title or legend to a chart, the existing chart elements are resized and repositioned to make room for the new elements. For example, the following illustration shows how a chart plot is resized when you add a title to the chart. 6O$ $Related Topics:u^ | ƀGـ I  /uP ㉂ސ G Qx Adding Chart Elements Controlling the Display of Chart Elements Chart Element Areas Positioning Chart Elements Repositioning Chart ElementsCustom Chart Element Positions Effect of Element Positioning on the Chart DM18k 7 hMChart Element Areas; % ,Chart Element Areas(M% In automatic layout, the chart plot, title, legend, and footnote are all drawn within their individual areas of the chart. The size of text used for the title, legend, footnote, and the axis labels and titles determines the size of each area. If you use very large fonts or long text, elements may be cropped and the axis labels and titles may be dropped from the plot. The following illustration shows each element in its default position and shows an example of how the chart area is divided for each element. 1- * "16$ $Related Topics:x| ƀGـ I E /uP ㉂ސ G Qx Adding Chart Elements Controlling the Display of Chart Elements Automatic Chart Layout Positioning Chart Elements Repositioning Chart ElementsCustom Chart Element Positions Effect of Element Positioning on the Chart Kڇ1B   iڇ-Positioning Chart ElementsB% :Positioning Chart Elementsj0ڇ: Be"2"3By default, when you add a title, legend, or footnote, First Impression puts the object in a specific location. The following illustration shows the default position for each of these objects.The following illustration defines the nine preset locations First Impression uses for placing objects. 6$ $Related Topics:q-| ƀGـ I E  ㉂ސ G Qx Adding Chart Elements Controlling the Display of Chart Elements Automatic Chart Layout Chart Element Areas Repositioning Chart ElementsCustom Chart Element Positions Effect of Element Positioning on the Chart Mz1#7 f jzRepositioning Chart ElementsD-% >Repositioning Chart ElementsnzP$ First Impression makes it easy to relocate chart elements using the Location tab of the element dialog box.a8) "pXg\:To move a chart element to a new predefined position:YP K dXg\N|hἀ 1.Double click an element (the footnote, for example) to display the appropriate dialog box.2.Select the Location tab.3.Select one of the position radio buttons and click OK or Apply.Use of the Custom radio button is discussed in the following section.6@$ $Related Topics:p | ƀGـ I E  /uP G Qx Adding Chart Elements Controlling the Display of Chart Elements Automatic Chart Layout Chart Element Areas Positioning Chart Elements Custom Chart Element Positions Effect of Element Positioning on the Chart O@ 1 u k RCustom Chart Element Positions F!R% BCustom Chart Element Positions  % %You can override the size and layout of chart elements by selecting and dragging elements on the screen or by making settings in a dialog box. U,R^) "XXg\:To resize or reposition objects manually: :6 :MXg\N|1.Select the title, footnote, plot, or legend.2.Once the object is surrounded by selection handles you can drag it to a new location or resize it as desired.^Q) Xg|Bear in mind that what you are actually resizing is not the text or plot itself, but the bounding rectangle around the object. Based on the size you make the object, First Impression may have to resize or clip objects to fit the space.f=:) "zXg\:To resize or reposition objects using dialog box settings:CQMS tXg\N| 1.Double click the title, footnote, plot, or legend.The appropriate dialog box is displayed.2.Select the Location tab.3.Select the Custom radio button.4.Enter values in the Top, Left, Height, and Width fields to describe the coordinates of the upper left corner of the object and its height and width.Z( Xg|First Impression uses the measurement unit specified in your Windows default settings. 6M$ $Related Topics: -Gـ I E  /uP ㉂ސ G Qx Adding Chart Elements Controlling the Display of Chart Elements Automatic Chart Layout Chart Element Areas Positioning Chart Elements Repositioning Chart Elements Custom Chart Element Positions Effect of Element Positioning on the Chart [*1Uf lQuEffect of Element Positioning on the ChartR-Q% ZEffect of Element Positioning on the Chart_. ,"4The following illustration shows the results of resizing and repositioning chart elements.6Q$ $Related Topics:au| ƀGـ I E  /uP ㉂ސ G Adding Chart Elements Controlling the Display of Chart Elements Automatic Chart Layout Chart Element Areas Positioning Chart Elements Repositioning Chart ElementsCustom Chart Element Positions F1u mOptimizing Chart Text=u% 0Optimizing Chart Textt$ You can optimize the appearance of all chart text for display on the screen or for appearance in a printed chart.C) "4Xg\:To optimize chart text:LR rXg\N|IB 1.Click the right mouse button to display the floating menu.2.Select General from the floating menu to display the Format Chart dialog box.3.Select Options to display the Options Tab.4.Select one of the text metric radio buttons.6U$ $Related Topics:r8: Dpp ~" Formatting Fonts Aligning and Orienting Text AU1 n@NFormatting Fonts8@% &Formatting Fonts~$ You can specify the font, font style, font size, font color, and special effects used to display a text element on a chart.;@) "$Xg\:To format text:wJ- *Xg\N|1.Double-click the left mouse button on the text you want to format. * "Xg|You can also use the right mouse button to display the floating menu and select the appropriate item for the chart element you are formatting. The appropriate dialog box is displayed with the Font or Backdrop tab selected. X9 B>Xg\N|$ 2.Select the Font tab.x$ The dialog box tabs used to format fonts for the chart titles, legends, footnotes, and axis titles are all the same. 6$ $Related Topics:w=N: Dz0 ~" Optimizing Chart Text Aligning and Orienting Text L1 o:Aligning and Orienting TextCN% <Aligning and Orienting Textbs4 6l You can also control the justification, orientation, and alignment of chart text. The horizontal and vertical alignment of text is only observed if you enlarge the rectangle holding the text. Alignment and orientation of text is managed through the Text Tab.Many different dialogs contain a Text tab. Some of the dialogs that contain a text tab include: The Format Title, Format Axis Label, and Format Series Label dialogs The following tables define the orientation and text alignment options available for your chart text. For more information about how to set these options, refer to the Text Tab.R+' VHorizontal alignment options for text. ps5V#|45 AlignmentDescription>\#|5 LeftAll lines of text are aligned on the left margin.?5ZL#h~5 RightAll lines of text are aligned on the right margin.:L#ht5 CenterAll lines of text are centered horizontally.O(Z/' PVertical alignment options for text.pV#|45 AlignmentDescription</7 \#x5 TopAll lines of text are aligned at the top margin.A L#h5 BottomAll lines of text are aligned at the bottom margin.87 H L#hp5 CenterAll lines of text are centered vertically.H!  ' BOrientation options for text.rH  V#|8, OrientationDescription6  \#l, HorizontalThe text is displayed horizontally.c C L#h, VerticalThe text is displayed, one letter on top of each other, reading from top to bottom.9  L#hr,  UpThe text is rotated to read from bottom to top.;C O L#hv, DownThe text is rotated to read from top to bottom.I! ( CNote When you rotate text up or down, the vertical and horizontal alignment are still relative to the text and not to the bounding box. In other words, text displayed with up orientation and left alignment is actually flush against the bottom of the bounding box, not the left side.6O $ $Related Topics:l2:: Dd0 p Optimizing Chart Text Formatting Fonts P1$ypBAssigning Backdrops to ElementsG":% DAssigning Backdrops to Elements{A6 :"A:5You can enhance a charts appearance by placing a backdrop on the chart itself, and on individual chart elements. A backdrop can include a frame or box around the chart or chart element, a shadow behind the element, and a pattern, gradient, or graphic picture behind the element.The following illustration shows the various chart elements that can be assigned a backdrop.6A$ $Related Topics:gABT x% 㱷Lڀ 㣺, 㲌Ԁ Editing Backdrops Backdrop Fills Picture Fit Methods Resetting To Default Formats BAB1qBB}HEditing Backdrops9BB% (Editing Backdrops"BD% Once you have determined to use a backdrop for your chart element, you may need to edit the backdrop in order to achieve the desired results. Many First Impression dialogs include a Backdrop tab which contains several options for modifying backdrops.?B[D) ",Xg\:To edit a backdrop:`DD- *Xg\N|1.Double click the left mouse button on the chart element whose backdrop you want to edit. [DE) +Xg|You can also use the right mouse button to display the floating menu and select the appropriate command for the chart element you are formatting. D~GC T+Xg\N|S ( 2.Once the appropriate dialog box is displayed, select the Backdrop Tab if necessary. The dialog box tabs used to format the backdrops for the chart control, chart plot, title, legend, labels, series labels, data point labels, and footnotes are all the same. 3.When you have finished making any necessary changes to the backdrop, click OK or Apply to redraw the chart to reflect the changes.6EG$ $Related Topics:u~G}HT x'Tm 㱷Lڀ 㣺, 㲌Ԁ Assigning Backdrops to Elements Backdrop Fills Picture Fit Methods Resetting To Default Formats ?GH1 yTrHHBackdrop Fills6}HH% "Backdrop Fills'HJ< F"6 L0: You can choose among a number of types of backdrop fill. The following illustration shows examples of several fill types.The controls in the Fill section of the Backdrop tab allow you to set the fill type, color, and pattern.AHZJ' 4Pattern Backdrop FillsJqM& One or two colors are used to display a pattern in the chart control or chart element. Patterns are bitmaps. A low resolution version of each bitmap displays the pattern on the screen. When you print a chart, a high resolution version of the bitmap is used if the output device prints at more than 144 dpi. The higher the resolution of the output device, the smaller the copies of the bitmaps that make up the patterns are reproduced. At high resolutions, First Impression adjusts the patterns to prevent the lines from getting too close together. Hatches are not bitmaps, but actual lines drawn to fill the object. They always appear the same regardless of the output resolution. Hatches can be used to output First Impression charts on a plotter. lZJ N. ,"7The following illustration shows which patterns in the pattern popup are bitmaps and which are hatches.>qMIN$ 4Gradient Backdrop Fills NhO0 ."8A gradient blends two colors to create the fill. The colors can be blended from top to bottom, left to right, in concentric rectangles, or concentric ovals. The following illustration shows examples of the various types of gradients.4INO$  Picture FillsJ%hO% KPicture Fills allow you to specify a graphic image to use as tO}Hhe backdrop fill.,You can use a picture fill on a chart element regardless of its pattern or gradient setting. If the graphic does not cover the entire backdrop area, any specified pattern or gradient covers the remaining area. c6OU- (mXgȄHNote If you use a Windows metafile for the graphic, it does not show up if you use the copy command to copy the chart to the clipboard. Windows limits you from having a metafile that contains a metafile. If you plan to copy the chart to the clipboard, use a bitmap for the graphic instead of a metafile.% )Some graphics products output bitmap files in an older format that is compatible with OS/2. First Impression does not support these bitmaps. If you attempt to use one of these files, you receive an error, "Invalid picture format." You can read these files into PaintBrush and save them as BMPs to convert them to the newer bitmap format. First Impression can then use these files without any problems.6UD$ $Related Topics:xT x'Tm % 㣺, 㲌Ԁ Assigning Backdrops to Elements Editing Backdrops Picture Fit Methods Resetting To Default Formats DDT1=sT4Picture Fit Methods;% ,Picture Fit MethodsT;% There are a number of ways to fit a picture behind a chart as a backdrop.The following table lists the options for fitting graphics.oV#|2o ConstantDescription7;]#o  Actual SizeDisplays the graphic at the original size it was created. If the original size of the graphic is too large , the graphic is cropped. If the original size of the graphic is too small, it is centered.VL#ho Best FitScales the graphic proportionally to fit entirely within the backdrop.`/L#ho $Stretch to FitScales the graphic to fit backdrop regardless of its original proportions.DL#ho TiledDuplicates the graphic repeatedly to fill the backdrop./M#h7o Crop FittedCenters the graphic and scales it proportionally to fill the backdrop. Any part of the image that falls outside the backdrop is cropped._:% t The following illustration shows each of these options.17- * "96m$ $Related Topics:s74T x'Tm % 㱷Lڀ 㲌Ԁ Assigning Backdrops to Elements Editing Backdrops Backdrop Fills Resetting To Default Formats Mm1zTtŌ Resetting To Default FormatsD4Ō% >Resetting To Default Formatsz% !You can reset a chart to the First Impression default formats. All chart options, except the chart type are returned to their default values.?Ō) ",Xg\:To reset the chart::zR rXg\N|IB 1.Click the right mouse button to display the floating menu.2.Select General to display the Format Chart dialog box with the Options tab selected.3.Click the Reset button.4.Click OK or Apply to redraw the chart.6)$ $Related Topics:gL .Gـ I E  /uP ㉂ސ G Qx 0 p ~" Adding Chart Elements Controllin)L4g the Display of Chart Elements Automatic Chart Layout Chart Element Areas Positioning Chart Elements Repositioning Chart ElementsCustom Chart Element Positions Effect of Element Positioning on the Chart Optimizing Chart Text Formatting Fonts Aligning and Orienting Text j) T x'Tm % 㱷Lڀ 㣺, Assigning Backdrops to Elements Editing Backdrops Backdrop Fills Picture Fit Methods ELO1.uOhFormatting 3D Charts< % .Formatting 3D Charts~ZO $ There are a number of items you can format that are unique to 3D charts. These include:k 7Xg\N|""""""The rotation and elevation from which the chart is viewed.The viewing distance used to display the chart.The proportions of the chart.The type of projection used to draw the chart.The lighting of 3D elements.The appearance of the base and wall of the chart.8 h qwy)   ¹Rŀ  ㄶ 8 jŀ  &] Related Topics:Changing Chart Rotation and Elevation Chart Elevation Options Chart Rotation Options Chart Projection Chart Width and Height Ratios Chart Viewing Distance Formatting the Base and Walls Lighting 3D Charts Ambient Lighting Infinite Light Sources V%1 jlv Changing Chart Rotation and ElevationM(h % PChanging Chart Rotation and Elevation % You can change the rotation, elevation, viewing distance, and proportions of a 3D chart using settings on the 3D View tab of the Format Plot dialog box. You can also change the rotation and elevation of a chart interactively.d; x) "vXg\:To change the 3D view using the Format Plot 3D View Tab:6J bXg\N|= 1.Double click the chart plot; or, click the right mouse to display the floating menu and select Plot.2.Click the 3D View tab3.Make any necessary changes and click OK or Apply to redraw the chart reflecting the changes.jAx) "Xg\:To change the rotation and elevation of a chart interactively:? L]Xg\N|1.Place the pointer anywhere in the chart region.2.Press and hold the CTRL key.The cursor changes to the rotation cursor.3.Click and hold the left mouse button.) -Xg|A dotted bounding box appears around the chart plot. Reference arrows appear at the corner where the first data point in the first series is drawn.H 7 <#Xg\N|4.Move the pointer up and down to change the chart elevation and right and left to change the chart rotation.The bounding box shows the position of the chart plot as you move the mouse.5.When you find the rotation and elevation you want, release the mouse button.R*^( TXg|The chart repaints in the new position.K > L  Related Topics:Chart Elevation Options Chart Rotation Options H^/1V.^w/nChart Elevation Options?n% 4Chart Elevation Options\/1 0= An important aspect of changing the 3D view is altering the elevation at which the chart is viewed. Elevation is defined as the relative height from which a chart is viewed. An Elevation height of 90, positions the chart as if you are looking directly down on the top of the chart. An elevation of 0 positions the chart as if you are looking directly nat the side of the chart. The default elevation is 30 degrees. For specific information on how to modify the elevation of a 3D chart, see The Format Plot 3D View Tab. The following illustration shows a 3D chart at two different elevation levels.6n=2 4 Xg\N|":Y> Lwy)  Related Topics:Changing Chart Rotation and Elevation Chart Rotation Options G=1lSxYChart Rotation Options>Y% 2Chart Rotation Options_I `}= ";wy) Another option for changing the 3D view includes altering the rotation of a chart.Rotation is defined as the angle that the chart is turned from the viewer. Rotation does not apply to 3D pie or doughnut charts. For specific information on how to modify the rotation of a chart, see The Format Plot 3D View Tab. The following illustration shows a 3D chart at two different degrees of rotation.Changing Chart Rotation and Elevation KY- *< Chart Elevation Options A_1M^y#? Chart Projection8#% &Chart Projection`;% wWhen you look at a 3D chart on a computer screen or a printed piece of paper, you are looking at an object that is specially drawn to give a 3D appearance in a 2D plane. Projection is a mathematical process used to display a 3D chart in a 2D plane. The following table describes the various types of projection. q#V#|6ng ProjectionDescription]#=ng ObliqueThis is sometimes referred to as 2.5 dimensional. The chart has depth, but the XY plane does not change when the chart is rotated or elevated.M#hing OrthogonalPerspective is not applied to the chart. The advantage of using this type of projection is that vertical lines remain vertical, making some charts easier to read. M#hng PerspectiveThis provides the most realistic 3D appearance. Objects farther away from you converge toward a vanishing point.  T vq= "<wy) For specific information on how to alter chart projection, see The Format Plot 3D View Tab.Important Surface charts will not display with oblique projection. If the Oblique projection type is selected for a surface chart, an orthogonal projection will be substituted instead.The following illustration shows the same chart drawn using different projection methods.Related Topics:Changing Chart Rotation and Elevation t: ? : Dt  Chart Elevation Options Chart Rotation Options N  1zSz  '@Chart Width and Height RatiosE ?  % @Chart Width and Height RatiosT  &I `= Depending on the type of chart you are displaying, you may desire to alter the width and depth of the chart in order display data more efficiently.You can modify how the charts width and depth is drawn according to the charts height. This is known as the width to height ratio and depth to height ratio. The ratio is calculated according to the percentage of the charts height used to draw the charts width and depth. For specific information on how to modify this value, see The Format Plot 3D View Tab. '@M hS"=¹Rŀ ㄶ The following illustration shows various degrees of width and depth ratios to display the chart.Related Topics:Chart Projection &'@? Chart Viewing Distance G&n@1|{n@@CChart Viewing Distance>'@@% 2Chart Viewing DistanceMn@B8 >+= The perspective of an object changes as you move closer to it or farther away from it. The same is true of a 3D chart. The Viewing Distance is defined as the distance from which a the chart is viewed as a percentage of the dpth of the chart. For specific information on how to modify the viewing perspective for a chart, see The Format Plot 3D View Tab.By default, 3D charts are viewed from a distance of 200 percent of the charts depth. The following illustration shows the same chart at two different viewing distances.M@CK f">¹Rŀ  Related Topics:Chart Projection Chart Width and Height RatiosNBC10|C$D#KFormatting the Base and WallsE C$D% @Formatting the Base and WallsI$CmE% IYou can change the colors and patterns applied to the walls of a 2D chart and the walls and base of a 3D chart, the color used to draw the lines in the base and walls, the height of the base and the width of the walls. The width of the walls and height of the base are measured in points. I $DE) "@Xg\:To format the walls and base:HmEFJ bXg\N|, 1.Double click in the chart plot; or, use the right mouse button to display the floating menu and select Plot. 2.Select the Base and Walls tab.3.Make any necessary changes and click OK or Apply to redraw the chart to reflect the changes.gEJ) Note: One of the options you can choose for a chart base or wall, is to display the base or wall as a pattern. It is important to understand how patterns work before using them in your chart.Patterns are bitmaps. A low resolution version of each bitmap displays the pattern on the screen. When you print a chart, a high resolution version of the bitmap is used if the output device prints at more than 144 dpi. The higher the resolution of the output device, the smaller the copies of the bitmaps that form the patterns are reproduced. At high resolutions, First Impression adjusts the patterns to prevent the lines from getting too close together. Hatches are not bitmaps, but actual lines drawn to fill the object. They are always drawn at the same resolution, regardless of the output device. Hatches can be used to output First Impression charts on a plotter. WF#K> L7؀ wy) Related Topics:Formatting 3D Charts Changing Chart Rotation and Elevation CJfK1:|}fKKNLighting 3D Charts:#KK% *Lighting 3D ChartsfKL% When light falls on a 3D object some areas of the object are brightly illuminated, and other areas are in shadows. You have complete control of how much light strikes the chart, and from what direction. Q(KL) "PXg\:To change the lighting on a 3D chart:CL'NJ bXg\N|Nx 1.Double click the chart plot; or, click the right mouse button to display the floating menu and select Plot.2.Select the 3D Lighting tab.3.Make any necessary changes and click OK or Apply to redraw the chart to reflect the changes.DLN> L &] Related Topics:Ambient Lighting Infinite Light Sources A'NN1Q~N"OYAmbient Lighting8N"O% &Ambient LightingZ(N2 2QNx Ambient light is defined as the diffusive light that shines on all sides of chart elements and is cast in addition to light from fixed light sources. If ambient light is s"ONet to 100 percent, all sides of the chart elements are illuminated equally no matter what light sources you turn on. If ambient light is set to 0, only the sides of chart elements facing the active light sources are illuminated. The default setting for ambient light is 15 percent.For more information about how to set ambient lighting, see The Format Plot 3D Lighting Tab.="OŃ7 <"?The following illustration shows the varying degrees of ambient light on a chart.Edge Intensity is defined as the amount of lighting applied to the edges of 3D objects such as bars, lines, pies or doughnuts. An edge light intensity of 0 draws the edges as black lines. An edge light intensity of 100 percent fully illuminates the edges using the edge pens color. The default edge pen color is the same as the series fill color. The following illustration depicts varying degrees of edge lighting on a chart.IYK f"@jŀ &] Related Topics:Lighting 3D Charts Infinite Light Sources GŃ1wބ$Infinite Light Sources>Yބ% 2Infinite Light Sources1 0Nx You can "turn on" or "turn off" up to nine preset infinite light sources on your chart. An infinite light source means that while there is a direction towards which the light shines, there is not a fixed distance from which the light is shone. The position of the light source is at infinity with reference to the chart. This allows a more uniform illumination and shading of the chart surfaces. At an intensity of 100 percent, chart surfaces perpendicular to the light source are fully illuminated. At an intensity of 50 percent, these surfaces receive 50 percent illumination from this light. An intensity of 0 turns off the light source. For specific information on how to set Infinite Light Sources, see The Format Plot 3D Lighting Tab.)ބ$Y "Ajŀ  Important A chart surfaces total illumination is the sum of the contributions of the ambient light and each of the infinite lights.Related Topics:Lighting 3D Charts Ambient Lighting @d1d4Formatting Axes7$% $Formatting Axes~Zd$ There are a number of axis components that you can format on a 2D or 3D chart. You can: ЀEXg\N|""""""""Change the axis type.Format date axes.Change the color and size of the axis grid lines.Change the color and size of axis lines.Change the color and size of the axis tick lines.Change the scale of the axis.Create and format an axis title.Format axis labels.B4> LǓ y\ Related Topics:Axis Terminology Common Axis Elements Au1'uAxis Terminology84% &Axis TerminologyJ$u& IThere are three types of axes that can appear on a chart: a value axis, a category axis, and a date axis. Category axes have text labels identifying the category or series in the chart. Value axes display numbers as values or percents. Date axes display a range of dates. It is important to know the type of axis you are dealing with in each chart type, because any appropriate formatting applied to an axis is maintained when you switch to a new chart type. The following table provides a list of the types of each axis on various chart types.#> D D ^ $*8Chart TypesXY2nd YZ'g#N D D ^ g4(6D2D BarCategoryValueValueN/Ay#€$ D D ^  2D Lineg}y#€$ D D ^  2D Areay#€$ D D ^  2D Step}y#€2 D D ^ "&*.2D Combination+>y#€V D D ^ &4B3D BarCategoryValueValueCategoryy#€$ D D ^  3D Line>Ty#€$ D D ^  3D Areay#€$ D D ^  3D StepTqy#€2 D D ^ "&*.3D Combination6 y#€l D D ^ 6JXb2D and 3D Horizontal BarCategoryValueN/AN/A,qy#€X D D ^ $8DN2D and 3D GanttCategoryDateN/AN/A [y#€: D D ^  &0XYValueValueN/AN/A!y#€B D D ^  .8BubbleValueValueN/AN/A-[y#€Z D D ^ 4BPHi-LoDate or CategoryValueValueN/A 4y#€@ D D ^ ,6PolarAngleValueN/AN/A y#€@ D D ^ ,6RadarRadarValueN/AN/A04vy#€` D D ^ &:HV3D Clustered BarCategoryValueValueN/A%&#J D D ^ $2@3D XYZ ValueValueValueN/A)v~#̀R D D ^ (6D3D ScatterValueValueValueValue+&v~#̀V D D ^ .8B2D ContourCategoryN/AN/ACategory/#~#̀^ D D ^ .<J3D SurfaceCategoryValueValueCategoryAv> L]_ y\ Related Topics:Formatting Axes Common Axis Elements E#1s#eCommon Axis Elements<#% .Common Axis ElementsBeP n"B]_ Ǔ The axes that appear on a chart vary from one chart type to another. The following illustration shows the common features of axes on 2D and 3D bar, line, area, and step charts.Related Topics:Formatting Axes Axis Terminology P#1P  Gantt and Horizontal Bar ChartsG"e % DGantt and Horizontal Bar Charts e j "C]_ Ǔ y\ 2 Both gantt and horizontal bar charts display the category (X) axis vertically along the left side of the chart. Gantt charts display the date (Y) axis along the bottom of the chart. Horizontal bar charts display the value (Y) axis along the bottom of the chart. Related Topics:Formatting Axes Axis Terminology Common Axis Elements Radar and Polar Charts G < 1_W< z  Radar and Polar Charts> z % 2Radar and Polar Charts.<  q }"D]_ Ǔ y\ qw The axis elements on radar and polar charts are slightly different. The following illustration shows the axis elements displayed on these two types. Note Pie and doughnut charts have no axis information, but use the format settings for X axis labels to format the labels on an individual pie or doughnut chart.Related Topics:Formatting Axes Axis Terminology Common Axis Elements Gantt and Horizontal Bar Charts Fz  1 + How to Format an Axis= + % 0How to Format an AxisvR  $ The following discussion provides information for formatting all types of axes.>+  ) "*Xg\:To format an axis:h t - *Xg\N|1.Double click the axis or use the right mouse button to display the floating menu and select Axis.p  ( Xg|If you use the menu, you must specify which axis you want to format. The Format Axis dialog box is displayed.tPt  $ The following table briefly describes each tab in the Format Axis dialog box.j   V#|( TabDescription^  b# *TOptionsControls the line width and color used to draw the axis line and tick marks.p l R#t *YGridControls the color, line style, and line thickness used to display the major and minor grid lines.= q# fC3㼴7ЀScaleControls the display of the axis, type and settings of the axis scale. The options on this tab vary depending on the type of axis selected: category axis, date axis or value axis.Ml H R#t *%TicksControls the length and positioning of ticks on the axis line. 2 . *yXg\N|2.Make any necessary changes to any axis options and click OK or Apply to redraw the chart. Specific information about the options on each tab are presented in the following material.H 1]_ Ǔ y\ qw 2 H[ Jʀ M p=C Related Topics:Formatting Axes Axis Terminology Common Axis Elements Gantt and Horizontal Bar Charts Radar and Polar Charts Labeling Axis Tick Marks Labeling Axes Inside The Plot Displaying Axes Scales Automatic and Manual Scaling I2 0 1WY0 p B Labeling Axis Tick Marks@ p % 6Labeling Axis Tick Marks90 @ 1 0% Axis labels contain tick marks that signify the divisions along a chart axis. These labels can occur at major and minor divisions on a chart. Depending on the chart size, labeling tick marks at every division can sometimes result in a cluttered, hard-to-read chart. Skipping labels and tick marks can help reduce the clutter of labels that can occur p @ when you have a large number of divisions. For specific information about labeling tick marks and how to skip them to avoid clutter, see the Format Axis Ticks Tab.Xp B $"E]_ Ǔ y\ qw 2 G G % 2Displaying Axes Scales#KG I 8 >C3 For aesthetic reasons, you may not wish to display all the axis scales for a chart. First Impression provides you the methods to turn on and turn off axis scales when displaying a chart. Each time you display the Format Axis dialog box, you must first choose the axis type. The Format Axis Scale tab will appear differently depending on the type of axis you have chosen. For specific information on how turn on and off category axis scales see The Format (Category) Axis Scale Tab G K { Ā)㼴7Ѐ "G"H]_ Ǔ y\ For specific information on how turn on and off value axis scales see The Format (Value) Axis Scale TabThe following illustration shows the same chart, first with the X axis scale on, and then with the X axis scale turned off.The following illustration shows a chart with the Y axis scale turned off.Related Topics:Formatting Axes Axis Terminology Common Axis Elements /I L o qw 2 Automatic and Manual Scaling5M O 2 2㼴7Ѐ If a chart is set to automatic scaling, the axis scale will display the minimum and maximum values as well as all the values in between. Your chart may look better if you limit the scale values that display by setting your own manual scale values. For specific information on how to set Automatic or Manual scaling, see The Format (Value) Axis Scale Tab.The following illustration shows the same chart, first with automatic scaling, and then with manual scaling.yM K "+"I]_ Ǔ y\ qw 2 aր Automatic and Manual Scaling Date Axis Scaling Radar Axis Scaling Polar Axis Scaling Formatting Axis Ticks Bރ  1   @ ŏ Date Axis Scaling9ń @ % (Date Axis ScalingpC - (If you select a date axis on your chart, the Format Axis Scale tab displays options for showing the axis scale, and entering the values used to scale the date axis. The values you are allowed to specify include the beginning data for the axis, the ending date for the axis, and intervals to pass between tick marks. Major Interval Tick Mark SettingsThe major ticks and grid lines appear at major intervals, and the minor ticks and grid lines appear at minor intervals. Axis labels are drawn at major intervals. The following table describes the settings for these options.k@  V#|*{ TypeDescriptionu \#2{ NoneNo Interval.t(  L#hP{ DaysA tick mark occurs each day.4 L#hh{ WeeksA tick mark occurs Monday of each week.L  L#h{ Semi-monthsA tick mark occurs on the 1st and 15th day of each month.: L#ht{ MonthsA tick mark occurs on the 1st of each month.: ( L#ht{ YearsA tick mark occurs on January 1 of each year.T D V "JFor example, to create a quarterly scale, set the interval to 3 months.For specific information about how to set these options, see The Format (Date) Axis Scale Tab.The following illustration shows the use of the Major Format, New Month, and New Year options.Note First Impression displays dates in this tab using the Windows environment date format assigned though the Control Panel. A confusing situation can occur when using dates earlier than 1920. If you have your date format set to not show centuries, the scale tab assumes the date displayed is between 1/1/1920 and 12/31/2019. So, if you have a date axis minimum of Jan 1, 1905, displayed as 1/1/05, the dialog will convert it to Jan 1, 2005. The solution is to use centuries in your Windows date format if you want to deal with dates outside the range 1/1/1920 to 12/31/2019.( ŏ i 9M p=C { I d Related Topics:Displaying Axes Scales Automatic and Manual Scaling 3D Axis Intersections Radar Axis Scaling Polar Axis Scaling C  1h N Radar Axisŏ  ŏ Scaling:ŏ N % *Radar Axis Scaling  n l iqπ M p=C { ㊢ހ The only scaling change you can make for a radar axis is to turn the display of the axis on or off. The value axes on a radar chart can be formatted like any other value axis. For specific information on how to turn the axis display on or off for a radar chart, see The Format (Radar) Axis Scale TabRelated Topics:Displaying Axes Scales Automatic and Manual Scaling 3D Axis Intersections Date Axis Scaling FN - *2d Polar Axis Scaling Cn 1 ӄ 1 Polar Axis Scaling: 1 % *Polar Axis Scaling5 f 1 0 +߀ The radius axis on a polar chart can be formatted just like any other value axis. Scaling the polar axis allows you to control the number of radial grid lines and labels that are displayed around the perimeter of the chart. Radial grid lines for major divisions extend to the center of the chart.Radial grid lines for minor divisions extend from the first division of the value axis to the perimeter of the chart For specific information about formatting the radius axis, see the Format (Polar) Axis Scale tabN1 w "KM p=C { ㊢ހ I Axis labels are drawn at both major and minor divisions.Related Topics:Displaying Axes Scales Automatic and Manual Scaling 3D Axis Intersections Date Axis Scaling Radar Axis Scaling Ff 1 7  Formatting Axis Ticks= 7 % 0Formatting Axis Ticks! X % You can modify the tick marks that appear on your chart axes. The length of major tick marks can be modified to best fit the chart. Tick mark position on the axis can also be modified. The following table lists the available tick position settings. l7 V#|,Pf StyleDescription6X V \#lPf NoneNo tick marks are displayed on the axis. 6 L#hlPf CenterTick marks are centered across the axis.7V [ L#hnPf InsideTick marks are displayed inside the axis.9 L#hrPf OutsideTick marks are displayed outside the axis.?[  l % ]_ Ǔ y\ H[ For specific information about these tick mark settings, see The Format Axis Ticks tab.Related Topics:Formatting Axes Axis Terminology Common Axis Elements Labeling Axis Tick Marks G f 1Qӄf  Formatting Axis Labels> % 2Formatting Axis Labelsf [ 0 ."LYou can change the font, font size, orientation, and alignment of axis label text, use a mask to format the text, and create a backdrop for the label. Labels on individual pie charts are actually x axis labels. To format pie chart labels, format the x axis labels on a chart.The following illustration shows how multiple levels of labels are displayed on two different types of charts.K" ) "DXg\:To format a set of axis labels:[ \ 4 6Xg\N|1.Double click on one of the labels you want to format; or select AxisLabels to display the Format Axis Labels dialog box.  ]_ Ǔ y\ aր )lI 㨷Xǀ , À Relate\   d Topics:Formatting Axes Axis Terminology Common Axis Elements How to Format an Axis Formatting Axis Ticks Format Axis Labels Dialog Controlling Label PositionStanding Labels Axis Label Text Formatting J\ P 1YP  ; Format Axis Labels DialogA  % 8Format Axis Labels DialogP  0 ."MIf you use the menu, the following dialog box appears. Specify which axis and level of labels you want to format.The following table describes each of the tabs on the Format Axis Labels dialog boxj  V#|( TabDescriptionf  b# *! BackdropControls the fill, frame, and shadow used to create a backdrop for the axis label. H W R#t *8z:TextControls the orientation and alignment of the axis labels.} & R#t *RFontControls the font, font size, font color, font style, and special effects used to display the axis label text. GW  R#t *㰭ɀ"Format CodeControls the mask used to display the axis labels.|& ; ]_ Ǔ y\ Jʀ ?Ӏ 㨷Xǀ , À Related Topics:Formatting Axes Axis Terminology Common Axis Elements Labeling Axes Inside The Plot Formatting Axis Labels Controlling Label Position Standing Labels Axis Label Text Formatting K  1   2D Controlling Label PositionB;  % :Controlling Label Position 9 @8z: The Text tab of the Format Axis Label dialog box provides the methods needed to control axis label position for your chart. The Horizontal, Vertical, and Orientation sections of the dialog box are enabled if you uncheck the Automatic check box. The horizontal and vertical alignment refer to how the text is aligned within each division.Horizontal Alignment. The following table describes the horizontal alignment options for label text. p 2 V#|4f AlignmentDescriptionD \#f LeftEach label is aligned at the left edge of the division.E2 c L#hf RightEach label is aligned at the right edge of the division.F L#hf CenterEach label is centered horizontally within the division.ec * $Vertical Alignment. The following table describes the vertical alignment options for label text.t Y#6f AlignmentDescription= \#zf TopEach label is aligned at the top of the division.B  L#hf BottomEach label is aligned at the bottom of the division.D  L#hf CenterEach label is centered vertically within the division.}V , ' Orientation. The following table describes the orientation options for label text.v  Y#:n OrientationDescriptionV, `@ \#n  `@ ; HorizontalThe text is displayed horizontally along the direction of the axis.k A L#hn VerticalThe text is displayed, one letter stacked on top of each other, reading from top to bottom.D`@ A L#hn  UpThe text is rotated so its right edge is next to the axis.EA 8B L#hn DownThe text is rotated so its left edge is next to the axis.A 2D c /?Ӏ )lI , À Note When you rotate text up or down, the vertical and horizontal alignment are still relative to the text and not to the chart. In other words, text displayed with up orientation and right alignment is actually flush against the axis, not the left side of the division.Related Topics:Formatting Axis Labels Format Axis Labels Dialog Standing Labels Axis Label Text Formatting @8B rD 1YY\rD D F Standing Labels72D D % $Standing Labels(rD F j "N?Ӏ )lI 㨷Xǀ À On 3D charts, you may desire to rotate labels up on the text baseline to stand in the Y plane. Standing text can make the labels more legible if you are viewing the chart at very low elevations. This option applies only to labels on an X or Z axis on most charts, and the Y axis on horizontal charts.Related Topics:Formatting Axis Labels Format Axis Labels Dialog Controlling Label Position Axis Label Text Formatting KD G 1G ^G GJ Axis Label Text FormattingBF ^G % :Axis Label Text Formatting4G I X ~㰭ɀ D)|  ƀ Cg The Format Code tab of the Format Axis Label dialog box provides options for formatting axis label text. You can select the format string category and the format code from a list of predefined strings. For details on how to format axis label text, see the Axis Label Format Code tab.Click here to view sample Number FormatsClick here to view sample Date and Time Formats.Click here to view the codes available to use when designing Custom Label Formats.g^G GJ N l)lI 㨷Xǀ , Related Topics:Format Axis Labels Dialog Controlling Label Position Standing Labels ?I J 1J J 9 Number Formats:GJ J ( $ Number FormatsJ tK % The following table lists the built-in number formats and the results if the format is applied to a positive, negative, and decimal number. J (L #>n  (.6CategoryFormat3-3.3$tK L #Hn  &0<AllGeneral3-3.3(L M #<n  &2Fixed03-30#L SN #Fn  $60.003.00-3.000.30M N #6n   ,#,##03-30'SN O #Nn  ,>#,##0.003.00-3.000.30&N q #Ln  O q GJ *4B#,##0_);(#,##0)3(3)02O 1 #dn  4>Z#,##0_);[RED](#,##0)3(3) in red05q #jn  6FZ#,##0.00_);(#,##0.00)3.00(3.00)0.30A1  #쀂n  @Pr#,##0.00_);[RED](#,##0.00)3.00(3.00) in red0.305 #jn  BN^Currency$#,##0_);($#,##0)$3($3)$07 Q #nn  8Db$#,##0_);[RED]($#,##0)$3($3) in red$0:  #tn  :Lb$#,##0.00_);($#,##0.00)$3.00($3.00)$0.30FQ #쀌n  DVz$#,##0.00_);[RED]$(#,##0.00)$3.00($3.00) in red$0.30, #Xn  (8JPercentage0%300%-300%30%( c #Pn  (>0.0%300.0%-300.0%30.0%,  #Xn  ,D0.00%300.00%-300.00%30.00%'c ؈ #Nn  *4@Fraction# ?/?3-32/7  #@n  $0# ??/??3-33/10?؈ Y #~n  4LfScientific0.00E+003.00E+00-3.00E+003.00E-01.  #\n  0F##0.0E+03.0E+0-3.0E+03.0E-01$Y 9 " F  1 N Date and Time FormatsA9 ( 2 Date and Time Formatsf J $ The following table lists the built-in date and time formats and the result of applying the format. ݌ t#>\ F $*CategoryFormatResultJ m t#8\ F $Datem/d/y2/3/94x݌ ^#4\ F d-mmm-yy3-Feb-94rm W ^#(\ F d-mmm3-Febt ˎ ^#,\ F mmm-yyFeb 94}W H ^#>\ F  m/d/y h:mm2/3/94 6:15!ˎ ͏ d#B\ F ,Timeh:mm AM/PM3:29 PM!H X ^#B\ F ͏ X 9 &h:mm:ss AM/PM3:29:41 PMq͏ ^#&\ F h:mm15:29wX @ ^#2\ F h:mm:ss15:29:41r ^#(\ F mm:ss29:41x@ * ^#4\ F [h]:mm:ss1:09:33$ N " E* 1$ eF Custom Label Formats@N ( 0 Custom Label Formats[ R $ The following table lists the format symbols that can be used in a custom format string.x Y#> "Format SymbolDescription6R \ \#l GeneralDisplays the number in General format. F M#h;  0Digit placeholder. If the number contains fewer digits than the format contains placeholders, the number is padded with 0's. If there are more digits to the right of the decimal than there are placeholders, the decimal portion is rounded to the number of places specified by the placeholders. If there are more digits to the left of the decimal than there are placeholders, the extra digits are retained.\ [ M#h  #Digit placeholder. This placeholder functions the same as the 0 placeholder except the number is not padded with 0's if the number contains fewer digits than the format contains placeholders.F + M#h  ?Digit placeholder. This placeholder functions the same as the 0 placeholder except that spaces are used to pad the digits.\[ S#t * . (period)Decimal point. Determines how many digits (0's or #'s) are displayed on either side of the decimal point. If the format contains only #'s left of the decimal point, numbers less than 1 begin with a decimal point. If the format contains 0s left of the decimal point, numbers less than 1 begin with a 0 left of the decimal point.n+ L#h  %Displays the number as a percentage. The number is multiplied by 100 and the % character is appended.5  M#hk , (comma)Thousands separator. If the format contains commas separated by #'s or 0's, the number is displayed with commas separating thousands. A comma following a placeholder scales the number by a thousand. For example, the format 0, scales the number by 1000 (e.g., 10,000 would be displayed as 10)., B M#h E- E+ e- e+Displays the number as scientific notation. If the format contains a scientific notation symbol to the left of a 0 or # placeholder, the number is displayed in scientific notation and an E or an e is added. The number of 0 and # placeholders to the right of the decimal determines the number of digits in the exponent. E- and e- place a minus sign by negative exponents. E+ and e+ place a minus sign by negative exponents and a plus sign by positive exponents.K M#h .$ - + / ( ) : spaceDisplays that character. To display a character other than those listed, precede the character with a back slash (\) or enclose the character in double quotation marks (" "). You can also use the slash (/) for fraction formats. B M#h  \Displays the next character. The N backslash is not displayed. You can also display a character or string of characters by surrounding the characters with double quotation marks (" ").  M#h-  * (asterisk)Repeats the next character until the width of the column is filled. You cannot have more than one asterisk in each format section.<  M#h "_ (underline)Skips the width of the next character. For example, to make negative numbers surrounded by parentheses align with positive numbers, you can include the format _) for positive numbers to skip the width of a parenthesis.; K L#hv "text"Displays the text inside the quotation marks.@  L#h  @Text placeholder. Text replaces the @ format character.K  M#h%  mMonth number. Displays the month as digits without leading zeros (e.g., 1-12). Can also represent minutes when used with h or hh formats.  M#h+  mmMonth number. Displays the month as digits with leading zeros (e.g., 01-12). Can also represent minutes when used with the h or hh formats.U 9 L#h mmmMonth abbreviation. Displays the month as an abbreviation (e.g., Jan-Dec).S  L#h mmmmMonth name. Displays the month as a full name (e.g., January-December).Q9 u L#h  dDay number. Displays the day as digits with no leading zero (e.g., 1-9).R  L#h  ddDay number. Displays the day as digits with leading zeros (e.g., 01-31).Qu  L#h dddDay abbreviation. Displays the day as an abbreviation (e.g., Sun-Sat).N J L#h ddddDay name. Displays the day as a full name (e.g., Sunday-Saturday).M L#h  yyYear number. Displays the year as a two-digit number (e.g., 00-99).TJ L#h yyyyYear number. Displays the year as a four-digit number (e.g., 1900-2078).# M#h  hHour number. Displays the hour as a number without leading zeros (1-23). If the format contains one of the AM or PM formats, the hour is based on a 12-hour clock. Otherwise, it is based on a 24-hour clock." M#h  hhHour number. Displays the hour as a number with leading zeros (01-23). If the format contains one of the AM or PM formats, the hour is based on a 12-hour clock. Otherwise, it is based on a 24-hour clock. M#h  mMinute number. Displays the minute as a number without leading zeros (0-59). The m format must appear immediately after the h or hh symbol. Otherwise, it is interpreted as a month number.  M#h  mmMinute number. Displays the minute as a number with leading zeros (00-59). The mm format must appear immediately after the h or hh symbol. Otherwise, it is interpreted as a month number.U  L#h  sSecond number. Displays the second as a number without leading zeros (0-59).T 7@ L#h  ssSecond number. Displays the second 7@ N as a number with leading zeros (00-59).^ @ L#h$ AM/PMam/pmZ7@ @ L#h A/Pa/p@ A D#Ve "12-hour time. Displays time using a 12-hour clock. Displays AM, am, A, or a for times between midnight and noon; displays PM, pm, P, or p for times from noon until midnight.r&@ WB L#hL 6Displays text in black.[BLACK]p$A B L#hH 4Displays text in blue.[BLUE]p$WB 7C L#hH 4Displays text in cyan.[CYAN]r&B C L#hL 6Displays text in green.[GREEN]v*7C D L#hT :Displays text in magenta.[MAGENTA]n"C D L#hD 2Displays text in red.[RED]r&D D L#hL 6Displays text in white.[WHITE]t(D sE L#hP 8Displays text in yellow.[YELLOW]D AF M#h Displays text using the corresponding color in the color palette. n is an index to a color in the color palette.[COLOR n]$sE eF " < AF F 12\F F M Axis Titles3eF F % Axis TitlesF G % You can add a title for each axis. Axis titles can provide additional information about the axis that helps the viewer interpret the chart.DF G ) "6Xg\:To create an axis title:-G LI T v[Xg\N|1.Use the right mouse button to display the floating menu.2.Select AxisTitle to display the Format Axis Title dialog box.3.Check the Visible check box to display the title.4.Type the title text in the Text field.5.Click OK or Apply to redraw the chart to include the new title.zVG I $ The following table describes each of the tabs on the Format Axis Labels dialog boxjLI 0J V#|( TabDescriptionnI K b# *PTextControls the text used for the axis title as well as the orientation and alignment of the text.f0J K R#t *KBackdropControls the fill, frame, and shadow used to create a backdrop for the axis title. .xK L R#t *2,܀FontControls the font, font size, font color, font style, and special effects used to display the axis title. SK M ր]_ Ǔ ?Ӏ )lI 㨷Xǀ , À Related Topics:Formatting Axes Axis Terminology Formatting Axis Labels Format Axis Labels Dialog Controlling Label Position Standing Labels Axis Label Text Formatting = L N 1N FN : Plot Options4M FN % Plot OptionsN 4O 7 Xg\:To Read Data Series In Rows:KU G \ Xg\N|IB 1. Click the right mouse button to disply the floating menu and select General from the menu.2. Choose the Options tab3. Click the Data Series in Rows box to indicate that the data is being supplied from rows in the data grid rather than columns.6  $ $Related Topics:F d } Ȁ ^P' |W 9y h? 7n [Y~ ڳ Formatting Series and Data Points Formatting Series Data Setting Series Options Bar Shapes Smoothing Series Data Hi-Lo-Close Colors Changing the Series Fill and Pen G 1]~ـ A Formatting Series Data>d % 2Formatting Series DataE . ) "8Xg\:To format a chart series:Y - *Xg\N|1.Double click the series in the chart or the legend key that identifies the series.+.  * "Xg|The Format Series dialog box is displayed.Alternatively, you can use the right mouse button to display the floating menu and select Series from the menu. Then, select the series you want to format from the Select Data Series dialog box and click Select.6  2 4 Xg\N|"XZ  @ PXg|_D / The Format Series dialog box appears with either the Fill or Line tab selected. @ . *3Xg\N|2.When you have made all the for @ d matting changes required for the series, click OK or Apply to redraw the chart to reflect the changes you have made.Y A ΀^P' π 9y h? 7n [Y~ ڳ Related Topics:Formatting Series and Data Points Supplying Series Data Setting Series Options Bar Shapes Smoothing Series Data Hi-Lo-Close Colors Changing the Series Fill and Pen G@ "B 1s9"B `B H Setting Series Options>A `B % 2Setting Series Options7"B C 4 6㞰ө The options in the Format Series Options tab hide or exclude a series, plot the series on a secondary Y axis, change style of bars on a bar chart, set the gain and loss colors used in a hi-lo chart, and control smoothing for line and area series typesb`B (E / ,Xg !iIf you choose to hide a series, the space occupied by the series is still shown on the chart, but the data is not displayed. If you choose to exclude a series from a chart, the data is not displayed and the space occupied by the series is removed from the chart. The following illustration shows the difference between hiding and excluding a series.2C ZE . , "Yo(E E * $Xg !iThe following illustration shows how hiding a series in a stacked chart can produce floating chart elements.2ZE %F . , "ZE   $Smoothing TypeDescription.2 ( S#v\  NoneNo smoothing is applied to the data. ' D#Vw  &QuadraticBSplineA quadratic B-spline formula determines the smoothing applied to the data. This form of smoothing results in a less-smooth curve that stays closer to the data points.( = D#V  CubicBSplineA cubic B-spline formula determines the smoothing applied to the data. This form of smoothing results in a smoother curve, but varies further from the data point than a QuadraticB spline curve.' @ p '^P' π |W 9y h? In order to smooth series data, you must specify the series smoothing factor. The Factor is the number of facets or points sampled between the chart data points to create the smoothing effect. The higher the number, the more smoothing occurs. Related Topics:Formatting Series and Data Points Supplying Series Data Formatting Series Data Setting Series Options Bar Shapes y?= : D~[Y~ ڳ Hi-Lo-Close Colors Changing the Series Fill and Pen C@ 1Sc 6 X Hi-Lo-Close Colors: 6 % *Hi-Lo-Close Colorsd % Hi-Lo charts are most commonly used to show stock market information. A hi-lo-close chart calculates whether the close value for a data point was a gain or a loss from the close value of the previous data point. In other words, the first data point never has a gain or loss color, but sets the basis for deciding if the next data point displays a gain or loss. The open-hi-lo-close bar chart calculates whether the close point was a gain or loss from the open value for the same point.Gains and losses are calculated differently between open-hi-lo-close bar charts and other variations of hi-lo-close charts. <6 C TXg !i㞰ө You can control the colors used to display the elements of a hi-lo chart by setting the appropriate options on the Format Series Options tab. On this tab, you can select both the Gain Color and Loss Color to be represented on your chart.] X ΀^P' π |W 9y h? 7n ڳ Related Topics:Formatting Series and Data Points Supplying Series Data Formatting Series Data Setting Series Options Bar Shapes Smoothing Series Data Changing the Series Fill and Pen Q 1; xm Changing the Series Fill and PenH#X % FChanging the Series Fill and Pen 1 0Xg !iYou can use options on the Fill tab to change the color, pattern, and edge pen used to display the series elements. If the series is a 2D bar type, you can also specify a graphic image to use as the fill for the bars.U% a 0 .M"^The following illustration shows the organization of the pattern picker.Patterns are bitmaps. A low resolution version of each bitmap is used to display the pattern on the screen. When you print a chart, a X a high resolution version of the bitmap is used if the output device prints at more than 144 dpi. The higher the resolution of the output device, the smaller the copies of the bitmaps that make up the patterns are reproduced. At high resolutions, First Impression adjusts the patterns to prevent the lines from getting too close together.  [ 3 4Hatches are not bitmaps, but actual lines drawn to fill the object. They are always drawn at the same resolution, regardless of the output device. The fill color is used as the color for solid patterns. It is used as the background color for any other type of pattern. By default, the line color for an element matches this fill color.The pattern color is used to draw the pattern over the fill color if any pattern other than solid is selected. {a  0 0Xg !iThe edge pen outlines all 3D objects and all 2D elements except the lines in line, XY, hi-lo, radar, and polar charts.\[ 1 2 _D For specific information on how to set these options, see the Format Series Fill tab.O ΀^P' π |W 9y h? 7n [Y~ Related Topics:Formatting Series and Data Points Supplying Series Data Formatting Series Data Setting Series Options Bar Shapes Smoothing Series Data Hi-Lo-Close Colors =  1  S  Picture Bars4 S % Picture Barsu * $Xg !iYou can specify a graphic image to use as the fill for a series of 2D vertical or horizontal bars or gantt charts.S 2 2 _D A control on the Fill tab of the Format Series dialog box displays a preview of the graphic. When a valid path and file name are entered in the File text box, the picture is displayed in the Picture control. Only Windows Bitmap (.bmp) and Windows Metafiles (.wmf) are supported graphic formats.If you create picture bars using a Windows metafile, the pictures will not appear if you save the chart as a metafile. This is a Windows limitation that prevents a metafile from containing another metafile. If you plan to copy the chart to the clipboard, or save the chart as a metafile, use a bitmap for the picture bars instead of a metafile. c + $You can choose how to fit the graphic into the bar by setting the Fit Method. The following table lists the options for fitting graphics.q V#|6vC Fit MethodDescription c Z#_vC Stacked Duplicates the graphic repeatedly to fill the bars. Since this uses multiple copies of the graphic, it is recommended that you use as small a file as possible._ I#bvC $Stretch To FitScales the graphic to fit the bars regardless of its original proportions.e; * $vXg\:To fill 2D bars interactively, use the following steps: ; DXg\N|1. Select the bar you want to fill on the chart.2. Click the right mouse button to display the floating menu and select Paste.3. Identify the graphic you want to paste into the bar and click OK. + $Xg !iThe following illustration shows an example of a different graphic used to identify each series in a chart using the stacked fit method.2 . , "_  C Th? ڳ Some graphics products output bitmap files in an older format that is compatible with OS/2. First Impression does not support these bitmaps. If you attempt to use one of these files, you receive an error, "Invalid picture forma  t." You can read these files into PaintBrush and save them as BMPs to convert them to the newer bitmap format. First Impression can then use these files without any problems.Related Topics:Bar Shapes Changing the Series Fill and Pen A D 1 mD |  Formatting Lines8 | % &Formatting LinesD n 8 >u / The controls on the Line tab of the Format Series dialog box format the style, width, color, joint, and end caps of 2D lines and the lines in XY, radar, polar, and hi-lo charts.| ~ ( Join styles determine how the lines on your chart will look at the point where they join or meet. Join styles are particularly important when using thick lines on your chart. The following table lists the valid line join styles.qn  V#|6mJoin TypesDescriptionK~  S#vmMiteredThe outer edges of the two lines are extended until they meet.L  C#VmRoundA circular arc is drawn around the point where the two lines meet.F  C#VmBeveledThe notch between the ends of two joining lines is filled.q = ' Important Very acute mitered joins are automatically beveled to avoid drawing large spikes along the line.sD  / . "`The following illustration shows an example of each join style.=  ) Cap styles determine how the end of each line on your chart is capped. Line caps can enhance the appearance of your chart, particularly if you are using large or thick lines to plot data.The following table lists valid line cap styles:o 8 V#|2~'Cap TypeDescription2  S#vd~'ButtThe line is squared off at the endpoint.]8 ] C#V~'RoundA semicircle with a diameter of the line thickness is drawn at the end of the line.v  C#V~'SquaredThe line continues beyond the endpoint for a distance equal to half the line thickness and is squared off.eA] { $ The following illustration shows an example of each cap style.2 . , "ah{ I 4 8/ For specific information on how to format lines, see the Format Series Line tab.Related Topics:r  X ޿ 6 w\; 3Ȁ Formatting Markers Formatting Statistics Lines Formatting Guidelines Formatting Data Points CI V 1aV @ Formatting Markers: % *Formatting MarkersV 2 2 ]Ҁ The Markers tab on the Format Series dialog box controls the style, color, size, and line width used to display markers. Markers can be displayed on all chart types except pies and doughnuts.   ? L]Ҁ The Show Markers control determines whether or not to display markers on a series. You can use this control to remove markers from a series.An Automatic check box allows First Impression to use the next available marker to identify the series. You can uncheck the Automatic check box to select your own choice of marker.If the Automatic check box is unchecked, you can specify a marker style, color, size, and line width for your chart from the Markers tab. @ Y 㟁0 6 w\; 3Ȁ Related @  Topics:Formatting Lines Formatting Statistics Lines Formatting Guidelines Formatting Data Points L @ 1@ A uG Formatting Statistics LinesC@ A % <Formatting Statistics Lines@ B 7 [$Statistic TypeDescription5C D S#vj[MinimumShows the minimum Y value in the series.w4D E C#Vh[MaximumShows the maximum Y value in the series.CD E C#V[MeanShows the mathematical mean of the Y values in the series.RE F C#V[*Standard DeviationShows the standard deviation of the Y values in the series.HE F C#V[RegressionShows a trend line indicated by the Y values in a series.wF uG X 㟁0 ޿ w\; 3Ȁ Related Topics:Formatting Lines Formatting Markers Formatting Guidelines Formatting Data Points FF G 1&G G J Formatting Guidelines=uG G % 0Formatting GuidelinesG I 1 0%i The Guidelines Tab of the Format Series dialog box controls the display and format of guidelines for the series in 2D and 3D line, area, and step charts as well as bubble charts, 3D xyz and scatter charts. Guidelines are lines that are drawn from a data point to one or more axis to better identify the data point position. The following illustration shows guidelines on several types of charts.2G I . , "c6I #J $ $Related Topics:mI J ] Xg !i㟁0 ޿ 6 3Ȁ Formatting Lines Formatting Markers Formatting Statistics Lines Formatting Data Points G#J 4K 1E4K rK Q Formatting Data Points>J rK % 2Formatting Data Points4K RL + $kXg !iBy default, each data point in a series has the same format. However, there may be times that you want to highlight one or more data points in a series by changing their format. O&rK L ) "LXg\:To format an individual data point:RL M > J}Xg\N|1.Click a data point to select its series. 2.Click the data point again to select just the data point. 3.Double-click the data point to display the Format Data Point dialog box.mL @O 6 :Xg|$֯r Alternatively, you can click the right mouse button to display the floating menu and select Series, Data Point. A dialog box appears asking you to specify the series and data point you want to format. You can pick Series Defaults to format the default fill and markers for the entire series.The Options tab of the Format Data Point dialog box is displayed. 1M } V zXg\N|+ 7 4.Uncheck the Use Series Defaults check box to ungray the Fill and Markers tabs. You can then change an@O } J y of the Fill or Marker options used to display the data point. Check the Use Series Defaults check box to discard any custom settings you have made for the data point and reset all options to the series defaults.5.Click the Fill tab to modify the fill options for the data point.6.Click the Marker tab to modify the marker options for the data point.|@O Q X 㟁0 ޿ 6 w\; Related Topics:Formatting Lines Formatting Markers Formatting Statistics Lines Formatting Guidelines B} 1< ̂ P Formatting Labels9Q ̂ % (Formatting Labels  ك + $Xg !iYou can place labels on a series of data points or on individual data points to annotate the chart or draw attention to a certain chart element. The following illustrations show several uses of data point and series labels.Ĝ 2 4, "dRelated Topics:0ك P | ƀiI}| u  wr EsA 㙚5#  Series Labels Series Label OptionsData Point Labels The Format Data Point Label Dialog Label Options Controlling Label TypeFormatting Label Text> 1| Å 8 Series Labels5P Å %  Series Labels l * $Xg !iSeries labels can be used instead of the legend, as a way to identify each series on a line, area, step, XY, or radar chart.EÅ ) "8Xg\:To format a series label:D l 9 @Xg\N|1.If a series label exists, double click it. Otherwise, use the right mouse button to display the floating menu and select Series Label.2.Specify the series for which you want to define a label and click Select to display the Format Series Label dialog box.m * $Xg !iThe following table briefly describes the tabs of options available in the Format Series Label dialog box.n Y#* TabDescription c# * ԀOptionsControls the display and placement of the label as well as the display and type of line connecting the label to the series.p R#t *i6TextControls the text used for the series label as well as the orientation and alignment of the text. w u R#t *AJVFontControls the font, font size, font style, font color, and special effect used to display the label text. ` ' R#t *3+BackdropControls the fill, frame, and shadow used to create a backdrop for the label. wu ˌ - *Xg\N|3.Make any other changes to the series labels. Then, click OK or Apply to redraw the chart to reflect the changes.7'  % $ Related Topics:6ˌ 8 | ƀu?u u  wr EsA 㙚5#  Formatting Labels Series Label Options Data Point LabelsThe Format Data Point Label Dialog Label Options Controlling Label Type Formatting Label Text E } 1" <n} Series Label Options<8 % .Series Label Options} 7 Xg\:To format data point labels: + C TXg\N|㏁ 1.Double-click the existing data point label to display the Format Data Point Label dialog box.Alternatively, you can click the right mouse button to display the floating menu and select Series Data Point Label. A dialog box appears asking you to specify the series and data point you want to format. You can pick Series Defaults to format the data point labels for every data point in the series.2.Uncheck the Use Series Defaults check box to enable other tabs in the dialog box. You can then change any of the options used to display the data point. Check the Use Series Defaults check box to discard any custom settings you have made for the data point label and reset all options to the series defaults.7 b % $ Related Topics:1+ | ƀk?u I}| u wr EsA 㙚5#  Formatting Labels Series LabelsSeries Label OptionsThe Format Data Point Label Dialog Label Options Controlling Label Type Formatting Label Text S"b 1n 0 The Format Data Point Label DialogJ% 0 % JThe Format Data Point Label Dialoge * $Xg !iThe following table briefly describes the tabs available in the Format Data Point Label dialog boxj0 5V#|(  5 TabDescription $c# *㏁OptionsControls the display and placement of labels as well as the display and type of lines connecting the labels to the series.s5R#t *9TextControls the text used for the data point label as well as the orientation and alignment of the text.w$R#t *$BFontControls the font, font size, font style, font color, and special effect used to display the label text. `dR#t *S (BackdropControls the fill, frame, and shadow used to create a backdrop for the label. s)R#t * `$Value FormatControls the mask used to display the data point label when the text is displayed as a value.zdR#t *&ǀ(Percent FormatControls the mask used to display the data point label when the text is displayed as a percentage.)+ $3Note Make any necessary changes to the tabs in the Format Data Point dialog box and click OK or Apply to redraw the chart to reflect the changes.7% $ Related Topics:!| ƀK?u I}| u  EsA 㙚5#  Formatting Labels Series Labels Series Label Options Data Point Labels Label Options Controlling Label Type Formatting Label Text> O1@ FODLabel Options5%  Label OptionsX&O2 2M㏁ The Options tab of the Format Data Point Label dialog box controls the position of the data point label and the line style used to connect the label to the data point. Nine preset locations are available to position data point labels. The following table lists the available locations..pL V#|4qd LocationsDescription|  \#@qd NoneNo label displayed.L  M#h7qd Above PointThe label is displayed above the data point. This location is only valid for bar, line, area, step, XY, polar, radar, and bubble charts.  M#h7qd Below PointThe label is displayed below the data point. This location is only valid for bar, line, area, step, XY, polar, radar, and bubble charts.  M#h7qd CenterThe label is displayed centered on the data point. This location is only valid for bar, line, area, step, xy, polar, radar and bubble charts. k M#h=qd BaseThe label is displayed along the category axis, directly beneath the data point. This location is only valid for bar, line, area, and step charts.D  L#hqd InsideThe label is displayed inside a pie or doughnut slice.Fk L#hqd OutsideThe label is displayed outside a pie or doughnut slice. `M#h qd LeftThe label is displayed to the left of the data point. This location is only valid for XY, polar, radar, and bubble charts.A@M#hqd RightThe label is displayed to the right of the data point. This location is o`A@nly valid for XY, polar, radar, and bubble charts.`A% QThere are three Label Line Styles available for displaying the line that connects the data point and its label. The following table lists the line styles available. vA@AY#:n Line StylesDescription3AB\#fn NoneNo line connects the label and series.>ABL#h|n LineA straight line connects the label and data point.CB,CL#hn Angle lineAn angled line connects the label and data point.7BcC% $ Related Topics:7,CD| ƀw?u I}| u  wr 㙚5#  Formatting Labels Series Labels Series Label Options Data Point Labels The Format Data Point Label Dialog Controlling Label Type Formatting Label Text GcCD1DELControlling Label Type>DE% 2Controlling Label TypeD1G8 >9 The settings on the Text tab of the Format Data Point Label dialog box control the type of label displayed on the data point. First Impression will automatically create a data point label for you, if you select the Automatic option. You can indicate the type of label you would like by selecting the appropriate radio button. The available label types described in the following table. If you select more than one type, the labels are stacked on top of each other.kEGV#|*: TypeDescription?1G7H\#~: ValueThe value of the data point appears in the label.yGHL#h: PercentThe value of the data point is displayed in the label as a percentage according to the axis percent basis.D7HIL#h: Series NameThe series name is used to label the data point. JH"JL#h: &Data Point NameThe category name is used to label the data point. O#IqK, &GIf you dont wish to use one of the available label types, you can choose to enter custom label text by selecting the Custom radio button, and entering the desired text in the text box of the Text tab. The following illustration shows the use of automatic and custom data point labels.G"JK2 4, "fRelated Topics:1qKL ̀e?u I}| u  wr EsA  Formatting LabelsSeries Labels Series Label Options Data Point Labels The Format Data Point Label Dialog Label Options Formatting Label Text FK/M1CF/MlMcFormatting Label Text=LlM% 0Formatting Label TextH/MN= H ` &ǀ You can specify a display mask to control the appearance of the data point labels. On the Format Data Point Label dialog box, use the settings on the Value Format tab to format the label when it is displayed as a value. Use the settings on the Percent Format tab to format the label when it is displayed as a percent.7lM(O% $ Related Topics:/Nc| ƀg?u I}| u  wr EsA 㙚5# Formatting Labels Series Labels Series Label Options Data Point Labels (OcLThe Format Data Point Label Dialog Label Options Controlling Label Type A(O1"܀Elevation Charts8c܀% &Elevation Charts$ ЀI25 "g) ~% I 7b& vpt Elevation charts can be drawn as a 2D contour chart or a 3D surface chart. Use the Chart Type list in the Type tab of the Format Plot dialog box to specify which chart type you wish to draw.The following illustration depicts a contour and a surface chart.Related Topics:The Elevation Tab Displaying Contours Displaying Chart Bases Surface Chart Projection Displaying Chart Surfaces k܀G ^H0 (2 L Displaying Wireframe Surfaces Chart Surface Smoothing Displaying Elevation and Contour DataB1Wp-SThe Elevation Tab9-% (The Elevation Tabr4> JiDG ii| Once you have specified the type of chart you wish to draw, you can format both elevation and contouring information for the chart. Contour and elevation options are divided between two tabs in the Format Plot dialog box. The Elevation tab contains basic contour and surface options. The Contouring tab controls the assignment of colors and line widths used in the actual contour bands and lines.In each tab, the available options depend on the chart type you have specified and will be disabled (grayed) if they do not apply to the current chart type.7-ֆ% $ Related Topics:}S ]X6 ~% I 7b& vpt H0 (2 L Elevation Charts Displaying Contours Displaying Chart Bases Surface Chart Projection Displaying Chart Surfaces Displaying Wireframe Surfaces Chart Surface Smoothing Displaying Elevation and Contour Data Dֆ1 "҈Displaying Contours;S҈% ,Displaying Contours& +The purpose of contouring is to identify areas on a surface or contour chart that have like contour values. On a surface chart, the contour data is the elevation data itself. In such a chart, contour bands are painted upon the surface along areas within given elevation ranges while contour lines are striped along areas at specific elevations. Basic contour information is contained in an array of contour attributes each of which define a contour band or line. Each element in the array consists of a contour value, brush for contour bands, pen for contour lines, and an optional label which is used to identify the contour element in a contour legend. ^҈D V5When displaying contour bands on a chart, areas on the chart whose contour values lie directly beneath a given elements value (but above the preceeding elements value) are filled using that elements brush. When displaying contour lines on a chart, areas on the chart whose contour values exactly match a given elements value are striped using that elements pen.The Format Plot Elevation tab allows you to set the types of contour you wish to display on your chart. The following table lists the available contour typeskVV#|*De TypeDescription7\#nDe BandsContours are displayed as bands of color.5VjL#hjDe LinesContours are displayed as colored lines.^ 0 0DG To learn how to set the contour type for your chart, see The Format Plot Elevation tab.j S7jC% $ Related Topics:{  ]X6 ) I 7b& vpt H0 (2 L Elevation Charts The Elevation Tab Displaying Chart Bases Surface Chart Projection Displaying Chart Surfaces Displaying Wireframe Surfaces Chart Surface Smoothing Displaying Elevation and Contour Data GC1pCDisplaying Chart Bases>C% 2Displaying Chart BasesDI `qIn addition to displaying variations in data as contours on their surface, surface charts can also reflect data variation in the base of the chart. There are four different surface chart base types. A chart base of type bands or lines will reflect the charts contours in the base. A chart base of type pedestal or standard does not reflect any of the charts contours.The following table defines each of the four base types:oCY#,ZN TypeDescriptionYDh\#ZN PedestalThe base is displayed as a solid area that rises up to meet the surface.OL#hZN StandardThe base is displayed as a flat area beneath the chart surface.ShR#tZN * BandsThe base reflects the charts contours as a series of contour bands.SMR#tZN * LinesThe base reflects the charts contours as a series of contour lines. YA P "hDG The following illustration depicts the various surface chart bases.For specific information about how to select the base type for your chart, see The Format Plot Elevation tab.Related Topics:xM ]X6 ) ~% 7b& vpt H0 (2 L Elevation Charts The Elevation Tab Displaying Contours Surface Chart Projection Displaying Chart Surfaces Displaying Wireframe Surfaces Chart Surface Smoothing Displaying Elevation and Contour Data IY1!ZMSurface Chart Projection@Z% 6Surface Chart Projection2( aProjection is a charting technique that displays a planar contour chart projected above a surface chart. The following table defines the three available projection options:qZY#0N_ MethodDescription827\#pN_ NoneNo projection is displayed above the chart.OR#tN_ * BandsThe planar chart reflects the charts contours in contour bands.O7yR#tN_ * LinesThe planar chart reflects the charts contours in contour lines.< F"iDG This illustration demonstrates the two projection methods which display the contours of the surface chart below.To learn how to set the projection method for your surface chart, see The Format Plot Elevation tab..7y% $ Related Topics:vM ]X6 ) ~% I vpt H0 (2 L Elevation Charts The Elevation Tab Displaying Contours Displaying Chart Bases Displaying Chart Surfaces Displaying Wireframe Surfaces Chart MSurface Smoothing Displaying Elevation and Contour Data J1 Displaying Chart SurfacesAM% 8Displaying Chart Surfacesrn$ There are five ways to represent the surface on a 3D surface chart. The following table lists the five options:oY#,F TypeDescriptionHn\#F NoneThe surface data is represented exclusively by a wireframe.EL#hF BandsThe surface displays changes in data with contour bands.gL#hF LinesThe surface is represented by a wireframe and displays changes in data with contour lines.5FL#hjF SolidThe surface is drawn with a solid color.$M#h#F (Solid with LinesThe surface is drawn with a solid color. Changes in data are indicated by contour lines super imposed on the solid color.F< FQ"jDG The following illustration demonstrates chart surfaces.For specific information on how to select your charts surface type, see The Format Plot Elevation tab.7$>% $ Related Topics:u ]X6 ) ~% I 7b& H0 (2 L Elevation Charts The Elevation Tab Displaying Contours Displaying Chart Bases Surface Chart Projection Displaying Wireframe Surfaces Chart Surface Smoothing Displaying Elevation and Contour Data N>1DFYDisplaying Wireframe SurfacesE F% @Displaying Wireframe Surfacesp 7 <DG If you choose not to display a surface on your 3D surface chart, then the surface is represented exclusively by a wireframe. Surface wireframes can be displayed through variations in pen color and the interval at which the wireframe appears along the charts surface. The following table lists the wireframe options available on The Format Plot Elevation tab.oF\ Y#,C TypeDescriptionB  \#C NoneThe surface is represented by the surface color only.C\  L#hC MajorThe wireframe indicates the original data grid values.  M#hSC &Major and MinorThe wireframe is drawn upon the surface along the original data grid values and any additional rows or columns generated by the smoothing process.? Y "k]X6 ) ~% I 7b& vpt (2 L The following illustration shows several wireframe surface charts.Related Topics:Elevation Charts The Elevation Tab Displaying Contours Displaying Chart Bases Surface Chart Projection Displaying Chart Surfaces Chart Surface Smoothing Displaying Elevation and Contour Data H 1uMEChart Surface Smoothing?Y% 4Chart Surface Smoothing`}@1 0DG Smoothing can be applied to both contour and surface charts. You can use smoothing to create rounder, smoother contours. First Impression uses the bi cubic B spline formula to determine how to smooth the chart data based on the smoothing }@Yfactor you specify in The Format Plot Elevation tab. The following table describes valid smoothing factors:q@Y#0EM FactorDescription7}@A\#nEM  0The raw grid data is used with no smoothing.V@#BL#hEM  1This factor samples the spline data only at the original data grid locations.tABL#hEM 2-32A factor of 2 or more will break the row and column locations into the specified number of subdivisions.f3#BID3 4i"lNote Since smoothing occurs for both rows and columns, a smoothing factor of 2 breaks a surface patch into 4 subpatches while a smoothing factor of 4 breaks a patch into 16 subpatches. Higher smoothing factors may slow drawing speed significantly.The following illustration depicts chart smoothing.7BD% $ Related Topics:wIDE ]X6 ) ~% I 7b& vpt H0 L Elevation Charts The Elevation Tab Displaying Contours Displaying Chart Bases Surface Chart Projection Displaying Chart Surfaces Displaying Wireframe Surfaces Displaying Elevation and Contour Data V%DMF1|ˇMFFKDisplaying Elevation and Contour DataM(EF% PDisplaying Elevation and Contour DataMFsI& gA contour chart displays only contour data, but a surface chart can display both contouring and elevation data. Normally, all data in a data grid represents both contouring and elevation. If you choose to use separate contour data, then the data grid is divided vertically between columns into two equal subranges of data. The left subrange contains elevation data, and the right subrange contains contouring data. When Use Separate Contour Data is enabled, a surface chart will display surface contours that do not necessarily conform to the shape of the surface. For example, a surface chart displaying separate contour and elevation data might depict snowfall across a mountain range.FJ< F"mDG The following illustration demonstrates how the Use Separate Contour Data option can affect a surface chart display:To enable Use Separate Contour Data for your chart, see the Format Plot Elevation tab.7sIJ% $ Related Topics:+JKo y~% vpt (2 っ w (( Displaying Contours Displaying Chart Surfaces Chart Surface Smoothing Formatting Contouring Options Displaying Contour Chart Colors Modifying Contour Colors NJ3L1 M3LxLFormatting Contouring OptionsE KxL% @Formatting Contouring Options3L^O8 >]ii| Unless otherwise specified, contours are drawn on a chart at major axis divisions. You may wish to increase or decrease the number of contours that appear on your chart in order to best plot your specific data. First Impression provides methods for designing custom contours for your chart by setting the appropriate options.The first step in designing custom contours for your chart is to disable the Automatic Values option on the Format Plot Contouring tab. When the Automatic Values option is disabled, you can customize contours by modifying current contours, adding new contours or deleting existing ones. You can also label contours. Value labels appear in the legend. AxLO) "0Xg\:To add a new contour:^O\ ;Xg\N|ii| 1.OKSelect a contour value from the contour list.2.Click the new button.A new value will be inserted in the contour list.3.Double-click the number displayed in the Value window of the Contouring tab.4.Type the new value for the contour.The contour list will be re-ordered to display the new value in the appropriate location.5.Click Apply or OK to redraw the chart to reflect the changes.J!O) "BXg\:To delete an existing contour:> J+Xg\N|1.Select a contour value from the contour list.2.Click the delete button.3.Click Apply or OK to redraw the chart to reflect the changes.@) ".Xg\:To modify a contour:89F ZXg\N|1.Select a contour value from the contour list.2.Double-click the number displayed in the Value window of the Contouring tab.3.Type the new value for the contour.4.Click Apply or OK to redraw the chart to reflect the changes.D}) "6Xg\:To add a contour label: :9F ZXg\N|1.Select a contour value from the contour list.2.Click once in the Value Label window of the Contouring tab.3.Type the value label you wish to appear in the legend.4.Click Apply or OK to redraw the chart to reflect the changes.7}% $ Related Topics:b _(2 L っ w (( Chart Surface Smoothing Displaying Elevation and Contour Data Formatting Contouring Options Displaying Contour Chart Colors Modifying Contour Colors PO1OˇODisplaying Contour Chart ColorsG"% DDisplaying Contour Chart ColorsOD% First Impression provides three ways to display color on a contour chart. The following table describes each of the valid color types:kV#|*`u TypeDescriptionPD[\#`u AutomaticThe contour colors are displayed as the default series colors.PL#h`u GradientThe contours are displayed in an even transition of two colors. [ڊN#j+`u  ManualCustom contour colors can be specified and modified by the user. (Manual colors is only available when Automatic values is unchecked.)ɋ< Fi"nii| The following illustration demonstrates the three color types for contour charts:To learn more about how to set Contour chart colors, see The Format Plot Contouring tab.7ڊ% $ Related Topics:mɋG ^L っ (( Displaying Elevation and Contour Data Formatting Contouring Options Modifying Contour Colors I1y =8Modifying Contour Colors@=% 6Modifying Contour Colors 7 <-ii| First Impression provides contour color display methods on the Contouring tab of the Format Plot dialog box. When the contour colors option is set to Automatic, contour colors are automatically computed based on series colors. You can customize any contour color when the Colors option is set to manual. When the Colors option is set to gradient, only the To and the From color can be customized.J!=T) "BXg\:To modify contour band colors:5 F ZXg\N|1.Select Manual from the Colors popup list.2.Select one of the values listed in the contour lisTt.3.Select a band color from the Band Options Color pop up list.4.Click Apply or OK to redraw the chart to reflect the changes.J!T) "BXg\:To modify contour line colors:5F ZXg\N|1.Select Manual from the Colors popup list.2.Select one of the values listed in the contour list.3.Select a line color from the Line Options Color pop up list.4.Click Apply or OK to redraw the chart to reflect the changes.K"_) "DXg\:To modify gradient band colors:eV zXg\N|1.Select Gradient from the Colors popup list.2.Select the To value listed in the contour list.3.Select a band color from the Band Options Color pop up list.4.Select the From value listed in the contour list.5.Select a band color from the Band Options Color pop up list.6.Click Apply or OK to redraw the chart to reflect the changes.K"_e) "DXg\:To modify gradient line colors:e V zXg\N|1.Select Gradient from the Colors popup list.2.Select the To value listed in the contour list.3.Select a line color from the Line Options Color pop up list.4.Select the From value listed in the contour list.5.Select a line color from the Line Options Color pop up list.6.Click Apply or OK to redraw the chart to reflect the changes.7eW% $ Related Topics: 8U x~% L っ w Displaying Contours Displaying Elevation and Contour Data Formatting Contouring Options Displaying Contour Chart ColorsAWy1 yExporting Charts88% &Exporting ChartsyZ%  There are two ways to export copies of a chart from First Impression: by saving it to a file, or by copying it to the clipboard. M$) "HXg\:To copy a chart to the clipboard:TZ(- *Xg\N|1.Use the right mouse button to display the floating menu bar and select Copy. ) GXg|A copy of the current chart is placed on the clipboard in Windows Metafile format. You can then view the chart in any application that supports the .wmf format.H(<) ">Xg\:To save the chart to a file:V? LXg\N|1.Use the right mouse button to display the floating menu bar and select Save As.The Save As dialog box appears. 2.Enter a name and path for the file.3.Select a file type from the Save File As Type popup. <T) Xg|You can save the chart in the native First Impression format (.vtc), as a standard metafile (.wmf), or as a Windows bitmap (.bmp). By default, the Adobe placeable header information is included in the metafile.yV- *Xg\N|4.To save the metafile without the Adobe Placeable header information, check Save metafile without size information.T) qXg|Do not check this option if you intend to use this metafile in a Microsoft application such as Word or Excel. These applications expect size information to be included in metafiles.vIQ- *Xg\N|5.To save the text on the chart as curves check Save Text As Curves.!r) Xg|You should check this option if you are using an unusual font that may not be present on other systems that will be using the metafile. This option should also be used to properly display text if you are deforming the metafile by stretching it. ?Q- *$Xg\N|6.Click Save.rf CTa' l 79 n8 ( Related Topics:Loading Saved Charts Printing Charts Setting Print Options Specifying Page Size and Appearance Changing Printer Setup E 1mZ ELoading Saved Charts<E% .Loading Saved Charts + $SYou can load a chart that was saved in First Impressions native format into the current chart control. Any chart that currently exists in the control is discarded.;ET) "$Xg\:To load a file:,? LXg\N|1.Use the right mouse button to display the floating menu bar and select Load.The Load Chart dialog box appears. A list of all .vtc files in the current directory is displayed.2.Select the file you want to load.3.Click OK. Tf 73 l 79 n ( Related Topics:Exporting Charts Printing ChartsSetting Print Options Specifying Page Size and Appearance Changing Printer Setup@1 _ Printing Charts7% $Printing ChartsQ-I$ ZYou can print a copy of the current chart.=) "(Xg\:To print a chart:GI7 DhE% 2Changing Printer Setup7*EGx "q3 Ta' l 79 n The Print Setup tab provides standard Windows settings for selecting the printer, page orientation, and paper size and source. This Setup tab may appear differently depending on the system you are using.Click on the buttons, check boxes and text boxes of this tab to learn what they do.Related Topics:Exporting Charts Loading Saved Charts Printing Charts Setting Print Options Specifying Page Size and Appearance PhEG1dGIPrinter Identification list boxK#G:H( F Printer Identification list boxGI& GIdentifies the current printer, printer port and device.This identification will differ depending on your operating system, unique printer options and devices.> :HAI1=AI@JPaper section9IzI( " Paper sectionAI@J/ ,/Size Choose a paper size from the available options in the list box.Source Choose a paper source from the available options in the list box.DzIJ13JsKOrientation section?@JJ( . Orientation sectionJsK/ ,Landscape Click here to print across the width of the page.Portrait Click here to print across the length of the page.BJK1KVLProperties button=sKK( * Properties buttond@KVL$ Displays the printing properties for your particular printer.MKL1!LLNThe Format Chart Options TabDVLL% >The Format Chart Options TabwLNE X"rK The Format Chart dialog allows you to turn on or off the display of some common chart elements, reset any chart formatting to its default values, and specify a backdrop for the entire chart. The Options tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Chart Backdrop Tab 9LN1NPrinting4 NO(  PrintingN% CChoose this radio button to use TrueType virtual font metrics to optimize text layout for printing.TrueType virtual font metrics may not be very accurate for text displayed on the screen. Text displayedON on the screen may be larger or smaller than the virtual metrics requested. Larger text may not fit where it is supposed to and part of a character, a whole character, or even in some cases words may be clipped.?O!1!Screen Display:[( $ Screen Display&!% Choose this radio button to optimize text layout for the screen. Text in charts laid out for screen display always fits correctly within its chart area. The printed text is generally a bit smaller and so the text may appear in slightly different places.E[Ƃ1ƂQShow Title check box@( 0 Show Title check boxK'ƂQ$ NClick this to display a chart title.H1)Show Footnote check boxCQ܃( 6 Show Footnote check boxM))$ RClick this to display a chart footnoteF܃o1oShow Legend check boxA)( 2 Show Legend check boxL(o$ PClick this to display a chart legend.JF1FShow 2nd Y Axis check boxE( : Show 2nd Y Axis check box^:F$ tClick this to display a secondary Y axis for the chart.N717Data Series In Rows check boxI!( B Data Series In Rows check boxnJ7$ Click this to read series data from data grid rows rather than columms.T#B1 BReset All Options to Default buttonO'( N Reset All Options to Default buttonhDB$ Click this to reset all chart options to their defaults settings.NG18 !GGThe Format Chart Backdrop TabE % @The Format Chart Backdrop TabvGGE X"sIB The Format Chart dialog allows you to turn on or off the display of some common chart elements, reset any chart formatting to its default values, and specify a backdrop for the entire chart. The Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Chart Options TabI1"!R!ЊThe Format Plot Type Tab@GЊ% 6The Format Plot Type Tab ٌ4 6"tThe options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Type Tab provides methods for determining whether your chart is a 2D or 3D chart, selecting the appropriate chart type, stacking data and setting type of data point markers.Click on the buttons, check boxes and text boxes of this tab to learn what they do.GЊ y  z' Nx 3  = , DG ii| See Also:The Format Plot Backdrop Tab The Format Plot Options Tab The Format Plot 3D Lighting Tab The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab Dٌ1CChart radio buttons?D( . Chart radio buttons% 7Select the 2D radio button to display a list of the 2D chart types in the Chart Type list box. Select the 3D radio button to display the 3D chart typeDs.DDT1TChart Type list box?( . Chart Type list boxCT$ >Select a type from the list.B1Stacked check box=U( * Stacked check boxc?$ ~Click this box to stack all the series of the current chart.GU1l$Percent Axis check boxBA( 4 Percent Axis check box$% }Check the %Axis check box to add together all the values in each category. That value is considered 100 percent. Then each data point in the category is drawn as a percentage of that sum.@Ad1dLine or Markers;$( & Line or MarkershCd% The options in this section of the dialog are enabled if you choose a 3D chart or a 2D chart type other than pie or bubble. Markers can represent the data points on the chart for all 2D types other than bubble and pie charts. Markers and lines can both represent all data points on 2D line, XY, Radar, and Polar charts. EL1LSeries Name list box@( 0 Series Name list boxE!L$ BSelect a series from the list.E1Series Type list box@V( 0 Series Type list boxlH$ Select the series type you want to use to display data from the list.: V1Ok Button5 1(  Ok Button]9$ rApplies changes to the chart and dismisses the dialog.> 11ZCancel Button9( " Cancel ButtonU1Z$ bDismisses the dialog without applying changes.= 10Apply Button8Z(  Apply Buttona=0$ zApplies changes to the chart without dismissing the dialog< l1lHelp Button70(  Help ButtonAl$ :Displays this Help screen.M11!ǃ"1uThe Format Plot Backdrop TabDu% >The Format Plot Backdrop Tab"1_ "u25  z' Nx The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Options Tab The Format Plot 3D Lighting Tab Juv 3  = , DG ii| The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab E&1\&=No Fill radio button@f( 0 No Fill radio button&=% eThe chart control or chart elements have no fill, so any formatting applied to the surface behind them shows through. A picture can still be applied to a element with no fill.U$f1EPattern radio button and pop up menuP(= ( P Pattern radio button and pop up menu =% Click the radio button, then click the pop up menu to display the pattern picker. Click one of the patterns, click None to have no fill on the object, or Solid to use only the fill color to fill the object. V% Y1YGradient radio button and pop up menuQ)( R Gradient radio button and pop up menupLY$ Click on the radio button and select a gradient type from the popup menu.b1|1m|Fill/From Color and Pattern/To Color pop up menusY4% h Fill/From Color and Pattern/To Color pop up menus|' Click the control to display the color picker. Choose a predefined color or click Custom to create your own color. The fill color is used to create a solid pattern. For a pattern fill, the pattern color is drawn on top of the fill color. For a gradient fill, use the Fill/From Color popup to specify the color used as the top color in a horizontal gradient, the left color in a vertical gradient, and the center color in a rectangle or oval gradient. Use the Pattern/To Color popup to specify the color used as the bottom color in a horizontal gradient, the right color in a vertical gradient, and the outer color in a rectangle or oval gradient.@1 Picture buttons;( & Picture buttons/ ,IClear. Click this button to clear an existing picture from the backdrop. Some graphics files can be very large. In order to minimize performance problems , it is recommended that you always clear one picture from the backdrop before specifying a new one. This prevents the system from having to deal with two large graphics files simultaneously.Paste. Click this button to paste a .wmf or .bmp file from the clipboard into the current backdrop. You can also paste a graphic into an existing backdrop by selecting the backdrop on the screen and selecting the Paste command from the floating menu. Select the graphic file you want to paste into the backdrop and Click OK. 6 :Browse. Click Browse to display a standard Open dialog box. Select the file to display and click OK. The pathname and file then appear in the File field and a preview of the graphic appears in the Picture control.File. To add a picture to the backdrop, type the full path to the graphic file in the File field or press the Browse button to display an Open dialog box. When you specify a valid path, a preview of the graphic appears in the dialog box.Embed. Select the Embed check box to save the picture file with the chart In order to save space, it is better not to embed charts unless they are not going to be available later.D 1 Y Picture display box?  ( . Picture display boxL' Y % OThis control displays a preview of the graphic. When you enter a valid path and file name into the File text box, or paste a graphic from the clipboard, the picture is previewed in the Picture control. Only the Windows Bitmap (.bmp) and Windows Metafiles (.wmf) graphic formats are supported.J  1 ACPicture Fit radio buttonsEY  ( : Picture Fit radio buttons & /Choose one of these options to determine how to fit the graphic into the backdrop space.The following table lists the options for fitting graphics.o V#|2o ConstantDescription7W@]#o  Actual SizeDisplays the graphic at the original size it was created. If the original size of the graphic is too large , the graphic is crW@Y opped. If the original size of the graphic is too small, it is centered.V@L#ho Best FitScales the graphic proportionally to fit entirely within the backdrop.`W@AL#ho $Stretch to FitScales the graphic to fit backdrop regardless of its original proportions.D@5BL#ho TiledDuplicates the graphic repeatedly to fill the backdrop.ACM#h7o Crop FittedCenters the graphic and scales it proportionally to fill the backdrop. Any part of the image that falls outside the backdrop is cropped.$5BAC" > CC1C;FFrame Section9ACC( " Frame SectionCE= HStyle. Select a frame style from the popup. Width. Enter the number of points to be used as the width for the frame lines. A point is 1/72 of an inch. For the Thick Inner and Thick Outer frames, the width sets the thick line. Color. Select a color for the frame lines from the Color picker.Shadow. Select this check box to place a shadow on the frame. The following chart shows shadows around the chart control, plot, title, legend, and footnote.{TC;F' Shadow Offset. Specify the number of points the shadow is offset from the frame.LEF1R!چ#FF6JThe Format Plot Options TabC;FF% <The Format Plot Options Tab"FH_ "v25 y Nx The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Options tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot 3D Lighting Tab JF6Jv 3  = , DG ii| The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab GH}J1@}JvKBar Gap Ratio text box>6JJ% 2 Bar Gap Ratio text box}JvK% -Enter a bar gap value between 10,000 and -100. The default bar gap of 50 percent places a space between each bar that is half as wide as the bars. EJK1KVLX Gap Ratio text box<vKK% . X Gap Ratio text box_;KVL$ vEnter an x gap ratio to any value between 0 and 10,000. EKL1L'MZ Gap Ratio text box<VLL% . Z Gap Ratio text boxP,L'M$ XEnter a z gap value between 0 and 10,000.DLkM1BkMiNClockwise check box;'MM% , Clockwise check boxkMiN% =Check this box to draw pie, doughnut, polar, and radar charts in a clockwise direction. Uncheck the box to draw the charts in a counterclockwise direction.HMN1GN Starting Angle text box?iNN% 4 Starting Angle text boxN 7 <Enter a value between 0 and 360 degrees to indicate the point on a circle at which drawing starts for pie, doughnut, polar, and radar charts. Enter 0 to indicate the 3 oclock position. A starting angle of 90 degreN iNes moves the starting position to 12 oclock if the direction is set to counterclockwise, or to 6 oclock if the direction is set to clockwise. The value is displayed in degrees, radians, or grad, depending on the setting in the Angle Units option. ENP1dPoScale Angle text box< % . Scale Angle text boxPo+ $qChoose where you want to display the scale on the chart. Angles are measured in the direction specified by the Clockwise check box. A value of 0 starts at the 3 oclock position. H1bAngle Units pop-up menu?o% 4 Angle Units pop-up menulGb% Choose the unit of measure for all angles in the chart. This affects the unit of measure used for: drawing the angle (Y coordinate) in a polar chart; the starting angle for polar, pie and doughnut charts; scale angle for radar and polar charts; and the rotation and elevation of 3D charts. Choose degrees, radians, or grads.A1^Sorting list box<b߄( ( Sorting list box% )This setting controls the order in which the slices of pie and doughnut charts are drawn. The following table lists the options for this setting.r߄ Y#2q  SettingDescriptionQ\#q  NonePie slices are drawn in the order the data appears in the data grid.u xL#hq  AscendingPie slices are drawn from the smallest to the largest slice, starting at the defined starting angle.v:L#hq  DescendingPie slices are drawn from the largest to the smallest slice, starting at the defined starting angle.$x^" C:1`Weighting list box>^߈( , Weighting list box% _This setting controls the size of each pie or doughnut in relation to the other pies or doughnuts in the same chart. The following table lists the options for this setting.r߈%Y#2li SettingDescription<\#xli NoneAll pies and doughnuts are drawn the same size.#%M#hli Pie TotalThe slice values in each pie are totaled and the pie with the highest total identified. The size of each pie in the chart is determined by the ratio of its total value compared to the largest pie. \<M#hli  First SeriesThe size of a pie is determined by the relationship of values in the first series of each pie. The larger the value in the first series, the bigger the pie. It is most common to exclude this first series so that the values are not drawn as pie slices.$`" H<1sӎWeighting Radio ButtonsC`( 6 Weighting Radio Buttonsӎ% Select the Area radio button to weight pies and doughnuts by the area of the chart element. Select the Diameter radio button to weight pies and doughnuts by the diameter of each chart element.I1wThickness Ratio text boxDӎ`( 8 Thickness Ratio text box w% This setting specifies the percentage of the pie or doughnut radius that determines the height of a 3D pie or doughnut. Th`wӎe higher the percentage, the taller the pie or doughnut. You can enter a value between 0 and 100 percent.J`1Top Radius Ratio text boxEw( : Top Radius Ratio text box % This setting specifies the percentage of the pie radius that is used to draw the top of a 3D pie. A ratio of 100 draws a cylinder; values less than 100 result in a tapering of the top of the pie. A value of 0 results in a cone.HY1yYInterior Ratio text boxC( 6 Interior Ratio text boxY% This setting describes the ratio of the entire doughnut size that is used to display the interior "hole" of the doughnut. You can enter any number between 0 percent and 100 percent for this setting.?1Sides text box:( $ Sides text box% This setting controls the number of sides used to draw a doughnut. More sides give the doughnut a rounder, smoother appearance. If you enter a value of 1 in this option, First Impression determines the number of sides needed to draw a round doughnut based on the size of the doughnut. The maximum value for this option is 360. A very large number of sides may impact performance. N1Largest Bubble Ratio text boxI!>( B Largest Bubble Ratio text boxL'% OThis setting controls the appearance of bubbles in a bubble chart. It describes the percentage of the shortest chart axis that is used as the diameter of the largest bubble. All other values are then sized in their relationship to the largest bubble. Valid values for this option are 2 to 50.U$>1wPie/Doughnut Label Position text boxP(/( P Pie/Doughnut Label Position text box"Q% This setting controls where the labels for each pie or doughnut are placed on the chart. These labels are actually category labels. They use the font and backdrops defined for the X axis labels. The following table lists the options for this setting.r/Y#2K SettingDescription#QB\#FK NoneNo label is displayed.>L#h|K AboveThe label is displayed above the pie or doughnut.>BVL#h|K BelowThe label is displayed below the pie or doughnut.;L#hvK CenterThe label is centered on the pie or doughnut.$V" PQ1ǃ"4$QThe Format Plot 3D Lighting TabG"% DThe Format Plot 3D Lighting Tab"Q_ "w25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The 3D Lighting tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab Jv 3  = , DG ii| The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab GW1~WAmbient light text boxB( 4 Ambient light text boxW& Check the box to turn ambient lighting on and then enter a number between 0 and 100 percent to specify the amount of ambient lighting to apply to the chart. If ambient light is set to 100 percent, all sides of the chart elements are illuminated equally no matter what light sources you turn on. If ambient light is set to 0, only the sides of chart elements facing the active light sources are illuminated. The default setting for ambient light is 15 percent.V%1+Edge Intensity check box and text boxQ)5( R Edge Intensity check box and text box+, &Check the box to turn edge lighting on. Uncheck the box to turn edge lighting off.Enter a number between 0 and 100 percent to specify the amount of lighting applied to the edges of 3D objects such as bars, lines, pies or doughnuts. An edge light intensity of 0 draws the edges as black lines. An edge light intensity of 100 percent fully illuminates the edges using the edge pens color. The default edge pen color is the same as the series fill color.I5t1tLight sources text boxesD+( 8 Light sources text boxesa<t% yFor each of the light sources, enter a value between 0 and 100 percent. At an intensity of 100 percent, chart surfaces perpendicular to the light source are fully illuminated. At an intensity of 50 percent, these surfaces receive 50 percent illumination from this light. A setting of 0 turns off the light source.Mf1چ#$f The Format Plot Location TabD% >The Format Plot Location Tabf _ "x25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Location tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab M v Nx  = , DG ii| The Format Plot 3D Lighting Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab J ` 14$7$`   The Format Plot Order TabA  % 8The Format Plot Order Tab`  _ }"y25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Order tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab P  v Nx 3 = , DG ii| The Format Plot 3D Lighting Tab The Format Plot Location Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab F S1S @Series Order list boxA ( 2 Series Order list boxW3S @$ fSelect a series you wish to change the order of. @ : F@1F@@Up Button5 @{@(  Up ButtonZ6F@@$ lMoves the selected series up one position in order.< {@A1AADown Button7@HA(  Down Button\8AA$ pMoves the selected series down one position in order.= HAA1 AuBStack Button8AB(  Stack Button\8AuB$ pStacks the selected series with the preceding series.?BB1 BeCUnStack Button:uBB( $ UnStack ButtonwSBeC$ Unstacks the selected stack associated with the series in the Series Order list.LBC1$% CC`GThe Format Plot 3D View TabCeCC% <The Format Plot 3D View TabCF_ "z25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The 3D View tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab NC`Gv Nx 3  , DG ii| The Format Plot 3D Lighting Tab The Format Plot Location Tab The Format Plot Order Tab The Format Plot Base and Walls Tab The Format Plot Elevation TabThe Format Plot Contouring Tab CFG16 GIElevation text box>`GG( , Elevation text boxGI% !Enter a number between 0 and 90 degrees in this control to describe the relative height from which a chart is viewed. If you set the elevation to 90, you look directly down on the top of the chart. If you set the elevation to 0, you look directly at the side of the chart. If you are using an angle measurement other than degrees, enter the proper equivalents. The default elevation is 30 degrees.BGI1 I2KRotation text box=IJ( * Rotation text boxI2K% Enter a number between 0 and 360 degrees to specify the angle that the chart is turned from the viewer. If you are using an angle measurement other than degrees, enter the proper equivalents. Rotation does not apply to 3D pie or doughnut charts.GJyK1?yKqOProjection pop-up menuB2KK( 4 Projection pop-up menuU1yKL$ bSelect a projection type from the popup menu. qKLV#|6ng ProjectionDescriptionL|M]#=ng ObliqueThis is sometimes referred to as 2.5 dimensional. The chart has depth, but the XY plane does not change when the chart is rotated or elevated.L}NM#hing OrthogonalPerspective is not applied to the chart. The advantage of using this type of projection is that vertical lines remain vertical, making some charts easier to read.|MMOM#hng PerspectiveThis provides the most realistic 3D appearance. Objects farther away from you converge toward a vanishing point.$}NqO" e4MOO1hOWidth to Height and Depth to Height Ratio text boxes`8qOB( p WOBqOidth to Height and Depth to Height Ratio text boxessO0 0Enter the number representing the percentage of the charts height used to draw the charts width and depth.JB/15/Viewing Distance text boxEt( : Viewing Distance text box/% Enter a positive number that represents the distance from which the chart is viewed as a percentage of the depth of the chart.S"tm17$%mThe Format Plot Base and Walls TabJ%% JThe Format Plot Base and Walls Tab%m܄_ "{25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Base and Walls tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab Ar Nx 3  = DG ii| The Format Plot 3D Lighting Tab The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Elevation TabThe Format Plot Contouring Tab O܄l1%%lThe Format Plot Contouring TabF!% BThe Format Plot Contouring Tab!lӈ_ "|25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Contouring tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab Bo Nx 3  = , DG The Format Plot 3D Lighting Tab The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Elevation Tab Nӈc1%%c The Format Plot Elevation TabE % @The Format Plot Elevation Tab cȌ_ "}25 y  z' The options in the Format Plot dialog box control the location and appearance of the chart plot, formatting of 3D charts and formatting and ordering that affects all series or data points in the chart.The Elevation tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Plot Type Tab The Format Plot Backdrop Tab The Format Plot Options Tab C o Nx 3  = , ii| The Format Plot 3D Lighting Tab The Format Plot Location Tab The Format Plot Order Tab The Format Plot 3D View Tab The Format Plot Base and Walls Tab The Format Plot Contouring Tab EȌP1P Base Height text box@ ( 0 Base Height text box|WP % Enter the number of points for the base height.This control only affects 3D charts.DP1PWall Width text box? ( . Wall Width text box{VP% Enter the number of points for the wall width.This control only affects 3D  charts.BX1XBase Fill section=( * Base Fill section!X4 6Use these controls to specify the colors and patterns used to draw the base of a chart.The Base Fill is not used for a 2D chart.Pattern. Click the control to display the pattern picker. Select one of the patterns, click None to have no pattern on the object, or click Solid to use only the fill color to fill the object. Fill Color and Pattern Color. Click any of these controls to display the Color Picker. Select one of the predefined colors or click Custom to mix your own color. B1v,Wall Fill section=5( * Wall Fill section,3 4Use these controls to specify the colors and patterns used to draw the walls of a chart.Pattern. Click the control to display the pattern picker. Select one of the patterns, click None to have no pattern on the object, or click Solid to use only the fill color to fill the object. Fill Color and Pattern Color. Click any of these controls to display the Color Picker. Select one of the predefined colors or click Custom to mix your own color. A5m1mBase Pen section<,( ( Base Pen sectionm: BUse these controls to format the lines used to draw the base . The Base Pen is not used on 2D charts.Style. Select a line style for the lines that frame the walls or base.Width. Select a width for the lines that frame the walls or base; or, select Custom to specify your own line width.Color. Click the control to display the Color Picker. Select one of the predefined colors to draw the lines that make up the base or walls; or, click Custom to mix your own color.A1n.Wall Pen section89% & Wall Pen section.: BwUse these controls to format the lines used to draw the wall edges.Style. Select a line style for the lines that frame the walls or base.Width. Select a width for the lines that frame the walls or base; or, select Custom to specify your own line width.Color. Click the control to display the Color Picker. Select one of the predefined colors to draw the lines that make up the base or walls; or, click Custom to mix your own color.N9|1%_ &|cThe Format Series Options TabE .% @The Format Series Options Tab|_ {"~_D / ]Ҁ The Format Series dialog box controls the appearance of individual series in the chart. If you use the menu to display this dialog box, you are prompted to identify the series you want to format. The Options tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Fill Tab The Format Series Line Tab The Format Series Markers Tab Mc: Dt< i The Format Series Statistics Tab The Format Series Guidelines Tab F1LHide series check boxAc( 2 Hide series check boxb=L% {Check this box to turn off display of the current series. The space occupied by the series is still shown on the chart, but the data is not displayed. Uncheck this box to redisplay a hidden series. In pie and doughnut charts, room is still reserved for hidden series pie slices, even though they are not displayed.I1Exclude series check boxDL( 8 Exclude series check box% CLheck this box to remove a series from a chart. The data is not displayed and the space occupied by the series is removed from the chart. Uncheck this box to return an excluded series to the chart. T#'1'Plot Series On 2nd Y Axis check boxO'v( N Plot Series On 2nd Y Axis check box+'%  Check this box to plot the current series on the secondary Y axis instead of the primary axis. You may then want to change the scale, type, or format of the secondary axis to best display the series data. Uncheck this box to plot the data on the primary axis.Cv1Bar Sides text box>"( , Bar Sides text boxjE% Enter a value between 1 and 360 to indicate the number of sides for the bars. If you enter 1, First Impression determines how many sides are necessary to create a round column, given the size of the bar. The following illustration shows a number of different bar styles that can be created by changing the number of sides.C"1Top Ratio text box> ( , Top Ratio text boxuP% Enter a number between 0 and 10,000 to indicate the percent of the bottom diameter used to draw the top of the chart. Values less than 100 result in a top smaller than the bottom. Values greater than 100 result in the top wider than the bottom. The following illustration shows the effects of changing the top ratio on several bars. B 12  Function list box=( * Function list box`$ Select a smoothing type from the popup menu.The following table describes the smoothing type.uV#|>  $Smoothing TypeDescription.{S#v\  NoneNo smoothing is applied to the data.z D#Vw  &QuadraticBSplineA quadratic B-spline formula determines the smoothing applied to the data. This form of smoothing results in a less-smooth curve that stays closer to the data points.{ D#V  CubicBSplineA cubic B-spline formula determines the smoothing applied to the data. This form of smoothing results in a smoother curve, but varies further from the data point than a QuadraticB spline curve.$z  " J  1U!  Smoothing Factor text boxE C ( : Smoothing Factor text box  % CSpecify the number of facets or points sampled between the chart data points to create the smoothing effect. The higher the number, the more smoothing occurs.HC Q 1"Q  Gain Color color pickerC  ( 6 Gain Color color picker;Q  % -Click the control to display the color picker and select the color used to indicate a gain in value. Select a predefined color or click Custom to mix your own color. Select Automatic to have all elements that reflect a gain in value use the fill color defined for the series.H 1#Loss Color color pickerC Z( 6 Loss Color color picker;% -Click the control to display the color picker and select the color used to indicate a loss in value. Select a predefined color or click Custom to mix your own color. Select Automatic to have all elements that reflect a loss in value use the fill color defined for the series.KZ1%'$.@BThe Format Series Fill TabB.@% :.@The Format Series Fill TabIB_ {"㞰ө / ]Ҁ The Format Series dialog box controls the appearance of individual series in the chart. If you use the menu to display this dialog box, you are prompted to identify the series you want to format. The Fill tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Options Tab The Format Series Line Tab The Format Series Markers Tab M.@B: Dt< i The Format Series Statistics Tab The Format Series Guidelines Tab KIBC1y%CIDSeries Fill Pattern pickerFBaC( < Series Fill Pattern pickerCID% Click the control to display the pattern picker. Select the pattern or hatch you want to use to fill the chart element. The following illustration shows the organization of the pattern picker.IaCD1q&DESeries Fill Color pickerDIDD( 8 Series Fill Color pickerDE% The fill color is used as the color for solid patterns. It is used as the background color for any other type of pattern. By default, the line color for an element matches this fill color.LDF1'FGSeries Pattern Color pickerGEMF( > Series Pattern Color pickerL&FG& MThe pattern color is used to draw the pattern over the fill color if any pattern other than solid is selected. For both color controls, click the control to display the color picker. Select the color you want to use. You can choose Custom to display a color mixer and create your own color.HMFG1J(GHEdge Pen Style list boxCG$H( 6 Edge Pen Style list boxGH% 5Click the control to display the line picker. The line picker displays the available line styles. Select the style you want to use to outline objects. M$H0I1<)0IJEdge Pen Line Width list boxH HxI( @ Edge Pen Line Width list box0IJ% Click the control to display the available line widths. Select a width from the list or click Custom to specify your own width.FxIeJ1*eJKEdge Pen Color pickerAJJ( 2 Edge Pen Color pickereJK+ $Click the control to display the color picker. Select a predefined color, or select Automatic to have the outline drawn in the same color as the objects fill color. You can also click Custom to mix a new color.KJK1-+KSeries Bar Picture SectionFK:L( < Series Bar Picture SectionzKM, &This control displays a preview of the graphic. When a valid path and file name are entered in the File text box, the picture is displayed in the Picture control. Only Windows Bitmap (.bmp) and Windows Metafiles (.wmf) are supported graphic formats.Fit Method. You can choose how to fit the graphic into the bar. The following table lists the options for fitting graphics.q:LQNV#|6vC Fit MethodDescription MZOZ#_vC Stacked Duplicates the graphic repeatedly to fill the bars. Since this uses multiple copies of the graphic, it is recommended that you use as small a file as possible._QNI#bvC $Stretch To FitScales the graphic to fit the bars regardless of its original proportions.ZOKZO( File. Type the full path to the graphic file in the File field or press the Browse button to display an Open File dialog box. When you specify a valid path, a preview of the graphic appears in the Picture control.L[1,[Clear Series Picture ButtonG( > Clear Series Picture ButtonpL[$ Click this button to clear an existing picture from the picture control. L^1-^ Embed Series Picture ButtonG( > Embed Series Picture Buttond@^ $ Select the Embed check box to save the graphic with the file.LU1.U%Paste Series Picture ButtonG ( > Paste Series Picture ButtoneU%$ Click this button to place a .wmf or .bmp file from the clipboard into the current chart element. Mr1/r#Browse Series Picture ButtonD%% > Browse Series Picture ButtonmIr#$ Click this button to locate a .wmf or .bmp file to use as the picture.Kn1_ &'0nRThe Format Series Line TabB#% :The Format Series Line Tabnˇ_ {"㞰ө _D ]Ҁ The Format Series dialog box controls the appearance of individual series in the chart. If you use the menu to display this dialog box, you are prompted to identify the series you want to format. The Line tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Options Tab The Format Series Fill Tab The Format Series Markers Tab MR: Dt< i The Format Series Statistics Tab The Format Series Guidelines Tab Lˇ1&1xShow Series Lines check boxGR( > Show Series Lines check boxox$ Check this check box to display lines on a 2D chart. Uncheck this check box to hide the lines on the chart. KÉ12ÉiSeries Line Style list boxFx ( < Series Line Style list box`<Éi$ xClick the control to select a style for the current line.K 1%3Series Line Width list boxFi( < Series Line Width list boxp$ Click the control to display the preset line widths. Pick a width, or select Custom to assign your own width.I׋1.4׋Series Line Color pickerD( 8 Series Line Color picker}׋$ Click the control to display the Color picker. Select one of the predefined colors, or click Custom to mix your own color.P 15 Series Line Join style list boxK#W( F Series Line Join style list boxz $ Select a method of joining line segments in the series. Join styles are particularly important when using thick lines. qWfV#|6mJoin TypesDescriptionKS#vmMiteredThe outer edges of the two lines are extended until they meet.LfC#VmRoundA circular arc is drawn around the point where the two lines meet.F(C#VmBeveledThe notch between the ends of tw(o joining lines is filled.q' Important Very acute mitered joins are automatically beveled to avoid drawing large spikes along the line.O(1q61Series Line Cap style list boxJ"Y( D Series Line Cap style list boxd@$ Select a type to specify how the ends of lines are displayed.oY,V#|2~'Cap TypeDescription2S#vd~'ButtThe line is squared off at the endpoint.],QC#V~'RoundA semicircle with a diameter of the line thickness is drawn at the end of the line.v C#V~'SquaredThe line continues beyond the endpoint for a distance equal to half the line thickness and is squared off.'Q1$ N 1'<'7fThe Format Series Markers TabE 1% @The Format Series Markers Tab_ {"㞰ө _D / The Format Series dialog box controls the appearance of individual series in the chart. If you use the menu to display this dialog box, you are prompted to identify the series you want to format. The Markers tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Options Tab The Format Series Fill Tab The Format Series Line Tab Mf: Dt< i The Format Series Statistics Tab The Format Series Guidelines Tab N18Show Series Markers check boxI!f( B Show Series Markers check boxc$ Check this box to display markers on a series. Uncheck this box to remove markers from a series.S"1a9Series Markers Automatic check boxO'&( N Series Markers Automatic check box % 5Check this box to allow First Impression to use the next available marker to identify the series. Uncheck this box to select your own choice of marker.N&31:3Series Markers Style list boxI!|( B Series Markers Style list boxoK3$ Select a marker type to identify the data points in the current series. L|71.;7Series Markers Color pickerG~( > Series Markers Color pickerw7$ Click the control to display the Color Picker. Select a color for the marker or click Custom and mix your own color.M~f1<fSeries Markers Size text boxH ( @ Series Markers Size text boxZ6f$ lEnter the number of points for the marker diameter.R!Z1=Z$Series Markers Pen Width list boxI$% H Series Markers Pen Width list box]Z$$ Select a width for the lines that form the marker, or click Custom and set your own width.Q u1~'(>ukThe Format Series Statistics TabH#$% FThe Format Series Statistics Tabu_ "㞰ө _D / The Format Series dialog box controls the appearance of individual series in the chart. If you use the menu to display this dialog box, you are prompted to identify the series you want to format. The Statistics tab displays th$e following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Options Tab The Format Series Fill Tab The Format Series Line Tab Jk: D]Ҁ i The Format Series Markers Tab The Format Series Guidelines Tab R!1?Show Statistics Lines check boxesI$k% H Show Statistics Lines check boxes% ;For each type of statistic, check the box to display the line or uncheck the box to remove the line. The following table describes each type of statistic.u=V#|>[$Statistic TypeDescription5S#vj[MinimumShows the minimum Y value in the series.w4=<C#Vh[MaximumShows the maximum Y value in the series.CC#V[MeanShows the mathematical mean of the Y values in the series.R<WC#V[*Standard DeviationShows the standard deviation of the Y values in the series.HC#V[RegressionShows a trend line indicated by the Y values in a series.$W"  R!X1@XStatistics Line Styles list boxesI$% H Statistics Line Styles list boxessOX$ For each type of statistic, select a line style that uniquely identifies it.Ma1AaStatistics Line Color pickerD% > Statistics Line Color pickersOa$ Select the color for the statistics lines that represent the current series.Og1 Bg" Statistics Line Width list boxF!% B Statistics Line Width list boxuQg" $ Select a width for the statistics lines, or click custom and set a new width. Q s 1<'(Cs  ] The Format Series Guidelines TabH#"  % FThe Format Series Guidelines Tabs  _ "㞰ө _D / The Format Series dialog box controls the appearance of individual series in the chart. If you use the menu to display this dialog box, you are prompted to identify the series you want to format. The Guidelines tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Options Tab The Format Series Fill Tab The Format Series Line Tab J ] : D]Ҁ t< The Format Series Markers Tab The Format Series Statistics Tab J  1D n Show Guidelines check boxE]  ( : Show Guidelines check box^ n $ Check this box to display guidelines for the series. Uncheck this box to remove guidelines.L  1E dGuideline Styles list boxesGn ( > Guideline Styles list boxesc? d$ ~Select a Guideline style from the list of predefined styles.G1F3Guideline Color picker>d% 2 Guideline Color pickerJ&3$ LSelect the color for the guideline.I|1G|:@Guideline Width list boxD3( 8 Guideline Width list boxnJ|:@$ Select a width for the guid:@3eline, or click custom and set a new width. N@1tH@CGuidelines Cap style list boxI!:@@( B Guidelines Cap style list boxiE@:A$ Select a type to specify how the ends of guidelines are displayed.o@AV#|2~'Cap TypeDescription2:A.BS#vd~'ButtThe line is squared off at the endpoint.]ABC#V~'RoundA semicircle with a diameter of the line thickness is drawn at the end of the line.v.BCC#V~'SquaredThe line continues beyond the endpoint for a distance equal to half the line thickness and is squared off.'BC$ T#CD1((IDMD.FThe Format Series Label Options TabK&CMD% LThe Format Series Label Options TabD.F_ "AJV i6 3+ The Format Series Label dialog box controls the display and appearance of series labels on area, step, and line charts.The Options tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Series Label Font Tab The Format Series Label Text Tab The Format Series Label Backdrop Tab T#MDF17JFeJSeries Label Location radio buttonsO'.FF( N Series Label Location radio buttonsFG% /To display a series label on the chart, select one of the predefined positions. The following table describes the valid positions for series labels.pFGV#|4` PositionsDescriptionyGvH\#:` NoneHides the label.MGIL#h` FirstThe label is displayed above the first data point in the series.KvHIL#h` LastThe label is displayed above the last data point in the series.OIAJL#h` CenterThe label is displayed above the middle data point in the series.$IeJ" V%AJJ1KJNSeries Label Line Style radio buttonsQ)eJ K( R Series Label Line Style radio buttonsJK% +To display a line connecting a label to a series it represents, select one of the Label Line Style radio buttons described in the following table.v K Data Point Picture Section , &This control displays a preview of the graphic. When a valid path and file name are entered in the File text box, the picture is displayed in the Picture control. Only Windows Bitmap (.bmp) and Windows Metafiles (.wmf) are supported graphic formats.Fit Method. You can choose how to fit the graphic into the data point. The following table lists the options for fitting graphics.q +V#|6vC Fit MethodDescription:Z#kvC Stacked Duplicates the graphic repeatedly to fill the data point. Since this uses multiple copies of the graphic, it is recommended that you use as small a file as possible.e+I#bvC $Stretch To FitScales the graphic to fit the data point regardless of its original proportions.:( File. Type the full path to the graphic file in the File field or press the Browse button to display an Open File dialog box. When you specify a valid path, a preview of the graphic appears in the Picture control.P91 V9Clear Data Point Picture ButtonK#( F Clear Data Point Picture ButtonpL9$ Click this button to clear an existing picture from the picture control. PD1WDEmbed Data Point Picture ButtonK#( F Embed Data Point Picture Buttond@D$ Select the Embed check box to save the graphic with the file.PC1$XCPaste Data Point Picture ButtonK#( F Paste Data Point Picture ButtoneC$ Click this button to place a .wmf or .bmp file from the clipboard into the current chart element. Q h1 Yh!Browse Data Point Picture ButtonL$( H Browse Data Point Picture ButtonmIh!$ Click this button to locate a .wmf or .bmp file to use as the picture.R!s10g)*ZsThe Format Data Point Markers TabI$!% HThe Format Data Point Markers TabsR r]"$֯r + The Format Data Point dialog box is used to format the appearance of an individual data point. If you use the menu to display this dialog, you are prompted to identify which data point you want to format. The Markers tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Options Tab The Format Data Point Fill Tab R! 1*[ Show Data Point Markers check boxI$V% H Show Data Point Markers check boxk $ Check this box to display markers on a data point. Uncheck this box to remove markers from a data point.W&V<1\<ZData Point Markers Automatic check boxO*% T Data Point Markers Automatic check box <Z% =Check this box to allow First Impression to use the next available marker to idZentify the data point. Uncheck this box to select your own choice of marker.R!1 ]dData Point Markers Style list boxI$Z% H Data Point Markers Style list boxoKd$ Select a marker type to identify the data points in the current series. P12^Data Point Markers Color pickerG"d% D Data Point Markers Color pickerw$ Click the control to display the Color Picker. Select a color for the marker or click Custom and mix your own color.Q 1_Data Point Markers Size text boxH#/% F Data Point Markers Size text boxZ6$ lEnter the number of points for the marker diameter.V%/1$`Data Point Markers Pen Width list boxM(,% P Data Point Markers Pen Width list box]$ Select a width for the lines that form the marker, or click Custom and set your own width.X',1)x*aTThe Format Data Point Label Options TabO*T% TThe Format Data Point Label Options Tab!u_ "9 $B S ( The Format Data Point Label dialog box controls the text or value used to label a data point, as well as the font, format, position and backdrop used to display the label.The Options tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Label Text Tab The Format Data Point Label Font Tab The Format Data Point Label Backdrop Tab gT: D ` &ǀ The Format Data Point Label Value Format Tab The Format Data Point Label Percent Format Tab X'un1 bn@Data Point Label Location radio buttonsO*% T Data Point Label Location radio buttonsynZ $ Choose one of nine preset locations to position data point labels. The following table lists the available locations..p V#|4qd LocationsDescription| Z F \#@qd NoneNo label displayed. . M#h7qd Above PointThe label is displayed above the data point. This location is only valid for bar, line, area, step, XY, polar, radar, and bubble charts.F  M#h7qd Below PointThe label is displayed below the data point. This location is only valid for bar, line, area, step, XY, polar, radar, and bubble charts..  M#hqd CenterThe label is displayed centered on the data point. This location is only valid for bar, line, area, and step charts.  M#h=qd BaseThe label is displayed along the category axis, directly beneath the data point. This location is only valid for bar, line, area, and step charts.D `L#hqd InsideThe label is displayed inside a pie or doughnut slice.F L#hqd OutsideThe label is displayed outside a pie or doughnut slice.`M#h qd LeftThe label is displayed to the left of the data point. This location is only valid for XY, polar, radar, and bubble charts.@M#hqd @RightThe label is displayed to the right of the data point. This location is only valid for XY, polar, radar, and bubble charts.$@" [*@%A1c%AUDData Point Label Line Styles radio buttonsR-@wA% Z Data Point Label Line Styles radio buttonsu%AB$ Choose one of the available line styles from the list box. The following table lists the valid label line styles. vwABY#:n Line StylesDescription3BC\#fn NoneNo line connects the label and series.>BCL#h|n LineA straight line connects the label and data point.CC.DL#hn Angle lineAn angled line connects the label and data point.'CUD$ U$.DD1**dDDGThe Format Data Point Label Text TabL'UDD% NThe Format Data Point Label Text Tab!DG_ "㏁ $B S ( The Format Data Point Label dialog box controls the text or value used to label a data point, as well as the font, format, position and backdrop used to display the label.The Text tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Label Options Tab The Format Data Point Label Font Tab The Format Data Point Label Backdrop Tab gDG: D ` &ǀ The Format Data Point Label Value Format Tab The Format Data Point Label Percent Format Tab X'GH1eHSLAutomatic Data Point Label radio buttonS+GcH( V Automatic Data Point Label radio buttonH>I% mSelect a label from the available label types. The label types are described in the following table. If you select more than one type, the labels are stacked on top of each other.kcHIV#|*: TypeDescription?>IDJ\#~: ValueThe value of the data point appears in the label.yI KL#h: PercentThe value of the data point is displayed in the label as a percentage according to the axis percent basis.DDJKL#h: Series NameThe series name is used to label the data point. J K/LL#h: &Data Point NameThe category name is used to label the data point. $KSL" U$/LL1fLfMCustom Data Point Label radio buttonP(SLL( P Custom Data Point Label radio buttonnJLfM$ Select this radio button to enter custom label text in the Text field. Q LM1gMNCustom Data Point Label Text boxH#fMM% F Custom Data Point Label Text box_MN% Enter the custom label text in this field. Use CTRL + ENTER to force text to another line. U$MN1x*g+hN$OThe Format Data Point Label Font TabL'N$O% NThe Format Data Point Label Font Tab!NQ_ "㏁ 9 S ( The Format Data Point Label dialog box controls the text or value used to label a data point, as well as the font, format, p$OQNosition and backdrop used to display the label.The Font tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Label Options Tab The Format Data Point Label Text Tab The Format Data Point Label Backdrop Tab g$O: D ` &ǀ The Format Data Point Label Value Format Tab The Format Data Point Label Percent Format Tab Y(QK1*+iK]The Format Data Point Label Backdrop TabP+% VThe Format Data Point Label Backdrop Tab!K_ "㏁ 9 $B The Format Data Point Label dialog box controls the text or value used to label a data point, as well as the font, format, position and backdrop used to display the label.The Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Label Options Tab The Format Data Point Label Text Tab The Format Data Point Label Font Tab g]: D ` &ǀ The Format Data Point Label Value Format Tab The Format Data Point Label Percent Format Tab ],1g+g+jЈThe Format Data Point Label Value Format TabT/]% ^The Format Data Point Label Value Format Tab%3_ "㏁ 9 $B The Format Data Point Label dialog box controls the text or value used to label a data point, as well as the font, format, position and backdrop used to display the label.The Value Format tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Label Options Tab The Format Data Point Label Text Tab The Format Data Point Label Font Tab cЈ: DS ( &ǀ The Format Data Point Label Backdrop Tab The Format Data Point Label Percent Format Tab O31;k Value Format Category list boxJ"Јi( D Value Format Category list box~ $ Select a category to display a list of preset format strings appropriate for that type of data in the Format Code list box.KiV1lVValue Format Code list boxF ( < Value Format Code list boxM)V$ RSelect one of the predefined strings. K41m4Custom Value Code text boxFz( < Custom Value Code text boxqM4$ Enter valid format symbols in this field to create your own custom format._.zJ1+4+nJbThe Format Data Point Label Percent Format TabV1% bThe Format Data Point Label Percent Format Tab'Jǎ_ "㏁ 9 $B The Format Data Point Label dialog box controls the text or value used to label a data point, as well as the font, format, position and backdrop used to display the label.The Percent Format tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Data Point Label Options Tab The Format Data Point Label Text Tab The Format Data Point Label Font Tab ab: DS (  ` The Format Data Point Label Backdrop Tab The Format Data Point Label Value Format Tab Q ǎ1oPercent Format Category list boxL$b ( H Percent Format Category list box b~$ Select a category to display a list of preset format strings appropriate for that type of data in the Format Code list box.M 1pPercent Format Code list boxH C( @ Percent Format Code list boxM)$ RSelect one of the predefined strings. MC1qCustom Percent Code text boxH %( @ Custom Percent Code text boxqM$ Enter valid format symbols in this field to create your own custom format.L%1g+g+r%The Format Axis Options TabC%% <The Format Axis Options Tab(Ml {"Y C3  㼴7Ѐ The Format Axis dialog box controls the display of various axes, the scale of various types of axes, and the appearance of the axis grid and axis ticks.The Options tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Axis Grid Tab The Format Axis Scale-Category Tab The Format Axis Scale-Date Tab The Format Axis Scale-Value Tab ^%G ^+߀ qπ % The Format Axis Polar Tab The Format Axis Radar Tab The Format Axis Ticks Tab FM81s8Pen Width pop up menuAy( 2 Pen Width pop up menuyU8$ Select a predefined width from the list, or click Custom to assign your own width.Fy81t8Pen Color pop up menuAy( 2 Pen Color pop up menus8$ Click the control to display the Color Picker. Select a predefined color, or click Custom to mix your own color.IyY14+S+uYfThe Format Axis Grid Tab@% 6The Format Axis Grid Tab(Yl {"T C3  㼴7Ѐ The Format Axis dialog box controls the display of various axes, the scale of various types of axes, and the appearance of the axis grid and axis ticks.The Grid tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Axis Options Tab The Format Axis Scale-Category Tab The Format Axis Scale-Date Tab The Format Axis Scale-Value Tab ^fG ^+߀ qπ % The Format Axis Polar Tab The Format Axis Radar Tab The Format Axis Ticks Tab = 1KvWidth pop up4f%  Width pop up% kSelect a predefined width from the list or click Custom to design your own width. The following illustration shows how grid width can be used to change the appearance of a chart.= 1wStyle pop up8&(  Style pop up_$ Select a line style from the list. The following table shows an example of each line style. = &1 xColor pop up8(  Color pop ups$ Click the control to display the Color Picker. Select a predefined color, or click Custom to mix your own color.S"1Vg+,yRLThe Format Axis Scale-Category TabJ%R% JThe Format Axis Scale-Category Tabt_ q"T Y  The Format Axis dialog box controls the display of various axes, the scale of Rtvarious types of axes, and the appearance of the axis grid and axis ticks.The Scale tab displays the following options if the selected axis is a category axis.:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Axis Options Tab The Format Axis Grid Tab The Format Axis Scale-Date Tab RLU x㼴7Ѐ +߀ qπ % The Format Axis Scale-Value Tab The Format Axis Polar Tab The Format Axis Radar Tab The Format Axis Ticks Tab Et1!zmShow Scale check box<L% . Show Scale check box|m$ Check this box to display the axis scale, line, ticks, and title on the axis. Uncheck the box to hide the axis elements. J1{Automatic Scale check boxAm% 8 Automatic Scale check box% Check this box to let First Impression scale the axis based on the data being charted. Uncheck this box to manually scale the axis based on values you provide in the Divisions Per Label and Divisions per Tick options.MF1?|F8Divisions Per Label text boxH ( @ Divisions Per Label text boxF8%  A value of 1 labels every division. A value greater than 1 labels the first division and skips the labels for the extra divisions.L1_}Divisions Per Tick text boxG8( > Divisions Per Tick text box% OA value of 1 places a tick mark at every division. A value greater than 1 places a tick mark at the first division and skips the tick marks for the extra divisions.O11~Labels On Tick Marks check boxJ"0( D Labels On Tick Marks check boxt$ Check this box to center each label on a tick mark. Uncheck this box to center each label between two tick marks.V%0 1 n Automatic Axis Intersection check boxQ)o ( R Automatic Axis Intersection check box n % Check this box to have the axes intersect at their usual position. Uncheck this box to enable the Cross At and Labels Inside Plot options to specify where you want the current axis to intersect a perpendicular axis.Bo  1 H Cross At.text box=n  ( * Cross At text box[6 H % mEnter the position where you want the current axis to cross its intersecting axis. If the intersecting axis is a value axis, enter the value where you want to place the current axis. If the intersecting axis is a date or category axis, enter the division number at which you want to place the current axis. M  1 Labels Inside Plot check boxH H  ( @ Labels Inside Plot check boxA % 9Check this box to move the axis labels with the axis to the new intersection point. This may cause labels to display on top of the chart plot. Uncheck this box to leave the labels in their original position.Only the axis line and tick marks are drawn at the new intersection point.O m1S+-mAThe Format Axis Scale-Date TabF!% BThe Format Axis Scale-Date Tabm@_ o"T Y C3 The Format Axis dialog box controls the display of various axes, the scale of various types of axes, and the appearance of the axis grid and axis ticks.The Scale tab displays the following options if the selected axis is a Date axis:@Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Axis Options Tab The Format Axis Grid Tab The Format Axis Scale-Category Tab AX ~ 㼴7Ѐ +߀ qπ % The Format Axis Scale-Value Tab The Format Axis Polar Tab The Format Axis Radar Tab The Format Axis Ticks Tab J@A1*ABShow Date Scale check boxAA;B% 8 Show Date Scale check box{AB$ Check this box to display the axis scale, line, ticks, and title on the axis. Uncheck the box to hide the axis elements.O;B)C1)CJAutomatic Date Scale check boxJ"BsC( D Automatic Date Scale check box~D)CE: BCheck this box to let First Impression scale the axis based on the minimum and maximum values in the data being charted. Uncheck this box to manually scale the axis based on values you provide.Minimum Enter the lowest or beginning date for the axis.Maximum. Enter the highest or ending date for the axis scale.Major Interval and Minor Interval. For each of these intervals, enter a number to specify how many intervals pass before a tick mark is placed on the axis. Then, select an interval type from the list box. The following table describes the interval settings:ksC\FV#|*{ TypeDescriptionuEF\#2{ NoneNo Interval.t(\FEGL#hP{ DaysA tick mark occurs each day.4FGL#hh{ WeeksA tick mark occurs Monday of each week.LEG]HL#h{ Semi-monthsA tick mark occurs on the 1st and 15th day of each month.:GHL#ht{ MonthsA tick mark occurs on the 1st of each month.:]HiIL#ht{ YearsA tick mark occurs on January 1 of each year.s<HJ7  Axis Title Visible check boxǎ.6 :Check this box to display the axis title. Uncheck this box to hide the axis title.The Horizontal, Vertical, and Orientation sections of the dialog box are enabled if you uncheck the Visible .z check box. Axis Title Word Wrap check boxCheck this box to wrap any text that is too long to fit on one line of the bounding box. You can also control where text breaks by pressing CTRL + ENTER to place a soft carriage return in the text. Axis Title Text boxEnter the title text.S" 1`//The Format Axis Title Backdrop TabJ%.% JThe Format Axis Title Backdrop Tab/R r"P 2,܀ The Format Axis Title dialog box controls the text used as a title for the axis chart. It also controls the font and backdrop used to display the title. If you use the menu to display this dialog, you are prompted to specify which axis you want to format.The Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Axis Title Text Tab The Format Axis Title Font Tab OI1`//IThe Format Axis Title Font TabF!% BThe Format Axis Title Font Tab/IR r"P ߍ The Format Axis Title dialog box controls the text used as a title for the axis chart. It also controls the font and backdrop used to display the title. If you use the menu to display this dialog, you are prompted to specify which axis you want to format.The Font tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Axis Title Text Tab The Format Axis Title Backdrop Tab O 1/W/ SThe Format Legend Backdrop TabF!S% BThe Format Legend Backdrop Tab3 R ri"$  The Format Legend dialog box controls the positioning and appearance of the chart legend.The Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Legend Font Tab The Format Legend Location Tab KS#1/0#eThe Format Legend Font TabBe% :The Format Legend Font Tab4#U xk" L0:  The Format Legend dialog box controls the positioning and appearance of the chart legend.The Font Tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Legend Backdrop Tab The Format Legend Location Tab > e,1,Font list box5a%   Font list boxmI,$ Select a font from the list of fonts installed on your Windows system.Da1Font Style list box?Q( . Font Style list boxrN$ Select a style from the list of supported styles for the font you selected.> Q1Size list box9:( " Size list boxz$ Select a size from the list of valid sizes for the font you selected. You can also type a valid size in the Size field.B:1Effects check box=W( * Effects check boxc$ Check either or both the Strikeout and Underline check boxes to apply those effects to the text.CW!1! Sample display box:[% * Sample display boxs! $ As you make selections from the other controls in this dialog box, the sample is updated to reflect the changes.[ B[N1$N,Color pop up menu= ( * Color pop up menu}N,$ Click the control to display the Color Picker. Select one of the predefined colors, or click Custom to mix your own color.O{1W/Q0{FThe Format Legend Location TabF!,% BThe Format Legend Location Tab3{FR ri" L0: $ The Format Legend dialog box controls the positioning and appearance of the chart legend.The Location tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Legend Backdrop Tab The Format Legend Font Tab B1Visible check box=F( * Visible check boxO+$ VClick here to display the chart element.G[1[Location radio buttonsB( 4 Location radio buttonsc?[$ ~Click on one of these buttons to position the chart element.Y(Y1)Y)Custom Location check box and text boxesT,( X Custom Location check box and text boxes|;Y)A PwClick here to manually enter a custom location for the chart element, then enter the appropriate value for the following location settings:Top: The top of the chart element.Left: The left edge of the chart element.Height: The height of the chart element.Width: The width of the chart element.\+1/X Custom Location radio button and text boxesW/)( ^ Custom Location radio button and text boxes|;X A PwClick here to manually enter a custom location for the chart element, then enter the appropriate value for the following location settings:Top: The top of the chart element.Left: The left edge of the chart element.Height: The height of the chart element.Width: The width of the chart element.N 100   The Format Title Location TabE X  % @The Format Title Location TabN  _ "l  Nz The Format Title dialog box controls the positioning and appearance of the chart title.The Location tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Title Text Tab The Format Title Backdrop Tab The Format Title Font Tab J  1Q00 #  The Format Title Text TabA # % 8The Format Title Text TabN  _ "ĥo  Nz The Format Title dialog box controls the positioning and appearance of the chart title.The Text Tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Title Location Tab The Format Title Backdrop Tab The Format Title Font Tab S"# #1#mAHorizontal Alignment radio buttonsN& q( L Horizontal Alignment radio buttons#"& Click the appropriate radio button to align text horizontally.The following table describes the horizontal alignment options for text. pqV#|45 AlignmentDescription>"8@\#|5 LeftAll line8@ s of text are aligned on the left margin.?@L#h~5 RightAll lines of text are aligned on the right margin.:8@IAL#ht5 CenterAll lines of text are centered horizontally.$@mA" Q IAA1ADVertical Alignment radio buttonsL$mA B( H Vertical Alignment radio buttonsAB&  Click the appropriate radio button to align text vertically.The following table describes the vertical alignment options for text.p B&CV#|45 AlignmentDescription<BC\#x5 TopAll lines of text are aligned at the top margin.A&CKDL#h5 BottomAll lines of text are aligned at the bottom margin.8CDL#hp5 CenterAll lines of text are centered vertically.$KDD" JD=E1J=E=JOrientation radio buttonsEDE( : Orientation radio buttons=E5F& Click the appropriate radio button to set the desired orientation options.The following table describes the orientation options for text.rEFV#|8, OrientationDescription65F9G\#l, HorizontalThe text is displayed horizontally.cFGL#h, VerticalThe text is displayed, one letter on top of each other, reading from top to bottom.99GmHL#hr,  UpThe text is rotated to read from bottom to top.;GHL#hv, DownThe text is rotated to read from top to bottom.I!mH=J( CNote When you rotate text up or down, the vertical and horizontal alignment are still relative to the text and not to the bounding box. In other words, text displayed with up orientation and left alignment is actually flush against the bottom of the bounding box, not the left side.DHJ1J*LWord Wrap check box?=JJ( . Word Wrap check boxjEJ*L% Check this box to wrap any text that is too long to fit on one line of the bounding box. You can also insert line breaks manually by pressing CTRL + ENTER anywhere in the text. Word Wrap is not available on the Text tab of the following dialog boxes: Format Axis Labels, Format Data Point Labels, and Format Series Labels.9JcL1cLMText box4 *LL(  Text boxnJcLM$ Enter the text to be displayed by the chart element you are formatting.Q LVM10χ0VMM OThe Format Footnote Location TabH#MM% FThe Format Footnote Location TabmVM O^ !"bsS 2d' P!Q΀ The Format Footnote Location tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Footnote Backdrop Tab The Format Footnote Font Tab The Format Footnote Text Tab Q M\O1q01\OOThe Format Footnote Backdrop TabH# OO% FThe Format Footnote Backdrop Tabm\O^ !"hἀ 2d' P!Q΀ O OThe Format Footnote Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Footnote Location Tab The Format Footnote Font Tab The Format Footnote Text Tab MOj1χ001jThe Format Footnote Font TabD% >The Format Footnote Font Tabqja #"hἀ bsS P!Q΀ The Format Footnote Font tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Footnote Location Tab The Format Footnote Backdrop Tab The Format Footnote Text Tab Nm11T1mThe Format Title Backdrop TabE % @The Format Title Backdrop Tabam^ "ĥo l Nz The Format Title Backdrop tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Title Location Tab The Format Title Text Tab The Format Title Font Tab J]101u1]The Format Title Font TabA% 8The Format Title Font Tabc]_ "ĥo l  The Format Title Font tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Title Location Tab The Format Title Text Tab The Format Title Backdrop Tab MN1T1NThe Format Footnote Text TabD% >The Format Footnote Text TabmN^ !"hἀ bsS 2d' The Format Footnote Text tab displays the following options:Click on the buttons, check boxes and text boxes of this tab to learn what they do.See Also:The Format Footnote Location Tab The Format Footnote Backdrop Tab The Format Footnote Font Tab A@1@Contour list box<|( ( Contour list boxrN@$ To specify how contours are displayed, select one of the following options:k|YV#|*De TypeDescription7\#nDe BandsContours are displayed as bands of color.5YmL#hjDe LinesContours are displayed as colored lines.$" > mϋ14ϋŏBase list box9( " Base list boxlϋ$ This option controls how the base of a surface chart is represented. Select one of the following options:oY#,ZN TypeDescriptionY\#ZN PedestalThe base is displayed as a solid area that rises up to meet the surface.OWL#hZN StandardThe base is displayed as a flat area beneath the chart surface.SR#tZN * BandsThe base reflects the charts contours as a series of contour bands.SWR#tZN * LinesThe base reflects the charts contours as a series of contour lines.$ŏ" D1bProjectionŏŏ list box?ŏT( . Projection list box$ This option displays a planar contour chart projected above a surface chart. Select one of the following projection methods:qThY#0N_ MethodDescription8\#pN_ NoneNo projection is displayed above the chart.OhR#tN_ * BandsThe planar chart reflects the charts contours in contour bands.O>R#tN_ * LinesThe planar chart reflects the charts contours in contour lines.$b" A>1WSurface list box<b( ( Surface list boxy|$ This option controls how the surface itself is represented on a 3D surface chart. Select one of the following options:oY#,F TypeDescriptionI|\#F  NoneThe surface data is represented exclusively by a wireframe.E!L#hF BandsThe surface displays changes in data with contour bands.gL#hF LinesThe surface is represented by a wireframe and displays changes in data with contour lines.5!UL#hjF SolidThe surface is drawn with a solid color.3M#h#F (Solid with LinesThe surface is drawn with a solid color. Changes in data are indicated by contour lines super imposed on the solid color.$UW" C316Wireframe list box>W( , Wireframe list box% This wireframe option controls the appearance of the wireframe drawn upon a surface chart. Select one of the following options:oY#,C TypeDescriptionC\#C  NoneThe surface is represented by the surface color only.CL#hC MajorThe wireframe indicates the original data grid values.M#hSC &Major and MinorThe wireframe is drawn upon the surface along the original data grid values and any additional rows or columns generated by the smoothing process.$6" Cy1yXSmoothing text box>6( , Smoothing text box y& First Impression uses the bi cubic B spline formula to determine how to smooth the chart data based on the smoothing factor you specify. Enter a valid factor from 0 - 32 The following table describes valid smoothing factors:q3Y#0EM FactorDescription7\#nEM  0The raw grid data is used with no smoothing.V3hL#hEM  1This factor samples the spline data only at the original data grid locations.t4L#hEM 2-32A factor of 2 or more will break the row and column locations into h46the specified number of subdivisions.$hX" T#41:Use Separate Contour Data check boxO'X( N Use Separate Contour Data check box% A contour chart displays only contour data, but a surface chart can display both contouring and elevation data. Uncheck this checkbox to use all data in the data grid for both contouring and elevation. Check this checkbox to provide separate contour and elevation data. When this checkbox is checked, the data grid is divided vertically between columns into two equal subranges of data. The left subrange contains elevation data, and the right subrange contains contouring data. 8:% 'When Use Separate Contour Data is enabled, a surface chart will display surface contours that do not necessarily conform to the shape of the surface. For example, a surface chart displaying separate contour and elevation data might depict snowfall across a mountain range.E1XSurface Color picker@:( 0 Surface Color pickeruX$ Surface color applies to both surface and contour charts and controls the color used to draw solid chart surfaces.G1\Wireframe Color pickerBX( 4 Wireframe Color picker{W\$ Wireframe color controls the color used to draw the wireframe for 3D surface charts.G1lWireframe Width pickerB\( 4 Wireframe Width pickercl$ Wireframe width controls the width of the line used to draw the wireframe for 3D surface charts.V%1& Automatic Contouring Values check boxQ)l( R Automatic Contouring Values check box& %  Automatic values refers to the values used to display chart contours. Check this checkbox if you wish to have each major axis division represent a separate contour. Uncheck this checkbox if you want to design your own custom contours.Hn 1n  Contour Colors list boxC&  ( 6 Contour Colors list boxn c % The Colors option in the contouring tab controls how color is displayed on the chart. The following table describes the valid color types:k  V#|*`u TypeDescriptionPc z \#`u AutomaticThe contour colors are displayed as the default series colors.K  L#h`u GradientThe contours are displayed in an even transition of color. z  M#h)`u ManualCustom contour colors can be specified and modified by the user. (Manual colors is only available when Automatic values is unchecked.)$  " G ] 1+] AContour Value List boxB  ( 4 Contour Value List box~] A$ The values representing each contour are displayed here. Select a value from the list to modify, label or delete a contour.C 1"New Contour button>A( , New Contour button`<"$ xClick this button to add a new contour value to the list.Fh1h @Delete Contour buttonA"( 2 Delete Contour buttonkGh @$ Click this button to delete the selected contour v @"alue from the listGg@1g@@Contour Value text boxB @@( 4 Contour Value text boxF"g@@$ DEnter a new contour value here.G@6A16AAContour Label text boxB@xA( 4 Contour Label text box]96AA$ rEnter a new label for the selected contour value here.HxAB1BBBand Options list boxesCA`B( 6 Band Options list boxesyKBB. ,Style Select a contour band styleColor Select a contour band colorH`B!C1!CCLine Options list boxesCBdC( 6 Line Options list boxes{M!CC. ,Width Select a contour line width.Color Select a contour line color.9dCD1I D[DsNContentsCC[D% <Welcome to First ImpressionUDF2 2Welcome to the Borland Edition of First Impression from Visual Components. Visual Components develops and markets a full range of tools for the component-based developer. Our product portfolio includes best of class tools for data analysis, charting, rich text and spell checking. We offer a royalty-free runtime license for all of our OCX products.The Professional Edition of First Impression supports features not found in this version of First Impression. Attempting to use these features through the user interface, or by using OCX properties and methods will result in an error.[DG1 0For additional information regarding the Professional Edition of First Impression, including Upgrade information, contact Visual Component Sales at 800-884-8665.Other Ways of Contacting Visual Components:(FIH ^Xg\:|By telephone. You can contact our sales staff at (800) 884-8665 on weekdays between 8:30 a.m. and 5:30 p.m., central time. By FAX. You can contact us by FAX at (913)599-6597.On the Internet. Contact us at:ZGI9 BXgX~World Wide Web - http://www.visualcomp.comElectronic Mail - sales@visualcomp.comIJ= HAXg\:|Via BBS. You can contact us through our bulletin board service at (913) 599-6713.Via CompuServe. You can contact us through CompuServe 74774,443./IK' Visual Components also maintains a section in the MS Windows Components A+ Forum on CompuServe. These sections are used for peer to peer support and the distribution of example projects, maintenance releases, etc. To reach the Visual Components section, type:7JK) "\~GO VISTOOLSKL' _When communicating with Visual Components via the CompuServe forums, include our account number with all messages. This assures that your message receives prompt attention.`/KM1 2^Xg\:|By mail. Address your correspondence to:*LGN= H\Visual Components, Inc.15721 College Blvd.Lenexa, Kansas 66219 orVisual Components EuropeLenexa House11 Eldon WayPaddock Wood, KentEngland TN12 6BETel: +44 1892 834343Fax: +44 1892 835843BBS: +44 1892 835579,MsN'  1GN10'MS Sans SerifArialTimesHelveticaCourier NewLetterGothicLetterTimes New RomanZapfDingbatsArial NarrowHelvetica-CompressedCentury SchoolbookTms RmnSymbolHelv  ''YZ [\]MÄN OsQR߂9GЂ3:Nr'V3~*ki"vmzUF.   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ZQp!SFm%  T M+ J FN3:A8 FF/P&P;)F24 F2D Chart Elements3 types of Format Axis Scale tab3D Axis Intersections3D Chart Elements 3D Lighting Tab3D View TabAbout This Helpaccessing the data gridadding a footnote adding a legend$adding a title(Adding Chart Elements,adding contour labels0adding contours4Adding Row and Column Labels8Aligning and Orienting Text<ambient light, definition of@Ambient LightingDArea ChartsHAssigning Backdrops to ElementsLautomatic and gradient colors on contour chartsPAutomatic and Manual ScalingTAutomatic Chart LayoutXaxes displayed on Gantt and Bar charts\axes displayed on radar and polar charts`Axes TabdAxis Label formathaxis label positioninglAxis Label Text FormattingpAxis Scale tab, date axistAxis scale tab,category,value and date axesxAxis Terminology|axis termsaxis tick mark labelingAxis TitlesBackdrop FillsBackdrop Tab Bar Chartsbar charts and picturebar gap spacingBar Shapesbar sidesBase and Walls Tabbasic contour informationBubble Chartschanges or frequencies relative to a center point and one anotherChanging Chart Rotation and ElevationChanging Printer SetupChanging the Series Fill and Penchanging the series typechart bases,types ofChart Data GridChart Element Areaschart element default positionschart element formattingchart element selectionchart elements,double-clickingchart elements,positioningchart elevation and rotation, changingChart Elevation Options Chart Layout Optionschart perspectiveChart ProjectionChart Rotation Optionschart smoothing Chart Surface Smoothing(chart surfaces, types of,Chart Terminology0Chart text,optimizing4Chart Viewing Distance8 @Chart Width and Height Ratios<Chart Wizard@chart wizard buttonsDchart wizard navigationHcircle charts starting locationLclicking on chart elementsPclockwise chartsTClustered BarsXCombination Charts\Common Axis Elements`comparing distinct itemsdcomparison of itemshContentslcontour and elevation dialog boxespcontour colorstContouring Tabxcontouring, purpose of|Controlling Bar SpacingControlling Chart DirectionControlling Label PositionControlling Label TypeControlling the Display of Chart Elementscopying a chart to a clipboardcounterclockwise chartscreating a chart using date intervalsCustom Chart Element Positionscustom label formatsdata griddata grid column labels, insertingdata grid columns,deletingdata grid columns,insertingdata grid data, modifyingdata grid editordata grid editor menudata grid illustrationdata grid row labels, deletingdata grid row labels,insertingdata grid rows and columns,modifyingdata grid rows, deletingdata grid rows,insertingdata grid,adding labelsdata grid,resizingdata point label display masksdata point label locationsData Point LabelsData Point Labels, dialog boxDataPoints As Lines or Markersdate and time formatsDate Axis Scalingdate intervalsdefault positions of chart elementsDeleting a Column of Data Grid Row Labels Deleting a Data Grid ColumnDeleting a Data Grid RowDeleting a Row of Data Grid Column Labelsdepicting contours independent of surface shapedetermining axis intersection points dialog box buttons and tabs$dialog box example(dialog boxes,Displaying Axes Scales0Displaying Chart Bases4Displaying Chart Surfaces8Displaying Contour Chart Colors<8 @Displaying Contours@Displaying Elevation and Contour DataDDisplaying Hi-Lo Bars In Other Chart TypesHDisplaying Wireframe SurfacesLDocumentation ConventionsPDouble Clicking on Chart ElementsTdoughnut sidesXdrawing unique categories\edge intensity`edge lightingdEditing BackdropshEditorlEffect of Element Positioning on the Chartpelements of 2D chartstelements of 3D chartsxelements of charts|elements that can have backdropsElevation ChartsElevation Charts: Surface and ContourElevation Tabelevation, definition ofExporting Chartsfill colorFill Tabfloating menufont formattingFont TabFormat Axis Dialog box, tabsFormat Axis Grid TabFormat Axis Label Backdrop TabFormat Axis Label Font TabFormat Axis Label Format Code TabFormat Axis Label Text TabFormat Axis Labels DialogFormat Axis Options TabFormat Axis Polar TabFormat Axis Radar TabFormat Axis Scale-Category TabFormat Axis Scale-Date TabFormat Axis Scale-Value TabFormat Axis Ticks TabFormat Axis Title Backdrop TabFormat Axis Title Font TabFormat Axis Title Text TabFormat Chart Backdrop Tab Format Chart Options TabFormat Code TabFormat Data Point Fill TabFormat Data Point Label Backdrop TabFormat Data Point Label dialog Format Data Point Label Font Tab$Format Data Point Label Options Tab(Format Data Point Label Percent Format Tab,Format Data Point Label Text Tab0Format Data Point Label Value Format Tab4Format Data Point Markers Tab8Format Data Point Options Tab<Format Footnote Backdrop Tab@Format Footnote Font TabDFormat Footnote Location TabHFormat Footnote Text TabLFormat Legend Backdrop TabPFormat Legend Font TabTFormat Legend Location TabX8 @Format Plot 3D Lighting Tab\Format Plot 3D View Tab`Format Plot Backdrop TabdFormat Plot Base and Walls TabhFormat Plot Contouring TablFormat Plot Elevation TabpFormat Plot Location TabtFormat Plot Options TabxFormat Plot Order Tab|Format Plot Type TabFormat Series Fill TabFormat Series Guidelines TabFormat Series Label Backdrop TabFormat Series Label Font TabFormat Series Label OptionsFormat Series Label Text TabFormat Series Line TabFormat Series Markers TabFormat Series Options TabFormat Series Statistics TabFormat Title Backdrop TabFormat Title Font TabFormat Title Location TabFormat Title Text TabFormatting 3D ChartsFormatting AxesFormatting Axis LabelsFormatting Axis TicksFormatting Chart ElementsFormatting Contouring OptionsFormatting Data PointsFormatting FontsFormatting GuidelinesFormatting Label TextFormatting LabelsFormatting LinesFormatting MarkersFormatting Series and Data PointsFormatting Series DataFormatting Statistics LinesFormatting the Base and Wallsgain and loss colors on chartsGallery TabGantt and Horizontal Bar ChartsGantt Charts General Chart Elementsgradient backdrop fillsGrid Tabgridlines and wireframe surfacesGuidelines Tab hiding and excluding series$Hi-Lo Charts(Hi-Lo-Close Colors,Horizontal Bars0How Reordering Series Affects the Chart.4how to change chart rotation and elevation interactively8how to change the 3D view using the dialog tab<how to change the lighting on a 3d chart@how to create an axis titleDhow to delete contoursHhow to design custom contoursLhow to edit a backdropPhow to fill bars interactively with picturesThow to format a series labelX8@How to Format an Axis\how to format an individual data point`how to format axis labelsdhow to format plot optionshhow to format series datalhow to format text fontsphow to format the plot base and wallsthow to hide or show a footnotexhow to hide or show a second Y axis|how to hide or show a titlehow to load a filehow to modify contour band colorhow to modify contour line colorhow to modify gradient band colorhow to modify gradient line colorhow to optimize chart texthow to print a charthow to read series data in rowshow to read this documentationhow to reorder serieshow to reset a chart to defaulthow to stack seriesilluminationillustration of ambient lightillustration of chart axesillustration of chart elementsillustration of data gridillustration of data grid editorimproving label readabilityInfinite Light SourcesInserting a Column of Data Grid Row LabelsInserting a Data Grid ColumnInserting a Data Grid RowInserting a Row of Data Grid Column Labelsinterior ratiointersection of three coordinate valuesitem comparisonLabel Optionslabel positioningLabeling Axes Inside The PlotLabeling Axis Tick Markslabeling data pointsLabels, rotatingLayout Tab light sourcesLighting 3D Chartslimiting scale valuesline cap stylesLine Charts line join styles$Line Tab(Loading Saved Charts,Location Tab0magnitude of value change@Markers TabDmarkers,formattingLmenu bar,data grid editorPModifying Charts with the WizardTModifying Contour ColorsXmodifying contour values\Modifying Data in the Data Grid`Modifying Row and Column Labelsdmodifying the data gridhmoving a chart element to a predefined positionlX8HNavigating in the Chart Wizardpnon-trend item comparisontnumber formatsxobscured series|Optimizing Chart TextOptions TabOrder Tabpage setup tabpattern backdrop fillspattern colorpercent axis stackingPercent Format Tabperspectivepicture backdropsPicture BarsPicture Fit Methodspictures as bars on chartsPie and Doughnut Chart OptionsPie and Doughnut Chartsplanar contour chartplot groups of numbersPlot Optionsplot resizing, illustration ofplotting cyclical trendsplotting frequencyplotting multiple series of dataplotting relative importance of values over timeplotting stock market info, plotting scientific dataplotting time required for activitiesplotting topographic dataplotting trendsplotting volume informationPolar Axis Scaling Polar ChartsPolar TabPositioning Chart Elementspreset element locationsprint setup tab print tab$Printing Charts(projecting chart surfaces,radar and polar axes0Radar and Polar Charts4Radar Axis Scaling8Radar Charts<radar charts,changing the variation of@Radar TabDrate of changeHreading this documentationLrelative time required for activitiesPremoving markers from seriesTReordering SeriesXRepositioning Chart Elements\Resetting To Default Formats`Resizing the Data Griddrotating labelshrotation,elevation oflsaving a chart to filepScale-Category TabtScale-Date TabxScale-Value Tab|Selecting a Chart TypeSelecting Chart Elementsseparate contour and elevation dataSeries fill and penseries guidelines,formattingseries label line stylesSeries Label Optionsseries label positionsSeries Labelsseries of XY coordinatesseries patterns;series, changingseries,hiding and excludingSeries,obscured viewssetting a hi-lo chart to depict volumesetting contour and elevation optionssetting lines or markers for displaySetting Print OptionsSetting Series Optionsshowing relationship of parts to the wholeshowing trends over timeshowing value gain and loss on hi-lo chartssmoothing factorsSmoothing Series Datasmoothing typesspecifying data point labelsSpecifying Page Size and AppearanceSpecifying Volume Information for Hi-Lo ChartsStacking on a Percent AxisStacking SeriesStanding LabelsStarting Angle Rotationstarting location for doughnut,pie and radar chartsStatistics Tab Step ChartsStyle TabSupplying Series DataSurface Chart Projectionterms terms for axes$Text Tab(The Axes Tab@The Chart WizardDThe DataGrid EditorHThe Elevation TabLThe Format Axis Grid TabPThe Format Axis Label Backdrop TabTThe Format Axis Label Font TabXThe Format Axis Label Format Code Tab\The Format Axis Label Text Tab`The Format Axis Options TabdThe Format Axis Polar TabhThe Format Axis Radar TablThe Format Axis Scale-Category TabpThe Format Axis Scale-Date TabtThe Format Axis Scale-Value TabxThe Format Axis Ticks Tab|The Format Axis Title Backdrop TabThe Format Axis Title Font TabThe Format Axis Title Text TabThe Format Chart Backdrop TabThe Format Chart Options TabThe Format Data Point Fill TabThe Format Data Point Label Backdrop TabThe Format Data Point Label DialogThe Format Data Point Label Font TabThe Format Data Point Label Options TabThe Format Data Point Label Percent Format TabThe Format Data Point Label Text TabThe Format Data Point Label Value Format Tabsseries patterns >The Format Data Point Markers TabThe Format Data Point Options TabThe Format Footnote Backdrop TabThe Format Footnote Font TabThe Format Footnote Location TabThe Format Footnote Text TabThe Format Legend Backdrop TabThe Format Legend Font TabThe Format Legend Location TabThe Format Plot 3D Lighting TabThe Format Plot 3D View TabThe Format Plot Backdrop TabThe Format Plot Base and Walls TabThe Format Plot Contouring TabThe Format Plot DialogThe Format Plot Elevation TabThe Format Plot Location TabThe Format Plot Options TabThe Format Plot Order TabThe Format Plot Type TabThe Format Series Fill TabThe Format Series Guidelines TabThe Format Series Label Backdrop Tab The Format Series Label Font TabThe Format Series Label Options TabThe Format Series Label Text TabThe Format Series Line TabThe Format Series Markers Tab The Format Series Options Tab$The Format Series Statistics Tab(The Format Title Backdrop Tab,The Format Title Font Tab0The Format Title Location Tab4The Format Title Text Tab8The Gallery Tab<The Layout Tab@The Menu BarDThe Style TabHthickness ratioLThreeD XYZ ChartsPThreeD Scatter ChartsTtick mark lengthXTicks Tab\to resize or position elements manually`to resize or position elements using the dialog boxdtop ratio of bar chartshtopographic datalturning off axis scalespturning on and off infinite light sourcesttype of contoursxType Tab|types of chart basestypes of chart projectiontypes of data point labelstypes of statistic linesunderstanding chartsusing a picture for a chart barUsing Combination ChartsUsing Dialog BoxesUsing Hi-Lo Chartsusing pictures as backdropsUsing Radar Chartsernsusing separate contour datausing statistic lines to analyze datausing this HelpValue Format Tabvariation of radar chartsvariations and relationships over 3 sets of dataviewing distancevisual comparison of 3 coordinateswireframe surfacesWizardWizard Axes Tabwizard buttonsWizard Gallery TabWizard Layout TabWizard Style TabX gap ratioXY ChartsZ gap ratioThe Format Plot Contouring TabThe Format Plot DialogThe Format Plot Elevation TabThe Format Plot Location TabThe Format Plot Options TabThe Format Plot Order TabThe Format Plot Type TabThe Format Series Fill TabThe Format Series Guidelines TabThe Format Series Label Backdrop Tab The Format Series Label Font TabThe Format Series Label Options TabThe Format Series Label Text TabThe Format Series Line TabThe Format Series Markers Tab The Format Series Options Tab$The Format Series Statistics Tab(The Format Title Backdrop Tab,The Format Title Font Tab0The Format Title Location Tab4The Format Title Text Tab8The Gallery Tab<The Layout Tab@The Menu BarDThe Style TabHthickness ratioLThreeD XYZ ChartsPThreeD Scatter ChartsTtick mark lengthXTicks Tab\to resize or position elements manually`to resize or position elements using the dialog boxdtop ratio of bar chartshtopographic datalturning off axis scalespturning on and off infinite light sourcesttype of contoursxType Tab|types of chart basestypes of chart projectiontypes of data point labelstypes of statistic linesunderstanding chartsusing a picture for a chart barUsing Combination ChartsUsing Dialog BoxesUsing Hi-Lo Chartsusing pictures as backdropsUsing Radar ChartsernsChart Width and Height RatiosDisplaying ContoursFormat Plot 3D Lighting TabHow to Format an AxisNavigating in the Chart Wizardseries, changingThe Format Data Point Markers Tabusing separate contour data/@&@;)LzRAbout This HelpDocumentation ConventionsChart Terminology General Chart Elements2D Chart ElementsЂ3D Chart Elements Selecting Chart ElementsFormatting Chart ElementsDouble Clicking on Chart ElementsUsing Dialog BoxesThreeD View Tab߂ThreeD Lighting Tab9Base and Walls TabLocation TabBackdrop TabGOrder TabOptions TabÄOK Button Popup Cancel Button PopupsHelp Button PopupApply Button PopupThe Chart Wizard3Navigating in the Chart WizardThe Gallery Tab*Wizard 2D Radio ButtonkWizard 3D Radio ButtonThe Style Tab:The Layout TabChart Title Text BoxChart Footnote Text BoxChart Legend Pop Up Menu3Series Data Radio ButtonsNThe Axes Tab~Category Text BoxValue Text BoxDepth Text BoxSecondary Text BoxrModifying Charts with the WizardWizard Help ButtonWizard Cancel Button'Wizard Back ButtonVWizard Next ButtonWizard Finish ButtonChart Data GridiThe DataGrid EditorNResizing the Data GridModifying Data in the Data GridAdding Row and Column LabelsModifying Row and Column LabelsThe Menu Bar Inserting a Data Grid Row1Inserting a Data Grid ColumnDeleting a Data Grid RowDeleting a Data Grid ColumnInserting a Column of Data Grid Row LabelsMInserting a Row of Data Grid Column LabelsDeleting a Column of Data Grid Row Labels Deleting a Row of Data Grid Column Labels"Area ChartsvBar ChartsmHorizontal BarsClustered BarsLine ChartsStep ChartszCombination ChartsPie and Doughnut ChartsURadar ChartsXY ChartsPolar ChartsFBubble Charts. Hi-Lo Charts Gantt Charts Elevation Charts: Surface and ContourJ 3D XYZ Charts< 3D Scatter Charts The Editor Apply Button The Editor OK Button& The Editor Cancel Buttonz The Editor Help Button The Edit Menu) The Insert Menu The Delete MenuHo Grid Size Rowsހ Grid Size ColumnsR Grid Size Row Labelś Grid Size Column LabelsL Data Grid Rows and Columns Data Grid Row Labels# Data Grid Column Labels The Format Plot Dialog܆ Selecting a Chart Typew Stacking on a Percent Axis DataPoints As Lines or Markers% Using Combination Charts Using Radar Charts Using Hi-Lo Charts Specifying Volume Information for Hi-Lo Chartsi Displaying Hi-Lo Bars In Other Chart Types Reordering Series How Reordering Series Affects the Chart. Stacking Series Adding Chart Elementsc Controlling the Display of Chart Elementsk Automatic Chart Layout  Chart Element Areas7 Positioning Chart Elements Repositioning Chart Elementsf Custom Chart Element Positionsu Effect of Element Positioning on the Chart Optimizing Chart Text Formatting FontsAligning and Orienting TextAssigning Backdrops to ElementsyEditing BackdropsBackdrop FillsTPicture Fit Methods=Resetting To Default FormatsjFormatting 3D Charts.Changing Chart Rotation and ElevationlChart Elevation Options^Chart Rotation OptionsSChart ProjectionChart Width and Height RatiosChart Viewing Distance|Formatting the Base and WallsLighting 3D ChartsAmbient LightingQInfinite Light Sources'Formatting AxesAxis TerminologyCommon Axis ElementsGantt and Horizontal Bar ChartsRadar and Polar ChartsWHow to Format an AxisLabeling Axis Tick MarksYLabeling Axes Inside The PlotZDisplaying Axes ScalesAutomatic and Manual Scaling3D Axis IntersectionshDate Axis Scaling Radar Axis ScalingPolar Axis ScalingӄFormatting Axis TicksFormatting Axis LabelsFormat Axis Labels DialogYControlling Label PositionStanding Labels\Axis Label Text FormattingNumber FormatsDate and Time Formats\Custom Label FormatsAxis TitlesPlot OptionsControlling Bar Spacingte MenuMbControlling Chart DirectionStarting Angle Rotation Chart Layout OptionsOPie and Doughnut Chart OptionsTFormatting Series and Data Points~Supplying Series Data9Formatting Series DataـSetting Series OptionsBar ShapescSmoothing Series DataxHi-Lo-Close ColorsChanging the Series Fill and PenmPicture BarsFormatting LinesFormatting MarkersFormatting Statistics LinesFormatting GuidelinesFormatting Data Points|Formatting Labels<Series LabelsSeries Label OptionsnData Point LabelsThe Format Data Point Label DialogLabel OptionsFControlling Label TypeFormatting Label TextElevation Charts"The Elevation TabpDisplaying ContoursDisplaying Chart BasesSurface Chart ProjectionDisplaying Chart SurfacesDisplaying Wireframe SurfacesChart Surface SmoothingMDisplaying Elevation and Contour DataˇFormatting Contouring OptionsDisplaying Contour Chart ColorsModifying Contour ColorsExporting Charts Loading Saved ChartsZ Printing Charts_ Setting Print Options Layout radio buttons Copies text box* Print buttonf Specifying Page Size and Appearance Page Size radio buttons Page Center check boxes[ Page Margins text boxes Changing Printer Setup݄ Printer Identification list box Paper sectionK Orientation section Properties button8 The Format Chart Options Tabψ Printing!Screen Display!Show Title check boxR!Show Footnote check box!Show Legend check box!Show 2nd Y Axis check box.!Data Series In Rows check box!Reset All Options to Default button!The Format Chart Backdrop Tab!The Format Plot Type Tab!Chart radio buttons!Chart Type list box6!Stacked check box!Percent Axis check boxb!Line or Markers!Series Name list box!Series Type list boxQ!Ok Button!Cancel Buttonك!Apply Button&!Help ButtonR!The Format Plot Backdrop Tab MenuG !No Fill radio buttonӇ!Pattern radio button and pop up menu"Gradient radio button and pop up menuG"Fill/From Color and Pattern/To Color pop up menus"Picture buttons< "Picture display boxz "Picture Fit radio buttons"Frame Sectionǃ"The Format Plot Options Tab}"Bar Gap Ratio text box,"X Gap Ratio text box~"Z Gap Ratio text box"Clockwise check boxu"Starting Angle text box#Scale Angle text box#Angle Units pop-up menu0#Sorting list box/#Weighting list box0#Weighting Radio Buttons#Thickness Ratio text box#Top Radius Ratio text box#Interior Ratio text box#Sides text boxx#Largest Bubble Ratio text box#Pie/Doughnut Label Position text boxچ#The Format Plot 3D Lighting Tab$Ambient light text box$Edge Intensity check box and text box$Light sources text boxes4$The Format Plot Location Tab$The Format Plot Order Tab $Series Order list box$Up ButtonC$Down Button$Stack ButtonҀ$UnStack Button7$The Format Plot 3D View Tab$Elevation text box$Rotation text box$Projection pop-up menu݈$Width to Height and Depth to Height Ratio text boxess%Viewing Distance text box%The Format Plot Base and Walls Tab%The Format Plot Contouring Tab%The Format Plot Elevation Tab9 %Base Height text box %Wall Width text box%Base Fill section%Wall Fill sectionۃ%Base Pen section̅%Wall Pen section%The Format Series Options Tabĉ%Hide series check box%Exclude series check box&Plot Series On 2nd Y Axis check box-&Bar Sides text box&Top Ratio text box&Function list box?&Smoothing Factor text box&Gain Color color picker.&Loss Color color picker_ &The Format Series Fill Tab &Series Fill Pattern picker&Series Fill Color pickerƃ&Series Pattern Color picker &Edge Pen Style list box&Edge Pen Line Width list boxb&Edge Pen Color pickerS&Series Bar Picture Section'Clear Series Picture ButtonD'Embed Series Picture Button8'Paste Series Picture Button''Browse Series Picture Button'The Format Series Line Tab'Show Series Lines check boxD'Series Line Style list box'Series Line Width list box,'Series Line Color picker'Series Line Join style list boxq'Series Line Cap style list box'The Format Series Markers Tab'Show Series Markers check box'Series Markers Automatic check boxc'Series Markers Style list boxυ'Series Markers Color pickere'Series Markers Size text box'Series Markers Pen Width list box<'The Format Series Statistics TabJ(Show Statistics Lines check boxesr(Statistics Line Styles list boxes(Statistics Line Color pickerS(Statistics Line Width list box(The Format Series Guidelines Tab(Show Guidelines check boxm(Guideline Styles list boxes(Guideline Color picker (Guideline Width list box(Guidelines Cap style list box(The Format Series Label Options Tab0(Series Label Location radio buttons(Series Label Line Style radio buttons(The Format Series Label Font Tab)The Format Series Label Text Tab)The Format Series Label Backdrop TabP)The Format Data Point Options Tab")Use Series Defaults check boxg)The Format Data Point Fill Tab6)DataPoint Fill Pattern picker )Data Point Fill Color picker )Data Point Pattern Color picker&)Data Point Picture SectionԄ)Clear Data Point Picture ButtonC)Embed Data Point Picture Button)Paste Data Point Picture Button.)Browse Data Point Picture Button)The Format Data Point Markers Tabm)Show Data Point Markers check box)Data Point Markers Automatic check box*Data Point Markers Style list boxo*Data Point Markers Color picker*Data Point Markers Size text boxa*Data Point Markers Pen Width list box*The Format Data Point Label Options Tab:*Data Point Label Location radio buttons*Data Point Label Line Styles radio buttonsx*The Format Data Point Label Text TabɃ*Automatic Data Point Label radio buttoncture Button >*Custom Data Point Label radio buttony*Custom Data Point Label Text box*The Format Data Point Label Font Tabg+The Format Data Point Label Backdrop Tab+The Format Data Point Label Value Format Tab+Value Format Category list box+Value Format Code list box+Custom Value Code text boxg+The Format Data Point Label Percent Format Tab+Percent Format Category list box~+Percent Format Code list boxǀ+Custom Percent Code text box4+The Format Axis Options Tabm+Pen Width pop up menuۃ+Pen Color pop up menug+The Format Axis Grid Tab+Width pop upa+Style pop upЇ+Color pop upS+The Format Axis Scale-Category Tab,Show Scale check box,Automatic Scale check box,Divisions Per Label text box,Divisions Per Tick text boxy,Labels On Tick Marks check box,Automatic Axis Intersection check box,Cross At.text box],Labels Inside Plot check box,The Format Axis Scale-Date Tab,Show Date Scale check box,Automatic Date Scale check box,Date Axis Intersection Automatic check box ,Date Axis Intersection Cross At check boxk,Date Axis Labels Inside Plot check box-Skip Weekends check box-The Format Axis Scale-Value Tab-Automatic Value Axis Scale-The Format Axis Scale Tab (3D XYZ)A-Automatic 3D Axis Intersection check box, -X Axis text box -Y Axis text box-Z Axis text boxg-XYZ Show Scale check box-XYZ Automatic Scale.check box׃-Type pop up menu-Log Base text box-Percent Basis pop up menu.Uniform Axes check box.The Format Axis Polar Tab.Polar Axis Automatic Scale.The Format Axis Radar Tab% .The Format Axis Ticks Tabd.Axis Tick Length text box.Axis Tick Location radio buttons.The Format Axis Label Backdrop Tab.The Format Axis Label Text Tab.Label Automatic check box.Standing Labels check box/The Format Axis Label Font Tab/The Format Axis Label Format Code Tab/Axis Label Category pop up menu/Axis Label Format Code pop up menu14/Custom Axis Label text field/The Format Axis Title Text Tab/Axis Title Visible check box/The Format Axis Title Backdrop Tab/The Format Axis Title Font Tab/The Format Legend Backdrop TabW/The Format Legend Font Tab/Font list box/Font Style list boxg/Size list box/Effects check boxj/Sample display box0Color pop up menu0The Format Legend Location Tab0Visible check box'0Location radio buttons0Custom Location check box and text boxes0Custom Location radio button and text boxesQ0The Format Title Location Tab0The Format Title Text Tab+0Horizontal Alignment radio buttons{0Vertical Alignment radio buttons0Orientation radio buttons0Word Wrap check boxF0Text box0The Format Footnote Location Tabχ0The Format Footnote Backdrop Tab1The Format Footnote Font Tab01The Format Title Backdrop TabT1The Format Title Font Tabu1The Format Footnote Text Tab1Contour list box1Base list boxl1Projection list box1Surface list box1Wireframe list boxŅ1Smoothing text box2Use Separate Contour Data check box2Surface Color picker2Wireframe Color picker2Wireframe Width picker2Automatic Contouring Values check box2Contour Colors list box2Contour Value List box62New Contour button2Delete Contour button2Contour Value text box<2Contour Label text box2Band Options list boxes2Line Options list boxes]2Contentsf2-Log Base text box-Percent Basis pop up menu.Uniform Axes check box.The Format Axis Polar Tab.Polar Axis Automatic Scale.The Format Axis Radar Tab% .The Format Axis Ticks Tabd.Axis Tick Length text box.Axis Tick Location radio buttons.The Format Axis Label Backdrop Tab.The 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ׁ$ׁ-ׁW"ׁ3ׁTׁ$ׁ-ׁW"ׁ3ׁTׁ$ׁ-ׁW"ׁ3ׁTׁ$ׁ-ׁW"ׁ3ׁTׁ$ׁ-ׁW"ׁ3ׁTׁ$ׁ-ׁW"ׁ3ׁyׁ-ׁW"ׁ3ׁP"ׁ-ׁW=ׁ ׁ3ׁQ#ׁ-ׁׁ=ׁ ׁ3ׁQ#ׁ-ׁׁ=ׁ ׁ3ׁR#ׁ-ׁׁ=ׁ ׁ3ׁR$ׁ-ׁׁ=ׁ ׁ3ׁSׂRׁׁ=ׁ ׁ3ׁSׂ!+ׁׁ=ׁ ׁ3ׁSׂ",ׁׁ=ׁ ׁ3ׁw,ׁׁ=ׁ ׁ3ׁw(ׁ=ׁ ׁ3ׁw)ׁ=ׁ ׁ3ׁjׁ ׂ*ׁ=ׁ ׁ3ׁ ׁ׃ׄ ׂ*ׁ=ׁ ׁ3ׁ ׄׄנ ׂ+ׁ=ׁ ׁ3ׁ ׏ׁ׋ ׂ+ׁ=ׁ ׁ3ׁגׂדׂ8ׁ=ׁ ׁ3ׁׁׄׄ=ׁׂ=ׁ ׁ3ׁ'ׁׂ=ׁ ׁ3ׁ'ׁׂ=ׁ ׁ3ׁBׁ=ׁ ׁ3ׁ ׊V׍Cׁ=ׁ ׁ3ׁ ׁ ׁXׁ ׁBׁ=ׁ ׁׁׁ ׄ+ׁ+ׄ+ׁׁ=ׁ ׁׁׁ ׊ׁ*ׁ*׊ׁ+ׁׁ=ׁ ׁׁׁ ׍+ׁ+׍+ׁׁ=ׁ ׁׁׁׂEׁcׁׁׂ=ׁ ׁ ׃ׁׁEׁcׁ׃ׁ=ׁ ׁ ׆Mׁ=ׁ ׁ ׃ ׃ׁ=ׁ ׁׁׂ  ׁ ׁׂׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁ ׁׅ  ׁ ׂׅ ׁ=ׁ ׁ ׁׅ  ׁ ׂׅ ׁ=ׁ ׁ ׈ ׆ ׁSׁׁIׁ ׁ ׆ׁ  ׁ ׂ׆ ׁSׁׁHׁ ׁ ׁׅ  ׁ ׂׅ ׁSׁׁHׁ ׁׁ  ׁ ׁׂ5ׁׂ׃ׁׁׁׂׄ1ׁ ׁׁ  ׁ ׁׂׂ5ׁׂ׏ׄ׊ׁׁׁ׉ׁ0ׁ ׁׁ  ׁ ׁׂ5׃׎ ׄ׊ׁׁׁׁׁׅ0ׁ ׁׁ  ׁ ׃ׁ5׃ׁׂ׉ ׁׁׂׂ0ׁ ׁׁ  ׁ  =׃׋ׁׁׁ׆ׁׁׁׁׂׄ3ׁ ׁׁ  ׁ  ׁ5ׄ׎ׁׁ׉ׁׁׂ׃ׇׁ/ׁ ׁׁ  ׁ ׁׂ5ׂׄ׈ׄ׃׃ׁ׆ׄ0ׁ ׁׁ  ׁ ׁׂ5ׇׁׁׁ ׁׁׂׄ=ׁ ׁׁ  ׁ ׁׂ5ׁׁׁׁׂ ׁׁׁׄ>ׁ ׁׁ  ׁ ׁׂ5ׁׁׁׁׁׁ׃ׁ3ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁׁ  ׁ ׁׂ=ׁ ׁ ׁ  ׁ ׂ ׁ=ׁ ׁ ׆ ׆ ׁ=ׁ ׁ ׆ׁ  ׁ ׂ׆ ׁ=ׁ ׁ ׁׄ  ׁ ׂׄ ׁ=ׁ ׁ ׆ׁ  ׁ ׂ׆ ׁ=ׁ ׁׁ  ׁ 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HlH lH H$lHH  ׁׁׂ!׃ׁ ׂ HHlHHHlH lH   H lH  ׁׂ"׆ׁ ׁ HHlHHHHlHlH   HlH  ׂ"׆ׁ ׁHHlHHHlHlH   HlH   ׁ:ׁ׎/ׂ$ׁׁׄHHlHHH#lHlH   HlH   Fאׁ׎0ׂ$ׁׁׂHHlHH$lHlH   HlHH   ׅ:׆ׁ׎0ׂ$ׁׁHHlH H$lHlH  HlH 4> ׁׄׄ/ׂ$ׁ׃ׅHHlH H$lHlH  H lH   ׁ>ׇׂׅ/ׂ$ׁׂ׃HHlH H$lHllH  HlH   D׃ׁׁׄ/ׂ$ׁׂׂHHlH H$lHlH  HllH  "  Dׁׂׂ7ׂ$ׁׁׄHHlHH$lHH  HH !  ׂ$ׁׁׁׁHHlHH#lHH    ׂ$ׁׁׁׁHHlH HHlH    "ׂ ׁׁׁׁׁHHlHHlH    ׂ ׁׁׁHHlHHlH    ׂ ׁׁׁׂ ׁHHlHHlH      ׂ!ׁׄ ׁ ׁHHlHHlH     ׁ ׁׂׄ ׁ ׁHHlH H lH      ׂ#ׁ ׁׁHHlH   HlH     ׂ ׃ׁ ׁׁHHlH   HllH    ׂ!ׁׁׂׂHHlH   HH    ׂ#ׁׁׁHHlH       ׂ$ׁׁׁׂHHlH      ׂ$ׂ׃ׄHHlH      ׂ$ׁׂ׃HHlH      ׂ$ׁ׃ׂHHlH       ׁ ׂ$ׁׁׅHHlH        0Eׂ$ׁׁׁׁHHlH       ׄ0ׁ׌Hׂ$ׁׁׁׁHHlH       3 ׁ׃׃Eׂ$ׁׁׁׁHHlH     ׄ1׉Eׁׁׂׂׂ ׁHHlH      ׃1ׁׂׅFׂ ׁׁׁ ׁ ׁHHlH     ׂ2ׁׁRׂ ׁׁׁ ׁ ׁHHlH      ׁ;Sׂ ׁׂ ׁ ׁHHlH     ׁׁׂ ׁׁHHlH       ׇׁׁׂ ׁׂHHlH     ׁׁׁׁׂHHlH     ׁׂ"׃ׁׁׁHHlH     ׂׂ"׃ׁׁׁHHlH     ׁׂ"ׂׄHHlH       ׁ ׂׂ#ׁׂׂHHlH       ׁ ׂׄ$ׁׁׂHHlH       ׁ׈ׂ$ׁׁׂHHlH       ׁׁׂׄ$ׁׁׄHHlH       ׁ׈ׂ$ׁׁׁׁHHlH       ׇׁׂ$ׁׁׁׁHHlH       ׂ$ׁׁׁׂHHlH       ׁׁׁׁׂׂׂ ׁHHlH        ׂ 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?'ׁ ׁׁׂ ׁ ׁH HlH lHׁׁ>+ׁׁyׁׁׂ ׂ ׁHHlHH lHׇ >/ׁ xׂׄ ׁ ׂׂHHlH lHׂ=3ׁxׂ׃ ׁׁH#lHlHׄ =8ׁ׊xׂ ׁׂׂHH$lHHlHׄ!=<ׁ׊xׂ׋ׁׁׁH%lHlHׁׄ =@ׁxׂ׆ׁׂׂHH$lHHlHׂׄ 9DׅxׁׁׁׂׅH%lHllHׁ׃5F׈yׂ׈ׁׂׂHH$lHׂׄ4F~ׇׁׁׂׂH$lHH ׁ׃4Fׁׂ׆ׁׁׂHHlH ׂׄ4F ׁNׁׁׂ׃׃ׂׂHHlHׁׄ 4FׁNׁׁׁׁׂׂׂHlHׂׅ4Eׁ5ׁ׃ׁׁׁ׋ ׂ ׂׂׂHH lHׁׁׁ4Eׁ5גׁׁ׉ׁׁ׏ ׂ"ׁׁׂHlHׁׂׂ7Eׁ5ׁׅ׌ׁׁׁ ׂ$ׁׂׄHHllHׁׁׁ2E ׁׂ-׃׍ׁ׋ׁׁ׃׉ ׂ%ׂׂׂHHׁׂׂ.F$ׁ,׆׈׃׆ׇ ׂ'ׁׁׁׁׁ*E( &ׁׁׁ׆ ׁ׆ׂׂ(ׂׂׂׂ ׁ&E-ׁׂ%ׁׁׁׅ ׁׁ׃ׁׁׂ*ׁׁׁׂ ׁ"E1ׁwׂ,ׁׁׂׂ ׁE5ׁvׂ-ׁׂׂׂ ׁD9ׁ׊vׂ/ׁׁׁׂׂD>ׂvׂ1ׁׁׁׂׂDCׁvׂ2ׁׁׁׂׂDG׉wׂ4ׁׁׁׂׂ DI׈xׂ5ׁׂׂׄCI}ׂ7ׁׂׂCJׁׂ9ׁׂׂCI ׁׂ:ׁׁׁׂAIׁׂ<ׁׂׂׂ=Hׁׂ>ׁׁׁׁ8Hׁׂ?ׁׂׂׂ4IׁׂAׁׁׁׁ0H ׁׂBׁׂׂׂ,H%ׁׂDׁׁׂׂ(H)ׁׂFׁׁׂ ׁ#G-ׂpׂGׁׂׂ ׁH3ׁ oׂIׁׂׂ ׁG7ׁׁ׊oׂKׁׁׁׂG<ׁׁ׊oׂLׁׂׂׂG@ׁׁ׊oׂNׁׁׁׁGDׁ׍pׂOׁׂׂׂ GIׁ׊pׂQׁׂׄGKׂvׂSׁׂFK{ׂTׁׂFK ׂVׁׂׂCKׂXׁׁׂ?KׂYׁׁׂ;Jׂ[ׁׂׂ6J ׂ]ׁׁׁ2J$ׂ^ׁׂׂ-J)ׂ`ׁׁׁ)J-ׂaׂׂ ׁ&J2ׂcׂׂ ׁ!I6ׂeׁׁ ׁJ;ׂfׁׂׂI?ׂhׁׁׂHDׂjׁׁׂIIׂkׂׅ HMׂmׁ׃IRׂnׂׂHVׂpׂׄH[ׂrׁׁF_ׂsׁׂBdׂuׁׂ=hׂwׁׁ8mׂxׁׂ4rׂzׁׁ/vׂ{ׁׂ+{ׂ}ׂ ׁ&ׁׂ ׁ"ׂׂ ׁ ׁׁׁׁׁׁׂׂׂׂׂׂ ׂ ׅ ׂ %ׂ$$lpA3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxW`WGmG/GL'L2{pp([LW.{(R{?f?M8zSׁxׁSׁxׁSׁxׁSׁxׁSׁxׁSׁxׁSׁxׁSׁZׁSׁxׁSׁxׁSׁRׁSׁׁא[ׁSׁׁׄ[ׁSׇׁׁׄ[ׁSׁׁׂ[ׁSׁׁׁ[ׁSׁׁׁ[ׁSׁxׁSׁxׁSׁxׁSׁxׁSׁ!PׁSׁxׁSׁׁׁ׊@ׁSׁׁ׏ׁׁׁLׁSׁ ׁMׁSׁ׌ׁ׃OׁSׁׁׅ׃LׁSׁׁׁ׃RׁSׁׁSׁSׁxׁSׁxׁSׁxׁSׁxׁSׁ hׁSׁxׁSׁׁוUׁSׁׁ׌^ׁSׁׁ׌^ׁׂ:ׁ׌^ׁׄ9ׁׁ׈]ׁׁ8ׁׁׁ ׁ^ׁuׁׅ׉ׇׁׁׁׂׄRׂ ׁuׁ׈ׄ׌יׁh ׁuׁ׏׌׉׊ׁc yׁׂ׃׋׈׊ׁe ׁvׁׂׄ׈ׁ׉׍ׁi ׁvׇׁׅ׈ׁ׉׍ׁkׁvׁׂׄ׆׉ׁׄxׁvׁׁ ׇׁ+ׁׁׄOׁvׁׁ ׁׁׂ+ׇׁׁׄ[ׁwׁׁׁ+ׁׁ׃XׁSׁ׃ׇXׁSׁׁׁYׁSׁׁׁ ׁ^ׁSׁׁ^ׁSׁxׁSׁxׁSׁxׁSׁxׁSׁkׁSׁׁׁ]ׁSׁׁׁ\ׁSׇׁׁׂRׁSׁׁג[ׁSׁׁ׏[ׁSׁׁ׏[ׁSׁׁׁׂZׁSׁׁׁlׁSׁmׁSׁxׁSׁxׁSzSׁxׁSׁxׁSׁxׁSׁxׁSׁxׁSׁlׁSׁxׁSׇׁׁׂׂׂׄ@ׁSׁׁןLׁSׁׁמIׁSׁעIׁSׁׁׂׄׄJׁSׁׁׁׁOׁSׁׁׁFnnׁoׁlׁnׁoׁlׁnׁoׁlׁnׁoׁ#Bׁnׁcׁlׁnׁoׁlׁnׁ ׁ׈Nׁ ׁׂ׊׈ ׁnׁ ׁ׈Zׁ ׄ׍ׁ׏ׁ׍ׁׁnׁ ׇׁWׁ ׁׁׁ׏ׁׁׁnׁ ׁ׋Wׁ ׁׁׁׄ׏ׁ׍ׁׁnׁ ׁXׁ ׁׁׁׁׁׁׁׂׂׂnׁ ׁׄ\ׁ ׄ ׁ ׁׁׁׁ ׁ ׁׁnׁ\ׁ  ׁ  ׁׁׁ ׁ ׁׁnׁoׁlׁnׁoׁlׁnׁoׁlׁnׁoׁlׁnׁcׁ [ׁnׁׂYׁlׁnׁׄXׁ ׁׂג)ׁnׁ=ׁ ׄ׍ׁ׏2ׁnׇׁׁׁ׊Fׁ ׁׁׁ׏2ׁnׁׁFׁ ׁׁׁׄ׏2ׁnׁׁלFׁ ׁׁׁׁׂׂ1ׁnׁׁׂׂFׁ ׄ ׁ ׁׁׁ2ׁnׁׁ ׁFׁ  ׁ  ׁׁ2ׁnׁׁ ׁFׁlׁnׁoׁlׁnׁoׁlׁnׁoׁlׁnׁ ]ׁ \ׁnׁoׁlׁnׁoׁ @ׁnׇׁׁׂׂNׁ ׁ׍ׁHׁnׁׁ׉ׁWׁ ׁHׁnׁׁׄXׁ ׁאHׁnׁׁ׊Zׁ ׁׁׂHׁnׁ׆ׄWׁ ׁ ׁ ׁHׁnׁ׃dׁ ׁ ׁ ׁHׁnׁ ׁ ׁ[ׂkׁnׁoׂkׁnׁoׂkׁn_nׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׅn׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅׄnׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׅn׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅׄnׁ׉בׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅ׉בׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂn׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅׄnׁׁׅ׍ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅׅ׍ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂn׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׅׅׅׄnׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׅׅׅn׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅׅׅׄnׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׅׅׅn׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅׄn_nׁoׂkׁnׁZׂkׁnׁoׂkׁnׁׁׅ׊Oׁlׁnׁׁ׉Xׁlׁnׁׁ׉Xׁlׁnׁ׉Xׁlׁnׁׁ׊WnnׁׁׁׄaׁSׁׁׁaׁSׁxׁSׁxׁSׁxׁSׁxׁSׁjׁSׁxׁSׁ ׂEׁSׇׁׁׄ׊MׁSׁׁ׃MׁSׁ׃ׄMׁSׁׁׂׂׄMׁSׁׁׄMׁSׁ 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VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬V,ׂׂׄVcׄVcׂyVVV VVcׅ׬V+ׂׂׄVcׄVcׂyVVV VVׂ׌בׅ׬Vׂׂׂ לׂׄV#ׂד%ׄV!ׂכ"ׂyVVV VVׂ׉חׅ׬V׆ׂ ׂ׆׉ׂׄV#ׂד%ׄV!ׂכ"ׂyVVV VVׂ׉חׅ׬Vׂ ׂ׆ׂׄV#ׂ׋%ׄV!ׂׂ"ׂyVVV VVׇׂׅ׬Vׂׂ ׂ׆ׂׅׄV#ׅ%ׄV!׉ׅ"ׂyVVV VVׂׅ׬V׆ׄV#ׂׄ$ׄV!ׂׂ!ׂyVVV VVׂׂ/ׅ׬V׌׆ׂׂׄV#ׂׂׂ/ׄV!ׂׂ ׂ,ׂyVVV VVׂׂׂ/ׅ׬Vׂ׊ׂׂׄV#ׂׂׂ/ׄV!ׂׂ ׂ,ׂyVVV VVBׅ׬VׂׂׄׄV# ׂ/ׄV!ׂ,ׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVcׅ׬VcׄVcׄVcׂyVVV VVd׬VdVdVdyVVV gV׬fVfVfVyVVV&VVV&VVV hׁVVV VVe׬VeVeVeVeVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VV+ .ׅ׬V:ׄV;ׄVcׄV : ׂVVV VV' *ׅ׬VׁOׄVׁOׄV;ׄV A ׂVVV VV$ׁ'ׅ׬Vׁ5ׄVׁOׄVׂNׄV  #, ׂVVV VV"ׂ%ׅ׬Vׁ5ׄVׁOׄVׂNׄV  # ׂVVV VV!ׁ$ׅ׬Vׁ5ׄVׁOׄVׂ3ׄV # ׂVVV VV"ׅ׬Vׁ5ׄVׁOׄVׂ3ׄV # ׂVVV VVׁ!ׅ׬Vׁ5ׄVׅ״KׄVׂ3ׄV # ׂVVV VVׁ ׅ׬V%+ׄVׅ״ׂׂ,ׄVׂ3ׄV #  ׂVVV VVׁ ׅ׬Vׁ#+ׄVׅ״ׂׂ,ׄVׂ3ׄV #  ׂVVV VVׁׅ׬Vׁ#+ׄVׅ״״,ׄVׂNׄV # ׂVVV VVׁ ׅ׬Vׁ#+ׄVׅ״״ׂ&ׄVׂNׄV # ׂVVV VVׁ ׅ׬Vׁ#+ׄVׅ״ׂ ׂׂׂׂ&ׄVׂNׄV #  ׂVVV VVׁ ׅ׬Vׁ#+ׄVׅ״ׂ ׂׂ״&ׄVׂNׄV #  ׂVVV VVׁ ׅ׬V%+ׄVׅ״ׂ ״״&ׄVׂ"ׄV # ׂVVV VVׁׅ׬VׁOׄV׃ׂ ׂׂׂׂׂ ׄVׂ"ׄV # # ׂVVV VVׁׅ׬VׁOׄVׅ״ׂׂׂׂׂׂׂ ׄVׂ"ׄV # # ׂVVV VVׁׅ׬V1ׄVׅ״ׂׂׂ ׂ״ ׄVׂ"ׄV  # # ׂVVV VVׁ ׅ׬Vׁ/ׄVׅ״ׂׂׂ ׂ״ ׄVׂNׄV  # # ׂVVV VVׁ  ׅ׬Vׁ/ׄVׅ״ׂ״ׂׂ ׄVׂNׄV  # # ׂVVV VVׁׅ׬Vׁ/ׄVׅ״ׂ״ׂׂ ׄVׂNׄV  # # ׂVVV VVׁׅ׬Vׁ/ׄVׅ״ׂׂׂׂׂ ׄVׂNׄV  # # ׂVVV VVׁׅ׬Vׁ/ׄVׅ״ׂׂׂ ׄVׂ,ׄV  # # ׂVVV VVׁׅ׬V1ׄVׁ ״ׂ ׄVׂ,ׄV  # # ׂVVV VVׁׅ׬Vׁ''ׄVׁ ״ׂׂׄVׂ,ׄV   # ׂVVV VVׁׅ׬Vׁ''ׄVׁ ׂׂׂׂׄVׂ,ׄV   # ׂVVV VVׁׅ׬Vׁ''ׄVׁ ׂׂ״ׄVׂ,ׄV  # ׂVVV VVׁׅ׬Vׁ''ׄVׁ ׂ"״ׄVׂNׄV  # ׂVVV VVׁׅ׬V)'ׄVׁ3ׂׄVׂNׄV A ׂVVV VVׁׅ׬VׁOׄVׁ3ׂׄVׂNׄV A ׂVVV VVׁׅ׬VׁOׄVׁ3ׂׄVׂ :ׄV )## ׂVVV VVׁׅ׬VׁOׄVׁ3ׂׄVׂ :ׄV # ׂVVV VVׁׅ׬V1ׄVׁ3ׂׄVׂ :ׄV  # ׂVVV VVׁׅ׬Vׁ1ׄVׁ3ׂׄVׂ :ׄV  # # ׂVVV VVׁׅ׬Vׁ1ׄVׁ3ׄVׂ :ׄV  ## ׂVVV VVׁׅ׬Vׁ1ׄVׁ3ׄVׂNׄV  ## ׂVVV VVׁׅ׬Vׁ1ׄVׁ3ׂׄVׂNׄV  ## ׂVVV VVׁ ׅ׬Vׁ1ׄVׁOׄVׂNׄV  ## ׂVVV VVׁ ׅ׬V1ׄVׁOׄVׂNׄV  #҃## ׂVVV VVׁ!ׅ׬Vׁ<ׄVׁOׄVׂ BׄV  # ׂVVV VVׂ"ׅ׬Vׁ<ׄVׁOׄVׂ BׄV  # ׂVVV VV"ׂ %ׅ׬Vׁ<ׄVׁOׄVׂ BׄV  #  ׂVVV VV$ׁ 'ׅ׬Vׁ<ׄVׁOׄVׂ BׄV  #  ׂVVV VV%ׂ (ׅ׬V<ׄVׁOׄVׂNׄV  ׂVVV VV'*ׅ׬VׁOׄVׁOׄVׂNׄV A ׂVVV VV+ .ׅ׬VׁOׄVׁOׄVׂNׄV A ׂVVV VVcׅ׬VcׄVcׄVׂNׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VV'ׂׄ+ׅ׬VׂׂׄV"ׂ׆%ׄV##ׄV ׁׂ ׂVVV VV'ׂ׉*ׅ׬Vׂ׆׉בׄV"ׂ׆ׂ׆$ׄV"ׄ$ׄV י ׂVVV VV'ׂׅ.ׅ׬Vׂ׆ׂׅבׄV"ׂ׆ׂ׆$ׄV"ׂט$ׄV  ׂVVV VV'ׂ׃*ׅ׬Vׂ׆ׂׅ׆ׄV"ׂ׆ׂ׆$ׄV"ׂׂ$ׄV  ׂVVV VV'*ׅ׬VׂׅׅׄV"ׂ׆$ׄV"׃׃$ׄV  ׂVVV VV'ׂ4ׅ׬Vׂׂ׆&ׄV"ׂׂ ׂ/ׄV"ׂ׆$ׄV   ׂVVV VV'ׂ4ׅ׬Vׂׂ׆&ׄV"ׂׂ ׂ/ׄV"ׂׂ׆$ׄV   ׂVVV VV'1ׅ׬Vׂׂ'ׄV"ׂ׆ׂ/ׄV#;ׄV   ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄV I ׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVd׬VdVdVdVdVVV gV׬fVfVfVfVVVV hׁVVV VVe׬VeVeVeVeVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VV:ׅ׬V:ׄV;ׄV;ׄV:ׂVVV VVׁ8ׅ׬VׁׁׄׄVׂNׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄV׃MׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׄLׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׁׂJׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׁׁIׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׁׁHׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׁׂFׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׁ ׁEׄVׂ8ׄVׁׁׁׁׁׁׂVVV VVׁ8ׅ׬VׁׁׄׄVׁ ׁDׄV%ׄVׁׁׁׁׁׁׂVVV VVׂ7ׅ׬VׁׁׄׄVׁ ׁDׄVׂ%ׄVׁׁׁׁׁׁׂVVV VV׃6ׅ׬VׁׁׄׄVׁ ׁCׄVׂ%ׄVׁׁׁׁׁׁׂVVV VVׄ5ׅ׬VׁׁׄׄVׁ ׁCׄVׂ%ׄVׁׁׁׁׂVVV VVׁ4ׅ׬VׁׄׄVׂ ׁCׄVׂ%ׄVׁׁׁׁׁ"ׂVVV VVׁ3ׅ׬Vׁׄ ׁׄVׁׂBׄVׂׄVׁׁׁׁׂ"ׂVVV VVׁ2ׅ׬Vׁׄ ׁׄVׁׁBׄVׂׄVׁׁׁׁׄ"ׂVVV VVׁ1ׅ׬Vׁׄ ׁׄVׁׁׂׂ!ׄVׂׄVׁׁׁׁׄ"ׂVVV VVׁ0ׅ׬Vׁׄ ׁׄVׁ ׁׁ״ ׄVׂׄVׁׁׁׁׁׁ"ׂVVV VVׁׅ׬Vׁׄ ׁׄVׁ ׁׄׄVׂׄVׁׁׁׁׁׁ"ׂVVV VVׁ ׅ׬V׃ׁ ׁׄVׁ ׁׁׁ ׁׄVׂׄVׁׁׁׄ׈"ׂVVV VVׁ  ׅ׬Vׁ ׁׁ ׁׄVׁ ׁׄ ׂׄVׂׄVׁׁׁׄ!ׂVVV VV׃   ׅ׬Vׁ ׁׁ ׄVׁ ׁׁׄׄVׂׄVׁׁׁ ׂׂׂVVV VVׄ ׅ׬Vׁ ׁׁ+ׄVׁ ׁׁׁׁׄVׂׄVׁׁׁ ׁׂׂVVV VVׁׁ  ׅ׬Vׁ ׁׁ+ׄVׁ ׁׂׄׄVׂ8ׄVׁׁׁ ׁׁׂׂVVV VVׁׁ   ׅ׬Vׁ ׁׁ+ׄVׁ ׁׄ-ׄVׂ8ׄVׁׁׁ ׁׂ"ׂVVV VVׁׁ  ׅ׬Vׁ ׁׁ+ׄVׁׁׄ-ׄVׂ8ׄVׁׁ ׇׁ"ׂVVV VVׁׁ ׁׅ׬Vׁ ׁ+ׄVׁׁׄ.ׄVׂ8ׄVׁׁ ׇׁ"ׂVVV VVׁׁ ׂ ׅ׬Vׁׁ+ׄVׁׄ ׁ ׂ ׄVׂ8ׄVׁׁ ׁׁ"ׂVVV VVׁׁׁ ׅ׬Vׁׁ+ׄVׁׁׁ ׁ ׅׄV%ׄVׁׁ ׁׁ"ׂVVV VVׁׁ ׁ ׅ׬Vׁׁ+ׄVׁׁׁ ׁׂׄVׁׂ%ׄVׁׁ ׁׁ"ׂVVV VVׁׁ ׁ ׅ׬Vׁׁ+ׄVׁׁׁ ׁׂׄVׁׂ%ׄVׁׁׁ"ׂVVV VVׁׁׁ ׅ׬Vׁׁ+ׄVׁׁׅ״ ׁ ׄVׁׂׄVׁ ׁׁׁ"ׂVVV VVׁ ׁׂׅ׬Vׁׁ+ׄVׁׁ ׂ ׁ$ׄVׁׂ(ׄVׁ ׁׁׁ"ׂVVV VVׁ ׁׁׅ׬Vׁׁ+ׄVׁׂ ׁ ׁ%ׄVׁׂ(ׄVׁ ׁׁ"ׂVVV VVׁ ׁׁׅ׬Vׁׁ2ׄVׁׁׂׄ&ׄVׁׂ(ׄVׁ ׁׁ.ׂVVV VVׁ ׁׁׅ׬Vׁׁ2ׄVׁׄ״ׁׁ'ׄVׁׂ(ׄVׁׁׁ.ׂVVV VVׁ ׁ ׅׄ׬Vׁׁ2ׄVׁׁׁׁ'ׄVׂ(ׄVׁׁׁ.ׂVVV VVׁׁ ׂׅ׬Vׁׁ2ׄVׁ!ׁׁ(ׄVׂNׄVׁׁׁ.ׂVVV VVׁׁ ׁׅ׬Vׁׁ2ׄVׁ"ׄ)ׄVׂNׄVׁׁׁ.ׂVVV VVׁׁ8ׅ׬Vׁׁ2ׄVׁ#׃)ׄVׂNׄVׁׁ.ׂVVV VVׁׁ9ׅ׬Vׁ2ׄVׁ$ׁ*ׄVׂNׄVׁׁGׂVVV VVׁׄ:ׅ׬VׁOׄVׁOׄVׂNׄVׁׁGׂVVV VVׁ׃;ׅ׬VׁOׄVׁOׄVׂNׄVׁNׂVVV VVׁׁ<ׅ׬VׁOׄVׁOׄVׂNׄVׁNׂVVV VVׁOׅ׬VׁOׄVׁOׄVׂNׄVׁNׂVVV VVׁOׅ׬VׁOׄVׁOׄVׂNׄVׁNׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV VVcׅ׬VcׄVcׄV8ׂ)ׄVcׂVVV VV#ׂ׃%ׅ׬V(+ׄV%(ׄV&ׄ&ׄVׂVVV VV#ׂ׃%ׅ׬V(א+ׄV%ׂא'ׄV%י%ׄVׂצחׂVVV VV$׆%ׅ׬V(א+ׄV%ׂ׌+ׄV)׊׆%ׄVׂףחׂVVV VV$׈%ׅ׬V(׈+ׄV%ׂ׊'ׄV)׈%ׄVׂעׂVVV VV$׈ׂ%ׅ׬V(ׅ+ׄV%ׂ׃'ׄV&ב%ׄVׂךבׂVVV VV%&ׅ׬V(׈*ׄV%ׂ׃(ׄV%ׂ&ׄVׂׂVVV VV%:ׅ׬V(׆5ׄV%ׂ<ׄV%ׂׂ4ׄVׂׂׂ!ׂVVV VV&ׂ;ׅ׬V(׆5ׄV%ׂ<ׄV%׊4ׄVׂׂׂׂ!ׂVVV VV&ׂ;ׅ׬V(6ׄV%ׂׂ5ׄV&9ׄVׂׂׂׂVVV VVcׅ׬VcׄVcׄVcׄVcׂVVV 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(((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)2{pp([W.{(R{?M.?MZׁZׁZׁZׁZׁZׁZׁZׁpSׁpׁQׁׁpׁQׁׁpׁQׁׁpׁQׁׁ*ׁׅQׁׁ*׆ׁׁ׃׃ׁ׈׆ׁQׁׁ)ׁ׃ׁׁ׉ׁבׁ{ׁׁOׁׁ-ׁׁׁׅׄׄ{ׅPׁׁ,ׁׅ׃ׁׄ׆ׁpׁ Rׁׁ.׃ׁׁׁׁׂpׁׅRׁׁ*ׁ׃ׁׁׁ ׁׄ ׁׁkׁׂ׃Qׁׁ+ׁׁׁ ׁׄ ׁׁgׁׂ׃Qׁׁ1ׁׁdׂ ׃Pׁׁpׁcׅ ׄGׁׁpׁbׁׅ׃GׁׁpׁcׂׂׂFׁׁpׁfEׁׁpׁcׁׂGׁׁpׁ[ׁׂ ׂEׁׁpׁRׂ׃ ׁFׁׁpׁS׃ׂBׁׁpׁM׆ׄ׃BׁׁpׁJ ׁ HׁׁpׁMׁׁ GׁׁpׁE׆ׂ ׁHH FׁׁpׁC׆ ׁHHH EׁׁpׁCׂׂׅHHlH Dׁׁpׁ@ׁׂHHlH ?ׁׁpׁF H HllH AׁׁpׁDׂ HHHlH Bׁׁpׁ=ׁׂ HHlH Aׁׁׅ*ׁ4 HHlH @ׁׁׁׁׁׁ׃׃ׁ׈׆+ׁ0ׁׁHHlH ?ׁׁׁׁׁׁ׉ׁב+ׁ0ׄ HHlH >ׁׁׁׁׁׁׅׄ*ׁ,ׁׂ ׂHHlH ׄ7ׁׁׁׁׁ׃ׁׄ׆*ׁ)ׁׂׅHH HHlH :ׁׁׁׁׁׁׂׄ)ׁ&׆ ׁHHHH HHlH ׁ5ׁׁׁׁׁׁׄ ׁׄ ׁ*ׁ$ׅ ׅHHlH HHlHׁ7ׁׁׁׁׁׁ ׁׄ ׁ*ׁ'ׁׂHHHllH HHlH6ׁׁׁ7ׁ)HHlH HHlH 3ׁׁpׁ& HH HlH HHlH9ׁׁbׁ ׆ HH HlH HHlH8ׁׁׁ`ׁׁ"ׂ HHlHHHlH7ׁׁׁ`ׁׁ"ׁ HHlHHHlH 6ׁׁׁ`ׁׁ"ׁ ׂHHlHHHHlH  5ׁׁׁ`ׁׁ"ׁHHlHH HllHlH   ׁ0ׁׁׁ`ׁׁׁׁHHHHlHH HlHlH  1ׁׁׁ`ׁׁׁׁׂHHHHHlHHH lHlH  3ׁׁׁ`ׁׁׅHHHlH HHlHHH lHlH  2ׁׁׁ`ׁׁ!ׂHHllH HHlHHHlHHlH  1ׁׁׁ`ׁׁ!ׂ H HlH HHlHHHlHlH  1ׁׁׁ`ׁׁ!׃ HH HlHH HHlHHlHllH   )ׁׁׁ`ׁׁ!ׅH HlHH HllHlHHlHlH   ,ׁׁׁ`ׁׁׁׁׁH HlHHHlHlH HlHH   (ׁׁׁ`ׁׁ׃ׁׁH HlHHH lHlH  HlHH   ׁ'ׁׁׁ`ׁׁׁׁׁH HlHHHlHlH   HlH   &ׁׁׁ`ׁׁ ׁׁH H lHHHlHlH   H lH  ׁ(ׁׁׁ`ׁׁׄ ׁH H lHHlHllH  HlH    ׂ&ׁׁׁ`ׁׁ ׂ ׃H H lHHlHlH  HllH  *ׁׁׁ`ׁׁ ׃ ׁH H lHHlHH  HH  )ׁׁׁ`ׁׁ ׄ ׁH H lHHlHH   (ׁׁׁ=ׁ9ׁgׁׁׁׁׁׂH H lH HlH     'ׁׁׁ%ׁׂ׃ׂ"ׇׂ/ׁׁׁׁׁׁH H lH H lH     ׁ"ׁׁׁ%ׂׄׄ׊ׂ"ׂׄ/ׁׁׁׁׁׁH H lH HlH     #ׁׁׁ'ׁה"ׂ׆ׄ/ׁׁ ׁׁׁH H lH  HllH      %ׁׁׁׁ יׁ ׁיׁהׁׁׁׁׁׁׁH H lH   HH     %ׁׁׁׁ ׁ*ׁ ׁ'ׁׅ ׁׁׁׁׅ ׄH H lH       %ׁׁׁׁ8ׁ9ׁ8ׁׁׁ ׁ ׂH HlH        $ׁׁׁׁׂ8ׁ9ׁ8ׁׁׁׂ׃ ׁH HlH       ׁׁׁ׃2׃ׁׁׅ ׁH HlH       !ׁׁׁׄ         ׁׁׁׁׁׄH HlH        !ׁׁׁ׃ׁ   ׁ   ׁ   ׂ׃ׁׁׁׁׁׁHHlH       ׁ ׁׁׁׁׂ   ׁ   ׁ   ׁׁׁׁׁׂׂׂHHlH       ׁ$ׁׁׁׁ   ׁ   ׁ   ׁׁׁׂׂׅHHlH       ׁ$ׁׁׁׁ   ׁ   ׁ   ׇׁׁׂ ׄH H lH        ׁ$ׁׁׁׁ   ׁ   ׁ   ׁׁׂׅ ׃H H lH        ׁ$ׁׁׁׁ   ׁ   ׁ   ׁׁׁׂ ׂH H lH       ׁׁׁׁׁׁ   ׁ   ׁ   ׁׁׂׂ ׁH H lH       ׁׁׁׁׁׁ   ׁ   ׁ   ׁׁׂׄ ׁH H lH       ׁׁׁׁׁׄ   ׁ   ׁ   ׁׁׁׁׁׂH H lH      ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׁׂׂH H lH      #ׁׁׁ ׅ ׁ   ׁ   ׁ   ׂׅ ׁׁׁׁׁׂH H lH      ׁ#ׁׁׁ ׅ ׁ   ׁ   ׁ   ׂׅ ׁׁׁׂׅH H lH      ׁ ׁ#ׁׁׁ ׆          ׆ ׁׁׅ ׁׁH H lH      ׁ ׁ#ׁׁׁ ׆ ׁ   ׁ   ׁ   ׂ׆ ׁׁׅ ׃HH lH      ׁ ׁׁׁׁׁ ׅ ׁ   ׁ   ׁ   ׂׅ ׁׁׄ ׂHH lH      ׁ ׃ׁׁׁׁ   ׁ   ׁ   ׁׁׁׂ ׁHH lH      ׁ ׁׁׁׁׁׅ   ׁ   ׁ   ׁׁׂׂ ׁHH lH      ׁ ׁׁׁׁׂ   ׁ   ׁ   ׁׁׂׄ ׁHH lH      ׁ ׁׁׁׁׁׂ   ׁ   ׁ   ׁׁׁׁׁׂHHlH      ׃#ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׁׁׂHHlH      ׁ#ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂׂHHlH      ׁׁ#ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂH H lH      ׁ ׁ#ׁׁׁׁ   ׁ   ׁ   ׁׁׂׅ ׁׁH H lH      ׁ ׁׁׁׁׁׂ   ׁ   ׁ   ׁׁׂׅ ׄH H lH      ׁ ׇׁׁׁ  ׁ   ׁ   ׁ   ׂ ׁׁׅ ׂH H lH      ׁ ׁׁׁׁׁ ׆          ׆ ׁׁׄ ׁHH lH      ׁ ׁׁׁׂ ׆ׁ   ׁ   ׁ   ׂ׆ ׁׁׁׁׁHH lH      ׁׁׁׁ ׄ ׁ   ׁ   ׁ   ׂׄ ׁׁׁׁׁHH lH      ׁ"ׁׁׁ ׆ ׁ   ׁ   ׁ   ׂ׆ ׁׁׁׁׂHH lH      ׁ ׁ"ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׁׂׂHH lH       ׁ  ׁ"ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׁׂׄHH lH       ׁ  ׁ"ׁׁׁׁ   ׁ   ׁ   ׁׁׁׂ ׄHH lH      ׁ ׁׁׁׁׁׂ   ׁ   ׁ   ׁׁׁׂׂ ׂHH lH      ׂ  ׁׁׁׁׁׄ   ׁ   ׁ   ׁׁׂׄ ׁHH lH       ׉ׁׁׁׁ   ׁ   ׁ   ׁׁׂׂ ׁHH lH      ׂ ׁׁׁׁ   ׁ   ׁ   ׁׁׂׄ ׁHH lH     ׁׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂ ׁHH lH    ׁׁ"ׁׁׁ ׆ ׁ   ׁ   ׁ   ׂ׆ ׁׁׁׁׁHH lH     ׁׁ"ׁׁׁ ׄ ׁ   ׁ   ׁ   ׂׄ ׁׁׁׁׂHH lH    ׁ  ׁ!ׁׁׁ ׆          ׆ ׁׁׁׁׁHH lH    ׁׁ!ׁׁׁ ׅ ׁ   ׁ   ׁ   ׂׅ ׁׁׁׁׅHH lH   ׁ ׃ׁׁׁׁׁ ׆ ׁ   ׁ   ׁ   ׂ׆ ׁׁׁ ׃HH lH   ׁ׃ׁׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂ ׂHH lH׃   ׁ ׉ׁׁׁׁ   ׁ   ׁ   ׁׁׂׅ ׁHH lHׂ ׃ ׁׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂ ׁHH lH ׂ ׁׁׁׁׂ   ׁ   ׁ   ׁׁׂׄ ׁHH lHׁ ׁ ׁׁ!ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂ ׁHH lHׁ ׁ ׁ ׁ!ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂׂHH lHׁׂ ׁ ׁ!ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׁׂHH lHׁׁ ׁׁ!ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂׂׂHH lHׁׁ ׁׁ!ׁׁׁׁ   ׁ   ׁ   ׁׁׁׁׂ ׁׁHH lH ׁׂ ׁ ׁׁׁׁׅ ׅ ׁ   ׁ   ׁ   ׂׅ ׁׁׁ ׃HH lH ׄ ׁ ׁ׆ׁׁׁ            ׁׁׁ ׁHH lH ׃ ׃ ׁׁׁ ׆ׁ  ׁ   ׁ   ׂ׆ ׁׁׂ ׁHH lH ׂ "ׁׁׁׁׁׂ ׆ ׁ  ׁ   ׁ   ׂ׆ ׁׁׁׁ ׁHH lHׁ ׁ ׁ" ׁׁׁ ׅ ׁ  ׁ   ׁ   ׂׅ ׁׁ ׁHH lHׁׁ ׁ ׁ ׁׁׁׁ  ׁ   ׁ   ׁׁׂׄ ׁHH lHׁׂ ׁ  ׁ ׁׁׁׁ  ׁ   ׁ   ׁׁׁׁׂׂHH lHׁׁ ׁ ׁ ׁׁׁׁ  ׁ   ׁ   ׁׁׁׁׁׂHH lH ׁׁ ׁׁ ׁׁׁׁ  ׁ   ׁ   ׁׁׁׁׁׂׂHH lH ׅ ׂ ׁׁׁׁׁׂ  ׁ   ׁ   ׁׁׁׂ ׁׁHH lH ׃ ׃ ׁׁׁׁׁׄ  ׁ   ׁ   ׁׁׁׂׄ ׄHH lH ׂ ׁׁׁׁׁׁ  ׁ   ׁ   ׁׁׁׁׂ ׂHH lH ׁ ׂ!ׁׁׁׁׄ  ׁ   ׁ   ׁׁׁׁׂ ׁHH lHׁ ׁ  ׁ!ׁׁׁ ׆ ׁ  ׁ   ׁ   ׂ׆ ׁׁׂ ׁHH lHׁׂ  ׁ !ׁ ׁׁׁ ׄ ׁ  ׁ   ׁ   ׂׄ ׁׁ ׁHH lHׁׁ  ׂ! ׁ ׁׁׁ           ׁׁׄ ׁH H lHׁׁ  ׃! ׁ ׁׁׁ ׆ ׁ' ׁ  ׁ   ׂ׆ ׁׁׁׁׂH HllHHlH ׁׂ ׄ!ׁ ׁׁׁ ׆ ׁ' ׁ  ׁ   ׂ׆ ׁׁׁׁׁHHlHlH ׁׁ !ׁ ׁׁׁׁ' ׁ  ׁ   ׁׁׁׁׂׂׂHH lHHlH ׅ !ׁׁׁׁׁׂ' ׁ  ׁ   ׁׁׂ׃ׁ 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ׁׁׂ$ׁ ׁrׁdׅ ׁ ׁ#ׁ ׁZׁdׂ ׁׁׁ"ׁ ׁׁXׁׁZׂ ׃ ׁׁׁ!ׁ ׁׁXׁׁWׁׁ ׁׁ ׁ ׁ ׁׁXׁׁVׁ ׁ ׁ ׁׁXׁׁbׁׁׁׁ ׁׁXׁׁN ׂ ׁ׃ׁׂ ׁׁXׁׁKׇ ׁׁ ׁׁXׁׁPׁׂ ׁׁ ׁׁXׁׁLׁׁ#ׁׁ ׁׁXׁׁC  ׁ׃'ׁׁ ׁׁXׁׁ?׈  ׁ *ׁׁ ׁׁXׁׁC׃ׁ ׂ*ׁׁ ׁׁXׁׁBׁׁׁׁ) ׁׁ ׁׁXׁׁ8׃  ׁׁ* ׁׁ ׁׁ7ׁׁׁׁׂׂׂׂׂ9׃ׂ *ׁ ׁׁ ׁׁ6ׇׄ׉׉ׁׁ6ׁׂ)ׁ ׁׁ ׁׁ6ׄ׈׉׉ׁׁ ׂׂ ׁׂ) ׁ ׁׁ ׁׁ6ׇׄ׉׉ׁׁ"ׁ ׁ ׁ ) ׁ ׁׁ ׁׁ6ׄ׆׈׉ׁׁ#ׁ ׁ ׁׁ)ׁ ׁ ׁׁ ׁׁ6ׄ׈ׇ׉׉ׁׁ$ׂ ׃ׁׂ) ׁ ׁ ׁׁ ׁׁ7ׂ׃ׁׁׂׂׂׂ&ׁ  ׁ) ׁ ׁ ׁׁ ׁׁXׁׁ'ׁ ׁ (ׁ ׁ ׁ ׁׁ ׁׁXׁׁ(ׄׄ ׁ(ׁ ׁ ׁ ׁׁ ׁׁXׁׁ*ׁׂ ׃) ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ*ׁׁ ( ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ*ׁׁ(ׁ ׁ ׁ ׁ ׁׁ ׁׁ"%ׁׁ*ׁׁ( ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ*ׁׁ' ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׁׁׁ(ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׂ ׁׁ(ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ ׁׁ' ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ ׁׁ 'ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ ׁׁ'ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ ׁׁ'HHׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁׁׁׄ'HHHׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ!ׁׁ HHlHHׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ"ׁׁׁ  HHlHׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ$ׁׁׁ   H HlHׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ$ׁׁׂ   HHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8(ׁ"ׁ#ׁׁׁ)ׁׁ   HHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ(ׁׁ   HHHlHH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ(ׁׁ   HHllHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ(ׁׁ   HHlHHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8Nׁ#ׁׁׁ(ׁׁ   HH lHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8Nׁ#ׁׁׁ(ׁׁ  HHlHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׇׁׁNׁ#ׁׁׁ(ׁׁ HHlHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁבׄNׁ#ׁׁׁ(ׁׁ HHlHlH ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׂ׈ׄNׁ#ׁׁׁ(ׁׁHHlHHlH ׁ ׁׅ ׁ ׁ ׁׁ ׁׁNׁ#ׁׁׁ(ׁׁHHH#lHH ׁ ׁ  ׁ ׁ ׁׁ ׁׁ׆ׁ ׂNׁ#ׁׁׁ(ׁׁHH'lHH ׁ    ׁ ׁ ׁׁ ׁׁ׆ׂNׁ#ׁׁׁׂ ׁׁHHllH ׁ   ׁ ׁ ׁׁ ׁׁ8Nׁ#ׁׁׁׁׁׁH Hl lHׁ ׁ   ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ ׁׁׂHHllHׁ ׁ   ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ"ׁׁׂHHllH ׁ    ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ$ׄHHl HH ׁ   ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁ%HHlׁ ׂ    ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁ'ׂׄHl     ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁ'ׁׁHH l    ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁ'ׁׁHl     ׁ ׁׁׁ ׁׁ8cׁ#ׁׁׁ'ׁׁHll    ׁ ׁׁׁ ׁׁ8cׁ#ׁׁׁׁׁׁ    ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁׁׁׁ     ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁׁׁׄ   $  ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁׁׁׁׁ   ) ׁ ׁ ׁׁ ׁׁ8cׁ#ׁׁׁ׆ׁׁ   - ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׅ ׁׁ    , ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׄ ׁׁ    , ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׇׁׁׁ ׁׁ   , ׁ ׁ ׁׁ ׁׁ"%ׁׁׁׁׄ   + ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׁׁׂ   + ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ׆ׁׁ  + ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׁׁׁׁ   * ׁ ׁ ׁ ׁׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ ׁׁׂ  * ׁ ׁ ׁ ׁ ׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  * ׁ ׁ ׁ ׁ ׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  ) ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  ) ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  * ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  * ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  HH ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ  HH ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ87ׁ"ׁ#ׁׁׁ%ׁׁ HHllH ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ%ׁׁ H HlH ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ%ׁׁH HlHH  ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ%ׁׁHHHlH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ$ׁׁHHlH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ/ ׁׁׁ$ׁׁHHlHH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׁׁׁ ׁׁׁ$ׁׁHH lH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁ׌׋ׂ ׁׁׁׂ ׁׁH HllHH lH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁׁׁ׆ב ׁׁׁׁׁׂH HlHlH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁׂׅׄ ׁׁׁׁׁׂHH lHHlH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁׁׁ ׁׁׁׁׁׁHHlHlH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁׁ ׁ ׁׁׁ ׅHlHHlH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁׁ ׁׁׁ"HHlHllH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8 ׁׁׁ$ׂׅHHllH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ$ׁׁH llHH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ#ׁׁHHllH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ#ׁׁHl  ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8` ׁ#ׁׁׁ#ׁׁ   ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁ#ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁ#ׁׁ  ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁ#ׁׁ   ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁׁׁׁ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁׁׁׁ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁׁׁׄ     ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁׁׁׅ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8` ׁ#ׁׁׁׁׄ ׁׁ   ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׅ ׁׁ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׇׁׁׁׁׁ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׁׁׄ     ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׁׁׂ     ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ"%ׁׁ׃ׁׁ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ׆ׁ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁׁׄ    ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ"ׁׁ  !  ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8 ׁׁ"ׁׁ  ' ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8 ׁׁ"ׁׁ  , ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8 ׁׁ"ׁׁ  + ׁ ׁ ׁ ׁ ׁ ׁׁׁ ׁׁ8 ׁׁ!ׁׁ  + ׁ ׁ ׁ ׁ ׁׁׁׁ ׁׁ8 ׁׁ!ׁׁ H ׁ ׁ ׁ ׁ ׁׁ ׁׁׁ ׁׁ8 ׁׁ!ׁׁ HH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׂ ׁׁ8 ׁׁ!ׁׁ HHllHH  ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ8 ׁׁ!ׁׁ H HlHH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁ8 ׁׁ!ׁׁHHlHH ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׂ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ!ׁׁHHlHH ׁ ׁ ׁ ׁ ׁ ׁ ׁ  ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ!ׁׁHH lHH ׁ ׁ ׁ ׁ ׁ ׁ ׁׁ ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ!ׁׁHH lH ׁ ׁ ׁ ׁ ׁ ׁ  ׁ ׁׁ/ׂnׁׁׁ!ׁׁHH lH ׁ ׁ ׁ ׁ ׁ ׁ ׊ ׁ ׁׁ1ׁnׁׁׁׁ ׁׁH HlHH lH ׁ ׁ ׁ ׁ ׁ ׁׁׂ׊ ׁ ׁׁׁnׁׁׁׁׁׂHH lHHlH ׁ ׁ ׁ ׁ ׁ ׆׊ ׁ ׁׁמnׁׁׁׁׁׂHHlHlH ׁ ׁ ׁ ׁ ׁ׈ׁׄ ׁׁ׃nׁׁׁׁׁׂHlHHlH ׁ ׁ ׁ ׁ ׁׁׂׂ ׁׁׂ׌׊nׁׁׁׅHHlHlH ׁ ׁ ׁ ׁ ׁׁׂ ׁׁ׃ׁnׁׁׁHHlHHllH ׁ ׁ ׁ ׇׁׁ"ׁ ׁׁׂ"nׁׁׁ  HHlH ׁ ׁ ׁ ׂ,ׁ ׁׁׂ"nׁׁׁ"ׂ HHlH ׁ ׁ ׁ׆ׇ,ׁ ׁׁ8nׁׁׁ$ׂ HH lH ׁ ׁ ׁׂ ׂ׆ׂ0ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ&ׂ HHlHׁ ׁ ׁׅ:ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ(ׂ H ׁ ׁ ׃ׇׁ;ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁ*ׂ ׁ ׁ ׃ׇGׁ ׁׁ8Uׁ#ׁׁׁ,ׂ ׁ ׁ׃ׁ׆Hׁ ׁׁ8Uׁ#ׁׁׁ.  ׁ ׁׁׁLׁ ׁׁ8Uׁ#ׁׁׁ1ׂ  ׁׅׅUׁ ׁׁ8Uׁ#ׁׁׁ3ׂ  ׁׂXׁ ׁׁ8Uׁ#ׁׁׁ5ׂ ׆aׁ ׁׁ8Uׁ#ׁׁׁ7ׂ ׁ׆ׄbׁ ׁׁ8Uׁ#ׁׁׁ9ׂׅnׁ ׁׁ8Uׁ#ׁׁׁ;ׁ׆ nׁ ׁׁ8Uׁ#ׁׁׁQׂׂׅrׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁNׅ ׁ|ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁNׂׅ~ׁ ׁׁ8ׁ"ׁ"ׁ"ׁ#ׁׁׁC׃ׁׅ ׁׁ"%ׁׁC׃ׁׅ ׁׁXׁׁCׁׁ ׁׁXׁׁCׁׂ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁׁXׁׁZׁ ׁZ\ ׁZׁZׁZׁZׁZׁZׁZׁZׁZׁZׁZׁZׁ48+8lp h3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)^ 2{pp([W.{(R{?MN?M[3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁYׁ3ׁׁ?ׁ3ׁׁ>ׁ3ׁׂ=ׁ3ׁ ׂ <ׁ3ׁ׃ ׂׂ<ׁ3ׁׁׂ׃;ׁ3ׁ׊ ׄ:ׁ3ׁ׃ ׂ ׁ9ׁ3ׁ{ׁ9ׁ3ׁyׇׁ8ׁ3ׁxׁׂׂ7ׁ3ׁyׂׂ7ׁ3ׁ~6ׁ3ׁ|ׂׂ5ׁ3ׁy5ׁ3ׁv 4ׁ3ׁnׁׂׂ3ׁ3ׁaׁ ׃2ׁ3ׁbׂ 2ׁ3ׁeׁׂׄ1ׁ3ׁ\ׁ0ׁ3ׁZׁ0ׁ3ׁX׃ׂ ׁ /ׁ3ׁTׁׁ ׁ ׂ.ׁ3ׁUׁׄ .ׁ3ׁOׁ  -ׁ3ׁOׂׄׄ   ,ׁ3ׁL   +ׁ3ׁM   +ׁ3ׁQׂHH   *ׁ3ׁNׂ HHHH   *ׁ3ׁFׁ HHlH   *ׁ3ׁGׄHHHllH   *ׁ3ׁ:ׂ ׂHHlH  )ׁ3ׁ7ׇHHl  ׂ#ׁ3ׁ5ׁׂׄHHl  ׃#ׁ3ׁ2׆ׁ ׂHHl   ׃#ׁ3ׁ/ׄ ׁ HHl   #ׁ3ׁ,ׁׂׄ ׁHHl  ׁ$ׁ3ׁ+׆ׁ HHl  ׁ)ׁ3ׁ(ׅ  HHl ׁ)ׁ3ׁ+ׁׂ   HHl  ׁ)ׁ3ׁ.   HHl  ׁ)ׁ3ׁ+ׂ HH  HHl  ׁ)ׁ3ׁ)ׂ HHHH  HHl  ׁ(ׁ3ׁ"ׄ HHHlH  HH l  ׁ׃ׁ3ׁ$ׂHHHllH  HH lH  ׁ׆ׁ3ׁ$ׁׂHHl  HH lH  ׁׁׅ3ׁ$ׁHHl  HH lH  ׁׁׄ3ׁ$ׁ HHl  HH lH   "ׁ3ׁׁׁ ׂHHl  HH lHׄ  (ׁ3ׁ ׄ HHl  HH lHׁ ׁ(ׁ3ׁ ׄ HHl  HH lHׁׁ(ׁ3ׁ ׂׄ  HHl  HH lHׁׁ(ׁ3ׁ#ׂ   HHl  HH lHׁׁ(ׁ3ׁ#ׂ   HHl  HH lHׁ ׁ(ׁ3ׁ#ׂHH  HHl  HH lHׁ ׁׁׁ3ׁ#ׄ HHHH  HHl  HH lHׁ ׁׁ3ׁ#ׁׁHHlH  HHl  HH lH׃ ׇׁׁ3ׁ#ׁׁHHHll  HHl  HH lH ׁׁׅ3ׁ#ׁׁHHll  HHl  HH lHׁ ׂ׃ׁ3ׁׁׄׄHHl  HHl  HH lHׁ ׂׂ!ׁ3ׇׁ ׂHHl  HHl  HH lHׁ 'ׁ3ׇׁ ׁHHll  HHl  HH lHׁ ׁ'ׁ3ׁׄ ׁHHll  HHllHll  HH lHׁ ׁ'ׁ3ׁ"ׁ ׁHHll  HlHl  HH lHׁ ׁ'ׁ3ׁ"ׂ ׁHHll  H lH  HH lHׁ ׁ'ׁ3ׁ"׃ׁHHll   H l  HH lHׁ ׁ'ׁ3ׁ"ׁׅHHll   Hl  HH lHׁ  ׁ&ׁ3ׁ"ׁׁׁHHll   Hl  HH lHׁ  ׁׁ3ׁ"ׁׁׁHHl   Hl  HH lH׃  ׁׁ3ׁׁׂׄHHl   HHl  HH lHׁ ׁ׃ׁ3ׁׁׁ׃HHl   Hl  HH lHׁ ׁׁׅ3ׁׁׁ ׁHHl  ׄHll  HH lHׁ ׂ ׁ3ׁׁׁ ׁHHHl   ׃Hl  HH lHׁ &ׁ3ׇׁ ׁHHHllHll   ׂH  HH lHׁ ׁ&ׁ3ׁׄ ׄHHHlHl     HH lHׁ ׁ&ׁ3ׁ!ׂ ׂHHlH   ׁ  HH lHׁ ׁ&ׁ3ׁ!׃ ׁH l   ׁ  HH lHׁ ׁ&ׁ3ׁ!ׂׅHHl   ׁ  HH lHׁ ׁ&ׁ3ׁ!ׁׁ ׁHl   ׁ  HH lHׁ  ׁ%ׁ3ׁ!ׁׁ ׁHl  ׁ   HH lHׁ  ׁׁׂ3ׁ!ׁׁ ׅHHll    ׁ   HH lH  ׁ׆ׁ3ׁׁׂׂ ׃Hl    ׁ   HH lHׁ  ׁׁ3ׁ!ׁ ׁ ׂH   ׁ   HH lHׁ  ׁׁׁ3ׁ׃ׁ ׁ ׁ   ׁ   HH lHׁ  ׂ׆ׁ3ׁׁׅ ׁׁ   ׁ   HH lHׁ  ׂ%ׁ3ׇׁ ׁׂ      HHlH lHׁ  %ׁ3ׁׁׁׅ   ׁ   HlHlHׁ  ׁ%ׁ3ׁ ׁׁׂ   ׁ   H lHlHׁ  ׁ%ׁ3ׁ ׃ׁׁ    ׁ   H lHlHׁ ׁ%ׁ3ׁ ׅׄ    ׁ   ׁH lHlHׁ ׁ%ׁ3ׁ ׁׁׂ   ׁ   ׁH lHlHׁ  ׁ$ׁ3ׁ ׁׁׁ   ׁ   ׁH lHlHׁ  ׁ$ׁ3ׁ ׁׂ ׁ   ׁ   ׂHH lHllHׂ  ׁׁ3ׁׁׁׂ ׁ   ׁ   ׁH lHlH  ׁׁ3ׁׁׂ ׁ ׁ   ׁ   ׁH lHHׁ  ׇׁׁ3ׁ׃ׁ ׁׂ   ׁ   ׁHlHׁ  ׇׁׁ3ׁׁׄ ׁׁ   ׂ   ׃HllH ׁ  ׁׂ3ׁׁׄ ׁׁ      HHׁ  ׁׂׂ3ׁׁׁׂ   ׁ   ׁ  $ׁ3ׁׁׁׁׂ    ׁ   ׁ  ׁ$ׁ3ׁׅׄ     ׁ   ׁ  ׁ$ׁ3ׁׁׁׄ   ׁ   ׁ  ׁ$ׁ3ׁׁׁׂ   ׁ   !ׁ   ׁ#ׁ3ׁׁׂ׃   ׁ   $ׁ   ׁ#ׁ3ׁׁׁ׃   ׁ   $ׁ   ׁ#ׁ3ׁׁׁׂ   ׁ   "׃   ׁ ׁׁ3ׁׁׂ ׂ׃   ׁ      ׁ׃ׁ3ׁׁׄ ׁׄ  ׁ   ׁ  ׇׁׁ3ׁׁ ׁ ׁׁ  ׁ    ׁ  ׇׁׁ3ׁׁ ׂ ׁׂ     ׁ  ׁ3ׁׁׁׁ ׁׅ  ׁ   ׁ ׂ׆ׁ3ׁׁׂׂׅ ׁ   ׁ  ׁׁ3ׁׁׁׂ ׁ   ׁ  ׁ#ׁ3ׁׁׁׁׄ   ׁ  ׁ#ׁ3ׁׁׁׁׂ ׁ    ׁ   ׁ"ׁ3ׁׁׁׁׁׂ   $ׁ   ׁ"ׁ3ׁׁׁׁׄ   %ׁ   ׁ"ׁ3ׁׁׁׁ   %ׁ   ׁ"ׁ3ׁׁׂׂ ׁ   "   ׁ"ׁ3ׁׁׂ ׁׁ!ׁ   ׁ   ׁ ׁׂ3ׁ׃ׁ ׁׂ!ׁ   ׁ   ׁ׆ׁ3ׁׁ ׁ ׁ    ׁ   ׇׁׁ3ׁׁׁׂ ׁׁ   ׁ   ׇׁׁ3ׁׁׁׁ ׁׁ   ׁ   ׁׅ3ׁׁׂׅ ׁ   ׁ  ׁ3ׁׁׁׁׂ   ׁ  "ׁ3ׁׁׁ ׁ   ׁ ׁ!ׁ3ׁׁׂׅ ׁ   #ׁ   ׁ!ׁ3ׁׁׁׁׄ   &ׁ   ׁ!ׁ3ׁׁׁׂ   &ׁ   ׁ!ׁ3ׁׁׂׂ!ׁ   &ׁ   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ׁׁׁׁׁׁׁׁׁׂׂ ׁ4ׂׄׄ ׁ ׃5ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ!ׂ ׁׁ  ׅ7ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ%ׁ׃ׁ :ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ%ׂׂ׃ ׁ?ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ&ׁׁׂׂ ׃  Dׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ(ׁ ׁׂ ׁ-ׁ ׁׁׁׁׁׁׁׂ  ׁׁׂ ׁ5 ׁ .ׁ ׁׁׁׁׁׁׁׂ  ׁׁׂ ׁ"ׂ ׁ 2ׁ ׁׂׂ ׁׁׁׁׁׁ  ׁׂ ׁׂ ׁ$ׁׂ ׂ  6ׁ ׁׂ׃A׃ׁ ׁ&ׁׄ  9ׁ ׁׂ ׆ ׁׁׁׁׁׁ ׁׂ׆ׁ ׁ(ׂ ׁ=ׁ ׁׂ ׅ ׁׁׁׁׁׁׂ ׁׁׂׅ ׁ(ׁ ׁ  >ׁ ׁׁׁׁׁׁׁׂ  ׁׁׂ ׁ(ׁ  >ׁ ׁׁׁׁׁׁׁׂ ׁׁׂ ׁ#ׁׁ  >ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ#ׁׂׂ8ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ#ׇ  <ׁ ׁׁׁׁׁׁׁׂ ׁׁׂ ׁ(ׂ ׂ8ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ(  >ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ(ׄ   ׁ>ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ(ׁׂ   ׁ>ׁ ׁׂ  ׁׁׁׁׁׁׁׁׂ ׁ"ׁׁׂ    ׁׂ4ׁ ׁׂ ׅAׁׅ ׁ ׁׁׄ   ׁׁׁ4ׁ ׁׂ ׄ ׁׁ  ׁׁׁׁׁׂׄ ׁ"ׁׂ ׂ   ׁׁׁ4ׁ ׁׂ ׆ ׁׁ  ׁׁׁׁׁׂ׆ׁ ׁ#ׅ ׁ     8ׁ ׁׁׁׂ  ׁ ׁׁׁׁׁׂ ׁ' ׂ    =ׁ ׁׁׁׂ  ׁ ׃ ׁׁׁ ׁׂ ׁ'ׅ ׂ    ׁ=ׁ ׁׁׁׂ  ׁׂ ׁׁׁׁׂ ׁׁׁׂ ׁׄ     ׁ=ׁ ׁׁׁׂ ׁׁׁׁׁׁׂ ׁ'ׁׂ ׄ    ׁ=ׁ ׁׁׁׂ ׁׁׁׁׁׂ ׁ ׁׁ ׁH  ׃    ׁ3ׁ ׁׁׁׁׁׁׁׂׂׂ ׁ ׁ ׂ ׂH ׃    ׁׅ3ׁ ׁׁׁׁׁׁׁׂׂׂׅ ׁ!׆ ׂ ׂHH  ׃    ׄ3ׁ ׁׁׁׂ ׁׁׁׁׂׂ ׁ&ׁ ׁ׃HH ׃    ׁ7ׁ ׁׂ  ׁׁׁׁׁׁׁׂׅ ׁ& ׂ׃HHH H    ׁ=ׁ ׁׂ ׄAׁׄ ׁ&ׅ ׂ׃HH H Hׄ     ׁ=ׁ ׁׂ  ׁׁׁׁׁׁׁׂׂ ׁׁׁׁ ׈HHlH H  ׂHH ׃    ׁ<ׁ ׁׂ ׆ ׁׁ ׁׁׁׁׂׂ׆ׁ ׁׁׂ ׇHHlH H  ׃HH ׃   ׃  ׁ2ׁ ׁׁׁׁׁׁׁׂ׃ׁׂ ׁׁׂ ׅHHH HׄHHH׃     ׁ׆2ׁ ׁׁׁׂ ׁׁׁׁׁׂׂ ׁ ׁׂ ׂ ׇHHlH H ׁ ׆HHHHׄ   ׂ  ׁׅ2ׁ ׁׁׁׁׂ׃ׁׁׁׁׂ ׁ!ׅ ׁׂHHlH Hׄ  ׆HHHHׄ   ׃  6ׁ ׁׁׁׁׁׁׁׁׁׂׂׂ ׁ% ׇׂHHlH Hׅ   HHHH ׅ   ׂ  <ׁ ׁׁׂ׆ ׁׁׁ׃ׁׁׂ ׁ%ׅ ׇׂHHllH H׌    HHHH   ׂ  ׁ<ׁ ׁׁׂׂ ׁׁׁׁׁׁׂ ׁ%ׁׂ ׌HHlllH H ׄ   HHHH׃   ׃  ׁ<ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁׁׁׂ ׅHHlH H ׅ   HHHH ׃   ׃  ׁ<ׁ ׁׂ ׄ ׁׁׁׂ ׁׂ ׁ ׁׁׂׂׄ ׁׁׂ ׉HHlllH H  HHHH ׄ     ׁׂ2ׁ ׁׂ  ׁׁ  ׁ  ׁׁׂׂ ׁׁׁ ׂׂHHllH Hׄ  HHHH ׃   ׃  ׁ1ׁ ׁׂ ׄAׁׄ ׁ׆ ׂ׋HHlllH H׃  HH HH ׃   ׄ  ׂׄ3ׁ ׁׂ  ׁׁׁׁ  ׁׁׁׂ ׁ$ׁׁׄHHlllH Hׄ  HH HH ׃   ׃  ׁ5ׁ ׁׁׁׁׁׂׂ  ׁ ׁ ׁׂ ׁ$ אHHlllH Hׄ  HH HH ׅ   ׅ  ;ׁ ׁׁׁׁׂ ׂ ׁׁ  ׁׂ ׁ$ׅ ׅHHllH H  HH HH   ׆  ׁ;ׁ ׁׁׁׁׁׂ  ׁׁׁׂ ׁ$ׁׂ ׍HHlllllH H  HH HHHׄ    ׁ;ׁ ׁׁׁׁׁׂ ׁׁׁׂ ׁׁׁׂ ׆HHlllllH H  HH HHH ׃   ׁ;ׁ ׁׁׂ ׂ ׃ׁ ׁ ׁׁׂ ׁׁׂ׏HHlllllH H  HH H HH׃   ׁׅ1ׁ ׁׁׂ  ׁׂ ׁ ׁׁׂ ׁׁ ׂׄHHllllH H HH H HH׃   ׁׄ3ׁ ׁׁׁׂׂ׃ ׁׁׁׂ ׁ׆ ׁאHHlllllHH H HH H HH׃   ׅ1ׁ ׁׁׁׁׂׂׂ ׁׁׁׂ ׁ#ׇׁHHllllHH H HH Hׅ HHׄ   ׂ4ׁ ׁׂ  ׁׁׁׁׁׁׂ ׁ#דHHllllllHH HHH Hׅ HH   ׁ;ׁ ׁׂ ׄ ׁׁׁׁׁׂׄ ׁ#ׅׅHHllllHH HHHHH Hׅ HH׃    ׂ:ׁ ׁׂ Aׁ ׁ#ׁׂ גHHlllllHH HHHHׅ HH׃   ׁ:ׁ ׁׂ  ׁׁׁׁׁׁׂ ׁׁׂׂ ׄHHllllH H HHHHHHׅ HH׃   ׁ:ׁ ׁׁׁׁׁׂׂ ׁׁׂדHHlllllH H HHH HH HH׃  HHׁ׃0ׁ ׁׁׁׁׁׂׂׂ ׁׁ ׂ׃HHllllH  H HH HHHׅ HH׃  HHׁ׆0ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׂ יHHllllllH  H HHH ׅ HH׃  HHHHׁ0ׁ ׁׁׁׁׁׁׁׁׂׂ ׇׁׁׁHHllllH HHHHH ׅ HH  HHHHׂ4ׁ ׁׁׂ׃ׁׁׁׁׂ ׁ"אHHlllllH HHHHH ׅ HH  HHHHׁ:ׁ ׁׁׂ׃ׁׁׁׁׂ ׁ"ׅ ׄHHlllH HHHׅ HH  HH HH ׁ:ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ"ׁׂ ׎HHlllllH׊ HHHHHׇ HH  HH Hׁ:ׁ ׁׁׁׁׁׂ ׁׁׁׂ ׁׁׁׂ׃HHllllHׇ HHHH  HH  HH Hׁ:ׁ ׁׂ ׅ ׁׁׁׁׁׂׅ ׁׁׁׂ׎HHlllllHׅHHHHHׄ H H HH Hׁ/ׁ ׁׂ ׆Aׁ ׁ׃ׁ ׂׅHHllllH ׂHHH ׅ HH HH Hׁ׆/ׁ ׁׂ  ׁׁׁׁׁׁׂ ׁׁׂ דHHllllllHׁHHׅ HH HH H׃/ׁ ׁׂ ׄ ׁׁׁ ׁׁׁׂׄ ׁׁׂׄHHlllHׂ׃HH Hׅ H HH H׃0ׁ ׁׁׁׁׂ ׁׁׂ ׁ!ׄ ׎HHlllllHׂׅHH Hׅ HHH H9ׁ ׁׁׁׁׁׁׁׂׂ ׁ!ׁׂ ׂHHlllH׊HHHHׅ HHH Hׁ9ׁ ׁׁׁׁׁׁׁׁׂׂ ׁ!ׁׂ׎HHlllllH ׅHHH HHH H  ׁ9ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁׂׅHHlllH ׁׂHHׅ HHH Hׁ9ׁ ׁׁׁׂ׃ׁׁׂ ׁׁׁ ׂ׎HHllllllH ׁ ׄ HHH Hׁ9ׁ ׁׁׁׁׁׁׂׂ ׁׁ ׆HHlllH ׁ׉ HHHH Hׁ׆.ׁ ׁׁׁׁׁׁׂׂ ׁׁׂגHHlllllHׁ׈ HHH H"ׇׁ.ׁ ׁׁׁׂ ׁׁׁׂׂׂ ׁׄ ׂHHlllHׁׂ ׃ HH H"׆.ׁ ׁׂ ׅ ׁׁׁ ׁׁׁׁׂׂׅ ׁ ׄ ׏HHlllllHׁׂ ׆ HH Hׂ2ׁ ׁׂ ׅAׁׅ ׁ ׁׂׅHHlllH ׆" HH Hׁ8ׁ ׁׂ ׅ ׁׁׁ ׁׁׁׁׂׅ ׁ ׁׂ׎HHlllllH ׄ"׃ H Hׁ8ׁ ׁׂ  ׁׁׁ ׁׁׁׂ ׁ ׁׂׄHHllllH ׁ ׅ HH H ׁ8ׁ ׁׁׁׁׂ ׁׁׁׂ ׁׁׁ HHlllllH ׇׁ  HHH ׁ8ׁ ׁׁׁׁׁׁׁׁׂׂׄ ׁׁ ׆HHllllHׁׂ׈   HHH ׁׂ.ׁ ׁׁׁׁׁׁׁׁׂׂׂ ׁׁׄ ׏HHlllllHׁׂ ׏   HHH $ׁ-ׁ ׁׁׁׁׁׂ׃ׁׁׁׂ ׁ׃ׁ ׅHHllllHׁׂ"ׁ  H (ׁ׆-ׁ ׁׁׁׁׁׁׁׁׂׂׂ ׁׄ ׎HHlllllH ׆'ׄ   &.ׁ ׁׁׁׁׁׁׂ׃ׁׁׂ ׁׄ ׃HHllllH (   ׁ2ׁ ׁׁׁׁׁׁׂ׃ׁׁׂ ׁׁׂ׏HHllllllHׁ$  ׁ8ׁ ׁׁׁׁׁׁׂׂ ׁׁׁׂ ׁׁ׆HHllllH ׁ ׅ   ׁ8ׁ ׁׂ  ׁׁׁׁׁׁׁ  ׁׂ ׁׁ ׁבHHlllllHׂ ׁ׆   ׁ7ׁ ׁׂ ׆Aׁ ׁ׃ׁ ׅHHllllHׁ׈   ׁ7ׁ ׁׂ  ׁׁׁׁׁׁׁ ׁׂ ׁׁׂ HlllllH ׁׂ"׃  !ׁ׆)ׁ ׁׂ ׆ ׁׁׁׁׁׁׁׂ׆ׁ ׁׁׄ HlllH ׁׂ) 'ׁׁׄ)ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ׈HlllH ׆*-ׁׁ)ׁ ׁׁׁׁׁׁׁׁׁׂׂׂ ׁׂׂHllH*0׆-ׁ ׁׁׁׁׁׁׁׂ׃ׁׂ ׁ ׂHׁ&0;ׁ ׁׁׁׁׁׁׂ ׁׁׂׂ ׁ"H ׁ 0Aׁ ׁׁׂ ׁׁׁׁ  ׁׁׂ ׁ%ׂׂ ׁ0Gׁ ׁׁׂ  ׁׁׁׁׁׁׂ ׁ'ׂׂ ׁ0Mׁ ׁׁׂ  ׁׁׁׁׁׁׁׂ ׁ)ׁ0Sׁ ׁׁׂ  ׁׁׁׁ ׁׁׂׄ ׁ,ׁׂׂ0Yׁ ׁׂ  ׁ  ׁׁׁׁ  ׁ ׁׂ ׁ.ׇ0_ׁ ׁׂ Aׁ ׁ1ׂ0eׁ ׁׂ ׆ ׁׁׁׁׁ  ׁ ׁׂ׆ׁ ׁ3ׁׂ-kׁ ׁׂ ׆ ׁ  ׁׁׁׁ  ׁ ׁׂ׆ׁ ׁ5ׁ'qׁ ׁׁׂ  ׁׁׁׁ  ׁ  ׁׁׂ ׁ8ׂ ׁ!wׁ ׁׁׂ  ׁׁׁׁׁׂ ׁׁׂ ׁ: ׁ}ׁ ׁׁׂ  ׁׁׁׁׁׁׁׂ ׁ=ׁׁׂ ׁׁׂ  ׁׁׁׁׁ  ׁׁׂ ׁ?ׁׂ ׁ ׁׁׂ  ׁׁׁׁׁ  ׁׁׂ ׁAׁ ׁ ׁׁׁׁׁׁׁׂ  ׁׁׂ ׁDׁׄ ׁׁׁׁׁׁׁׁׁׂׂ ׁFׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁgׁ ׁׂ ׅ ׁׁׁׁׁׁׁׂ ׅ ׁ ׁgׁ ׁׂ ׆ A׆ ׁ ׁgׁ ׁׂ ׆L׉ ׁ ׁgׁ ׁׂ ׆M׈ ׁ ׁgׁ ׁׂqׁ ׁgׁ ׁׂqׁ ׁgׁ ׁׂqׁ ׁgׁ ׁׂqׁ i 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ׁׁׁׁׂׄ 7= ׁׂׄ,ׁBׁ ׁׁׁׂ 7== :ׁׂׂ,ׁ> ׁ ׁׂ 7=7=7 :ׁׁׂ,ׁ>ׅ ׁ ׁׂ 7=7 7 :ׁׂ,ׁC ׁׂ ׁׅ 7=7=7 77 : ׁ ׁׂ,ׁAׅ ׁ ׁ   ==7= 7 :ׁׂ,ׁAׄ ׁׄ  7= 7 :ׁׂׂ,ׁ+ׁׂׂׄ  = 7 :ׁׂ,ׁ+ ׁׁׁׁׄ  7 :3ׁׂ,ׁ0ׂ ׁׁׁ  : 7 ::ׁׂ,ׁ- ׁ ׁׂׄ  = : 7 :ׁׂ,ׁ-ׄ ׁ ׁׂׂ == : 7 : ׁׂ,ׁ1ׁ ׁ  =7=7 : 7 : ׁׂ,ׁ/ ׁׂ ׁ ׂ 7  ==7== :: 77 : ׁׂ,ׁ0׆ ׁ ׂ =7=7  7=7=7 7 : 7 :I ׁׂ,ׁׁ  =7=7  ==7== 77 : :II ׁׂ,ׁׁׁׁׂׂ 7=7=7=7=7  7=7=7 7 :II ׁׂ,ׁׄ ׁׁׁׂׂׂ =7=7=7  : ==7= 7 :I ׁׂ,ׁׅ ׁ ׁׂ 7=7=7=7=7=7 7 :9 7=7=7= 7 :I ׁׂ,ׁ׆ ׁׂ ׁ =7= =7= 7 : =7= 7 II:I ׁׂ,ׁׅ ׁ ׁ ׅ  =7 7 =7= 7 :3 =7=7= 7 I:I ׁׂ,ׁׄ ׄ ׁ   1717 = 7 7 : =7= 7 II:I ׁׂ,ׁ ׁׁׂׂ  =7  7171717 7 7=7 :9 =7=7= 7 I:Iׁׂ,ׁׁׁׂׄ =7=  7171717 77 =7 : =7=7 7 :Iׁׂ,ׁׁׁׁׁ 7=7=7  17171717 7 =7=7=7 :3 =7=7 7 3:I׃ׁׂ,ׁׁ ׁׂ׃ =7=  17171717 =7= :: : ==7 7 ::3I ׃ׁׂ,ׁׁׁׂ =7=7=7 7  17171 =7=7=7= :::: 9 7 ::9:I ׃ׁׂ,ׁׁ ׁ  =7== 1717   171  =7= :: 7=  71 7 ::I ׃ׁׂ,ׁׄ ׁ  7=7=7=7 171717  7  =7=7=7=  7=7=  7 7 ::I ׃ׁׂ,ׁׁׂ ׂ 7=7= 1717171    =7=  =7=7  I 17 7 ::I ׁׂׂ,ׁׁׄ  =7=7= 7171717171   =7=7=7=  =7=7=7=  I 17 7 ::I ׁׂׂ׊ׂׅPׁׁׁׂ  ==7 7 7171717171  7=7= 7  ==7=7 7  17 77 ::I ׃ׁׁׁׁׁׂא׆ׁ׈ׇQׁׁׁׁׂ  =7 1717 7171717171 :: 7=7= 77 =7=7=7=7 171  1 7 ::I ׃ׁׁׁׁׁׂיׁגQׁׁׁׄ   171717 7171717 ::: 7== 7 =7= 17171  7 ::I ׃ׁׁׁׁׁׁׂ׊ׁׁׂׅׄPׁׁׁ  7= 71717171 171717 ::: 7 7 7=7=7=7= 71717171 ::I ׃ׁׁׁׂׄ׎ׇׁׅׄPׁׁׁ  =7  71717171 1717 :3: 7 =7== 7171717171 ::I ׃ׁׁׂ׃ׁׁׁׂOׁׁׁ ׂ 7=7=7=  71717171 1 :: 7 7=7=7 171717171717 ::9I ׃ׁׁׂ׃ׁׁׁׁ ׁׄ ׁPׁׁׁׂ =7=7==  7171717 :: 77 =7= 17171717171717 ::I ׃ׁׁׁׁׁׂ ׁׄ ׁPׁׁׁׂ  =7=7=7= 1    7171 :: =7= 71717171717171 ::3I ׃ׁׁׁׂ^ׁׁׁׂׂ =7=7 7171  :: 7 :3: =7 71717171717171 ::I ׁׂׄ,ׁׁׁ =7=7=7 1717171  :9 :: 17171717171717 ::9Iׁׂ,ׁׁׂ =7= 171717171  :::: 171717171717 ::3:3:Iׁׂׂ,ׁ׌ 7=7= 717171717171 ::3:II: 7171717171 :::3I׃ׁׂ,ׁׂ׃  = 7 717171717171 :::3II: 71717171 :::I ׃ׁׂ,ׁׁׄ = 7 717171717 :9:I: 71717 :::9I ׃ׁׂ,ׁׁׁ  7 7171717 ::: 717 :3:3:I ׃ׁׂ,ׁׁׁ  7 171717 :3:: :::::I ׃ׁׂ ׁׁׁ =  : 7 171 ::3: ::I ׃ׁׁׂ ׁ ׁׁׁ =7=  : 7 1 :9::::I ׃ׁׁׂ ׁ ׁׁׁ  =7==  : 7 :I:::3 :I ׃ׁׁׂ ׁ ׁׁׁ  7=7=7=  : 7 :3I::: :I ׃ׁׁׂ ׁ ׁׁׁ  ==7= 7  :: 7 :II:3:: :3I ׃ׁׁׂ ׁ ׁׁׁׁ =7  7=7=7= 7  :: :9I::::I ׃ׁׁׂ ׁ ׁׁׁׂ ==7=7= :: ==7= 7  ::3::::3:I ׃ׁׁׂ ׁ ׁׁׁ 7=7=7=7=7=7 :: 7=7=7 7  ::3::::I ׃ׁׁׂ ׁ ׁׁׁׁ =7=7=7 77 ==7== 7 :::3::I ׁׁׂׄ׆ׇ׆׊׃ׁ׊׃׃ׁ ׁ ׁׁׁׄ 7=7=7=7=7= 717 =7=7 7 :II:9:::I ׁׁׁׂׄ׈ׁ׉ׁ׃ׁׁ׈ׇׁׁׁׁׁׁׁׅׄ ׁ ׁׁׁ  =7= 7 7== 7 ::3I::::3 I ׃ׁׁׂׂ׃ׂ׃׃׃ׁ׃׃ ׁ ׁׁׁׄ  171 7=7 7 ::9II:::: I ׁׁׂׄ׊ׁ׏ׇׇׄׄ׎ׄ׃ׁ׋ׁ׎ ׁ ׁׁׂ  77 7 :::3:: Iׁׁׂ׆׃׆׍׃ׁ׊׃׃ׁ ׁׁ׈   17  7 :3:::9:Iׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׂ׃  77  7 ::3:::Iׁׁׂ ׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ   17  7 :9:::3:3I ׃ׁׁׂ ׁׁׁׁׁׁׁׁׁׁׄ ׁׁׁ   :  7 I:::3::I ׃ׁׁׂ ׁׁׁׁׁׁׁׁׁׁׄ ׁׁׁ :  7 I:3:::9:9I ׃ׁׁׂ ׃ :::::::: ׁ ׁׁׁ: I::3:::I ׃ׁׁׂ ׂׂ :::::::: ׁׁ ׁׁׁ :I:9:::3:3I ׃ׁׁׂׂ :::::::: ׁׁ ׁׁׁ :I:::3::I ׃ׁׁׂׂ :::::::: ׁׁ ׁׁׁ :I:3:::9:9I ׁׁׂׂׄ ::::=:::::: ׁׁ ׁׁׁ :I::3:::I ׁׁׂׂׄ ::: =:::: ׁׁ ׁׁׁ :I:9:::3:3I ׁׁׂׂׄ ::::=:::: ׁׁ ׁׁׁׁ :I:::3::I ׃ׁׁׂׂ :::: =:::: ׁׁ ׁׁׁׂ:I:3::9:9I ׃ׁׁׂׂ :::: ==:::: ׁׁ ׁׁׁ:I::3::I ׃ׁׁׂׂ :::: ==:::: ׁׁ ׁׁׁׄ:I:9: :33I ׃ׁׁׂׂׅ :::==:= =:::: ׁׁ ׁׁׁׄ:I:: :InnI ׃ׁׁׂׂׅ :::=:=:::: ׁׁ ׁׁׁׄ:I:3:9 InnI ׃ׁׁׂׅ :::=:=:=::: ׁ ׁׁׁׄ:I:: InI ׃ׁׁׂׂׅ :::=: =:=::: ׁׁ ׁׁׂׂ:I:9 :3 InII ׁׁׂׄ׃ׂ :::=:::=:=::: ׁׁ ׁ׌:I: : InIׁׁׂׂ :::=::===::: ׁׁ ׁׂ׃:I:3:9InIׁׁׂׂׄ :::=:: ==::: ׁׁ ׁׁׅ:I::InInIׁׁׂׂׄ :==:::=::= =:::=: ׁׁ ׁׁׁ:I::3InInI ׁׁׂׂׄ :=::=:: =:=: ׁׁ ׁׁׁ:3I:3:InInI ׁׁׂׂׄ :=::=::=: =: ׁׁ ׁׁׁ:I::9InInIׁׁׂׂׄ ׂ:: =::=:::: =: =: ׁׁ ׁׁׁ :I::InInI׃ׁׁׂׂ : =::=:::===: =: ׁׁ ׁׁׁ :I::3InI׃ׁׁׂׂ : =::==:::==: =: ׁׁ ׁׁׁ :I:3:ItInI׃ׁׁׂ׆ׂ :=:::::=:=: ׁׁ ׁׁׁ :I::9InInI׃ׁׁׂׅ :=::==::: =:==: ׁ ׁׁׁ :I::InInI׃ׁׁׂ ׂׄ :==::=::: =:=: ׁׁ ׁ ׁׁׁ:I::3InnInI׃ׁׁׂ׆ׂ :=::=::: =: =: ׁׁ ׁ ׁׁׂ:I:3::InntnnInI׃ׁׁׂׂ :=::=::: =:=: ׁׁ ׁׁׁׁ:IIInnI׃ׁׁׂׂ :=::=:::=: =: ׁׁ ׁ ׁׁ:I InnIntIׁׁׂׂׄ :=::=:::=: =: ׁׁ ׁ ׁׁ:I  InnInnIׁׁׂׂׄ :=::=::::=: ׁׁ ׁ׃ׁׁ:I  IntnInIׁׁׂׂׄ :=::=:::::=: ׁׁ ׁ ׁׁׅ:IInnnIIׁׁׂׂׄ :=::=:::::=:: ׁׁ ׁׁׁׂ:IInIntnnIׁׁׂׂׄ :=::=::::: ׁׁ ׁׁ׈:IInInnIׁׁׂׄ׃ׂ :=:=:=::::: ׁׁ ׁׂׄ:IInInIׁׁׂׄ ׂׄ :=:=:=::::: ׁׁ ׁׁׁ:IIInInInIׁׁׂׅ ::=:==::::: ׁ ׁׁׁ:I IInnInIׁׁׂׂׅ ::=:::::: ׁׁ ׁׁׁ:IIInnIJI%IIInIInI׃ׁׁׂ׆ׂ ::==::==:::::: ׁׁ ׁׁׁ:IInnInn I%IIInInInI ׃ׁׁׂׂ :: = =:::::: ׁׁ ׁׁׁ :IInInnInIIJInInInI ׃ׁׁׂׂ ::==::::: ׁׁ ׁׁׁ :IInInIInI%InInI ׄ ׁׁׂׂ ::=:::::: ׁׁ ׁׁׁ :IInInnIInInnIJIInInIIׄ ׁׁׂׂ ::=:::::: ׁׁ ׁׁׁ :IInInIInInnInIII%InIׄ ׁׁׂׂ :: =::::::: ׁׁ ׁׁׁ :IInInnInInII I%IJInIIׄ ׁׁׂׂ :::::::: ׁׁ ׁׁׁ:IInInnIInnInI Iׄ ׁׁׂׂ :::::::: ׁׁ ׁ ׁׁׂ:IIInInnInII!ׄ ׁׁׂׂׂ :::::::: ׁׁ ׁ ׁׁׂ:IInnInInnInI$ׄ ׁׁׂ :::::::: ׁ ׁ ׁׁׄ IInInnInInII'ׄ ׁׁׂ׆ׂ :::::: ׁׁ ׁ ׁׁׅIInInnInI+׃ ׁׁׂ׆ׂ :::::: ׁׁ ׁ ׁׁׅ IInInnIInnInI.׃ ׁׁׂׂׅ :::::: ׁׁ ׁ ׁׁׅ IIInInnInI2׃ ׁׁׂׂ :::::: ׁׁ ׁ ׁׁׅIInnInInnInI5׃ ׁׁׂׂ :::ҙ:: ׁׁ ׁׁׅIIInInnInInII 8ׄ ׁׁׂׂ :::Ҙ:: ׁׁ ׁ׆ IInInnInI ;ׄ ׁׁׂׂ :::ҙ:: ׁׁ ׁׂׄ IInInnIInnInI >ׄ ׁׁׂׂ :::Ҙ:: ׁׁ ׁׁׁI%IInIInInI@ׅ ׁׁׂׂ :::ҙ:: ׁׁ ׁׁׁ IInInInInI@ ׁׁׂׂ :::Ҙ:: ׁׁ ׁׁׁI%I%I%IInInIInInI@ ׁׁׂׂׂ :::ҙ:: ׁׁ ׁׁׁIIInInnInI@ ׁׁׂ ׄ :::Ҙ:: ׁ ׁׁׁׂI%I%I%IIInnInInnInI? ׁׁׂׂ :::𙘙: ׁׁ ׁׁׁ IIInnInnInInII> ׁׁׂ׆ׂ :::𘙘: ׁׁ ׁׁׁ  I%IIInnInnInnInI= ׁׁׂׂׅ :::𙘙: ׁׁ ׁׁׁ IInJInnInnInnInI: ׁׁׂׂ :::𘙘: ׁׁ ׁׁׁ  I%I%IJInIInnInnInII8 ׁׁׂׂ :::𙘙: ׁׁ ׁׁ ׁׁ IJInnInII7 ׁׁׂׂ :::𘙘: ׁׁ ׁׁ ׁׁ#I%InII5 "ׁׁׂׂ׸::𙘙: ׁׁ ׁׁׁׄ)IJI4 &ׁׁׂׂ׸::𘙘: ׁׁ ׁׄ ׁׁ* I2 )ׁׁׂׂ׸::𙘙: ׁׁ ׁ׈ׁׁ'I2 -ׁׁׂ׆ׂ׸::𘙘: ׁׁ ׁ׆ׁׁ$> 0ׇׁׁׂׂ׸::𙘙: ׁׁ ׁ׆ׁׁ != 3ׇׁׁׂ::𘙘: ׁ ׁ ׁׁׄ = 7ׇׁׁׂׂԙ:𙘙: ׁׁ ׁ ׁׂׄ = :ׁׁׂ׆ׂϘ:𘙘: ׁׁ ׁ ׂ׉ = =ׁׁׂׂ̘:𙘙: ׁׁ ׁ ׂׂ= Aׁׁׂׂɘ:𘙘: ׁׁ ׁׂ= Dׁׁׂׂʙ:𙘙: ׁׁ ׁׁ< GׁׁׂׂŘ:𘙘: ׁׁ ׁׁ < Kׁׁׂׂׂ˜:ׁׁ ׁׂ< Nׁׁׁׂׂ:ׁׁ ׁׁ< Rׁׁׁׂׂ:Ꙙׁׁ ׁׂ< Uׁׁׁׁׂׂׂ ׽:똙ׁׁ ׁׁ< Xׁׁׂ׆ׁׂ :Ꙙׁׁ ׁׁ9 \ׁׁׂ׆-:阙ׁ ׁׂ6 _ׁׁׁׁׁׂׂׅ ׁ ׁ3 bׁׁׁׁׁׂׂ ׁ!ׂ/ fׁׁׁׁׁׂׂ ׁ#ׁ, iׁׁׁׂׂߘ ׁׁ ׁ$ׁ( mׁׁׁׂׂݙ ׁׁ ׁ%ׂ% pׁׁׁׂׂ՘ׁׁ ׁ'ׁ# sׁׁׁׂׂׂϘצׁׁ ׁ(ׂ  wׁׁׁׁׂׂɘׁׁׁׁ ׁ*ׁ  zׁׁׁׁׂׂØׁלׁׁׁ ׁ+ׁ  }ׁׁׂ׆ׁׁׂ ř ׁזׁׁׁ ׁ,ׂ ׇׁׁׁׁׂׂ  ׁזׁׁׁ ׁ.ׁ ׁׁׂ׆K,*ׁ ׁ/ׂ ׇׁׁׁׁׁׁׂׂ ׁׁׁ ׁ1ׁ   ׁׁׂ׆ׁׁׁׂ׃ ׁׁׁ ׁ2ׁ ׁׁׁׁׁׁׁׁׁׂׂ ׁ3ׂ ׁׁׁׁׁׁׁׁׁׂׂ ׁ5ׁ ׁׁׁׁׂׂףׁׁׁׁׁ ׁ6ׂ ׁׁׁׁׁׁׁׁׁׂׂ ׁ8ׁ ׁׁׁׁׁׁׁׁׁׂׂׂ ׁ9ׁ ׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁ:ׄ#ׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁ<ׂ'ׁׁׂ׃ׁׁׁׁׁׁׁׁׁׂ ׁeׁׁׂ ׄrׁ ׁeׁׁׂ0*!ׁ ׁeׇׁׁׂ{ׁ ׁeׁׁׂ׆{ׁ ׁeׁׁׂ ׁ ׁeׁׁׂ ׁ ׁeׁׁׂ ׁ ׁeׁׁׂ ׁ ׁeׁׂ gׂ.ׂ.ׂ.ׂ.ׂ.ׂ.ׂ.ׂ.ׂ.ׂ.ׂ.ׂ00lpjY3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)N2{pp([W.{(R{?M#?Mrׁrׁrׁrׁrׁnׁmׁׁׁ7ׁׅׅnׂׅSׁ7׆ׁׁ׆ׁ׈׆oׁעׁ׈׆Tׁ:׃ׁׁׁׂבoׁעׁבTׁׁׅׅkׁׁׁׅׄoׁ׃לׁׅSׁׁׁׁׁ׆ׁ׈׆kׁׁׁׂׅׄ׆oׁ׍גׁׄ׆Sׁׁׁׁׁׁׂבm׃ׁׁׁׅnׁׁׅׅRׁׁׁׁׁׁׅhׁ׃ׁׁׁ ׁׄ ׁoׁׁׁׁׁׄ ׁSׁׁׁׁׂׄׄ׆iׁׁׁ ׁׄ ׁoׁׁׁׁׁׄ ׁSׁׁ׃ׁׁׁׅnׁ ׁ}ׁׁ`ׁׁ׃ׁׁׁ ׁׄ ׁ$ׁׁׁׁ ׁׄ ׁ$ׁׁ ׁ1ׁrׁrׁ5 ׁ5ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ9  H7ׁׁׁ: ;ׁׁׁׁ7׃   HH5ׁׁׁ8 :ׁׁׁׁ6ׁ   H4ׁׁׁ7 9ׁׁ;ׂ  H;ׁׁ5ׁ   lH3ׁׁׁ58ׁׁ9ׂ  HH9ׁׁ5ׁ  HlHH2ׁׁׁ58ׁׁ7׃   H8ׁׁ4׃   lHHlH$H1ׁׁׁ4 7ׁׁ5ׂ   lH7ׁׁ4׃    HlH1ׁׁׁ4 6ׁׁ4׃   HlHH6ׁׁ4׃   ׂHHlHH2ׁׁׁ3 5ׁׁ4ׇ   lHHlH5ׁׁ4ׂ  ׁHlH2ׁׁׁ2 5ׁׁ4ׅ   lH5ׁׁ4ׁ  ׂHHlH1ׁׁׁ2 4ׁׁ4  lHH6ׁׁ4ׁ   HlH1ׁׁׁ1 4ׁׁ4ׁ  lH6ׁׁ4ׁ  HlHHlH1ׁׁׁ1 4ׁׁ4ׁ  lH5ׁׁ4ׁ  lHHlH1ׁׁׁ14ׁׁ4ׁ  lH5ׁׁ4ׁ  lHlH2ׁׁׁ13ׁׁ4ׁ  lH5ׁׁ5 HlH3ׁׁׁ13ׁׁ4ׁ  lH5ׁׁ7ׂHlHH4ׁׁׁ1 3ׁׁ4ׁ   lH6ׁׁ9ׂHHlHH6ׁׁׁ1 4ׁׁ5  lH7ׁׁ;ׂlHH8ׁׁׁ1 4ׁׁ6ׁ  lHH8ׁׁ=H:ׁׁׁ2 4ׁׁ7ׂ lHH:ׁׁׁׁׁ2ׂ  5ׁׁ9lH<ׁׁׁׁׁ2 5ׁׁ=HAׁׁׁׁׁ3 5ׁׁׁׁׁׁׁ3 6ׁׁׁׁׁׁׁ4  7ׁׁׁׁׁׁׁ5  8ׁׁׁׁׁׁׁ6  9ׁׁׁׁׁׁׁ7 :ׁׁׁׁׁׁׁ9;ׁׁׁׁׁׁׁ;<ׁׁׁׁׁׁׁ=Aׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ3׉2ׁׁׁׁׁׁׁ3מ2ׁׁׁׁׁׁׁ3׃ׅ2ׁׁׁׁׁ3׉6ׁׁ3׉ׅ2ׁׁׁׁׁ3מ6ׁׁ32ׁׁׁׁׁ3׃ׅ6ׁׁ3ׁׄ3ׁׁׁ1אׂׅ4ׁׁ3׉ׅ6ׁׁ3ׂ5ׁׁׁ1ׂ4ׁׁ36ׁׁ3ׂ5ׁׁׁ1ׂׅ4ׁׁ3ׁ ׁׂ9ׁׁׁׁׁ1ׂׅ4ׁׁ3ׂ9ׁׁׁׁׁ1׋4ׁׁׁׁׁׁׁ15ׁׁׁׁׁׁׁ1ׁׂׂ8ׁׁׁׁׁׁׁ1ׁׂׂ8ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ _ׁׁׁׁׁׁׁ]ׁׁׁׁ  ^ׁׁׁZׁׁׁׁ  WׁׁׁׁYׁׁׁׁ׃  Tׁׁׁ2 ׁׁ bׁׁ  -  ׁׁׁ.ׁׁ  [ׁׁ׃  (  ׁׁׁ +ׁׁׄ  Xׁׁ ׂ  $׃  ׁׁׁ )ׁׁ  -  ׁׁ ׁ    ׁׁׁ &ׇׁׁ  (  ׁׁ ׂ    ׂ  ׁׁׁ %ׁׁ ׂ  $׃  ׁׁ ׃   ׂ   H ׁׁׁ #ׁׁ ׂ  !ׄ  ׁׁ ׃   ׃    HH ׁׁׁ ! ׁׁ ׂ   ׂ  ׁׁ ׄ   ׃    HH ׁׁׁ!!ׁׁ ׁ   ׇ    Hׁׁ ׇ     ׇ      HH ׁׁׁ!ׁׁ ׃   ׃    HHׁׁ ׅ ׂ   ׅ     H$H ׁׁׁׁׁ ׂ   ׈    HHׁׁ ׂ       H$ ׁׁׁׁׁ ׇ    ׆   HHׁׁ ׃ׁ   ׂ   lH$ ׁׁׁ ׁׁ ׆    ׅ   H$Hׁׁ ׁׂ   ׂ  ׁHlH ׁׁׁ ׁׁ ׁ      lHH$ׁׁ ׂ׃HH  ׁ  HlH ׁׁׁ ׁׁ ׂ   ׂ  HlHׁׁ ׁ׆HHlH$  ׁ  ׆HHlHHlH ׁׁׁ ׁׁ ׂ   ׁ  lHׁׁ ׇׁHHlH$ ׁ  HlHHlH ׁׁׁ ׁׁ ׁ  ׁ  lHׁׁ ׁHlH$HlHׁ  HHlHHlH ׁׁׁ ׁׁ ׁ  ׁ  H lHׁׁ ׁ lH$HlHׁ  lHHlH ׁׁׁ ׁׁ ׁ ׁ  lHׁׁ ׁ lHHlH lHlH ׁׁׁ   ׁׁ ׁlHׁ  lHׁׁ ׁ lHlHׁHHlH ׁׁׁ ׁׁ ׁlH׃  lHׁׁ ׁ HlHׂHlHH ׁׁׁ  ׁׁ ׁlH lHׁׁ ׁHlH"ׂHlHHׁׁׁ  ׁׁ ׁlHׁlHׁׁ ׂ HH lHH%ׂ  lHHׁׁׁ ׁׁ ׁlH ׁlHHׁׁ H lHH)lHׁׁׁׂ ׁׁ ׁlH"ׁ lHHׁׁׂ  lH. 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ׁׂ3ׁVׁׁiׁׂׂ5ׁVׁׁkׁ7ׁVׁׁoׁ;ׁVׁׁN׃ׁׁVׁׁNׁׅׄ ׈ׁVׁׁNׇׁ ׁ ׃ׁVׁׁNׁ׆׃ׅ (ׁVׁׁL׆ׂׄ6ׁ׃ׁVׁׁN׃ׂׄ6׈ׁVׁׁNׁׁ%ׁׂ]ׁVׁׁ_ׁׁ׆ׅ!ׁׁ_ׇׁׁ׃ׁ׈׆"ׁׁ_ׁׁ׍ׁב"ׁׁ_ׁׁׁׁׅׄ!ׁׁׂׂRׁ׃ׁׄ׆!ׁׁ׉Qׁׁׁׅ ׁׁ׆Qׁׁׁׁ ׁׄ ׁ!ׁׁQׁׁׁׁ ׁׄ ׁ!ׁׁ׉Qׁׁׁ.ׁׁ׉QׁVׁׁׂׂRׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁׁ_ׁVׁaVׁJׁJׁJׁJׁJׁJׁ* *lp6K3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)g2{pp([W.{(R{?Mވ?Mׁׁׁׁׁׁׁׁׁׁׁׁ uׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁ^ׁuׁ ׁ^ׁׅגׁuׁ ׁ^ׁׅאׁuׁ ׁ^ׁ ׁuׁ ׁ^ׁׁׁuׁ ׁ^ׁׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׅ   ׁׂ   ׃Cׁuׁ ׇׁ ׃ׁ׃ ׄ׃ ׁ׃ ׃׃ׁׄ ׆ׄBׁuׁ ׁׁׄ ׂ׃ ׃ ׃ׁ׃ ׃ ׄ ׆ׄBׁuׁ ׁׁ׃ ׂ׃ ׂ׃׃ׁ׃ ׃׃ ׃׃ ׇׄBׁuׁ ׁׁׂׂ   ׃ ׂ ׃ׂCׁuׁ ׁׁuׁ ׁׁuׁ ׁׁuׁ ׁׁׁׁׁׁׁׁׁׄHׁuׁ ׁׁׄHׁuׁ ׁׁׁׁׁׁׁׁׁׁׄHׁuׁ ׁׁׁׁׁׁׁׁׁׄHׁuׁ ׁׁׁׁׁׁׁׁׁׂׂHׁuׁ ׁ ׁׁׁׁׁׁׁׁHׁuׁ ׁ ׁׁׁׁׁׁׁׁHׁuׁ ׁ ׁׁׁׁׁׁׁׁHׁuׁ ׁ ׁׁׁׁׁׁׁׁHׁuׁ ׁ ׁׁׁׁׁׁׁׁHׁuׁ ׁ 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ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁ-ׁׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁ-ׁׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁ-ׁׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁי״״״״״״״״״ ׁ:ׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁי״״״״״״״״״ ׁׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁ׌״״״״״״ ׁ:ׁׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁ׌״״״״״״ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁ ׁ ׁ ׁ ׁׁׁׄ״ׁ׈״״״ ׁ:ׁׁ ׁ ׁ ׁׁׁׁׂ ׁ ׁ ׁ ׁׁ׈״״ׁ׈״״״ ׁׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁׁ'ׁ:ׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁׁ'ׁׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁׁׁׄ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁ:ׁׁׄ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ ׁׁ-ׁׁ׆2 '2ׁ:ׁ׆2'2ׁׁׁׄ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁ:ׁׁׄ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁ:ׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ ׁ2ׁׁ׆H 2ׁ:ׁ׆H2ׁׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁ:ׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁׁ׆^ 2ׁ:ׁ׆^ 2ׁׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁ2ׁ:ׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁׂ2ׁׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁ:ׁׁׄ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁׁׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁ:ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ2ׁׁ׆p2ׁ:ׁ׆p2ׁׁ ׂ%ׁ:ׁ ׂ%ׁׁ׃&ׁ:ׁ׃&ׁׁ0ׁ:ׁ0ׁׁ0ׁ:ׁ0ׁׁ0ׁ:ׁ0ׁׁ0ׁ:ׁ0ׁׁ0ׁ:ׁ0ׁׁ0ׁ:ׁ0ׁ2:2XXXXXXXXXXd[lp n3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G) 2{pp([W.{(R{?Mv?M ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ*R ׂ*R ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂVׁׅOׂ ׂV׆ׁׁׄ׋ׁ׈׆ׁOׂ ׂY׃ׁׁבׁבׁOׂ ׂYׁׁׄ׃ׁׁׅOׂ ׂXׁׅ׃׋ׁׄ׆ׁOׂ ׂZ׃ׁׁׁׁOׂ ׂVׁ׃ׁׁׁ ׁׄׄ ׁׁOׂ ׂWׁׁׁ ׁׄׄ ׁׁOׂ ׂ]ׁׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂׅNׁOׂ ׁׁׁׁׂׅ׋ׁ׈׆OׁOׂ ׁׁׁׁׁׂ׎ׁבOׁOׂ ׁׁׁׁׁׁׂׅNׁOׂ ׁׂׄ׃׋ׁׄ׆NׁOׂ ׁׂ׃ׁׁׁMׁOׂ ׁׂ׃ׁׁׁ ׁׄׄ ׁNׁOׂ ׁׁׁׂ ׁׄׄ ׁNׁOׂ ׂ!ׁ[ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ*ׁOׂ ׂ ׁOׂ ׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂ!ׄ׆ׇׇׁׁׂׂׂׄ ׁOׂ ׁׂ ׁׁׅ׃ׇׁׁׁׁׂׂׅׅׅ ׁOׂ ׁׂ!ׄ׈ׄ׈׆׈׈׃ׂׄ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁ ׁׂ ׇׂׂׂׅׅׄ׃ׂ׃ׄ׉ׂ ׁׂ#ׁׁׁׁׁ ׁ ׁׁׁׁׁׂ ׁ ׇ ׈ׅׅׄ׈ׂׅׄׄ׃׆׊ׂ ׁׂeׂ ׁ#ׄ ׁׅׄ׊ׇׁׁׁׁׁׂׂׂׄ׆׆ׁׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׂ ׂׂׂׅ׋׉׋׊ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׂׂ ׂׂ׆ׇׂ׈ׁ׌׋׊ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ!׃ ׅׄ׊׊ׅ ׌׌׃׆׋ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׇ ׄ׋׋׈׊ׂׅ׉ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ$ׁׁׁׁׁ ׁׁׁׁׁׁׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ$׍׊׍׍׊׍׍׍׊׊ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ&ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁׁ    ׁ    ׂ ׁׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁׁ׃++ ׂׂׂׂׂׂׂׂׂ ׁׂ גׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁׁׁ+ ׂׂׂׂׂׂׂׂׂ ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅ1ׁׁׂ ׁׁׁ+ ׂׂׂׂׂׂׂׂׂ ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅ1ׁׁׂ ׁׁׁׂ+ ׂׂׂׂׂׄ"H ׂ ׁׂ ׁׄ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ ׈ׁׁ +bHH$HH ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ ׉ׁׁׁ +`ׁHH$HH ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ ׁׁׁ +`ׁHH$Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ ׁׁ ׁׁ +`ׁHH$Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁ ׁׁׁׂ +`ׁHH$Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ1ׁׁׂ ׁׁׁ +`ׁHH$Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +`"H$Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +aׂHHlHH$$Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ +cׂHHlHׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁ +e"Hׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׅ+++ׁ ׂ ׁׂeׂ ׁׁׁ++ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ++ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׄ++<&H-ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׃ׁׁׄ +<ׁH#H$HH+ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׊ׁׁ +<ׁH#H$HH)ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׇׁׁׁׁ +<ׁH#H$H(ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׃ ׁׁ +<ׁH#H$H(ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁ +<ׁH#H$H(ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +<ׁH#H$H(ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +<&H$H(ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +=ׂHH#lHH$$H(ׁ ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ +?ׂHH#lH(ׁ ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁ +A&H(ׁ ׂ ׁׂ׍ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׅ+++ׁ ׂ ׁׂ׉ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ++ׁ ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׉ׁׁ++ׁ ׂ ׁׂׅ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׃׃ׁׁ++&HQׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׉ׁׁ +&ׁHH$HHOׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׉ׁׁ +&ׁHH$HHMׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׉ׁׁ +&ׁHH$HLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁ +&ׁHH$HLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ6ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁ +&ׁHH$HLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +&ׁHH$HLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +&H$HLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ +'ׂHHlHH$$HLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁ +)ׂHHlHLׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׅ++++HLׁ ׂ ׁׂeׂ ׁׁׁ++ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ++ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁ+++Hhׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׍ׁׁ +ׁHHfׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ׉ׁׁ +ׁHH$$Heׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁ +ׁHH$HHcׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ׉ׁׁ +ׁHH$Hbׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁׄ +ׁHH$Hbׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +ׁHH$Hbׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +H$Hbׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ +ׂHHlHH$Hbׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ +ׁHlH$$Hbׁ ׂ ׁׂ׌ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁ +ׂHHlHbׁ ׂ ׁׂ׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׅ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׅ+++Hbׁ ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׂ++ׁ ׂ ׁׂ׆ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׃ׁׁ++ׁ ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁ׃++"Hwׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׃׉ׁׄ++HH$HHuׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׈׆ׁׄ++HH$HHsׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׍ׁׄ++HH$Hrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׃ׁ ׁׄ++HH$Hrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ"ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׂׄ++HH$Hrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׄ++HH$Hrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁ׃++"H$Hrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁ+HHlHH$$Hrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ+HHlHrׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׂ+"Hrׁ ׂ ׁׂeׂ ׁׂ+ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ!ׂ+ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ#ׂ++ׁ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ%ׁׂ ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ' ׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁOׂ ׁׂ׏ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ׏ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ׌ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ 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ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ 0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ ׄ׋0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ ׄ0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ ׈0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ  ׁ 0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#0ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂ#ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁOׂ ׁׂeׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׁׂׂ ׁOׂ ׂ R ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ ׂ 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!ׁ2ׁׁׁׁׂׂ׈J"ׁׁH    ׁ2ׁׁׁׂ ׃ׁׁK%ׇׁH  ׁ2ׁׁׂׂ#ׂׄQ&ׁH  ׁ2ׁׄ׃%ׁV+ׁׁH   ׁ2ׁ ' ׁV+ׁׄH   ׂ0ׁ ׁׂ*ׄ ׁV+ׁׄH H    ׁ0ׁ ׁׂ,ׁ ׁV+ׁׄHHll $ ׁ0ׁ ׁׁ2ׁV+ׁׄHHl  ׂ ( ׁ0ׁ ׁׂ/ׁV+ׁׅHH l   ( ׁ0ׁ ׁׂ+ׁV"ׁׂׅHHlHH  $ ׁ0ׁ ׁׂ'#ׁV$ׁׁׁHH lH   ׁ(ׁׁ ׁׂ#(ׁV%ׁׁׂHHlH   ׁ(׃ׁ ׁׁ,ׁV'ׁׁׂH  ׁ,ׁׁ ׁׂ0ׁVׁ׃ ׁH  ׁ(ׁׁ ׁׂ4ׁVׂׂׅH  ׁ*ׁׂ ׅ9ׁVׁׁׄH  ?ׅ ׅ>ׁU ׁׁH F ׄ BׁU ׁׁH Kׅׄ FׁU׃ ׁׁH  PׁׂׄJׁׂHׁ׃H  #ׂ/ׁׂ׃Oׁ׉H׆ׁׄH   #1ׇׁSׁ׉H ׃ׁׄH  #6ׁ ׄRׁׁI%׆ׄH   ";ׁ ׂNׂO*ׁׄH   "@ׁ ׂJ]*ׁׄHHH  "Eׁ ׂEa*ׁׄHHl  "Jׁ ׂAf*ׁׁH H l  "Oׁ ׂ<k*ׁׁHHl  "Tׁ ׂ8p)ׁׁHHlHH "Yׁ 4t)ׁׁHlH"]ׁ ׃/y ׁׁׁHHlH"Zׁׂ ׃+~!ׁׁׂH lH"`ׁׁ ׁׁ'#ׁׁHHlH"d ׁ(&ׄ H h ׁ# ( oׇ ׁ*ׂvׁׂ ׁ,ׂׂ ׁ.ׂ  ׁׂ 0ׁׂׂ %2ׁׂׂ*4ׂ׆.6&3ׂxׁגׄ׉ׁ׈wׁגׁׁׄׄ׈ׇׁׅׄ׃{ׁׁׅׄׄ׃ׁׂגׁׄ׃xׁׂגׁׄ׃ׁ׉׃ׇׁׂvׁ׉׃׊ׁׁׂׄ ׁ ׁ׉ׁׁ~ׁׄ ׁ ׁ׉ׁׁ ׁ ׁׂׂ ׁ ׁׂׂc0vׁmׁ1vׁk4wj ׁ#ׄwjׁ ׁj6wS׃ ׁkׁVׁׂ ׁhׄ#wUׂׂ ׁ{׃V ׁ ׂ ׂewdׁ ׂyׁׄׄwX ׁ ׁׂf׃׃wXׂ ׁ ׂgׁ1\ׁ ׁׂ ׃dc\ׁ ׁ ׁZׁׁׁ ׁׁׂׄ ׁׁ\Qׁ ׃ ׂZׁ ׁׁׁׁ׃ׁׁ\Dׄ ׁYׁׁׁׁׁׁ\F ׁׁ Xׁׁׁ ׁׁׁׁׄ\Hׁ ׁ ׁ Wׁ ׁׁׁ ׁׁ ׁׁ ׁׂ\H ׁ ׁHHUׁׁׁׁׁׄ ׁׁ\4ׁ ׁׂ ׃HHUׁׁ׃ׁׁׁׁ\3׃ ׁ ׂ HHlUׁ ׁׁׁׂ ׁׁ ׁׂ\4ׁ ׁ ׄHHHllUׁׁׁׂ ׁ ׁׁׁ\6 ׁ ׁׁ HHllUׁ ׁׁ ׁׁ ׁׂ ׁׁׁ\  ׁ ׁHHlׁPׁ׃ׁ׃ׁׁׁ׃ׁ\!ׂ!ׁ ׁHHHHlׁPׁ ׁׁ׃ׁׁׁׄ ׁׂ\:ׁ ׃ ׃HHH HlHׁQׁ ׁׂ ׁׂ ׁׁׂׂ ׁׂ\$ ׁ  ׂHHlH HlHUׁׁׁׁׁׁ\&ׂ ׁ  HHHllH HlHׁNׁׁׁׁׁׁׂׂV&ׁ ׂ ׁ HHlHHlHׁPׁ U&ׂ ׁׁ HHlHHlHׁPׁׁ ׁ ׁ ׁ ׁ ׁ׃U(׃ ׁ ׁHHHHlHHHlHׁNׁׂ ׁ ׁ ׁ ׁ ׁׁW*ׂ  ׂHHHHlHHHlHׁTׁ ׁ ׁ ׁ ׁ ׁ\ ׂ ׁHHlHHlHH lHׁTׁ ׁ ׁ ׁ ׁ ׁ\"ׁ ׂׅ HHHllHHlHׁH  HlHׁTׁ ׁ ׁ ׁ ׁ ׁ\#ׁ ׁHHlHHlHׂH  HllHׁTׁ ׁ ׁ ׁ ׁ ׁ\$ׁׂ HHlHHlHׂ  HlHׁTׁ ׁ ׁ ׁ ׁ ׁ\&׃ ׁׂHHHHlHHHlHׁ  HHׁTׁ ׁ ׁ ׁ ׁ ׁ\'ׂ HHHHlHH HlHׁ  HׁTׁ ׁ ׁ ׁ ׁ ׁ\'ׁ HHlHHlHH HlHׁ   ׁׂLׁ ׁ ׁ ׁ ׁ ׁ\'ׁ HHlHHlHH HlHׁ   ׁׄMׁ ׁ ׁ ׁ ׁ ׁ\&ׁHHlHHlHׁHHlHׁ   ׁׄMׁ ׁ ׁ ׁ ׁ ׁ\&ׁHHHHlHHHlHׁHHlHׁ   Nׁ ׁ ׁ ׁ ׁ ׁ\#ׅHHHHHlHHHlHׁHHlHׁ   Tׁ ׁ ׁ ׁ ׁ ׁ\&ׂHHHllHHlHHHlHׁHHlHׁ   ׁSׁ ׁ ׁ ׁ ׁ ׁ\&HHHlHHlHHHlHׁHHlHׁ   ׁSׁ ׁ ׁ ׁ ׁ ׁ\&ׄHHlHHlHHHlHׁHHlHׁ   ׁSׁ ׁ ׁ ׁ ׁ ׁ\&ׁׄHHlHHHlHHHlHׁHHlHׁ   ׁSׁ ׁ ׁ ׁ ׁ ׁ\&ׁ׃HHlHHH lHHHlHׁHHlH   ׁSׁ ׁ ׁ ׁ ׁ ׁ\&ׁׁHHlHHH  HlHH lHׁHHlH   ׁHׁ ׁ ׁ ׁ ׁ ׁR&ׁׁHHlH  HHlHH  HlHׁH lHׁ   ׁJׂ  ׄR&ׁׁHHlH  HH  HHlHׁH  HlHׁ   ׁHׁ ׁ ׁ ׁ ׁ ׁ׆R%ׁׁHHlH  H  HHׂH  HllHׁ   ׁHׁׁׁ ׁ ׁ ׁ ׁ ׁׁׁR%ׁׁHHlH    Hׂ  HlHׁ  ׁHׁ ׁ ׁ ׁ ׁ ׁU%ׁׁHHlH       HHׁ    ׁSׁ ׁ ׁ ׁ ׁ ׁ\ ׁׁׁHHlH     ׁ  Hׂ   ׁRׁ ׁ ׁ ׁ ׁ ׁ\%ׁׁHHlH    ׁ   ׂ  ׁׅGׁ ׁ ׁ ׁ ׁ ׁ\%ׁׁHHlH      ׁ   ׁ  ׁׄGׁ ׁ ׁ ׁ ׁ ׁ\%ׁׁHHlH     ׁ   ׁ  ׇׁGׁ ׁ ׁ ׁ ׁ ׁ\"ׁׄHHlH    ׁ   ׁ ׄJׁ ׁ ׁ ׁ ׁ ׁ\%ׁHHlH   ׁ   ׁ ׁMׁ ׁ ׁ ׁ ׁ ׁ\%ׁׄHHlH   ׁ   ׁ ׁRׁ ׁ ׁ ׁ ׁ ׁ\%ׁׄH lH   ׁ   ׁ ׁRׁ ׁ ׁ ׁ ׁ ׁ\%ׁׄH  HHlH   ׁ   ׁ ׁRׁ ׁ ׁ ׁ ׁ ׁ\%ׁׂ  HllH   ׁ   ׁ ׁRׁ ׁ ׁ ׁ ׁ ׁ\%ׁׁ  H   ׁ   ׂ ׁRׁ ׁ ׁ ׁ ׁ ׁ\$ׁׁ  H   ׁ    ׁRׁ ׁ ׁ ׁ ׁ ׁ\$ׁׁ      ׁ   ׁ ׁQׁ ׁ ׁ ׁ ׁ ׁ\$ׁׁ      ׁ   ׁ ׁQׁ ׁ ׁ ׁ ׁ ׁ\$ׁׁ      ׁ   ׁ ׁQׁ ׁ ׁ ׁ ׁ ׁ\$ׁׁ      ׁ   ׁ ׁDׁׂ ׁ ׁ ׁ ׁ ׁ׆N$ׁׁ         ׁ ׁDׁׅ     ׉N׃ׁׁ     ׁ   ׁ ׁDׁׁׅ ׁ ׁ ׁ ׁ ׁ׉N׈ׁ      ׁ   ׁׁBׁ ׁ ׁ ׁ ׁ ׁׂׅNׁ     ׁ   ׃ׁ ׂ8׈ׁ ׁ ׁ ׁ ׁ ׁׁׄO ׁׅ    ׁ    ׁ׆Eׁ ׁ ׁ ׁ ׁ ׁ\$ׁׁ    ׁ   ׁ ׁׁׄEׁ ׁ ׁ ׁ ׁ ׁ\$ׁ   ׁ   ׁ Fׁ ׁ ׁ ׁ ׁ ׁ\$ׁׄ    ׁ   ׁLׁ ׁ ׁ ׁ ׁ ׁ\$ׁׄ   ׁ ׁ  ׃ׁPׁ ׁ ׁ ׁ ׁ ׁ\$ׁ׃   ׃ׁ    ׁׂPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ   ׁׁׂ    ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ    ׁׂ  ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ   ׁׁ  ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ   ׁׁ  ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ   ׁׁ ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ  ׁׁ ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׁ    ׃ׁ ׁPׁ ׁׁ ׁ ׁ ׁ\#ׁׂ    ׁPׁ ׁׁ ׁ ׁ ׁ\ׁׁׂ ׁ  ׁPׁ ׁׁ ׁ ׁ ׁ\ׁׁׂ ׁׂ ׁOׁ ׁׁ ׁ ׁ ׁ\ׁׁׁׁׂ ׁBׁׂ ׁׁ ׁ ׁ ׁ׆Nׁׁׂ ׁ ׁBׁׁׁׁ ׁׁ ׁ ׁ ׁׁ׃Nׁׁׅ ׁBׁׂ    ׂN#ׁ ׁ ׁׅ4 ׁ ׁׁ ׁ ׁׁ׊N"ׁׁׁׁ ׁ׉6ׁׂ ׁׁ ׁ ׁׁ׈O"ׁׁׁׄ׈Cׁ ׁׁ ׁ ׁׁ\"ׁׂ"׃ׁׂDׁ ׁׁׁ ׁׁ\"ׁׁ& ׂJׁ ׁׁׁ ׁׁ\"ׁׁ(ׁ ׁOׁ ׁׁׁ ׁׁ\"ׁׁ)ׂ  ׁOׁ ׁׁׁ ׁׁ\"ׁׁ+ׁ ׁNׁ ׁׁׁ ׁׁ\"ׁׁ, ׁNׁ ׁׁׁ ׁׁ\"ׁׁ5ׁNׁ ׁׁׁ ׁׁ\"ׁׁ1ׁNׁ ׁׁׁ ׁׁ\"ׁׁ,!ׁNׁ ׁׁׁ ׁׁ\ׁׁׁ(&ׁNׁ ׁׁׁ ׁׁ\ׁׁׁ$*ׁNׁ ׁׁׁ ׁׁ\"ׁׁ.ׁNׁ ׁׁׁ ׁׁ\ׁׁׁ3ׁNׁ ׁׁׁ ׁׁ\ׁׁׄ7ׁNׁ ׁׁׁ ׁׁ\ׁׁׁ<ׁNׁ ׁׁׁ ׁׁ\ׁׄ@ׁ?ׁ ׁׁׁ ׁׁN!ׁ Eׁ?׆ׁׁ ׁׁׁׁׁ׊N!ׁׅJׁ ׂ4ׁׅ S׉N!ׁׄNׁ׃2ׇׁ ׁׁׁׁׁ׊N!ׁׁSׁׁׄ3׉ׁ ׁׁׁׁׁ׉O!ׁׁTׁׁׄAׁ ׁׁׁׁׁ\!ׁׁR׆Bׁ ׁׁׁׁׁ\!ׁׁMׂHׁ ׁׁׁׁׁ\!ׁׁHUׁ ׁׁׁׁׁ\!ׁׁCZׁ ׁׁׁׁׁ\!ׁׁ>_ׁ ׁׁׁׁׁ\!ׁׂ9dׁ ׁׁׁׁׁ\ ׁ 4iׁ ׁׁׁׁׁ\ ׁׂ /nׁ ׁׁׁׁׁ\ׁׂ ׂ-sׁ ׁׁׁׁׁ\ׁׁ ,xׁ ׁׁׁׁׁ\ׁׂ ׁ)}ׁׁׁׁׁׁ\ ׁ%ׁׁׁׁׁׁ\ׇ ׁ ׁׁׁׁׁׁ\ׁׂ ׁ ׁׁׁׁׁׁ\!ׁׁׁׁׁׁׁ\#ׁׁׁׁׁׁׁN%ׁ ׆ׁׁׁׁׁׁׁׄ׃N'ׁׅc׉N)׃p׈N+׃iׇNLdCdlp>3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)d2{pp([W.{(R{?M6?MEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂEׂ&ׂ!0Gׁ%ׂ$ׁ2ׁׁׄ%ׂ׆ׁׁ׈׊ל%ׂ׆דׁלׁׁׅ׎%ׂ׆ׅ׎טׁׂה%ׂ׃ׁׂהׁׁׅׄ׉׃$ׇׂ׌ׁ׉׃ׄׄׄ ׁ2ׁׂׄ ׁׄ ׁׂ ׁׁ.ׁׂׂ  ׁׁuׂEׂEׂEׂEׂ!ׁ#ׂ!ׁ#ׂ"ׁHׁXׂ ׁHׁWׁׂGׁWׁׂׄ9ׁׁVׂpׁ5ׁUׂm"ׁׄ8ׁׁTׂoׁׁׄׄSׂq!ׁׁׄׄRׂqׁׂ ׁׂׅRׂsׁׅ ׂ"׃ׁQׂsׁׁׂׅׄ ׂPׂtׁׁׂׂׂׂׄׄ Pׂuׁׁ ׃ׁׂׄOׂvׁׁ ׃ׁׂOׂxׁ ׁׁׁׁ ׃Nׂwׁׁׁׁׂ ׃Mׂz ׁׁׄ ׁ ׁLׂjׁׁׁ ׁׁׁׂׄLׂZׁ ׂ ׁׁKׂXׁׁׂ  vׁׁׂׄJׂZׁׁׁrׁ ׂIׂ\ׁׄ ׁׁ sׁׄ  ׁIׂ\ׁ ׁ uׁׁHׂ_׃ׁ ׁׂ tׁׁׁ ׁ ׁ Gׂ^ׁׁׂ HHsׁׅ  ׁ  Fׂ?ׁׁׂׂ HHH t׃ׁ ׁ ׂFׂ?ׁׁ ׅ׃ HHlWׁׁׂׂ HHDׂCׁׂ ׅ  HHl Yׁׁׂׂ HHHDׂAׁׂ ׁ HH Hll Vׅ ׁ׃׃ HHlDׂBׁ ׁHH Hl Wׄ ׁׁׁ  HHl Dׂ&ׁׁׁׁ H Hl Pׁׁׂׅ HH Hll ׅ5ׂ$ׁׅ  ׁ  H Hl ׃5ׁׁׁHH Hl ׃6ׂ%׃ׁׁ ׁ H Hl ׃3ׄ ׂ ׁ H Hlׁׂ7ׂ'ׁׁׄ HHH HlH6ׁׁׂ  ׁ  H Hl ׈7ׂ*ׁׁׂ HHH HlHׁ7 ׁׁ H Hl ׁׅ6ׂ* ׁ ׂ HHlH HlHׁ=ׁׁׄׄ HHH HlH9ׂ)ׅ ׂׅׄ HHllH HlHׁ?ׄ ׁׂ ׁׂ HHH HlHׂ<ׂ+ׅ ׁ ׁׄHH Hll H HlHׁ?ׁׁ ׂׂ HHlH HlHCׂ,ׁׁׂH Hl H HlHׁAׄ ׁ ׁ HHllH HlHׁCׂ-ׁׁ ׁׂ H HlH HlHׁAׁׄ ׁHH HlH HlHׁCׂ/ׄ ׁ  ׁ  H HlH HlH ׁB ׂ ׁH HlH HlH ׁׂ0ׂ/ׁׂׄHHH HlHH HlH ׁCׂ ׁ  ׁ  H HlH HlH ׁׄ0ׂ2ׁׅ HHHH HlHH HlH ׁDׁׁ ׁ H HlH HlH ׁ ׂׂ1ׂ$ׁ ׄ ׃ HHHlH HlHH HlH ׁEׁׁׂH HlHH HlH ׁׄ6ׂ%ׁׂ HHllH HlHׁH lH ׁ9ׁ ׄ ׁ HHH HlHH HlH ׁ׊3ׂ&ׁ ׁׄ HHHlH HlHׁH  HlH ׁ:ׂ ׅ ׃ HH H HlHH HlH ׁ׉3ׂ'ׁׂHH Hl H HlHׁH  HlH ׁ<ׁ ׁ HHlH HlHH HlH ׁׅ7ׂ)ׁ  ׁ  H HlH HlHׂH  HlHׁ=ׁ ׁׁ HHllH HlHׁH HlH 8ׂ*ׁ ׂ ׁ  H HlH HlHׂ  HllHׁ>ׁ ׁHH HlH HlHׁH HlHׂBׂ+ׁׁH HlH HlHׁ  HlHׁ?ׁ  ׁ H HlH HlHׁH HlHBׂ,׃ׁ HHH HlHH HlHׁ  HHׁ@ׂ ׁ  H HlH HlHׁH HlHׁBׂ-ׂ׃ HH H HlHH HlHׁ  HׁB׃ׁH HlHH HlHׁH HlHׁBׂ-ׁ HHHllH HlHH HlHׁ   ׁBׁׂ HHH HlHH HlHׁH HlH ׁׂ/ׂ-ׁׄ HHlH HlHׁH HlHׁ   ׁ-ׁ ׁ׃ HHH HlHH HlHׁH HlH ׁׁ0ׂ-ׁHH HlH HlHׁH HlHׁ   ׁ,ׁׂ HHllH HlHH HlHׁH HlH ׁ/ׂ(ׁׁ H HlH HlHׁH HlHׁ   ׁׅ0׃ׁHH HlH HlHH HlHׁH HlH ׁ׃5ׂ)ׁׁ  H HlH HlHׁH HlHׁ   ׁׁ.׃ׁH HlH HlHׁH HlHׁH HlH ׁ׍0ׂ)ׁׁHHH HlHH HlHׁH HlHׁ   .׆ׁ ׂ H HlH HlHׁH HlHׂH HlH ׁ׍/ׂ)ׁׁHHH HlHH HlHׁH HlHׁ   ׂ:ׁ  H HlH HlHׁH HlHH HlH ׁׁ3ׂ,׃ HHHlH HlHH HlHׁH HlHׁ   :ׁHHH HlHH HlHׁH HlHׁH HlH ׃7ׂ-ׂ HHllH HlHH HlHׁH HlHׁ   ׁ<ׁׁHHH HlHH HlHׁH HlHׁH lHׂׂ:ׂ-ׂHH HlH HlHׁH HlHׁH HlHׁ   ׁ@׃ HHHlH HlHH HlHׁH HlHׁH  HlHAׂ-ׄH HlH HlHׁH HlHׁH HlHׁ   ׁAׂ HHllH HlHH HlHׁH HlHׁH  HlHׁAׂ-ׁׁH HlH HlHׁH HlHׁH HlHׁ   ׁ5ׁ ׂHH HlH HlHׁH HlHׁH HlHׂH  HllHׁAׂ-ׁׁH HlH HlHׁH HlHׁH HlHׁ   ׁ4ׁ ׄH HlH HlHׁH HlHׁH HlHׂ  HllH ׁAׂ-ׁׄH HlHH HlHׁH HlHׁH HlHׁ   ׁ3ׁׁׅH HlH HlHׁH HlHׂH HlHׁ  HlH ׁ׃-ׂ-ׁ׃H HlHH lHׁH HlHׁH HlHׁ   ׁ4ׁׁׄH HlH HlHׁH HlHH HlHׁ  HH ׁׁ/ׂ-ׁׁH HlHH  HlHׁH lHׁH HlH׃   ׁ4׆ׁׄH HlHH HlHׁH HlHׁH HlHׁ  H ׁ 4ׂ,ׁ ׁH HlHH  HlHׁH  HlHׁH HlH   ׁ6ׁׁׂ׃H HlHH HlHׁH HlHׁH HlHׁ   ׇׁׁ/ׂ,ׁׁH HlHH  HHllHׁH  HlHׁH lHׁ   ׁ7ׁׁׅH HlHH HlHׁH HlHׁH HlH׃   ׁׂ.ׂ,ׁׁH HlH  HlHׂH  HlHׁH  HlHׁ   ׁ8ׁ ׁH HlHH HlHׁH HlHׁH HlH   ׁ׉1ׂ,ׁׁH HlH  HHׂ  HllHׁH  HlHׁ   ׁ9ׁׁׁH HlHH HlHׁH HlHׁH HlHׁ   ׁׅ5ׂ,ׁׁH HlH  Hׁ  HlHׂH  HlHׁ   ׁ>ׁׂH HlHH HlHׁH HlHׁH HlHׁ   ׃9ׂ,ׁׁH HlH   ׁ  HHׂ  HllHׁ   ׁ?ׁׁH HlHH HlHH HlHׁH HlHׁ   ׁ:ׂ,ׁׁH HlH   ׁ  Hׁ  HlHׁ  ׁ2ׁ ׁׂH HlHH HlHH HlHׁH HlHׁ   ׁ@ׂ,ׁׁH HlH   ׁ   ׂ  HHׁ   ׁ3ׂ ׁׄH HlHH HlHׁH HlHׁH HlHׁ   ׁ@ׂ$ׁׁׁH HlH   ׁ     Hׁ   ׁ3ׁ ׁׁׁH HlHH HlHׁH HlHׁH HlHׁ   ׁ@ׂ,ׁׁH HlH   ׁ   ׁ   ׂ   ׁ !ׁׁׁׅH HlHH HlHׁH HlHH HlHׁ   ׁ@ׂ%ׁׁׂH HlH  ׁ   ׁ   ׂ   ׁ !ׇׁׄH HlHH HlHׁH HlHׁH HlHׁ   ׁ,ׂ&ׁׁׂH HlHׁ   ׁ   ׁ   ׁ   ׁ׋"ׁׂׄH HlHH HlHׁH HlHׁH HlHׁ   ׁׄ,ׂ&ׁׁׂH HlHׁ   ׁ   ׁ   ׁ  ׁ׋$ׁׁׂH HlHH HlHׁH HlHׁH HlHׁ   ׁ ׁ.ׂ&ׁׁׂH HlHׂ   ׁ   ׁ   ׁ ׇׁ%ׁׁH HlHH HlHׁH HlHׁH lH׃   ׁ׆ׁ.ׂ'ׅ ׁH HlHׂ   ׁ   ׁ   ׁ ׃ׅ+ׁׁH HlHH HlHׁH HlHׁH  HlH   ׁׁ-ׂ+ׁׁH HlHׁ     ׁ   ׁ7ׁׁH HlHH HlHׁH HlHׁH  HlHׁ   ׁ0ׂ+ׁׂH HlHׁ    ׁ   ׁ<ׂ ׁH HlHH HlHH HlHׂH  HlHׁ   ׂ׆4ׂ+ׁׄH HlHׁ  ׁ   ׁ   ׁׁ=ׁׂH HlHH HlHH H lHׂ  HllHׁ   ׁׂ8ׂ+ׁׁׁH lHׁ ׁ   ׁ   ׁׁ=ׁH HlHH HlHׁHH  HlHׁ  HlHׁ   ?ׂ+ׁׁׁH  HlHׁ ׁ   ׁ   ׁ ׁ0ׂ ׁׄH HlHH lH׃HH  HlHׁ  HHׁ   ׁ?ׂ+ׁׄH  HlHׁ ׁ   ׁ   ׁ ׁ2ׁ ׁׁׂH HlHH  HlH  HHllHׁ  Hׁ   ׁ?ׂ+ׁ׃H  HlHׁ ׁ   ׁ   ׁ ׁ0ׁׄׄH HlHH  HlHׁ  HlH   ׁ   ׁ?ׂ+ׁׂ  HllH ׁ   ׁ   ׁ ׁ/ׇׁ׃H lHH  HlHׁ  HHׁ   ׁ   ׁ?ׂ+ׁׁ  HH ׁ   ׁ   ׁ ׁ0ׁׂׄH  HlH  HllHׁ  Hׁ   ׁ   ׁׂ+ׂ+ׁׁ  Hׁ ׁ   ׁ     ׁ2ׁׁׂH  HlH  HHׁ   ׁ   ׁ   ׁׄ+ׂ+ׁׁ   ׁ ׁ   ׁ   ׁ  ׁ3ׁׂH  HlH  Hׁ   ׁ   ׁ   ׁ ׃,ׂ+ׁׁ   ׁ ׁ   ׁ   ׁ  ׁ5ׁׂׂ  HllH   ׁ   ׁ   ׃   ׇׁׁ-ׂ+ׁׁ   ׁ ׁ   ׁ   ׁ ׁ5ׁׁׁ  HH   ׁ   ׁ      ׁ׍-ׂ*ׁ ׁ    ׁ   ׁ   ׁ ׁ:ׁ  H     ׁ   ׁ   ׇׁׁ,ׂ*ׁ ׁ    ׁ   ׁ   ׁ ׁ<ׁׂ       ׁ   ׁ   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ׁׂׂׄ ׁ׆ׁׂ ׃ׇׂ ׃ׇl ׁ  ׈*ׂXׁ ׁ ׁׂ ׇpׁ ׁ  ׅ*ׄV ׁ ׃+ׁL ׁ׃ ׉*׈Tׄ ׁ ׃׋)ׄH ׁׄ׃ׁ[ ׁׂׄ ׊)ׇ-ׁׁ ׁ  ׁׁׂ` ׁ  ׁׁׂׄ) ׁ  ׁׁׂׅbׅ ׁ  ׁׁׂ5ׇׁׁHׅ ׁׁׁׂׅ4ׁ  ׁׂ׃Oׇׁׂׄ= ׁ ׇׁׂQׁ  ׁׂׄ?ׂ ׁ ׁW׃ ׁׁׂ׆D׃ ׁׁׂ Yׂ ׁ ׁׁ Gׁׁ׊^ ׁׁׂ ׇMׅ ׁ  ׁׁׂcׁׁ  ׁ ׆Pׄ ׁ ׁ  cׂ ׁ ׂ ׁ ׉S׃ ׁׁ ׇjׁׁ ׁׁ  Hׁ ׁ ׇp׃ ׁׂOׁׁׂ HHׁQׁ  ׁ ׈Fׁ ׁ ׁׁׂ HHSׁ ׃ׇׁׁׂ0 ׁׂ HHlׁF ׁׁ2ׁׂ  ׁHH HllMׁ ׂ ׁׅ9 ׁ ׁH HlMׁׂ  ׁ=ׄ ׁׁ  H HlׂTׄ ׁ ׁ 6ׁ ׂ ׁH Hl Wׁׂׂ  :ׁ ׁׁ HHH HlH ׂ<ׁ  ׁ 1ׂ ׁ ׂ׃ HHH HlHׁׂ=ׁ ׁׁׅׄ!ׁ ׁׂ HHHlH HlH ׇ0ׂ ׁ ׁׂ׃ׁׁׁ ׁ HHllH HlH 5ׂ ׂ ׇׁׄ ׁ ׁ HH HlH HlH  ׆=ׁ ׁ  ׁ ׉$ׂ ׁׁ ׂ H HlH HlH ׇ=ׄ ׁ ׁ  ׆ׁ  ׁ H HlH HlH  ׈ׁ*ׁׂׅ    ׁׁׁׂ ׁׅ HHH HlHH HlH  ׁ ׁ  ׁ    ׁׁׂ ׁׂ׃ HHH HlHH HlH %ׁ ׁׅ  ׁׁׂ HHHlH HlHH HlH )ׁ ׁׁ׃   ׁׁ ׁ HHllH HlHH HlH .ׂ ׁ  ׂ ׁ HH HllH HlHH HlH  3ׁ ׂ ׁ   #׃ ׁ H HlH HlHH HlH 8ׁ ׁ     'ׁׂ H HlH HlHH HlH   <׃ׁ     *ׁׁ HHH HlH HlH H HlH   Aׁׂ       -ׁ׃ HHHH HlHH HlH H HlH  Bׁׁ     0ׁ HHlH HlHH HlHH HlH  Bׁ׃     1ׁ HHHllH HlHH HlHH HlH  Bׁ     *ׁׂ HHHlH HlHH HlHH HlH  <ׁׁ      +ׁׁ H HlH HlHH HlHH HlH  <ׁׂ        +ׁׁ H HlH HlH H HlHH HlH  =ׁׁ         +ׁׁ HHH 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ׁ7ׄ ׆HH$Hׁ    HHH  HH$H      ׂ$ׁׁׁH lHHH HlH   H HlHׂH HlH  ׁ=ׁׁ ׉HH$$HH    HH H  HH$H      ׁ*ׁׂׂHHlHH HlH   H HlHH HlH   ׁ=ׁׂ׃HH$H   HHH  HH$H     ׁ ׁׁׄHHllH H HlH   H HlHׁH HlH   ׁ2ׁׁׂHH$H   HH H  HH$H      ׁ!ׁׂׂׄHHׁ H HlH   H HlHׁH HlH  ׁ2׃ׁׁׂHH$H   HHH  HH$H     ׁ!ׁׅ ׁ ׁ H HlH   H HlHׁH HlH  ׁ2ׁ ׂ׃HH$H   HH H  HH$H     ׁ#׃ׁ ׂ ׁ H HlH   H HlHׁH HlH  ׁ &ׁ ׁׂHH$H   HHH  HH$H     ׁ ׂ׃ׁ ׁ ׁ H HlH   H HlHׁH HlH  ׁׁׁ&ׁׅ ׁ׃HH$H  HH H  HH$H     ׁ׆ׁׁׁׁ H HlH   H HlHׁH HlH  ׁ&ׁׅ ׂׂHH$H  HHH  HH$H    ׇׁׁׂ H HlH   H HlHׁH HlH  ׁ׃ׁ*׆ׁׂHH$H  HH H  HH$H    ׁׁׁׂ H HlH   H HlHׁHHllHlH  ׃ׄ)ׇׁׂHH$H  HHH   HH$H H   ׇׁׁׂ H HlH   H HlHׂHHlHlH  ׅ1ׅHH$H  HH H   HH$H  H   ׆ׄׄ H HlH   H HlHH lHHllH  ;ׅׄHH$H  HHH   HH$H  HHH   ׁ!ׁׂ׃ H HlH   H HlHHlHlH  ׁ;ׁׂׄHH$H HH H   HH$H HHHHH   ׁ(ׁׁׂ H HlH   H HlHׁHlHH   ׁ:ׁׁ׃HH$H HHH   HH$H HHHHH    ׁׁׁׁ H HlH   H HlHׂHH lH   ׁ0ׁׁׂׂHH$H HH H   HH$H ׂHHHH H    ׁ ׁׁׁׂ H HlH   H HlH׃HlH  ׁ2ׁׁׂ׃ HH$H HHH   HH$H ׅHHHH H   ׁׁׂ ׁ ׁ H HlH   H HlH׆HllH   ׁ0ׁׅ ׁ ׄ HH$H HH H   HH$H 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׆ׁ%ׁ%ׁ$ׂ׆ׁׁ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׁׂ%ׁ$ׁׁׁׂ%ׁ$ׁׁׁׂ%ׁ$ׁׁׁׂ%ׁ$ׁׁׁׂ%ׁ$ׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂׂׂ ׃ׁׁׁׂ׃ׁ ׁ ׁׁׁׁׂׂׂ ׁׁׁׁׂ ׆ׁׁׁׂ׆ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׅׅ iׁׁׁׁׂ iׁׁׁׁׂ Iׁׁׁׁׂ ׁׂ׋Iׁׁׁׁׂ ׁ׆׈Lׁׁׁׁׂ ׁׂIׁ ׁׁׁׂ ׁׁ ׁSׁ ׃ׁׁׁׂ׃ ׁMׁ ׈ iׁ ׁׁׁׁׂ ׇׇׁׁׁׁׂ ׆ׁׁׁׂ׆ׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ iׁׁׁׁׂ iׁׁׁׁׂ Vׁׁׁׁׂ ׁׁׅVׁׁׁׁׂ ׃Wׁׁׁׁׂ ׂVׁׁׁׁׂ ׅ^ׁׁׁׁׂ _ׁׁׁׁׂ iׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂׂ iׁׁׁׁׂ ׁׅLׁׁׁׁׂ ׁ׏Oׁׁׁׁׂ Lׁׁׁׁׂ ׅLׁ ׁׁׁׂ ׆]ׁ ׃ׁׁׁׂ׃ ]ׁ ׇׇ iׁ ׁׁׁׂ iׁ ׈ׁׁׁׂ׈ׁ ׆ׁׁׁׂ׆ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂ׃ׁׁׁׂ׃~ׁׅׅ~ׁ׊ׁׁׁׂ׊~ׁ׊ׁׁׁׂ׊~ׁ׋ׁׁׁׂ׋~ׁ׉ׁׁׁׂ׉ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂH׆ׇׁׂׄ׃ׅpׁׁׁׁׂGנׁ׊ׁׄ׌rׁׁׁׁׂHׇׇ׋ׇׁׄsׁׁׁׁׂHץבׇ׉qׁׁׁׁׂIׁׁ׈ׇׁׁׂ׆rׁׁׁׁׂVׁׁׁׂ%ׁׁׂsׁׁׁ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׂ_"ׁ ׁׁ%ׁׁׂbׁ"ׁׁׁ%ׁׁׂI׉׆ׁׂׂ׆׋׉׏ׇׁׁׁׁׂׄ%ׁׁׂI׉׆ׇיםזׇדׇגׁׁ%ׁׁׂI׉ב׆ׁ׆ׇׁ׉ׁגׇׇׁדׁׁ%ׁׁׂJ׋׆׆׃בז׃ז׉ׁ׏׃ׁגׁׁ%ׁׁׂJ׃ׁׁׁׂׂ׃׃ׁ׈ׁ׃׆ׁׁׁׂׂׅ%ׁׁׂׂ:ׄ ׁ ׁ ׁׁׁׁׂׂ*ׁ ׁׄ ׁ׊ׁ%ׁׁׂ׊8 ׁׁׁ ׁׁ ׁׁ ׁׁׁ+ׁ ׅ ׁׁ׆7ׁ׆~ׁׁׁׅ%ׁׁׁׂׅ~ׁ׋ׁ%ׁׁׂ׋~ׁ׉ׁ%ׁׁׂ׉ׁׁ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁׁׁׁׂ%ׁ%ׁׁׁׂ%ׁ%ׁׁׁׂ%ׁ%ׁׁׁׂ%ׁ%ׁׁׁׂ%ׁ%ׁׁׁׂ%ׁ%ׁׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ%ׁ%ׁ$ׁׁׂ׃ׁ%ׁ%ׁ$ׁׂ׃~ׁׁׂ%ׁ%ׁ$ׂׂ~ׁׄwׄ~ׁ׃~׃~ׁׂ׆}ׂ׆~ׁׁׁׁׁׁׁׁׁׁׁׁׅׅNNlp.:3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)2{pp([W.{(R{?M?MׁׁׁׁׁׁׁׁׁKׅ ׁׁ׃׊K׊ׁ ׁׁ׃H ׁ׌I׃׆ׁ ׁׁׅׄׄJׂׅ ׁׁׁׁTׂ׃ׁ ׁTׁׁׁׁׁׁׁ6aׁ3dׁׁ [ ׁׁׁׅC ׁ׃ׅ-ׁ ׁׂ׃ׁ,ׁׄyׁ׊׊*ׂׄ׃ׅxׁׁ׃ׁׂ)ׁׄxׁ׈ׂׄ ׁׅ-׉ׇ|ׁׁׁ ׄ ׌)ׇׁ׃׈~ׁ ׁ/ׂׄׄ ׇׁׁ ׇׁ/ׂ ׁׁׁׅׄ(ׂ ׁׁ}ׁׁׂ-ׁׂׂ ׁzׁׁׁׁׁׂׂׂ ׁy׊ׁ׊ׁׁvׁ׈ׁׂ ׌ׁׁ{ׁw׃ׁ ׁׂׂׂ|ׁxׂ ׁׁ ׁ~ ׁ ׁׁׂkׁkׁׁׁׂ ׁׁ ׁ  hׁfׁׁׂׅxׁׁׂ ׂ ׈iׁeׁׁׁׂׅsׁׁׂׂׅmׁaׁׂ ׁׄv׉ׁ׈qׁ^ׂ ׋q ׃ sׁ_ׇׁ sׂ ׁxׁ`ׁׁׁxׇׁ ׁׂ{ׁ_ ׁ ׁyׁׁׂׂSׁ  ׁ  ׁ ׁ ~ׁSׁׁׄ  ׁ]ׂ ׁ ׂ ׁpׁN׊ׁׂ [ׁׁׂ  qׁJׁׂ  ׂJׁ  ׂtׁGׂׂ  ׊B׉ׁ  vׁHׁ ׈Aׇׁׁ yׁJׁׄ Gׁׅ  |ׁJׁ ׁ ׄK ׁ gׁ<ׂ ׁ ׂ  ׆Aׁׂ ׂ ׁ  gׁ9ׁׁׂׂ   ׈Eׁ ׁ   hׁ8׊ׁ ׂׄB׉׃ׁ ׁ׆jׁ5ׁׅ HDׁ nׁ2ׇׁׂ lH?ׂ׃  ׄrׁ3ׇׁ llHH ׁ  ׁrׁ4ׁׂllHׁ5ׁׂ ׁeׁ;ׂ ׁ lH=ׂ ׁ fׁ0ׂ ׁ  #lH 6ׂ ׁ ׂ   iׁ2׃ׁ  &lH ;׃ׁ  " mׁ3ׁׂ (lH ?ׁׂ % pׁ3ׁׁ + lHCׁׁ ' sׁ3ׁ . lH Dׁ *   tׁ3ׁׂ 1 lHDׁ -  tׁ,ׁׁ3 lH=ׁׂ0   tׁ+׃ׁ 6 lH=ׁׂ 2    tׁ+׃ׁ 9 lH=ׁׁ ׂ 5   H tׁ+׃ׁ<lH <ׁׂ8   lH lׁ-ׁׁ>lH ׃4ׁׂ;  lH ׃lׁ,׈ @lH ׄ9׃ < llH ׃lׁ1 @lH ׄ:ׂ < lH ׃lׁ2ׂ @lH :ׂ < lH lׁ2ׄ ?lH ׂ;ׄ < lHtׁ2ׁׁ ?lH 9ׁׁׁ ; lHׁtׁ2ׁׁ?lH ׁ9ׁׁׁ; lHׁtׁ2ׁׂ>lH ׁ9׃ׁׂ; lH ׁtׁ'ׁׁׅ>lH ׁ8ׁׁׅ; lH ׁtׁ(ׁׅ ׁ>lH ׁAׁ ׁ: lH ׁ gׁ(ׁׅ ׄ>lH ׁ /ׁׁ ׃; lH ׁ׆gׁ*׃ׁ ׂ>lH ׁ׆.ׁׂ ׁ; lHׁ׆gׁ,ׁׁ >lH ׁ׆/׆ ; lH ׁ׆gׁ+ׁ׃ >lH ׁ׆3ׂ :  lH ׁ׃gׁ0ׂ >lH ׁ׃4 :  lH ׂlׁ1ׂ = lH 9ׄ :$  lHsׁ1ׄ =(lH 6ׁ ׁׁ :$  lHׁsׁ1ׁׁ =(lH ׁ6ׁׂׂ9$ lHׁsׁ&ׁׁ=(lH ׁ6ׁׁׁ9#  lH ׁsׁ0ׁׂ<)lH  ׁ7׃ׁׁׁ7# lH ׁsׁ'ׁׁׄ<)lH ׁ7ׁׄ ׂ3"  lH ׁsׁ&ׁׄ ׁׂ9)lH ׁ6ׁ ׁ.# lH ׁ fׁ&׆ׁ ׁ5)lH ׁ ׂ*ׁׄ ׁ *"  lH ׁfׁ'ׁׅ ׂ0*lH ׁ,ׁׂ ׂ &" lH ׁׁ׃fׁ)ׁׁ ׁ +*lH ׁׂ׃0ׁ $!  lH ׁ׆fׁ*ׁ׃ׁ '*lH ׇׁ2ׁ "!  lHׅfׁ/ׂׂ %*lH ׁׅ2ׂׄ "! lH ׂׂkׁ0ׁ #,lH  ׇ3ׁׁׁ!   lH rׁ0ׁׄ ׁ#,lH  ׂ6ׁׁׂ!  lHׁrׁ0ׁׁׂ #,lH  ׁ3ׁׁׂׂ    lHׁrׁ/ׁׁׂ",lH   ׁ5ׁׁׁׁ   lH ׁrׁ%ׁׁׁׂ!-lH ׁ4ׁׄ ׁׂ   lH ׁrׁ/ׁׁׁ -lH ׁ3׆ׁ ׁ׃   lH ׁrׁ(ׁׂ ׂׂ -lH ׁ3׆ׁ ׁׁ  lH ׁ eׁ&ׁׅ ׁׁ  -lH ׁ4ׁׅ ׂ   lH ׁeׁ%׆ׁ ׁ׃ .lH ׁ +ׁׁׁ  lH ׁ׈eׁ&ׁׅ ׁׂ .lH ׁ)ׁׁ    lH ׁ׆eׁ(ׁׁׁ .lH ׁ׉/ׂ    lH ׂׄeׁ)ׁ׃ׂ /lH ׁ׆/ׁׁׁ    lH ׂׂjׁ.ׁׂ /lH ׃׃/ׁׁׁ    lH qׁ.ׁ /lH 4ׁׂׂ   lHׁqׁ.ׂׄ /lH ׁ5ׁׁׁ   lH ׁqׁ.ׁׁׂ 0lH ׁ1ׁׁׂׂ   lH ׁqׁ.ׁׁׁ$/lH  ׁ1ׁ ׁ׃   lHׁqׁ#ׁׁׂHH$$,lH  ׁ2׃ׁ ׁׂ   lHׁqׁ%ׁׁׁׂH$)lH ׁ2ׁׅ ׁ  lHׁ dׁ$ׁׅ ׁ׃H$'lH ׁ2ׁׁׅ   lHׁ׆dׁ%ׁׄ ׂׂHH$$lH ׁ ׁ(׃ׁׂ   lH ׁdׁ.ׁ ׁHHH$!lH ׁ (ׁ׃ׁ    lH ׁdׁ(ׁׁ ׂHH$lHׇׁ,ׂׂ   lH ׄdׁ'ׁׁׂHH$lHׁ,ׁ  lH ׂׅeׁ(ׁׁׂ HHH$lHׁ-ׁׄ H  lH qׁ-ׂ H H$lHׄ-ׁׂׂ HH lHׁqׁ-ׁׄ H H$lHׁׂ2ׁׁׁ H$$  lH ׁpׁ-ׁׂׂH ׁHlH0ׁׂׂׄ H$  lH ׁpׁ-ׁׁׁH ׁlHׁ:ׁׂׂ HH$  lHׁpׁ-ׁׂׂH  lH  ׁ/ׁׅ ׁׁ HHH$  lHׁpׁ"ׂ ׁׁׁ H lH ׁ/ׁׄ ׂ HH$$  lHׁpׁ$ׁׁ ׂׄH  lHׁ/׆ׁ ׁ HׇHH$$ $$lHׁ cׁ"׆ׁ ׁׂH lHׁ2ׁׁׂ   H H$lHׁcׁ"ׁ ׁׁH lHׁ2ׁׂׂ   HH$lHׁ׉bׁ"׆ׁ ׂ H  lHׁ &ׁׂׂ   H׃HH$lHׁcׁ#ׁׁׅ H lHׁ*ׁ   HHHlH ׁcׁ%׃ׁׂ  H  lHׁ׉*ׂׄ  H lH gׁ&ׁׂׂ  H lHׁ׉*ׁׂׂ H  lHׁpׁ,ׁׂ    lHׂ׃+ׁׁׂ  HlH ׁpׁ,ׁ  lH/ׁׁׄ HlH ׁpׁ,ׂׄ  lH.ׁׂׂׂHlHׁoׁ,ׁׁׂ   lHׁ-׃ׁ ׁׂ HlHׁoׁ,ׁׂׂ    lH  ׁ-ׁ ׂׂ HlHׁoׁ!ׁ ׁׁ׃  lHׁ-׆ׁׂׂ HlHׁ ׂbׁ!ׂ ׁׂׂ lHׁ.ׁׁׁׄ H lHׁ׆bׁ!ׁ ׁ ׁ  lHׁ-ׁׂׂׅ  HlHׁaׁ!ׁׅ ׂ   lHׁ1ׁׁׂׄ HlHׁ׉aׁ"ׁׁׅ lHׁ ׂ$ׁׁׂׂ  H lHׁbׁ!׆ׁׂ  ! lHׁ(ׁׄ HlH ׅbׁ"ׁׂׅ  " lHׁ׉(ׂׂׅHlHׂgׁ$ׁ׃ׁ    "ׁ lHׁ׉(ׁׁׁׂ H lHׁoׁ%ׁׂׂ   lHׁ(ׁׁׂH lH ׁoׁ+ׁ   lH׈)ׁׂׂ H lHׁoׁ+ׂׅ  lHׂ$ׁׁ ׁׁH%lHׁoׁ+ׁׁׁ   lHׁ,ׁׁ ׂׂ  H* lHׁnׁ+ׁׂׂ  lH  ׁ,ׁׄ ׁׂ H- lHׁnׁ+ׁׂ׃  lH ׁ,ׁׁׂׅ  H* lHׁnׁ ׁ ׁ ׁׂ   lHׁ+׆ׁׂׂ H' lHׁ `ׁ ׁ ׁ ׂ H ! lHׁ,ׁׁׁׅ H# lHׁׁׄ`ׁ ׁׄ ׂHHH   &lHׁ-׃ׁׂׂ H lHׁׁׄ`ׁ ׁׁׅHHH   +lHׁ.ׂׂׂׄH lHׇׁׁׅ4ׁ*ׁׂ HH  /lHׁ &ׁׂ H lH׃׎ׁ8ׁׁׂ  HHH ,lHׁׁׄ&ׁׂׅH lH ׎8ׁ$ׁׁׁ H/lHׁׁׄ%ׁׁׂ H!lH$ד7ׁ$ׁ׃ׂ HH/ lHׁׁׄ%ׁׁׂHHH &lHׁ%ׁ׊ׂ6ׁ$ׁׁׂ HH/lHׇׁ%ׁׂׂHH +lH ׁ/ׁ>ׁ*ׂׂ H.lHׅ&ׁ ׂׂ HH0lHׁ/ׁ>ׁ)ׂׅ HH+lH ׁׂ ׁׁ  HHH4lHׁnׁ)ׁׂ׃ H)lHׁ)ׁ ׁ ׂׂ H5lHׁmׁ)ׁׁׂHH&"ׂlH  ׁ)ׁׁׂׅ HH4lHׁmׁ)ׁׂHH$&ׂlHׁ)׆ׁׁׂ H1 lHׁ ׂBׁ)ׁ ׂH!+ׁlHׁ*ׁׂׂׅ HH.lHׁDׁׁׂ ׁ ׂHH1ׂHHlHׁ)׆ׁׁׂ H+lHׁ׉׆ׁ׃ׁ ׁׁH6ׂHlHׁ+ׁׁׂ׃ HH(lHׁ׉׆ׄןׁׁׂׂׂHH HH6HllHׁ,ׁׁׂׂH%ׂlHׁ׆ׁ׆ׁׁׂHHHׁ5Hׁ ׂ$ׂׄHH!$ׂlH ׈׏׆דׁ׆ׁׂׂHHHׁ6ׁHׁ#ׁׂׂH*ׁlHׁ׆ׇ׃ׁ׆ׇׁׁHHHHׁ 5/ׁ׉#ׁׁׁׂHH/ׁHlHׁ8ׁ4ׁ!׃ׁׂׂHׅ54ׁ׉#ׁׂׂׂHH H5ׁHlH ׁ8ׁׁ$ׁ"ׂׂׂ58ׁ׈#ׁ ׁׂ ׃HHH8׆HHlHׁmׁ(ׂ4:ׅ#ׁ ׁׂ ׅHHH8ׂHHׁmׁ(ׁׁׅ2:ׁׂׄ ׂׂ ׁׅHHHH8 ׁHׁmׁ(ׁׁׂׂ-:ׁׁ!ׁׁׁׁׂׂH 8ׁlׁ(ׁׁׂׂ): 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VVP(VVVV)ׁׂ<uuuuuuuuuuuuuuuuuuJׁ&ׂVNׁ VVP(VVVV)ׁׁ<uuuuuuuuuuJׁ&ׂVNׁ VVP  VVVV)ׁ ׁׂ9uuuuuuuuuuuuuuuuuuuJׁ׆ׂVNׁ %VVP  VVVV)ׁ ׃5uuuuuuuuuuJׇׁׂVNׁ %VVP  VVVV)ׁ ׉uu3uuuuuuuuuuuuuuuuuuuJׇׁׂVԃ 'ׂVVP  VVVV)ׁ ׂuu/uuuuuuuuuuJׂV:ׂ ׁ ::: =7=7 :I JׁׁC׆  ::: 7=7=7 7 :ITׁׁׁ>ׁ ׃ ::: 7= 7 :I JׁׁDׅ :::: 7= 7 :I Tׁׁׁ>ׁ :::: = 7 :I JׁׁG =  :::: = 7 :I Tׁׁׁ>ׁ  ::::: :: 7 :I JׁׁGׄ 7  : ::: : 7 :ITׁׁׁ9ׁׁ ::: 7 :: 7 :I JׁׁGׁׁ 7=7  : 7=7 ::: = : 7 :IׁTׁׁׁ9ׅ::: =7=  7 :IJׁׁGׁׂ 7=7=  :: =7=7=7= ::: =7 :: 7 ::nnI ׁSׁׁׁ:ׅ ::::: =7=7= : 7 :IJׁׁGׁׁ 7=7=7  : =7=7=7=7= : :: =7=7 :: 7 :nIIׁSׁׁׁ< :::: =7=7 7  7 :I JׁׁFׁׄ =7 7  : = 7=7=7 7 =7=7= ::: 7=7= 7 : :nIׁSׁׁׁ= :::: 7=7=7 7  :I IׁׁFׁ ׂ =7 7 : 7 77 =7=7=7=7 : =7=7= 7 ::nIׁSׁׁׁ=ׄ =7  :::: 7=7=7 7 :IׁIׁׁ@ׁׂ ׁ 77 77 7 :  77 =7=7=7=7= : 7=7=7 7 7 :::nIׁSׁׁׁ=ׁׁ 7=  : ::: 7=7= 7 :IׁIׁׁ@ׁׁ ׊: 77 :   7 =7=7= 7 :: 7=7= 7717 7 ::nIׂSׁׁׁ=ׁׂ 7= 7  :: 7=7 ::: =7=7= 7 :nnI ׁIׁׁBׁׁ א :: =7=  : 7   7  7= 77 7=   7= 7071707 7 ::nnI Sׁׁׁ=ׁׁ 7= 7 7  :: 7=7=7=7 :: :: =7= 7 :nIIׁIׁׁCׄ ׆ =7 : 7=7  : 7= 7    7 =7=7=  7171 ::nnIׁSׁׁׁ<ׁׁ 7= 7 7 : =7=7=7=7= : 7= ::  7 7 :nIׁIׁׁFׁ ׇ =7 7 : 7=  : =7 77   7 =7=7=7=7=7  17071707 :::nIׁSׁׁׁ<ׁ ׄ 7= 77 7 : 7=7= 77 7=7=7=7 :::  7 ::nIׁIׁׁBׅ ׈ 7= 77 : =7=  :: =7 7  =7=7=7=7=   77177 ::nI ׁSׁׁׁ<ׁ ׂ =7 7 7=7  :  77 =7=7=7=7= : =7= 7 :::nIׁIׁׁFׄ 7= 7 : =7  :: 7= 7  7=7=7 7   7 ::nIׁSׁׁׁ<ׁ ׂ =7 77 =7=  :   7 =7=7=7=7 : 7=7=7   7 ::nIׁIׁׁFׄׄ 7= 7  7=7  :: 7= 7  =7 17  : ::IׁSׁׁׁ6ׁׁ׆ =7 7 =7  : =7=   =7=7 77 : =7=7= 0  7 ::nIׂIׁׁFׁׁׅ 7=7 7 : =7=   =7 7 : 170717 ::::IׁSׁׁׁ<ׁׄ 7 7=7  : 7= 77    7= 77 7= : 7=7=7 71   7 ::nnI IׁׁEׁ׈ =7 7 :: 7   =7 7 : 7177 :::IׁSׁׁׁ6ׁׅ 7 7=  : 7=7 7  :  7 =7=7 : =7=7= 1707170 :::nnI ׁHׁׁEׁׅ =7 7 :: 7  7= 7 : 7 ::::ׁRׁׁׁ5ׁ׈ : 7 =7=  : =7 7   7 7=7=7=  7=7 717171 ::nnI ׁHׁׁEׁׄ =7 7 :: 77 7  7= 7 : :::ׁRׁׁׁ7ׁׂ ב 7= :: 7 7=7  : =7= 7  =7=7=7  0717071707170 :::nI ׁHׁׁEׁ׃ = 7 : =7 7 ::nnI::ׁRׁׁׁ8ׅ ׇ 7= 7 :  7  :: 7= 7  7=7= 7 7171717 ::IׁHׁׁEׁ ׁ 7 : 7=7   7 :nI::ׁRׁׁׁ; ׈ =7 77 : 7  : 7=7 7    =7 77 7170717071 :::IׁHׁׁ>ׁׂ ׂ 7 : =7=   7 ::nII::ׁRׁׁׁ;ׁׁׄ =7 7 :: 7 77 :: =7 7 ::  7 717 ::ׁHׁׁ>ׁׂ ׆ 7 :׈ =7=    7 :nI::ׂRׁׁׁ;ׁׁׄ =7 7 :: 77  =7= 7 :  7 7170 ::::ׁHׁׁ?ׁׂׅ ::ׅ 7=7   ::nI::Rׁׁׁ;ׁׂׅ =7= 7 : =7=   = 7 : 77 7 :::ׁHׁׁ@ׁׁׁ:׍ =7=7  =7 nI:n: ׁRׁׁׁ;ׇׁ 7= 7 : 7=7   7 : 7  ::::ׁHׁׁ@׆ׁ:ח =7=  7= 7 nI:nn: ׁRׁׁׁ;ׁׅ 7= 7 : 7=   7 : :::ׁHׁׁAׁׁׁ:׌ 7=7= 7=7 7 nII:n: ׁRׁׁׁ;ׁׄ 7= 7 : =7=   77 ::::ׁGׁׁDׁׄ:׋ =7= 7=7 7 nInIn:ׁRׁׁׁ;ׁ ׃ 7 7 : 7=7    7 ::nnII$::ׁGׁׁDׁׁ ׁ:ׂ 7 =7= 7 nInIn:ׁRׁׁׁ;ׁ ׁ 7 :ׅ 7=7  7= :nII$:::ׁGׁׁDׁׂ ׁ:׉ 77 =7= 7 nInIׁnnIn:ׁRׁׁׁ;ׁ ׂ 7 :ׅ =7=   =7 7 :nII$::ׁGׁׁDׁׂ ׁ:ׁ 7=7 7 nIInIׂnnIInnI:ׁRׁׁׁ3ׁׂ ׇ 7 :װ 7= 7  =7= 77 :nI::ׂGׁׁDׁׁׂ: 7=7 7 nI nI I%nInIׁQׁׁׁ3ׁׅׄ :׃ 7  7= 7 :nI::GׁׁDׁ ׂׂ:׈ 7=7= 7 nI nI IInnIIׁQׁׁׁ4ׁׁׂ:ׂ 7 77 7=7 7 nI:: ׁGׁׁDׁ ׁׂ:׆ =7= 7 nI nIׂIIׁׁQׁׁׁ4ׁׁׁ:ׂ 77 =7 7  nI:n:  ׁGׁׁDׁ ׆:׆ =7 7 nInIׁQׁׁׁ9ׁׂ:׎ 7=7  =7= 7 nI:nn: ׁGׁׁ=ׁׁׄ:ׅ 7 7 nInI1ׁQׁׁׁ:ׁׁ:׍ =7=  7= 7 nI%%I:n:ׁGׁׁ>ׁׂׂ: 7 InInI3Qׁׁׁ:ׂ:׍ =7  7=7 7 nI%nIn:ׁGׁׁ=ׁׂׄ: 7 %InnIInI/Qׁׁׁ:ׁׄ: 7=7 =7 7 nI nIn:ׁFׁׁ@ׁׄ: 7 I nI,ׁQׁׁׁ:ׁׁׂ:׋ =7= 7= 7 nInIׁ n:ׁFׁׁ@ׁׄ: nI( ׁQׁׁׁ:ׁׁ ׁ:ג =7 7 nInIׁnIn:ׁFׁׁ?ׁׁׁ:  nI%ׁQׁׁׁ:ׁׂ ׂ::׊ג 7=7  7 nnInI %nInIׁFׁׁCׂ:%nI"ׁQׁׁׁ:ׁׁ ׂ:׊ =7=  7 nII nIׄI%nInIׁFׁׁCׅ ׁ:%nIׁQׁׁׁ9ׁ ׁׂ:ׅ =7  nI nI ׊IInnII ׁFׁׁCׁׁ ׁ:%nnIInnIׁQׁׁׁ9ׁ ׁׂ:ׅ 7=  nInI ׂIIׁׂFׁׁCׁׂ ׁ:ׂ%׃$IInInIׁQׁׁׁ9ׁ ׂ׃::ׅ = 7 nInIׁFׁׁCׁׂׂ:ׁ%ׁ%InnII#ׁPׁׁׁ9ׁׁׂ: 7 nInIׁׂFׁׁCׁ ׁׁ:#I(ׁPׁׁׁ2ׁׁׄ: 7 IInInI;ׂFׁׁCׁ ׁׂ: ,ׁPׁׁׁ3ׁׁׂ: 7 InInI8FׁׁCׁ ׅ: 0ׁPׁׁׁ2ׁׁׄ: 7 %InnInI5ׁEׁׁBׁ׃: 4ׁPׁׁׁ5ׁׁׁ: 7 InI1 ׁEׁׁ;ׁׂׂ:8ׁPׁׁׁ5ׁׅ:  "nI.ׁEׁׁ;ׁׁ::Pׁׁׁ4ׁׂׂ:, nI*ׁEׁׁ;׃ׁׁ::Sׁׁׁ8ׂ:,nI'ׁEׁׁ;ׁ :Wׁׁׁ8ׂׅ:, nI#ׁEׁׁ=׆ׁ:[ׁׁׁ8ׁׁׂ:,גnnInI ׁEׁׁB:`ׁׁׁ8ׁׂ ׂ:ׄ,nInI"ׁEׁׁEׁׂ  :dׁׁׁ8ׁׂ ׂ:ׂ,ׁ%InInI&ׁEׁׁGׁ׃ 9hׁׁׁ8ׁ ׁ ׂ:ׁ,׃$IInI*ׁEׁׁHׂ׃  5mׁׁׁ8ׁ ׂׂ:*I/ׁDׁׁJׁׂ 0qׁׁׁ8ׁ ׂׂ:&3ׁDׁׁLׁׄ ,vׁׁׁ8ׁׁׁ:" 7ׁDׁׁMׂׅ (zׁׁׁ8ׁׅ:;ׁDׁׁOׂׂ #~ׁׁׁ8ׁׄ:: ?ׁDׁׁQׁׁׁ"ׁׁׁ0ׁׁׂ:ADׁׁRׁׂׄ"ׁׁׁ1ׁׁׂ:AGׁׁTׁׂ ׂ! ׁׁׁ0ׁׂׄ:AKׁׁVׁׂ(ׁׁׁ3ׁׁׁ@OׁׁXׁׁ$ׁׁׁ3ׂׅ @TׁׁYׂ ׁ ׁׁׁ7ׁׂ@Xׁׁ[ׂ ׁׁׁׁ8ׂ?\ׁׁ]ׁ ׁ"ׁׁׁ:ׂׄ ?aׁׁ^ׁׂ'ׁׁׁ<ׂׂ?eׁׁ`ׁׂ+ׁׁׁ>ׁׂ :iׁׁbׁׁ /ׁׁׁ@ׁׂ 6nׁׁcׅ4ׁׁׁAׂׂ2rׁׁe8ׁׁׁCׁׂ -vׁׁg<ׁׁׁEׂ ){ׁׁ'ׁׁׁGׂׂׂ &ׁׁ'ׁׁׁIׁׁׂ&ׁׁ'ׁׁׁJׁׂׄ% ׁׁ'ׁׁׁLׁׂ ׂ$ ׁׁ'ׁׁׁNׁׂ,ׁׁ'ׁׁׁPׁׁ(ׁׁ'ׁׁׁQׁׂ$ׁׁ'ׁׁׁSׂ ׁ ׁׁ'ׁׁׁUׂ ׁ#ׁׁ'ׁׁׁWׂ ׁ'ׁׁ'ׁׁׁYׁׁ,ׁׁ'ׁׁׁZׁׂ0ׁׁ'ׁׁׁ\ׁׂ 4ׁׁ'ׁׁׁ^ׅ9ׁׁV׉Vׁׁׁ`=ׁׁVׁׂאׅייׁVׁׁׁbAׁׁVׂ׎ׁ׆Wׁׁׁ'ׁׁVׁכזׁהYׁׁׁ'ׁׁVׁׄ׌ׁWׁׁׁ'ׁׁVׁׂׂׂׄ4ׁ׉ׂ\ׁׁׁ'ׁׁVׁׁׁׁׁׂׂlׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁׁ'ׁׁ'ׁׁ))ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁ::lpBlm3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx1?VZ@fjV1?VZ@*{n{[6^>{([W.{(R{?M?M$$$$$$$$$$$$$$$$$$$$$`/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/             /ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁׁIׁ/ׁׁHׁ/ׁׁHׁ/ׁׁGׁ/ׁׁׁ4ׁ/ׁׁ ,ׁׁ/ׁׁ /ׁׁ/ׁׁׂ $ׁׁ/ׁuׇ׃ ׄ$ׁׁ/ׁrׁׅ ׉%ׁׁ/ׁoׁׁׄ׆*ׁׁ/ׁqׂ׃ׁ,ׁׁ/ׁm׆ׁׂ׃/ׁׁ/ׁnׄ ׃ׁ ׄׄ ׁ$ׁׁ/ׁnׁ ׂ ׁ ׁׁׁ/ׁ{ׁׁׁ  ׁׁׁׂ/ׁ|ׁ ׁׁ/ׁqׁׁׁ ׃ׁׁ/ׁoׁׁׂׄ ׆ ׁׁ/ׁmׁ ׁ  ׇׁׁ/ׁmׁׁׄׄ+ׁ/ׁn׃ׁ 5ׁ/ׁWׁׁׁ׃  ׁ ׁׂ/ׁXׁׁ ׁׁ  ׁׂ/ׁYׁׁ ׁ   ׁ/ׁZׁׁׂ ׁ ׁ/ׁ\ׇׁ ׁ  ׆ ׁ/ׁVׁׁׁ ׃  ׆"ׁ/ׁ=ׁׂׂ ׁ ׅ%ׁ/ׁ:ׁׂׄ  ׁ  ׁ.ׁ/ׁ7ׁׁׄ ׁ ׄ ׁׁ/ׁ9ׁ ׁ ׁ  ׁ/ׁ5׆ ׁׁׂ ׂ : ׁׁ/ׁ6ׂ ׁ ׃ ׁ  :׃ׁׁ/ׁCׁׂ ׁ  : ׃ׁcׁ/ׁDׄ ׁ : ׆ׁׁaׁׁ/ׁ: ׁ ׁ :ׁׁaׁׁ/ׁ9ׁׂ ::ׁׁׁׁaׁׁ/ׁ7ׁ ׁ  ::  ׁׁׁaׁׁ/ׁ:ׁ ׁ::  ׁׁaׁׁ/ׁ"ׁׁ ׁ :: ׁׁaׁׁ/ׁ#ׂ ׁׁׁׂ ׂ ::I ׁׁaׁׁ/ׁ%ׁׁׁ׃ׁ :::I ׁׁaׁׁ/ׁ&ׁׁ ׁ  :::II ׁׁFׁׁׁ/ׁ'׈ ׁ :::Iׁׁׂ״״״ׁׁ/ׁ(ׁׂ ׁ :::Iׁׁ״״״״״ׁׁ/ׁ*׃ׁ ::::I;ׁׁ״״״ׁׁ/ׁ+ׂ ׁ  ::: :I :ׁׁ׋״״״ׁׁ/ׁ+ׁ ׁ::: 7 :I :ׁׁ״ׁׁ/ׁ+ׁ ׁ::: 7= :I :ׁׅ״%ׁׁ/ׁ+ׁ  :::: =7=7= :I :ׁׂ&ׁׁ/ׁ%ׁׂ  ::::: =7= 7 :I :ׁaׁׁ/ׁ%ׁׁ:::: 7= 7 :I :ׁFׁׁׁׁ/ׁ%ׁׁ :::: 7 :I :ׁFׁׁׁׁ/ׁ%ׂׂ  ::: : 7 :I:ׁ׃׎״״״״״ ׁׁ/ׁ&׃ :::: = : 7 :I :ׇׁך״״״״״״״״״ ׁׁ/ׁ* =7 :::: 7=7 : 7 :I :ׁׁׁ׃״״״״ ׁׁ/ׁ*ׄ =7=  : ::: 7=7=7 : 7 :Iׁ9ׇׁׁׁה״״״״״״״ ׁׁ/ׁ*ׁׁ 7=7  : =7 ::: 7=7= 7 : :Iׁ9ׁ׃ׁ״״״ ׁׁ/ׁ*ׁׂ 7=7=7  ::: =7=7=7= :: :: =7=7= 7 ::nnI ׇׁׁׁׄ״%ׁׁ/ׁ)ׁׁ 7=7=7=  :: 7=7=7=7= : =7 :: =7=7= 7 :nIIׁׁׁׁׁׁׂׂ/ׁ)ׁׄ 7 7=7  : 7=7=7=7= 7 =7=7=7 :: 7=7=7 7 :nIׁׁׁaׁׁ/ׁ!ׁׁ  =7=7  : =7= 7=7 7 7=7=7=7= :: =7=7=7 7 :nIׁׁׁaׁׁ/ׁ"ׁׁ ׁ:: 7=7=  : 7=7 7 7=7=7=7=7=7 ::: 7=7=7 7 :::nIׁׁׁaׁׁ/ׁ)ׁ ׆ : 7 7  : 7=7 77  77 7=7=7=7=7= : :: 7= 1 7 ::nIׁׁׂ:״״״״״ ׁׁ/ׁ!ׁׅ ׅ = : 7 :: 7= 7  7 =7=7= 77  : 7170 7 ::nnI ׁׁ:ם״״״״״״״״״״ ׁׁ/ׁ!ׁׅ ׊ =7=7 :: 7 77 : 7   =7 7 7= =7  :: 77171 7 ::nnIׁׁׁ:ׁ״״״״״ ׁׁ/ׁ"ׁׄ ׍ 7=7 7 : 7 7 :: 7   7 7=7=7 7=7=7  :: 1707170 ::nIׁׁׁ:ׁח״״״״״״״״ ׁׁ/ׁ$ׁׂ ׅ 7=7 7 : =7 :    77 =7=7=7=7=7=  :: 7717 ::nI ׁׁׁ:ׁ״״״ ׁׁ/ׁ)ׁ ׆ 7=7= 7  =7=  ::   7=7=7=7=7 7  :: 1 ::nIׁׁׁ:ׄ״ׄ״ ׁׁׁ/ׁ(ׄ׆ 7=7= 7 : 7=7=  :: =7  =7=7=7 7717 :: ::Iׁׁׁ:ׂ ׄ״ׁׁׁ/ׁ(ׁׁ׆ 7=7= 7  7=7   =7= 7  7= 0717071 :::Iׁׁׁaׁׁ/ׁ(ׁׂׅ =7= 7  =7=   7=7 7 :  717177 :::ׁׁׁaׁׁ/ׁ(ׇׁ =7= 7 :: 7=7=   7=7 7 :  7170717 ::::ׁ8ׁaׁׁ/ׁ(ׁׅ =7= 7 : 7=7   =7= 7 :  71 :::ׁ8ׁ ==ׁׁ/ׁ(ׁׄ =7 7 : =7=7   =7= 7 : 7 :::ׁ8ׁ ==ׁ״ׁׁׁׂ/ׁ(ׁ׃ 7 7 : 7=7=   7=7 7 : :nnI$$::ׁ8ׁ ==ׁ׃ׁׁ/ׁׁ ׁ 7 :: =7 7  7=7 7 :nII::ׁ8ׁ ==״״״״״״ׁׁ/ׁׁ ׂ 7 :ׂ 7 =7= 7 :nII::ׁ8ׁ ==ׁׁ׆״ׁׁׂ/ׁ ׁׄ ׅ 7 :ׁ 7 =7= 7 :nI::ׂ8ׁ ==%ׁׁ/ׁ ׃ׁׄ :׎ 77 77 7=7 7 nI::7ׁaׁׁ/ׁ ׃ׁׁ:׃ 7=7 7 nI:n: ׁ7ׁaׁׁ/ׁ"׆ׁ:׍ =7=  7= 7 %I:nn: ׁ7ׁaׁׁ/ׁ'ׁׁ:ׇ =7=7  7 nI%I:nn:ׁ7ׁaׁׁ/ׁ'ׁ:ׇ =7=  7 nIIn:ׁ7ׁaׁׁ/ׁ'ׁׄ:׈ 7=7=   nInIn:ׁ7ׁaׁׁ/ׁ'ׁׂ ׁ:ג =7=7   nIInIׁnIn:ׁׁׁaׁׁ/ׁ'ׁׁ ׁ:ג =7=7=  nnnInIׂnInnI:ׁׁׁaׁׁ/ׁ'ׁׂׂ:׌ 7=7= 7 nI nI %nInIׁׁׁaׁׁ/ׁ&ׁ ׂׂ:ׇ =7=7 7 nI nI InIIׁׁcׁ/ׁ&ׁ ׁׂ:׆ =7 7 nI nIIׁׁׁׁ/ׁׁׁ ׂׂ:׆ 7= 7 nInIׁׁׁׂ/ׁׁׂׅ:ׅ = 7 nInIׁׁׁ/ׁׁׄ׃: 7 InInI3ׁׁ/ׁׁׁׅ: 7 InnIInI0ׁׁׁ/ׁׁׂ: 7 InI-ׁׁׁ/ׁ"ׁׅ: 77 InI) ׁׁׁ/ׁ!ׁׁׁ: 7 nI&ׁׁׁ/ׁ%ׁׄ:  nI"ׁׁׁ/ׁ%ׁׂ ׂ:'nnIׁׁׁ/ׁ%ׁׁ ׁ:'nIInIׁ"ׁ/ׁ%ׁׂ ׁ:'ׄ%nInIIIׁ"ׁ/ׁ%ׁׁׂ:ׂ'׃nnJnI#ׁ"ׁ/ׁ%ׁ ׁׂ::'ׅInInI(ׁ!ׁ/ׁ%ׁ ׂׂ:$I,ׁ!ׁ/ׁ%ׁ ׅ: 0ׁ!ׁ/ׁ%ׁ׃: 4ׁ!ׁ/ׁׁׁׂ: 8ׁ!ׁ/ׁׁׁ::!ׁ/ׁׁׁׅ::$ׁ/ׁׁׁׅ:(ׁ/ׁ׈ׂ 9,ׁ/ׁׁׁׂ9(ׁׁ/ׁ%ׂ9,ׁׁ/ׁ'ׂ׃  80ׁׁ/ׁ)ׂׂ 84ׁׁ/ׁ+ׁ  49ׁׁ/ׁ,ׁׂ 0=ׁׁ/ׁ.ׂׂ +Aׁׁ/ׁ0ׂ 'Fׁׁ/ׁ2ׂ #Jׁׁ/ׁ4ׁׁׁ !Nׁׁ/ׁ5ׁׂׂ!Sׁׁ/ׁ7ׁׂ!Wׁׁ/ׁ9ׁׂ'[ׁׁ/ׁ;ׁׁ#`ׁׁ/ׁ<ׂ ׁ dׁׁ/ׁ>ׂ ׁqׁ/ׁ@ׂ ׁuׁ/ׁBׁׂzׁ/ׁDׁׁ~ׁ/ׁEׁׂ ׁ/ׁGׁׅ/ׁI ׁ/ׁKׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/ׁUׁׁ/             /ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁf׊׎׃׃ fׁ/ׁf׃ׂךׄ׏׋אׅ׉fׁ/ׁf׃בׁׄ׃ׂ׊ׁfׁ/ׁfבׁׁׅׅׄ׆׆׃hׁ/ׁfׂװׂ׎fׁ/ׁfׂ׆ׁׂׂׄgׁ/ׁf ׅ ׂׂ>ׁׂ׆ׁnׁ/ׁf ׁׂׂ!ׁׁׂׂ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/ׁ^ׁ/`/$$$$$$$$$$$$$$$M?D?lp @v3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx1?VZ@fjV1?VZ@*{n{[6^>{([W.{(R{?M?MKi)i)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁ +ׂ)ׁ זׇׁׂ+ׂ)ׁ ׁ׆ׇׁׂ+ׂ)ׁ ׇׁׁׁ,ׂ)ׁ ׊ׄׄ׃ׄ+ׂ)ׁ  ׂ+ׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁfׂ)ׁMׂׄ)ׁJׂ)ׁGׂׅ)ׁ2ׁׁׁׂ)ׁ0ׂׂ)ׁo׃ׁ ׂׂׄ)ׁmׁׁׂ!ׂ)ׁp׆ׁׂׂ#ׂ)ׁvׂׄׄ'ׂ)ׁxׁׂ ׂ'ׂ)ׁׂׄ*ׂ)ׁׁׂ&ׂׅ)ׁׁׁׂׅ)ׁ ׁׅ ׂׂׄ)ׁ ׁׂׂׂׂׄ)ׁ ׂׂׂׂ ׂ)ׁxׁׂ ׅ ׂ)ׁyׁׂ  ׂׂ)ׁ_ׂ ׂׂׂ)ׁc׆ׂ ׂ׃ׂ)ׁeׁׂׂ)ׁnׂׂ ׂׂׄ)ׁk׃ׁׁׂׂ)ׁrׁׁׂׄ ׂ)ׁs׆ׅVׁ  ׂ)ׁvׂVׁ  ׂׂ)ׁLׁׁׂ V ׁׂׂ)ׁHׁׂׂ V ׁׂׂ)ׁOׂׄ Vׁׂ)ׁRׄ  V H Vׁׁׂ)ׁUׂVHH H Vׁׂ)ׁ[ׁ VH lH VVׁׂ)ׁYׂׂ VH lH VVׁׂ)ׁ`ׄ VH lV Vׁׂ)ׁc׃ ׂV VH lVV ׁ7Uׂ)ׁRׁׁׂׂ VVH lVVׁ7ׁSׁׂ)ׁSׂׂ VVH lV VH Vׁ7ׁSׁׂ)ׁWׂ VH l VHHH V7ׁSׁׂ)ׁZ ׂ  V VH lVHH llH V7ׁSׁׂ)ׁ]ׂ V  VH lVHH ll V7ׁSׁׂ)ׁHׅV   VH lVHH ll Vׁ7ׁSׁׂ)ׁKׂׂ V   VH lVHH llVׁ7ׁSׁׂ)ׁNׄ V  VH lVHH llVׁ7ׁSׁׂ)ׁR׆ׂVVV  VH lVVVVHH llV ׁ7ׁSׁׂ)ׁ)ׁׁׁׂ VV  VH lVHH ll ׁ7ׁ #ׂׅ״״״+ׁׂ)ׁ(ׂׂ VV  VVVH l VHH llׁ7ׁ #׈״״״״״+ׁׂ)ׁ-ׂׂ V  VH l VHH llׁ7ׁ #ׁ״״+ׁׂ)ׁ1׆ V V  VH l VHH llׁ7ׁ #ׁׄ״ׄ״+ׁׂ)ׁ5ׁV V  VH l VHH llׁ7ׁ #ׁ+ׁׂ)ׁ8ׂ V V  VH lVHH llׁ7ׁ #ׄ״ ׁ.ׁׂ)ׁ@ׂׄ V V  VH lVHH lׁ6ׁ #ׂ ׁ.ׁׂ)ׁBׄ ׂ V V  VH lVHH lׁ6ׁSׁׂ)ׁ2ׁׁׂׂ VV V  VH lVHH lׂ6ׁSׁׂ)ׁ3ׅ VV V  VH ׄHH l ׄ6ׁSׁׂ)ׁ7ׂ V VV  VVH lׄHH l ׁ6ׁ ׂׅ״ׂ״״ ׁׂ)ׁ;ׂ  VTV V  VH lׄHH lׁׂ6ׁ ז״״״״״״״ׂה״״״״״״״ ׁׂ)ׁ?  VTTTV V  VH lH lׁ6ׁ ׂב״״״״״״ׂב״״״״״ ׁׂ)ׁCׂ VTT ҂~TV V  VVH lׅHH ll ׁ6ׁ ״״״״״״״״״״״״״ׁׂ)ׁ2ׁׄ VT ҂~TV V  VVH lׅHH ll ׁ6ׁ ׊״״ׂׅ״ ׁׂ)ׁ2ׁׁׂ  VT ҁ~V V  VVH lׄHH llׁ6ׁ ׆״ׁׁׁׂׂ)ׁ#ׂ׉ VVT ҁ~V V  VVH lׄHH llׁ6ׁ ׁׁׁׂ)ׁ%ׂ VVVT ҁ~V TV  H lׄHH llׁ6ׁSׁׂ)ׁ* ׂ VT ҇~VV T  H lׄHH llׁ6ׁSׁׂ)ׁ.ׂ  VJVT ҂~V ҂~  H lׄHH llׁ6ׁSׁׂ)ׁ3 VJJJVT ҁ~V ҂~  H lׅHH llׁ6ׁ ״״%ׁׂ)ׁ5ׁVJ oJVVT ҁ~V ҂~  H lHH llׁ6ׁ ל״״״״״״״״״$ׁׂ)ׁ5ׁ  VJ oJVVT ҁ~ ҂~  H lׄHH llׁ6ׁ ׂד״״״״״״%ׁׂ)ׁ5ׁ VVJ oVT ҁ~V ҂~  H lׄHH ll ׂ6ׁ ״״״״״״״'ׁׂ)ׁ5ׁ VVVJ oVT ҁ~V ҂~  H lׄHH ll ׄ6ׁ ׊״״%ׁׂ)ׁ5ׁVJ oVT ҁ~J ҅~  H lׄHH llׁ6ׁ ׅ״ׁ*ׁׂ)ׁ5ׁ VVJ oT ҁ~ ҅~  H lׄHH llׁ6ׁ ׁ*ׁׂ)ׁ.ׁׂV#VVJ oVT ҂~~ ҅~~  H lׄHH llׂ ׁ6ׁSׁׂ)ׁ.׃ׄV #VJ oVT ҂~~ ~~  H lׄHH ll ׁ6ׁSׁׂ)ׁ.ׅ V #VJ oT ҂~~ ~~  H lׄHH llׁ5ׁSׁׂ)ׁ0ׁׂV #VVJ oVT ҂~~ ~~  HHlׄHH llׁ5ׁ ״״״ׁ״״״״ ׁׂ)ׁ5ׁV #VVJ oVT ҂~~ TT~~  H HׄHH lׁ5ׁ ח״״״״״״״״ׁו״״״״״״״ ׁׂ)ׁ5ׁ ׄ #VVJ oT ҂~~ T  HׄHH lׁ5ׁ ׆״״׃״ׁב״״״״״ ׁׂ)ׁ5ׁ ׂ #VJ o#T ҂~~ T  HׄHH lׁ5ׁ ב״״״״״״״״״״״״״ ׁׂ)ׁ5ׁ ׂ #VJ oo#T ҂~~ T  HׄHH lׁ5ׁ ׂ׈״״ׁ׆״״״ ׁׂ)ׁ5ׁ ׂ #J oo#T ҂~~ T   HHH lׁ5ׁ ׈״״ ׁׁׁׁׂ)ׁ5ׁ ׂ #J oo#T ҂~~ ׃  ׄ  ׄHH lׁ5ׁ ׁׁׁׂׂ)ׁ5ׁ ׂ #J oo#T ҂~~ ׄ  ׄ  ׄHH lׁ5ׁSׁׂ)ׁ5ׁ ׂ #J oo#T ҂~~J   ׄ  ׄHH lׂ5ׁSׁׂ)ׁ5ׁ ׂ #J oo#T T~~J ׃  ׄ  ׄHH l 5ׁSׁׂ)ׁ.ׁׂ ׂ #J oo#TJ ׃  ׄ  ׄHH lׁ5ׁ ׍״״״״״״״ׁׂ)ׁ5ׁ ׂ #J oo#TJJ ׃  ׄ  ׄHH lׁׂ5ׁ ׊״״״ה״״״״״״ׁׁׂ)ׁ.ׂ ׂ #J oo#TJ ׃  ׄ  ׄHH l ׁ5ׁ ׊״״״ ׌״״״״ׁׂ)ׁ.ׂ׃ׂ #J oo# T׃ ׃    ׄHH l ׁ5ׁ ׊״״״ז״״״״״״״״ׁׂ)ׁ4ׁ #J oo#T׃ ׃  ׄ  ׄHH lׁ5ׁ ׈״״ׁ״״״״ׁׂ)ׁ4ׁ ׄ #J oo# ׄ ׃  ׄ  ׄHH lׁ5ׁ ׁׂ״ ׁׂׂ)ׁ4ׁ ׂ #J Joo# ׈ ׃  ׄ  ׄHH lׁ5ׁ ׁׂׂׂׂ)ׁ4ׁ ׂ #J#׃  ׄ  ׄHH lׁ5ׁSׁׂ)ׁ4ׁ ׂ #J#׃  ׃  ׄHH lׁ5ׁSׁׂ)ׁ4ׁ ׂ #J#ׂ ׃  ׃  ׅHH lׁ5ׁSׁׂ)ׁ4ׁ ׂ # J# ׃  ׃  H lׁ5ׁ ״״״״״״״ ׁׂ)ׁ4ׁ ׂ # ׂ #ׄ  ׃  ׅHH llׁ4ׁ ד״״״״״״ב״״״״״ׁ ׁׂ)ׁ+ׁׁ ׂ # ׂ #  ׃  ׄHH llׁ4ׁ ׂ׎״״״״״ ׌״״״״ׄ ׁׂ)ׁ+ׁׅ ׂ # ׂ #׃  ׃  ׄHH llׁ4ׁ ׂ׎״״״״״ז״״״״״״״״ ׁׂ)ׁ+ׁׅ ׂ # ׂ #ׂ׃  ׃  ׄHH llׂ4ׁ ׌״״״ׅ״״ׇׂ״״ ׁׂ)ׁ*׈ ׂ # ׂ #  ׃  ׄHH ll 4ׁ ״ ׁׁׂ)ׁ+ׁׁ׃ׂ # ׂ #  ׄ  ׄHH lׁ4ׁSׁׂ)ׁ.ׁׁ # ׂ #ׂ   ׄHH lׁ4ׁSׁׂ)ׁ4ׁ ׃ # ׂ  ׃  ׄHH l ׁ4ׁSׁׂ)ׁ4ׁ ׂ #  ׃ ׃  ׄHH lׁ4ׁSׁׂ)ׁ4ׁ ׂ # ׂ׃ ׃  ׄHH lׁ4ׁSׁׂ)ׁ4ׁ ׂ # ׃ ׃  ׄHH lׁ4ׁSׁׂ)ׁ4ׁ ׂ # ׁ ׃ ׃  ׄHH lׁ4ׁSׁׂ)ׁ4ׁ ׂ #ׁׂ"ׄ ׃  ׄHH lׁ4ׁSׁׂ)ׁ4ׁ ׂ # "׆ ׃  ׆HH lׁ4ׁSׁׂ)ׁ4ׁ ׂ #ׄ"׃ ׃  HH lׁ4Uׂ)ׁ+ׁׄ ׂ #ׁ׃ ׃  ׄHH lׁׂ)ׁ+ׁׁ ׂ #ׁ ׃ ׃  ׄHH lׁׂ)ׁ*ׅ ׂ #ׁ ׃ ׁ  ׄHH Hׁׂ)ׁ+׃ ׂ #ׁׂ׃ ׄ  H ׂׂ)ׁ-ׂ׃ׂ #ׁ׃ ׄ  H ׂ)ׁ3ׁ #ׁ׃   Hׁׂ)ׁ3ׁ ׂ #ׁ׃ ׄ   Hׁׂ)ׁ3ׁ ׂ #ׁ ׃ ׄ   ׁׂ)ׁ3ׁ ׂ #ׁ׃ ׄ  ׁׂ)ׁ3ׁ ׂ # ׁׂ ׃ ׄ  ׁׂ)ׁ3ׁ ׂ #ׁ"׃ ׄ   ׁׂ)ׁ3ׁ ׂ # #ׅ ׄ  ׁׂ)ׁ3ׁ ׂ #ׄ# ׄ  ׁׂ)ׁ)ׁ ׂ #ׁ!׃ ׄ   ׁׂ)ׁ*ׁׅ ׂ #ׁ׃ ׄ  $ׁׂ)ׁ+ׁׄ ׂ #ׁ ׃ ׄ  %ׁׂ)ׁ)׆ ׂ #ׁׄ  %ׁׂ)ׁ*ׅ׃ׂ #ׁׄ  %ׁׂ)ׁ3ׁ #ׁׄ  %ׁׂ)ׁ3ׁ ׂ #ׁ)  $ׂׂ)ׁ3ׁ ׂ #ׁ )ׄ   ׂ)ׁ3ׁ ׂ #ׁ(ׄ  ׂ)ׁ3ׁ ׂ #ׁ) ׄ  ׂ)ׁ3ׁ ׂ # ) ׄ  ׂ)ׁ3ׁ ׂ #(ׄ  "ׂ)ׁ3ׁ ׂ #ׁ& %ׂ)ׁ3ׁ ׂ #ׁ# )ׂ)ׁ)ׁׅ ׂ #ׁ ,ׂ)ׁ*ׁׁׁ ׂ #ׁ10ׂ)ׁ*ׇ ׂ #ׁ14ׂ)ׁ)ׄ ׂ #ׁ07ׂ)ׁ,ׁׂׂ #ׁ1;ׂ)ׁ2ׁ  #ׁ0>ׂ)ׁ2ׁ ׂ #ׁ /Bׂ)ׁ2ׁ ׂ #ׁ0Fׂ)ׁ2ׁ ׂ # ׁ/Iׂ)ׁ2ׁ ׂ # ׂ/Mׂ)ׁ2ׁ ׂ #/Pׂ)ׁ2ׁ ׂ #ׁ,Tׂ)ׁ2ׁ ׂ #ׁ)Xׂ)ׁ2ׁ ׂ #ׁ%[ׂ)ׁ(׆ׁ ׄ##ׁ"_ׂ)ׁ*ׁׄ ׁbׂ)ׁ)ׅ ׁfׂ)ׁ*ׄ׃ ׁjׂ)ׁ,ׂ ׁmׂ)ׁAׁqׂ)ׁGׁ 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lׁyׁ"ׁׁo V V  VVH llVH lׁyׁ"ׁׁtׂ  V V  VH llVH lׁyׁ"ׁׁx ׂ V V V  VH llׁH lׁyׁ"ׁׁ}ׂ VV V  VH llׁH llׁyׁ"ׁׁd׆ V V  H llׁH llׁyׁ"ׁׁe׃ׄׄ VO V V  H llׁH llׂyׁ"ׁׁXׂׂ ׂ VOOV V  H llׁH ll xׁ"ׁׁZׂ VOO ɂzOV V  HH lׁH ll ׁxׁ"ׁׁ^ VO Ɇz+OVV V  VH llׁH llׁxׁ"ׁׁbׂ  VO ɂz$V V  VH llׁH ll ׁxׁ"ׁׁg ׂ VVO ɂz$V V  VH llׂHH lׁxׁ"ׁׁkׂ VVO ɂz$V V  H llׂH lׁxׁ"ׁׁo VO Ɇz+VV O  H llׁH lׁxׁ"ׁׁqׁVO Ɇz$V Ɂ  H llׁH lׁxׁ"ׁׁqׁ V JVO ɂz$V Ɂ  H llׁH lׁxׁ"ׁׁqׁ VJJ JVVO ɂz$V Ɂ  H llׁH lׁxׁ"ׁׁqׁ VJ oo%JVO Ɇz+V Ɂ  H llׁH lׁxׁ"ׁׁqׁ VJ oo%VVO Ɇz$VV Ɂ  H llׂH lׁxׁ"ׁׁqׁVVJ oo%VVO ɂz$V Ɂ  H llH lׁxׁ"ׁׁqׁ  VVVJ oo%VVO ɂz$V Ɂ  H llׁH lׁxׁ"ׁׁqׁ VJ oo%VVO ɂz+J Ɂ  H llׁH lׁxׁ"ׁׁhׁVVJ oo%O ɂz$ Ɂ  H llׁH lׁxׁ"ׁׁhׁׄV#VJ oo%VVO ɂz$ Ɂ  H llׁH lׁxׁ"ׁׁhׁׄ V #VVJ oo%VVO ɂz$ Ɂ  H llׁH lׂxׁ"ׁׁhׄ V #VJ oo%O Ƀzz+ Ɂ  H llׁH lxׁ"ׁׁhׄ V #VVJ oo%VVO Ƀzz$ Ɂ H llׁH l ׁxׁ"ׁׁiׂ׃V #VVJ oo%VVO Ƀzz$ Ʉ H llׁH lׁxׁ"ׁׁqׁ #VVJ oo%O Ƀzz$ Ʉz H llׁH l ׁxׁ"ׁׁqׁ ׃ #J oo%##O Ƀzz+ OɄz H llׁH l ׁxׁ"ׁׁqׁ ׃ #VVJ oo%##O Ƀzz$ O H llׁH lׁxׁ"ׁׁqׁ ׃ #VVJ oo%##O Ƀzz$ O H llׁH lׁxׁ"ׁׁqׁ ׃ #J oo%##O Ƀzz$ O H llׁH lׁxׁ"ׁׁqׁ ׃ #ה oo%##O Ƀzz+ O H llׁH lׁxׁ"ׁׁqׁ ׃ #J oo#O Ƀzz$ O H llׁH llׁ`ׁ"ׁׁׁׁZׁ ׃ #J oo#O Ƀzz$ ׃ H HllׁH llׁ_ׁׁׁ"ׇׁׁׁׁ[ׁ ׃ #J oo#O Ƀzz$ ׃ H׃H llׁdׁׁ"ׁׁׁׁׄ[ׁ ׃ #J oo#O Ƀzz+J  HH llׁSׁׁׁׁׁ"ׁׁׁRׁ ׃ #J oo#O Ƀzz$J ׃ HׁH llׁSׇׁׁׁׄ ׁ"ׇׁׁׁׁR׃ׁ ׃ #J oo#O Ƀzz$J ׃ HׁH llׁSׁׁ׃ׇׁ ׁ"ׇׁׁׁׁR׃ׁ ׃ #J oo#O Ƀzz$J ׃  HׁH llׁSׁׁ׃ׇׁ ׁ"ׁׁׁׄׄR ׃ #J oo#OO+J ׃ ׄ  ׁH llׁS׃ׇׁ ׁ"ׁׁׁׂQׁ׃׃ #J oo#O׃ ׃ ׄ  ׁH llׁSׁׁ׃ׇׁ ׁ"ׁׁׁ ׄRׁ #J oo#O ׃ ׄ  ׁH llׂSׇׁׁׁׄ ׁ"ׁׁׁ׃[ׁ ׃ #J oo#O ׃ ׅ  ׁH ll Rׁׁׁׁ"ׁׁqׁ ׃ #J oo# O׆ ׃   ׁH ll ׁRׁׁׁׁ ׁ"ׁׁqׁ ׃ #J oo# ׃ ׃ ׄ  ׁH ll ׁRׁ ׁׁ ׁ"ׁׁqׁ ׃ #J oo#׃ ׃ ׄ  ׁH ll ׁwׁ"ׁׁqׁ ׂ #J Joo# ׃ ׃ ׄ  ׁH llׁwׁ"ׁׁqׁ ׃ #J# ׃ ׃ ׄ  ׁH llׁwׁ"ׁׁqׁ ׃ #J#׃ ׃ ׄ  ׁH llׁwׁ"ׁׁpׁ ׃ #J#׃ ׃ ׂ  ׁH llׁwׁ"ׁׁpׁ ׃ # J#׃ ׂ  ׁH llׁwׁ"ׁׁeׁ ׁ ׃ # ׃ #ׄ ׁ  ׁH llׁwׁ"ׁׁeׁׂ ׃ # ׃ # ׁ  ׃H llׁwׁ"ׁׁdׇׁ ׃ # ׃ # ׃ ׁ  H llׁwׁ"ׁׁdׇׁ ׃ # ׃ #׃ ׁ  ׁH llׁwׁ"ׁׁc׈ ׃ # ׃ # ׃ ׁ  ׂHH lׁwׁ"ׁׁdׇ ׃ # ׃ # ׃ ׁ  ׂH lׁwׁ"ׁׁhׂ׃׃ # ׃ #׃ ׁ  ׁH lׁwׁ"ׁׁpׁ # ׃ ׃ ׁ  ׁH lׁwׁ"ׁׁpׁ ׃ #  ׃ ׃  ׁH lׂwׁ"ׁׁpׁ ׃ #  ׃    ׁH l wׁ"ׁׁpׁ ׃ #  ׁ  ׁH l ׁwׁ"ׁׁpׁ ׃ #ׁ  ׁ  ׁH lׁwׁ"ׁׁpׁ ׃ # ׁ# ׁ  ׁH ll ׁwׁ"ׁׁpׁ ׃ #ׂ) ׁ  ׁH llׁwׁ"ׁׁpׁ ׃ #/׃ ׁ  ׁH llׁwׁ"ׁׁpׁ ׃ #ׁ- ׁ  ׁH llׁwׁ"ׁׁpׁ ׃ #ׁ*׃ ׁ  ׁH llׁwׁ"ׁׁd׃ׁ ׃ #ׁ&׃ ׁ  ׁH llׁwׁ"ׁׁd׆ׁ ׃ #ׁ# ׃ ׁ  ׂH llׁwׁ"ׁׁdׁׁׁ ׃ #ׁ  ׃ ׁ  H llׁwׁ"ׁׁd׃ ׃ #ׁ׃ ׁ  ׁH llׁwׁ"ׁׁcׅ ׃ #ׁ׃ ׁ  ׁH llׁwׁ"ׁׁd׃ׁ׃ #ׁ׃ ׁ  ׁH llׁwׁ"ׁׁpׁ  #ׁ׃ ׁ  ׁH llׁwׁ"ׁׁpׁ ׃ #ׁ׃ ׁ  ׁH llׁwׁ"ׁׁpׁ ׃ #ׁ !׃ ׅ  ׁH llׁwׁ"ׁׁpׁ ׃ #ׁ%׃   ׃HHllׁwׁ"ׁׁpׁ ׃ # ׁ(׃ ׄ  Hׂvׁ"ׁׁpׁ ׃ # ׂ+׃ ׄ  H vׁ"ׁׁpׁ ׃ #/׃ ׄ  H ׁvׁ"ׁׁpׁ ׃ #ׁ0׃ ׄ   H ׁvׁ"ׁׁpׁ ׃ #ׁ0׃ ׄ   ׁvׁ"ׁׁpׁ ׃ #ׁ, ׄ  ׁvׁ"ׁׁb ׁ ׃ #ׁ)׃ ׄ  ׁvׁ"ׁׁcׁׁ ׃ #ׁ%׃ ׄ  ׁvׁ"ׁׁcׇׁ ׃ #ׁ" ׃ ׄ   ׁvׁ"ׁׁd׆ׁ ׃ #ׁ׃ ׄ  !ׁvׁ"ׁׁb׈ ׃ #ׁ׃ ׄ  %ׁvׁ"ׁׁb׃׃ #ׁ׃ ׄ  )ׁvׁ"ׁׁc׆ׁ  #ׁ׃ׄ  +ׁvׁ"ׁׁpׁ ׃ #ׁׄ  +ׁvׁ"ׁׁpׁ ׃ #ׁ  ׄ  +ׁvׁ"ׁׁpׁ ׃ #ׁ%ׄ  +ׁvׁ"ׁׁpׁ ׃ # ׁ<  +ׁvׁ"ׁׁpׁ ׃ # ׂ<ׄ  +ׁvׁ"ׁׁpׁ ׂ #<ׄ  +ׁvׁ"ׁׁoׁ ׃ #ׁ9 ׄ  )vׁ"ׁׁoׁ ׃ #ׁ5ׄ  %yׁ"ׁׁoׁ ׃ #ׁ1ׄ  !}ׁ"ׁׁoׁ ׃ #ׁ-ׄ  ׁ"ׁׁbׁ ׃ #ׁ)ׄ  ׁ"ׁׁf׃ׁ ׃ #ׁ%ׄ   ׁ"ׁׁcׁׁׁ ׃ #ׁ!" ׁ"ׁׁdׂ ׃ #ׁ& ׁ"ׁׁb׃ׁ ׃ #ׁ+ ׁ"ׁׁbׁ #ׁ4 ׁ"ׁׁgׁׂ ׅ #ׁC!ׁ"ׁׁoׁ ׃ #ׁ C%ׁ"ׁׁoׁ ׃ #ׁ B)ׁ"ׁׁoׁ ׃ # ׁB.ׁ"ׁׁoׁ ׃ # ׂB2ׁ"ׁׁoׁ ׃ #A6ׁ"ׁׁoׁ ׃ 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Rׁׁׁׁׁׂׅ ׂ ׁGׁׁׁׁׁׂ  Gׁׁׂnׁׁׁzׂ ׁ ׄKׁׁׂoׁׁׁxׁׁ ׁ ׈Lׁׁׂpׁ ׁׁׁ|ׂ  ׈Oׁׁׂpׁ ׁׁx׃ׁ ׁTׁׁׂqׁׂ ׁׁtׁׁ ׂ ׁKׁׁׂlׂ׃ ׁׁׂcׁ ׁ ׁ  ׂ@ׁׁׂX ׃ ׆ׁׁdׁ ׁ ׁׂ׃?ׁׁׂU׃ׁ׆ׁׁeׁׁׂ  ׁ׃CׁׁׂV׃ׁׁׅgׁׁ   ׅFׁׁׂS׃ ׂ׃ׁׁׁׅaׁׁׂ ׂIׁׁׂQׂ ׆ׂ ׇ ׂvׁׁ^ ׁׅLׁׁׂ\׈ ׁ ׁׁvׁׁK׃ׄ ׃ ::Nׁׁׂ]ׁׄ ׁ ׆wׁׁIׂ׃ׁ  : ׁEׁׁׂTׁ׃ׁ ׂ ׁׁׁF׆׃ׁ:FׁׁׂRׁׂ ׁ׈|ׁׁFׄ׃ ׁ :JׁׁׂQׄ ׁׁׁׂFׁ ׃ ׃ : ׁAׁׁׂAׁׁׂ ׂ ׁ{ׁׁRׁׄ  ::ׁׂAׁׁׂBׁׁׅׄ   ׂqׁׁOׁׁ  :: ׂFׁׁׂC׊ ׁׂ ׃rׁׁHׁ ׁ ::KׁׁׂD׆ ׁ ׃uׁׁEׅ ׁ::Iׁ@ׁׁׂ@ׁׁׁ  ׅxׁׁFׁׄ ׂ :::IAׁׁׂ-׃ׁׄ ׃{ׁׁD׃ׁ  :::IIEׁׁׂ+׆ ׄ ׁׁvׁׁ3ׁׂ ׁ:::IIׁׁׂ*ׁׄ ׃wׁׁ5ׂ׆ ׁ:::IJׁׁׂ( ׃׆ׁ  :ׂzׁׁ7ׁׁׄ ׂ ::::IJׁׁׂ2ׁ:׃rׁׁ8ׁׄ  ::: :I Iׁׁׂ5ׁׁ:/Jׁׁ:ׁׂ::: :I Iׁׁׂ+ׁׂׂׂ:ׅ'ׁHׁׁׁ:ׁ ׁׂ::: 7=7 :II Iׁׁׂ)ׁׅ :: ׁ"ׁHׁׁׁ:ׁ ׃ :::: =7 7 :II Iׁׁׂ+ׁׁ :::#ׁHׁׁׁ:ׁ  :::: 7 7 :II Iׁׁׂׂ׃ׁ׃ ::I'ׁHׁׁׁ5ׅ::: : 7 :II Iׁׁׁׂ ׁׅ ::::I+ׁHׁׁׁ5ׅ::: = :: 7 :IIׁׁׂ׆ׁ :::II,ׁ4ׁׁׁׁ6ׅ  :::: =7= : 77 :IIׁׁׁׂׅ::::II,ׁׄ״״״ׁׁׁ9ׂ :::: 7=7= 7  7 :I Iׁׁׂ׃ׁ :::II,ׁ׏״״״״״״ׁׁׁ9 =  : ::: 7=7= 77  :IׁHׁׁׂ ׁׂ ::: :II+ׁׁ׈״״״ׁׁׁ9ׄ =7=  :: =7= ::: 7=7 7 :Iׁ״״״״״ׁׁׂ ׁׁ ::: :II+ׁׁׄ״ׁׁׁ9ׁׁ 7=7  ::: 7=7=  :::: =7=7 7 :nI ׁׁ״ׁׁׁׂ ׁ ::: 7=7 :I +ׁׁׁׁ9ׁׂ 7 7 :: 7=7= 77 7=7= :: =7=7 7 ::nnII ׇׁׁ״״ׁׁׂׄ :::: =7 7 :I +ׁHׁׁׁ9ׁׁ 7 7 7 : =7 77 =7=7=7=7 :: :: =7 7 :nI ׁ׃״ׁׁׁׁׂ :::: 7 7 :II+ׁ4ׁׁׁׁׁ8ׁ 7= 7 7 : =7= 7=7=7 7 : : 7 :::nI ׁׁׁׁׂׂ ::: : 7 :II+ׁ4ׁׁׁׁׁ2ׁׂ ׁ 77 7=  : 7= 7  77 7= : 7=7  1 7 ::nnIׁHׁׁׂׂ  :::: = : 7 :II+ׁׅ׉״״״״״״״״ׁׁׁ8ׁ ׁ 7 =7=  : 7=7 7  77 =7=7 : =7=7=   07 7 :::nnI ׂHׁׁׂ =  ::::: =7= :: 7 :II+ׁׁׁ׃״״״ׁׁׁ2׃ׁ ׏  77 =7  : 7 7   7=7=7=  7=7=7 7  1 ::nnI Hׁׁׂׄ =7  :: ::: 7=7= 7 : :IIׁ+ׁׁׅ׆״״״ׁׁׁ2ׇ ׇ = :: 7=  : 7   =7=7 7 =7=7= 1707 ::nIׁ8ׁׁׁׁׁׂ 7=7  ::: 7=7= : :: 7=7 7 :IIׁ+ׁׅ׃״ׁׁׁ7ׂ ׆ = 7 : 7  : 77  7= 77 7=7= 71717 ::nI ׁז״״״״״״״ׁׁׁׂׄ 7=7=  : =7=7= 7 7= :: 7=7 7 :nnI ׁ+ׁHׁׁׁ8ׁ ד =7 77 :: =7  :    7 =7 71707170 :::nI ׁׅ׆״״׌״״״״״ ׁׁׁׂׂ =7=  : =7 =7 7 7=7=7= :: =7=7 7 :nnI ׁ*ׁHׁׁׁ8ׄ =7 7 :: 7=  : =7    77 771717 ::Iׁׁׁׂׂ׆״״ׁׁׁׁׂ׏ :: 7=7  : 7= 77 7=7=7=7 :: =7= 7 ::nnI ׁ*ׁHׁׁׁ8ׄ׃ 7 7  7   7= : 70717071 :::Iׁׁׅׅ״׃״״ׁׁׂ׆ ׆ 7 :: 7 : = 77  7 =7=7 7 : :: 71 7 ::nnI ׂ*ׁ:״״״״״ ׁׁׁ8ׁ׈ 7= 7 : 77 7  7= 7 : 17 ::::ׁׁׁׂׅ ׈ 7=7 :: 7 : 7   7= 77 7  :: 07170 7 ::nnI*ׁ:ׅ״״״״״״״ ׁׁׁ7ׁׅ 7= 7 :: 7  =7 7 : 0 ::::ׁGׁׁׂ׉ 7=7 7 : : 77   7 =7= 7=7 :: 17 ::nIׁ*ׁ:ׁב״״״״״״״״ ׁׁׁ7ׁׄ 7= 7 :: 7=   =7 7 : :::ׁGׁׁׂׅׄ 7=7 7 7=  :   7=7=7=7  : 0 ::nI ׁ*ׁ:׋״״״״״ ׁׁׁ7ׁ׃ 7 7 : =7  7= 7 ::nI:::ׁGׁׁׂׄ =7 7 : =7=  : 7   =7= 17 :: ::nI ׁ*ׁ:ׁׂ ׁׁׁ7ׁׁ 7 :׃ =  7= 7 :nII::ׁGׁׁׂׅׄ =7= 7  =7   7=7   717071 ::Iׁ*ׁHׁׁׁ7ׁ ׁ 7 :ג 7=  =7 7 :nII::ׁGׇׁׁׁׂ =7= 7 : 7=   =7 77 :  17 ::::Iׁ*ׁHׁׁׁ7ׁ ׆ 7 :ג =7  =7 7 :nI::ׂ:ׄ״״״ ׁׁׁׂׅ =7= 7 :: 7   =7= 7 : 0 :::ׁ*ׁ = =״ׁׁׁ1ׁׁ ׅ :ג 7=7  7= 7 :nnI::: :׎״״״״״״ׅ״״ ׁׁׁׂ׃ = 7 : =7   7= 7 : :::ׁ*ׁ = =׏״״״״״ׁׁׁ1ׁׁׁ:ג 7=  7 nI:n:ׁ:ׁ׏״״״״״״ ׁׁׁׁׂ 7 : 7=  =7 7 :nnII$::ׁ*ׁ = =״ׁׁׁ3ׁׅ:ג 7   7 II:nn: ׁ:ׁ׃ ׁׁׁׂׂט 77 ::ג 7  =7 7 :nI::ׂ)ׁ = =׏״״״״ׁׁׁ7ׂ ׂ:ג 7  nnI%In:ׁ:ׁ ׁׁׂ ׄ :ט 77 7 7= 7 :nI:: *ׁ = =ׁׁׁ6ׄ ׁ:ג 7 =7 nInnIn:ׁFׁׁׂׅ ׁ:ג 7= 7 nI:n:ׁ)ׁHׁׁׁ6ׁׂ ׂ: 7= 7 nIIInIn:ׁFׁׁׂׅ ׁ:ט 7=  =7 7 I:nn: ׁ)ׁHׁׁׁ6ׁׁ ׁ: 7=7=7 7 nIInIׂnnIn:ׁFׁׁׁׂ ׏::ג =7  7 nIII:n: ׁ)ׁHׁׁׁ6ׁׁׂ:׈ =7=7 7 nI nIInInIIׁFׁׁׂ ׁ:ג =7   nIIn:ׁ)ׁHׁׁׁ6ׁׁׂ:׆ =7= 7 nI nI InnIIׁFׁׁׂׄ ׁ:ג 7=  nIInIn:ׁ)ׁHׁׁׁ6ׁ ׁׁ:ׅ 7= 7 nI nIׂIIׁׁ= =ׁׁׁׁׂׂ:ג =7=7 nInInIInIׁ)ׁHׁׁׁ6ׁ ׅ:ׄ = 7 nI nIׁ= =ׁׄ״״ׁׁׁׁׁׂ:׊ =7 7 nInInIIׁ)ׁHׁׁׁ6ׁ ׃:ׄ 7 nInI/ׁ= =׆״״ׁׁׁׂׂ:׆ 7= 7 nInIׂIIׁׁ)Jׁׁ/ׁׂׂ:׃ 7 InIInI/= =׎״״״״ׁׁׁׂ ׅ:ׅ = 7 nI nnI ׁyׁׁ/ׁׂ: 7 %InnInI+ׁ= =ׁׁׁׂׂ ׂ: 7 nII nI&ׂxׁׁ/ׂ: 7 InI(ׁEׁׁׂ ׂ: 7 IInnI nI$yׁׁ1ׂׅ:  nI% ׁEׁׁׂ : 77 InI!ׁyׁׁ5ׁׂ:$nI!ׁEׁׁׂׅ ׁ: 7  nIׁyׁׁ5 ׂ:$nIׁEׁׁׂ : nI ׁyׁׁ5ׅ ׂ:$גnIInnIׁEׁׁׂׄ ׁ:nIׁxׁׁ5ׁׁ ׂ:ׂ$ׄnJnInIׁEׁׁׁׂׂ:nIInIׁxׁׁ5ׁׂׂ:$׈%InInnII ׁEׁׁׁׁׁׂ:ׁׂInIׁxׁׁ5ׁׁׂ:$I%ׁDׁׁׁׁׂׂ:I ׁxׁׁ5ׁ ׁׂ:!)ׁDׁׁׁׂׅ:!ׁxׁׁ5ׁ ׁׁ:-ׁDׁׁׁׂ ׃:%ׁxׁׁ4ׁ ׃:1ׁDׁׁׁׂׂ ׂ: )ׁxׁׁ.ׁׁׂ:6ׁDׁׁׁׂ ׁ: +xׁׁ0ׁׁׁ:8Dׁׁׂׄ ׁ +{ׁׁ.ׁׁׂ:8Gׁׁׂׂ ׁ+ׁׁ.ׁׁׅ 7Kׁׁׁׂ ׂ*ׁׁ0ׂׅ7Pׁׁׂׂ   * ׁׁ47Tׁׁׂׂׂ ) ׁׁ7ׂ׃  7Xׁׁׂ ׂׂ %ׁׁ9ׁׂ 4]ׁׁׂ"ׂׂ!ׁׁ;ׁׂ /aׁׁׂ$ׁׁׁ<ׂׂ +fׁׁׂ%ׁׁׂׂׂ>ׂ &jׁׁׂ'ׁׂׄ#ׁׁ@ׂ׆ "oׁׁׂ)ׂ ׁׂ'ׁׁBׁׁׂ sׁׁׂ+ׂ ׁ,ׁׁCׁׂׄ wׁׁׂ-ׂ ׁ0ׁׁEׁׂׂ |ׁׁׂ/ׁׁ4ׁׁGׁׂ%ׁׁׂ0ׁׂ9ׁׁIׁ ׁ!ׁׁׂ2ׁׂ =ׁׁJׂ ׁ ׁׁׂ4ׅBׁׁLׂ ׁׁׁׂ6FׁׁNׁׁׁׂׂ8JׁׁPׁׁׁׁׁׁׂQׁׂ ׁׁׁׁׂSׅ 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ׁׁ ׄ~ׁׁ ׁ ׁ ׃)HHHHH)Y/Yo)Y/Yo)Y/Y7ׄ׭.YY-Y0)Y/Y7׃2"Y,Y0)Y/Y7ׄ׭,YY-Y0)Y/Y80!YY.Y0)Y/Y7ׄ׭.YY-Y0)Y/Y7׃2"Y,Y0)Y/Y7ׄ׭,YY-Y0)Y/Y80!YY.Y0)Y/Y7ׄ׭.YY-Y0)Y/Y7׃2"Y,Y0)Y/Y7ׄ׭,YY-Y0)hYEY80!YY.Y0)iYY;Y7ׄ׭.YY-Y0)iYY6ׅ   YY-Y0)+   B7׆   Y,Y0)-  G7ׇ     YY-Y0)ׂ   9   YY.Y0*״׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭ ׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭׭7׋׭׭  YY-Y0)׭׭7׃   Y,Y0]ׅ ׄ׭ YY-Y0_ׄ !YY.Y0`׈ׄ׭  YY-Y0b׃׃   "Y,Y0d׃"ׄ׭  YY-Y0f' !YY.Y0ׄ׭YY-Y0׃"Y,Y0ׄ׭,YY-Y00!YY.Y0ׄ׭.YY-Y0׃2"Y,Y0ׄ׭,YY-Y00!YY.Y0\ׅבjׄ׭.YY-Y0\׍׌הׇׁׁj׃2"Y,Y0\דׁׂׄ׃ׁׁlׄ׭YY-Y0\ׁׂׄׄ ׁׁׅ ׁlYY.Y0\ׁׄׄ ׁׄwׄ׭YY-Y0׃    Y,Y0ׄ׭YY-Y00!YY.Y0ׄ׭.YY-Y0׃2"Y,Y0ׄ׭,YY-Y00!YY.Y0HHHHHHHHHHH}lp3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G) Hs 2{pp([ W.{(R{?M?M׈m׈ׄm׈m׏m׉׃lׁׁ ׁl ׁlhׁfׁׁfׁׁfׁׁfׁׁfׁׁfׁׁfׁׁ^ׇׁׁׁNNCׇNNCׇNN+;ׁׁׁ׆NN++D׆NN++D׆NN++<ׁׁׁׅNN+EׅNN+EׅNN+=ׁׁׁׅNNrEׅNNrEׅNNr=ׁׁׁׄNNrFׄNNrFׄNNr>ׁׁׁׄNNrrFׄNNrrFׄNNrr>ׁׁׁGG?ׁׁׁׄFׄFׄ?ׁׁׁׄrrFׄrrFׄrr?ׁׁׁׂrrCׂrrCׂrr=ׁׁׁׁrNrCׁrNrCׁrNr=ׇׁׁׁNxxCׇNxxCׇNxx=ׇׁׁׁNHrNxCׇNHrNxCׇNHrNx=ׁׁׁׂNrׂNxׂ ׁׁ ׅ ׃Nx    NNx   ׁׁׁׁׂxׄ ׂ ׅ ׆x ׆ ׅ ׂ ׊לx׆  ׄ ׁׁׁׁׁׁׁׁׁׁׁׂ׈ׁׁׁׁׁׁׅׅׅ׆ׁ׆ׇׇׇׇׇׇׇׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׂ ׁׁׁׁ ׁׁׁׁׁׁׁ ׃Gׁׁ ׃Eׁׁ ׃ׁׁׁ ׂHHׁׁׁ ׂHH ׁׁׁׄHHׁׁׁׁׁ Hׁׁׁ HׁׁׁׄHHׁׁׁׁׂHHׁ ׁׁׁHHׁ ׁׁׁHHׁׁׁׁ׃ ׃ ׁׁׁ ׁׁׁ ׁׁׁׁׁ׃ ׁ ׁׁׁ ׁׁ׃ׁׁׁׁׁׄH ׂ ׁׁׁ ׁׁׄH ׃ׁׁׁrׁׁ׆H  ׃rׁׁ ׂ ׂrׁׄHH ׁׁׂ׃NNׁrׁׁ H ׃NN׃rׁׅHH ׃׃NNׂrׁ׆HH ׁׁׂ׃NNׁrׁׁ Hׁ׃NN׃rׁׂHHׁ׃NNׂrׁׂHׁ׃ׁׁ׃NNׁrׁׁHH ׁ׃NN׃rׁׁH ׃NNׂrׁׂHׁׁׁ׃NNׂrrׁׁHHׁׁ׃NN׃rrׁׁ Hׁ׃NNׂrׁ׃ HׁׁׁׅNNrׁׁ ׅHHHׁ׃NNׂrׁ׃HH׃NNׂrׁׄHHHׁׁׁ׃NNׄrGׁׁׅNNrׁׁ׃NNׂrׁׁ ׂ׃NN׃rׁ׃ ׁׁׂ׃NNׄrׁׁ׃NNׂrׁ ׃׃NN׃rׁ  ׁׁׂ׃NNׁrׁ׃׃NNׂrׁ׃׃NN׃rׁ ׁׁׂ׃NNׁrׁ  ׁ׃NNׂr   ׃NN׃r ׁׁׁׂׅ׃NNׅr+ ׁׅ׶׃NNׂr ׁׂ׃NNׄ+  ׁׁׁ׃NNׅ+  ׁׁ׃NNׂ  ׁׁ׃NNׄ+ ׁׁׁׁ׃NNׅrׁ ׃NNׂr ׁ ׶׃NN׆r+  ׁ ׁׁ׃NNׄ% ׁ  ׃NNׂ%ׂ ׃NNׅr+% ׁׁׁ׃NNׄ% ׁ ׃NNׂ% ׁ  ׃NNׅr% ׁ  ׁׁׂ׃NNׄr ׁ׃NNׁ ׁ ׃NNׄrrׁ ׃ׁׁ׃NNׅr ׃ ׁ׃NNׁ ׁ  ׃NNׄr ׃ ׁׁׁׄ׃NNׄr ׁׁׁׄ׃NN׃ ׁׄ׃NN׆r ׃ׁׁׁׄ׃NN׈r׃ ׃ׁNNׁ ׁ׃NNׄrׁׁׂ׋NNrGׁׁ׎NNr׃ ׃NNׁ ׁ ׃NNׄr  ׃ ׁׁ׎NNr׶ׁ  ׃NNׂ  ׃NNׅr ׁׁׂ׃NNׄr ׃NNׁ ׁ ׃NNׄr ׶ׁׁ׃NNׄrׇׁׄNNׁ ׁ ׇׄNNׄrׁ ׶ׁׁׁ׃NN׆r ׂNNׁ ׂ NNׄrׂ ׁׁׁׄ׃NNׄr ׁׁׁׁNN׃ ׁׁ׃NN׆r ׃ׁׁׁׂׄ׃NNׄr ׂNNׁ ׁ׃NNׄr ׁׁׁׂ׃NNׅr  ׂ׃NNׁ  ׂ׃NNׄr  ׁ׶ׁׁ׃NNׄr ׄ׃NN׃ׂ׃NNׅr ׅ ׁׁ׃NNׄr ׃NNׁ ׁ ׃NNׄr ׃ ׁׁ׃NNׄH ׇNNׁ ׁ ׇNNׄH ׁ  ׁׁׁ׃NNׄH ׃׶ׂNNׁ ׁ ׶ׁNNׄHׁ ׶ׁׁׁׅNNH׃ׁ ׁNNׁ ׁׁ ׃NNׄH ׁ ׁׁׁׂׂ׃NNׄHGׁׁׅNNr ׃NNׁ ׃NNׄrr ׶ׁׁאNNr ׃NNׁ ׄ ׃NNׄrrׁׁׄ׃NNׄr  ׃NNׁ  ׃NN׃r ׁׁ׃NNׅrr  ׃NNׂr ׃NNׄr ׁׁ׃NNׅr  ׁ׃NNׂr  ׃NN׃r ׶ׁׁׁ׃NNׅr  ׁ׃NNׂr ׁ ׃NN׃r ׁׁׁׂ׃NNׅr  ׁ׃NNׂrׁׁ ׃NN׃ׁׁׁׅ׃NNׁr  ׁ׃NNׂrׁׂׂ ׃NN׃׶ׁׁׁ׃NNׁr ׁׁ׃NNׂr ׁׂ ׃NN׃ ׁׁׁ׃NNׁ ׁׁׁ׃NNׁׂ ׃NN׃ׁׁׁ׃NNׁ  ׁׁ׃NNׂ ׁ ׃NN׃ׁׁׁ׃NNׁ ׶ׁ׃NNׁׂ ׃NN׃r!ׁׁׁׂׂNN ׁ׃NNׄ ׁ ׃NN׃r ׁׁׁׂ׋NNGׁׁׁ׊NNr ׃NN׃r ׁ ׃NNׂr  ׁׁׁׂ׊NNr   ׃NN׃r  ׁ ׅNN   ׁׁׁׂ׃NNׂr ׶ ׃NN׃r׶ׁ ׂNN ׶ ׁׁׁׂ׃NNׁr ׁ ׃NN׃rׁ ׁׁׁׂ׃NNׁׁ ׃NN׃ׁׁׁׁׂ׃NNׁ ׁ ׃NN׃ׁ ׁׁׁׂ׃NNׂr ׶׃NNׄr׶ׁׁׁׂׂ׃NNׁr ׁ׃NNׄrNNׁׁׁׁׂ׃NNׁr ׁ׃NNׄr ׃NNׁ ׁׁׁׂ׃NNׁ ׁ׃NNׄ ׃NNׁ ׁׁׁׂ׃NNׁ  ׁ׃NNׄ ׁ ׃NNׁׁׁׁׂ׃NNׁ ׁ׃NNׄ ׁ ׃NNׁׁׁׁׂׂNN ׁNNׅrׁ ׃NNׂrׁׁׁׁׂ׈NNrGׁׁׁׄNN ׁ׃NNׁ ׁׁ ׃NNׂ ׁׁׁׁׂ׈NNׁ׃NNׁ ׁׁ ׃NNׂ ׇׁׁׁׁׂNNr ׁׁNr  ׁׁ ׈NNrׇׁׁׁׁׂNNr ׁׁׁNr ׁׁ ׈NNrׁׁׁׁׂ׉NNr ׁׁׁr ׁׁ ׈NNr ׁׁׁׁׁׂ׆NNr ׁׁׁ ׁׁ ׈NNr ׁׁׁׁׁׂ׆NNׁׁׁׁׁ ׈NNr ׁׁׁׁׁׂ׆NNׁׁׁׁׁׁׁ ׉NNׁׁׁׁׁׂ׆NNׁׁׁׁׄNNׁׁׁ ׈NN+ׁׁׁׁׁׂ׆NN++ׁׁׁׁ׆NN++ ׁׁׁ ׈NN++ׁׁׁׁׁׂׅNN+ׁׁׁׁׅNN+ׁׁׁׁׂ ׈NN+ׁׁׁׁׁׂׅNNrׁׁׁׁׅNNrׁׁׁׁ ׈NNrׁׁׁׁׁׂׂNNׁׁׁׁׄNNrׁׁׁׁ ׄNNrׁׁׁׁׁׁׂ׈NNrrׁׁׁׁׄNNrrׁׁׁׁ ׄNNrrׁׁׁׁׁׁׂGׁׁׁ׉rAׄrFׄr?ׁׁׁ׃rrG׃rrG׃rr?ׁׁׁׂrrCׂrrCׂrr=ׁׁׁׁrNrCׁrNrCׁrNr=ׇׁׁׁNxxCׇNxxCׇNxx=ׇׁׁׁNHrNxCׇNHrNxCׇNHrNx=ׁׁׁׂNrׂNxCׂNrׂNxCׂNrׂNx=ׁׁׁׁׂxDׁׂxDׁׂxEׁׁfׁׁfׁׁfׁׁfׁׁfׁׁfׁׁfׁׁDׁׁׄDׁׁ>ׁ׃Dׁׁ>ׁ׃ׂ׏ׁׂ׈ׁגDׁׁ>ׁ׆׍׃Dׁׁ>׈ׁׂׂ׈Dׁׁ>ׁׄ ׁׁׁׁ ׁׅUׁׁ> ׁׁׁׁ ׁׁMׁׁfׁׁfׁׁfׁׁfׁׁfׁׁfׁׁfׁhׁׂׅQׁ׈׉ׁׅׄRׁׅׅׄRׇׂ׉ׄ_ׁpׁ׆ׁׄׄ_ׁpׁׄ ׁׁׁׁׁSׁׅׄ׃UׁUבׇׁׄUׁ׍ׇׁUׁ׋Uׁׁׂׂׅ׃Tׁׁׁ׃ׁT ׁThׁfׁׁfׁׁfׁׁfׁׁfׁhׁfׁׁfׁׁfׁׁfׁׁ^ׁׁׁfׁׁ^ׁׁׁfׁׁVׁׁׁfׁׁQׁׁׁfׁׁJׁׁׁfׁׁBׁׁׁ^ׁׁׁ;ׁׁׁ ׁNׄr׶&6ׁׁׁׁׁׂ6Hׁׁׁ ׁN׃rr"6" !ׁׁׁ6Hׁׁׁ ׁNׂrr 5% ׁׁHׁׁׄ ׁNׂrr2( ׁׁ*ׁׁ ׁNׂrr0,ׁׁ- ׁׁ ׁNׁr/-  ׁׁ- ׁׁ ׁNׁr-/ ׁׁׂ ׁׁ ׅ ׂ   ׁH   ׁׁׁ ׁNׁr*2 ׁׁׁ ׁN ׁׄrׂ ׅ ׅ ׆ ׅ ׂH ׆  ׁׁׁ ׁNׁr(3 ׁׁׁ ׁN ׁׁׂrrׁׁ ׂ ׅ  ׅ ׅH׶ ׅ ׈ ׁׁׁ ׁNׁr &5 ׁׁׁ ׁNׂrׇׇׇׁׁׁׁׁ׃HHHׇׁׁ׉ׁׁׁׁ ׁNׂrr %4 ׁׁׁ ׁNׂrׁׁׁׁׁ׃HHH ׁׁׁׁ ׁNׂrr$4  ׁׁׁ ׉NׂrׁׁׁׁׁׁHH ׁ׃ׁׁׁ ׁN ׂ ׄrrׁ    ׶  ׁ  ׁׁׁ ׆Gׁׁׁ ׁN ׄ ׅrr ׆ ׅ ׂ ׆ ׁׁׁ ׈Eׁׁׁ ׁN ׁׁ ׈rr׶  ׅ  ׅ ׆׈ ׁׁׁ ׉ׂrׁׁׁׁׁHH ׂ  ׁׁׁ ׁNׁׁrׇׇׇׁׁ׈ׁׁׁׁ ׁNׂrׁׁׁׁׁ  ׁ ׁׁׁ ׁNׁׂrr ׁׁׁ  ׁׁׁׁׁׁ ׁNׂrׁׁׁׁׁ ׁׁׁ ׉Nׁׂrr  ׁׁׁ  ׁ׃ ׇ׶ׁׁ ׁN׃rrׁׁׁ  ׁ  ׁׁׁׂ ׆Gׁׁ ׁN׃rrׁׁ ׁׁׁׁׁׂ ׈Eׁׁ ׁN׃rׁׁׁׁ׃ ׁׁׁׁׂ ׉ׁׂrr ׁׁׂׅ׶ ׁ׃ׁׁ ׁNׅ++ ׁ ׁׁ ׁ ׁׁׁ ׁNׁׂrrׁׁ׃ ׁׁׄ׶ׁ ׁׁ ׁNׅr+ ׁׁׁׁ ׁ ׁׁׁ ׁNׁׂrrׁׁ  ׁׁ׃׶ׁ ׁׁ ׁN׆rr++  ׁׁׁ ׁׁׁ ׁNׁׂrr ׁׁ ׁׁׁׁׁׁ ׁNׄr+  ׁׁׁ ׁׁׁ ׁNׁ׃rr ׁ׃ׁ׃׶ׁׁ ׁׁ ׁNׇr+% ׁׁׁ ׁ ׁׁׁ ׁNׁׁr ׁׂ ׁׁ׃ׁׁׁׂ ׆rr  ׁׁ׃ׁ ׁׁׁׂ ׁNׁׁr ׁ ׁׁׁׄ׃ׁׁ ׆NGׁׁׁ ׁNׁׁr ׁ  ׁׁ ׁ ׁׁׁ ׁׂrׁׁ׃ׁׁׁׄ׶ׁׁׁ ׁNׁׁr ׁ ׁׁ   ׁׁׁ ׉Nׁׄrr ׁׂ ׁ׃׈׶ ׁ׃ׁׁ ׁNׁׁr ׃ ׁׁׁ  ׁׁׁ ׁNׁׂrr ׁ ׁׁׁׂ ׁׁ ׁNׁׁr ׁ ׁׁׁ  ׁׁׁ ׁNׁׁr ׁׁׁ  ׃ׁׁ ׁׁr ׁׁׄ  ׁׁׁׂ ׁNׁׁr ׂ ׁׁׁ  ׁׁׁ ׆NGׁׁׁ ׁNׁׂrrׁׁ   ׁׁׁ ׁׁr  ׁׁׁ  ׁׁׁׂ ׁNׁ׃rr  ׁׁ  ׁׁׁׂ ׉Nׁׁr  ׁׁׁ  ׁׁׁׂ ׁNׁׂrr ׁׁׁ  ׁ׃׈׶ׁׁ ׁNׁׂr ׁׁׁ  ׁׁׁׂ ׁNׁׂrr  ׁׂ ׁ׃ׁ׃ׁׁ ׁNׁׂr ׁׁׁ  ׁׁׁׂ ׁNׁׂrrׁׁ  ׁׁׄ׶ׁ ׁׁ ׁNׁׁr ׁׁׁׁ׈׶ׁׁ ׁNׁׂrr ׁ׃ׁ׃׶ׁׁ ׁׁ ׁNׁׁr ׁׁׁ  ׁ׈׶ׁׁ ׁNׁׁr ׁ  ׁׁ ׁ ׁׁ ׁNׁׁr  ׁׁׁ  ׄ ׂ  ׁׁׁׂ ׉Nׁׁׁr ׃ׁׁ  ׁׁׁ ׁNׁׁr  ׁׁׁ  ׃ ׂ ׃ ׁׁׁׂ ׆Gׁׁׁ ׁNׁׁr ׁׁׂ  ׂׅ׶ ׁ׃ׁׁ ׌ׁׂr  ׁׁׁ  ׁׁׁׂ ׁNׁׁr ׁׁ    ׂ ׃׶ׁ ׁׁ ׋ׁׁr ׁׁׁ ׈׶ׁׁ ׁNׁׁr ׁׁׁ  ׃ ׃׶ׁׁ ׁׁ ׁNׁr ׁׁׁ   ׁׁׁׂ ׁNׁׁrׁׁ׃ ׁׁׁׂ ׁׁ ׁNׁr ׁׁ   ׂׂ ׁ ׁׁ ׉Nׁׁrׁׁׂ ׁׁׁׂ ׁׁ ׁN ׁr ׁׁ׃ ׃׃׶ׁׁ ׁׁ ׆Gׁׁ ׁN rrׁׁ  ׁ׃׃ׁׁ ׌ׇrr ׁׁ    ׁ׃׃ׁׁ ׁN rr ׁׂ ׃ ׁ  ׁׁׁ ׋rr ׁׂ ׃ ׁ  ׁׁׁ ׁNr ׁ   ׁׂ ׁׁׁ ׁNrr ׁׂ ׂ ׁ  ׁׁׁ ׁN ׁ ׃׃ ׁׁׁׂ ׁN rr ׁ  ׂ ׁ ׁׁׁ ׁN  ׃ ׁׁׁׂ ׁN rr ׁ   ׁ ׁׁׁ ׁN   ׁׁׁׂ ׁN rr ׁ  ׅ   ׁׂ  ׁׁׁׂ ׁN׃r     ׂ ׁׁׁׁׂ ׁN r ׃ ׃  ׁ  ׁׁׁׂ ׄrrׁׁׁׁׁׂ ׁN ׁ ׃ ׃ׁׁׁׂ ׆NGׁׁׁ ׁN ׁ ׃ ׃ׁׁׁׂ ׃׃r  ׃ׁׁׁׁׂ ׁN  ׁ ׁׁׁׂ ׋N׃rr ׁׁ ׁׁׁׁׂ ׁNׂ   ׃ ׁׁׁׂ ׁN׃rr  ׁׁׁׁׁׁׂ ׁNׄr   ׃ׁׁׁׂ ׁN׃r  ׁ׃ ׁׁׁׁׂ ׅrr ׃   ׁׁׁׁׂ ׁNׂr  ׁׁ ׃ׁׁׁׁׂ ׆NGׁׁׁ ׁNׂr    ׂ ׁׁׁׁׁׂ ׃ׄrr     ׂ ׁׁׁׁׂ ׁNׂr    ׁׁׁׁׁׂ ׋Nׄrr    ׂ ׁׁׁׁׂ ׁNׁ      ׁׁׁׁׁׂ ׁNׄrr   ׁׁׁׁׁׂ ׁNׂr     ׁ ׁׁׁׂ ׁNׄrr    ׁׁׁׁׁׂ ׁNׂr   ׁׁׁׁׁׂ ׁNׄrr     ׁׁׁׁׁׂ ׁNׂr  ׃  ׁׁׁׁׁׂ ׁNׄrrׂ     ׁׁׁׁׂׂ ׁNׂrׁׁ! ׁׁׁׂ ׁN׃r   ׁׁׁׁׂׂ N׃rr ׃ ׁׁׁׁׁׂ ׁN׃r    ׃ ׁׁׁׂ ׈Gׁׁׁ ׁN׃r ׁׁ׃ׁׁׁׂ ׊׃r   ׁׂ ׁׁׁׁׂ ׁN׃rr ׁׁ ׁׁׁׂ ׌ ׄrr   ׂ ׁׁׁׁׁׂ ׁN׃rr  ׁׁ  ׁׁׁׂ ׁN ׄr ׃  ׁׁׁׁׁׂ ׁN׃rr ׁׁׁׁׁׂ ׁN ׅrr     ׁׁׁׁׁׂ N׃rr ׁׁׁׁׁׁׂ ׁN ׅrr  ׁׁׁׁׁׁׂ ׈Gׁׁׁ ׁN ׁr ׁׁׁׁׁׂ ׊׃rr ׁׁׁׁׁׂ ׁN r ׁׁׁׁׁׁׂ ׌ׂr  ׁ ׁׁׁׁׂ ׁN ׂrr 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ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁׁׁׁׁׁׁׂ׃$ׁrׁ  ׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁHׁׁׁׁׁׁׁׁׁׁׂ׃$ׁrׁ  ׁׁׁׁׁׁׁׁׁׁׁׁׂׂ׆rׁ ׂHHׁׁׁׁׁׁׁׁׁׁׂ׃$ׂ+ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂ׆rׁ Hׁׁׁׁׁׁׁׁׁׁׁׂ׃$ׂ+ׁׁ ׁׁׁׁׁׁׁׁׁׁׁׂ׆rׁ H ׁׁׁׁׁׁׁׁׁׁׂ׃$ׂr+׃ׁ ׇׁׁׁׁׁׁׁׁׁׁׁׂrr ׁ HHׁׁׁׁׁׁׁׁׁׁׂ׃$׃r+% ׁ׃ ׶ ׇׁׁׁׁׁׁׁׁׁׁׁׂr ׁ ׃HHHHׁׁׁׁׁׁׁׁׁׁׂ׃$׃r% ׁ  ׃ ׇׁׁׁׁׁׁׁׁׁׁׁׂr ׁ Hׁׁׁׁׁׁׁׂ ׁׁׁ׃$ׂrr ׁ ׇׁׁׁׁׁׁׁׁׁׁׁׂr ׃ׁׁׁׁׁׁׁׁׂGׇׁׁׁׁׁׁׁׁr ׃ׁׁׁׁׁׁׁׂ ׁׁׁ׃$ ׃rׁ  ׁׁׁׁׁׁׁׁׁׁׁׁׂ׈r+ ׁׁׁׁׁׁׁׁׁׂ ׁׁׁׂ׃$ ׂrׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂׄ׈  ׁׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁrׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׈r  ׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁrׁ ׂ ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׄ ׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁrׁׂ ׶ ׁׁׁׁׁׁׁׁׂGׁׁׁׁׁׂ׃$ ׃r ׁ   ׁׁׁׁׁׁׁׁׁׁׁׂׄ׃H׃ׁׁׁׁׁׁׁׁׁׁׂׂ׃$ ׁr ׁ  ׁׁׁׁׁׁׁׂ׆ׁׁׁׁׁׄH ׆׶ׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁr ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂׄr  ׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁr ׁׁׁׁׁׁׁׁׁׁׂׂׄr  ׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁr ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׄH  ׁׁׁׁׁׁׁׁׁׁׂ׃$ ׃rׁ ׁׁ ׁׁׁׁׁׁׁׁׁׂ ׁׁׁׄHׁׁׁׁׁׁׁׁׁׁׁׂ׃$ ׁr׃ ׁ ׁ ׁׁׁׁׁׁׁׁׂ ׁׁׄ׃H ׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁׂ׃$ ׁrׁ׃׶ ׁׁׁׁׁׁׁׁׂ ׁׁׁׄH׃ׁׁׁׁׁׁׁׂ ׃Gׁׁׁׁׁ ׁׁׂׄr ׂ ׁׁׁׁׁׁׁׂ ׆ׁׁׁ׃$ ׁr ׁ  ׁׁׁׁׁׁׁׁׂ ׁׁׁׄH  ׁׁׁׁׁׁׁׂ ׁׁׁׅ׃$ ׁH ׁ ׁׁׁׁׁׁׁׁׁׂ ׁׁׁׄHׁ ׶ׁׁׁׁׁׁׁׁׁׂ׃$ ׁH ׁ ׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׄHׂ ׶ׁׁׁׁׁׁׁׁׁׂ׃$ ׁHׁׁׁׁׁׁׁׁׂׂׅ׃ׁׁׄ׃H ׅ׶ׁׁׁׁׁׁׁׁׂ ׁ׃$ ׁH׃ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׂׄr ׂ ׁׁׁׁׁׁׁׁׂ ׁ׃$ׄrHׁ ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׂׂׄ׃r  ׶ ׁׁׁׁׁׁׁׁׂ ׁ׃$ׂrrׁ  ׶ ׁׁׁׁׁׁׁׂ Gׁׁׁׁׂ׃$ׂrrׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂׂ׈r   ׁׁׁׁׁׁׁׁׂ ׁ׃$ׂrrׂ   ׁׁׁׁׁׁׁׁׁׂׅ ׁ׈r  ׶ ׁׁׁׁׁׁׁׁׂ ׁ׃$ׁr  ׁׁׁׁׁׁׁׁׁׂ ׇׁr  ׶׶ ׁׁׁׁׁׁׁׁׂ ׁ׃$ׁr ׁׁׁׁׁׁׁׁׁׂ ׇׁr  ׄ׶ׁׁׁׁׁׁׁׁׂ׃ׁ׃$ׁr  ׁׁׁׁׁׁׁׁׁׂ ׇׁ  ׁׁׁׁׁׁׁׁׂ ׁׁׁ׃$ׁr ׁׁׁׁׁׁׁׁׁׁׂ ׇׁ  ׶׶ׁׁׁׁׁׁׁׁׂGׁׁׁׁׁׁ ׇׁ  ׁׁׁׁׁׁׁׂ ׃ׁׁׁ׃$ׇׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂr  ׁׁׁׁׁׁׁׂ ׁׁׅ׃$ׁ ׇׁׁׁׁׁׁׁׁׁׁׁׁׂׂr  ׁׁׁ ׁׁׁׁׁׂ ׃$ׁ   ׇׁׁׁׁׁׁׁׁׁׁׁׁׂr  ׶ׁׁׁׁׁׁׁׁׂ ׃$ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׆r ׁׁׁׁׁׁׁׁׁׂ ׃$ׂr ׁׁׁׁׁׁׁׁׁׁׁׁׂׂ׆ ׁׁׁ ׁׁׁׁׁׂ ׃$ׂrׁׁׁׁׁׁׁׁׁׁׁׁׂׄ׆ ׶ׁׁׁׁׁׁׁׁׂ ׃$ׂr  ׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׆ ׁׁׁׁׁׁׁׁׁׂׂ ׃$ׁr  ׁׁׁׁׁׁׁׁׂׄGׁׁׁׁׁׂ׃$ׁr  ׁׁׁ ׁׁׁׁׁׁׁׁׂ ׆rׁׁ׃ׁׁׁׁׁׁׁׂ׃$ׁr  ׁׁׁׁׁׁׁׂ׆ׁׁׁ ׁׁׅ ׁׁׁׁׁׁׁׁׂ׃$ׁr ׁׁׁׁׁׁׁׁׂ ׁׁׁ ׅ ׁׁ ׁׁׁׁׁׁׁׁׂ׃$ׁ ׁׁ! ׁׁׁׁׁׁׁׂ ׅ ׁׁ ׁׁׁׁׁׂ ׁׁׁ׃$ׂr  ׁׁׁׁׁׁׁׁׁׁׂ ׁׁׅ ׁׁׁׁׁׂ ׅGׁׁׁׁׁׁׁ ׁׁׅ ׁׁׁׁׁׂ ׁׁׁׄ $ׁr  ׁׁׂ ׁׁׁׁׁׁׁׁׂ ׄ ׁׁׁׁׁׁׁׁׂ ׆ׁׁׁ $ׁr  ׁׂ ׁׁׁׁׁׁׁׁׁׂ ׄ ׁׁׁׁׁׁׁׁׁׁׁׂ $ׁׁ ׁׁׁׁׁׁׁׁׁׂ ׄ ׁׁ ׁׁׁׁׁׁׁׁׁׂ $ׁ  ׁ ׁׁׁׁׁׁׁׁׁׂ ׄ+ׁ ׁׁׁׁׁׁׁׁׁׂ $ׁ  ׁׁׁׁׁׁׁׁׁׁׂ ׄ+ׁׁׁׁׁׁׁׁׁׁׂ $ׁ ׁׁׁׁׁׁׁׁׁׂ ׁׄ 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ׁׁMׁׁeׁׁfׁׁeׁׁfׁׁeׁׁfׁׁeׁׁfׁׁeׁׁfׁgׁfׁׁfׁhZZlp:3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/82{pp(ZW.{(R{I]I                     s)vׁ(׍׉׊׃ׁׁׁׂC׍׉׉ׇ׃ׁׁׂׂןׁיׁ׃וׇ׃Fנבׇ׆׏ׁ׃וׇ׈׆׊ׁׄ׉ׁ׉ׁ׆ׇׁ׃F׉ׁ׉׉ׇׁ׆ׇ׆׆ׁט׃ׁׄ׆׆׏׏׃ׁׄFטׇׄ׆׉׈ׁ׋׏׏׃ׇׁ׍ב׃׃ׁׂׄ׃ׁׂׄF׃׃ׇׁׂ׆ׁׄ׃ׁׂ׆׆׊ׁׁׂׄ ׁׁ ׁׁׁׄFׁׁׁׂׄׄ ׁׁׄ׌ׁ1ׁ ׁׁ ׁׁׁׂEׁ ׁׁׁׁׁ ׁ ׁׁׁׂׅ1        >ׁׁ\>ׄ]2 ׂ_0ׁׂ^0ׂ׃]6ׂ׃V3 ׄ׃V*ׁ ׁX*׃ׂWׂ Wׁׁׄ Y{ׁׂׅ ׂ Xs ׁׁׁ Wkׁ ׁHHׁScׁ  ׂ HHHT[$ׁ ׃ HHlUS,ׁ vׂ ׂׅHHHllTK4ׁ tׄ HHHllׂMC<ׁoׁ  H HlN;Dׁrׁ H HlM3Hm ׁ HHH HlHׁM+Fiׂ ׂ HHHH HlHP#E H bׂׂ HHlH HlHPDHHl WׁHHHllH HlH OB H H Hl Qׅ HHHllH HlH Nׁ=HHl H HlH Qׁׁ H HlH HlH Jׁ3HHlH HlH  Rׁ H HlH HlH  Lׁ* H H HlH HlH  Pׂ ׁׂ HHH HlHH HlH Lׁ HHl H HlHH HlH  J׃ HHH HlHH HlH Kׁ H H HlH HlH H HlH  JHHlH HlHH HlH Dׁׂ HHllH HlHH HlHH HlH  ?ׄ HHHllH HlHH HlH ׂDׁׂ H H HlH HlH H HlHH HlH   ׂ9ׁׁׂ HHlH HlHH HlH ׂBׄ HHllH HlHH HlH H HlHH HlH   ׁ;ׁׄ HHlH HlHH HlH  Dׁ׃H HlH HlHH HlHH HlHH HlH  ׁׁ: ׁׂHHHHlH HlH H HlH  GׁׂH HlHH HlH H HlHH HlHH HlH  ׁׁ5׃ ׂHHHHlHH HlHH HlH  FׁׁH HlHH HlHH HlHH HlHH HlH  ׁ:ׂHHlHHlHH HlHH HlH  ׁAׁׁH HlH H HlHH HlHH HlHH HlH  ׁ:ׁ HHHllHHlHH HlHH HlH  BׁׁH HlHH HlHH HlHH HlHH HlH  ׁ:ׁ HHlHHlHH HlHH HlH  DׁׁH HlHH HlHH HlHH HlHH HlH  ׁ6ׁׁׂ HHlHHlHH HlHH HlH  DׁׁH HlHH HlHH HlHH HlHH HlH  ׁ6ׅ HHlHHlH H HlHH HlH  DׁׁH HlHH HlHH HlHH HlHH HlH  ׁ6׆ HHHHlHHHlHH HlHH HlH  CׁׁH HlHH HlHH HlHH HlHH HlH  ׁ9 HHHHlHHHlHH HlHH HlH  @ׁׁH HlHH HlHH HlHH HlHH HlH  ׁ:ׂHHlHHlHHHlHH HlHH HlH  @ׁׁH HlHH HlHH HlHH HlHH HlH  ׁ:׃HHHlHHlHHHlHH HlHH HlH  ׁ?ׁׁׂH HlHH HlHH HlHH HlHH HlH  ׁ:׈HHlHHlHHHlHH HlHH HlH  CׁׂHHH HlHH HlHH HlHH HlH  ׁׁ2ׁ׃HHlHHlH HHlHH HlHH HlH  ׁC׆ Hׁ H HlHH HlHH HlHH HlH   ׁ2ׁׂHHlHH HlH HHlHH HlHH HlH  ׁCׁ׃ׁ H HlHH HlHH HlHH HlH  ׁׁׁ,ׁׁׁHHlHH HlHHHlHH HlHH HlH  ׁCׁ ׁ H HlHH HlHH HlHH HlH  ׁ5ׁׅHHHlHH HlHHHlHH HlHH HlH  ׁCׁׁ H HlHH HlHH HlHH HlH  ׁ5ׁׅHHllHlHH HlHHHlHH HlH H HlH  ׁׂ<ׁ H HlHH HlHH HlHH HlH  ׁ5ׂׅHHlHlHH HlHHHlHH HlH H HlH  ׁׁ;ׁׁ H HlHH HlHH HlHH HlH  ׁ9ׁׂHH lHlHH HlHHHlHH HlH H HlH  ׁׄ;ׁׁ H HlHH HlHH HlHH HlH  ׁ9ׂׂHH lHH HHlHH HlHH HlHH HlH  <ׁׁ H HlHH HlHH HlHH HlH  ׁ9ׁׄH lHHHHlHH HlHH HlHH HlH  Bׁׁ H HlHH HlHH HlHH HlH  ׁ9ׁׁׁHlHHHlHH HlHH HlHH HlH  ׁBׁׁ H HlHH HlHH HlH H HlH  ׁ9ׁׁ׉HHllHH HHlHH HlHH HlHH HlH  ׁBׁׁ H HlHH HlHH HlHH HlH  ׁ3ׇׁׁׁHH HHlHH HlHH HlHH HlH  ׁBׁׁ H HlHH HlHH HlH H HlH  ׁ9ׁׂ ׁ HHlHH HlHH HlH H HlH  ׁBׁׁ H HlHH HlHH HlHׁH HlH  ׁׁ-ׅ ׁ ׁ HHlHH HlHH HlH H HlH  ׁBׁ H HlHH HlHH HlHׁH HlH  ׁׁׁ+ ׁ ׁ HHlHH HlHH HlHׁH HlH  ׁׂ:ׁ H HlHH HlHH HlHׁH HlH   ׄ-ׄ ׁׁ HHlHH HlHH HlHׁH HlH  ׁׅ:׃ׁ ׁ H HlHH HlHH HlHׁH HlH  ׁׅ0ׁ ׁׂ HHlHH HlHH HlHׁH HlH  ׂׄ:ׁ H HlHH HlHH HlHH HlH  ׁ8ׂ ׁׁ HHlHH HlHH HlHׁH HlH  =ׁׁ H HlHH HlHH HlHׁH HlH  ׁ8ׄ ׁׁ HHlHH HlHH HlHׁH HlH  Aׁׁ H HlHH HlHH HlHׁH HlH  ׁ8ׁׁ ׄ H HlHH HlHH HlHׁH HlH  ׁAׁׁ H HlHH HlHH HlHׁH HlH  ׁ8ׁׁ ׃ H HlHH HlHH HlHH HlH  ׁAׁׁ H HlHH HlHH HlHׁH HlH  ׁ8ׁׂ ׁ H HlHH HlHH HlHH HlH  ׁAׁׁ H HlHH HlHH HlHׁH HlH  ׁ8ׁׁ ׁ H HlHH HlHH HlHׁH HlH  ׁAׁׁ H HlHH HlHH HlHׁH HlH  ׁ2׆ ׁ ׁ H HlHH HlHH HlHׁH HlH  ׁAׁׁ H HlHH HlHH HlHׁH HlH  ׁ2ׁׂ ׁׂ H HlHH HlHH HlHׁH HlH  ׁׂ9ׁׁ H HlHH HlHH HlHׁH HlH  ׁ4ׄ ׁׁ HHHlHH HlHH HlHׁH HlH  ׁ9ׁׁ H HlHH HlHH HlHׁH HlH  ׁ7ׁ ׁׁ HHllHlHHHlHH HlHׁH HlH  ׁׄ9ׁׁ H HlHH HlHH HlHׁH HlH  ׁׅ/ ׁׁ HHlHlHHHlHH HlHׁH HlH  ׃:ׁ H HlHH HlHH HlHׁH HlH   ׄ/ׄ ׁׂ HH lHlHHHlHH HlHׁH HlH  @ׁׁ H HlHH HlHH HlHH HlH  ׁׄ/ׁׁ ׄ HH lHHHHlHH HlHH HlH  ׁ@ׁׄ H HlHH HlHH HlHׁH HlH  ׁׅ/ׁׂ ׃ HH lHHHlH H HlHH HlH  ׁ@ׁׁ H HlHH HlHH HlHׁH HlH  ׁ7ׁׁ ׂ  HHlHHHlHH HlHׁH HlH  ׁ@ׁׁ H HlHH HlHH HlHׁH HlH  ׁ0ׁׁׂ ׁ  H  HHlHH HlHׁH HlH  ׁ@ׁׁ H HlHH HlHH HlHׁH HlH  ׁ0ׁׂׄ ׁ    HHlHH HlHׁH HlH  ׁ@ׁׁ H HlHH HlHH HlHׁH HlH  ׁ1ׁׂ ׁ ׁ    HHlHH HlHׁH HlH  ׁ@ׁׁ H HlHH HlHH HlHׁH HlH  ׁ1ׁׂ ׁׂ    HHlH H HlHׁH HlH  ׁ׃8ׁׁ HH HlH H HlHׁH HlH  ׁ3ׁׁׄ    HHlH H HlHׁH HlH  ׉8ׁׁ  H H HlH H HlHׁH HlH  ׁ6 ׁׁ    HHlHH HlHׁH HHlH  9ׁׁ    H HlHH HlHׁH HlH  ׁ6ׄ ׅ    HHlHH HlHׁHHllHlH  ׁ;ׁׁ    H HlHH HlHׁH HlH  ׁ6ׁׁ׃    HHlHH HlHHHlHlH  ׁ@ׁׁ    H HlHH HlHׁH HlH  ׁ6ׁׂ ׂ    HHlHH HlHׂHH lHlH  ׂ?ׁׁ    H HlHH HlHׁH HlH  ׁׄ.ׁׁ ׁ    HHlHH HlHׂHlHH  ׁ?ׁ    H HlHH HlHH HlH   .ׁׂ ׁ    HHlHH HlHׂH lHH  ׁ?ׁ    H HlHH HlHׁH HlH  ׁׅ.ׁ ׁ ׁ    HHlHH HlHׄHHlH  ׁ?׃ׁׁ    H HlHH HlHׁH HlH  ׁׄ)ׁׂ ׁׂ    HHlHH HlHׁHllH   ׁ?ׁׁ    H HlHׁH HlHׁH HlH  ׁ1ׁׁ ׁׁ    HHlHH HlHׁHH   ׁׁ8ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׁׁׁ    HHlHH HlHׁ    ׁ7ׁׁ    H HlHׁH HlHׁH HlH  ׁ2ׁׂׅ    HHlHH HlHׁ    ׁׄ7ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׁׁ    HHlHH HlHׁ    8ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׄׄ    HHlHH HlH    ?ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׁׂׂ    HHlHH HlHׁ    ׁ?ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׁׁׁ    H HlHH HlHׁ    ׁ?ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׁׂ ׁ    H HlHH HlHׁ    ׂ>ׁׁ    H HlHׁH HlHׁH HlH  ׁ5ׁׁ ׁ    H HlHH HlHׁ    ׁ>ׁׁ    H HlHׁH HlHׁH HlH  ׁ/ׁׁ ׂ ׁ    H HlHׁH HlHׁ    ׁ>ׁ    H HlHH HlHH HlH  ׁׅ&ׁׄ ׁ ׁ    H HlHHHHlHׁ    ׁ> ׁ    H HlHׁH HlHׁH HlH   (ׁׁ ׁׂ    H HlHׁHHllHlHׁ    ׁׁ7ׁׁׂ    H HlHׁH HlHׁH HlH  ׁׁׁ'ׁׁ     H HlHׂHHlHlHׁ    ׁ6׃ׁׁ    H HlHׁH HlHׁH HlH  ׁׄ*ׁׂׅ    H HlHׂHH lHlHׁ    ׉6ׁׁ    H HlHׁH HlHׁH HlH  ׁ4ׄ    H HlHׁH lHH׃     ׃7ׁׁ    H HlHׁH HlHׁH HlH  ׁ4ׄ׃    H HlHׁH lHH     ׁ:ׁׁ    H HlHׁH HlHׁH HlH  ׁ4ׁׂׂ    H HlHׂHHlHׁ    ׁ>ׁׁ    H HlHׁH HlHׁH HlH  ׁ4ׁׁׂ    H HlH ׃HllH ׁ   ׁ>ׁׁ    H HlHׁH HlHׁH HlH  ׁ4ׁׁ ׁ   H HlHׄHHׁ   ׁ>ׁׁ    H HlHׁH HlHׁH HlH  ׁ4ׁׂ ׁ   H HlHׁ   ׂ=ׁׁ   H HlHׁH HlHׁH HlH  ׁ4ׁ ׁ ׂ    H HlHׁ   ׁ=ׁׁ   H HlHׁH HlHׁH HlH  ׁ0ׁׁ ׂ   H HlHׁ ׁ ׁ=ׁ H HlHH HlHׁH HlH  ׁ.ׁׂׂׂ  H HlHׁ ׁ ׁׁ6ׁ ׁH HlHׁH HlHH HlH  ׁ/ׁׁׅ  H HlHׁ ׁ ׁׅ5ׁ ׁH HlHׁH HlHׁH HlH   ׄ(ׂׂׄ  HHHlHׁ ׁ ׁׅ5ׁH HlHׁH HlHׁH HlH  ׁׅ+ׁ ׁHHllHlH ׁ ׄ5ׁׄ$ׁH HlHׁH HlHׁH HlH  ׁׅ+ׂׅ ׁHHlHlHׁ ׁ ׂ8ׁׄ$ׁH HlHׁH HlHׁH HlH  ׁׁ,ׁׁׁ ׁHH lHlH ׁ ׁ ׁ=ׁ$ׁH HlHׁH HlHׁH HlH  ׁ3ׁׂׂ ׁHH lHH  ׁ ׁ ׁ=ׁ$ׁH HlHׁH HlHׁH HlH  ׁ3ׁׁׂׂH lHׁ ׁ ׁ=ׁ$ׁH HlHׁH HlHׁH HlH  ׁ3ׁ ׁׁׁHHlHׁ ׁ ׁ=ׁ$ׁH HlHׁH HlHׁH HlH  ׁ3ׁ ׁׂׂHׁ  ׂ<ׁ$ׁH HlHׁH HlHׁH HllH  ׁ,ׁׂ ׁׁׁׂ ׁ ׁ<ׁ$ׁH HlHׁH HlHH   ׁ-ׁׄ!ׁ ׁ ׁ<ׁH HlHH HlHׁ    ׁ,ׂׂ%ׁ ׁ ׁׂ4ׁ ׁH HlHׁH HlHׁ    ׁ-ׁׁ'׃ׁ ׁׄ4ׁ ׁH HlHׁH HlH    ׁ/ׂׄ ׁ"ׁ ׉4ׁׁH HlHׁH HlHׁ    ׁׄ+ׂ ׁׁׂ 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ׄ ׁׁ׌ׁhט׃ׇ׆׉׈ׁדׁא׃׌נׁ ׁׁ(ׁׁׂׅh׃׃ׁׂ׆ׁׁ׆ׄ׆׉ׁׂgׁׄ ׁׁׂׄ ׄ ׁׁ׌ׁ*eׁ ׁׁׁׁׁ ׁׁׁׂׅ*,,,,,,,,,,,"׆׆ׁׁׂ  ׁׁׁׂׂׂׅׅCׁׁRׁ ׅ ׁ ׁׁ ׁ ׅ ׁ ׁׁ ׁ ׁׁ ׁ7ׄS .ׁ ׂUׁׁׁׁׁׁ+ׁׁTׁׁׁׁׁׁ)ׂ׃Sׁׁׁׁׁׁ+ׁ׃ׂLׁׁׁׁׁׁ, ׆Kׁׁׁׁׁׁ) ׁׂLׁׁׁׁׁׁ"ׁׂׂJ# Kׅ׃ ׂOׄ Nׁׁׂ MׅH HH HHHHׁׁHׁH HH HH HH HH H ׃ HHIׁH HH HH HH HH H ׁ  HHKׁH HH HH HH HH H ׅ HHlJׁH HH HH HH HH Hׁ  HH HllIׁH HH HH HHH HHH Hׁ H HllׂBׂH HH HH HHH HHH H~ׁ ׂ H HlCׁH HH HH HHH HHH HׁׁH HlCׁH HH HH HHH HHH Hׁ ׁ HHH HlHBׁH HH HH HHH HHH Hׁxׁ  HHHH HlHEׁH HHH HHH HHH HHH Hׁxׂׅ HHlH HlHDׁHHH HHH HHH HHH Hׁx HHHllH HlH CׄH lHHH HHH HHH HHH Hׁlׅ HHHllH HlH BH lHH H HH H H HH H HH Hׁrׁ H HlH HlH >׆H lHHH HHH HHH HHH HׁpׁׂH HlH HlH  @ׅH lHHH HHH HHH HHH Hׁm ׁׂ HHH HlHH HlH  @H lHH HHH HHH HHH Hׁeׂ  HHH HlHH HlH ?ׄH lH H HHH H HH H HH Hׁf HHlH HlHH HlH 9ׄH lH H HHH H HH H HH HׁZ׃ HHHllH HlHH HlH ׃8׃H H HHH H HH H HH HׁV ׂH HlH HlHH HlH 7ׁ  H HHH H HH H HH Hׁ^ׁ H HlH HlHH HlH  :  H HHH H HH H HH Hׁ[ׁH HlH HlH H HlH  ;ׁ  H HHH H HH H HH HׁYׂ ׃ HHH HlHH HlH H HlH  :ׁ  H HHH H HH H HH 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ׂ7ׁ  ׁH HH  ׁH Hׇ HH H HH HׁOׁׁׂHH lHHHHlHH HlHH HlHH HlH  7ׁ  H  ׁH Hׇ HH H HH HׁOׁׁׁHlHHHlHH HlHH HlHH HlH  ׁ7ׁ  ׁH lHH  ׁH HׇHH H׋ HH HׁIׁׁׁ׃HllH HHlHH HlHH HlHH HlH  ׁ7ׁ  ׁH lHH  ׁH HׇHH H׋ HH HׁIׁׂׂׂHHׂ HHlHH HlHH HlH H HlH  ׁ7ׁ  ׁH lHH  ׁH HׇHH H׋ HH HׁKׁׁ ׁ ׁ HHlHH HlHH HlH H HlH  ׁ7ׁ  ׁH lHH  ׁH HׇHH H׋ HH HׁOׁ ׁ ׁ HHlHH HlHH HlHׁH HlH  ׁ7ׁ  ׁH lH  ׁH HׇHH H׋ HH HׁNׁ ׁׁ HHlHH HlHH HlHׁH HlH  ׁ0ׁ  ׁH lH  ׁH H ׆HH H׋ HHHׁJׄ ׁׂ HHlHH HlHH HlHׁH HlH  ׁ׆.ׁׄ  ׁH lH  ׁH H ׆HH H׋ HHHׁMׁׁׂ HHlHH HlHH HlHׁH HlH  ׂׂ0׃ׂ  H  H H HH H HHHׁM׃ׁׁ HHlHH HlHH HlHׁH HlH  ׂׂ1ׁׄ  ׁ   ׁH H ׆HH H׌ HH HׁMׅ ׄ HHlHH HlHH HlHׁH HlH  6ׁ  ׁ   ׁHH׆HH H׌ HH HׁMׁׁ ׃ HHlHH HlHH HlHׁH HlH  ׁ6ׁ  ׁ   ׁHH׆HH H׌ HH HׁMׁׁ ׂ HHlHH HlHH HlHH HlH  ׁ6ׁ  ׁ   ׁHH׆HH H׌ HH HׁGׁׁׂ ׁ HHlHH HlHH HlHׁH HlH  ׁ6ׁ  ׁ   ׁHH׆HHH HH HׁMׁׁ ׁ HHlHH HlHH HlHׁH HlH  ׁ6ׁ  ׁ   ׁHH׆HHH HH HׁIׁׁ ׁ ׁ HHlHH HlHH HlHׁH HlH  ׁ6ׁ  ׁ   ׁHH׆HHH׋ HHHׁFׁׁ ׁ ׁ HHlHH HlHH HlHׁH HlH  ׁׁ.ׁ  ׁ   ׁHHׇHH H׋ HHHׁLׁ ׁׂ HHHlHH HlHH HlHׁH HlH  ׁ/ׁ  ׁ   ׁHHׇHH H׋ HHHׁHׅ ׁׁ HHllHHlHH HlHH HlHׁH HlH  ׁׁ/ׁ  ׁ   ׁHHׇHH H׋ HHHׁK ׁׁ HHlHlHH HlHH HlHׁH HlH  ׃.׃ׁ     HHHH H HHHׁKׅ ׁׂ HH lHllHH HlHH HlHׁH HlH  ׁ1ׁׅ  ׁ   ׁHHׇHH H׌ HH HׁKׁׁ ׄ H lHH HlHH HlHH HlH  ׁ5ׁ  ׁ   ׁHHׇHH H׌ HH HׁKׁׁ ׃ H lHHH HlH H HlHH HlH  ׁ5ׁ   ׁ   ׁHHׇHH H׌ HH HׁKׁׂ ׂ HHlHH HlHH HlHׁH HlH  ׁ5ׁ   ׁ   ׁHHׇHH H׌ HH H ׁJׁׁ ׁ  HllH H HlHH HlHׁH HlH  ׁ5ׁ   ׁ   ׁHHׇHH H׌ HHHׁDׁׁ ׁ ׁ  HH  H HlHH HlHׁH HlH  ׁ5ׁ   ׁ   ׁHHׇHH H׌ HHHׁJׁ ׂ ׁ    H HlHH HlHׁH HlH  ׁ5ׁ   ׁ   ׁHHׇHH H׌ HHHׁJׁ ׁׁ    H HlHH HlHׁH HlH  ׁׂ-ׁ   ׁ   ׁHHׇHH H׌ HHHׁIׂ ׁׁ    H HlH  H HlHׁH HlH  ׁ,ׁ   ׁ   ׁHHׇHH H׌ HHHׁJׁׁׂ    H HlH H HlHׁH HlH  ׁׄ.ׁ   ׁ   ׁHHׇHHH׋ HHHׁJׁׁ    H HlHH HlHׁH HlH  ׁ-ׁׂ     HH HHH HHHׁJׄׄ    H HlHH HlHׁHHllHlH  5ׁׁ  ׁ   ׁHH ׆HHH׋ HHH ׁHׁׁ׃    H HlHH HlHHHlHllH  ׁ5ׁ  ׁ   ׁHH ׆HHH׌ HH H ׁHׁׁׂ    H HlHH HlHH lHlH  ׁ4ׁ  ׁ   ׁHH ׆HHH׌ HHHׁHׁׁ ׁ    H HlHH HlHׁHlHH  ׁ4ׁ  ׁ   ׁHH ׆HHH׌ HHHׁBׁׁׂ ׁ    H HlHH HlHׂH lHH  ׁ4ׁ  ׁ   ׁHH ׆HHH׌ HHHׁHׁ ׁ ׁ    H HlHH HlHׄHHlH  ׁ4ׁ  ׁ   ׁHH ׆HHH׌ HHHׁB׃ׁ ׁ ׁ    H HlHH HlHׁHllH   ׁ4ׁ  ׁ   ׁHH ׆HHH׋ HHׁBׁׁ ׁׂ    H HlHH HlHׁHH   ׁׂ,ׁ  ׁ   ׁHH ׆HHH׌ HHlHׁHׁׁׁ    H HlHH HlHׁ    ׁ+ׁ  ׁ   ׁHH ׆HHH׋ HHlH ׁCׁׂׅ    H HlHH HlHׁ    ׁׄ+ׁ   ׁ   ׁHH ׇHH H׋ HHlH ׁGׁׁ    H HlHH HlHׁ    ׁ,ׁׄ    ׁHH ׇHH H׋ HHlH ׁGׄׄ    H HlHH HlH׃    4׃ׁ    HH HH H HHlH ׁGׁׂ׃    H HlHH HlH    ׁ4ׁׄ   ׁ  ׁHH ׇHH H׉ HlH ׁFׁׁׁ    H HlHH HlHׁ    ׁ4ׁ   ׁ  ׁHH ׇHH H׈ H ׁFׁׂ ׁ    H HlHH HlHׁ    ׁ4  ׁ  ׁHH ׇHHHׇ  ׁFׁ ׁ ׁ    H HlHH HlHׁ    ׁ3ׁ   ׁ  ׁHHׇHHHׇ  ׁ@ׁׁ ׁ ׁ    H HlHH HlHׁ    ׁ3ׁ    ׁHHׇHHHׇ  ׁBׁׁ ׂ ׁ    H HlHׂH HlHׁ    ׁ3ׁ  $ׁHHׇHHHׇ  ׁ?ׁׁ ׁׁ    H HlHH HHlHׁ    ׁ3ׁ  $ׁHHׇHHHׇ  ׁ?ׁׁׁׂ     H HlHׁHHllHlHׁ    ׁ׃,ׂ  $ׁHHׇHHHׇ  ׁDׁׁׂ     H HlHׂHHlHlHׁ    ׁ׆*ׁ $ׁHHׇHHHׇ  ׁEׁׅ    H HlHׂHH lHlHׂ    ,ׄ $ׁHHׅHׇ  ׁE׃    H HlHׂHH lHH     ׁׁ+ׅׄ $ׁHHׇHHlHׇ  ׁEׂׄ    H HlHׁH lHׁ    3ׄ $HH HHlH  ׁEׁׁׂ    H HlHׂHHlHׁ    ׁ3ׅׄ $ׁHH ׆HHlHׇ  ׁEׁׁׂ   H HlH H ׁ   ׁ3ׄ $ׁHH ׅHlHׇ  ׁCׁׁ ׁ   H HlHׁ   ׁ3ׄ $ׁHH ׅHlH׆  ׁCׁ ׂ ׁ   H HlHׁ   ׁ2ׄ %ׁHH ׅHlHׇ  ׁCׁ ׁ ׃    H HlHׁ   ׁ2ׄ %ׁHH ׄHׇ  ׁ=׃ׁ ׂ   H HlHׁ ׁ ׁ2ׄ %ׁHH ׂ  ׇ  ׁ=ׁׁׁׁ  H HlHׁ ׁ ׁׁ*׃ %ׁHH ׂ  ׇ  ׁCׁׁׂ  H HlHׁ ׁ ׁ׃)׃ %ׁHH ׂ  ׇ  ׁ?ׁׂׅ  H HHlHׁ ׁ ׁׅ)׃ %H ׂ  ׇ  ׁCׂ׃  HHllHlH ׁ ׁ+׃ %ׁHlH ׂ  ׅ ׁBׂׂׅ ׁHHlHlHׁ ׁ ,ׄ %ׁHlH ׂ  ׇ  ׁBׁׁׁ ׁHH lHlHׁ ׁ ׁ2ׄ %HlH     ׁBׁׂׂ ׁHH lHH  ׁ ׁ ׁ2ׅׄ %ׁHlH ׂ  ׆  ׁBׁׁׁ ׁH lHH ׁ ׁ ׁ2ׅׄ %ׁHlH ׂ  ׆  ׁBׁׁׂׂHlHׁ ׁ ׁ2ׄ %ׁHlH ׂ  ׅ ׁAׁ ׁׁׂHHllHׁ  ׁ2ׄ %H ׂ  ׄ ׁ:ׁׂ ׁׁׂׂHHׁ ׁ ׁ1ׄ ?ׂ  ׃ ׁ:ׁׁׁׁׂׄ ׁ ׁ1ׄ ?׃  ׃ Lׁׂׄ#ׁ ׁ ׁ1ׄ ?׃  ׃ Lׁׁׂ&ׂ ׁ ׁ(׃ ?׃  ׃ Rׁׂׂ&ׁ ׁ׆(׃ ?׃  ׃ Oׁׁ ׁ"׃ׁ (׃ @׃  ׃ Sׂׅ ׁ  ׁ ׅ)ׄ @׃  ׃ ׁAׁׁׂ ׁׁ ׁ ׁ1ׄ Aׂ  ׃ ׁAׁׁׁׁׂ ׁ ׁ1ׅ A   ׁBׁׁׁׁׂׂ ׁ1ׁ׃Aׂ  ׃ ׁBׁ ׁׁׂ ׃ ׁ ׁ1ׄ Aׂ  ׃ ׁBׁ ׁׁׂ$ׂ  ׁ1ׁׁ Aׂ  ׄ ׁBׁ ׂׄ0ׁ ׁ0ׁׁ Aׂ  ׄ  ׁ=ׁׁׁׂ0 ׁׁ0ׁׁ A ׄ  ׁ<ׁׁׂ/ ׃ׁ0ׁAׂ  ׃  ׁ=ׁׁׂ+ ׁׂ'ׁSׂ  ׃  ׁ=ׁׂ'ׁ ׁ׆'ׁSׁ  ׃  ׁ@ׁׂׂ ׂ "ׂ ׁ'ׁSׁ  ׃  ׁFׂׂ ׂ #ׁ'ׁT ׃  ׁIׁׂ ׂ( ׁ+ׁn׃  ׁKׂׂ ׁ48ׁn׃ ׁNׂׂ ׁ3=ׁׅn׃ ׁPׁׂ ׁ3A׆q ׁRׁׂׂ3F ׆ׁnׄ ׁTׁׂׂ2Kׁׄnׄ ׁWׁׁׂ 1Pׁnׄ ׁYׂׅ1Uׁnׄ ׁ\ׂ0Zׁnׄ ׁ^ׁׄ/_ׁo׃ ׁ`ׁׂ.cׁoׁׂbׁׂ)hׁp׃ ׁeׂ ׁ$mׁpׂ ׄgׂ ׁrׁpׂ ׃jׂ ׁwׁpׁ ׃kׁׂ|ׁpׂnׁׂ ׁׂpׁׂ  sׅ  ׆ ׅ,,,,,,,,,,,,,,x[o[lp3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/82{pp(ZW.{(R{I]IvׁvׁvׁvׁvׁvׁvׁvׁvׁvׁP#ׁSׁ"ׁ;ׁׂׅ:ׁ׃סׁ:ׁ׃לׁ:ׁ׃ך׃ׁ:ׁׁׅ׆ׁ:ׁׁׁׁׂ;ׁׁׁvׁvׁvׁvׁvׁvׁvׁvׁvׁvׁvׁvׁvׁvׁ ׁUׁ ׁUׁׁ׃׃<ׁׁׁ׍׍?ׁׁ׈׈<ׁץiׂPׁׁׄ׉ׁ׃lׁOׁׁׄnׁׂׂHׁׁׂhׁׄJׁ׆Bׁׅ׆GׁׅHׁ ׁׄ@ׁwׁׁׂׂׄ?ׁsׂ׈ׁ?ׁpׁ׉ׁׄ<ׁlׇׁׁׄ?ׁnׅ׆ׁׂ Aׁm  ׁ 8ׁ{ׁׂ ;ׁoׁׁׄ  ;ׁpׁׁׁ5ׁj׆ׁ HH3ׁfׁ HHׁ6ׁnׁ HHllHׅ1ׁk ׁHH HlHׂ0ׁaׁׂ  H HlHHׅ/ׁW׃ ׁ H HlHׄ.ׁR׈ׁ HHH HlH ׄ,ׁOׁׂׄ HHHH HlH -ׁsׁSׁ ׁׁ HHlHH HlH 0ׁtׁSׁ  ׁH HllHH HlH +ׁuׅOׁׁH HlHH HlH ׁ*ׁlׂR׃ׁ  H HlHH HlH 'ׁeׂ׃Sׁׂ HHH HlHH HlH  ׁ&ׁe׃Kׁׁ HHHH HlHH HlH   $ׁcׁׄKׁ HHlHH HlHH HlH  ׁ#ׁeׁ ׁׁKׁ HHllHH HlHH HlH  "ׁf ׁׂFׁׁHH HlHH HlHH HlH  ׄ!ׁXׁׂׂEׅ  H HlHH HlHH HlH   'ׁYׁׁDׅH HlHH HlH H HlH   ׂ!ׁHׁ ׁCׅ HHH HlHH HlH H HlH   #ׁC׈ׁׅ  Iׅ HHHH HlHH HlHH HlH  %ׁCׁׅRׁwׂ HHlHHH HlHH HlHH HlH  %ׁB׃ׄ ׁ HHMׁwׂH HlHH HlHH HlHH HlH  %ׁQ ׃ HHH>mׄH HlHH HlHH HlHH HlH  %ׁJׁ HHHlH:ׁזpׁׁH HlHH HlH H HlHH HlH  %ׁAׁ HHllH=ׁזiׁׁׁH HlHH HlH H HlHH HlH  ׁׁ>ׁׁHH HlHׁ6ׁטgׇׄH HlHH HlHH HHlHH HlH  ׃ׁ?ׁׁ  H HlH5ׁׄאjׅ׃H HlHH HlHHHllHlHH HlH  ׃ׁ;ׁׁ H HlHׂ4ׁׁׄyׂׅH HlHH HlHHHlHlHH HlH  ׁ? ׁ HHH HlH5ׁ׃xׁׄH HlHH HlHHH lHllHH HlH  ׁׂ< ׂHHHH HlH@ׁׁH HlHH HlHHHlHlHH HlH  ׁ%ׁ6׃HHlHH HlH?ׁׂH HlH H HlHHHlHHH HlH  ׁ%ׁ,׃HH HllHH HlH 7ׁׂׄH HlH H HlH H lHHH HlH  ׁ%ׁ+ׄ H HlHH HlH ׁ=ׁׁׁH HlHH HlH HlHH HlH  ׁׁׂ'ׁׅ H HlHH HlH 8ׁׁׁׁH HlHH HlH HHllH H HlH  ׁׁׅ!ׁ ׁHHH HlHH HlH  8ׄH HlHH HlH HH H HlH  ׁׁׅ"ׂ ׁHHHHH HlHH HlH  4׃H HlHH HlH   H HlH  ׁׁׅ$׃ HHlHH HlHH HlH  ׁ5ׂׅH HlHH HlH   H HlH  ׁ%ׂHHHllHHH HlHH HlH  6ׁׄH HlHH HlH   H HlH  ׁׁ%ׁ HHHlHH HlHH HlH  9ׁׂH HlHH HlH   H HlH  ׁ%ׁ%ׁ  H HlHH HlHH HlH  :ׁׄH HlHH HlH   H HlH  ׁ%ׁ!ׄ H HlHH HlH H HlH  4ׁׁׁׁH HlHH HlH   H HlH  ׁ%ׁ$ׁ HHH HlHH HlHH HlH  4ׁׁׁׁH HlHH HlH   H HlH  ׁׁׂ!ׅ HHHH HlHH HlHH HlH  4ׁׂׄH HlHH HlH   H HlH  ׁׁ$ׂHHlHHH HlHH HlHH HlH  3׃H HlHH HlH   H HlH  ׁׁׅ$HHHlHH HlHH HlHH HlH  4ׂH HlHH HlH   H HlH  ׁׁׄ$ׄH HlHH HlHH HHlHH HlH  5ׁׅH HlHH HlH   H HlH  ׁ$ׁׁH HlHH HlH HHllHlHH HlH  6ׁׅH HlHH HlH   H HlH  %ׁׁׁׄH HlHH HlH HHlHHllHH HlH  9ׁׂH HlHH HlH   H HlH  ׁ%ׁ$ׁׂHHlHH HlHHH lHlHH HlH  9ׁׄH HlHH HlH   H HlH  ׁ%ׁ ׁׅHHlHH HlHHlHHH HlH  9׊oׁׁׁׂH HlHH HlH   H HlH  ׁ%ׁ#׃ׁHHlHH HlHH lHHH HlH  9ׂqׁׁׁׂH HlHH HlH   H HlH  ׁׁׂ#ׁׅH HlHH HlHHHlHH HlH  ׇׁ"ׁQׄH HlHH HlH    H HlH  ׁׁׁׂׄH HlH H HlH HllH H HlH  ׁ׋ׁQ׃H HlHH HlH    H HlH  ׁׁׄ#ׁ׃H HlHH HlH HH  H HlH  ׁ+ׁׁׄ:ׂH HlHH HlH    H HlH  ׁׂׅH HlHH HlH   H HlH  ׁ(ׁ<ׁׄH HlHH HlH   H HlH  ׁׁׂׂH HlHH HlH   H HlH  ׁ(ׁׂׄ@ׁׂH HlHH HlH   H HlH  %ׁׁׅH HlHH HlH   H HlH  ׁ(ׁׄ ׂ?ׁׂH HlHH HlH   H HlH  ׁ%ׁ#ׁH HlHH HlH   H HlH  ׁ)ׁׂׅ ׂ?ׁׄH HlHH HlH   H HlH  ׁ%ׁ#ׁׄH HlHH HlH   H HlH  ׁ ׁׁׁ 9ׁׁׁׂH HlHH HlH    H HlH  ׁ%ׁ#ׁׁׁH HlHH HlH   H HHlH  ׁׁ׃ ׁׁׁ9ׁׁׁH HlHH HlH   H HlH  ׁׁׅ"ׁׄH HlHH HlH   H HlH  ׁׁׄ ׄ ׁ-ׄH HlHH HlH  H HlH  ׁׁׂHHlHH HlH   H HlH  ׁׁׁׁׁׄ׃ ׃ ׂ+׃H HlHHHllHlH  H HlH  ׁׁׁHHlHH HlH   H HlH  ׁׁׁׁׁׁ׃ׁ ,ׂׅH HlHHHlHHllH  H HlH  ׁׁׄHHlHH HlH   H HlH  ׁׁׁׁׁׁׁׂ.ׁׄH HlHH lHlH  H HlH  ׁׁׂ"ׁׁH HlHH HlH   H HlH  ׁׁ׃ׁׁׁׄ׃ׁׄ ׅ.ׁׁH HlHHHlHH  H HlH  %ׁ"ׁH HlHH HlH   H HlH  ׁׁ ׁׁׁׁׁ ׁׁׂ.ׁׂH HlH H lHH  H HlH  ׁ%ׁ"ׁׄH HlHH HlH   H HlH  ׁׁׁׁׁׁׁ7ׁׄH HlH HlH  H HlH  ׁ%ׁׁׁׅH HlHH HlH   H HlH  I ׁׁׄ)ׁׁׁׂH HlH HHllH   H HlH  ׁׁׂ׃ׁ׃H HlHH HlH    H HlH  ׁׁׁׁ׃ׁׁׁׁׁׁ"ׁׁׁH HlH HH ׁ   H HlH  ׁׁׁׁׂׅH HlHH HlH    H HlH  ׁׁׁׁׁׁׁ"ׄH HlH     H HlH  ׁ׆ׁ"ׁׁH HlHH HlH   H HlH  ׁׁׁׁׁ  ׁׁׁ#׃H HlH  ׁ   H HlH  ׁ׆ׁׁׅH HlHH HlH   H HlH  ׁׁׁׁׁ׃ׁׁׁ$ׂׅH HlH  ׁ   H HlH  ׁׁ!ׁׄH HlHH HlH   H HlH  ׁׁׁׁׁׁׁ%ׁׄH HlH  ׁ   H HlH  %ׁ!ׁׁׁH HlHH HlH   H HlH  ׁׁׁׁׁׁ  ׁ(ׁׁH HlH  ׁ   H HlH  ׁ%ׁ!ׁׅHHlHH HlH    H HlH  ׁׁׁׁׁׁׂ׃ׁ(ׁׂH HlH  ׁ   H HlH  ׁ%ׁ!ׁ׃HHlHH HHlH   H HlH  ׃ H H H H ׁׁ(ׁׄH HlH  ׁ   H HlH  ׁ%ׁׁׁׂHHlHHHllHHlH  H HlH  ׁ׃HHHHHHHHHHHHׁׁ (ׁׁׁH HlH  ׁ   H HlH  ׁׁׁׁׁׂH HlHHHlHlH  H HlH  ׁׁׁHHHHHHHHHHHHׁׁ$ׁׁׁׁH HlH  ׁ   H HlH  ׁׁ ׁׂH HlHHH lHllH  H HlH  ׁׁHHH HHHHHHHHH  ׁׁ"ׇׄH HlH     H HlH  ׁ׆ׁ!ׁׁH HlHHH lH  H HlH  ׁׁHHHHHHHHHHHH  ׁׁ#׃H HlH  ׁ   H HlH   ׁ׆ׁ!ׁH HlHH lHH  H HlH  ׁׁHHHHHHHHHHHH  ׁ$ׁׅH HlH  ׁ   H HlH   ׁׁ ׁׁׂH HlHHlH  H HlH  ׁׁHHHHHHHHHHHH  ׁ%ׁׄH HlH  ׁ   H HHlH   %ׁׁׁׄH HlH HHllH   H HlH  ׁׁHHHHHHHHHHHH  ׂ"ׁׂH HlH  ׁ    HHllHlH   ׁ%ׁׁׂ׃H HlH HH   ׁH HlH  ׁׁHHHHHHHHHHHH   !ׁׄH HlH  ׂ    HHHlHlH  ׁ%ׁׁH HlH    ׁH HlH  ׁׅHHHHHHHHHHHH  ׁׁׁׁׁׁH HlH     HH lHHllH  ׁ%ׁׁׄH HlH    ׁH HlH  ׂ׃HHHHH HHHHH  ׁׁׁׁׁׂH HlH  ׁ   HHlHlH ׁׁׁׂׅH HlH    H HlH  ׁׁׄHHHHHHHlHHHHH  ׁ"ׁׄH HlH  ׂ  HHlHH   ׁ׆ׁ ׁH HlH    H HlH  ׁׁHHHHHH HHH  ׁ"׃H HlH    ׁH lHH ׁ ׁׁׅ ׁׅHHlH    H HlH  ׁׁHHHHHH  HHH  ׁ#ׂH HlH  ׁ  ׁHlH ׁׅ ׁׁׁHHlH    H HlH  ׁׁHHHHHH  HHH  ׁ%ׁׄH HlH  ׃   ׄHHllHׁ ׁׂ ׁ׃H HlH    H HlH  ׁׁHHHHHH  HHH  ׁ%ׁׅH HlH  ׂ ׁ ׂHHׁ%ׁ ׁׁH HlH    H HlH  ׁׁHHHHHH  HHH  ׁׁׂH HlH  ׁ   ׁׂ%ׁׁׅH HlH    H HlH  ׁׁׂHHHHHH  HHH   ׁׅׄH HlH    ׁ%ׁׁׅH HlH    H HlH   ׆ׁHHHHHH  HHH  ׁׁׁׁׁׂH HlH  ׁ ׁׁ%ׁׁׅH HlH    H HlH  ׃׃HHHHHH  HHH  ׁׁׁׁׂׄH HlH  ׁ ׁׁׁׁׂH HlH     H HlH  ׁׁׁHHHHHH  HHH  ׁ"ׄHHllHlH   ׁ ׂ ׁ׆ׁׁׅH HlH     H HlH  ׁׁHHHHHH  HHH  ׁ"ׄHHlHlH   ׁ  ׁ׆ׁׁׁׁH HlH   H HlH  ׁׁHHHHHH  HHH  ׁ#ׁH lHllH  ׁ ׃ׁׁׄH HlH  ׁ  HHllHlH ׁׁHHHHHH  HHH  ׁ%ׄ ׁHlHlH  ׁ  ׁׁׁׂׂׂׂH HlH  ׁ  HHlHHllH ׁׁHHHHHH  HHH  ׁ(ׂ ׁHlHH  ׁ%ׁׁׁH HlH  ׄ   H lHlH ׁ ׁׁHHH HH  HHH  ׁׂׂ ׂHH lHH  ׃ ׁ%ׁׁׁHHlH  ׅ ׁ ׂHHlHHׁ ׁׅHHHHlHH  HHH   ׄ ׂHlH    ׁ%ׁׁׅHHlH  ׁ H lHׁ׆׃HHH H  HHH  ׁ׃ׁׁׄ ׄHllH   ׂ ׁׁׁׂׄH HlH  ׁ ׂHHlHׁׁׂׄHHH    HHH  ׁׁׁׁ ׂHHׁ    ׁׁׁׁׁׂׅH HlH  ׁ H ׁׁׄHHH    HHH  ׁ"ׁ ׁׁ   ׁ ׁ׆ׁׁׄH HlH  ׁ ׃ ׁׁHHH    HHH  ׁ#ׁ ׁׁ   ׁׁׁׂׂH HlH  ׁ ׁ ׁׁHHH    HHH  ׁ$ׂׅ ׁׁ   ׃ׁׁׁׁHHlH    ׁׁׂHHH    HHH  ׁ%ׄ ׁ ׄ   ׁׁׂׄׄ׃HHlHHlH  ׁ #ׁׁHHH   HHH  ׁ(ׁ ׁ ׂ   ׁ%ׁ׃ׁH lHHllH  ׃:ׁׁHHH  HHH  ׁׅ ׁ ׁ ׁ   ׁ%ׁׁׂ ׂHH lH    ׁׅHHH  HHH    ׂ ׁ ׁ    ׁ ׁׁׁ ׂHH lH  ׂ  ׆׃HHH  ׁ ׁ HH ׁׄ$ׁ ׁׂ   ׁ׆ׁ ׂHHlH  ׁ ׁׁׄHHH  ׁ  H ׁׁׄ$ׁ ׁׁ    ׁ׉ׁׅ H   ׁׂׄ HH  ׁ ׁׁ.ׁ ׁׂ    ׁ׉ׁׁׁׂׂ   -ׁ HlHH  ׁ  ׁ/ׁ ׁׂ   ׁ׈ׁ׃ׁׁׂ   2ׁ H  ׁ/ׁ0ׂ ׁׁ  ׁ׆ׁ ׂ ׁ   7ׁׁ   ׁ3 ׁ2ׁ ׁׂ  ׁׁׁׁ ׂ ׁ   ;ׁׁ   ׁFׁ3ׁ ׁׂ  +ׁׁׁ ׁ ׁ   "ׁ  Fׁׅ+ׁ ׁ׃  ׁ.ׁ ׁׂ   "ׇ   L+ׁ ׁׂ ׁׁ 2ׁ ׁׂ   "׈ ׁFׁׄ.ׂ ׂ ׁׁ 5ׁ  ׂ׃    "ׇ ׁFׁׄ/ׁ ׁ ׄ9ׁ" ׃   " ׇׁFׁ9ׁ ׁ ׃<ׁ$ ׅ  !DׁFׁ:ׁ ׁ ׂ@ׁ& ׅ  "NׁFׁ;ׂ ׁ ׁCׁ( ׃ "W 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ׂׄׄ5ׂfׁׅ7ׂmׁׁ6ׂjׂ׃4ׂcׁ ׁu:ׂa ׁqׂ4ׂd ׁׁcׁ 6ׂeׂ ׄd׃ 0ׂMׁ ׂYׂ ׁ0ׂMׁW׃ ׂׄHH ׁ/ׂNׁׁ׃RׁׁHHH ׄ.ׂ7ׂׄ ׁ ׄMׁׁׅHHlH ׄ-ׂ8ׂׄ ׁ ׁJׇ ׁ HHlH -ׂ:ׁ ׂ ׂFׇ ׁH HllH ,ׂ;ׄ׃ >ׁHHlH ׁ.ׂ<ׄ ?ׁ׃HHHlHׁ-ׂ>ׁ ׁ ׁ ׁB HHlH.ׂAׁ ׁׁׅ; HHlH)ׂ*ׁ#ׁ ׂׄ8 HHlH ׃)ׂ+ׂ  ׁ(ׁ ׂ HHlH(ׂ+ׁׁ HHׁ4 HHlH 'ׂ,׃ׁ  HHH(׃ ׂHHlH  ׁ)ׂ.ׂ ׁ ׁ HHlH$ׁׅHH HHlH  ׁ(ׂ;ׂ ׁHHHllH!׆ׁHHH HHlH  )ׂ2ׁ ׃ HHlHׇ ׁ HHlH HHlH  ׂ&ׂ1ׂ  HHlHׁ ׁHHllH HHlH  *ׂ3ׂ HHHlHׁׂH HlH HHlH  &ׂ*ׁ ׁ HHHHHlH׃H HlHHHlH  (ׂ+ׁׂ HHlHHHlHׂׂHHHlHHHlH   )ׂ-׃ ׃HHllHHHlH HHlHHHHlH  )ׂ.ׂHHlHHHH lH ׁHHlH HHlH   )ׂ.ׁ HHHHlHHH lH~ׂ  HHlH HHlH   (ׂ.ׁ  HHHHHHlHHH lHׁׂ HHlH HHlH   ׂ#ׂ*ׄHHlHHHHlHHH lHyׁׁׂHH HHlH  HHlH   ׃"ׂ)ׁׁ HHHlHHHlHH lHoׁHHHH HHlH  HHlH   "ׂ*ׅHHlHHHlHH lHׂmׅ ׁ HHlH HHlH  HHlH   ׂ#ׂ-ׂHHHHlHHHlHH lH hׄ ׁ HHllH HHlH  HHlH  (ׂ- HHHHHHlHHHlHH lH ׁdׁׂHH HlH HHlH  HHlH  ׁ(ׂ-ׄHHlHHHHlHHH lHH lH kׁׁH HlHHHlH  HHlH  ׁ(ׂ-ׁׁHHHlHHHlHH lHH lH lHHHlHHHlH  HHlH   ׁׂׂ-ׁׂHHlHHHlHH lHH lH  h HHlHHHlH  HHlH   ׁׂׅ'ׁׁׄHHlHHHlHH lHH lH   a׃HHlH HHlH  HHlH   ׁׂׅ,ׁ׃HHlHHHlHH lHH lH  aׂHHlH HHlH  HHlH   ׁׁׁׂ)ׄ ׂHHlHHlHH lHH lH  `ׁ HHlH HHlH  HHlH   "ׂ,ׁHHlHHlHH lHH lH  \ׁׂHH HHlH  HHlH  HHlH  'ׂ,ׁׄHHlHHlHH lHH lH  ^ׁ HHH HHlH  HHlH  HHlH  ׁ'ׂ,ׁׁׁHHlHHlHH lHH lH  Xׁׂ HHlHH HHlH  HHlH  HHlH  ׁ'ׂ'ׁׁׁׂHHlHHlHH lHH lH  WׁׂHHlH HHlH  HHlH  HHlH   ׁ'ׂ(ׁׁׄHHlHHlHH lHH lH  VׁׂH HlH HHlH  HHHlH  HHlH  ׁׂ'׃HHlHHlHHH lHH lH  V׆HH HlHHHlH  H HllHlH  HHHlH  ׁ׆ׂ(ׂׅHHlHHlHHllHlHH lH  VׂHHlHHHlH  HHlHHlH  HHllHlH  ׁׂׅ,ׁ ׁHHlHHlHHlHHlHH lH  SHHlHHHlH  HH lHH  H HlHllH  ׃ׂ+ׂׄHHllHHlHHlHH lHlHH lH  MׁׄH HlHHHlH  HHlHH  HH lHlH  ׂ!ׂ+ׁׁHlHlHH lHH lHlHH lH  KׁׁׁH HlH HHlH  HHlH  HHlHH  ׁ&ׂ+ׁׁׂHH lHHlHH lH lHlHH lH  JׁׂH HlH  HHlH  HlH   HHlHH  ׁ&ׂ+ׁׁׂH lHllHH lHH lHllHHH lH  NׁׁׄH HlH  HHlH  H lH   HHlH   ׁ&ׂ&ׁׂHH lHH lHHH lHHllH lH  Mׁׂ׃H HlH HHlH  HlH  HlH   ׁׂׂ&ׁׂH lHH lH H lHHlHHlH  Mׅ ׁHHlH HHlH  HllH   H lH   ׁ׆ׂ(ׄ ׁׂHHlHH lH H lH lHlH  Pׁ ׁHHlH HHlH  HH   HlH  ׁ׆ׂ+ׁ ׁׁHlHH lH HHlHH lHlH  LׁHHlH HHlH     HllH  ׁׁׁׂ+ ׂׄHHllHH lH HH lHlH  EׁׂׄH HHlH HHlH     HH   ׂ+ׄ ׁׅHHHH lH   H lHlH  NׁׁׂH HllHHlH HHlH     ׁ   %ׂ+ׁׂ ׂ ׁHH lH   H lHHlH  GׁׁׁHHlHllH HHlH     ׁ   ׁ%ׂ%ׁׁׁ ׁׁHH lH   HH lHH  FׁׄHH lH HHlH     ׃    ׁ%ׂ%׆ׂ ׁׂHH lH   H lHH  CׁׂׄHHlHH HHlH         ׁ%ׂ%ׁׁ ׁ ׁׁHH lH   HlH   Fׅ ׂHHlH HHlH     ׁ   ׁׂׂ*ׁ ׁ ׁׁHH lH   HllH   ׁIׁ ׁH lH  HHlH     ׁ   ׁׂׅ*ׁ ׂ ׅHH lH   HH   ׁM ׂHHlH  HHlH     ׁ   ׁׂׄ* ׁ ׃HH lH       ׁMׄ ׃HllH  HHlH     ׁ   ׂׂׅ*ׄ ׂ ׂHH lH        ׁEׁׂׂ ׂHHׁ  HHlH     ׁ   ׁׂׂ*ׁׂ ׁ ׁHH lH        ׁׁAׁׁׁ ׁׁ  HHlH     ׁ   $ׂ$ׁׁׁ ׁׂHH lH        ׁׂ?ׁׂ ׄ  HHlH     ׁ   ׁ$ׂ$ׁׂ ׁׁHH lH       ׁׂ?ׁ ׁ ׂ  HHlH         ׁ$ׂ$ׁׁׁ ׁׂHH lH       ׃F׆ ׂ ׁ  HHlH     ׁ    ׁ$ׂ)ׁ ׂ ׁׁHH lH       ׁׂGׁׁ ׁ ׁ  HHlH     ׁ   ׁׂׂ)ׂ ׁ ׅHH lH        ׁK ׁׂ  HHlH     ׁ   ׁׂ)ׄ ׂ ׂHH lH        ׁKׄ ׁׁ  HHlH     ׁ   ׁ׃ׁׂ)ׁׁ ׁ ׁHH lH       ׁKׁׂ ׁׂ  HHlH     ׁ   ׉ׂ)ׁׂ ׂ ׁHH lH       ׈<ׁׁׂ ׄ  HHlH     ׁ    ׂׂׂ#ׁׁׂ ׁׂHH lH       ׈=ׁׂ ׃  HHlH      ׁ    #ׂ#ׁׁׂ ׁׁHH lH       ׁAׁׁ ׂ ׁ  HHlH     ׂ   ׁ#ׂ# ׂ ׁׂHH lH        Eׁׁ ׁ ׁ  HHlH         ׁ#ׂ$׆ ׁ ׁׁHH lH       ׁFׅ ׁׂ  HHlH        ׁ#ׂ%ׅ ׂ ׆HHlHH lH        ׂI ׁׁ  HHlH    ׁ  ׁׂׂ( ׁ ׁH lHlH       ׁIׄ ׁׂ  HHlH    ׁ  ׁ׆ׂ(ׁׂ ׂ ׃HH lHHlH       ׁׄBׁׂ ׁׁ  HHlH    ׁ  ׇׁׂ(ׁׁ ׁ ׂH lHlH      ׁׄ:ׁׁׂ ׅ  HHlH    ׃  ׇׁׂ(ׁׂ ׂ ׃HH lHHlH      ;ׁׁׂ ׃  HHlH    ׂ  ׂ(ׁׁ ׂ ׂH lHllH      Aׁׂ ׂ  HHlH    ׁׂ$ׅ ׂ ׁ ׃ HH lH  ׁ      ׁAׁ ׁ ׁ  HHlH    ׁ"ׂ" ׂ ׂׄ H lH ׈ ׁ       ׁCׁׂ ׁׂ  H HlHHlH     ׁ"ׂ$ׅ ׁ ׁׁ HHlH ׁׁׂ     ׁDׁׁׁׁ  HH lHllH    ׁ"ׂ(ׁׂ ׁׂ H  ׁׁׁ     ׁׁA ׁׂ  HHlH   ׁ"ׂ(ׂ ׁׁ   ׁׄ      ׃Bׅ ׁׁ  HlH   ׁׂ(ׁׅ ׅ         Bׁׁ ׅ  HHlH   ׁ׆ׂ'ׁׁׂ ׃        ?ׁׂׂ ׃   H lHׁ    ׁ׆ׂ'ׁׁׂ ׂ   ׁׁ     ׁ?ׁׂׄ ׂ   HHlHׂ     !ׂׅ'ׁׂ ׂ ׁ   ׁׁׂ       ׁ@ׁׂ ׁ ׁ   H    !ׂ! ׁׁׂ   ׁׁׁ    ׁ?ׁ ׂ ׁ   ׁ   !ׁ!ׂ"ׁׂ ׁׁׂ   ׁׁׂ   ׁAׁׂ ׁׂ   ׁ  ! ׁ!ׂ$ׄ ׂ ׁׂ   ׄ׃    ׁׄ;ׁׁׁׁ    ׁ    ׁ!ׂ(ׂ ׂ ׁׂ      ׁׂ?ׁׂ   ׁׂ  ׁ!ׂ*ׂ ׁׄ      @ׁׂׅ   ׁ׃  ׁ ׂ,ׂ ׂ ׃   ׁׂ   Fׁׁ׃   ׁׂ ׁ ׁ׆ׂ.ׁ ׂ ׁ   ׁׂ׃    ׁ>ׁׁׂׂ   ׁ ׂ ׇׁׂ/ׂ ׁ ׁ   ׁׁׅ   ׁFׁׂ ׁ    $ׁׂ1ׂ ׂ ׁ   ׁׁׂ  ׁ@ׁׁ ׁ ׁ   ׁׂ'ׂ3ׂ ׁׂ   ׁׄ  ׂ=׃ׁ ׂ ׁ   ׁ 'ׂׂ5ׁ ׁׁ    ׈8ׁׂ ׁׂ    ׁ &'ׂ6ׂ ׁׂ   ׁ9ׁׁׁׁ   ׁ&,ׂ8ׂ ׅ   ׁׁ@ׁׂ   ׁ&0ׂ:ׂ ׃   ׁׁׁ ׁDׁׂׅ   ׁ&4ׂ<ׂ ׂ   ׁׁׂ   ׁDׁׂׄ   ׁ&9ׂ>ׁ ׁ   ׁׁׂׂ ׁ<ׁׁׂ ׃  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ׂׂ HHׁׂׄ HHH ׁ  {ׁׂׅ HHH $ׂ ׁxׁׂ HH ! ׁׂ HHׂq׉ׂ HH H ׁ HHxׂׅ HH H ׂ HHlwׂׂHH Hl   HHluׂׂHHl ׁ ׂHH Hllrׂ HHll ׁH Hlgׂׂ HHll ׁ  H HlaׁׂׂHHl ׁׁ H Hl aׂׄHHll  ׁׂH Hl_ׂׂ HHHllH ׁ HHH HlHdׂׄ HHHllHzׁׂ׃ HHH HlHYׁׂׅ HHH HHllH{ׂ HHlH HlHWׁׂ HHHl HHlHoׁ ׄ HHllH HlH Uׂׂׂ HHHllHHlHkׂHH Hll H HlH Yׂׅ HHHlHHlH f׃ׁׂ H HlH HlH ׂQׂׂHH HlHHllH lׁ  H HlH HlH QׂׂH HlHHllH m ׁH HlH HlH  Pׂׂ H HlHHllH i ׁׂ HHH HlHH HlH  Iׁׂׂ H HlHHlH  aׁׁׂ HHH HlHH HlH JׂH HlHHlH bׂ HHlH HlHH HlH Aׂׂ HHH HlHHHlH U׃ HHllH HlHH HlH ׁ>ׂׄ HHHH HlHHHllH RׂׅHH HllH HlHH HlH ׁ3ׁׂׅ HHHlH HlHHHllH Qׁ H HlH HlHH HlH ׃4 HHHlH HlHHHllH Uׁ  H HlH HlHH HlH  6ׅ HHHllH HlHHHlH S ׁH HlH HlH H HlH  :ׂׂHH HlH HlHHHlH Qׂ ׁׂ HHH HlHH HlH H HlH  7ׂׂH HlH HlHHHlH Jׄ׃ HHH HlHH HlHH HlH  4ׂׂ H HlH HlHHHlH  KׂHHlH HlHH HlHH HlH  ׁ*ׂׅ H HlH HlH HHllH  KׁHH HllH HlHH HlHH HlH  ,ׂׂH HlH HlH  HHllH  JׁׂH HlH HlHH HlHH HlH  ,ׂ HH HlHH HlH HHlH  Fׁ H HlH HlHH HlHH HlH  #ׁׂׄ HH HlHH HlH HHlH  Eׁ  H HlH HlH H HlHH HlH  "ׂׄ HHHlH HlHH HlH HHlH  DׁHHH HlHH HlH H HlHH HlH  &ׂׂ HHHllH HlHH HlH HHlH  Fׁׂ HHHH HlHH HlHH HlHH HlH  ׂׂׄ HHHlH HlHH HlH HHlH  F׃HHlH HlHH HlHH HlHH HlH  ׃ׂׂHHHlH HlHH HlH HHllH  Gׂ HHHllH HlHH HlHH HlHH HlH  ׂׂHHlH HlHH HlH HHlH  FׂHHHlH HlHH HlHH HlHH HlH  ׂׂׅ HHlH HlHH HlH HHlH  FׄH HlH HlHH HlHH HlHH HlH  ׂׂ HHlH HlH H HlH HHlH  EׁׁH HlH HlHH HlHH HlHH HlH  ׁׁׂ HHH HlHH HlH H HlH HHlH  CׁׁH HlHH HlH H HlHH HlHH HlH  ׁׁׂ HHHH HlHH HlHH HlH HHlH  EׁׄH HlHH HlHH HlHH HlHH HlH  ׇׁ HHHlH HlHH HlHH HlH HHlH  =ׁׁׂH HlHH HlHH HlHH HlHH HlH  ׁׂ HHHlH HlHH HlHH HlH HHllH  9ׁׁׄH HlHH HlHH HlHH HlHH HlH  ׁׂHHHlHHlHH HlHH HlH HHlH  AׁׁH HHlHH HlHH HlHH HlHH HlH  ׁׄHHlHHlHH HlHH HlH HHlH  CׁׁHHllHlHH HlHH HlHH HlH H HlH  ׁׁׁׂHHlHHlHH HlHH HlH HHlH  ׁBׂׂHHlHlHH HlHH HlHH HlH H HlH  ׁׁׅׄHHlH HlHH HlHH HlH HHlH  ׁBׁׂHH lHHllHH HlHH HlHH HlH H HlH  ׁׁׅ׃HHlH HlHH HlHH HlH HHlH  ׁBׁׂHlHlH H HlHH HlHH HlHH HlH  ׉ׁׂHHHlH HlH H HlHH HlH  HHlH  ׁBׂׄHH lHHH HlHH HlHH HlHH HlH  ׁׂ ׁHHHllHlH HlHH HlHH HlH  HHlH  ׁBׁׁׁH lHHH HlHH HlHH HlHH HlH  ׁׁׁHHHlHlH HlHH HlHH HlH HHlH  ׁBׁׁׁHlHH HlHH HlHH HlHH HlH  ׁׄׄHHHlHlHHlHH HlHH HlHHHlH  ׁAׁׁׄHHllH H HlHH HlHH HlHH HlH  ׁׁׂHH lHlHHlHH HlHH HlHHHlH  ׄ6ׁׂׂׂHH׃ H HlHH HlHH HlHH HlH  ׁׁׂH lHlH HlHH HlHH HlHHHlH  ;ׁ ׁ ׂ H HlHH HlHH HlH H HlH  ׁׁׅH lHH HlHH HlHH HlHHHlH  :ׁ ׁ ׁ H HlHH HlHH HlH ׁH HlH  ׁׁׁׁH lHH HlHH HlHH HlHHHlH  ׁ8ׁ ׁ ׁ H HlHH HlHH HlHׁH HlH  ׁׁׁׂHHlHHH HlHH HlHH HlH HHlH  ׁ9ׁׂ ׁ ׁ H HlHH HlHH HlHׁH HlH  ׁ ׁׁׂHlHHH HlHH HlHH HlH HHlH  ׁ;ׅ ׁׂ H HlHH HlHH HlHׁH HlH  ׁ׆ ׁ ׇׁHllHHH HlHH HlHH HlH HHlH  ׁ?ׁׁׁ H HlHH HlHH HlHׁH HlH  ׁׁׁׅ ׁׂHH׃H HlHH HlHH HlHHHlH  ׁ?ׁׁׂ H HlHH HlHH HlHׁH HlH  ׃ ׁ ׂ ׁH HlHH HlHH HlHHHlH  ׁ>ׁׁׄ H HlHH HlHH HlHׁH HlH  ׁ  ׁ ׁH HlHH HlHH HlHHHlH  ׁ>ׁׁׁׂ H HlHH HlHH HlHׁH HlH  ׁׁׅ ׁH HlHH HlHHHlHHHlH  ׁׁ8ׁׁׄ H HlHH HlHH HlHׁH HlH  ׁׁׂ ׁH HlHH HlHHHlHHHlH  ׇ8ׁׂ׃ H HlHH HlHH HlHH HlH  ׁׁׁH HlHH HlHHHlHHHlH  7ׁׁׂ H HlHH HlHH HlHH HlH  ׁׁׁׄH HlHH HlHHHlHHHlH  6ׁׁ ׁׁ H HlHH HlHH HlHׁH HlH  ׁׁׂׂׂH HlHH HlHHHlHHHlH  ׁ6ׁ ׂ ׁ H HlHH HlHH HlHׁH HlH  ׁׁׁׁׁH HlHH HlHHHlHHHlH  ׁ5ׁ ׁ ׁ H HlHH HlHH HlHׁH HlH  ׁׁׂׄH H lHH HlHHHlHHHlH  ׁ5ׁ ׁ ׁ H HlHH HlHH HlHׁH HlH  ׁׂ ׁ ׁ׃H H lHH HlHHHlHHHlH  ׁ7ׁׁׂ ׁ H HlHH HlHH HlHׁH HlH  ׁ ׁ ׁׂH H lHH HlHHHlHHHlH  ׁ7ׁׂׅ HHllHlHH HlHH HlHׁH HlH  ׁׁׁׁ ׁׁH H lHH HlHHHlHHHlH  ׁ;ׁׁ HHlHlHH HlHH HlHׁH HlH  ׂׄ ׁHHHlHH HlHHHlHHHlH  ׁ;ׁׁׄ H lHHllHH HlHH HlHׁH HlH  ׁׂ ׁHHllHHlHH HlHHHlHHHlH  ׁ;ׁׁׁׂ HlHlHH HlHH HlHׁH HlH  ׁׂׄHHHlHlHH HlHHHlHHHlH  ׇ4ׁׂׄ HHlHHH HlHH HlHH HlH  ׁׁׂHH lHHlHH HlHHHlHHHlH  ׁׂ4ׁׁׂ H lHHH HlH H HlHׁH HlH  ׁׂׂׄHHlHllHH HlHHHlHHHlH  ׅ6ׁׁׁ HlHH HlH H HlHׁH HlH  ׁׁׁׂ׃ HHlHH HlHHHlHHHlH  9ׁ ׂ ׁ  HHllH H HlHH HlHׁH HlH  ׁׁׁׂׄ HlHHH HlH HHlHHHlH  ׁ2ׁׁ ׁ ׁ  HH  H HlHH HlHׁH HlH  ׁׁׁׄ HH lHH HlH HHlHHHlH  ׁ3ׁׂ ׁ ׁ    H HlHH HlHׁH HlH  ׁׁ ׂׂ HlHH H HlHHHlHHHlH  ׁ3ׁׂ ׂ ׁ    H HlHH HlHׁH HlH  ׁׁ ׁׁ HHllH H HlHHHlHHHlH  ׁ3ׁׁׁׂ    H HlHH HlHׁH HlH  ׁ׃ׁ ׁׂ HH H HlHHHlHHHlH  ׁ3׆ׁׁ    H HlH  H HlHׁH HlH  ׁׁׁ ׁ    H HlHHHlHHHlH  ׁ8ׁׁׂ    H HlH H HlHׁH HlH  ׁ׆}ׁׁׂ ׁ    H HlHHHlHHHlH  ׁ7ׁׁ    H HlHH HlHׁH HlH  ׄ~ׁׁׂׂ    H HlHHHlHHHlH  ׁ7ׁׁׄ    H HlHH HlHׁHHlHlH   ׁׁׅ    H HlH  HHlHHHHlH  ׁׁ1ׁׁׄ    H HlHH HlHHHlHlH  ׁ ׁׁׂ   H HlH HHlHH HllHlH  ׈0ׁׂׂ    H HlHH HlHHlHllH  ׁ ׁׁ   H HlHHHlHH HlHlH  ׁ0ׁׁׁ    H HlHH HlHׂHlHlH  ׁ ׅׅ   H HlHHHlHHH lHllH  5ׁׁׂ    H HlHH HlHׂHlHH  ׁ ׁׂׂ   H HlHHHlHHHlHlH  ׁ.ׁׁ ׁׁ    H HlHH HlH׃HlHH  ׁ ׁׁׁ   H HlHHHlHHHlHlH  ׁ5ׁ ׂ ׁ    H HlHH HlHׄH lH  ׁ ׁׁׂ   H HlHHHlHHlHlH  ׁ/ׁׂ ׁ ׁ    H HlHH HlHׁHlH   ׁ ׁ ׁׂ    H HlHHHlHHlHH  ׁ/ׁׁׂ ׁ    H HlHH HlHׁHllH   ׁׁׁ ׁׂ    H HlHHHlH HlHH  ׁ0ׁׁׁׂ    H HlHH HlHׁHH   ׁ׆ׁׁׁ    H HlHHHlH HlH  ׁ/׆ׁׁ    H HlHH HlHׁ    ׇׁׁׂ ׁ    H HlHHHlH HlH  ׁ4ׁׁׂ    H HlHH HlHׁ    ׁ׆xׁׂׂ ׁ    H HlHHHlH HlH   ׁ4ׁׁ    H HlHH HlHׁ    yׁׁׂ   H HlHHHlH HlH  ׁ3ׄׄ    H HlHH HlH    ׁׁ   H HlHHHlH H   ׁ2ׁׂ׃    H HlHH HlHׁ    ׁׁׂׅ   H HlHHHlH    ׈+ׁׁׁ    H HlHH HlHׁ     ׁׅ   H HlHHHlH    +ׁׁׂ    H HlHH HlHׁ    ׁׅ׃    H H lHHHlH    ׁ.ׁ ׁׁ    H HlHH HlHׁ    ׁׁׁׂ    H H lHHHlH    ׁ1ׁ ׁׁ    H HlHH HlHׁ    ׁׁׁׂ    H H lHHHlH    ׁ)ׁׂ ׂ ׁ    H HlHH HlHׁ    ׁׁ ׁׂ    H H lHHHlH    ׁ)ׁׄ ׁ ׁ    H HlHH HlHׁ    ׁׁ ׁׂ    H H lHHHlH    ׁ)ׁׂׅ ׁ    H HlHH HlHׁ    ׁׁ ׁׂ    H H lHׁHHlH    ׁ)ׁׁׁׄ     H HlHׁHHlHlHׁ    ׁ|ׁׂ ׁ    H H lHHHlH    ׁ.׃ׁׂ     H HlH׃HHlHlHׁ    ׁ׆{ׁׂ ׁ   H H lHׁHHlH    ׁ+ׁׁׁׂ    H HlHH lHHllHׁ    ׁ׆{ׁׂ ׁ   H H lHׁHHlH    ׁ0ׁׂׂ    H HlHׁHlHlHׂ     {ׁׁׂ    H H lHׁHHlH    ׁ/ׄ׃    H HlHׁHlHH     ׂyׁׁׁׂ    H H lHׁHHlHׁ    ׁ.ׁׂׂ    H HlHׂHH lHׁ    ׁ}ׇׅ     H HlHׁHHlH    ׁ.ׁׁׂ    H HlH ׁHlH ׁ     ׁ}ׁׂ׃    H HlHׁHHlH    ׁׄ'ׁׁׁ    H HlH ׁHlH ׁ    ׁׁׁׂ    H HlHׁHHlH    ׈'ׁׁׂ   H HlH ׁHׁ   ׁׁׄ    H HlHׁH HlHlH    ׃'ׁ ׁׁ   H HlHׁ   ׁׁׁ   H HlHׁHH lHlH    ׁ%ׁׁ ׂ ׁ    H HlHׁ   ׁׁׁׂ   H HlH׃HHlHlH    ׁ-ׁ ׂ ׂ    H HlHׁ  ׁ ׁׁ ׁ   H HlHׁHlHllH     ׁ'ׁׁׂ ׂ   H HlHׁ ׁ ׁׁ ׁׂ   HHlHHHlHH     ׁ'ׁׁׂׂ  H HlHׁ ׁ ׁׂxׁׁׂ   HHlHׂHHlH    ׁ&ׁׁׂ ׁ  H HlHׁ ׁ ׁ׆wׁ ׃    HHlH ׂHH lHׁ    ׁ&ׁׂׂׂ  H HlHׁ ׁ ׁ׆wׁׂ    HHlH ׂHHlH ׁ  ׁ'ׁׁׁ ׄ   H HlH ׁ ׂׅwׁ ׂ   HHlHHׁ  ׁ+ׂ ׂ ׁ HHllHHlHׁ ׁ ׄwׁׂ ׂ  H H lH!ׁׁ  ׁ+ׁׂׅ HHlHlHׁ ׁ ׁׁׂ  H H lH ׁׂ   ׁ*ׁׁׁ ׁ HlHllH ׁ ׁ ׁׁׂ ׁH H lH  ׁ*ׁׂׂ ׁ HHlH ׁ ׁ  ׁzׁׂ!ׁH H lHׁ  ׁׁ*ׁׁׂ ׁ HlHׁ ׁ  ׁzׁׂ$ׂ ׁH H lH ׁ  ׁׁׁ#ׁ ׁׁׂ H lHׁ ׁ  ׁ{ׅ&ׁH H lH ׁ  ׁׁׅ"ׁ ׁׂׂ HHlHׁ ׁ ׁ~ׂ&ׁׂH H lHׁ  ׁ"ׁ ׁׁׂ H ׁ  ׁ~ׁ%ׁׂHH lHׁ ׁׁׁׁׁׂׅ  $ׁ ׁ ׁ~ׁׂ%HH lH"ׁ ׁׁ"ׁׂׄ (ׁ ׁ ׁ~ׁ %ׂHH lH"ׁ ׁׁ ׁׂׅ׃ ,ׁ ׁ ׁ ׁtׁ #ׁHH lH"ׁ ׁׁ#ׁׁׁׂ 0ׁ ׁ  ׁ׃rׁ ׁH HlH"ׁ ׁ"׆ׁׂ 1ׂ ׁ  ׁ׃ׁrׁׁHHlHHlH"ׁׁׁ#ׁׁׁׂ -ׁ  ׇׁrׁׁHlHlH"ׁ ׁׁ'ׁׂ )ׁׂ sׁׁHHlHHlH"ׁ ׁׁ'ׁׁׅ $  ׁ ׁׂvׁׁׂ HHlH!ׂ ׁ ׁ&ׁׂׂ ׁ  ׁׁ ׁ{ׁׁ HH lH  ׁ ׁ&ׁׁׂ ׁ ׁׁ  ׁ{ׁ"ׁ HHlH ׁ ׁׁ&ׁׁׁׂ ׂ ׁ  ׁ{ׁ% ׁ Hׁ ׁׁ&ׁ ׁׂׂ ׁ ׁ  ׁsׁׁ(ׁ ׁ ׁׁ&ׁ ׁׂׂ %׃ ׁtׁ,ׁ ׁ ׁ ׁ%ׁ ׁׁׁ  7 ׁsׁׄ/ "ׁ  ׁ ׁׁׁׂׄׄ 6ׁ ׁv׃1׃(ׁ ׁ ׉ׁׂׂ 6 ׁ  ׁtׁׂ/ׁ. ׁׁׁׂׅ 6ׁ ׁyׁ*ׁ 4ׂ ׁׁׁׁׁׂׅ4  ׁnׁ 'ׁ 6ׁׂ ׁׁׂׂׅ/ׁ ׁnׁ #ׁ 8ׁ ׁ"ׂׂׂ +ׁ ׁ׆nׁׁK ׁׁׁׂ &$ׂ nׁB ׁׁ&ׂׂׂ "+ׁ ׆nׁׂ :ׁׁ(ׂׂׂ 0 ׁrׁ5ׁ ׁ)ׂׂׂ"<ׁ!2!ׁ ׁ+ׁׁ ׁ!; ׁ%ׁ,)ׁ ׁ,ׂׂ ׁ;ׁ(ׁ# 1ׁׁ.ׂׂ ׁ:ׁ- ׁ:ׁ ׁ/ׁׂׂ:ׁ1 ׁBׁ ׁ1ׁׁׂ:ׁ4ׁ Kׁ ׁ3ׁׁׂ : ׁ8Sׁ ׁ4ׂׅ9ׁׁ=[ׁ ׁ6ׂ9"ׁׄ>ׁ_   ׁׄ0ׂ8&ׇ<ׁ`ׁ ׉1ׁׂ6*׃7ׁaׂ 3ׁׂ1?2ׁc ׅ5ׁׁ-I,ׁa Pׁׂ(T'ׁV ^ׂ ׁ#^"ׁJ kׂ ׁgׁ? yׂ ׁqׁ4 ׁׁ{ׁ( ׁׂ ׁ "ׁׂ ׁ /ׅ 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ׂ3ׁׁׁ׏dׂb׈ׁׁׁׁeׂcׅ׌ׁׁׁ׃׉cׂd׆ׁ׆ׇdׂdׁׁׁׁ׆ׂpׂdׁׁׁׄ׃ׁׁhׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂ@ׄ׊ׂׂ@זאׁׂ@ׇׁׁׂׄAׅ׃ׁׄ׃ׁׂA׆ׁׂׄAׄ ׁ ׁ׃ ׁׂBׂ ׁ ׂׂׂׂׂׂׂׂׂׂׂ]]lp\@3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/8r2{pp(ZW.{(R{InI1ׂ2ׁ}ׂ3ׁ|ׂ׃ׁד\ׂ׊ׁׂׄל\ׂב׍\ׂךל[ׁׂ׆ׇה\ׁׁׂsׂ<׃ׁׁeׂ1ׂ1ׂ1ׂ@ׁ ׁׁ*ׁׁׁhׁ ׁOׁ ׁ?ׂ@ׁ ׁׁ*ׁׁׁhׁ ׁNׁ ׁ>ׂ׃ׅ׃ׁ׉ׇׇׁ׃ב׊׃3ׂ׍ׁפׄ׋׉וׄ׎ׇׄחׁ׎ׁלׄם׋זׄׄ3ׂ׃ׁׁ׆׊׋דׇׁ׆׊ׇׁׂ׉׆׊ׄ3ׁׂ׍י׎׊׈׃ ׊׏׊׌ׁ׍ב׎ג׈׋ב׏3ׁׁׂׂׅ׌ׂ׃׋ׁׂ׃׃ׁׁׁׂ׃ׁׁ׌ׂ׃ׇׇ׃׌ׂ׆׃2ׁׁׂ ׁׁ ׁׁׁ ׁׁׁׂ ׁׁׂ ׁׁ ׁׁׁ ׁ׆ׁ ׁׁ2ׁׁׂ ׁׁ ׃ ׁׁ(ׁׁׁׁׁ!ׁׁׁ ׁ׃ ׁׁׁׅ׃ ׁׁ2ׂ1ׂ1ׂ1ׂoׁ@ׂoׁ@ׂׅׅךׇ׆ׁׂ׃׈ׇׄ׆׉ד׃ׁׁׂׅׄ׆ׄ׆<ׂׅ׎ׁׅטׇׄאׇׁ׍בׇ׌׏ׁל׎וׁׅ׃ׁ׆׌=ׂׅ׎ׅטׇׁ׏ׇ׃ׁ׉ׇׄׄ׉ׁ׌׍׃ׁׁׁ׃ׁׁׅ׆ׄׄ=ׂׅדׄי׆׉ו׃ׁׁם׉׌׈׃ׁלׁפׁׁׁׄ׈׌<ׁׂ׊ׂׂׄ׃ׁ׊ׁׁׁׁׂׂׂׅ׃וׁׂׂׅׅׅ׈ׁׁׁ<ׁׁׂ ׁ-ׁׂ׃ׁׁׁ ׁׂ ׁ ׁׁ ׁ׃ׁׁ ׁׁׁׁׁׄ ׁ ׁ<ׁׁׁׁׁׁׁׁׂׄ ׁׁ ׁׁׁׁׅ ׁׁ ׁׁׂ ׁFׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂOׁ ׁ!ׂ ׁ ׁׂ*ׂ׃׆ׇׂ׃ׇׂ׃A׆ׂSׂ+׃׃׃ׄׄ׃ׂ׆ׂC ׃ׄ׆Sׂ)׃ׇׅ׃ׁׄׄׄ׃ׄ׈ׁׄׄ=׃ׁ ׁ ׃ׁ ׁ ׁׁׄ ׁ ׈ׁ ׁ ׁ8ׂ)ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ=ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ8ׂ#ׂ 3ׂ 4ׂ#ׁׂ3ׁׂ4ׂ#ׁׂ3ׁׂ4ׂ)ׁ=ׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ"ׁׁ0ׁׁ2ׂ"ׂ0ׂ2ׂ"ׁׁ0ׁׁ2ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ)ׁׁ=ׁׁ8ׂ!ׂ/ׂ2ׂ"ׁׁ0ׁׁ2ׂ!ׁׁ/ׁׁ2ׂ)ׁׁׁ=ׁׁׁ8ׂ)ׁׁׁ=ׁׁׁ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ!ׁׁׁ ׂ/ׁׁׁ ׂ2ׂ"ׂ0ׂ2ׂ!ׁׁׁ ׂ/ׁׁׁ ׂ2ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ)ׁׁׁ ׂ=ׁׁׁ ׂ8ׂ"ׁׁׁ ׂ0ׁׁׁ ׂ2ׂ!ׂ/ׂ2ׂ"ׁׁׁ ׁׂ0ׁׁׁ ׁׂ2ׂ)ׁׁׁ ׁׂ=ׁׁׁ ׁׂ8ׂ)ׁׁׁ ׁׂ=ׁׁׁ ׁׂ8ׂ)ׁׁׁ ׁׂ=ׁׁׁ ׁׂ8ׂ)ׁׁׁ ׁׂ=ׁׁׁ ׁׂ8ׂ)ׁׁׁ ׁׂ=ׁׁׁ ׁׂ8ׂ)ׁׁׁ ׁׂ=ׁׁׁ ׁׂ8ׂ)ׁׁׁ ׁ ׁ=ׁׁׁ ׁ ׁ8ׂ!ׂ#/ׂ#2ׂ!ׁׁׁ ׁ ׁ ׂ/ׁׁׁ ׁ ׁ ׂ2ׂ!ׁׁׁ ׁ ׁ ׂ/ׁׁׁ ׁ ׁ ׂ2ׂ)ׁׁׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ!ׁׁׁ ׁ ׁ ׁ ׁ ׂ/ׁׁׁ ׁ ׁ ׁ ׁ ׂ2ׂ!ׂ#%/ׂ#%2ׂ!ׁׁׁ ׁ ׁ ׁ ׁ ׂ/ׁׁׁ ׁ ׁ ׁ ׁ ׂ2ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ#ׂׂLׂ1ׂׂLׂ2ׂ#ׁׁׁׂ ׁ ׁ ׁ ׁ ׁ ׂׂ1ׁׁׁׂ ׁ ׁ ׁ ׁ ׁ ׂׂ2ׂ!ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ/ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ2ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ!ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ/ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׂ2ׂ"L0L2ׂ!ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ/ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ2ׂ)ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ!ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׄ/ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׄ2ׂ!X/X2ׂ!ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׄ/ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׄ2ׂ)ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ=ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂׂ8ׂ)ׁ ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁ ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁ ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁ ׁ ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ)ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ=ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ8ׂ + 0ׂ+0ׂ+0ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂ1ׂF=lp23f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/8d2{pp(ZW.{(R{I~jImׂmׂmׂmׂmׂmׂmׂ ׈ׇׁ.ׂ׆ׇׁ׏0ׂ׆ׇׁׁ1ׂ ׉׉ׁ׌/ׂ ׁׁ׃0ׂׂ ׃Bׁׂ ׁׁ ׁ4ׂmׂmׂmׂmׂmׁׂ׈ׄ׃׆׃ׂׅ׃ׂ ׄכ׈ב׏מח׆ׁׄבׁׁׂׅׄ ׁׂ׊׃׌ׁ׃ׁ׆׆בׁׁׁׂׅ ׹׋׏ט׉׮ׁׁׂׄ ׂׂ׉׃׃ׁׁׁׁׂׂׅ׆׃ׁׁׂׄ ׃ׁׁׁׁׁ ׁׁׁ-ׁׁׁׁׂ ׁׁ ׁׁׁׁ ׁׁׁ ׁׁׁ-ׁ ׂmׂmׂmׂ d|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁQׁ|ׂ ׁ׋Hׁ|ׂ ׁFׁ|ׂ ׁ ׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁ ׇׁׁׁׁׁׁׁׁׁ ׁׁׂ|ׂ ׁ% ׁ|ׂ ׁ ׇׁׁׁׁׁׁׁׁׁ ׁׁׂ|ׂ ׁ ׁׁׁׁׁׁׁׁׁ ׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁ׋ ׁ|ׂ ׁ ׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁ׉ׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁ׋ׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁ ׇ ׁ|ׂ ׁ׉ׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁ ׁׁׁׁׁׁׁׁׅ ׁ ׁ ׁׂ|ׂ ׁׂ׆ ׁ|ׂ ׁ׉ׁׁׁׁׁׁׁׁ ׁ ׁ ׁׂ|ׂ ׁ ׈ׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁ ׁׁ ׁ ׁ ׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂ|ׂ ׁׁׁׂ׆ׁ׆ׁׁׅ׆ׁ׊ׁׁׁׁׁׂ|ׂ ׁׁׁׂׂׂׂׂׅׅׄ׆ׁ׆ׂ׊ׁ׊ׁׂ|ׂ ׇׇׇׁׁׂׂׂ׃ׇׁׂ׊ׇׇׁׂׂ׊ׁ׊ׁׂ|ׂ ׁׁׁׂׂׂׂׂ ׁׂ ׂ ׁ ׁׂ|ׂ ׁ׃i  ׁ|ׂ ׁ׃Fׁ|ׂ ׁ׃ׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁ ׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁׁ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂ|ׂ ׁ ׁׅ ׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁ ׆ |ׁ|ׂ ׁ׉ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁ ׈ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁ ׁ ׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁ ׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁ ׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁ ׁׁׁׁׁׁׁׁׂ|ׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ|ׂ ׁ ׈Hׁ|ׂ ׁ ׇQׁ|ׂ ׁ׉Qׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ ׁbׁ|ׂ d|ׂmׂmׂmׂ{#ׁJׂ~ׁ"ׁJׂuׁ׋׃׊׆ׅ׊ׂז*ׂvמב׋ח׆׈לׯ-ׂvׁ׃ׁ׉׆׆ׅחׁ׉ג-ׂw׃׌ג׈׋׆׌׆׊ו׃׬,ׂwׇׁׂׅ׃ׇׁׁׂ׌ׁׂ׆-ׂwׁׁׂ ׁ׆ׁ ׂ'ׁ&ׁ7ׂxׁׁׁׁ ׁׁׁׅ ׁׁׁ ׁ ׁׁׁ6ׂmׂmׂmׂmׂmׂׅ׈ׁ׋ׁׂגׁׁ׈ׄ׌׆ׂׅ׃ׁ׈ׇׁׅ'ׂ י׏ׁטׄכ׈גזׁׄבׅׄ׃׉ׇׁא)ׂ הׁׁׄבׁׂ׊׃׌׆ׁ׆בׅ׃׉ׇׁׁ*ׂ ׉׈׃׃׉ׁ׫׌ׄױ׃ׄׄ׉׉ׁ׍(ׂ ׈׃ׇׇׂׂׅ׉ׁׁׁׁׂׂ׆׃ׁׁׄׄ׃ׂ)ׂ ׁׂׅׄ ׁ(׃ׁׁׁׁ.ׁׁׂׄ ׃<ׂ ׁׁׁׁׁ ׂ ׁׁ&ׁׁ ׁׁ ׁ ׁׁ.ׁ ׁׂ ׁׁ ׁ.ׂmׂmׂmׂmׂ ddׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁ   ׁׁ   ׁׂ ׁׂ׆׆ ׅ׆׆ׁׁׂׂׅׄ׆׆ ׅ׆׆ׁׂׂׅׄ ׁׁׁׁׁׁׁׁׅׅׄ׆ׁׁׄ׆ׁ׆ׁׁׁׁׁׁׁׁׁׁׅׅׄ׆ׁׁׄ׆ׁ׆ׁׁׂ ׇׇׇׁׁׁׁׁ׃ׇׇׇׁׁׁׁ׆ׇׇׇׇׇׁׁׁׁׁׁׁׁׁ׃ׇׇׇׁׁׁׁ׆ׇׇׁׁׁׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁ׋Hׁׁ׋Hׁׂ ׁFׁׁFׁׂ ׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ 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ׁׁׁׁׁׁׂׂ ׁ ׁׅ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׂ ׁׅ ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׂׂ ׁ ׆ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׁׂ ׆ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁ׉ |ׁׁ׉ |ׁׂ ׁ ׈ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׁׂ ׈ׁ ׁ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁ ׁ ׁ ׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁׁ ׁ ׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁׁ ׁ ׁׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁׁׁׁׁׁׂׂ ׁׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁ ׈Hׁׁ ׈Hׁׂ ׁ ׇQׁׁ ׇQׁׂ ׁ׉Qׁׁ׉Qׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ׁbׁׁbׁׂ ddׂmׂmׂmׂmׂmׂmׂmׂmׂmׂk0b0lpJ|X3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/8N2{pp(ZW.{(R{IiImׂmׂmׂmׂmׂmׂmׂmׂmׂmׂee ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂJׁׁ0׃ׁ?ׁׁcׁ ׁׁׂׄ׃ׄ׋׃׊ ׁׁ ׂWׁ ׁׁׂ ׁ ׁׁ׈ ׆  ׉ׁׂ׃ ׁׁ ׃ :<:ׁ ׁׁׂ׃׃׆ׁ׃׆ׁׁׅ׆׊ׁׁׁׅ׆׉ׁׁׁ ׃ :::ׁ ׁׁׁׂ ׁׄ׈ ׁׂ ׈ ׁׁ ׁׁׁׅ ׇ ׁ׃ׇׁ ׇ ׁׁׁ ׃ׁׁ:::ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ:::ׁׂ ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ:::ׁׂ ׁׂ ׃Nׁׁׁׁ:::ׁׂ ׁׂ ׃ :::ׁׁׁׁ:::ׁׂ ׁׂ ׃ׁׁ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׂ ׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׂ ׃ :::ׁ ׁׁׁׂ:::ׁׁׂ׆ׁׁ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂׅ:::ׁׂ ׁׂ ׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׂ ׃ :::ׁׁׁׁ:::ׁׂ ׁׂ׆ׁׁ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂׅ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׂׅ :::ׁ ׁׁׁׂ:::ׁׁׁׁׂׄ:::ׁׂ ׁׁׁׂ:::ׁׁׂ׆ׁׁ:::ׁׂ ׁׂׅ :::ׁׁׁׁ:::ׁׂ ׁׁׁׂׄ:::ׁׁׁׁׂ:::ׁׂ ׁׂ׆ׁׁ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂׄ:::ׁׂ ׁׁׁׂ:::ׁׁׂ :::ׁ ׁׁׁׂ:::ׁׁׂ׆ׁׁ:::ׁׂ ׁׂׄ :::ׁׁׁׁ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׂ׆ׁׁ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׁׂ:::ׁׂ ׁׁׁׂ:::ׁׁׁׂ9:ׁׂ ׁׁׁׂ:::ׁׁׁׂ7:ׁׂ ׁׁׂ9:ׁׁׁׂ :4:ׁׂ ׁׁׂ7:ׁׁׁׂ ::ׁׂ ׁׁׂ 5:ׁׁׁׂ: :ׁׂ ׁׁׂ :ׁׁׁׂ:: :ׁׂ ׁׁׂ :ׁׁׁׂׂׄ::: :ׁׂ ׁׁׂ :ׁׁׂ2:ׁ ׁׁׂׂׄ :ׁׁׁׁׁׁׂׄ :ׁׂ ׁׁׁׂ :ׁׁׁׁׁׂ:ׁׂ ׁׂׄ:::ׁׁׁׁׁ:ׁׂ ׁׁׁׁׂ:ׁׁׁׁׁׂ :ׁׂ ׁׁׁׁׂ:ׁׁׁׁׁׂׂv:ׁׂ ׁׁׁׁׂ :ׁׁׁׁׁׁׂׂ  u:ׁׂ ׁׁׁׁׂׂv:ׁׁׁׁׁׁׁׂu:ׁׂ ׁׁׁׁׁׂ  u:ׁׁׁׁׁׁׂ ׂt:ׁׂ ׁׁׁׁׁׁׂu:ׁׁׁׁׁׁׁׁׂ ׂs:ׁׂ ׁׁׁׁׁׂ ׂt:ׁׁׁׁׁׁׁׂ ׂs:ׁׂ ׁׁׁׁׁׁׁׂ ׂs:ׁׁׁׁׁׁׁׂ ׂr:ׁׂ ׁׁׁׁׁׁׂ ׁs:ׁׁׁׁׁׁׁׂ ׁr:ׁׂ ׁׁׁׁׁׁׂ ׂr:ׁׁׁׁׁׁׁׂ ׂq:ׁׂ ׁׁׁׁׁׁׂ ׂq:ׁׁׁׁׁׁׁׂ ׂp:ׁׂ ׁׁׁׁׁׁׂ ׂq:ׁׁׁׁׁׁׁׂ ׂp:ׁׂ ׁׁׁׁׁׁׂ ׂp:ׁׁׂׄUo:ׁ ׁׁׁׁׁׁׂׄ ׂo:ׁׁׁׁׁׁׁׂׂn:ׁׂ ׁׂUo:ׁׁׁׁׁׁׁׂn:ׁׂ ׁׁׁׁׁׁׂׂn:ׁׁׁׁׁׁׁׂׂm:ׁׂ ׁׁׁׁׁׁׂׂm:ׁׁׁׁׁׁׁׂׂm:ׁׂ ׁׁׁׁׁׁׂl:ׁׁׁׁׁׁׁׂׂl:ׁׂ ׁׁׁׁׁׁׂׂl:ׁׁׁׁׁׁׁׂk:ׁׂ ׁׁׁׁׁׁׂk:ׁׁׁׁׁׁׁׂk:ׁׂ ׁׁׁׁׁׁׂj:ׁׁׁׁׁׁׁׂׄj:ׁׂ ׁׁׁׁׁׁׂׄj:ׁׁׁׁׁׁׁׂׂi:ׁׂ ׁׁׁׁׁׁׂׅi:ׁׁׁׁׁׁׁׂׅi:ׁׂ ׁׁׁׁׁׁׂ׃h:ׁׁׁׁׁׁׁׂ׃h:ׁׂ ׁׁׁׁׁׁׁׂׂh:ׁׁׁׁׁׁׁׁׂׂh:ׁׂ ׁׁׁׁׁׁׁׂg:ׁׁׁׁׁׁׁׁׂׂg:ׁׂ ׁׁׁׁׁׁׁׂf:ׁׁׁׁׁׁׁׁׂf:ׁׂ ׁׁׁׁׁׁׁׂׂf:ׁׁׁׁׁׁׁׁׂׂׅf:ׁׂ ׁׁׁׁׁׁׁׂׅe:ׁׁׂ׆aB:ׁ ׁׂ׆aA:ׁׁׁׁׁׁׁׁ >:ׁׂ ׁׁׁׁׁׁׁׂ '::ׁׁׁׁׁׁׁׁׂׄ :ׁׂ ׁׁׁׁׁׁׁׂׄ :::ׁׁׁׁׁׁׁׁׂ  :ׁׂ ׁׁׁׁׁׁׁׂ   ': :ׁׁׁׁׁׁׁׁׂ ׁ :ׁׂ ׁׁׁׁׁׁׁׁׂׂ : :ׁׁׁׁׁׁׁׁׂ׃ ׁ  :ׁׂ ׁׁׁׁׁׁׁׁׁׁׂ : :ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ  :ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ ::ׁׁׁׁׁׁׁׁׁׂ:ׁׁׁׁ :ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ::ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ:ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ:ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ:ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂׂ::ׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ:ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׂ׃:ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׃:ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׂ:ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ:ׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׅׅ ׁׂׅNׁׁׅNׁ ׁׂׅWׁׁׅWׁ ׁׂWׁׁWׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂJׅ׋KׁׁJׅ׋Kׁ ׁׂI׋ׁ׊ׁׁׅׅKׁׁI׋ׁ׊ׁׁׅׅKׁ ׁׂKׂ׃ׅ׃ׁKׁׁKׂ׃ׅ׃ׁKׁ ׁׂJ׈׃ׂ׎KׁׁJ׈׃ׂ׎Kׁ ׁׂJ׆ ׁׅׄ׊KׁׁJ׆ ׁׅׄ׊Kׁ ׁׂJׁׁׁ ׍LׁׁJׁׁׁ ׍Lׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׁׂcׁׁcׁ ׂee 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ׁׁׅ׊ׁׁׁׁׁ׈ׁׁׁׂ?ׁׁׁ׉ׁׁׁׁׁׁׁׁׁׁׁׂ ׎0I>?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׎ׁׁׁׁׁׁׁׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׏ׁׁׁׁׁׁׁ׌ׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׍ׁׁׁׁׁׁׁ׌ׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׆ׁׁׁ׊ׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׈ׁׁׁׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂהׁׁׁׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂהׁׁׁׁׁׁׂ?ׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׂהׁׁׁׁׁׁׂ?ׁׁׁ ׆Gׁׁׁאׁׁׁׁׁׁׁׂ?ׁׁׁ׊ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁ׉ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁ ׌ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁ ׊ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁ ׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ?ׁׁׁ׉Gׁ ׃ׁׁׁׁׁׁׁׁׁׁׂ?ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׆ׁׁׁׁׁׁׁׁׁׁׂ?ׁׁׁ ׌ׁׁׁׁׁׁׁׁׁׁׁׂ ׆ׅC?ׁׁׁ ׊ׁׁׁׁׁׁׁׁׁׁׁׂ ׎ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׉׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׇׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂ׃ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ Gׁׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׊ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ׉ׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂ[ׁׁ׃ׁ[ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂZׁׁׁׁׁׁ׉׃׃ׁ׃׃ׁ׃׆ ׁZׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂZׁׁ ׁׁׁׁׁׁ׃׃ׁ ׃[ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂZׁׁ ׁׁ׉׃׃ׁ ׃׆׃^ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂZׁׁׁ ׁׁ׃׃ׁׁׁׂZׁׁׁ ׁׁׁׁׁׁׁׁׁׁׁׂZׁׁׁׁׁ#ׁׁׁׁׁgׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂZׁׁ ׁ$ׁgׁׁׁ׉Gׁׁׁׁ ׋ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׇׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׁׂׂׂׂׂׂׂׂ!ׁׁ ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׃G@ׁrׁׁ ׌ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׋ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׊ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׆ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ׊G@ׁrׁׁ׊ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ׉ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׃G@ׁrׁׁ ׋ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׌ׁׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁ ׊ׁׁׁׁׁׁׁׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׂ ׁ ׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׂ ׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׂ ׁׂ@ׁrׁׁׁׁׁׁׁׁׁׁׁׂ ׂ@ׁrׁׁׁׁׁׁׁׁׁׁ׆ׁ׉ׁׁׂ@ׁrׁׁׁׁׁׁׁׁׁ׋״ׁׁ׆ׁׁׂ@ׁrׁׁ ׁׁׁׁׁׁׁׅׄ״ׁׁׂׄׄ@ׁrׇׁׁׁׁׁׁׁׁׁ׆ׁׂ@ׁrׁׁ V + @ׁrׁׁ ׌ׁׁׁׁ ׁׁׁׁ׌ׂ@ׁrׁׁ ׌ׁׁׁׁׁ ׁׁׁׂׂ׋ׂ@ׁrׁׁ ׊ׁ ׁׁׁׂׂ ׁׁ ׁׂ׃ׁׁׂ@ׁrׁׁׁׁׁׁׂ ׁׁׄ ׁׁׁׂׂׅׄׄ@ׁrׁׁׁ ׁׁׂ ׁׁׁׁׅׅ׃ׂ@ׁrׁׁׁ ׁׄ״ׁׁׂ׃״ ׁׁׁׂׂ@ׁrׁׁׁ׃ׇׁ׏ׁ׉ׂ ׁׁׁׂׂ@ׁrׁׁׁ׃ׁ ׁ׃׉׏ׁׄ״ׁׁׁׂׂ@ׁrׁׁׁׁׂ ׁׁׅ׊ׁ׌ׁׁׁׁׂׂׂ@ׁrׁׁׁׁׄׄ ׁ ׇׁׁׂׅ׌ׁ׆״ׁׁׁׂ@ׁrׁׁ ׃ׁ׃ׁ ׂ׆ׁׁׁׁׁׁׂׂׅ@ׁrׁׁ ׁׅ׈ׁׁ׊ׁׁׁׁׁׁׂ@ׁrׁׁ ׎G@ׁrׁׁ ׎ׄbׁrׁׁ ׏ ׄV׈ׁrׁׁ ׍Xׁׁrׁׁ5ׅ׃Aׁrׁׁ5׃ׅ@׌ׁrׁׁ6׊׎@׌ׁrׁׁH׎A׊ׁrׁׁG׏MׁrׁׁH׍Nׁrׁׁ$ׁrׁׁ$ׁrׁׁ$ׁrׁׁ$ׁrׁׁׁׂrׁׁׁׁrׁׁ]ׁׁ׃ׁ^ׁrׁׁ\ׁׁׁׁׁׁ׉׃׃ׁ׃׃ׁ׃׆ ׁ]ׁrׁׁ\ׁׁ ׁׁׁׁׁׁ׃׃ׁ ׃^ׁrׁׁ\ׁׁ ׁׁ׉׃׃ׁ ׃׆׃aׁrׁׁ\ׁׁׁ ׁׁ׃׃ׁׁׁׂ]ׁrׁׁ\ׁׁׁׁׁ#ׁׁׁׁׁjׁrׁׁ\ׁׁ ׁ$ׁjׁrׁׁ$ׁrׁׁ$ׁUׁׁ$ׁTׁׁׁׁ$ׁׁׁ׉ׁׁׂ$ׁׁכׁׅׄ׈בׁׁ$ׁׁעׁׂ׃הׁׁ$ׁ׉׌ׁׂ ׄ׍ׁׁ$ׁׄ׌ׇׅׄ׍ׁׁׁ$ׁ׃ׁׁׁׅׄׄ$ׁ׃ ׁׁ ׁׁ ׁ%ׁ&ׂ ׁׁ ׁׁ ׁ%ׁ=ׁ&ׁ ׃#ׁ'ׁ'ׁ'ׁ'ׁ'ׁ'ׁ'ׁ'ׁlp+3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/82{pp(ZW.{(R{InI>ׁgׁׄCׂׄB׉׈Eׁׂ׈Cׁ׃ׁB׉ׁׁC׈gUׇׁׂׂ;׌׏׏;׌ׁׂ ׃;׊ׁ׈ ׂ׆;ׇׁׂ׃;ׅ ׂׅEׁׁ ׁׂ׃ׁׂ׆ׂׄ׃ׁ׆ׂ׆׃׃׃׃׃׃׃ׁׁׄׄ׃ׁLׁׁׂׄ׊ׇׁׂׄ׈ׁׂ׈ׁׂ׋ׇׁׁׁׅ׌ ׁׁׁׅ׊ׄ׈ׁׁׄ׊Kׁׁׂׄ׊ׁׁׁׁׁׁׂׂׅׄׄׄ׊ׁׁׁׁׄׄ׈ 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VVׂ ׈ׁׂ׃ׁׁ :::I: :IVV }ׁ::: Vׂׂׄ ׁׁׂ ==  :::3:II::IVVׁׂ  ::3:: Vׁׂ ׁׁׂ =  ::: : : :I NVׁ  ::: : VVׂ ׁׁׂ =  :::::I:::::NNV׃ :3::I: Vׁׁׂׂ =  :::I: : :NNN :::I: V׃%ׁׂ ׁ =  :3:::3I:: :3I NNׄׄ ::::I:: Vׂ"ׁׂׂ ׁ  =  :: : : : : :I NNVׄ׃ :: : : :I V $ׂ׆ ׃ =  :3:::I::::: ::I Nׁׄ  :::3 :I::I VV*ׂ׆ׂ ׂ  = = 1  :: :I: : : =  :I NN׃ׁׁ :::I: :IVV0ׇׂ׃ ׁ: = 0 0101 :: == :::3:: = :3I NNׁׁ ==  ::::II:::IVV2ׂ׆ׄ ׁ:: = 01 101010 :: = : : : : =  :I NNׁׁ =  ::: : : :I NV2ׁׁׁׂׂ ׁ: = 0101 1010 0 :3: = :::::: =  :I NNׁׁ =  :3:::3I:::3NNV2ׁׁׂ ׁ: = 010101 1 0 :II = 0 : : : : =  :I Nׁׁ =  :::I: : :NNN2ׁׁׂ ׁ:: 0101010 = 0 :  = 0 : :3:: =  :3INrrNNׁ ׁ =  :::::I::: ::I NN1ׁׁׂ ׅ : 01010 = :I  = 0 : == : : :: = 110  :IN rNNׁׂ ׁ  =  :: : : : : :I NNV1ׁׁׂ ׄ = : 0101 =  :3I  = = 0 = :::: = 10101 : :IrNN׆ ׃ =  ::3::I:3:: :3I N1ׁׂ ׁ ׁ = : 0101 =  :II  = 0  0 = : :  = 101 :IrNN׆ׂ ׂ  = = 1  :: :I: : : =  :I NN1ׂ ׁׁ = ::3 010 =  : = 00  0 = :3: = 010101010 :rNׇ׃ ׁ: = 0 0101 :3:: == :::::: = ::I NN1ׁׂׂׄ ׁׁ = 0 :: 0 =  : = 0  00 = : : = 0101011 :I rN׆ׄ ׁ:: = 01 101010 :: = : : : : =  :I NN1ׂ׆׃ ׁׁ = 010  II =  ::  0  00 = 1 ::: = 10101010101 :IrNׁׁׁׁׂ ׁ::: = 0101 1010 0 :: = ::3:: =  :3I NN1ׂׅׄ ׄ = 01010 I =  ::  0  00  = 0 : :  = 1101010 :IN  ׁׁ ׁ: = 010101 1 0 :II = 0 : : : : =  :I N1ׂ׆ׁׁ ׃ = 0101010 I =  :  0  ::  = 010 :: 3:3 =  = 01010101010 :Iׁ ׁׁ ׁ: 0101010 = 0 :3  = 0 : :::::: =  :INrrNN1ׂׂ ׁׁ ׁ = 010101010 I =  :  0 : ::  == 0 ==  : =  10101 :I ׁ ׁׁ ׅ : 01010 = :I  = 0 : == : : :: = 011  :IN rNN1ׁׁׁׂ = 01010101010 I =    0    10101 = :: =  101010101 :Iׁ ׁׁ ׅ = : 0101 =  :I  = = 0 = :3:: = 10101 : :3IrNN1ׁׁׁׂ = 1010101010 I =   ==  0    0 = : =  01011 :Iׁ ׁ ׁ ׁ = : 0101 =  :II  = 0  0 = : :  = 10101 :IrNN1ׁׁׁׂ = 1010101010 I =   =     010 = :: = : 0101 ::Iׁ ׁׁ = :: 010 =  : = 00  0 = ::: = 010101010 :rN0ׁׂ ׄ = 1010101010 I = 1   = 0    0 =  = 0 : 101 : :ׁׁׂׄ ׁׁ = 0 :: 0 =  : = 0  00 = : : = 1101010 :I rN0ׁׂׂ ׂ = 1010101010 I 0101   = 00    0 = = 0101 : ::ׁ׆׃ ׁׁ = 010 3 II =  ::  0  00 = 1 :3: = 10101010101 :IrNׁ0ׂ ׂ = 1010101010 ::I 1010101  = 0    0  = = 01010 :: : :ׁׅׄ ׄ = 01010 I =  ::  0  00  = 0 : :  = 0101011 :IN 0ׇׂׂ ׸ = 1010101010 ::3I 10101 10  = 0  ::  = 0  = 01010101010 :3::ׁ~׆ׁׁ ׃ = 0101010 I =  :  0  ::  = 010 :: :: =  = 01010101010 :Iׁ0ׂ׆׃ ׍ 010101010 :I 10 1 = 0 :  = 0  = 1010101 : :~ׂ ׁׁ ׁ = 010101010 I =  :  0 : ::  == 0 ==  : =  1010101 :I ׁ0ׁׁׂׅ ׋ 0101010 :I = = 0 ::  = 101  = 1010101010101010 :::3ׁ ׁׁׁ = 01010101010 I =    0    10101 = : =  101010101 ::Iׁ0ׁׁׂ ׉ 01010 :I =  = 0 :  == 0  01010101 : : ׁ ׁׁׁ = 1010101010 I =   ==  0    0 = : =  11010 :Iׁ0ׁׂ ׁׂ ׇ 010 :I = = 0 :  01010 : 1010101010101 :3::ׁ ׁׁׁ = 1010101010 I =   =     010 = : = : 0101 :Iׁ0ׁׁׂ ׆ 0 :ׁI =  = 0 :  0  0101010 : :ׁ ׁ ׄ = 1010101010 I = 1   = 0    0 =  = 1 : 1 : :ׁ0ׁׁׂ ׆ ::׋I =  = 0 ::  1010 : 01010101 :::3ׁׁׂ ׂ = 1010101010 3I 0101   = 00    0 = = 0101 :: :3::ׁ0ׁׂ ׁ ׄ:ׁI =   = 0 :  0 :: 0100 : :ׁ} ׂ = 1010101010 ::I 1010101  = 0    0  = = 010 :: : :ׁ0ׁׂ ׁ ׂ:I =  = 0 :3  1 : 10 3:3::ׁ}ׇׂ ׸ = 1010101010 ::I 10101 10  = 0  ::  = 0  = 01010101010 :::ׁ/ׂ׃ׁ ׁ ׂ:I =   = 0 : 0 : :: : :ׁ~׆׃ ׍ 010101010 :I 10 1 = 0 :  = 0  = 001010100 : :/ׂ׆ ׁ ׃::I =   == 0 :: ::::3ׁׁׁׅ ׋ 0101010 :3I = = 0 :  = 101  = 1010101010101010 :3::ׁ/ׂ׃ ׁׁ:I =    0 : :II : :ׁ|ׁׁ ׉ 01010 :I =  = 0 :  == 0  0101010100 : : ׁ/ׇׂׄ ׁׂ:I =   0  :3I:3::|ׁ ׁׂ ׈ 010 :I = = 0 ::  01010 : 1010101010101 :::3ׁ/ׁׁׂׅ ׁׂ:I =    0 !  :II%%I: I:ׁ ׁׁ ׆ 0 :ׁI =  = 0 :  0  01010 : :ׁ/ׁׂׂׅ ׁׂ:I =   00 II ::I%I:II:3 ׁ ׁׁ ׄ :׋I =  = 0 :3  1010 :: 01010101 :3::ׁ/ׁׁׂ ׅ:I = 0  ==   0 I  :nII%%$I: I:ׁ ׁ ׁ ׄ:ׁI =   = 0 :  0 :: 01 : :ׁ/ׁׁׂ ׄ:׎I 1010 =  nnIJI%II:3I$I:I:ׁ ׁ ׁ ׄ::I =  = 0 ::  1 :: 10 :::3ׁ/ׁׁׂ ׂ:ׂNI 0101010 = 0 InIJI%%II :II: I:ׁ|׃ׁ ׁ ׂ:I =   = 0 : 0 : :: : :ׁ/ׁׂ ׁ ׂ:3חNI 010101 = 00 InJIJI%%$I::׈II:IJI:ׁ|׆ ׁ ׁ:I =   == 0 :3 :3:3::ׁ/ׁׂ ׁ ׂ:NI 0101 = 0 IInI%%$I,::ׁI:I:ׁz׃ ׁׁ:I =    0 : :II : :ׁ/ׂ׃ׁ ׁ ׂ:NI 0 = 0 nIIII%$I ׆I:IIJI:ׁ{ׇׄ ׁׂ:I =   0  ::I::3.ׂ  ׁׂ:ׂNII = 0 nI I+ I:IIJI:ׁ{ׁׁׅ ׂׂ:I =    0 !  :II%%I: I:ׁ.ׂ ׈׃ ׁׂ:3ׁN$I = 0 nI II ׅI:IJIJIJI:{ׁׂׅ ׁׂ:I =   00 II :3I%I:3II:: ׁ.ׂ ׄ ׁׂ:ׁN$I = 0 nII)  ׄI:IJIJI:ׁׁ ׄ:I = 0  ==   0 I  :nII%%$I: I:ׁ.ׂ ׁׁׂ ׁׂ::ׁNII = 0 InINI ׄI:InIJIJII: ׁׁׁ ׄ:׎I 1010 =  nnIJI%II::I$I:I:ׁ.ׂ ׁׁ ׁׂ:ׁN II = 0 nnJnIN$I'IN׃:InIIJII:ׁׁׁ ׃:ׂNI 0101010 = 0 InI%%II :II: I:ׁ.ׁׁׂ ׄ:3ׁN I = 0 nInINIII׃:IJnIJIIׄ:ׁׁ ׁ ׂ:חNI 010101 = 00 InJIJI%%$I:3׈II:IJI:ׁ.ׁׁׂ ׄ:ׁN I%II = 0 nINII%Iׄ::InI:ׁׁ ׁ ׁ:NI 0101 = 0 IInJI%%$I,::ׁI:I:ׁ.ׁׁׂ ׄ::N I%%I = 0 nJnINIIׁInnInJnIׄ:ׁz׃ׁ ׁ ׂ:3NI 0 = 0 nIIII%$I ׆I:IIJI:ׁ.ׁׂ ׁ ׂ:N II%I == 0 nnINI#Iׂ nIׅ:ׁx ׂׂ:ׂNII = 0 nI I+ I:IJII:ׁ.ׁׂ ׂ ׁ:3NI%I% = 0 nnINIII nnJnII׆::ׁx׈׃ ׁׂ:ׁN$I = 0 nI II ׅI:IJIJIJI:-ׁׂ ׁ ׂ:ׁNII%I 0 nINIII ׁ nIׄ:ׁxׄ ׁׁ:ׁN$I = 0 nII)  ׅI:IJI:.ׂ ׁ׃::ׁNII 0 IINIII IInI׃:3ׁxׁׁׂ ׁ:3ׁNII = 0 InINI ׄI:InIJIJII: ׁ-ׂ ׈ׁׂׂ:ׁNNI 0 I NIIJIJInII ׄ:wׁׁ ׁׂ:ׁN II = 0 JnIN$I'INׂ:InJI:ׁ-ׂ ׄ ׁׁ:ׁNN 0 NIII׆II%JInI ׅ::ׁׁ ׆::ׁN I = 0 nInINIII׃:IInJJIIׄ:ׁ-ׂ ׁ׃ׁׁ ׁׂ:ׁNN 00 NIIIׄ: ׁׁׁ ׄ:ׁN I%II = 0 nINII%Iׄ:InIJI:ׁ-ׂ ׁׁׄ ׁׂ:ׁNN 0 NNII1׃ ׁׁׁ ׂ:3N I%%I = 0 nInINIIׁInnJnInI׆::ׁ-ׂ ׁ ׁׁׄ:ׁNN NNNrII/ׂ ׁׁ ׁ ׂ:N II%I == 0 nnINI#Iׂ nIׅ:ׁ-ׁׂׂ ׃:ׁNNNNNNrIIIJI) ׁׁ ׂ ׃::NI%I% = 0 nnINIII nnInJIׄ:3ׁ-ׁׁׂ ׁ:NNNNNr$II! ׁ ׁ{ׁ ׁ ׂ:ׁNII%I 0 nINIII ׁ nIׄ:ׁ-ׁׂ ׁ ׂ:NNNNNrNNIIIJIJIׁvׁׁ:ׁNII 0 IINIII IInIׅ::ׁ-ׁׂ ׁ ׂ:ׁNNNNNׂIIInIׁv׈ׁׂׂ:ׁNNI 0 I NIIJIJInII ׄ:,ׁׂׂ ׂ ׂ:ׁNNNNNיIIIInIJIJI =ׁvׄ ׁ׃::ׁNN 0 NIII׆II%nIJI ׃:3-ׂ ׁׁׁׂ:ׁNNNNNׂII IInJIDׁvׁ׃ׁׁ ׁׂ:ׁNN 00 NIIIׄ: ׁ-ׂ ׈ׁׂׄ:ׁNNNNN זIIIInnInIJIIJuׁׁׄ ׁׂ:ׁNN 0 NNII1׃ ׁ,ׂ ׆ׄ ׁׂ:ׁNNNNN ׁIIInInJIIwׁ ׁׁ׃:ׁNN NNNrII/ׂ ׁ,ׂ ׆ׁׁ ׂׂ:ׁNNNNN ׁIIInnInInIIB ׁׁׂ ׃:ׁNNNNNNrIIIJI) ׁ,ׂ ׁׁׁׁׂ:ׁNNNNNI%InInJnI;ׁׁׁ ׂ:NNNNNr$II! ׁ ׁ,ׂ  ׁׁ׃:3ׁNNNNN NrNׂI%InnInI4ׁׁ ׁ ׂ:NNNNNrNNIIIJIJIׁ,ׁׂׂ ׃:NNNN rN InInII."ׁׁ ׁ ׁ:ׁNNNNNׂIIInIׁ,ׁׁׂ ׃::NNNrNInnII()ׁyׁׂ ׂ ׂ:ׁNNNNNיIIIInIJIJI =ׁ,ׁׂ ׁ ׂ:ׂNNNNrNNI"1ׁtׁׁׂׂ:ׁNNNNNׂII IJnIDׁ,ׁׂ ׁ ׁ:3ׁNNNrN29ׁt׈ׁׂׄ:ׁNNNNN זIIIInnInIJIIJ+ׁׂ ׂ ׃::ׁNNN rN.@ׁu׆ׄ ׁׁ:ׁNNNNN ׁIIInJnIII,ׁׁׂ׃ׁNNNrN.Hׁu׆ׁׁ ׂׂ:ׁNNNNN ׁIIInnInInIIB ׁ,ׂ ׁׁ NN N-Lvׁׁׁׂׂ:ׁNNNNNI%InInInI;ׁ,ׂ ׃ׁׁׂ NNN)Lׁs ׁׁׅ::ׁNNNNN NrNׂI%InnInI4ׁ+ׂ ׂׂׂNNN"L ׁׁׂ ׃:NNNN rN InInII."ׁ+ׂ ׈ ׁׁׁNNNLׁׁׁ ׁ:3NNNrNInnII()ׁ+ׂ ׇ ׁׂׄN NrNNLׁׁ ׁ ׂ:ׂNNNNrNNI"1ׁ+ׂ ׁׂ׃NN rNN K#ׁׁ ׁ ׃::ׁNNNrN29ׁ+ׁׂׂ ׁNrNNL+ׁׁ ׂ ׃::ׁNNN rN.@ׁ+ׂ ׁׁׂNrNNL2ׁvׁׁ׃ׁNNNrN.Hׁ+ׂ!ׁׁׂNrNNG:ׁrׁׁ NN N-L+ׂ#ׁׂ ׁNr NN@Bׁq׃ׁׁׂ NNN)Lׁ+ׂ$ׁׂ N ׂNN8IׁqׂׂׂNNN"L ׁ+ׂ%ׁׂׂNN1Mq׈ ׁׁׁNNNLׁ+ׂ'ׁׁ ׁN NrN)Lvׇ ׁׂׄN NrNNLׁ+ׂ(ׂ ׂ ׁ ׁNN rN!L~ׁׂ׃NN rNN K#ׁ*ׂ)ׁׂ ׁ NrNNLׁׂ ׁNrNNL+ׁ*ׂ+ׁׁ ׁׁNrNK&ׁׁׂNrNNL2ׁ*ׂ,ׂ ׁׁׁN rNK/ׁׁׂNrNNG:ׁ*ׂ-ׂ ׁׁׂNrNK9ׁׂ ׁNr NN@Bׁ*ׂ/ׁׁׁN JBׁׂ N ׂNN8Iׁ*ׂ0ׂ ׁׁJKׁׂׂNN1M*ׂ1ׂ ׁׁJUׁׁ ׁN NrN)L/ׂ3ׁ ׄ I^ׂ ׂ ׁ ׁNN rN!L7ׂ4ׂ ׂH gׁׂ ׁ NrNNL?ׂ5ׂ Hrׁׁ ׁׁNrNKGׂ7ׁ ׁC{ׂ ׁׁׁN rNKOׂ8ׂ ׁ;ׂ ׁׁׂNrNKWׂ9ׂ ׁ3ׁׁׁN J_ׂ;ׁׁ,ׂ ׁׁJgׂ<ׁׂ$!ׂ ׁׁJoׂ=ׁׂ+ׁ ׄ Iwׂ?ׁׁ4ׂ ׂH ׂ@ׄ =ׂ H ׂAGׁ ׁCׂCPׂ ׁ;ׂׂ ׁ3!ׁׁׂ,)ׁׂׂ$1ׁׂׂ9ׂ ׁׁAׂ!ׄ Iׂ"Qׂ$Yׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂ3ׁׂׂ׎ׂׂׂׂׂ ׂׂׂ3ׄ׎ׂׂׂׄׄׄ3ׂׂׂׄגׂׂ׈׎ׂ׎ׂׂׂ3ׄ׊ׄהׂ׆ׂ׉ׁׂׂׂ׉ׂׂ3׏׊ׄהׄ׆׆ׂׂ ׂׂׂׂ3׏׊ׂׂזׄׄ׆ׂ ׂׂׄ"ׂ3ׄ׈ׇׂ׈ ׂ  ׂ3ׇׂב׃ׂ׃ׁׂׂ׃׃ׂ3 ׆ ׂׂKׂׂׂ8ׁׂׂ׎ׂׂׂׂׂ ׂׂ>ׂ3 ׁׂׂׂ(ׁׂׂׂ8ׄ׎ׂׂׄׄׄ=ׂ3 ׂׂׂ(ׂׂ ׂOׂׂׂׄגׂׂ׈׎ׂ׎ׂׂ=ׂׄ׊ׄהׂ׆ׂ׉ׁׂׂׂ׉ׂ=ׂ׏׊ׄהׄ׆׆ׂׂ ׂׂׂ>ׂ׏׊ׂׂזׄׄ׆ׂ ׂׂׄAׂׄ׈ׇׂ׈ ׂ  =ׇׂׂב׃ׂ׃ׁׂׂ׃׃>ׂ ׆ ׂׂKׂׂׂFׂ ׁׂׂׂ(ׁׂׂׂFׂ ׂׂׂ(ׂׂ ׂ]ׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂׂ``lp\3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/8  2{pp(Z W.{(R{IwI      *ׁ.ׁ ׁ*ׁ.ׁ ׁ ׁׁfׁׁׁׂzׁׁׁׁׂׄjׁׁf׈ׁ׋ׇ׃}ׁ׈ׁ׌ׇׁ׈׆׈ׇPׁׁׂׂׄH׃ׁ׃ׇ׃}ׁ׃ׇׁׁׁ׈׆ׁPׁ׈ׁ׋ׇ׉׆׈ׇJ׃ׅׅ׃ׇ}׃ׅׅ׃ׁ׌םOׁ׃ׁ׃׋׆׆ׁJׁׁׁׂ׈}ׁׁׁׁׂׂ׉ׁׁׂׅP׃ׅׅ׃ׇׁםIׁׁ ׇׁׂ}ׁׁ ׁׁׂ׌ׁPׁׁׁׁׁׂׂׂׂׅׄIׁׁׂׂׅqׁׁ ׁׁׁׁׂׄIjׁj       ׆ׅ.׌׏D׈ׁ׆Cׂ׃׃ו׃.ׂ׃א׃ה׃Dׁׂב׃ׁ׊ׄ׃5ׁ ׁ ׁׁזׁ ׁ ׃ׁ ׁׁוׁ-ׁ ׁ ׁׁזׁ,ׁ ׌ׁ ו ׁך ׁ ׁ ׌ׁח ׁי ׁ-ׁ ׈ׁׁ׏ׅ ׁׂׅ ׁ,ׁ ׁׅ ׁׅׄ׃ׁׁ ׁ ׁׅ׆ׁׅ׃ׁׁ-ׁ ׁׅ׆ׁׁׂ$ׁׂ)ׁ)ׁ)ׁׁׂׂ(ׁ(ׁ)ׁׁׂׂ(ׁ)ׁ)ׁׂ׃ׁ)ׁ)ׁ)ׁ׃׃ׁ(ׁ(ׁ)ׁ%׃ׁ(ׁ)ׁ)ׁ$׃   ׃      ׃׃ׁׁׁׁ׃׃ׁ  ׁ  ׁ  ׁ%׃׃׃ׁ$ׁׁׁׁׁׂׂׂ  ׁ  ׁ  ׁׂׂ׃׃ׁׂ&ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ!׆ׁׁׁׁׅ ׆ׁ  ׁ  ׁ  ׁׅ׆׃׃ׁׅ׆   ׅ ׆      ׅ׆ׇׁׁׁׁׅׅ ׇׁ  ׁ  ׁ  ׇׁׅ׃׃ׁׅ׆ׁׁׁׁ׆ ׁׅ  ׁ  ׁ  ׁ׆׃׃׃ׁ׆"ׁׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ ׁׁׁׁ ׁ  ׁ  ׁ  ׁ׃׃ׁ׆ׁׁׁׁ׆ ׆      ׆׆׆ׅ   ׅ ׁׅ  ׁ  ׁ  ׁׅׅ׃׃ׇׁׁׁׁׁׁׅ׃ ׁׅ  ׁ  ׁ  ׁ׆ׇ׃׃ׁׁׁׁׁׅׅׄ ׁׁׁ  ׁ  ׁ  ׁׁׁׄ׃׃ׁׅ#ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ!ׁׁׁׁׁׁׁׁ ׁ  ׁ  ׁ  ׁ׆׃׃ׁ׆ׇׇׁׁׁׁ ׁׅ  ׁ  ׁ  ׁׅׄ׃׃ׁׅׄ   ׅ ׆      ׅ׆ׁׁׁׁׅׅׅ ׁׅ  ׁ  ׁ  ׁׅׅ׃׃ׁׅ׆ׁׁׁׁ׆ ׁ  ׁ  ׁ  ׁ׆׃׃ׁ׆"ׁׁׁׁ ׁ  ׁ  ׁ  ׁ-׃׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ  ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁׁׄ ׁ ׁ  ׁׄׄ׃ׁ׃ׁׁׂׄ ׁׁׁׂ ׁ ׁ ׁ  ׁ׃ׁ׃ׁ "  ׆ )   ׆׆/׆׆ׁ ׁׁׁ׆ ׆ׁ ׁ ׁ  ׁ׆׆׃ׁ׃ׁ׆׆ׁ ׁׁׁ׆ ׁׄ ׁ ׁ  ׁׅׄ׃ׁ׃ׁׁׅׄ ׁׁׁׄ  ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁׁ ׁ ׁ ׁ  ׁ-׃ׁ׃ׁ,ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ-׃ׁ׃ׁ,ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ-׃ׁ׃ׁ,ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ-׃ׁ׃ׁ,ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ-׃ׁ׃ׁ,ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ-׃ׁ׃ׁ,ׁ ׁׁ ׁ ׁ ׁ ׁ ׁ-׃ׁ׃ׁ ׁ ׁׁ ׁ׃ ׇׁ ׁ ׁ ׇׁ׃ׁ׃ׇׁׁ ׁׁ ׇׁ ׅ )  ׅׄ/ׇׄ "  ׆ׁ ׁ ׁ ׁ׆׆׃ׁ׃ׁ׆׃ׁ ׁׁ ׁ׆ ׁׁ ׁ ׁ ׁ׆׃׃ׁ׃ׁ׆ׁׅ ׁׁ  ׁ׃  ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁׁ ׁ ׁ ׁ׃׃ׁׁׁ׃ׇׁ ׁׁ  ׇׁ ׇ )  ׇ/ׇ " ׁ ׁ ׁ ׁ׃ׁׁׁׁ ׁׁ  ׁ ׁ׃ׁ ׁ ׁ ׁ׃ׁ׃׃ׁׁׁ׃ׇׁ ׁׁ  ׁ׆ ׁׅ ׁ ׁ ׁ׆ׅ׃ׁׁׁ׆"ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁׁׂ ׁ ׁ ׁׁׂׂ׃ׁׁׁׁׂ׃ׁ ׁׁ  ׁ׃ ׆ׁ ׁ ׁ ׁ׆׆׃ׁׁׁ׆׆ "׆ ׆ )  ׃׆/׃׆ׁ ׁׁ  ׁ׃ ׃ׁ ׁ ׁ ׁׅ׃׃ׁׁׁׁׅׅ ׁׁ  ׁׅ ׁ ׁ ׁ ׁ׃ׁׁׁׁ ׁׁ  ׁ  ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ!ׁׅ ׁׁ  ׁ׆ ׇׁ ׁ ׁ ׇׁׄ׃ׇׇׁׁׁׁ ׁׁ  ׁׁ׃ ׇ )  ׆ׇ/ׇׅ "׆ ׇׁ ׁ ׁ ׁ׆ׇ׃ׁׁׁ׆ׇׁ ׁׁ  ׇׁ ׆ׁ ׁ ׁ ׁ׆ׄ׃ׁׁׁ׆ׁ ׁׁ  ׁ׃  ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ ׁ ׁ-׃ׁׁׁ,ׁ ׁׁ  ׁ ׁ ׁ(ׁ ׁ-ׁׁ)ׁׁ,ׁ  ׁ)ׁ  ׁ ׁ ׁ(ׁ ׁ-ׁׁ)ׁׁ,ׁ  ׁ)ׁ  ׁ ׁ ׁ(ׁ)ׁ-ׁׁ)ׁ)ׁ,ׁ  ׁ)ׁ)ׁׁ ׁ(ׁ)ׁ׃ׁׁ)ׁ)ׁ׃ׇׁ  ׁ)ׁ)ׇׁ ׆ d׆׆f׆׆c׆ ׇׁ ׁ(ׁ)ׇׇׁׁׁ)ׁ)ׇׇׁׁ  ׁ)ׁ)ׇׁ ׁׅ ׁ(ׁ)ׇׁׁׁׅ)ׁ)ׇׇׁׁ  ׁ)ׁ)ׇׁ ׁׁׁ(ׁ(ׁ)ׁׁׁׁׅ(ׁ)ׁ)ׁׅ#ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁ ׁ(ׁ(ׁ)ׁ-ׁ(ׁ)ׁ)ׁ,ׁ)ׁ)ׁ)ׁׁׂ(ׁ(ׁ)ׁ׆ׁׂ(ׁ)ׁ)ׁ׆ׁׂ)ׁ)ׁ)ׁׂ׉ׁ(ׁ(ׁ)ׁ׉׉ׁ(ׁ)ׁ)ׁ׉׉ׁ)ׁ)ׁ)ׁ׉׉׉׉׉׉׉׊׊׊ ׊ׂ ׆ׂ ׆׈ ׈              IIlp:,3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wz W{o7o7/8Pg2{pp(ZW.{(R{I}I!!!!!!!!!!!!!!ׁׁvׁׁ  ׁׅnׁׅ  ׁnׄ j}׈ׂ׃eׂׂׂ׃|ׇׄbׇׄ x׆ ׄ_׈ ׃ wׂ ׁ]ׅ ׁׄuׁׁׂׅׄR׃ׁׁׂׅqׇׁMׁׁׂqׇׂHHKׁׁׂrHHׂKׂvׂׂHHHlׄOׂ׃lׁHHllׂEׁ ׂ~m׃H HllEׂ }`ׄ H Hl7׃ ׂׂ|]ׂׄHHHl3ׇׂ{\ׂ ׁHHl9ׁׄZ׃ׁ HHl3׆ׁ U׈ ׁ HHl1ׇׂ ׁ HHR׆ ׁHHl- ׁׂHHO׈ׁׂHHH l)׈ׁHHlPׂHH l)ׂ׃HHll~PׂH"H lׂ#ׂH HlׂxTׄHHH#H l)ׄH HlzRׂHH#H l'HHlH{JׁHH#H l ׂׂHHlHzK׃HH H#Hl HHlHrIׁH H#Hlׁ HHlHׁr:ׄ ׁׂ׃HHH#Hl ׁׄHHlHp8ׁׁׁ ׁHH#Hlׁׂ HHlHo8׃ׁ ׁHH#Hlׁׂ H"HlHo3ׂ ׁׄHHH#Hl ׂ ׁHH#HlHu4ׁׁׂHH#HlHׄ{ׁׂׂHHH#HlHׄm9ׄHH#HlH׃HH#HlHl6ׄHHH#HlH~H H#HlHk3ׂH H#HlHׂxH H#HlH j1ׁׂHH!H$HlHׄnׁׂׂHHH#HlH ׄj*ׁׄHH!H$HlHn׃HH#HlH ׂk,ׁׂHH!H$HlHׂnׂ HH#HlH ׁk,ׁׁH H!H$HlHuׁHH#HlH n,ׁ׃HH H!H$HlHtׁׂHHH#HlH  m,ׁ ׁHH!H$HlHsׁ HH#HlH  l'ׁׂ ׁHH HH$HlHׂhׁׂ HH#HlH  g'ׁׁׂHH HH$HlH kׁׁHH H#HlH  i'ׁׂHH HH$HlH lׁׁׂHH H#HlH  j'ׇHH!HH$HlH k׆HH H$HlH   i,ׂHHH!HH$HlH oׂH H H$HlH   h,ׁHH!HH$HlH nׂHH H H$HlH   g,ׁHH!HH$HlH mׄHH H$HlH   f,ׁHH!H%HlH gׁׁHH H$HlH   a,ׁHH!H%HlHhׁׁ HH H$HlH   ^&ׁׁHH!H%HlHׁ\׃ׁׁHH H$HlH   ׁ]$ׁׄHH!H%HlH ׄ[ׁׄ׃HH!H$HlH   ׂ]&ׁׂHH!H%HlH ZׁׂׄHHH!H$HlH   ]&ׁׂHH!H%HlH ׄ[ׁׁׂHH!H$HlH   ^'ׅHH!H%HlH eׁׂHH!H$HlH   `+ׁHH!H%HlH eׁׂHH!H$HlH   _+ׁHH!H%HlH dׁׄHH!H$HlH   ^+ׁHH!H%HlH cׁׁׁHH!H$HlH   ^#ׁׂHH!H%HlH [ׁׁׁׂHH!H$HlH   ]#ׁׁHH!H%HlH ׁ]ׁ׃HH!H$HlH   X%ׁׂHH HH%HlH XׁׂׂHH!H$HlH   Z#ׂHHHlH%HlH XׁׁHH!H$HlH   [#ׂHHHHlH$HHlH YׁׁHH!H$HlH   [%ׁׂHHHlH!HllHlH Z׆ׁHH!H$HlH   [&ׅHHH lHHlHlH _ׁׁHH!H$HlH   [*ׁHHH lHH lHlH _ׁׂHH!H$HlH   ׂU*ׁHHHHlHHlHlH  ׃YׁׄHH!H$HlH   ׃U*ׁHH HlHHlH lH  ׃YׁׁׁHH HH$HlH   U"ׁׁHH HlHHlH lH  SׁׁׁׁHHHlH$HlH   ׂV#ׁׁHHHlHHlH lH  XׁׁׄHHHlH$HlH   [#׃ׁHHHlH HlH lH Xׁ׃HHHlH#HHlH   ׁ["ׁHHHlHH#lH lH WׁׁHHH lHHllHlH   ׁ["ׂHHH!lHH(lH lH YׁׁׁHHHlHHlHlH   ׁ[$ׂׂHHH!lHH+lH lH Y׆ׁHHHlHH lHlH   ׁׁR%ׅH HlHHlHH/lHlH TׁׁHH HlHHlHH   ׁׅQ)ׁH HlHlH0lHlH ׅTׁׂHHHlHHHlHH   ׁׅQ)ׁH HlHlH0lHlH ׅTׁׄHHHlHHHlH  ׁ׃S)ׁH HlHlH0lHlH ׄUׁׁׁHHHlHH HlH  U)ׁH HlHlH0lHlH ׁXׁׁׁHHHlH HHlH  Z!ׁׂH HlHHlHH/lHlH UׁׂׄHHHlH HHlH  ׁZ!ׁׂHH lHlH/lHllH VׁׂHHlH lH HHlH  ׁZ"ׁׂHH lHlH/lHlH VׁׁׂHHllHHlH HHlH   ׁZ#ׁׁHH lHlH/lHH Wׁׁ ׁHHlHllH  HlH#  ׁZ#ׁׂHH lHHlH.lHH ׁN׆ ׁHHlHH  H lH #  ׁׂQ$׆HHlHlHH)lH  PׁׁׁH HlH HlH $  ׁׄR(ׁH HlHlHH$lH  ׄTׁH HlH HllH  $  ׁ׃R(ׁH HlHlH H lH   ׄSׁׄH HlH HH  $  ׂQ(ׁH HlH lHHlH   ׂVׁׁׁH HlH   $  ׂT(ׁH HlHHlHHHlH  [ׁׅH HlH   $  ׁY ׁׁH HlHllHHlH  Sׁׂ׃H HlH   $  ׁY!ׁׁH HlHH H lH  SׁׂׂH HlH   $  ׁY ׁH HlH HlH  SׁׁH HlH    $  ׁY ׃ׁH HlH HllH   SׁׁH HlH    $  ׁY"ׁׂH HlH HH$  ׂLׁׁ ׁH HlH    $  ׁׅP"ׁ׃H HlH  $  Mׅ ׁH HlH   $  ׁ׆P#ׁׂH HlH  $  ׄQׁ ׁH HlH    #  ׁׄP'ׂH HlH  $   ׄQׁH HlH    #  ׃Q'ׁH!HlH   $   ׁUׁׄH!HlH    #  Y'ׁH!HlH   $   ZׁׁׂH HlH   #  ׁY'ׁH HlH   $   ZׁׄH HlH   #  ׁYׁׂH HlH   $   Qׁׂ׃H HlH   #  ׁXׁׂH HlH  $  QׁׂׄH HlH   #  ׁX ׁH HlH   $  RׁׁׂH HlH   #  ׁׂO׃ׁH HlH   $  ׂIׁׂ ׁH HlH   $  ׁׅO ׂׂH HlH   $  Jׁׂ ׁH HlH   $   ׁ׆O"׆H HlH  $  ׆Kׁׁ ׁH HlH   $  ׂׅO&ׂH HlH  $  ׅOׁH HlH   $  ׁׂR&ׂH HlH  $  XׁׄH HlH   $  X&ׁH!HlH  $  XׁׁׂH HlH   $  ׁX&ׁH!HlH  $  XׁׁׁH HlH   $   ׁX&ׁH!HlH  $  Pׁׁ׃H!HlH    $   ׁXׁׁH!HlH  $  XׁׂH!HlH   $  ׁX&ׁH!HlH  $  RׁׁׂH!HlH   $  ׁׂN ׁׁH!HlH  %  ׁF׃ׁׁH!HlH  ׁ $  ׁ׆NׂH!HlH  %   ׁ׆Gׁׂ ׁH!HlH  ׁ $  ׁ׆N ׁׂH!HlH  %  ׁ׆Hׁׂ ׁH!HlH   ׁ $  ׂׅN!׆H!HlH  %  ׁJׁׁ ׁH!HlH  ׁ $  ׂQ%ׂH HlH  %  VׁH!HlH  ׃ $  W%ׂH HlH  %  ׁVׁׄH!HlH   $  ׁW%ׁH!HlH  %   ׁVׁׁׂH!HlH  ׁ $   ׁW%ׁH!HlH  %  ׁVׁׁׁH!HlH   ׁ $  ׁW%ׁH!HlH  %  ׁNׁׁׄH HlH  ׁ %  ׁWׁׂH!HlH  %  ׁNׁׁׂH!HlH  ׁ %  ׁׁNׁׂH!HlH  %  ׁׂEׁׁׄH!HlH  ׁ %  ׁ׆MׁH!HlH  $  ׁ׆Fׁׁ ׁH!HlH  ׁ %  ׁ׃MׂׂH!HlH     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ׁ &ׅL/ׂׂ -  ,ׂZׂ׃   ׅ ׁ&ׁT1ׂׂ , ׁ,ׁaׂ  ׂ׃% ׁT3ׁׂ + ׂ+ ׁcׁׂ  ׁׁ%ׁT5ׁׂ % ׁ,ׁdׂׂ  ׂ ׁׁ%ׁS6ׁׂ  ׁ* ׁeׂ ׁ ׁׂ%ׁS8ׂׂ  ׂ$ ׁgׁׂׂ ׁׁ%ׁ ׁG:ׂׂ  ׁ ׁ ׂ\ׁׁׁׂ$!ׁ׆F<ׁׁ  ׁ "ׁ׆]ׁׂׂׂ(&ׁ׉F=ׂׂ  ׁ ׂ&ׁ׉_ׁׁׂׂ '*ׁ׃׃F?ׂׂ  ׁׂ  ׁ +ׁ׃׃aׁׂׄ(-׈GAׁ ׁׄ  -׈cׁׂ(-׆JBׁׂׂ,ׅiׂׂ',ZDׂׂ-{ׂׂ ׁ%,_Fׂׂ ׁ%,4ׁLׁׁ ׁ ,5ׁ.Hׁׁ ׁ!,9ׁMׂׂ ׁ,9ׁ.Iׂׂ ׁ,+ׁׁׂ<ׁׂׂ++ׁׁׁׂׂKׁׂׂ,0ׁׁ׋ׇ׃=ׁׁׁ+1ׁׁ׋ׇ׍Mׁׁׁ+5ׁׁ׃ׇ׃>ׁׂׂ+5ׁׁ׃ׇ׋Nׁׂׂ,;ׁׅׅ׃ׇ?ׁׁׂ *;ׁׅׅ׃ׁ׌Pׁׁׂ +@ׁׁׁ׈Aׂׅ+Aׁׁׁׂ׋Rׂׅ*FׇׁׁׂCׁ*FׁׁׂבTׁ+HׅEׂ*HׂׂׅUׂ*;ׁׂ'Wׁׂ'Bׂ ׁ"Yׂ ׁ#Iׁ ׁ[ׁ ׁmׁ_ׂ ׁmׁ-\ׂ ׁrׁaׁׂrׁ-^ׁׂcׁׁׁׁׂPׁׁcׁׁׁׁׂ`ׁׁhׁׄ׋ׇ׃Pׁׂ hׁׄ׋ׇ׃aׁׂ nׁׂ׃ׇ׃Rׅnׁׂ׃ׇ׃cׅtׁׅׅ׃ׇStׁׅׅ׃ׇewׁׁׂ׈Uwׁׁׂ׈g|׃ׇׁׂP׃ׇׁׂfׁׁׅPׁׁׅ!!!!!!!!!!oolp3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wdz W|zo7o7/8AAzpp(ZAWz(zI|IEEEEEEEEEEEEEEEEENׁ ׁ%ׁ ׁ Nׁ ׁ%ׁ ׁ 3ׁׁׁׁׁׂׄsׁׁׁׁׂׄo3ׁׁׁ׌ׇׁ׈׆׈ׇuׁׁ׌ׇׁ׈׆׈ׇpׁׁׁׁׁׂpׁׁ׃ׇׁ׈׆ׁuׁׁ׃ׇׁ׈׆ׁp ׎ׁׄ׋ׇ׃tׁׅ׆׃ׁ׌םuׁׅ׆׃ׁ׌םoׁׂ׃ׇ׃uׁׁׁׁׂׂ׉ׁׁׂׅvׁׁׁׁׂׂ׉ׁׁׂׅo׊ׁׅׅ׃ׇuׁׁׁׂ׌ׁwׁׁׁׂ׌ׁo׃ׁׁׂ׈rׁׁׁׁׁׂׂׂׂ׃ׇׁׂ|ׁׁׁׅ}EOׁFׁ-OׁFׁ-,ׁׁׁׁׂ#ׁׁׁׁׂׂ,ׁׁׄ׌ׇ׃ׁׄ׌חׁׁׂ|ׁׂ׃ׇ׃ ׁׂ׃ׇ׋ׁ׈ׁ׌ׇ׃|ׁׅ׆׃ׇ ׁׅ׆׃ׁ׌ׁ׃ׇׁׁ׃{ׁׁׂׂ׈ׁׁׂׂ׆׉׃ׅׅ׃ׇz׃ׇׁׂ׃ׁׂׄ׉ׁׁׁׂ׈yׁׁׁׁׅ׃ׁׁׂ ׇׁׂׅEEEEEEE/ׄ׆./׃ׄ׉׃הׄ[ׁׁLׁׁ ׁׁ׍ׁׄ ׁׁ8ׁׅMׁ׉ׁ׏ׅ ׁךׁׁׄ4׆Oׁׁׄ׆ׁׅ׃ׁׁׁׁׂ5Oׁׂ)ׁ)ׁ)ׁׂx0ׇׂ׃N׃ׁ)ׁ)ׁ)ׁ׃t׆ׂ׃,ׇׄM׃ׂ  pׄ*ׇ ׃M׃  ׃q׆ ׄ&׈ׂ ׂׄD  ׂk׆ׂ ׁׂ׉ׁC  p׉ׁׁׁׁB  oׁ ׁׁׁׁׂE  p׃ׂ ׁׂC  uׂׄׄ@  rׂׄׄ ׄ?  kׁׂ ׂׄ ׂ ׄ>  _ׄ  ׄׄ =  ]׆HHׁׄD  ]׃HHׁׅ C  W׆ׁ HHl}ׂ ׁ B  Uׁׂ HHHllz  ׁ A  R׆ ׁH HlxׁׂׂHHA  P׃ ׁH HlwׂׂHHׁ:׆  ׅF׃ׂׂHHlׁwHHHl;׆ׂ  ׅFׁHHluHHll=ׇ  ׇI HHlnׁHHl=׆  ׆@ׁׂ HHHlnׅ HHl<  ׁEׅ HHln HHl4  L HHlHׄYׁ ׂ HHl;  >ׁ H HlHW׆ׁׂ  HHl4  :׆ׁׂ HH!HlHRׁ  HHlׁ5  :׃ׁ HH!HlHׁO ׁ HHl8  6ׁׂHHH!HlHS ׁ!HHlH׃0  7ׂ ׁH H!HlH׃RׂׂHHHHlH ׄ/  <ׂ׃H H!HlHׂNHHHHHlH .  9HH!HlHJׅHHHlHHlH ׂ.  6HH!HlH@ׁׂHHllHHlHׂ-  -ׁׂ HHH!HlH ׁB׃ HHlHHlHׂ-  .׃HH!HlH  ׂBׂ HHlHHlHׁ.  /ׂ HH!HlH  ׁBׁ HHlHHlH1  $ׁHH!HlH Fׁ  HHlHHlH0׆  ׆$ׁ HHH!HlH @ׁׁ HHlHHlH ׁ*ׂׅ  ׁׁׅHHHH"HlH ׁ:ׂׅHH lHHlH  +ׇ  ׇׂׅHHH"HlH ;ׅ!HH lHHHlH  -ׅ  ׅ!ׄH HH"HlH =׆HHHH lH HHlH  -  *׆HH HH"HlH ?HHHHH lHHHlH  ,  .ׂHHH"HlH @ׂHHHlHH lHHHlH  +  .ׂHHH"HlH  ?ׄHHllHH lH HHlH  *  .ׄ HHH"HlH  >ׁׁ HHlHH lHHHlH  %  .ׁׁHHHH"HlH  3ׁׁׁ HHlHH lHHHlH  $  (ׁׁ׃HHH"HlH  /ׁׁׁ HHlHH lHHHlH  ׁ$  'ׁׂHHHH"HlH  ׁ.ׁׁׄ HHlHH lH HHlH   ׂ"  'ׁׁׄHHH"HlH  ׃0ׂׅHHlHH lH  HHlH      )ׁׅHHH"HlH  0ׅ ׁHH lHH lH  HHlH    ׁ   )ׁׅHHH#HlH  ׂ0ׅ ׁHH lH HH lH  HHlH    $  -ׁׂHHH#HlH  7 ׁHH lH HH lH  HHlH   #  -׃ׁHHH#HlH  6ׅ ׁHH lHHH lH  HHlH   "ׁׁ  ׁׁ#ׇHHH#HlH  5ׁׁ ׄHH lHHH lH  HHlH   "ׇ  ׇׁׁׂHHH#HlH  /ׁׁׁ ׂHH lH HH lH  HHlH   !ׂׅ  ׁׁׁׅHHH#HlH  ׁ/ׁׁ ׁHH lH HH lH  HHlH   ׅ  ׅ"ׁׁHHH#HlH  )ׁׁׂHH lHHH lH  HHlH   ׆  ׁׁHHH#HlH  ,ׁׂ ׁׁHH lH HH lH  HHlH     'ׁׁׂHHH#HlH  -ׁׁ ׁׁHH lH  HH lH  HHlH     (ׁׁׂHHH#HlH  .ׅ ׁׁHH lH  HH lH  HHlH     )ׁׅHHH#HlH  1ׂ ׁׁHH lH  HH lH  HHlH     ,ׁHHH#HlH  ׁ,׃ ׅHH lH  HH lH  HHlH   ׃  ,׈HHHH#HlH  +ׅ ׃HH lH  HH lH  HHlH   ׃  ,ׁ׃HHHlH"HHlH  +ׁׁ ׂHH lH  HH lH  HHlH     %ׁׂׂHHHlHHllHlH  ׁ&ׁׁׁ ׁHH lH  HH lH  HHlH      ,ׁׁHHH lHHlHlH  ,ׁׁׂ ׁHH lH  HHH lH  HHlH   ׁ  &׃ׁׁHHH lHH lHlH  ׁ)ׁׁׁHH lH  HHHllHlH  HHlH   ׁ  &ׁׁׂHH HlHHlHlH  *ׁׂ ׁׁHH lH  HHlHlH  HHHlH    ׁ  'ׁׁׁHH HlHHlHlH  /ׂ ׁׁHH lH  HlHlH  HHllHlH   ׁ  (ׁׅHHHlHHlHlH  ׂ(ׁ ׁׂHH lH  HlHlH  HHlHlH   ׁ׃ ׁ,ׁׁHHHlH HlHllH  ׃)ׂ ׁׁHH lH  HlHlH   HlHlH   ׁ׃ׂ ׁׂ!ׁׂHHHlHHlHlH  ׃)ׄ ׄHH lH׃  HlHllH   HlHlH   ׂׂׄ)!ׇHHHlHH#lHH  ׈(ׁׁ ׃HH lHׂ   HHlHlH   HlHlH   ׂׂ׆ ׁ׆ ׁ׃HHHlHH'lHH  ׁ#ׁׁׂ ׁHH lHׁ   HlHH   HlHlH    ׆ ׁ׆ׁׂׂHHlHHlH&lH   'ׁׂׂ ׁHH lHׁ   HlHH   HlHllH   ׁׄ ׁׁׁׄׄHHlHlHH#lH  ׁ(׃ׁׁ ׁHH lHׁ   HllHH   HlHlH   ׁ ׁ%ׁׁׁHHlHlH HHlH  ׁ(ׁׁ ׁׁHH lHׁ   HH   HlHH    ׁ ׁ%ׁׁׁHHlH lHHlH  ׁ.ׁ ׁׂHH lHׁ      HlH   ׁ ׁ+ׁׁHHlHHlH HlH  ׁׂ"ׅ ׁׁHH lH      H   ׁ ׁ'ׁׅHH lHllH HlH  ׁׁׁ&ׁ ׁׁHH lHׂ         ׁׁׁ ׁ+ׁHH lHH H lH  ׁׄ& ׄHH lHׁ         ׄ ׁ+ׇHH lH  HHlH !  ׃'ׄ ׂHH lHׁ          ׂׂ ׁ ׁ+ׁ׃HH lH  HllH !  ׁ*ׁׁ ׁHH lHׁ           ׁ ׁ+ׁׂHH lH  HH !  'ׁׁׂ ׁHH lHׁ      ׁ   ׁ ׁ ׁ+ׁׁHH lH   !  .ׁׁ ׁHH lHׁ      ׁ   ׁ ׁ ׁ&ׁׁׁHH lH   !  'ׁׁׁ ׁHH lHׁ      ׁ    ׁ ׁ ׁ$ׇׁHH lH   !  'ׇ ׁׂHH lHׁ      ׁ   ׁ ׁ ׁ'ׁׄHH lH  !  ׂ$ׁ ׁׁHH lH   ׃ׁ   ׁ   ׁׅ ׁ ׁ׃ׁׂHH lH   "  ׁ ׅ ׁׁHH lH׃   ׁׁ  ׁ   ׁ׆ׇ ׁ ׇׁׁׁHH lH     "  ׁ׃$ׁ ׁׂHH lHׂ   ׁׁ     ׇׂ)ׁHH lH     "  ׃% ׄHH lHׁ   ׁ    ׂ׃׃ ׁ ׁ׆ׇHH lH     "  ׁ(ׄ ׃HH lHׁ   ׁׁ    ׅ ׁ  ׁ׃ׁ׃HH lH      "  ׁ,ׁׁ ׁHH lHׁ   ׁׁ   ׁ ׁ  ׁ*ׁׂHH lH      "  ׁ%ׁׁׂ ׁHH lHׁ    ׁ    ׁ ׁ  ׁ*ׁׁHH lH     "  $ׁׁׁ ׁHH lHׁ   ׁ    ׁ ׁ  ׁ"ׁׁׄHH lH     "  $ׁׁׂׄHH lHׁ   ׁׂ   ׁ ׁ  ׁ"ׁׁׅHH lH     "  ׁ ׁׁ ׁׁHH lH   ׁׁ   ׁ׃ ׁ  ׁ#ׁׁׄHH lH     "  ׁׅׄ ׁׂHH lH׃   ׁׁ   ׁ ׁ  ׁ&ׁׄHH lH     "  ׆ׅ ׁׁHH lHׂ   ׁׂ   ׁׅ ׁ  ׁ%ׁׁׁHH lH     "  $ׁׁׁHH lHׁ   ׁ    ׁׁ ׁ  ׁ)ׁHH lH     "  + ׄHH lHׁ   ׁׁ   ׁ  ׁ  ׁ)ׇHH lH     "  +ׂׄHH lHׁ   ׁׁ   ׁׁ ׁ  ׁ)ׁ׃HH lH     "  ׁ+ׁׂ ׁHH lHׁ    ׁ   ׁ ׁ ׁ  ׁ)ׁׁHH lH     "   ׁ$ׁׁׁ ׁHH lHׁ   ׁ   ׁ ׁ ׁ  ׁ"ׁׁׁHH lH     "  ׁ#ׁׁׂ ׁHH lHׁ   ׁׄ   ׁׁ ׁ  ׁ"׃ׁׁHH lH     "  ׁ#׃ׁׁ ׁHH lH   ׃ׁ   ׇׁׂׂ ׁ  ׇׁׁׁׄHH lH     "  ׁׁׁׁׄ ׁׂHH lH׃   ׁׄ   ׇׁׂׄ) ׁׁׅHH lH     "  ׁׁׁׁ ׁׁHH lHׂ   ׁׁ    ׁׁ ׁ  ׁׁׁׁHH lH     "  ׈ׅ ׁׂHH lHׁ   ׁׁׂ   ׇ ׁ  ׁׁׁׂHH lH   ׁ  "  ׂׂ%ׁׄHH lHׁ   ׁׁ   ׂ ׁ  ׁ)ׁHH lH   ׁ  #  )ׄ ׃HH lHׁ   ׁ  ׁ   ׁ ׁ  ׁ(ׁׄHH lH   ׃  #  ׁ)ׁׁ ׂHH lHׁ   ׁ ׁ    ׁ ׁ  ׁ(ׁ׃HH lH     #   ׁ)ׁׂ ׁHH lHׁ   ׃ׁ    ׁ ׁ  ׁ(ׁׁHH lH   ׁ  #   ׁ)ׁׁ ׁHH lHׁ   ׁׄ   ׁ ׁ  ׁ!ׁׁׁHH lH   ׁ  #  ׁ"ׁׁׂ ׁHH lHׁ   ׃ׁ   ׁ ׁ  ׁ(ׁׁHH lH   ׁ  #  ׁׁׂׂ ׁׁHH lH   ׁׁ   ׁׂ ׁ  ׁ"ׁׁׂHH lH   ׁ  #  ׁׁׅׅ ׁׂHH lH׃   ׁ   ׁׄ ׁ  ׁ ׁׁׁׁHH lH   ׁ  #  ׁ׃ׁׁ ׁׁHH lHׁ   ׁׁ   ׁ׆ ׁ  ׁ!ׁׁׄHH lH   ׁ  #  ׁׄ ׁׂHH lHׁ   ׁׁ   ׄ ׁ  ׁ#ׁׁׂHH lH   ׂ  #  ׁׂׂׄHH lHׁ   ׁ  ׁ   ׁ ׁ  ׁ(ׁׁHH lH     #  ׁ(ׂHH lHׁ   ׁ ׁ   ׁ ׁ  ׁ(ׁHH lH   ׁ  !   ׁ(ׁׄHH lHׁ   ׁ    ׁ ׁ  ׁ(ׇHHH lH   ׁ      ׁ(ׁׂ ׁHH lHׁ   ׁ    ׁ׃ ׁ  ׁ׃ׁ׃HHllHH lH   ׁ     ׁ'ׁׁ ׁHH lHׁ   ׁׂ   ׁ׆ׂ) ׆ׁׁHHlHlH   ׁ     ׁ'ׁׂ ׁHH lHׁ   ׁׁ   ׁ׆ ׁ  ׁ׃ׁׁׁHH lHHlH   ׁ     ׁׁׁׂ ׁׁHHH lHׄ   ׁ    ׁ׃ׅ ׁ  ׁׁׁׅHHlHlH   ׁ     ׁׅ׃ׁ ׂׂHHllHHlHׂ   ׁׁ   ׁׅ ׁ  ׁׁׁׅH HlHHlH   ׁ     ׁׁׁׁׁׁ ׂׂHHlHlHׁ   ׁׁ   ׁׁׁ ׁ  ׁ#ׁׁׁHHlHllH   ׂ   ! ׁׁׁׂׄHHlHlHׁ   ׁ  ׁׂ   ׃ ׁ  ׁ ׁׁׄHH!lH      $ ׂׂׅHHlHHlHׁ   ׁ ׁ׃    ׁ  ׁ"׆ׂHH$lH   ׁ  $ ׁ"ׁׁׁׁHlHlHׁ   ׁׁׄ   ׁ ׁ  ׁ'ׂHH$lH   ׁ   ׁ'ׂׂHHlHllHׁ   ׁׂ   ׁ ׁ  ׁ'׉HHlH  ׁ  ׁ'ׁׂׅHHlHׁ   ׁׂ ׁ  ׁ ׁ  ׁ'ׁׁׂHHlH  ׁ  ׁ'ׁׁׂׂHHlH   ׁׁ  ׁ ׁ  ׁ'ׁׁׂHlH  ׁ   ׁׁ ׁׁׂH׃   ׁ׃ׁ ׁ  ׁׁׁׁׂHHlH  ׁ  ׁׁׁׁׂׂ   ׁׁׅ ׁ  ׁ׃ׁ ׂׂHHlH   ׁ   ׁ׆ׁ ׁׁׂ   ׁׁׁ׆ ׁ  ׁ׆ׁ ׂׄHHllH׃   ׁ $ׁ׆׆ׁ ׂׂ ׁ   ׁ ׁ #ׁ׆ ׁ  ׁׁׅ ׁׂHH ׁ    "ׁׁׁ ׁׁ ׁ   ׁ ׁ' ׁ  ׁ"ׁׁׂ ׁ   ׁ ׁׁׂׂׂ ׁ   ׁׄ'ׁׅ ׁ  ׁ׆ׁׁׄ ׁ   ׁ ׁ׈ׁׁׂ   ׁ'ׇׁ ׁ  ׇׁ׆ׂ ׁ   ׁ  ׁ ׁׁׁׂׂ   ׁ$ ׇׁׂ) ׆ׁׂ    ׁ ׁ&ׁׂׂׂ   ׇׁׁׁ ׁ  ׇׁׁׁׂ    ׁ ׁ(ׁׁׁׂ   ׁׁׂ ׁ  ׁ׃ ׁׁׂ    ׁ ׁ*ׁׂׄ   ׁׁ ׁ  ׁ,ׂׅ    ׁ ׁׂ!ׂׂ׉    ׁׁׁ ׁ  ׁ.ׂ׃    ׂ ׁ׆#ׁׂׂ   ׁ ׃ ׁ׆ ׁ  ׁ0ׁׂ    $ׁ%ׁׂׂ   ׁ  $ׁ ׁ  ׁ1ׂׂ  ! ׁ#&ׁׂׂ   ׁׄ' ׁ  ׁ3ׂ ! ׃ׂ,ׁׂׂ   ׂ'ׂ ׁ  ׁ5ׂ ׂ   ׁ4ׂׂׂ  ׁ'ׁ ׁ  ׁ6ׂׂ  ׁׁ ׁ5ׁׂׂ  ׁ!ׁ$ ׁ ׁ  ׁ8ׂׂ  ׁׁׂ6ׁׂׂ ׁ ׁׄ ׁ  ׁ:ׂׂ  ׁׁׁ8ׁׂׂ ׁׁׅ ׁ  ׁ<ׁׂ  ׂ ׁׁ ׁ:ׁׁׁׂ ׁׁׂ  ׁ)ׁ  ׁ=ׂ ׁׁׂׄ .ׁׂׂׂ%ׁׅ ׁ  ׁ)ׁ  ׁ?ׁׁׁׂ ׃!ׁ׆0ׁׁׁׂ%"ׁ׆ ׁ  ׁ)ׁ)ׁAׁׂ ׁׂ  ׂ&ׁ׈2ׁׂׅ %&ׁ׈ ׇׁ  ׁ)ׁ)ׇׁ7ׂׂ ׄ%*׈3ׂׂ׃%)ׇ ׆d׆9ׁׂ $-ׅ9ׁׂׂ$)ׇׁׅ  ׁ)ׁ)ׇׁ;ׁׂ $-Gׁׂ ׄ#)ׇׁ  ׁ)ׁ)ׇׁ<ׁׂ ׁ!-Mׁׂ ׁ")$ׁ)ׁ)ׁ)ׁIׂׂ ׁ-Sׂׂ ׁ)(ׁ)ׁ)ׁ)ׁKׁׁׂ,Zׁׁׂ)-ׁ)ׁ)ׁ)ׁLׁׁׂ,`ׁׁׂ)2ׁ)ׁ)ׁ)ׁNׁׂׂ,gׁׂׂ)6ׁ)ׁ)ׁ)ׁPׁׁׁ ,mׁׁׁ );ׁ)ׁ)ׁ)ׁQׂׅ+sׂׅ)?ׁ)ׁ)ׁ)ׁSׂ+zׂ)Dׁ)ׁ)ׁ)ׁUׂ+ׂ)Hׁ)ׁ)ׁ)ׁVׁׂ(ׁׂ&Mׁ)ׁ)ׁ)ׁXׂ ׁ#ׂ ׁ"Rׁ)ׁ)ׁ)ׁZׂ ׁׂ ׁVׁ)ׁ)ׁ)ׁ\ׁ ׁׁ ׁ[ׁ)ׁ)ׁ)ׁ]ׁׂ!ׁׂ_ׁׂ)ׁ)ׁ)ׁׂPׁׂ(ׁׂd׉ׁ)ׁ)ׁ)ׁ׉Rׁׁ /ׁׁ h׉׉Sׅ5ׅm׊ U;rׁׄ ׈XBvEEEEEEEEEEEEE))lp.0K3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxx-Wdz W|zo7o7/8zpp(ZWz(zIfxIppppppppppppppppppppppp(ׂׅהEׂׂ׉ה4׉הQׂׂ׉׎ׄ*'עGחׁס6סSחׁע-'ׁ׋׊׃Dׁדׁ׊׊׃3ׁ׊׊׃Pׁדׁ׊׊׃*'ׁןDׁחׁמ3ׁמPׁחׁן*'ׁׁׁוEׁׁׁׂׅׄו4ׁׄוQׁׁׁׂׅׄ׎ׅ+'ׁ׃ ׁVׁׁׁ ׁ׃ ׁEׁ׃ ׁbׁׁׁ ׁ׃ ׁ=( ׁ ׁM ׁ ׁ< ׁ ׁY ׁ ׁ3ppp8ׁ62T)0 P%. 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V`׃-VׁYׁ.V],VׁY-VYׁ($VׁU,VSׁ#V  VׁPׁ'#VC׃ ׁV  Vׂ ׁ@  ׁ")Vׂ:ׁׅV Vׁ?ׁׄ/V3׉ׁ"V Vׁ7ׁ4V4׆ׁ&V  Vׁ3ׁׂVV.ׂ׃ׁ V V  Vׁ2ׁׄVV+ׁׂ$ׁV  V  Vׁ,!ׁ VV,ׅ)ׂV   V  Vׁ)%ׁV VV++#V  V  Vׁ,*ׂV  VV'+VVH V  V  Vׁ'+V  VV"* VVHHHHV  V  Vׁ"+VVHH V VV*V VHH HV  V  Vׁ, V VHHHV VV*V V$l HV V Vׁׂ+V VHHV VVV)V V$l lHV V ׁׁ+VV$lHV VVVׁ$ VV$l llHV V  ׁׁׁ&VVlHVVVׁ  ׁV VV$l llHV V  ׁׁ ׁ""VV$llHVV V ׁ{ׁׄVVV$l llV V  ׁׁ|׃ ׁ'VVllHVVVׁvׇׁV VV$l llV V ׁׁwׁׅ-VVV$llHHVVVׁqׁׂ V VV$l llV ׃ ׁׁu׃ׁVVVllHVVׁl׈ׁ V V VVV$l llV ׃ ׁׁpׁׂVV$llHVVׁnׁ ׁV  V VV$l llV ׄ ׁׁmׇׁ VVllHVVVׁn%ׁV  V  V$l llV ׄ ׁׁo#ׁV VV$llHVׁi(V  V  V$$l ll ׄ  ׁׁk(V  VVlllHV׃ׁd(VVVH V  V  V$l l׃ ׄ  ׁׁf(V VV$lllHVV׃ׁ`( V VHHV  V  V$l l׃ ׄ  ׁׁb)V VHV VVVllH׃ׁZ'V VHl HHV  VV  V$l ll׃ ׄ  ׁ[( VVHHV VVllHׂ׃W'V Vl lHV  V V$l ll׃ ׄ ׁX'VVlHHVV VVllׂ׃Rׁ"VVl llHVV V ׃$l ll׃ ׄ ׁׁTׁ"VVllHV VllHׂ׃ׁCׁ  ׁV VVl llHVV  V  ׃$l ll׃ ׄ ׁׁO ׁ VVlllH V VׂllHׂ׃  ׁ@׆ ׁVVVl llHHV  V  ׃$l ll׃ ׃ ׁׁAׁ%VVlllH VV ׂllHׂ׃ׁ;׉ׁV VVl ll$VV  V  ׃$l ll׃ ׃ ׁׁ=ׁ+VVlllH VVVׂllHׁׂׂ7ׁׅV VVVl llHVV   ׃$l llׄ  ׁׁ:ׁׄVVlllH VׂllHׁׂׂ4ׁׁׂ V V Vl ll$VV  ׄ ׃$l llׄ ׃ ׁׁ6ׇׁ VVlllH VׂllHׁׂׂ6 ׁV  V Vl llHVV  ׄ  ׃$l ll׃ ׃  ׁׁ8ׁV VVlllH VׂllHׁׂ1$V   V Vl ll$VV  ׄ  ׃$l ll׃ ׄ  ׁׁ4$׃V  VVlllH ׂllHׂ׃ׁ,&V  VV Vl llH ׃  ׃$l ll ׄ  ׁׁ/&V VVlllH ׂllHׂ׃ׁ#ׁ&V VHV  V Vl ll$  ׃  ׃$l ll׃ ׄ  ׁׁ&ׁ'V VHV VlllH ׂllH׃ׁ$% V VHHV   Vl llH  ׃  ׃$l ll׃ ׄ  ׁׁ'& VVlHVVlllH ׂllH׃ׁ%ׁ"VVl HVV  V Vl ll$  ׃  ׃$l ll׃ ׄ  ׁׁ(ׁ#VVlHHVVlllH ׂllH׃ ׃%ׁVV llHV  V VVאl llH ׃ $l ll׃ ׄ  ׁ(ׁVVllHVlllH llH׃ ׃%ׁVVVl llHV  V ׂl ll$ ׃ ׃$l ll׃ ׄ ׁ(ׁVVVlll VlllH  ׂllHׂ ׃ׁ%ׁVVVV llHH Vׂl llH ׃  ׃$l ll׃ ׄ ׁׁ(ׁ%VlllVׁlllH  ׂllHׂ ׃ ׁ$ׁVVl llHH  V ׂl ll$ ׃  ׄ$l ll׃ ׄ ׁׁ(ׁVVlll ׁlllH ׃lllHׂ׃ׁׁׂ VV ll$V  ׂl llH  ׃  ׄ$$l ll׃ ׄ ׁׁ#ׁׂ VVlllׁlllH ׃lllHׂ׃ׁׁׁV VVl llHV  ׂl ll$   ׃$l l׃ ׅ  ׁׁ#ׁׂVVlll ׁlllH ׂllHׂ׃ׁׁׄV  VV llHV ׂl llH  ׃  ׃$l l׃   ׁׁ#׈V VVlll ׁlllH ׂllHׂ׃ׁׁV VVVl llHV  ׂl ll$ ׃  ׃$l ll׃ ׃  ׁׁ$ׁV VVVlll ׁlllH ׂlllׁׂ#ׄ VHV V ll$   ׂl llH  ׃  ׃$l ll׃ ׄ  ׁׁ(ׄ VHV Vlll  ׁlllH ׂlllHׁׂׂ#ׁׂ VlHV Vl llH   ׂl ll$ ׃  ׃$l ll׆ ׄ  ׁׁ(ׁׂVlHVV Vll  ׁlllH ׂlllHׁׂ#ׁׂVHV V llH   ׂ ׂl llH  ׃ ׃$l ll ׄ  ׁׁ(ׁׂVlHHVll  ׁlllH ׂlllHׁׂ#ׁVlllH Vl llH ׂl ll$ ׁ  ׃$l ll׃ ׄ ׁ ׁ(ׁׂVllVll ׁlllH ׂlllHׁׂׂ#ׁ ׂVl   ll$  l llH   ׃$l ll׃ ׄ ׁ ׁ(ׁ ׄVllVl lllH ׄlllHׁׂׂ#ׁ ׄVll ׁ$ llH ׂl ll$ $l ll׃ ׄ   ׁ'ׁ ׂlVׁll ׁlllH lllHׂׂ#ׁׂl  ׁl llH   ׂl llH  ׃$l ll׃ ׄ ׁ ׁ'ׁ ׁl ׁlll  ׁlllH  ׂ$llHׂ׃ׁ׃ׁׂllׁ llH ׂl ll$  ׃$l ll׃ ׄ  ׁ ׁ"ׁׂ ׁl ׁlll ׁlllH  ׂllHׂ ׃ ׁׁׁׂll  ׁl ll$  ׂl llH   ׃$l ll׃ ׄ ׁ ׁ ׃ׁ ׁl ׁlll ׁlllH  ׂ$llHׂ ׃ׁ׃ׁׂll ׁ llH ׂlHll$׃   ׃$l ll׃ ׄ  ׁ ׁ ׁׄ   ׁlll ׁlHllH  ׂllHׂ ׃ׁׁׁll  ׁl llH   HllH׃  ׃$l ll׃   ׁ ׁ"ׄ ׁl  ׁlll  HllH  ׂ$llH ׃ׁׁׄ ׁl ׁ llH H$׃  ׃$l ll׃ ׄ  ׁ ׁ'ׄ ׁlll  ׁlll  HׂllH׃ ׃ׁ!ׁׂ ׁllHH ׁl ll$ H׃  ׃$l ll׃ ׄ  ׁ ׁ'ׁׁׂlllH  ׁlll  ! 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|ׁׁ2ׁׁׁ2 ׅ   {ׁeׁׁ/    zׁeׁׁ(ׁׁׂ wׁׁ2ׁׁׁ'׃ׁׂ uׁeׁׁ'ׁ nׁeׁׁ%ׂ     nׇeׁׁ׃  H   nׁׄeׁׁ ׂ ׂ H  i׆ׁeׁׁ ׁ H tׁeׁׁׄ HH  uׁvׂlׁׁ ׁׂH   uׁvׂlׁׁ׃HHHtׁvׂlׁׁ ׂ HHHHH tׁ׃]iׁׁ ׂ HHHHH rׂ ׄ ׄ ׄ ׄ ׇ ׄ ׆Lׁׁׁ ׄ HHH HHH tׁ]ׂlׁׁ ׁׁ HHH  HH ׁtׁ^ׂlׁׁ ׁׁ HHH  HHH ׁtׁ׃_ׂOׁׁׁׁׁׁ HHH  HHHH  ׁtׁׁNׁׁ׆ׁ HHH  HHHHH ׁtׁeׁׁׁׂ HHH HHHHH ׁtׁeׁׁׂ ׁHHH HHH  ׇmׁeׁׁׁ ׄHHH HHHH ׁ ׄpׁeׁׁׂ ׄHH H HHHHHHׂ fׁeׁׁׄׄHHHHHHHHHH ׁ k׆eׁׁׁׁׁׂHH HH HHHHHH ׁׁjׁeׁׁׁׁׁׄHH HHHHHHHHׁׂi׆ׁeׁׁׁׁׁׁ׃HHHHHHHHHHׁׁ ׁsׁeׁׁׁׂׂׅHH HH HHHHHׁׁsׁHׁׁׁׁׁ׃ׁH HH HHHHHHׁׂsׁeׁׁׄ ׂׂHH HH HHHׅHHHׂ׃nׁeׁׁׁ ׁׁH HH HHH׆HHH  ׁׁoׁHׁׁׁׂ HH HH HHׇHH$H  oׁeׁׁׄ׆H HH HHHׇHHHׁ   rׁeׁׁׁׁׁׁH HH HHHׁׄHHHׂ  ׁrׁeׁׁׁׁׁׂHH HHHHHׁׄHHH ׁ   ׁrׁeׁׁׁׁׁׁׂH HׁHHHHHH$Hׁ   ׁrׁeׁׁׁׁ׈HH HׁHׄHHHׅHH$Hׁ  ׁrׁeׁׁ׆H HׁHׄHHHׅHH$Hׁ  ׁrׁeׁׁׅ ׄH HׁH ׃HH׈HHH  ׁׂmׁeׁׁׂ ׃H H ׃Hׁ ׃HHH׆HH$H  ׁׂeׁׄeׁׁ ׂH H ׁHׁ ׃HHHׅHH$H  dׁeׁׁׂׄH H Hׁ ׃HHH ׅHH$H j׆(ׁׁׁׁׁׁׂH H Hׁ HHׄHH$H  ׁiׁ(ׂ;ׁׁׁׂׂHHHׁׁׂHׁ HHHׅׄ HH  ׁrׁ(ׂ;ׁׁׁׁׂHHHׁׁׁHׁ HHHׄ׋ HH  ׁqׁ&ׁׁׁׁׁׁׂHHHׁׁׁH HHHׂ HH ׁpׂ ׄ ׄ ׄ ׄ ׄ ׇ ׄ ׄ ׄ ׄ ׄ 8ׁׁׂ׉HHHׁׁH׆ HHH ׁׄ 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ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂׅ ׁׁׁ ׄ״ ׂ ׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ|ׁׁׁׁׁׄ ׁ׃״ׁ ׄ״ ׂ ׁ׃״ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ}׈ׁׁׁ ׁׄ ׁ׃״ׁ ׃״ ׂ ׁ׃״ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׂ  L5ׁׁׁׁׁׁׂ ׁׄ ׁ׃״ׁ ׃״ ׁ ׁׁׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׂ ׁ ׁׄ״ׁ ׃״ ׁ ׁׁׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׂ׈ׁׁׁׁ ׁׄ״ׁ ׃״ ׁ ׅ״ׁׁ ׁ ׁ ׁ ׁ ׂ5ׇׁׁׁׁׁׁׁׂ ׁׁׁׁ ׃״ ׁ ׄ״ׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׂ׉ׁׁׁׁׁ ׁׁׁׁ ׂ ׂ ׄ״ׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׁׁׁׁ ׂ ׂ ׄ״ׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׁׁׁׁ ׂ ׂ ׃״ׁׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׁׁׁׁ ׂ ׂ ׃״ׁׁ ׁׁׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׄ״ׁׁ ׂ ׃״ ׃ׁׁ ׁׁׂ ׁ ׁ ׂ5ׁׁׁׁׁׁׂ ׁ ׄ״ׁׁ ׂ ׃״ ׁׁׂ ׁ׃״ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׂ ׈ 25ׁׁׁׁׁׁׂ ׁׄ ׄ״ׁׁ ׁ ׃״ ׂ ׄ ׁׅ״ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׂ ׆ׁ ׄ״ׁׁ ׁ ׃״ ׁ ׄ ׁׁׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׄ״ׁׁ ׁ ׄ״ ׁ ׄ ׅ״ׁׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׃״ׁׁ ׁ ׄ״ ׂ ׄ ׄ״ ׁ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׃״ׄ ׁ ׄ״ ׂ ׃ ׄ״ׄ ׁ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׃״ׄ ׁ ׄ״ ׂ ׃ ׄ״׃ ׁ ׁ ׁׂׅ״׃ ׁׁׁׁׁׁׁׂ ׃״ׄ ׂ ׁׁ׃ ׃ ׃״׃ ׁ ׁ ׁׂ׃״ׇ״״ ׁׁׁׁׁׁׁׂ ׃״ׄ ׂ ׁׁ׃ ׃ ׃״ ׂ ׁ ׁ ׂ ׃״ ׇׁׁׁׁׁׁׂׂ ׃״ׄ ׂ ׁׁ׃ ׂ ׃ ׂ ׁ ׁ ׂׄ״ ׁׁׁׁׂ5ׁׁׁׅ  5ׁׁׂ׉ׁ5ׁׁׁ׃ׁ ׂ ׃ ׂ ׁׁׄ ׂ ׂ ׁ ׁׁׂ ׂ5ׁׁׁׂ5ׁׁׁ׃ׁ ׂ ׃ ׂ ׁׁׄ ׁ ׂ ׂ ׁׅ״ׁ ׂ5ׁׁׁׂ5ׁׁׁׁ ׂ ׃ ׂ ׁׁׁׁ ׁ ׁ ׂ ׅ״ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁ ׂ ׂ ׃ ׁׁׁׁ ׁ ׁ ׃״ ׄ״ׁׁ ׂ5ׁׁׁׂ5ׁׁׁׁ ׁ ׂ ׃ ׁׁׁׁ ׂ ׂ ׄ״ ׃ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׁ ׂ ׃ ׁׁׁׁ ׂ ׂ ׄ״ ׁׁ ׂ5ׇׁׁׁׁׁׁׁׂ ׁ ׂ ׃ ׁׄ״ׁ ׂ ׃ ׅ״ ׁ ׂ5ׁׁׁׁׁׁׁׂ ׁ ׂ ׃ ׁׄ״ׁ ׂ ׃ ׁׁׄ ׄ ׂ5ׁׁׁׂ׉ׁׁׁ ׁ ׁ ׁ ׃ ׁ׃״ׁ ׃ ׃ ׁׂׅ ׃ ׂ5ׁׁׁׂ5ׁׁׁ ׅ 5ׁׁׁׂ5ׁׁׁ ׁׄ ׂ ׁ ׄ ׁׁׂ ׃״ׄ ׁׅ״ׁ ׂ ׂ5ׁׁׁׂ5ׁׁׁ ׆ׁ ׂ ׁ ׄ ׁׁׁ ׃״ׄ ׁׁ ׂ ׂ5ׁׁׁׂ5ׁׁׁׁ ׂ ׂׄ ׁׁׁ ׄ״ׅ ׁׁׂ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁ ׂ ׂׄ ׁ ׁ ׄ״ׁׁ ׁ ׁ ׁ ׂ5ׇׁׁׁׂ5ׁׁׁׁ ׂ ׂׄ ׁ ׁ ׄ״ׁׁ ׁ ׁ ׂ ׂ5ׁׁׁׂ5ׁׁׁׁ ׃ ׁׁׂ ׁ ׁ ׅ״ׁׂ ׁ ׁ ׁ ׂ5ׇׁׁׂ4ׁׁׁׁ ׃ ׁׁׂ ׁ ׁ ׁׁׁׁ ׁ ׁ ׃״ ׂ5ׁׁׁׂ5ׁׁׁׁ ׃ ׃״ׁׁ ׁ ׁ ׁׁׁׁ ׁ ׁ ׄ״ ׂ5ׁׁׁׂ5ׁׁׁ ׁׄ ׃ ׃״ׁׁ ׁ ׁ ׁׁׁׂ ׁ ׁ ׄ״ ׂ5ׁׁׁׂ5ׁׁׁ 12 5ׁׁׁׂ5ׁׁׁ ׁׄ ׃ ׃״ׁׁ ׁ ׁ ׁׄ״ׁ ׁ ׁ ׁׁׂ5ׁׁׁׂ5ׁׁׁ ׁ ׄ ׄ״ׁׁ ׁ ׁ ׁ׃״ׁ ׁ ׁ ׁׁׂ5ׁׁׁׂ5ׁׁׁׁ ׄ ׄ״ׁׁ ׁ ׁ ׁ׃״ׁ ׁ ׁ ׁׁׂ5ׁׁׁׂ5ׁׁׁׁ ׄ ׄ״ׁׁ ׁ ׁ ׁׁ ׁ ׁ ׁׁׂ5ׁׁׁׂ5ׁׁׁׁ ׄ ׄ״ׁׁ ׁ ׁ ׁׁׁ ׁ ׁ ׁׁׂ5ׁׁׁׂ5ׁׁׁׁ ׄ ׄ״ׁׁ ׁ ׁ ׁׁׁ ׁ ׁ ׁׁׂ5ׁׁׁׂ5ׁׁׁׁ ׁׁ ׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁ ׁׁ ׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁ ׁׅ ׁׁ ׁׄ״ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁ ׆ׁ ׁׁ ׁׄ״ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁ  u5ׁׁׁׂ5ׁׁׁ ׁׄ ׁׁ ׁ׃״ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁׁׁ ׁ׃״ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׇׁׁׂ4ׁׁׁׁׁׁ ׁ׃״ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁׁׁ ׁׁׂ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁׁׁ ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁׁׁ ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁׁׁ ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁ ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ5ׁׁׁ ׆ 5ׁׁׁׂ5ׁׁׁ ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂJׁׁׁ ׆ׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂJׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂJׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂJׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂJׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂJׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׁׂ7 ׁׁׁׁׁׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׂ׈ׁ9ׇ ׁׁׁ ׁׁׁׅ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׁ ׂ5ׁׁׂ׉Mׁׁ ׆5ׁׁׂ>׃ׁׁ׉ ׁHׇׁׁׂXׁׁ ׈TׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂwׁnׁׁeׁׁׂwׁnׁׁeׁׁׂMׁ׃ׁRׁׁ=ׁׅ׃@ׁׁׂNׁׂיRׁׁ=׋ׁגבׁ׎ׁ@ׁׁׂN׉׆Rׁׁ=׋AׁׁׂNׂׅRׁׁ=׍׆׈׈@ׁׁׂOׁׂ ׁׁׁׄ^ׁׁ=ׂׄׄ ׁ׆ׄ ׁׁEׁׁׂOׁׂ ׁׁׁ[ׁׁ=ׄׄ ׁ ׄGׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׁׂgׁׁeׁׂigׂeׂeׂeׂeׂeׂeׂ::lpl3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f 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ׁׁׂ!ׁׁׁ ׁ ׁ׃ ׁׁׂ!ׁׁׁ ׁ ׁ׃ ׁׁׂ!ׁׁׁ ׁ ׁׂ ׁׁׂ!ׁׁׁ ׁ ׁׂ ׁׁׂ!ׁׁ ׁׂׂ ׁ ׁׁ ׁׂׂׂ ׁ!ׁׁ ׉ׁ ׁ ׁׁׂׂ׉ ׁ!ׁׁ ׆ׁ ׁ ׁׁׂׂ׆ ׁ!ׁׁ ׆eB׆ ׁ!ׁׁ ׁ ׁ ׁ׃״ׁׂ ׁ!ׁׁ ׁׁׄ ׁ ׁׄ״ׁׁׂׄ ׁ!ׁׁ ׁ ׁ ׁׄ״ׁׂ ׁ!ׁׁׁ ׁ ׁׅ״ׁׁׁׁׁׁׂ ׁ ׁׁׁׁׁׁׁׁׁׂ ׁ ׁׁׁׁׂׂׂ׊ׁׁׂׂMׁׁׁ ׁ ׁׁׁׁׁׂ׆׆ׁׁגׁׄ׋Pׁׁׁ ׁ ׁׁׁׁׁׂדו׈ׇTׁׁׁ ׁ ׁׁׁׁׁׂׄ׃ׁ׃׌ׅ׆Pׁׁׁ ׁ ׁׁׁׁׁׁׁׁׁׂׄ׆׉ׇׁׁׄOׁׁׁ ׁ ׇׁׁׁׁׁׁׂׂׂPׁׁׁ ׁ ׁׁ ׁׁׂ ׁׁׁׁYׁׁׁ ׁ ׁׁ ׁׁׂ ׁׁׁׁYׁׁׁ ׁ ׁׁ ׁׁׂ ׁ ׁׁYׁׁׁ ׁ ׁׁ ׂׂ ׁׁׂ!ׁׁׁ ׁ ׁׁ ׉ ׁׁׂ!ׁׁׁ ׁ ׁׁׁׁ ׁׁׂ!ׁׁׁ ׁ ׁׁ׃ ׁׁׂ!ׁׁׁ ׁ ׁׁ  ׁׁׁׂSׁׁׁׁׂ ׁ ׁׁ ׁׄ ׁׁׁׂSׁׁׁׁׁ ׁ ׁׁ  ׁׁׂׂ׋׃ׂׂ׆ׇׁׂׂ ׁׁׁ ׁ ׁׁ ׁׁׂ׆׆ׁׁהׁ׃ׁׁ׉ׇ׈ׁׂׂׅ׍ ׁׁׁ ׁ ׁׁ ׁׁׂדוׇׇׁׁׂׂ׏׃׉ ׁׁׁ ׁ ׁׁ ׁׁׂׄ׃ׁ׃׏ׁׂׄ׃ׁׁׅׄׄ׈ ׁׁׁ ׁ ׁׁ ׁׁׁׁׁׁׁׂׄ׆׎׆׆ׄ׆ׁ׊ׇׄ׉ׁׁׁׁ ׁ ׁׁׁׁׁׁׁׂׂׂׂׅ ׁׁׁ ׁ ׁׁׁׁׁׂ ׁׁׁ ׁׁׁׁׁׁׁׄ ׁ ׁׁׁׁׂׂ ׁׁׁ ׁׁׁׁׁׁׄ ׁׂׂ ׁ ׁׁ ׁׂׂׂ ׁ ׁ ׁׁ*ׄ ׁׁׁׁ ׉ׁ ׁ ׁׁׂ ׁׂ׉ ׁ!ׁׁ ׉x. ׁ!ׁׁ ׁ ׁ ׁׁׂ ׁׂ ׁ!ׁׁ ׁׁׄ ׁ ׁׁׁׁׂׂׄ ׁ!ׁׁ ׉ׁ ׁ ׁׁׁׂׂ׉ ׁ!ׁׁ ׁׂׂ ׁ ׁׁׁׂׂׂׂ ׁׁׂׂׄ׈ׂ׃ׁׁׂ׈ׁׁׁׂׂ ׁ ׁׁׁׁׁׂׂ׊ׁדׁ׊׃׌׊ׁ׆ׁ׌׆ ׁׁׁ ׁ ׁׁׁׁׂׅ׆ ׂׅ׆ג׊׉ׁ׆ׁׁׁ ׁ ׁׁ׃ׁׂ ׁׂׅ׃׆׃׉׃ׄ׃ׁׅ ׁׁׁ ׁ ׁׁׁׂׂ ׁ׆ׁ׆׈׆ׁ׃ׁׁ׌׆ׁ׆ׁ׆׈ׁ ׁׁׁ ׁ ׁׁ ׁׂׂ ׁׂׂׅ׆ׂ׃ׂ ׁׁׁ ׁ ׁׁ ׄ״ׁׂ ׁׁ/ׁ ׁ׃ׁ׃ׁׁ ׁׁׁ ׁ ׁׁ ׅ״ׁׂ ׁׁ/ׁ ׁ׃ׁ׃ׁׁ ׁׁׁ ׁ ׁׁ ׁׁׁׁׂׂ ׁ ׁׁ׃ׁ 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ׁ!ׁׁVׁ!ׁׁVׁ!ׁׁVׁ!ׁׁVׁ!ׁׁVׁ!ׁׁVׁ!ׁׁVׁ!ׁׁVׁ!ׁX!ׁ}ׁ}ׁ}ׁ}ׁ}ׁ7_._lph3f333f3333f3ffffff3f̙3f3f333f333333333f33333333f33f3ff3f3f3f3333f33̙33333f3333333f3333f3ffffff3f33ff3f3f3f3fff3ffffffffffff3ffff̙fff3fffffff3ffffff3f333f3333f3ffffff3f̙̙3̙f̙̙̙̙3f3f333f3333f3ffffff3f̙3f3f3f333f3333f3ffffff3f̙3f3f (((555CCCPPP]]]kkkxxxWWz`W{GmGm/G)442{pp([4W.{(R{?Mr?Mbׁ2ׁׁ2ׁh׆ׁׂׂ׊ׁׁׁׂׂׅ׉ׇe׆אׁ׍׆ׇׁׁגׄ׏ׇבגhו א׍ׄוג"ׇׂמi׆׈ ׉ׁׁׄ׃׌ׇׁׅׄ׉ׇׅhׄ׌ׁ ׉ׁׁׁׁׁׄ׆׉ׄ׋ׁׁׂׄ׊׋ׄhׁׂׂ׈ׂ׆ׁׁׁ ׁׁAׁׁ'ׁׁׁ ׁׁAׁׁ'ׁׁ!ׁׁ3ׁׁ=ׁ ׂSׁׁ+ׁ ׁׁRׁׁ+ׁg׉ׇׁׂׂׂ׈׆ׁׂׂ׊dׂׂׂ׉׆ׁׁׂׂׂׂׄ׃׆ׄd׉ׄ׈ׁׂׂׅ׍ׁדׁ׆א ׆׆ׁׁגeׂׄ׋ׁ׉ׄ׆ׁ׈ׁׁא׌אׇׁׁׄ׆ׁcאׇ׏׃׉ ׂׅו דוe׆׆ׁׂא׊ׄ ׇׁׄוׇׄׄׄ׊d׉ׁׁׅׄ׈ׂ׃׆׈ ׄ׃ׁ׃׌eׁׂׂ׉ׁ׆ׁׄ׃ׄ׃׆ׂ׃ׁׄ׆ׁcׇׁׄ׊ׄ׆׉ׁ׆׈׆ׄ׌ׁׁׁׁׁׄ׆׉eׁׄ׃׈ׇׄׄ׈ׁׁׄ׃ׇ׆ׁ׆׃ׁ׆ ׁׄ׆ׁbׁׂׂׅ ׂׂdׂׅׅׄdׄ ׁׁׁׄQׁׁׁeׁׁ ׁ ׄ ׁׁׁ%ׁׁ ׁׁ ׄ ׁׁׁׄQׁׁׁeׁׁ ׁ ׄ ׁׁׁ%ׁׁ ׁׁ ׁׄ ׁׁׁ4ׁ ׁmׁׁ ׁ ׁׁׁ:ׁ'ׁׁׁׁ`ׁׂׂׂׄ׋׆ׁׂ׉ׇׂׂׂaׁׂׂׂׄ׋ׂׄ׆ׇׁׂׂkׁ׌׆׆׆ׇׁׁ׋ׁ׆ׁ׈ׁכׁ׈ׂ׃׋ׁ`ׁׄ׆׆׆׆ׁׁהׁ׆׌׆ׁ׈׌גkׁ׆ ד׊׉ׂ׊ׄ עׅ׎ׁׂ`ׇׁ דוׁׂ׆ׄ׊ׁׄׄדlׁׅׄ׃ׁ׃ׁ׌׆ׄ׉׌ׂׂׅcׁ׆ׄ׃ׁ׃׏ׄ׆ׇׁׄ׃׊kׁ׆׈ׁׁׁׁׁׄ׆׎ׄ׈ׁ׏ׇׁ׈ׁ׃׃׈aׇׁ׈ׁׁׁׁׁׄ׆׎ׁׁ׌ׄ׈ׁחׇkׁׂׂׂׂׅׄbׁׂׂׂׂׂׂ׊lׁׁׁׁ ׁ ׁ%ׁׁ ׁׁ ׁeׁׁׁׁׁׁׁ)ׁzׁׁׁׁ ׁ ׁ%ׁׁ ׁׁ 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׃ׅVHׁHVׇ HVדׁ׆aׁ׃ VH HVVHׂH VHׂH ׄHׁׂH ׁ׆ ׁׁVHׂHHV׆ HVׁׂׂ׆aׁׄVHHׂH VVVHׂH VH ׂH ׄHׂH ׁ׆ ׁׁVVHVׂHׅ׃ׁׂaׁׁׂVHׂH VVHׂHVHׂH ׄHH ׆ ׁ׃VHVHׁׅ!ׁׂׂׅsׁׁVH ׂH VH ׂHׄHׁׂH ׄHׄH׆ ׁׂ ׂ HVׁHׁׂ$ׁ!ׁsׁׁVH ׂH VHׂH ׄHׂH ׄH Hׁׁ ׁ׆ HV ׇHׁׂׄ׃HH ׁsׁׁVH ׂ HVHׂׄH ׄHׁׂH ׄH Hׁׁ ׁׂ HVׁׁHׁ ׂׅ#H ׁrׁ ׈VVHׂ HVHׂׂH ׄHׂH ׄHׂH ׁׁ ׁׁׂ HVׁHׁ׃ ׁH H ׁrׁ ׅVH ׂ HVHׂׂH ׄH ׂH ׄHׂׄH ׁׁ ׁׂ H HׁׁׅH H ׁqׁ ׄHׂׂ HVHׂׄH ׄH׃H ׄHׂׄH ׁׁ H ׁHׁ׃ׁHׁHH ׁqׁ ׃Hׁׂ HׂHׂH ׄHׁ׃H ׅHׂH ׁׁ HHׁׁׁׂH ׁHH ׁqׁ ׄHׁ HׂH ׂH ׄHׁ׃HHׂH ׁ ׂׅׅHׂHׁׁׄH ׁHH ׁqׁ ׃H׃ׁ HׂHׂH ׄH׃HׄHׂH ׁ ׂׅ׊HHׁׁׁH ׁHH ׁjׂׂ ׃Hׁׂ H׃HׂH ׄH ׃H ׃HׂׂH ׁ ׅׄ ׄH HׁׂH ׁHH ׁ[ׁׁׄ ׃H ׂ H׃HׁׂH ׄH׃H ׃HׂׅH ׁ ׁׁׅ ׄ HHׁ H ׁHH ׁׁׄZׅ׃ ׃Hׂׂ H׃H ׂH ׄHׁ׆H ׃HׁׂH ׁ ׂ~ׁׁׁ ׁH׃׆ HH ׁHH ׇׁZׅׄ׃Hׁׂ H׃H ׂH ׄH׃H ׃HׂׅH ׁׁׁׄH׉ HHH ׁHHׅZׁׂׅ׃Hׂ H׃H H׆Hׂ׃H ׃HׂׄH ׇׁׁׂH׃H ׁHH ׁHHׇeׁׁ׃Hׁׂ H׃HHHׂ׃H ׄHׁH ׁׁׅ HׂH ׁHH ׁHHׁׁjׁׁ׃H ׂ H׃H HׄH ׃H ׄH׃HׁׁׅׄHH ׁHH ׁHH ׁqׁׁ׃Hׁׂ HׁHH ׄH ׃H ׄHׄHׁ ׁׁH H ׁHH ׁHH ׁpׁ ׆Hׂ HׁHH ׄH H ׄHH ׁׁ ׌H H ׁHH ׁHH ׁoׁ ׅHׂׄ HׁHH ׄHH ׄHH ׁׁ ׈ HHH ׁHH ׃HH ׁoׁ ׄHׂ H׃HH ׃H H ׄHH ׁׁ ׄHׁHH ׁHHHH ׁoׁ ׃H ׂ HHH ׁHH ׄHׁH ׁׁ ׁHׁHH ׁHHׁHH ׁoׁ ׃Hׂ HׁHH ׁHHHׂH ׁ ׁׂHׁH H ׁHH ׁHH ׁoׁ ׂH ׂ HׁHH ׁHHׄHׂH ׁ׆ׂ HׁH H ׁHH ׁHH ׁiׁׁ ׃Hׂ HׁHH ׁHH ׄHׂH ׁ ׅ  HׁH H ׁHH ׁHH ׁd ׃H ׂ HׁHH ׁHH ׄHׂH ׁ ׄׄH HׁH H ׁHH ׁHH ׁ ׂYׂׅ ׃Hׂ HׁHH ׁHH ׄHׂH ׁׁׁׁׁׁH HׁH HHH ׁHH ׁXׄ׃Hׁׂ HׁHH ׁHH ׄHׂׄH ׁׁׁׂH HׁH HׁHH ׁHH ׁׂYׁׁ׃H׃ׂ HׁHHHH ׄHׂׄH ׁ׆ׁׁׁH HׁH H ׁHH ׁHH ׁ׆Wׂ ׁׁ׃Hׁׂ HׁHHׁHH ׄHׂH ׁ׈ׁׁׁH HׁH H ׁHH ׁHH׆bׁׂ׃Hׂ HׁHH ׁHH ׄHׁׂH ׁ׆ׁׅH HׁH H ׁHH ׁHHgׁׁ׃H ׂ HׁHH ׁHH ׃HׄH׆ׁ ׃H HׁH H ׁHH ׁHHׁnׁ ׆Hׂ HׁHH ׁHH ׃HׄHׇׁ ׂH HH H ׁHH ׁHH ׁmׁ ׅH ׂ HׁHH ׁHH ׃HH ׁׁ ׁ ׁH HׁH H ׁHH ׁHH ׁmׁ ׃Hׂ HHH ׁHH ׃HH ׁׁ ׁH HׁH H ׁHH ׁHH ׁmׁ ׃Hׁׂ HׁHH ׁHH ׃HH ׁׁ ׁH HׁH H ׁHHHH ׁmׁ ׃Hׂׂ HׁHH ׁHH ׃HH ׁׁ ׁH HׁH H ׁHHׁHH ׁmׁ ׂH ׂ HׁHH ׁHHHH ׁׁׅ ׁH HׁH H ׁHH ׁHH ׁmׁ ׂHׂ HׁHH ׁHHׄHׁׁH ׁ׆ ׁH HׁH H ׁHH ׁHH ׁfׁׂ ׂHׁׂ HׁHH ׁHH ׄHׂׂH ׁ ׃ׄ ׁH HׁH H ׁHH ׁHH ׁb ׃Hׂ HׁHH ׁHH ׄHׂH ׁׁׁׁׅH HׁH HׂHH ׁHH ׁb׆ ׃H ׂ HׁHH ׁHH ׄHׂH ׁׁׁׂׅH HׁH HHH ׁHH ׁ Vׅׄ׃H ׂ HׁHH ׂHH ׄHׂׂH ׁׁׁׁH HׁH HׁHH ׁHH ׁ׆Yׁׂׂ׃H ׂ HׁHHHH ׄHׂH ׁׁׁׁH HׁH H ׁHH ׁHH ׁUׂ ׁׁ׃H HׁHHׁHH ׄHׂH ׁ׃ׁׅH HׁH H ׁHH ׁHH ׇׄ`ׁׂ׃H HׁHH ׁHH ׄHׂH ׁ׆ׁ ׃H HׁH H ׁHH ׁHH׆`ׁׄH HׁHH ׁHH ׄHׂH ׁ׈ׁ ׂH HH H ׁHH ׁHHׁׄ`ׁ ׃H HׁHH ׁHH ׄHHׇׁ ׁH HׁH H ׁHH ׁHH ׁkׁ ׁH HHH ׁHH ׄH Hׁׄ ׁH HׁH H ׁHH ׁHH ׁkׁ ׁH HׁHH ׁHH ׄHH ׁׁׁ ׁH HׁH H ׁHH ׁHH ׁkׁ ׁH HׁHH ׁHH ׃HH ׁׁ ׁH HׁH H ׁHH HH ׁkׁ ׁH HׁHH ׁHH ׁHH ׁׁ ׁH HׁH H ׁHHׁHH ׁkׁ ׁH HׁHH ׁHH ׂHH ׁׁ ׁH HׁH H ׁHH ׁHH ׁkׁ ׁH HׁHH ׁHHHH ׁׂׅ ׁH HׁH H ׁHH ׁHH ׁkׁ ׁH HׁHH ׁHH ׁHH ׇׁ ׁH HׁH H ׁHH ׁHH ׁaׅ ׁH HׁHH ׁHH ׁHH ׁ׆ׁׅH HׁH HׂHH ׁHH ׁ_ ׁH HׁHH ׁHH ׁHH ׁׁׁׂׅH HׁH HHH ׁHH ׁ`׆ׁׄH HׁHH ׁHH ׁHH ׁׁׁׁH HׁH HׁHH ׁHH ׁ`ׁׁׂׄH HׁHHHH ׁHH ׁׁׁׂH HׁH H ׁHH ׁHH ׂ׃TׁׁׁׄH HׁHHׁHH ׁHH ׁׁ ׄH HׁH H ׁHH ׁHH ׁ׈]ׁׁׂH HׁHH ׁHH ׁHH ׁ ׁׂ ׂH HׂH H ׁHH ׁHH ׁ׆\ׁ ׄH HׁH H ׁHH ׁHH ׁׁ ׁH HH H ׁHH ׁHH\ׁ ׃H HׁH H ׁHH ׁHH ׁ׉ׁ ׁH HׁH H ׁHH ׁHHׁ ׂ]ׁ ׁH HH H ׁHH ׁHH ׈ׁ ׁH HׁH H ׁHH ׁHH ׁׂaׁ ׁH HׁH H ׁHH ׁHH׈ׁ ׁH HׁH H ׁHH ׁHH ׁiׁ ׁH HׁH H ׁHH ׁHHׁ׆ׁ ׁH HׁHH ׁHH ׁHH ׁiׁ ׁH HׁH H ׁHH ׁHH ׁ ׁ ׁH HׁHH ׁHHHH ׁiׁ ׁH HׁH H ׁHH ׁHH ׁ ׁ ׁH HׁHH ׁHHׁHH ׁiׁ ׁH HׁH H ׁHH ׁHH ׁ׆ׁ ׁH HׁHH ׁHH ׁHH ׁiׁ ׁH HׁH H ׁHHHH ׇׁ ׁH HׁHH ׁHH ׁHH ׁbׁׂ ׁH HׁH H ׁHHׁHH ׇׁׁׅH HׁHH ׁHH ׁHH ׁ^׆ ׁH HׁH H ׁHH ׁHH ׁׁׁׁׂH HׁHHHH ׁHH ׁ_ׂׅ ׁH HׁH H ׁHH ׁHH ׁׁׁׁׄH HׁHHׁHH ׁHH ׁ\ׁׄH HׁH H׃HH ׁHH ׁ ׁׁׂH HׁHH ׁHH ׁHH ׁ]ׁׁׂׅH HׁH HHH ׁHH ׁ ׁ ׄH HׁHH ׁH H ׁHH ׁ]ׁׁׂׂH HׁH H ׁHH ׁHH ׁ ׁ ׂH HׁHH ׁHH ׁHH ׁׄZׁׅH HׁH H ׁH H ׁHH ׁ ׁ ׁH HHH H ׁHH ׁ׈Zׁ ׃H HׁH H ׁH H ׁHH ׁ ׁ~ׁ ׁH HׁHH H ׁHH ׁ׈Zׁ ׁH HH H ׁHH ׁHH ׁ}ׁ ׁH HׁHH H ׁHHZׁ ׁH HׁH H H ׁHH ׁ׃}ׁ ׁH HׁHHH ׁHHׁ׈Zׁ ׁH HׁH H H ׁHH ׂ}ׁ ׁH HׁHHHׁHH ׁׁׂ[ׁ ׁH HׁH H H ׁHHׁ׃|ׁ ׁH HׁHHHׁHH ׁgׁ ׁH HׁH HH ׁHHׁ|ׁ ׁH HׁHH0׃HH ׁgׁ ׁH HׁH HHׁHH ׁׁׁ ׁH HׁHH' HH ׁgׁ ׁH HׁH HHׁHH ׁׁׅ ׁH HׁHH ׁHH ׁgׁ ׁH HׁH H/HH ׁ~ׇ ׁH HׁHH ׁHH ׁ_ׁׁ ׁH HׁH H& ׁHH ׁ~׃ׄ ׁH HׁHH ׁHH ׁZ ׁH HׁH H ׁHH ׁ~ׁׁׁׁׂH HׁHH &ׁHH ׁZׇׂ ׁH HׁH H ׁHH ׁ}׆ׁׁׂH HׁHH/ׁHH ׁZׁׅH HׁH H ׁHH ׁ ׁׁׂH HׁHH2ׁHH ׁZׁׁׁׂׂH HׁH H &ׁHH ׁ ׁ ׄH HׁHH2ׁHH ׁZׁׁׂׅH HׁH H/ׁHH ׁ ׁ ׂH HHH2ׁHH ׁeׁׅH HׁH H2ׁHH ׁ ׁ ׁH HׁHH3ׁHH ׁ ׂXׁ ׃H HׁH H2ׁHH ׁ ׁ ׁHHׁHH3ׁHH ׁׁׄWׁ ׁH HH H2ׁHH ׁ ׁ HׁH H3ׁHH ׁׁׄWׁ ׁH HׁH H3ׁHH ׁ {ׁ HׁH H3ׁHH ׇׄWׁ ׁHHׁH H3ׁHH ׁׁׄzׁHׁH H3ׁHH׆Wׁ HׁH H3ׁHH ׇׁyׁHׁH H3ׁHHׁXׁ HׁH 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ׁׄoo~ҁׁ,ׁ0ׁׁׂoo~҂ (ׁׄ+ׅ ׁ oo~҃ ׁׄ#ׁׁ*ׂׅ oo~҄  ׃ +ׂ-ׁ׃ oo~ ׄ(ׂ3ׁׁ oo~ ׂ(2ׁׁ ҃o~  ׂ %׃1ׁׂ ҃oo~  ׁׁ ׄ0ׁׁ oo~#ׁׂ ׂ ׄ0ׁׂJToo~#ׁׂ ׁ.ׇ %%Joo~#ׁׁ)ׁׄ %Joo~ ׁׁ(ׇ%%J oo~"ׁ ׁ'ׇ J ҃oo~&ׁׂ~ׁ ׁׁׁ&ׂ%J ҁ~({ׁׁׄׄ"ׁ%ׁJ  (  ׁׁׁ% %ׁJ  ҂(ׁׁׂ(ׅ %* ׁJ ׂ҂(ׁ׃'ׁׄ %* ׂJ ҂'ׁׁ&ׁׂ%* J ׂ҃҂ 'ׁׁ׃$ׁ ׂ%**ׁׄJ  ׁ҂ ' ׃ׁׁׁ#ׁ ׄ%% ׂ ׁJ ҁׁ҂' ׃ ׁׁ ׁ ׁׁׄJ ҂׈& ׁׁ ׁ!ׂ ׁׂJ ׄ&ׁׁ ׁׂׂׄׄJJ ׃&ׁׁ ׁ ׁׁׂׂׄJJ %ׁׁׁ ׁ "ׁׂׂJ%ׁׁׁׁׄ #ׁׂׂ׃J%ׂ ׁׁׁׁ$ׂׂׂ ׂ% ׁׁׁׁ&ׁׂׄ׆ $ ׁׁׁׁ &ׁׂׂ׃ $"ׁׁׁׁ  'ׂׂ$ׁ$#ׁׁׁׁ׃ (ׂׂ%$׃ׁ ׁׄ)ׁׂ # ׁׂ ׁׂ  ׃*ׁׂ#( ׁׄ  ׂ+ׂׂ#)ׁׁ ~ ׂ&ׁׂ#*ׁׁ ׁ  ~ -ׂׂ "!ׁ ׁׁׁ  ~.ׁׂ"%ׄ ׁׁ ׃  ~.ׂ". ׁׁ ׁ  ~ҁ/ׂ-/ׁׁ ׁ  ~҂~ 0ׂ'2ׁׁׅ ׁ  ~ҁ 2ׂ!3ׁׁׁ ׁ   ~ ҃~~ 3ׁ+ׁׁׁׄ ׁ  TT ~ ҆~~~ ҁׂ-ׂ0ׁ ׁׁׁ ׁ TT ~ ҁ~҄4ׂ8ׂ ׁׁׁ ׁTT ~ ҁ~ׂ҄0ׂ <ׁ ׁׁׁ ׁT ~ҁ~ ҃6ׂ@ׁ ׁׁׁ ׂT~ҁ~ ҃8Aׄ ׁׁׁ ׁ T~oҁ~҃~ׁ ׁׁׁׁ T҇~~ooҁ~҃z׃ׁׁׁׁ To~҃{ׁׁׁׁׁTo~҂zׁׁ  ׁׁ Too~҂ׁtׁׁ ׂ ׁׁ TJ~҂qׁׁׁ ׁ ׁׁ  TJJ%~~ҁׁsׁׁׂ ׁׁ TTJJ*rׁׁ ׁׂ  ׁׂ TTJJ**T*uׂ ׁׂ  ׁׁ ~ J* uׁ ׁׁ ҃ ׁׁ ~~ JT*T sׁׅ҃ ׁׁ ~ J* rׁׁׁ҄~ JJ *T* qׁׁׁׁ҃~ J * ׁfׁׂ ׃ׁׁ҄ ~JJ *T*T҂ ׁgׅ ׁׁׄ҄ ~~ ҂J * oׁ ׅ҄ׄ~ ҃JT*T* kׄ ׂҁ҅ׄ~ ҃J*% mׁ ׃ҁҁׄo~ ҁ҄JT*J lׁ ׁҁҁׄoo~ҁ҄ **% lׁׁҁҁo~ҁ҆T% jׁ ׁҁҁo~ҁ҂ ҁ%% eׁׁׁҁ҄o~ҁ҃ ҂JTׁ_ׂҁ o~ҁҁ ҁҁ҅%Tdׁׁׁҁ oҁ ҁ ҁҁ ҂Teׁׄҁo ҁ ҁҁ ҂Thׁׁ  o ҁҁҁ ҁ  Tdׁׁ  o ҁ҂ҁ  Teׁׁ  o ҁҁ ҁ ҁ Tgׄ JJ o ҁҁ ҁ ҁ Tbׁׄ %%J o  ҁ ҂ TJbׇ %%*TJ o ҁ TJbׁ׃ %*TJ  o  ҃ TJJׁ` %TTJ o  ҁҍTJJcׁ **TJ  ҁ ҄JJׁa %*J   ҁ iׁgׅ %*J҂*  ҁiׁkׁׁׂ%* Jҁҁҁҁ ׆׆דׁׄׄ׃׎ׇׁׅׄׄ׃׉ׅIׁׁׁ%*TT J҂ҁҁҁTTׁ׃׃׆׉הׁׁ׉ׁ׃׃׃׃ׄ׃ׁׁבׇׁׁׅׄ׃ׁׄ׃ׁׁ׃׉ׁMׅׄ%**TTJҁҁҁ ҃TTׁׁׁ׃׆׃׃ׁ׃׆ׁׁׁׁ׃ׁׁׄ׃ׄ׃ ׄ׋ׅׄ׃ׁׁ׃ׁׄ׃ׁׁ׃׃ׁMׁׁ ׆% ׂ ׇJJ  ҃ ҁҁҁ ҁׁTׁׁ׃׆׃׃ׁ׃ׁ׃׃ׂׂׅׄׄ׃ׁׁ׃ׁׁׁׂׄ׃ׁNׄ ׂ ׁ ׇJJJ  ҈T ҂ҁҁ ҁ׃Tׁ׃׃׆׃ׇׄ׆ׁׅ׍׃׃׃׃׊ׁׁ׃׋ׁ׌ׇׁ׃ׁ׊ׁׁ׉ׇRׂ ׁ ׁ ׁ J ҆TTҁ  ҁҁ ҁׁTׅ׆ׅׄSׁ ׂ ׂ ׂ׆J ҁTҁ ҃ ҁ҅ҁׂT0ׁׁׁ7ׁׄ+ׄ%ׁׁׄUׂ ׁ ׁ ׁ׆ ҁT ҁ ҁ ҁ T0ׁׁׁ7ׁׄ+ׁׁׁׄׄWׂ ׂ ׁ ׂ׋ҁT ҁ ҂ ҁ ׁTlׁ ׁ ׂ ׁ׉~ ҅ T ҁҁ ҁ  ׁTmׂ ׂ ׁ ׂ׉~~~ T ҁ  ҁ  ׈TTJiׁ ׁ ׂ ׇ~JT ҁ ҁ׃TJjׂ ׂ ׁ ׃~ JJT ҁ׆J-ׁCׂ ׁ ׂ ׂ~o JJT ҃ *% J-ׁEׁ ׂ ׁ ׁ҅~~o JT  % ׄJׁׄ׃׆ׁ׆׃ׁׅׄ׆ׁׁ׋ׁ׆ׇׂ ׂ ׁׂ҅~oo JTT%  ׁׄׄ׃ׁׁ׉׊׃ׁׁ׃ׁ׃ׁׁׁׅׄ׉׃ׁׁׁׁׅ׌׃ׇׇׁׁ ׁ ׁׁ҄oo J*o ׁׂׄׄ׃ ׄ׃ׄ׃ׁ ׁׄ׃ׁׄ׃ׁׁׁׁׄ ׁ׃׆׈׃ׁׁ׃׃ׁׂ ׂ ׁׂ҄oo J %ooׁׁׁׁׂׂׄׄ׃ׁׁׁׂ׃ׇׁׁׄ׃ׁ׃ׁׂ ׁ ׁׁ҄oo Jҁ  ҃%oׁׁׁׄ׊ׁׁ׃ׄׄ׃׃ׁׁ׃ׁ׃ׁ׌ׁׁ׃׃׃ׁׁׅ׃׃׈׃ׁׁ׃ׇ ׁ ׂ ׁׁ҃oJҁҁ҂o׆ׂ ׃ׄ ׂ ׁ ׅ҃o ҂҂ o$ׁׁׄ1ׄ4ׁׁ#ׁ ׁ ׂ ׃҂҂҂ oׁ%ׁׄ ׁ%ׁ ׁׄ.ׁׄ ׁׂ ׁ ׂ  ҂% o 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ׁׁׂ ׁ|jׁ|ׂkׁ|ׁ[ ׁ}ׁׁׁׁׁ ׁׁׁׁׁ ׁׁ ׁ}ׁׁׁׁׁׁׁׁׁׁׂ ׁׁׁׁׁׂ ׁׁׁׁ ׁׁׁׂ ׁׁ ׁ ׁׁ׃ׁ ׁׁׁ ׁׁ  ׁ ׁׁׁׅ ׁׁׁ ׁׁ ׁׁׁׁׂ׃ ׁׁׁ ׁׁׂ ׁׁׁׁׂ  ׁׁׂ ׁׁׁׁׁׂ׃ׁ ׁׁׂ ׁׁׁׁׁׁׂׂ ׁׁׁׁׁׁׁׁׂׂ ׁ ׁׁׁׁׁׂׂׄ״ׁ ׁׂ׃ ׁׁׂ׃ׁ׃׃״ׁ ׁׁҁ ׁׁ׈ׁׁׁׂׂ ׁ҂ ׁׁׁׁׁׂׅ ׁׁ ׁ|ׁׁׁׁׁׁׁׂׂׅ ׁ[ ׁ}ׁׁׁׁׁ׃׃״ׂ ׁׁׁ ׁ}ׁׁׁׁׄ״ׁׁ ׁ׃ ׁ ׁׁׁ  ׁׁ ׂ ׁׁׂ ׁׁ  ׁׂ׃ׁׁ ׁׁׁ ׁׁ ׃ׁׁׁׂ ׁׂׄ ׁׁׁ׃ׁׁ׃ׁ ׁׁׁׁׄ ׁ׃ׁׂ ׁׁׁׁׅ ׁׂׂ׃ׁׂ ׁׁ ׁ  ׁׁׂ  ׁׁׁ ׁ ׁׁׁ״ ׁׁׁׁׁׁׂ ׁ ׁׂ ׁׁׁ ׁׁׁׂ ׁ ׁ ׁׂ ׁׁׁׁׁׂ ׁׄ ׁ ׁׂ ׁׁׁׁׁׂׂ  ׁ׃ׁׂ ׁׁׁ ׁ ׁׁׁ ׁ  ׁׁׁׂ ׁ|ׁׁׁ ׁ ׁׁׂ ׁ ׁׁׁׂׂ ׁ}ׁ[ ׁ~ׁׁׁׂ ׁׁׂׅ ׂ ׁׁׂׂ ׁ ҃ ׁ}ׁׁׁ ׂ ׁׁׁׂ ׂ ׁׁׂ ׁ ׄ ׁׁׁ ׂ ׁׁׁׂׂ ׁׁׂׂ ׁ ׃ ׁׁׁ ׂ ׁׁׂ ׁׂ ׁׁׂ ׁ ׂ ׁׁׁ ׁ ׁׁׂ ׁׁ ׂ ׁׁׂ ׁ ׂ ׁׁׁ ׁ ׁׁׁׁ ׁׂ ׂ ׁׁ ׁ ׁ ׁׁׁׁ ׁׁׁׂ ׁׂ  ׁ  ׁׁ ׁׁׁׁ ׁׁׅׄ ׂ ׁ׃ׁׁ ׁׁׁׁ ׁׁׄ׃ ׁׂׄ״ׁׁ ׁׁׁׁ ׃ׁׁׁׂׄ״ ׁׁ ׁׁׁׁ ׂ ׁׁ ׁׂ ׁׁ ׂ ׁׁ ׁׁׁׁ ׁ ׁׁ ׁׂ ׁׁׁׂׂ ׁׁׁׂ ׁ ׁׁ ׁׂ ׁׁׁׂׂ ׁׁׁׁ ׁ ׁׁׂ ׁׂ ׁׁׁׁ ׁ|ׁׁׁׁ ׁ ׁׁׂ ׁׂ ׁׁׂׂ ׄ ׁ|ׁ[ ׁ|׃ׁׁ ׁ  ׁׁ ׁ ׁׁׂ ׁ ׃ ׁ}ׁׁׁ ׁׁׁ  ׁ ׁׁׁ ׁ ׃ ׁ|ׁׁ ׁ ׁ ׁ ׁׁׁ ׂׄ ׁׁׁׁׁׁ ׁׁׂ ׁ ׄ ׁׁׁׁׁׁׁׂ ׁׁׁ ׁ ׄ ׁ[ׁ ׁ ׁׁׁׁׁׄ ׁׁׂ ׁ ׄ ׁ[ׁ ׁ ׁ ׃ׁׁׁׁׁׂׄ ׂ ׄ ׁׂ׊׉ׄ׃׊׊א4ׁׁׄ ׁׂׂׄ ׁׁׁ ׁ ׁׁ ׁל׏תׁגץב4׃ׁׁׁ ׃ ׁׂׅ׃ ׁׁׂ ׁ ׁׁ ׁׁט׉׉׊ׁ׃ׁחא4ׁׁׁׁ ׁׁׂׂׂׂׄ ׁ ׁׁ ׁ ׁׁ ׁׁח׈׃וא׈׳ב3ׁ  ׁ ׁׁ ׂ ׁ ׁׁׂ ׅ ׁ ׁׁ ׂ ׁׁ ׇׁׁׁ׃ׂׅׅ׃ׁ׃׈ׇׁׁׁׁׂׄ2ׁׁׁׂ ׂ ׁ ׁׁׂׂ ׁ ׂ ׁׂ ׁ ׁׁ ׁׁׁ ׁׁ ׁׁ ׁׁׂ ׁׁׁׁ:׃ ׁׂ ׂ ׁׁׁׂׂ ׁׂ ׂ ׁׁ ׂ ׁׁ ׁ!ׁ׃ ׁ ׁ ׃8ׁ:׃ׁׂ ׂ ׁׂׂׂ ׁׂ ׁׁׁ ׂ ׁׁ ׁ ׁׁׁׂ ׂ ׁׁׂׂׂׂ ׁׂׂ ׁׁ ׁ4ׁׁׄׄ^ׁ[ ׁׁׁ]ׁׁׁׁ׃ׁׁׂ ׂ ׁׁׁׁׁׂׂׂׄ ׁׁׁׁ ׂ ׁׁ ׁ2׃ׁ׃׃ׁׁׁׁ ׁׁׁׁׁׂׂׄ ׁׁׁׁ ׂ ׁׁ ׁׁׂ ׁׁ ׂ ׁׁ ׁׁׁׁׁׁׂׂׂׄ ׂ ׁׁ ׁ sׁׁׁׂׂ ׁׂׂ ҂ׂׂׂ ׁׁׂ ׁׂ ׁ ׂtׁׁׁׂׂ ׅ׃ׂ ׁׁׁ ׁׁׂ ׁ ׁZׁׁׁׂ ׅ ׁׂׂׅׄ ׁׁׁ ׁׂׂ ׁׁׁȂ† ‚ȁ „  Ȃρׁׁׂ ׁׂ ׁ ׁׂׅׄ ׁׁׂ ׁׂׂ ׁׁׂτ΄Ȃˆ„ȉȂŒ Ȃρׁׁׂ ׁׁ ׁׁׁׂׂׅ ׁׁׁ ׂׂׂ ׁׄ΁Ȃ„ ƒȁ „ Ȃρׁׁׂ ׁׁׁׁׂׂׂׅ ׁׁׁ ׁׁ׃ ׁ׉΂Ȃˆ ‚ȉȂŽ ȉׁׁ  ׃ׁׁׁׁׁׂׂׂׂׅ׃ ׁׁȂ†ƒȂ †  ȁׁׁ ׂ ҃ ׂ ׁׂ ׁׁׁׁׁׁׁׁׂׂ҃ׄ ׁׁȂ΄ Ȃ„‚ȋ ΂ȂŒ ȁׁׁׁ ׂ ҄ ׂ ׁׂׂ҂ׁׁׁׁׂׂׅ ׁׂȂ„ƒȃ ‚ȁׁׁׁׂ ׁׂ ׂ ׅ ׂ ׁׂ׃ ׁׁׁׁׁׁׂ ׁׁ ȃ Ȃˆ„Ȉ΁΂ȅŒׁׁ ׁׂ ׁׂׂ ׂ ׅ ׁ ׁׂ׃ׁׁׁׁׂׂׂׂׂ ׁׁȂ†ȁ΁ ΁ Ȃˆׁׂ ׁׂ ׁ ׂ ׁ ׂ ׁׁׁׁׁׁׁׁׁׂׄ ׁׄȂ„„Ȉ΁ ΅΂Ȅ‚ׁׁׂ ׁׂ  ׁ ׂ ׁ ׂ ׁׁׁׁׁׁׂׂׂׂׅ ׇׁȂȁ΁ ΁΁΁ȁ׃[ ׁ׃‚ Ȃˆ„Ȉ΁Ώȁ„ׁׁ ׁׁׂ ׁׂ ׂ ׁ ׁ ׁׁׁׁׁׂׂׄ҂ ׁ׃ Ȃ„ȁ΁΁΁΁΁ȁ‚ׁׁׂ ׁׂׂ ׂ ׁ ׁ ׁׁ׃ׁׁׂׂׂ׃ ׁׁ‚Ȃ„ȁȆ΁Ε΄ˆׁׁׂ ׁׂׂ ׂ ׁׁ ׁׁׁׁׂׂׂׄ ׁ ׁׂȂȁ΁΁΁΁΁΂΂ƒׁׁׂ ׁׂׂ ׁ ׁׁ ׁׁҁׁׁׂ ׁׂׂ ׁZׁׁׁׁׂ ׁ ׁׂ ׁׁׁׁׂׂׂ ׁׅ ׁׁׁ ȃ„ȁ΁Άƒׁׁׁׂׂׂ ׁׁׂ ׁׁׁׂׂׂׄ ׂׂ׃ ׁׁׁ ‚ȁˆȁȤ΁΂ˆׁׁׂ׉ ׁׁׁׁׂׂׂׅ ׁׁׂ 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M WA$ > M WC  >NSFNNNNNNNNNNvoivoiuohqoqvqoqvqoqvq)+qvJ&D*qvJ&)Eqv"#-*/.%)"")-//%)""-*//%)"")-//%)""-*//%)"#),/.%*" 1-*//%8" 1)-//%8" 1+*/=%5q)Eqvq**qvqoqwomoommmmmmmm mmmmg{ L L o nrnno v v$ L L / <OWTd8vR-/~Vǩ 2le/k|7yefh*6kh#eFnTo{ʩHotspot 1Ok_ButtonHotspot 2Cancel_ButtonHotspot 3Apply_ButtonHotspot 4Help_ButtonHotspot 5Horizontal_Alignment_radio_buttonsHotspot 6Vertical_Alignment_radio_buttonsHotspot 7Orientation_radio_buttonsHotspot 8Word_Wrap_check_boxHotspot 9Text_boxcompress-compress-lzf-1.0.3/src/test/resources/binary/word.doc000066400000000000000000177150001237355727300245270ustar00rootroot00000000000000ࡱ> @opqrstuvwxyz{|}~ryM \bjbj== 9WW){4l  T>N >yddz>< $Y y֍]s ֍_ dz3___ dz___B64b4uz @~z>x nk4u|I0ylpy 4u_>>    Occupational Health and Safety  Committee Manual Table of contents Introduction 1 Whats in this guide 2 Chapter 1: Maintaining a safe workplace 5 Introduction 5 Fundamentals 5 What is occupational health and safety? 6 What causes accidents? 7 The internal responsibility system for occupational health and safety 12 What is the goal of an internal responsibility system? 13 What is the philosophy of internal responsibility? 14 What are the components of an effective IRS? 16 Direct responsibility for occupational health and safety 17 What are the legislated duties of employers, supervisors and workers in the IRS? 18 What is due diligence? 18 What is shared responsibility for health and safety? 19 Worker rights 20 Critical role of committees in the IRS 21 What are the major responsibilities of committees? 22 Role of the legislation in supporting internal responsibility 23 Role of the Occupational Health and Safety (OH&S) Division 24 How does the IRS link up with the OH&S Division? 25 Review 26 Chapter 2: Identifying, assessing and controlling hazards 27 Introduction 27 Definitions 27 What is a hazard? 27 What is an occupational illness? 27 What is probability? 28 What is severity? 28 What is a risk? 28 What is risk analysis? 28 Principles of hazard identification, assessment and control 29 Collect information 29 Assess the risk 30 Set priorities 30 Communicate information 32 Develop, select and implement controls 32 Identifying and assessing health hazards 33 How can health hazards be identified? 33 How can health hazards be assessed? 36 Identifying and assessing safety hazards 41 Controlling hazards 42 Example: managing the safety of controlled products Under WHMIS 43 Technical steps in hazard control 44 Selecting controls 47 Monitoring the effectiveness of controls 48 What else can be done? 48 Review 49 Chapter 3: The committees role in accident prevention 51 Introduction 51 How committees are expected to function 52 Where committees are required 52 How committees are structured 53 Selecting members 53 Posting names 54 Selecting co-chairpersons (regulation 43) 54 Terms of office (regulation 39) 54 Quorum at meetings (regulation 40) 54 Frequency of meetings (regulation 41) 55 Additional meetings 55 Minutes of meetings (regulation 42) 55 Duties of committees 56 Dealing with the concerns of workers 56 Handling refusals to work under section 23 of the Act 59 Advising and assisting the employer 63 Helping the employer with policies, plans and programs 63 Helping the employer orientate new and inexperienced workers 65 Helping the employer plan worker training 65 Worker training programs 66 Communicating with workers 68 Protection for committee members 68 Review 69 Chapter 4: Responsibilities of employers and employees towards the committee 73 Introduction 73 Responsibilities of employers 73 Training co-chairpersons 75 Providing information 76 Providing time 77 Helping the employer to inspect the workplace regularly 77 Providing progress reports 78 Helping the committee conduct investigations 78 Resolving concerns reported by the committee 80 Providing access to records 81 Responsibilities of managers, supervisors and workers 81 Managers 81 Supervisors 82 Workers 82 Review 83 Chapter 5: Holding effective committee meetings 85 Introduction 85 Meeting requirements 86 Planning meetings 86 Managing meetings and solving problems 85 Some items to concentrate on 88 Look for underlying causes of problems 90 Consider both facts and feelings 90 Involve stakeholders 92 Consider what is known and not known about the problem 92 Review the sequence of events 92 Developing recommendations 92 After the meeting 94 Role of the employer 95 Review 96 Chapter 6: Maintaining committee effectiveness 97 Introduction 97 Teambuilding 97 Establish membership 97 Clarify the expectations of committee members 98 Develop group norms 98 Agree upon goals 98 Set measurable objectives to achieve the goals 98 Establish roles and responsibilities for each member 99 Agree on ways of handling disagreements 99 Clarify how members will support each other 100 Consider how to involve influential employees not on the committee 100 Consider expectations placed on the committee 100 Consider organizational factors affecting the work of the team 100 Consider how to evaluate the performance of the committee 101 Training 101 New members 101 Review 102 Chapter 7: Inspections 103 Introduction 103 Types of committee inspections 104 Regular inspections 104 Inspections with an occupational health officer 105 Intermittent inspections 105 Training for inspections 105 Planning inspections 105 Inventories and checklists 106 What to inspect 108 Pre-inspection meetings 109 What to do during inspections 109 Handling the results 110 When an unsafe condition is found 111 Review 112 Chapter 8: Investigating accidents 113 Introduction 113 Reportable accidents and dangerous occurrences 114 Planning investigations 114 Standards 115 Carrying out investigations 115 Secure the scene and report the accident or dangerous occurrence 116 Study the scene 116 Interview witnesses 117 Investigate the physical evidence 117 Finding the causes 118 Analyze the accident factors 118 Find the accident causes 119 Taking action 120 Review 120 Chapter 9: Legislation 123 Introduction 123 The difference between an Act and regulations 123 How to locate and apply information in the legislation 124 Use the tables of contents, index and section headings to find information 124 Look in the Preliminary Matters sections to find definitions 124 Look in the appendix to find reference lists and tables 124 Key legislation for committees 125 Review 134 Appendices Appendix 1: Notification requirements for new operations 136 Appendix 2: Forms 137 How to complete a minutes form 137 Committee recommendation form 140 Committee accident investigation form 144 Appendix 3: Communication, conflict resolution and problem solving techniques for committee members 150 Introduction 150 Four principles of health and safety communication 150 Verbal communication techniques 151 Active listening 152 Written communication 153 Raising controversial issues 155 Other communication tools 156 Appendix 4: Helping the employer plan worker training 158 Training procedures 158 Monitoring orientation and training 159 Bibliography 161 Index Introduction Saskatchewan's approach to occupational health and safety legislation stems from the philosophy that responsibility for occupational health and safety is shared in the workplace. The Occupational Health and Safety Act, 1993 (called the Act) and The Occupational Health and Safety Regulations, 1996 (called the regulations) set out a structure for this internal responsibility system (called the IRS). Occupational health committees (called committees or OHCs) are required in workplaces with ten or more workers. Worker health and safety representatives (representatives) are required in high hazard industries with from five to nine workers. Committees and representatives are the primary mechanisms for employers and workers to work together in identifying and resolving health and safety concerns. Experience with committees has proven they reduce accidents and illnesses in the workplace. A committee helps the employer and workers to improve health and safety in the workplace by helping to identify and resolve concerns. This is done, in part, by: helping the employer identify, assess and control hazards providing a channel of communication between the employer and workers conducting regular inspections talking with workers about their health and safety concerns helping the employer develop and monitor policies, plans and programs participating in accident investigations and investigations of dangerous occurrences (called near misses) meeting to discuss concerns and make recommendations for corrective action to discuss with the employer What is in this guide This guide is intended to help committees and employers understand their responsibilities for establishing and maintaining healthy and safe workplaces. It is not a detailed description of the legislation. Terms used, such as work together or should do not necessarily mean that there is a legal requirement for the committee to do everything discussed. Legal requirements are partially listed in Chapter 9. The Act and regulations require the committee to perform specific tasks, such as investigating refusals to work (section 23) and dangerous occurrences (regulation 9). Generally, the legislation requires the employer to involve the committee in developing and promoting all required policies, plans, programs and procedures and in reviewing accident, injury and other prescribed reports. It is unrealistic to expect every committee to be involved in writing all prescribed policies, plans, programs and procedures. However, the employer must provide the committee with enough time and resources to provide input during their development. Read the entire manual or only what you need right now. Review the legislation as you go. Adapt the information to suit your needs. Chapter 1: Maintaining a safe workplace This chapter reviews the role of the employer and committee, how committees are expected to function and their duties within the internal responsibility system. It also discusses the role of the Occupational Health and Safety Division (called the OH&S Division) of Saskatchewan Labour. Chapter 2: Identifying, assessing and controlling hazards Read this chapter to learn the basics of hazard identification, assessment and control. Chapter 3: The committees role in accident prevention This chapter discusses the nuts and bolts of committee structure and organization. It reviews how committees operate, where they are required, how they should be set up and what their duties are. Chapter 4: Responsibilities of employers and employees towards the committee Review this chapter for information about the responsibilities of employers, managers, supervisors and workers to the committee. Chapter 5: Holding effective committee meetings Each committee is expected to meet at least once every three months. Read this chapter to find out how to hold effective meetings. Chapter 6: Maintaining committee effectiveness This chapter discusses how committee members can develop a strong sense of teamwork, obtain training and orientate new members. Chapter 7: Inspections Read this chapter for information about how committees plan, carry out and benefit from workplace inspections. Chapter 8: Investigating accidents This chapter provides information about the duties of committees and employers in investigating accidents and dangerous occurrences. Chapter 9: Legislation Read this chapter for information about the responsibilities of committees and employers as set out in the Act and regulations. Appendix This reviews special topics, such as notification requirements for new operations and how to complete a committee minutes form. It provides form templates and discusses effective communication techniques, problem solving methods and dispute resolution processes. Notes Maintaining a safe workplace Fundamentals The internal responsibility system for occupational health and safety Direct responsibility for occupational health and safety Critical role of committees in the IRS Role of the legislation in supporting internal responsibility Role of the Occupational Health and Safety (OH&S) Division Introduction This chapter reviews what causes accidents and how an effective internal responsibility system (called the IRS) for health and safety can prevent them. Well discuss responsibilities within the IRS, including the role of the occupational health committee (called a committee). Well deal with how Saskatchewans occupational health and safety legislation and the Occupational Health and Safety Division (called the OH&S Division) of Saskatchewan Labour support the IRS. Fundamentals Smart employers realize that it is easier and cheaper to manage risk than administer loss. They know the root causes of accidents and incidents (called near misses) also cause quality control, environmental protection, production and labour relations problems. They understand accident prevention also prevents other losses. Modern organizations combine health and safety with environmental protection and quality control activities. Successful employers have found effective health and safety goes hand in hand with competitiveness. Workers have a right to a safe and healthy workplace. They normally suffer the most from accidents and occupational illnesses. Since workers may know more about the daily hazards they face than the employer, it makes sense for them to have an essential role in hazard identification, assessment and control. Saskatchewans health and safety approach reflects this experience. Every officer, director, manager, contractor, supplier, self-employed person, supervisor and worker must do everything that can reasonably be expected to maintain healthy and safe working conditions (in other words, show due diligence). Joint worker/management occupational health committees (committees) play an invaluable role in helping the internal responsibility system for health and safety succeed. The IRS is discussed later in this chapter. What is occupational health and safety? The human suffering and financial loss caused by accidents and illnesses at work each year in Saskatchewan is tremendous. Accident statistics and their financial costs are set out in Saskatchewan Workers Compensation Board (WCB) figures. Every statistic represents incalculable human suffering. The suffering of the injured is often intensified by the knowledge that most accidents are preventable. Effective occupational health and safety programs prevent accidents and reduce suffering. Occupational health and safety involves more than simply correcting unsafe actions and conditions. Under section 2(1)(p) of the Act, it means: the promotion and maintenance of the highest degree of physical, mental and social well-being of workers the prevention among workers of ill health caused by their working conditions the protection of workers in their employment from factors adverse to their health the placing and maintenance of workers in working environments that are adapted to their individual physiological and psychological conditions the promotion and maintenance of a working environment that is free of harassment Where these things are not present, accidents, illnesses and loss result. What causes accidents? This book uses a simplified version of the accident causation theory proposed by Edward E. Adams. The falling domino sequences shown in this section illustrate the Adams model. The IRS concept is compatible with this model. Each domino represents a component of the IRS. The Adams model suggests that: Failures in the senior management structure (carrying out the health and safety responsibilities of the employer) produce an inadequate health and safety environment (so called root causes of accidents). These structural failures lead to inadequate health and safety behaviour by middle management. In turn, this causes inadequate health and safety performance by supervisors. This creates unsafe activities and conditions at the level of the worker (so called shop floor errors or direct causes). Shop floor errors lead to accidents or dangerous occurrences (called near misses). These produce human and economic loss. The falling domino sequence is illustrated below. The dominos cans begin falling at any point. For example, failures at the middle management level can cause problems in supervisory behaviour, eventually leading to an accident. The role of each domino in preventing accidents and illnesses in the IRS is discussed in the following sections. Management structure This represents the commitment and role of the employer, directors, owners and senior officers in: Establishing and communicating a commitment from the employer that health and safety is a top priority. Setting goals for the health and safety program/policy by: Setting objectives to help the organization evaluate its program Establishing clear standards of performance Holding subordinates accountable for their performance Setting rewards for effective performance Establishing an effective system to implement the desired performance by: Setting up an effective chain of command Providing adequate operating authority and responsibility Providing adequate delegation of responsibility Hiring and training competent staff Establish a policy/system to ensure the workplace is designed and maintained properly by: Properly engineering operations, workplace layout and production (through suitable ergonomics, lighting, ventilation, temperature control and so on) Ensuring health and safety is a major consideration in equipment purchasing and general procurement Implementing effective orientation and training programs Involving workers in developing the program through the occupational health committee or worker health and safety representative (representative) Establishing an effective occupational health committee or designating a capable representative Providing a work environment free of harassment Knowing and complying with the legislation Accountability is proportional to responsibility. The employer is ultimately responsible and accountable for health and safety. Manager behaviour Manager behaviour refers to the role of middle management in allocating adequate resources for health and safety. It also describes their responsibilities for ensuring that supervisors under them carry out their duties properly. Managers can help the employer to establish a health and safety culture by: Following the policies of the employer and ensuring supervisors also follow them Establishing goals that will help implement the employers policies and programs in the local work area Developing and enforcing safe and healthy work procedures Allocating adequate resources for health and safety Ensuring supervisors are properly selected and trained in their responsibilities Providing supervisors with the necessary authority and responsibility for health and safety Holding supervisors accountable for their performance Ensuring there are enough supervisors to effectively supervise workers and control hazards Assisting the local committee to carry out its duties effectively Knowing and complying with the legislation Scheduling (such as shifts and work processes) with safety in mind As representatives of the employer, the law holds managers and supervisors accountable for their health and safety actions. Sometimes, someone with a higher responsibility fails to carry out a duty. Under the legislation, this does not relieve others of their duties. Supervisor behaviour In the legislation, the definition of supervisor includes any worker who is given authority over other workers. While supervisors have all of the rights and duties of workers, they also share some of the employers responsibilities. Supervisors are critical to effective health and safety practices. Supervisors can help the employer keep the workplace healthy and safe by: Taking training in their health and safety duties and responsibilities Establishing goals that help implement the employers program in the local work area Setting an example by working and acting safely Following the policy of the employer and ensuring workers also follow it Allocating adequate resources for health and safety Conducting regular inspections, group meetings and other health and safety activities Ensuring workers are properly orientated and trained Coaching workers in health and safety Establishing and enforcing safe work procedures, rules and practices Providing workers with the necessary authority and responsibility for health and safety Holding workers accountable for their performance Identifying the reasons for accidents, dangerous occurrences and other departures from safe practices and taking corrective action Responding to workers concerns promptly and creating an environment where workers are encouraged to bring concerns forward Cooperating with the occupational health committee Knowing and complying with legislation Shop floor errors Shop floor errors refer to unsafe acts and conditions that directly cause accidents and dangerous occurrences. Shop floor errors are usually at the level of the worker, but can involve self-employed persons and others. While shop floor errors often arise because of systemic failures in the IRS, they are sometimes caused by the behaviour or decisions of those performing the job. The IRS can control many aspects of worker behaviour, but it cannot control all behaviour. Accident/near miss Accidents cause injury or illness and often result in property loss. The seriousness of the loss and injury is often a matter of chance. A near miss is a near accident. Near misses may or may not cause property loss. Accidents and near misses often have several causes. Several things go wrong at once. Each error may be traced to a variety of root causes. For example, an employer may have no health and safety policy, or the policy may have inadequate standards. Supervisors may tolerate unsafe conditions and work practices. Workers may not report hazards and cut corners to increase production. When something goes wrong, the causes can usually be traced back through each domino in the chain of command. While the employer usually controls the root causes, workers and supervisors often control the direct causes. Therefore, to significantly improve the health and safety system and prevent the dominos from falling, everyone must work together. This is why occupational health and safety is important to everyone and why employers and workers need each others help to prevent accidents. Accident prevention starts with an effective internal responsibility system for occupational health and safety. The internal responsibility system for occupational health and safety The Occupational Health and Safety Act supports every workers right to a safe and healthy workplace. The duty for creating and maintaining a healthy and safe workplace falls on every person in the workplace, to the degree they have the authority and ability to do so. Whether they are the Chief Executive Officer or the newest worker hired, everyone has a personal and shared responsibility for working together co-operatively to prevent occupational injuries and illnesses. Because employers have the greatest degree of control over the workplace, they also have the greatest degree of legal responsibility for health and safety. But, this does not relieve supervisors and workers from their duty to co-operate in controlling workplace hazards and to take the necessary precautions to protect themselves and others from hazards. The Act also recognizes that only workers who are adequately informed and empowered can effectively fulfill their responsibilities. It grants three important rights to workers: The right to know about workplace hazards, including how to identify hazards and protect themselves from those hazards; and about the rights afforded to workers under the Act. The right to participate in decisions related to occupational health and safety, free of reprisal for their participation. Participation, in part, is achieved through consultation with the committee or representative. The right to refuse unusually dangerous work. The Act protects these rights by prohibiting employers from imposing discipline or other sanction on workers for fulfilling their responsibilities or exercising their rights. This helps workers participate on a more even footing with employers and supervisors in preventing workplace injuries and illness. Taken together, these components are often called the internal responsibility system (IRS) for occupational health and safety. But, good health and safety cannot rely on the internal responsibility system alone. Ongoing monitoring and enforcement by the Occupaitonal Health and Safety Division are also required. The combination of internal monitoring by occupational health committees, and external monitoring and enforcement by the Occupational Health and Safety Division ensures better legislative compliance and a more effective internal responsibility system in the workplace. What is the goal of an internal responsibility system? The goal of an internal responsibility system is to get people working together to identify and control situations (hazards) that could cause harm. Its ultimate objective is to ensure everyone integrates health and safety into their work. Committees and representatives help workers and employers to communicate and work together to identify and control hazards. Internal responsibility has many advantages: it places responsibility for controlling hazards on those in the workplace, making everyone a contributor to workplace health and safety it applies everyones knowledge to improve health and safety it is better suited to developing solutions for each workplace than traditional government-driven command and control systems it encourages employers and workers to take joint action to identify and control hazards through co-management of health and safety properly handled, it promotes cooperation and motivates everyone to protect their health and safety and that of their fellow workers What is the philosophy of internal responsibility? The philosophy of internal responsibility recognizes that employers have a legal and moral duty to provide a healthy and safe workplace. Worker participation is crucial to effective health and safety, because only worker participation allows hazards to be properly identified and controlled. The philosophy of internal responsibility is based on: personal responsibility inclusiveness cooperation sharing of information accountability Personal responsibility Each individual is responsible for integrating health and safety into work life. Health and safety is everyones responsibility. The committee is not the IRSit is the systems auditor. Inclusiveness Everyone is involved in the IRS, both as individuals and as members of a group (workers, managers and committee members). Shared responsibilities complement each other. Cooperation Everyones objective should be the sameto improve health and safety. Workers and employers are expected to work together to identify and resolve health and safety problems. The committee functions as a health and safety team. Differences of opinion and position are expected. However, if the approach taken is unduly confrontational or uncooperative, then the committee may not be effective. Sharing of information (the right to know) Everyone has a right to receive information needed to identify and control hazards in the workplace. Information is needed before each person can adequately assume responsibility for health and safety. Good information is particularly important for occupational health committee members. For accountabilityFor conditions of workFor facilities and equipmentFor relations with peopleFor direction of workFor work performanceFor peopleFor workResponsibilitiesInternal Responsibility for Health and SafetyInspect tools and equipment. Report hazards to supervisorImplement and maintain standards. Cooperate with committee Safely use tools, equipment and machineryFollow policies, programs and proceduresFollow safe work practices and cooperate with supervisorUse training, knowledge and skills to perform workDirect helpers/new hiresPerform jobWorkersInspect work areas, tools, equipment and machinery. Report problems to managers and recommend solutions Implement standards and train workers. Cooperate with committeeProvide adequate tools, equipment and machineryCoordinate implementation of programs, policies and procedures on shop floorFollow safety policies and programsSpecify who does what and assign authorityOrientate and train new hiresAssign tasks and schedule workSupervisorsDevelop effective solutions to problems. Accountable to employer for operations Help employer develop standards. Train supervisors to implement standards. Help committee to be effectiveProvide supervisors with adequate resources Implement policies. Conduct daily business in compliance with employers policies and legislationImplement safety policies and programsAssign jobs to supervisors and delegate authoritySelect and develop supervisorsDetermine objectivesManagersAccount to directors and society for safe operation of workDetermine health and safety philosophy and policies. Maintain effectiveness of committeeAuthorize expenditures and assign adequate resources to managersDetermine policies, procedures and programs and ensure complianceEstablish safety policies, programs and proceduresDetermine who does what and delegate authorityEstablish hiring policies. Select and develop managersEstablish goals and objectivesEmployer Accountability Our responsibility for maintaining workplace health and safety comes with our right to a healthy and safe workplace. Everyone is accountable (as an individual) for carrying out their responsibilities. The greater the authority, the greater the accountability. An effective IRS requires competent management and supervision, employees who work and act safely and a committee that is effective.  What are the components of an effective IRS?  Outer ring This is the external auditing function of occupational health officers. Officers monitor the effectiveness of the IRS and help correct deficiencies through education, assistance and enforcement. Inner ring The role of the OHC as an internal auditor of the IRS. Small circles The duties and rights of those in the workplace and the role they play in maintaining the IRS. These rings support and complement each other. Direct responsibility for occupational health and safety In Saskatchewan, The Occupational Health and Safety Act, 1993 and regulations assign duties for the control of workplace hazards to those people who are directly responsible for: the organization of work the design of the work process the manner and conditions under which work is performed In simple terms, employers, supervisors and workers all have responsibilities for: identification of hazards analysis of the risks posed by those hazards communication of information throughout the workplace about the risks control of those risks The employers responsibilities are the broadest and cover all areas of health and safety in the organization. Usually, managers are responsible for the health and safety of all employees who report to them. Supervisors are responsible for the health and safety of their workers in all areas where they work. Workers are responsible for protecting their health and safety and helping supervisors ensure the safety of their work areas, tools, equipment and machinery. Others with direct responsibilities include: self-employed persons (including consultants) contractors (someone who directs the activities of one or more self-employed persons or employers) owners suppliers What are the legislated duties of employers, supervisors and workers in the IRS? EmployersSupervisorsWorkers Providing a safe and healthy workplace. Establishing a committee or designating a representative as needed and ensuring the committee or representative is effective. Consulting and cooperating with the committee or representative. Providing the information and training needed to protect the health and safety of workers. Ensuring committee members or the representative to obtain training in their duties. Ensuring that supervisors are competent and that supervisors provide competent supervision. Arranging for the regular examination of the workplace, tools and equipment to ensure safety. Ensuring tools, machinery and equipment are properly maintained. Ensuring workers are not exposed to harassment. Enabling the committee or representative to inspect the workplace regularly. Promptly correcting unsafe conditions and activities reported by the committee or representative. Ensuring that the committee or representative investigates reportable accidents and dangerous occurrences. Knowing and complying with health and safety requirements.  Supervisors are "workers" and bear all of the health and safety responsibilities assigned to workers. However, they are also agents of the employer and are often assigned significant responsibility for carrying out the employer's duties under the legislation. Supervisors have specific duties under the regulations for: Ensuring that workers under their direction know and comply with health and safety requirements. Ensuring that workers under their direction receive adequate supervision. Ensuring that workers know and follow health and safety requirements. Cooperating with the committee or representative. Knowing and complying with health and safety requirements.  Taking reasonable care to protect their health and safety and that of other workers. Cooperating with employers, supervisors, committee members and representatives. Using safe work procedures, safeguards and personal protective equipment. Reporting hazards (such as unsafe situations and activities) to the employer immediately. Refraining from harassment. Participating in training and health and safety meetings. Knowing and complying with health and safety requirements.  What is due diligence? The legislation cant cover everything that can happen on the job. Sometimes you must take measures to protect your workers and service providers that go beyond the legislation. This is what is meant by due diligence. What you must do to provide a healthy and safe workplace depends on the circumstances, the risks, the opportunities for control, and so forth. The Act requires you to think, be engaged, creative, plan ahead and do everything reasonably practicable to prevent accidents.1  Due diligence means that a person has a legal duty to take every precaution reasonably in the circumstances to avoid both harm and an offence against the law. Due diligence describes a very high standard to take reasonable care. In the context of the Act and regulations, this due diligence standard is reflected in the following principles: General duties The Act imposes a duty on everyone in the workplace to take reasonable care of their health and safety and that of others, to the degree that they have the authority and ability to do so. This general duty is in addition to, and goes far beyond, merely complying with the law. Regulatory compliance If someone is charged with contravening the legislation, they cannot successfully defend themselves by saying that they did not intend to break the law or did not mean to fail to comply. To defend themselves adequately, they must be able to show that they took every reasonably practicable action to ensure compliance. Reasonably practicable One must show that they took every possible precaution, unless they can show that the benefits of taking the precaution are greatly exceeded by the cost in time, trouble, and money. The greater the risk, the greater the health and safety measures required. Proactive Due diligence requires a proactive and systematic approach to health and safety. This standard can best be met within a workplace by establishing and implementing a health and safety program that: identifies hazards assesses the risks associated with those hazards implements measures to eliminate or minimise those risks monitors each part of the program to ensure that it is adequate and effective Employers must develop and implement this plan in consultation with their workers. Workers must comply with the program to the extent that they have the knowledge, authority, and ability to do so. What is shared responsibility for health and safety? Responsibility can be shared among the workplace parties, such as the employer, supervisors and contractors. This is expressed in clauses 5-9 of regulation 5. In this case, the person with the greatest degree of control over the situation has the greatest responsibility. Employers exercise the greatest degree of control over the organization of work, the design of the work process and the manner and conditions under which work is performed. The employer and his or her agents therefore have the greatest degree of moral and legal responsibility for providing a healthy and safe workplace. However, supervisors and workers must help the employer maintain a healthy and safe workplace. Worker rights Recognizing that power is not shared equally among employers, supervisors and workers, the Act sets out three basic rights of workers within the IRS: The right to know about the hazards in the workplace, how to identify them and how to protect themselves. The right to participate in making occupational health and safety decisions through consultation with committees, representatives and other workers. The right to refuse work believed by the refusing worker to be unusually dangerous. It also prohibits employers from acting against a worker for fulfilling responsibilities or exercising rights under the legislation. This protection is fundamental to making the IRS work. Protection motivates and empowers workers to fulfil their legislative duties and participate in a meaningful way in the control of workplace hazards. In this way it encourages workers to help the employer provide a safe and healthy workplace. In short, the IRS sets up a system of checks and balances within the workplace that enables workers, supervisors and employers to integrate the best possible health and safety practices into daily activities. Critical role of committees in the IRS Committees have been required in all workplaces with ten or more workers since 1972. Now, smaller, high-hazard workplaces must have a worker occupational health and safety representative. The Division interprets consult to mean that, while not obliged to obtain the approval or permission of the representative, an employer is obliged to consider, in good faith, the news and opinions of the committee or representatives in the process of making a decision. Employers have a duty to consult and co-operate with the OHC representative for the purpose of resolving concerns on matters of health, safety and welfare at work. To fulfill the obligation to consult in good faith, an employer must give the committee or representative a real opportunity: To be informed of information essential to making a reasonable and informed assessment; To review and assess the information and possible alternatives or options; To comment and, or make recommendations on the possible options and alternatives; and To be considered. This means the employer will consider the recommendations of the committee or representative and where applicable, give the committee or representative credible reasons for not accepting or implementing the committee or representatives recommendations. Committees and representatives dont have direct responsibility (and the accompanying legal liability) for controlling hazards. Their role is to monitor the IRS to ensure it is working properly. They have no management authority. Their role is to advise and recommend. Effective committees and representatives are essential to creating the workplace partnership needed to effectively protect workers health and safety. By consulting with committees, representatives and workers, employers benefit from workers expertise in detecting occupational health and safety hazards and developing practical approaches to controlling those hazards. The committee and representative are the mechanism for bringing health and safety concerns into the open and focusing attention on them until they are resolved. Committees and representatives serve as a check on the potential for some employers and supervisors to ignore or minimize their health and safety responsibilities. Committees and representatives shine a spotlight on weaknesses in the IRS and recommend ways of correcting those weaknesses. They provide a bridge to the external responsibility system when assistance and advice are needed. Committees and representatives must do more than simply help the employer correct unsafe acts and conditions. They should look at the root causes for hazards (such as policies, orientation, training, workplace layout and so on) and help the employer resolve them. What are the major responsibilities of committees? Major responsibilities include: participating in the identification and control of hazards helping identify and resolve health and safety concerns of workers receiving and distributing information, including publications sent from the OH&S Division to employers and employees inspecting the workplace regularly meeting regularly to discuss occupational health and safety concerns maintaining records of meetings and returning copies to the OH&S Division investigating reportable accidents and dangerous occurrences helping establish and promote health and safety programs and policies helping develop and promote health and safety training investigating refusals to work under section 23 of the Act carrying out responsibilities set by specific regulations If the committee does not deal with a problem, the employer is responsible for taking the initiative. Role of the legislation in supporting internal responsibility The original Saskatchewan Occupational Health and Safety Act became law in 1972. It was the first legislation of its kind in North America. Every other jurisdiction in the country has since followed our lead. The Act was revised in 1977 and in 1993 to strengthen worker involvement and to better protect their health and safety. The Occupational Health and Safety Regulations were passed under authority of the Act to: elaborate on duties established by the Act specify responsibilities for those within the IRS set health and safety standards for all places of employment set rules and requirements for controlling hazards in specific industries, processes or conditions The regulations were revised in 1996 to reflect changes in the Act and advances in health and safety standards. The legislation has one aimto help those in the workplace to establish and maintain healthy and safe working conditions. It does this by: ensuring societal expectations are reflected in workplace behaviour and practices providing a way of protecting the health and safety of workers supporting the internal responsibility system providing employers and workers with information and tools to carry out their health and safety responsibilities ensuring safety-conscious, responsible employers are not at a competitive disadvantage to employers who are less so Role of the Occupational Health and Safety (OH&S) Division The OH&S Divisions fundamental objective is to prevent work-related injuries and illnesses. It attempts to do this by assisting committees and representatives, workers, supervisors and employers to understand and carry out their responsibility for the control of workplace hazards. Ensuring compliance is the most important responsibility of the OH&S Divisions occupational health officers (inspectors). However, inspectors also help ensure each workplaces IRS, committee or representative is effective by providing assistance and advice. Inspectors, hygienists and other staff are responsible for over 40,000 workplaces. Many workplaces are complex and have a variety of hazards. Those hazards cannot be controlled solely through periodic government inspections. When inspectors find problems, it is a sign that the IRS is not working properly. When the IRS is working properly, the enforcement role of inspectors lessens. Their role becomes one of consulting, advising and supporting the IRS. Over the past 25 years, the OH&S Division has learned that effective committees are much more effective in focusing attention on health and safety concerns than periodic inspections. Work-related injuries and illnesses can be prevented when workers understand their rights and responsibilities and employers are genuinely committed to protecting the health and safety of their employees. How does the IRS link up with the OH&S Division? Routine inspections When an inspector visits the workplace, a member of the committee (or a worker health and safety representative) should accompany the inspector. The committee member or representative can ask the officer for advice about concerns at the workplace. In turn, the officer provides the committee with a report on the results of the inspection. Complaints Anyone can contact the OH&S Division for assistance and advice if the IRS has not dealt with a concern effectively. The legislation protects those who call. Refusals Often, a refusal is a sign of a failure in the IRS. Refusals can usually be prevented by paying enough attention to job safety and to the concerns of workers. Refusals are often resolved by the worker and supervisor involved. Some are resolved by the committee. During a refusal to work, contact the OH&S Division if the matter has not been dropped or resolved, the refusing worker is not satisfied with the committees decision, or the committee cannot agree on the refusal. In such cases, an occupational health officer must investigate and make a ruling. The worker may continue the refusal until the officer rules. The officer will provide a written decision to the refusing worker, each co-chairperson and the employer. Part VIII of the Act allows anyone directly affected by an officers decision to appeal it to the Director of the OH&S Division. The appeal does not suspend the operation of the officers decision. Investigations Employers must notify the OH&S Division about accidents and dangerous occurrences set out in the regulations. If an inspector investigates, the committee or representative has an opportunity to inform the officer about concerns. The officer will provide a report to the employer and committee or representative. Failure of the committee If the committee cannot function effectively, an inspector should be asked for help. Committee minutes sent to the OH&S Division often provide the first clue that things are not going well. A dysfunctional committee is a sign of deeper problems with the IRS. An inspector may intervene. Disputes An inspector may intervene to resolve conflict in the committee. If necessary, an officer can issue a notice of contravention requiring the employer (or anyone else covered by the legislation) to take corrective action. Review Occupational health and safety includes physical and mental health factors as well as social well being. The goal of an effective IRS is to get everyone involved in identifying and controlling hazards before they harm a worker. Worker involvement through occupational health committees or representatives is crucial in making this happen. Modern accident theory suggests that fundamental failures in the work environment cause most accidents. When something goes wrong, problems can be found at every level in the chain of command. While the employer often controls the root causes, workers and supervisors control the direct causes for accidents. In order to control both root and direct causes, employers and workers must work together within the internal responsibility system. Under the IRS everyone has responsibilities and accountabilities for occupational health and safety. The degree of accountability is proportional to the degree of responsibility. While the employer retains ultimate control, only worker participation is effective in systematically identifying and controlling hazards. Committees and representatives perform a critical function by serving as means of communication and cooperation between the employer, workers and the OH&S Division. Legislation sets up a framework to support the IRS and maintain fundamental health and safety standards within the workplace. Occupational health officers monitor the effectiveness of each organizations IRS and provide assistance and advice. Enforcement of the legislation is a last resort. Identifying, assessing and controlling hazards Definitions Principles of hazard identification, assessment and control Identifying and assessing health hazards Identifying and assessing safety hazards Controlling hazards Introduction Helping the employer to identify, assess and control hazards is one of the most important functions of your occupational health committee. This chapter discusses how your committee can help the employer protect the health and safety of workers within the internal responsibility system. We will begin by defining a few important terms. Definitions What is a hazard? A hazard is any activity, situation or substance that can cause harm. Occupational hazards are divided into two broad categories: (1) health hazards, and (2) safety hazards. Generally, health hazards cause occupational illnesses, such as noise induced hearing loss (NIHL). Safety hazards cause physical harm, such as cuts, broken bones and so forth. Hazards exist in all workplaces. What is an occupational illness? Occupational illnesses are usually caused by health hazards. An occupational illness is a condition that results from exposure to a chemical or biological substance, a physical agent (an energy source such as noise) or other stressors (such as harassment, work demands and so forth) capable of causing harm. The time that it takes an illness to develop after exposure to a health hazard is called the latency period. What is probability? Probability is the chance that a hazard will cause harm. In risk management systems, probability is often categorized as: frequent (workers are frequently at risk) probable (the hazard is likely to cause harm) occasional (workers are occasionally at risk) remote (the hazard could cause harm, but is very unlikely to do so) improbable (the hazard is unlikely to ever cause harm) What is severity? Severity is the seriousness of the harm that could result from contact with a hazard. It is described as: catastrophic (death and/or severe destruction) critical (serious injury and/or property damage) marginal (minor injury and/or property damage) negligible (no injury and/or property damage) What is a risk? Risk describes the odds that a hazard will cause harm. It refers to the probability and severity of potential accidents and dangerous occurrences (so called "near misses"). Risk management is a technique used to identify and control risk caused by hazards. What is risk analysis? The combination of identifying hazards and assessing their risk is called risk analysis. Risk analysis can help committee members and the employer to set priorities. Risk is calculated by using the formula: Risk = Probability x Severity. Several commercial systems assign mathematical values to probability and severity to help calculate risk ratios for hazards. Normally, hazards with the highest risk that affect the most workers should receive the greatest attention. Principles of hazard identification, assessment and control The health and safety of workers depends on the committee, employer and workers working together to identify, assess and control hazards. This does not mean that the committee must be involved in everything. Ideally, the IRS should prevent a hazard from becoming a concern. The role of the committee should be to audit the IRS and help the employer keep it functioning properly. However, if a hazard is reported to the committee, the committee must act. Use the following steps to identify, assess and control hazards: collect information about hazards and potential hazards assess the risk set priorities communicate information about the hazards and risks develop, select and implement controls and monitor their effectiveness Collect information Collect information from sources such as: Workers, supervisors and managers Workers often know, or suspect, what hazards exist and where they are located. Associations Many provide training and can recommend appropriate publications from the Canadian Centre for Occupational Health and Safety, the U.S. National Safety Council and others. Suppliers and manufacturers Equipment manuals, users' guides, hazard warnings and so forth are a first line of defense. Occupational health officers Officers can provide technical advice. The OH&S Division has a library of safety videotapes. Legislation The regulations and related codes of practice are an excellent guide to identifying and controlling hazards. Unions Many unions provide health and safety training and information about hazards to their members. Assess the risk Once a hazard is identified, your committee should help the employer to determine how dangerous it could be. Assessment may involve research and monitoring. For example, suppose a noise hazard is discovered. The next step would be to use monitoring equipment (noise meters) to find out how loud the noise is, where and when the noise is a problem, how long the noise is at an unacceptable level and so on. Look for any factors that could contribute to the hazard. For example, consider work processes, work process design, existing hazard controls, related training and so forth. In the case of a noise hazard, the problem may be made worse by such things as metal on metal contact, equipment vibration, inadequate work practices, etc. Assess the risk posed by each hazard. Ask these questions: How likely is the hazard to cause harm? Under what conditions is harm likely to occur? How quickly could an unsafe condition arise? What type of harm is involved? How many workers could be hurt? Is there a history of problems, accidents or dangerous occurrences resulting from this hazard? What monitoring is needed to evaluate the risk? Set priorities Priorities can be set by using the formula (Risk = Probability x Severity). Factors such as the limits of technology, fiscal resources and potential problems raised by hazard controls will have to be considered. The following table illustrates one way of assigning probability and severity values. Adapt it to suit your needs.  Communicate information Workers must know about the hazards in the workplace in order to protect themselves. Communicating hazard information to workers and the employer is one of the most important functions of a committee or representative. Committees can help the employer communicate hazard information. To do this, committee members should: Post information such as: minutes of committee meetings and meetings with the employer; the results of inspections; summaries of workplace monitoring; investigations; warning signs; and hazard labels. Help the employer to provide health and safety information to supervisors. Supervisors can then provide it to their workers. Discuss hazards with workers, supervisors and managers. Hold meetings to discuss concerns. Help the employer to arrange worker training and education. Help the employer to keep containers for chemical and biological substances properly labeled. Help the employer to keep material safety data sheets (MSDSs) current, centrally located and readily available to workers. Keep workers who raise concerns informed about the status of the investigation. Develop, select and implement controls Risk assessment is meaningless unless effective controls are developed and put in place. Control means removing the hazard or reducing its risk of harm to an acceptably safe level. An effective control must meet four standards: It must adequately prevent the hazard from causing harm. It must protect everyone who could be harmed by the hazard. It must not create new hazards, or production and quality control problems. (If it does, employees may be tempted to subvert it). It must not create a hazard to the environment or public outside of the workplace. Identifying and assessing health hazards A health hazard is any agent, situation or condition that can cause an occupational illness. There are five types: Chemical hazards, such as battery acid and solvents. Biological hazards, such as bacteria, viruses, dusts and molds. Biological hazards are often called "biohazards". Physical agents (energy sources) strong enough to harm the body, such as electric currents, heat, light, vibration, noise and radiation. Work design (ergonomic) hazards. Workplace stress. In this publication, this is restricted to harassment as defined under the Act. A health hazard may produce serious and immediate (acute) affects or it may cause long-term (chronic) problems. All or part of the body may be affected. Someone with an occupational illness may not recognize the symptoms immediately. For example, noise-induced hearing loss is often difficult for victims to detect until it is advanced. How can health hazards be identified? Prepare a list of known health hazards in the workplace. Review floor plans and work process diagrams to identify hazard sources and locations. Interview workers, supervisors and managers to identify known and suspected health hazards not already on the list. Use your five senses. Part VI (General Health Requirements) of the regulations discusses how to identify, assess and control health hazards. Parts XXI and XXII deals with how to identify, assess and control hazards posed by chemical and biological substances. Prepare a list of known health hazards in the workplace As a first step, the committee should help the employer prepare a current list of chemical and biological substances, physical agents, work design hazards and harassment problems at the workplace. The employer is expected to provide the committee with a copy of existing lists of chemical and biological substances. To prepare or update a list: Check current product labels and material safety data sheets (MSDSs). Each chemical and biological substance controlled under the Workplace Hazardous Materials Information System (WHMIS) in the workplace must have appropriate container labels. Current MSDSs must be readily available to the committee and workers. Look at container labels and MSDSs for hazard warnings and symbols (such as the skull and cross bones). Identify substances controlled under WHMIS and products exempted from WHMIS, but of concern to workers (such as pesticides). Conduct inspections to identify defects, such as substance containers and pipes that are not properly labeled. Read inspection and accident reports, complaint files, shop plans, first aid registers, product literature and other documents. Monitor the workplace (measuring noise, temperatures, concentrations of airborne chemicals and so forth). The employer must provide the committee with the results of any measurements of biological and chemical substances taken in the workplace. Review floor plans and work process diagrams Floor plans may show for example, that certain points in the production line release chemicals into the air. Put monitoring equipment at these locations to determine what hazardous substances are present and in what quantities. Check for work design problems that may cause back injury and other ergonomic hazards. Look for tasks associated with accidents, complaints and ill health. Interview workers, supervisors and managers Interview workers, supervisors and managers during inspections. Ask them what hazards they work with and what work-related health problems they know about. However, deal with the concerns of workers at any time, not just during inspections. Talk to the vendor or supplier if you need more information about a specific product, tool, or piece of equipment. Contact the OH&S Division if you need more information about specific hazards. Use your five senses Some substances and physical agents can be detected with your five senses. For example, dusts and fumes sometimes form a haze. Vibration and temperature can be felt. An abnormal taste may be a sign of airborne chemicals. Some substances have a distinct colour, visual appearance or odour. Odour is a common warning property. Be careful to check the substances odour threshold in the Physical Properties section of its MSDS. Only use odour to detect a substance if it can be smelled at levels below hazardous concentrations. Unfortunately, many hazardous agents and conditions cannot be detected with the senses. Others, such as hydrogen sulfide (H2S) gas, are often dangerous when strong enough to be detected in this way. Using your senses is not always a safe way of detecting hazards. Quick health hazard identification checklist What chemical substances are produced, used, handled, stored or shipped in the workplace? Are any vapours, gasses, dusts, mists or fumes present (including chemical by-products of work processes)? Are biological substances (such as bacteria, viruses, parasites, dusts, molds and fungi) present in the workplace, the ventilation systems and other components of the physical plant? Are physical agents (energy sources strong enough to harm the body, such as electric currents, heat, light, vibration, noise and radiation) present? Are temperature extremes present? Do ergonomic hazards existsuch as work requiring lifting, awkward posture, repetitive motions, excessive muscular force or computer use? Could any work processes, tools or equipment cause health hazards (such as back injuries, soft tissue injuries, whole body vibration, hearing loss, infections and so forth)? Could departures from safe work practices cause illnesses? Can any potential health hazards be detected with the senses (smell, taste, touch, hearing and sight)? Is harassment present in the workplace? Are there any complaints from workers about workplace related health problems? How can health hazards be assessed? Once a health hazard is identified, the risk it poses to workers must be assessed. Committees can help the employer do this by using monitoring equipment to assess exposure levels and by determining the probability and severity of any potential exposure. There are many different monitors for detecting and assessing health hazards. Some, such as air monitors, sample the work environment at specific places for specific chemical hazards. Others measure the levels of noise, vibration and so on. Committees can get advice on how to use monitors from the supplier. Advice on how to interpret monitoring results can be obtained from consultants and agencies. Chemical hazards If possible, use monitoring equipment to determine exactly what the exposure levels for health hazards are in the workplace and at workstations. Different hazards require different monitoring techniques and equipment. The employer may decide to bring in experts to do the monitoring. If so, the committee or representative has a right to be involved and informed of the results. Once an exposure level is determined, compare it with standards set by the organization, industry, legislation and so on. Review MSDSs as well as industry and product literature for advice. (See Table 21 of the Appendix to the regulations for chemical contamination limits). Biological hazards Some biological hazards can be detected by monitoring. However, the risk of catching an illness can usually be assessed by applying knowledge of the disease involved, including how it spreads and infects people. Biological safety data sheets provide useful information such as survival characteristics of the microorganism outside of the body, how it is transmitted and how likely workers are to contract the disease. Physical health hazards Physical health hazards are sources of energy strong enough to cause harm. They include noise, vibration, heat or cold and radiation. Noise Common noise sources include equipment, work processes, compressors, ventilation systems and power tools. Generally, if ordinary conversation cannot be understood at normal distances, noise levels are too loud. Hazard identification techniques, such as inspections, monitoring and conversations with workers will usually detect noise concerns. Vibration Vibration is a rapid back and forth or up and down motion that may affect all or part of the body. It can gradually damage nerves and circulation systems in limbs and affect internal organs. Standard hazard identification techniques can detect what jobs and workers are exposed to vibration. Monitoring and assessing vibration usually requires technical specialists. Heat and cold The health effects of too much heat include heat cramps, heat exhaustion and heat stroke. Cold can produce frostbite and hypothermia. As well as causing serious health problems, heat and cold stress disorders can reduce performance and increase the risk of accidents. Regulations require the employer to maintain thermal conditions that are reasonable and appropriate for the work performed. If it is not reasonably practicable to adequately control indoor conditions, or where work is done outdoors, the employer must take effective measures to protect workers from heat and cold stress disorders. The employer must provide suitable monitoring equipment if workers are concerned about thermal conditions. The assessment must consider factors such as temperature, humidity, airflow, wind and work levels. Radiation Radiation is made up of moving particles or waves of energy. It is divided into two groups: (1) Ionizing radiation; and (2) Non-ionizing radiation. Ionizing radiation is given off by decaying radioactive elements, such as uranium. Specialized monitoring equipment is used to measure and assess radiation exposures. Radiation workers are also required to wear badges that measure the radiation dose they receive. Non-ionizing radiation includes: Ultraviolet radiation given off by sun lamps and welding equipment. Ultraviolet radiation can burn the skin and cause eye damage. Infrared radiation (radiated heat) used in cooking and warming equipment in food processing and industrial packaging. Lasers producing concentrated beams of light used in a variety of commercial, medical and industrial purposes. Care must be taken to ensure lasers are set up properly, adequately shielded and cannot damage the eyes or skin of workers. Microwave and high radio frequency radiation used in cooking equipment, radar as well as in high-energy radio transmission and communications equipment. If not properly shielded, some equipment may injure the skin, eyes and other organs. Long wave radiation used in radio and other communications equipment. Some equipment can heat the entire body. Assessment of radiation hazards is often a specialized area. Industries using radioactive substances and radiation emitting devices are governed by The Radiation Health and Safety Act and its regulations. Physical demands (ergonomic hazards) Hazards can exist in the design of the workplace, the workstation, tools and equipment and the workflow. Ergonomics is concerned with identifying and controlling these hazards by reducing the physical, environmental and mental stresses associated with a job. It does this by trying to balance the capabilities of the worker with the demands of the job. Ideally, the job should fit the person's mental, physical and psychological characteristics. Common problems caused by work design hazards include repetitive strain injuries (RSIs), cumulative trauma disorders (CTDs) and musculoskeletal injuries (MSIs), including back injuries. Ergonomic related injuries are the fastest growing occupational health problem. Examine these factors when assessing the risk of ergonomic hazards: The posture a worker must use to do the job (stooping, bending and crouching). For example, in a static posture, such as when sitting or standing without a break, the muscles are held in a fixed position without movement. Over time, work requiring a static posture can cause health problems. Complaints of back, shoulder and neck pain can indicate static posture problems. The muscular force (exertion) required (lifting, pulling, pushing, and twisting). Muscular force describes the amount of force required to do the work. Consider the weight of the loads or tools involved; the fit of handgrips to the worker; the force required; the muscles used; and the adequacy of work gloves provided. The number of repetitive motions needed (frequency, speed, duration and position). Doing the same job rapidly over and over again can cause injury. Jobs that must be repeated in less than 30 seconds, such as data entry, are classed as highly repetitive. The physical condition of the person doing the job. Vibration of all or part of the body such as when using jackhammers and chainsaws or when operating mobile equipment. Work organization factors such as where, when and how the work is done and at what pace. Poorly designed tasks can force workers to do too much too fast. This can increase stress and reduce work efficiency, increasing the risk of accidents. Work environment problems including vibration, heat, cold and contaminants in the atmosphere. Remember that these factors can interact, worsening the situation. A good rule of thumb is: the more awkward or static the posture required by a job; the more excessive the force needed to do the work; and the more repetitive the tasks, then the greater will be the risk of injury. Factors contributing to ergonomic problems can include: Problems in the work environment (light, heat, cold, vibration and so forth) as well as the health of the worker can promote ergonomic health problems. Lack of work variation during shifts can prevent workers from being able to rest their muscles adequately. Poorly shaped, heavy or vibrating hand tools can encourage workers to grip the tool too hard, reducing blood flow to muscles and increasing fatigue. Bulky or clumsy gloves can do the same thing. Stress hazards OH&S legislation deals with stress hazards caused primarily by workplace harassment and shiftwork. Workplace harassment is defined in section 2(1)(l) of The Occupational Health and Safety Act, 1993. Regulation 82 deals with stress caused by shiftwork. The Occupational Health and Safety Division has publications dealing with both harassment and shiftwork. Workplace harassment Harassment may seriously harm the health and wellbeing of victims. It can also interfere with efficiency and productivity. Section 3 of the Act requires employers to ensure workers are not exposed to harassment. Section 36 of the regulations requires each employer to implement a policy to protect workers. The regulation lists what a policy statement must include. The policy must be developed with the local committee. The employer must put the policy into practice and post a copy in a conspicuous location in the workplace. The OH&S Division has a bulletin containing a model policy. To assess the risk of harassment, the employer and committee can: Check to ensure the harassment policy has been implemented. Check for signs the policy is not taken seriously. Look for complaints or concerns from workers. Shiftwork Shiftworkers have irregular patterns of eating, sleeping, working and socializing that may lead to health and social problems. Shiftwork can also reduce performance and attentiveness. In turn, this may increase the risk of accidents and injuries. Statistics suggest that certain shiftworkers (such as employees in convenience stores and other workplaces that are open 24 hours a day) are more likely to encounter violent situations when working alone. The employer and workers can work together to identify and control these hazards. Cooperation is essential. Regulation 82 requires the employer to work with the occupational health committee to: (a) assess the risks to the worker's health and safety posed by the work; and (b) inform the worker about the nature and extent of the risks and how to eliminate or reduce them. The committee should also be sensitive to stress caused by such things as workload, the pace of work and so forth. Remember to address only stress concerns relating to health and safety. Use the OH&S Division publication Managing Shiftwork as a guide. Identifying and assessing safety hazards A safety hazard is anything that could cause an injury. Unlike the harm caused by many occupational illnesses, an injury caused by a safety hazard (such as a cut or fracture) is usually obvious. Safety hazards cause harm when workplace controls are not adequate. Some examples of safety hazards include: slipping/tripping hazards (such as electrical cords across floors) fire and explosion hazards moving parts of machinery, tools and equipment (such as pinch and nip points) work at height (such as work done on scaffolds or ladders) ejection of material (such as from molding operations) pressure systems (such as steam boilers and pipes) vehicles (such as forklifts and trucks) lifting and other manual handling operations materials falling from height, rolling, shifting or caving-in unsafe use of explosives violence hazards posed by working alone or in isolated workplaces Standard identification methods can be used on safety hazards. In addition, your committee can encourage the employer to have a job safety analysis (JSA) performed on each dangerous job. A JSA involves breaking down each job into its steps and analyzing the hazards present at each step. Product literature, industry publications and legislation are useful starting points for developing JSAs. Many health and safety publications contain examples of various formats for JSA forms as well as detailed instructions on how to perform a JSA. Controlling hazards Ideally, hazards should be controlled by applying modern management principles. Use a comprehensive, proactive system to control hazards rather than a reactive, piece meal response to each concern as it arises. To be proactive, an employer should: Establish a health and safety policy, in consultation with the committee, to communicate to employees that the employer is committed to health and safety. Build health and safety into all aspects of the organization such as tendering, purchasing, hiring and so on. Ensure everyone understands health and safety is as important as any other area of the organization. Communicate the health and safety policy through the management structure. Ensure everyone understands his or her duties. Train managers, supervisors and workers to carry out their responsibilities under the policy. Equip managers and supervisors to apply modern management and supervisory practices in their safety responsibilities. Administer the policy in the same way that other policies are managed. Example: managing the safety of controlled products under WHMIS When managing the safety of a controlled product under the workplace hazardous materials information system (WHMIS), an employer should apply a comprehensive approach to control hazards. Review chemical and biological substances in the workplace: List all chemical and biological substances in the workplace of concern to workers. Identify things such as work areas and production processes where products are stored, handled or produced. Determine which substances are controlled products under WHMIS and exempt from WHMIS but of concern to workers. Obtain current material safety data sheets (MSDSs) for controlled products and make sure: each MSDS is less than three years old and complete a mechanism is in place to update MSDSs regularly and as new information becomes available transport, handling, storage, disposal practices, etc. for each product meet standards set by product MSDSs MSDSs are readily available to workers throughout the organization Assess the risk associated with handling, use, storage and disposal of the product. For example, consider its flammability, toxicity, corrosiveness, reactivity and explosiveness. Include emergency response requirements in your assessment. For example, what happens if there is a spill, fire, explosion or other mishap? How will the emergency be handled? What must be done to care for the injured and protect others at risk? Determine what measures need to be taken to control those risks and apply the technical steps discussed in this chapter. Establish a system to ensure containers are adequately labeled: Ensure suppliers attach appropriate supplier labels to their controlled products. Labels should include the hazards of the product, precautionary and first aid measures. Replace damaged or missing labels. Provide appropriate workplace labels for containers holding a product taken from its original container. Develop written work procedures based on the control measures. Arrange for the training of workers, in consultation with the committee: Train all workers in the general requirements of WHMIS. Train workers and supervisors handling controlled products how to identify and control the hazards of the products they use. Update workers and supervisors when new information becomes available. Technical steps in hazard control As a first step in hazard control, determine if the hazards can be controlled at their source (where the problem is created) through applied engineering. If this does not work, try to put controls between the source and the worker. The closer a control is to the source of the hazard, the better. If this is not possible, hazards must be controlled at the level of the worker. For example, workers can be required to use a specific work procedure to prevent harm. One type of hazard control may not be completely effective. A combination of several different types of hazard controls often works well. Whatever method is used, the committee or representative should try to find the root cause of each hazard and not simply control the symptoms. For example, it might be better to redesign a work process than simply improve a work procedure. It is better to replace, redesign, isolate or quiet a noisy machine than to issue nearby workers with hearing protectors. Control at the source Elimination First, try eliminating the hazard. Getting rid of a hazardous job, tool, process, machine or substance may be the best way of protecting workers. For example, a salvage firm might decide to stop buying and cutting up scrapped bulk fuel tanks (due to explosion hazards). Substitution If elimination is not practical, try replacing hazardous substances with something less dangerous. For example, a hazardous chemical can be replaced with a less hazardous one. A safer work practice can be used. Be sure to also identify, assess and control the hazards of substitutes. Redesign Sometimes engineering can be used to redesign the layout of the workplace, workstations, work processes and jobs to prevent ergonomic hazards. For example, containers can be redesigned to be easier to hold and lift. Engineering may be able to improve workplace lighting, ventilation, temperature, process controls and so forth. Isolation Isolating, containing or enclosing the hazard is often used to control chemical hazards and biohazards. For example, negative-pressure glove boxes are used in medical labs to isolate biohazards. Automation Dangerous processes can sometimes be automated or mechanized. For example, spot welding operations in car plants can be handled by computer-controlled robots. Care must be taken to protect workers from robotic hazards. Control along the path from the hazard to the worker Hazards that cannot be isolated, replaced, enclosed or automated can sometimes be removed, blocked, absorbed or diluted before they reach workers. Usually, the further a control keeps hazards away from workers, the more effective it is. Barriers A hazard can be blocked. For example, proper equipment guarding can protect workers from contacting moving parts. Screens and barriers can block welding flash from reaching workers. Machinery lockout systems can protect maintenance workers from physical agents such as electricity, heat, pressure and radiation. Absorption Baffles can block or absorb noise. Local exhaust ventilation can remove toxic gasses, dusts and fumes where they are produced. Dilution Some hazards can be diluted or dissipated. For example, general (dilution) ventilation might dilute the concentration of a hazardous gas with clean, tempered air from the outside. Dilution ventilation is often quite suitable for less toxic products. However, it is not effective for substances that are harmful in low concentrations. It may also spread dusts through the workplace rather than completely removing them. Control at the level of the worker Control at the level of the worker usually does not remove the risk posed by a hazard. It only reduces the risk of the hazard injuring the worker and lessens the potential seriousness of an injury. Therefore, most safety experts consider control at the level of the worker to be the least effective means of protecting workers. Administrative controls These include introducing new policies, improving work procedures and requiring workers to use specific personal protective equipment and hygiene practices. For example, job rotations and scheduling can reduce the time that workers are exposed to a hazard. Workers can be rotated through jobs requiring repetitive tendon and muscle movements to prevent cumulative trauma injuries. Noisy processes can be scheduled when few workers are in the workplace. Standardized written work procedures can ensure that work is done safely. Employees can be required to use shower and change facilities to prevent absorption of chemical contaminants. The employer is responsible for enforcing administrative controls. Work procedures, training and supervision Supervisors can be trained to apply modern safety management and supervisory practices. Workers can be trained to use standardized safe work practices. The committee or representative should help the employer periodically review and update operating procedures and worker training. Refresher training should be offered periodically. The employer is expected to ensure that employees follow safe work practices. Emergency planning Written plans should be in place to handle fires, chemical spills and other emergencies. Workers should be trained to follow these procedures and use appropriate equipment. Refresher training should be provided regularly. Housekeeping, repair and maintenance programs Housekeeping includes cleaning, waste disposal and spill cleanup. Tools, equipment and machinery are less likely to cause injury if they are kept clean and well maintained. Hygiene practices and facilities Hygiene practices can reduce the risk of toxic materials being absorbed by workers or carried home to their families. Street clothing should be kept in separate lockers to avoid contamination from work clothing. Eating areas can be segregated from work areas. Eating, drinking and smoking should be forbidden in toxic work areas. Where applicable, workers may be required to shower and change clothes at the end of the shift. Personal protective equipment (PPE) and clothing PPE and clothing are used when: other controls aren't feasible, (for example, to protect workers from noise exposure when using chainsaws) where additional protection is needed where the task or process is temporary (such as periodic maintenance work) Personal protective equipment is much less effective than engineering controls since it does not eliminate the hazard. It must be used, properly and consistently to be effective. Awkward or bulky PPE may prevent a worker from working safely. In some cases, PPE can even create hazards, such as heat stress. The employer must require workers to use PPE wherever its use is prescribed by the regulations or organizational work procedures. Workers must be trained to use, store and maintain their equipment properly. The employer, supervisor and workers must understand the limitations of their personal protective equipment. Selecting controls Selecting a control often involves: evaluating and selecting temporary and permanent controls implementing temporary measures until permanent (engineering) controls can be put in place implementing permanent controls when reasonably practicable For example, suppose a noise hazard is identified. Temporary measures might require workers to use hearing protection. Long term, permanent controls might use engineering to remove or isolate the noise source. Monitoring the effectiveness of controls Sometimes hazard controls do not work as well as expected. Therefore, the committee or representative should monitor the effectiveness of the corrective action taken by the employer during inspections and other activities. Ask these questions: Have the controls solved the problem? Is the risk posed by the original hazard contained? Have any new hazards been created? Are new hazards appropriately controlled? Are monitoring processes adequate? Have workers been adequately informed about the situation? Have orientation and training programs been modified to deal with the new situation? Are any other measures required? Document the effectiveness of hazard controls in your committee minutes. What else can be done? Once hazards have been identified, assessed and controlled, the employer and committee or representative should work together to develop: training programs for workers emergency response procedures health and safety requirements for contractors The committee or representative should monitor these activities to ensure they are effective. Review The employer is responsible for ensuring that workplace hazards are identified, assessed and appropriately controlled. Workers must be told about the hazards they face and taught how to control them. The employer is expected to consult and involve the occupational health committee in the hazard control process. Likewise, the committee is expected to help the employer maintain a healthy and safe workplace. Helping the employer identify, assess and control hazards is one of the most important roles of the committee or representative in the internal responsibility system. Hazards are broadly divided into two groups: hazards that cause illness (health hazards); and those that cause injury (safety hazards). Hazards can be identified by asking what harm could result if a dangerous tool, process, machine, piece of equipment and so forth, failed. Health and safety hazards can be controlled at the source, along the path or at the level of the worker. Once controls are in place, they must be checked periodically to make sure they are still working properly. The committee should audit the hazard controls in the internal responsibility system and help the employer keep them effective. Notes The committees role in accident prevention How committees are expected to function Where committees are required How committees are structured Duties of committees Protection for committee members Introduction The Occupational Health and Safety Act, 1993 requires employers to do all that is reasonable and practicable to protect the health and safety of workers. This includes providing safe equipment, a safe working environment, adequate supervision, information and training. Managers, supervisors and workers have a responsibility to help the employer carry out these responsibilities. To maintain an effective internal responsibility system (IRS) for health and safety, workers must be involved in decisions that affect them. Involving workers has been proven to reduce accidents and illnesses in the workplace. This is why the Act requires the employer in workplaces with ten or more workers to organize an occupational health committee. The committee is to be composed of worker and employer representatives. Its purpose is to help the employer maintain an effective IRS. However, the employer remains ultimately responsible for providing a safe, healthy workplace. A safety-conscious employer will want to help the committee be effective. Therefore, the employer should provide adequate resources, time and training to help the committee function effectively. All employees are expected to cooperate with the committee. This chapter reviews how committees are expected to help the employer maintain an effective IRS. How committees are expected to function The role of the committee is to help the employer and workers prevent accidents and illnesses by helping them make the IRS effective. The employer may delegate responsibilities to the committee. But, the committee is not expected to be a safety officer or enforce health and safety rules. In other words, the committee is not expected to make decisions about what is adequate to protect the health and safety of workers. The committees role is to advise and assist, not assume managerial functions. The committee cannot assume any of the legal obligations, duties or responsibilities of either the employer or the employees. The committee should not be involved in disciplinary matters. Maintaining compliance and adequate levels of health and safety at work is the responsibility of the employer, managers and supervisors. However, as an internal auditor of the IRS, the committee can tell the employer about general problems with worker compliance and recommend corrective action. Where committees are required Generally The employer must set up a committee if the workplace has ten or more workers [Act, section 15]. Construction sites The contractor (usually the prime contractor) must establish a committee if the site has ten or more employees or self-employed persons working (or likely to be working) for more than 90 days (regulation 38). Organizations with variable numbers of workers The employer must set up a committee once the organization has ten or more workers. When the number drops below ten, the employer has three options: Voluntarily maintaining the committee. For example, the employer could keep a committee of one employer and one worker member. Designating a worker occupational health and safety representative if the workplace falls under Table 7 of the Appendix to The Occupational Health and Safety Regulations, 1996. Consulting workers on health and safety issues directly where neither a committee nor a representative is required. Organizations with dispersed workforces The employer must set up a committee if the workplace has ten or more workers. Employers with ten or more workers at a remote site are encouraged to set up a committee at that site. Employers with less than ten workers at a remote site should encourage their workers to participate in the site committee. How committees are structured The employer must ensure that the committee is structured and maintained as required by law [Act, section 15(1)]. All employees have a duty to help the employer make the committee effective. Each committee must have at least two, but not more than 12 members [Act, section 15(2)]. At least half the members must be workers not involved in management. In a non-union workplace, the workers must elect their committee members. In a unionized workplace, the constitution of the union determines the appointment process. All employees have a responsibility to help committee members carry out their duties. The employer must select management members. Management members must not outnumber worker members. The employer may provide clerical support to the committee. Support personnel who are not committee members should not vote or participate unduly in committee deliberations. Selecting members The employer should ensure the committee fairly represents workers with significantly different concerns (regulation 39). For example, shift workers should be involved in committee meetings and have their concerns fairly represented. At a unionized workplace, committee members must be appointed as required by the unions constitution. If several unions are present, the unions must work out an agreement about how their committee members are to be appointed [Act, section 15(4)]. The employer must provide work time for employees to choose their members. Posting names The employer must post the names of committee members in the workplace [Act, section 17]. Selecting co-chairpersons (regulation 43) Each committee must have two chairpersons. One must be designated by the employer and one selected by worker members of the committee at its first meeting. Both co-chairpersons have the same rights and responsibilities, including the right to call and chair meetings. The employer co-chairperson is expected to keep the employer informed about the committees activities. The worker co-chairperson is responsible for keeping workers informed. Both co-chairpersons are entitled to receive information sent to them by the OH&S Division and distribute it to workers. Terms of office (regulation 39) Each committee member serves for three years. Members may serve for more than one term. If a member doesnt want to serve on the committee anymore, that person should remain in office until someone is ready to take over. Quorum at meetings (regulation 40) A quorum for committee votes and decisions means at least: half of all members must be present half of the members present must be workers at least one employer member must be present The OH&S Division recommends that alternate (replacement) committee members be selected so a quorum can always be formed. Frequency of meetings (regulation 41) First meeting The employer must ensure that a new committee meets within two weeks of being set up. Next three meetings The committee must then meet at least once each month for three months. These meetings will help the committee to get going and gain credibility. Regular meetings Thereafter, the committee must meet at least once every three months. Additional meetings The Director of the OH&S Division can require any committee to meet more than once every three months [regulation 41(2)]. Either co-chairperson may call special and emergency meetings (regulation 44). An occupational health officer may also call special meetings (regulation 49). Minutes of meetings (regulation 42) Committees must return summaries of their meetings to the OH&S Division. The OH&S Division provides a minutes form, but home made forms are acceptable if they use the same format. How to fill out a minutes form is discussed in the appendix of this manual. The co-chairpersons must sign the minutes after each meeting. Within two weeks of each meeting, the employer should ensure that a copy is: sent to the OH&S Division posted in the workplace filed for future reference The employer should provide the committee with a bulletin board in the workplace for posting minutes and health and safety information. Duties of committees Committees help the employer by: advising and assisting the employer helping the employer to identify, assess and control hazards dealing with the concerns of workers communicating with workers helping orientate new and inexperienced workers helping the employer with policies, plans and programs helping the employer plan worker training handling refusals to work under section 23 of the Act Beyond this, the committee should work with the employer to continually maintain the effectiveness of the IRS. Dealing with the concerns of workers Committees can be invaluable in encouraging workers to discuss their concerns and suggest solutions. Methods include: conversations contacts during inspections and investigations meetings Steps in dealing with concerns Encourage workers to bring specific concerns to their supervisor and general concerns to the committee. For example, a defect in a machine should be promptly drawn to the attention of the local supervisor. A concern about the adequacy of orientation provided to new workers can be brought to the committee. If the problem cannot be resolved with the supervisor (management level), take it to the local committee member for investigation. Keep the worker and supervisor informed during the investigation. If the committee member cannot resolve the concern, call in the co-chairpersons. If the co-chairpersons cannot resolve the problem, deal with the issue at the next committee meeting. If the concern is serious, such as a refusal to work under section 23 of the Act, call an emergency committee meeting. The committee can help the worker and employer by gathering information on the risks posed by each identified hazard and various alternative courses of action. Information can be obtained from industry safety associations, the OH&S Division and from equipment, tool and material suppliers. Recommendations should be taken to the employer for corrective action. Workers should be kept informed. The employer is expected to act on the committees recommendation, or explain in writing why he or she does not agree with it. If the employer takes corrective action, he or she should send the committee a written report describing what has been done. The committee should file a copy of the employers report with the minutes of its meetings. If the committee cannot resolve the concern with the employer, an occupational health officer should be asked for help. The status and final resolution of the concern should be communicated to everyone involved. This can be done by posting minutes of meetings, distributing bulletins, or holding discussions with workers, supervisors and managers. The committee can help everyone concerned by monitoring the effectiveness of the corrective action taken by the employer. Protection for workers who raise concerns Under the Act, workers who raise concerns are protected from discriminatory action. Protection against discriminatory action is explained in the text box on the next page.  Handling refusals to work under section 23 of the Act Refusals to work represent a failure of the internal responsibility system. An effective IRS should be able to detect and resolve concerns that could cause a refusal. Fortunately, refusals happen very rarely. The intent of the legislation Under section 23 of the Act, each employee has the right to refuse work that the worker believes is unusually dangerous. The unusual danger may threaten workers or others. An unusual danger could include: a danger that is not normal for the job a danger that would normally stop work a situation for which the worker isnt properly trained, equipped or experienced Section 23 applies only to health and safety issues. It is an individual decision that has to be based on a personal belief that the work is unusually dangerous. During a refusal, the refusing worker is protected from discriminatory action, as defined in section 2(1)(g) and described in section 27 of the Act. The refusal may continue until either the worker is satisfied the job is no longer unusually dangerous or an occupational health officer has ruled against the refusal. During the refusal, the refusing worker must remain at the workplace unless the employer advises otherwise. How to investigate a refusal to work Occupational health committees must investigate refusals. During the investigation, principles set out in Part IV of the Act must be followed. Anyone involved may contact the OH&S Division for help and advice. However, the committee should try to resolve the matter internally before contacting the OH&S Division. The principles used to deal with concerns can be applied to resolve refusals to work. Follow these steps when investigating a refusal to work. Steps in a refusal The worker should inform the supervisor. If the refusing worker and supervisor cannot resolve the concern, involve the committee chairpersons. If the refusing worker is not satisfiedhave the full committee investigate, hold a committee meeting and vote on the refusal. If the refusing worker is not satisfiedcontact an occupational health officer. Inform employees about the investigations findings, or the officers ruling. Anyone involved may appeal the officers ruling to the Director of the OH&S Division. Monitor the effectiveness of the corrective action. Inform the supervisor The worker should tell the supervisor that the refusal is because of a health and safety concern. Most refusals are resolved at this point. The refusing worker should not leave the site without the employers permission. Reassignment The supervisor has the right to assign the refusing worker to other work (at no loss in pay or benefits) until the matter is resolved [Act, section 2(1)(g)(ii)]. Replacement workers Under section 26 of the Act, an employer cannot assign another worker to the disputed job unless the replacement worker is advised in writing about: the refusal and the reasons for it why the employer believes that the replacement worker can do the disputed job safely the right of the replacement worker to refuse the steps to follow when exercising this right The employer must also inform workers who are expected to do the same job on other shifts about the refusal and the reasons for it. Involve the committee co-chairpersons If the supervisor and worker cannot resolve the refusal, the committee co-chairpersons should be asked to help. The co-chairpersons have no right to rule on whether or not the disputed job is unusually dangerous. If there is no committee Any of the parties involved may contact the OH&S Division. Hold an emergency committee meeting If the co-chairpersons cannot resolve the refusal, they should: Convene an emergency committee meeting and have the committee investigate the refusal. If necessary, have the committee rule on whether or not the work is unusually dangerous. This ruling must be made by a vote of a quorum of the committee. A unanimous vote by a quorum of the committee is required to rule against a refusal. Send recommendations for corrective action to the employer. Include a summary of the investigation with the minutes of the committee meeting. The employer should act and report to the committee. Look for underlying causes of the refusal. Often, a refusal is a sign of an inadequate IRS. The committee can help discover underlying problems leading to the refusal and prevent others. Document the investigation. During the investigation the committee should review applicable legislation, work procedures, product documentation and so forth. Occupational health officers may need to review the committees investigation file. Contact the Occupational Health and Safety Division During a refusal to work, contact the OH&S Division if the matter has not been dropped or resolved, the refusing worker is not satisfied with the committees decision, or the committee cannot agree on how to resolve the refusal. In such cases, an occupational health officer must investigate and make a ruling. The worker may continue the refusal until the officer rules. The officer will provide a written decision to the refusing worker, each co-chairperson and the employer. Part VIII of the Act allows anyone directly affected by an officers decision to appeal it to the Director of the OH&S Division. The appeal does not suspend the operation of the officers decision. Communicate the results to employees The results of the investigation should be summarized on committee minutes and posted for the information of employees. Everyone involved should be kept informed during the investigation. Monitor the effectiveness of corrective action The effectiveness of corrective action should be checked by the committee during inspections, conversations with workers and other activities. Protection from discriminatory action Section 27(f) of the Act protects any worker who refuses or has refused to work pursuant to section 23 from discriminatory action. The legislation permits the employer to reassign a refusing worker to other work (at no loss in pay or benefits) until the matter is resolved. The refusing worker is protected until an occupational health officer investigates the situation and rules against the refusal. If the officer rules against the refusal, the worker should return to work. Where discriminatory action is taken Under section 28(1) of the Act, an occupational health officer must investigate any complaint of discriminatory action. An officer who finds that discriminatory action has been taken will issue a notice of contravention under section 28(2) of the Act, requiring the employer to: cease the discriminatory action reinstate the worker to his or her former terms and conditions of employment pay to the worker back wages that would have been earned had the discriminatory action not been taken remove any reference of the matter from the workers employment records provide the occupational health officer with a progress report on remedial action [Act, section 35] The occupational health committee or representative must receive a copy of the progress report. Another copy should be posted. Where the officer does not find discriminatory action An officer who does not find evidence of discriminatory action will advise the parties in writing. Anyone directly affected by the officers decision may appeal. Advising and assisting the employer The role of the committee is to help the employer make the internal responsibility system function effectively. The committee has no direct responsibility within the IRS. It functions as an internal auditor of the IRS. As an internal auditor of the IRS, the committee should help the employer assess the effectiveness of each aspect of the system. Things that should be considered include: the health and safety systems, policies, plans and program policies (such as harassment and violence prevention) the effectiveness of standards the resources allocated to health and safety accountability and authority for health and safety decision making the importance of health and safety in purchasing and tendering decisions the importance of health and safety in the design of the workplace, work stations and work processes the effectiveness of worker orientation and training the effectiveness of existing hazard controls and work procedures the effectiveness of housekeeping and maintenance programs the effectiveness of the committees activities (such as inspections, investigations, dealing with concerns and so forth) Worker involvement through the committee increases the likelihood that all hazards and concerns will be identified and solutions will be practical and cost-effective. Helping the employer with policies, plans and programs The committee can help the employer to develop policies, plans and programs. Some of these are required by the regulations, including: Safety programs The employer at any workplace prescribed in the regulations must develop a health and safety program in consultation with the committee (Act, section 13, regulation 22 and Table 7 of the Appendix to the regulations). Safety procedures Where safety procedures are developed the employer should consult the committee or workers to ensure that each procedure is adequate and workable. Use the regulations as a guide. First aid Committees are expected to help the employer prepare for accidents and organize a system to provide first aid (Part V of the regulations). Harassment Every employer is expected to develop a policy to prevent harassment. The requirements for the policy are explained in regulation 36. Harassment is defined under section 2(1)(l) of the Act. Violence The employer at a workplace listed in the regulations is expected to develop a policy to control violence in consultation with the committee. Violence includes actions or threats that have caused (or could cause) injury (Act, section 14 and regulation 37). Exposure to infectious substances An employer in a prescribed workplace is expected to develop a policy to control exposure to infectious materials. The employer is expected to consult the committee when developing the policy (regulation 85). Noise In certain workplaces, the employer is expected to develop a system to evaluate exposures to noise and recommend corrective action in consultation with the committee (regulation 114). Smoking The employer is expected to consult the committee when smoking areas are designated (see regulation 77 for more information). Committees also have a duty to help the employer control specific problems, such as chemical hazards (Parts XXI and XXII of the regulations). A list of regulations requiring the employer to involve the committee is included in the legislation chapter in this manual. Helping the employer orientate new and inexperienced workers New and inexperienced workers have more accidents than experienced workers do. Therefore, before starting work, new hires and workers assigned to new duties or work areas are to receive an orientation (regulation 19). Ideally, orientation records should be kept for each worker. The committee can help the employer develop the orientation program and monitor its effectiveness. New workers should be told who their committee member is. They should know what to do if they have a concern. The local committee member should look out for the health and safety of these workers. Helping the employer plan worker training The employer is expected to provide training for workers and supervisors. Training must include safe work practices and any procedures, plans, policies and programs required by the legislation. The committee can help the employer prepare and monitor worker training. The employer must consult the committee during the development of any worker training program required by the regulations, including WHMIS instruction, the use and maintenance of respirators and so forth. The committee can help the employer to determine what training is required, select who will deliver the training and evaluate its effectiveness. Supervisory training The employer has a responsibility to provide adequate supervision and ensure supervisors are competent. The employer can prepare workers for supervisory positions by helping them get training in: effective supervisory techniques the technology, work processes and so forth associated with the job identification and control of workplace hazards the role of supervisors within the IRS health and safety programs and policies at the workplace the role of the committee or worker health and safety representative responsibilities under standards set by the organization responsibilities under OH&S legislation Worker training programs The employer is responsible for ensuring workers are trained in all matters necessary to protect their health and safety. Committees can help the employer do this by: Identifying dangerous jobs and jobs with a history of health and safety problems and reviewing: the training provided for these positions current standards for this training required standards set by the industry, the legislation and so on Reviewing the orientation program provided to new and inexperienced workers. The orientation should include: fire and other emergency procedures the location of first aid facilities prohibited or restricted areas, tools and equipment precautions to be taken when dealing with physical, chemical and biological hazards precautions to be taken to deal with other health and safety hazards plans and procedures at the workplace work rules and any other information required by the organization, industry and legislation the role of the worker and committee within the IRS worker rights (to know, to participate and to refuse) how to report concerns and contact the committee Review the need for and scheduling of refresher training. Many organizations provide a follow-up session three months after orientation. Reviewing standards for on-the-job instruction, coaching and safety tips provided by supervisors. Most organizations require the supervisor to show each worker how to do the job safely. This training must reinforce standards set by the organization and legislation. Supervisors must be equipped to provide this instruction. Reviewing standards for safety meetings and talks. Regular safety talks provide supervisors with a chance to reinforce health and safety practices. They also demonstrate the commitment of the organization. Reviewing health and safety information in documents provided to workers. For example, these publications should contain information about the safety policy, the health and safety requirements of the employer and so forth. Reviewing safety rules and job descriptions, including requirements for the use of personal protective equipment (PPE). Ideally, all tasks should have written job descriptions. Descriptions about when, where and how to use PPE should be provided. Workers must be trained to correctly use, store and maintain their personal protective equipment. Reviewing documents such as job descriptions, inspection reports, accident investigations and so forth. Look for potential training needs. Discussing training needs with managers, supervisors and workers. Reviewing procedures for regularly auditing and updating worker training. Quick Training Checklist Do Workers: Know the safety requirements and standards for their jobs? Know material contained in the orientation program? Recognize the hazards of each task within the job and the risks associated with those hazards? Know how to safely use the tools, equipment, substances and materials required for their jobs? Know the workings and use of machinery guards and other safety devices? Know when and how to use personal protective equipment and clothing? Know what safe work procedures to use? Know how to avoid ergonomic injuries by using safe lifting practices, setting up computers safely and so forth? Know how to safely handle, use, store and dispose of biological and chemical substances at the workplace? Know how to report concerns? Know how to comply with work rules, legislation and other standards? More information about worker training is in the appendix of this manual.Reviewing concerns dealing with training provided to workers. Communicating with workers The committee is expected to help the employer to communicate information to workers about workplace hazards, safety rules, work practices, worker rights and so forth. In short, the committee helps the employer to put the right to know into practice. Effective communication is crucial to the success of every committee. It raises morale, increases support for health and safety and prevents conflict. Good communication skills are especially useful during meetings. More information about communication is included in the appendix of this manual. Protection for committee members The right to contact the OH&S Division - Anyone covered by the legislation has this right [Act, section 21], including: workers employers and supervisors contractors and the self-employed committee members and worker health and safety representatives Protection from discriminatory action Discriminatory action is defined in section 2(1)(g) of the Act. Sections 27 and 28 of the Act prohibit an employer from taking discriminatory action against anyone covered by this section, including committee members. Immunity from legal action [Act, section 85] Committee members and worker health and safety representatives are protected from legal action if they carry out their duties in good faith. Right to appeal Anyone directly affected by an occupational health officers decision may appeal under Part VIII of the Act. Review The ultimate purpose of a committee is to help the employer make the IRS effective. The committee audits the IRS, but is not the IRS. It helps the employer provide a healthy and safe workplace, but it is not a safety officer. The employer can share duties with the committee, but cannot share ultimate responsibility for health and safety. Generally, committees are required in any workplace with ten or more workers. It is up to workers or their unions to select employee members, including one chairperson. The employer is responsible for selecting management representatives and one chairperson. Committees can have as few as two members or as many as 12. Whatever the size, employer representatives may not outnumber worker members. Members serve for one or more three-year terms. Employers and workers are encouraged to select and prepare alternate (replacement) members to ensure it will always be possible to form a quorum at committee meetings. Be sure to keep alternates informed of committee activities. During its first year, a committee should meet at least once a month for three months. Thereafter, the committee should meet four times each year. Additional meetings can be held if necessary. Copies of minutes of meetings should be posted and sent to the OH&S Division. The function of the committee is to help the employer maintain an effective internal responsibility system for accident prevention. This can be done by: advising and assisting the employer helping the employer to identify, assess and control hazards dealing with the concerns of workers communicating with workers helping plan and monitor orientation and training helping the employer with policies, plans and programs helping the employer plan worker training handling refusals to work under section 23 of the Act Beyond this, the committee should work with the employer to continually maintain the effectiveness of the IRS. Committee members and workers who report concerns are protected from discriminatory action by the legislation. An effective way of resolving concerns is one of the most important components of an effective internal responsibility system. Committees and representatives provide the workplace with a mechanism to identify concerns and resolve them with the employer. The OH&S Division recommends workers report concerns to their supervisor. If the supervisor and worker cannot resolve the concern, the OHC or representative should be involved. If the committee or representative cannot resolve the concern with the employer, the OH&S Division may be asked for help. Section 23 of the Act gives each employee the right to refuse work that the worker has reasonable grounds to believe is unusually dangerous. While the refusal is being investigated, the worker is protected from discriminatory action, as described in the Act. Occupational health committees should investigate refusals, following the requirements set out in Part IV of the Act. If the matter cannot be resolved to the satisfaction of the refusing worker, an occupational health officer must investigate. The investigating officer will provide a written ruling to the parties. The officers decision may be appealed under Part VIII of the Act. The summary (flowchart) on the next page outlines these procedures. The refusing worker informs the supervisor that the job is being refused for health and safety reasons. The supervisor and worker attempt to resolve the concern. The supervisor may reassign the worker during the investigation. The worker does not leave the site without the permission of the employer. The committee co-chairpersons are contacted and asked to assist in the resolution of the refusal. They interview the worker and supervisor. They refer to standards of the organization, legislation, etc. They attempt to resolve the refusal. The co-chairpersons convene an emergency committee meeting. The committee investigates the refusal. If required, a quorum of the committee votes to decide if the disputed work is unusually dangerous. Unanimity is required to vote against the refusal. The committee sends its recommendations for corrective action to the employer. The employer acts and reports to the committee. An occupational health officer investigates and provides a written ruling to the parties. Anyone directly affected by the officers decision may appeal under Part VIII of the Act.  Notes Responsibilities of employers and employees towards the committee Responsibilities of employers Responsibilities of managers, supervisors and workers Introduction The employer and employees support effective committees. An effective committee can be invaluable in helping the employer and workers maintain a healthy and safe workplace. This chapter discusses how the employer, managers, supervisors and workers can help the committee to help them. Responsibilities of employers Effective employers take the lead in helping the committee to function properly. They create a workplace environment that enhances the effectiveness of the committee, in addition to meeting requirements of the legislation. To do this, the employer should: Inform workers about the requirements for committees, including what they are expected to do in the workplace. Inform managers and supervisors about the committee and their responsibilities towards it. Arrange for workers on various shifts and in distinct work areas to be fairly represented on the committee. Provide time for workers to select their committee members. Appoint influential employer members and/or personally serve as the employer co-chairperson. Promptly hold an initial committee meeting to select co-chairpersons and plan activities of the committee. Post the names of committee members in the workplace and provide the committee with a bulletin board to post minutes of meetings and health and safety information. Arrange for the committee to inspect the workplace and discuss concerns with workers to give the committee momentum. Promptly take corrective action when the committee reports a concern. This will help the committee gain credibility with managers, supervisors and workers. Provide the committee with information. Provide the committee with adequate time and resources to do its job. Ensure the co-chairpersons obtain training in their responsibilities. Help the committee meet at least once every three months and ensuring minutes of meetings are sent to the OH&S Division. Help the committee inspect the workplace regularly and promptly investigate accidents and dangerous occurrences. Involve the committee in the development of policies, plans and programs. Involve the committee in worker orientation and training, including WHMIS instruction. Ensure that new hires know who their committee member is and how to report concerns. Empower managers and supervisors to correct problems brought to their attention by committee members. Maintain contact with the committee to ensure it is functioning effectively. Training co-chairpersons Training is crucial to the success of the committee. It gives the co-chairpersons the necessary tools for the job. The employer is expected to help the co-chairpersons obtain training in their duties and functions. In turn, the co-chairpersons are expected to attend training programs and apply their learning at work. Where a committee member gives reasonable notice, the employer is expected to allow the member to take up to five working days per year to attend occupational health and safety training programs, seminars or courses of instruction. The member does not lose pay or benefits when attending courses conducted or approved by the OH&S Division (regulation 46). Training provided or approved by the OH&S Division is meant to satisfy regulatory requirements for the basic training of committees and representatives. However, it is not intended to equip committees to deal with specific hazards at the workplace. Progressive employers arrange workplace specific training. Employers and committee members are encouraged to get training in the following topics: how to identify and control industry-specific hazards, including ergonomic hazards how to conduct inspections how to investigate accidents and dangerous occurrences (near misses) Saskatchewan occupational health and safety legislation The Workplace Hazardous Materials Information System (WHMIS) It is recommended that alternate committee members (those who take the place of co-chairpersons or other members who cannot attend meetings) be trained in their duties. Keep alternate members informed about committee activities by providing them with the information, agendas and so forth that is sent to regular committee members. The employer and senior managers are encouraged to attend committee training provided by the OH&S Division. Providing information The employer is expected to provide the committee with information listed under section 9 of the Act. This includes any information an employer, contractor, owner or supplier knows, or may reasonably be expected to know, that: May affect the health or safety of any person who works at a place of employment; or Is necessary to identify and control any existing or potential hazards with respect to any plant or any process, procedure, biological substance or chemical substance used at a place of employment; and includes any prescribed information. Regulation 15 requires the employer or contractor to: (a) make readily available for reference by workers a copy of: (i) the Act; (ii) any regulations made pursuant to the Act that apply to the place of employment or to any work done there; and (iii) any standards adopted in the regulations that address work practices or procedures and that apply to the place of employment or to any work done there; and (b) where the information mentioned in clause (a) or in section 9 of the Act will be posted, provide a suitable bulletin board to be used primarily to post information on health and safety related to the place of employment. The employer should ensure that the co-chairpersons receive material sent from the OH&S Division. Committee members should share the material with workers. Committee members should also be informed about: Any general results of work environment monitoring or biological monitoring. However, confidential (personal) medical information may not be released. Reports from consultants that impact on the occupational health and safety of workers. Accident and dangerous occurrence notifications and investigation reports. Health and safety hazards associated with the place of employment. Providing time Committee members will need adequate work time to carry out their duties (at no loss in pay or benefits). This will include time for reviewing and providing recommendations on matters requiring the committees input, such as: discussing and addressing workers concerns identifying hazards (through inspections and investigations) providing information to employees and the employer meeting with the employer and others to obtain information, discuss issues and develop solutions reviewing lost time injuries investigating certain accidents and dangerous occurrences Helping the committee to inspect the workplace regularly The employer should help the committee or the co-chairpersons to regularly inspect the workplace and discuss concerns with workers (regulation 28). The OH&S Division suggests that inspections be made a day or so before each regularly scheduled committee meeting. Committees should summarize inspection reports in the minutes of meetings to keep workers informed. Inspections with an occupational health officer The worker co-chairperson has a right to accompany an officer inspecting the workplace (regulation 20). The employer should encourage the co-chairperson to discuss workplace concerns with the officer. Providing progress reports Where an occupational health officer finds a contravention (violation) of the legislation, the officer will issue a Notice of Contravention. It specifies what legislation must be complied with and by what time. The officer must provide the employer and committee with a copy of the notice. The employer must then file a Progress Report on Remedial Action within seven days of the deadline set by the officer on the contravention. The report states what has been done to correct the contravention. Copies must be provided to the officer and the committee or worker health and safety representative, or posted in the workplace for the information of workers where there is no committee or representative. Any committee member has a right to contact the officer about the corrective action taken by the employer. Helping the committee conduct investigations Finding the root causes of accidents and dangerous occurrences can prevent recurrences. Investigations can also identify problems within the internal responsibility system (IRS) that need attention. The employer must notify the OH&S Division of accidents described in regulation 8 and dangerous occurrences listed in regulation 9. These include accidents and dangerous occurrences that cause death or require hospitalization for 72 hours (3 days) or more. The employer is expected to help the committee investigate and report on accidents and dangerous occurrences (regulations 29 and 31). These include any accident that causes (or may cause) the death of a worker or that places a worker in hospital for 24 hours or more. The employer must file an incident report at the request of an officer and correct concerns raised in the report. The employer can help the committee review problems in the workplace by providing it with a report listing all lost time injuries over the past year that required medical attention (regulation 32). The following chart defines reportable accidents and dangerous occurrences and describes what must be in notifications sent to the OH&S Division under regulations 8 and 9.  Resolving concerns reported by the committee Committees are expected to bring health and safety concerns to the employer for corrective action, including unsafe conditions found during an inspection or investigation (regulation 28). If the committee reports an unsafe condition, the employer can show leadership and commitment by: Immediately protecting the health and safety of workers at risk until the unsafe condition or hazard is corrected. Correcting the basic cause of the problem. Informing workers and the committee about the corrective action taken or planned. Helping the committee to monitor the corrective action to ensure that it solved the problem. The employer may not agree with the committees recommendations. If so, the employer is expected to provide the committee with a written explanation. Any committee member has a right to contact the OH&S Division for assistance and advice (section 21 of the Act). Where a matter is referred to an officer The officer may determine that there is no problem or concern and inform the person(s) involved. The officer may try to mediate a solution. If a resolution cannot be reached, the officer may provide a written report to the employer and committee stating why a solution cannot be reached. The officer may identify violations of the legislation and issue a notice of contravention. Anyone has a right to contact an occupational health officer. Providing access to records The employer can help the committee identify problems in the workplace by allowing it to review records, logs and books the employer must keep (regulation 48). Examples include first aid registers, crane operators logs and lists of biological and chemical substances. However, personal medical information may not be released (regulation 10). Responsibilities of managers, supervisors and workers The responsibilities of managers and supervisors reflect the employers duties. Managers To help the committee, managers should: Allocate sufficient resources to committee activities (such as money, time, facilities, tools and equipment). Encourage supervisors and workers to cooperate with the committee and get involved. Involve the committee in all health and safety activities. Help to schedule committee activities, such as inspections and investigations. Separate health and safety issues from unrelated concerns. Work and act safely and ensure that supervisors work and act safely. Supervisors To support their managers, supervisors can: Ensure workers know what the role of the committee is and who their committee member is. Promptly correct concerns reported by the committee and workers and informing the appropriate manager of concerns that cannot be resolved on the shop floor. Introduce new workers to the local committee member. Involve the committee in shop safety meetings, safety talks, local area inspections and so forth. Help the committee carry out inspections and investigations. For example, the supervisor might allow a technical specialist to help the committee inspect a piece of equipment in another area. Distribute information provided by the committee and ensuring that workers are aware of the latest committee minutes. Encourage workers to serve on the committee. Work and act safely and ensure workers do the same. Workers To support the committee, workers can: Serve on it. Cooperate with the committee during its activities. For example, a specialist might help the committee inspect a piece of equipment or demonstrate a safe work practice. Promptly report concerns to the supervisor and informing the local committee member about concerns the supervisor cannot resolve. Work and act safely and help inexperienced workers work safely. Help the employer, managers and supervisors support the committee. To help the committee and employer, the workers union can: Select influential workers to serve on the committee. Encourage union members to support the committee. Share union safety information with committee members and the employer. Encourage committee members to attend occupational health and safety training sanctioned by the collective agreement. Separate health and safety issues from unrelated concerns. Review Everyone has a responsibility for health and safety within the internal responsibility system. The committee helps the employer and workers maintain the systems effectiveness. In order to do this the committee must be supported. The employer can support the committee by providing leadership. This begins by identifying each of the committees responsibilities and helping members carry them out properly. Effective leadership within the committee will be required to do this. That is why it is so important for the employer to serve on the committee or appoint influential employer representatives. The support of managers and supervisors is also critical to the success of the committee. Managers can help the committee by allocating adequate resources and obtaining the support of their subordinates. Supervisors can help the committee by involving committee members in supervisory safety activities and dealing with concerns. Finally, workers can support the committee by getting involved. In the end, the committee will only be as effective as the employer and workers want it to be. Notes Holding effective committee meetings Meeting requirements Planning meetings Managing meetings and solving problems Developing recommendations After the meeting Role of the employer Introduction This chapter discusses how committees can get the most out of their meeting time. Meetings keep committees concentrated on their central role as internal auditors of the IRS. Meetings offer committee members a chance to discuss concerns and make suggestions for corrective action. By meeting regularly, discussing and resolving concerns, the committee and employer demonstrate that health and safety is taken seriously. Items that should be discussed at meetings include: the effectiveness of the IRS the effectiveness of health and safety programs and policies new concerns inspection and accident investigation reports the status and disposition of ongoing concerns consultations with occupational health officers, equipment vendors, safety consultants and so forth health and safety orientation and training the effectiveness of the WHMIS program and worker instruction refusals to work under section 23 information and directives from government agencies relating to health and safety Organizing an effective meeting often involves planning, managing, solving problems and preparing recommendations. Minutes and meeting planning forms, communications and problem solving techniques are discussed in the appendix. Meeting requirements Committees are expected to meet at least once every three months. Committees in workplaces with hazardous conditions are encouraged to meet more frequently. A co-chairperson, an occupational health officer, or the Director of the OH&S Division may call special or emergency meetings. Management representatives may not outnumber worker representatives at meetings. Copies of minutes must be returned to the OH&S Division within two weeks of each meeting. Another copy must be posted at work. File a third copy for future reference. Planning meetings You may wish to plan your committee meetings by following these steps: Provide members with a chance to contribute to the agenda. Put unresolved concerns from previous meetings on the agenda. Finalize the agenda, select the meeting location and decide when the meeting with start and stop. Distribute the meeting announcement, the agenda and copies of the last minutes a few days before the meeting so members can prepare. Arrange for necessary committee members to attend and for a quorum to be present. Prepare adequate and comfortable meeting room facilities. Managing meetings and solving problems Steps in running a productive meeting include: Welcoming the members and opening the meeting. Outlining the agenda and getting a consensus on the topics to be discussed. Reviewing the minutes of the previous meeting. Dealing with unfinished business from previous meetings. Allowing a full, but business-like discussion of each agenda item. Allowing everyone to present his or her views and have a voice in decision making, but discouraging anyone from dominating the meeting. Keeping track of meeting time. Summarizing progress of the meeting periodically. Getting a consensus on recommendations. Ending the meeting with a review of: what has been accomplished who is responsible for carrying out each task agreed to what has yet to be resolved upcoming events, such as the next inspection or meeting Periodically evaluating the effectiveness of meetings. One co-chairperson should run the meeting and maintain order. The chair should proceed down the agenda systematically; keeping the committee focused on each item under discussion. The chair should also allow everyone to state their opinion, avoid having people speak at once and keep discussions on health and safety. The committee secretary summarizes comments and takes minutes. If the committee agrees, the employer can provide secretarial, word processing and support services. People who are not committee members should not vote or participate in discussions. Some items to concentrate on Inspection reports and the concerns of workers These should help evaluate the organizations IRS. For example, inspection reports may: identify a need for better training of new hires explain why mishaps are happening in certain areas suggest improvements in existing hazard controls Root causes Discussions should focus on the root causes of problems. A root cause, such as inadequately designed work processes and equipment, allows a hazard to develop and persist. Ongoing concerns Some concerns, such as ventilation problems, may take a long time to fix. Ongoing concerns should be monitored during inspections and discussed regularly to ensure they are not forgotten. Committee members should be aware of applicable technological advances. Health and safety promotion The committee could discuss what areas of health and safety would be improved by a promotional program, for example back injury prevention, housekeeping, fire prevention, home safety and so forth. Orientation and training programs The committee should periodically review programs and help the employer keep them effective. Problem solving ideasUse team problem solving techniques Recognize the problem. Label the problem. Analyze the cause of the problem. Explore possible solutions to the problem. Make a recommendation to solve the problem. Prepare an action plan to implement the recommendation. Ask Why Five Times Why did the machine stop? A fuse blew because of overload. Why was there an overload? There wasnt enough lubrication in the bearings. Why wasnt there enough lubrication? The pump wasnt pumping enough. Why wasnt the lubricant being pumped? The pump shaft was vibrating because of abrasion. Why was abrasion caused? The filter wasnt replaced correctly during maintenance due to a misunderstanding caused by a poorly written work procedure. The improperly replaced filter allowed metal chips to get into the pump shaft. Use Checklists Ask: Why, Where, When, Who, What and How to help clarify issues. Why is it necessary? Where should it be done? When should it be done? Who should do it? What should be done? How should it be done? Sometimes, asking the question what other uses can be useful in solving problems. For example, how can an issue be: adapted? modified? substituted? magnified or maximized? minimized or eliminated? rearranged? reversed combined with something else? Use Brainstorming Have everyone put ideas forward to resolve the problem. Write ideas out on flipchart sheets and post them to the wall. During idea generation, do not criticize or reject anyones ideas. Do not discuss any idea until idea generation is complete. When everyone has run out of ideas, begin to systematically discuss the pros and cons of each idea. List the attributes of the situation. Below each attribute, place as many alternatives as you can think of. When completed, make random runs through the alternatives, picking a different one from each column and assembling the combinations into entirely new forms of your original subject. Continue the process until the best solution(s) is identified.  Look for the underlying causes of problems Some problems are like icebergs, only 20 percent can be seen above the surface. This is why it is so important for committee members to look for the root causes of concerns. For example, are back injuries being caused by unsafe workplaces, or by deeper issues, such as poorly designed work areas, inadequate mechanization and so on? Once a problem is recognized, its components must be identified and categorized. Once this is done, the problem and its components must be analyzed and the root cause recognized. For example, a back injury problem may have components relating to work procedures, work process layout, equipment and so forth. Consider both facts and feelings Once everyones views are recorded, it may be useful to divide the evidence into facts (hard information) and feelings (such as values, beliefs, attitudes and emotions). Your committee can then consider how to address each issue. This is illustrated in the following table. Problem analysis table DataFactFeelingPossible solution Nurses injuring their backs while lifting patients out of bed, particularly during urgencies and emergencies on night shift. Shift short staffed due to budget cuts. Only one patient lift available on floor during shift. Nurses reluctant to use lift because they do not like its design. Nursing supervisor feels she is unfairly blamed for the problem. Feels nurses arent using safe lifting procedures. Nurses want more staff and newer patient lifts. Management says it has no money.  ( ( (  ( ( ( Review back injury reports and discuss with nurses and employer. Develop written program with the committee specifying procedures required to classify patients (weight, size, health status), label the risk posed by lifting each class of patient and steps to be taken to minimize risk to nurses. Include the lifting techniques and number of staff required for each class of patient. Specify the number of lifts that must be available in the ward. Until the program can be finalized, we recommend that, on the night shift, supervisors ensure two nurses are always used to lift patients. Explore arranging a back-injury prevention course. Ensure a patient lift is always in hall by rooms. Discuss implementation with employer. See regulation 470. Find out what other staff can be summoned to help lifting patients on the night shift. Examine the costs of injury claims against the cost of hiring new staff. Recommend management request money from the health board to hire more staff. Determine if lifts can be moved from other floors during the night shift. Find out if new lifts can be purchased. Can lifts be borrowed from other facilities? Find out exactly why the nurses do not like the design. Have nurses been trained adequately to use the lift? Is the unit obsolete, unstable or broken? Do patients resist getting into it? Can the patient lift be modified or fixed? Discuss with nursing supervisor. Get her views on possible causes and solutions for the problem. Reassure her. Explore budgetary situation with employer. See recommendations #2 and 3. Propose purchasing new lifts if more lifts cannot otherwise be made available.  Involve stakeholders Involving stakeholders will help committee members identify the root causes of problems. Consider the most effective way of gaining their support. Obtaining their views on cost-effective solutions will build support for your recommendations. Consider what is known and not known about the problem Sometimes it is useful to list what is presently known about a problem and what is unclear. This can identify areas for research and break up blind spots. Review the sequence of events Consider when the concern was recognized. Find out what happened immediately before it surfaced. For example, was a work process modified? Were new materials or substances introduced? Developing recommendations Once a problem has been recognized and its components outlined, the committee can conduct in-depth research and develop recommendations. Define the problem Identify the immediate problem, its components and the root cause from your initial research. Research the issues Involve all committee members. Do not jump to conclusions. Review relevant legislation, standards at other workplaces, equipment manuals, MSDSs, records, diagrams and so forth before making recommendations. Look for the underlying causes for the problems. Ask stakeholders for their opinions and suggestions. Select practical choices Remember that corrective action is usually taken to protect workers and improve performance. Consider cost-effective ideas to help the employer meet both objectives. Review the alternatives and select those with the most chance of success. Prepare several potential solutions (such as improved worker training and job procedures, better equipment and tools, better work environment controls, replacement of equipment or workplace redesign). Consider controls at the source, along the path to the worker and at the level of the worker. Develop short-term measures to deal with the immediate causes and long term solutions to remove the root cause. Outline the advantages, disadvantages and costs of each option. Consider the consequences and costs of not implementing each solution (such as continuing injury claims, poor product quality and so forth). Consider: the nature of the hazards involved and their risk the cost and inconvenience of corrective action any new hazards that corrective action might create the costs of corrective action versus the status quo the cost advantages of corrective action compliance issues total costs and final cost comparisons of the solution versus the status quo Reach agreement Discussion and consensus should be used to gain agreement rather than votes, which can split the group into competing factions. Plan an implementation schedule (such as who does what, by when and so forth) for each recommendation. Both co-chairpersons should sign the final recommendations. Present the recommendations Only the employer has authority to take corrective action. The committee must be able to convince the employer that its recommendations should be implemented. This is why it is so important for the employer and workers to select influential members. Recommendations must clearly state what must be done to resolve each concern. Proposals and implementation schedules must be put forward in a way that supports agreement and promotes action. Follow-up The employer and workers should be kept informed while corrective action is being taken. The effectiveness of the improvements should be checked during the next inspection.  After the meeting Minutes of the meetings should be promptly drawn up and signed by both co-chairpersons. Copies should be: distributed to each committee member posted in the workplace for the information of workers returned to the OH&S Division within two weeks of the meeting reviewed by the committees inspection team immediately before the next inspection distributed with the agenda of the next committee meeting The co-chairpersons should follow-up with the employer on the status of corrective action. They should also check to see that agreed upon tasks have been carried out by the applicable committee members. Role of the employer The employer is expected to act on the committees recommendations and inform it about what action is planned or being taken. If the employer does not agree with the committees recommendation, the employer must provide a written explanation to the committee. When the employer does not act, it is often for the following reasons: The employer believes that action cannot be taken immediately because resources are not available. For example, the employer may not act because of lack of money, production commitments, insufficiently trained staff and so forth. The employer may be presented with an inadequate number of choices. For example, the committee may only propose the most expensive and time-consuming solution to the concern. The recommendations may be inadequately supported. For example, the committee may not have provided the employer with enough information about the nature and severity of the problem. The employer may not agree with the committees recommendation or may believe that no hazard exists. In this case, the employer will often want to study the matter. Try to anticipate these problems when conducting research and preparing recommendations. Review Committee meetings help representatives of the employer and workers to communicate with each other about health and safety. They allow the committee to discuss concerns and develop ways of resolving them. Committees are required to meet at least once every three months. Quorums must be present at all committee meetings. Copies of minutes must be posted for the information of workers. Another copy must be returned to the OH&S Division within two weeks of the meeting. Keep a third copy on file for future reference. Meetings should be carefully planned, managed and followed up on to ensure the committee benefits from its meetings. Use problems solving techniques to analyze concerns and resolve differences of opinion. Ultimately, meetings are of little use if the recommendations they produce do not convince the employer to take corrective action. This is why workers and the employer should select influential representatives. Committees will be more likely to have their recommendations acted on if they work hard at carefully identifying the root causes of problems and developing cost-effective options for the employer. The employer is expected to act on the committees recommendations and report on the planned corrective action. If the employer does not agree with the committees recommendations, he or she is expected to state why in writing. The committee can help evaluate the effectiveness of the corrective action by checking to see that it has solved the problem. Keep everyone involved informed. Maintaining committee effectiveness Teambuilding Training New members Introduction This chapter discusses how committee members can cooperate to improve their effectiveness. The more skilled committee members become in problem solving and interpersonal communication, the more successful the committee will be. Well begin by describing how members can become a problem solving team. Next, well discuss training and finally, well look at what the committee can do to help new members become effective. Teambuilding A team is a group of individuals working together to achieve an agreed upon goal. Successful teams are much more effective than any individual member working alone is. Occupational health committees are intended to be teams of employer and employee representatives working cooperatively towards the goal of maintaining a healthy and safe workplace. Committee members are expected not to bring their management or union hats into committee business. Management representatives must not simply represent the views of the employer, or worker members the views of employees. Both employer and worker representatives are expected to work together to protect the health and safety of everyone in the workplace. For this reason, do not deal with issues that are not health and safety matters. Establish membership Committee members must feel able to express their views freely and without risk of retaliation. Members must feel accepted by the group. Leadership and authority within the committee should therefore be established and managed in a way that encourages information sharing, cooperation and compromise. Clarify the expectations of committee members Committee members should have a clear idea of what the committee is for, what it can do and what it cannot. Members should have a chance to express what they want to get out of participating in the committee. Develop group norms Your committee should develop operating rules dealing with: how disagreements among members will be handled how information will be shared how members can support each other how decisions will be made how priorities will be set The employer and union or workers should consider periodically rewarding or recognizing the contributions of committee members. Agree upon goals Effective committees have a clear idea of what they want to accomplish over the short and long term. The co-chairpersons should provide leadership and help set the tone for the committee. Each member should have a chance to participate and contribute towards setting goals. The goals of the committee should be clearly stated and understood by each member. Consider circulating a list of committee goals and objectives with the agenda of meetings or posting them with the minutes. Set measurable objectives to achieve the goals Once the committee knows where it wants to go, whenever possible, members should carefully plan how to go there. In other words, the committee should develop a work plan for each year. The plan should be measurable so the committee can evaluate how well it has met its objectives. For example, suppose one goal is to organize a staff safety meeting three times each year. The committee will then have to carefully plan how this is to be achieved. Operational planning will help set priorities and establish responsibilities. At the end of the year the committee can review the plans progress, determine if this objective was accomplished and what the results were. Establish roles and responsibilities for each member The committee should decide who is going to do what. If tasks such as the chairing of meetings will be rotated, this should be agreed on when the committee is formed. Establish procedures for: assigning responsibilities (such as taking minutes, chairing meetings, organizing inspections and so forth) making decisions communicating and coordinating efforts monitoring progress evaluating results The roles and responsibilities of each member should be clear. This will avoid duplication of effort, close gaps in responsibilities and improve efficiency. Use internal communications to get all committee members involved. Periodically quiz or survey committee members about their expectations, roles and responsibilities. Keep members in touch with each other. Make sure each person understands their role and the roles of the other committee members. Tie individual responsibilities to the goals of the committee. Make sure everyone understands the link. Agree on ways of handling disagreements From time to time, committee members will disagree. For example, members may not be able to agree on how a hazard should be controlled. Likewise, the committee may not agree with corrective action proposed by the employer. The committee should decide how to resolve these problems. Methods might include: using consensus to make decisions asking a neutral third party to mediate negotiating mutually acceptable compromises using project teams to recommend options to solve difficult technical problems Clarify how members will support each other Co-chairpersons need each others support. Members have expectations of other members. For example, the inspection team may expect a machinist on the committee to help them inspect certain equipment. Encourage members to express their needs and concerns to clarify expectations. Consider how to involve influential employees not on the committee Who represents essential groups within the organization that the committee must influence? How can these individuals be convinced to support the committee? Can they be involved in committee activities such as inspections, investigations and resolving technical concerns? Can they advise the committee on practical methods to improve health and safety? Consider expectations placed on the committee Consult workers, union members, supervisors, managers and the employer about their expectations of the committee. Think about how these needs can be served most effectively. Make sure everyone knows what the committee can do and what it cannot. State how concerns should be brought to the committee and how it will deal with them. Consider how to handle complaints about the committees performance. Consider organizational factors affecting the work of the team The structure of the organization can impact how the work is done. For example, some committee members may work on the night shift; others on the day shift or sections of the organization may not share information. The committee should identify and discuss these concerns with the employer. The employer can demonstrate commitment by resolving them and providing the committee with adequate resources (such as money, time and support). Consider how to evaluate the performance of the committee Each year the committee should compare its performance against its stated goals. Draw up a plan to deal with shortcomings. Tell workers about successes so that they will have confidence in the committee. Let the employer know about committee members who have performed well so that they can be recognized for their service. The employer is ultimately responsible for evaluating the effectiveness of the committee. An effective reward system will help committee members develop a sense of accountability and pride in their contribution to health and safety. Training The committee should plan to improve its performance through training. Training should include the roles and responsibilities of committees. It should also equip members to deal with specific workplace issues such as hazard control, equipment inspection and so forth. Build training into the committees work plan for each year. New members How will new members be educated about the committee and helped to become effective members? To help new members you can: Set up a buddy system to help new members learn about the committees purpose and functions. Give each new member a specific assignment or responsibilities within the committee. This will help them get involved and learn by doing. Spend some time at a committee meeting reviewing the goals and objectives of the committee. Prepare a small orientation package for new members. Arrange for new members to obtain training in their duties and responsibilities. Review Teamwork can help a committee accomplish far more than any individual member can alone. To build a team spirit: Establish a sense of membership or belonging. Encourage members to state what they want to get out of the committee. Clarify what the committee is for, what it can do and what it cannot. Develop commonly accepted norms of behaviour. Get agreement on the committees overall goals and its yearly work plan. Link the duties of each committee member to the overall work plan of the committee. Agree on how disagreements will be settled. Encourage members to support each other. Get the support of influential outsiders. Make sure all employees understand what the committee is for and what it can and cannot do. Assist the employer to remove organizational impediments to the committees performance. Periodically evaluate and improve the committees performance. Teambuilding can be reinforced by ensuring that new members are trained in their responsibilities and smoothly integrated into committee operations. Inspections Types of committee inspections Training for inspections Planning inspections What to inspect Pre-inspection meeting What to do during inspections Handling the results When an unsafe condition is found Introduction Inspecting the workplace is one of the key duties of the committee. An inspection is a planned walk through or examination of a workplace, selected work areas or particular hazards, machinery, tools, equipment and work practices. Regular inspections have been shown to reduce accidents and occupational illnesses and to improve the internal responsibility system. This is why the employer must arrange for the committee to regularly inspect the workplace (regulation 28). The committee should work out the inspection schedule with the employer. Managers, supervisors and workers have a duty to report hazards and cooperate. Committees are involved in regular, planned inspections of the workplace, inspections with occupational health officers and intermittent inspections. Committee inspections should complement those performed by managers, supervisors and workers. For example, the employer should encourage supervisors and workers to inspect tools, equipment, machinery and personal protective equipment at the start of each shift and report defects immediately. Likewise, supervisors should be encouraged to constantly monitor conditions in their work areas and take corrective action as required. Workers should be encouraged to constantly monitor personal protective equipment for defects. Inspections help the committee to: compare existing conditions with standards, such as regulations and industry practices determine if gaps exist between workplace practices and standards set by the organization, industry or legislation identify the root causes for any gaps that are found develop recommendations for corrective action The committee can support supervisors and workers by finding defects they have become used to. Examples include housekeeping hazards, unsafe work practices and hazards in out of the way places, such as storage areas. Inspections are an excellent way of communicating with workers and finding and correcting problems before they cause harm. During an inspection, committee members should ask workers about their concerns. Knowing about problems is the first step in resolving them. The employer can help the committee to carry out inspections by: providing training providing resources and time helping the committee plan and schedule inspections helping the committee develop checklists of what to inspect encouraging the committee to look for the root causes of problems Effective inspections concentrate on fact finding and not fault finding or blame fixing. Types of committee inspections There are three types of inspections that a committee will typically be involved in regular inspections, inspections with an occupational health officer and intermittent inspections. Regular inspections The employer should help the committee to organize and schedule them. Publicizing the schedule may encourage people to hide hazards and unsafe work practices. Some committees meet shortly after each inspection. This provides a chance to discuss the root causes for what was found while memories are still fresh. Access to records The committee can review records, logs and books that the employer is expected to keep. Examples include first aid registers, crane logs and lists of chemical substances (regulation 48). However, the committee may not access personal medical information (regulation 10). Inspections with an occupational health officer The worker co-chairperson of the committee or a designate should accompany an occupational health officer visiting the workplace. The employer should enable the co-chairperson to accompany the officer (regulation 20). This allows the employer to demonstrate commitment to health and safety. It helps the committee discuss concerns and allows the officer to provide advice. Intermittent inspections Accidents and dangerous occurrences, equipment installations, new workers beginning work and other special circumstances may trigger additional inspections by the committee. Training for inspections Both the employer and committee members should be familiar with: the training and information needed to work safely work processes and work areas workplace hazards and hazardous areas applicable personal protective equipment and its limitations engineering controls in the workplace applicable health and safety standards and legislation the recommendations of equipment and material suppliers how information is to be recorded how concerns are to be reported and dealt with Planning inspections The more thorough and professional the inspection program, the safer and healthier the workplace. The effectiveness of each inspection depends on being able to measure existing conditions against clearly defined standards. Standards can be gathered from equipment manuals, trade publications, legislation, suppliers and industry associations. Standards should be built into checklists and other inspection reporting systems. When planning inspections consider: What hazards are likely to be encountered and where? What needs to be inspected? What aspects of each item need to be looked at and how? What conditions and work practices need to be inspected? How often must these items, conditions and work practices be inspected? Who will conduct the inspections (such as the co-chairpersons, experienced workers or outside experts)? Consider the impact of the inspection on work scheduling. For example, will a machine have to be shut down for inspection? Watch for unexpected hazards, such as welding outside of designated areas. Inventories and checklists An inventory (of equipment, materials and so forth) tells you what to inspect. A checklist tells you what to look for when you are inspecting each item in the inventory. The committee can help the employer to prepare an inventory of what should be inspected. Checklists can be prepared from legislation, industry standards and equipment manuals and by interviewing experienced workers. They can also be purchased. Checklists should be updated regularly. Checklist for emergency procedures and first aid (partial list)  Emergency procedures Yes No Are there emergency procedures in place for your workplace?   Have workers and the committee been involved in development?   Is everyone familiar with the procedures and their responsibilities?   Are there enough emergency exits available throughout the workplace?   Are emergency exits clearly marked and free of obstructions?   Are there enough properly serviced and approved fire extinguishers?   First aid    Is there a properly stocked first aid box?   Do workers know where the first aid box is?   Is someone trained in first aid always available?   Do workers know whom to contact to get first aid?   Is the first aid kit inspected and restocked regularly?   Is an up to date first aid register kept to record injuries?   Is the register inspected regularly to look for trends and sources of injury?   Are all accidents and dangerous occurrences reported and investigated?   Are injuries reported to the Workers= Compensation Board (WCB)?   Inspectors must know exactly what to look for. Checklist questions should be as precise as possible. What to inspect in each item and part should be clearly identified and described. Checklists for jobs that are rarely done will usually be more detailed than checklists for jobs that are frequently inspected. The employer and committee should look beyond their checklists and identify root causes of problems. What to inspect Four things should be inspected regularly: (1) people; (2) vehicles, tools and equipment; (3) chemicals and biological substances; and (4) the work environment. The committee and employer should develop inspection schedules for each of these components. People, including: orientation and training work practices, work rules and safety procedures supervision experience Vehicles, tools and equipment, including: machines and mobile equipment production, machine-tools and related equipment engines, electric motors and other power supplying equipment electrical equipment, switches, circuits and so forth hand tools and equipment, such as wrenches and power tools personal protective equipment and clothing first aid stations and emergency equipment, such as eye washes fire protection and emergency response devices, such as fire extinguishers and water supplies walkways, ramps, docks, parking lots, roadways and so forth elevators, hoists and lifts storage sheds and areas Chemicals and biological substances, including: products controlled under the Workplace Hazardous Materials Information System (WHMIS) biological substances other materials of concern to workers Work environment, including: illumination dust, fumes and vapours work area design light hot and cold conditions Pre-inspection meetings Before the inspection the committee should review documents that may help to identify, assess and control hazards. Examples include: Inspection reports and records of concerns - These files may show degenerative trends, recurring concerns and ongoing problems. Accident reports, WCB claims and first aid registers - These may show where and how people are being injured or made sick. Product documentation - Documents for chemicals, machinery, equipment and tools can help identify hazards and suggest controls. Material safety data sheets, (MSDSs). OH&S Division publications and industry literature can also provide assistance. Plans and diagrams - Reviewing work process and floor plans and so forth can identify hazards, such as work area design flaws. What to do during inspections Follow-up Ask workers about the effectiveness of corrective action taken since the last inspection. See if workers, supervisors and maintenance personnel are performing necessary inspections. Communicate with workers Ask workers about their concerns. Use monitoring equipment Noise monitors, chemical sensing equipment and other devices may be required to detect and evaluate specific hazards. If monitoring is required, the employer must provide equipment and training. If consultants are used, the committee is to be involved. Take careful notes Carefully describe each hazard, its seriousness and where it was found. Note all hazards, even those corrected at once. Precisely explain how to fix each problem. Communicate with supervisors Inspectors should discuss with the supervisor what they found. The employer should ensure supervisors have a clear idea of what is expected of them and what they should do when a problem is reported. Employers and managers can support supervisors by ensuring they have the authority and resources needed to take corrective action. Handling the results Reports should help the committee and employer to identify problems, assess their probability and severity and take action. Inspection results should be reported consistently. Each hazard or concern must be clearly explained and its location precisely identified. Inspection Report Area inspected: Building A Date and time of inspection: Mon. June 11, 1999; 11 AM Inspector and title: John Doe; worker co-chairperson Date of report: Monday June 11, 1999; 2 PM Date report discussed: Monday June 11, 1999; 4 PM Number of items from previous report: 2 Number of new items noted on this inspection: 3 Total number of items on this report: 5 Definitions Item *are old itemsHazard classificationHazard DescriptionSpecific locationSuperRecommendationCorrective action takenType of actionProbabilitySeverityTemp-oraryPerm-anent*1ProbableCriticalGuard missing on shear blade on cutting press #2. Guard ordered May 07. Press in temporary use today to meet emergency order. Guard still missing.S.W. corner in Bay 2Herb HaplessPress not to be used until guard replaced. Check with purchasing and maintenance. Find out why guard has not been received and installed.Purchasing says they will have guard by tomorrow noon. To be installed by 4 PM. Purchasing to discuss slow delivery with vendorXX*2ImprobableNegligibleCracked windows. Work order issued May 07. Not fixed yet.South wall on Bay 3Herman MelvilleCheck with maintenance about status of work order.Maintenance has windows. Will begin installation next week.X3ProbableCriticalFlammable debris building up under main motor. Was to be cleaned June 03Pump roomJohn SafeteeClean area today. Supervisor will implement written housekeeping policy.Supervisor will hold meeting tomorrow AM. Implement policy by next Monday.X4OccasionalMarginalMirror in pedestrian walkway out of alignment. Some risk of pedestrian collisions.Floor 2Gregory PeckPost temporary warning sign. Call maintenance for adjustment. Warning sign posted in PM. Maintenance adjusted mirror this evening.XX5ProbableCriticalWorkers at cleaning tank not wearing respirators.Floor 2Gregory PeckSupervisor to review policy with workers and give more training. Respirator policy to be vigorously enforced from now on.Talked to supervisor. He will hold meeting tomorrow.X Put the results of the inspection and any unresolved concerns on the agenda. Classify and rank the hazards in order of importance. The committee should discuss the agenda and develop proposals for corrective action. Some record should be kept of the concerns discussed. The co-chairpersons should discuss the recommendations with the employer. Keep careful records of inspections. Inspection records can be useful in tracking the progress of corrective action, identifying degenerative trends and so forth. File copies of each inspection report. Reports may be needed later for WCB claims and investigations, or use by occupational health officers. Post a copy in the workplace to let workers know what is being done about their concerns. Keep workers who have raised concerns informed. When an unsafe condition is found The committee is expected to bring health and safety concerns to the employer. These include hazards and concerns identified during an inspection or investigation (regulation 28). When the committee reports an unsafe condition, the employer is expected to: protect the health and safety of workers at risk until the unsafe condition or hazard is corrected correct the basic cause of the problem inform workers and the committee about the corrective action taken or planned When the committee submits a concern to the employer, the employer is expected to deal with it. The committee may ask the OH&S Division for advice about the corrective action taken [Act, section 21]. If a concern is not dealt with, the employer is to provide the committee with a written explanation. Review Inspections compare conditions with standards. They allow the committee to identify hazards in the workplace, communicate with workers and help the employer correct problems. An effective inspection program can prevent accidents and improve the internal responsibility system. This is why inspections are an essential responsibility of every occupational health committee. Committees are normally involved in regular, planned inspections of the workplace and those conducted by occupational health officers. Committees are also encouraged to conduct special inspections when necessary. Committee inspections should complement those performed by managers, supervisors and workers. The employer can help the committee to carry out inspections by: providing training providing resources and time helping the committee plan and schedule inspections helping the committee develop checklists of what to inspect encouraging the committee to look for the root causes of problems Plan to inspect people; vehicles, tools and equipment; chemical and biological substances; and the work environment. During each inspection: follow-up on corrective action carefully identify and describe concerns use appropriate monitoring equipment and inspection tools communicate with workers and supervisors Classify and rank concerns in order of importance and place them on the agenda. Discuss the results of the inspection at a committee meeting and develop recommendations for corrective action. Have the co-chairpersons discuss the recommendations with the employer. The employer must: take corrective action to protect the health and safety of workers until the hazard is corrected correct the root cause of the problem advise the committee and workers about the corrective action If the employer does not agree with the committee's recommendations, the employer must provide a written explanation to the committee. Investigating accidents Planning investigations Carrying out investigations Finding the causes Taking action Introduction An accident is any unplanned event that causes injury. A dangerous occurrence (regulation 9) is any event that could have caused injury, but did not. Dangerous occurrences are often called "near misses". Investigations of dangerous occurrences can prevent accidents. Investigations of accidents can prevent the same thing happening again. It is therefore very important to investigate both accidents and dangerous occurrences. All dangerous occurrences and accidents should be investigated, whether they have to be reported to the OH&S Division or not. A sample of an accident investigation form is included in the appendix. Investigations should identify health and safety problems, help prevent future accidents and dangerous occurrences. They should not be blame fixing exercises. Each accident and dangerous occurrence usually has several contributing factors, not all of which are obvious. Investigators must look for the deeper causes and not simply record events. The employer must ensure that the committee is involved in investigations of accidents and dangerous occurrences listed in the regulations. These include accidents that cause the death of a worker or require a worker to be hospitalized for 24 hours or more. The employer, contractor or owner may investigate dangerous occurrences, depending on who has control over the situation. The regulations specify what must be in the reports (regulations 29, 30 and 31). If the accident involves a fatality, once the injured are cared for and the site is made safe, the scene must not be disturbed until an investigation can be made (regulation 30). Reportable accidents and dangerous occurrences The employer must report to the OH&S Division: fatalities accidents that put a worker in hospital for 72 hours or more (regulation 8) dangerous occurrences specified in regulation 9 Both regulations list what the reports must include. The employer is expected to provide copies of reports to the committee. Planning investigations The better the planning, the better the investigation. The better the investigation, the more easily a similar accident or dangerous occurrence can be avoided. The employer should work with the committee to prepare an investigation plan setting out the following. Investigations What accidents and dangerous occurrences will be investigated besides those listed by the regulations? The employer and committee are encouraged to investigate all accidents and any dangerous occurrence that could have hurt someone. Procedures How will accidents and dangerous occurrences be investigated? Employers, committees, workers and supervisors should know exactly what to do if an accident or dangerous occurrence happens. Training The employer must ensure that committee members are trained in their responsibilities. Each co-chairperson should attend workshops on how to investigate accidents and dangerous occurrences. Employers are also encouraged to attend. Safety associations, consultants and the Occupational Health and Safety Division provide training. Audiovisual aids and publications are available. Resources The employer should ensure that the necessary tools, personal protective equipment and so forth, are available. Standards Accidents and dangerous occurrences often happen because of departures from accepted standards. For example, sometimes safety devices are disabled to increase production, contrary to the rules. Generally, investigations should: (1) compare what should have happened with what actually happened; (2) determine what gap exists between the two; (3) determine why the gap developed; and (4) recommend appropriate corrective action to prevent a recurrence. Government regulations, company standards and industry publications should be used to decide what standards should have been in place. This data can also help to decide what corrective action is required. Carrying out investigations Every accident that causes the death of a worker or a worker to be hospitalized for more than 24 hours must be investigated by the committee co-chairpersons. The employer must prepare a report in consultation with the committee, as set out in regulation 29. A copy must be sent to the OH&S Division at the request of an officer. The employer must notify the OH&S Division about fatalities, serious injuries and dangerous occurrences (regulations 8 and 9). Where there is a fatality or foul play is suspected, call the RCMP or local police. The site of a fatality must not be disturbed, except to relieve suffering, until an occupational health officer has investigated. Where an officer cannot investigate and gives permission, the site may be cleared once photos and drawings are taken and the committee co-chairpersons have investigated and agreed (regulation 30). The committees investigation should find the root causes of the incident so that it will not happen again. Investigations normally include these steps: secure the scene and report the accident or dangerous occurrence study the scene interview witnesses investigate the physical evidence. Secure the scene and report the accident or dangerous occurrence Things that the supervisor or manager must do include: assessing and stabilizing the situation making the area safe for emergency crews and investigators dealing with the injured securing the scene and protecting evidence until an investigation starts getting the names of witnesses keeping witnesses from talking with each other until they can be interviewed (to keep viewpoints distinct) reporting any accident or dangerous occurrence listed in the regulations to the OH&S Division Notifications sent to the OH&S Division must contain: the date, time and location of the accident or dangerous occurrence a description of what happened the name of each employer or contractor at the place of employment, including the employer of any injured worker(s) the name, telephone and fax number of the person to be contacted for more information If the accident involves a serious injury, the report should also include the name of each injured worker and the apparent injuries to each. Study the scene Look at everything involved in the accident or dangerous occurrence. Carefully go over the debris and note the damage. Record the exact location of the accident or dangerous occurrence. Note the lighting, visibility, time of day and weather conditions. Look at the pattern of the debris and the location of each piece. Take photographs, measurements and drawings of the scene and everything involved. Be sure to make notes for each illustration. Label and catalogue each diagram, drawing and photo. Find out who was involved and who can provide expert advice on technical issues. Prepare a list of witnesses and experts to interview. Prepare a list of questions to ask. Interview witnesses Accurate interview records will be needed to reconstruct what happened and why. Therefore, the employer and committee should reach an agreement about how witnesses will be interviewed. For example, if the RCMP, police or occupational health officers have already interviewed witnesses, further statement taking may not be needed. Everyone who can provide information should be contacted. Interview eyewitnesses in private when possible, while memories are still fresh. Consider their emotional state, particularly if someone has been killed or seriously injured. Use open-ended questions and let the witnesses explain events in their own words. Avoid interrupting during their statements. Ask clarifying questions later if necessary. Use photographs and drawings to help witnesses remember. If possible, have each witness visit the scene and show you what he or she saw. Witnesses will have seen events from different perspectives and their statements will often disagree. After eyewitnesses have been interviewed, talk to technical specialists, suppliers and experts. At the end of every interview: ask each witness to review their statement clear up anything you do not understand get the phone number and address of each witness thank each witness Investigate the physical evidence Study the damage done to tools, equipment, products and so forth. Try to find out what the physical evidence indicates happened and why. Look at the details of the work environment. Consider visibility, noise, temperature, humidity and exposure to hazardous substances. Make detailed photographs and drawings. Describe everything involved in detail, including work procedures and safety policies. Collect product documentation, including the exact names of any substances involved. Gather material safety data sheets (MSDSs), blueprints and workflow diagrams that might help. Find out if any changes in design, products or work procedures were introduced before the accident or dangerous occurrence. Compare what happened with the requirements of applicable standards. If requirements were not met, find out why. Finding the causes The causes of an accident or dangerous occurrence can often be found by asking Who + What + Where + When + How for every essential event in the accident or dangerous occurrence until you know why the accident happened. Separate facts from theory and opinion as much as possible. Look for underlying causes and avoid jumping to conclusions. Analyze the factors surrounding the accident. Analyze the accident factors Go through the accident, in stages. Ask "why" each event happened. Evaluate the role of every factor involved, including: people factors material factors system factors (such as policies, plans and procedures) environment factors (such as workplace conditions) work process factors (such as work flow design) People factors For example, what was the role of: the supervision provided the instructions given at the time of the accident or dangerous occurrence the training and experience of everyone involved personal factors (such as inexperience, illness, stress, and so forth) Material factors For example, what was the role of: substances and materials tools, equipment and machinery personal protective equipment System factors For example, what was the role of workplace: health and safety policies, procedures and rules budgetary allocations toward health and safety training and orientation provided for workers and supervisors Environment factors For example, what was the role of: weather conditions workplace conditions (visibility, noise, heat and so on) the time of the day, shift or week when the accident or dangerous occurrence happened Work process factors For example, what was the role of the design of: the job itself the work area and work flow controls and safety features on equipment and machinery Find the accident causes Three types of causes need to be looked at; direct, indirect and root. Find the direct cause The direct cause(s) usually occur(s) immediately before the accident or dangerous occurrence. For example, a direct cause might be a collapsing jack that dropped a car onto a worker. Find the indirect cause(s) Indirect cause(s) set the stage for an accident and can include: lack of training and supervision inadequate tools, equipment and materials departures from safe work procedures The committee and employer should try to find if there were any symptoms of a problem before the accident or dangerous occurrence. If so, why were no concerns expressed? Why did the health and safety system fail? Find the root cause(s) An accident or dangerous occurrence may or may not have one ultimate "root" cause. Examples of root causes might include: inexperience (employer/worker) weaknesses in the safety management program equipment design flaws Taking action Review what happened at each step in the accident or dangerous occurrence. Prepare a report describing events and recommending corrective action. Use photos and drawings to illustrate key points. Describe the work being done. Describe the immediate (direct) cause(s) of the accident or dangerous occurrence. Describe the indirect cause(s). Explain why the accident happened (the root cause). Recommend corrective action, including both short and long-term controls, to prevent the same thing from happening again. Short-term controls should prevent a recurrence until longer-term controls can remove the fundamental causes. File a copy of the report and post summaries. The employer should take appropriate corrective action based on the report and inform the committee. Inspect the effectiveness of the corrective action. Review Accidents hurt people and damage property. Dangerous occurrences are near-accidents that could have hurt someone, but did not. Pay particular attention to finding and correcting the causes of dangerous occurrences in order to prevent accidents. Investigations can identify fundamental weaknesses in hazard controls, suggest improvements and prevent a recurrence. The employer is expected to involve the committee in investigations. The employer and committee should prepare a plan for investigating accidents and dangerous occurrences before one occurs. The plan should include the necessary procedures, personnel and resources. Begin an investigation by securing the scene and reporting the accident or dangerous occurrence to the OH&S Division. Identify witnesses and keep them from talking to each other. Next, note everything involved in the accident or dangerous occurrence. Take pictures of anything that could be of significance. Describe and photograph the scene. Interview each witness individually. Study and record the damage done to property and the scene in detail. Compare what happened with applicable standards. Next, analyze the evidence. Find out what directly caused the event. Trace each direct cause back to the underlying causes. Write a report once you are sure that you have found the root cause. Agree on and implement corrective action. Notes Legislation The difference between an act and regulations How to locate and apply information in the legislation Key legislation for committees Introduction As committee members, you should become familiar with The Occupational Health and Safety Act, 1993 and The Occupational Health and Safety Regulations, 1996. Familiarity with the legislation is very useful in assisting the employer to resolve concerns and comply. Codes of practice provide advice about how to comply with certain sections of the regulations. For example, the Occupational Health and Safety Division has published a code of practice to advise employers how to comply with health and safety requirements for fire fighters. This chapter will help you develop important skills in locating information in the legislation. Tables identifying key legislation occupational health committee members should know are included in this chapter. These tables will help you acquire basic knowledge about your responsibilities within the internal responsibility system. (See Chapter 1 for more information about the internal responsibility system). The difference between an act and regulations Acts must be passed by a legislature. Regulations only require cabinet approval. Each act usually gives government the authority to enact supporting regulations. Therefore, The Occupational Health and Safety Act, 1993 sets out general duties and responsibilities. The regulations state what must be done to meet them. For example, the Act requires employers in certain industries to have a safety program (section 13). The Occupational Health and Safety Regulations, 1996 spell out what must be in the program (regulation 22). The Appendix to the regulations lists those workplaces requiring programs (Table 7). How to locate and apply information in the legislation The Act and regulations are printed together in an office consolidation available from the Queens Printer. A green page separates the Act from the regulations. Since the Act and regulations were originally separate publications, both begin with a page 1. Use the tables of contents, index and section headings to find information Both the Act and regulations have a table of contents. In the Act, a birds eye view of the table of contents is placed first. A more detailed table of contents follows. The table of contents for the regulations lists the regulations in sequence. Use each table of contents to find general topics. The index applies to the regulations only and does not reference sections of the Act. Use the index to find specific regulations. Both the tables of contents and the index are organized by section number and not by page number. For example, General Duties of Employers in the Act will be found under section 3 and not on page 3. Section (page) headings in the body of the legislation match the titles in the tables of contents and index. The Appendix to the Regulations (page 224) lists items referenced, but not included in the Act and regulations. For example, Table 7 lists workplaces requiring representatives. The Queens Printer now provides computer versions of the legislation. Use the search/find command to locate specific topics such as Full-body harness or Designated signaller. Look in the Preliminary Matters sections to find definitions The Preliminary Matters sections in both the Act and regulations contain the definitions of terms, such as discriminatory action [Act, section 2(1)(g)] and plant [Act, section 2(1)(x)]. Some parts of the regulations contain Interpretation sections that define key technical terms used there. For an example, see Part XX Diving Operations. Look in the appendix to find reference lists and tables The appendix contains technical information referenced, but not included in the regulations. For an example, see Part V First Aid and Tables 1-4 and 8-12 in the Appendix to the Regulations. Key legislation for committees Requirement (This is a partial list. Specific regulations set out additional duties.)Roles Within the Internal Responsibility SystemEmployerCommittee1. Consult and cooperate: Act, Part II; section 3(b).The employer is expected to consult and cooperate with the occupational health committee at the place of employment for the purpose of resolving concerns on matters of health, safety and welfare at work. The committee should consult workers and help the employer to resolve health and safety concerns.2. Required information: Act, Part II; section 9(2).Subject to section 10 and Part VI of the Act, an employer shall provide all required information about hazards, risk assessment and risk control to the following at the place of employment: (a) the occupational health committee; or (b) the occupational health and safety representative.The committee should use the information to help the employer maintain a healthy and safe workplace. 3. Occupational health and safety programs: Act, Part II; section 13(2). Act, Part II; section 13(4).The program must be developed in consultation with: (a) the occupational health committee; or (b) the occupational health and safety representative. The occupational health and safety program must be in writing and must be available on request to the occupational health committee, the occupational health and safety representative, the workers or an occupational health officer. The committee should help the employer to develop the program and keep it current.4. Policy statement on violence: Act, Part II; section 14(1).An employer at a prescribed place of employment where violent situations have occurred or may reasonably be expected to occur shall develop and implement a policy statement to deal with potentially violent situations after consultation with: (a) the occupational health committee; or (b) the occupational health and safety representative.The committee should help the employer to develop the policy statement and keep it current. An example of a generic policy is available from the OH&S Division.5. Establishment of committees: Act, Part III; section 15.Subject to the regulations, at every place of employment where 10 or more workers of one employer work, the employer shall: Establish an occupational health committee at the place of employment; and (b) designate persons as members of the occupational health committee in accordance with this section. An occupational health committee must consist of at least two and no more than 12 persons. At least half of the members of an occupational health committee must represent workers other than workers connected with the management of the place of employment. No person may be designated as a member of an occupational health committee who represents workers unless the person: (a) has been elected from the place of employment for that purpose by the workers whom the person would represent; (b) has been appointed from the place of employment in accordance with the constitution of the trade union of which the workers are members; or (c) where more than one trade union represents the workers that the person would represent on the committee, has been appointed for that purpose from the place of employment pursuant to an agreement among all of those trade unions.Workers are expected to support the employer and committee. Workers should agree to stand for selection as committee members and if selected, agree to serve. Workers can help the employer make the committee effective by selecting influential and dedicated committee members.6. Duty to post names: Act, Part III; section 17. An employer who is required to establish an occupational health committee pursuant to section 15 or the regulations shall post the names of the members of the committee in a conspicuous location at every place of employment of workers represented by the committee. Committee members should make themselves known to the workers they represent. 7. General concern of committees and representatives: Act, Part III; section 18. The employer shall help the committee or representative to be effective. The committee or representative shall have a continuing concern with respect to the health, safety and welfare at a place of employment of workers represented by the committee or representative. 8. Duties of committees: Act, Part III; section 19.The employer shall help the committee: to participate in the identification and control of health and safety hazards in or at the place of employment; (b) to co-operate with the occupational health and safety service, if any, established for the place of employment; (c) to establish, promote and recommend the means of delivery of health and safety programs for the education and information of workers; to maintain records with respect to the duties of the committee pursuant to this section; to investigate any matter mentioned in section 23; to receive, consider and resolve matters respecting the health and safety of workers; or to carry out any other duties that are specified in this Act or prescribed in the regulations. Committee members shall carry out their duties (in section 19 of the Act) properly and help the employer make the committee effective. 9. Reference to officer: Act, Part III; section 21.Where an employer does not resolve a problem or address a concern raised by an occupational health committee or representative with respect to the health, safety and welfare of the workers at a place of employment, the employer shall provide written reasons for not doing so to the committee or representative. Where the parties cannot resolve a problem or address a concern, the employer, the committee, a committee member or the representative may refer the matter to an occupational health officer. Nothing prevents a worker from contacting the OH&S Division directly.10. Provision of reports by officer: Act, Part III; section 22.The employer receives a copy of the report from the occupational health officer.The committee receives a copy of the report from the occupational health officer. 11. Refusal to work: Act, Part IV.The employer must work with the committee and refusing worker to resolve the issue. Refusals that cannot be resolved internally must be referred to an occupational health officer for a ruling.The committee shall investigate the refusal and help the employer and refusing worker resolve it. 12. Discriminatory action prohibited: Act, Part IV; section 27.The employer may not take discriminatory action against a refusing worker. The employer may not take discriminatory action against a committee member because that member carries out his or her duties under the legislation. A committee member who believes he or she has been discriminated against has a right to contact an occupational health officer. 13. Copy of notice of contravention: Act, Part V; section 34. The employer receives a copy of the notice of contravention from the occupational health officer. The committee receives a copy of the notice of contravention from the occupational health officer.14. Progress report: Act, Part V; section 35.The employer sends a progress report on corrective action to the officer and provides the committee with a copy within seven days of the deadline set on a notice of contravention.The committee receives a copy of the progress report. It may contact the officer about the corrective action taken by the employer. 15. Appeals: Act, Part VIII.The employer has a right to appeal a decision of an occupational health officer. The employer may not take discriminatory action against a worker because of the matter.Committee members have a right to appeal a decision of an officer. Committee members are protected from discriminatory action if they do so. 16. Immunity: Act, Part XII; section 85.No action lies or shall be instituted against: an occupational health and safety representative; an occupational health committee; or a member of an occupational health committee in his or her capacity as a member of an occupational health committeewhere that person or committee is acting pursuant to the authority of this Act or the regulations, for any loss or damage suffered by a person by reason of anything in good faith done, caused, permitted or authorized to be done, attempted to be done or omitted to be done, by the person, or committee, pursuant to or in the exercise or supposed exercise of any power conferred by this Act or the regulations or in the carrying out or supposed carrying out of any function or duty imposed by this Act or the regulations. 17. Accidents causing serious bodily harm: Regulations, Part II; section 8. The employer reports the accident to the OH&S Division and provides a copy of the notification to the committee co-chairpersons.The co-chairpersons receive a copy of the notification and are entitled to look into any concerns they have about the accident. 18. Dangerous occurrences: Regulations, Part II; section 9.The employer must report dangerous occurrences that could have injured a worker to the OH&S Division and provide a copy of the notification to the committee. The co-chairpersons receive a copy of the notice sent to the OH&S Division.19. Duty of employer or contractor to provide information: Regulations; Part III, section 15. The employer is to make a copy of the Act, regulations and standards set out by the regulations readily available to workers. Information sent by the OH&S Division for the information of workers should be posted in the workplace. The employer must provide a bulletin board for the committees use.The committee should review information provided by the employer. The committee should use the bulletin board to keep workers informed of its activities. 20. Duty to inform workers: Regulations; Part III, section 18. The employer is to inform workers about the requirements of the legislation. The employer is to have a system in place to ensure that each worker knows and follows the legislation.Workers and committee members comply and help the employer to comply. Workers have a responsibility to cooperate. 21. Workers contacts with officers: Regulations; Part III, section 20.The employer shall provide paid work time for the worker co-chairperson, a committee representative or a worker to accompany an occupational health officer inspecting the workplace.The committee member should consult the officer and workers about health and safety concerns in the workplace. 22. Biological monitoring: Regulations; Part III, section 21(2). The employer provides the committee with a report containing the general results of biological monitoring done on workers. The committee receives a copy of the report. 23. Occupational health and safety program: Act; section 13 and Regulations; Part III, section 22 and Table 7 of the Appendix. The employer at a prescribed workplace must develop an occupational health and safety program in consultation with the committee.The committee should help the employer develop the program and audit its effectiveness.24. Inspection of place of employment: Regulations; Part III, section 28.The employer is to enable the committee to regularly inspect the workplace. The schedule for the inspections is to be set by the committee and employer. Where the committee provides the employer with a written notice of an unsafe condition, the employer must take action. The health and safety of endangered workers must be protected at once. The unsafe condition must be corrected as soon as possible. The employer must provide the committee with a report on corrective action. If action is not taken, the employer must provide the committee with a written report stating why.The committee schedules inspections with the employer regularly. It reports unsafe conditions to the employer and receives a report on corrective action. The committee receives a copy of a report from the employer. The committee has a right to contact an occupational health officer if it has any concerns. 25. Investigation of certain accidents: Regulations; Part III, section 29. The employer must helps the co-chairpersons to investigate and prepare a report. The reports contents are specified in the regulations. The employer must send a report to the OH&S Division at the request of an officer and provide a copy to the committee.The co-chairpersons must investigate the accidents and prepare reports setting out the required information. The committee receives a copy of the reports. 26. Prohibition, re: scene of accident: Regulations; Part III, section 30.The employer ensures that the site of a fatal accident is not disturbed (except to relieve human suffering) until an occupational health officer investigates. The employer may obtain permission from the officer to disturb the site if photographs and drawings of the site are made and the committee co-chairpersons agree. The co-chairpersons do not give permission unless the requirements of the regulation are met. 27. Investigation of dangerous occurrences: Regulations; Part III, section 31. The employer must help the co-chairpersons to investigate dangerous occurrences and prepare a report containing the information required in the regulation. The employer provides a copy to the committee.The co-chairpersons must investigate and prepare reports. The committee receives a copy of the reports.28. Injuries requiring medical treatment: Regulations; Part III, section 32. The employer provides a report to the co-chairpersons stating what accidents have resulted in lost-time injuries or required medical treatment and enables the co-chairpersons to review lost-time injuries at no loss in pay or benefits.The co-chairpersons receive and review the reports.29. Working alone or in isolated places of employment: Regulations; Part III, section 35. The employer works with the committee to assess the risks of working alone or in isolated places of employment and develops policies and procedures to control those risks.The committee should help the employer to identify risks associated with the work and identify methods to control those risks. 30. Harassment: Regulations; Part III, section 36.The employer works with the committee to develop a policy to prevent harassment. A copy is posted in the workplace. Another is provided to the committee. The committee should help the employer to develop the policy and communicate the information to workers. 31. Designation of committee members: Regulations; Part IV; section 39. The employer assists workers to select committee members as required by the regulations and ensures that groups of workers with distinct concerns are equitably represented.Workers agree to stand for selection as committee members; and if selected, agree to serve.32. Quorum and certain votes: Regulations; Part IV, section 40. The employer ensures a quorum is present at every committee meeting and rulings on refusals to work are made by a unanimous vote of a quorum of the committee. Committee members ensure a quorum is present at every committee meeting.33. Frequency of meetings: Regulations; Part IV, section 41. Subject to subsection (2), the employer is to ensure that the committee shall: hold its first meeting within two weeks after being established;; (b) hold three subsequent meetings at intervals not exceeding one month; and (c) after that, hold regular meetings at intervals not exceeding three months. The Director of the OH&S Division may require a committee to meet more frequently than subsection (1) requires because of any of the following factors at the place of employment: (a) the existence of particular hazards or circumstances; (b) the complexity of the operation; or (c) the number of workers. Committee members assist the employer to meet the requirements of the regulation. 34. Minutes of meetings: Regulations; Part IV, section 42.The employer must help the committee to: (a) record minutes of each meeting in a format provided by the OH&S Division and keep the minutes on file with the committee; (b) send a copy of the minutes to the OH&S Division within two weeks after the date of the meeting; and (c) post a copy of the minutes at a location that is readily accessible to workers at the place of employment until all concerns recorded in the minutes are resolved. Committee members assist the employer to meet the requirements of the regulation. Co-chairpersons should sign the minutes of each meeting.35. Co-chairpersons: Regulations; Part IV, section 43.(1) The employer is to ensure that, at the first meeting of a committee: (a) members of the committee representing workers shall elect a worker co-chairperson from among their number; and the employer or contractor shall appoint an employer or contractor co-chairperson from the members of the committee representing the employer or contractor. (2) An employer or contractor co-chairperson shall keep the employer or contractor informed of the activities, concerns and recommendations of the committee and of any information addressed to the committee. A worker co-chairperson shall keep the workers informed of the activities, concerns and recommendations of the committee and of any information addressed to the committee. An employer or contractor shall facilitate the discharge of the worker co-chairperson's duties during normal work hours by permitting meetings of workers or by other means that are appropriate in the circumstances. The committee helps the employer to meet the requirements. Committee representatives can help by selecting influential and effective co-chairpersons. Co-chairpersons keep employees and the employer informed of the committees activities. The co-chairpersons help the employer to keep the committee effective.36. Special meetings: Regulations; Part IV, section 44.The employer is expected to assist the committee to hold special meetings. Either co-chairperson may call a special meeting of a committee to deal with: urgent concerns; imminent dangers to health or safety and investigations of accidents, dangerous occurrences or refusals to work pursuant to section 23 of the Act. Co-chairpersons call special meetings as needed.37. Training of committee: Regulations; Part IV, section 46.The employer is to ensure that co-chairpersons receive training respecting their duties and functions. Where a committee member gives reasonable notice, the employer shall allow that member to take up to five days per year to attend training. Where the committee member attends training provided by the OH&S Division or by an approved training agency, the employer must credit the members time as time at work. The employer shall ensure the member does not lose pay or benefits for attending. Committee members attend training respecting their functions and duties and use the training at work. 38. Opportunity for necessary activities: Regulations; Part IV, section 48.The employer shall ensure the committee has access to any log book or other records required by the legislation. The employer shall provide paid work time to allow the committee to investigate concerns and carry out other duties. The employer shall allow the committee to hold meetings with workers to discuss health and safety issues and regulatory requirements.The committee reviews the records and investigates related concerns. Members bring the concerns of workers to the employer for resolution. 39. Provision of first aid: Regulations; Part V, section 52.The employer shall consult the committee about the adequacy of first aid personnel, supplies, equipment and facilities. The employer is to help the committee inspect the first aid register. Requirements are set out in the regulation. The committee should advise the employer about the adequacy of first aid facilities, supplies, personnel and equipment. The committee should inspect the register and look into any related concerns it has. 40. Ventilation systems: Regulations; Part VI, section 67.An employer, contractor or owner shall ensure that a record of all inspections, maintenance and cleaning of a mechanical ventilation system required by subsection 66(1) is readily available for examination by the committee, the representative or, where there is no committee or representative, the workers. The committee should examine the records periodically. 41. Smoking: Regulations; Part VI, section 77.The employer is to consult the committee about designating smoking areas for the workplace if the employer opts to designate smoking areas. The committee should help the employer to make the decision. 42. Musculoskeletal injuries: Regulations; Part VI, section 81.The employer is to consult the committee about jobs and situations in the workplace that pose or could pose ergonomic hazards. The employer is to work with the committee to control or remove these hazards.The committee should consult workers about ergonomic problems and helps the employer to develop a system to control or remove them. 43. Shiftwork: Regulations, Part VI, section 82.The employer is to consult the committee to assess the hazards of shiftwork at the workplace, inform workers about those hazards and how they can be controlled. The committee should help the employer identify shiftwork hazards and inform workers how to control them. 44. Visually demanding tasks: Regulations; Part VI, section 83.The employer is to consult the committee about jobs and situations in the workplace that put a demand on workers vision. The employer is expected to work with the committee to control or remove these hazards.The committee should consult workers about jobs with a high visual demand and help the employer to develop a system to control or remove them. 45. Radioactive substances: Regulations; Part VI, section 84.The employer shall consult the committee to develop safe procedures to handle, use, store and dispose of radioactive substances and devices containing radioactive substances. At the request of the committee, the employer shall make available copies of any licenses issued under The Atomic Energy Control Act. The committee should help the employer to develop safe procedures and review applicable licenses. It consults workers who are at risk and helps them to resolve concerns. 46. Exposure to infectious materials, organisms: Regulations; Part VI, section 85.The employer consults the committee to develop a written plan to protect workers who are exposed to biohazards. The plan must meet requirements set by the regulation. The committee should help the employer to develop the plan to meet the requirements of the regulation. It consults workers who are at risk and helps them resolve their concerns. 47. Noise control and hearing conservation: Regulations; Part VIII. The employer shall consult the committee or representative to ensure that a competent person evaluates the presence of noise and the results of any noise monitoring done at the workplace and that a noise control system is in place to protect workers. The committee should help the employer to evaluate noise levels in the workplace and protect workers. 48. Robotics: Regulations; Part XV.The employer shall consult the committee or representative to assess real or potential robotic hazards and develop written procedures to protect workers. The employer ensures that workers are adequately trained to identify and control robotic hazards and operate applicable equipment safely. Requirements are set out in the regulations. The committee should help the employer to protect workers. It should discuss robotic hazards with workers and help them to revolve related concerns. 49. Entry plan for confined spaces: Regulations; Part XVIII, section 272.The employer shall consult the committee to develop a safe entry plan for confined spaces to protect workers from the associated hazards. Requirements for the plan are set out in the regulation.The committee should help the employer to develop the plan. It consults workers about the plan and helps them to resolve concerns. 50. Exposure to chemical and biological substances Regulations; PartXXI, section 302 Exposure to chemical and biological substances Regulations; Part XXI, section 302. The employer shall make available to the committee, the representative or, where there is no committee or representative, the workers: (a) the results of any measurements of worker exposure to, and contamination of a place of employment by, a chemical substance or biological substance; and (b) any steps taken to reduce the contamination of a place of employment by, and eliminate or reduce exposure of the workers to, a chemical substance or biological substance. The committee reviews the documents and looks at associated problems. It helps the employer and workers to identify and resolve related concerns.51. List of chemical and biological substances: Regulations; Part XXI, section 303.The employer consults the committee or worker occupational health and safety representative to list all potentially hazardous chemical and biological substances that are regularly handled, stored, used or disposed of at the workplace. The list shall also contain any substances at work that are of concern to workers. Controlled products shall be identified on the list. The list shall be amended as required. Copies shall be provided to the workers and the committee or representative.The committee should help the employer to compile the list and identify controlled products under WHMIS. The committee helps the employer keep the list current. 52. Precautions for certain substances: Regulations; Part XXI, section 304.Where a chemical or biological substance identified under subsection 303(1) is not a controlled product (or is a controlled product that is exempted from Part XXII) the employer, in consultation with the committee, shall develop a written program to instruct workers about the hazards of these substances and train workers in the precautions to be taken. The employer shall implement the program. The committee should help the employer to identify these substances, develop the program and monitor its effectiveness. 53. Substances listed in Table 21 of the Appendix to the regulations: Regulations; Part XXI, section 307. The employer shall consult the committee to develop a written procedure to protect workers from these substances where: (1) exposure is more than 8 hours per day to 40 hours per week; or (2) where there are additive or synergistic effects from the chemical substances. Requirements are set out in the regulation.The committee should help the employer to comply. It consults workers about the plan and helps them to resolve concerns. 54. Accumulations, spills and leaks: Regulations; Part XXI, section 310. Where there is a possibility of an accumulation, spill or leak of a chemical substance or biological substance that may be hazardous to the health or safety of a worker at a place of employment, an employer: (a) in consultation with the committee, shall develop written emergency procedures to be implemented in the event of an accumulation, spill or leak; (b) shall make readily available for reference by workers a copy of the emergency procedures developed pursuant to clause (a); (c) shall ensure that each worker is trained in and implements any of the emergency procedures developed pursuant to clause (a) that: (i) require the involvement of the worker; or (ii) are necessary to protect the health or safety of the worker; (d) shall ensure that competent persons, equipment, supplies and personal protective equipment are available for the prompt, safe and effective containment, neutralizing and decontamination of any accumulation, spill or leak; and (e) shall ensure that the emergency procedures developed pursuant to clause (a) are implemented in the event of an accumulation, spill or leak. The committee should help the employer develop the plan and monitor its effectiveness.55. Report of worker's exposure: Regulations; Part XXI, section 311. Where an accumulation, spill or leak of a chemical substance or biological substance listed in Table 19 or 20 of the Appendix occurs and results in the exposure of a worker to the chemical substance or biological substance to an extent that may affect the health or safety of the worker, the employer, in consultation with the committee, shall investigate the incident as soon as is reasonably possible and prepare a written report containing the information set out in the regulation. The committee should help the employer investigate, prepare the report and develop hazard controls.56. Worker training (WHMIS): Regulations; Part XXII, section 318(4) and 318(6). The employer must provide training to workers about the hazards of controlled products at the workplace and how to control those hazards. The training must be developed in consultation with the committee. The employer shall review the WHMIS training program each year in consultation with the committee to ensure it is adequate.The committee should review the program, consult workers and help the employer keep it current. 57. Availability of MSDSs: Regulations; Part XXII, section 327. The employer shall ensure copies of all materials safety data sheets required under WHMIS are readily available to the committee.The committee should review the MSDSs where there are concerns and discuss those concerns with the employer.58. Asbestos: Regulations; Part XXIII, section 334.The employer shall make records of potentially hazardous asbestos materials available to the committee for review. The committee should help the employer protect workers from asbestos hazards.59. Asbestos control plan: Regulations; Part XXIII, section 337.The employer shall develop an asbestos control plan in consultation with the committee to protect workers from asbestos hazards.The committee should help the employer develop and monitor the plan and keep it current. Review You will use the legislation as you carry out your responsibilities. Use it as a guide to help you: monitor the effectiveness of the internal responsibility system identify, assess and develop recommendations to control hazards communicate information about health and safety hazards and issues to workers help workers resolve concerns maintain the effectiveness of your committee Remember that your primary job as a committee member is to help the employer maintain a safe and healthy workplace. You are not a safety officer for the employer. Compliance is the employers responsibility. Your job is to provide assistance and advice. Appendices Appendix 1: Notification requirements for new operations Appendix 2: Forms: Appendix 3: Communication, conflict resolution and problem solving techniques for committee members Appendix 4: Helping the employer plan worker training Appendix 1: Notification requirements for new operations Appendix 2: Forms How to complete a minutes form Submit the complete name, mailing address with postal code, and the phone number of the organization. This information is used to mail out information to your committee and to file your minutes correctly. Enter the site address, if it is different from the mailing address, to help us locate your committee. Record the total number of persons employed at your workplace together, including both full-time and part-time employees. Fill in the meeting date (Day/Month, Year). Ensure meetings are held regularly. The minimum requirement for meetings is every three months. Indicate when the next meeting is to be held. If no date is set, scheduling of your meeting becomes more difficult. Enter the names of your co-chairpersons. Co-chairpersons are key people and the names must be posted to ensure workers can contact them when necessary. List the names and occupations of all your current committee members, identifying each as a worker or management member. Management members must not outnumber worker members. Indicate whether each committee member was present or absent. This is necessary to determine whether or not a quorum was present at the meeting. Ensure a quorum is present at all of your meetings. A quorum exists when both management and workers are represented, at least one half of the committee is present and at least one half of those present are workers. Review all the old concerns from the previous meeting. Do not remove any item from the minutes until you have recorded it as completed. Describe all new concerns, problems and other business discussed at your meeting. An example of an occupational health committee agenda is included in this manual. Indicate the action taken or proposed for each item listed, along with the name of the person responsible for handling it. This is essential to track issues, ensure they are dealt with, and communicate the action to those not at the meeting. Decide on and record a reasonable target date for each item. Target dates assist in the problem-solving process and give employers and workers objectives to strive for. Review all injuries and incidents that have occurred in your workplace and ensure steps have been taken to prevent a recurrence. Ensure both co-chairpersons, or their designates, sign the minutes after reviewing the contents to determine accuracy. Send one copy of the minutes to the OH&S Division within two weeks of the meeting. This is required by section 42 of The Occupational Health and Safety Regulations, 1996. Post one copy of the minutes on your committee bulletin board for worker information. Send one copy to the employer. Retain one copy in your files. Use the same format as the OH&S Division shown in this appendix if you wish to set up your own minute form on computer. Following this arrangement will help you identify, assess and solve the problems in your workplace. Please enter your OHC# in the top right hand corner of your minutes form and use this number on any correspondence from your committee.   Minutes Occupational Health CommitteeComplete all information on top: Type or print firmlyName of firm  ABC GADGETS INC Mailing address & Postal Code Worksite address P.O. BOX 12, REGINA  Total # of workers in workplace Meeting date Date of next meeting (min. 3 months)  25 S4P 4V4 Phone: 555-1234 1600 - 33rd St., Regina 18/Sept/99 S4P 5V6 Phone: 545-1225   Fax: 545-1007 18/Dec/99   Employer Co-chairperson Judy Smith Worker Co-chairperson Victor Jones Management membersOccupationPresentAbsentWorker membersOccupationPresentAbsent Judy Smith Peter Murphy C.E.O. Shop supervisor X X  Victor Jones Sandra Roberts Jack Sinclair Tim Banner  Operator Steno IV Maintenance Shipping X X X X    Item Date & No. Problem or Concern Give full explanation and details Divide old/new concerns  Action Taken or Proposed name person responsible Target Date 1.May 10/99 2.May /99 1.Sept 10/99 2.Sept 10/99 3.Sept 10/99 OLD CONCERNS Complaints of bad air in main office continue. Several staff sick. They Report bad headaches. Brakes on small forklift in shipping not working properly. NEW CONCERNS Workers in insulation are using compressed air to clean their clothing. Workers complain that they didn=t know they weren=t supposed to use compressed air. May be a training issue. Guards missing on gadget stacker. OLD CONCERNS Jack has inspected and cleaned the ventilation system. Defects found. Has asked the maintenance company to service and adjust the system. Repairs to finish within two weeks. Complaints reduced. Staff feeling better. Judy has removed the forklift from service and sent it to the vendor for service. Peter re-scheduled the large forklift to handle the extra work. Jack and Peter have implemented a preventative maintenance program. NEW CONCERNS Peter ordered practice stopped and will order a vacuum for workers to clean their clothing with. Victor and Peter will review the training and safety communication program and improve as necessary. Jack will re-install. Peter and Jack will discuss installing an improved guard with the vendor. 01/October/ 1999 Complete 05/June/99 01/October/99 01/November/99 20/October/99Other Business (including requests to Occupational Health and Safety) Copy 1 Permanent Committee Files In my opinion the above is an accurate record of this meeting Judy Smith Victor Jones Employer Co-chairperson Worker Co-chairperson Page 1 of 1  Committee recommendation form The government does not issue any recommendation form for committees. Many organizations develop their own form for major recommendations that will involve a great deal of money. Forms help the organization to standardize recommendations and help committees identify exactly what the problem is and what should be done about it. Please adapt the form used in this appendix to your needs. When filling in a recommendation form: Describe precisely the item or problem and its location. Identify the workers affected by the problem. Provide any necessary background information and research the committee has done to quantify the problem. In the example provided, the committee has done noise monitoring to quantify the exact noise levels workers are exposed to while on the job. State what could happen if the problem is not resolved. Describe precisely what is being proposed. Include the estimated timelines and costs for each recommendation. Provide information to support each proposal in the Reasons for recommendation section. In the example provided, the committee has stated why each recommendation is being proposed, what services will be required, who can provide them and when. If warranted, propose both short term (immediate) and long term (engineering) solutions. In the example, the committee has suggested a number of actions that can be taken immediately. It has also proposed a longer term engineering solution (sound insulated control room). State who is going to follow up on the corrective action and when. Meeting date: December 01, 1999Chairperson: Jack MackRecommendation Number: 1-5Date submitted: December 01, 1999 Occupational Health Committee Recommendation Form (adapt to suit your needs)Description of item/concern: Staff are worried about loud noise from boilers and burners in the mechanical room. Many report ringing in their ears and decreased hearing after their shifts. Noise monitoring taken last week showed sound levels of from 91-97 dBA during peak working hours. Our occupational health committee believes workers could suffer permanent hearing loss if this condition persists.We recommend: All workers be issued with high quality hearing protectors to protect their hearing. Timeline: within two weeks Estimated cost per year: $500 Follow-up: Peter Smith, the workers manager, will follow-up on January 05, 2,000 Workers be trained about the hazards of noise and how to use the hearing protectors properly. Timeline: within two weeks Estimated cost per year: noneJoes Safety Supplies will provide training free of charge if we buy hearing protectors from them. Follow-up: Jack Mack will follow-up on this by February 01, 2,000 Measured noise levels be posted in the workplace to inform workers of the hazards present. Timeline: within two weeks Estimated cost per year: $30 Follow-up: Local area supervisors will follow-up on January 05, 2,000 Workers be encouraged to have their hearing tested. Timeline: employer must arrange with our health insurer to cover the cost of the hearing tests. The health insurer has a designated hearing test facility. Appointments will have to be arranged by each worker. Estimated cost per year: none (covered by health insurance). Time at the tests counts as work time under the regulations. Follow-up: Joe Smoe, the human resources manager, will follow-up with workers every two weeks for the next two months to ensure they are aware of the need for hearing tests and are making appointments with our health insurer. Relocate all controls to a central area and build a sound-proofed, separately ventilated room around them. Put several windows in the control room to allow workers to monitor operations. Timeline: during the next fiscal year (suggest completion by May 01/2000) Estimated cost: $4,000 Follow-up: Harry Secum and Jack Mack will follow-up with the employer on May 05, 2,000. Reasons for recommendation: Short term All workers be issued with high quality hearing protectors to protect their hearing. Joes Safety Supplies informs us they have disposable units that will reduce noise reaching the ear to no more than 85 dBA. These units will not interfere with the ability of staff to communicate. The estimated yearly cost of purchasing a yearly supply of these units for all employees is $500. Joes Safety Supplies is willing to train our workers about the hazards of noise and how to use the protectors for free. Noise levels be posted in the workplace to warn workers of the noise hazard present. Four signs will be required. Joes will sell them to us for $30 in total. Workers be encouraged to have their hearing tested. Avaricious Health Insurance, our private health insurer, allows a member one free hearing test each year. The regulations require the employer to arrange hearing tests during work time. Time at the tests will count as work time. Tests will help our workers determine if their hearing is being damaged and make appropriate life choices. It will also bench mark their hearing for future reference. Long term We relocate all controls to a central place and build a sound insulated control room around it. The room will be separately ventilated and have several windows to allow operators to monitor conditions in the shop. Profit Corporation says they can do the work for us for about $4,000. However, they are busy with other work and will not be able to service us for at least two months. Signed Jack Mack Harry SecumEmployer Co-chairpersonWorker Co-chairpersonCopy posted for the information of workers? Yes X No  Meeting date:Chairperson:Recommendation Number:Date submitted: Occupational Health Committee Recommendation Form (adapt to suit your needs)Description of item/concern: We recommend: Reasons for recommendation: Signed Employer Co-chairpersonWorker Co-chairperson Copy posted for the information of workers? Yes ( No ( Follow-up date: Committee accident investigation form The government does not issue investigation forms. Commercially available or home-made forms may be used. Use Chapter 8 (Investigating accidents) as a guideline when completing the form. Guidelines for a report The report format should fit the needs of the workplace. Information should be complete and easy to understand. It should only be as long as is necessary to communicate effectively. For best results, write the report as soon as possible after the investigation is finished. If the investigation will take a great deal of time, submit an interim report. File a copy of the report in case it is needed later. Post a summary in the workplace to keep workers informed. Attach a copy to the yellow occupational health committee minutes form that is sent to the Occupational Health and Safety Division. Report format The format used in this manual includes the following main headings. Summarize how the incident happened Provide a brief description of what happened without conclusions (accident summary). Summarize the direct cause here Describe the immediate cause of the accident (what happened just before the incident)? Summarize the root cause here Describe the underlying problems in the internal responsibility system that set the chain of events in motion that produced the incident. What actions are recommended to control the immediate causes of the incident Describe short term controls that should be implemented to prevent another incident until longer term (engineering) controls can be put in place. Describe what actions are recommended to control the root causes of the accident Identify engineering and other measures that will remove the fundamental flaws in the internal responsibility system that caused the incident. Sketch the site of the accident here A picture is worth a thousand words. Use illustrations to show what happened. The example used here In this case, Iwanna Sue, a newly hired leaf spring/suspension mechanic, was asked to service the brakes of a low boy (Bobcat tractor) trailer as soon as possible. Iwanna rushed the job. He placed a bottle (hydraulic) jack under each of the four leaf springs of the trailer. Floor stands or blocks were not used. He removed the wheels to service the brakes. Since the brakes were badly rusted, Iwanna had to do a great deal of pounding and prying to work the parts loose. This caused the trailer to move on the jacks. The trailer slid off the jacks, breaking Iwannas left leg. The direct cause of the incident was found to be using an unsafe work practice (inadequately supporting the trailer). Indirect causes included: Assigning a leaf spring/suspension mechanic to do brake repairs. Iwanna turned out to be inadequately trained to repair the brakes on this type of trailer. He was not adequately oriented or supervised. Failure by the employer to ensure the bottle jacks were properly labeled and maintained. The jacks used turned out to be too light to support the weight of the trailer. One jack was defective. The root cause of the accident was lack of a safety program. Occupational Health Committee Incident Investigation Report Form (adapt to suit your needs)Company or division: Safetee Motors Inc.Department: Garage ShopReported to OH&S: Yes X No ( Date reported: January 02, 1999Phone # contacted: 1-800-567-7233Location: Somewhere SaskatchewanDate: January 02, 1999Time: 10:30 AM X PMInjury or illnessType of incident (fall, cut, etc)Property damageName of injured worker: Iwanna SueDescription: Broken left legDescription: Four wrecked bottle jacks. Miscellaneous broken tools.Experience: Three hours with this employerSeverity of damage/loss: SevereOccupation: Leaf spring/suspension mechanicObject or substance inflicting harm: Low boy trailerCollateral damage to equipment/ object/ substance related to incident: Damaged trailer chassis. Lost customer. Business closed for a day to investigate and clean up.Exact location of accident: Main shopPart of body affected: Left legPerson in control of activity: John Safetee, employerEstimated cost: Not known nowFinal cost: Not known nowNature of injury or illness: Broken boneNumber of work days lost: 40 (estimated at this time)Supervisor: John SafeteeSummarize how the incident happened: Iwanna was asked to fix the brakes on Jack Rushingmans low boy trailer. The brakes on the trailer were sticking. Jack needed the trailer right away for a rush job and was putting much pressure on Mr. Safetee to get the thing fixed. Iwanna placed a bottle jack under each of the four leaf springs of the trailer. Floor stands or blocks were not used. The garage hoist was not used because Mr. Safetee had not shown Iwanna how to operate it yet. Iwanna removed the wheels to service the brakes. Since the brakes were badly rusted, Iwanna had to do a great deal of pounding and prying to work the parts loose. This caused the trailer to move on the jacks. The trailer slid off the jacks, breaking Iwannas left leg. One of the bottle jacks may have failed, but this is hard to tell because all of the jacks were crushed by the trailer when it fell. Summarize the direct cause here: Use of an unsafe work practice. Bottle jacks should not have been used without other substantial blocks and support. The garage hoist should have been used for the work. Summarize the root cause here: We dont have an adequate safety program in place to prevent this type of thing. This includes everything from how we orientate and induct new workers to the work procedures and equipment we use. What actions are recommended to control the immediate causes of the incident: Assign only qualified employees to this type of work and make sure workers are adequately supervised at all times. Turn down or reschedule rush jobs if qualified staff are not available. Use the garage hoist for this type of job. Inspect tools and equipment for defects. Replace or repair as required. Develop and enforce work procedures for dangerous jobs. Describe what actions are recommended to control the root causes of the incident: The employer and occupational health committee should develop a safety program that includes written safe work procedures for all dangerous jobs, formal orientation, induction and job training and close supervision for all new hires. Sketch the site of the incident here:InvestigatorsPosition on committeeSignature1. Peter Smith Worker member of committee Peter Smith2. John Doe Employer member of committee John Doe Signature of occupational health committee co-chairpersonsJack Mack Joe SmoeEmployer co-chairpersonWorker co-chairperson  Often the report form serves as an incident summary. A more detailed report is sent to the employer. Occupational Health Committee Incident Investigation Report Form (adapt to suit your needs)Reported to OH&S: Yes ( No ( Date reported: Phone # contacted:Company or division: Department:Location: Date: Time: AM PMInjury or illnessType of incident (fall, cut, etc)Property damageName of injured worker: Description: Description:Experience:Severity of damage/loss: Occupation: Object or substance inflicting harm:Collateral damage to equipment/ object/ substance related to incident: Exact location of accident:Part of body affected:Person in control of activity:Estimated cost:Final cost:Nature of injury or illness:Number of work days lost:Supervisor:Summarize how the incident happened:Summarize the direct cause here: Summarize the root cause here: What actions are recommended to control the immediate causes of the incident:Describe what actions are recommended to control the root causes of the incident: Sketch the site of the incident here:InvestigatorsPosition on committeeSignature1.2.Signature of occupational health committee co-chairpersonsEmployer co-chairpersonWorker co-chairperson  Appendix 3: Communication, conflict resolution and problem solving techniques for committee members Introduction Communication is anything that we do to inform, get information from, or influence others. It includes: what we say or write our gestures, tone of voice and expression (body language) our actions or lack of action (actions speak louder than words) One-on-one discussions, meetings, committee minutes, bulletins, posters, short publications and safety videos are the most common methods for promoting health and safety. Methods should always provide an opportunity for discussion, questions and feedback. Four principles of health and safety communication Effective communication increases motivation People are more likely to support an idea if they understand the reasoning behind it. For example, workers are more likely to follow a safe work procedure if they understand how the procedure controls the hazards involved in the work. Likewise, people who are kept informed feel involved and believe their opinions are important. Close communication between committee members, the employer, supervisors, managers and workers is critical to the success of the internal responsibility system. The more people a communication goes through, the more distorted it becomes The more people there are in a line of communication, the more distorted the message becomes. Each person who passes on the information is likely to change it slightly. To avoid this, try to communicate information directly and provide back-up copies in writing. For example, a committee member might inform a worker about the status of a concern. The same information might be included in minutes posted in the workplace. Effective communication reaches the heart as well as the mind Communication that is aimed at feelings and attitudes is usually more effective than communication directed only at the mind. People will listen more intently if you mold a message to their personal interests and situations. For example, workers may be more willing to use change and shower facilities if they understand how this can prevent contaminants from reaching their families. Use it or loose it The sooner information and skills can be put to work, the more effectively they will be learned and remembered. Help people apply what they are learning as soon as possible. For example, arrangements can be made to immediately apply the safe lifting procedures shown in a safety video. Refresher training and practice can be arranged to keep first aid skills sharp. Verbal communication techniques Use positive body language, including gestures, stance, expression, movement, eye contact and a warm tone of voice. Make the other person feel involved and important. Keep the message short and simple. Avoid jargon and unfamiliar terms, particularly with inexperienced workers. Show respect for the ideas of others and try to understand their points of view. Consider differences in culture and language. Check mutual understanding at the end of the conversation. Active listening Active listening is just as important as effective speaking. Six principles are involved in active listening: Encourage Encourage the others to fully express their opinions. Use neutral statements or open-ended questions (questions that cannot be answered with a simple yes or no) such as I see or Please tell me more. This will keep the others talking and show them you are interested in their views. Clarify Use open-ended questions to clarify statements and check your perceptions of what has been said. For example, use questions such as When did this happen? or Im not quite clear about that point, could you explain it a bit more? Restate Summarize and restate essential points, ideas and comments to check understanding. Put a positive spin on what has been said, but do not distort its meaning. Ask the speakers if you are correct in your interpretation of their views. For example: So your view of the problem is Am I correct in saying that you would like to solve the issue in this way? Reflect feelings and opinions Show you understand the speakers opinions and feelings. This will help them evaluate their attitude. For example: You sound very angry and frustrated. Summarize feelings and content Periodically summarizing ideas, feelings and content allows you to check progress and move on to other topics. For example: Is this an accurate summary of the cause of your anger? Encourage the speakers to tell you anything else that is bothering them about the issues. For example, ask: Is something bugging you? Acknowledge and validate Show the others that you understand, accept and respect them. For example: I can understand why you might feel this way or I sympathize with you. Pay close attention to the ideas, emotions and opinions being expressed, not to individual words or phrases. Listen to the whole message before passing judgement or interrupting. To avoid bias, try to separate the message from the person sending it. Use open-ended questions to encourage people to tell you what they know and suggest solutions. State your questions in a positive way to get cooperation. Make sure your body language does not contradict what you are saying. Written communication Committee members need to be able to write clear and effective inspection and accident investigation reports, recommendations for the employer and so forth. Information that is unclear or confusing may cause workers and managers to draw the wrong conclusions and fail to take effective action. When preparing a report, consider using the following format outline: Executive summary Some formats use this section to summarize the report and its recommendations. Introduction and purpose This explains what the report is about and outlines the content. Methods This explains how the information was gathered and what methods were used. For example, if the report deals with noise levels in the workplace, this section will describe what type of noise monitors were used, how readings were taken, for how long, where in the workplace and so forth. Findings This section describes what was found (the raw evidence). For example, in a noise control report, this section would state what noise levels were found, where, if noise levels at certain work stations changed over the shift and so forth. Some formats summarize the findings here and put detailed information, such as measurements, in the appendix. Interpretation This section discusses what the findings mean and builds a case for subsequent recommendations. For example, in a noise control report this section might explain what areas had unacceptably high noise levels, what areas had annoying noise that is of concern to workers and what areas had acceptable noise levels. It would describe the direct causes of the noise (such as machinery, tools and equipment) and contributing factors (such as work scheduling, maintenance practices and so forth). Conclusions This section sums up your interpretation and states the root cause of the problems outlined in the report. For example, your noise report might conclude that the root cause of a noise problem is that the organization does not consider noise in its equipment purchasing decisions. Therefore, an extremely noisy machine was purchased instead of a quieter unit with the same capabilities. Each conclusion should be explained and supported separately. Reference any documents used to reach your conclusionsuse footnotes or endnotes. Where possible, include the reference documents with your report. Recommendations Recommendations flow from your findings and conclusions. They must be clearly stated and supported by the evidence. Outline the advantages of your recommended course of action. Summarize the possible cost and consequences of not taking it. Where possible, provide options and alternatives. Explain the advantages and disadvantages of each option, including the relative costs. Supporting documentation Include material that you have cited in your report or used to support it. For example, include copies of pertinent regulations, safety publications and so forth. Bibliography If supporting documentation will not be included, provide a bibliography. This will give the employer or an occupational health officer a chance to check your sources. Raising controversial issues Committee members must sometimes raise controversial issues. For example, you might have to talk to a worker who is using an unsafe work practice. A soft sell approach is usually much more effective than trying to give orders. Here are some guidelines for raising issues and concerns. Introduce the topic Start by briefly describing your role as a committee member, then state why you want to discuss the issue. State the facts as you see them Use I or me language. For example: I am curious about why you are using this lifting practice or It seems to me that you are using an unsafe lifting procedure, could you explain why? Focus on behaviour and not the person. Avoid blaming or attacking the other person. Make your points clearly and quickly. The longer you speak, the more likely you are to lose the other persons attention. Give the other person a chance to respond. If you do not receive a response, ask for one. Listen carefully to the other persons concerns. Discuss your interests in keeping the workplace safe Explain your views clearly, but dont take rigid positions. Focus on the changes needed to address the issue. Avoid jargon inexperienced workers may not understand. Point out the benefits of doing things the safe way. For example, a worker may not use protective gloves because the chemical he handles does not bother his skin. He may not understand it can be absorbed through the skin. Once understood the worker will likely comply. Reach an understanding Listen to the response. Get a commitment to resolve the concern. Check to see that the corrective action has been taken. Other communications tools Bulletin boards These can be used to display committee minutes, inspection reports, summaries of accident investigations, posters and so forth. If safety posters are used, they should be changed every couple of weeks to keep the message fresh. Circulars and newsletters Short safety memos and messages can be distributed to employees through the normal channels. For example, a safety brochure can be included in each pay cheque. Newsletters can be distributed or made available in the cafeteria or another centralized location. Meetings Committee members should attend supervisors group meetings to report on the activities of the committee and the status of concerns. Likewise, the committee and employer can organize employee meetings to discuss health and safety issues. Safety talks Safety talks are regular short demonstrations or lectures by supervisors or experienced workers. Each talk deals with a specific topic such as safe lifting procedures, controlling a chemical hazard and so forth. The committee can help the employer plan these safety talks and acquire resources. Materials are available from several safety associations and commercial sources. Videos The committee can organize short video screenings to review issues in the workplace. For example, they can be used to reinforce back injury prevention programs. The OH&S Division library has a large selection of health and safety videos. Handling differences of opinion Differences of opinion and conflict arent necessarily bad. Used properly they can help to improve the quality and quantity of solutions. The causes of conflict include: lack of communication different perceptions different values different expectations about outcomes People tend to come into conflict when: important issues or a preferred outcome are at stake at least one side believes it has a greater knowledge or understanding of an issue at least one side feels it is right Most disagreements can be resolved through clear communication, trust and mutual respect. Managing disagreements Consider these guidelines when dealing with disagreement. Clarify objectives People sometimes get into conflict because they have different perceptions about the objectives of the meeting or conversation. There may also be a misunderstanding about the other sides real intentions. Getting agreement on goals can help resolve these problems. Strive for understanding Sometimes a disagreement is so strong that people loose track of what the other sides position really is. The meeting chairperson can deal with this by suspending discussion and asking each side to summarize the others position. Diffuse emotion Good decisions cannot be reached if people are in an emotional confrontation. Try to keep participants focused on the facts of the issue, the supporting evidence and the consequences of not taking an appropriate course of action. Generate alternatives Try to identify solutions that deal with the concerns of all parties. Try to get support for potential solutions from influential participants who are not committed to fixed positions. Table the issue When reaching a solution seems unlikely or participants need time to think about the arguments presented, agree to discuss the concern again later. This provides time to cool off. However, if the issue is serious, contact the OH&S Division for advice. Break the issue into components Consider breaking a controversial issue into its parts. Send each part to a problem solving team for discussion. This may make finding solutions easier. Appendix 4: Helping the employer plan worker training When your review identifies a training need, your committee should work with the employer to: Set measurable objectives for the training. Determine how the training will be evaluated. Obtain or develop the training program. Implement the training. Evaluate the training. Maintain records. Training procedures Method 1 Individualized on-the-job instruction for individuals using the tell, show, try and check (TSTC) method: Tell the worker how to do the job safely. Show the worker how the job should be performed at each step. Let the worker try the job. Method 2 Classroom training for groups of workers. Consider the following guidelines when using classroom instruction: Check to ensure the worker can do the job safely. Know the subject. Prepare to instruct. Develop a lesson plan containing the objectives, content, materials and time required for each section of the instruction. Organize and publicize each session. Prepare the room and materials. Communicate clearly. Encourage participation and information sharing. Evaluate the training. Follow-up to check understanding. Monitoring orientation and training Training should be checked during normal committee activities (inspections, conversations with workers, job observations and so forth). The committee should review orientation and training at least once each year. Recommendations for improvements should be sent to the employer for action. Notes Bibliography Adams, Edward E. Total Quality Safety ManagementAn Introduction. Des Plaines, Illinois: American Society of Safety Engineers, 1995. Bird, Frank E. and Germain, George L. Practical Loss Control Leadership. Atlanta Georgia: Institute Publishing, 1985. Carman, G.A. Re-Energize Your Safety Committee. Mississauga: The Gencor Group Inc., 1996. Hancock, Jerry and Alexander, Emmie. Strategic Alignment. Davidson, NC: Alexander/Hancock Associates, 1997. Haynes, Marion E. Effective Meeting Skills. Menlo Park, California: Crisp Publications, 1988. Kaufman, Paul. 10 Innovative Ideas for Successful Teambuilding Events. Singapore: Active Learning, 1997. Krieger, Gary R. and Montgomery, John F., eds. Accident Prevention Manual For Business and Industry; Administration and Programs11th Edition. Itasca, Illinois: National Safety Council, 1997. Manning, Michael V. So Youre the Safety Director!. Rockville, Maryland: Government Institutes, Inc., 1996. Pokras, Sandy. Team Problem Solving. Menlo Park, California: Crisp Publications, 1995. Saskatchewan Justice, Mediation Services. Resolving Conflict Constructively. Regina: Saskatchewan Justice, 1997. Strahlendorf, Peter. Accident Theory, Due Diligence and the IRSParts I-III. Toronto: Peter Strahlendorf, 1997. Strahlendorf, Peter. Explaining How Accidents Happen. Occupational Health and Safety Canada (September/October, 1995): 48-58. Workplace Health and Safety Agency. Core Certification Training Program Participants Manual. Toronto, 1992. Notes Index Accidents Causes of 7 Reporting requirements 116 Accident causation theory Edward Adams model 7 Appeal of officers decisions 61 Co-chairpersons (see occupational health committees) Concerns of workers Steps in handling 56 Committees (see occupational health committees) Communicating hazard information 32 Discriminatory action Definition 58 Protection from 57 Where taken 62 (see also occupational health committees) Due diligence 18 Employers Delegation of authority to committee 52 Duties of 17 Duty to report accidents 25 Where the committee does not deal with a problem 22 Ergonomic hazards 38 Falling domino sequences 7 Harassment 40 Hazard Assessment 30 Control procedures 44 Control selection 47 Communication of information about hazards 32 Definition 27 Evaluation of the effectiveness of controls 48 Health hazards 33 Heat and cold hazards 37 Identification 29 Noise hazards 37 Overview of types of controls 32 Overview of types of hazards 27 Role of employer in control 42 Safety hazards 41 Vibration hazards 37 Inspectors (see occupational health officers) Internal responsibility system (IRS) Accountabilities within 16 Advantages 13 Components 16 Definition 12 Goal of 13 Link with OH&S Division 25 Philosophy of 14 Responsibilities for 6 Job safety analysis (JSA) 42 Legislation Aim 23 Management structure Role in IRS 8 Middle management Accountability and role in IRS 10 Minute forms Requirements for 55 Communicating information about refusals to work 61 Near miss 12 Occupational health and safety Definition of 6 Occupational Health and Safety Act History 23 Occupational Health and Safety Regulations Role 23 Occupational health committees (committees) Co-chairpersons Investigating refusals to work 60 Selection 54 Communicating with workers 68 Functioning 52 Hazard control process 29 Investigating refusals to work 59 Meeting requirements 54 Membership and structure 53 Overview of duties 56 Posting names of members 54 Protection 68 Right of member to accompany inspector 25 Role as internal auditor of IRS 14 Role in advising and assisting the employer 63 Role in IRS 21 Role in linking IRS with the OH&S Division 25 Where required 52 Occupational Health and Safety Division (OH&S Division) Fundamental objective 24 Occupational health officers (Saskatchewan Labour inspectors) External auditors of IRS 13 Role 24 Occupational illness Definition 27 Orientation and training of workers 65 Policies, plans and programs 63 Priorities (hazard control) 30 Probability Definition 28 Protection of workers Protection of the rights of workers 20 Quorum At committee meetings 54 Decisions respecting refusals to work 61 Radiation hazards 38 Reassignment of refusing worker 60 Replacement workers 60 Reasonable care (see due diligence) Refusals to work Handling 59 Protection of refusing worker 62 Rights of employees and workers Information sharing 14 Overview of the right to know, participate and refuse 20 Right to refuse 59 Risk Definition 28 Assessment 30 Risk analysis Definition 28 Severity Definition 28 Shared responsibility Meaning of 19 Shiftworkers 41 Supervisors Definition of 11 Duties of 18 Role in hazard control 46 Role in IRS 11 Supervisory training programs 65 Unsafe acts and conditions 11 Workers Duties 18 Training programs 66 Workplace hazardous materials information system (WHMIS) Managing the safety of controlled products 43  Total Quality Safety ManagementAn Introduction. American Society of Safety Engineers, 1995. Adapted from: Accident Theory Part I by Peter Strahlendorf. Occupational Health and Safety Canada magazine, September/October 1995, (pp. 48-58). Southam Magazine and Information Group, Don Mills Ontario. 1 Under section 2(1)(y) of the Act, Practicable means possible given current knowledge, technology and invention. Under section 2(1)(aa) of the Act, Reasonably practicable means practicable unless the person on whom a duty is placed can show that there is a gross disproportion between the benefit of the duty and the cost, in time, trouble and money, of the measures to secure the duty.  Codes of practice are not legislation. Codes provide advice on how to comply with specific parts of the regulations. For example, recently, the OH&S Division released a code dealing with how to meet safety requirements for fire fighters set out in Part XXXIII of the regulations, Additional Protection for Fire Fighters. Occupational Health and Safety Division Committee Manual  PAGE iii Chapter 3, Accident Prevention Occupational Health and Safety Division - Committee Manual  PAGE 70  TIME \@ "MMMM, yy" April, 02 Occupational Health Committee Manual  PAGE 1 Appendices  PAGE 138  TIME \@ "MMMM, yy" April, 02 Occupational Health Committee Manual  PAGE 169 Saskatchewan Labour Occupational Health and Safety Definition of discriminatory action 2(1)(g): discriminatory action means any action or threat of action by an employer that does or would adversely affect a worker with respect to any terms or conditions of employment or opportunity for promotion, and includes dismissal, layoff, suspension, demotion or transfer of a worker, discontinuation or elimination of a job, change of a job location, reduction in wages, change in hours of work, reprimand, coercion, intimidation or the imposition of any discipline or other penalty, but does not include: (i) the temporary assignment of a worker to alternate work, pursuant to section 36, without loss of pay to the worker; or (ii) the temporary assignment of a worker to alternate work, without loss of pay to the worker, while: (A) steps are being taken for the purposes of clause 23(a) to satisfy the worker that any particular act or series of acts that the worker refused to perform pursuant to that subsection are not unusually dangerous to the health or safety of the worker or any other person at the place of employment; (B) the occupational health committee is conducting an investigation pursuant to clause 23(b) in relation to the worker's refusal to perform any particular act or series of acts; or (C) an occupational health officer is conducting an investigation requested by a worker or an employer pursuant to clause 24(a); Discriminatory action prohibited in certain circumstances 27 No employer shall take discriminatory action against a worker because the worker: (a) acts or has acted in compliance with: (i) this Act or the regulations; (ii) a code of practice; or (iii) a notice of contravention or a requirement or prohibition contained in a notice of contravention; (b) seeks or has sought the enforcement of this Act or the regulations; (c) assists or has assisted with the activities of an occupational health committee or occupational health and safety representative; (d) seeks or has sought the establishment of an occupational health committee or the designation of an occupational health and safety representative; (e) performs or has performed the function of an occupational health committee member or occupational health and safety representative; (f) refuses or has refused to work pursuant to section23; (g) is about to testify or has testified in any proceeding or inquiry pursuant to this Act or the regulations; (h) gives or has given information to an occupational health committee, an occupational health and safety representative, an occupational health officer or other person responsible for the administration of this Act or the regulations with respect to the health and safety of workers at a place of employment; (i) is or has been prevented from working because a notice of contravention issued pursuant to section 33 with respect to the worker's work has been served on the employer. Referral to officer 28(1) A worker who, on reasonable grounds, believes that the employer has taken discriminatory action against him or her for a reason mentioned in section 27 may refer the matter to an occupational health officer. (2) Where an occupational health officer decides that an employer has taken discriminatory action against a worker for a reason mentioned in section 27, the occupational health officer shall issue a notice of contravention requiring the employer to: (a) cease the discriminatory action; (b) reinstate the worker to his or her former employment on the same terms and conditions under which the worker was formerly employed; (c) pay to the worker any wages that the worker would have earned if the worker had not been wrongfully discriminated against; and (d) remove any reprimand or other reference to the matter from any employment records maintained by the employer with respect to that worker. (3) Where an occupational health officer decides that no discriminatory action has been taken against a worker for any of the reasons set out in section 27, the occupational health officer shall advise the worker of the reasons for that decision in writing. (4) Where discriminatory action has been taken against a worker who has acted or participated in an activity described in section 27, there is, in any prosecution or other proceeding taken pursuant to this Act, a presumption in favour of the worker that the discriminatory action was taken against the worker because the worker acted or participated in an activity described in section 27, and the onus is on the employer to establish that the discriminatory action was taken against the worker for good and sufficient other reason. Release No. 55 381317 Order to reinstate worker wrongfully discriminated against 29 Where an employer is convicted of taking discriminatory action against a worker contrary to any provision of this Act, the convicting judge or justice shall order: (a) the employer to cease the discriminatory action and to reinstate the worker to his or her former employment under the same terms and conditions under which the worker was formerly employed; (b) the employer to pay to the worker any wages the worker would have earned if the worker had not been wrongfully discriminated against; and (c) any reprimand or other reference to the matter in the employer's records on the worker to be removed. 1993, c.O-1.1, s.29.  EMBED Canvas.5.Drawing \s  External auditing function of Saskatchewan Labour occupational health officers NO NO Procedural summary for investigating a refusal to work NO Return to work YES YES Return to work YES Step 4: Involve the OH&S Division (5) Where a provision of these regulations imposes a duty or requirement on more than one person, the duty or requirement is meant to be imposed primarily on the person with the greatest degree of control over the matters that are the subject of the duty or requirement. (6) Notwithstanding subsection (5) but subject to subsection (8), if the person with the greatest degree of control fails to comply with a provision described in subsection (5), the other persons are not relieved of the obligation to comply with the provision if it is possible for them to comply, and they shall comply with the provision. If the person with the greatest degree of control complies with a provision described in subsection (5), the other persons are relieved of the obligation to comply with the provision: (a) only for the time in which the person with the greatest degree of control is in compliance with the provision; (b) only if simultaneous compliance by more than one person would result in unnecessary duplication of effort and expense; and (c) only if the health and safety of workers is not put at risk by compliance by only one person. (8) If the person with the greatest degree of control fails to comply with a provision described in subsection (5) but one of the other persons complies with the provision, the other persons, if any, to whom the provision applies are relieved of the obligation to comply with the provision in the circumstances set out in clauses (7)(a) to (c), with any necessary modification. (9) Where a provision of these regulations imposes a duty or requirement on a person to ensure that another person carries out or refrains from carrying out a specified action, the person on whom the duty or requirement is placed has complied with the provision if that person establishes that he or she took all reasonable steps to ensure that the second person carried out or refrained from carrying out the specified act. Worker satisfied? Step 3: Committee investigates Return to work Worker satisfied? Step 2: Involve the committee Worker satisfied? Step 1: Involve the supervisor Start Worker has reasonable grounds to believe job is unusually dangerous Accidents causing serious bodily injury 8(1) An employer or contractor shall give notice to the division as soon as is reasonably possible of every accident at a place of employment that: (a) causes or may cause the death of a worker; or will require a worker to be admitted to a hospital as an in-patient for a period of 72 hours or more. The notice required by subsection (1) must include: (a) the name of each injured or deceased worker; (b) the name of the employer of each injured or deceased worker; (c) the date, time and location of the accident; (d) the circumstances related to the accident; (e) the apparent injuries; and (f) the name, telephone number and fax number of the employer or contractor or a person designated by the employer or contractor to be contacted for additional information. (3) An employer or contractor shall provide each co-chairperson or the representative with a copy of the notice required by subsection (1). Dangerous occurrences 9(1) In this section, Adangerous occurrence@ means any occurrence that does not result in, but could have resulted in, a condition or circumstance set out in subsection 8(1), and includes: (a) the structural failure or collapse of: a structure, scaffold, temporary falsework or concrete formwork; or (ii) all or any part of an excavated shaft, tunnel, caisson, coffer dam, trench or excavation; (b) the failure of a crane or hoist or the overturning of a crane or unit of powered mobile equipment; (c) an accidental contact with an energized electrical conductor; (d) the bursting of a grinding wheel; (e) an uncontrolled spill or escape of a toxic, corrosive or explosive substance; (f) a premature detonation or accidental detonation of explosives; (g) the failure of an elevated or suspended platform; and (h) the failure of an atmosphere-supplying respirator. (2) An employer, contractor or owner shall give notice to the division as soon as is reasonably possible of any dangerous occurrence that takes place at a place of employment, whether or not a worker sustains injury. (3) A notice required by subsection (2) must include: (a) the name of each employer, contractor and owner at the place of employment; (b) the date, time and location of the dangerous occurrence; (c) the circumstances related to the dangerous occurrence; and (d) the name, telephone number and fax number of the employer, contractor or owner or a person designated by the employer, contractor or owner to be contacted for additional information. (4) An employer, contractor or owner shall provide each co-chairperson or the representative with a copy of the notice required by subsection (2). Implementation Schedule Checklist YES NO NO Are the actions measurable? ( ( Does each person have clear duties and performance standards? ( ( Are the deadlines practicable (realistic)? ( ( Are resources identified? ( ( Are actions logically sequenced? ( ( How will actions be monitored? ( ( Is there a contingency plan if things go wrong? ( ( Is there a way of evaluating the results of the plan? ( ( ( ( Severity catastrophic (death and/or severe destruction) critical (serious injury and/or property damage) marginal (minor injury and/or property damage) negligible (no injury and/or property damage) Probability frequent (workers are frequently at risk) probable (the hazard is likely to cause harm) occasional (workers are occasionally at risk) remote (the hazard could cause harm, but is very unlikely to do so) improbable (the hazard is unlikely to ever cause harm) For information about how to show due diligence, see: ( Elements of An Occupational Health and Safety Program; and ( Setting Up An Occupational Health and Safety Program, A Guide. Both are available from the division in Regina or Saskatoon at no charge. Part II of the regulations requires that: 7(1) As soon as is reasonably possible, an employer, contractor or owner shall give notice to the division of the intention to: (a) begin work at a construction site, manufacturing plant or processing plant where 10 or more workers are to be employed for six months or more; (b) dig an excavation, a trench or an excavated shaft: (i) that is more than five metres deep; and (ii) that a worker will be required or permitted to enter; or (c) dig a tunnel that a worker will be required or permitted to enter. (2) Not later than 14 days before beginning the process, an employer, contractor or owner shall give notice to the division of the intention to begin a high risk asbestos process listed in Table 5 of the Appendix. (3) A notice required by subsection (1) or (2) must include: (a) the legal name and business name of the employer, contractor or owner; (b) the location of the site, plant, process or place of employment; (c) the mailing address of the employer, contractor or owner; (d) the nature of the work or process to be undertaken; (e) the number of workers to be employed; (f) the telephone number and fax number of the employer, contractor or owner; and (g) the estimated starting date and expected duration of the work or process. Saskatchewan Labour Occupational Health and Safety OHC# 1234 OHC FILE: 1234 Low boy trailer with wheel wells at each corner Iwannas final position during the accident OHC File#: &'(<P\x,e 8aN|&=tFu $ &Zcr$*1*[2\222e3n334244499;=<<(>mH sH mH nH sH uKHCJ6 56CJCJ 5CJXCJ8jCJ8UmHnHuCJ<jCJ<UmHnHuJ&(9:;<=>P_wx DZ$a$""&'\?z,de +ij{| hH@@J h@@HJ + , l % P y z  . 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What causes accidents?J The internal responsibility system for occupational health and safety? What is the goal of an internal responsibility system? ; What is the philosophy of internal responsibility? 6 What are the components of an effective IRS?    = Direct responsibility for occupational health and safety X What are the legislated duties of employers, supervisors and workers in the IRS What is due diligence?= What is shared responsibility for health and safety? Worker rights, Critical role of committees in the IRS ; What are the major responsibilities of committees?   B Role of the legislation in supporting internal responsibility    @ Role of the Occupational Health and Safety (OH&S) Division 9 How does the IRS link up with the OH&S Division?  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Dramatis Personae CLAUDIUS, king of Denmark. HAMLET, son to the late, and nephew to the present king. POLONIUS, lord chamberlain. HORATIO, friend to Hamlet. LAERTES, son to Polonius. LUCIANUS, nephew to the king. VOLTIMAND CORNELIUS ROSENCRANTZ GUILDENSTERN OSRIC courtiers. A Gentleman A Priest. MARCELLUS BERNARDO officers. FRANCISCO, a soldier. REYNALDO, servant to Polonius. Players. Two Clowns, grave-diggers. FORTINBRAS, prince of Norway. A Captain. English Ambassadors. GERTRUDE, queen of Denmark, and mother to Hamlet. OPHELIA, daughter to Polonius. Lords, Ladies, Officers, Soldiers, Sailors, Messengers, and other Attendants. Ghost of Hamlet's Father. SCENE Denmark. HAMLET ACT I SCENE I. Elsinore. A platform before the castle. FRANCISCO at his post. Enter to him BERNARDO BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself. BERNARDO Long live the king! FRANCISCO Bernardo? BERNARDO He. FRANCISCO You come most carefully upon your hour. BERNARDO 'Tis now struck twelve; get thee to bed, Francisco. FRANCISCO For this relief much thanks: 'tis bitter cold, And I am sick at heart. BERNARDO Have you had quiet guard? FRANCISCO Not a mouse stirring. BERNARDO Well, good night. If you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. FRANCISCO I think I hear them. Stand, ho! Who's there? Enter HORATIO and MARCELLUS HORATIO Friends to this ground. MARCELLUS And liegemen to the Dane. FRANCISCO Give you good night. MARCELLUS O, farewell, honest soldier: Who hath relieved you? FRANCISCO Bernardo has my place. Give you good night. Exit MARCELLUS Holla! Bernardo! BERNARDO Say, What, is Horatio there? HORATIO A piece of him. BERNARDO Welcome, Horatio: welcome, good Marcellus. MARCELLUS What, has this thing appear'd again to-night? BERNARDO I have seen nothing. MARCELLUS Horatio says 'tis but our fantasy, And will not let belief take hold of him Touching this dreaded sight, twice seen of us: Therefore I have entreated him along With us to watch the minutes of this night; That if again this apparition come, He may approve our eyes and speak to it. HORATIO Tush, tush, 'twill not appear. BERNARDO Sit down awhile; And let us once again assail your ears, That are so fortified against our story What we have two nights seen. HORATIO Well, sit we down, And let us hear Bernardo speak of this. BERNARDO Last night of all, When yond same star that's westward from the pole Had made his course to illume that part of heaven Where now it burns, Marcellus and myself, The bell then beating one,-- Enter Ghost MARCELLUS Peace, break thee off; look, where it comes again! BERNARDO In the same figure, like the king that's dead. MARCELLUS Thou art a scholar; speak to it, Horatio. BERNARDO Looks it not like the king? mark it, Horatio. HORATIO Most like: it harrows me with fear and wonder. BERNARDO It would be spoke to. MARCELLUS Question it, Horatio. HORATIO What art thou that usurp'st this time of night, Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes march? by heaven I charge thee, speak! MARCELLUS It is offended. BERNARDO See, it stalks away! HORATIO Stay! speak, speak! I charge thee, speak! Exit Ghost MARCELLUS 'Tis gone, and will not answer. BERNARDO How now, Horatio! you tremble and look pale: Is not this something more than fantasy? What think you on't? HORATIO Before my God, I might not this believe Without the sensible and true avouch Of mine own eyes. MARCELLUS Is it not like the king? HORATIO As thou art to thyself: Such was the very armour he had on When he the ambitious Norway combated; So frown'd he once, when, in an angry parle, He smote the sledded Polacks on the ice. 'Tis strange. MARCELLUS Thus twice before, and jump at this dead hour, With martial stalk hath he gone by our watch. HORATIO In what particular thought to work I know not; But in the gross and scope of my opinion, This bodes some strange eruption to our state. MARCELLUS Good now, sit down, and tell me, he that knows, Why this same strict and most observant watch So nightly toils the subject of the land, And why such daily cast of brazen cannon, And foreign mart for implements of war; Why such impress of shipwrights, whose sore task Does not divide the Sunday from the week; What might be toward, that this sweaty haste Doth make the night joint-labourer with the day: Who is't that can inform me? HORATIO That can I; At least, the whisper goes so. Our last king, Whose image even but now appear'd to us, Was, as you know, by Fortinbras of Norway, Thereto prick'd on by a most emulate pride, Dared to the combat; in which our valiant Hamlet-- For so this side of our known world esteem'd him-- Did slay this Fortinbras; who by a seal'd compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands Which he stood seized of, to the conqueror: Against the which, a moiety competent Was gaged by our king; which had return'd To the inheritance of Fortinbras, Had he been vanquisher; as, by the same covenant, And carriage of the article design'd, His fell to Hamlet. Now, sir, young Fortinbras, Of unimproved mettle hot and full, Hath in the skirts of Norway here and there Shark'd up a list of lawless resolutes, For food and diet, to some enterprise That hath a stomach in't; which is no other-- As it doth well appear unto our state-- But to recover of us, by strong hand And terms compulsatory, those foresaid lands So by his father lost: and this, I take it, Is the main motive of our preparations, The source of this our watch and the chief head Of this post-haste and romage in the land. BERNARDO I think it be no other but e'en so: Well may it sort that this portentous figure Comes armed through our watch; so like the king That was and is the question of these wars. HORATIO A mote it is to trouble the mind's eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless and the sheeted dead Did squeak and gibber in the Roman streets: As stars with trains of fire and dews of blood, Disasters in the sun; and the moist star Upon whose influence Neptune's empire stands Was sick almost to doomsday with eclipse: And even the like precurse of fierce events, As harbingers preceding still the fates And prologue to the omen coming on, Have heaven and earth together demonstrated Unto our climatures and countrymen.-- But soft, behold! lo, where it comes again! Re-enter Ghost I'll cross it, though it blast me. Stay, illusion! If thou hast any sound, or use of voice, Speak to me: If there be any good thing to be done, That may to thee do ease and grace to me, Speak to me: Cock crows If thou art privy to thy country's fate, Which, happily, foreknowing may avoid, O, speak! Or if thou hast uphoarded in thy life Extorted treasure in the womb of earth, For which, they say, you spirits oft walk in death, Speak of it: stay, and speak! Stop it, Marcellus. MARCELLUS Shall I strike at it with my partisan? HORATIO Do, if it will not stand. BERNARDO 'Tis here! HORATIO 'Tis here! MARCELLUS 'Tis gone! Exit Ghost We do it wrong, being so majestical, To offer it the show of violence; For it is, as the air, invulnerable, And our vain blows malicious mockery. BERNARDO It was about to speak, when the cock crew. HORATIO And then it started like a guilty thing Upon a fearful summons. I have heard, The cock, that is the trumpet to the morn, Doth with his lofty and shrill-sounding throat Awake the god of day; and, at his warning, Whether in sea or fire, in earth or air, The extravagant and erring spirit hies To his confine: and of the truth herein This present object made probation. MARCELLUS It faded on the crowing of the cock. Some say that ever 'gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long: And then, they say, no spirit dares stir abroad; The nights are wholesome; then no planets strike, No fairy takes, nor witch hath power to charm, So hallow'd and so gracious is the time. HORATIO So have I heard and do in part believe it. But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastward hill: Break we our watch up; and by my advice, Let us impart what we have seen to-night Unto young Hamlet; for, upon my life, This spirit, dumb to us, will speak to him. Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty? MARCELLUS Let's do't, I pray; and I this morning know Where we shall find him most conveniently. Exeunt SCENE II. A room of state in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants KING CLAUDIUS Though yet of Hamlet our dear brother's death The memory be green, and that it us befitted To bear our hearts in grief and our whole kingdom To be contracted in one brow of woe, Yet so far hath discretion fought with nature That we with wisest sorrow think on him, Together with remembrance of ourselves. Therefore our sometime sister, now our queen, The imperial jointress to this warlike state, Have we, as 'twere with a defeated joy,-- With an auspicious and a dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole,-- Taken to wife: nor have we herein barr'd Your better wisdoms, which have freely gone With this affair along. For all, our thanks. Now follows, that you know, young Fortinbras, Holding a weak supposal of our worth, Or thinking by our late dear brother's death Our state to be disjoint and out of frame, Colleagued with the dream of his advantage, He hath not fail'd to pester us with message, Importing the surrender of those lands Lost by his father, with all bonds of law, To our most valiant brother. So much for him. Now for ourself and for this time of meeting: Thus much the business is: we have here writ To Norway, uncle of young Fortinbras,-- Who, impotent and bed-rid, scarcely hears Of this his nephew's purpose,--to suppress His further gait herein; in that the levies, The lists and full proportions, are all made Out of his subject: and we here dispatch You, good Cornelius, and you, Voltimand, For bearers of this greeting to old Norway; Giving to you no further personal power To business with the king, more than the scope Of these delated articles allow. Farewell, and let your haste commend your duty. CORNELIUS VOLTIMAND In that and all things will we show our duty. KING CLAUDIUS We doubt it nothing: heartily farewell. Exeunt VOLTIMAND and CORNELIUS And now, Laertes, what's the news with you? You told us of some suit; what is't, Laertes? You cannot speak of reason to the Dane, And loose your voice: what wouldst thou beg, Laertes, That shall not be my offer, not thy asking? The head is not more native to the heart, The hand more instrumental to the mouth, Than is the throne of Denmark to thy father. What wouldst thou have, Laertes? LAERTES My dread lord, Your leave and favour to return to France; From whence though willingly I came to Denmark, To show my duty in your coronation, Yet now, I must confess, that duty done, My thoughts and wishes bend again toward France And bow them to your gracious leave and pardon. KING CLAUDIUS Have you your father's leave? What says Polonius? LORD POLONIUS He hath, my lord, wrung from me my slow leave By laboursome petition, and at last Upon his will I seal'd my hard consent: I do beseech you, give him leave to go. KING CLAUDIUS Take thy fair hour, Laertes; time be thine, And thy best graces spend it at thy will! But now, my cousin Hamlet, and my son,-- HAMLET Aside A little more than kin, and less than kind. KING CLAUDIUS How is it that the clouds still hang on you? HAMLET Not so, my lord; I am too much i' the sun. QUEEN GERTRUDE Good Hamlet, cast thy nighted colour off, And let thine eye look like a friend on Denmark. Do not for ever with thy vailed lids Seek for thy noble father in the dust: Thou know'st 'tis common; all that lives must die, Passing through nature to eternity. HAMLET Ay, madam, it is common. QUEEN GERTRUDE If it be, Why seems it so particular with thee? HAMLET Seems, madam! nay it is; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'havior of the visage, Together with all forms, moods, shapes of grief, That can denote me truly: these indeed seem, For they are actions that a man might play: But I have that within which passeth show; These but the trappings and the suits of woe. KING CLAUDIUS 'Tis sweet and commendable in your nature, Hamlet, To give these mourning duties to your father: But, you must know, your father lost a father; That father lost, lost his, and the survivor bound In filial obligation for some term To do obsequious sorrow: but to persever In obstinate condolement is a course Of impious stubbornness; 'tis unmanly grief; It shows a will most incorrect to heaven, A heart unfortified, a mind impatient, An understanding simple and unschool'd: For what we know must be and is as common As any the most vulgar thing to sense, Why should we in our peevish opposition Take it to heart? Fie! 'tis a fault to heaven, A fault against the dead, a fault to nature, To reason most absurd: whose common theme Is death of fathers, and who still hath cried, From the first corse till he that died to-day, 'This must be so.' We pray you, throw to earth This unprevailing woe, and think of us As of a father: for let the world take note, You are the most immediate to our throne; And with no less nobility of love Than that which dearest father bears his son, Do I impart toward you. For your intent In going back to school in Wittenberg, It is most retrograde to our desire: And we beseech you, bend you to remain Here, in the cheer and comfort of our eye, Our chiefest courtier, cousin, and our son. QUEEN GERTRUDE Let not thy mother lose her prayers, Hamlet: I pray thee, stay with us; go not to Wittenberg. HAMLET I shall in all my best obey you, madam. KING CLAUDIUS Why, 'tis a loving and a fair reply: Be as ourself in Denmark. Madam, come; This gentle and unforced accord of Hamlet Sits smiling to my heart: in grace whereof, No jocund health that Denmark drinks to-day, But the great cannon to the clouds shall tell, And the king's rouse the heavens all bruit again, Re-speaking earthly thunder. Come away. Exeunt all but HAMLET HAMLET O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month-- Let me not think on't--Frailty, thy name is woman!-- A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:--why she, even she-- O, God! a beast, that wants discourse of reason, Would have mourn'd longer--married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue. Enter HORATIO, MARCELLUS, and BERNARDO HORATIO Hail to your lordship! HAMLET I am glad to see you well: Horatio,--or I do forget myself. HORATIO The same, my lord, and your poor servant ever. HAMLET Sir, my good friend; I'll change that name with you: And what make you from Wittenberg, Horatio? Marcellus? MARCELLUS My good lord-- HAMLET I am very glad to see you. Good even, sir. But what, in faith, make you from Wittenberg? HORATIO A truant disposition, good my lord. HAMLET I would not hear your enemy say so, Nor shall you do mine ear that violence, To make it truster of your own report Against yourself: I know you are no truant. But what is your affair in Elsinore? We'll teach you to drink deep ere you depart. HORATIO My lord, I came to see your father's funeral. HAMLET I pray thee, do not mock me, fellow-student; I think it was to see my mother's wedding. HORATIO Indeed, my lord, it follow'd hard upon. HAMLET Thrift, thrift, Horatio! the funeral baked meats Did coldly furnish forth the marriage tables. Would I had met my dearest foe in heaven Or ever I had seen that day, Horatio! My father!--methinks I see my father. HORATIO Where, my lord? HAMLET In my mind's eye, Horatio. HORATIO I saw him once; he was a goodly king. HAMLET He was a man, take him for all in all, I shall not look upon his like again. HORATIO My lord, I think I saw him yesternight. HAMLET Saw? who? HORATIO My lord, the king your father. HAMLET The king my father! HORATIO Season your admiration for awhile With an attent ear, till I may deliver, Upon the witness of these gentlemen, This marvel to you. HAMLET For God's love, let me hear. HORATIO Two nights together had these gentlemen, Marcellus and Bernardo, on their watch, In the dead vast and middle of the night, Been thus encounter'd. A figure like your father, Armed at point exactly, cap-a-pe, Appears before them, and with solemn march Goes slow and stately by them: thrice he walk'd By their oppress'd and fear-surprised eyes, Within his truncheon's length; whilst they, distilled Almost to jelly with the act of fear, Stand dumb and speak not to him. This to me In dreadful secrecy impart they did; And I with them the third night kept the watch; Where, as they had deliver'd, both in time, Form of the thing, each word made true and good, The apparition comes: I knew your father; These hands are not more like. HAMLET But where was this? MARCELLUS My lord, upon the platform where we watch'd. HAMLET Did you not speak to it? HORATIO My lord, I did; But answer made it none: yet once methought It lifted up its head and did address Itself to motion, like as it would speak; But even then the morning cock crew loud, And at the sound it shrunk in haste away, And vanish'd from our sight. HAMLET 'Tis very strange. HORATIO As I do live, my honour'd lord, 'tis true; And we did think it writ down in our duty To let you know of it. HAMLET Indeed, indeed, sirs, but this troubles me. Hold you the watch to-night? MARCELLUS BERNARDO We do, my lord. HAMLET Arm'd, say you? MARCELLUS BERNARDO Arm'd, my lord. HAMLET From top to toe? MARCELLUS BERNARDO My lord, from head to foot. HAMLET Then saw you not his face? HORATIO O, yes, my lord; he wore his beaver up. HAMLET What, look'd he frowningly? HORATIO A countenance more in sorrow than in anger. HAMLET Pale or red? HORATIO Nay, very pale. HAMLET And fix'd his eyes upon you? HORATIO Most constantly. HAMLET I would I had been there. HORATIO It would have much amazed you. HAMLET Very like, very like. Stay'd it long? HORATIO While one with moderate haste might tell a hundred. MARCELLUS BERNARDO Longer, longer. HORATIO Not when I saw't. HAMLET His beard was grizzled--no? HORATIO It was, as I have seen it in his life, A sable silver'd. HAMLET I will watch to-night; Perchance 'twill walk again. HORATIO I warrant it will. HAMLET If it assume my noble father's person, I'll speak to it, though hell itself should gape And bid me hold my peace. I pray you all, If you have hitherto conceal'd this sight, Let it be tenable in your silence still; And whatsoever else shall hap to-night, Give it an understanding, but no tongue: I will requite your loves. So, fare you well: Upon the platform, 'twixt eleven and twelve, I'll visit you. All Our duty to your honour. HAMLET Your loves, as mine to you: farewell. Exeunt all but HAMLET My father's spirit in arms! all is not well; I doubt some foul play: would the night were come! Till then sit still, my soul: foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes. Exit SCENE III. A room in Polonius' house. Enter LAERTES and OPHELIA LAERTES My necessaries are embark'd: farewell: And, sister, as the winds give benefit And convoy is assistant, do not sleep, But let me hear from you. OPHELIA Do you doubt that? LAERTES For Hamlet and the trifling of his favour, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward, not permanent, sweet, not lasting, The perfume and suppliance of a minute; No more. OPHELIA No more but so? LAERTES Think it no more; For nature, crescent, does not grow alone In thews and bulk, but, as this temple waxes, The inward service of the mind and soul Grows wide withal. Perhaps he loves you now, And now no soil nor cautel doth besmirch The virtue of his will: but you must fear, His greatness weigh'd, his will is not his own; For he himself is subject to his birth: He may not, as unvalued persons do, Carve for himself; for on his choice depends The safety and health of this whole state; And therefore must his choice be circumscribed Unto the voice and yielding of that body Whereof he is the head. Then if he says he loves you, It fits your wisdom so far to believe it As he in his particular act and place May give his saying deed; which is no further Than the main voice of Denmark goes withal. Then weigh what loss your honour may sustain, If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open To his unmaster'd importunity. Fear it, Ophelia, fear it, my dear sister, And keep you in the rear of your affection, Out of the shot and danger of desire. The chariest maid is prodigal enough, If she unmask her beauty to the moon: Virtue itself 'scapes not calumnious strokes: The canker galls the infants of the spring, Too oft before their buttons be disclosed, And in the morn and liquid dew of youth Contagious blastments are most imminent. Be wary then; best safety lies in fear: Youth to itself rebels, though none else near. OPHELIA I shall the effect of this good lesson keep, As watchman to my heart. But, good my brother, Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven; Whiles, like a puff'd and reckless libertine, Himself the primrose path of dalliance treads, And recks not his own rede. LAERTES O, fear me not. I stay too long: but here my father comes. Enter POLONIUS A double blessing is a double grace, Occasion smiles upon a second leave. LORD POLONIUS Yet here, Laertes! aboard, aboard, for shame! The wind sits in the shoulder of your sail, And you are stay'd for. There; my blessing with thee! And these few precepts in thy memory See thou character. Give thy thoughts no tongue, Nor any unproportioned thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel; But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade. Beware Of entrance to a quarrel, but being in, Bear't that the opposed may beware of thee. Give every man thy ear, but few thy voice; Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous chief in that. Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine ownself be true, And it must follow, as the night the day, Thou canst not then be false to any man. Farewell: my blessing season this in thee! LAERTES Most humbly do I take my leave, my lord. LORD POLONIUS The time invites you; go; your servants tend. LAERTES Farewell, Ophelia; and remember well What I have said to you. OPHELIA 'Tis in my memory lock'd, And you yourself shall keep the key of it. LAERTES Farewell. Exit LORD POLONIUS What is't, Ophelia, be hath said to you? OPHELIA So please you, something touching the Lord Hamlet. LORD POLONIUS Marry, well bethought: 'Tis told me, he hath very oft of late Given private time to you; and you yourself Have of your audience been most free and bounteous: If it be so, as so 'tis put on me, And that in way of caution, I must tell you, You do not understand yourself so clearly As it behoves my daughter and your honour. What is between you? give me up the truth. OPHELIA He hath, my lord, of late made many tenders Of his affection to me. LORD POLONIUS Affection! pooh! you speak like a green girl, Unsifted in such perilous circumstance. Do you believe his tenders, as you call them? OPHELIA I do not know, my lord, what I should think. LORD POLONIUS Marry, I'll teach you: think yourself a baby; That you have ta'en these tenders for true pay, Which are not sterling. Tender yourself more dearly; Or--not to crack the wind of the poor phrase, Running it thus--you'll tender me a fool. OPHELIA My lord, he hath importuned me with love In honourable fashion. LORD POLONIUS Ay, fashion you may call it; go to, go to. OPHELIA And hath given countenance to his speech, my lord, With almost all the holy vows of heaven. LORD POLONIUS Ay, springes to catch woodcocks. I do know, When the blood burns, how prodigal the soul Lends the tongue vows: these blazes, daughter, Giving more light than heat, extinct in both, Even in their promise, as it is a-making, You must not take for fire. From this time Be somewhat scanter of your maiden presence; Set your entreatments at a higher rate Than a command to parley. For Lord Hamlet, Believe so much in him, that he is young And with a larger tether may he walk Than may be given you: in few, Ophelia, Do not believe his vows; for they are brokers, Not of that dye which their investments show, But mere implorators of unholy suits, Breathing like sanctified and pious bawds, The better to beguile. This is for all: I would not, in plain terms, from this time forth, Have you so slander any moment leisure, As to give words or talk with the Lord Hamlet. Look to't, I charge you: come your ways. OPHELIA I shall obey, my lord. Exeunt SCENE IV. The platform. Enter HAMLET, HORATIO, and MARCELLUS HAMLET The air bites shrewdly; it is very cold. HORATIO It is a nipping and an eager air. HAMLET What hour now? HORATIO I think it lacks of twelve. HAMLET No, it is struck. HORATIO Indeed? I heard it not: then it draws near the season Wherein the spirit held his wont to walk. A flourish of trumpets, and ordnance shot off, within What does this mean, my lord? HAMLET The king doth wake to-night and takes his rouse, Keeps wassail, and the swaggering up-spring reels; And, as he drains his draughts of Rhenish down, The kettle-drum and trumpet thus bray out The triumph of his pledge. HORATIO Is it a custom? HAMLET Ay, marry, is't: But to my mind, though I am native here And to the manner born, it is a custom More honour'd in the breach than the observance. This heavy-headed revel east and west Makes us traduced and tax'd of other nations: They clepe us drunkards, and with swinish phrase Soil our addition; and indeed it takes From our achievements, though perform'd at height, The pith and marrow of our attribute. So, oft it chances in particular men, That for some vicious mole of nature in them, As, in their birth--wherein they are not guilty, Since nature cannot choose his origin-- By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason, Or by some habit that too much o'er-leavens The form of plausive manners, that these men, Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star,-- Their virtues else--be they as pure as grace, As infinite as man may undergo-- Shall in the general censure take corruption From that particular fault: the dram of eale Doth all the noble substance of a doubt To his own scandal. HORATIO Look, my lord, it comes! Enter Ghost HAMLET Angels and ministers of grace defend us! Be thou a spirit of health or goblin damn'd, Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou comest in such a questionable shape That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane: O, answer me! Let me not burst in ignorance; but tell Why thy canonized bones, hearsed in death, Have burst their cerements; why the sepulchre, Wherein we saw thee quietly inurn'd, Hath oped his ponderous and marble jaws, To cast thee up again. What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls? Say, why is this? wherefore? what should we do? Ghost beckons HAMLET HORATIO It beckons you to go away with it, As if it some impartment did desire To you alone. MARCELLUS Look, with what courteous action It waves you to a more removed ground: But do not go with it. HORATIO No, by no means. HAMLET It will not speak; then I will follow it. HORATIO Do not, my lord. HAMLET Why, what should be the fear? I do not set my life in a pin's fee; And for my soul, what can it do to that, Being a thing immortal as itself? It waves me forth again: I'll follow it. HORATIO What if it tempt you toward the flood, my lord, Or to the dreadful summit of the cliff That beetles o'er his base into the sea, And there assume some other horrible form, Which might deprive your sovereignty of reason And draw you into madness? think of it: The very place puts toys of desperation, Without more motive, into every brain That looks so many fathoms to the sea And hears it roar beneath. HAMLET It waves me still. Go on; I'll follow thee. MARCELLUS You shall not go, my lord. HAMLET Hold off your hands. HORATIO Be ruled; you shall not go. HAMLET My fate cries out, And makes each petty artery in this body As hardy as the Nemean lion's nerve. Still am I call'd. Unhand me, gentlemen. By heaven, I'll make a ghost of him that lets me! I say, away! Go on; I'll follow thee. Exeunt Ghost and HAMLET HORATIO He waxes desperate with imagination. MARCELLUS Let's follow; 'tis not fit thus to obey him. HORATIO Have after. To what issue will this come? MARCELLUS Something is rotten in the state of Denmark. HORATIO Heaven will direct it. MARCELLUS Nay, let's follow him. Exeunt SCENE V. Another part of the platform. Enter GHOST and HAMLET HAMLET Where wilt thou lead me? speak; I'll go no further. Ghost Mark me. HAMLET I will. Ghost My hour is almost come, When I to sulphurous and tormenting flames Must render up myself. HAMLET Alas, poor ghost! Ghost Pity me not, but lend thy serious hearing To what I shall unfold. HAMLET Speak; I am bound to hear. Ghost So art thou to revenge, when thou shalt hear. HAMLET What? Ghost I am thy father's spirit, Doom'd for a certain term to walk the night, And for the day confined to fast in fires, Till the foul crimes done in my days of nature Are burnt and purged away. But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porpentine: But this eternal blazon must not be To ears of flesh and blood. List, list, O, list! If thou didst ever thy dear father love-- HAMLET O God! Ghost Revenge his foul and most unnatural murder. HAMLET Murder! Ghost Murder most foul, as in the best it is; But this most foul, strange and unnatural. HAMLET Haste me to know't, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge. Ghost I find thee apt; And duller shouldst thou be than the fat weed That roots itself in ease on Lethe wharf, Wouldst thou not stir in this. Now, Hamlet, hear: 'Tis given out that, sleeping in my orchard, A serpent stung me; so the whole ear of Denmark Is by a forged process of my death Rankly abused: but know, thou noble youth, The serpent that did sting thy father's life Now wears his crown. HAMLET O my prophetic soul! My uncle! Ghost Ay, that incestuous, that adulterate beast, With witchcraft of his wit, with traitorous gifts,-- O wicked wit and gifts, that have the power So to seduce!--won to his shameful lust The will of my most seeming-virtuous queen: O Hamlet, what a falling-off was there! From me, whose love was of that dignity That it went hand in hand even with the vow I made to her in marriage, and to decline Upon a wretch whose natural gifts were poor To those of mine! But virtue, as it never will be moved, Though lewdness court it in a shape of heaven, So lust, though to a radiant angel link'd, Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks I scent the morning air; Brief let me be. Sleeping within my orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of my ears did pour The leperous distilment; whose effect Holds such an enmity with blood of man That swift as quicksilver it courses through The natural gates and alleys of the body, And with a sudden vigour doth posset And curd, like eager droppings into milk, The thin and wholesome blood: so did it mine; And a most instant tetter bark'd about, Most lazar-like, with vile and loathsome crust, All my smooth body. Thus was I, sleeping, by a brother's hand Of life, of crown, of queen, at once dispatch'd: Cut off even in the blossoms of my sin, Unhousel'd, disappointed, unanel'd, No reckoning made, but sent to my account With all my imperfections on my head: O, horrible! O, horrible! most horrible! If thou hast nature in thee, bear it not; Let not the royal bed of Denmark be A couch for luxury and damned incest. But, howsoever thou pursuest this act, Taint not thy mind, nor let thy soul contrive Against thy mother aught: leave her to heaven And to those thorns that in her bosom lodge, To prick and sting her. Fare thee well at once! The glow-worm shows the matin to be near, And 'gins to pale his uneffectual fire: Adieu, adieu! Hamlet, remember me. Exit HAMLET O all you host of heaven! O earth! what else? And shall I couple hell? O, fie! Hold, hold, my heart; And you, my sinews, grow not instant old, But bear me stiffly up. Remember thee! Ay, thou poor ghost, while memory holds a seat In this distracted globe. Remember thee! Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there; And thy commandment all alone shall live Within the book and volume of my brain, Unmix'd with baser matter: yes, by heaven! O most pernicious woman! O villain, villain, smiling, damned villain! My tables,--meet it is I set it down, That one may smile, and smile, and be a villain; At least I'm sure it may be so in Denmark: Writing So, uncle, there you are. Now to my word; It is 'Adieu, adieu! remember me.' I have sworn 't. MARCELLUS HORATIO Within My lord, my lord,-- MARCELLUS Within Lord Hamlet,-- HORATIO Within Heaven secure him! HAMLET So be it! HORATIO Within Hillo, ho, ho, my lord! HAMLET Hillo, ho, ho, boy! come, bird, come. Enter HORATIO and MARCELLUS MARCELLUS How is't, my noble lord? HORATIO What news, my lord? HAMLET O, wonderful! HORATIO Good my lord, tell it. HAMLET No; you'll reveal it. HORATIO Not I, my lord, by heaven. MARCELLUS Nor I, my lord. HAMLET How say you, then; would heart of man once think it? But you'll be secret? HORATIO MARCELLUS Ay, by heaven, my lord. HAMLET There's ne'er a villain dwelling in all Denmark But he's an arrant knave. HORATIO There needs no ghost, my lord, come from the grave To tell us this. HAMLET Why, right; you are i' the right; And so, without more circumstance at all, I hold it fit that we shake hands and part: You, as your business and desire shall point you; For every man has business and desire, Such as it is; and for mine own poor part, Look you, I'll go pray. HORATIO These are but wild and whirling words, my lord. HAMLET I'm sorry they offend you, heartily; Yes, 'faith heartily. HORATIO There's no offence, my lord. HAMLET Yes, by Saint Patrick, but there is, Horatio, And much offence too. Touching this vision here, It is an honest ghost, that let me tell you: For your desire to know what is between us, O'ermaster 't as you may. And now, good friends, As you are friends, scholars and soldiers, Give me one poor request. HORATIO What is't, my lord? we will. HAMLET Never make known what you have seen to-night. HORATIO MARCELLUS My lord, we will not. HAMLET Nay, but swear't. HORATIO In faith, My lord, not I. MARCELLUS Nor I, my lord, in faith. HAMLET Upon my sword. MARCELLUS We have sworn, my lord, already. HAMLET Indeed, upon my sword, indeed. Ghost Beneath Swear. HAMLET Ah, ha, boy! say'st thou so? art thou there, truepenny? Come on--you hear this fellow in the cellarage-- Consent to swear. HORATIO Propose the oath, my lord. HAMLET Never to speak of this that you have seen, Swear by my sword. Ghost Beneath Swear. HAMLET Hic et ubique? then we'll shift our ground. Come hither, gentlemen, And lay your hands again upon my sword: Never to speak of this that you have heard, Swear by my sword. Ghost Beneath Swear. HAMLET Well said, old mole! canst work i' the earth so fast? A worthy pioner! Once more remove, good friends. HORATIO O day and night, but this is wondrous strange! HAMLET And therefore as a stranger give it welcome. There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. But come; Here, as before, never, so help you mercy, How strange or odd soe'er I bear myself, As I perchance hereafter shall think meet To put an antic disposition on, That you, at such times seeing me, never shall, With arms encumber'd thus, or this headshake, Or by pronouncing of some doubtful phrase, As 'Well, well, we know,' or 'We could, an if we would,' Or 'If we list to speak,' or 'There be, an if they might,' Or such ambiguous giving out, to note That you know aught of me: this not to do, So grace and mercy at your most need help you, Swear. Ghost Beneath Swear. HAMLET Rest, rest, perturbed spirit! They swear So, gentlemen, With all my love I do commend me to you: And what so poor a man as Hamlet is May do, to express his love and friending to you, God willing, shall not lack. Let us go in together; And still your fingers on your lips, I pray. The time is out of joint: O cursed spite, That ever I was born to set it right! Nay, come, let's go together. Exeunt ACT II SCENE I. A room in POLONIUS' house. Enter POLONIUS and REYNALDO LORD POLONIUS Give him this money and these notes, Reynaldo. REYNALDO I will, my lord. LORD POLONIUS You shall do marvellous wisely, good Reynaldo, Before you visit him, to make inquire Of his behavior. REYNALDO My lord, I did intend it. LORD POLONIUS Marry, well said; very well said. Look you, sir, Inquire me first what Danskers are in Paris; And how, and who, what means, and where they keep, What company, at what expense; and finding By this encompassment and drift of question That they do know my son, come you more nearer Than your particular demands will touch it: Take you, as 'twere, some distant knowledge of him; As thus, 'I know his father and his friends, And in part him: ' do you mark this, Reynaldo? REYNALDO Ay, very well, my lord. LORD POLONIUS 'And in part him; but' you may say 'not well: But, if't be he I mean, he's very wild; Addicted so and so:' and there put on him What forgeries you please; marry, none so rank As may dishonour him; take heed of that; But, sir, such wanton, wild and usual slips As are companions noted and most known To youth and liberty. REYNALDO As gaming, my lord. LORD POLONIUS Ay, or drinking, fencing, swearing, quarrelling, Drabbing: you may go so far. REYNALDO My lord, that would dishonour him. LORD POLONIUS 'Faith, no; as you may season it in the charge You must not put another scandal on him, That he is open to incontinency; That's not my meaning: but breathe his faults so quaintly That they may seem the taints of liberty, The flash and outbreak of a fiery mind, A savageness in unreclaimed blood, Of general assault. REYNALDO But, my good lord,-- LORD POLONIUS Wherefore should you do this? REYNALDO Ay, my lord, I would know that. LORD POLONIUS Marry, sir, here's my drift; And I believe, it is a fetch of wit: You laying these slight sullies on my son, As 'twere a thing a little soil'd i' the working, Mark you, Your party in converse, him you would sound, Having ever seen in the prenominate crimes The youth you breathe of guilty, be assured He closes with you in this consequence; 'Good sir,' or so, or 'friend,' or 'gentleman,' According to the phrase or the addition Of man and country. REYNALDO Very good, my lord. LORD POLONIUS And then, sir, does he this--he does--what was I about to say? By the mass, I was about to say something: where did I leave? REYNALDO At 'closes in the consequence,' at 'friend or so,' and 'gentleman.' LORD POLONIUS At 'closes in the consequence,' ay, marry; He closes thus: 'I know the gentleman; I saw him yesterday, or t' other day, Or then, or then; with such, or such; and, as you say, There was a' gaming; there o'ertook in's rouse; There falling out at tennis:' or perchance, 'I saw him enter such a house of sale,' Videlicet, a brothel, or so forth. See you now; Your bait of falsehood takes this carp of truth: And thus do we of wisdom and of reach, With windlasses and with assays of bias, By indirections find directions out: So by my former lecture and advice, Shall you my son. You have me, have you not? REYNALDO My lord, I have. LORD POLONIUS God be wi' you; fare you well. REYNALDO Good my lord! LORD POLONIUS Observe his inclination in yourself. REYNALDO I shall, my lord. LORD POLONIUS And let him ply his music. REYNALDO Well, my lord. LORD POLONIUS Farewell! Exit REYNALDO Enter OPHELIA How now, Ophelia! what's the matter? OPHELIA O, my lord, my lord, I have been so affrighted! LORD POLONIUS With what, i' the name of God? OPHELIA My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle; Pale as his shirt; his knees knocking each other; And with a look so piteous in purport As if he had been loosed out of hell To speak of horrors,--he comes before me. LORD POLONIUS Mad for thy love? OPHELIA My lord, I do not know; But truly, I do fear it. LORD POLONIUS What said he? OPHELIA He took me by the wrist and held me hard; Then goes he to the length of all his arm; And, with his other hand thus o'er his brow, He falls to such perusal of my face As he would draw it. Long stay'd he so; At last, a little shaking of mine arm And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to shatter all his bulk And end his being: that done, he lets me go: And, with his head over his shoulder turn'd, He seem'd to find his way without his eyes; For out o' doors he went without their helps, And, to the last, bended their light on me. LORD POLONIUS Come, go with me: I will go seek the king. This is the very ecstasy of love, Whose violent property fordoes itself And leads the will to desperate undertakings As oft as any passion under heaven That does afflict our natures. I am sorry. What, have you given him any hard words of late? OPHELIA No, my good lord, but, as you did command, I did repel his fetters and denied His access to me. LORD POLONIUS That hath made him mad. I am sorry that with better heed and judgment I had not quoted him: I fear'd he did but trifle, And meant to wreck thee; but, beshrew my jealousy! By heaven, it is as proper to our age To cast beyond ourselves in our opinions As it is common for the younger sort To lack discretion. Come, go we to the king: This must be known; which, being kept close, might move More grief to hide than hate to utter love. Exeunt SCENE II. A room in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, GUILDENSTERN, and Attendants KING CLAUDIUS Welcome, dear Rosencrantz and Guildenstern! Moreover that we much did long to see you, The need we have to use you did provoke Our hasty sending. Something have you heard Of Hamlet's transformation; so call it, Sith nor the exterior nor the inward man Resembles that it was. What it should be, More than his father's death, that thus hath put him So much from the understanding of himself, I cannot dream of: I entreat you both, That, being of so young days brought up with him, And sith so neighbour'd to his youth and havior, That you vouchsafe your rest here in our court Some little time: so by your companies To draw him on to pleasures, and to gather, So much as from occasion you may glean, Whether aught, to us unknown, afflicts him thus, That, open'd, lies within our remedy. QUEEN GERTRUDE Good gentlemen, he hath much talk'd of you; And sure I am two men there are not living To whom he more adheres. If it will please you To show us so much gentry and good will As to expend your time with us awhile, For the supply and profit of our hope, Your visitation shall receive such thanks As fits a king's remembrance. ROSENCRANTZ Both your majesties Might, by the sovereign power you have of us, Put your dread pleasures more into command Than to entreaty. GUILDENSTERN But we both obey, And here give up ourselves, in the full bent To lay our service freely at your feet, To be commanded. KING CLAUDIUS Thanks, Rosencrantz and gentle Guildenstern. QUEEN GERTRUDE Thanks, Guildenstern and gentle Rosencrantz: And I beseech you instantly to visit My too much changed son. Go, some of you, And bring these gentlemen where Hamlet is. GUILDENSTERN Heavens make our presence and our practises Pleasant and helpful to him! QUEEN GERTRUDE Ay, amen! Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants Enter POLONIUS LORD POLONIUS The ambassadors from Norway, my good lord, Are joyfully return'd. KING CLAUDIUS Thou still hast been the father of good news. LORD POLONIUS Have I, my lord? I assure my good liege, I hold my duty, as I hold my soul, Both to my God and to my gracious king: And I do think, or else this brain of mine Hunts not the trail of policy so sure As it hath used to do, that I have found The very cause of Hamlet's lunacy. KING CLAUDIUS O, speak of that; that do I long to hear. LORD POLONIUS Give first admittance to the ambassadors; My news shall be the fruit to that great feast. KING CLAUDIUS Thyself do grace to them, and bring them in. Exit POLONIUS He tells me, my dear Gertrude, he hath found The head and source of all your son's distemper. QUEEN GERTRUDE I doubt it is no other but the main; His father's death, and our o'erhasty marriage. KING CLAUDIUS Well, we shall sift him. Re-enter POLONIUS, with VOLTIMAND and CORNELIUS Welcome, my good friends! Say, Voltimand, what from our brother Norway? VOLTIMAND Most fair return of greetings and desires. Upon our first, he sent out to suppress His nephew's levies; which to him appear'd To be a preparation 'gainst the Polack; But, better look'd into, he truly found It was against your highness: whereat grieved, That so his sickness, age and impotence Was falsely borne in hand, sends out arrests On Fortinbras; which he, in brief, obeys; Receives rebuke from Norway, and in fine Makes vow before his uncle never more To give the assay of arms against your majesty. Whereon old Norway, overcome with joy, Gives him three thousand crowns in annual fee, And his commission to employ those soldiers, So levied as before, against the Polack: With an entreaty, herein further shown, Giving a paper That it might please you to give quiet pass Through your dominions for this enterprise, On such regards of safety and allowance As therein are set down. KING CLAUDIUS It likes us well; And at our more consider'd time well read, Answer, and think upon this business. Meantime we thank you for your well-took labour: Go to your rest; at night we'll feast together: Most welcome home! Exeunt VOLTIMAND and CORNELIUS LORD POLONIUS This business is well ended. My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit, And tediousness the limbs and outward flourishes, I will be brief: your noble son is mad: Mad call I it; for, to define true madness, What is't but to be nothing else but mad? But let that go. QUEEN GERTRUDE More matter, with less art. LORD POLONIUS Madam, I swear I use no art at all. That he is mad, 'tis true: 'tis true 'tis pity; And pity 'tis 'tis true: a foolish figure; But farewell it, for I will use no art. Mad let us grant him, then: and now remains That we find out the cause of this effect, Or rather say, the cause of this defect, For this effect defective comes by cause: Thus it remains, and the remainder thus. Perpend. I have a daughter--have while she is mine-- Who, in her duty and obedience, mark, Hath given me this: now gather, and surmise. Reads 'To the celestial and my soul's idol, the most beautified Ophelia,'-- That's an ill phrase, a vile phrase; 'beautified' is a vile phrase: but you shall hear. Thus: Reads 'In her excellent white bosom, these, &c.' QUEEN GERTRUDE Came this from Hamlet to her? LORD POLONIUS Good madam, stay awhile; I will be faithful. Reads 'Doubt thou the stars are fire; Doubt that the sun doth move; Doubt truth to be a liar; But never doubt I love. 'O dear Ophelia, I am ill at these numbers; I have not art to reckon my groans: but that I love thee best, O most best, believe it. Adieu. 'Thine evermore most dear lady, whilst this machine is to him, HAMLET.' This, in obedience, hath my daughter shown me, And more above, hath his solicitings, As they fell out by time, by means and place, All given to mine ear. KING CLAUDIUS But how hath she Received his love? LORD POLONIUS What do you think of me? KING CLAUDIUS As of a man faithful and honourable. LORD POLONIUS I would fain prove so. But what might you think, When I had seen this hot love on the wing-- As I perceived it, I must tell you that, Before my daughter told me--what might you, Or my dear majesty your queen here, think, If I had play'd the desk or table-book, Or given my heart a winking, mute and dumb, Or look'd upon this love with idle sight; What might you think? No, I went round to work, And my young mistress thus I did bespeak: 'Lord Hamlet is a prince, out of thy star; This must not be:' and then I precepts gave her, That she should lock herself from his resort, Admit no messengers, receive no tokens. Which done, she took the fruits of my advice; And he, repulsed--a short tale to make-- Fell into a sadness, then into a fast, Thence to a watch, thence into a weakness, Thence to a lightness, and, by this declension, Into the madness wherein now he raves, And all we mourn for. KING CLAUDIUS Do you think 'tis this? QUEEN GERTRUDE It may be, very likely. LORD POLONIUS Hath there been such a time--I'd fain know that-- That I have positively said 'Tis so,' When it proved otherwise? KING CLAUDIUS Not that I know. LORD POLONIUS Pointing to his head and shoulder Take this from this, if this be otherwise: If circumstances lead me, I will find Where truth is hid, though it were hid indeed Within the centre. KING CLAUDIUS How may we try it further? LORD POLONIUS You know, sometimes he walks four hours together Here in the lobby. QUEEN GERTRUDE So he does indeed. LORD POLONIUS At such a time I'll loose my daughter to him: Be you and I behind an arras then; Mark the encounter: if he love her not And be not from his reason fall'n thereon, Let me be no assistant for a state, But keep a farm and carters. KING CLAUDIUS We will try it. QUEEN GERTRUDE But, look, where sadly the poor wretch comes reading. LORD POLONIUS Away, I do beseech you, both away: I'll board him presently. Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and Attendants Enter HAMLET, reading O, give me leave: How does my good Lord Hamlet? HAMLET Well, God-a-mercy. LORD POLONIUS Do you know me, my lord? HAMLET Excellent well; you are a fishmonger. LORD POLONIUS Not I, my lord. HAMLET Then I would you were so honest a man. LORD POLONIUS Honest, my lord! HAMLET Ay, sir; to be honest, as this world goes, is to be one man picked out of ten thousand. LORD POLONIUS That's very true, my lord. HAMLET For if the sun breed maggots in a dead dog, being a god kissing carrion,--Have you a daughter? LORD POLONIUS I have, my lord. HAMLET Let her not walk i' the sun: conception is a blessing: but not as your daughter may conceive. Friend, look to 't. LORD POLONIUS Aside How say you by that? Still harping on my daughter: yet he knew me not at first; he said I was a fishmonger: he is far gone, far gone: and truly in my youth I suffered much extremity for love; very near this. I'll speak to him again. What do you read, my lord? HAMLET Words, words, words. LORD POLONIUS What is the matter, my lord? HAMLET Between who? LORD POLONIUS I mean, the matter that you read, my lord. HAMLET Slanders, sir: for the satirical rogue says here that old men have grey beards, that their faces are wrinkled, their eyes purging thick amber and plum-tree gum and that they have a plentiful lack of wit, together with most weak hams: all which, sir, though I most powerfully and potently believe, yet I hold it not honesty to have it thus set down, for yourself, sir, should be old as I am, if like a crab you could go backward. LORD POLONIUS Aside Though this be madness, yet there is method in 't. Will you walk out of the air, my lord? HAMLET Into my grave. LORD POLONIUS Indeed, that is out o' the air. Aside How pregnant sometimes his replies are! a happiness that often madness hits on, which reason and sanity could not so prosperously be delivered of. I will leave him, and suddenly contrive the means of meeting between him and my daughter.--My honourable lord, I will most humbly take my leave of you. HAMLET You cannot, sir, take from me any thing that I will more willingly part withal: except my life, except my life, except my life. LORD POLONIUS Fare you well, my lord. HAMLET These tedious old fools! Enter ROSENCRANTZ and GUILDENSTERN LORD POLONIUS You go to seek the Lord Hamlet; there he is. ROSENCRANTZ To POLONIUS God save you, sir! Exit POLONIUS GUILDENSTERN My honoured lord! ROSENCRANTZ My most dear lord! HAMLET My excellent good friends! How dost thou, Guildenstern? Ah, Rosencrantz! Good lads, how do ye both? ROSENCRANTZ As the indifferent children of the earth. GUILDENSTERN Happy, in that we are not over-happy; On fortune's cap we are not the very button. HAMLET Nor the soles of her shoe? ROSENCRANTZ Neither, my lord. HAMLET Then you live about her waist, or in the middle of her favours? GUILDENSTERN 'Faith, her privates we. HAMLET In the secret parts of fortune? O, most true; she is a strumpet. What's the news? ROSENCRANTZ None, my lord, but that the world's grown honest. HAMLET Then is doomsday near: but your news is not true. Let me question more in particular: what have you, my good friends, deserved at the hands of fortune, that she sends you to prison hither? GUILDENSTERN Prison, my lord! HAMLET Denmark's a prison. ROSENCRANTZ Then is the world one. HAMLET A goodly one; in which there are many confines, wards and dungeons, Denmark being one o' the worst. ROSENCRANTZ We think not so, my lord. HAMLET Why, then, 'tis none to you; for there is nothing either good or bad, but thinking makes it so: to me it is a prison. ROSENCRANTZ Why then, your ambition makes it one; 'tis too narrow for your mind. HAMLET O God, I could be bounded in a nut shell and count myself a king of infinite space, were it not that I have bad dreams. GUILDENSTERN Which dreams indeed are ambition, for the very substance of the ambitious is merely the shadow of a dream. HAMLET A dream itself is but a shadow. ROSENCRANTZ Truly, and I hold ambition of so airy and light a quality that it is but a shadow's shadow. HAMLET Then are our beggars bodies, and our monarchs and outstretched heroes the beggars' shadows. Shall we to the court? for, by my fay, I cannot reason. ROSENCRANTZ GUILDENSTERN We'll wait upon you. HAMLET No such matter: I will not sort you with the rest of my servants, for, to speak to you like an honest man, I am most dreadfully attended. But, in the beaten way of friendship, what make you at Elsinore? ROSENCRANTZ To visit you, my lord; no other occasion. HAMLET Beggar that I am, I am even poor in thanks; but I thank you: and sure, dear friends, my thanks are too dear a halfpenny. Were you not sent for? Is it your own inclining? Is it a free visitation? Come, deal justly with me: come, come; nay, speak. GUILDENSTERN What should we say, my lord? HAMLET Why, any thing, but to the purpose. You were sent for; and there is a kind of confession in your looks which your modesties have not craft enough to colour: I know the good king and queen have sent for you. ROSENCRANTZ To what end, my lord? HAMLET That you must teach me. But let me conjure you, by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserved love, and by what more dear a better proposer could charge you withal, be even and direct with me, whether you were sent for, or no? ROSENCRANTZ Aside to GUILDENSTERN What say you? HAMLET Aside Nay, then, I have an eye of you.--If you love me, hold not off. GUILDENSTERN My lord, we were sent for. HAMLET I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late--but wherefore I know not--lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me: no, nor woman neither, though by your smiling you seem to say so. ROSENCRANTZ My lord, there was no such stuff in my thoughts. HAMLET Why did you laugh then, when I said 'man delights not me'? ROSENCRANTZ To think, my lord, if you delight not in man, what lenten entertainment the players shall receive from you: we coted them on the way; and hither are they coming, to offer you service. HAMLET He that plays the king shall be welcome; his majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humourous man shall end his part in peace; the clown shall make those laugh whose lungs are tickled o' the sere; and the lady shall say her mind freely, or the blank verse shall halt for't. What players are they? ROSENCRANTZ Even those you were wont to take delight in, the tragedians of the city. HAMLET How chances it they travel? their residence, both in reputation and profit, was better both ways. ROSENCRANTZ I think their inhibition comes by the means of the late innovation. HAMLET Do they hold the same estimation they did when I was in the city? are they so followed? ROSENCRANTZ No, indeed, are they not. HAMLET How comes it? do they grow rusty? ROSENCRANTZ Nay, their endeavour keeps in the wonted pace: but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for't: these are now the fashion, and so berattle the common stages--so they call them--that many wearing rapiers are afraid of goose-quills and dare scarce come thither. HAMLET What, are they children? who maintains 'em? how are they escoted? Will they pursue the quality no longer than they can sing? will they not say afterwards, if they should grow themselves to common players--as it is most like, if their means are no better--their writers do them wrong, to make them exclaim against their own succession? ROSENCRANTZ 'Faith, there has been much to do on both sides; and the nation holds it no sin to tarre them to controversy: there was, for a while, no money bid for argument, unless the poet and the player went to cuffs in the question. HAMLET Is't possible? GUILDENSTERN O, there has been much throwing about of brains. HAMLET Do the boys carry it away? ROSENCRANTZ Ay, that they do, my lord; Hercules and his load too. HAMLET It is not very strange; for mine uncle is king of Denmark, and those that would make mows at him while my father lived, give twenty, forty, fifty, an hundred ducats a-piece for his picture in little. 'Sblood, there is something in this more than natural, if philosophy could find it out. Flourish of trumpets within GUILDENSTERN There are the players. HAMLET Gentlemen, you are welcome to Elsinore. Your hands, come then: the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outward, should more appear like entertainment than yours. You are welcome: but my uncle-father and aunt-mother are deceived. GUILDENSTERN In what, my dear lord? HAMLET I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw. Enter POLONIUS LORD POLONIUS Well be with you, gentlemen! HAMLET Hark you, Guildenstern; and you too: at each ear a hearer: that great baby you see there is not yet out of his swaddling-clouts. ROSENCRANTZ Happily he's the second time come to them; for they say an old man is twice a child. HAMLET I will prophesy he comes to tell me of the players; mark it. You say right, sir: o' Monday morning; 'twas so indeed. LORD POLONIUS My lord, I have news to tell you. HAMLET My lord, I have news to tell you. When Roscius was an actor in Rome,-- LORD POLONIUS The actors are come hither, my lord. HAMLET Buz, buz! LORD POLONIUS Upon mine honour,-- HAMLET Then came each actor on his ass,-- LORD POLONIUS The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical- comical-historical-pastoral, scene individable, or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men. HAMLET O Jephthah, judge of Israel, what a treasure hadst thou! LORD POLONIUS What a treasure had he, my lord? HAMLET Why, 'One fair daughter and no more, The which he loved passing well.' LORD POLONIUS Aside Still on my daughter. HAMLET Am I not i' the right, old Jephthah? LORD POLONIUS If you call me Jephthah, my lord, I have a daughter that I love passing well. HAMLET Nay, that follows not. LORD POLONIUS What follows, then, my lord? HAMLET Why, 'As by lot, God wot,' and then, you know, 'It came to pass, as most like it was,'-- the first row of the pious chanson will show you more; for look, where my abridgement comes. Enter four or five Players You are welcome, masters; welcome, all. I am glad to see thee well. Welcome, good friends. O, my old friend! thy face is valenced since I saw thee last: comest thou to beard me in Denmark? What, my young lady and mistress! By'r lady, your ladyship is nearer to heaven than when I saw you last, by the altitude of a chopine. Pray God, your voice, like apiece of uncurrent gold, be not cracked within the ring. Masters, you are all welcome. We'll e'en to't like French falconers, fly at any thing we see: we'll have a speech straight: come, give us a taste of your quality; come, a passionate speech. First Player What speech, my lord? HAMLET I heard thee speak me a speech once, but it was never acted; or, if it was, not above once; for the play, I remember, pleased not the million; 'twas caviare to the general: but it was--as I received it, and others, whose judgments in such matters cried in the top of mine--an excellent play, well digested in the scenes, set down with as much modesty as cunning. I remember, one said there were no sallets in the lines to make the matter savoury, nor no matter in the phrase that might indict the author of affectation; but called it an honest method, as wholesome as sweet, and by very much more handsome than fine. One speech in it I chiefly loved: 'twas Aeneas' tale to Dido; and thereabout of it especially, where he speaks of Priam's slaughter: if it live in your memory, begin at this line: let me see, let me see-- 'The rugged Pyrrhus, like the Hyrcanian beast,'-- it is not so:--it begins with Pyrrhus:-- 'The rugged Pyrrhus, he whose sable arms, Black as his purpose, did the night resemble When he lay couched in the ominous horse, Hath now this dread and black complexion smear'd With heraldry more dismal; head to foot Now is he total gules; horridly trick'd With blood of fathers, mothers, daughters, sons, Baked and impasted with the parching streets, That lend a tyrannous and damned light To their lord's murder: roasted in wrath and fire, And thus o'er-sized with coagulate gore, With eyes like carbuncles, the hellish Pyrrhus Old grandsire Priam seeks.' So, proceed you. LORD POLONIUS 'Fore God, my lord, well spoken, with good accent and good discretion. First Player 'Anon he finds him Striking too short at Greeks; his antique sword, Rebellious to his arm, lies where it falls, Repugnant to command: unequal match'd, Pyrrhus at Priam drives; in rage strikes wide; But with the whiff and wind of his fell sword The unnerved father falls. Then senseless Ilium, Seeming to feel this blow, with flaming top Stoops to his base, and with a hideous crash Takes prisoner Pyrrhus' ear: for, lo! his sword, Which was declining on the milky head Of reverend Priam, seem'd i' the air to stick: So, as a painted tyrant, Pyrrhus stood, And like a neutral to his will and matter, Did nothing. But, as we often see, against some storm, A silence in the heavens, the rack stand still, The bold winds speechless and the orb below As hush as death, anon the dreadful thunder Doth rend the region, so, after Pyrrhus' pause, Aroused vengeance sets him new a-work; And never did the Cyclops' hammers fall On Mars's armour forged for proof eterne With less remorse than Pyrrhus' bleeding sword Now falls on Priam. Out, out, thou strumpet, Fortune! All you gods, In general synod 'take away her power; Break all the spokes and fellies from her wheel, And bowl the round nave down the hill of heaven, As low as to the fiends!' LORD POLONIUS This is too long. HAMLET It shall to the barber's, with your beard. Prithee, say on: he's for a jig or a tale of bawdry, or he sleeps: say on: come to Hecuba. First Player 'But who, O, who had seen the mobled queen--' HAMLET 'The mobled queen?' LORD POLONIUS That's good; 'mobled queen' is good. First Player 'Run barefoot up and down, threatening the flames With bisson rheum; a clout upon that head Where late the diadem stood, and for a robe, About her lank and all o'er-teemed loins, A blanket, in the alarm of fear caught up; Who this had seen, with tongue in venom steep'd, 'Gainst Fortune's state would treason have pronounced: But if the gods themselves did see her then When she saw Pyrrhus make malicious sport In mincing with his sword her husband's limbs, The instant burst of clamour that she made, Unless things mortal move them not at all, Would have made milch the burning eyes of heaven, And passion in the gods.' LORD POLONIUS Look, whether he has not turned his colour and has tears in's eyes. Pray you, no more. HAMLET 'Tis well: I'll have thee speak out the rest soon. Good my lord, will you see the players well bestowed? Do you hear, let them be well used; for they are the abstract and brief chronicles of the time: after your death you were better have a bad epitaph than their ill report while you live. LORD POLONIUS My lord, I will use them according to their desert. HAMLET God's bodykins, man, much better: use every man after his desert, and who should 'scape whipping? Use them after your own honour and dignity: the less they deserve, the more merit is in your bounty. Take them in. LORD POLONIUS Come, sirs. HAMLET Follow him, friends: we'll hear a play to-morrow. Exit POLONIUS with all the Players but the First Dost thou hear me, old friend; can you play the Murder of Gonzago? First Player Ay, my lord. HAMLET We'll ha't to-morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in't, could you not? First Player Ay, my lord. HAMLET Very well. Follow that lord; and look you mock him not. Exit First Player My good friends, I'll leave you till night: you are welcome to Elsinore. ROSENCRANTZ Good my lord! HAMLET Ay, so, God be wi' ye; Exeunt ROSENCRANTZ and GUILDENSTERN Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, And can say nothing; no, not for a king, Upon whose property and most dear life A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs? who does me this? Ha! 'Swounds, I should take it: for it cannot be But I am pigeon-liver'd and lack gall To make oppression bitter, or ere this I should have fatted all the region kites With this slave's offal: bloody, bawdy villain! Remorseless, treacherous, lecherous, kindless villain! O, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father murder'd, Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, A scullion! Fie upon't! foh! About, my brain! I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ. I'll have these players Play something like the murder of my father Before mine uncle: I'll observe his looks; I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me: I'll have grounds More relative than this: the play 's the thing Wherein I'll catch the conscience of the king. Exit ACT III SCENE I. A room in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN KING CLAUDIUS And can you, by no drift of circumstance, Get from him why he puts on this confusion, Grating so harshly all his days of quiet With turbulent and dangerous lunacy? ROSENCRANTZ He does confess he feels himself distracted; But from what cause he will by no means speak. GUILDENSTERN Nor do we find him forward to be sounded, But, with a crafty madness, keeps aloof, When we would bring him on to some confession Of his true state. QUEEN GERTRUDE Did he receive you well? ROSENCRANTZ Most like a gentleman. GUILDENSTERN But with much forcing of his disposition. ROSENCRANTZ Niggard of question; but, of our demands, Most free in his reply. QUEEN GERTRUDE Did you assay him? To any pastime? ROSENCRANTZ Madam, it so fell out, that certain players We o'er-raught on the way: of these we told him; And there did seem in him a kind of joy To hear of it: they are about the court, And, as I think, they have already order This night to play before him. LORD POLONIUS 'Tis most true: And he beseech'd me to entreat your majesties To hear and see the matter. KING CLAUDIUS With all my heart; and it doth much content me To hear him so inclined. Good gentlemen, give him a further edge, And drive his purpose on to these delights. ROSENCRANTZ We shall, my lord. Exeunt ROSENCRANTZ and GUILDENSTERN KING CLAUDIUS Sweet Gertrude, leave us too; For we have closely sent for Hamlet hither, That he, as 'twere by accident, may here Affront Ophelia: Her father and myself, lawful espials, Will so bestow ourselves that, seeing, unseen, We may of their encounter frankly judge, And gather by him, as he is behaved, If 't be the affliction of his love or no That thus he suffers for. QUEEN GERTRUDE I shall obey you. And for your part, Ophelia, I do wish That your good beauties be the happy cause Of Hamlet's wildness: so shall I hope your virtues Will bring him to his wonted way again, To both your honours. OPHELIA Madam, I wish it may. Exit QUEEN GERTRUDE LORD POLONIUS Ophelia, walk you here. Gracious, so please you, We will bestow ourselves. To OPHELIA Read on this book; That show of such an exercise may colour Your loneliness. We are oft to blame in this,-- 'Tis too much proved--that with devotion's visage And pious action we do sugar o'er The devil himself. KING CLAUDIUS Aside O, 'tis too true! How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my deed to my most painted word: O heavy burthen! LORD POLONIUS I hear him coming: let's withdraw, my lord. Exeunt KING CLAUDIUS and POLONIUS Enter HAMLET HAMLET To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd. OPHELIA Good my lord, How does your honour for this many a day? HAMLET I humbly thank you; well, well, well. OPHELIA My lord, I have remembrances of yours, That I have longed long to re-deliver; I pray you, now receive them. HAMLET No, not I; I never gave you aught. OPHELIA My honour'd lord, you know right well you did; And, with them, words of so sweet breath composed As made the things more rich: their perfume lost, Take these again; for to the noble mind Rich gifts wax poor when givers prove unkind. There, my lord. HAMLET Ha, ha! are you honest? OPHELIA My lord? HAMLET Are you fair? OPHELIA What means your lordship? HAMLET That if you be honest and fair, your honesty should admit no discourse to your beauty. OPHELIA Could beauty, my lord, have better commerce than with honesty? HAMLET Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness: this was sometime a paradox, but now the time gives it proof. I did love you once. OPHELIA Indeed, my lord, you made me believe so. HAMLET You should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not. OPHELIA I was the more deceived. HAMLET Get thee to a nunnery: why wouldst thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such things that it were better my mother had not borne me: I am very proud, revengeful, ambitious, with more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in. What should such fellows as I do crawling between earth and heaven? We are arrant knaves, all; believe none of us. Go thy ways to a nunnery. Where's your father? OPHELIA At home, my lord. HAMLET Let the doors be shut upon him, that he may play the fool no where but in's own house. Farewell. OPHELIA O, help him, you sweet heavens! HAMLET If thou dost marry, I'll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go: farewell. Or, if thou wilt needs marry, marry a fool; for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell. OPHELIA O heavenly powers, restore him! HAMLET I have heard of your paintings too, well enough; God has given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nick-name God's creatures, and make your wantonness your ignorance. Go to, I'll no more on't; it hath made me mad. I say, we will have no more marriages: those that are married already, all but one, shall live; the rest shall keep as they are. To a nunnery, go. Exit OPHELIA O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down! And I, of ladies most deject and wretched, That suck'd the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh; That unmatch'd form and feature of blown youth Blasted with ecstasy: O, woe is me, To have seen what I have seen, see what I see! Re-enter KING CLAUDIUS and POLONIUS KING CLAUDIUS Love! his affections do not that way tend; Nor what he spake, though it lack'd form a little, Was not like madness. There's something in his soul, O'er which his melancholy sits on brood; And I do doubt the hatch and the disclose Will be some danger: which for to prevent, I have in quick determination Thus set it down: he shall with speed to England, For the demand of our neglected tribute Haply the seas and countries different With variable objects shall expel This something-settled matter in his heart, Whereon his brains still beating puts him thus From fashion of himself. What think you on't? LORD POLONIUS It shall do well: but yet do I believe The origin and commencement of his grief Sprung from neglected love. How now, Ophelia! You need not tell us what Lord Hamlet said; We heard it all. My lord, do as you please; But, if you hold it fit, after the play Let his queen mother all alone entreat him To show his grief: let her be round with him; And I'll be placed, so please you, in the ear Of all their conference. If she find him not, To England send him, or confine him where Your wisdom best shall think. KING CLAUDIUS It shall be so: Madness in great ones must not unwatch'd go. Exeunt SCENE II. A hall in the castle. Enter HAMLET and Players HAMLET Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue: but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and, as I may say, the whirlwind of passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumbshows and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: pray you, avoid it. First Player I warrant your honour. HAMLET Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special o'erstep not the modesty of nature: for any thing so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably. First Player I hope we have reformed that indifferently with us, sir. HAMLET O, reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be considered: that's villanous, and shows a most pitiful ambition in the fool that uses it. Go, make you ready. Exeunt Players Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN How now, my lord! I will the king hear this piece of work? LORD POLONIUS And the queen too, and that presently. HAMLET Bid the players make haste. Exit POLONIUS Will you two help to hasten them? ROSENCRANTZ GUILDENSTERN We will, my lord. Exeunt ROSENCRANTZ and GUILDENSTERN HAMLET What ho! Horatio! Enter HORATIO HORATIO Here, sweet lord, at your service. HAMLET Horatio, thou art e'en as just a man As e'er my conversation coped withal. HORATIO O, my dear lord,-- HAMLET Nay, do not think I flatter; For what advancement may I hope from thee That no revenue hast but thy good spirits, To feed and clothe thee? Why should the poor be flatter'd? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee Where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice And could of men distinguish, her election Hath seal'd thee for herself; for thou hast been As one, in suffering all, that suffers nothing, A man that fortune's buffets and rewards Hast ta'en with equal thanks: and blest are those Whose blood and judgment are so well commingled, That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.--Something too much of this.-- There is a play to-night before the king; One scene of it comes near the circumstance Which I have told thee of my father's death: I prithee, when thou seest that act afoot, Even with the very comment of thy soul Observe mine uncle: if his occulted guilt Do not itself unkennel in one speech, It is a damned ghost that we have seen, And my imaginations are as foul As Vulcan's stithy. Give him heedful note; For I mine eyes will rivet to his face, And after we will both our judgments join In censure of his seeming. HORATIO Well, my lord: If he steal aught the whilst this play is playing, And 'scape detecting, I will pay the theft. HAMLET They are coming to the play; I must be idle: Get you a place. Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others KING CLAUDIUS How fares our cousin Hamlet? HAMLET Excellent, i' faith; of the chameleon's dish: I eat the air, promise-crammed: you cannot feed capons so. KING CLAUDIUS I have nothing with this answer, Hamlet; these words are not mine. HAMLET No, nor mine now. To POLONIUS My lord, you played once i' the university, you say? LORD POLONIUS That did I, my lord; and was accounted a good actor. HAMLET What did you enact? LORD POLONIUS I did enact Julius Caesar: I was killed i' the Capitol; Brutus killed me. HAMLET It was a brute part of him to kill so capital a calf there. Be the players ready? ROSENCRANTZ Ay, my lord; they stay upon your patience. QUEEN GERTRUDE Come hither, my dear Hamlet, sit by me. HAMLET No, good mother, here's metal more attractive. LORD POLONIUS To KING CLAUDIUS O, ho! do you mark that? HAMLET Lady, shall I lie in your lap? Lying down at OPHELIA's feet OPHELIA No, my lord. HAMLET I mean, my head upon your lap? OPHELIA Ay, my lord. HAMLET Do you think I meant country matters? OPHELIA I think nothing, my lord. HAMLET That's a fair thought to lie between maids' legs. OPHELIA What is, my lord? HAMLET Nothing. OPHELIA You are merry, my lord. HAMLET Who, I? OPHELIA Ay, my lord. HAMLET O God, your only jig-maker. What should a man do but be merry? for, look you, how cheerfully my mother looks, and my father died within these two hours. OPHELIA Nay, 'tis twice two months, my lord. HAMLET So long? Nay then, let the devil wear black, for I'll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there's hope a great man's memory may outlive his life half a year: but, by'r lady, he must build churches, then; or else shall he suffer not thinking on, with the hobby-horse, whose epitaph is 'For, O, for, O, the hobby-horse is forgot.' Hautboys play. The dumb-show enters Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love Exeunt OPHELIA What means this, my lord? HAMLET Marry, this is miching mallecho; it means mischief. OPHELIA Belike this show imports the argument of the play. Enter Prologue HAMLET We shall know by this fellow: the players cannot keep counsel; they'll tell all. OPHELIA Will he tell us what this show meant? HAMLET Ay, or any show that you'll show him: be not you ashamed to show, he'll not shame to tell you what it means. OPHELIA You are naught, you are naught: I'll mark the play. Prologue For us, and for our tragedy, Here stooping to your clemency, We beg your hearing patiently. Exit HAMLET Is this a prologue, or the posy of a ring? OPHELIA 'Tis brief, my lord. HAMLET As woman's love. Enter two Players, King and Queen Player King Full thirty times hath Phoebus' cart gone round Neptune's salt wash and Tellus' orbed ground, And thirty dozen moons with borrow'd sheen About the world have times twelve thirties been, Since love our hearts and Hymen did our hands Unite commutual in most sacred bands. Player Queen So many journeys may the sun and moon Make us again count o'er ere love be done! But, woe is me, you are so sick of late, So far from cheer and from your former state, That I distrust you. Yet, though I distrust, Discomfort you, my lord, it nothing must: For women's fear and love holds quantity; In neither aught, or in extremity. Now, what my love is, proof hath made you know; And as my love is sized, my fear is so: Where love is great, the littlest doubts are fear; Where little fears grow great, great love grows there. Player King 'Faith, I must leave thee, love, and shortly too; My operant powers their functions leave to do: And thou shalt live in this fair world behind, Honour'd, beloved; and haply one as kind For husband shalt thou-- Player Queen O, confound the rest! Such love must needs be treason in my breast: In second husband let me be accurst! None wed the second but who kill'd the first. HAMLET Aside Wormwood, wormwood. Player Queen The instances that second marriage move Are base respects of thrift, but none of love: A second time I kill my husband dead, When second husband kisses me in bed. Player King I do believe you think what now you speak; But what we do determine oft we break. Purpose is but the slave to memory, Of violent birth, but poor validity; Which now, like fruit unripe, sticks on the tree; But fall, unshaken, when they mellow be. Most necessary 'tis that we forget To pay ourselves what to ourselves is debt: What to ourselves in passion we propose, The passion ending, doth the purpose lose. The violence of either grief or joy Their own enactures with themselves destroy: Where joy most revels, grief doth most lament; Grief joys, joy grieves, on slender accident. This world is not for aye, nor 'tis not strange That even our loves should with our fortunes change; For 'tis a question left us yet to prove, Whether love lead fortune, or else fortune love. The great man down, you mark his favourite flies; The poor advanced makes friends of enemies. And hitherto doth love on fortune tend; For who not needs shall never lack a friend, And who in want a hollow friend doth try, Directly seasons him his enemy. But, orderly to end where I begun, Our wills and fates do so contrary run That our devices still are overthrown; Our thoughts are ours, their ends none of our own: So think thou wilt no second husband wed; But die thy thoughts when thy first lord is dead. Player Queen Nor earth to me give food, nor heaven light! Sport and repose lock from me day and night! To desperation turn my trust and hope! An anchor's cheer in prison be my scope! Each opposite that blanks the face of joy Meet what I would have well and it destroy! Both here and hence pursue me lasting strife, If, once a widow, ever I be wife! HAMLET If she should break it now! Player King 'Tis deeply sworn. Sweet, leave me here awhile; My spirits grow dull, and fain I would beguile The tedious day with sleep. Sleeps Player Queen Sleep rock thy brain, And never come mischance between us twain! Exit HAMLET Madam, how like you this play? QUEEN GERTRUDE The lady protests too much, methinks. HAMLET O, but she'll keep her word. KING CLAUDIUS Have you heard the argument? Is there no offence in 't? HAMLET No, no, they do but jest, poison in jest; no offence i' the world. KING CLAUDIUS What do you call the play? HAMLET The Mouse-trap. Marry, how? Tropically. This play is the image of a murder done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: but what o' that? your majesty and we that have free souls, it touches us not: let the galled jade wince, our withers are unwrung. Enter LUCIANUS This is one Lucianus, nephew to the king. OPHELIA You are as good as a chorus, my lord. HAMLET I could interpret between you and your love, if I could see the puppets dallying. OPHELIA You are keen, my lord, you are keen. HAMLET It would cost you a groaning to take off my edge. OPHELIA Still better, and worse. HAMLET So you must take your husbands. Begin, murderer; pox, leave thy damnable faces, and begin. Come: 'the croaking raven doth bellow for revenge.' LUCIANUS Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; Thou mixture rank, of midnight weeds collected, With Hecate's ban thrice blasted, thrice infected, Thy natural magic and dire property, On wholesome life usurp immediately. Pours the poison into the sleeper's ears HAMLET He poisons him i' the garden for's estate. His name's Gonzago: the story is extant, and writ in choice Italian: you shall see anon how the murderer gets the love of Gonzago's wife. OPHELIA The king rises. HAMLET What, frighted with false fire! QUEEN GERTRUDE How fares my lord? LORD POLONIUS Give o'er the play. KING CLAUDIUS Give me some light: away! All Lights, lights, lights! Exeunt all but HAMLET and HORATIO HAMLET Why, let the stricken deer go weep, The hart ungalled play; For some must watch, while some must sleep: So runs the world away. Would not this, sir, and a forest of feathers-- if the rest of my fortunes turn Turk with me--with two Provincial roses on my razed shoes, get me a fellowship in a cry of players, sir? HORATIO Half a share. HAMLET A whole one, I. For thou dost know, O Damon dear, This realm dismantled was Of Jove himself; and now reigns here A very, very--pajock. HORATIO You might have rhymed. HAMLET O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive? HORATIO Very well, my lord. HAMLET Upon the talk of the poisoning? HORATIO I did very well note him. HAMLET Ah, ha! Come, some music! come, the recorders! For if the king like not the comedy, Why then, belike, he likes it not, perdy. Come, some music! Re-enter ROSENCRANTZ and GUILDENSTERN GUILDENSTERN Good my lord, vouchsafe me a word with you. HAMLET Sir, a whole history. GUILDENSTERN The king, sir,-- HAMLET Ay, sir, what of him? GUILDENSTERN Is in his retirement marvellous distempered. HAMLET With drink, sir? GUILDENSTERN No, my lord, rather with choler. HAMLET Your wisdom should show itself more richer to signify this to his doctor; for, for me to put him to his purgation would perhaps plunge him into far more choler. GUILDENSTERN Good my lord, put your discourse into some frame and start not so wildly from my affair. HAMLET I am tame, sir: pronounce. GUILDENSTERN The queen, your mother, in most great affliction of spirit, hath sent me to you. HAMLET You are welcome. GUILDENSTERN Nay, good my lord, this courtesy is not of the right breed. If it shall please you to make me a wholesome answer, I will do your mother's commandment: if not, your pardon and my return shall be the end of my business. HAMLET Sir, I cannot. GUILDENSTERN What, my lord? HAMLET Make you a wholesome answer; my wit's diseased: but, sir, such answer as I can make, you shall command; or, rather, as you say, my mother: therefore no more, but to the matter: my mother, you say,-- ROSENCRANTZ Then thus she says; your behavior hath struck her into amazement and admiration. HAMLET O wonderful son, that can so astonish a mother! But is there no sequel at the heels of this mother's admiration? Impart. ROSENCRANTZ She desires to speak with you in her closet, ere you go to bed. HAMLET We shall obey, were she ten times our mother. Have you any further trade with us? ROSENCRANTZ My lord, you once did love me. HAMLET So I do still, by these pickers and stealers. ROSENCRANTZ Good my lord, what is your cause of distemper? you do, surely, bar the door upon your own liberty, if you deny your griefs to your friend. HAMLET Sir, I lack advancement. ROSENCRANTZ How can that be, when you have the voice of the king himself for your succession in Denmark? HAMLET Ay, but sir, 'While the grass grows,'--the proverb is something musty. Re-enter Players with recorders O, the recorders! let me see one. To withdraw with you:--why do you go about to recover the wind of me, as if you would drive me into a toil? GUILDENSTERN O, my lord, if my duty be too bold, my love is too unmannerly. HAMLET I do not well understand that. Will you play upon this pipe? GUILDENSTERN My lord, I cannot. HAMLET I pray you. GUILDENSTERN Believe me, I cannot. HAMLET I do beseech you. GUILDENSTERN I know no touch of it, my lord. HAMLET 'Tis as easy as lying: govern these ventages with your lingers and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. GUILDENSTERN But these cannot I command to any utterance of harmony; I have not the skill. HAMLET Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me. Enter POLONIUS God bless you, sir! LORD POLONIUS My lord, the queen would speak with you, and presently. HAMLET Do you see yonder cloud that's almost in shape of a camel? LORD POLONIUS By the mass, and 'tis like a camel, indeed. HAMLET Methinks it is like a weasel. LORD POLONIUS It is backed like a weasel. HAMLET Or like a whale? LORD POLONIUS Very like a whale. HAMLET Then I will come to my mother by and by. They fool me to the top of my bent. I will come by and by. LORD POLONIUS I will say so. HAMLET By and by is easily said. Exit POLONIUS Leave me, friends. Exeunt all but HAMLET Tis now the very witching time of night, When churchyards yawn and hell itself breathes out Contagion to this world: now could I drink hot blood, And do such bitter business as the day Would quake to look on. Soft! now to my mother. O heart, lose not thy nature; let not ever The soul of Nero enter this firm bosom: Let me be cruel, not unnatural: I will speak daggers to her, but use none; My tongue and soul in this be hypocrites; How in my words soever she be shent, To give them seals never, my soul, consent! Exit SCENE III. A room in the castle. Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN KING CLAUDIUS I like him not, nor stands it safe with us To let his madness range. Therefore prepare you; I your commission will forthwith dispatch, And he to England shall along with you: The terms of our estate may not endure Hazard so dangerous as doth hourly grow Out of his lunacies. GUILDENSTERN We will ourselves provide: Most holy and religious fear it is To keep those many many bodies safe That live and feed upon your majesty. ROSENCRANTZ The single and peculiar life is bound, With all the strength and armour of the mind, To keep itself from noyance; but much more That spirit upon whose weal depend and rest The lives of many. The cease of majesty Dies not alone; but, like a gulf, doth draw What's near it with it: it is a massy wheel, Fix'd on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortised and adjoin'd; which, when it falls, Each small annexment, petty consequence, Attends the boisterous ruin. Never alone Did the king sigh, but with a general groan. KING CLAUDIUS Arm you, I pray you, to this speedy voyage; For we will fetters put upon this fear, Which now goes too free-footed. ROSENCRANTZ GUILDENSTERN We will haste us. Exeunt ROSENCRANTZ and GUILDENSTERN Enter POLONIUS LORD POLONIUS My lord, he's going to his mother's closet: Behind the arras I'll convey myself, To hear the process; and warrant she'll tax him home: And, as you said, and wisely was it said, 'Tis meet that some more audience than a mother, Since nature makes them partial, should o'erhear The speech, of vantage. Fare you well, my liege: I'll call upon you ere you go to bed, And tell you what I know. KING CLAUDIUS Thanks, dear my lord. Exit POLONIUS O, my offence is rank it smells to heaven; It hath the primal eldest curse upon't, A brother's murder. Pray can I not, Though inclination be as sharp as will: My stronger guilt defeats my strong intent; And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect. What if this cursed hand Were thicker than itself with brother's blood, Is there not rain enough in the sweet heavens To wash it white as snow? Whereto serves mercy But to confront the visage of offence? And what's in prayer but this two-fold force, To be forestalled ere we come to fall, Or pardon'd being down? Then I'll look up; My fault is past. But, O, what form of prayer Can serve my turn? 'Forgive me my foul murder'? That cannot be; since I am still possess'd Of those effects for which I did the murder, My crown, mine own ambition and my queen. May one be pardon'd and retain the offence? In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law: but 'tis not so above; There is no shuffling, there the action lies In his true nature; and we ourselves compell'd, Even to the teeth and forehead of our faults, To give in evidence. What then? what rests? Try what repentance can: what can it not? Yet what can it when one can not repent? O wretched state! O bosom black as death! O limed soul, that, struggling to be free, Art more engaged! Help, angels! Make assay! Bow, stubborn knees; and, heart with strings of steel, Be soft as sinews of the newborn babe! All may be well. Retires and kneels Enter HAMLET HAMLET Now might I do it pat, now he is praying; And now I'll do't. And so he goes to heaven; And so am I revenged. That would be scann'd: A villain kills my father; and for that, I, his sole son, do this same villain send To heaven. O, this is hire and salary, not revenge. He took my father grossly, full of bread; With all his crimes broad blown, as flush as May; And how his audit stands who knows save heaven? But in our circumstance and course of thought, 'Tis heavy with him: and am I then revenged, To take him in the purging of his soul, When he is fit and season'd for his passage? No! Up, sword; and know thou a more horrid hent: When he is drunk asleep, or in his rage, Or in the incestuous pleasure of his bed; At gaming, swearing, or about some act That has no relish of salvation in't; Then trip him, that his heels may kick at heaven, And that his soul may be as damn'd and black As hell, whereto it goes. My mother stays: This physic but prolongs thy sickly days. Exit KING CLAUDIUS Rising My words fly up, my thoughts remain below: Words without thoughts never to heaven go. Exit SCENE IV. The Queen's closet. Enter QUEEN MARGARET and POLONIUS LORD POLONIUS He will come straight. Look you lay home to him: Tell him his pranks have been too broad to bear with, And that your grace hath screen'd and stood between Much heat and him. I'll sconce me even here. Pray you, be round with him. HAMLET Within Mother, mother, mother! QUEEN GERTRUDE I'll warrant you, Fear me not: withdraw, I hear him coming. POLONIUS hides behind the arras Enter HAMLET HAMLET Now, mother, what's the matter? QUEEN GERTRUDE Hamlet, thou hast thy father much offended. HAMLET Mother, you have my father much offended. QUEEN GERTRUDE Come, come, you answer with an idle tongue. HAMLET Go, go, you question with a wicked tongue. QUEEN GERTRUDE Why, how now, Hamlet! HAMLET What's the matter now? QUEEN GERTRUDE Have you forgot me? HAMLET No, by the rood, not so: You are the queen, your husband's brother's wife; And--would it were not so!--you are my mother. QUEEN GERTRUDE Nay, then, I'll set those to you that can speak. HAMLET Come, come, and sit you down; you shall not budge; You go not till I set you up a glass Where you may see the inmost part of you. QUEEN GERTRUDE What wilt thou do? thou wilt not murder me? Help, help, ho! LORD POLONIUS Behind What, ho! help, help, help! HAMLET Drawing How now! a rat? Dead, for a ducat, dead! Makes a pass through the arras LORD POLONIUS Behind O, I am slain! Falls and dies QUEEN GERTRUDE O me, what hast thou done? HAMLET Nay, I know not: Is it the king? QUEEN GERTRUDE O, what a rash and bloody deed is this! HAMLET A bloody deed! almost as bad, good mother, As kill a king, and marry with his brother. QUEEN GERTRUDE As kill a king! HAMLET Ay, lady, 'twas my word. Lifts up the array and discovers POLONIUS Thou wretched, rash, intruding fool, farewell! I took thee for thy better: take thy fortune; Thou find'st to be too busy is some danger. Leave wringing of your hands: peace! sit you down, And let me wring your heart; for so I shall, If it be made of penetrable stuff, If damned custom have not brass'd it so That it is proof and bulwark against sense. QUEEN GERTRUDE What have I done, that thou darest wag thy tongue In noise so rude against me? HAMLET Such an act That blurs the grace and blush of modesty, Calls virtue hypocrite, takes off the rose From the fair forehead of an innocent love And sets a blister there, makes marriage-vows As false as dicers' oaths: O, such a deed As from the body of contraction plucks The very soul, and sweet religion makes A rhapsody of words: heaven's face doth glow: Yea, this solidity and compound mass, With tristful visage, as against the doom, Is thought-sick at the act. QUEEN GERTRUDE Ay me, what act, That roars so loud, and thunders in the index? HAMLET Look here, upon this picture, and on this, The counterfeit presentment of two brothers. See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband. Look you now, what follows: Here is your husband; like a mildew'd ear, Blasting his wholesome brother. Have you eyes? Could you on this fair mountain leave to feed, And batten on this moor? Ha! have you eyes? You cannot call it love; for at your age The hey-day in the blood is tame, it's humble, And waits upon the judgment: and what judgment Would step from this to this? Sense, sure, you have, Else could you not have motion; but sure, that sense Is apoplex'd; for madness would not err, Nor sense to ecstasy was ne'er so thrall'd But it reserved some quantity of choice, To serve in such a difference. What devil was't That thus hath cozen'd you at hoodman-blind? Eyes without feeling, feeling without sight, Ears without hands or eyes, smelling sans all, Or but a sickly part of one true sense Could not so mope. O shame! where is thy blush? Rebellious hell, If thou canst mutine in a matron's bones, To flaming youth let virtue be as wax, And melt in her own fire: proclaim no shame When the compulsive ardour gives the charge, Since frost itself as actively doth burn And reason panders will. QUEEN GERTRUDE O Hamlet, speak no more: Thou turn'st mine eyes into my very soul; And there I see such black and grained spots As will not leave their tinct. HAMLET Nay, but to live In the rank sweat of an enseamed bed, Stew'd in corruption, honeying and making love Over the nasty sty,-- QUEEN GERTRUDE O, speak to me no more; These words, like daggers, enter in mine ears; No more, sweet Hamlet! HAMLET A murderer and a villain; A slave that is not twentieth part the tithe Of your precedent lord; a vice of kings; A cutpurse of the empire and the rule, That from a shelf the precious diadem stole, And put it in his pocket! QUEEN GERTRUDE No more! HAMLET A king of shreds and patches,-- Enter Ghost Save me, and hover o'er me with your wings, You heavenly guards! What would your gracious figure? QUEEN GERTRUDE Alas, he's mad! HAMLET Do you not come your tardy son to chide, That, lapsed in time and passion, lets go by The important acting of your dread command? O, say! Ghost Do not forget: this visitation Is but to whet thy almost blunted purpose. But, look, amazement on thy mother sits: O, step between her and her fighting soul: Conceit in weakest bodies strongest works: Speak to her, Hamlet. HAMLET How is it with you, lady? QUEEN GERTRUDE Alas, how is't with you, That you do bend your eye on vacancy And with the incorporal air do hold discourse? Forth at your eyes your spirits wildly peep; And, as the sleeping soldiers in the alarm, Your bedded hair, like life in excrements, Starts up, and stands on end. O gentle son, Upon the heat and flame of thy distemper Sprinkle cool patience. Whereon do you look? HAMLET On him, on him! Look you, how pale he glares! His form and cause conjoin'd, preaching to stones, Would make them capable. Do not look upon me; Lest with this piteous action you convert My stern effects: then what I have to do Will want true colour; tears perchance for blood. QUEEN GERTRUDE To whom do you speak this? HAMLET Do you see nothing there? QUEEN GERTRUDE Nothing at all; yet all that is I see. HAMLET Nor did you nothing hear? QUEEN GERTRUDE No, nothing but ourselves. HAMLET Why, look you there! look, how it steals away! My father, in his habit as he lived! Look, where he goes, even now, out at the portal! Exit Ghost QUEEN GERTRUDE This the very coinage of your brain: This bodiless creation ecstasy Is very cunning in. HAMLET Ecstasy! My pulse, as yours, doth temperately keep time, And makes as healthful music: it is not madness That I have utter'd: bring me to the test, And I the matter will re-word; which madness Would gambol from. Mother, for love of grace, Lay not that mattering unction to your soul, That not your trespass, but my madness speaks: It will but skin and film the ulcerous place, Whilst rank corruption, mining all within, Infects unseen. Confess yourself to heaven; Repent what's past; avoid what is to come; And do not spread the compost on the weeds, To make them ranker. Forgive me this my virtue; For in the fatness of these pursy times Virtue itself of vice must pardon beg, Yea, curb and woo for leave to do him good. QUEEN GERTRUDE O Hamlet, thou hast cleft my heart in twain. HAMLET O, throw away the worser part of it, And live the purer with the other half. Good night: but go not to mine uncle's bed; Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery, That aptly is put on. Refrain to-night, And that shall lend a kind of easiness To the next abstinence: the next more easy; For use almost can change the stamp of nature, And either ... the devil, or throw him out With wondrous potency. Once more, good night: And when you are desirous to be bless'd, I'll blessing beg of you. For this same lord, Pointing to POLONIUS I do repent: but heaven hath pleased it so, To punish me with this and this with me, That I must be their scourge and minister. I will bestow him, and will answer well The death I gave him. So, again, good night. I must be cruel, only to be kind: Thus bad begins and worse remains behind. One word more, good lady. QUEEN GERTRUDE What shall I do? HAMLET Not this, by no means, that I bid you do: Let the bloat king tempt you again to bed; Pinch wanton on your cheek; call you his mouse; And let him, for a pair of reechy kisses, Or paddling in your neck with his damn'd fingers, Make you to ravel all this matter out, That I essentially am not in madness, But mad in craft. 'Twere good you let him know; For who, that's but a queen, fair, sober, wise, Would from a paddock, from a bat, a gib, Such dear concernings hide? who would do so? No, in despite of sense and secrecy, Unpeg the basket on the house's top. Let the birds fly, and, like the famous ape, To try conclusions, in the basket creep, And break your own neck down. QUEEN GERTRUDE Be thou assured, if words be made of breath, And breath of life, I have no life to breathe What thou hast said to me. HAMLET I must to England; you know that? QUEEN GERTRUDE Alack, I had forgot: 'tis so concluded on. HAMLET There's letters seal'd: and my two schoolfellows, Whom I will trust as I will adders fang'd, They bear the mandate; they must sweep my way, And marshal me to knavery. Let it work; For 'tis the sport to have the engineer Hoist with his own petard: and 't shall go hard But I will delve one yard below their mines, And blow them at the moon: O, 'tis most sweet, When in one line two crafts directly meet. This man shall set me packing: I'll lug the guts into the neighbour room. Mother, good night. Indeed this counsellor Is now most still, most secret and most grave, Who was in life a foolish prating knave. Come, sir, to draw toward an end with you. Good night, mother. Exeunt severally; HAMLET dragging in POLONIUS ACT IV SCENE I. A room in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, and GUILDENSTERN KING CLAUDIUS There's matter in these sighs, these profound heaves: You must translate: 'tis fit we understand them. Where is your son? QUEEN GERTRUDE Bestow this place on us a little while. Exeunt ROSENCRANTZ and GUILDENSTERN Ah, my good lord, what have I seen to-night! KING CLAUDIUS What, Gertrude? How does Hamlet? QUEEN GERTRUDE Mad as the sea and wind, when both contend Which is the mightier: in his lawless fit, Behind the arras hearing something stir, Whips out his rapier, cries, 'A rat, a rat!' And, in this brainish apprehension, kills The unseen good old man. KING CLAUDIUS O heavy deed! It had been so with us, had we been there: His liberty is full of threats to all; To you yourself, to us, to every one. Alas, how shall this bloody deed be answer'd? It will be laid to us, whose providence Should have kept short, restrain'd and out of haunt, This mad young man: but so much was our love, We would not understand what was most fit; But, like the owner of a foul disease, To keep it from divulging, let it feed Even on the pith of Life. Where is he gone? QUEEN GERTRUDE To draw apart the body he hath kill'd: O'er whom his very madness, like some ore Among a mineral of metals base, Shows itself pure; he weeps for what is done. KING CLAUDIUS O Gertrude, come away! The sun no sooner shall the mountains touch, But we will ship him hence: and this vile deed We must, with all our majesty and skill, Both countenance and excuse. Ho, Guildenstern! Re-enter ROSENCRANTZ and GUILDENSTERN Friends both, go join you with some further aid: Hamlet in madness hath Polonius slain, And from his mother's closet hath he dragg'd him: Go seek him out; speak fair, and bring the body Into the chapel. I pray you, haste in this. Exeunt ROSENCRANTZ and GUILDENSTERN Come, Gertrude, we'll call up our wisest friends; And let them know, both what we mean to do, And what's untimely done... Whose whisper o'er the world's diameter, As level as the cannon to his blank, Transports his poison'd shot, may miss our name, And hit the woundless air. O, come away! My soul is full of discord and dismay. Exeunt SCENE II. Another room in the castle. Enter HAMLET HAMLET Safely stowed. ROSENCRANTZ GUILDENSTERN Within Hamlet! Lord Hamlet! HAMLET What noise? who calls on Hamlet? O, here they come. Enter ROSENCRANTZ and GUILDENSTERN ROSENCRANTZ What have you done, my lord, with the dead body? HAMLET Compounded it with dust, whereto 'tis kin. ROSENCRANTZ Tell us where 'tis, that we may take it thence And bear it to the chapel. HAMLET Do not believe it. ROSENCRANTZ Believe what? HAMLET That I can keep your counsel and not mine own. Besides, to be demanded of a sponge! what replication should be made by the son of a king? ROSENCRANTZ Take you me for a sponge, my lord? HAMLET Ay, sir, that soaks up the king's countenance, his rewards, his authorities. But such officers do the king best service in the end: he keeps them, like an ape, in the corner of his jaw; first mouthed, to be last swallowed: when he needs what you have gleaned, it is but squeezing you, and, sponge, you shall be dry again. ROSENCRANTZ I understand you not, my lord. HAMLET I am glad of it: a knavish speech sleeps in a foolish ear. ROSENCRANTZ My lord, you must tell us where the body is, and go with us to the king. HAMLET The body is with the king, but the king is not with the body. The king is a thing-- GUILDENSTERN A thing, my lord! HAMLET Of nothing: bring me to him. Hide fox, and all after. Exeunt SCENE III. Another room in the castle. Enter KING CLAUDIUS, attended KING CLAUDIUS I have sent to seek him, and to find the body. How dangerous is it that this man goes loose! Yet must not we put the strong law on him: He's loved of the distracted multitude, Who like not in their judgment, but their eyes; And where tis so, the offender's scourge is weigh'd, But never the offence. To bear all smooth and even, This sudden sending him away must seem Deliberate pause: diseases desperate grown By desperate appliance are relieved, Or not at all. Enter ROSENCRANTZ How now! what hath befall'n? ROSENCRANTZ Where the dead body is bestow'd, my lord, We cannot get from him. KING CLAUDIUS But where is he? ROSENCRANTZ Without, my lord; guarded, to know your pleasure. KING CLAUDIUS Bring him before us. ROSENCRANTZ Ho, Guildenstern! bring in my lord. Enter HAMLET and GUILDENSTERN KING CLAUDIUS Now, Hamlet, where's Polonius? HAMLET At supper. KING CLAUDIUS At supper! where? HAMLET Not where he eats, but where he is eaten: a certain convocation of politic worms are e'en at him. Your worm is your only emperor for diet: we fat all creatures else to fat us, and we fat ourselves for maggots: your fat king and your lean beggar is but variable service, two dishes, but to one table: that's the end. KING CLAUDIUS Alas, alas! HAMLET A man may fish with the worm that hath eat of a king, and cat of the fish that hath fed of that worm. KING CLAUDIUS What dost you mean by this? HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar. KING CLAUDIUS Where is Polonius? HAMLET In heaven; send hither to see: if your messenger find him not there, seek him i' the other place yourself. But indeed, if you find him not within this month, you shall nose him as you go up the stairs into the lobby. KING CLAUDIUS Go seek him there. To some Attendants HAMLET He will stay till ye come. Exeunt Attendants KING CLAUDIUS Hamlet, this deed, for thine especial safety,-- Which we do tender, as we dearly grieve For that which thou hast done,--must send thee hence With fiery quickness: therefore prepare thyself; The bark is ready, and the wind at help, The associates tend, and every thing is bent For England. HAMLET For England! KING CLAUDIUS Ay, Hamlet. HAMLET Good. KING CLAUDIUS So is it, if thou knew'st our purposes. HAMLET I see a cherub that sees them. But, come; for England! Farewell, dear mother. KING CLAUDIUS Thy loving father, Hamlet. HAMLET My mother: father and mother is man and wife; man and wife is one flesh; and so, my mother. Come, for England! Exit KING CLAUDIUS Follow him at foot; tempt him with speed aboard; Delay it not; I'll have him hence to-night: Away! for every thing is seal'd and done That else leans on the affair: pray you, make haste. Exeunt ROSENCRANTZ and GUILDENSTERN And, England, if my love thou hold'st at aught-- As my great power thereof may give thee sense, Since yet thy cicatrice looks raw and red After the Danish sword, and thy free awe Pays homage to us--thou mayst not coldly set Our sovereign process; which imports at full, By letters congruing to that effect, The present death of Hamlet. Do it, England; For like the hectic in my blood he rages, And thou must cure me: till I know 'tis done, Howe'er my haps, my joys were ne'er begun. Exit SCENE IV. A plain in Denmark. Enter FORTINBRAS, a Captain, and Soldiers, marching PRINCE FORTINBRAS Go, captain, from me greet the Danish king; Tell him that, by his licence, Fortinbras Craves the conveyance of a promised march Over his kingdom. You know the rendezvous. If that his majesty would aught with us, We shall express our duty in his eye; And let him know so. Captain I will do't, my lord. PRINCE FORTINBRAS Go softly on. Exeunt FORTINBRAS and Soldiers Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others HAMLET Good sir, whose powers are these? Captain They are of Norway, sir. HAMLET How purposed, sir, I pray you? Captain Against some part of Poland. HAMLET Who commands them, sir? Captain The nephews to old Norway, Fortinbras. HAMLET Goes it against the main of Poland, sir, Or for some frontier? Captain Truly to speak, and with no addition, We go to gain a little patch of ground That hath in it no profit but the name. To pay five ducats, five, I would not farm it; Nor will it yield to Norway or the Pole A ranker rate, should it be sold in fee. HAMLET Why, then the Polack never will defend it. Captain Yes, it is already garrison'd. HAMLET Two thousand souls and twenty thousand ducats Will not debate the question of this straw: This is the imposthume of much wealth and peace, That inward breaks, and shows no cause without Why the man dies. I humbly thank you, sir. Captain God be wi' you, sir. Exit ROSENCRANTZ Wilt please you go, my lord? HAMLET I'll be with you straight go a little before. Exeunt all except HAMLET How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure, he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unused. Now, whether it be Bestial oblivion, or some craven scruple Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say 'This thing's to do;' Sith I have cause and will and strength and means To do't. Examples gross as earth exhort me: Witness this army of such mass and charge Led by a delicate and tender prince, Whose spirit with divine ambition puff'd Makes mouths at the invisible event, Exposing what is mortal and unsure To all that fortune, death and danger dare, Even for an egg-shell. Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honour's at the stake. How stand I then, That have a father kill'd, a mother stain'd, Excitements of my reason and my blood, And let all sleep? while, to my shame, I see The imminent death of twenty thousand men, That, for a fantasy and trick of fame, Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? O, from this time forth, My thoughts be bloody, or be nothing worth! Exit SCENE V. Elsinore. A room in the castle. Enter QUEEN GERTRUDE, HORATIO, and a Gentleman QUEEN GERTRUDE I will not speak with her. Gentleman She is importunate, indeed distract: Her mood will needs be pitied. QUEEN GERTRUDE What would she have? Gentleman She speaks much of her father; says she hears There's tricks i' the world; and hems, and beats her heart; Spurns enviously at straws; speaks things in doubt, That carry but half sense: her speech is nothing, Yet the unshaped use of it doth move The hearers to collection; they aim at it, And botch the words up fit to their own thoughts; Which, as her winks, and nods, and gestures yield them, Indeed would make one think there might be thought, Though nothing sure, yet much unhappily. HORATIO 'Twere good she were spoken with; for she may strew Dangerous conjectures in ill-breeding minds. QUEEN GERTRUDE Let her come in. Exit HORATIO To my sick soul, as sin's true nature is, Each toy seems prologue to some great amiss: So full of artless jealousy is guilt, It spills itself in fearing to be spilt. Re-enter HORATIO, with OPHELIA OPHELIA Where is the beauteous majesty of Denmark? QUEEN GERTRUDE How now, Ophelia! OPHELIA Sings How should I your true love know From another one? By his cockle hat and staff, And his sandal shoon. QUEEN GERTRUDE Alas, sweet lady, what imports this song? OPHELIA Say you? nay, pray you, mark. Sings He is dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone. QUEEN GERTRUDE Nay, but, Ophelia,-- OPHELIA Pray you, mark. Sings White his shroud as the mountain snow,-- Enter KING CLAUDIUS QUEEN GERTRUDE Alas, look here, my lord. OPHELIA Sings Larded with sweet flowers Which bewept to the grave did go With true-love showers. KING CLAUDIUS How do you, pretty lady? OPHELIA Well, God 'ild you! They say the owl was a baker's daughter. Lord, we know what we are, but know not what we may be. God be at your table! KING CLAUDIUS Conceit upon her father. OPHELIA Pray you, let's have no words of this; but when they ask you what it means, say you this: Sings To-morrow is Saint Valentine's day, All in the morning betime, And I a maid at your window, To be your Valentine. Then up he rose, and donn'd his clothes, And dupp'd the chamber-door; Let in the maid, that out a maid Never departed more. KING CLAUDIUS Pretty Ophelia! OPHELIA Indeed, la, without an oath, I'll make an end on't: Sings By Gis and by Saint Charity, Alack, and fie for shame! Young men will do't, if they come to't; By cock, they are to blame. Quoth she, before you tumbled me, You promised me to wed. So would I ha' done, by yonder sun, An thou hadst not come to my bed. KING CLAUDIUS How long hath she been thus? OPHELIA I hope all will be well. We must be patient: but I cannot choose but weep, to think they should lay him i' the cold ground. My brother shall know of it: and so I thank you for your good counsel. Come, my coach! Good night, ladies; good night, sweet ladies; good night, good night. Exit KING CLAUDIUS Follow her close; give her good watch, I pray you. Exit HORATIO O, this is the poison of deep grief; it springs All from her father's death. O Gertrude, Gertrude, When sorrows come, they come not single spies But in battalions. First, her father slain: Next, your son gone; and he most violent author Of his own just remove: the people muddied, Thick and unwholesome in their thoughts and whispers, For good Polonius' death; and we have done but greenly, In hugger-mugger to inter him: poor Ophelia Divided from herself and her fair judgment, Without the which we are pictures, or mere beasts: Last, and as much containing as all these, Her brother is in secret come from France; Feeds on his wonder, keeps himself in clouds, And wants not buzzers to infect his ear With pestilent speeches of his father's death; Wherein necessity, of matter beggar'd, Will nothing stick our person to arraign In ear and ear. O my dear Gertrude, this, Like to a murdering-piece, in many places Gives me superfluous death. A noise within QUEEN GERTRUDE Alack, what noise is this? KING CLAUDIUS Where are my Switzers? Let them guard the door. Enter another Gentleman What is the matter? Gentleman Save yourself, my lord: The ocean, overpeering of his list, Eats not the flats with more impetuous haste Than young Laertes, in a riotous head, O'erbears your officers. The rabble call him lord; And, as the world were now but to begin, Antiquity forgot, custom not known, The ratifiers and props of every word, They cry 'Choose we: Laertes shall be king:' Caps, hands, and tongues, applaud it to the clouds: 'Laertes shall be king, Laertes king!' QUEEN GERTRUDE How cheerfully on the false trail they cry! O, this is counter, you false Danish dogs! KING CLAUDIUS The doors are broke. Noise within Enter LAERTES, armed; Danes following LAERTES Where is this king? Sirs, stand you all without. Danes No, let's come in. LAERTES I pray you, give me leave. Danes We will, we will. They retire without the door LAERTES I thank you: keep the door. O thou vile king, Give me my father! QUEEN GERTRUDE Calmly, good Laertes. LAERTES That drop of blood that's calm proclaims me bastard, Cries cuckold to my father, brands the harlot Even here, between the chaste unsmirched brow Of my true mother. KING CLAUDIUS What is the cause, Laertes, That thy rebellion looks so giant-like? Let him go, Gertrude; do not fear our person: There's such divinity doth hedge a king, That treason can but peep to what it would, Acts little of his will. Tell me, Laertes, Why thou art thus incensed. Let him go, Gertrude. Speak, man. LAERTES Where is my father? KING CLAUDIUS Dead. QUEEN GERTRUDE But not by him. KING CLAUDIUS Let him demand his fill. LAERTES How came he dead? I'll not be juggled with: To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, That both the worlds I give to negligence, Let come what comes; only I'll be revenged Most thoroughly for my father. KING CLAUDIUS Who shall stay you? LAERTES My will, not all the world: And for my means, I'll husband them so well, They shall go far with little. KING CLAUDIUS Good Laertes, If you desire to know the certainty Of your dear father's death, is't writ in your revenge, That, swoopstake, you will draw both friend and foe, Winner and loser? LAERTES None but his enemies. KING CLAUDIUS Will you know them then? LAERTES To his good friends thus wide I'll ope my arms; And like the kind life-rendering pelican, Repast them with my blood. KING CLAUDIUS Why, now you speak Like a good child and a true gentleman. That I am guiltless of your father's death, And am most sensible in grief for it, It shall as level to your judgment pierce As day does to your eye. Danes Within Let her come in. LAERTES How now! what noise is that? Re-enter OPHELIA O heat, dry up my brains! tears seven times salt, Burn out the sense and virtue of mine eye! By heaven, thy madness shall be paid by weight, Till our scale turn the beam. O rose of May! Dear maid, kind sister, sweet Ophelia! O heavens! is't possible, a young maid's wits Should be as moral as an old man's life? Nature is fine in love, and where 'tis fine, It sends some precious instance of itself After the thing it loves. OPHELIA Sings They bore him barefaced on the bier; Hey non nonny, nonny, hey nonny; And in his grave rain'd many a tear:-- Fare you well, my dove! LAERTES Hadst thou thy wits, and didst persuade revenge, It could not move thus. OPHELIA Sings You must sing a-down a-down, An you call him a-down-a. O, how the wheel becomes it! It is the false steward, that stole his master's daughter. LAERTES This nothing's more than matter. OPHELIA There's rosemary, that's for remembrance; pray, love, remember: and there is pansies. that's for thoughts. LAERTES A document in madness, thoughts and remembrance fitted. OPHELIA There's fennel for you, and columbines: there's rue for you; and here's some for me: we may call it herb-grace o' Sundays: O you must wear your rue with a difference. There's a daisy: I would give you some violets, but they withered all when my father died: they say he made a good end,-- Sings For bonny sweet Robin is all my joy. LAERTES Thought and affliction, passion, hell itself, She turns to favour and to prettiness. OPHELIA Sings And will he not come again? And will he not come again? No, no, he is dead: Go to thy death-bed: He never will come again. His beard was as white as snow, All flaxen was his poll: He is gone, he is gone, And we cast away moan: God ha' mercy on his soul! And of all Christian souls, I pray God. God be wi' ye. Exit LAERTES Do you see this, O God? KING CLAUDIUS Laertes, I must commune with your grief, Or you deny me right. Go but apart, Make choice of whom your wisest friends you will. And they shall hear and judge 'twixt you and me: If by direct or by collateral hand They find us touch'd, we will our kingdom give, Our crown, our life, and all that we can ours, To you in satisfaction; but if not, Be you content to lend your patience to us, And we shall jointly labour with your soul To give it due content. LAERTES Let this be so; His means of death, his obscure funeral-- No trophy, sword, nor hatchment o'er his bones, No noble rite nor formal ostentation-- Cry to be heard, as 'twere from heaven to earth, That I must call't in question. KING CLAUDIUS So you shall; And where the offence is let the great axe fall. I pray you, go with me. Exeunt SCENE VI. Another room in the castle. Enter HORATIO and a Servant HORATIO What are they that would speak with me? Servant Sailors, sir: they say they have letters for you. HORATIO Let them come in. Exit Servant I do not know from what part of the world I should be greeted, if not from Lord Hamlet. Enter Sailors First Sailor God bless you, sir. HORATIO Let him bless thee too. First Sailor He shall, sir, an't please him. There's a letter for you, sir; it comes from the ambassador that was bound for England; if your name be Horatio, as I am let to know it is. HORATIO Reads 'Horatio, when thou shalt have overlooked this, give these fellows some means to the king: they have letters for him. Ere we were two days old at sea, a pirate of very warlike appointment gave us chase. Finding ourselves too slow of sail, we put on a compelled valour, and in the grapple I boarded them: on the instant they got clear of our ship; so I alone became their prisoner. They have dealt with me like thieves of mercy: but they knew what they did; I am to do a good turn for them. Let the king have the letters I have sent; and repair thou to me with as much speed as thou wouldst fly death. I have words to speak in thine ear will make thee dumb; yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England: of them I have much to tell thee. Farewell. 'He that thou knowest thine, HAMLET.' Come, I will make you way for these your letters; And do't the speedier, that you may direct me To him from whom you brought them. Exeunt SCENE VII. Another room in the castle. Enter KING CLAUDIUS and LAERTES KING CLAUDIUS Now must your conscience my acquaintance seal, And you must put me in your heart for friend, Sith you have heard, and with a knowing ear, That he which hath your noble father slain Pursued my life. LAERTES It well appears: but tell me Why you proceeded not against these feats, So crimeful and so capital in nature, As by your safety, wisdom, all things else, You mainly were stirr'd up. KING CLAUDIUS O, for two special reasons; Which may to you, perhaps, seem much unsinew'd, But yet to me they are strong. The queen his mother Lives almost by his looks; and for myself-- My virtue or my plague, be it either which-- She's so conjunctive to my life and soul, That, as the star moves not but in his sphere, I could not but by her. The other motive, Why to a public count I might not go, Is the great love the general gender bear him; Who, dipping all his faults in their affection, Would, like the spring that turneth wood to stone, Convert his gyves to graces; so that my arrows, Too slightly timber'd for so loud a wind, Would have reverted to my bow again, And not where I had aim'd them. LAERTES And so have I a noble father lost; A sister driven into desperate terms, Whose worth, if praises may go back again, Stood challenger on mount of all the age For her perfections: but my revenge will come. KING CLAUDIUS Break not your sleeps for that: you must not think That we are made of stuff so flat and dull That we can let our beard be shook with danger And think it pastime. You shortly shall hear more: I loved your father, and we love ourself; And that, I hope, will teach you to imagine-- Enter a Messenger How now! what news? Messenger Letters, my lord, from Hamlet: This to your majesty; this to the queen. KING CLAUDIUS From Hamlet! who brought them? Messenger Sailors, my lord, they say; I saw them not: They were given me by Claudio; he received them Of him that brought them. KING CLAUDIUS Laertes, you shall hear them. Leave us. Exit Messenger Reads 'High and mighty, You shall know I am set naked on your kingdom. To-morrow shall I beg leave to see your kingly eyes: when I shall, first asking your pardon thereunto, recount the occasion of my sudden and more strange return. 'HAMLET.' What should this mean? Are all the rest come back? Or is it some abuse, and no such thing? LAERTES Know you the hand? KING CLAUDIUS 'Tis Hamlets character. 'Naked! And in a postscript here, he says 'alone.' Can you advise me? LAERTES I'm lost in it, my lord. But let him come; It warms the very sickness in my heart, That I shall live and tell him to his teeth, 'Thus didest thou.' KING CLAUDIUS If it be so, Laertes-- As how should it be so? how otherwise?-- Will you be ruled by me? LAERTES Ay, my lord; So you will not o'errule me to a peace. KING CLAUDIUS To thine own peace. If he be now return'd, As checking at his voyage, and that he means No more to undertake it, I will work him To an exploit, now ripe in my device, Under the which he shall not choose but fall: And for his death no wind of blame shall breathe, But even his mother shall uncharge the practise And call it accident. LAERTES My lord, I will be ruled; The rather, if you could devise it so That I might be the organ. KING CLAUDIUS It falls right. You have been talk'd of since your travel much, And that in Hamlet's hearing, for a quality Wherein, they say, you shine: your sum of parts Did not together pluck such envy from him As did that one, and that, in my regard, Of the unworthiest siege. LAERTES What part is that, my lord? KING CLAUDIUS A very riband in the cap of youth, Yet needful too; for youth no less becomes The light and careless livery that it wears Than settled age his sables and his weeds, Importing health and graveness. Two months since, Here was a gentleman of Normandy:-- I've seen myself, and served against, the French, And they can well on horseback: but this gallant Had witchcraft in't; he grew unto his seat; And to such wondrous doing brought his horse, As he had been incorpsed and demi-natured With the brave beast: so far he topp'd my thought, That I, in forgery of shapes and tricks, Come short of what he did. LAERTES A Norman was't? KING CLAUDIUS A Norman. LAERTES Upon my life, Lamond. KING CLAUDIUS The very same. LAERTES I know him well: he is the brooch indeed And gem of all the nation. KING CLAUDIUS He made confession of you, And gave you such a masterly report For art and exercise in your defence And for your rapier most especially, That he cried out, 'twould be a sight indeed, If one could match you: the scrimers of their nation, He swore, had had neither motion, guard, nor eye, If you opposed them. Sir, this report of his Did Hamlet so envenom with his envy That he could nothing do but wish and beg Your sudden coming o'er, to play with him. Now, out of this,-- LAERTES What out of this, my lord? KING CLAUDIUS Laertes, was your father dear to you? Or are you like the painting of a sorrow, A face without a heart? LAERTES Why ask you this? KING CLAUDIUS Not that I think you did not love your father; But that I know love is begun by time; And that I see, in passages of proof, Time qualifies the spark and fire of it. There lives within the very flame of love A kind of wick or snuff that will abate it; And nothing is at a like goodness still; For goodness, growing to a plurisy, Dies in his own too much: that we would do We should do when we would; for this 'would' changes And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing. But, to the quick o' the ulcer:-- Hamlet comes back: what would you undertake, To show yourself your father's son in deed More than in words? LAERTES To cut his throat i' the church. KING CLAUDIUS No place, indeed, should murder sanctuarize; Revenge should have no bounds. But, good Laertes, Will you do this, keep close within your chamber. Hamlet return'd shall know you are come home: We'll put on those shall praise your excellence And set a double varnish on the fame The Frenchman gave you, bring you in fine together And wager on your heads: he, being remiss, Most generous and free from all contriving, Will not peruse the foils; so that, with ease, Or with a little shuffling, you may choose A sword unbated, and in a pass of practise Requite him for your father. LAERTES I will do't: And, for that purpose, I'll anoint my sword. I bought an unction of a mountebank, So mortal that, but dip a knife in it, Where it draws blood no cataplasm so rare, Collected from all simples that have virtue Under the moon, can save the thing from death That is but scratch'd withal: I'll touch my point With this contagion, that, if I gall him slightly, It may be death. KING CLAUDIUS Let's further think of this; Weigh what convenience both of time and means May fit us to our shape: if this should fail, And that our drift look through our bad performance, 'Twere better not assay'd: therefore this project Should have a back or second, that might hold, If this should blast in proof. Soft! let me see: We'll make a solemn wager on your cunnings: I ha't. When in your motion you are hot and dry-- As make your bouts more violent to that end-- And that he calls for drink, I'll have prepared him A chalice for the nonce, whereon but sipping, If he by chance escape your venom'd stuck, Our purpose may hold there. Enter QUEEN GERTRUDE How now, sweet queen! QUEEN GERTRUDE One woe doth tread upon another's heel, So fast they follow; your sister's drown'd, Laertes. LAERTES Drown'd! O, where? QUEEN GERTRUDE There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream; There with fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them: There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide; And, mermaid-like, awhile they bore her up: Which time she chanted snatches of old tunes; As one incapable of her own distress, Or like a creature native and indued Unto that element: but long it could not be Till that her garments, heavy with their drink, Pull'd the poor wretch from her melodious lay To muddy death. LAERTES Alas, then, she is drown'd? QUEEN GERTRUDE Drown'd, drown'd. LAERTES Too much of water hast thou, poor Ophelia, And therefore I forbid my tears: but yet It is our trick; nature her custom holds, Let shame say what it will: when these are gone, The woman will be out. Adieu, my lord: I have a speech of fire, that fain would blaze, But that this folly douts it. Exit KING CLAUDIUS Let's follow, Gertrude: How much I had to do to calm his rage! Now fear I this will give it start again; Therefore let's follow. Exeunt ACT V SCENE I. A churchyard. Enter two Clowns, with spades, &c First Clown Is she to be buried in Christian burial that wilfully seeks her own salvation? Second Clown I tell thee she is: and therefore make her grave straight: the crowner hath sat on her, and finds it Christian burial. First Clown How can that be, unless she drowned herself in her own defence? Second Clown Why, 'tis found so. First Clown It must be 'se offendendo;' it cannot be else. For here lies the point: if I drown myself wittingly, it argues an act: and an act hath three branches: it is, to act, to do, to perform: argal, she drowned herself wittingly. Second Clown Nay, but hear you, goodman delver,-- First Clown Give me leave. Here lies the water; good: here stands the man; good; if the man go to this water, and drown himself, it is, will he, nill he, he goes,--mark you that; but if the water come to him and drown him, he drowns not himself: argal, he that is not guilty of his own death shortens not his own life. Second Clown But is this law? First Clown Ay, marry, is't; crowner's quest law. Second Clown Will you ha' the truth on't? If this had not been a gentlewoman, she should have been buried out o' Christian burial. First Clown Why, there thou say'st: and the more pity that great folk should have countenance in this world to drown or hang themselves, more than their even Christian. Come, my spade. There is no ancient gentleman but gardeners, ditchers, and grave-makers: they hold up Adam's profession. Second Clown Was he a gentleman? First Clown He was the first that ever bore arms. Second Clown Why, he had none. First Clown What, art a heathen? How dost thou understand the Scripture? The Scripture says 'Adam digged:' could he dig without arms? I'll put another question to thee: if thou answerest me not to the purpose, confess thyself-- Second Clown Go to. First Clown What is he that builds stronger than either the mason, the shipwright, or the carpenter? Second Clown The gallows-maker; for that frame outlives a thousand tenants. First Clown I like thy wit well, in good faith: the gallows does well; but how does it well? it does well to those that do in: now thou dost ill to say the gallows is built stronger than the church: argal, the gallows may do well to thee. To't again, come. Second Clown 'Who builds stronger than a mason, a shipwright, or a carpenter?' First Clown Ay, tell me that, and unyoke. Second Clown Marry, now I can tell. First Clown To't. Second Clown Mass, I cannot tell. Enter HAMLET and HORATIO, at a distance First Clown Cudgel thy brains no more about it, for your dull ass will not mend his pace with beating; and, when you are asked this question next, say 'a grave-maker: 'the houses that he makes last till doomsday. Go, get thee to Yaughan: fetch me a stoup of liquor. Exit Second Clown He digs and sings In youth, when I did love, did love, Methought it was very sweet, To contract, O, the time, for, ah, my behove, O, methought, there was nothing meet. HAMLET Has this fellow no feeling of his business, that he sings at grave-making? HORATIO Custom hath made it in him a property of easiness. HAMLET 'Tis e'en so: the hand of little employment hath the daintier sense. First Clown Sings But age, with his stealing steps, Hath claw'd me in his clutch, And hath shipped me intil the land, As if I had never been such. Throws up a skull HAMLET That skull had a tongue in it, and could sing once: how the knave jowls it to the ground, as if it were Cain's jaw-bone, that did the first murder! It might be the pate of a politician, which this ass now o'er-reaches; one that would circumvent God, might it not? HORATIO It might, my lord. HAMLET Or of a courtier; which could say 'Good morrow, sweet lord! How dost thou, good lord?' This might be my lord such-a-one, that praised my lord such-a-one's horse, when he meant to beg it; might it not? HORATIO Ay, my lord. HAMLET Why, e'en so: and now my Lady Worm's; chapless, and knocked about the mazzard with a sexton's spade: here's fine revolution, an we had the trick to see't. Did these bones cost no more the breeding, but to play at loggats with 'em? mine ache to think on't. First Clown Sings A pick-axe, and a spade, a spade, For and a shrouding sheet: O, a pit of clay for to be made For such a guest is meet. Throws up another skull HAMLET There's another: why may not that be the skull of a lawyer? Where be his quiddities now, his quillets, his cases, his tenures, and his tricks? why does he suffer this rude knave now to knock him about the sconce with a dirty shovel, and will not tell him of his action of battery? Hum! This fellow might be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries: is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? will his vouchers vouch him no more of his purchases, and double ones too, than the length and breadth of a pair of indentures? The very conveyances of his lands will hardly lie in this box; and must the inheritor himself have no more, ha? HORATIO Not a jot more, my lord. HAMLET Is not parchment made of sheepskins? HORATIO Ay, my lord, and of calf-skins too. HAMLET They are sheep and calves which seek out assurance in that. I will speak to this fellow. Whose grave's this, sirrah? First Clown Mine, sir. Sings O, a pit of clay for to be made For such a guest is meet. HAMLET I think it be thine, indeed; for thou liest in't. First Clown You lie out on't, sir, and therefore it is not yours: for my part, I do not lie in't, and yet it is mine. HAMLET 'Thou dost lie in't, to be in't and say it is thine: 'tis for the dead, not for the quick; therefore thou liest. First Clown 'Tis a quick lie, sir; 'twill away gain, from me to you. HAMLET What man dost thou dig it for? First Clown For no man, sir. HAMLET What woman, then? First Clown For none, neither. HAMLET Who is to be buried in't? First Clown One that was a woman, sir; but, rest her soul, she's dead. HAMLET How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken a note of it; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he gaffs his kibe. How long hast thou been a grave-maker? First Clown Of all the days i' the year, I came to't that day that our last king Hamlet overcame Fortinbras. HAMLET How long is that since? First Clown Cannot you tell that? every fool can tell that: it was the very day that young Hamlet was born; he that is mad, and sent into England. HAMLET Ay, marry, why was he sent into England? First Clown Why, because he was mad: he shall recover his wits there; or, if he do not, it's no great matter there. HAMLET Why? First Clown 'Twill, a not be seen in him there; there the men are as mad as he. HAMLET How came he mad? First Clown Very strangely, they say. HAMLET How strangely? First Clown Faith, e'en with losing his wits. HAMLET Upon what ground? First Clown Why, here in Denmark: I have been sexton here, man and boy, thirty years. HAMLET How long will a man lie i' the earth ere he rot? First Clown I' faith, if he be not rotten before he die--as we have many pocky corses now-a-days, that will scarce hold the laying in--he will last you some eight year or nine year: a tanner will last you nine year. HAMLET Why he more than another? First Clown Why, sir, his hide is so tanned with his trade, that he will keep out water a great while; and your water is a sore decayer of your whoreson dead body. Here's a skull now; this skull has lain in the earth three and twenty years. HAMLET Whose was it? First Clown A whoreson mad fellow's it was: whose do you think it was? HAMLET Nay, I know not. First Clown A pestilence on him for a mad rogue! a' poured a flagon of Rhenish on my head once. This same skull, sir, was Yorick's skull, the king's jester. HAMLET This? First Clown E'en that. HAMLET Let me see. Takes the skull Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. Prithee, Horatio, tell me one thing. HORATIO What's that, my lord? HAMLET Dost thou think Alexander looked o' this fashion i' the earth? HORATIO E'en so. HAMLET And smelt so? pah! Puts down the skull HORATIO E'en so, my lord. HAMLET To what base uses we may return, Horatio! Why may not imagination trace the noble dust of Alexander, till he find it stopping a bung-hole? HORATIO 'Twere to consider too curiously, to consider so. HAMLET No, faith, not a jot; but to follow him thither with modesty enough, and likelihood to lead it: as thus: Alexander died, Alexander was buried, Alexander returneth into dust; the dust is earth; of earth we make loam; and why of that loam, whereto he was converted, might they not stop a beer-barrel? Imperious Caesar, dead and turn'd to clay, Might stop a hole to keep the wind away: O, that that earth, which kept the world in awe, Should patch a wall to expel the winter flaw! But soft! but soft! aside: here comes the king. Enter Priest, &c. in procession; the Corpse of OPHELIA, LAERTES and Mourners following; KING CLAUDIUS, QUEEN GERTRUDE, their trains, &c The queen, the courtiers: who is this they follow? And with such maimed rites? This doth betoken The corse they follow did with desperate hand Fordo its own life: 'twas of some estate. Couch we awhile, and mark. Retiring with HORATIO LAERTES What ceremony else? HAMLET That is Laertes, A very noble youth: mark. LAERTES What ceremony else? First Priest Her obsequies have been as far enlarged As we have warrantise: her death was doubtful; And, but that great command o'ersways the order, She should in ground unsanctified have lodged Till the last trumpet: for charitable prayers, Shards, flints and pebbles should be thrown on her; Yet here she is allow'd her virgin crants, Her maiden strewments and the bringing home Of bell and burial. LAERTES Must there no more be done? First Priest No more be done: We should profane the service of the dead To sing a requiem and such rest to her As to peace-parted souls. LAERTES Lay her i' the earth: And from her fair and unpolluted flesh May violets spring! I tell thee, churlish priest, A ministering angel shall my sister be, When thou liest howling. HAMLET What, the fair Ophelia! QUEEN GERTRUDE Sweets to the sweet: farewell! Scattering flowers I hoped thou shouldst have been my Hamlet's wife; I thought thy bride-bed to have deck'd, sweet maid, And not have strew'd thy grave. LAERTES O, treble woe Fall ten times treble on that cursed head, Whose wicked deed thy most ingenious sense Deprived thee of! Hold off the earth awhile, Till I have caught her once more in mine arms: Leaps into the grave Now pile your dust upon the quick and dead, Till of this flat a mountain you have made, To o'ertop old Pelion, or the skyish head Of blue Olympus. HAMLET Advancing What is he whose grief Bears such an emphasis? whose phrase of sorrow Conjures the wandering stars, and makes them stand Like wonder-wounded hearers? This is I, Hamlet the Dane. Leaps into the grave LAERTES The devil take thy soul! Grappling with him HAMLET Thou pray'st not well. I prithee, take thy fingers from my throat; For, though I am not splenitive and rash, Yet have I something in me dangerous, Which let thy wiseness fear: hold off thy hand. KING CLAUDIUS Pluck them asunder. QUEEN GERTRUDE Hamlet, Hamlet! All Gentlemen,-- HORATIO Good my lord, be quiet. The Attendants part them, and they come out of the grave HAMLET Why I will fight with him upon this theme Until my eyelids will no longer wag. QUEEN GERTRUDE O my son, what theme? HAMLET I loved Ophelia: forty thousand brothers Could not, with all their quantity of love, Make up my sum. What wilt thou do for her? KING CLAUDIUS O, he is mad, Laertes. QUEEN GERTRUDE For love of God, forbear him. HAMLET 'Swounds, show me what thou'lt do: Woo't weep? woo't fight? woo't fast? woo't tear thyself? Woo't drink up eisel? eat a crocodile? I'll do't. Dost thou come here to whine? To outface me with leaping in her grave? Be buried quick with her, and so will I: And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart! Nay, an thou'lt mouth, I'll rant as well as thou. QUEEN GERTRUDE This is mere madness: And thus awhile the fit will work on him; Anon, as patient as the female dove, When that her golden couplets are disclosed, His silence will sit drooping. HAMLET Hear you, sir; What is the reason that you use me thus? I loved you ever: but it is no matter; Let Hercules himself do what he may, The cat will mew and dog will have his day. Exit KING CLAUDIUS I pray you, good Horatio, wait upon him. Exit HORATIO To LAERTES Strengthen your patience in our last night's speech; We'll put the matter to the present push. Good Gertrude, set some watch over your son. This grave shall have a living monument: An hour of quiet shortly shall we see; Till then, in patience our proceeding be. Exeunt SCENE II. A hall in the castle. Enter HAMLET and HORATIO HAMLET So much for this, sir: now shall you see the other; You do remember all the circumstance? HORATIO Remember it, my lord? HAMLET Sir, in my heart there was a kind of fighting, That would not let me sleep: methought I lay Worse than the mutines in the bilboes. Rashly, And praised be rashness for it, let us know, Our indiscretion sometimes serves us well, When our deep plots do pall: and that should teach us There's a divinity that shapes our ends, Rough-hew them how we will,-- HORATIO That is most certain. HAMLET Up from my cabin, My sea-gown scarf'd about me, in the dark Groped I to find out them; had my desire. Finger'd their packet, and in fine withdrew To mine own room again; making so bold, My fears forgetting manners, to unseal Their grand commission; where I found, Horatio,-- O royal knavery!--an exact command, Larded with many several sorts of reasons Importing Denmark's health and England's too, With, ho! such bugs and goblins in my life, That, on the supervise, no leisure bated, No, not to stay the grinding of the axe, My head should be struck off. HORATIO Is't possible? HAMLET Here's the commission: read it at more leisure. But wilt thou hear me how I did proceed? HORATIO I beseech you. HAMLET Being thus be-netted round with villanies,-- Ere I could make a prologue to my brains, They had begun the play--I sat me down, Devised a new commission, wrote it fair: I once did hold it, as our statists do, A baseness to write fair and labour'd much How to forget that learning, but, sir, now It did me yeoman's service: wilt thou know The effect of what I wrote? HORATIO Ay, good my lord. HAMLET An earnest conjuration from the king, As England was his faithful tributary, As love between them like the palm might flourish, As peace should stiff her wheaten garland wear And stand a comma 'tween their amities, And many such-like 'As'es of great charge, That, on the view and knowing of these contents, Without debatement further, more or less, He should the bearers put to sudden death, Not shriving-time allow'd. HORATIO How was this seal'd? HAMLET Why, even in that was heaven ordinant. I had my father's signet in my purse, Which was the model of that Danish seal; Folded the writ up in form of the other, Subscribed it, gave't the impression, placed it safely, The changeling never known. Now, the next day Was our sea-fight; and what to this was sequent Thou know'st already. HORATIO So Guildenstern and Rosencrantz go to't. HAMLET Why, man, they did make love to this employment; They are not near my conscience; their defeat Does by their own insinuation grow: 'Tis dangerous when the baser nature comes Between the pass and fell incensed points Of mighty opposites. HORATIO Why, what a king is this! HAMLET Does it not, think'st thee, stand me now upon-- He that hath kill'd my king and whored my mother, Popp'd in between the election and my hopes, Thrown out his angle for my proper life, And with such cozenage--is't not perfect conscience, To quit him with this arm? and is't not to be damn'd, To let this canker of our nature come In further evil? HORATIO It must be shortly known to him from England What is the issue of the business there. HAMLET It will be short: the interim is mine; And a man's life's no more than to say 'One.' But I am very sorry, good Horatio, That to Laertes I forgot myself; For, by the image of my cause, I see The portraiture of his: I'll court his favours. But, sure, the bravery of his grief did put me Into a towering passion. HORATIO Peace! who comes here? Enter OSRIC OSRIC Your lordship is right welcome back to Denmark. HAMLET I humbly thank you, sir. Dost know this water-fly? HORATIO No, my good lord. HAMLET Thy state is the more gracious; for 'tis a vice to know him. He hath much land, and fertile: let a beast be lord of beasts, and his crib shall stand at the king's mess: 'tis a chough; but, as I say, spacious in the possession of dirt. OSRIC Sweet lord, if your lordship were at leisure, I should impart a thing to you from his majesty. HAMLET I will receive it, sir, with all diligence of spirit. Put your bonnet to his right use; 'tis for the head. OSRIC I thank your lordship, it is very hot. HAMLET No, believe me, 'tis very cold; the wind is northerly. OSRIC It is indifferent cold, my lord, indeed. HAMLET But yet methinks it is very sultry and hot for my complexion. OSRIC Exceedingly, my lord; it is very sultry,--as 'twere,--I cannot tell how. But, my lord, his majesty bade me signify to you that he has laid a great wager on your head: sir, this is the matter,-- HAMLET I beseech you, remember-- HAMLET moves him to put on his hat OSRIC Nay, good my lord; for mine ease, in good faith. Sir, here is newly come to court Laertes; believe me, an absolute gentleman, full of most excellent differences, of very soft society and great showing: indeed, to speak feelingly of him, he is the card or calendar of gentry, for you shall find in him the continent of what part a gentleman would see. HAMLET Sir, his definement suffers no perdition in you; though, I know, to divide him inventorially would dizzy the arithmetic of memory, and yet but yaw neither, in respect of his quick sail. But, in the verity of extolment, I take him to be a soul of great article; and his infusion of such dearth and rareness, as, to make true diction of him, his semblable is his mirror; and who else would trace him, his umbrage, nothing more. OSRIC Your lordship speaks most infallibly of him. HAMLET The concernancy, sir? why do we wrap the gentleman in our more rawer breath? OSRIC Sir? HORATIO Is't not possible to understand in another tongue? You will do't, sir, really. HAMLET What imports the nomination of this gentleman? OSRIC Of Laertes? HORATIO His purse is empty already; all's golden words are spent. HAMLET Of him, sir. OSRIC I know you are not ignorant-- HAMLET I would you did, sir; yet, in faith, if you did, it would not much approve me. Well, sir? OSRIC You are not ignorant of what excellence Laertes is-- HAMLET I dare not confess that, lest I should compare with him in excellence; but, to know a man well, were to know himself. OSRIC I mean, sir, for his weapon; but in the imputation laid on him by them, in his meed he's unfellowed. HAMLET What's his weapon? OSRIC Rapier and dagger. HAMLET That's two of his weapons: but, well. OSRIC The king, sir, hath wagered with him six Barbary horses: against the which he has imponed, as I take it, six French rapiers and poniards, with their assigns, as girdle, hangers, and so: three of the carriages, in faith, are very dear to fancy, very responsive to the hilts, most delicate carriages, and of very liberal conceit. HAMLET What call you the carriages? HORATIO I knew you must be edified by the margent ere you had done. OSRIC The carriages, sir, are the hangers. HAMLET The phrase would be more german to the matter, if we could carry cannon by our sides: I would it might be hangers till then. But, on: six Barbary horses against six French swords, their assigns, and three liberal-conceited carriages; that's the French bet against the Danish. Why is this 'imponed,' as you call it? OSRIC The king, sir, hath laid, that in a dozen passes between yourself and him, he shall not exceed you three hits: he hath laid on twelve for nine; and it would come to immediate trial, if your lordship would vouchsafe the answer. HAMLET How if I answer 'no'? OSRIC I mean, my lord, the opposition of your person in trial. HAMLET Sir, I will walk here in the hall: if it please his majesty, 'tis the breathing time of day with me; let the foils be brought, the gentleman willing, and the king hold his purpose, I will win for him an I can; if not, I will gain nothing but my shame and the odd hits. OSRIC Shall I re-deliver you e'en so? HAMLET To this effect, sir; after what flourish your nature will. OSRIC I commend my duty to your lordship. HAMLET Yours, yours. Exit OSRIC He does well to commend it himself; there are no tongues else for's turn. HORATIO This lapwing runs away with the shell on his head. HAMLET He did comply with his dug, before he sucked it. Thus has he--and many more of the same bevy that I know the dressy age dotes on--only got the tune of the time and outward habit of encounter; a kind of yesty collection, which carries them through and through the most fond and winnowed opinions; and do but blow them to their trial, the bubbles are out. Enter a Lord Lord My lord, his majesty commended him to you by young Osric, who brings back to him that you attend him in the hall: he sends to know if your pleasure hold to play with Laertes, or that you will take longer time. HAMLET I am constant to my purpose; they follow the king's pleasure: if his fitness speaks, mine is ready; now or whensoever, provided I be so able as now. Lord The king and queen and all are coming down. HAMLET In happy time. Lord The queen desires you to use some gentle entertainment to Laertes before you fall to play. HAMLET She well instructs me. Exit Lord HORATIO You will lose this wager, my lord. HAMLET I do not think so: since he went into France, I have been in continual practise: I shall win at the odds. But thou wouldst not think how ill all's here about my heart: but it is no matter. HORATIO Nay, good my lord,-- HAMLET It is but foolery; but it is such a kind of gain-giving, as would perhaps trouble a woman. HORATIO If your mind dislike any thing, obey it: I will forestall their repair hither, and say you are not fit. HAMLET Not a whit, we defy augury: there's a special providence in the fall of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all: since no man has aught of what he leaves, what is't to leave betimes? Enter KING CLAUDIUS, QUEEN GERTRUDE, LAERTES, Lords, OSRIC, and Attendants with foils, &c KING CLAUDIUS Come, Hamlet, come, and take this hand from me. KING CLAUDIUS puts LAERTES' hand into HAMLET's HAMLET Give me your pardon, sir: I've done you wrong; But pardon't, as you are a gentleman. This presence knows, And you must needs have heard, how I am punish'd With sore distraction. What I have done, That might your nature, honour and exception Roughly awake, I here proclaim was madness. Was't Hamlet wrong'd Laertes? Never Hamlet: If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, Then Hamlet does it not, Hamlet denies it. Who does it, then? His madness: if't be so, Hamlet is of the faction that is wrong'd; His madness is poor Hamlet's enemy. Sir, in this audience, Let my disclaiming from a purposed evil Free me so far in your most generous thoughts, That I have shot mine arrow o'er the house, And hurt my brother. LAERTES I am satisfied in nature, Whose motive, in this case, should stir me most To my revenge: but in my terms of honour I stand aloof; and will no reconcilement, Till by some elder masters, of known honour, I have a voice and precedent of peace, To keep my name ungored. But till that time, I do receive your offer'd love like love, And will not wrong it. HAMLET I embrace it freely; And will this brother's wager frankly play. Give us the foils. Come on. LAERTES Come, one for me. HAMLET I'll be your foil, Laertes: in mine ignorance Your skill shall, like a star i' the darkest night, Stick fiery off indeed. LAERTES You mock me, sir. HAMLET No, by this hand. KING CLAUDIUS Give them the foils, young Osric. Cousin Hamlet, You know the wager? HAMLET Very well, my lord Your grace hath laid the odds o' the weaker side. KING CLAUDIUS I do not fear it; I have seen you both: But since he is better'd, we have therefore odds. LAERTES This is too heavy, let me see another. HAMLET This likes me well. These foils have all a length? They prepare to play OSRIC Ay, my good lord. KING CLAUDIUS Set me the stoops of wine upon that table. If Hamlet give the first or second hit, Or quit in answer of the third exchange, Let all the battlements their ordnance fire: The king shall drink to Hamlet's better breath; And in the cup an union shall he throw, Richer than that which four successive kings In Denmark's crown have worn. Give me the cups; And let the kettle to the trumpet speak, The trumpet to the cannoneer without, The cannons to the heavens, the heavens to earth, 'Now the king dunks to Hamlet.' Come, begin: And you, the judges, bear a wary eye. HAMLET Come on, sir. LAERTES Come, my lord. They play HAMLET One. LAERTES No. HAMLET Judgment. OSRIC A hit, a very palpable hit. LAERTES Well; again. KING CLAUDIUS Stay; give me drink. Hamlet, this pearl is thine; Here's to thy health. Trumpets sound, and cannon shot off within Give him the cup. HAMLET I'll play this bout first; set it by awhile. Come. They play Another hit; what say you? LAERTES A touch, a touch, I do confess. KING CLAUDIUS Our son shall win. QUEEN GERTRUDE He's fat, and scant of breath. Here, Hamlet, take my napkin, rub thy brows; The queen carouses to thy fortune, Hamlet. HAMLET Good madam! KING CLAUDIUS Gertrude, do not drink. QUEEN GERTRUDE I will, my lord; I pray you, pardon me. KING CLAUDIUS Aside It is the poison'd cup: it is too late. HAMLET I dare not drink yet, madam; by and by. QUEEN GERTRUDE Come, let me wipe thy face. LAERTES My lord, I'll hit him now. KING CLAUDIUS I do not think't. LAERTES Aside And yet 'tis almost 'gainst my conscience. HAMLET Come, for the third, Laertes: you but dally; I pray you, pass with your best violence; I am afeard you make a wanton of me. LAERTES Say you so? come on. They play OSRIC Nothing, neither way. LAERTES Have at you now! LAERTES wounds HAMLET; then in scuffling, they change rapiers, and HAMLET wounds LAERTES KING CLAUDIUS Part them; they are incensed. HAMLET Nay, come, again. QUEEN GERTRUDE falls OSRIC Look to the queen there, ho! HORATIO They bleed on both sides. How is it, my lord? OSRIC How is't, Laertes? LAERTES Why, as a woodcock to mine own springe, Osric; I am justly kill'd with mine own treachery. HAMLET How does the queen? KING CLAUDIUS She swounds to see them bleed. QUEEN GERTRUDE No, no, the drink, the drink,--O my dear Hamlet,-- The drink, the drink! I am poison'd. Dies HAMLET O villany! Ho! let the door be lock'd: Treachery! Seek it out. LAERTES It is here, Hamlet: Hamlet, thou art slain; No medicine in the world can do thee good; In thee there is not half an hour of life; The treacherous instrument is in thy hand, Unbated and envenom'd: the foul practise Hath turn'd itself on me lo, here I lie, Never to rise again: thy mother's poison'd: I can no more: the king, the king's to blame. HAMLET The point!--envenom'd too! Then, venom, to thy work. Stabs KING CLAUDIUS All Treason! treason! KING CLAUDIUS O, yet defend me, friends; I am but hurt. HAMLET Here, thou incestuous, murderous, damned Dane, Drink off this potion. Is thy union here? Follow my mother. KING CLAUDIUS dies LAERTES He is justly served; It is a poison temper'd by himself. Exchange forgiveness with me, noble Hamlet: Mine and my father's death come not upon thee, Nor thine on me. Dies HAMLET Heaven make thee free of it! I follow thee. I am dead, Horatio. Wretched queen, adieu! You that look pale and tremble at this chance, That are but mutes or audience to this act, Had I but time--as this fell sergeant, death, Is strict in his arrest--O, I could tell you-- But let it be. Horatio, I am dead; Thou livest; report me and my cause aright To the unsatisfied. HORATIO Never believe it: I am more an antique Roman than a Dane: Here's yet some liquor left. HAMLET As thou'rt a man, Give me the cup: let go; by heaven, I'll have't. O good Horatio, what a wounded name, Things standing thus unknown, shall live behind me! If thou didst ever hold me in thy heart Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story. March afar off, and shot within What warlike noise is this? OSRIC Young Fortinbras, with conquest come from Poland, To the ambassadors of England gives This warlike volley. HAMLET O, I die, Horatio; The potent poison quite o'er-crows my spirit: I cannot live to hear the news from England; But I do prophesy the election lights On Fortinbras: he has my dying voice; So tell him, with the occurrents, more and less, Which have solicited. The rest is silence. Dies HORATIO Now cracks a noble heart. Good night sweet prince: And flights of angels sing thee to thy rest! Why does the drum come hither? March within Enter FORTINBRAS, the English Ambassadors, and others PRINCE FORTINBRAS Where is this sight? HORATIO What is it ye would see? If aught of woe or wonder, cease your search. PRINCE FORTINBRAS This quarry cries on havoc. O proud death, What feast is toward in thine eternal cell, That thou so many princes at a shot So bloodily hast struck? First Ambassador The sight is dismal; And our affairs from England come too late: The ears are senseless that should give us hearing, To tell him his commandment is fulfill'd, That Rosencrantz and Guildenstern are dead: Where should we have our thanks? HORATIO Not from his mouth, Had it the ability of life to thank you: He never gave commandment for their death. But since, so jump upon this bloody question, You from the Polack wars, and you from England, Are here arrived give order that these bodies High on a stage be placed to the view; And let me speak to the yet unknowing world How these things came about: so shall you hear Of carnal, bloody, and unnatural acts, Of accidental judgments, casual slaughters, Of deaths put on by cunning and forced cause, And, in this upshot, purposes mistook Fall'n on the inventors' reads: all this can I Truly deliver. PRINCE FORTINBRAS Let us haste to hear it, And call the noblest to the audience. For me, with sorrow I embrace my fortune: I have some rights of memory in this kingdom, Which now to claim my vantage doth invite me. HORATIO Of that I shall have also cause to speak, And from his mouth whose voice will draw on more; But let this same be presently perform'd, Even while men's minds are wild; lest more mischance On plots and errors, happen. PRINCE FORTINBRAS Let four captains Bear Hamlet, like a soldier, to the stage; For he was likely, had he been put on, To have proved most royally: and, for his passage, The soldiers' music and the rites of war Speak loudly for him. Take up the bodies: such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot. A dead march. Exeunt, bearing off the dead bodies; after which a peal of ordnance is shot off shakespeare/macbeth.xml0000744000076500007650000047646311657547525016650 0ustar hoschekhoschek00000000000000 The Tragedy of Macbeth

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Dramatis Personae DUNCAN, king of Scotland. MALCOLM DONALBAIN his sons. MACBETH BANQUO generals of the king's army. MACDUFF LENNOX ROSS MENTEITH ANGUS CAITHNESS noblemen of Scotland. FLEANCE, son to Banquo. SIWARD, Earl of Northumberland, general of the English forces. YOUNG SIWARD, his son. SEYTON, an officer attending on Macbeth. Boy, son to Macduff. An English Doctor. A Scotch Doctor. A Soldier. A Porter. An Old Man. LADY MACBETH LADY MACDUFF Gentlewoman attending on Lady Macbeth. HECATE Three Witches. Apparitions. Lords, Gentlemen, Officers, Soldiers, Murderers, Attendants, and Messengers. SCENE Scotland: England. MACBETH ACT I SCENE I. A desert place. Thunder and lightning. Enter three Witches First Witch When shall we three meet again In thunder, lightning, or in rain? Second Witch When the hurlyburly's done, When the battle's lost and won. Third Witch That will be ere the set of sun. First Witch Where the place? Second Witch Upon the heath. Third Witch There to meet with Macbeth. First Witch I come, Graymalkin! Second Witch Paddock calls. Third Witch Anon. ALL Fair is foul, and foul is fair: Hover through the fog and filthy air. Exeunt SCENE II. A camp near Forres. Alarum within. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, with Attendants, meeting a bleeding Sergeant DUNCAN What bloody man is that? He can report, As seemeth by his plight, of the revolt The newest state. MALCOLM This is the sergeant Who like a good and hardy soldier fought 'Gainst my captivity. Hail, brave friend! Say to the king the knowledge of the broil As thou didst leave it. Sergeant Doubtful it stood; As two spent swimmers, that do cling together And choke their art. The merciless Macdonwald-- Worthy to be a rebel, for to that The multiplying villanies of nature Do swarm upon him--from the western isles Of kerns and gallowglasses is supplied; And fortune, on his damned quarrel smiling, Show'd like a rebel's whore: but all's too weak: For brave Macbeth--well he deserves that name-- Disdaining fortune, with his brandish'd steel, Which smoked with bloody execution, Like valour's minion carved out his passage Till he faced the slave; Which ne'er shook hands, nor bade farewell to him, Till he unseam'd him from the nave to the chaps, And fix'd his head upon our battlements. DUNCAN O valiant cousin! worthy gentleman! Sergeant As whence the sun 'gins his reflection Shipwrecking storms and direful thunders break, So from that spring whence comfort seem'd to come Discomfort swells. Mark, king of Scotland, mark: No sooner justice had with valour arm'd Compell'd these skipping kerns to trust their heels, But the Norweyan lord surveying vantage, With furbish'd arms and new supplies of men Began a fresh assault. DUNCAN Dismay'd not this Our captains, Macbeth and Banquo? Sergeant Yes; As sparrows eagles, or the hare the lion. If I say sooth, I must report they were As cannons overcharged with double cracks, so they Doubly redoubled strokes upon the foe: Except they meant to bathe in reeking wounds, Or memorise another Golgotha, I cannot tell. But I am faint, my gashes cry for help. DUNCAN So well thy words become thee as thy wounds; They smack of honour both. Go get him surgeons. Exit Sergeant, attended Who comes here? Enter ROSS MALCOLM The worthy thane of Ross. LENNOX What a haste looks through his eyes! So should he look That seems to speak things strange. ROSS God save the king! DUNCAN Whence camest thou, worthy thane? ROSS From Fife, great king; Where the Norweyan banners flout the sky And fan our people cold. Norway himself, With terrible numbers, Assisted by that most disloyal traitor The thane of Cawdor, began a dismal conflict; Till that Bellona's bridegroom, lapp'd in proof, Confronted him with self-comparisons, Point against point rebellious, arm 'gainst arm. Curbing his lavish spirit: and, to conclude, The victory fell on us. DUNCAN Great happiness! ROSS That now Sweno, the Norways' king, craves composition: Nor would we deign him burial of his men Till he disbursed at Saint Colme's inch Ten thousand dollars to our general use. DUNCAN No more that thane of Cawdor shall deceive Our bosom interest: go pronounce his present death, And with his former title greet Macbeth. ROSS I'll see it done. DUNCAN What he hath lost noble Macbeth hath won. Exeunt SCENE III. A heath near Forres. Thunder. Enter the three Witches First Witch Where hast thou been, sister? Second Witch Killing swine. Third Witch Sister, where thou? First Witch A sailor's wife had chestnuts in her lap, And munch'd, and munch'd, and munch'd:-- 'Give me,' quoth I: 'Aroint thee, witch!' the rump-fed ronyon cries. Her husband's to Aleppo gone, master o' the Tiger: But in a sieve I'll thither sail, And, like a rat without a tail, I'll do, I'll do, and I'll do. Second Witch I'll give thee a wind. First Witch Thou'rt kind. Third Witch And I another. First Witch I myself have all the other, And the very ports they blow, All the quarters that they know I' the shipman's card. I will drain him dry as hay: Sleep shall neither night nor day Hang upon his pent-house lid; He shall live a man forbid: Weary se'nnights nine times nine Shall he dwindle, peak and pine: Though his bark cannot be lost, Yet it shall be tempest-tost. Look what I have. Second Witch Show me, show me. First Witch Here I have a pilot's thumb, Wreck'd as homeward he did come. Drum within Third Witch A drum, a drum! Macbeth doth come. ALL The weird sisters, hand in hand, Posters of the sea and land, Thus do go about, about: Thrice to thine and thrice to mine And thrice again, to make up nine. Peace! the charm's wound up. Enter MACBETH and BANQUO MACBETH So foul and fair a day I have not seen. BANQUO How far is't call'd to Forres? What are these So wither'd and so wild in their attire, That look not like the inhabitants o' the earth, And yet are on't? Live you? or are you aught That man may question? You seem to understand me, By each at once her chappy finger laying Upon her skinny lips: you should be women, And yet your beards forbid me to interpret That you are so. MACBETH Speak, if you can: what are you? First Witch All hail, Macbeth! hail to thee, thane of Glamis! Second Witch All hail, Macbeth, hail to thee, thane of Cawdor! Third Witch All hail, Macbeth, thou shalt be king hereafter! BANQUO Good sir, why do you start; and seem to fear Things that do sound so fair? I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace and great prediction Of noble having and of royal hope, That he seems rapt withal: to me you speak not. If you can look into the seeds of time, And say which grain will grow and which will not, Speak then to me, who neither beg nor fear Your favours nor your hate. First Witch Hail! Second Witch Hail! Third Witch Hail! First Witch Lesser than Macbeth, and greater. Second Witch Not so happy, yet much happier. Third Witch Thou shalt get kings, though thou be none: So all hail, Macbeth and Banquo! First Witch Banquo and Macbeth, all hail! MACBETH Stay, you imperfect speakers, tell me more: By Sinel's death I know I am thane of Glamis; But how of Cawdor? the thane of Cawdor lives, A prosperous gentleman; and to be king Stands not within the prospect of belief, No more than to be Cawdor. Say from whence You owe this strange intelligence? or why Upon this blasted heath you stop our way With such prophetic greeting? Speak, I charge you. Witches vanish BANQUO The earth hath bubbles, as the water has, And these are of them. Whither are they vanish'd? MACBETH Into the air; and what seem'd corporal melted As breath into the wind. Would they had stay'd! BANQUO Were such things here as we do speak about? Or have we eaten on the insane root That takes the reason prisoner? MACBETH Your children shall be kings. BANQUO You shall be king. MACBETH And thane of Cawdor too: went it not so? BANQUO To the selfsame tune and words. Who's here? Enter ROSS and ANGUS ROSS The king hath happily received, Macbeth, The news of thy success; and when he reads Thy personal venture in the rebels' fight, His wonders and his praises do contend Which should be thine or his: silenced with that, In viewing o'er the rest o' the selfsame day, He finds thee in the stout Norweyan ranks, Nothing afeard of what thyself didst make, Strange images of death. As thick as hail Came post with post; and every one did bear Thy praises in his kingdom's great defence, And pour'd them down before him. ANGUS We are sent To give thee from our royal master thanks; Only to herald thee into his sight, Not pay thee. ROSS And, for an earnest of a greater honour, He bade me, from him, call thee thane of Cawdor: In which addition, hail, most worthy thane! For it is thine. BANQUO What, can the devil speak true? MACBETH The thane of Cawdor lives: why do you dress me In borrow'd robes? ANGUS Who was the thane lives yet; But under heavy judgment bears that life Which he deserves to lose. Whether he was combined With those of Norway, or did line the rebel With hidden help and vantage, or that with both He labour'd in his country's wreck, I know not; But treasons capital, confess'd and proved, Have overthrown him. MACBETH Aside Glamis, and thane of Cawdor! The greatest is behind. To ROSS and ANGUS Thanks for your pains. To BANQUO Do you not hope your children shall be kings, When those that gave the thane of Cawdor to me Promised no less to them? BANQUO That trusted home Might yet enkindle you unto the crown, Besides the thane of Cawdor. But 'tis strange: And oftentimes, to win us to our harm, The instruments of darkness tell us truths, Win us with honest trifles, to betray's In deepest consequence. Cousins, a word, I pray you. MACBETH Aside Two truths are told, As happy prologues to the swelling act Of the imperial theme.--I thank you, gentlemen. Aside This supernatural soliciting Cannot be ill, cannot be good: if ill, Why hath it given me earnest of success, Commencing in a truth? I am thane of Cawdor: If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature? Present fears Are less than horrible imaginings: My thought, whose murder yet is but fantastical, Shakes so my single state of man that function Is smother'd in surmise, and nothing is But what is not. BANQUO Look, how our partner's rapt. MACBETH Aside If chance will have me king, why, chance may crown me, Without my stir. BANQUO New horrors come upon him, Like our strange garments, cleave not to their mould But with the aid of use. MACBETH Aside Come what come may, Time and the hour runs through the roughest day. BANQUO Worthy Macbeth, we stay upon your leisure. MACBETH Give me your favour: my dull brain was wrought With things forgotten. Kind gentlemen, your pains Are register'd where every day I turn The leaf to read them. Let us toward the king. Think upon what hath chanced, and, at more time, The interim having weigh'd it, let us speak Our free hearts each to other. BANQUO Very gladly. MACBETH Till then, enough. Come, friends. Exeunt SCENE IV. Forres. The palace. Flourish. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, and Attendants DUNCAN Is execution done on Cawdor? Are not Those in commission yet return'd? MALCOLM My liege, They are not yet come back. But I have spoke With one that saw him die: who did report That very frankly he confess'd his treasons, Implored your highness' pardon and set forth A deep repentance: nothing in his life Became him like the leaving it; he died As one that had been studied in his death To throw away the dearest thing he owed, As 'twere a careless trifle. DUNCAN There's no art To find the mind's construction in the face: He was a gentleman on whom I built An absolute trust. Enter MACBETH, BANQUO, ROSS, and ANGUS O worthiest cousin! The sin of my ingratitude even now Was heavy on me: thou art so far before That swiftest wing of recompense is slow To overtake thee. Would thou hadst less deserved, That the proportion both of thanks and payment Might have been mine! only I have left to say, More is thy due than more than all can pay. MACBETH The service and the loyalty I owe, In doing it, pays itself. Your highness' part Is to receive our duties; and our duties Are to your throne and state children and servants, Which do but what they should, by doing every thing Safe toward your love and honour. DUNCAN Welcome hither: I have begun to plant thee, and will labour To make thee full of growing. Noble Banquo, That hast no less deserved, nor must be known No less to have done so, let me enfold thee And hold thee to my heart. BANQUO There if I grow, The harvest is your own. DUNCAN My plenteous joys, Wanton in fulness, seek to hide themselves In drops of sorrow. Sons, kinsmen, thanes, And you whose places are the nearest, know We will establish our estate upon Our eldest, Malcolm, whom we name hereafter The Prince of Cumberland; which honour must Not unaccompanied invest him only, But signs of nobleness, like stars, shall shine On all deservers. From hence to Inverness, And bind us further to you. MACBETH The rest is labour, which is not used for you: I'll be myself the harbinger and make joyful The hearing of my wife with your approach; So humbly take my leave. DUNCAN My worthy Cawdor! MACBETH Aside The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see. Exit DUNCAN True, worthy Banquo; he is full so valiant, And in his commendations I am fed; It is a banquet to me. Let's after him, Whose care is gone before to bid us welcome: It is a peerless kinsman. Flourish. Exeunt SCENE V. Inverness. Macbeth's castle. Enter LADY MACBETH, reading a letter LADY MACBETH 'They met me in the day of success: and I have learned by the perfectest report, they have more in them than mortal knowledge. When I burned in desire to question them further, they made themselves air, into which they vanished. Whiles I stood rapt in the wonder of it, came missives from the king, who all-hailed me 'Thane of Cawdor;' by which title, before, these weird sisters saluted me, and referred me to the coming on of time, with 'Hail, king that shalt be!' This have I thought good to deliver thee, my dearest partner of greatness, that thou mightst not lose the dues of rejoicing, by being ignorant of what greatness is promised thee. Lay it to thy heart, and farewell.' Glamis thou art, and Cawdor; and shalt be What thou art promised: yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way: thou wouldst be great; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily; wouldst not play false, And yet wouldst wrongly win: thou'ldst have, great Glamis, That which cries 'Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest should be undone.' Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal. Enter a Messenger What is your tidings? Messenger The king comes here to-night. LADY MACBETH Thou'rt mad to say it: Is not thy master with him? who, were't so, Would have inform'd for preparation. Messenger So please you, it is true: our thane is coming: One of my fellows had the speed of him, Who, almost dead for breath, had scarcely more Than would make up his message. LADY MACBETH Give him tending; He brings great news. Exit Messenger The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!' Enter MACBETH Great Glamis! worthy Cawdor! Greater than both, by the all-hail hereafter! Thy letters have transported me beyond This ignorant present, and I feel now The future in the instant. MACBETH My dearest love, Duncan comes here to-night. LADY MACBETH And when goes hence? MACBETH To-morrow, as he purposes. LADY MACBETH O, never Shall sun that morrow see! Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't. He that's coming Must be provided for: and you shall put This night's great business into my dispatch; Which shall to all our nights and days to come Give solely sovereign sway and masterdom. MACBETH We will speak further. LADY MACBETH Only look up clear; To alter favour ever is to fear: Leave all the rest to me. Exeunt SCENE VI. Before Macbeth's castle. Hautboys and torches. Enter DUNCAN, MALCOLM, DONALBAIN, BANQUO, LENNOX, MACDUFF, ROSS, ANGUS, and Attendants DUNCAN This castle hath a pleasant seat; the air Nimbly and sweetly recommends itself Unto our gentle senses. BANQUO This guest of summer, The temple-haunting martlet, does approve, By his loved mansionry, that the heaven's breath Smells wooingly here: no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle: Where they most breed and haunt, I have observed, The air is delicate. Enter LADY MACBETH DUNCAN See, see, our honour'd hostess! The love that follows us sometime is our trouble, Which still we thank as love. Herein I teach you How you shall bid God 'ild us for your pains, And thank us for your trouble. LADY MACBETH All our service In every point twice done and then done double Were poor and single business to contend Against those honours deep and broad wherewith Your majesty loads our house: for those of old, And the late dignities heap'd up to them, We rest your hermits. DUNCAN Where's the thane of Cawdor? We coursed him at the heels, and had a purpose To be his purveyor: but he rides well; And his great love, sharp as his spur, hath holp him To his home before us. Fair and noble hostess, We are your guest to-night. LADY MACBETH Your servants ever Have theirs, themselves and what is theirs, in compt, To make their audit at your highness' pleasure, Still to return your own. DUNCAN Give me your hand; Conduct me to mine host: we love him highly, And shall continue our graces towards him. By your leave, hostess. Exeunt SCENE VII. Macbeth's castle. Hautboys and torches. Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH MACBETH If it were done when 'tis done, then 'twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'ld jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other. Enter LADY MACBETH How now! what news? LADY MACBETH He has almost supp'd: why have you left the chamber? MACBETH Hath he ask'd for me? LADY MACBETH Know you not he has? MACBETH We will proceed no further in this business: He hath honour'd me of late; and I have bought Golden opinions from all sorts of people, Which would be worn now in their newest gloss, Not cast aside so soon. LADY MACBETH Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting 'I dare not' wait upon 'I would,' Like the poor cat i' the adage? MACBETH Prithee, peace: I dare do all that may become a man; Who dares do more is none. LADY MACBETH What beast was't, then, That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man. Nor time nor place Did then adhere, and yet you would make both: They have made themselves, and that their fitness now Does unmake you. I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this. MACBETH If we should fail? LADY MACBETH We fail! But screw your courage to the sticking-place, And we'll not fail. When Duncan is asleep-- Whereto the rather shall his day's hard journey Soundly invite him--his two chamberlains Will I with wine and wassail so convince That memory, the warder of the brain, Shall be a fume, and the receipt of reason A limbeck only: when in swinish sleep Their drenched natures lie as in a death, What cannot you and I perform upon The unguarded Duncan? what not put upon His spongy officers, who shall bear the guilt Of our great quell? MACBETH Bring forth men-children only; For thy undaunted mettle should compose Nothing but males. Will it not be received, When we have mark'd with blood those sleepy two Of his own chamber and used their very daggers, That they have done't? LADY MACBETH Who dares receive it other, As we shall make our griefs and clamour roar Upon his death? MACBETH I am settled, and bend up Each corporal agent to this terrible feat. Away, and mock the time with fairest show: False face must hide what the false heart doth know. Exeunt ACT II SCENE I. Court of Macbeth's castle. Enter BANQUO, and FLEANCE bearing a torch before him BANQUO How goes the night, boy? FLEANCE The moon is down; I have not heard the clock. BANQUO And she goes down at twelve. FLEANCE I take't, 'tis later, sir. BANQUO Hold, take my sword. There's husbandry in heaven; Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep: merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose! Enter MACBETH, and a Servant with a torch Give me my sword. Who's there? MACBETH A friend. BANQUO What, sir, not yet at rest? The king's a-bed: He hath been in unusual pleasure, and Sent forth great largess to your offices. This diamond he greets your wife withal, By the name of most kind hostess; and shut up In measureless content. MACBETH Being unprepared, Our will became the servant to defect; Which else should free have wrought. BANQUO All's well. I dreamt last night of the three weird sisters: To you they have show'd some truth. MACBETH I think not of them: Yet, when we can entreat an hour to serve, We would spend it in some words upon that business, If you would grant the time. BANQUO At your kind'st leisure. MACBETH If you shall cleave to my consent, when 'tis, It shall make honour for you. BANQUO So I lose none In seeking to augment it, but still keep My bosom franchised and allegiance clear, I shall be counsell'd. MACBETH Good repose the while! BANQUO Thanks, sir: the like to you! Exeunt BANQUO and FLEANCE MACBETH Go bid thy mistress, when my drink is ready, She strike upon the bell. Get thee to bed. Exit Servant Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing: It is the bloody business which informs Thus to mine eyes. Now o'er the one halfworld Nature seems dead, and wicked dreams abuse The curtain'd sleep; witchcraft celebrates Pale Hecate's offerings, and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it. Whiles I threat, he lives: Words to the heat of deeds too cold breath gives. A bell rings I go, and it is done; the bell invites me. Hear it not, Duncan; for it is a knell That summons thee to heaven or to hell. Exit SCENE II. The same. Enter LADY MACBETH LADY MACBETH That which hath made them drunk hath made me bold; What hath quench'd them hath given me fire. Hark! Peace! It was the owl that shriek'd, the fatal bellman, Which gives the stern'st good-night. He is about it: The doors are open; and the surfeited grooms Do mock their charge with snores: I have drugg'd their possets, That death and nature do contend about them, Whether they live or die. MACBETH Within Who's there? what, ho! LADY MACBETH Alack, I am afraid they have awaked, And 'tis not done. The attempt and not the deed Confounds us. Hark! I laid their daggers ready; He could not miss 'em. Had he not resembled My father as he slept, I had done't. Enter MACBETH My husband! MACBETH I have done the deed. Didst thou not hear a noise? LADY MACBETH I heard the owl scream and the crickets cry. Did not you speak? MACBETH When? LADY MACBETH Now. MACBETH As I descended? LADY MACBETH Ay. MACBETH Hark! Who lies i' the second chamber? LADY MACBETH Donalbain. MACBETH This is a sorry sight. Looking on his hands LADY MACBETH A foolish thought, to say a sorry sight. MACBETH There's one did laugh in's sleep, and one cried 'Murder!' That they did wake each other: I stood and heard them: But they did say their prayers, and address'd them Again to sleep. LADY MACBETH There are two lodged together. MACBETH One cried 'God bless us!' and 'Amen' the other; As they had seen me with these hangman's hands. Listening their fear, I could not say 'Amen,' When they did say 'God bless us!' LADY MACBETH Consider it not so deeply. MACBETH But wherefore could not I pronounce 'Amen'? I had most need of blessing, and 'Amen' Stuck in my throat. LADY MACBETH These deeds must not be thought After these ways; so, it will make us mad. MACBETH Methought I heard a voice cry 'Sleep no more! Macbeth does murder sleep', the innocent sleep, Sleep that knits up the ravell'd sleeve of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast,-- LADY MACBETH What do you mean? MACBETH Still it cried 'Sleep no more!' to all the house: 'Glamis hath murder'd sleep, and therefore Cawdor Shall sleep no more; Macbeth shall sleep no more.' LADY MACBETH Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them; and smear The sleepy grooms with blood. MACBETH I'll go no more: I am afraid to think what I have done; Look on't again I dare not. LADY MACBETH Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal; For it must seem their guilt. Exit. Knocking within MACBETH Whence is that knocking? How is't with me, when every noise appals me? What hands are here? ha! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas in incarnadine, Making the green one red. Re-enter LADY MACBETH LADY MACBETH My hands are of your colour; but I shame To wear a heart so white. Knocking within I hear a knocking At the south entry: retire we to our chamber; A little water clears us of this deed: How easy is it, then! Your constancy Hath left you unattended. Knocking within Hark! more knocking. Get on your nightgown, lest occasion call us, And show us to be watchers. Be not lost So poorly in your thoughts. MACBETH To know my deed, 'twere best not know myself. Knocking within Wake Duncan with thy knocking! I would thou couldst! Exeunt SCENE III. The same. Knocking within. Enter a Porter Porter Here's a knocking indeed! If a man were porter of hell-gate, he should have old turning the key. Knocking within Knock, knock, knock! Who's there, i' the name of Beelzebub? Here's a farmer, that hanged himself on the expectation of plenty: come in time; have napkins enow about you; here you'll sweat for't. Knocking within Knock, knock! Who's there, in the other devil's name? Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: O, come in, equivocator. Knocking within Knock, knock, knock! Who's there? Faith, here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose. Knocking within Knock, knock; never at quiet! What are you? But this place is too cold for hell. I'll devil-porter it no further: I had thought to have let in some of all professions that go the primrose way to the everlasting bonfire. Knocking within Anon, anon! I pray you, remember the porter. Opens the gate Enter MACDUFF and LENNOX MACDUFF Was it so late, friend, ere you went to bed, That you do lie so late? Porter 'Faith sir, we were carousing till the second cock: and drink, sir, is a great provoker of three things. MACDUFF What three things does drink especially provoke? Porter Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes, and unprovokes; it provokes the desire, but it takes away the performance: therefore, much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. MACDUFF I believe drink gave thee the lie last night. Porter That it did, sir, i' the very throat on me: but I requited him for his lie; and, I think, being too strong for him, though he took up my legs sometime, yet I made a shift to cast him. MACDUFF Is thy master stirring? Enter MACBETH Our knocking has awaked him; here he comes. LENNOX Good morrow, noble sir. MACBETH Good morrow, both. MACDUFF Is the king stirring, worthy thane? MACBETH Not yet. MACDUFF He did command me to call timely on him: I have almost slipp'd the hour. MACBETH I'll bring you to him. MACDUFF I know this is a joyful trouble to you; But yet 'tis one. MACBETH The labour we delight in physics pain. This is the door. MACDUFF I'll make so bold to call, For 'tis my limited service. Exit LENNOX Goes the king hence to-day? MACBETH He does: he did appoint so. LENNOX The night has been unruly: where we lay, Our chimneys were blown down; and, as they say, Lamentings heard i' the air; strange screams of death, And prophesying with accents terrible Of dire combustion and confused events New hatch'd to the woeful time: the obscure bird Clamour'd the livelong night: some say, the earth Was feverous and did shake. MACBETH 'Twas a rough night. LENNOX My young remembrance cannot parallel A fellow to it. Re-enter MACDUFF MACDUFF O horror, horror, horror! Tongue nor heart Cannot conceive nor name thee! MACBETH LENNOX What's the matter. MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord's anointed temple, and stole thence The life o' the building! MACBETH What is 't you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon: do not bid me speak; See, and then speak yourselves. Exeunt MACBETH and LENNOX Awake, awake! Ring the alarum-bell. Murder and treason! Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death's counterfeit, And look on death itself! up, up, and see The great doom's image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror! Ring the bell. Bell rings Enter LADY MACBETH LADY MACBETH What's the business, That such a hideous trumpet calls to parley The sleepers of the house? speak, speak! MACDUFF O gentle lady, 'Tis not for you to hear what I can speak: The repetition, in a woman's ear, Would murder as it fell. Enter BANQUO O Banquo, Banquo, Our royal master 's murder'd! LADY MACBETH Woe, alas! What, in our house? BANQUO Too cruel any where. Dear Duff, I prithee, contradict thyself, And say it is not so. Re-enter MACBETH and LENNOX, with ROSS MACBETH Had I but died an hour before this chance, I had lived a blessed time; for, from this instant, There 's nothing serious in mortality: All is but toys: renown and grace is dead; The wine of life is drawn, and the mere lees Is left this vault to brag of. Enter MALCOLM and DONALBAIN DONALBAIN What is amiss? MACBETH You are, and do not know't: The spring, the head, the fountain of your blood Is stopp'd; the very source of it is stopp'd. MACDUFF Your royal father 's murder'd. MALCOLM O, by whom? LENNOX Those of his chamber, as it seem'd, had done 't: Their hands and faces were an badged with blood; So were their daggers, which unwiped we found Upon their pillows: They stared, and were distracted; no man's life Was to be trusted with them. MACBETH O, yet I do repent me of my fury, That I did kill them. MACDUFF Wherefore did you so? MACBETH Who can be wise, amazed, temperate and furious, Loyal and neutral, in a moment? No man: The expedition my violent love Outrun the pauser, reason. Here lay Duncan, His silver skin laced with his golden blood; And his gash'd stabs look'd like a breach in nature For ruin's wasteful entrance: there, the murderers, Steep'd in the colours of their trade, their daggers Unmannerly breech'd with gore: who could refrain, That had a heart to love, and in that heart Courage to make 's love known? LADY MACBETH Help me hence, ho! MACDUFF Look to the lady. MALCOLM Aside to DONALBAIN Why do we hold our tongues, That most may claim this argument for ours? DONALBAIN Aside to MALCOLM What should be spoken here, where our fate, Hid in an auger-hole, may rush, and seize us? Let 's away; Our tears are not yet brew'd. MALCOLM Aside to DONALBAIN Nor our strong sorrow Upon the foot of motion. BANQUO Look to the lady: LADY MACBETH is carried out And when we have our naked frailties hid, That suffer in exposure, let us meet, And question this most bloody piece of work, To know it further. Fears and scruples shake us: In the great hand of God I stand; and thence Against the undivulged pretence I fight Of treasonous malice. MACDUFF And so do I. ALL So all. MACBETH Let's briefly put on manly readiness, And meet i' the hall together. ALL Well contented. Exeunt all but Malcolm and Donalbain MALCOLM What will you do? Let's not consort with them: To show an unfelt sorrow is an office Which the false man does easy. I'll to England. DONALBAIN To Ireland, I; our separated fortune Shall keep us both the safer: where we are, There's daggers in men's smiles: the near in blood, The nearer bloody. MALCOLM This murderous shaft that's shot Hath not yet lighted, and our safest way Is to avoid the aim. Therefore, to horse; And let us not be dainty of leave-taking, But shift away: there's warrant in that theft Which steals itself, when there's no mercy left. Exeunt SCENE IV. Outside Macbeth's castle. Enter ROSS and an old Man Old Man Threescore and ten I can remember well: Within the volume of which time I have seen Hours dreadful and things strange; but this sore night Hath trifled former knowings. ROSS Ah, good father, Thou seest, the heavens, as troubled with man's act, Threaten his bloody stage: by the clock, 'tis day, And yet dark night strangles the travelling lamp: Is't night's predominance, or the day's shame, That darkness does the face of earth entomb, When living light should kiss it? Old Man 'Tis unnatural, Even like the deed that's done. On Tuesday last, A falcon, towering in her pride of place, Was by a mousing owl hawk'd at and kill'd. ROSS And Duncan's horses--a thing most strange and certain-- Beauteous and swift, the minions of their race, Turn'd wild in nature, broke their stalls, flung out, Contending 'gainst obedience, as they would make War with mankind. Old Man 'Tis said they eat each other. ROSS They did so, to the amazement of mine eyes That look'd upon't. Here comes the good Macduff. Enter MACDUFF How goes the world, sir, now? MACDUFF Why, see you not? ROSS Is't known who did this more than bloody deed? MACDUFF Those that Macbeth hath slain. ROSS Alas, the day! What good could they pretend? MACDUFF They were suborn'd: Malcolm and Donalbain, the king's two sons, Are stol'n away and fled; which puts upon them Suspicion of the deed. ROSS 'Gainst nature still! Thriftless ambition, that wilt ravin up Thine own life's means! Then 'tis most like The sovereignty will fall upon Macbeth. MACDUFF He is already named, and gone to Scone To be invested. ROSS Where is Duncan's body? MACDUFF Carried to Colmekill, The sacred storehouse of his predecessors, And guardian of their bones. ROSS Will you to Scone? MACDUFF No, cousin, I'll to Fife. ROSS Well, I will thither. MACDUFF Well, may you see things well done there: adieu! Lest our old robes sit easier than our new! ROSS Farewell, father. Old Man God's benison go with you; and with those That would make good of bad, and friends of foes! Exeunt ACT III SCENE I. Forres. The palace. Enter BANQUO BANQUO Thou hast it now: king, Cawdor, Glamis, all, As the weird women promised, and, I fear, Thou play'dst most foully for't: yet it was said It should not stand in thy posterity, But that myself should be the root and father Of many kings. If there come truth from them-- As upon thee, Macbeth, their speeches shine-- Why, by the verities on thee made good, May they not be my oracles as well, And set me up in hope? But hush! no more. Sennet sounded. Enter MACBETH, as king, LADY MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and Attendants MACBETH Here's our chief guest. LADY MACBETH If he had been forgotten, It had been as a gap in our great feast, And all-thing unbecoming. MACBETH To-night we hold a solemn supper sir, And I'll request your presence. BANQUO Let your highness Command upon me; to the which my duties Are with a most indissoluble tie For ever knit. MACBETH Ride you this afternoon? BANQUO Ay, my good lord. MACBETH We should have else desired your good advice, Which still hath been both grave and prosperous, In this day's council; but we'll take to-morrow. Is't far you ride? BANQUO As far, my lord, as will fill up the time 'Twixt this and supper: go not my horse the better, I must become a borrower of the night For a dark hour or twain. MACBETH Fail not our feast. BANQUO My lord, I will not. MACBETH We hear, our bloody cousins are bestow'd In England and in Ireland, not confessing Their cruel parricide, filling their hearers With strange invention: but of that to-morrow, When therewithal we shall have cause of state Craving us jointly. Hie you to horse: adieu, Till you return at night. Goes Fleance with you? BANQUO Ay, my good lord: our time does call upon 's. MACBETH I wish your horses swift and sure of foot; And so I do commend you to their backs. Farewell. Exit BANQUO Let every man be master of his time Till seven at night: to make society The sweeter welcome, we will keep ourself Till supper-time alone: while then, God be with you! Exeunt all but MACBETH, and an attendant Sirrah, a word with you: attend those men Our pleasure? ATTENDANT They are, my lord, without the palace gate. MACBETH Bring them before us. Exit Attendant To be thus is nothing; But to be safely thus.--Our fears in Banquo Stick deep; and in his royalty of nature Reigns that which would be fear'd: 'tis much he dares; And, to that dauntless temper of his mind, He hath a wisdom that doth guide his valour To act in safety. There is none but he Whose being I do fear: and, under him, My Genius is rebuked; as, it is said, Mark Antony's was by Caesar. He chid the sisters When first they put the name of king upon me, And bade them speak to him: then prophet-like They hail'd him father to a line of kings: Upon my head they placed a fruitless crown, And put a barren sceptre in my gripe, Thence to be wrench'd with an unlineal hand, No son of mine succeeding. If 't be so, For Banquo's issue have I filed my mind; For them the gracious Duncan have I murder'd; Put rancours in the vessel of my peace Only for them; and mine eternal jewel Given to the common enemy of man, To make them kings, the seed of Banquo kings! Rather than so, come fate into the list. And champion me to the utterance! Who's there! Re-enter Attendant, with two Murderers Now go to the door, and stay there till we call. Exit Attendant Was it not yesterday we spoke together? First Murderer It was, so please your highness. MACBETH Well then, now Have you consider'd of my speeches? Know That it was he in the times past which held you So under fortune, which you thought had been Our innocent self: this I made good to you In our last conference, pass'd in probation with you, How you were borne in hand, how cross'd, the instruments, Who wrought with them, and all things else that might To half a soul and to a notion crazed Say 'Thus did Banquo.' First Murderer You made it known to us. MACBETH I did so, and went further, which is now Our point of second meeting. Do you find Your patience so predominant in your nature That you can let this go? Are you so gospell'd To pray for this good man and for his issue, Whose heavy hand hath bow'd you to the grave And beggar'd yours for ever? First Murderer We are men, my liege. MACBETH Ay, in the catalogue ye go for men; As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs and demi-wolves, are clept All by the name of dogs: the valued file Distinguishes the swift, the slow, the subtle, The housekeeper, the hunter, every one According to the gift which bounteous nature Hath in him closed; whereby he does receive Particular addition. from the bill That writes them all alike: and so of men. Now, if you have a station in the file, Not i' the worst rank of manhood, say 't; And I will put that business in your bosoms, Whose execution takes your enemy off, Grapples you to the heart and love of us, Who wear our health but sickly in his life, Which in his death were perfect. Second Murderer I am one, my liege, Whom the vile blows and buffets of the world Have so incensed that I am reckless what I do to spite the world. First Murderer And I another So weary with disasters, tugg'd with fortune, That I would set my lie on any chance, To mend it, or be rid on't. MACBETH Both of you Know Banquo was your enemy. Both Murderers True, my lord. MACBETH So is he mine; and in such bloody distance, That every minute of his being thrusts Against my near'st of life: and though I could With barefaced power sweep him from my sight And bid my will avouch it, yet I must not, For certain friends that are both his and mine, Whose loves I may not drop, but wail his fall Who I myself struck down; and thence it is, That I to your assistance do make love, Masking the business from the common eye For sundry weighty reasons. Second Murderer We shall, my lord, Perform what you command us. First Murderer Though our lives-- MACBETH Your spirits shine through you. Within this hour at most I will advise you where to plant yourselves; Acquaint you with the perfect spy o' the time, The moment on't; for't must be done to-night, And something from the palace; always thought That I require a clearness: and with him-- To leave no rubs nor botches in the work-- Fleance his son, that keeps him company, Whose absence is no less material to me Than is his father's, must embrace the fate Of that dark hour. Resolve yourselves apart: I'll come to you anon. Both Murderers We are resolved, my lord. MACBETH I'll call upon you straight: abide within. Exeunt Murderers It is concluded. Banquo, thy soul's flight, If it find heaven, must find it out to-night. Exit SCENE II. The palace. Enter LADY MACBETH and a Servant LADY MACBETH Is Banquo gone from court? Servant Ay, madam, but returns again to-night. LADY MACBETH Say to the king, I would attend his leisure For a few words. Servant Madam, I will. Exit LADY MACBETH Nought's had, all's spent, Where our desire is got without content: 'Tis safer to be that which we destroy Than by destruction dwell in doubtful joy. Enter MACBETH How now, my lord! why do you keep alone, Of sorriest fancies your companions making, Using those thoughts which should indeed have died With them they think on? Things without all remedy Should be without regard: what's done is done. MACBETH We have scotch'd the snake, not kill'd it: She'll close and be herself, whilst our poor malice Remains in danger of her former tooth. But let the frame of things disjoint, both the worlds suffer, Ere we will eat our meal in fear and sleep In the affliction of these terrible dreams That shake us nightly: better be with the dead, Whom we, to gain our peace, have sent to peace, Than on the torture of the mind to lie In restless ecstasy. Duncan is in his grave; After life's fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing, Can touch him further. LADY MACBETH Come on; Gentle my lord, sleek o'er your rugged looks; Be bright and jovial among your guests to-night. MACBETH So shall I, love; and so, I pray, be you: Let your remembrance apply to Banquo; Present him eminence, both with eye and tongue: Unsafe the while, that we Must lave our honours in these flattering streams, And make our faces vizards to our hearts, Disguising what they are. LADY MACBETH You must leave this. MACBETH O, full of scorpions is my mind, dear wife! Thou know'st that Banquo, and his Fleance, lives. LADY MACBETH But in them nature's copy's not eterne. MACBETH There's comfort yet; they are assailable; Then be thou jocund: ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note. LADY MACBETH What's to be done? MACBETH Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; While night's black agents to their preys do rouse. Thou marvell'st at my words: but hold thee still; Things bad begun make strong themselves by ill. So, prithee, go with me. Exeunt SCENE III. A park near the palace. Enter three Murderers First Murderer But who did bid thee join with us? Third Murderer Macbeth. Second Murderer He needs not our mistrust, since he delivers Our offices and what we have to do To the direction just. First Murderer Then stand with us. The west yet glimmers with some streaks of day: Now spurs the lated traveller apace To gain the timely inn; and near approaches The subject of our watch. Third Murderer Hark! I hear horses. BANQUO Within Give us a light there, ho! Second Murderer Then 'tis he: the rest That are within the note of expectation Already are i' the court. First Murderer His horses go about. Third Murderer Almost a mile: but he does usually, So all men do, from hence to the palace gate Make it their walk. Second Murderer A light, a light! Enter BANQUO, and FLEANCE with a torch Third Murderer 'Tis he. First Murderer Stand to't. BANQUO It will be rain to-night. First Murderer Let it come down. They set upon BANQUO BANQUO O, treachery! Fly, good Fleance, fly, fly, fly! Thou mayst revenge. O slave! Dies. FLEANCE escapes Third Murderer Who did strike out the light? First Murderer Wast not the way? Third Murderer There's but one down; the son is fled. Second Murderer We have lost Best half of our affair. First Murderer Well, let's away, and say how much is done. Exeunt SCENE IV. The same. Hall in the palace. A banquet prepared. Enter MACBETH, LADY MACBETH, ROSS, LENNOX, Lords, and Attendants MACBETH You know your own degrees; sit down: at first And last the hearty welcome. Lords Thanks to your majesty. MACBETH Ourself will mingle with society, And play the humble host. Our hostess keeps her state, but in best time We will require her welcome. LADY MACBETH Pronounce it for me, sir, to all our friends; For my heart speaks they are welcome. First Murderer appears at the door MACBETH See, they encounter thee with their hearts' thanks. Both sides are even: here I'll sit i' the midst: Be large in mirth; anon we'll drink a measure The table round. Approaching the door There's blood on thy face. First Murderer 'Tis Banquo's then. MACBETH 'Tis better thee without than he within. Is he dispatch'd? First Murderer My lord, his throat is cut; that I did for him. MACBETH Thou art the best o' the cut-throats: yet he's good That did the like for Fleance: if thou didst it, Thou art the nonpareil. First Murderer Most royal sir, Fleance is 'scaped. MACBETH Then comes my fit again: I had else been perfect, Whole as the marble, founded as the rock, As broad and general as the casing air: But now I am cabin'd, cribb'd, confined, bound in To saucy doubts and fears. But Banquo's safe? First Murderer Ay, my good lord: safe in a ditch he bides, With twenty trenched gashes on his head; The least a death to nature. MACBETH Thanks for that: There the grown serpent lies; the worm that's fled Hath nature that in time will venom breed, No teeth for the present. Get thee gone: to-morrow We'll hear, ourselves, again. Exit Murderer LADY MACBETH My royal lord, You do not give the cheer: the feast is sold That is not often vouch'd, while 'tis a-making, 'Tis given with welcome: to feed were best at home; From thence the sauce to meat is ceremony; Meeting were bare without it. MACBETH Sweet remembrancer! Now, good digestion wait on appetite, And health on both! LENNOX May't please your highness sit. The GHOST OF BANQUO enters, and sits in MACBETH's place MACBETH Here had we now our country's honour roof'd, Were the graced person of our Banquo present; Who may I rather challenge for unkindness Than pity for mischance! ROSS His absence, sir, Lays blame upon his promise. Please't your highness To grace us with your royal company. MACBETH The table's full. LENNOX Here is a place reserved, sir. MACBETH Where? LENNOX Here, my good lord. What is't that moves your highness? MACBETH Which of you have done this? Lords What, my good lord? MACBETH Thou canst not say I did it: never shake Thy gory locks at me. ROSS Gentlemen, rise: his highness is not well. LADY MACBETH Sit, worthy friends: my lord is often thus, And hath been from his youth: pray you, keep seat; The fit is momentary; upon a thought He will again be well: if much you note him, You shall offend him and extend his passion: Feed, and regard him not. Are you a man? MACBETH Ay, and a bold one, that dare look on that Which might appal the devil. LADY MACBETH O proper stuff! This is the very painting of your fear: This is the air-drawn dagger which, you said, Led you to Duncan. O, these flaws and starts, Impostors to true fear, would well become A woman's story at a winter's fire, Authorized by her grandam. Shame itself! Why do you make such faces? When all's done, You look but on a stool. MACBETH Prithee, see there! behold! look! lo! how say you? Why, what care I? If thou canst nod, speak too. If charnel-houses and our graves must send Those that we bury back, our monuments Shall be the maws of kites. GHOST OF BANQUO vanishes LADY MACBETH What, quite unmann'd in folly? MACBETH If I stand here, I saw him. LADY MACBETH Fie, for shame! MACBETH Blood hath been shed ere now, i' the olden time, Ere human statute purged the gentle weal; Ay, and since too, murders have been perform'd Too terrible for the ear: the times have been, That, when the brains were out, the man would die, And there an end; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools: this is more strange Than such a murder is. LADY MACBETH My worthy lord, Your noble friends do lack you. MACBETH I do forget. Do not muse at me, my most worthy friends, I have a strange infirmity, which is nothing To those that know me. Come, love and health to all; Then I'll sit down. Give me some wine; fill full. I drink to the general joy o' the whole table, And to our dear friend Banquo, whom we miss; Would he were here! to all, and him, we thirst, And all to all. Lords Our duties, and the pledge. Re-enter GHOST OF BANQUO MACBETH Avaunt! and quit my sight! let the earth hide thee! Thy bones are marrowless, thy blood is cold; Thou hast no speculation in those eyes Which thou dost glare with! LADY MACBETH Think of this, good peers, But as a thing of custom: 'tis no other; Only it spoils the pleasure of the time. MACBETH What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble: or be alive again, And dare me to the desert with thy sword; If trembling I inhabit then, protest me The baby of a girl. Hence, horrible shadow! Unreal mockery, hence! GHOST OF BANQUO vanishes Why, so: being gone, I am a man again. Pray you, sit still. LADY MACBETH You have displaced the mirth, broke the good meeting, With most admired disorder. MACBETH Can such things be, And overcome us like a summer's cloud, Without our special wonder? You make me strange Even to the disposition that I owe, When now I think you can behold such sights, And keep the natural ruby of your cheeks, When mine is blanched with fear. ROSS What sights, my lord? LADY MACBETH I pray you, speak not; he grows worse and worse; Question enrages him. At once, good night: Stand not upon the order of your going, But go at once. LENNOX Good night; and better health Attend his majesty! LADY MACBETH A kind good night to all! Exeunt all but MACBETH and LADY MACBETH MACBETH It will have blood; they say, blood will have blood: Stones have been known to move and trees to speak; Augurs and understood relations have By magot-pies and choughs and rooks brought forth The secret'st man of blood. What is the night? LADY MACBETH Almost at odds with morning, which is which. MACBETH How say'st thou, that Macduff denies his person At our great bidding? LADY MACBETH Did you send to him, sir? MACBETH I hear it by the way; but I will send: There's not a one of them but in his house I keep a servant fee'd. I will to-morrow, And betimes I will, to the weird sisters: More shall they speak; for now I am bent to know, By the worst means, the worst. For mine own good, All causes shall give way: I am in blood Stepp'd in so far that, should I wade no more, Returning were as tedious as go o'er: Strange things I have in head, that will to hand; Which must be acted ere they may be scann'd. LADY MACBETH You lack the season of all natures, sleep. MACBETH Come, we'll to sleep. My strange and self-abuse Is the initiate fear that wants hard use: We are yet but young in deed. Exeunt SCENE V. A Heath. Thunder. Enter the three Witches meeting HECATE First Witch Why, how now, Hecate! you look angerly. HECATE Have I not reason, beldams as you are, Saucy and overbold? How did you dare To trade and traffic with Macbeth In riddles and affairs of death; And I, the mistress of your charms, The close contriver of all harms, Was never call'd to bear my part, Or show the glory of our art? And, which is worse, all you have done Hath been but for a wayward son, Spiteful and wrathful, who, as others do, Loves for his own ends, not for you. But make amends now: get you gone, And at the pit of Acheron Meet me i' the morning: thither he Will come to know his destiny: Your vessels and your spells provide, Your charms and every thing beside. I am for the air; this night I'll spend Unto a dismal and a fatal end: Great business must be wrought ere noon: Upon the corner of the moon There hangs a vaporous drop profound; I'll catch it ere it come to ground: And that distill'd by magic sleights Shall raise such artificial sprites As by the strength of their illusion Shall draw him on to his confusion: He shall spurn fate, scorn death, and bear He hopes 'bove wisdom, grace and fear: And you all know, security Is mortals' chiefest enemy. Music and a song within: 'Come away, come away,' &c Hark! I am call'd; my little spirit, see, Sits in a foggy cloud, and stays for me. Exit First Witch Come, let's make haste; she'll soon be back again. Exeunt SCENE VI. Forres. The palace. Enter LENNOX and another Lord LENNOX My former speeches have but hit your thoughts, Which can interpret further: only, I say, Things have been strangely borne. The gracious Duncan Was pitied of Macbeth: marry, he was dead: And the right-valiant Banquo walk'd too late; Whom, you may say, if't please you, Fleance kill'd, For Fleance fled: men must not walk too late. Who cannot want the thought how monstrous It was for Malcolm and for Donalbain To kill their gracious father? damned fact! How it did grieve Macbeth! did he not straight In pious rage the two delinquents tear, That were the slaves of drink and thralls of sleep? Was not that nobly done? Ay, and wisely too; For 'twould have anger'd any heart alive To hear the men deny't. So that, I say, He has borne all things well: and I do think That had he Duncan's sons under his key-- As, an't please heaven, he shall not--they should find What 'twere to kill a father; so should Fleance. But, peace! for from broad words and 'cause he fail'd His presence at the tyrant's feast, I hear Macduff lives in disgrace: sir, can you tell Where he bestows himself? Lord The son of Duncan, From whom this tyrant holds the due of birth Lives in the English court, and is received Of the most pious Edward with such grace That the malevolence of fortune nothing Takes from his high respect: thither Macduff Is gone to pray the holy king, upon his aid To wake Northumberland and warlike Siward: That, by the help of these--with Him above To ratify the work--we may again Give to our tables meat, sleep to our nights, Free from our feasts and banquets bloody knives, Do faithful homage and receive free honours: All which we pine for now: and this report Hath so exasperate the king that he Prepares for some attempt of war. LENNOX Sent he to Macduff? Lord He did: and with an absolute 'Sir, not I,' The cloudy messenger turns me his back, And hums, as who should say 'You'll rue the time That clogs me with this answer.' LENNOX And that well might Advise him to a caution, to hold what distance His wisdom can provide. Some holy angel Fly to the court of England and unfold His message ere he come, that a swift blessing May soon return to this our suffering country Under a hand accursed! Lord I'll send my prayers with him. Exeunt ACT IV SCENE I. A cavern. In the middle, a boiling cauldron. Thunder. Enter the three Witches First Witch Thrice the brinded cat hath mew'd. Second Witch Thrice and once the hedge-pig whined. Third Witch Harpier cries 'Tis time, 'tis time. First Witch Round about the cauldron go; In the poison'd entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter'd venom sleeping got, Boil thou first i' the charmed pot. ALL Double, double toil and trouble; Fire burn, and cauldron bubble. Second Witch Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder's fork and blind-worm's sting, Lizard's leg and owlet's wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. ALL Double, double toil and trouble; Fire burn and cauldron bubble. Third Witch Scale of dragon, tooth of wolf, Witches' mummy, maw and gulf Of the ravin'd salt-sea shark, Root of hemlock digg'd i' the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver'd in the moon's eclipse, Nose of Turk and Tartar's lips, Finger of birth-strangled babe Ditch-deliver'd by a drab, Make the gruel thick and slab: Add thereto a tiger's chaudron, For the ingredients of our cauldron. ALL Double, double toil and trouble; Fire burn and cauldron bubble. Second Witch Cool it with a baboon's blood, Then the charm is firm and good. Enter HECATE to the other three Witches HECATE O well done! I commend your pains; And every one shall share i' the gains; And now about the cauldron sing, Live elves and fairies in a ring, Enchanting all that you put in. Music and a song: 'Black spirits,' &c HECATE retires Second Witch By the pricking of my thumbs, Something wicked this way comes. Open, locks, Whoever knocks! Enter MACBETH MACBETH How now, you secret, black, and midnight hags! What is't you do? ALL A deed without a name. MACBETH I conjure you, by that which you profess, Howe'er you come to know it, answer me: Though you untie the winds and let them fight Against the churches; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodged and trees blown down; Though castles topple on their warders' heads; Though palaces and pyramids do slope Their heads to their foundations; though the treasure Of nature's germens tumble all together, Even till destruction sicken; answer me To what I ask you. First Witch Speak. Second Witch Demand. Third Witch We'll answer. First Witch Say, if thou'dst rather hear it from our mouths, Or from our masters? MACBETH Call 'em; let me see 'em. First Witch Pour in sow's blood, that hath eaten Her nine farrow; grease that's sweaten From the murderer's gibbet throw Into the flame. ALL Come, high or low; Thyself and office deftly show! Thunder. First Apparition: an armed Head MACBETH Tell me, thou unknown power,-- First Witch He knows thy thought: Hear his speech, but say thou nought. First Apparition Macbeth! Macbeth! Macbeth! beware Macduff; Beware the thane of Fife. Dismiss me. Enough. Descends MACBETH Whate'er thou art, for thy good caution, thanks; Thou hast harp'd my fear aright: but one word more,-- First Witch He will not be commanded: here's another, More potent than the first. Thunder. Second Apparition: A bloody Child Second Apparition Macbeth! Macbeth! Macbeth! MACBETH Had I three ears, I'ld hear thee. Second Apparition Be bloody, bold, and resolute; laugh to scorn The power of man, for none of woman born Shall harm Macbeth. Descends MACBETH Then live, Macduff: what need I fear of thee? But yet I'll make assurance double sure, And take a bond of fate: thou shalt not live; That I may tell pale-hearted fear it lies, And sleep in spite of thunder. Thunder. Third Apparition: a Child crowned, with a tree in his hand What is this That rises like the issue of a king, And wears upon his baby-brow the round And top of sovereignty? ALL Listen, but speak not to't. Third Apparition Be lion-mettled, proud; and take no care Who chafes, who frets, or where conspirers are: Macbeth shall never vanquish'd be until Great Birnam wood to high Dunsinane hill Shall come against him. Descends MACBETH That will never be Who can impress the forest, bid the tree Unfix his earth-bound root? Sweet bodements! good! Rebellion's head, rise never till the wood Of Birnam rise, and our high-placed Macbeth Shall live the lease of nature, pay his breath To time and mortal custom. Yet my heart Throbs to know one thing: tell me, if your art Can tell so much: shall Banquo's issue ever Reign in this kingdom? ALL Seek to know no more. MACBETH I will be satisfied: deny me this, And an eternal curse fall on you! Let me know. Why sinks that cauldron? and what noise is this? Hautboys First Witch Show! Second Witch Show! Third Witch Show! ALL Show his eyes, and grieve his heart; Come like shadows, so depart! A show of Eight Kings, the last with a glass in his hand; GHOST OF BANQUO following MACBETH Thou art too like the spirit of Banquo: down! Thy crown does sear mine eye-balls. And thy hair, Thou other gold-bound brow, is like the first. A third is like the former. Filthy hags! Why do you show me this? A fourth! Start, eyes! What, will the line stretch out to the crack of doom? Another yet! A seventh! I'll see no more: And yet the eighth appears, who bears a glass Which shows me many more; and some I see That two-fold balls and treble scepters carry: Horrible sight! Now, I see, 'tis true; For the blood-bolter'd Banquo smiles upon me, And points at them for his. Apparitions vanish What, is this so? First Witch Ay, sir, all this is so: but why Stands Macbeth thus amazedly? Come, sisters, cheer we up his sprites, And show the best of our delights: I'll charm the air to give a sound, While you perform your antic round: That this great king may kindly say, Our duties did his welcome pay. Music. The witches dance and then vanish, with HECATE MACBETH Where are they? Gone? Let this pernicious hour Stand aye accursed in the calendar! Come in, without there! Enter LENNOX LENNOX What's your grace's will? MACBETH Saw you the weird sisters? LENNOX No, my lord. MACBETH Came they not by you? LENNOX No, indeed, my lord. MACBETH Infected be the air whereon they ride; And damn'd all those that trust them! I did hear The galloping of horse: who was't came by? LENNOX 'Tis two or three, my lord, that bring you word Macduff is fled to England. MACBETH Fled to England! LENNOX Ay, my good lord. MACBETH Time, thou anticipatest my dread exploits: The flighty purpose never is o'ertook Unless the deed go with it; from this moment The very firstlings of my heart shall be The firstlings of my hand. And even now, To crown my thoughts with acts, be it thought and done: The castle of Macduff I will surprise; Seize upon Fife; give to the edge o' the sword His wife, his babes, and all unfortunate souls That trace him in his line. No boasting like a fool; This deed I'll do before this purpose cool. But no more sights!--Where are these gentlemen? Come, bring me where they are. Exeunt SCENE II. Fife. Macduff's castle. Enter LADY MACDUFF, her Son, and ROSS LADY MACDUFF What had he done, to make him fly the land? ROSS You must have patience, madam. LADY MACDUFF He had none: His flight was madness: when our actions do not, Our fears do make us traitors. ROSS You know not Whether it was his wisdom or his fear. LADY MACDUFF Wisdom! to leave his wife, to leave his babes, His mansion and his titles in a place From whence himself does fly? He loves us not; He wants the natural touch: for the poor wren, The most diminutive of birds, will fight, Her young ones in her nest, against the owl. All is the fear and nothing is the love; As little is the wisdom, where the flight So runs against all reason. ROSS My dearest coz, I pray you, school yourself: but for your husband, He is noble, wise, judicious, and best knows The fits o' the season. I dare not speak much further; But cruel are the times, when we are traitors And do not know ourselves, when we hold rumour From what we fear, yet know not what we fear, But float upon a wild and violent sea Each way and move. I take my leave of you: Shall not be long but I'll be here again: Things at the worst will cease, or else climb upward To what they were before. My pretty cousin, Blessing upon you! LADY MACDUFF Father'd he is, and yet he's fatherless. ROSS I am so much a fool, should I stay longer, It would be my disgrace and your discomfort: I take my leave at once. Exit LADY MACDUFF Sirrah, your father's dead; And what will you do now? How will you live? Son As birds do, mother. LADY MACDUFF What, with worms and flies? Son With what I get, I mean; and so do they. LADY MACDUFF Poor bird! thou'ldst never fear the net nor lime, The pitfall nor the gin. Son Why should I, mother? Poor birds they are not set for. My father is not dead, for all your saying. LADY MACDUFF Yes, he is dead; how wilt thou do for a father? Son Nay, how will you do for a husband? LADY MACDUFF Why, I can buy me twenty at any market. Son Then you'll buy 'em to sell again. LADY MACDUFF Thou speak'st with all thy wit: and yet, i' faith, With wit enough for thee. Son Was my father a traitor, mother? LADY MACDUFF Ay, that he was. Son What is a traitor? LADY MACDUFF Why, one that swears and lies. Son And be all traitors that do so? LADY MACDUFF Every one that does so is a traitor, and must be hanged. Son And must they all be hanged that swear and lie? LADY MACDUFF Every one. Son Who must hang them? LADY MACDUFF Why, the honest men. Son Then the liars and swearers are fools, for there are liars and swearers enow to beat the honest men and hang up them. LADY MACDUFF Now, God help thee, poor monkey! But how wilt thou do for a father? Son If he were dead, you'ld weep for him: if you would not, it were a good sign that I should quickly have a new father. LADY MACDUFF Poor prattler, how thou talk'st! Enter a Messenger Messenger Bless you, fair dame! I am not to you known, Though in your state of honour I am perfect. I doubt some danger does approach you nearly: If you will take a homely man's advice, Be not found here; hence, with your little ones. To fright you thus, methinks, I am too savage; To do worse to you were fell cruelty, Which is too nigh your person. Heaven preserve you! I dare abide no longer. Exit LADY MACDUFF Whither should I fly? I have done no harm. But I remember now I am in this earthly world; where to do harm Is often laudable, to do good sometime Accounted dangerous folly: why then, alas, Do I put up that womanly defence, To say I have done no harm? Enter Murderers What are these faces? First Murderer Where is your husband? LADY MACDUFF I hope, in no place so unsanctified Where such as thou mayst find him. First Murderer He's a traitor. Son Thou liest, thou shag-hair'd villain! First Murderer What, you egg! Stabbing him Young fry of treachery! Son He has kill'd me, mother: Run away, I pray you! Dies Exit LADY MACDUFF, crying 'Murder!' Exeunt Murderers, following her SCENE III. England. Before the King's palace. Enter MALCOLM and MACDUFF MALCOLM Let us seek out some desolate shade, and there Weep our sad bosoms empty. MACDUFF Let us rather Hold fast the mortal sword, and like good men Bestride our down-fall'n birthdom: each new morn New widows howl, new orphans cry, new sorrows Strike heaven on the face, that it resounds As if it felt with Scotland and yell'd out Like syllable of dolour. MALCOLM What I believe I'll wail, What know believe, and what I can redress, As I shall find the time to friend, I will. What you have spoke, it may be so perchance. This tyrant, whose sole name blisters our tongues, Was once thought honest: you have loved him well. He hath not touch'd you yet. I am young; but something You may deserve of him through me, and wisdom To offer up a weak poor innocent lamb To appease an angry god. MACDUFF I am not treacherous. MALCOLM But Macbeth is. A good and virtuous nature may recoil In an imperial charge. But I shall crave your pardon; That which you are my thoughts cannot transpose: Angels are bright still, though the brightest fell; Though all things foul would wear the brows of grace, Yet grace must still look so. MACDUFF I have lost my hopes. MALCOLM Perchance even there where I did find my doubts. Why in that rawness left you wife and child, Those precious motives, those strong knots of love, Without leave-taking? I pray you, Let not my jealousies be your dishonours, But mine own safeties. You may be rightly just, Whatever I shall think. MACDUFF Bleed, bleed, poor country! Great tyranny! lay thou thy basis sure, For goodness dare not cheque thee: wear thou thy wrongs; The title is affeer'd! Fare thee well, lord: I would not be the villain that thou think'st For the whole space that's in the tyrant's grasp, And the rich East to boot. MALCOLM Be not offended: I speak not as in absolute fear of you. I think our country sinks beneath the yoke; It weeps, it bleeds; and each new day a gash Is added to her wounds: I think withal There would be hands uplifted in my right; And here from gracious England have I offer Of goodly thousands: but, for all this, When I shall tread upon the tyrant's head, Or wear it on my sword, yet my poor country Shall have more vices than it had before, More suffer and more sundry ways than ever, By him that shall succeed. MACDUFF What should he be? MALCOLM It is myself I mean: in whom I know All the particulars of vice so grafted That, when they shall be open'd, black Macbeth Will seem as pure as snow, and the poor state Esteem him as a lamb, being compared With my confineless harms. MACDUFF Not in the legions Of horrid hell can come a devil more damn'd In evils to top Macbeth. MALCOLM I grant him bloody, Luxurious, avaricious, false, deceitful, Sudden, malicious, smacking of every sin That has a name: but there's no bottom, none, In my voluptuousness: your wives, your daughters, Your matrons and your maids, could not fill up The cistern of my lust, and my desire All continent impediments would o'erbear That did oppose my will: better Macbeth Than such an one to reign. MACDUFF Boundless intemperance In nature is a tyranny; it hath been The untimely emptying of the happy throne And fall of many kings. But fear not yet To take upon you what is yours: you may Convey your pleasures in a spacious plenty, And yet seem cold, the time you may so hoodwink. We have willing dames enough: there cannot be That vulture in you, to devour so many As will to greatness dedicate themselves, Finding it so inclined. MALCOLM With this there grows In my most ill-composed affection such A stanchless avarice that, were I king, I should cut off the nobles for their lands, Desire his jewels and this other's house: And my more-having would be as a sauce To make me hunger more; that I should forge Quarrels unjust against the good and loyal, Destroying them for wealth. MACDUFF This avarice Sticks deeper, grows with more pernicious root Than summer-seeming lust, and it hath been The sword of our slain kings: yet do not fear; Scotland hath foisons to fill up your will. Of your mere own: all these are portable, With other graces weigh'd. MALCOLM But I have none: the king-becoming graces, As justice, verity, temperance, stableness, Bounty, perseverance, mercy, lowliness, Devotion, patience, courage, fortitude, I have no relish of them, but abound In the division of each several crime, Acting it many ways. Nay, had I power, I should Pour the sweet milk of concord into hell, Uproar the universal peace, confound All unity on earth. MACDUFF O Scotland, Scotland! MALCOLM If such a one be fit to govern, speak: I am as I have spoken. MACDUFF Fit to govern! No, not to live. O nation miserable, With an untitled tyrant bloody-scepter'd, When shalt thou see thy wholesome days again, Since that the truest issue of thy throne By his own interdiction stands accursed, And does blaspheme his breed? Thy royal father Was a most sainted king: the queen that bore thee, Oftener upon her knees than on her feet, Died every day she lived. Fare thee well! These evils thou repeat'st upon thyself Have banish'd me from Scotland. O my breast, Thy hope ends here! MALCOLM Macduff, this noble passion, Child of integrity, hath from my soul Wiped the black scruples, reconciled my thoughts To thy good truth and honour. Devilish Macbeth By many of these trains hath sought to win me Into his power, and modest wisdom plucks me From over-credulous haste: but God above Deal between thee and me! for even now I put myself to thy direction, and Unspeak mine own detraction, here abjure The taints and blames I laid upon myself, For strangers to my nature. I am yet Unknown to woman, never was forsworn, Scarcely have coveted what was mine own, At no time broke my faith, would not betray The devil to his fellow and delight No less in truth than life: my first false speaking Was this upon myself: what I am truly, Is thine and my poor country's to command: Whither indeed, before thy here-approach, Old Siward, with ten thousand warlike men, Already at a point, was setting forth. Now we'll together; and the chance of goodness Be like our warranted quarrel! Why are you silent? MACDUFF Such welcome and unwelcome things at once 'Tis hard to reconcile. Enter a Doctor MALCOLM Well; more anon.--Comes the king forth, I pray you? Doctor Ay, sir; there are a crew of wretched souls That stay his cure: their malady convinces The great assay of art; but at his touch-- Such sanctity hath heaven given his hand-- They presently amend. MALCOLM I thank you, doctor. Exit Doctor MACDUFF What's the disease he means? MALCOLM 'Tis call'd the evil: A most miraculous work in this good king; Which often, since my here-remain in England, I have seen him do. How he solicits heaven, Himself best knows: but strangely-visited people, All swoln and ulcerous, pitiful to the eye, The mere despair of surgery, he cures, Hanging a golden stamp about their necks, Put on with holy prayers: and 'tis spoken, To the succeeding royalty he leaves The healing benediction. With this strange virtue, He hath a heavenly gift of prophecy, And sundry blessings hang about his throne, That speak him full of grace. Enter ROSS MACDUFF See, who comes here? MALCOLM My countryman; but yet I know him not. MACDUFF My ever-gentle cousin, welcome hither. MALCOLM I know him now. Good God, betimes remove The means that makes us strangers! ROSS Sir, amen. MACDUFF Stands Scotland where it did? ROSS Alas, poor country! Almost afraid to know itself. It cannot Be call'd our mother, but our grave; where nothing, But who knows nothing, is once seen to smile; Where sighs and groans and shrieks that rend the air Are made, not mark'd; where violent sorrow seems A modern ecstasy; the dead man's knell Is there scarce ask'd for who; and good men's lives Expire before the flowers in their caps, Dying or ere they sicken. MACDUFF O, relation Too nice, and yet too true! MALCOLM What's the newest grief? ROSS That of an hour's age doth hiss the speaker: Each minute teems a new one. MACDUFF How does my wife? ROSS Why, well. MACDUFF And all my children? ROSS Well too. MACDUFF The tyrant has not batter'd at their peace? ROSS No; they were well at peace when I did leave 'em. MACDUFF But not a niggard of your speech: how goes't? ROSS When I came hither to transport the tidings, Which I have heavily borne, there ran a rumour Of many worthy fellows that were out; Which was to my belief witness'd the rather, For that I saw the tyrant's power a-foot: Now is the time of help; your eye in Scotland Would create soldiers, make our women fight, To doff their dire distresses. MALCOLM Be't their comfort We are coming thither: gracious England hath Lent us good Siward and ten thousand men; An older and a better soldier none That Christendom gives out. ROSS Would I could answer This comfort with the like! But I have words That would be howl'd out in the desert air, Where hearing should not latch them. MACDUFF What concern they? The general cause? or is it a fee-grief Due to some single breast? ROSS No mind that's honest But in it shares some woe; though the main part Pertains to you alone. MACDUFF If it be mine, Keep it not from me, quickly let me have it. ROSS Let not your ears despise my tongue for ever, Which shall possess them with the heaviest sound That ever yet they heard. MACDUFF Hum! I guess at it. ROSS Your castle is surprised; your wife and babes Savagely slaughter'd: to relate the manner, Were, on the quarry of these murder'd deer, To add the death of you. MALCOLM Merciful heaven! What, man! ne'er pull your hat upon your brows; Give sorrow words: the grief that does not speak Whispers the o'er-fraught heart and bids it break. MACDUFF My children too? ROSS Wife, children, servants, all That could be found. MACDUFF And I must be from thence! My wife kill'd too? ROSS I have said. MALCOLM Be comforted: Let's make us medicines of our great revenge, To cure this deadly grief. MACDUFF He has no children. All my pretty ones? Did you say all? O hell-kite! All? What, all my pretty chickens and their dam At one fell swoop? MALCOLM Dispute it like a man. MACDUFF I shall do so; But I must also feel it as a man: I cannot but remember such things were, That were most precious to me. Did heaven look on, And would not take their part? Sinful Macduff, They were all struck for thee! naught that I am, Not for their own demerits, but for mine, Fell slaughter on their souls. Heaven rest them now! MALCOLM Be this the whetstone of your sword: let grief Convert to anger; blunt not the heart, enrage it. MACDUFF O, I could play the woman with mine eyes And braggart with my tongue! But, gentle heavens, Cut short all intermission; front to front Bring thou this fiend of Scotland and myself; Within my sword's length set him; if he 'scape, Heaven forgive him too! MALCOLM This tune goes manly. Come, go we to the king; our power is ready; Our lack is nothing but our leave; Macbeth Is ripe for shaking, and the powers above Put on their instruments. Receive what cheer you may: The night is long that never finds the day. Exeunt ACT V SCENE I. Dunsinane. Ante-room in the castle. Enter a Doctor of Physic and a Waiting-Gentlewoman Doctor I have two nights watched with you, but can perceive no truth in your report. When was it she last walked? Gentlewoman Since his majesty went into the field, I have seen her rise from her bed, throw her night-gown upon her, unlock her closet, take forth paper, fold it, write upon't, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep. Doctor A great perturbation in nature, to receive at once the benefit of sleep, and do the effects of watching! In this slumbery agitation, besides her walking and other actual performances, what, at any time, have you heard her say? Gentlewoman That, sir, which I will not report after her. Doctor You may to me: and 'tis most meet you should. Gentlewoman Neither to you nor any one; having no witness to confirm my speech. Enter LADY MACBETH, with a taper Lo you, here she comes! This is her very guise; and, upon my life, fast asleep. Observe her; stand close. Doctor How came she by that light? Gentlewoman Why, it stood by her: she has light by her continually; 'tis her command. Doctor You see, her eyes are open. Gentlewoman Ay, but their sense is shut. Doctor What is it she does now? Look, how she rubs her hands. Gentlewoman It is an accustomed action with her, to seem thus washing her hands: I have known her continue in this a quarter of an hour. LADY MACBETH Yet here's a spot. Doctor Hark! she speaks: I will set down what comes from her, to satisfy my remembrance the more strongly. LADY MACBETH Out, damned spot! out, I say!--One: two: why, then, 'tis time to do't.--Hell is murky!--Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account?--Yet who would have thought the old man to have had so much blood in him. Doctor Do you mark that? LADY MACBETH The thane of Fife had a wife: where is she now?-- What, will these hands ne'er be clean?--No more o' that, my lord, no more o' that: you mar all with this starting. Doctor Go to, go to; you have known what you should not. Gentlewoman She has spoke what she should not, I am sure of that: heaven knows what she has known. LADY MACBETH Here's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh! Doctor What a sigh is there! The heart is sorely charged. Gentlewoman I would not have such a heart in my bosom for the dignity of the whole body. Doctor Well, well, well,-- Gentlewoman Pray God it be, sir. Doctor This disease is beyond my practise: yet I have known those which have walked in their sleep who have died holily in their beds. LADY MACBETH Wash your hands, put on your nightgown; look not so pale.--I tell you yet again, Banquo's buried; he cannot come out on's grave. Doctor Even so? LADY MACBETH To bed, to bed! there's knocking at the gate: come, come, come, come, give me your hand. What's done cannot be undone.--To bed, to bed, to bed! Exit Doctor Will she go now to bed? Gentlewoman Directly. Doctor Foul whisperings are abroad: unnatural deeds Do breed unnatural troubles: infected minds To their deaf pillows will discharge their secrets: More needs she the divine than the physician. God, God forgive us all! Look after her; Remove from her the means of all annoyance, And still keep eyes upon her. So, good night: My mind she has mated, and amazed my sight. I think, but dare not speak. Gentlewoman Good night, good doctor. Exeunt SCENE II. The country near Dunsinane. Drum and colours. Enter MENTEITH, CAITHNESS, ANGUS, LENNOX, and Soldiers MENTEITH The English power is near, led on by Malcolm, His uncle Siward and the good Macduff: Revenges burn in them; for their dear causes Would to the bleeding and the grim alarm Excite the mortified man. ANGUS Near Birnam wood Shall we well meet them; that way are they coming. CAITHNESS Who knows if Donalbain be with his brother? LENNOX For certain, sir, he is not: I have a file Of all the gentry: there is Siward's son, And many unrough youths that even now Protest their first of manhood. MENTEITH What does the tyrant? CAITHNESS Great Dunsinane he strongly fortifies: Some say he's mad; others that lesser hate him Do call it valiant fury: but, for certain, He cannot buckle his distemper'd cause Within the belt of rule. ANGUS Now does he feel His secret murders sticking on his hands; Now minutely revolts upbraid his faith-breach; Those he commands move only in command, Nothing in love: now does he feel his title Hang loose about him, like a giant's robe Upon a dwarfish thief. MENTEITH Who then shall blame His pester'd senses to recoil and start, When all that is within him does condemn Itself for being there? CAITHNESS Well, march we on, To give obedience where 'tis truly owed: Meet we the medicine of the sickly weal, And with him pour we in our country's purge Each drop of us. LENNOX Or so much as it needs, To dew the sovereign flower and drown the weeds. Make we our march towards Birnam. Exeunt, marching SCENE III. Dunsinane. A room in the castle. Enter MACBETH, Doctor, and Attendants MACBETH Bring me no more reports; let them fly all: Till Birnam wood remove to Dunsinane, I cannot taint with fear. What's the boy Malcolm? Was he not born of woman? The spirits that know All mortal consequences have pronounced me thus: 'Fear not, Macbeth; no man that's born of woman Shall e'er have power upon thee.' Then fly, false thanes, And mingle with the English epicures: The mind I sway by and the heart I bear Shall never sag with doubt nor shake with fear. Enter a Servant The devil damn thee black, thou cream-faced loon! Where got'st thou that goose look? Servant There is ten thousand-- MACBETH Geese, villain! Servant Soldiers, sir. MACBETH Go prick thy face, and over-red thy fear, Thou lily-liver'd boy. What soldiers, patch? Death of thy soul! those linen cheeks of thine Are counsellors to fear. What soldiers, whey-face? Servant The English force, so please you. MACBETH Take thy face hence. Exit Servant Seyton!--I am sick at heart, When I behold--Seyton, I say!--This push Will cheer me ever, or disseat me now. I have lived long enough: my way of life Is fall'n into the sear, the yellow leaf; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not. Seyton! Enter SEYTON SEYTON What is your gracious pleasure? MACBETH What news more? SEYTON All is confirm'd, my lord, which was reported. MACBETH I'll fight till from my bones my flesh be hack'd. Give me my armour. SEYTON 'Tis not needed yet. MACBETH I'll put it on. Send out more horses; skirr the country round; Hang those that talk of fear. Give me mine armour. How does your patient, doctor? Doctor Not so sick, my lord, As she is troubled with thick coming fancies, That keep her from her rest. MACBETH Cure her of that. Canst thou not minister to a mind diseased, Pluck from the memory a rooted sorrow, Raze out the written troubles of the brain And with some sweet oblivious antidote Cleanse the stuff'd bosom of that perilous stuff Which weighs upon the heart? Doctor Therein the patient Must minister to himself. MACBETH Throw physic to the dogs; I'll none of it. Come, put mine armour on; give me my staff. Seyton, send out. Doctor, the thanes fly from me. Come, sir, dispatch. If thou couldst, doctor, cast The water of my land, find her disease, And purge it to a sound and pristine health, I would applaud thee to the very echo, That should applaud again.--Pull't off, I say.-- What rhubarb, cyme, or what purgative drug, Would scour these English hence? Hear'st thou of them? Doctor Ay, my good lord; your royal preparation Makes us hear something. MACBETH Bring it after me. I will not be afraid of death and bane, Till Birnam forest come to Dunsinane. Doctor Aside Were I from Dunsinane away and clear, Profit again should hardly draw me here. Exeunt SCENE IV. Country near Birnam wood. Drum and colours. Enter MALCOLM, SIWARD and YOUNG SIWARD, MACDUFF, MENTEITH, CAITHNESS, ANGUS, LENNOX, ROSS, and Soldiers, marching MALCOLM Cousins, I hope the days are near at hand That chambers will be safe. MENTEITH We doubt it nothing. SIWARD What wood is this before us? MENTEITH The wood of Birnam. MALCOLM Let every soldier hew him down a bough And bear't before him: thereby shall we shadow The numbers of our host and make discovery Err in report of us. Soldiers It shall be done. SIWARD We learn no other but the confident tyrant Keeps still in Dunsinane, and will endure Our setting down before 't. MALCOLM 'Tis his main hope: For where there is advantage to be given, Both more and less have given him the revolt, And none serve with him but constrained things Whose hearts are absent too. MACDUFF Let our just censures Attend the true event, and put we on Industrious soldiership. SIWARD The time approaches That will with due decision make us know What we shall say we have and what we owe. Thoughts speculative their unsure hopes relate, But certain issue strokes must arbitrate: Towards which advance the war. Exeunt, marching SCENE V. Dunsinane. Within the castle. Enter MACBETH, SEYTON, and Soldiers, with drum and colours MACBETH Hang out our banners on the outward walls; The cry is still 'They come:' our castle's strength Will laugh a siege to scorn: here let them lie Till famine and the ague eat them up: Were they not forced with those that should be ours, We might have met them dareful, beard to beard, And beat them backward home. A cry of women within What is that noise? SEYTON It is the cry of women, my good lord. Exit MACBETH I have almost forgot the taste of fears; The time has been, my senses would have cool'd To hear a night-shriek; and my fell of hair Would at a dismal treatise rouse and stir As life were in't: I have supp'd full with horrors; Direness, familiar to my slaughterous thoughts Cannot once start me. Re-enter SEYTON Wherefore was that cry? SEYTON The queen, my lord, is dead. MACBETH She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing. Enter a Messenger Thou comest to use thy tongue; thy story quickly. Messenger Gracious my lord, I should report that which I say I saw, But know not how to do it. MACBETH Well, say, sir. Messenger As I did stand my watch upon the hill, I look'd toward Birnam, and anon, methought, The wood began to move. MACBETH Liar and slave! Messenger Let me endure your wrath, if't be not so: Within this three mile may you see it coming; I say, a moving grove. MACBETH If thou speak'st false, Upon the next tree shalt thou hang alive, Till famine cling thee: if thy speech be sooth, I care not if thou dost for me as much. I pull in resolution, and begin To doubt the equivocation of the fiend That lies like truth: 'Fear not, till Birnam wood Do come to Dunsinane:' and now a wood Comes toward Dunsinane. Arm, arm, and out! If this which he avouches does appear, There is nor flying hence nor tarrying here. I gin to be aweary of the sun, And wish the estate o' the world were now undone. Ring the alarum-bell! Blow, wind! come, wrack! At least we'll die with harness on our back. Exeunt SCENE VI. Dunsinane. Before the castle. Drum and colours. Enter MALCOLM, SIWARD, MACDUFF, and their Army, with boughs MALCOLM Now near enough: your leafy screens throw down. And show like those you are. You, worthy uncle, Shall, with my cousin, your right-noble son, Lead our first battle: worthy Macduff and we Shall take upon 's what else remains to do, According to our order. SIWARD Fare you well. Do we but find the tyrant's power to-night, Let us be beaten, if we cannot fight. MACDUFF Make all our trumpets speak; give them all breath, Those clamorous harbingers of blood and death. Exeunt SCENE VII. Another part of the field. Alarums. Enter MACBETH MACBETH They have tied me to a stake; I cannot fly, But, bear-like, I must fight the course. What's he That was not born of woman? Such a one Am I to fear, or none. Enter YOUNG SIWARD YOUNG SIWARD What is thy name? MACBETH Thou'lt be afraid to hear it. YOUNG SIWARD No; though thou call'st thyself a hotter name Than any is in hell. MACBETH My name's Macbeth. YOUNG SIWARD The devil himself could not pronounce a title More hateful to mine ear. MACBETH No, nor more fearful. YOUNG SIWARD Thou liest, abhorred tyrant; with my sword I'll prove the lie thou speak'st. They fight and YOUNG SIWARD is slain MACBETH Thou wast born of woman But swords I smile at, weapons laugh to scorn, Brandish'd by man that's of a woman born. Exit Alarums. Enter MACDUFF MACDUFF That way the noise is. Tyrant, show thy face! If thou be'st slain and with no stroke of mine, My wife and children's ghosts will haunt me still. I cannot strike at wretched kerns, whose arms Are hired to bear their staves: either thou, Macbeth, Or else my sword with an unbatter'd edge I sheathe again undeeded. There thou shouldst be; By this great clatter, one of greatest note Seems bruited. Let me find him, fortune! And more I beg not. Exit. Alarums Enter MALCOLM and SIWARD SIWARD This way, my lord; the castle's gently render'd: The tyrant's people on both sides do fight; The noble thanes do bravely in the war; The day almost itself professes yours, And little is to do. MALCOLM We have met with foes That strike beside us. SIWARD Enter, sir, the castle. Exeunt. Alarums SCENE VIII. Another part of the field. Enter MACBETH MACBETH Why should I play the Roman fool, and die On mine own sword? whiles I see lives, the gashes Do better upon them. Enter MACDUFF MACDUFF Turn, hell-hound, turn! MACBETH Of all men else I have avoided thee: But get thee back; my soul is too much charged With blood of thine already. MACDUFF I have no words: My voice is in my sword: thou bloodier villain Than terms can give thee out! They fight MACBETH Thou losest labour: As easy mayst thou the intrenchant air With thy keen sword impress as make me bleed: Let fall thy blade on vulnerable crests; I bear a charmed life, which must not yield, To one of woman born. MACDUFF Despair thy charm; And let the angel whom thou still hast served Tell thee, Macduff was from his mother's womb Untimely ripp'd. MACBETH Accursed be that tongue that tells me so, For it hath cow'd my better part of man! And be these juggling fiends no more believed, That palter with us in a double sense; That keep the word of promise to our ear, And break it to our hope. I'll not fight with thee. MACDUFF Then yield thee, coward, And live to be the show and gaze o' the time: We'll have thee, as our rarer monsters are, Painted on a pole, and underwrit, 'Here may you see the tyrant.' MACBETH I will not yield, To kiss the ground before young Malcolm's feet, And to be baited with the rabble's curse. Though Birnam wood be come to Dunsinane, And thou opposed, being of no woman born, Yet I will try the last. Before my body I throw my warlike shield. Lay on, Macduff, And damn'd be him that first cries, 'Hold, enough!' Exeunt, fighting. Alarums Retreat. Flourish. Enter, with drum and colours, MALCOLM, SIWARD, ROSS, the other Thanes, and Soldiers MALCOLM I would the friends we miss were safe arrived. SIWARD Some must go off: and yet, by these I see, So great a day as this is cheaply bought. MALCOLM Macduff is missing, and your noble son. ROSS Your son, my lord, has paid a soldier's debt: He only lived but till he was a man; The which no sooner had his prowess confirm'd In the unshrinking station where he fought, But like a man he died. SIWARD Then he is dead? ROSS Ay, and brought off the field: your cause of sorrow Must not be measured by his worth, for then It hath no end. SIWARD Had he his hurts before? ROSS Ay, on the front. SIWARD Why then, God's soldier be he! Had I as many sons as I have hairs, I would not wish them to a fairer death: And so, his knell is knoll'd. MALCOLM He's worth more sorrow, And that I'll spend for him. SIWARD He's worth no more They say he parted well, and paid his score: And so, God be with him! Here comes newer comfort. Re-enter MACDUFF, with MACBETH's head MACDUFF Hail, king! for so thou art: behold, where stands The usurper's cursed head: the time is free: I see thee compass'd with thy kingdom's pearl, That speak my salutation in their minds; Whose voices I desire aloud with mine: Hail, King of Scotland! ALL Hail, King of Scotland! Flourish MALCOLM We shall not spend a large expense of time Before we reckon with your several loves, And make us even with you. My thanes and kinsmen, Henceforth be earls, the first that ever Scotland In such an honour named. What's more to do, Which would be planted newly with the time, As calling home our exiled friends abroad That fled the snares of watchful tyranny; Producing forth the cruel ministers Of this dead butcher and his fiend-like queen, Who, as 'tis thought, by self and violent hands Took off her life; this, and what needful else That calls upon us, by the grace of Grace, We will perform in measure, time and place: So, thanks to all at once and to each one, Whom we invite to see us crown'd at Scone. Flourish. Exeunt
shakespeare/play.dtd0000744000076500007650000000224411657547525016143 0ustar hoschekhoschek00000000000000 shakespeare/r_and_j.xml0000744000076500007650000065267211657547525016637 0ustar hoschekhoschek00000000000000 The Tragedy of Romeo and Juliet

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Dramatis Personae ESCALUS, prince of Verona. PARIS, a young nobleman, kinsman to the prince. MONTAGUE CAPULET heads of two houses at variance with each other. An old man, cousin to Capulet. ROMEO, son to Montague. MERCUTIO, kinsman to the prince, and friend to Romeo. BENVOLIO, nephew to Montague, and friend to Romeo. TYBALT, nephew to Lady Capulet. FRIAR LAURENCE FRIAR JOHN Franciscans. BALTHASAR, servant to Romeo. SAMPSON GREGORY servants to Capulet. PETER, servant to Juliet's nurse. ABRAHAM, servant to Montague. An Apothecary. Three Musicians. Page to Paris; another Page; an officer. LADY MONTAGUE, wife to Montague. LADY CAPULET, wife to Capulet. JULIET, daughter to Capulet. Nurse to Juliet. Citizens of Verona; several Men and Women, relations to both houses; Maskers, Guards, Watchmen, and Attendants. Chorus. SCENE Verona: Mantua. ROMEO AND JULIET ACT I PROLOGUE Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whole misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend. SCENE I. Verona. A public place. Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers SAMPSON Gregory, o' my word, we'll not carry coals. GREGORY No, for then we should be colliers. SAMPSON I mean, an we be in choler, we'll draw. GREGORY Ay, while you live, draw your neck out o' the collar. SAMPSON I strike quickly, being moved. GREGORY But thou art not quickly moved to strike. SAMPSON A dog of the house of Montague moves me. GREGORY To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away. SAMPSON A dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's. GREGORY That shows thee a weak slave; for the weakest goes to the wall. SAMPSON True; and therefore women, being the weaker vessels, are ever thrust to the wall: therefore I will push Montague's men from the wall, and thrust his maids to the wall. GREGORY The quarrel is between our masters and us their men. SAMPSON 'Tis all one, I will show myself a tyrant: when I have fought with the men, I will be cruel with the maids, and cut off their heads. GREGORY The heads of the maids? SAMPSON Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt. GREGORY They must take it in sense that feel it. SAMPSON Me they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh. GREGORY 'Tis well thou art not fish; if thou hadst, thou hadst been poor John. Draw thy tool! here comes two of the house of the Montagues. SAMPSON My naked weapon is out: quarrel, I will back thee. GREGORY How! turn thy back and run? SAMPSON Fear me not. GREGORY No, marry; I fear thee! SAMPSON Let us take the law of our sides; let them begin. GREGORY I will frown as I pass by, and let them take it as they list. SAMPSON Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it. Enter ABRAHAM and BALTHASAR ABRAHAM Do you bite your thumb at us, sir? SAMPSON I do bite my thumb, sir. ABRAHAM Do you bite your thumb at us, sir? SAMPSON Aside to GREGORY Is the law of our side, if I say ay? GREGORY No. SAMPSON No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. GREGORY Do you quarrel, sir? ABRAHAM Quarrel sir! no, sir. SAMPSON If you do, sir, I am for you: I serve as good a man as you. ABRAHAM No better. SAMPSON Well, sir. GREGORY Say 'better:' here comes one of my master's kinsmen. SAMPSON Yes, better, sir. ABRAHAM You lie. SAMPSON Draw, if you be men. Gregory, remember thy swashing blow. They fight Enter BENVOLIO BENVOLIO Part, fools! Put up your swords; you know not what you do. Beats down their swords Enter TYBALT TYBALT What, art thou drawn among these heartless hinds? Turn thee, Benvolio, look upon thy death. BENVOLIO I do but keep the peace: put up thy sword, Or manage it to part these men with me. TYBALT What, drawn, and talk of peace! I hate the word, As I hate hell, all Montagues, and thee: Have at thee, coward! They fight Enter, several of both houses, who join the fray; then enter Citizens, with clubs First Citizen Clubs, bills, and partisans! strike! beat them down! Down with the Capulets! down with the Montagues! Enter CAPULET in his gown, and LADY CAPULET CAPULET What noise is this? Give me my long sword, ho! LADY CAPULET A crutch, a crutch! why call you for a sword? CAPULET My sword, I say! Old Montague is come, And flourishes his blade in spite of me. Enter MONTAGUE and LADY MONTAGUE MONTAGUE Thou villain Capulet,--Hold me not, let me go. LADY MONTAGUE Thou shalt not stir a foot to seek a foe. Enter PRINCE, with Attendants PRINCE Rebellious subjects, enemies to peace, Profaners of this neighbour-stained steel,-- Will they not hear? What, ho! you men, you beasts, That quench the fire of your pernicious rage With purple fountains issuing from your veins, On pain of torture, from those bloody hands Throw your mistemper'd weapons to the ground, And hear the sentence of your moved prince. Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, Have thrice disturb'd the quiet of our streets, And made Verona's ancient citizens Cast by their grave beseeming ornaments, To wield old partisans, in hands as old, Canker'd with peace, to part your canker'd hate: If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time, all the rest depart away: You Capulet; shall go along with me: And, Montague, come you this afternoon, To know our further pleasure in this case, To old Free-town, our common judgment-place. Once more, on pain of death, all men depart. Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO MONTAGUE Who set this ancient quarrel new abroach? Speak, nephew, were you by when it began? BENVOLIO Here were the servants of your adversary, And yours, close fighting ere I did approach: I drew to part them: in the instant came The fiery Tybalt, with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who nothing hurt withal hiss'd him in scorn: While we were interchanging thrusts and blows, Came more and more and fought on part and part, Till the prince came, who parted either part. LADY MONTAGUE O, where is Romeo? saw you him to-day? Right glad I am he was not at this fray. BENVOLIO Madam, an hour before the worshipp'd sun Peer'd forth the golden window of the east, A troubled mind drave me to walk abroad; Where, underneath the grove of sycamore That westward rooteth from the city's side, So early walking did I see your son: Towards him I made, but he was ware of me And stole into the covert of the wood: I, measuring his affections by my own, That most are busied when they're most alone, Pursued my humour not pursuing his, And gladly shunn'd who gladly fled from me. MONTAGUE Many a morning hath he there been seen, With tears augmenting the fresh morning dew. Adding to clouds more clouds with his deep sighs; But all so soon as the all-cheering sun Should in the furthest east begin to draw The shady curtains from Aurora's bed, Away from the light steals home my heavy son, And private in his chamber pens himself, Shuts up his windows, locks far daylight out And makes himself an artificial night: Black and portentous must this humour prove, Unless good counsel may the cause remove. BENVOLIO My noble uncle, do you know the cause? MONTAGUE I neither know it nor can learn of him. BENVOLIO Have you importuned him by any means? MONTAGUE Both by myself and many other friends: But he, his own affections' counsellor, Is to himself--I will not say how true-- But to himself so secret and so close, So far from sounding and discovery, As is the bud bit with an envious worm, Ere he can spread his sweet leaves to the air, Or dedicate his beauty to the sun. Could we but learn from whence his sorrows grow. We would as willingly give cure as know. Enter ROMEO BENVOLIO See, where he comes: so please you, step aside; I'll know his grievance, or be much denied. MONTAGUE I would thou wert so happy by thy stay, To hear true shrift. Come, madam, let's away. Exeunt MONTAGUE and LADY MONTAGUE BENVOLIO Good-morrow, cousin. ROMEO Is the day so young? BENVOLIO But new struck nine. ROMEO Ay me! sad hours seem long. Was that my father that went hence so fast? BENVOLIO It was. What sadness lengthens Romeo's hours? ROMEO Not having that, which, having, makes them short. BENVOLIO In love? ROMEO Out-- BENVOLIO Of love? ROMEO Out of her favour, where I am in love. BENVOLIO Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! ROMEO Alas, that love, whose view is muffled still, Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here's much to do with hate, but more with love. Why, then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh? BENVOLIO No, coz, I rather weep. ROMEO Good heart, at what? BENVOLIO At thy good heart's oppression. ROMEO Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz. BENVOLIO Soft! I will go along; An if you leave me so, you do me wrong. ROMEO Tut, I have lost myself; I am not here; This is not Romeo, he's some other where. BENVOLIO Tell me in sadness, who is that you love. ROMEO What, shall I groan and tell thee? BENVOLIO Groan! why, no. But sadly tell me who. ROMEO Bid a sick man in sadness make his will: Ah, word ill urged to one that is so ill! In sadness, cousin, I do love a woman. BENVOLIO I aim'd so near, when I supposed you loved. ROMEO A right good mark-man! And she's fair I love. BENVOLIO A right fair mark, fair coz, is soonest hit. ROMEO Well, in that hit you miss: she'll not be hit With Cupid's arrow; she hath Dian's wit; And, in strong proof of chastity well arm'd, From love's weak childish bow she lives unharm'd. She will not stay the siege of loving terms, Nor bide the encounter of assailing eyes, Nor ope her lap to saint-seducing gold: O, she is rich in beauty, only poor, That when she dies with beauty dies her store. BENVOLIO Then she hath sworn that she will still live chaste? ROMEO She hath, and in that sparing makes huge waste, For beauty starved with her severity Cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, To merit bliss by making me despair: She hath forsworn to love, and in that vow Do I live dead that live to tell it now. BENVOLIO Be ruled by me, forget to think of her. ROMEO O, teach me how I should forget to think. BENVOLIO By giving liberty unto thine eyes; Examine other beauties. ROMEO 'Tis the way To call hers exquisite, in question more: These happy masks that kiss fair ladies' brows Being black put us in mind they hide the fair; He that is strucken blind cannot forget The precious treasure of his eyesight lost: Show me a mistress that is passing fair, What doth her beauty serve, but as a note Where I may read who pass'd that passing fair? Farewell: thou canst not teach me to forget. BENVOLIO I'll pay that doctrine, or else die in debt. Exeunt SCENE II. A street. Enter CAPULET, PARIS, and Servant CAPULET But Montague is bound as well as I, In penalty alike; and 'tis not hard, I think, For men so old as we to keep the peace. PARIS Of honourable reckoning are you both; And pity 'tis you lived at odds so long. But now, my lord, what say you to my suit? CAPULET But saying o'er what I have said before: My child is yet a stranger in the world; She hath not seen the change of fourteen years, Let two more summers wither in their pride, Ere we may think her ripe to be a bride. PARIS Younger than she are happy mothers made. CAPULET And too soon marr'd are those so early made. The earth hath swallow'd all my hopes but she, She is the hopeful lady of my earth: But woo her, gentle Paris, get her heart, My will to her consent is but a part; An she agree, within her scope of choice Lies my consent and fair according voice. This night I hold an old accustom'd feast, Whereto I have invited many a guest, Such as I love; and you, among the store, One more, most welcome, makes my number more. At my poor house look to behold this night Earth-treading stars that make dark heaven light: Such comfort as do lusty young men feel When well-apparell'd April on the heel Of limping winter treads, even such delight Among fresh female buds shall you this night Inherit at my house; hear all, all see, And like her most whose merit most shall be: Which on more view, of many mine being one May stand in number, though in reckoning none, Come, go with me. To Servant, giving a paper Go, sirrah, trudge about Through fair Verona; find those persons out Whose names are written there, and to them say, My house and welcome on their pleasure stay. Exeunt CAPULET and PARIS Servant Find them out whose names are written here! It is written, that the shoemaker should meddle with his yard, and the tailor with his last, the fisher with his pencil, and the painter with his nets; but I am sent to find those persons whose names are here writ, and can never find what names the writing person hath here writ. I must to the learned.--In good time. Enter BENVOLIO and ROMEO BENVOLIO Tut, man, one fire burns out another's burning, One pain is lessen'd by another's anguish; Turn giddy, and be holp by backward turning; One desperate grief cures with another's languish: Take thou some new infection to thy eye, And the rank poison of the old will die. ROMEO Your plaintain-leaf is excellent for that. BENVOLIO For what, I pray thee? ROMEO For your broken shin. BENVOLIO Why, Romeo, art thou mad? ROMEO Not mad, but bound more than a mad-man is; Shut up in prison, kept without my food, Whipp'd and tormented and--God-den, good fellow. Servant God gi' god-den. I pray, sir, can you read? ROMEO Ay, mine own fortune in my misery. Servant Perhaps you have learned it without book: but, I pray, can you read any thing you see? ROMEO Ay, if I know the letters and the language. Servant Ye say honestly: rest you merry! ROMEO Stay, fellow; I can read. Reads 'Signior Martino and his wife and daughters; County Anselme and his beauteous sisters; the lady widow of Vitravio; Signior Placentio and his lovely nieces; Mercutio and his brother Valentine; mine uncle Capulet, his wife and daughters; my fair niece Rosaline; Livia; Signior Valentio and his cousin Tybalt, Lucio and the lively Helena.' A fair assembly: whither should they come? Servant Up. ROMEO Whither? Servant To supper; to our house. ROMEO Whose house? Servant My master's. ROMEO Indeed, I should have ask'd you that before. Servant Now I'll tell you without asking: my master is the great rich Capulet; and if you be not of the house of Montagues, I pray, come and crush a cup of wine. Rest you merry! Exit BENVOLIO At this same ancient feast of Capulet's Sups the fair Rosaline whom thou so lovest, With all the admired beauties of Verona: Go thither; and, with unattainted eye, Compare her face with some that I shall show, And I will make thee think thy swan a crow. ROMEO When the devout religion of mine eye Maintains such falsehood, then turn tears to fires; And these, who often drown'd could never die, Transparent heretics, be burnt for liars! One fairer than my love! the all-seeing sun Ne'er saw her match since first the world begun. BENVOLIO Tut, you saw her fair, none else being by, Herself poised with herself in either eye: But in that crystal scales let there be weigh'd Your lady's love against some other maid That I will show you shining at this feast, And she shall scant show well that now shows best. ROMEO I'll go along, no such sight to be shown, But to rejoice in splendor of mine own. Exeunt SCENE III. A room in Capulet's house. Enter LADY CAPULET and Nurse LADY CAPULET Nurse, where's my daughter? call her forth to me. Nurse Now, by my maidenhead, at twelve year old, I bade her come. What, lamb! what, ladybird! God forbid! Where's this girl? What, Juliet! Enter JULIET JULIET How now! who calls? Nurse Your mother. JULIET Madam, I am here. What is your will? LADY CAPULET This is the matter:--Nurse, give leave awhile, We must talk in secret:--nurse, come back again; I have remember'd me, thou's hear our counsel. Thou know'st my daughter's of a pretty age. Nurse Faith, I can tell her age unto an hour. LADY CAPULET She's not fourteen. Nurse I'll lay fourteen of my teeth,-- And yet, to my teeth be it spoken, I have but four-- She is not fourteen. How long is it now To Lammas-tide? LADY CAPULET A fortnight and odd days. Nurse Even or odd, of all days in the year, Come Lammas-eve at night shall she be fourteen. Susan and she--God rest all Christian souls!-- Were of an age: well, Susan is with God; She was too good for me: but, as I said, On Lammas-eve at night shall she be fourteen; That shall she, marry; I remember it well. 'Tis since the earthquake now eleven years; And she was wean'd,--I never shall forget it,-- Of all the days of the year, upon that day: For I had then laid wormwood to my dug, Sitting in the sun under the dove-house wall; My lord and you were then at Mantua:-- Nay, I do bear a brain:--but, as I said, When it did taste the wormwood on the nipple Of my dug and felt it bitter, pretty fool, To see it tetchy and fall out with the dug! Shake quoth the dove-house: 'twas no need, I trow, To bid me trudge: And since that time it is eleven years; For then she could stand alone; nay, by the rood, She could have run and waddled all about; For even the day before, she broke her brow: And then my husband--God be with his soul! A' was a merry man--took up the child: 'Yea,' quoth he, 'dost thou fall upon thy face? Thou wilt fall backward when thou hast more wit; Wilt thou not, Jule?' and, by my holidame, The pretty wretch left crying and said 'Ay.' To see, now, how a jest shall come about! I warrant, an I should live a thousand years, I never should forget it: 'Wilt thou not, Jule?' quoth he; And, pretty fool, it stinted and said 'Ay.' LADY CAPULET Enough of this; I pray thee, hold thy peace. Nurse Yes, madam: yet I cannot choose but laugh, To think it should leave crying and say 'Ay.' And yet, I warrant, it had upon its brow A bump as big as a young cockerel's stone; A parlous knock; and it cried bitterly: 'Yea,' quoth my husband,'fall'st upon thy face? Thou wilt fall backward when thou comest to age; Wilt thou not, Jule?' it stinted and said 'Ay.' JULIET And stint thou too, I pray thee, nurse, say I. Nurse Peace, I have done. God mark thee to his grace! Thou wast the prettiest babe that e'er I nursed: An I might live to see thee married once, I have my wish. LADY CAPULET Marry, that 'marry' is the very theme I came to talk of. Tell me, daughter Juliet, How stands your disposition to be married? JULIET It is an honour that I dream not of. Nurse An honour! were not I thine only nurse, I would say thou hadst suck'd wisdom from thy teat. LADY CAPULET Well, think of marriage now; younger than you, Here in Verona, ladies of esteem, Are made already mothers: by my count, I was your mother much upon these years That you are now a maid. Thus then in brief: The valiant Paris seeks you for his love. Nurse A man, young lady! lady, such a man As all the world--why, he's a man of wax. LADY CAPULET Verona's summer hath not such a flower. Nurse Nay, he's a flower; in faith, a very flower. LADY CAPULET What say you? can you love the gentleman? This night you shall behold him at our feast; Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content And what obscured in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea, and 'tis much pride For fair without the fair within to hide: That book in many's eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, making yourself no less. Nurse No less! nay, bigger; women grow by men. LADY CAPULET Speak briefly, can you like of Paris' love? JULIET I'll look to like, if looking liking move: But no more deep will I endart mine eye Than your consent gives strength to make it fly. Enter a Servant Servant Madam, the guests are come, supper served up, you called, my young lady asked for, the nurse cursed in the pantry, and every thing in extremity. I must hence to wait; I beseech you, follow straight. LADY CAPULET We follow thee. Exit Servant Juliet, the county stays. Nurse Go, girl, seek happy nights to happy days. Exeunt SCENE IV. A street. Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others ROMEO What, shall this speech be spoke for our excuse? Or shall we on without a apology? BENVOLIO The date is out of such prolixity: We'll have no Cupid hoodwink'd with a scarf, Bearing a Tartar's painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will; We'll measure them a measure, and be gone. ROMEO Give me a torch: I am not for this ambling; Being but heavy, I will bear the light. MERCUTIO Nay, gentle Romeo, we must have you dance. ROMEO Not I, believe me: you have dancing shoes With nimble soles: I have a soul of lead So stakes me to the ground I cannot move. MERCUTIO You are a lover; borrow Cupid's wings, And soar with them above a common bound. ROMEO I am too sore enpierced with his shaft To soar with his light feathers, and so bound, I cannot bound a pitch above dull woe: Under love's heavy burden do I sink. MERCUTIO And, to sink in it, should you burden love; Too great oppression for a tender thing. ROMEO Is love a tender thing? it is too rough, Too rude, too boisterous, and it pricks like thorn. MERCUTIO If love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Give me a case to put my visage in: A visor for a visor! what care I What curious eye doth quote deformities? Here are the beetle brows shall blush for me. BENVOLIO Come, knock and enter; and no sooner in, But every man betake him to his legs. ROMEO A torch for me: let wantons light of heart Tickle the senseless rushes with their heels, For I am proverb'd with a grandsire phrase; I'll be a candle-holder, and look on. The game was ne'er so fair, and I am done. MERCUTIO Tut, dun's the mouse, the constable's own word: If thou art dun, we'll draw thee from the mire Of this sir-reverence love, wherein thou stick'st Up to the ears. Come, we burn daylight, ho! ROMEO Nay, that's not so. MERCUTIO I mean, sir, in delay We waste our lights in vain, like lamps by day. Take our good meaning, for our judgment sits Five times in that ere once in our five wits. ROMEO And we mean well in going to this mask; But 'tis no wit to go. MERCUTIO Why, may one ask? ROMEO I dream'd a dream to-night. MERCUTIO And so did I. ROMEO Well, what was yours? MERCUTIO That dreamers often lie. ROMEO In bed asleep, while they do dream things true. MERCUTIO O, then, I see Queen Mab hath been with you. She is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep; Her wagon-spokes made of long spiders' legs, The cover of the wings of grasshoppers, The traces of the smallest spider's web, The collars of the moonshine's watery beams, Her whip of cricket's bone, the lash of film, Her wagoner a small grey-coated gnat, Not so big as a round little worm Prick'd from the lazy finger of a maid; Her chariot is an empty hazel-nut Made by the joiner squirrel or old grub, Time out o' mind the fairies' coachmakers. And in this state she gallops night by night Through lovers' brains, and then they dream of love; O'er courtiers' knees, that dream on court'sies straight, O'er lawyers' fingers, who straight dream on fees, O'er ladies ' lips, who straight on kisses dream, Which oft the angry Mab with blisters plagues, Because their breaths with sweetmeats tainted are: Sometime she gallops o'er a courtier's nose, And then dreams he of smelling out a suit; And sometime comes she with a tithe-pig's tail Tickling a parson's nose as a' lies asleep, Then dreams, he of another benefice: Sometime she driveth o'er a soldier's neck, And then dreams he of cutting foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five-fathom deep; and then anon Drums in his ear, at which he starts and wakes, And being thus frighted swears a prayer or two And sleeps again. This is that very Mab That plats the manes of horses in the night, And bakes the elflocks in foul sluttish hairs, Which once untangled, much misfortune bodes: This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage: This is she-- ROMEO Peace, peace, Mercutio, peace! Thou talk'st of nothing. MERCUTIO True, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air And more inconstant than the wind, who wooes Even now the frozen bosom of the north, And, being anger'd, puffs away from thence, Turning his face to the dew-dropping south. BENVOLIO This wind, you talk of, blows us from ourselves; Supper is done, and we shall come too late. ROMEO I fear, too early: for my mind misgives Some consequence yet hanging in the stars Shall bitterly begin his fearful date With this night's revels and expire the term Of a despised life closed in my breast By some vile forfeit of untimely death. But He, that hath the steerage of my course, Direct my sail! On, lusty gentlemen. BENVOLIO Strike, drum. Exeunt SCENE V. A hall in Capulet's house. Musicians waiting. Enter Servingmen with napkins First Servant Where's Potpan, that he helps not to take away? He shift a trencher? he scrape a trencher! Second Servant When good manners shall lie all in one or two men's hands and they unwashed too, 'tis a foul thing. First Servant Away with the joint-stools, remove the court-cupboard, look to the plate. Good thou, save me a piece of marchpane; and, as thou lovest me, let the porter let in Susan Grindstone and Nell. Antony, and Potpan! Second Servant Ay, boy, ready. First Servant You are looked for and called for, asked for and sought for, in the great chamber. Second Servant We cannot be here and there too. Cheerly, boys; be brisk awhile, and the longer liver take all. Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers CAPULET Welcome, gentlemen! ladies that have their toes Unplagued with corns will have a bout with you. Ah ha, my mistresses! which of you all Will now deny to dance? she that makes dainty, She, I'll swear, hath corns; am I come near ye now? Welcome, gentlemen! I have seen the day That I have worn a visor and could tell A whispering tale in a fair lady's ear, Such as would please: 'tis gone, 'tis gone, 'tis gone: You are welcome, gentlemen! come, musicians, play. A hall, a hall! give room! and foot it, girls. Music plays, and they dance More light, you knaves; and turn the tables up, And quench the fire, the room is grown too hot. Ah, sirrah, this unlook'd-for sport comes well. Nay, sit, nay, sit, good cousin Capulet; For you and I are past our dancing days: How long is't now since last yourself and I Were in a mask? Second Capulet By'r lady, thirty years. CAPULET What, man! 'tis not so much, 'tis not so much: 'Tis since the nuptials of Lucentio, Come pentecost as quickly as it will, Some five and twenty years; and then we mask'd. Second Capulet 'Tis more, 'tis more, his son is elder, sir; His son is thirty. CAPULET Will you tell me that? His son was but a ward two years ago. ROMEO To a Servingman What lady is that, which doth enrich the hand Of yonder knight? Servant I know not, sir. ROMEO O, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear; Beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows, As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand, And, touching hers, make blessed my rude hand. Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night. TYBALT This, by his voice, should be a Montague. Fetch me my rapier, boy. What dares the slave Come hither, cover'd with an antic face, To fleer and scorn at our solemnity? Now, by the stock and honour of my kin, To strike him dead, I hold it not a sin. CAPULET Why, how now, kinsman! wherefore storm you so? TYBALT Uncle, this is a Montague, our foe, A villain that is hither come in spite, To scorn at our solemnity this night. CAPULET Young Romeo is it? TYBALT 'Tis he, that villain Romeo. CAPULET Content thee, gentle coz, let him alone; He bears him like a portly gentleman; And, to say truth, Verona brags of him To be a virtuous and well-govern'd youth: I would not for the wealth of all the town Here in my house do him disparagement: Therefore be patient, take no note of him: It is my will, the which if thou respect, Show a fair presence and put off these frowns, And ill-beseeming semblance for a feast. TYBALT It fits, when such a villain is a guest: I'll not endure him. CAPULET He shall be endured: What, goodman boy! I say, he shall: go to; Am I the master here, or you? go to. You'll not endure him! God shall mend my soul! You'll make a mutiny among my guests! You will set cock-a-hoop! you'll be the man! TYBALT Why, uncle, 'tis a shame. CAPULET Go to, go to; You are a saucy boy: is't so, indeed? This trick may chance to scathe you, I know what: You must contrary me! marry, 'tis time. Well said, my hearts! You are a princox; go: Be quiet, or--More light, more light! For shame! I'll make you quiet. What, cheerly, my hearts! TYBALT Patience perforce with wilful choler meeting Makes my flesh tremble in their different greeting. I will withdraw: but this intrusion shall Now seeming sweet convert to bitter gall. Exit ROMEO To JULIET If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. JULIET Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. ROMEO Have not saints lips, and holy palmers too? JULIET Ay, pilgrim, lips that they must use in prayer. ROMEO O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. JULIET Saints do not move, though grant for prayers' sake. ROMEO Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. JULIET Then have my lips the sin that they have took. ROMEO Sin from thy lips? O trespass sweetly urged! Give me my sin again. JULIET You kiss by the book. Nurse Madam, your mother craves a word with you. ROMEO What is her mother? Nurse Marry, bachelor, Her mother is the lady of the house, And a good lady, and a wise and virtuous I nursed her daughter, that you talk'd withal; I tell you, he that can lay hold of her Shall have the chinks. ROMEO Is she a Capulet? O dear account! my life is my foe's debt. BENVOLIO Away, begone; the sport is at the best. ROMEO Ay, so I fear; the more is my unrest. CAPULET Nay, gentlemen, prepare not to be gone; We have a trifling foolish banquet towards. Is it e'en so? why, then, I thank you all I thank you, honest gentlemen; good night. More torches here! Come on then, let's to bed. Ah, sirrah, by my fay, it waxes late: I'll to my rest. Exeunt all but JULIET and Nurse JULIET Come hither, nurse. What is yond gentleman? Nurse The son and heir of old Tiberio. JULIET What's he that now is going out of door? Nurse Marry, that, I think, be young Petrucio. JULIET What's he that follows there, that would not dance? Nurse I know not. JULIET Go ask his name: if he be married. My grave is like to be my wedding bed. Nurse His name is Romeo, and a Montague; The only son of your great enemy. JULIET My only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy. Nurse What's this? what's this? JULIET A rhyme I learn'd even now Of one I danced withal. One calls within 'Juliet.' Nurse Anon, anon! Come, let's away; the strangers all are gone. Exeunt ACT II PROLOGUE Enter Chorus Chorus Now old desire doth in his death-bed lie, And young affection gapes to be his heir; That fair for which love groan'd for and would die, With tender Juliet match'd, is now not fair. Now Romeo is beloved and loves again, Alike betwitched by the charm of looks, But to his foe supposed he must complain, And she steal love's sweet bait from fearful hooks: Being held a foe, he may not have access To breathe such vows as lovers use to swear; And she as much in love, her means much less To meet her new-beloved any where: But passion lends them power, time means, to meet Tempering extremities with extreme sweet. Exit SCENE I. A lane by the wall of Capulet's orchard. Enter ROMEO ROMEO Can I go forward when my heart is here? Turn back, dull earth, and find thy centre out. He climbs the wall, and leaps down within it Enter BENVOLIO and MERCUTIO BENVOLIO Romeo! my cousin Romeo! MERCUTIO He is wise; And, on my lie, hath stol'n him home to bed. BENVOLIO He ran this way, and leap'd this orchard wall: Call, good Mercutio. MERCUTIO Nay, I'll conjure too. Romeo! humours! madman! passion! lover! Appear thou in the likeness of a sigh: Speak but one rhyme, and I am satisfied; Cry but 'Ay me!' pronounce but 'love' and 'dove;' Speak to my gossip Venus one fair word, One nick-name for her purblind son and heir, Young Adam Cupid, he that shot so trim, When King Cophetua loved the beggar-maid! He heareth not, he stirreth not, he moveth not; The ape is dead, and I must conjure him. I conjure thee by Rosaline's bright eyes, By her high forehead and her scarlet lip, By her fine foot, straight leg and quivering thigh And the demesnes that there adjacent lie, That in thy likeness thou appear to us! BENVOLIO And if he hear thee, thou wilt anger him. MERCUTIO This cannot anger him: 'twould anger him To raise a spirit in his mistress' circle Of some strange nature, letting it there stand Till she had laid it and conjured it down; That were some spite: my invocation Is fair and honest, and in his mistress' name I conjure only but to raise up him. BENVOLIO Come, he hath hid himself among these trees, To be consorted with the humorous night: Blind is his love and best befits the dark. MERCUTIO If love be blind, love cannot hit the mark. Now will he sit under a medlar tree, And wish his mistress were that kind of fruit As maids call medlars, when they laugh alone. Romeo, that she were, O, that she were An open et caetera, thou a poperin pear! Romeo, good night: I'll to my truckle-bed; This field-bed is too cold for me to sleep: Come, shall we go? BENVOLIO Go, then; for 'tis in vain To seek him here that means not to be found. Exeunt SCENE II. Capulet's orchard. Enter ROMEO ROMEO He jests at scars that never felt a wound. JULIET appears above at a window But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she: Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! O, that she knew she were! She speaks yet she says nothing: what of that? Her eye discourses; I will answer it. I am too bold, 'tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See, how she leans her cheek upon her hand! O, that I were a glove upon that hand, That I might touch that cheek! JULIET Ay me! ROMEO She speaks: O, speak again, bright angel! for thou art As glorious to this night, being o'er my head As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air. JULIET O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. ROMEO Aside Shall I hear more, or shall I speak at this? JULIET 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself. ROMEO I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. JULIET What man art thou that thus bescreen'd in night So stumblest on my counsel? ROMEO By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; Had I it written, I would tear the word. JULIET My ears have not yet drunk a hundred words Of that tongue's utterance, yet I know the sound: Art thou not Romeo and a Montague? ROMEO Neither, fair saint, if either thee dislike. JULIET How camest thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art, If any of my kinsmen find thee here. ROMEO With love's light wings did I o'er-perch these walls; For stony limits cannot hold love out, And what love can do that dares love attempt; Therefore thy kinsmen are no let to me. JULIET If they do see thee, they will murder thee. ROMEO Alack, there lies more peril in thine eye Than twenty of their swords: look thou but sweet, And I am proof against their enmity. JULIET I would not for the world they saw thee here. ROMEO I have night's cloak to hide me from their sight; And but thou love me, let them find me here: My life were better ended by their hate, Than death prorogued, wanting of thy love. JULIET By whose direction found'st thou out this place? ROMEO By love, who first did prompt me to inquire; He lent me counsel and I lent him eyes. I am no pilot; yet, wert thou as far As that vast shore wash'd with the farthest sea, I would adventure for such merchandise. JULIET Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet if thou swear'st, Thou mayst prove false; at lovers' perjuries Then say, Jove laughs. O gentle Romeo, If thou dost love, pronounce it faithfully: Or if thou think'st I am too quickly won, I'll frown and be perverse an say thee nay, So thou wilt woo; but else, not for the world. In truth, fair Montague, I am too fond, And therefore thou mayst think my 'havior light: But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange. I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered. ROMEO Lady, by yonder blessed moon I swear That tips with silver all these fruit-tree tops-- JULIET O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable. ROMEO What shall I swear by? JULIET Do not swear at all; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee. ROMEO If my heart's dear love-- JULIET Well, do not swear: although I joy in thee, I have no joy of this contract to-night: It is too rash, too unadvised, too sudden; Too like the lightning, which doth cease to be Ere one can say 'It lightens.' Sweet, good night! This bud of love, by summer's ripening breath, May prove a beauteous flower when next we meet. Good night, good night! as sweet repose and rest Come to thy heart as that within my breast! ROMEO O, wilt thou leave me so unsatisfied? JULIET What satisfaction canst thou have to-night? ROMEO The exchange of thy love's faithful vow for mine. JULIET I gave thee mine before thou didst request it: And yet I would it were to give again. ROMEO Wouldst thou withdraw it? for what purpose, love? JULIET But to be frank, and give it thee again. And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite. Nurse calls within I hear some noise within; dear love, adieu! Anon, good nurse! Sweet Montague, be true. Stay but a little, I will come again. Exit, above ROMEO O blessed, blessed night! I am afeard. Being in night, all this is but a dream, Too flattering-sweet to be substantial. Re-enter JULIET, above JULIET Three words, dear Romeo, and good night indeed. If that thy bent of love be honourable, Thy purpose marriage, send me word to-morrow, By one that I'll procure to come to thee, Where and what time thou wilt perform the rite; And all my fortunes at thy foot I'll lay And follow thee my lord throughout the world. Nurse Within Madam! JULIET I come, anon.--But if thou mean'st not well, I do beseech thee-- Nurse Within Madam! JULIET By and by, I come:-- To cease thy suit, and leave me to my grief: To-morrow will I send. ROMEO So thrive my soul-- JULIET A thousand times good night! Exit, above ROMEO A thousand times the worse, to want thy light. Love goes toward love, as schoolboys from their books, But love from love, toward school with heavy looks. Retiring Re-enter JULIET, above JULIET Hist! Romeo, hist! O, for a falconer's voice, To lure this tassel-gentle back again! Bondage is hoarse, and may not speak aloud; Else would I tear the cave where Echo lies, And make her airy tongue more hoarse than mine, With repetition of my Romeo's name. ROMEO It is my soul that calls upon my name: How silver-sweet sound lovers' tongues by night, Like softest music to attending ears! JULIET Romeo! ROMEO My dear? JULIET At what o'clock to-morrow Shall I send to thee? ROMEO At the hour of nine. JULIET I will not fail: 'tis twenty years till then. I have forgot why I did call thee back. ROMEO Let me stand here till thou remember it. JULIET I shall forget, to have thee still stand there, Remembering how I love thy company. ROMEO And I'll still stay, to have thee still forget, Forgetting any other home but this. JULIET 'Tis almost morning; I would have thee gone: And yet no further than a wanton's bird; Who lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So loving-jealous of his liberty. ROMEO I would I were thy bird. JULIET Sweet, so would I: Yet I should kill thee with much cherishing. Good night, good night! parting is such sweet sorrow, That I shall say good night till it be morrow. Exit above ROMEO Sleep dwell upon thine eyes, peace in thy breast! Would I were sleep and peace, so sweet to rest! Hence will I to my ghostly father's cell, His help to crave, and my dear hap to tell. Exit SCENE III. Friar Laurence's cell. Enter FRIAR LAURENCE, with a basket FRIAR LAURENCE The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant. Enter ROMEO ROMEO Good morrow, father. FRIAR LAURENCE Benedicite! What early tongue so sweet saluteth me? Young son, it argues a distemper'd head So soon to bid good morrow to thy bed: Care keeps his watch in every old man's eye, And where care lodges, sleep will never lie; But where unbruised youth with unstuff'd brain Doth couch his limbs, there golden sleep doth reign: Therefore thy earliness doth me assure Thou art up-roused by some distemperature; Or if not so, then here I hit it right, Our Romeo hath not been in bed to-night. ROMEO That last is true; the sweeter rest was mine. FRIAR LAURENCE God pardon sin! wast thou with Rosaline? ROMEO With Rosaline, my ghostly father? no; I have forgot that name, and that name's woe. FRIAR LAURENCE That's my good son: but where hast thou been, then? ROMEO I'll tell thee, ere thou ask it me again. I have been feasting with mine enemy, Where on a sudden one hath wounded me, That's by me wounded: both our remedies Within thy help and holy physic lies: I bear no hatred, blessed man, for, lo, My intercession likewise steads my foe. FRIAR LAURENCE Be plain, good son, and homely in thy drift; Riddling confession finds but riddling shrift. ROMEO Then plainly know my heart's dear love is set On the fair daughter of rich Capulet: As mine on hers, so hers is set on mine; And all combined, save what thou must combine By holy marriage: when and where and how We met, we woo'd and made exchange of vow, I'll tell thee as we pass; but this I pray, That thou consent to marry us to-day. FRIAR LAURENCE Holy Saint Francis, what a change is here! Is Rosaline, whom thou didst love so dear, So soon forsaken? young men's love then lies Not truly in their hearts, but in their eyes. Jesu Maria, what a deal of brine Hath wash'd thy sallow cheeks for Rosaline! How much salt water thrown away in waste, To season love, that of it doth not taste! The sun not yet thy sighs from heaven clears, Thy old groans ring yet in my ancient ears; Lo, here upon thy cheek the stain doth sit Of an old tear that is not wash'd off yet: If e'er thou wast thyself and these woes thine, Thou and these woes were all for Rosaline: And art thou changed? pronounce this sentence then, Women may fall, when there's no strength in men. ROMEO Thou chid'st me oft for loving Rosaline. FRIAR LAURENCE For doting, not for loving, pupil mine. ROMEO And bad'st me bury love. FRIAR LAURENCE Not in a grave, To lay one in, another out to have. ROMEO I pray thee, chide not; she whom I love now Doth grace for grace and love for love allow; The other did not so. FRIAR LAURENCE O, she knew well Thy love did read by rote and could not spell. But come, young waverer, come, go with me, In one respect I'll thy assistant be; For this alliance may so happy prove, To turn your households' rancour to pure love. ROMEO O, let us hence; I stand on sudden haste. FRIAR LAURENCE Wisely and slow; they stumble that run fast. Exeunt SCENE IV. A street. Enter BENVOLIO and MERCUTIO MERCUTIO Where the devil should this Romeo be? Came he not home to-night? BENVOLIO Not to his father's; I spoke with his man. MERCUTIO Ah, that same pale hard-hearted wench, that Rosaline. Torments him so, that he will sure run mad. BENVOLIO Tybalt, the kinsman of old Capulet, Hath sent a letter to his father's house. MERCUTIO A challenge, on my life. BENVOLIO Romeo will answer it. MERCUTIO Any man that can write may answer a letter. BENVOLIO Nay, he will answer the letter's master, how he dares, being dared. MERCUTIO Alas poor Romeo! he is already dead; stabbed with a white wench's black eye; shot through the ear with a love-song; the very pin of his heart cleft with the blind bow-boy's butt-shaft: and is he a man to encounter Tybalt? BENVOLIO Why, what is Tybalt? MERCUTIO More than prince of cats, I can tell you. O, he is the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellist, a duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado! the punto reverso! the hai! BENVOLIO The what? MERCUTIO The pox of such antic, lisping, affecting fantasticoes; these new tuners of accents! 'By Jesu, a very good blade! a very tall man! a very good whore!' Why, is not this a lamentable thing, grandsire, that we should be thus afflicted with these strange flies, these fashion-mongers, these perdona-mi's, who stand so much on the new form, that they cannot at ease on the old bench? O, their bones, their bones! Enter ROMEO BENVOLIO Here comes Romeo, here comes Romeo. MERCUTIO Without his roe, like a dried herring: flesh, flesh, how art thou fishified! Now is he for the numbers that Petrarch flowed in: Laura to his lady was but a kitchen-wench; marry, she had a better love to be-rhyme her; Dido a dowdy; Cleopatra a gipsy; Helen and Hero hildings and harlots; Thisbe a grey eye or so, but not to the purpose. Signior Romeo, bon jour! there's a French salutation to your French slop. You gave us the counterfeit fairly last night. ROMEO Good morrow to you both. What counterfeit did I give you? MERCUTIO The ship, sir, the slip; can you not conceive? ROMEO Pardon, good Mercutio, my business was great; and in such a case as mine a man may strain courtesy. MERCUTIO That's as much as to say, such a case as yours constrains a man to bow in the hams. ROMEO Meaning, to court'sy. MERCUTIO Thou hast most kindly hit it. ROMEO A most courteous exposition. MERCUTIO Nay, I am the very pink of courtesy. ROMEO Pink for flower. MERCUTIO Right. ROMEO Why, then is my pump well flowered. MERCUTIO Well said: follow me this jest now till thou hast worn out thy pump, that when the single sole of it is worn, the jest may remain after the wearing sole singular. ROMEO O single-soled jest, solely singular for the singleness. MERCUTIO Come between us, good Benvolio; my wits faint. ROMEO Switch and spurs, switch and spurs; or I'll cry a match. MERCUTIO Nay, if thy wits run the wild-goose chase, I have done, for thou hast more of the wild-goose in one of thy wits than, I am sure, I have in my whole five: was I with you there for the goose? ROMEO Thou wast never with me for any thing when thou wast not there for the goose. MERCUTIO I will bite thee by the ear for that jest. ROMEO Nay, good goose, bite not. MERCUTIO Thy wit is a very bitter sweeting; it is a most sharp sauce. ROMEO And is it not well served in to a sweet goose? MERCUTIO O here's a wit of cheveril, that stretches from an inch narrow to an ell broad! ROMEO I stretch it out for that word 'broad;' which added to the goose, proves thee far and wide a broad goose. MERCUTIO Why, is not this better now than groaning for love? now art thou sociable, now art thou Romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. BENVOLIO Stop there, stop there. MERCUTIO Thou desirest me to stop in my tale against the hair. BENVOLIO Thou wouldst else have made thy tale large. MERCUTIO O, thou art deceived; I would have made it short: for I was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer. ROMEO Here's goodly gear! Enter Nurse and PETER MERCUTIO A sail, a sail! BENVOLIO Two, two; a shirt and a smock. Nurse Peter! PETER Anon! Nurse My fan, Peter. MERCUTIO Good Peter, to hide her face; for her fan's the fairer face. Nurse God ye good morrow, gentlemen. MERCUTIO God ye good den, fair gentlewoman. Nurse Is it good den? MERCUTIO 'Tis no less, I tell you, for the bawdy hand of the dial is now upon the prick of noon. Nurse Out upon you! what a man are you! ROMEO One, gentlewoman, that God hath made for himself to mar. Nurse By my troth, it is well said; 'for himself to mar,' quoth a'? Gentlemen, can any of you tell me where I may find the young Romeo? ROMEO I can tell you; but young Romeo will be older when you have found him than he was when you sought him: I am the youngest of that name, for fault of a worse. Nurse You say well. MERCUTIO Yea, is the worst well? very well took, i' faith; wisely, wisely. Nurse if you be he, sir, I desire some confidence with you. BENVOLIO She will indite him to some supper. MERCUTIO A bawd, a bawd, a bawd! so ho! ROMEO What hast thou found? MERCUTIO No hare, sir; unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent. Sings An old hare hoar, And an old hare hoar, Is very good meat in lent But a hare that is hoar Is too much for a score, When it hoars ere it be spent. Romeo, will you come to your father's? we'll to dinner, thither. ROMEO I will follow you. MERCUTIO Farewell, ancient lady; farewell, Singing 'lady, lady, lady.' Exeunt MERCUTIO and BENVOLIO Nurse Marry, farewell! I pray you, sir, what saucy merchant was this, that was so full of his ropery? ROMEO A gentleman, nurse, that loves to hear himself talk, and will speak more in a minute than he will stand to in a month. Nurse An a' speak any thing against me, I'll take him down, an a' were lustier than he is, and twenty such Jacks; and if I cannot, I'll find those that shall. Scurvy knave! I am none of his flirt-gills; I am none of his skains-mates. And thou must stand by too, and suffer every knave to use me at his pleasure? PETER I saw no man use you a pleasure; if I had, my weapon should quickly have been out, I warrant you: I dare draw as soon as another man, if I see occasion in a good quarrel, and the law on my side. Nurse Now, afore God, I am so vexed, that every part about me quivers. Scurvy knave! Pray you, sir, a word: and as I told you, my young lady bade me inquire you out; what she bade me say, I will keep to myself: but first let me tell ye, if ye should lead her into a fool's paradise, as they say, it were a very gross kind of behavior, as they say: for the gentlewoman is young; and, therefore, if you should deal double with her, truly it were an ill thing to be offered to any gentlewoman, and very weak dealing. ROMEO Nurse, commend me to thy lady and mistress. I protest unto thee-- Nurse Good heart, and, i' faith, I will tell her as much: Lord, Lord, she will be a joyful woman. ROMEO What wilt thou tell her, nurse? thou dost not mark me. Nurse I will tell her, sir, that you do protest; which, as I take it, is a gentlemanlike offer. ROMEO Bid her devise Some means to come to shrift this afternoon; And there she shall at Friar Laurence' cell Be shrived and married. Here is for thy pains. Nurse No truly sir; not a penny. ROMEO Go to; I say you shall. Nurse This afternoon, sir? well, she shall be there. ROMEO And stay, good nurse, behind the abbey wall: Within this hour my man shall be with thee And bring thee cords made like a tackled stair; Which to the high top-gallant of my joy Must be my convoy in the secret night. Farewell; be trusty, and I'll quit thy pains: Farewell; commend me to thy mistress. Nurse Now God in heaven bless thee! Hark you, sir. ROMEO What say'st thou, my dear nurse? Nurse Is your man secret? Did you ne'er hear say, Two may keep counsel, putting one away? ROMEO I warrant thee, my man's as true as steel. NURSE Well, sir; my mistress is the sweetest lady--Lord, Lord! when 'twas a little prating thing:--O, there is a nobleman in town, one Paris, that would fain lay knife aboard; but she, good soul, had as lief see a toad, a very toad, as see him. I anger her sometimes and tell her that Paris is the properer man; but, I'll warrant you, when I say so, she looks as pale as any clout in the versal world. Doth not rosemary and Romeo begin both with a letter? ROMEO Ay, nurse; what of that? both with an R. Nurse Ah. mocker! that's the dog's name; R is for the--No; I know it begins with some other letter:--and she hath the prettiest sententious of it, of you and rosemary, that it would do you good to hear it. ROMEO Commend me to thy lady. Nurse Ay, a thousand times. Exit Romeo Peter! PETER Anon! Nurse Peter, take my fan, and go before and apace. Exeunt SCENE V. Capulet's orchard. Enter JULIET JULIET The clock struck nine when I did send the nurse; In half an hour she promised to return. Perchance she cannot meet him: that's not so. O, she is lame! love's heralds should be thoughts, Which ten times faster glide than the sun's beams, Driving back shadows over louring hills: Therefore do nimble-pinion'd doves draw love, And therefore hath the wind-swift Cupid wings. Now is the sun upon the highmost hill Of this day's journey, and from nine till twelve Is three long hours, yet she is not come. Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me: But old folks, many feign as they were dead; Unwieldy, slow, heavy and pale as lead. O God, she comes! Enter Nurse and PETER O honey nurse, what news? Hast thou met with him? Send thy man away. Nurse Peter, stay at the gate. Exit PETER JULIET Now, good sweet nurse,--O Lord, why look'st thou sad? Though news be sad, yet tell them merrily; If good, thou shamest the music of sweet news By playing it to me with so sour a face. Nurse I am a-weary, give me leave awhile: Fie, how my bones ache! what a jaunt have I had! JULIET I would thou hadst my bones, and I thy news: Nay, come, I pray thee, speak; good, good nurse, speak. Nurse Jesu, what haste? can you not stay awhile? Do you not see that I am out of breath? JULIET How art thou out of breath, when thou hast breath To say to me that thou art out of breath? The excuse that thou dost make in this delay Is longer than the tale thou dost excuse. Is thy news good, or bad? answer to that; Say either, and I'll stay the circumstance: Let me be satisfied, is't good or bad? Nurse Well, you have made a simple choice; you know not how to choose a man: Romeo! no, not he; though his face be better than any man's, yet his leg excels all men's; and for a hand, and a foot, and a body, though they be not to be talked on, yet they are past compare: he is not the flower of courtesy, but, I'll warrant him, as gentle as a lamb. Go thy ways, wench; serve God. What, have you dined at home? JULIET No, no: but all this did I know before. What says he of our marriage? what of that? Nurse Lord, how my head aches! what a head have I! It beats as it would fall in twenty pieces. My back o' t' other side,--O, my back, my back! Beshrew your heart for sending me about, To catch my death with jaunting up and down! JULIET I' faith, I am sorry that thou art not well. Sweet, sweet, sweet nurse, tell me, what says my love? Nurse Your love says, like an honest gentleman, and a courteous, and a kind, and a handsome, and, I warrant, a virtuous,--Where is your mother? JULIET Where is my mother! why, she is within; Where should she be? How oddly thou repliest! 'Your love says, like an honest gentleman, Where is your mother?' Nurse O God's lady dear! Are you so hot? marry, come up, I trow; Is this the poultice for my aching bones? Henceforward do your messages yourself. JULIET Here's such a coil! come, what says Romeo? Nurse Have you got leave to go to shrift to-day? JULIET I have. Nurse Then hie you hence to Friar Laurence' cell; There stays a husband to make you a wife: Now comes the wanton blood up in your cheeks, They'll be in scarlet straight at any news. Hie you to church; I must another way, To fetch a ladder, by the which your love Must climb a bird's nest soon when it is dark: I am the drudge and toil in your delight, But you shall bear the burden soon at night. Go; I'll to dinner: hie you to the cell. JULIET Hie to high fortune! Honest nurse, farewell. Exeunt SCENE VI. Friar Laurence's cell. Enter FRIAR LAURENCE and ROMEO FRIAR LAURENCE So smile the heavens upon this holy act, That after hours with sorrow chide us not! ROMEO Amen, amen! but come what sorrow can, It cannot countervail the exchange of joy That one short minute gives me in her sight: Do thou but close our hands with holy words, Then love-devouring death do what he dare; It is enough I may but call her mine. FRIAR LAURENCE These violent delights have violent ends And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow. Enter JULIET Here comes the lady: O, so light a foot Will ne'er wear out the everlasting flint: A lover may bestride the gossamer That idles in the wanton summer air, And yet not fall; so light is vanity. JULIET Good even to my ghostly confessor. FRIAR LAURENCE Romeo shall thank thee, daughter, for us both. JULIET As much to him, else is his thanks too much. ROMEO Ah, Juliet, if the measure of thy joy Be heap'd like mine and that thy skill be more To blazon it, then sweeten with thy breath This neighbour air, and let rich music's tongue Unfold the imagined happiness that both Receive in either by this dear encounter. JULIET Conceit, more rich in matter than in words, Brags of his substance, not of ornament: They are but beggars that can count their worth; But my true love is grown to such excess I cannot sum up sum of half my wealth. FRIAR LAURENCE Come, come with me, and we will make short work; For, by your leaves, you shall not stay alone Till holy church incorporate two in one. Exeunt ACT III SCENE I. A public place. Enter MERCUTIO, BENVOLIO, Page, and Servants BENVOLIO I pray thee, good Mercutio, let's retire: The day is hot, the Capulets abroad, And, if we meet, we shall not scape a brawl; For now, these hot days, is the mad blood stirring. MERCUTIO Thou art like one of those fellows that when he enters the confines of a tavern claps me his sword upon the table and says 'God send me no need of thee!' and by the operation of the second cup draws it on the drawer, when indeed there is no need. BENVOLIO Am I like such a fellow? MERCUTIO Come, come, thou art as hot a Jack in thy mood as any in Italy, and as soon moved to be moody, and as soon moody to be moved. BENVOLIO And what to? MERCUTIO Nay, an there were two such, we should have none shortly, for one would kill the other. Thou! why, thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard, than thou hast: thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes: what eye but such an eye would spy out such a quarrel? Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter? with another, for tying his new shoes with old riband? and yet thou wilt tutor me from quarrelling! BENVOLIO An I were so apt to quarrel as thou art, any man should buy the fee-simple of my life for an hour and a quarter. MERCUTIO The fee-simple! O simple! BENVOLIO By my head, here come the Capulets. MERCUTIO By my heel, I care not. Enter TYBALT and others TYBALT Follow me close, for I will speak to them. Gentlemen, good den: a word with one of you. MERCUTIO And but one word with one of us? couple it with something; make it a word and a blow. TYBALT You shall find me apt enough to that, sir, an you will give me occasion. MERCUTIO Could you not take some occasion without giving? TYBALT Mercutio, thou consort'st with Romeo,-- MERCUTIO Consort! what, dost thou make us minstrels? an thou make minstrels of us, look to hear nothing but discords: here's my fiddlestick; here's that shall make you dance. 'Zounds, consort! BENVOLIO We talk here in the public haunt of men: Either withdraw unto some private place, And reason coldly of your grievances, Or else depart; here all eyes gaze on us. MERCUTIO Men's eyes were made to look, and let them gaze; I will not budge for no man's pleasure, I. Enter ROMEO TYBALT Well, peace be with you, sir: here comes my man. MERCUTIO But I'll be hanged, sir, if he wear your livery: Marry, go before to field, he'll be your follower; Your worship in that sense may call him 'man.' TYBALT Romeo, the hate I bear thee can afford No better term than this,--thou art a villain. ROMEO Tybalt, the reason that I have to love thee Doth much excuse the appertaining rage To such a greeting: villain am I none; Therefore farewell; I see thou know'st me not. TYBALT Boy, this shall not excuse the injuries That thou hast done me; therefore turn and draw. ROMEO I do protest, I never injured thee, But love thee better than thou canst devise, Till thou shalt know the reason of my love: And so, good Capulet,--which name I tender As dearly as my own,--be satisfied. MERCUTIO O calm, dishonourable, vile submission! Alla stoccata carries it away. Draws Tybalt, you rat-catcher, will you walk? TYBALT What wouldst thou have with me? MERCUTIO Good king of cats, nothing but one of your nine lives; that I mean to make bold withal, and as you shall use me hereafter, drybeat the rest of the eight. Will you pluck your sword out of his pitcher by the ears? make haste, lest mine be about your ears ere it be out. TYBALT I am for you. Drawing ROMEO Gentle Mercutio, put thy rapier up. MERCUTIO Come, sir, your passado. They fight ROMEO Draw, Benvolio; beat down their weapons. Gentlemen, for shame, forbear this outrage! Tybalt, Mercutio, the prince expressly hath Forbidden bandying in Verona streets: Hold, Tybalt! good Mercutio! TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers MERCUTIO I am hurt. A plague o' both your houses! I am sped. Is he gone, and hath nothing? BENVOLIO What, art thou hurt? MERCUTIO Ay, ay, a scratch, a scratch; marry, 'tis enough. Where is my page? Go, villain, fetch a surgeon. Exit Page ROMEO Courage, man; the hurt cannot be much. MERCUTIO No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough,'twill serve: ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o' both your houses! 'Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death! a braggart, a rogue, a villain, that fights by the book of arithmetic! Why the devil came you between us? I was hurt under your arm. ROMEO I thought all for the best. MERCUTIO Help me into some house, Benvolio, Or I shall faint. A plague o' both your houses! They have made worms' meat of me: I have it, And soundly too: your houses! Exeunt MERCUTIO and BENVOLIO ROMEO This gentleman, the prince's near ally, My very friend, hath got his mortal hurt In my behalf; my reputation stain'd With Tybalt's slander,--Tybalt, that an hour Hath been my kinsman! O sweet Juliet, Thy beauty hath made me effeminate And in my temper soften'd valour's steel! Re-enter BENVOLIO BENVOLIO O Romeo, Romeo, brave Mercutio's dead! That gallant spirit hath aspired the clouds, Which too untimely here did scorn the earth. ROMEO This day's black fate on more days doth depend; This but begins the woe, others must end. BENVOLIO Here comes the furious Tybalt back again. ROMEO Alive, in triumph! and Mercutio slain! Away to heaven, respective lenity, And fire-eyed fury be my conduct now! Re-enter TYBALT Now, Tybalt, take the villain back again, That late thou gavest me; for Mercutio's soul Is but a little way above our heads, Staying for thine to keep him company: Either thou, or I, or both, must go with him. TYBALT Thou, wretched boy, that didst consort him here, Shalt with him hence. ROMEO This shall determine that. They fight; TYBALT falls BENVOLIO Romeo, away, be gone! The citizens are up, and Tybalt slain. Stand not amazed: the prince will doom thee death, If thou art taken: hence, be gone, away! ROMEO O, I am fortune's fool! BENVOLIO Why dost thou stay? Exit ROMEO Enter Citizens, &c First Citizen Which way ran he that kill'd Mercutio? Tybalt, that murderer, which way ran he? BENVOLIO There lies that Tybalt. First Citizen Up, sir, go with me; I charge thee in the princes name, obey. Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others PRINCE Where are the vile beginners of this fray? BENVOLIO O noble prince, I can discover all The unlucky manage of this fatal brawl: There lies the man, slain by young Romeo, That slew thy kinsman, brave Mercutio. LADY CAPULET Tybalt, my cousin! O my brother's child! O prince! O cousin! husband! O, the blood is spilt O my dear kinsman! Prince, as thou art true, For blood of ours, shed blood of Montague. O cousin, cousin! PRINCE Benvolio, who began this bloody fray? BENVOLIO Tybalt, here slain, whom Romeo's hand did slay; Romeo that spoke him fair, bade him bethink How nice the quarrel was, and urged withal Your high displeasure: all this uttered With gentle breath, calm look, knees humbly bow'd, Could not take truce with the unruly spleen Of Tybalt deaf to peace, but that he tilts With piercing steel at bold Mercutio's breast, Who all as hot, turns deadly point to point, And, with a martial scorn, with one hand beats Cold death aside, and with the other sends It back to Tybalt, whose dexterity, Retorts it: Romeo he cries aloud, 'Hold, friends! friends, part!' and, swifter than his tongue, His agile arm beats down their fatal points, And 'twixt them rushes; underneath whose arm An envious thrust from Tybalt hit the life Of stout Mercutio, and then Tybalt fled; But by and by comes back to Romeo, Who had but newly entertain'd revenge, And to 't they go like lightning, for, ere I Could draw to part them, was stout Tybalt slain. And, as he fell, did Romeo turn and fly. This is the truth, or let Benvolio die. LADY CAPULET He is a kinsman to the Montague; Affection makes him false; he speaks not true: Some twenty of them fought in this black strife, And all those twenty could but kill one life. I beg for justice, which thou, prince, must give; Romeo slew Tybalt, Romeo must not live. PRINCE Romeo slew him, he slew Mercutio; Who now the price of his dear blood doth owe? MONTAGUE Not Romeo, prince, he was Mercutio's friend; His fault concludes but what the law should end, The life of Tybalt. PRINCE And for that offence Immediately we do exile him hence: I have an interest in your hate's proceeding, My blood for your rude brawls doth lie a-bleeding; But I'll amerce you with so strong a fine That you shall all repent the loss of mine: I will be deaf to pleading and excuses; Nor tears nor prayers shall purchase out abuses: Therefore use none: let Romeo hence in haste, Else, when he's found, that hour is his last. Bear hence this body and attend our will: Mercy but murders, pardoning those that kill. Exeunt SCENE II. Capulet's orchard. Enter JULIET JULIET Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence. Enter Nurse, with cords Now, nurse, what news? What hast thou there? the cords That Romeo bid thee fetch? Nurse Ay, ay, the cords. Throws them down JULIET Ay me! what news? why dost thou wring thy hands? Nurse Ah, well-a-day! he's dead, he's dead, he's dead! We are undone, lady, we are undone! Alack the day! he's gone, he's kill'd, he's dead! JULIET Can heaven be so envious? Nurse Romeo can, Though heaven cannot: O Romeo, Romeo! Who ever would have thought it? Romeo! JULIET What devil art thou, that dost torment me thus? This torture should be roar'd in dismal hell. Hath Romeo slain himself? say thou but 'I,' And that bare vowel 'I' shall poison more Than the death-darting eye of cockatrice: I am not I, if there be such an I; Or those eyes shut, that make thee answer 'I.' If he be slain, say 'I'; or if not, no: Brief sounds determine of my weal or woe. Nurse I saw the wound, I saw it with mine eyes,-- God save the mark!--here on his manly breast: A piteous corse, a bloody piteous corse; Pale, pale as ashes, all bedaub'd in blood, All in gore-blood; I swounded at the sight. JULIET O, break, my heart! poor bankrupt, break at once! To prison, eyes, ne'er look on liberty! Vile earth, to earth resign; end motion here; And thou and Romeo press one heavy bier! Nurse O Tybalt, Tybalt, the best friend I had! O courteous Tybalt! honest gentleman! That ever I should live to see thee dead! JULIET What storm is this that blows so contrary? Is Romeo slaughter'd, and is Tybalt dead? My dear-loved cousin, and my dearer lord? Then, dreadful trumpet, sound the general doom! For who is living, if those two are gone? Nurse Tybalt is gone, and Romeo banished; Romeo that kill'd him, he is banished. JULIET O God! did Romeo's hand shed Tybalt's blood? Nurse It did, it did; alas the day, it did! JULIET O serpent heart, hid with a flowering face! Did ever dragon keep so fair a cave? Beautiful tyrant! fiend angelical! Dove-feather'd raven! wolvish-ravening lamb! Despised substance of divinest show! Just opposite to what thou justly seem'st, A damned saint, an honourable villain! O nature, what hadst thou to do in hell, When thou didst bower the spirit of a fiend In moral paradise of such sweet flesh? Was ever book containing such vile matter So fairly bound? O that deceit should dwell In such a gorgeous palace! Nurse There's no trust, No faith, no honesty in men; all perjured, All forsworn, all naught, all dissemblers. Ah, where's my man? give me some aqua vitae: These griefs, these woes, these sorrows make me old. Shame come to Romeo! JULIET Blister'd be thy tongue For such a wish! he was not born to shame: Upon his brow shame is ashamed to sit; For 'tis a throne where honour may be crown'd Sole monarch of the universal earth. O, what a beast was I to chide at him! Nurse Will you speak well of him that kill'd your cousin? JULIET Shall I speak ill of him that is my husband? Ah, poor my lord, what tongue shall smooth thy name, When I, thy three-hours wife, have mangled it? But, wherefore, villain, didst thou kill my cousin? That villain cousin would have kill'd my husband: Back, foolish tears, back to your native spring; Your tributary drops belong to woe, Which you, mistaking, offer up to joy. My husband lives, that Tybalt would have slain; And Tybalt's dead, that would have slain my husband: All this is comfort; wherefore weep I then? Some word there was, worser than Tybalt's death, That murder'd me: I would forget it fain; But, O, it presses to my memory, Like damned guilty deeds to sinners' minds: 'Tybalt is dead, and Romeo--banished;' That 'banished,' that one word 'banished,' Hath slain ten thousand Tybalts. Tybalt's death Was woe enough, if it had ended there: Or, if sour woe delights in fellowship And needly will be rank'd with other griefs, Why follow'd not, when she said 'Tybalt's dead,' Thy father, or thy mother, nay, or both, Which modern lamentations might have moved? But with a rear-ward following Tybalt's death, 'Romeo is banished,' to speak that word, Is father, mother, Tybalt, Romeo, Juliet, All slain, all dead. 'Romeo is banished!' There is no end, no limit, measure, bound, In that word's death; no words can that woe sound. Where is my father, and my mother, nurse? Nurse Weeping and wailing over Tybalt's corse: Will you go to them? I will bring you thither. JULIET Wash they his wounds with tears: mine shall be spent, When theirs are dry, for Romeo's banishment. Take up those cords: poor ropes, you are beguiled, Both you and I; for Romeo is exiled: He made you for a highway to my bed; But I, a maid, die maiden-widowed. Come, cords, come, nurse; I'll to my wedding-bed; And death, not Romeo, take my maidenhead! Nurse Hie to your chamber: I'll find Romeo To comfort you: I wot well where he is. Hark ye, your Romeo will be here at night: I'll to him; he is hid at Laurence' cell. JULIET O, find him! give this ring to my true knight, And bid him come to take his last farewell. Exeunt SCENE III. Friar Laurence's cell. Enter FRIAR LAURENCE FRIAR LAURENCE Romeo, come forth; come forth, thou fearful man: Affliction is enamour'd of thy parts, And thou art wedded to calamity. Enter ROMEO ROMEO Father, what news? what is the prince's doom? What sorrow craves acquaintance at my hand, That I yet know not? FRIAR LAURENCE Too familiar Is my dear son with such sour company: I bring thee tidings of the prince's doom. ROMEO What less than dooms-day is the prince's doom? FRIAR LAURENCE A gentler judgment vanish'd from his lips, Not body's death, but body's banishment. ROMEO Ha, banishment! be merciful, say 'death;' For exile hath more terror in his look, Much more than death: do not say 'banishment.' FRIAR LAURENCE Hence from Verona art thou banished: Be patient, for the world is broad and wide. ROMEO There is no world without Verona walls, But purgatory, torture, hell itself. Hence-banished is banish'd from the world, And world's exile is death: then banished, Is death mis-term'd: calling death banishment, Thou cutt'st my head off with a golden axe, And smilest upon the stroke that murders me. FRIAR LAURENCE O deadly sin! O rude unthankfulness! Thy fault our law calls death; but the kind prince, Taking thy part, hath rush'd aside the law, And turn'd that black word death to banishment: This is dear mercy, and thou seest it not. ROMEO 'Tis torture, and not mercy: heaven is here, Where Juliet lives; and every cat and dog And little mouse, every unworthy thing, Live here in heaven and may look on her; But Romeo may not: more validity, More honourable state, more courtship lives In carrion-flies than Romeo: they my seize On the white wonder of dear Juliet's hand And steal immortal blessing from her lips, Who even in pure and vestal modesty, Still blush, as thinking their own kisses sin; But Romeo may not; he is banished: Flies may do this, but I from this must fly: They are free men, but I am banished. And say'st thou yet that exile is not death? Hadst thou no poison mix'd, no sharp-ground knife, No sudden mean of death, though ne'er so mean, But 'banished' to kill me?--'banished'? O friar, the damned use that word in hell; Howlings attend it: how hast thou the heart, Being a divine, a ghostly confessor, A sin-absolver, and my friend profess'd, To mangle me with that word 'banished'? FRIAR LAURENCE Thou fond mad man, hear me but speak a word. ROMEO O, thou wilt speak again of banishment. FRIAR LAURENCE I'll give thee armour to keep off that word: Adversity's sweet milk, philosophy, To comfort thee, though thou art banished. ROMEO Yet 'banished'? Hang up philosophy! Unless philosophy can make a Juliet, Displant a town, reverse a prince's doom, It helps not, it prevails not: talk no more. FRIAR LAURENCE O, then I see that madmen have no ears. ROMEO How should they, when that wise men have no eyes? FRIAR LAURENCE Let me dispute with thee of thy estate. ROMEO Thou canst not speak of that thou dost not feel: Wert thou as young as I, Juliet thy love, An hour but married, Tybalt murdered, Doting like me and like me banished, Then mightst thou speak, then mightst thou tear thy hair, And fall upon the ground, as I do now, Taking the measure of an unmade grave. Knocking within FRIAR LAURENCE Arise; one knocks; good Romeo, hide thyself. ROMEO Not I; unless the breath of heartsick groans, Mist-like, infold me from the search of eyes. Knocking FRIAR LAURENCE Hark, how they knock! Who's there? Romeo, arise; Thou wilt be taken. Stay awhile! Stand up; Knocking Run to my study. By and by! God's will, What simpleness is this! I come, I come! Knocking Who knocks so hard? whence come you? what's your will? Nurse Within Let me come in, and you shall know my errand; I come from Lady Juliet. FRIAR LAURENCE Welcome, then. Enter Nurse Nurse O holy friar, O, tell me, holy friar, Where is my lady's lord, where's Romeo? FRIAR LAURENCE There on the ground, with his own tears made drunk. Nurse O, he is even in my mistress' case, Just in her case! O woful sympathy! Piteous predicament! Even so lies she, Blubbering and weeping, weeping and blubbering. Stand up, stand up; stand, and you be a man: For Juliet's sake, for her sake, rise and stand; Why should you fall into so deep an O? ROMEO Nurse! Nurse Ah sir! ah sir! Well, death's the end of all. ROMEO Spakest thou of Juliet? how is it with her? Doth she not think me an old murderer, Now I have stain'd the childhood of our joy With blood removed but little from her own? Where is she? and how doth she? and what says My conceal'd lady to our cancell'd love? Nurse O, she says nothing, sir, but weeps and weeps; And now falls on her bed; and then starts up, And Tybalt calls; and then on Romeo cries, And then down falls again. ROMEO As if that name, Shot from the deadly level of a gun, Did murder her; as that name's cursed hand Murder'd her kinsman. O, tell me, friar, tell me, In what vile part of this anatomy Doth my name lodge? tell me, that I may sack The hateful mansion. Drawing his sword FRIAR LAURENCE Hold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper'd. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail'st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound'st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow'd to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier's flask, Is set afire by thine own ignorance, And thou dismember'd with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew'st Tybalt; there are thou happy too: The law that threaten'd death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout'st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went'st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming. Nurse O Lord, I could have stay'd here all the night To hear good counsel: O, what learning is! My lord, I'll tell my lady you will come. ROMEO Do so, and bid my sweet prepare to chide. Nurse Here, sir, a ring she bid me give you, sir: Hie you, make haste, for it grows very late. Exit ROMEO How well my comfort is revived by this! FRIAR LAURENCE Go hence; good night; and here stands all your state: Either be gone before the watch be set, Or by the break of day disguised from hence: Sojourn in Mantua; I'll find out your man, And he shall signify from time to time Every good hap to you that chances here: Give me thy hand; 'tis late: farewell; good night. ROMEO But that a joy past joy calls out on me, It were a grief, so brief to part with thee: Farewell. Exeunt SCENE IV. A room in Capulet's house. Enter CAPULET, LADY CAPULET, and PARIS CAPULET Things have fall'n out, sir, so unluckily, That we have had no time to move our daughter: Look you, she loved her kinsman Tybalt dearly, And so did I:--Well, we were born to die. 'Tis very late, she'll not come down to-night: I promise you, but for your company, I would have been a-bed an hour ago. PARIS These times of woe afford no time to woo. Madam, good night: commend me to your daughter. LADY CAPULET I will, and know her mind early to-morrow; To-night she is mew'd up to her heaviness. CAPULET Sir Paris, I will make a desperate tender Of my child's love: I think she will be ruled In all respects by me; nay, more, I doubt it not. Wife, go you to her ere you go to bed; Acquaint her here of my son Paris' love; And bid her, mark you me, on Wednesday next-- But, soft! what day is this? PARIS Monday, my lord, CAPULET Monday! ha, ha! Well, Wednesday is too soon, O' Thursday let it be: o' Thursday, tell her, She shall be married to this noble earl. Will you be ready? do you like this haste? We'll keep no great ado,--a friend or two; For, hark you, Tybalt being slain so late, It may be thought we held him carelessly, Being our kinsman, if we revel much: Therefore we'll have some half a dozen friends, And there an end. But what say you to Thursday? PARIS My lord, I would that Thursday were to-morrow. CAPULET Well get you gone: o' Thursday be it, then. Go you to Juliet ere you go to bed, Prepare her, wife, against this wedding-day. Farewell, my lord. Light to my chamber, ho! Afore me! it is so very very late, That we may call it early by and by. Good night. Exeunt SCENE V. Capulet's orchard. Enter ROMEO and JULIET above, at the window JULIET Wilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate-tree: Believe me, love, it was the nightingale. ROMEO It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. I must be gone and live, or stay and die. JULIET Yon light is not day-light, I know it, I: It is some meteor that the sun exhales, To be to thee this night a torch-bearer, And light thee on thy way to Mantua: Therefore stay yet; thou need'st not to be gone. ROMEO Let me be ta'en, let me be put to death; I am content, so thou wilt have it so. I'll say yon grey is not the morning's eye, 'Tis but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so. How is't, my soul? let's talk; it is not day. JULIET It is, it is: hie hence, be gone, away! It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Some say the lark makes sweet division; This doth not so, for she divideth us: Some say the lark and loathed toad change eyes, O, now I would they had changed voices too! Since arm from arm that voice doth us affray, Hunting thee hence with hunt's-up to the day, O, now be gone; more light and light it grows. ROMEO More light and light; more dark and dark our woes! Enter Nurse, to the chamber Nurse Madam! JULIET Nurse? Nurse Your lady mother is coming to your chamber: The day is broke; be wary, look about. Exit JULIET Then, window, let day in, and let life out. ROMEO Farewell, farewell! one kiss, and I'll descend. He goeth down JULIET Art thou gone so? love, lord, ay, husband, friend! I must hear from thee every day in the hour, For in a minute there are many days: O, by this count I shall be much in years Ere I again behold my Romeo! ROMEO Farewell! I will omit no opportunity That may convey my greetings, love, to thee. JULIET O think'st thou we shall ever meet again? ROMEO I doubt it not; and all these woes shall serve For sweet discourses in our time to come. JULIET O God, I have an ill-divining soul! Methinks I see thee, now thou art below, As one dead in the bottom of a tomb: Either my eyesight fails, or thou look'st pale. ROMEO And trust me, love, in my eye so do you: Dry sorrow drinks our blood. Adieu, adieu! Exit JULIET O fortune, fortune! all men call thee fickle: If thou art fickle, what dost thou with him. That is renown'd for faith? Be fickle, fortune; For then, I hope, thou wilt not keep him long, But send him back. LADY CAPULET Within Ho, daughter! are you up? JULIET Who is't that calls? is it my lady mother? Is she not down so late, or up so early? What unaccustom'd cause procures her hither? Enter LADY CAPULET LADY CAPULET Why, how now, Juliet! JULIET Madam, I am not well. LADY CAPULET Evermore weeping for your cousin's death? What, wilt thou wash him from his grave with tears? An if thou couldst, thou couldst not make him live; Therefore, have done: some grief shows much of love; But much of grief shows still some want of wit. JULIET Yet let me weep for such a feeling loss. LADY CAPULET So shall you feel the loss, but not the friend Which you weep for. JULIET Feeling so the loss, Cannot choose but ever weep the friend. LADY CAPULET Well, girl, thou weep'st not so much for his death, As that the villain lives which slaughter'd him. JULIET What villain madam? LADY CAPULET That same villain, Romeo. JULIET Aside Villain and he be many miles asunder.-- God Pardon him! I do, with all my heart; And yet no man like he doth grieve my heart. LADY CAPULET That is, because the traitor murderer lives. JULIET Ay, madam, from the reach of these my hands: Would none but I might venge my cousin's death! LADY CAPULET We will have vengeance for it, fear thou not: Then weep no more. I'll send to one in Mantua, Where that same banish'd runagate doth live, Shall give him such an unaccustom'd dram, That he shall soon keep Tybalt company: And then, I hope, thou wilt be satisfied. JULIET Indeed, I never shall be satisfied With Romeo, till I behold him--dead-- Is my poor heart for a kinsman vex'd. Madam, if you could find out but a man To bear a poison, I would temper it; That Romeo should, upon receipt thereof, Soon sleep in quiet. O, how my heart abhors To hear him named, and cannot come to him. To wreak the love I bore my cousin Upon his body that slaughter'd him! LADY CAPULET Find thou the means, and I'll find such a man. But now I'll tell thee joyful tidings, girl. JULIET And joy comes well in such a needy time: What are they, I beseech your ladyship? LADY CAPULET Well, well, thou hast a careful father, child; One who, to put thee from thy heaviness, Hath sorted out a sudden day of joy, That thou expect'st not nor I look'd not for. JULIET Madam, in happy time, what day is that? LADY CAPULET Marry, my child, early next Thursday morn, The gallant, young and noble gentleman, The County Paris, at Saint Peter's Church, Shall happily make thee there a joyful bride. JULIET Now, by Saint Peter's Church and Peter too, He shall not make me there a joyful bride. I wonder at this haste; that I must wed Ere he, that should be husband, comes to woo. I pray you, tell my lord and father, madam, I will not marry yet; and, when I do, I swear, It shall be Romeo, whom you know I hate, Rather than Paris. These are news indeed! LADY CAPULET Here comes your father; tell him so yourself, And see how he will take it at your hands. Enter CAPULET and Nurse CAPULET When the sun sets, the air doth drizzle dew; But for the sunset of my brother's son It rains downright. How now! a conduit, girl? what, still in tears? Evermore showering? In one little body Thou counterfeit'st a bark, a sea, a wind; For still thy eyes, which I may call the sea, Do ebb and flow with tears; the bark thy body is, Sailing in this salt flood; the winds, thy sighs; Who, raging with thy tears, and they with them, Without a sudden calm, will overset Thy tempest-tossed body. How now, wife! Have you deliver'd to her our decree? LADY CAPULET Ay, sir; but she will none, she gives you thanks. I would the fool were married to her grave! CAPULET Soft! take me with you, take me with you, wife. How! will she none? doth she not give us thanks? Is she not proud? doth she not count her blest, Unworthy as she is, that we have wrought So worthy a gentleman to be her bridegroom? JULIET Not proud, you have; but thankful, that you have: Proud can I never be of what I hate; But thankful even for hate, that is meant love. CAPULET How now, how now, chop-logic! What is this? 'Proud,' and 'I thank you,' and 'I thank you not;' And yet 'not proud,' mistress minion, you, Thank me no thankings, nor, proud me no prouds, But fettle your fine joints 'gainst Thursday next, To go with Paris to Saint Peter's Church, Or I will drag thee on a hurdle thither. Out, you green-sickness carrion! out, you baggage! You tallow-face! LADY CAPULET Fie, fie! what, are you mad? JULIET Good father, I beseech you on my knees, Hear me with patience but to speak a word. CAPULET Hang thee, young baggage! disobedient wretch! I tell thee what: get thee to church o' Thursday, Or never after look me in the face: Speak not, reply not, do not answer me; My fingers itch. Wife, we scarce thought us blest That God had lent us but this only child; But now I see this one is one too much, And that we have a curse in having her: Out on her, hilding! Nurse God in heaven bless her! You are to blame, my lord, to rate her so. CAPULET And why, my lady wisdom? hold your tongue, Good prudence; smatter with your gossips, go. Nurse I speak no treason. CAPULET O, God ye god-den. Nurse May not one speak? CAPULET Peace, you mumbling fool! Utter your gravity o'er a gossip's bowl; For here we need it not. LADY CAPULET You are too hot. CAPULET God's bread! it makes me mad: Day, night, hour, tide, time, work, play, Alone, in company, still my care hath been To have her match'd: and having now provided A gentleman of noble parentage, Of fair demesnes, youthful, and nobly train'd, Stuff'd, as they say, with honourable parts, Proportion'd as one's thought would wish a man; And then to have a wretched puling fool, A whining mammet, in her fortune's tender, To answer 'I'll not wed; I cannot love, I am too young; I pray you, pardon me.' But, as you will not wed, I'll pardon you: Graze where you will you shall not house with me: Look to't, think on't, I do not use to jest. Thursday is near; lay hand on heart, advise: An you be mine, I'll give you to my friend; And you be not, hang, beg, starve, die in the streets, For, by my soul, I'll ne'er acknowledge thee, Nor what is mine shall never do thee good: Trust to't, bethink you; I'll not be forsworn. Exit JULIET Is there no pity sitting in the clouds, That sees into the bottom of my grief? O, sweet my mother, cast me not away! Delay this marriage for a month, a week; Or, if you do not, make the bridal bed In that dim monument where Tybalt lies. LADY CAPULET Talk not to me, for I'll not speak a word: Do as thou wilt, for I have done with thee. Exit JULIET O God!--O nurse, how shall this be prevented? My husband is on earth, my faith in heaven; How shall that faith return again to earth, Unless that husband send it me from heaven By leaving earth? comfort me, counsel me. Alack, alack, that heaven should practise stratagems Upon so soft a subject as myself! What say'st thou? hast thou not a word of joy? Some comfort, nurse. Nurse Faith, here it is. Romeo is banish'd; and all the world to nothing, That he dares ne'er come back to challenge you; Or, if he do, it needs must be by stealth. Then, since the case so stands as now it doth, I think it best you married with the county. O, he's a lovely gentleman! Romeo's a dishclout to him: an eagle, madam, Hath not so green, so quick, so fair an eye As Paris hath. Beshrew my very heart, I think you are happy in this second match, For it excels your first: or if it did not, Your first is dead; or 'twere as good he were, As living here and you no use of him. JULIET Speakest thou from thy heart? Nurse And from my soul too; Or else beshrew them both. JULIET Amen! Nurse What? JULIET Well, thou hast comforted me marvellous much. Go in: and tell my lady I am gone, Having displeased my father, to Laurence' cell, To make confession and to be absolved. Nurse Marry, I will; and this is wisely done. Exit JULIET Ancient damnation! O most wicked fiend! Is it more sin to wish me thus forsworn, Or to dispraise my lord with that same tongue Which she hath praised him with above compare So many thousand times? Go, counsellor; Thou and my bosom henceforth shall be twain. I'll to the friar, to know his remedy: If all else fail, myself have power to die. Exit ACT IV SCENE I. Friar Laurence's cell. Enter FRIAR LAURENCE and PARIS FRIAR LAURENCE On Thursday, sir? the time is very short. PARIS My father Capulet will have it so; And I am nothing slow to slack his haste. FRIAR LAURENCE You say you do not know the lady's mind: Uneven is the course, I like it not. PARIS Immoderately she weeps for Tybalt's death, And therefore have I little talk'd of love; For Venus smiles not in a house of tears. Now, sir, her father counts it dangerous That she doth give her sorrow so much sway, And in his wisdom hastes our marriage, To stop the inundation of her tears; Which, too much minded by herself alone, May be put from her by society: Now do you know the reason of this haste. FRIAR LAURENCE Aside I would I knew not why it should be slow'd. Look, sir, here comes the lady towards my cell. Enter JULIET PARIS Happily met, my lady and my wife! JULIET That may be, sir, when I may be a wife. PARIS That may be must be, love, on Thursday next. JULIET What must be shall be. FRIAR LAURENCE That's a certain text. PARIS Come you to make confession to this father? JULIET To answer that, I should confess to you. PARIS Do not deny to him that you love me. JULIET I will confess to you that I love him. PARIS So will ye, I am sure, that you love me. JULIET If I do so, it will be of more price, Being spoke behind your back, than to your face. PARIS Poor soul, thy face is much abused with tears. JULIET The tears have got small victory by that; For it was bad enough before their spite. PARIS Thou wrong'st it, more than tears, with that report. JULIET That is no slander, sir, which is a truth; And what I spake, I spake it to my face. PARIS Thy face is mine, and thou hast slander'd it. JULIET It may be so, for it is not mine own. Are you at leisure, holy father, now; Or shall I come to you at evening mass? FRIAR LAURENCE My leisure serves me, pensive daughter, now. My lord, we must entreat the time alone. PARIS God shield I should disturb devotion! Juliet, on Thursday early will I rouse ye: Till then, adieu; and keep this holy kiss. Exit JULIET O shut the door! and when thou hast done so, Come weep with me; past hope, past cure, past help! FRIAR LAURENCE Ah, Juliet, I already know thy grief; It strains me past the compass of my wits: I hear thou must, and nothing may prorogue it, On Thursday next be married to this county. JULIET Tell me not, friar, that thou hear'st of this, Unless thou tell me how I may prevent it: If, in thy wisdom, thou canst give no help, Do thou but call my resolution wise, And with this knife I'll help it presently. God join'd my heart and Romeo's, thou our hands; And ere this hand, by thee to Romeo seal'd, Shall be the label to another deed, Or my true heart with treacherous revolt Turn to another, this shall slay them both: Therefore, out of thy long-experienced time, Give me some present counsel, or, behold, 'Twixt my extremes and me this bloody knife Shall play the umpire, arbitrating that Which the commission of thy years and art Could to no issue of true honour bring. Be not so long to speak; I long to die, If what thou speak'st speak not of remedy. FRIAR LAURENCE Hold, daughter: I do spy a kind of hope, Which craves as desperate an execution. As that is desperate which we would prevent. If, rather than to marry County Paris, Thou hast the strength of will to slay thyself, Then is it likely thou wilt undertake A thing like death to chide away this shame, That copest with death himself to scape from it: And, if thou darest, I'll give thee remedy. JULIET O, bid me leap, rather than marry Paris, From off the battlements of yonder tower; Or walk in thievish ways; or bid me lurk Where serpents are; chain me with roaring bears; Or shut me nightly in a charnel-house, O'er-cover'd quite with dead men's rattling bones, With reeky shanks and yellow chapless skulls; Or bid me go into a new-made grave And hide me with a dead man in his shroud; Things that, to hear them told, have made me tremble; And I will do it without fear or doubt, To live an unstain'd wife to my sweet love. FRIAR LAURENCE Hold, then; go home, be merry, give consent To marry Paris: Wednesday is to-morrow: To-morrow night look that thou lie alone; Let not thy nurse lie with thee in thy chamber: Take thou this vial, being then in bed, And this distilled liquor drink thou off; When presently through all thy veins shall run A cold and drowsy humour, for no pulse Shall keep his native progress, but surcease: No warmth, no breath, shall testify thou livest; The roses in thy lips and cheeks shall fade To paly ashes, thy eyes' windows fall, Like death, when he shuts up the day of life; Each part, deprived of supple government, Shall, stiff and stark and cold, appear like death: And in this borrow'd likeness of shrunk death Thou shalt continue two and forty hours, And then awake as from a pleasant sleep. Now, when the bridegroom in the morning comes To rouse thee from thy bed, there art thou dead: Then, as the manner of our country is, In thy best robes uncover'd on the bier Thou shalt be borne to that same ancient vault Where all the kindred of the Capulets lie. In the mean time, against thou shalt awake, Shall Romeo by my letters know our drift, And hither shall he come: and he and I Will watch thy waking, and that very night Shall Romeo bear thee hence to Mantua. And this shall free thee from this present shame; If no inconstant toy, nor womanish fear, Abate thy valour in the acting it. JULIET Give me, give me! O, tell not me of fear! FRIAR LAURENCE Hold; get you gone, be strong and prosperous In this resolve: I'll send a friar with speed To Mantua, with my letters to thy lord. JULIET Love give me strength! and strength shall help afford. Farewell, dear father! Exeunt SCENE II. Hall in Capulet's house. Enter CAPULET, LADY CAPULET, Nurse, and two Servingmen CAPULET So many guests invite as here are writ. Exit First Servant Sirrah, go hire me twenty cunning cooks. Second Servant You shall have none ill, sir; for I'll try if they can lick their fingers. CAPULET How canst thou try them so? Second Servant Marry, sir, 'tis an ill cook that cannot lick his own fingers: therefore he that cannot lick his fingers goes not with me. CAPULET Go, be gone. Exit Second Servant We shall be much unfurnished for this time. What, is my daughter gone to Friar Laurence? Nurse Ay, forsooth. CAPULET Well, he may chance to do some good on her: A peevish self-will'd harlotry it is. Nurse See where she comes from shrift with merry look. Enter JULIET CAPULET How now, my headstrong! where have you been gadding? JULIET Where I have learn'd me to repent the sin Of disobedient opposition To you and your behests, and am enjoin'd By holy Laurence to fall prostrate here, And beg your pardon: pardon, I beseech you! Henceforward I am ever ruled by you. CAPULET Send for the county; go tell him of this: I'll have this knot knit up to-morrow morning. JULIET I met the youthful lord at Laurence' cell; And gave him what becomed love I might, Not step o'er the bounds of modesty. CAPULET Why, I am glad on't; this is well: stand up: This is as't should be. Let me see the county; Ay, marry, go, I say, and fetch him hither. Now, afore God! this reverend holy friar, Our whole city is much bound to him. JULIET Nurse, will you go with me into my closet, To help me sort such needful ornaments As you think fit to furnish me to-morrow? LADY CAPULET No, not till Thursday; there is time enough. CAPULET Go, nurse, go with her: we'll to church to-morrow. Exeunt JULIET and Nurse LADY CAPULET We shall be short in our provision: 'Tis now near night. CAPULET Tush, I will stir about, And all things shall be well, I warrant thee, wife: Go thou to Juliet, help to deck up her; I'll not to bed to-night; let me alone; I'll play the housewife for this once. What, ho! They are all forth. Well, I will walk myself To County Paris, to prepare him up Against to-morrow: my heart is wondrous light, Since this same wayward girl is so reclaim'd. Exeunt SCENE III. Juliet's chamber. Enter JULIET and Nurse JULIET Ay, those attires are best: but, gentle nurse, I pray thee, leave me to myself to-night, For I have need of many orisons To move the heavens to smile upon my state, Which, well thou know'st, is cross, and full of sin. Enter LADY CAPULET LADY CAPULET What, are you busy, ho? need you my help? JULIET No, madam; we have cull'd such necessaries As are behoveful for our state to-morrow: So please you, let me now be left alone, And let the nurse this night sit up with you; For, I am sure, you have your hands full all, In this so sudden business. LADY CAPULET Good night: Get thee to bed, and rest; for thou hast need. Exeunt LADY CAPULET and Nurse JULIET Farewell! God knows when we shall meet again. I have a faint cold fear thrills through my veins, That almost freezes up the heat of life: I'll call them back again to comfort me: Nurse! What should she do here? My dismal scene I needs must act alone. Come, vial. What if this mixture do not work at all? Shall I be married then to-morrow morning? No, no: this shall forbid it: lie thou there. Laying down her dagger What if it be a poison, which the friar Subtly hath minister'd to have me dead, Lest in this marriage he should be dishonour'd, Because he married me before to Romeo? I fear it is: and yet, methinks, it should not, For he hath still been tried a holy man. How if, when I am laid into the tomb, I wake before the time that Romeo Come to redeem me? there's a fearful point! Shall I not, then, be stifled in the vault, To whose foul mouth no healthsome air breathes in, And there die strangled ere my Romeo comes? Or, if I live, is it not very like, The horrible conceit of death and night, Together with the terror of the place,-- As in a vault, an ancient receptacle, Where, for these many hundred years, the bones Of all my buried ancestors are packed: Where bloody Tybalt, yet but green in earth, Lies festering in his shroud; where, as they say, At some hours in the night spirits resort;-- Alack, alack, is it not like that I, So early waking, what with loathsome smells, And shrieks like mandrakes' torn out of the earth, That living mortals, hearing them, run mad:-- O, if I wake, shall I not be distraught, Environed with all these hideous fears? And madly play with my forefather's joints? And pluck the mangled Tybalt from his shroud? And, in this rage, with some great kinsman's bone, As with a club, dash out my desperate brains? O, look! methinks I see my cousin's ghost Seeking out Romeo, that did spit his body Upon a rapier's point: stay, Tybalt, stay! Romeo, I come! this do I drink to thee. She falls upon her bed, within the curtains SCENE IV. Hall in Capulet's house. Enter LADY CAPULET and Nurse LADY CAPULET Hold, take these keys, and fetch more spices, nurse. Nurse They call for dates and quinces in the pastry. Enter CAPULET CAPULET Come, stir, stir, stir! the second cock hath crow'd, The curfew-bell hath rung, 'tis three o'clock: Look to the baked meats, good Angelica: Spare not for the cost. Nurse Go, you cot-quean, go, Get you to bed; faith, You'll be sick to-morrow For this night's watching. CAPULET No, not a whit: what! I have watch'd ere now All night for lesser cause, and ne'er been sick. LADY CAPULET Ay, you have been a mouse-hunt in your time; But I will watch you from such watching now. Exeunt LADY CAPULET and Nurse CAPULET A jealous hood, a jealous hood! Enter three or four Servingmen, with spits, logs, and baskets Now, fellow, What's there? First Servant Things for the cook, sir; but I know not what. CAPULET Make haste, make haste. Exit First Servant Sirrah, fetch drier logs: Call Peter, he will show thee where they are. Second Servant I have a head, sir, that will find out logs, And never trouble Peter for the matter. Exit CAPULET Mass, and well said; a merry whoreson, ha! Thou shalt be logger-head. Good faith, 'tis day: The county will be here with music straight, For so he said he would: I hear him near. Music within Nurse! Wife! What, ho! What, nurse, I say! Re-enter Nurse Go waken Juliet, go and trim her up; I'll go and chat with Paris: hie, make haste, Make haste; the bridegroom he is come already: Make haste, I say. Exeunt SCENE V. Juliet's chamber. Enter Nurse Nurse Mistress! what, mistress! Juliet! fast, I warrant her, she: Why, lamb! why, lady! fie, you slug-a-bed! Why, love, I say! madam! sweet-heart! why, bride! What, not a word? you take your pennyworths now; Sleep for a week; for the next night, I warrant, The County Paris hath set up his rest, That you shall rest but little. God forgive me, Marry, and amen, how sound is she asleep! I must needs wake her. Madam, madam, madam! Ay, let the county take you in your bed; He'll fright you up, i' faith. Will it not be? Undraws the curtains What, dress'd! and in your clothes! and down again! I must needs wake you; Lady! lady! lady! Alas, alas! Help, help! my lady's dead! O, well-a-day, that ever I was born! Some aqua vitae, ho! My lord! my lady! Enter LADY CAPULET LADY CAPULET What noise is here? Nurse O lamentable day! LADY CAPULET What is the matter? Nurse Look, look! O heavy day! LADY CAPULET O me, O me! My child, my only life, Revive, look up, or I will die with thee! Help, help! Call help. Enter CAPULET CAPULET For shame, bring Juliet forth; her lord is come. Nurse She's dead, deceased, she's dead; alack the day! LADY CAPULET Alack the day, she's dead, she's dead, she's dead! CAPULET Ha! let me see her: out, alas! she's cold: Her blood is settled, and her joints are stiff; Life and these lips have long been separated: Death lies on her like an untimely frost Upon the sweetest flower of all the field. Nurse O lamentable day! LADY CAPULET O woful time! CAPULET Death, that hath ta'en her hence to make me wail, Ties up my tongue, and will not let me speak. Enter FRIAR LAURENCE and PARIS, with Musicians FRIAR LAURENCE Come, is the bride ready to go to church? CAPULET Ready to go, but never to return. O son! the night before thy wedding-day Hath Death lain with thy wife. There she lies, Flower as she was, deflowered by him. Death is my son-in-law, Death is my heir; My daughter he hath wedded: I will die, And leave him all; life, living, all is Death's. PARIS Have I thought long to see this morning's face, And doth it give me such a sight as this? LADY CAPULET Accursed, unhappy, wretched, hateful day! Most miserable hour that e'er time saw In lasting labour of his pilgrimage! But one, poor one, one poor and loving child, But one thing to rejoice and solace in, And cruel death hath catch'd it from my sight! Nurse O woe! O woful, woful, woful day! Most lamentable day, most woful day, That ever, ever, I did yet behold! O day! O day! O day! O hateful day! Never was seen so black a day as this: O woful day, O woful day! PARIS Beguiled, divorced, wronged, spited, slain! Most detestable death, by thee beguil'd, By cruel cruel thee quite overthrown! O love! O life! not life, but love in death! CAPULET Despised, distressed, hated, martyr'd, kill'd! Uncomfortable time, why camest thou now To murder, murder our solemnity? O child! O child! my soul, and not my child! Dead art thou! Alack! my child is dead; And with my child my joys are buried. FRIAR LAURENCE Peace, ho, for shame! confusion's cure lives not In these confusions. Heaven and yourself Had part in this fair maid; now heaven hath all, And all the better is it for the maid: Your part in her you could not keep from death, But heaven keeps his part in eternal life. The most you sought was her promotion; For 'twas your heaven she should be advanced: And weep ye now, seeing she is advanced Above the clouds, as high as heaven itself? O, in this love, you love your child so ill, That you run mad, seeing that she is well: She's not well married that lives married long; But she's best married that dies married young. Dry up your tears, and stick your rosemary On this fair corse; and, as the custom is, In all her best array bear her to church: For though fond nature bids us an lament, Yet nature's tears are reason's merriment. CAPULET All things that we ordained festival, Turn from their office to black funeral; Our instruments to melancholy bells, Our wedding cheer to a sad burial feast, Our solemn hymns to sullen dirges change, Our bridal flowers serve for a buried corse, And all things change them to the contrary. FRIAR LAURENCE Sir, go you in; and, madam, go with him; And go, Sir Paris; every one prepare To follow this fair corse unto her grave: The heavens do lour upon you for some ill; Move them no more by crossing their high will. Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCE First Musician Faith, we may put up our pipes, and be gone. Nurse Honest goodfellows, ah, put up, put up; For, well you know, this is a pitiful case. Exit First Musician Ay, by my troth, the case may be amended. Enter PETER PETER Musicians, O, musicians, 'Heart's ease, Heart's ease:' O, an you will have me live, play 'Heart's ease.' First Musician Why 'Heart's ease?' PETER O, musicians, because my heart itself plays 'My heart is full of woe:' O, play me some merry dump, to comfort me. First Musician Not a dump we; 'tis no time to play now. PETER You will not, then? First Musician No. PETER I will then give it you soundly. First Musician What will you give us? PETER No money, on my faith, but the gleek; I will give you the minstrel. First Musician Then I will give you the serving-creature. PETER Then will I lay the serving-creature's dagger on your pate. I will carry no crotchets: I'll re you, I'll fa you; do you note me? First Musician An you re us and fa us, you note us. Second Musician Pray you, put up your dagger, and put out your wit. PETER Then have at you with my wit! I will dry-beat you with an iron wit, and put up my iron dagger. Answer me like men: 'When griping grief the heart doth wound, And doleful dumps the mind oppress, Then music with her silver sound'-- why 'silver sound'? why 'music with her silver sound'? What say you, Simon Catling? Musician Marry, sir, because silver hath a sweet sound. PETER Pretty! What say you, Hugh Rebeck? Second Musician I say 'silver sound,' because musicians sound for silver. PETER Pretty too! What say you, James Soundpost? Third Musician Faith, I know not what to say. PETER O, I cry you mercy; you are the singer: I will say for you. It is 'music with her silver sound,' because musicians have no gold for sounding: 'Then music with her silver sound With speedy help doth lend redress.' Exit First Musician What a pestilent knave is this same! Second Musician Hang him, Jack! Come, we'll in here; tarry for the mourners, and stay dinner. Exeunt ACT V SCENE I. Mantua. A street. Enter ROMEO ROMEO If I may trust the flattering truth of sleep, My dreams presage some joyful news at hand: My bosom's lord sits lightly in his throne; And all this day an unaccustom'd spirit Lifts me above the ground with cheerful thoughts. I dreamt my lady came and found me dead-- Strange dream, that gives a dead man leave to think!-- And breathed such life with kisses in my lips, That I revived, and was an emperor. Ah me! how sweet is love itself possess'd, When but love's shadows are so rich in joy! Enter BALTHASAR, booted News from Verona!--How now, Balthasar! Dost thou not bring me letters from the friar? How doth my lady? Is my father well? How fares my Juliet? that I ask again; For nothing can be ill, if she be well. BALTHASAR Then she is well, and nothing can be ill: Her body sleeps in Capel's monument, And her immortal part with angels lives. I saw her laid low in her kindred's vault, And presently took post to tell it you: O, pardon me for bringing these ill news, Since you did leave it for my office, sir. ROMEO Is it even so? then I defy you, stars! Thou know'st my lodging: get me ink and paper, And hire post-horses; I will hence to-night. BALTHASAR I do beseech you, sir, have patience: Your looks are pale and wild, and do import Some misadventure. ROMEO Tush, thou art deceived: Leave me, and do the thing I bid thee do. Hast thou no letters to me from the friar? BALTHASAR No, my good lord. ROMEO No matter: get thee gone, And hire those horses; I'll be with thee straight. Exit BALTHASAR Well, Juliet, I will lie with thee to-night. Let's see for means: O mischief, thou art swift To enter in the thoughts of desperate men! I do remember an apothecary,-- And hereabouts he dwells,--which late I noted In tatter'd weeds, with overwhelming brows, Culling of simples; meagre were his looks, Sharp misery had worn him to the bones: And in his needy shop a tortoise hung, An alligator stuff'd, and other skins Of ill-shaped fishes; and about his shelves A beggarly account of empty boxes, Green earthen pots, bladders and musty seeds, Remnants of packthread and old cakes of roses, Were thinly scatter'd, to make up a show. Noting this penury, to myself I said 'An if a man did need a poison now, Whose sale is present death in Mantua, Here lives a caitiff wretch would sell it him.' O, this same thought did but forerun my need; And this same needy man must sell it me. As I remember, this should be the house. Being holiday, the beggar's shop is shut. What, ho! apothecary! Enter Apothecary Apothecary Who calls so loud? ROMEO Come hither, man. I see that thou art poor: Hold, there is forty ducats: let me have A dram of poison, such soon-speeding gear As will disperse itself through all the veins That the life-weary taker may fall dead And that the trunk may be discharged of breath As violently as hasty powder fired Doth hurry from the fatal cannon's womb. Apothecary Such mortal drugs I have; but Mantua's law Is death to any he that utters them. ROMEO Art thou so bare and full of wretchedness, And fear'st to die? famine is in thy cheeks, Need and oppression starveth in thine eyes, Contempt and beggary hangs upon thy back; The world is not thy friend nor the world's law; The world affords no law to make thee rich; Then be not poor, but break it, and take this. Apothecary My poverty, but not my will, consents. ROMEO I pay thy poverty, and not thy will. Apothecary Put this in any liquid thing you will, And drink it off; and, if you had the strength Of twenty men, it would dispatch you straight. ROMEO There is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou mayst not sell. I sell thee poison; thou hast sold me none. Farewell: buy food, and get thyself in flesh. Come, cordial and not poison, go with me To Juliet's grave; for there must I use thee. Exeunt SCENE II. Friar Laurence's cell. Enter FRIAR JOHN FRIAR JOHN Holy Franciscan friar! brother, ho! Enter FRIAR LAURENCE FRIAR LAURENCE This same should be the voice of Friar John. Welcome from Mantua: what says Romeo? Or, if his mind be writ, give me his letter. FRIAR JOHN Going to find a bare-foot brother out One of our order, to associate me, Here in this city visiting the sick, And finding him, the searchers of the town, Suspecting that we both were in a house Where the infectious pestilence did reign, Seal'd up the doors, and would not let us forth; So that my speed to Mantua there was stay'd. FRIAR LAURENCE Who bare my letter, then, to Romeo? FRIAR JOHN I could not send it,--here it is again,-- Nor get a messenger to bring it thee, So fearful were they of infection. FRIAR LAURENCE Unhappy fortune! by my brotherhood, The letter was not nice but full of charge Of dear import, and the neglecting it May do much danger. Friar John, go hence; Get me an iron crow, and bring it straight Unto my cell. FRIAR JOHN Brother, I'll go and bring it thee. Exit FRIAR LAURENCE Now must I to the monument alone; Within three hours will fair Juliet wake: She will beshrew me much that Romeo Hath had no notice of these accidents; But I will write again to Mantua, And keep her at my cell till Romeo come; Poor living corse, closed in a dead man's tomb! Exit SCENE III. A churchyard; in it a tomb belonging to the Capulets. Enter PARIS, and his Page bearing flowers and a torch PARIS Give me thy torch, boy: hence, and stand aloof: Yet put it out, for I would not be seen. Under yond yew-trees lay thee all along, Holding thine ear close to the hollow ground; So shall no foot upon the churchyard tread, Being loose, unfirm, with digging up of graves, But thou shalt hear it: whistle then to me, As signal that thou hear'st something approach. Give me those flowers. Do as I bid thee, go. PAGE Aside I am almost afraid to stand alone Here in the churchyard; yet I will adventure. Retires PARIS Sweet flower, with flowers thy bridal bed I strew,-- O woe! thy canopy is dust and stones;-- Which with sweet water nightly I will dew, Or, wanting that, with tears distill'd by moans: The obsequies that I for thee will keep Nightly shall be to strew thy grave and weep. The Page whistles The boy gives warning something doth approach. What cursed foot wanders this way to-night, To cross my obsequies and true love's rite? What with a torch! muffle me, night, awhile. Retires Enter ROMEO and BALTHASAR, with a torch, mattock, &c ROMEO Give me that mattock and the wrenching iron. Hold, take this letter; early in the morning See thou deliver it to my lord and father. Give me the light: upon thy life, I charge thee, Whate'er thou hear'st or seest, stand all aloof, And do not interrupt me in my course. Why I descend into this bed of death, Is partly to behold my lady's face; But chiefly to take thence from her dead finger A precious ring, a ring that I must use In dear employment: therefore hence, be gone: But if thou, jealous, dost return to pry In what I further shall intend to do, By heaven, I will tear thee joint by joint And strew this hungry churchyard with thy limbs: The time and my intents are savage-wild, More fierce and more inexorable far Than empty tigers or the roaring sea. BALTHASAR I will be gone, sir, and not trouble you. ROMEO So shalt thou show me friendship. Take thou that: Live, and be prosperous: and farewell, good fellow. BALTHASAR Aside For all this same, I'll hide me hereabout: His looks I fear, and his intents I doubt. Retires ROMEO Thou detestable maw, thou womb of death, Gorged with the dearest morsel of the earth, Thus I enforce thy rotten jaws to open, And, in despite, I'll cram thee with more food! Opens the tomb PARIS This is that banish'd haughty Montague, That murder'd my love's cousin, with which grief, It is supposed, the fair creature died; And here is come to do some villanous shame To the dead bodies: I will apprehend him. Comes forward Stop thy unhallow'd toil, vile Montague! Can vengeance be pursued further than death? Condemned villain, I do apprehend thee: Obey, and go with me; for thou must die. ROMEO I must indeed; and therefore came I hither. Good gentle youth, tempt not a desperate man; Fly hence, and leave me: think upon these gone; Let them affright thee. I beseech thee, youth, Put not another sin upon my head, By urging me to fury: O, be gone! By heaven, I love thee better than myself; For I come hither arm'd against myself: Stay not, be gone; live, and hereafter say, A madman's mercy bade thee run away. PARIS I do defy thy conjurations, And apprehend thee for a felon here. ROMEO Wilt thou provoke me? then have at thee, boy! They fight PAGE O Lord, they fight! I will go call the watch. Exit PARIS O, I am slain! Falls If thou be merciful, Open the tomb, lay me with Juliet. Dies ROMEO In faith, I will. Let me peruse this face. Mercutio's kinsman, noble County Paris! What said my man, when my betossed soul Did not attend him as we rode? I think He told me Paris should have married Juliet: Said he not so? or did I dream it so? Or am I mad, hearing him talk of Juliet, To think it was so? O, give me thy hand, One writ with me in sour misfortune's book! I'll bury thee in a triumphant grave; A grave? O no! a lantern, slaughter'd youth, For here lies Juliet, and her beauty makes This vault a feasting presence full of light. Death, lie thou there, by a dead man interr'd. Laying PARIS in the tomb How oft when men are at the point of death Have they been merry! which their keepers call A lightning before death: O, how may I Call this a lightning? O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favour can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids; O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death! Come, bitter conduct, come, unsavoury guide! Thou desperate pilot, now at once run on The dashing rocks thy sea-sick weary bark! Here's to my love! Drinks O true apothecary! Thy drugs are quick. Thus with a kiss I die. Dies Enter, at the other end of the churchyard, FRIAR LAURENCE, with a lantern, crow, and spade FRIAR LAURENCE Saint Francis be my speed! how oft to-night Have my old feet stumbled at graves! Who's there? BALTHASAR Here's one, a friend, and one that knows you well. FRIAR LAURENCE Bliss be upon you! Tell me, good my friend, What torch is yond, that vainly lends his light To grubs and eyeless skulls? as I discern, It burneth in the Capel's monument. BALTHASAR It doth so, holy sir; and there's my master, One that you love. FRIAR LAURENCE Who is it? BALTHASAR Romeo. FRIAR LAURENCE How long hath he been there? BALTHASAR Full half an hour. FRIAR LAURENCE Go with me to the vault. BALTHASAR I dare not, sir My master knows not but I am gone hence; And fearfully did menace me with death, If I did stay to look on his intents. FRIAR LAURENCE Stay, then; I'll go alone. Fear comes upon me: O, much I fear some ill unlucky thing. BALTHASAR As I did sleep under this yew-tree here, I dreamt my master and another fought, And that my master slew him. FRIAR LAURENCE Romeo! Advances Alack, alack, what blood is this, which stains The stony entrance of this sepulchre? What mean these masterless and gory swords To lie discolour'd by this place of peace? Enters the tomb Romeo! O, pale! Who else? what, Paris too? And steep'd in blood? Ah, what an unkind hour Is guilty of this lamentable chance! The lady stirs. JULIET wakes JULIET O comfortable friar! where is my lord? I do remember well where I should be, And there I am. Where is my Romeo? Noise within FRIAR LAURENCE I hear some noise. Lady, come from that nest Of death, contagion, and unnatural sleep: A greater power than we can contradict Hath thwarted our intents. Come, come away. Thy husband in thy bosom there lies dead; And Paris too. Come, I'll dispose of thee Among a sisterhood of holy nuns: Stay not to question, for the watch is coming; Come, go, good Juliet, Noise again I dare no longer stay. JULIET Go, get thee hence, for I will not away. Exit FRIAR LAURENCE What's here? a cup, closed in my true love's hand? Poison, I see, hath been his timeless end: O churl! drunk all, and left no friendly drop To help me after? I will kiss thy lips; Haply some poison yet doth hang on them, To make die with a restorative. Kisses him Thy lips are warm. First Watchman Within Lead, boy: which way? JULIET Yea, noise? then I'll be brief. O happy dagger! Snatching ROMEO's dagger This is thy sheath; Stabs herself there rust, and let me die. Falls on ROMEO's body, and dies Enter Watch, with the Page of PARIS PAGE This is the place; there, where the torch doth burn. First Watchman The ground is bloody; search about the churchyard: Go, some of you, whoe'er you find attach. Pitiful sight! here lies the county slain, And Juliet bleeding, warm, and newly dead, Who here hath lain these two days buried. Go, tell the prince: run to the Capulets: Raise up the Montagues: some others search: We see the ground whereon these woes do lie; But the true ground of all these piteous woes We cannot without circumstance descry. Re-enter some of the Watch, with BALTHASAR Second Watchman Here's Romeo's man; we found him in the churchyard. First Watchman Hold him in safety, till the prince come hither. Re-enter others of the Watch, with FRIAR LAURENCE Third Watchman Here is a friar, that trembles, sighs and weeps: We took this mattock and this spade from him, As he was coming from this churchyard side. First Watchman A great suspicion: stay the friar too. Enter the PRINCE and Attendants PRINCE What misadventure is so early up, That calls our person from our morning's rest? Enter CAPULET, LADY CAPULET, and others CAPULET What should it be, that they so shriek abroad? LADY CAPULET The people in the street cry Romeo, Some Juliet, and some Paris; and all run, With open outcry toward our monument. PRINCE What fear is this which startles in our ears? First Watchman Sovereign, here lies the County Paris slain; And Romeo dead; and Juliet, dead before, Warm and new kill'd. PRINCE Search, seek, and know how this foul murder comes. First Watchman Here is a friar, and slaughter'd Romeo's man; With instruments upon them, fit to open These dead men's tombs. CAPULET O heavens! O wife, look how our daughter bleeds! This dagger hath mista'en--for, lo, his house Is empty on the back of Montague,-- And it mis-sheathed in my daughter's bosom! LADY CAPULET O me! this sight of death is as a bell, That warns my old age to a sepulchre. Enter MONTAGUE and others PRINCE Come, Montague; for thou art early up, To see thy son and heir more early down. MONTAGUE Alas, my liege, my wife is dead to-night; Grief of my son's exile hath stopp'd her breath: What further woe conspires against mine age? PRINCE Look, and thou shalt see. MONTAGUE O thou untaught! what manners is in this? To press before thy father to a grave? PRINCE Seal up the mouth of outrage for a while, Till we can clear these ambiguities, And know their spring, their head, their true descent; And then will I be general of your woes, And lead you even to death: meantime forbear, And let mischance be slave to patience. Bring forth the parties of suspicion. FRIAR LAURENCE I am the greatest, able to do least, Yet most suspected, as the time and place Doth make against me of this direful murder; And here I stand, both to impeach and purge Myself condemned and myself excused. PRINCE Then say at once what thou dost know in this. FRIAR LAURENCE I will be brief, for my short date of breath Is not so long as is a tedious tale. Romeo, there dead, was husband to that Juliet; And she, there dead, that Romeo's faithful wife: I married them; and their stol'n marriage-day Was Tybalt's dooms-day, whose untimely death Banish'd the new-made bridegroom from the city, For whom, and not for Tybalt, Juliet pined. You, to remove that siege of grief from her, Betroth'd and would have married her perforce To County Paris: then comes she to me, And, with wild looks, bid me devise some mean To rid her from this second marriage, Or in my cell there would she kill herself. Then gave I her, so tutor'd by my art, A sleeping potion; which so took effect As I intended, for it wrought on her The form of death: meantime I writ to Romeo, That he should hither come as this dire night, To help to take her from her borrow'd grave, Being the time the potion's force should cease. But he which bore my letter, Friar John, Was stay'd by accident, and yesternight Return'd my letter back. Then all alone At the prefixed hour of her waking, Came I to take her from her kindred's vault; Meaning to keep her closely at my cell, Till I conveniently could send to Romeo: But when I came, some minute ere the time Of her awaking, here untimely lay The noble Paris and true Romeo dead. She wakes; and I entreated her come forth, And bear this work of heaven with patience: But then a noise did scare me from the tomb; And she, too desperate, would not go with me, But, as it seems, did violence on herself. All this I know; and to the marriage Her nurse is privy: and, if aught in this Miscarried by my fault, let my old life Be sacrificed, some hour before his time, Unto the rigour of severest law. PRINCE We still have known thee for a holy man. Where's Romeo's man? what can he say in this? BALTHASAR I brought my master news of Juliet's death; And then in post he came from Mantua To this same place, to this same monument. This letter he early bid me give his father, And threatened me with death, going in the vault, I departed not and left him there. PRINCE Give me the letter; I will look on it. Where is the county's page, that raised the watch? Sirrah, what made your master in this place? PAGE He came with flowers to strew his lady's grave; And bid me stand aloof, and so I did: Anon comes one with light to ope the tomb; And by and by my master drew on him; And then I ran away to call the watch. PRINCE This letter doth make good the friar's words, Their course of love, the tidings of her death: And here he writes that he did buy a poison Of a poor 'pothecary, and therewithal Came to this vault to die, and lie with Juliet. Where be these enemies? Capulet! Montague! See, what a scourge is laid upon your hate, That heaven finds means to kill your joys with love. And I for winking at your discords too Have lost a brace of kinsmen: all are punish'd. CAPULET O brother Montague, give me thy hand: This is my daughter's jointure, for no more Can I demand. MONTAGUE But I can give thee more: For I will raise her statue in pure gold; That while Verona by that name is known, There shall no figure at such rate be set As that of true and faithful Juliet. CAPULET As rich shall Romeo's by his lady's lie; Poor sacrifices of our enmity! PRINCE A glooming peace this morning with it brings; The sun, for sorrow, will not show his head: Go hence, to have more talk of these sad things; Some shall be pardon'd, and some punished: For never was a story of more woe Than this of Juliet and her Romeo. Exeunt
compress-compress-lzf-1.0.3/src/test/resources/shakespeare/000077500000000000000000000000001237355727300240615ustar00rootroot00000000000000compress-compress-lzf-1.0.3/src/test/resources/shakespeare/hamlet.xml000066400000000000000000010422351237355727300260640ustar00rootroot00000000000000 The Tragedy of Hamlet, Prince of Denmark

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Dramatis Personae CLAUDIUS, king of Denmark. HAMLET, son to the late, and nephew to the present king. POLONIUS, lord chamberlain. HORATIO, friend to Hamlet. LAERTES, son to Polonius. LUCIANUS, nephew to the king. VOLTIMAND CORNELIUS ROSENCRANTZ GUILDENSTERN OSRIC courtiers. A Gentleman A Priest. MARCELLUS BERNARDO officers. FRANCISCO, a soldier. REYNALDO, servant to Polonius. Players. Two Clowns, grave-diggers. FORTINBRAS, prince of Norway. A Captain. English Ambassadors. GERTRUDE, queen of Denmark, and mother to Hamlet. OPHELIA, daughter to Polonius. Lords, Ladies, Officers, Soldiers, Sailors, Messengers, and other Attendants. Ghost of Hamlet's Father. SCENE Denmark. HAMLET ACT I SCENE I. Elsinore. A platform before the castle. FRANCISCO at his post. Enter to him BERNARDO BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself. BERNARDO Long live the king! FRANCISCO Bernardo? BERNARDO He. FRANCISCO You come most carefully upon your hour. BERNARDO 'Tis now struck twelve; get thee to bed, Francisco. FRANCISCO For this relief much thanks: 'tis bitter cold, And I am sick at heart. BERNARDO Have you had quiet guard? FRANCISCO Not a mouse stirring. BERNARDO Well, good night. If you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste. FRANCISCO I think I hear them. Stand, ho! Who's there? Enter HORATIO and MARCELLUS HORATIO Friends to this ground. MARCELLUS And liegemen to the Dane. FRANCISCO Give you good night. MARCELLUS O, farewell, honest soldier: Who hath relieved you? FRANCISCO Bernardo has my place. Give you good night. Exit MARCELLUS Holla! Bernardo! BERNARDO Say, What, is Horatio there? HORATIO A piece of him. BERNARDO Welcome, Horatio: welcome, good Marcellus. MARCELLUS What, has this thing appear'd again to-night? BERNARDO I have seen nothing. MARCELLUS Horatio says 'tis but our fantasy, And will not let belief take hold of him Touching this dreaded sight, twice seen of us: Therefore I have entreated him along With us to watch the minutes of this night; That if again this apparition come, He may approve our eyes and speak to it. HORATIO Tush, tush, 'twill not appear. BERNARDO Sit down awhile; And let us once again assail your ears, That are so fortified against our story What we have two nights seen. HORATIO Well, sit we down, And let us hear Bernardo speak of this. BERNARDO Last night of all, When yond same star that's westward from the pole Had made his course to illume that part of heaven Where now it burns, Marcellus and myself, The bell then beating one,-- Enter Ghost MARCELLUS Peace, break thee off; look, where it comes again! BERNARDO In the same figure, like the king that's dead. MARCELLUS Thou art a scholar; speak to it, Horatio. BERNARDO Looks it not like the king? mark it, Horatio. HORATIO Most like: it harrows me with fear and wonder. BERNARDO It would be spoke to. MARCELLUS Question it, Horatio. HORATIO What art thou that usurp'st this time of night, Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes march? by heaven I charge thee, speak! MARCELLUS It is offended. BERNARDO See, it stalks away! HORATIO Stay! speak, speak! I charge thee, speak! Exit Ghost MARCELLUS 'Tis gone, and will not answer. BERNARDO How now, Horatio! you tremble and look pale: Is not this something more than fantasy? What think you on't? HORATIO Before my God, I might not this believe Without the sensible and true avouch Of mine own eyes. MARCELLUS Is it not like the king? HORATIO As thou art to thyself: Such was the very armour he had on When he the ambitious Norway combated; So frown'd he once, when, in an angry parle, He smote the sledded Polacks on the ice. 'Tis strange. MARCELLUS Thus twice before, and jump at this dead hour, With martial stalk hath he gone by our watch. HORATIO In what particular thought to work I know not; But in the gross and scope of my opinion, This bodes some strange eruption to our state. MARCELLUS Good now, sit down, and tell me, he that knows, Why this same strict and most observant watch So nightly toils the subject of the land, And why such daily cast of brazen cannon, And foreign mart for implements of war; Why such impress of shipwrights, whose sore task Does not divide the Sunday from the week; What might be toward, that this sweaty haste Doth make the night joint-labourer with the day: Who is't that can inform me? HORATIO That can I; At least, the whisper goes so. Our last king, Whose image even but now appear'd to us, Was, as you know, by Fortinbras of Norway, Thereto prick'd on by a most emulate pride, Dared to the combat; in which our valiant Hamlet-- For so this side of our known world esteem'd him-- Did slay this Fortinbras; who by a seal'd compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands Which he stood seized of, to the conqueror: Against the which, a moiety competent Was gaged by our king; which had return'd To the inheritance of Fortinbras, Had he been vanquisher; as, by the same covenant, And carriage of the article design'd, His fell to Hamlet. Now, sir, young Fortinbras, Of unimproved mettle hot and full, Hath in the skirts of Norway here and there Shark'd up a list of lawless resolutes, For food and diet, to some enterprise That hath a stomach in't; which is no other-- As it doth well appear unto our state-- But to recover of us, by strong hand And terms compulsatory, those foresaid lands So by his father lost: and this, I take it, Is the main motive of our preparations, The source of this our watch and the chief head Of this post-haste and romage in the land. BERNARDO I think it be no other but e'en so: Well may it sort that this portentous figure Comes armed through our watch; so like the king That was and is the question of these wars. HORATIO A mote it is to trouble the mind's eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless and the sheeted dead Did squeak and gibber in the Roman streets: As stars with trains of fire and dews of blood, Disasters in the sun; and the moist star Upon whose influence Neptune's empire stands Was sick almost to doomsday with eclipse: And even the like precurse of fierce events, As harbingers preceding still the fates And prologue to the omen coming on, Have heaven and earth together demonstrated Unto our climatures and countrymen.-- But soft, behold! lo, where it comes again! Re-enter Ghost I'll cross it, though it blast me. Stay, illusion! If thou hast any sound, or use of voice, Speak to me: If there be any good thing to be done, That may to thee do ease and grace to me, Speak to me: Cock crows If thou art privy to thy country's fate, Which, happily, foreknowing may avoid, O, speak! Or if thou hast uphoarded in thy life Extorted treasure in the womb of earth, For which, they say, you spirits oft walk in death, Speak of it: stay, and speak! Stop it, Marcellus. MARCELLUS Shall I strike at it with my partisan? HORATIO Do, if it will not stand. BERNARDO 'Tis here! HORATIO 'Tis here! MARCELLUS 'Tis gone! Exit Ghost We do it wrong, being so majestical, To offer it the show of violence; For it is, as the air, invulnerable, And our vain blows malicious mockery. BERNARDO It was about to speak, when the cock crew. HORATIO And then it started like a guilty thing Upon a fearful summons. I have heard, The cock, that is the trumpet to the morn, Doth with his lofty and shrill-sounding throat Awake the god of day; and, at his warning, Whether in sea or fire, in earth or air, The extravagant and erring spirit hies To his confine: and of the truth herein This present object made probation. MARCELLUS It faded on the crowing of the cock. Some say that ever 'gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long: And then, they say, no spirit dares stir abroad; The nights are wholesome; then no planets strike, No fairy takes, nor witch hath power to charm, So hallow'd and so gracious is the time. HORATIO So have I heard and do in part believe it. But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastward hill: Break we our watch up; and by my advice, Let us impart what we have seen to-night Unto young Hamlet; for, upon my life, This spirit, dumb to us, will speak to him. Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty? MARCELLUS Let's do't, I pray; and I this morning know Where we shall find him most conveniently. Exeunt SCENE II. A room of state in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants KING CLAUDIUS Though yet of Hamlet our dear brother's death The memory be green, and that it us befitted To bear our hearts in grief and our whole kingdom To be contracted in one brow of woe, Yet so far hath discretion fought with nature That we with wisest sorrow think on him, Together with remembrance of ourselves. Therefore our sometime sister, now our queen, The imperial jointress to this warlike state, Have we, as 'twere with a defeated joy,-- With an auspicious and a dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole,-- Taken to wife: nor have we herein barr'd Your better wisdoms, which have freely gone With this affair along. For all, our thanks. Now follows, that you know, young Fortinbras, Holding a weak supposal of our worth, Or thinking by our late dear brother's death Our state to be disjoint and out of frame, Colleagued with the dream of his advantage, He hath not fail'd to pester us with message, Importing the surrender of those lands Lost by his father, with all bonds of law, To our most valiant brother. So much for him. Now for ourself and for this time of meeting: Thus much the business is: we have here writ To Norway, uncle of young Fortinbras,-- Who, impotent and bed-rid, scarcely hears Of this his nephew's purpose,--to suppress His further gait herein; in that the levies, The lists and full proportions, are all made Out of his subject: and we here dispatch You, good Cornelius, and you, Voltimand, For bearers of this greeting to old Norway; Giving to you no further personal power To business with the king, more than the scope Of these delated articles allow. Farewell, and let your haste commend your duty. CORNELIUS VOLTIMAND In that and all things will we show our duty. KING CLAUDIUS We doubt it nothing: heartily farewell. Exeunt VOLTIMAND and CORNELIUS And now, Laertes, what's the news with you? You told us of some suit; what is't, Laertes? You cannot speak of reason to the Dane, And loose your voice: what wouldst thou beg, Laertes, That shall not be my offer, not thy asking? The head is not more native to the heart, The hand more instrumental to the mouth, Than is the throne of Denmark to thy father. What wouldst thou have, Laertes? LAERTES My dread lord, Your leave and favour to return to France; From whence though willingly I came to Denmark, To show my duty in your coronation, Yet now, I must confess, that duty done, My thoughts and wishes bend again toward France And bow them to your gracious leave and pardon. KING CLAUDIUS Have you your father's leave? What says Polonius? LORD POLONIUS He hath, my lord, wrung from me my slow leave By laboursome petition, and at last Upon his will I seal'd my hard consent: I do beseech you, give him leave to go. KING CLAUDIUS Take thy fair hour, Laertes; time be thine, And thy best graces spend it at thy will! But now, my cousin Hamlet, and my son,-- HAMLET Aside A little more than kin, and less than kind. KING CLAUDIUS How is it that the clouds still hang on you? HAMLET Not so, my lord; I am too much i' the sun. QUEEN GERTRUDE Good Hamlet, cast thy nighted colour off, And let thine eye look like a friend on Denmark. Do not for ever with thy vailed lids Seek for thy noble father in the dust: Thou know'st 'tis common; all that lives must die, Passing through nature to eternity. HAMLET Ay, madam, it is common. QUEEN GERTRUDE If it be, Why seems it so particular with thee? HAMLET Seems, madam! nay it is; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'havior of the visage, Together with all forms, moods, shapes of grief, That can denote me truly: these indeed seem, For they are actions that a man might play: But I have that within which passeth show; These but the trappings and the suits of woe. KING CLAUDIUS 'Tis sweet and commendable in your nature, Hamlet, To give these mourning duties to your father: But, you must know, your father lost a father; That father lost, lost his, and the survivor bound In filial obligation for some term To do obsequious sorrow: but to persever In obstinate condolement is a course Of impious stubbornness; 'tis unmanly grief; It shows a will most incorrect to heaven, A heart unfortified, a mind impatient, An understanding simple and unschool'd: For what we know must be and is as common As any the most vulgar thing to sense, Why should we in our peevish opposition Take it to heart? Fie! 'tis a fault to heaven, A fault against the dead, a fault to nature, To reason most absurd: whose common theme Is death of fathers, and who still hath cried, From the first corse till he that died to-day, 'This must be so.' We pray you, throw to earth This unprevailing woe, and think of us As of a father: for let the world take note, You are the most immediate to our throne; And with no less nobility of love Than that which dearest father bears his son, Do I impart toward you. For your intent In going back to school in Wittenberg, It is most retrograde to our desire: And we beseech you, bend you to remain Here, in the cheer and comfort of our eye, Our chiefest courtier, cousin, and our son. QUEEN GERTRUDE Let not thy mother lose her prayers, Hamlet: I pray thee, stay with us; go not to Wittenberg. HAMLET I shall in all my best obey you, madam. KING CLAUDIUS Why, 'tis a loving and a fair reply: Be as ourself in Denmark. Madam, come; This gentle and unforced accord of Hamlet Sits smiling to my heart: in grace whereof, No jocund health that Denmark drinks to-day, But the great cannon to the clouds shall tell, And the king's rouse the heavens all bruit again, Re-speaking earthly thunder. Come away. Exeunt all but HAMLET HAMLET O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month-- Let me not think on't--Frailty, thy name is woman!-- A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:--why she, even she-- O, God! a beast, that wants discourse of reason, Would have mourn'd longer--married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue. Enter HORATIO, MARCELLUS, and BERNARDO HORATIO Hail to your lordship! HAMLET I am glad to see you well: Horatio,--or I do forget myself. HORATIO The same, my lord, and your poor servant ever. HAMLET Sir, my good friend; I'll change that name with you: And what make you from Wittenberg, Horatio? Marcellus? MARCELLUS My good lord-- HAMLET I am very glad to see you. Good even, sir. But what, in faith, make you from Wittenberg? HORATIO A truant disposition, good my lord. HAMLET I would not hear your enemy say so, Nor shall you do mine ear that violence, To make it truster of your own report Against yourself: I know you are no truant. But what is your affair in Elsinore? We'll teach you to drink deep ere you depart. HORATIO My lord, I came to see your father's funeral. HAMLET I pray thee, do not mock me, fellow-student; I think it was to see my mother's wedding. HORATIO Indeed, my lord, it follow'd hard upon. HAMLET Thrift, thrift, Horatio! the funeral baked meats Did coldly furnish forth the marriage tables. Would I had met my dearest foe in heaven Or ever I had seen that day, Horatio! My father!--methinks I see my father. HORATIO Where, my lord? HAMLET In my mind's eye, Horatio. HORATIO I saw him once; he was a goodly king. HAMLET He was a man, take him for all in all, I shall not look upon his like again. HORATIO My lord, I think I saw him yesternight. HAMLET Saw? who? HORATIO My lord, the king your father. HAMLET The king my father! HORATIO Season your admiration for awhile With an attent ear, till I may deliver, Upon the witness of these gentlemen, This marvel to you. HAMLET For God's love, let me hear. HORATIO Two nights together had these gentlemen, Marcellus and Bernardo, on their watch, In the dead vast and middle of the night, Been thus encounter'd. A figure like your father, Armed at point exactly, cap-a-pe, Appears before them, and with solemn march Goes slow and stately by them: thrice he walk'd By their oppress'd and fear-surprised eyes, Within his truncheon's length; whilst they, distilled Almost to jelly with the act of fear, Stand dumb and speak not to him. This to me In dreadful secrecy impart they did; And I with them the third night kept the watch; Where, as they had deliver'd, both in time, Form of the thing, each word made true and good, The apparition comes: I knew your father; These hands are not more like. HAMLET But where was this? MARCELLUS My lord, upon the platform where we watch'd. HAMLET Did you not speak to it? HORATIO My lord, I did; But answer made it none: yet once methought It lifted up its head and did address Itself to motion, like as it would speak; But even then the morning cock crew loud, And at the sound it shrunk in haste away, And vanish'd from our sight. HAMLET 'Tis very strange. HORATIO As I do live, my honour'd lord, 'tis true; And we did think it writ down in our duty To let you know of it. HAMLET Indeed, indeed, sirs, but this troubles me. Hold you the watch to-night? MARCELLUS BERNARDO We do, my lord. HAMLET Arm'd, say you? MARCELLUS BERNARDO Arm'd, my lord. HAMLET From top to toe? MARCELLUS BERNARDO My lord, from head to foot. HAMLET Then saw you not his face? HORATIO O, yes, my lord; he wore his beaver up. HAMLET What, look'd he frowningly? HORATIO A countenance more in sorrow than in anger. HAMLET Pale or red? HORATIO Nay, very pale. HAMLET And fix'd his eyes upon you? HORATIO Most constantly. HAMLET I would I had been there. HORATIO It would have much amazed you. HAMLET Very like, very like. Stay'd it long? HORATIO While one with moderate haste might tell a hundred. MARCELLUS BERNARDO Longer, longer. HORATIO Not when I saw't. HAMLET His beard was grizzled--no? HORATIO It was, as I have seen it in his life, A sable silver'd. HAMLET I will watch to-night; Perchance 'twill walk again. HORATIO I warrant it will. HAMLET If it assume my noble father's person, I'll speak to it, though hell itself should gape And bid me hold my peace. I pray you all, If you have hitherto conceal'd this sight, Let it be tenable in your silence still; And whatsoever else shall hap to-night, Give it an understanding, but no tongue: I will requite your loves. So, fare you well: Upon the platform, 'twixt eleven and twelve, I'll visit you. All Our duty to your honour. HAMLET Your loves, as mine to you: farewell. Exeunt all but HAMLET My father's spirit in arms! all is not well; I doubt some foul play: would the night were come! Till then sit still, my soul: foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes. Exit SCENE III. A room in Polonius' house. Enter LAERTES and OPHELIA LAERTES My necessaries are embark'd: farewell: And, sister, as the winds give benefit And convoy is assistant, do not sleep, But let me hear from you. OPHELIA Do you doubt that? LAERTES For Hamlet and the trifling of his favour, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward, not permanent, sweet, not lasting, The perfume and suppliance of a minute; No more. OPHELIA No more but so? LAERTES Think it no more; For nature, crescent, does not grow alone In thews and bulk, but, as this temple waxes, The inward service of the mind and soul Grows wide withal. Perhaps he loves you now, And now no soil nor cautel doth besmirch The virtue of his will: but you must fear, His greatness weigh'd, his will is not his own; For he himself is subject to his birth: He may not, as unvalued persons do, Carve for himself; for on his choice depends The safety and health of this whole state; And therefore must his choice be circumscribed Unto the voice and yielding of that body Whereof he is the head. Then if he says he loves you, It fits your wisdom so far to believe it As he in his particular act and place May give his saying deed; which is no further Than the main voice of Denmark goes withal. Then weigh what loss your honour may sustain, If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open To his unmaster'd importunity. Fear it, Ophelia, fear it, my dear sister, And keep you in the rear of your affection, Out of the shot and danger of desire. The chariest maid is prodigal enough, If she unmask her beauty to the moon: Virtue itself 'scapes not calumnious strokes: The canker galls the infants of the spring, Too oft before their buttons be disclosed, And in the morn and liquid dew of youth Contagious blastments are most imminent. Be wary then; best safety lies in fear: Youth to itself rebels, though none else near. OPHELIA I shall the effect of this good lesson keep, As watchman to my heart. But, good my brother, Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven; Whiles, like a puff'd and reckless libertine, Himself the primrose path of dalliance treads, And recks not his own rede. LAERTES O, fear me not. I stay too long: but here my father comes. Enter POLONIUS A double blessing is a double grace, Occasion smiles upon a second leave. LORD POLONIUS Yet here, Laertes! aboard, aboard, for shame! The wind sits in the shoulder of your sail, And you are stay'd for. There; my blessing with thee! And these few precepts in thy memory See thou character. Give thy thoughts no tongue, Nor any unproportioned thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel; But do not dull thy palm with entertainment Of each new-hatch'd, unfledged comrade. Beware Of entrance to a quarrel, but being in, Bear't that the opposed may beware of thee. Give every man thy ear, but few thy voice; Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous chief in that. Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine ownself be true, And it must follow, as the night the day, Thou canst not then be false to any man. Farewell: my blessing season this in thee! LAERTES Most humbly do I take my leave, my lord. LORD POLONIUS The time invites you; go; your servants tend. LAERTES Farewell, Ophelia; and remember well What I have said to you. OPHELIA 'Tis in my memory lock'd, And you yourself shall keep the key of it. LAERTES Farewell. Exit LORD POLONIUS What is't, Ophelia, be hath said to you? OPHELIA So please you, something touching the Lord Hamlet. LORD POLONIUS Marry, well bethought: 'Tis told me, he hath very oft of late Given private time to you; and you yourself Have of your audience been most free and bounteous: If it be so, as so 'tis put on me, And that in way of caution, I must tell you, You do not understand yourself so clearly As it behoves my daughter and your honour. What is between you? give me up the truth. OPHELIA He hath, my lord, of late made many tenders Of his affection to me. LORD POLONIUS Affection! pooh! you speak like a green girl, Unsifted in such perilous circumstance. Do you believe his tenders, as you call them? OPHELIA I do not know, my lord, what I should think. LORD POLONIUS Marry, I'll teach you: think yourself a baby; That you have ta'en these tenders for true pay, Which are not sterling. Tender yourself more dearly; Or--not to crack the wind of the poor phrase, Running it thus--you'll tender me a fool. OPHELIA My lord, he hath importuned me with love In honourable fashion. LORD POLONIUS Ay, fashion you may call it; go to, go to. OPHELIA And hath given countenance to his speech, my lord, With almost all the holy vows of heaven. LORD POLONIUS Ay, springes to catch woodcocks. I do know, When the blood burns, how prodigal the soul Lends the tongue vows: these blazes, daughter, Giving more light than heat, extinct in both, Even in their promise, as it is a-making, You must not take for fire. From this time Be somewhat scanter of your maiden presence; Set your entreatments at a higher rate Than a command to parley. For Lord Hamlet, Believe so much in him, that he is young And with a larger tether may he walk Than may be given you: in few, Ophelia, Do not believe his vows; for they are brokers, Not of that dye which their investments show, But mere implorators of unholy suits, Breathing like sanctified and pious bawds, The better to beguile. This is for all: I would not, in plain terms, from this time forth, Have you so slander any moment leisure, As to give words or talk with the Lord Hamlet. Look to't, I charge you: come your ways. OPHELIA I shall obey, my lord. Exeunt SCENE IV. The platform. Enter HAMLET, HORATIO, and MARCELLUS HAMLET The air bites shrewdly; it is very cold. HORATIO It is a nipping and an eager air. HAMLET What hour now? HORATIO I think it lacks of twelve. HAMLET No, it is struck. HORATIO Indeed? I heard it not: then it draws near the season Wherein the spirit held his wont to walk. A flourish of trumpets, and ordnance shot off, within What does this mean, my lord? HAMLET The king doth wake to-night and takes his rouse, Keeps wassail, and the swaggering up-spring reels; And, as he drains his draughts of Rhenish down, The kettle-drum and trumpet thus bray out The triumph of his pledge. HORATIO Is it a custom? HAMLET Ay, marry, is't: But to my mind, though I am native here And to the manner born, it is a custom More honour'd in the breach than the observance. This heavy-headed revel east and west Makes us traduced and tax'd of other nations: They clepe us drunkards, and with swinish phrase Soil our addition; and indeed it takes From our achievements, though perform'd at height, The pith and marrow of our attribute. So, oft it chances in particular men, That for some vicious mole of nature in them, As, in their birth--wherein they are not guilty, Since nature cannot choose his origin-- By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason, Or by some habit that too much o'er-leavens The form of plausive manners, that these men, Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star,-- Their virtues else--be they as pure as grace, As infinite as man may undergo-- Shall in the general censure take corruption From that particular fault: the dram of eale Doth all the noble substance of a doubt To his own scandal. HORATIO Look, my lord, it comes! Enter Ghost HAMLET Angels and ministers of grace defend us! Be thou a spirit of health or goblin damn'd, Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable, Thou comest in such a questionable shape That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane: O, answer me! Let me not burst in ignorance; but tell Why thy canonized bones, hearsed in death, Have burst their cerements; why the sepulchre, Wherein we saw thee quietly inurn'd, Hath oped his ponderous and marble jaws, To cast thee up again. What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls? Say, why is this? wherefore? what should we do? Ghost beckons HAMLET HORATIO It beckons you to go away with it, As if it some impartment did desire To you alone. MARCELLUS Look, with what courteous action It waves you to a more removed ground: But do not go with it. HORATIO No, by no means. HAMLET It will not speak; then I will follow it. HORATIO Do not, my lord. HAMLET Why, what should be the fear? I do not set my life in a pin's fee; And for my soul, what can it do to that, Being a thing immortal as itself? It waves me forth again: I'll follow it. HORATIO What if it tempt you toward the flood, my lord, Or to the dreadful summit of the cliff That beetles o'er his base into the sea, And there assume some other horrible form, Which might deprive your sovereignty of reason And draw you into madness? think of it: The very place puts toys of desperation, Without more motive, into every brain That looks so many fathoms to the sea And hears it roar beneath. HAMLET It waves me still. Go on; I'll follow thee. MARCELLUS You shall not go, my lord. HAMLET Hold off your hands. HORATIO Be ruled; you shall not go. HAMLET My fate cries out, And makes each petty artery in this body As hardy as the Nemean lion's nerve. Still am I call'd. Unhand me, gentlemen. By heaven, I'll make a ghost of him that lets me! I say, away! Go on; I'll follow thee. Exeunt Ghost and HAMLET HORATIO He waxes desperate with imagination. MARCELLUS Let's follow; 'tis not fit thus to obey him. HORATIO Have after. To what issue will this come? MARCELLUS Something is rotten in the state of Denmark. HORATIO Heaven will direct it. MARCELLUS Nay, let's follow him. Exeunt SCENE V. Another part of the platform. Enter GHOST and HAMLET HAMLET Where wilt thou lead me? speak; I'll go no further. Ghost Mark me. HAMLET I will. Ghost My hour is almost come, When I to sulphurous and tormenting flames Must render up myself. HAMLET Alas, poor ghost! Ghost Pity me not, but lend thy serious hearing To what I shall unfold. HAMLET Speak; I am bound to hear. Ghost So art thou to revenge, when thou shalt hear. HAMLET What? Ghost I am thy father's spirit, Doom'd for a certain term to walk the night, And for the day confined to fast in fires, Till the foul crimes done in my days of nature Are burnt and purged away. But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porpentine: But this eternal blazon must not be To ears of flesh and blood. List, list, O, list! If thou didst ever thy dear father love-- HAMLET O God! Ghost Revenge his foul and most unnatural murder. HAMLET Murder! Ghost Murder most foul, as in the best it is; But this most foul, strange and unnatural. HAMLET Haste me to know't, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge. Ghost I find thee apt; And duller shouldst thou be than the fat weed That roots itself in ease on Lethe wharf, Wouldst thou not stir in this. Now, Hamlet, hear: 'Tis given out that, sleeping in my orchard, A serpent stung me; so the whole ear of Denmark Is by a forged process of my death Rankly abused: but know, thou noble youth, The serpent that did sting thy father's life Now wears his crown. HAMLET O my prophetic soul! My uncle! Ghost Ay, that incestuous, that adulterate beast, With witchcraft of his wit, with traitorous gifts,-- O wicked wit and gifts, that have the power So to seduce!--won to his shameful lust The will of my most seeming-virtuous queen: O Hamlet, what a falling-off was there! From me, whose love was of that dignity That it went hand in hand even with the vow I made to her in marriage, and to decline Upon a wretch whose natural gifts were poor To those of mine! But virtue, as it never will be moved, Though lewdness court it in a shape of heaven, So lust, though to a radiant angel link'd, Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks I scent the morning air; Brief let me be. Sleeping within my orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of my ears did pour The leperous distilment; whose effect Holds such an enmity with blood of man That swift as quicksilver it courses through The natural gates and alleys of the body, And with a sudden vigour doth posset And curd, like eager droppings into milk, The thin and wholesome blood: so did it mine; And a most instant tetter bark'd about, Most lazar-like, with vile and loathsome crust, All my smooth body. Thus was I, sleeping, by a brother's hand Of life, of crown, of queen, at once dispatch'd: Cut off even in the blossoms of my sin, Unhousel'd, disappointed, unanel'd, No reckoning made, but sent to my account With all my imperfections on my head: O, horrible! O, horrible! most horrible! If thou hast nature in thee, bear it not; Let not the royal bed of Denmark be A couch for luxury and damned incest. But, howsoever thou pursuest this act, Taint not thy mind, nor let thy soul contrive Against thy mother aught: leave her to heaven And to those thorns that in her bosom lodge, To prick and sting her. Fare thee well at once! The glow-worm shows the matin to be near, And 'gins to pale his uneffectual fire: Adieu, adieu! Hamlet, remember me. Exit HAMLET O all you host of heaven! O earth! what else? And shall I couple hell? O, fie! Hold, hold, my heart; And you, my sinews, grow not instant old, But bear me stiffly up. Remember thee! Ay, thou poor ghost, while memory holds a seat In this distracted globe. Remember thee! Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there; And thy commandment all alone shall live Within the book and volume of my brain, Unmix'd with baser matter: yes, by heaven! O most pernicious woman! O villain, villain, smiling, damned villain! My tables,--meet it is I set it down, That one may smile, and smile, and be a villain; At least I'm sure it may be so in Denmark: Writing So, uncle, there you are. Now to my word; It is 'Adieu, adieu! remember me.' I have sworn 't. MARCELLUS HORATIO Within My lord, my lord,-- MARCELLUS Within Lord Hamlet,-- HORATIO Within Heaven secure him! HAMLET So be it! HORATIO Within Hillo, ho, ho, my lord! HAMLET Hillo, ho, ho, boy! come, bird, come. Enter HORATIO and MARCELLUS MARCELLUS How is't, my noble lord? HORATIO What news, my lord? HAMLET O, wonderful! HORATIO Good my lord, tell it. HAMLET No; you'll reveal it. HORATIO Not I, my lord, by heaven. MARCELLUS Nor I, my lord. HAMLET How say you, then; would heart of man once think it? But you'll be secret? HORATIO MARCELLUS Ay, by heaven, my lord. HAMLET There's ne'er a villain dwelling in all Denmark But he's an arrant knave. HORATIO There needs no ghost, my lord, come from the grave To tell us this. HAMLET Why, right; you are i' the right; And so, without more circumstance at all, I hold it fit that we shake hands and part: You, as your business and desire shall point you; For every man has business and desire, Such as it is; and for mine own poor part, Look you, I'll go pray. HORATIO These are but wild and whirling words, my lord. HAMLET I'm sorry they offend you, heartily; Yes, 'faith heartily. HORATIO There's no offence, my lord. HAMLET Yes, by Saint Patrick, but there is, Horatio, And much offence too. Touching this vision here, It is an honest ghost, that let me tell you: For your desire to know what is between us, O'ermaster 't as you may. And now, good friends, As you are friends, scholars and soldiers, Give me one poor request. HORATIO What is't, my lord? we will. HAMLET Never make known what you have seen to-night. HORATIO MARCELLUS My lord, we will not. HAMLET Nay, but swear't. HORATIO In faith, My lord, not I. MARCELLUS Nor I, my lord, in faith. HAMLET Upon my sword. MARCELLUS We have sworn, my lord, already. HAMLET Indeed, upon my sword, indeed. Ghost Beneath Swear. HAMLET Ah, ha, boy! say'st thou so? art thou there, truepenny? Come on--you hear this fellow in the cellarage-- Consent to swear. HORATIO Propose the oath, my lord. HAMLET Never to speak of this that you have seen, Swear by my sword. Ghost Beneath Swear. HAMLET Hic et ubique? then we'll shift our ground. Come hither, gentlemen, And lay your hands again upon my sword: Never to speak of this that you have heard, Swear by my sword. Ghost Beneath Swear. HAMLET Well said, old mole! canst work i' the earth so fast? A worthy pioner! Once more remove, good friends. HORATIO O day and night, but this is wondrous strange! HAMLET And therefore as a stranger give it welcome. There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. But come; Here, as before, never, so help you mercy, How strange or odd soe'er I bear myself, As I perchance hereafter shall think meet To put an antic disposition on, That you, at such times seeing me, never shall, With arms encumber'd thus, or this headshake, Or by pronouncing of some doubtful phrase, As 'Well, well, we know,' or 'We could, an if we would,' Or 'If we list to speak,' or 'There be, an if they might,' Or such ambiguous giving out, to note That you know aught of me: this not to do, So grace and mercy at your most need help you, Swear. Ghost Beneath Swear. HAMLET Rest, rest, perturbed spirit! They swear So, gentlemen, With all my love I do commend me to you: And what so poor a man as Hamlet is May do, to express his love and friending to you, God willing, shall not lack. Let us go in together; And still your fingers on your lips, I pray. The time is out of joint: O cursed spite, That ever I was born to set it right! Nay, come, let's go together. Exeunt ACT II SCENE I. A room in POLONIUS' house. Enter POLONIUS and REYNALDO LORD POLONIUS Give him this money and these notes, Reynaldo. REYNALDO I will, my lord. LORD POLONIUS You shall do marvellous wisely, good Reynaldo, Before you visit him, to make inquire Of his behavior. REYNALDO My lord, I did intend it. LORD POLONIUS Marry, well said; very well said. Look you, sir, Inquire me first what Danskers are in Paris; And how, and who, what means, and where they keep, What company, at what expense; and finding By this encompassment and drift of question That they do know my son, come you more nearer Than your particular demands will touch it: Take you, as 'twere, some distant knowledge of him; As thus, 'I know his father and his friends, And in part him: ' do you mark this, Reynaldo? REYNALDO Ay, very well, my lord. LORD POLONIUS 'And in part him; but' you may say 'not well: But, if't be he I mean, he's very wild; Addicted so and so:' and there put on him What forgeries you please; marry, none so rank As may dishonour him; take heed of that; But, sir, such wanton, wild and usual slips As are companions noted and most known To youth and liberty. REYNALDO As gaming, my lord. LORD POLONIUS Ay, or drinking, fencing, swearing, quarrelling, Drabbing: you may go so far. REYNALDO My lord, that would dishonour him. LORD POLONIUS 'Faith, no; as you may season it in the charge You must not put another scandal on him, That he is open to incontinency; That's not my meaning: but breathe his faults so quaintly That they may seem the taints of liberty, The flash and outbreak of a fiery mind, A savageness in unreclaimed blood, Of general assault. REYNALDO But, my good lord,-- LORD POLONIUS Wherefore should you do this? REYNALDO Ay, my lord, I would know that. LORD POLONIUS Marry, sir, here's my drift; And I believe, it is a fetch of wit: You laying these slight sullies on my son, As 'twere a thing a little soil'd i' the working, Mark you, Your party in converse, him you would sound, Having ever seen in the prenominate crimes The youth you breathe of guilty, be assured He closes with you in this consequence; 'Good sir,' or so, or 'friend,' or 'gentleman,' According to the phrase or the addition Of man and country. REYNALDO Very good, my lord. LORD POLONIUS And then, sir, does he this--he does--what was I about to say? By the mass, I was about to say something: where did I leave? REYNALDO At 'closes in the consequence,' at 'friend or so,' and 'gentleman.' LORD POLONIUS At 'closes in the consequence,' ay, marry; He closes thus: 'I know the gentleman; I saw him yesterday, or t' other day, Or then, or then; with such, or such; and, as you say, There was a' gaming; there o'ertook in's rouse; There falling out at tennis:' or perchance, 'I saw him enter such a house of sale,' Videlicet, a brothel, or so forth. See you now; Your bait of falsehood takes this carp of truth: And thus do we of wisdom and of reach, With windlasses and with assays of bias, By indirections find directions out: So by my former lecture and advice, Shall you my son. You have me, have you not? REYNALDO My lord, I have. LORD POLONIUS God be wi' you; fare you well. REYNALDO Good my lord! LORD POLONIUS Observe his inclination in yourself. REYNALDO I shall, my lord. LORD POLONIUS And let him ply his music. REYNALDO Well, my lord. LORD POLONIUS Farewell! Exit REYNALDO Enter OPHELIA How now, Ophelia! what's the matter? OPHELIA O, my lord, my lord, I have been so affrighted! LORD POLONIUS With what, i' the name of God? OPHELIA My lord, as I was sewing in my closet, Lord Hamlet, with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle; Pale as his shirt; his knees knocking each other; And with a look so piteous in purport As if he had been loosed out of hell To speak of horrors,--he comes before me. LORD POLONIUS Mad for thy love? OPHELIA My lord, I do not know; But truly, I do fear it. LORD POLONIUS What said he? OPHELIA He took me by the wrist and held me hard; Then goes he to the length of all his arm; And, with his other hand thus o'er his brow, He falls to such perusal of my face As he would draw it. Long stay'd he so; At last, a little shaking of mine arm And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to shatter all his bulk And end his being: that done, he lets me go: And, with his head over his shoulder turn'd, He seem'd to find his way without his eyes; For out o' doors he went without their helps, And, to the last, bended their light on me. LORD POLONIUS Come, go with me: I will go seek the king. This is the very ecstasy of love, Whose violent property fordoes itself And leads the will to desperate undertakings As oft as any passion under heaven That does afflict our natures. I am sorry. What, have you given him any hard words of late? OPHELIA No, my good lord, but, as you did command, I did repel his fetters and denied His access to me. LORD POLONIUS That hath made him mad. I am sorry that with better heed and judgment I had not quoted him: I fear'd he did but trifle, And meant to wreck thee; but, beshrew my jealousy! By heaven, it is as proper to our age To cast beyond ourselves in our opinions As it is common for the younger sort To lack discretion. Come, go we to the king: This must be known; which, being kept close, might move More grief to hide than hate to utter love. Exeunt SCENE II. A room in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, GUILDENSTERN, and Attendants KING CLAUDIUS Welcome, dear Rosencrantz and Guildenstern! Moreover that we much did long to see you, The need we have to use you did provoke Our hasty sending. Something have you heard Of Hamlet's transformation; so call it, Sith nor the exterior nor the inward man Resembles that it was. What it should be, More than his father's death, that thus hath put him So much from the understanding of himself, I cannot dream of: I entreat you both, That, being of so young days brought up with him, And sith so neighbour'd to his youth and havior, That you vouchsafe your rest here in our court Some little time: so by your companies To draw him on to pleasures, and to gather, So much as from occasion you may glean, Whether aught, to us unknown, afflicts him thus, That, open'd, lies within our remedy. QUEEN GERTRUDE Good gentlemen, he hath much talk'd of you; And sure I am two men there are not living To whom he more adheres. If it will please you To show us so much gentry and good will As to expend your time with us awhile, For the supply and profit of our hope, Your visitation shall receive such thanks As fits a king's remembrance. ROSENCRANTZ Both your majesties Might, by the sovereign power you have of us, Put your dread pleasures more into command Than to entreaty. GUILDENSTERN But we both obey, And here give up ourselves, in the full bent To lay our service freely at your feet, To be commanded. KING CLAUDIUS Thanks, Rosencrantz and gentle Guildenstern. QUEEN GERTRUDE Thanks, Guildenstern and gentle Rosencrantz: And I beseech you instantly to visit My too much changed son. Go, some of you, And bring these gentlemen where Hamlet is. GUILDENSTERN Heavens make our presence and our practises Pleasant and helpful to him! QUEEN GERTRUDE Ay, amen! Exeunt ROSENCRANTZ, GUILDENSTERN, and some Attendants Enter POLONIUS LORD POLONIUS The ambassadors from Norway, my good lord, Are joyfully return'd. KING CLAUDIUS Thou still hast been the father of good news. LORD POLONIUS Have I, my lord? I assure my good liege, I hold my duty, as I hold my soul, Both to my God and to my gracious king: And I do think, or else this brain of mine Hunts not the trail of policy so sure As it hath used to do, that I have found The very cause of Hamlet's lunacy. KING CLAUDIUS O, speak of that; that do I long to hear. LORD POLONIUS Give first admittance to the ambassadors; My news shall be the fruit to that great feast. KING CLAUDIUS Thyself do grace to them, and bring them in. Exit POLONIUS He tells me, my dear Gertrude, he hath found The head and source of all your son's distemper. QUEEN GERTRUDE I doubt it is no other but the main; His father's death, and our o'erhasty marriage. KING CLAUDIUS Well, we shall sift him. Re-enter POLONIUS, with VOLTIMAND and CORNELIUS Welcome, my good friends! Say, Voltimand, what from our brother Norway? VOLTIMAND Most fair return of greetings and desires. Upon our first, he sent out to suppress His nephew's levies; which to him appear'd To be a preparation 'gainst the Polack; But, better look'd into, he truly found It was against your highness: whereat grieved, That so his sickness, age and impotence Was falsely borne in hand, sends out arrests On Fortinbras; which he, in brief, obeys; Receives rebuke from Norway, and in fine Makes vow before his uncle never more To give the assay of arms against your majesty. Whereon old Norway, overcome with joy, Gives him three thousand crowns in annual fee, And his commission to employ those soldiers, So levied as before, against the Polack: With an entreaty, herein further shown, Giving a paper That it might please you to give quiet pass Through your dominions for this enterprise, On such regards of safety and allowance As therein are set down. KING CLAUDIUS It likes us well; And at our more consider'd time well read, Answer, and think upon this business. Meantime we thank you for your well-took labour: Go to your rest; at night we'll feast together: Most welcome home! Exeunt VOLTIMAND and CORNELIUS LORD POLONIUS This business is well ended. My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit, And tediousness the limbs and outward flourishes, I will be brief: your noble son is mad: Mad call I it; for, to define true madness, What is't but to be nothing else but mad? But let that go. QUEEN GERTRUDE More matter, with less art. LORD POLONIUS Madam, I swear I use no art at all. That he is mad, 'tis true: 'tis true 'tis pity; And pity 'tis 'tis true: a foolish figure; But farewell it, for I will use no art. Mad let us grant him, then: and now remains That we find out the cause of this effect, Or rather say, the cause of this defect, For this effect defective comes by cause: Thus it remains, and the remainder thus. Perpend. I have a daughter--have while she is mine-- Who, in her duty and obedience, mark, Hath given me this: now gather, and surmise. Reads 'To the celestial and my soul's idol, the most beautified Ophelia,'-- That's an ill phrase, a vile phrase; 'beautified' is a vile phrase: but you shall hear. Thus: Reads 'In her excellent white bosom, these, &c.' QUEEN GERTRUDE Came this from Hamlet to her? LORD POLONIUS Good madam, stay awhile; I will be faithful. Reads 'Doubt thou the stars are fire; Doubt that the sun doth move; Doubt truth to be a liar; But never doubt I love. 'O dear Ophelia, I am ill at these numbers; I have not art to reckon my groans: but that I love thee best, O most best, believe it. Adieu. 'Thine evermore most dear lady, whilst this machine is to him, HAMLET.' This, in obedience, hath my daughter shown me, And more above, hath his solicitings, As they fell out by time, by means and place, All given to mine ear. KING CLAUDIUS But how hath she Received his love? LORD POLONIUS What do you think of me? KING CLAUDIUS As of a man faithful and honourable. LORD POLONIUS I would fain prove so. But what might you think, When I had seen this hot love on the wing-- As I perceived it, I must tell you that, Before my daughter told me--what might you, Or my dear majesty your queen here, think, If I had play'd the desk or table-book, Or given my heart a winking, mute and dumb, Or look'd upon this love with idle sight; What might you think? No, I went round to work, And my young mistress thus I did bespeak: 'Lord Hamlet is a prince, out of thy star; This must not be:' and then I precepts gave her, That she should lock herself from his resort, Admit no messengers, receive no tokens. Which done, she took the fruits of my advice; And he, repulsed--a short tale to make-- Fell into a sadness, then into a fast, Thence to a watch, thence into a weakness, Thence to a lightness, and, by this declension, Into the madness wherein now he raves, And all we mourn for. KING CLAUDIUS Do you think 'tis this? QUEEN GERTRUDE It may be, very likely. LORD POLONIUS Hath there been such a time--I'd fain know that-- That I have positively said 'Tis so,' When it proved otherwise? KING CLAUDIUS Not that I know. LORD POLONIUS Pointing to his head and shoulder Take this from this, if this be otherwise: If circumstances lead me, I will find Where truth is hid, though it were hid indeed Within the centre. KING CLAUDIUS How may we try it further? LORD POLONIUS You know, sometimes he walks four hours together Here in the lobby. QUEEN GERTRUDE So he does indeed. LORD POLONIUS At such a time I'll loose my daughter to him: Be you and I behind an arras then; Mark the encounter: if he love her not And be not from his reason fall'n thereon, Let me be no assistant for a state, But keep a farm and carters. KING CLAUDIUS We will try it. QUEEN GERTRUDE But, look, where sadly the poor wretch comes reading. LORD POLONIUS Away, I do beseech you, both away: I'll board him presently. Exeunt KING CLAUDIUS, QUEEN GERTRUDE, and Attendants Enter HAMLET, reading O, give me leave: How does my good Lord Hamlet? HAMLET Well, God-a-mercy. LORD POLONIUS Do you know me, my lord? HAMLET Excellent well; you are a fishmonger. LORD POLONIUS Not I, my lord. HAMLET Then I would you were so honest a man. LORD POLONIUS Honest, my lord! HAMLET Ay, sir; to be honest, as this world goes, is to be one man picked out of ten thousand. LORD POLONIUS That's very true, my lord. HAMLET For if the sun breed maggots in a dead dog, being a god kissing carrion,--Have you a daughter? LORD POLONIUS I have, my lord. HAMLET Let her not walk i' the sun: conception is a blessing: but not as your daughter may conceive. Friend, look to 't. LORD POLONIUS Aside How say you by that? Still harping on my daughter: yet he knew me not at first; he said I was a fishmonger: he is far gone, far gone: and truly in my youth I suffered much extremity for love; very near this. I'll speak to him again. What do you read, my lord? HAMLET Words, words, words. LORD POLONIUS What is the matter, my lord? HAMLET Between who? LORD POLONIUS I mean, the matter that you read, my lord. HAMLET Slanders, sir: for the satirical rogue says here that old men have grey beards, that their faces are wrinkled, their eyes purging thick amber and plum-tree gum and that they have a plentiful lack of wit, together with most weak hams: all which, sir, though I most powerfully and potently believe, yet I hold it not honesty to have it thus set down, for yourself, sir, should be old as I am, if like a crab you could go backward. LORD POLONIUS Aside Though this be madness, yet there is method in 't. Will you walk out of the air, my lord? HAMLET Into my grave. LORD POLONIUS Indeed, that is out o' the air. Aside How pregnant sometimes his replies are! a happiness that often madness hits on, which reason and sanity could not so prosperously be delivered of. I will leave him, and suddenly contrive the means of meeting between him and my daughter.--My honourable lord, I will most humbly take my leave of you. HAMLET You cannot, sir, take from me any thing that I will more willingly part withal: except my life, except my life, except my life. LORD POLONIUS Fare you well, my lord. HAMLET These tedious old fools! Enter ROSENCRANTZ and GUILDENSTERN LORD POLONIUS You go to seek the Lord Hamlet; there he is. ROSENCRANTZ To POLONIUS God save you, sir! Exit POLONIUS GUILDENSTERN My honoured lord! ROSENCRANTZ My most dear lord! HAMLET My excellent good friends! How dost thou, Guildenstern? Ah, Rosencrantz! Good lads, how do ye both? ROSENCRANTZ As the indifferent children of the earth. GUILDENSTERN Happy, in that we are not over-happy; On fortune's cap we are not the very button. HAMLET Nor the soles of her shoe? ROSENCRANTZ Neither, my lord. HAMLET Then you live about her waist, or in the middle of her favours? GUILDENSTERN 'Faith, her privates we. HAMLET In the secret parts of fortune? O, most true; she is a strumpet. What's the news? ROSENCRANTZ None, my lord, but that the world's grown honest. HAMLET Then is doomsday near: but your news is not true. Let me question more in particular: what have you, my good friends, deserved at the hands of fortune, that she sends you to prison hither? GUILDENSTERN Prison, my lord! HAMLET Denmark's a prison. ROSENCRANTZ Then is the world one. HAMLET A goodly one; in which there are many confines, wards and dungeons, Denmark being one o' the worst. ROSENCRANTZ We think not so, my lord. HAMLET Why, then, 'tis none to you; for there is nothing either good or bad, but thinking makes it so: to me it is a prison. ROSENCRANTZ Why then, your ambition makes it one; 'tis too narrow for your mind. HAMLET O God, I could be bounded in a nut shell and count myself a king of infinite space, were it not that I have bad dreams. GUILDENSTERN Which dreams indeed are ambition, for the very substance of the ambitious is merely the shadow of a dream. HAMLET A dream itself is but a shadow. ROSENCRANTZ Truly, and I hold ambition of so airy and light a quality that it is but a shadow's shadow. HAMLET Then are our beggars bodies, and our monarchs and outstretched heroes the beggars' shadows. Shall we to the court? for, by my fay, I cannot reason. ROSENCRANTZ GUILDENSTERN We'll wait upon you. HAMLET No such matter: I will not sort you with the rest of my servants, for, to speak to you like an honest man, I am most dreadfully attended. But, in the beaten way of friendship, what make you at Elsinore? ROSENCRANTZ To visit you, my lord; no other occasion. HAMLET Beggar that I am, I am even poor in thanks; but I thank you: and sure, dear friends, my thanks are too dear a halfpenny. Were you not sent for? Is it your own inclining? Is it a free visitation? Come, deal justly with me: come, come; nay, speak. GUILDENSTERN What should we say, my lord? HAMLET Why, any thing, but to the purpose. You were sent for; and there is a kind of confession in your looks which your modesties have not craft enough to colour: I know the good king and queen have sent for you. ROSENCRANTZ To what end, my lord? HAMLET That you must teach me. But let me conjure you, by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserved love, and by what more dear a better proposer could charge you withal, be even and direct with me, whether you were sent for, or no? ROSENCRANTZ Aside to GUILDENSTERN What say you? HAMLET Aside Nay, then, I have an eye of you.--If you love me, hold not off. GUILDENSTERN My lord, we were sent for. HAMLET I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late--but wherefore I know not--lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me: no, nor woman neither, though by your smiling you seem to say so. ROSENCRANTZ My lord, there was no such stuff in my thoughts. HAMLET Why did you laugh then, when I said 'man delights not me'? ROSENCRANTZ To think, my lord, if you delight not in man, what lenten entertainment the players shall receive from you: we coted them on the way; and hither are they coming, to offer you service. HAMLET He that plays the king shall be welcome; his majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humourous man shall end his part in peace; the clown shall make those laugh whose lungs are tickled o' the sere; and the lady shall say her mind freely, or the blank verse shall halt for't. What players are they? ROSENCRANTZ Even those you were wont to take delight in, the tragedians of the city. HAMLET How chances it they travel? their residence, both in reputation and profit, was better both ways. ROSENCRANTZ I think their inhibition comes by the means of the late innovation. HAMLET Do they hold the same estimation they did when I was in the city? are they so followed? ROSENCRANTZ No, indeed, are they not. HAMLET How comes it? do they grow rusty? ROSENCRANTZ Nay, their endeavour keeps in the wonted pace: but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for't: these are now the fashion, and so berattle the common stages--so they call them--that many wearing rapiers are afraid of goose-quills and dare scarce come thither. HAMLET What, are they children? who maintains 'em? how are they escoted? Will they pursue the quality no longer than they can sing? will they not say afterwards, if they should grow themselves to common players--as it is most like, if their means are no better--their writers do them wrong, to make them exclaim against their own succession? ROSENCRANTZ 'Faith, there has been much to do on both sides; and the nation holds it no sin to tarre them to controversy: there was, for a while, no money bid for argument, unless the poet and the player went to cuffs in the question. HAMLET Is't possible? GUILDENSTERN O, there has been much throwing about of brains. HAMLET Do the boys carry it away? ROSENCRANTZ Ay, that they do, my lord; Hercules and his load too. HAMLET It is not very strange; for mine uncle is king of Denmark, and those that would make mows at him while my father lived, give twenty, forty, fifty, an hundred ducats a-piece for his picture in little. 'Sblood, there is something in this more than natural, if philosophy could find it out. Flourish of trumpets within GUILDENSTERN There are the players. HAMLET Gentlemen, you are welcome to Elsinore. Your hands, come then: the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outward, should more appear like entertainment than yours. You are welcome: but my uncle-father and aunt-mother are deceived. GUILDENSTERN In what, my dear lord? HAMLET I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw. Enter POLONIUS LORD POLONIUS Well be with you, gentlemen! HAMLET Hark you, Guildenstern; and you too: at each ear a hearer: that great baby you see there is not yet out of his swaddling-clouts. ROSENCRANTZ Happily he's the second time come to them; for they say an old man is twice a child. HAMLET I will prophesy he comes to tell me of the players; mark it. You say right, sir: o' Monday morning; 'twas so indeed. LORD POLONIUS My lord, I have news to tell you. HAMLET My lord, I have news to tell you. When Roscius was an actor in Rome,-- LORD POLONIUS The actors are come hither, my lord. HAMLET Buz, buz! LORD POLONIUS Upon mine honour,-- HAMLET Then came each actor on his ass,-- LORD POLONIUS The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical- comical-historical-pastoral, scene individable, or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men. HAMLET O Jephthah, judge of Israel, what a treasure hadst thou! LORD POLONIUS What a treasure had he, my lord? HAMLET Why, 'One fair daughter and no more, The which he loved passing well.' LORD POLONIUS Aside Still on my daughter. HAMLET Am I not i' the right, old Jephthah? LORD POLONIUS If you call me Jephthah, my lord, I have a daughter that I love passing well. HAMLET Nay, that follows not. LORD POLONIUS What follows, then, my lord? HAMLET Why, 'As by lot, God wot,' and then, you know, 'It came to pass, as most like it was,'-- the first row of the pious chanson will show you more; for look, where my abridgement comes. Enter four or five Players You are welcome, masters; welcome, all. I am glad to see thee well. Welcome, good friends. O, my old friend! thy face is valenced since I saw thee last: comest thou to beard me in Denmark? What, my young lady and mistress! By'r lady, your ladyship is nearer to heaven than when I saw you last, by the altitude of a chopine. Pray God, your voice, like apiece of uncurrent gold, be not cracked within the ring. Masters, you are all welcome. We'll e'en to't like French falconers, fly at any thing we see: we'll have a speech straight: come, give us a taste of your quality; come, a passionate speech. First Player What speech, my lord? HAMLET I heard thee speak me a speech once, but it was never acted; or, if it was, not above once; for the play, I remember, pleased not the million; 'twas caviare to the general: but it was--as I received it, and others, whose judgments in such matters cried in the top of mine--an excellent play, well digested in the scenes, set down with as much modesty as cunning. I remember, one said there were no sallets in the lines to make the matter savoury, nor no matter in the phrase that might indict the author of affectation; but called it an honest method, as wholesome as sweet, and by very much more handsome than fine. One speech in it I chiefly loved: 'twas Aeneas' tale to Dido; and thereabout of it especially, where he speaks of Priam's slaughter: if it live in your memory, begin at this line: let me see, let me see-- 'The rugged Pyrrhus, like the Hyrcanian beast,'-- it is not so:--it begins with Pyrrhus:-- 'The rugged Pyrrhus, he whose sable arms, Black as his purpose, did the night resemble When he lay couched in the ominous horse, Hath now this dread and black complexion smear'd With heraldry more dismal; head to foot Now is he total gules; horridly trick'd With blood of fathers, mothers, daughters, sons, Baked and impasted with the parching streets, That lend a tyrannous and damned light To their lord's murder: roasted in wrath and fire, And thus o'er-sized with coagulate gore, With eyes like carbuncles, the hellish Pyrrhus Old grandsire Priam seeks.' So, proceed you. LORD POLONIUS 'Fore God, my lord, well spoken, with good accent and good discretion. First Player 'Anon he finds him Striking too short at Greeks; his antique sword, Rebellious to his arm, lies where it falls, Repugnant to command: unequal match'd, Pyrrhus at Priam drives; in rage strikes wide; But with the whiff and wind of his fell sword The unnerved father falls. Then senseless Ilium, Seeming to feel this blow, with flaming top Stoops to his base, and with a hideous crash Takes prisoner Pyrrhus' ear: for, lo! his sword, Which was declining on the milky head Of reverend Priam, seem'd i' the air to stick: So, as a painted tyrant, Pyrrhus stood, And like a neutral to his will and matter, Did nothing. But, as we often see, against some storm, A silence in the heavens, the rack stand still, The bold winds speechless and the orb below As hush as death, anon the dreadful thunder Doth rend the region, so, after Pyrrhus' pause, Aroused vengeance sets him new a-work; And never did the Cyclops' hammers fall On Mars's armour forged for proof eterne With less remorse than Pyrrhus' bleeding sword Now falls on Priam. Out, out, thou strumpet, Fortune! All you gods, In general synod 'take away her power; Break all the spokes and fellies from her wheel, And bowl the round nave down the hill of heaven, As low as to the fiends!' LORD POLONIUS This is too long. HAMLET It shall to the barber's, with your beard. Prithee, say on: he's for a jig or a tale of bawdry, or he sleeps: say on: come to Hecuba. First Player 'But who, O, who had seen the mobled queen--' HAMLET 'The mobled queen?' LORD POLONIUS That's good; 'mobled queen' is good. First Player 'Run barefoot up and down, threatening the flames With bisson rheum; a clout upon that head Where late the diadem stood, and for a robe, About her lank and all o'er-teemed loins, A blanket, in the alarm of fear caught up; Who this had seen, with tongue in venom steep'd, 'Gainst Fortune's state would treason have pronounced: But if the gods themselves did see her then When she saw Pyrrhus make malicious sport In mincing with his sword her husband's limbs, The instant burst of clamour that she made, Unless things mortal move them not at all, Would have made milch the burning eyes of heaven, And passion in the gods.' LORD POLONIUS Look, whether he has not turned his colour and has tears in's eyes. Pray you, no more. HAMLET 'Tis well: I'll have thee speak out the rest soon. Good my lord, will you see the players well bestowed? Do you hear, let them be well used; for they are the abstract and brief chronicles of the time: after your death you were better have a bad epitaph than their ill report while you live. LORD POLONIUS My lord, I will use them according to their desert. HAMLET God's bodykins, man, much better: use every man after his desert, and who should 'scape whipping? Use them after your own honour and dignity: the less they deserve, the more merit is in your bounty. Take them in. LORD POLONIUS Come, sirs. HAMLET Follow him, friends: we'll hear a play to-morrow. Exit POLONIUS with all the Players but the First Dost thou hear me, old friend; can you play the Murder of Gonzago? First Player Ay, my lord. HAMLET We'll ha't to-morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down and insert in't, could you not? First Player Ay, my lord. HAMLET Very well. Follow that lord; and look you mock him not. Exit First Player My good friends, I'll leave you till night: you are welcome to Elsinore. ROSENCRANTZ Good my lord! HAMLET Ay, so, God be wi' ye; Exeunt ROSENCRANTZ and GUILDENSTERN Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, And can say nothing; no, not for a king, Upon whose property and most dear life A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs? who does me this? Ha! 'Swounds, I should take it: for it cannot be But I am pigeon-liver'd and lack gall To make oppression bitter, or ere this I should have fatted all the region kites With this slave's offal: bloody, bawdy villain! Remorseless, treacherous, lecherous, kindless villain! O, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father murder'd, Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, A scullion! Fie upon't! foh! About, my brain! I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ. I'll have these players Play something like the murder of my father Before mine uncle: I'll observe his looks; I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me: I'll have grounds More relative than this: the play 's the thing Wherein I'll catch the conscience of the king. Exit ACT III SCENE I. A room in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, and GUILDENSTERN KING CLAUDIUS And can you, by no drift of circumstance, Get from him why he puts on this confusion, Grating so harshly all his days of quiet With turbulent and dangerous lunacy? ROSENCRANTZ He does confess he feels himself distracted; But from what cause he will by no means speak. GUILDENSTERN Nor do we find him forward to be sounded, But, with a crafty madness, keeps aloof, When we would bring him on to some confession Of his true state. QUEEN GERTRUDE Did he receive you well? ROSENCRANTZ Most like a gentleman. GUILDENSTERN But with much forcing of his disposition. ROSENCRANTZ Niggard of question; but, of our demands, Most free in his reply. QUEEN GERTRUDE Did you assay him? To any pastime? ROSENCRANTZ Madam, it so fell out, that certain players We o'er-raught on the way: of these we told him; And there did seem in him a kind of joy To hear of it: they are about the court, And, as I think, they have already order This night to play before him. LORD POLONIUS 'Tis most true: And he beseech'd me to entreat your majesties To hear and see the matter. KING CLAUDIUS With all my heart; and it doth much content me To hear him so inclined. Good gentlemen, give him a further edge, And drive his purpose on to these delights. ROSENCRANTZ We shall, my lord. Exeunt ROSENCRANTZ and GUILDENSTERN KING CLAUDIUS Sweet Gertrude, leave us too; For we have closely sent for Hamlet hither, That he, as 'twere by accident, may here Affront Ophelia: Her father and myself, lawful espials, Will so bestow ourselves that, seeing, unseen, We may of their encounter frankly judge, And gather by him, as he is behaved, If 't be the affliction of his love or no That thus he suffers for. QUEEN GERTRUDE I shall obey you. And for your part, Ophelia, I do wish That your good beauties be the happy cause Of Hamlet's wildness: so shall I hope your virtues Will bring him to his wonted way again, To both your honours. OPHELIA Madam, I wish it may. Exit QUEEN GERTRUDE LORD POLONIUS Ophelia, walk you here. Gracious, so please you, We will bestow ourselves. To OPHELIA Read on this book; That show of such an exercise may colour Your loneliness. We are oft to blame in this,-- 'Tis too much proved--that with devotion's visage And pious action we do sugar o'er The devil himself. KING CLAUDIUS Aside O, 'tis too true! How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my deed to my most painted word: O heavy burthen! LORD POLONIUS I hear him coming: let's withdraw, my lord. Exeunt KING CLAUDIUS and POLONIUS Enter HAMLET HAMLET To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd. OPHELIA Good my lord, How does your honour for this many a day? HAMLET I humbly thank you; well, well, well. OPHELIA My lord, I have remembrances of yours, That I have longed long to re-deliver; I pray you, now receive them. HAMLET No, not I; I never gave you aught. OPHELIA My honour'd lord, you know right well you did; And, with them, words of so sweet breath composed As made the things more rich: their perfume lost, Take these again; for to the noble mind Rich gifts wax poor when givers prove unkind. There, my lord. HAMLET Ha, ha! are you honest? OPHELIA My lord? HAMLET Are you fair? OPHELIA What means your lordship? HAMLET That if you be honest and fair, your honesty should admit no discourse to your beauty. OPHELIA Could beauty, my lord, have better commerce than with honesty? HAMLET Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness: this was sometime a paradox, but now the time gives it proof. I did love you once. OPHELIA Indeed, my lord, you made me believe so. HAMLET You should not have believed me; for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not. OPHELIA I was the more deceived. HAMLET Get thee to a nunnery: why wouldst thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such things that it were better my mother had not borne me: I am very proud, revengeful, ambitious, with more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in. What should such fellows as I do crawling between earth and heaven? We are arrant knaves, all; believe none of us. Go thy ways to a nunnery. Where's your father? OPHELIA At home, my lord. HAMLET Let the doors be shut upon him, that he may play the fool no where but in's own house. Farewell. OPHELIA O, help him, you sweet heavens! HAMLET If thou dost marry, I'll give thee this plague for thy dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go: farewell. Or, if thou wilt needs marry, marry a fool; for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell. OPHELIA O heavenly powers, restore him! HAMLET I have heard of your paintings too, well enough; God has given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nick-name God's creatures, and make your wantonness your ignorance. Go to, I'll no more on't; it hath made me mad. I say, we will have no more marriages: those that are married already, all but one, shall live; the rest shall keep as they are. To a nunnery, go. Exit OPHELIA O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down! And I, of ladies most deject and wretched, That suck'd the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh; That unmatch'd form and feature of blown youth Blasted with ecstasy: O, woe is me, To have seen what I have seen, see what I see! Re-enter KING CLAUDIUS and POLONIUS KING CLAUDIUS Love! his affections do not that way tend; Nor what he spake, though it lack'd form a little, Was not like madness. There's something in his soul, O'er which his melancholy sits on brood; And I do doubt the hatch and the disclose Will be some danger: which for to prevent, I have in quick determination Thus set it down: he shall with speed to England, For the demand of our neglected tribute Haply the seas and countries different With variable objects shall expel This something-settled matter in his heart, Whereon his brains still beating puts him thus From fashion of himself. What think you on't? LORD POLONIUS It shall do well: but yet do I believe The origin and commencement of his grief Sprung from neglected love. How now, Ophelia! You need not tell us what Lord Hamlet said; We heard it all. My lord, do as you please; But, if you hold it fit, after the play Let his queen mother all alone entreat him To show his grief: let her be round with him; And I'll be placed, so please you, in the ear Of all their conference. If she find him not, To England send him, or confine him where Your wisdom best shall think. KING CLAUDIUS It shall be so: Madness in great ones must not unwatch'd go. Exeunt SCENE II. A hall in the castle. Enter HAMLET and Players HAMLET Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue: but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and, as I may say, the whirlwind of passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumbshows and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: pray you, avoid it. First Player I warrant your honour. HAMLET Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special o'erstep not the modesty of nature: for any thing so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably. First Player I hope we have reformed that indifferently with us, sir. HAMLET O, reform it altogether. And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be considered: that's villanous, and shows a most pitiful ambition in the fool that uses it. Go, make you ready. Exeunt Players Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN How now, my lord! I will the king hear this piece of work? LORD POLONIUS And the queen too, and that presently. HAMLET Bid the players make haste. Exit POLONIUS Will you two help to hasten them? ROSENCRANTZ GUILDENSTERN We will, my lord. Exeunt ROSENCRANTZ and GUILDENSTERN HAMLET What ho! Horatio! Enter HORATIO HORATIO Here, sweet lord, at your service. HAMLET Horatio, thou art e'en as just a man As e'er my conversation coped withal. HORATIO O, my dear lord,-- HAMLET Nay, do not think I flatter; For what advancement may I hope from thee That no revenue hast but thy good spirits, To feed and clothe thee? Why should the poor be flatter'd? No, let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee Where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice And could of men distinguish, her election Hath seal'd thee for herself; for thou hast been As one, in suffering all, that suffers nothing, A man that fortune's buffets and rewards Hast ta'en with equal thanks: and blest are those Whose blood and judgment are so well commingled, That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.--Something too much of this.-- There is a play to-night before the king; One scene of it comes near the circumstance Which I have told thee of my father's death: I prithee, when thou seest that act afoot, Even with the very comment of thy soul Observe mine uncle: if his occulted guilt Do not itself unkennel in one speech, It is a damned ghost that we have seen, And my imaginations are as foul As Vulcan's stithy. Give him heedful note; For I mine eyes will rivet to his face, And after we will both our judgments join In censure of his seeming. HORATIO Well, my lord: If he steal aught the whilst this play is playing, And 'scape detecting, I will pay the theft. HAMLET They are coming to the play; I must be idle: Get you a place. Danish march. A flourish. Enter KING CLAUDIUS, QUEEN GERTRUDE, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others KING CLAUDIUS How fares our cousin Hamlet? HAMLET Excellent, i' faith; of the chameleon's dish: I eat the air, promise-crammed: you cannot feed capons so. KING CLAUDIUS I have nothing with this answer, Hamlet; these words are not mine. HAMLET No, nor mine now. To POLONIUS My lord, you played once i' the university, you say? LORD POLONIUS That did I, my lord; and was accounted a good actor. HAMLET What did you enact? LORD POLONIUS I did enact Julius Caesar: I was killed i' the Capitol; Brutus killed me. HAMLET It was a brute part of him to kill so capital a calf there. Be the players ready? ROSENCRANTZ Ay, my lord; they stay upon your patience. QUEEN GERTRUDE Come hither, my dear Hamlet, sit by me. HAMLET No, good mother, here's metal more attractive. LORD POLONIUS To KING CLAUDIUS O, ho! do you mark that? HAMLET Lady, shall I lie in your lap? Lying down at OPHELIA's feet OPHELIA No, my lord. HAMLET I mean, my head upon your lap? OPHELIA Ay, my lord. HAMLET Do you think I meant country matters? OPHELIA I think nothing, my lord. HAMLET That's a fair thought to lie between maids' legs. OPHELIA What is, my lord? HAMLET Nothing. OPHELIA You are merry, my lord. HAMLET Who, I? OPHELIA Ay, my lord. HAMLET O God, your only jig-maker. What should a man do but be merry? for, look you, how cheerfully my mother looks, and my father died within these two hours. OPHELIA Nay, 'tis twice two months, my lord. HAMLET So long? Nay then, let the devil wear black, for I'll have a suit of sables. O heavens! die two months ago, and not forgotten yet? Then there's hope a great man's memory may outlive his life half a year: but, by'r lady, he must build churches, then; or else shall he suffer not thinking on, with the hobby-horse, whose epitaph is 'For, O, for, O, the hobby-horse is forgot.' Hautboys play. The dumb-show enters Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love Exeunt OPHELIA What means this, my lord? HAMLET Marry, this is miching mallecho; it means mischief. OPHELIA Belike this show imports the argument of the play. Enter Prologue HAMLET We shall know by this fellow: the players cannot keep counsel; they'll tell all. OPHELIA Will he tell us what this show meant? HAMLET Ay, or any show that you'll show him: be not you ashamed to show, he'll not shame to tell you what it means. OPHELIA You are naught, you are naught: I'll mark the play. Prologue For us, and for our tragedy, Here stooping to your clemency, We beg your hearing patiently. Exit HAMLET Is this a prologue, or the posy of a ring? OPHELIA 'Tis brief, my lord. HAMLET As woman's love. Enter two Players, King and Queen Player King Full thirty times hath Phoebus' cart gone round Neptune's salt wash and Tellus' orbed ground, And thirty dozen moons with borrow'd sheen About the world have times twelve thirties been, Since love our hearts and Hymen did our hands Unite commutual in most sacred bands. Player Queen So many journeys may the sun and moon Make us again count o'er ere love be done! But, woe is me, you are so sick of late, So far from cheer and from your former state, That I distrust you. Yet, though I distrust, Discomfort you, my lord, it nothing must: For women's fear and love holds quantity; In neither aught, or in extremity. Now, what my love is, proof hath made you know; And as my love is sized, my fear is so: Where love is great, the littlest doubts are fear; Where little fears grow great, great love grows there. Player King 'Faith, I must leave thee, love, and shortly too; My operant powers their functions leave to do: And thou shalt live in this fair world behind, Honour'd, beloved; and haply one as kind For husband shalt thou-- Player Queen O, confound the rest! Such love must needs be treason in my breast: In second husband let me be accurst! None wed the second but who kill'd the first. HAMLET Aside Wormwood, wormwood. Player Queen The instances that second marriage move Are base respects of thrift, but none of love: A second time I kill my husband dead, When second husband kisses me in bed. Player King I do believe you think what now you speak; But what we do determine oft we break. Purpose is but the slave to memory, Of violent birth, but poor validity; Which now, like fruit unripe, sticks on the tree; But fall, unshaken, when they mellow be. Most necessary 'tis that we forget To pay ourselves what to ourselves is debt: What to ourselves in passion we propose, The passion ending, doth the purpose lose. The violence of either grief or joy Their own enactures with themselves destroy: Where joy most revels, grief doth most lament; Grief joys, joy grieves, on slender accident. This world is not for aye, nor 'tis not strange That even our loves should with our fortunes change; For 'tis a question left us yet to prove, Whether love lead fortune, or else fortune love. The great man down, you mark his favourite flies; The poor advanced makes friends of enemies. And hitherto doth love on fortune tend; For who not needs shall never lack a friend, And who in want a hollow friend doth try, Directly seasons him his enemy. But, orderly to end where I begun, Our wills and fates do so contrary run That our devices still are overthrown; Our thoughts are ours, their ends none of our own: So think thou wilt no second husband wed; But die thy thoughts when thy first lord is dead. Player Queen Nor earth to me give food, nor heaven light! Sport and repose lock from me day and night! To desperation turn my trust and hope! An anchor's cheer in prison be my scope! Each opposite that blanks the face of joy Meet what I would have well and it destroy! Both here and hence pursue me lasting strife, If, once a widow, ever I be wife! HAMLET If she should break it now! Player King 'Tis deeply sworn. Sweet, leave me here awhile; My spirits grow dull, and fain I would beguile The tedious day with sleep. Sleeps Player Queen Sleep rock thy brain, And never come mischance between us twain! Exit HAMLET Madam, how like you this play? QUEEN GERTRUDE The lady protests too much, methinks. HAMLET O, but she'll keep her word. KING CLAUDIUS Have you heard the argument? Is there no offence in 't? HAMLET No, no, they do but jest, poison in jest; no offence i' the world. KING CLAUDIUS What do you call the play? HAMLET The Mouse-trap. Marry, how? Tropically. This play is the image of a murder done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: but what o' that? your majesty and we that have free souls, it touches us not: let the galled jade wince, our withers are unwrung. Enter LUCIANUS This is one Lucianus, nephew to the king. OPHELIA You are as good as a chorus, my lord. HAMLET I could interpret between you and your love, if I could see the puppets dallying. OPHELIA You are keen, my lord, you are keen. HAMLET It would cost you a groaning to take off my edge. OPHELIA Still better, and worse. HAMLET So you must take your husbands. Begin, murderer; pox, leave thy damnable faces, and begin. Come: 'the croaking raven doth bellow for revenge.' LUCIANUS Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; Thou mixture rank, of midnight weeds collected, With Hecate's ban thrice blasted, thrice infected, Thy natural magic and dire property, On wholesome life usurp immediately. Pours the poison into the sleeper's ears HAMLET He poisons him i' the garden for's estate. His name's Gonzago: the story is extant, and writ in choice Italian: you shall see anon how the murderer gets the love of Gonzago's wife. OPHELIA The king rises. HAMLET What, frighted with false fire! QUEEN GERTRUDE How fares my lord? LORD POLONIUS Give o'er the play. KING CLAUDIUS Give me some light: away! All Lights, lights, lights! Exeunt all but HAMLET and HORATIO HAMLET Why, let the stricken deer go weep, The hart ungalled play; For some must watch, while some must sleep: So runs the world away. Would not this, sir, and a forest of feathers-- if the rest of my fortunes turn Turk with me--with two Provincial roses on my razed shoes, get me a fellowship in a cry of players, sir? HORATIO Half a share. HAMLET A whole one, I. For thou dost know, O Damon dear, This realm dismantled was Of Jove himself; and now reigns here A very, very--pajock. HORATIO You might have rhymed. HAMLET O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive? HORATIO Very well, my lord. HAMLET Upon the talk of the poisoning? HORATIO I did very well note him. HAMLET Ah, ha! Come, some music! come, the recorders! For if the king like not the comedy, Why then, belike, he likes it not, perdy. Come, some music! Re-enter ROSENCRANTZ and GUILDENSTERN GUILDENSTERN Good my lord, vouchsafe me a word with you. HAMLET Sir, a whole history. GUILDENSTERN The king, sir,-- HAMLET Ay, sir, what of him? GUILDENSTERN Is in his retirement marvellous distempered. HAMLET With drink, sir? GUILDENSTERN No, my lord, rather with choler. HAMLET Your wisdom should show itself more richer to signify this to his doctor; for, for me to put him to his purgation would perhaps plunge him into far more choler. GUILDENSTERN Good my lord, put your discourse into some frame and start not so wildly from my affair. HAMLET I am tame, sir: pronounce. GUILDENSTERN The queen, your mother, in most great affliction of spirit, hath sent me to you. HAMLET You are welcome. GUILDENSTERN Nay, good my lord, this courtesy is not of the right breed. If it shall please you to make me a wholesome answer, I will do your mother's commandment: if not, your pardon and my return shall be the end of my business. HAMLET Sir, I cannot. GUILDENSTERN What, my lord? HAMLET Make you a wholesome answer; my wit's diseased: but, sir, such answer as I can make, you shall command; or, rather, as you say, my mother: therefore no more, but to the matter: my mother, you say,-- ROSENCRANTZ Then thus she says; your behavior hath struck her into amazement and admiration. HAMLET O wonderful son, that can so astonish a mother! But is there no sequel at the heels of this mother's admiration? Impart. ROSENCRANTZ She desires to speak with you in her closet, ere you go to bed. HAMLET We shall obey, were she ten times our mother. Have you any further trade with us? ROSENCRANTZ My lord, you once did love me. HAMLET So I do still, by these pickers and stealers. ROSENCRANTZ Good my lord, what is your cause of distemper? you do, surely, bar the door upon your own liberty, if you deny your griefs to your friend. HAMLET Sir, I lack advancement. ROSENCRANTZ How can that be, when you have the voice of the king himself for your succession in Denmark? HAMLET Ay, but sir, 'While the grass grows,'--the proverb is something musty. Re-enter Players with recorders O, the recorders! let me see one. To withdraw with you:--why do you go about to recover the wind of me, as if you would drive me into a toil? GUILDENSTERN O, my lord, if my duty be too bold, my love is too unmannerly. HAMLET I do not well understand that. Will you play upon this pipe? GUILDENSTERN My lord, I cannot. HAMLET I pray you. GUILDENSTERN Believe me, I cannot. HAMLET I do beseech you. GUILDENSTERN I know no touch of it, my lord. HAMLET 'Tis as easy as lying: govern these ventages with your lingers and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. GUILDENSTERN But these cannot I command to any utterance of harmony; I have not the skill. HAMLET Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me. Enter POLONIUS God bless you, sir! LORD POLONIUS My lord, the queen would speak with you, and presently. HAMLET Do you see yonder cloud that's almost in shape of a camel? LORD POLONIUS By the mass, and 'tis like a camel, indeed. HAMLET Methinks it is like a weasel. LORD POLONIUS It is backed like a weasel. HAMLET Or like a whale? LORD POLONIUS Very like a whale. HAMLET Then I will come to my mother by and by. They fool me to the top of my bent. I will come by and by. LORD POLONIUS I will say so. HAMLET By and by is easily said. Exit POLONIUS Leave me, friends. Exeunt all but HAMLET Tis now the very witching time of night, When churchyards yawn and hell itself breathes out Contagion to this world: now could I drink hot blood, And do such bitter business as the day Would quake to look on. Soft! now to my mother. O heart, lose not thy nature; let not ever The soul of Nero enter this firm bosom: Let me be cruel, not unnatural: I will speak daggers to her, but use none; My tongue and soul in this be hypocrites; How in my words soever she be shent, To give them seals never, my soul, consent! Exit SCENE III. A room in the castle. Enter KING CLAUDIUS, ROSENCRANTZ, and GUILDENSTERN KING CLAUDIUS I like him not, nor stands it safe with us To let his madness range. Therefore prepare you; I your commission will forthwith dispatch, And he to England shall along with you: The terms of our estate may not endure Hazard so dangerous as doth hourly grow Out of his lunacies. GUILDENSTERN We will ourselves provide: Most holy and religious fear it is To keep those many many bodies safe That live and feed upon your majesty. ROSENCRANTZ The single and peculiar life is bound, With all the strength and armour of the mind, To keep itself from noyance; but much more That spirit upon whose weal depend and rest The lives of many. The cease of majesty Dies not alone; but, like a gulf, doth draw What's near it with it: it is a massy wheel, Fix'd on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortised and adjoin'd; which, when it falls, Each small annexment, petty consequence, Attends the boisterous ruin. Never alone Did the king sigh, but with a general groan. KING CLAUDIUS Arm you, I pray you, to this speedy voyage; For we will fetters put upon this fear, Which now goes too free-footed. ROSENCRANTZ GUILDENSTERN We will haste us. Exeunt ROSENCRANTZ and GUILDENSTERN Enter POLONIUS LORD POLONIUS My lord, he's going to his mother's closet: Behind the arras I'll convey myself, To hear the process; and warrant she'll tax him home: And, as you said, and wisely was it said, 'Tis meet that some more audience than a mother, Since nature makes them partial, should o'erhear The speech, of vantage. Fare you well, my liege: I'll call upon you ere you go to bed, And tell you what I know. KING CLAUDIUS Thanks, dear my lord. Exit POLONIUS O, my offence is rank it smells to heaven; It hath the primal eldest curse upon't, A brother's murder. Pray can I not, Though inclination be as sharp as will: My stronger guilt defeats my strong intent; And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect. What if this cursed hand Were thicker than itself with brother's blood, Is there not rain enough in the sweet heavens To wash it white as snow? Whereto serves mercy But to confront the visage of offence? And what's in prayer but this two-fold force, To be forestalled ere we come to fall, Or pardon'd being down? Then I'll look up; My fault is past. But, O, what form of prayer Can serve my turn? 'Forgive me my foul murder'? That cannot be; since I am still possess'd Of those effects for which I did the murder, My crown, mine own ambition and my queen. May one be pardon'd and retain the offence? In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law: but 'tis not so above; There is no shuffling, there the action lies In his true nature; and we ourselves compell'd, Even to the teeth and forehead of our faults, To give in evidence. What then? what rests? Try what repentance can: what can it not? Yet what can it when one can not repent? O wretched state! O bosom black as death! O limed soul, that, struggling to be free, Art more engaged! Help, angels! Make assay! Bow, stubborn knees; and, heart with strings of steel, Be soft as sinews of the newborn babe! All may be well. Retires and kneels Enter HAMLET HAMLET Now might I do it pat, now he is praying; And now I'll do't. And so he goes to heaven; And so am I revenged. That would be scann'd: A villain kills my father; and for that, I, his sole son, do this same villain send To heaven. O, this is hire and salary, not revenge. He took my father grossly, full of bread; With all his crimes broad blown, as flush as May; And how his audit stands who knows save heaven? But in our circumstance and course of thought, 'Tis heavy with him: and am I then revenged, To take him in the purging of his soul, When he is fit and season'd for his passage? No! Up, sword; and know thou a more horrid hent: When he is drunk asleep, or in his rage, Or in the incestuous pleasure of his bed; At gaming, swearing, or about some act That has no relish of salvation in't; Then trip him, that his heels may kick at heaven, And that his soul may be as damn'd and black As hell, whereto it goes. My mother stays: This physic but prolongs thy sickly days. Exit KING CLAUDIUS Rising My words fly up, my thoughts remain below: Words without thoughts never to heaven go. Exit SCENE IV. The Queen's closet. Enter QUEEN MARGARET and POLONIUS LORD POLONIUS He will come straight. Look you lay home to him: Tell him his pranks have been too broad to bear with, And that your grace hath screen'd and stood between Much heat and him. I'll sconce me even here. Pray you, be round with him. HAMLET Within Mother, mother, mother! QUEEN GERTRUDE I'll warrant you, Fear me not: withdraw, I hear him coming. POLONIUS hides behind the arras Enter HAMLET HAMLET Now, mother, what's the matter? QUEEN GERTRUDE Hamlet, thou hast thy father much offended. HAMLET Mother, you have my father much offended. QUEEN GERTRUDE Come, come, you answer with an idle tongue. HAMLET Go, go, you question with a wicked tongue. QUEEN GERTRUDE Why, how now, Hamlet! HAMLET What's the matter now? QUEEN GERTRUDE Have you forgot me? HAMLET No, by the rood, not so: You are the queen, your husband's brother's wife; And--would it were not so!--you are my mother. QUEEN GERTRUDE Nay, then, I'll set those to you that can speak. HAMLET Come, come, and sit you down; you shall not budge; You go not till I set you up a glass Where you may see the inmost part of you. QUEEN GERTRUDE What wilt thou do? thou wilt not murder me? Help, help, ho! LORD POLONIUS Behind What, ho! help, help, help! HAMLET Drawing How now! a rat? Dead, for a ducat, dead! Makes a pass through the arras LORD POLONIUS Behind O, I am slain! Falls and dies QUEEN GERTRUDE O me, what hast thou done? HAMLET Nay, I know not: Is it the king? QUEEN GERTRUDE O, what a rash and bloody deed is this! HAMLET A bloody deed! almost as bad, good mother, As kill a king, and marry with his brother. QUEEN GERTRUDE As kill a king! HAMLET Ay, lady, 'twas my word. Lifts up the array and discovers POLONIUS Thou wretched, rash, intruding fool, farewell! I took thee for thy better: take thy fortune; Thou find'st to be too busy is some danger. Leave wringing of your hands: peace! sit you down, And let me wring your heart; for so I shall, If it be made of penetrable stuff, If damned custom have not brass'd it so That it is proof and bulwark against sense. QUEEN GERTRUDE What have I done, that thou darest wag thy tongue In noise so rude against me? HAMLET Such an act That blurs the grace and blush of modesty, Calls virtue hypocrite, takes off the rose From the fair forehead of an innocent love And sets a blister there, makes marriage-vows As false as dicers' oaths: O, such a deed As from the body of contraction plucks The very soul, and sweet religion makes A rhapsody of words: heaven's face doth glow: Yea, this solidity and compound mass, With tristful visage, as against the doom, Is thought-sick at the act. QUEEN GERTRUDE Ay me, what act, That roars so loud, and thunders in the index? HAMLET Look here, upon this picture, and on this, The counterfeit presentment of two brothers. See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man: This was your husband. Look you now, what follows: Here is your husband; like a mildew'd ear, Blasting his wholesome brother. Have you eyes? Could you on this fair mountain leave to feed, And batten on this moor? Ha! have you eyes? You cannot call it love; for at your age The hey-day in the blood is tame, it's humble, And waits upon the judgment: and what judgment Would step from this to this? Sense, sure, you have, Else could you not have motion; but sure, that sense Is apoplex'd; for madness would not err, Nor sense to ecstasy was ne'er so thrall'd But it reserved some quantity of choice, To serve in such a difference. What devil was't That thus hath cozen'd you at hoodman-blind? Eyes without feeling, feeling without sight, Ears without hands or eyes, smelling sans all, Or but a sickly part of one true sense Could not so mope. O shame! where is thy blush? Rebellious hell, If thou canst mutine in a matron's bones, To flaming youth let virtue be as wax, And melt in her own fire: proclaim no shame When the compulsive ardour gives the charge, Since frost itself as actively doth burn And reason panders will. QUEEN GERTRUDE O Hamlet, speak no more: Thou turn'st mine eyes into my very soul; And there I see such black and grained spots As will not leave their tinct. HAMLET Nay, but to live In the rank sweat of an enseamed bed, Stew'd in corruption, honeying and making love Over the nasty sty,-- QUEEN GERTRUDE O, speak to me no more; These words, like daggers, enter in mine ears; No more, sweet Hamlet! HAMLET A murderer and a villain; A slave that is not twentieth part the tithe Of your precedent lord; a vice of kings; A cutpurse of the empire and the rule, That from a shelf the precious diadem stole, And put it in his pocket! QUEEN GERTRUDE No more! HAMLET A king of shreds and patches,-- Enter Ghost Save me, and hover o'er me with your wings, You heavenly guards! What would your gracious figure? QUEEN GERTRUDE Alas, he's mad! HAMLET Do you not come your tardy son to chide, That, lapsed in time and passion, lets go by The important acting of your dread command? O, say! Ghost Do not forget: this visitation Is but to whet thy almost blunted purpose. But, look, amazement on thy mother sits: O, step between her and her fighting soul: Conceit in weakest bodies strongest works: Speak to her, Hamlet. HAMLET How is it with you, lady? QUEEN GERTRUDE Alas, how is't with you, That you do bend your eye on vacancy And with the incorporal air do hold discourse? Forth at your eyes your spirits wildly peep; And, as the sleeping soldiers in the alarm, Your bedded hair, like life in excrements, Starts up, and stands on end. O gentle son, Upon the heat and flame of thy distemper Sprinkle cool patience. Whereon do you look? HAMLET On him, on him! Look you, how pale he glares! His form and cause conjoin'd, preaching to stones, Would make them capable. Do not look upon me; Lest with this piteous action you convert My stern effects: then what I have to do Will want true colour; tears perchance for blood. QUEEN GERTRUDE To whom do you speak this? HAMLET Do you see nothing there? QUEEN GERTRUDE Nothing at all; yet all that is I see. HAMLET Nor did you nothing hear? QUEEN GERTRUDE No, nothing but ourselves. HAMLET Why, look you there! look, how it steals away! My father, in his habit as he lived! Look, where he goes, even now, out at the portal! Exit Ghost QUEEN GERTRUDE This the very coinage of your brain: This bodiless creation ecstasy Is very cunning in. HAMLET Ecstasy! My pulse, as yours, doth temperately keep time, And makes as healthful music: it is not madness That I have utter'd: bring me to the test, And I the matter will re-word; which madness Would gambol from. Mother, for love of grace, Lay not that mattering unction to your soul, That not your trespass, but my madness speaks: It will but skin and film the ulcerous place, Whilst rank corruption, mining all within, Infects unseen. Confess yourself to heaven; Repent what's past; avoid what is to come; And do not spread the compost on the weeds, To make them ranker. Forgive me this my virtue; For in the fatness of these pursy times Virtue itself of vice must pardon beg, Yea, curb and woo for leave to do him good. QUEEN GERTRUDE O Hamlet, thou hast cleft my heart in twain. HAMLET O, throw away the worser part of it, And live the purer with the other half. Good night: but go not to mine uncle's bed; Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery, That aptly is put on. Refrain to-night, And that shall lend a kind of easiness To the next abstinence: the next more easy; For use almost can change the stamp of nature, And either ... the devil, or throw him out With wondrous potency. Once more, good night: And when you are desirous to be bless'd, I'll blessing beg of you. For this same lord, Pointing to POLONIUS I do repent: but heaven hath pleased it so, To punish me with this and this with me, That I must be their scourge and minister. I will bestow him, and will answer well The death I gave him. So, again, good night. I must be cruel, only to be kind: Thus bad begins and worse remains behind. One word more, good lady. QUEEN GERTRUDE What shall I do? HAMLET Not this, by no means, that I bid you do: Let the bloat king tempt you again to bed; Pinch wanton on your cheek; call you his mouse; And let him, for a pair of reechy kisses, Or paddling in your neck with his damn'd fingers, Make you to ravel all this matter out, That I essentially am not in madness, But mad in craft. 'Twere good you let him know; For who, that's but a queen, fair, sober, wise, Would from a paddock, from a bat, a gib, Such dear concernings hide? who would do so? No, in despite of sense and secrecy, Unpeg the basket on the house's top. Let the birds fly, and, like the famous ape, To try conclusions, in the basket creep, And break your own neck down. QUEEN GERTRUDE Be thou assured, if words be made of breath, And breath of life, I have no life to breathe What thou hast said to me. HAMLET I must to England; you know that? QUEEN GERTRUDE Alack, I had forgot: 'tis so concluded on. HAMLET There's letters seal'd: and my two schoolfellows, Whom I will trust as I will adders fang'd, They bear the mandate; they must sweep my way, And marshal me to knavery. Let it work; For 'tis the sport to have the engineer Hoist with his own petard: and 't shall go hard But I will delve one yard below their mines, And blow them at the moon: O, 'tis most sweet, When in one line two crafts directly meet. This man shall set me packing: I'll lug the guts into the neighbour room. Mother, good night. Indeed this counsellor Is now most still, most secret and most grave, Who was in life a foolish prating knave. Come, sir, to draw toward an end with you. Good night, mother. Exeunt severally; HAMLET dragging in POLONIUS ACT IV SCENE I. A room in the castle. Enter KING CLAUDIUS, QUEEN GERTRUDE, ROSENCRANTZ, and GUILDENSTERN KING CLAUDIUS There's matter in these sighs, these profound heaves: You must translate: 'tis fit we understand them. Where is your son? QUEEN GERTRUDE Bestow this place on us a little while. Exeunt ROSENCRANTZ and GUILDENSTERN Ah, my good lord, what have I seen to-night! KING CLAUDIUS What, Gertrude? How does Hamlet? QUEEN GERTRUDE Mad as the sea and wind, when both contend Which is the mightier: in his lawless fit, Behind the arras hearing something stir, Whips out his rapier, cries, 'A rat, a rat!' And, in this brainish apprehension, kills The unseen good old man. KING CLAUDIUS O heavy deed! It had been so with us, had we been there: His liberty is full of threats to all; To you yourself, to us, to every one. Alas, how shall this bloody deed be answer'd? It will be laid to us, whose providence Should have kept short, restrain'd and out of haunt, This mad young man: but so much was our love, We would not understand what was most fit; But, like the owner of a foul disease, To keep it from divulging, let it feed Even on the pith of Life. Where is he gone? QUEEN GERTRUDE To draw apart the body he hath kill'd: O'er whom his very madness, like some ore Among a mineral of metals base, Shows itself pure; he weeps for what is done. KING CLAUDIUS O Gertrude, come away! The sun no sooner shall the mountains touch, But we will ship him hence: and this vile deed We must, with all our majesty and skill, Both countenance and excuse. Ho, Guildenstern! Re-enter ROSENCRANTZ and GUILDENSTERN Friends both, go join you with some further aid: Hamlet in madness hath Polonius slain, And from his mother's closet hath he dragg'd him: Go seek him out; speak fair, and bring the body Into the chapel. I pray you, haste in this. Exeunt ROSENCRANTZ and GUILDENSTERN Come, Gertrude, we'll call up our wisest friends; And let them know, both what we mean to do, And what's untimely done... Whose whisper o'er the world's diameter, As level as the cannon to his blank, Transports his poison'd shot, may miss our name, And hit the woundless air. O, come away! My soul is full of discord and dismay. Exeunt SCENE II. Another room in the castle. Enter HAMLET HAMLET Safely stowed. ROSENCRANTZ GUILDENSTERN Within Hamlet! Lord Hamlet! HAMLET What noise? who calls on Hamlet? O, here they come. Enter ROSENCRANTZ and GUILDENSTERN ROSENCRANTZ What have you done, my lord, with the dead body? HAMLET Compounded it with dust, whereto 'tis kin. ROSENCRANTZ Tell us where 'tis, that we may take it thence And bear it to the chapel. HAMLET Do not believe it. ROSENCRANTZ Believe what? HAMLET That I can keep your counsel and not mine own. Besides, to be demanded of a sponge! what replication should be made by the son of a king? ROSENCRANTZ Take you me for a sponge, my lord? HAMLET Ay, sir, that soaks up the king's countenance, his rewards, his authorities. But such officers do the king best service in the end: he keeps them, like an ape, in the corner of his jaw; first mouthed, to be last swallowed: when he needs what you have gleaned, it is but squeezing you, and, sponge, you shall be dry again. ROSENCRANTZ I understand you not, my lord. HAMLET I am glad of it: a knavish speech sleeps in a foolish ear. ROSENCRANTZ My lord, you must tell us where the body is, and go with us to the king. HAMLET The body is with the king, but the king is not with the body. The king is a thing-- GUILDENSTERN A thing, my lord! HAMLET Of nothing: bring me to him. Hide fox, and all after. Exeunt SCENE III. Another room in the castle. Enter KING CLAUDIUS, attended KING CLAUDIUS I have sent to seek him, and to find the body. How dangerous is it that this man goes loose! Yet must not we put the strong law on him: He's loved of the distracted multitude, Who like not in their judgment, but their eyes; And where tis so, the offender's scourge is weigh'd, But never the offence. To bear all smooth and even, This sudden sending him away must seem Deliberate pause: diseases desperate grown By desperate appliance are relieved, Or not at all. Enter ROSENCRANTZ How now! what hath befall'n? ROSENCRANTZ Where the dead body is bestow'd, my lord, We cannot get from him. KING CLAUDIUS But where is he? ROSENCRANTZ Without, my lord; guarded, to know your pleasure. KING CLAUDIUS Bring him before us. ROSENCRANTZ Ho, Guildenstern! bring in my lord. Enter HAMLET and GUILDENSTERN KING CLAUDIUS Now, Hamlet, where's Polonius? HAMLET At supper. KING CLAUDIUS At supper! where? HAMLET Not where he eats, but where he is eaten: a certain convocation of politic worms are e'en at him. Your worm is your only emperor for diet: we fat all creatures else to fat us, and we fat ourselves for maggots: your fat king and your lean beggar is but variable service, two dishes, but to one table: that's the end. KING CLAUDIUS Alas, alas! HAMLET A man may fish with the worm that hath eat of a king, and cat of the fish that hath fed of that worm. KING CLAUDIUS What dost you mean by this? HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar. KING CLAUDIUS Where is Polonius? HAMLET In heaven; send hither to see: if your messenger find him not there, seek him i' the other place yourself. But indeed, if you find him not within this month, you shall nose him as you go up the stairs into the lobby. KING CLAUDIUS Go seek him there. To some Attendants HAMLET He will stay till ye come. Exeunt Attendants KING CLAUDIUS Hamlet, this deed, for thine especial safety,-- Which we do tender, as we dearly grieve For that which thou hast done,--must send thee hence With fiery quickness: therefore prepare thyself; The bark is ready, and the wind at help, The associates tend, and every thing is bent For England. HAMLET For England! KING CLAUDIUS Ay, Hamlet. HAMLET Good. KING CLAUDIUS So is it, if thou knew'st our purposes. HAMLET I see a cherub that sees them. But, come; for England! Farewell, dear mother. KING CLAUDIUS Thy loving father, Hamlet. HAMLET My mother: father and mother is man and wife; man and wife is one flesh; and so, my mother. Come, for England! Exit KING CLAUDIUS Follow him at foot; tempt him with speed aboard; Delay it not; I'll have him hence to-night: Away! for every thing is seal'd and done That else leans on the affair: pray you, make haste. Exeunt ROSENCRANTZ and GUILDENSTERN And, England, if my love thou hold'st at aught-- As my great power thereof may give thee sense, Since yet thy cicatrice looks raw and red After the Danish sword, and thy free awe Pays homage to us--thou mayst not coldly set Our sovereign process; which imports at full, By letters congruing to that effect, The present death of Hamlet. Do it, England; For like the hectic in my blood he rages, And thou must cure me: till I know 'tis done, Howe'er my haps, my joys were ne'er begun. Exit SCENE IV. A plain in Denmark. Enter FORTINBRAS, a Captain, and Soldiers, marching PRINCE FORTINBRAS Go, captain, from me greet the Danish king; Tell him that, by his licence, Fortinbras Craves the conveyance of a promised march Over his kingdom. You know the rendezvous. If that his majesty would aught with us, We shall express our duty in his eye; And let him know so. Captain I will do't, my lord. PRINCE FORTINBRAS Go softly on. Exeunt FORTINBRAS and Soldiers Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others HAMLET Good sir, whose powers are these? Captain They are of Norway, sir. HAMLET How purposed, sir, I pray you? Captain Against some part of Poland. HAMLET Who commands them, sir? Captain The nephews to old Norway, Fortinbras. HAMLET Goes it against the main of Poland, sir, Or for some frontier? Captain Truly to speak, and with no addition, We go to gain a little patch of ground That hath in it no profit but the name. To pay five ducats, five, I would not farm it; Nor will it yield to Norway or the Pole A ranker rate, should it be sold in fee. HAMLET Why, then the Polack never will defend it. Captain Yes, it is already garrison'd. HAMLET Two thousand souls and twenty thousand ducats Will not debate the question of this straw: This is the imposthume of much wealth and peace, That inward breaks, and shows no cause without Why the man dies. I humbly thank you, sir. Captain God be wi' you, sir. Exit ROSENCRANTZ Wilt please you go, my lord? HAMLET I'll be with you straight go a little before. Exeunt all except HAMLET How all occasions do inform against me, And spur my dull revenge! What is a man, If his chief good and market of his time Be but to sleep and feed? a beast, no more. Sure, he that made us with such large discourse, Looking before and after, gave us not That capability and god-like reason To fust in us unused. Now, whether it be Bestial oblivion, or some craven scruple Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say 'This thing's to do;' Sith I have cause and will and strength and means To do't. Examples gross as earth exhort me: Witness this army of such mass and charge Led by a delicate and tender prince, Whose spirit with divine ambition puff'd Makes mouths at the invisible event, Exposing what is mortal and unsure To all that fortune, death and danger dare, Even for an egg-shell. Rightly to be great Is not to stir without great argument, But greatly to find quarrel in a straw When honour's at the stake. How stand I then, That have a father kill'd, a mother stain'd, Excitements of my reason and my blood, And let all sleep? while, to my shame, I see The imminent death of twenty thousand men, That, for a fantasy and trick of fame, Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? O, from this time forth, My thoughts be bloody, or be nothing worth! Exit SCENE V. Elsinore. A room in the castle. Enter QUEEN GERTRUDE, HORATIO, and a Gentleman QUEEN GERTRUDE I will not speak with her. Gentleman She is importunate, indeed distract: Her mood will needs be pitied. QUEEN GERTRUDE What would she have? Gentleman She speaks much of her father; says she hears There's tricks i' the world; and hems, and beats her heart; Spurns enviously at straws; speaks things in doubt, That carry but half sense: her speech is nothing, Yet the unshaped use of it doth move The hearers to collection; they aim at it, And botch the words up fit to their own thoughts; Which, as her winks, and nods, and gestures yield them, Indeed would make one think there might be thought, Though nothing sure, yet much unhappily. HORATIO 'Twere good she were spoken with; for she may strew Dangerous conjectures in ill-breeding minds. QUEEN GERTRUDE Let her come in. Exit HORATIO To my sick soul, as sin's true nature is, Each toy seems prologue to some great amiss: So full of artless jealousy is guilt, It spills itself in fearing to be spilt. Re-enter HORATIO, with OPHELIA OPHELIA Where is the beauteous majesty of Denmark? QUEEN GERTRUDE How now, Ophelia! OPHELIA Sings How should I your true love know From another one? By his cockle hat and staff, And his sandal shoon. QUEEN GERTRUDE Alas, sweet lady, what imports this song? OPHELIA Say you? nay, pray you, mark. Sings He is dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone. QUEEN GERTRUDE Nay, but, Ophelia,-- OPHELIA Pray you, mark. Sings White his shroud as the mountain snow,-- Enter KING CLAUDIUS QUEEN GERTRUDE Alas, look here, my lord. OPHELIA Sings Larded with sweet flowers Which bewept to the grave did go With true-love showers. KING CLAUDIUS How do you, pretty lady? OPHELIA Well, God 'ild you! They say the owl was a baker's daughter. Lord, we know what we are, but know not what we may be. God be at your table! KING CLAUDIUS Conceit upon her father. OPHELIA Pray you, let's have no words of this; but when they ask you what it means, say you this: Sings To-morrow is Saint Valentine's day, All in the morning betime, And I a maid at your window, To be your Valentine. Then up he rose, and donn'd his clothes, And dupp'd the chamber-door; Let in the maid, that out a maid Never departed more. KING CLAUDIUS Pretty Ophelia! OPHELIA Indeed, la, without an oath, I'll make an end on't: Sings By Gis and by Saint Charity, Alack, and fie for shame! Young men will do't, if they come to't; By cock, they are to blame. Quoth she, before you tumbled me, You promised me to wed. So would I ha' done, by yonder sun, An thou hadst not come to my bed. KING CLAUDIUS How long hath she been thus? OPHELIA I hope all will be well. We must be patient: but I cannot choose but weep, to think they should lay him i' the cold ground. My brother shall know of it: and so I thank you for your good counsel. Come, my coach! Good night, ladies; good night, sweet ladies; good night, good night. Exit KING CLAUDIUS Follow her close; give her good watch, I pray you. Exit HORATIO O, this is the poison of deep grief; it springs All from her father's death. O Gertrude, Gertrude, When sorrows come, they come not single spies But in battalions. First, her father slain: Next, your son gone; and he most violent author Of his own just remove: the people muddied, Thick and unwholesome in their thoughts and whispers, For good Polonius' death; and we have done but greenly, In hugger-mugger to inter him: poor Ophelia Divided from herself and her fair judgment, Without the which we are pictures, or mere beasts: Last, and as much containing as all these, Her brother is in secret come from France; Feeds on his wonder, keeps himself in clouds, And wants not buzzers to infect his ear With pestilent speeches of his father's death; Wherein necessity, of matter beggar'd, Will nothing stick our person to arraign In ear and ear. O my dear Gertrude, this, Like to a murdering-piece, in many places Gives me superfluous death. A noise within QUEEN GERTRUDE Alack, what noise is this? KING CLAUDIUS Where are my Switzers? Let them guard the door. Enter another Gentleman What is the matter? Gentleman Save yourself, my lord: The ocean, overpeering of his list, Eats not the flats with more impetuous haste Than young Laertes, in a riotous head, O'erbears your officers. The rabble call him lord; And, as the world were now but to begin, Antiquity forgot, custom not known, The ratifiers and props of every word, They cry 'Choose we: Laertes shall be king:' Caps, hands, and tongues, applaud it to the clouds: 'Laertes shall be king, Laertes king!' QUEEN GERTRUDE How cheerfully on the false trail they cry! O, this is counter, you false Danish dogs! KING CLAUDIUS The doors are broke. Noise within Enter LAERTES, armed; Danes following LAERTES Where is this king? Sirs, stand you all without. Danes No, let's come in. LAERTES I pray you, give me leave. Danes We will, we will. They retire without the door LAERTES I thank you: keep the door. O thou vile king, Give me my father! QUEEN GERTRUDE Calmly, good Laertes. LAERTES That drop of blood that's calm proclaims me bastard, Cries cuckold to my father, brands the harlot Even here, between the chaste unsmirched brow Of my true mother. KING CLAUDIUS What is the cause, Laertes, That thy rebellion looks so giant-like? Let him go, Gertrude; do not fear our person: There's such divinity doth hedge a king, That treason can but peep to what it would, Acts little of his will. Tell me, Laertes, Why thou art thus incensed. Let him go, Gertrude. Speak, man. LAERTES Where is my father? KING CLAUDIUS Dead. QUEEN GERTRUDE But not by him. KING CLAUDIUS Let him demand his fill. LAERTES How came he dead? I'll not be juggled with: To hell, allegiance! vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, That both the worlds I give to negligence, Let come what comes; only I'll be revenged Most thoroughly for my father. KING CLAUDIUS Who shall stay you? LAERTES My will, not all the world: And for my means, I'll husband them so well, They shall go far with little. KING CLAUDIUS Good Laertes, If you desire to know the certainty Of your dear father's death, is't writ in your revenge, That, swoopstake, you will draw both friend and foe, Winner and loser? LAERTES None but his enemies. KING CLAUDIUS Will you know them then? LAERTES To his good friends thus wide I'll ope my arms; And like the kind life-rendering pelican, Repast them with my blood. KING CLAUDIUS Why, now you speak Like a good child and a true gentleman. That I am guiltless of your father's death, And am most sensible in grief for it, It shall as level to your judgment pierce As day does to your eye. Danes Within Let her come in. LAERTES How now! what noise is that? Re-enter OPHELIA O heat, dry up my brains! tears seven times salt, Burn out the sense and virtue of mine eye! By heaven, thy madness shall be paid by weight, Till our scale turn the beam. O rose of May! Dear maid, kind sister, sweet Ophelia! O heavens! is't possible, a young maid's wits Should be as moral as an old man's life? Nature is fine in love, and where 'tis fine, It sends some precious instance of itself After the thing it loves. OPHELIA Sings They bore him barefaced on the bier; Hey non nonny, nonny, hey nonny; And in his grave rain'd many a tear:-- Fare you well, my dove! LAERTES Hadst thou thy wits, and didst persuade revenge, It could not move thus. OPHELIA Sings You must sing a-down a-down, An you call him a-down-a. O, how the wheel becomes it! It is the false steward, that stole his master's daughter. LAERTES This nothing's more than matter. OPHELIA There's rosemary, that's for remembrance; pray, love, remember: and there is pansies. that's for thoughts. LAERTES A document in madness, thoughts and remembrance fitted. OPHELIA There's fennel for you, and columbines: there's rue for you; and here's some for me: we may call it herb-grace o' Sundays: O you must wear your rue with a difference. There's a daisy: I would give you some violets, but they withered all when my father died: they say he made a good end,-- Sings For bonny sweet Robin is all my joy. LAERTES Thought and affliction, passion, hell itself, She turns to favour and to prettiness. OPHELIA Sings And will he not come again? And will he not come again? No, no, he is dead: Go to thy death-bed: He never will come again. His beard was as white as snow, All flaxen was his poll: He is gone, he is gone, And we cast away moan: God ha' mercy on his soul! And of all Christian souls, I pray God. God be wi' ye. Exit LAERTES Do you see this, O God? KING CLAUDIUS Laertes, I must commune with your grief, Or you deny me right. Go but apart, Make choice of whom your wisest friends you will. And they shall hear and judge 'twixt you and me: If by direct or by collateral hand They find us touch'd, we will our kingdom give, Our crown, our life, and all that we can ours, To you in satisfaction; but if not, Be you content to lend your patience to us, And we shall jointly labour with your soul To give it due content. LAERTES Let this be so; His means of death, his obscure funeral-- No trophy, sword, nor hatchment o'er his bones, No noble rite nor formal ostentation-- Cry to be heard, as 'twere from heaven to earth, That I must call't in question. KING CLAUDIUS So you shall; And where the offence is let the great axe fall. I pray you, go with me. Exeunt SCENE VI. Another room in the castle. Enter HORATIO and a Servant HORATIO What are they that would speak with me? Servant Sailors, sir: they say they have letters for you. HORATIO Let them come in. Exit Servant I do not know from what part of the world I should be greeted, if not from Lord Hamlet. Enter Sailors First Sailor God bless you, sir. HORATIO Let him bless thee too. First Sailor He shall, sir, an't please him. There's a letter for you, sir; it comes from the ambassador that was bound for England; if your name be Horatio, as I am let to know it is. HORATIO Reads 'Horatio, when thou shalt have overlooked this, give these fellows some means to the king: they have letters for him. Ere we were two days old at sea, a pirate of very warlike appointment gave us chase. Finding ourselves too slow of sail, we put on a compelled valour, and in the grapple I boarded them: on the instant they got clear of our ship; so I alone became their prisoner. They have dealt with me like thieves of mercy: but they knew what they did; I am to do a good turn for them. Let the king have the letters I have sent; and repair thou to me with as much speed as thou wouldst fly death. I have words to speak in thine ear will make thee dumb; yet are they much too light for the bore of the matter. These good fellows will bring thee where I am. Rosencrantz and Guildenstern hold their course for England: of them I have much to tell thee. Farewell. 'He that thou knowest thine, HAMLET.' Come, I will make you way for these your letters; And do't the speedier, that you may direct me To him from whom you brought them. Exeunt SCENE VII. Another room in the castle. Enter KING CLAUDIUS and LAERTES KING CLAUDIUS Now must your conscience my acquaintance seal, And you must put me in your heart for friend, Sith you have heard, and with a knowing ear, That he which hath your noble father slain Pursued my life. LAERTES It well appears: but tell me Why you proceeded not against these feats, So crimeful and so capital in nature, As by your safety, wisdom, all things else, You mainly were stirr'd up. KING CLAUDIUS O, for two special reasons; Which may to you, perhaps, seem much unsinew'd, But yet to me they are strong. The queen his mother Lives almost by his looks; and for myself-- My virtue or my plague, be it either which-- She's so conjunctive to my life and soul, That, as the star moves not but in his sphere, I could not but by her. The other motive, Why to a public count I might not go, Is the great love the general gender bear him; Who, dipping all his faults in their affection, Would, like the spring that turneth wood to stone, Convert his gyves to graces; so that my arrows, Too slightly timber'd for so loud a wind, Would have reverted to my bow again, And not where I had aim'd them. LAERTES And so have I a noble father lost; A sister driven into desperate terms, Whose worth, if praises may go back again, Stood challenger on mount of all the age For her perfections: but my revenge will come. KING CLAUDIUS Break not your sleeps for that: you must not think That we are made of stuff so flat and dull That we can let our beard be shook with danger And think it pastime. You shortly shall hear more: I loved your father, and we love ourself; And that, I hope, will teach you to imagine-- Enter a Messenger How now! what news? Messenger Letters, my lord, from Hamlet: This to your majesty; this to the queen. KING CLAUDIUS From Hamlet! who brought them? Messenger Sailors, my lord, they say; I saw them not: They were given me by Claudio; he received them Of him that brought them. KING CLAUDIUS Laertes, you shall hear them. Leave us. Exit Messenger Reads 'High and mighty, You shall know I am set naked on your kingdom. To-morrow shall I beg leave to see your kingly eyes: when I shall, first asking your pardon thereunto, recount the occasion of my sudden and more strange return. 'HAMLET.' What should this mean? Are all the rest come back? Or is it some abuse, and no such thing? LAERTES Know you the hand? KING CLAUDIUS 'Tis Hamlets character. 'Naked! And in a postscript here, he says 'alone.' Can you advise me? LAERTES I'm lost in it, my lord. But let him come; It warms the very sickness in my heart, That I shall live and tell him to his teeth, 'Thus didest thou.' KING CLAUDIUS If it be so, Laertes-- As how should it be so? how otherwise?-- Will you be ruled by me? LAERTES Ay, my lord; So you will not o'errule me to a peace. KING CLAUDIUS To thine own peace. If he be now return'd, As checking at his voyage, and that he means No more to undertake it, I will work him To an exploit, now ripe in my device, Under the which he shall not choose but fall: And for his death no wind of blame shall breathe, But even his mother shall uncharge the practise And call it accident. LAERTES My lord, I will be ruled; The rather, if you could devise it so That I might be the organ. KING CLAUDIUS It falls right. You have been talk'd of since your travel much, And that in Hamlet's hearing, for a quality Wherein, they say, you shine: your sum of parts Did not together pluck such envy from him As did that one, and that, in my regard, Of the unworthiest siege. LAERTES What part is that, my lord? KING CLAUDIUS A very riband in the cap of youth, Yet needful too; for youth no less becomes The light and careless livery that it wears Than settled age his sables and his weeds, Importing health and graveness. Two months since, Here was a gentleman of Normandy:-- I've seen myself, and served against, the French, And they can well on horseback: but this gallant Had witchcraft in't; he grew unto his seat; And to such wondrous doing brought his horse, As he had been incorpsed and demi-natured With the brave beast: so far he topp'd my thought, That I, in forgery of shapes and tricks, Come short of what he did. LAERTES A Norman was't? KING CLAUDIUS A Norman. LAERTES Upon my life, Lamond. KING CLAUDIUS The very same. LAERTES I know him well: he is the brooch indeed And gem of all the nation. KING CLAUDIUS He made confession of you, And gave you such a masterly report For art and exercise in your defence And for your rapier most especially, That he cried out, 'twould be a sight indeed, If one could match you: the scrimers of their nation, He swore, had had neither motion, guard, nor eye, If you opposed them. Sir, this report of his Did Hamlet so envenom with his envy That he could nothing do but wish and beg Your sudden coming o'er, to play with him. Now, out of this,-- LAERTES What out of this, my lord? KING CLAUDIUS Laertes, was your father dear to you? Or are you like the painting of a sorrow, A face without a heart? LAERTES Why ask you this? KING CLAUDIUS Not that I think you did not love your father; But that I know love is begun by time; And that I see, in passages of proof, Time qualifies the spark and fire of it. There lives within the very flame of love A kind of wick or snuff that will abate it; And nothing is at a like goodness still; For goodness, growing to a plurisy, Dies in his own too much: that we would do We should do when we would; for this 'would' changes And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing. But, to the quick o' the ulcer:-- Hamlet comes back: what would you undertake, To show yourself your father's son in deed More than in words? LAERTES To cut his throat i' the church. KING CLAUDIUS No place, indeed, should murder sanctuarize; Revenge should have no bounds. But, good Laertes, Will you do this, keep close within your chamber. Hamlet return'd shall know you are come home: We'll put on those shall praise your excellence And set a double varnish on the fame The Frenchman gave you, bring you in fine together And wager on your heads: he, being remiss, Most generous and free from all contriving, Will not peruse the foils; so that, with ease, Or with a little shuffling, you may choose A sword unbated, and in a pass of practise Requite him for your father. LAERTES I will do't: And, for that purpose, I'll anoint my sword. I bought an unction of a mountebank, So mortal that, but dip a knife in it, Where it draws blood no cataplasm so rare, Collected from all simples that have virtue Under the moon, can save the thing from death That is but scratch'd withal: I'll touch my point With this contagion, that, if I gall him slightly, It may be death. KING CLAUDIUS Let's further think of this; Weigh what convenience both of time and means May fit us to our shape: if this should fail, And that our drift look through our bad performance, 'Twere better not assay'd: therefore this project Should have a back or second, that might hold, If this should blast in proof. Soft! let me see: We'll make a solemn wager on your cunnings: I ha't. When in your motion you are hot and dry-- As make your bouts more violent to that end-- And that he calls for drink, I'll have prepared him A chalice for the nonce, whereon but sipping, If he by chance escape your venom'd stuck, Our purpose may hold there. Enter QUEEN GERTRUDE How now, sweet queen! QUEEN GERTRUDE One woe doth tread upon another's heel, So fast they follow; your sister's drown'd, Laertes. LAERTES Drown'd! O, where? QUEEN GERTRUDE There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream; There with fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them: There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide; And, mermaid-like, awhile they bore her up: Which time she chanted snatches of old tunes; As one incapable of her own distress, Or like a creature native and indued Unto that element: but long it could not be Till that her garments, heavy with their drink, Pull'd the poor wretch from her melodious lay To muddy death. LAERTES Alas, then, she is drown'd? QUEEN GERTRUDE Drown'd, drown'd. LAERTES Too much of water hast thou, poor Ophelia, And therefore I forbid my tears: but yet It is our trick; nature her custom holds, Let shame say what it will: when these are gone, The woman will be out. Adieu, my lord: I have a speech of fire, that fain would blaze, But that this folly douts it. Exit KING CLAUDIUS Let's follow, Gertrude: How much I had to do to calm his rage! Now fear I this will give it start again; Therefore let's follow. Exeunt ACT V SCENE I. A churchyard. Enter two Clowns, with spades, &c First Clown Is she to be buried in Christian burial that wilfully seeks her own salvation? Second Clown I tell thee she is: and therefore make her grave straight: the crowner hath sat on her, and finds it Christian burial. First Clown How can that be, unless she drowned herself in her own defence? Second Clown Why, 'tis found so. First Clown It must be 'se offendendo;' it cannot be else. For here lies the point: if I drown myself wittingly, it argues an act: and an act hath three branches: it is, to act, to do, to perform: argal, she drowned herself wittingly. Second Clown Nay, but hear you, goodman delver,-- First Clown Give me leave. Here lies the water; good: here stands the man; good; if the man go to this water, and drown himself, it is, will he, nill he, he goes,--mark you that; but if the water come to him and drown him, he drowns not himself: argal, he that is not guilty of his own death shortens not his own life. Second Clown But is this law? First Clown Ay, marry, is't; crowner's quest law. Second Clown Will you ha' the truth on't? If this had not been a gentlewoman, she should have been buried out o' Christian burial. First Clown Why, there thou say'st: and the more pity that great folk should have countenance in this world to drown or hang themselves, more than their even Christian. Come, my spade. There is no ancient gentleman but gardeners, ditchers, and grave-makers: they hold up Adam's profession. Second Clown Was he a gentleman? First Clown He was the first that ever bore arms. Second Clown Why, he had none. First Clown What, art a heathen? How dost thou understand the Scripture? The Scripture says 'Adam digged:' could he dig without arms? I'll put another question to thee: if thou answerest me not to the purpose, confess thyself-- Second Clown Go to. First Clown What is he that builds stronger than either the mason, the shipwright, or the carpenter? Second Clown The gallows-maker; for that frame outlives a thousand tenants. First Clown I like thy wit well, in good faith: the gallows does well; but how does it well? it does well to those that do in: now thou dost ill to say the gallows is built stronger than the church: argal, the gallows may do well to thee. To't again, come. Second Clown 'Who builds stronger than a mason, a shipwright, or a carpenter?' First Clown Ay, tell me that, and unyoke. Second Clown Marry, now I can tell. First Clown To't. Second Clown Mass, I cannot tell. Enter HAMLET and HORATIO, at a distance First Clown Cudgel thy brains no more about it, for your dull ass will not mend his pace with beating; and, when you are asked this question next, say 'a grave-maker: 'the houses that he makes last till doomsday. Go, get thee to Yaughan: fetch me a stoup of liquor. Exit Second Clown He digs and sings In youth, when I did love, did love, Methought it was very sweet, To contract, O, the time, for, ah, my behove, O, methought, there was nothing meet. HAMLET Has this fellow no feeling of his business, that he sings at grave-making? HORATIO Custom hath made it in him a property of easiness. HAMLET 'Tis e'en so: the hand of little employment hath the daintier sense. First Clown Sings But age, with his stealing steps, Hath claw'd me in his clutch, And hath shipped me intil the land, As if I had never been such. Throws up a skull HAMLET That skull had a tongue in it, and could sing once: how the knave jowls it to the ground, as if it were Cain's jaw-bone, that did the first murder! It might be the pate of a politician, which this ass now o'er-reaches; one that would circumvent God, might it not? HORATIO It might, my lord. HAMLET Or of a courtier; which could say 'Good morrow, sweet lord! How dost thou, good lord?' This might be my lord such-a-one, that praised my lord such-a-one's horse, when he meant to beg it; might it not? HORATIO Ay, my lord. HAMLET Why, e'en so: and now my Lady Worm's; chapless, and knocked about the mazzard with a sexton's spade: here's fine revolution, an we had the trick to see't. Did these bones cost no more the breeding, but to play at loggats with 'em? mine ache to think on't. First Clown Sings A pick-axe, and a spade, a spade, For and a shrouding sheet: O, a pit of clay for to be made For such a guest is meet. Throws up another skull HAMLET There's another: why may not that be the skull of a lawyer? Where be his quiddities now, his quillets, his cases, his tenures, and his tricks? why does he suffer this rude knave now to knock him about the sconce with a dirty shovel, and will not tell him of his action of battery? Hum! This fellow might be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries: is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? will his vouchers vouch him no more of his purchases, and double ones too, than the length and breadth of a pair of indentures? The very conveyances of his lands will hardly lie in this box; and must the inheritor himself have no more, ha? HORATIO Not a jot more, my lord. HAMLET Is not parchment made of sheepskins? HORATIO Ay, my lord, and of calf-skins too. HAMLET They are sheep and calves which seek out assurance in that. I will speak to this fellow. Whose grave's this, sirrah? First Clown Mine, sir. Sings O, a pit of clay for to be made For such a guest is meet. HAMLET I think it be thine, indeed; for thou liest in't. First Clown You lie out on't, sir, and therefore it is not yours: for my part, I do not lie in't, and yet it is mine. HAMLET 'Thou dost lie in't, to be in't and say it is thine: 'tis for the dead, not for the quick; therefore thou liest. First Clown 'Tis a quick lie, sir; 'twill away gain, from me to you. HAMLET What man dost thou dig it for? First Clown For no man, sir. HAMLET What woman, then? First Clown For none, neither. HAMLET Who is to be buried in't? First Clown One that was a woman, sir; but, rest her soul, she's dead. HAMLET How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken a note of it; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he gaffs his kibe. How long hast thou been a grave-maker? First Clown Of all the days i' the year, I came to't that day that our last king Hamlet overcame Fortinbras. HAMLET How long is that since? First Clown Cannot you tell that? every fool can tell that: it was the very day that young Hamlet was born; he that is mad, and sent into England. HAMLET Ay, marry, why was he sent into England? First Clown Why, because he was mad: he shall recover his wits there; or, if he do not, it's no great matter there. HAMLET Why? First Clown 'Twill, a not be seen in him there; there the men are as mad as he. HAMLET How came he mad? First Clown Very strangely, they say. HAMLET How strangely? First Clown Faith, e'en with losing his wits. HAMLET Upon what ground? First Clown Why, here in Denmark: I have been sexton here, man and boy, thirty years. HAMLET How long will a man lie i' the earth ere he rot? First Clown I' faith, if he be not rotten before he die--as we have many pocky corses now-a-days, that will scarce hold the laying in--he will last you some eight year or nine year: a tanner will last you nine year. HAMLET Why he more than another? First Clown Why, sir, his hide is so tanned with his trade, that he will keep out water a great while; and your water is a sore decayer of your whoreson dead body. Here's a skull now; this skull has lain in the earth three and twenty years. HAMLET Whose was it? First Clown A whoreson mad fellow's it was: whose do you think it was? HAMLET Nay, I know not. First Clown A pestilence on him for a mad rogue! a' poured a flagon of Rhenish on my head once. This same skull, sir, was Yorick's skull, the king's jester. HAMLET This? First Clown E'en that. HAMLET Let me see. Takes the skull Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. Prithee, Horatio, tell me one thing. HORATIO What's that, my lord? HAMLET Dost thou think Alexander looked o' this fashion i' the earth? HORATIO E'en so. HAMLET And smelt so? pah! Puts down the skull HORATIO E'en so, my lord. HAMLET To what base uses we may return, Horatio! Why may not imagination trace the noble dust of Alexander, till he find it stopping a bung-hole? HORATIO 'Twere to consider too curiously, to consider so. HAMLET No, faith, not a jot; but to follow him thither with modesty enough, and likelihood to lead it: as thus: Alexander died, Alexander was buried, Alexander returneth into dust; the dust is earth; of earth we make loam; and why of that loam, whereto he was converted, might they not stop a beer-barrel? Imperious Caesar, dead and turn'd to clay, Might stop a hole to keep the wind away: O, that that earth, which kept the world in awe, Should patch a wall to expel the winter flaw! But soft! but soft! aside: here comes the king. Enter Priest, &c. in procession; the Corpse of OPHELIA, LAERTES and Mourners following; KING CLAUDIUS, QUEEN GERTRUDE, their trains, &c The queen, the courtiers: who is this they follow? And with such maimed rites? This doth betoken The corse they follow did with desperate hand Fordo its own life: 'twas of some estate. Couch we awhile, and mark. Retiring with HORATIO LAERTES What ceremony else? HAMLET That is Laertes, A very noble youth: mark. LAERTES What ceremony else? First Priest Her obsequies have been as far enlarged As we have warrantise: her death was doubtful; And, but that great command o'ersways the order, She should in ground unsanctified have lodged Till the last trumpet: for charitable prayers, Shards, flints and pebbles should be thrown on her; Yet here she is allow'd her virgin crants, Her maiden strewments and the bringing home Of bell and burial. LAERTES Must there no more be done? First Priest No more be done: We should profane the service of the dead To sing a requiem and such rest to her As to peace-parted souls. LAERTES Lay her i' the earth: And from her fair and unpolluted flesh May violets spring! I tell thee, churlish priest, A ministering angel shall my sister be, When thou liest howling. HAMLET What, the fair Ophelia! QUEEN GERTRUDE Sweets to the sweet: farewell! Scattering flowers I hoped thou shouldst have been my Hamlet's wife; I thought thy bride-bed to have deck'd, sweet maid, And not have strew'd thy grave. LAERTES O, treble woe Fall ten times treble on that cursed head, Whose wicked deed thy most ingenious sense Deprived thee of! Hold off the earth awhile, Till I have caught her once more in mine arms: Leaps into the grave Now pile your dust upon the quick and dead, Till of this flat a mountain you have made, To o'ertop old Pelion, or the skyish head Of blue Olympus. HAMLET Advancing What is he whose grief Bears such an emphasis? whose phrase of sorrow Conjures the wandering stars, and makes them stand Like wonder-wounded hearers? This is I, Hamlet the Dane. Leaps into the grave LAERTES The devil take thy soul! Grappling with him HAMLET Thou pray'st not well. I prithee, take thy fingers from my throat; For, though I am not splenitive and rash, Yet have I something in me dangerous, Which let thy wiseness fear: hold off thy hand. KING CLAUDIUS Pluck them asunder. QUEEN GERTRUDE Hamlet, Hamlet! All Gentlemen,-- HORATIO Good my lord, be quiet. The Attendants part them, and they come out of the grave HAMLET Why I will fight with him upon this theme Until my eyelids will no longer wag. QUEEN GERTRUDE O my son, what theme? HAMLET I loved Ophelia: forty thousand brothers Could not, with all their quantity of love, Make up my sum. What wilt thou do for her? KING CLAUDIUS O, he is mad, Laertes. QUEEN GERTRUDE For love of God, forbear him. HAMLET 'Swounds, show me what thou'lt do: Woo't weep? woo't fight? woo't fast? woo't tear thyself? Woo't drink up eisel? eat a crocodile? I'll do't. Dost thou come here to whine? To outface me with leaping in her grave? Be buried quick with her, and so will I: And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart! Nay, an thou'lt mouth, I'll rant as well as thou. QUEEN GERTRUDE This is mere madness: And thus awhile the fit will work on him; Anon, as patient as the female dove, When that her golden couplets are disclosed, His silence will sit drooping. HAMLET Hear you, sir; What is the reason that you use me thus? I loved you ever: but it is no matter; Let Hercules himself do what he may, The cat will mew and dog will have his day. Exit KING CLAUDIUS I pray you, good Horatio, wait upon him. Exit HORATIO To LAERTES Strengthen your patience in our last night's speech; We'll put the matter to the present push. Good Gertrude, set some watch over your son. This grave shall have a living monument: An hour of quiet shortly shall we see; Till then, in patience our proceeding be. Exeunt SCENE II. A hall in the castle. Enter HAMLET and HORATIO HAMLET So much for this, sir: now shall you see the other; You do remember all the circumstance? HORATIO Remember it, my lord? HAMLET Sir, in my heart there was a kind of fighting, That would not let me sleep: methought I lay Worse than the mutines in the bilboes. Rashly, And praised be rashness for it, let us know, Our indiscretion sometimes serves us well, When our deep plots do pall: and that should teach us There's a divinity that shapes our ends, Rough-hew them how we will,-- HORATIO That is most certain. HAMLET Up from my cabin, My sea-gown scarf'd about me, in the dark Groped I to find out them; had my desire. Finger'd their packet, and in fine withdrew To mine own room again; making so bold, My fears forgetting manners, to unseal Their grand commission; where I found, Horatio,-- O royal knavery!--an exact command, Larded with many several sorts of reasons Importing Denmark's health and England's too, With, ho! such bugs and goblins in my life, That, on the supervise, no leisure bated, No, not to stay the grinding of the axe, My head should be struck off. HORATIO Is't possible? HAMLET Here's the commission: read it at more leisure. But wilt thou hear me how I did proceed? HORATIO I beseech you. HAMLET Being thus be-netted round with villanies,-- Ere I could make a prologue to my brains, They had begun the play--I sat me down, Devised a new commission, wrote it fair: I once did hold it, as our statists do, A baseness to write fair and labour'd much How to forget that learning, but, sir, now It did me yeoman's service: wilt thou know The effect of what I wrote? HORATIO Ay, good my lord. HAMLET An earnest conjuration from the king, As England was his faithful tributary, As love between them like the palm might flourish, As peace should stiff her wheaten garland wear And stand a comma 'tween their amities, And many such-like 'As'es of great charge, That, on the view and knowing of these contents, Without debatement further, more or less, He should the bearers put to sudden death, Not shriving-time allow'd. HORATIO How was this seal'd? HAMLET Why, even in that was heaven ordinant. I had my father's signet in my purse, Which was the model of that Danish seal; Folded the writ up in form of the other, Subscribed it, gave't the impression, placed it safely, The changeling never known. Now, the next day Was our sea-fight; and what to this was sequent Thou know'st already. HORATIO So Guildenstern and Rosencrantz go to't. HAMLET Why, man, they did make love to this employment; They are not near my conscience; their defeat Does by their own insinuation grow: 'Tis dangerous when the baser nature comes Between the pass and fell incensed points Of mighty opposites. HORATIO Why, what a king is this! HAMLET Does it not, think'st thee, stand me now upon-- He that hath kill'd my king and whored my mother, Popp'd in between the election and my hopes, Thrown out his angle for my proper life, And with such cozenage--is't not perfect conscience, To quit him with this arm? and is't not to be damn'd, To let this canker of our nature come In further evil? HORATIO It must be shortly known to him from England What is the issue of the business there. HAMLET It will be short: the interim is mine; And a man's life's no more than to say 'One.' But I am very sorry, good Horatio, That to Laertes I forgot myself; For, by the image of my cause, I see The portraiture of his: I'll court his favours. But, sure, the bravery of his grief did put me Into a towering passion. HORATIO Peace! who comes here? Enter OSRIC OSRIC Your lordship is right welcome back to Denmark. HAMLET I humbly thank you, sir. Dost know this water-fly? HORATIO No, my good lord. HAMLET Thy state is the more gracious; for 'tis a vice to know him. He hath much land, and fertile: let a beast be lord of beasts, and his crib shall stand at the king's mess: 'tis a chough; but, as I say, spacious in the possession of dirt. OSRIC Sweet lord, if your lordship were at leisure, I should impart a thing to you from his majesty. HAMLET I will receive it, sir, with all diligence of spirit. Put your bonnet to his right use; 'tis for the head. OSRIC I thank your lordship, it is very hot. HAMLET No, believe me, 'tis very cold; the wind is northerly. OSRIC It is indifferent cold, my lord, indeed. HAMLET But yet methinks it is very sultry and hot for my complexion. OSRIC Exceedingly, my lord; it is very sultry,--as 'twere,--I cannot tell how. But, my lord, his majesty bade me signify to you that he has laid a great wager on your head: sir, this is the matter,-- HAMLET I beseech you, remember-- HAMLET moves him to put on his hat OSRIC Nay, good my lord; for mine ease, in good faith. Sir, here is newly come to court Laertes; believe me, an absolute gentleman, full of most excellent differences, of very soft society and great showing: indeed, to speak feelingly of him, he is the card or calendar of gentry, for you shall find in him the continent of what part a gentleman would see. HAMLET Sir, his definement suffers no perdition in you; though, I know, to divide him inventorially would dizzy the arithmetic of memory, and yet but yaw neither, in respect of his quick sail. But, in the verity of extolment, I take him to be a soul of great article; and his infusion of such dearth and rareness, as, to make true diction of him, his semblable is his mirror; and who else would trace him, his umbrage, nothing more. OSRIC Your lordship speaks most infallibly of him. HAMLET The concernancy, sir? why do we wrap the gentleman in our more rawer breath? OSRIC Sir? HORATIO Is't not possible to understand in another tongue? You will do't, sir, really. HAMLET What imports the nomination of this gentleman? OSRIC Of Laertes? HORATIO His purse is empty already; all's golden words are spent. HAMLET Of him, sir. OSRIC I know you are not ignorant-- HAMLET I would you did, sir; yet, in faith, if you did, it would not much approve me. Well, sir? OSRIC You are not ignorant of what excellence Laertes is-- HAMLET I dare not confess that, lest I should compare with him in excellence; but, to know a man well, were to know himself. OSRIC I mean, sir, for his weapon; but in the imputation laid on him by them, in his meed he's unfellowed. HAMLET What's his weapon? OSRIC Rapier and dagger. HAMLET That's two of his weapons: but, well. OSRIC The king, sir, hath wagered with him six Barbary horses: against the which he has imponed, as I take it, six French rapiers and poniards, with their assigns, as girdle, hangers, and so: three of the carriages, in faith, are very dear to fancy, very responsive to the hilts, most delicate carriages, and of very liberal conceit. HAMLET What call you the carriages? HORATIO I knew you must be edified by the margent ere you had done. OSRIC The carriages, sir, are the hangers. HAMLET The phrase would be more german to the matter, if we could carry cannon by our sides: I would it might be hangers till then. But, on: six Barbary horses against six French swords, their assigns, and three liberal-conceited carriages; that's the French bet against the Danish. Why is this 'imponed,' as you call it? OSRIC The king, sir, hath laid, that in a dozen passes between yourself and him, he shall not exceed you three hits: he hath laid on twelve for nine; and it would come to immediate trial, if your lordship would vouchsafe the answer. HAMLET How if I answer 'no'? OSRIC I mean, my lord, the opposition of your person in trial. HAMLET Sir, I will walk here in the hall: if it please his majesty, 'tis the breathing time of day with me; let the foils be brought, the gentleman willing, and the king hold his purpose, I will win for him an I can; if not, I will gain nothing but my shame and the odd hits. OSRIC Shall I re-deliver you e'en so? HAMLET To this effect, sir; after what flourish your nature will. OSRIC I commend my duty to your lordship. HAMLET Yours, yours. Exit OSRIC He does well to commend it himself; there are no tongues else for's turn. HORATIO This lapwing runs away with the shell on his head. HAMLET He did comply with his dug, before he sucked it. Thus has he--and many more of the same bevy that I know the dressy age dotes on--only got the tune of the time and outward habit of encounter; a kind of yesty collection, which carries them through and through the most fond and winnowed opinions; and do but blow them to their trial, the bubbles are out. Enter a Lord Lord My lord, his majesty commended him to you by young Osric, who brings back to him that you attend him in the hall: he sends to know if your pleasure hold to play with Laertes, or that you will take longer time. HAMLET I am constant to my purpose; they follow the king's pleasure: if his fitness speaks, mine is ready; now or whensoever, provided I be so able as now. Lord The king and queen and all are coming down. HAMLET In happy time. Lord The queen desires you to use some gentle entertainment to Laertes before you fall to play. HAMLET She well instructs me. Exit Lord HORATIO You will lose this wager, my lord. HAMLET I do not think so: since he went into France, I have been in continual practise: I shall win at the odds. But thou wouldst not think how ill all's here about my heart: but it is no matter. HORATIO Nay, good my lord,-- HAMLET It is but foolery; but it is such a kind of gain-giving, as would perhaps trouble a woman. HORATIO If your mind dislike any thing, obey it: I will forestall their repair hither, and say you are not fit. HAMLET Not a whit, we defy augury: there's a special providence in the fall of a sparrow. If it be now, 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all: since no man has aught of what he leaves, what is't to leave betimes? Enter KING CLAUDIUS, QUEEN GERTRUDE, LAERTES, Lords, OSRIC, and Attendants with foils, &c KING CLAUDIUS Come, Hamlet, come, and take this hand from me. KING CLAUDIUS puts LAERTES' hand into HAMLET's HAMLET Give me your pardon, sir: I've done you wrong; But pardon't, as you are a gentleman. This presence knows, And you must needs have heard, how I am punish'd With sore distraction. What I have done, That might your nature, honour and exception Roughly awake, I here proclaim was madness. Was't Hamlet wrong'd Laertes? Never Hamlet: If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, Then Hamlet does it not, Hamlet denies it. Who does it, then? His madness: if't be so, Hamlet is of the faction that is wrong'd; His madness is poor Hamlet's enemy. Sir, in this audience, Let my disclaiming from a purposed evil Free me so far in your most generous thoughts, That I have shot mine arrow o'er the house, And hurt my brother. LAERTES I am satisfied in nature, Whose motive, in this case, should stir me most To my revenge: but in my terms of honour I stand aloof; and will no reconcilement, Till by some elder masters, of known honour, I have a voice and precedent of peace, To keep my name ungored. But till that time, I do receive your offer'd love like love, And will not wrong it. HAMLET I embrace it freely; And will this brother's wager frankly play. Give us the foils. Come on. LAERTES Come, one for me. HAMLET I'll be your foil, Laertes: in mine ignorance Your skill shall, like a star i' the darkest night, Stick fiery off indeed. LAERTES You mock me, sir. HAMLET No, by this hand. KING CLAUDIUS Give them the foils, young Osric. Cousin Hamlet, You know the wager? HAMLET Very well, my lord Your grace hath laid the odds o' the weaker side. KING CLAUDIUS I do not fear it; I have seen you both: But since he is better'd, we have therefore odds. LAERTES This is too heavy, let me see another. HAMLET This likes me well. These foils have all a length? They prepare to play OSRIC Ay, my good lord. KING CLAUDIUS Set me the stoops of wine upon that table. If Hamlet give the first or second hit, Or quit in answer of the third exchange, Let all the battlements their ordnance fire: The king shall drink to Hamlet's better breath; And in the cup an union shall he throw, Richer than that which four successive kings In Denmark's crown have worn. Give me the cups; And let the kettle to the trumpet speak, The trumpet to the cannoneer without, The cannons to the heavens, the heavens to earth, 'Now the king dunks to Hamlet.' Come, begin: And you, the judges, bear a wary eye. HAMLET Come on, sir. LAERTES Come, my lord. They play HAMLET One. LAERTES No. HAMLET Judgment. OSRIC A hit, a very palpable hit. LAERTES Well; again. KING CLAUDIUS Stay; give me drink. Hamlet, this pearl is thine; Here's to thy health. Trumpets sound, and cannon shot off within Give him the cup. HAMLET I'll play this bout first; set it by awhile. Come. They play Another hit; what say you? LAERTES A touch, a touch, I do confess. KING CLAUDIUS Our son shall win. QUEEN GERTRUDE He's fat, and scant of breath. Here, Hamlet, take my napkin, rub thy brows; The queen carouses to thy fortune, Hamlet. HAMLET Good madam! KING CLAUDIUS Gertrude, do not drink. QUEEN GERTRUDE I will, my lord; I pray you, pardon me. KING CLAUDIUS Aside It is the poison'd cup: it is too late. HAMLET I dare not drink yet, madam; by and by. QUEEN GERTRUDE Come, let me wipe thy face. LAERTES My lord, I'll hit him now. KING CLAUDIUS I do not think't. LAERTES Aside And yet 'tis almost 'gainst my conscience. HAMLET Come, for the third, Laertes: you but dally; I pray you, pass with your best violence; I am afeard you make a wanton of me. LAERTES Say you so? come on. They play OSRIC Nothing, neither way. LAERTES Have at you now! LAERTES wounds HAMLET; then in scuffling, they change rapiers, and HAMLET wounds LAERTES KING CLAUDIUS Part them; they are incensed. HAMLET Nay, come, again. QUEEN GERTRUDE falls OSRIC Look to the queen there, ho! HORATIO They bleed on both sides. How is it, my lord? OSRIC How is't, Laertes? LAERTES Why, as a woodcock to mine own springe, Osric; I am justly kill'd with mine own treachery. HAMLET How does the queen? KING CLAUDIUS She swounds to see them bleed. QUEEN GERTRUDE No, no, the drink, the drink,--O my dear Hamlet,-- The drink, the drink! I am poison'd. Dies HAMLET O villany! Ho! let the door be lock'd: Treachery! Seek it out. LAERTES It is here, Hamlet: Hamlet, thou art slain; No medicine in the world can do thee good; In thee there is not half an hour of life; The treacherous instrument is in thy hand, Unbated and envenom'd: the foul practise Hath turn'd itself on me lo, here I lie, Never to rise again: thy mother's poison'd: I can no more: the king, the king's to blame. HAMLET The point!--envenom'd too! Then, venom, to thy work. Stabs KING CLAUDIUS All Treason! treason! KING CLAUDIUS O, yet defend me, friends; I am but hurt. HAMLET Here, thou incestuous, murderous, damned Dane, Drink off this potion. Is thy union here? Follow my mother. KING CLAUDIUS dies LAERTES He is justly served; It is a poison temper'd by himself. Exchange forgiveness with me, noble Hamlet: Mine and my father's death come not upon thee, Nor thine on me. Dies HAMLET Heaven make thee free of it! I follow thee. I am dead, Horatio. Wretched queen, adieu! You that look pale and tremble at this chance, That are but mutes or audience to this act, Had I but time--as this fell sergeant, death, Is strict in his arrest--O, I could tell you-- But let it be. Horatio, I am dead; Thou livest; report me and my cause aright To the unsatisfied. HORATIO Never believe it: I am more an antique Roman than a Dane: Here's yet some liquor left. HAMLET As thou'rt a man, Give me the cup: let go; by heaven, I'll have't. O good Horatio, what a wounded name, Things standing thus unknown, shall live behind me! If thou didst ever hold me in thy heart Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story. March afar off, and shot within What warlike noise is this? OSRIC Young Fortinbras, with conquest come from Poland, To the ambassadors of England gives This warlike volley. HAMLET O, I die, Horatio; The potent poison quite o'er-crows my spirit: I cannot live to hear the news from England; But I do prophesy the election lights On Fortinbras: he has my dying voice; So tell him, with the occurrents, more and less, Which have solicited. The rest is silence. Dies HORATIO Now cracks a noble heart. Good night sweet prince: And flights of angels sing thee to thy rest! Why does the drum come hither? March within Enter FORTINBRAS, the English Ambassadors, and others PRINCE FORTINBRAS Where is this sight? HORATIO What is it ye would see? If aught of woe or wonder, cease your search. PRINCE FORTINBRAS This quarry cries on havoc. O proud death, What feast is toward in thine eternal cell, That thou so many princes at a shot So bloodily hast struck? First Ambassador The sight is dismal; And our affairs from England come too late: The ears are senseless that should give us hearing, To tell him his commandment is fulfill'd, That Rosencrantz and Guildenstern are dead: Where should we have our thanks? HORATIO Not from his mouth, Had it the ability of life to thank you: He never gave commandment for their death. But since, so jump upon this bloody question, You from the Polack wars, and you from England, Are here arrived give order that these bodies High on a stage be placed to the view; And let me speak to the yet unknowing world How these things came about: so shall you hear Of carnal, bloody, and unnatural acts, Of accidental judgments, casual slaughters, Of deaths put on by cunning and forced cause, And, in this upshot, purposes mistook Fall'n on the inventors' reads: all this can I Truly deliver. PRINCE FORTINBRAS Let us haste to hear it, And call the noblest to the audience. For me, with sorrow I embrace my fortune: I have some rights of memory in this kingdom, Which now to claim my vantage doth invite me. HORATIO Of that I shall have also cause to speak, And from his mouth whose voice will draw on more; But let this same be presently perform'd, Even while men's minds are wild; lest more mischance On plots and errors, happen. PRINCE FORTINBRAS Let four captains Bear Hamlet, like a soldier, to the stage; For he was likely, had he been put on, To have proved most royally: and, for his passage, The soldiers' music and the rites of war Speak loudly for him. Take up the bodies: such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot. A dead march. Exeunt, bearing off the dead bodies; after which a peal of ordnance is shot off
compress-compress-lzf-1.0.3/src/test/resources/shakespeare/macbeth.xml000066400000000000000000004764631237355727300262320ustar00rootroot00000000000000 The Tragedy of Macbeth

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Dramatis Personae DUNCAN, king of Scotland. MALCOLM DONALBAIN his sons. MACBETH BANQUO generals of the king's army. MACDUFF LENNOX ROSS MENTEITH ANGUS CAITHNESS noblemen of Scotland. FLEANCE, son to Banquo. SIWARD, Earl of Northumberland, general of the English forces. YOUNG SIWARD, his son. SEYTON, an officer attending on Macbeth. Boy, son to Macduff. An English Doctor. A Scotch Doctor. A Soldier. A Porter. An Old Man. LADY MACBETH LADY MACDUFF Gentlewoman attending on Lady Macbeth. HECATE Three Witches. Apparitions. Lords, Gentlemen, Officers, Soldiers, Murderers, Attendants, and Messengers. SCENE Scotland: England. MACBETH ACT I SCENE I. A desert place. Thunder and lightning. Enter three Witches First Witch When shall we three meet again In thunder, lightning, or in rain? Second Witch When the hurlyburly's done, When the battle's lost and won. Third Witch That will be ere the set of sun. First Witch Where the place? Second Witch Upon the heath. Third Witch There to meet with Macbeth. First Witch I come, Graymalkin! Second Witch Paddock calls. Third Witch Anon. ALL Fair is foul, and foul is fair: Hover through the fog and filthy air. Exeunt SCENE II. A camp near Forres. Alarum within. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, with Attendants, meeting a bleeding Sergeant DUNCAN What bloody man is that? He can report, As seemeth by his plight, of the revolt The newest state. MALCOLM This is the sergeant Who like a good and hardy soldier fought 'Gainst my captivity. Hail, brave friend! Say to the king the knowledge of the broil As thou didst leave it. Sergeant Doubtful it stood; As two spent swimmers, that do cling together And choke their art. The merciless Macdonwald-- Worthy to be a rebel, for to that The multiplying villanies of nature Do swarm upon him--from the western isles Of kerns and gallowglasses is supplied; And fortune, on his damned quarrel smiling, Show'd like a rebel's whore: but all's too weak: For brave Macbeth--well he deserves that name-- Disdaining fortune, with his brandish'd steel, Which smoked with bloody execution, Like valour's minion carved out his passage Till he faced the slave; Which ne'er shook hands, nor bade farewell to him, Till he unseam'd him from the nave to the chaps, And fix'd his head upon our battlements. DUNCAN O valiant cousin! worthy gentleman! Sergeant As whence the sun 'gins his reflection Shipwrecking storms and direful thunders break, So from that spring whence comfort seem'd to come Discomfort swells. Mark, king of Scotland, mark: No sooner justice had with valour arm'd Compell'd these skipping kerns to trust their heels, But the Norweyan lord surveying vantage, With furbish'd arms and new supplies of men Began a fresh assault. DUNCAN Dismay'd not this Our captains, Macbeth and Banquo? Sergeant Yes; As sparrows eagles, or the hare the lion. If I say sooth, I must report they were As cannons overcharged with double cracks, so they Doubly redoubled strokes upon the foe: Except they meant to bathe in reeking wounds, Or memorise another Golgotha, I cannot tell. But I am faint, my gashes cry for help. DUNCAN So well thy words become thee as thy wounds; They smack of honour both. Go get him surgeons. Exit Sergeant, attended Who comes here? Enter ROSS MALCOLM The worthy thane of Ross. LENNOX What a haste looks through his eyes! So should he look That seems to speak things strange. ROSS God save the king! DUNCAN Whence camest thou, worthy thane? ROSS From Fife, great king; Where the Norweyan banners flout the sky And fan our people cold. Norway himself, With terrible numbers, Assisted by that most disloyal traitor The thane of Cawdor, began a dismal conflict; Till that Bellona's bridegroom, lapp'd in proof, Confronted him with self-comparisons, Point against point rebellious, arm 'gainst arm. Curbing his lavish spirit: and, to conclude, The victory fell on us. DUNCAN Great happiness! ROSS That now Sweno, the Norways' king, craves composition: Nor would we deign him burial of his men Till he disbursed at Saint Colme's inch Ten thousand dollars to our general use. DUNCAN No more that thane of Cawdor shall deceive Our bosom interest: go pronounce his present death, And with his former title greet Macbeth. ROSS I'll see it done. DUNCAN What he hath lost noble Macbeth hath won. Exeunt SCENE III. A heath near Forres. Thunder. Enter the three Witches First Witch Where hast thou been, sister? Second Witch Killing swine. Third Witch Sister, where thou? First Witch A sailor's wife had chestnuts in her lap, And munch'd, and munch'd, and munch'd:-- 'Give me,' quoth I: 'Aroint thee, witch!' the rump-fed ronyon cries. Her husband's to Aleppo gone, master o' the Tiger: But in a sieve I'll thither sail, And, like a rat without a tail, I'll do, I'll do, and I'll do. Second Witch I'll give thee a wind. First Witch Thou'rt kind. Third Witch And I another. First Witch I myself have all the other, And the very ports they blow, All the quarters that they know I' the shipman's card. I will drain him dry as hay: Sleep shall neither night nor day Hang upon his pent-house lid; He shall live a man forbid: Weary se'nnights nine times nine Shall he dwindle, peak and pine: Though his bark cannot be lost, Yet it shall be tempest-tost. Look what I have. Second Witch Show me, show me. First Witch Here I have a pilot's thumb, Wreck'd as homeward he did come. Drum within Third Witch A drum, a drum! Macbeth doth come. ALL The weird sisters, hand in hand, Posters of the sea and land, Thus do go about, about: Thrice to thine and thrice to mine And thrice again, to make up nine. Peace! the charm's wound up. Enter MACBETH and BANQUO MACBETH So foul and fair a day I have not seen. BANQUO How far is't call'd to Forres? What are these So wither'd and so wild in their attire, That look not like the inhabitants o' the earth, And yet are on't? Live you? or are you aught That man may question? You seem to understand me, By each at once her chappy finger laying Upon her skinny lips: you should be women, And yet your beards forbid me to interpret That you are so. MACBETH Speak, if you can: what are you? First Witch All hail, Macbeth! hail to thee, thane of Glamis! Second Witch All hail, Macbeth, hail to thee, thane of Cawdor! Third Witch All hail, Macbeth, thou shalt be king hereafter! BANQUO Good sir, why do you start; and seem to fear Things that do sound so fair? I' the name of truth, Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace and great prediction Of noble having and of royal hope, That he seems rapt withal: to me you speak not. If you can look into the seeds of time, And say which grain will grow and which will not, Speak then to me, who neither beg nor fear Your favours nor your hate. First Witch Hail! Second Witch Hail! Third Witch Hail! First Witch Lesser than Macbeth, and greater. Second Witch Not so happy, yet much happier. Third Witch Thou shalt get kings, though thou be none: So all hail, Macbeth and Banquo! First Witch Banquo and Macbeth, all hail! MACBETH Stay, you imperfect speakers, tell me more: By Sinel's death I know I am thane of Glamis; But how of Cawdor? the thane of Cawdor lives, A prosperous gentleman; and to be king Stands not within the prospect of belief, No more than to be Cawdor. Say from whence You owe this strange intelligence? or why Upon this blasted heath you stop our way With such prophetic greeting? Speak, I charge you. Witches vanish BANQUO The earth hath bubbles, as the water has, And these are of them. Whither are they vanish'd? MACBETH Into the air; and what seem'd corporal melted As breath into the wind. Would they had stay'd! BANQUO Were such things here as we do speak about? Or have we eaten on the insane root That takes the reason prisoner? MACBETH Your children shall be kings. BANQUO You shall be king. MACBETH And thane of Cawdor too: went it not so? BANQUO To the selfsame tune and words. Who's here? Enter ROSS and ANGUS ROSS The king hath happily received, Macbeth, The news of thy success; and when he reads Thy personal venture in the rebels' fight, His wonders and his praises do contend Which should be thine or his: silenced with that, In viewing o'er the rest o' the selfsame day, He finds thee in the stout Norweyan ranks, Nothing afeard of what thyself didst make, Strange images of death. As thick as hail Came post with post; and every one did bear Thy praises in his kingdom's great defence, And pour'd them down before him. ANGUS We are sent To give thee from our royal master thanks; Only to herald thee into his sight, Not pay thee. ROSS And, for an earnest of a greater honour, He bade me, from him, call thee thane of Cawdor: In which addition, hail, most worthy thane! For it is thine. BANQUO What, can the devil speak true? MACBETH The thane of Cawdor lives: why do you dress me In borrow'd robes? ANGUS Who was the thane lives yet; But under heavy judgment bears that life Which he deserves to lose. Whether he was combined With those of Norway, or did line the rebel With hidden help and vantage, or that with both He labour'd in his country's wreck, I know not; But treasons capital, confess'd and proved, Have overthrown him. MACBETH Aside Glamis, and thane of Cawdor! The greatest is behind. To ROSS and ANGUS Thanks for your pains. To BANQUO Do you not hope your children shall be kings, When those that gave the thane of Cawdor to me Promised no less to them? BANQUO That trusted home Might yet enkindle you unto the crown, Besides the thane of Cawdor. But 'tis strange: And oftentimes, to win us to our harm, The instruments of darkness tell us truths, Win us with honest trifles, to betray's In deepest consequence. Cousins, a word, I pray you. MACBETH Aside Two truths are told, As happy prologues to the swelling act Of the imperial theme.--I thank you, gentlemen. Aside This supernatural soliciting Cannot be ill, cannot be good: if ill, Why hath it given me earnest of success, Commencing in a truth? I am thane of Cawdor: If good, why do I yield to that suggestion Whose horrid image doth unfix my hair And make my seated heart knock at my ribs, Against the use of nature? Present fears Are less than horrible imaginings: My thought, whose murder yet is but fantastical, Shakes so my single state of man that function Is smother'd in surmise, and nothing is But what is not. BANQUO Look, how our partner's rapt. MACBETH Aside If chance will have me king, why, chance may crown me, Without my stir. BANQUO New horrors come upon him, Like our strange garments, cleave not to their mould But with the aid of use. MACBETH Aside Come what come may, Time and the hour runs through the roughest day. BANQUO Worthy Macbeth, we stay upon your leisure. MACBETH Give me your favour: my dull brain was wrought With things forgotten. Kind gentlemen, your pains Are register'd where every day I turn The leaf to read them. Let us toward the king. Think upon what hath chanced, and, at more time, The interim having weigh'd it, let us speak Our free hearts each to other. BANQUO Very gladly. MACBETH Till then, enough. Come, friends. Exeunt SCENE IV. Forres. The palace. Flourish. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, and Attendants DUNCAN Is execution done on Cawdor? Are not Those in commission yet return'd? MALCOLM My liege, They are not yet come back. But I have spoke With one that saw him die: who did report That very frankly he confess'd his treasons, Implored your highness' pardon and set forth A deep repentance: nothing in his life Became him like the leaving it; he died As one that had been studied in his death To throw away the dearest thing he owed, As 'twere a careless trifle. DUNCAN There's no art To find the mind's construction in the face: He was a gentleman on whom I built An absolute trust. Enter MACBETH, BANQUO, ROSS, and ANGUS O worthiest cousin! The sin of my ingratitude even now Was heavy on me: thou art so far before That swiftest wing of recompense is slow To overtake thee. Would thou hadst less deserved, That the proportion both of thanks and payment Might have been mine! only I have left to say, More is thy due than more than all can pay. MACBETH The service and the loyalty I owe, In doing it, pays itself. Your highness' part Is to receive our duties; and our duties Are to your throne and state children and servants, Which do but what they should, by doing every thing Safe toward your love and honour. DUNCAN Welcome hither: I have begun to plant thee, and will labour To make thee full of growing. Noble Banquo, That hast no less deserved, nor must be known No less to have done so, let me enfold thee And hold thee to my heart. BANQUO There if I grow, The harvest is your own. DUNCAN My plenteous joys, Wanton in fulness, seek to hide themselves In drops of sorrow. Sons, kinsmen, thanes, And you whose places are the nearest, know We will establish our estate upon Our eldest, Malcolm, whom we name hereafter The Prince of Cumberland; which honour must Not unaccompanied invest him only, But signs of nobleness, like stars, shall shine On all deservers. From hence to Inverness, And bind us further to you. MACBETH The rest is labour, which is not used for you: I'll be myself the harbinger and make joyful The hearing of my wife with your approach; So humbly take my leave. DUNCAN My worthy Cawdor! MACBETH Aside The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see. Exit DUNCAN True, worthy Banquo; he is full so valiant, And in his commendations I am fed; It is a banquet to me. Let's after him, Whose care is gone before to bid us welcome: It is a peerless kinsman. Flourish. Exeunt SCENE V. Inverness. Macbeth's castle. Enter LADY MACBETH, reading a letter LADY MACBETH 'They met me in the day of success: and I have learned by the perfectest report, they have more in them than mortal knowledge. When I burned in desire to question them further, they made themselves air, into which they vanished. Whiles I stood rapt in the wonder of it, came missives from the king, who all-hailed me 'Thane of Cawdor;' by which title, before, these weird sisters saluted me, and referred me to the coming on of time, with 'Hail, king that shalt be!' This have I thought good to deliver thee, my dearest partner of greatness, that thou mightst not lose the dues of rejoicing, by being ignorant of what greatness is promised thee. Lay it to thy heart, and farewell.' Glamis thou art, and Cawdor; and shalt be What thou art promised: yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way: thou wouldst be great; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily; wouldst not play false, And yet wouldst wrongly win: thou'ldst have, great Glamis, That which cries 'Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest should be undone.' Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal. Enter a Messenger What is your tidings? Messenger The king comes here to-night. LADY MACBETH Thou'rt mad to say it: Is not thy master with him? who, were't so, Would have inform'd for preparation. Messenger So please you, it is true: our thane is coming: One of my fellows had the speed of him, Who, almost dead for breath, had scarcely more Than would make up his message. LADY MACBETH Give him tending; He brings great news. Exit Messenger The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty! make thick my blood; Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!' Enter MACBETH Great Glamis! worthy Cawdor! Greater than both, by the all-hail hereafter! Thy letters have transported me beyond This ignorant present, and I feel now The future in the instant. MACBETH My dearest love, Duncan comes here to-night. LADY MACBETH And when goes hence? MACBETH To-morrow, as he purposes. LADY MACBETH O, never Shall sun that morrow see! Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't. He that's coming Must be provided for: and you shall put This night's great business into my dispatch; Which shall to all our nights and days to come Give solely sovereign sway and masterdom. MACBETH We will speak further. LADY MACBETH Only look up clear; To alter favour ever is to fear: Leave all the rest to me. Exeunt SCENE VI. Before Macbeth's castle. Hautboys and torches. Enter DUNCAN, MALCOLM, DONALBAIN, BANQUO, LENNOX, MACDUFF, ROSS, ANGUS, and Attendants DUNCAN This castle hath a pleasant seat; the air Nimbly and sweetly recommends itself Unto our gentle senses. BANQUO This guest of summer, The temple-haunting martlet, does approve, By his loved mansionry, that the heaven's breath Smells wooingly here: no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle: Where they most breed and haunt, I have observed, The air is delicate. Enter LADY MACBETH DUNCAN See, see, our honour'd hostess! The love that follows us sometime is our trouble, Which still we thank as love. Herein I teach you How you shall bid God 'ild us for your pains, And thank us for your trouble. LADY MACBETH All our service In every point twice done and then done double Were poor and single business to contend Against those honours deep and broad wherewith Your majesty loads our house: for those of old, And the late dignities heap'd up to them, We rest your hermits. DUNCAN Where's the thane of Cawdor? We coursed him at the heels, and had a purpose To be his purveyor: but he rides well; And his great love, sharp as his spur, hath holp him To his home before us. Fair and noble hostess, We are your guest to-night. LADY MACBETH Your servants ever Have theirs, themselves and what is theirs, in compt, To make their audit at your highness' pleasure, Still to return your own. DUNCAN Give me your hand; Conduct me to mine host: we love him highly, And shall continue our graces towards him. By your leave, hostess. Exeunt SCENE VII. Macbeth's castle. Hautboys and torches. Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH MACBETH If it were done when 'tis done, then 'twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'ld jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor: this even-handed justice Commends the ingredients of our poison'd chalice To our own lips. He's here in double trust; First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself. Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off; And pity, like a naked new-born babe, Striding the blast, or heaven's cherubim, horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other. Enter LADY MACBETH How now! what news? LADY MACBETH He has almost supp'd: why have you left the chamber? MACBETH Hath he ask'd for me? LADY MACBETH Know you not he has? MACBETH We will proceed no further in this business: He hath honour'd me of late; and I have bought Golden opinions from all sorts of people, Which would be worn now in their newest gloss, Not cast aside so soon. LADY MACBETH Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting 'I dare not' wait upon 'I would,' Like the poor cat i' the adage? MACBETH Prithee, peace: I dare do all that may become a man; Who dares do more is none. LADY MACBETH What beast was't, then, That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man. Nor time nor place Did then adhere, and yet you would make both: They have made themselves, and that their fitness now Does unmake you. I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this. MACBETH If we should fail? LADY MACBETH We fail! But screw your courage to the sticking-place, And we'll not fail. When Duncan is asleep-- Whereto the rather shall his day's hard journey Soundly invite him--his two chamberlains Will I with wine and wassail so convince That memory, the warder of the brain, Shall be a fume, and the receipt of reason A limbeck only: when in swinish sleep Their drenched natures lie as in a death, What cannot you and I perform upon The unguarded Duncan? what not put upon His spongy officers, who shall bear the guilt Of our great quell? MACBETH Bring forth men-children only; For thy undaunted mettle should compose Nothing but males. Will it not be received, When we have mark'd with blood those sleepy two Of his own chamber and used their very daggers, That they have done't? LADY MACBETH Who dares receive it other, As we shall make our griefs and clamour roar Upon his death? MACBETH I am settled, and bend up Each corporal agent to this terrible feat. Away, and mock the time with fairest show: False face must hide what the false heart doth know. Exeunt ACT II SCENE I. Court of Macbeth's castle. Enter BANQUO, and FLEANCE bearing a torch before him BANQUO How goes the night, boy? FLEANCE The moon is down; I have not heard the clock. BANQUO And she goes down at twelve. FLEANCE I take't, 'tis later, sir. BANQUO Hold, take my sword. There's husbandry in heaven; Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep: merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose! Enter MACBETH, and a Servant with a torch Give me my sword. Who's there? MACBETH A friend. BANQUO What, sir, not yet at rest? The king's a-bed: He hath been in unusual pleasure, and Sent forth great largess to your offices. This diamond he greets your wife withal, By the name of most kind hostess; and shut up In measureless content. MACBETH Being unprepared, Our will became the servant to defect; Which else should free have wrought. BANQUO All's well. I dreamt last night of the three weird sisters: To you they have show'd some truth. MACBETH I think not of them: Yet, when we can entreat an hour to serve, We would spend it in some words upon that business, If you would grant the time. BANQUO At your kind'st leisure. MACBETH If you shall cleave to my consent, when 'tis, It shall make honour for you. BANQUO So I lose none In seeking to augment it, but still keep My bosom franchised and allegiance clear, I shall be counsell'd. MACBETH Good repose the while! BANQUO Thanks, sir: the like to you! Exeunt BANQUO and FLEANCE MACBETH Go bid thy mistress, when my drink is ready, She strike upon the bell. Get thee to bed. Exit Servant Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going; And such an instrument I was to use. Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing: It is the bloody business which informs Thus to mine eyes. Now o'er the one halfworld Nature seems dead, and wicked dreams abuse The curtain'd sleep; witchcraft celebrates Pale Hecate's offerings, and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it. Whiles I threat, he lives: Words to the heat of deeds too cold breath gives. A bell rings I go, and it is done; the bell invites me. Hear it not, Duncan; for it is a knell That summons thee to heaven or to hell. Exit SCENE II. The same. Enter LADY MACBETH LADY MACBETH That which hath made them drunk hath made me bold; What hath quench'd them hath given me fire. Hark! Peace! It was the owl that shriek'd, the fatal bellman, Which gives the stern'st good-night. He is about it: The doors are open; and the surfeited grooms Do mock their charge with snores: I have drugg'd their possets, That death and nature do contend about them, Whether they live or die. MACBETH Within Who's there? what, ho! LADY MACBETH Alack, I am afraid they have awaked, And 'tis not done. The attempt and not the deed Confounds us. Hark! I laid their daggers ready; He could not miss 'em. Had he not resembled My father as he slept, I had done't. Enter MACBETH My husband! MACBETH I have done the deed. Didst thou not hear a noise? LADY MACBETH I heard the owl scream and the crickets cry. Did not you speak? MACBETH When? LADY MACBETH Now. MACBETH As I descended? LADY MACBETH Ay. MACBETH Hark! Who lies i' the second chamber? LADY MACBETH Donalbain. MACBETH This is a sorry sight. Looking on his hands LADY MACBETH A foolish thought, to say a sorry sight. MACBETH There's one did laugh in's sleep, and one cried 'Murder!' That they did wake each other: I stood and heard them: But they did say their prayers, and address'd them Again to sleep. LADY MACBETH There are two lodged together. MACBETH One cried 'God bless us!' and 'Amen' the other; As they had seen me with these hangman's hands. Listening their fear, I could not say 'Amen,' When they did say 'God bless us!' LADY MACBETH Consider it not so deeply. MACBETH But wherefore could not I pronounce 'Amen'? I had most need of blessing, and 'Amen' Stuck in my throat. LADY MACBETH These deeds must not be thought After these ways; so, it will make us mad. MACBETH Methought I heard a voice cry 'Sleep no more! Macbeth does murder sleep', the innocent sleep, Sleep that knits up the ravell'd sleeve of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast,-- LADY MACBETH What do you mean? MACBETH Still it cried 'Sleep no more!' to all the house: 'Glamis hath murder'd sleep, and therefore Cawdor Shall sleep no more; Macbeth shall sleep no more.' LADY MACBETH Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them; and smear The sleepy grooms with blood. MACBETH I'll go no more: I am afraid to think what I have done; Look on't again I dare not. LADY MACBETH Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal; For it must seem their guilt. Exit. Knocking within MACBETH Whence is that knocking? How is't with me, when every noise appals me? What hands are here? ha! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas in incarnadine, Making the green one red. Re-enter LADY MACBETH LADY MACBETH My hands are of your colour; but I shame To wear a heart so white. Knocking within I hear a knocking At the south entry: retire we to our chamber; A little water clears us of this deed: How easy is it, then! Your constancy Hath left you unattended. Knocking within Hark! more knocking. Get on your nightgown, lest occasion call us, And show us to be watchers. Be not lost So poorly in your thoughts. MACBETH To know my deed, 'twere best not know myself. Knocking within Wake Duncan with thy knocking! I would thou couldst! Exeunt SCENE III. The same. Knocking within. Enter a Porter Porter Here's a knocking indeed! If a man were porter of hell-gate, he should have old turning the key. Knocking within Knock, knock, knock! Who's there, i' the name of Beelzebub? Here's a farmer, that hanged himself on the expectation of plenty: come in time; have napkins enow about you; here you'll sweat for't. Knocking within Knock, knock! Who's there, in the other devil's name? Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: O, come in, equivocator. Knocking within Knock, knock, knock! Who's there? Faith, here's an English tailor come hither, for stealing out of a French hose: come in, tailor; here you may roast your goose. Knocking within Knock, knock; never at quiet! What are you? But this place is too cold for hell. I'll devil-porter it no further: I had thought to have let in some of all professions that go the primrose way to the everlasting bonfire. Knocking within Anon, anon! I pray you, remember the porter. Opens the gate Enter MACDUFF and LENNOX MACDUFF Was it so late, friend, ere you went to bed, That you do lie so late? Porter 'Faith sir, we were carousing till the second cock: and drink, sir, is a great provoker of three things. MACDUFF What three things does drink especially provoke? Porter Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes, and unprovokes; it provokes the desire, but it takes away the performance: therefore, much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. MACDUFF I believe drink gave thee the lie last night. Porter That it did, sir, i' the very throat on me: but I requited him for his lie; and, I think, being too strong for him, though he took up my legs sometime, yet I made a shift to cast him. MACDUFF Is thy master stirring? Enter MACBETH Our knocking has awaked him; here he comes. LENNOX Good morrow, noble sir. MACBETH Good morrow, both. MACDUFF Is the king stirring, worthy thane? MACBETH Not yet. MACDUFF He did command me to call timely on him: I have almost slipp'd the hour. MACBETH I'll bring you to him. MACDUFF I know this is a joyful trouble to you; But yet 'tis one. MACBETH The labour we delight in physics pain. This is the door. MACDUFF I'll make so bold to call, For 'tis my limited service. Exit LENNOX Goes the king hence to-day? MACBETH He does: he did appoint so. LENNOX The night has been unruly: where we lay, Our chimneys were blown down; and, as they say, Lamentings heard i' the air; strange screams of death, And prophesying with accents terrible Of dire combustion and confused events New hatch'd to the woeful time: the obscure bird Clamour'd the livelong night: some say, the earth Was feverous and did shake. MACBETH 'Twas a rough night. LENNOX My young remembrance cannot parallel A fellow to it. Re-enter MACDUFF MACDUFF O horror, horror, horror! Tongue nor heart Cannot conceive nor name thee! MACBETH LENNOX What's the matter. MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord's anointed temple, and stole thence The life o' the building! MACBETH What is 't you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon: do not bid me speak; See, and then speak yourselves. Exeunt MACBETH and LENNOX Awake, awake! Ring the alarum-bell. Murder and treason! Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death's counterfeit, And look on death itself! up, up, and see The great doom's image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror! Ring the bell. Bell rings Enter LADY MACBETH LADY MACBETH What's the business, That such a hideous trumpet calls to parley The sleepers of the house? speak, speak! MACDUFF O gentle lady, 'Tis not for you to hear what I can speak: The repetition, in a woman's ear, Would murder as it fell. Enter BANQUO O Banquo, Banquo, Our royal master 's murder'd! LADY MACBETH Woe, alas! What, in our house? BANQUO Too cruel any where. Dear Duff, I prithee, contradict thyself, And say it is not so. Re-enter MACBETH and LENNOX, with ROSS MACBETH Had I but died an hour before this chance, I had lived a blessed time; for, from this instant, There 's nothing serious in mortality: All is but toys: renown and grace is dead; The wine of life is drawn, and the mere lees Is left this vault to brag of. Enter MALCOLM and DONALBAIN DONALBAIN What is amiss? MACBETH You are, and do not know't: The spring, the head, the fountain of your blood Is stopp'd; the very source of it is stopp'd. MACDUFF Your royal father 's murder'd. MALCOLM O, by whom? LENNOX Those of his chamber, as it seem'd, had done 't: Their hands and faces were an badged with blood; So were their daggers, which unwiped we found Upon their pillows: They stared, and were distracted; no man's life Was to be trusted with them. MACBETH O, yet I do repent me of my fury, That I did kill them. MACDUFF Wherefore did you so? MACBETH Who can be wise, amazed, temperate and furious, Loyal and neutral, in a moment? No man: The expedition my violent love Outrun the pauser, reason. Here lay Duncan, His silver skin laced with his golden blood; And his gash'd stabs look'd like a breach in nature For ruin's wasteful entrance: there, the murderers, Steep'd in the colours of their trade, their daggers Unmannerly breech'd with gore: who could refrain, That had a heart to love, and in that heart Courage to make 's love known? LADY MACBETH Help me hence, ho! MACDUFF Look to the lady. MALCOLM Aside to DONALBAIN Why do we hold our tongues, That most may claim this argument for ours? DONALBAIN Aside to MALCOLM What should be spoken here, where our fate, Hid in an auger-hole, may rush, and seize us? Let 's away; Our tears are not yet brew'd. MALCOLM Aside to DONALBAIN Nor our strong sorrow Upon the foot of motion. BANQUO Look to the lady: LADY MACBETH is carried out And when we have our naked frailties hid, That suffer in exposure, let us meet, And question this most bloody piece of work, To know it further. Fears and scruples shake us: In the great hand of God I stand; and thence Against the undivulged pretence I fight Of treasonous malice. MACDUFF And so do I. ALL So all. MACBETH Let's briefly put on manly readiness, And meet i' the hall together. ALL Well contented. Exeunt all but Malcolm and Donalbain MALCOLM What will you do? Let's not consort with them: To show an unfelt sorrow is an office Which the false man does easy. I'll to England. DONALBAIN To Ireland, I; our separated fortune Shall keep us both the safer: where we are, There's daggers in men's smiles: the near in blood, The nearer bloody. MALCOLM This murderous shaft that's shot Hath not yet lighted, and our safest way Is to avoid the aim. Therefore, to horse; And let us not be dainty of leave-taking, But shift away: there's warrant in that theft Which steals itself, when there's no mercy left. Exeunt SCENE IV. Outside Macbeth's castle. Enter ROSS and an old Man Old Man Threescore and ten I can remember well: Within the volume of which time I have seen Hours dreadful and things strange; but this sore night Hath trifled former knowings. ROSS Ah, good father, Thou seest, the heavens, as troubled with man's act, Threaten his bloody stage: by the clock, 'tis day, And yet dark night strangles the travelling lamp: Is't night's predominance, or the day's shame, That darkness does the face of earth entomb, When living light should kiss it? Old Man 'Tis unnatural, Even like the deed that's done. On Tuesday last, A falcon, towering in her pride of place, Was by a mousing owl hawk'd at and kill'd. ROSS And Duncan's horses--a thing most strange and certain-- Beauteous and swift, the minions of their race, Turn'd wild in nature, broke their stalls, flung out, Contending 'gainst obedience, as they would make War with mankind. Old Man 'Tis said they eat each other. ROSS They did so, to the amazement of mine eyes That look'd upon't. Here comes the good Macduff. Enter MACDUFF How goes the world, sir, now? MACDUFF Why, see you not? ROSS Is't known who did this more than bloody deed? MACDUFF Those that Macbeth hath slain. ROSS Alas, the day! What good could they pretend? MACDUFF They were suborn'd: Malcolm and Donalbain, the king's two sons, Are stol'n away and fled; which puts upon them Suspicion of the deed. ROSS 'Gainst nature still! Thriftless ambition, that wilt ravin up Thine own life's means! Then 'tis most like The sovereignty will fall upon Macbeth. MACDUFF He is already named, and gone to Scone To be invested. ROSS Where is Duncan's body? MACDUFF Carried to Colmekill, The sacred storehouse of his predecessors, And guardian of their bones. ROSS Will you to Scone? MACDUFF No, cousin, I'll to Fife. ROSS Well, I will thither. MACDUFF Well, may you see things well done there: adieu! Lest our old robes sit easier than our new! ROSS Farewell, father. Old Man God's benison go with you; and with those That would make good of bad, and friends of foes! Exeunt ACT III SCENE I. Forres. The palace. Enter BANQUO BANQUO Thou hast it now: king, Cawdor, Glamis, all, As the weird women promised, and, I fear, Thou play'dst most foully for't: yet it was said It should not stand in thy posterity, But that myself should be the root and father Of many kings. If there come truth from them-- As upon thee, Macbeth, their speeches shine-- Why, by the verities on thee made good, May they not be my oracles as well, And set me up in hope? But hush! no more. Sennet sounded. Enter MACBETH, as king, LADY MACBETH, as queen, LENNOX, ROSS, Lords, Ladies, and Attendants MACBETH Here's our chief guest. LADY MACBETH If he had been forgotten, It had been as a gap in our great feast, And all-thing unbecoming. MACBETH To-night we hold a solemn supper sir, And I'll request your presence. BANQUO Let your highness Command upon me; to the which my duties Are with a most indissoluble tie For ever knit. MACBETH Ride you this afternoon? BANQUO Ay, my good lord. MACBETH We should have else desired your good advice, Which still hath been both grave and prosperous, In this day's council; but we'll take to-morrow. Is't far you ride? BANQUO As far, my lord, as will fill up the time 'Twixt this and supper: go not my horse the better, I must become a borrower of the night For a dark hour or twain. MACBETH Fail not our feast. BANQUO My lord, I will not. MACBETH We hear, our bloody cousins are bestow'd In England and in Ireland, not confessing Their cruel parricide, filling their hearers With strange invention: but of that to-morrow, When therewithal we shall have cause of state Craving us jointly. Hie you to horse: adieu, Till you return at night. Goes Fleance with you? BANQUO Ay, my good lord: our time does call upon 's. MACBETH I wish your horses swift and sure of foot; And so I do commend you to their backs. Farewell. Exit BANQUO Let every man be master of his time Till seven at night: to make society The sweeter welcome, we will keep ourself Till supper-time alone: while then, God be with you! Exeunt all but MACBETH, and an attendant Sirrah, a word with you: attend those men Our pleasure? ATTENDANT They are, my lord, without the palace gate. MACBETH Bring them before us. Exit Attendant To be thus is nothing; But to be safely thus.--Our fears in Banquo Stick deep; and in his royalty of nature Reigns that which would be fear'd: 'tis much he dares; And, to that dauntless temper of his mind, He hath a wisdom that doth guide his valour To act in safety. There is none but he Whose being I do fear: and, under him, My Genius is rebuked; as, it is said, Mark Antony's was by Caesar. He chid the sisters When first they put the name of king upon me, And bade them speak to him: then prophet-like They hail'd him father to a line of kings: Upon my head they placed a fruitless crown, And put a barren sceptre in my gripe, Thence to be wrench'd with an unlineal hand, No son of mine succeeding. If 't be so, For Banquo's issue have I filed my mind; For them the gracious Duncan have I murder'd; Put rancours in the vessel of my peace Only for them; and mine eternal jewel Given to the common enemy of man, To make them kings, the seed of Banquo kings! Rather than so, come fate into the list. And champion me to the utterance! Who's there! Re-enter Attendant, with two Murderers Now go to the door, and stay there till we call. Exit Attendant Was it not yesterday we spoke together? First Murderer It was, so please your highness. MACBETH Well then, now Have you consider'd of my speeches? Know That it was he in the times past which held you So under fortune, which you thought had been Our innocent self: this I made good to you In our last conference, pass'd in probation with you, How you were borne in hand, how cross'd, the instruments, Who wrought with them, and all things else that might To half a soul and to a notion crazed Say 'Thus did Banquo.' First Murderer You made it known to us. MACBETH I did so, and went further, which is now Our point of second meeting. Do you find Your patience so predominant in your nature That you can let this go? Are you so gospell'd To pray for this good man and for his issue, Whose heavy hand hath bow'd you to the grave And beggar'd yours for ever? First Murderer We are men, my liege. MACBETH Ay, in the catalogue ye go for men; As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs and demi-wolves, are clept All by the name of dogs: the valued file Distinguishes the swift, the slow, the subtle, The housekeeper, the hunter, every one According to the gift which bounteous nature Hath in him closed; whereby he does receive Particular addition. from the bill That writes them all alike: and so of men. Now, if you have a station in the file, Not i' the worst rank of manhood, say 't; And I will put that business in your bosoms, Whose execution takes your enemy off, Grapples you to the heart and love of us, Who wear our health but sickly in his life, Which in his death were perfect. Second Murderer I am one, my liege, Whom the vile blows and buffets of the world Have so incensed that I am reckless what I do to spite the world. First Murderer And I another So weary with disasters, tugg'd with fortune, That I would set my lie on any chance, To mend it, or be rid on't. MACBETH Both of you Know Banquo was your enemy. Both Murderers True, my lord. MACBETH So is he mine; and in such bloody distance, That every minute of his being thrusts Against my near'st of life: and though I could With barefaced power sweep him from my sight And bid my will avouch it, yet I must not, For certain friends that are both his and mine, Whose loves I may not drop, but wail his fall Who I myself struck down; and thence it is, That I to your assistance do make love, Masking the business from the common eye For sundry weighty reasons. Second Murderer We shall, my lord, Perform what you command us. First Murderer Though our lives-- MACBETH Your spirits shine through you. Within this hour at most I will advise you where to plant yourselves; Acquaint you with the perfect spy o' the time, The moment on't; for't must be done to-night, And something from the palace; always thought That I require a clearness: and with him-- To leave no rubs nor botches in the work-- Fleance his son, that keeps him company, Whose absence is no less material to me Than is his father's, must embrace the fate Of that dark hour. Resolve yourselves apart: I'll come to you anon. Both Murderers We are resolved, my lord. MACBETH I'll call upon you straight: abide within. Exeunt Murderers It is concluded. Banquo, thy soul's flight, If it find heaven, must find it out to-night. Exit SCENE II. The palace. Enter LADY MACBETH and a Servant LADY MACBETH Is Banquo gone from court? Servant Ay, madam, but returns again to-night. LADY MACBETH Say to the king, I would attend his leisure For a few words. Servant Madam, I will. Exit LADY MACBETH Nought's had, all's spent, Where our desire is got without content: 'Tis safer to be that which we destroy Than by destruction dwell in doubtful joy. Enter MACBETH How now, my lord! why do you keep alone, Of sorriest fancies your companions making, Using those thoughts which should indeed have died With them they think on? Things without all remedy Should be without regard: what's done is done. MACBETH We have scotch'd the snake, not kill'd it: She'll close and be herself, whilst our poor malice Remains in danger of her former tooth. But let the frame of things disjoint, both the worlds suffer, Ere we will eat our meal in fear and sleep In the affliction of these terrible dreams That shake us nightly: better be with the dead, Whom we, to gain our peace, have sent to peace, Than on the torture of the mind to lie In restless ecstasy. Duncan is in his grave; After life's fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing, Can touch him further. LADY MACBETH Come on; Gentle my lord, sleek o'er your rugged looks; Be bright and jovial among your guests to-night. MACBETH So shall I, love; and so, I pray, be you: Let your remembrance apply to Banquo; Present him eminence, both with eye and tongue: Unsafe the while, that we Must lave our honours in these flattering streams, And make our faces vizards to our hearts, Disguising what they are. LADY MACBETH You must leave this. MACBETH O, full of scorpions is my mind, dear wife! Thou know'st that Banquo, and his Fleance, lives. LADY MACBETH But in them nature's copy's not eterne. MACBETH There's comfort yet; they are assailable; Then be thou jocund: ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note. LADY MACBETH What's to be done? MACBETH Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; While night's black agents to their preys do rouse. Thou marvell'st at my words: but hold thee still; Things bad begun make strong themselves by ill. So, prithee, go with me. Exeunt SCENE III. A park near the palace. Enter three Murderers First Murderer But who did bid thee join with us? Third Murderer Macbeth. Second Murderer He needs not our mistrust, since he delivers Our offices and what we have to do To the direction just. First Murderer Then stand with us. The west yet glimmers with some streaks of day: Now spurs the lated traveller apace To gain the timely inn; and near approaches The subject of our watch. Third Murderer Hark! I hear horses. BANQUO Within Give us a light there, ho! Second Murderer Then 'tis he: the rest That are within the note of expectation Already are i' the court. First Murderer His horses go about. Third Murderer Almost a mile: but he does usually, So all men do, from hence to the palace gate Make it their walk. Second Murderer A light, a light! Enter BANQUO, and FLEANCE with a torch Third Murderer 'Tis he. First Murderer Stand to't. BANQUO It will be rain to-night. First Murderer Let it come down. They set upon BANQUO BANQUO O, treachery! Fly, good Fleance, fly, fly, fly! Thou mayst revenge. O slave! Dies. FLEANCE escapes Third Murderer Who did strike out the light? First Murderer Wast not the way? Third Murderer There's but one down; the son is fled. Second Murderer We have lost Best half of our affair. First Murderer Well, let's away, and say how much is done. Exeunt SCENE IV. The same. Hall in the palace. A banquet prepared. Enter MACBETH, LADY MACBETH, ROSS, LENNOX, Lords, and Attendants MACBETH You know your own degrees; sit down: at first And last the hearty welcome. Lords Thanks to your majesty. MACBETH Ourself will mingle with society, And play the humble host. Our hostess keeps her state, but in best time We will require her welcome. LADY MACBETH Pronounce it for me, sir, to all our friends; For my heart speaks they are welcome. First Murderer appears at the door MACBETH See, they encounter thee with their hearts' thanks. Both sides are even: here I'll sit i' the midst: Be large in mirth; anon we'll drink a measure The table round. Approaching the door There's blood on thy face. First Murderer 'Tis Banquo's then. MACBETH 'Tis better thee without than he within. Is he dispatch'd? First Murderer My lord, his throat is cut; that I did for him. MACBETH Thou art the best o' the cut-throats: yet he's good That did the like for Fleance: if thou didst it, Thou art the nonpareil. First Murderer Most royal sir, Fleance is 'scaped. MACBETH Then comes my fit again: I had else been perfect, Whole as the marble, founded as the rock, As broad and general as the casing air: But now I am cabin'd, cribb'd, confined, bound in To saucy doubts and fears. But Banquo's safe? First Murderer Ay, my good lord: safe in a ditch he bides, With twenty trenched gashes on his head; The least a death to nature. MACBETH Thanks for that: There the grown serpent lies; the worm that's fled Hath nature that in time will venom breed, No teeth for the present. Get thee gone: to-morrow We'll hear, ourselves, again. Exit Murderer LADY MACBETH My royal lord, You do not give the cheer: the feast is sold That is not often vouch'd, while 'tis a-making, 'Tis given with welcome: to feed were best at home; From thence the sauce to meat is ceremony; Meeting were bare without it. MACBETH Sweet remembrancer! Now, good digestion wait on appetite, And health on both! LENNOX May't please your highness sit. The GHOST OF BANQUO enters, and sits in MACBETH's place MACBETH Here had we now our country's honour roof'd, Were the graced person of our Banquo present; Who may I rather challenge for unkindness Than pity for mischance! ROSS His absence, sir, Lays blame upon his promise. Please't your highness To grace us with your royal company. MACBETH The table's full. LENNOX Here is a place reserved, sir. MACBETH Where? LENNOX Here, my good lord. What is't that moves your highness? MACBETH Which of you have done this? Lords What, my good lord? MACBETH Thou canst not say I did it: never shake Thy gory locks at me. ROSS Gentlemen, rise: his highness is not well. LADY MACBETH Sit, worthy friends: my lord is often thus, And hath been from his youth: pray you, keep seat; The fit is momentary; upon a thought He will again be well: if much you note him, You shall offend him and extend his passion: Feed, and regard him not. Are you a man? MACBETH Ay, and a bold one, that dare look on that Which might appal the devil. LADY MACBETH O proper stuff! This is the very painting of your fear: This is the air-drawn dagger which, you said, Led you to Duncan. O, these flaws and starts, Impostors to true fear, would well become A woman's story at a winter's fire, Authorized by her grandam. Shame itself! Why do you make such faces? When all's done, You look but on a stool. MACBETH Prithee, see there! behold! look! lo! how say you? Why, what care I? If thou canst nod, speak too. If charnel-houses and our graves must send Those that we bury back, our monuments Shall be the maws of kites. GHOST OF BANQUO vanishes LADY MACBETH What, quite unmann'd in folly? MACBETH If I stand here, I saw him. LADY MACBETH Fie, for shame! MACBETH Blood hath been shed ere now, i' the olden time, Ere human statute purged the gentle weal; Ay, and since too, murders have been perform'd Too terrible for the ear: the times have been, That, when the brains were out, the man would die, And there an end; but now they rise again, With twenty mortal murders on their crowns, And push us from our stools: this is more strange Than such a murder is. LADY MACBETH My worthy lord, Your noble friends do lack you. MACBETH I do forget. Do not muse at me, my most worthy friends, I have a strange infirmity, which is nothing To those that know me. Come, love and health to all; Then I'll sit down. Give me some wine; fill full. I drink to the general joy o' the whole table, And to our dear friend Banquo, whom we miss; Would he were here! to all, and him, we thirst, And all to all. Lords Our duties, and the pledge. Re-enter GHOST OF BANQUO MACBETH Avaunt! and quit my sight! let the earth hide thee! Thy bones are marrowless, thy blood is cold; Thou hast no speculation in those eyes Which thou dost glare with! LADY MACBETH Think of this, good peers, But as a thing of custom: 'tis no other; Only it spoils the pleasure of the time. MACBETH What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble: or be alive again, And dare me to the desert with thy sword; If trembling I inhabit then, protest me The baby of a girl. Hence, horrible shadow! Unreal mockery, hence! GHOST OF BANQUO vanishes Why, so: being gone, I am a man again. Pray you, sit still. LADY MACBETH You have displaced the mirth, broke the good meeting, With most admired disorder. MACBETH Can such things be, And overcome us like a summer's cloud, Without our special wonder? You make me strange Even to the disposition that I owe, When now I think you can behold such sights, And keep the natural ruby of your cheeks, When mine is blanched with fear. ROSS What sights, my lord? LADY MACBETH I pray you, speak not; he grows worse and worse; Question enrages him. At once, good night: Stand not upon the order of your going, But go at once. LENNOX Good night; and better health Attend his majesty! LADY MACBETH A kind good night to all! Exeunt all but MACBETH and LADY MACBETH MACBETH It will have blood; they say, blood will have blood: Stones have been known to move and trees to speak; Augurs and understood relations have By magot-pies and choughs and rooks brought forth The secret'st man of blood. What is the night? LADY MACBETH Almost at odds with morning, which is which. MACBETH How say'st thou, that Macduff denies his person At our great bidding? LADY MACBETH Did you send to him, sir? MACBETH I hear it by the way; but I will send: There's not a one of them but in his house I keep a servant fee'd. I will to-morrow, And betimes I will, to the weird sisters: More shall they speak; for now I am bent to know, By the worst means, the worst. For mine own good, All causes shall give way: I am in blood Stepp'd in so far that, should I wade no more, Returning were as tedious as go o'er: Strange things I have in head, that will to hand; Which must be acted ere they may be scann'd. LADY MACBETH You lack the season of all natures, sleep. MACBETH Come, we'll to sleep. My strange and self-abuse Is the initiate fear that wants hard use: We are yet but young in deed. Exeunt SCENE V. A Heath. Thunder. Enter the three Witches meeting HECATE First Witch Why, how now, Hecate! you look angerly. HECATE Have I not reason, beldams as you are, Saucy and overbold? How did you dare To trade and traffic with Macbeth In riddles and affairs of death; And I, the mistress of your charms, The close contriver of all harms, Was never call'd to bear my part, Or show the glory of our art? And, which is worse, all you have done Hath been but for a wayward son, Spiteful and wrathful, who, as others do, Loves for his own ends, not for you. But make amends now: get you gone, And at the pit of Acheron Meet me i' the morning: thither he Will come to know his destiny: Your vessels and your spells provide, Your charms and every thing beside. I am for the air; this night I'll spend Unto a dismal and a fatal end: Great business must be wrought ere noon: Upon the corner of the moon There hangs a vaporous drop profound; I'll catch it ere it come to ground: And that distill'd by magic sleights Shall raise such artificial sprites As by the strength of their illusion Shall draw him on to his confusion: He shall spurn fate, scorn death, and bear He hopes 'bove wisdom, grace and fear: And you all know, security Is mortals' chiefest enemy. Music and a song within: 'Come away, come away,' &c Hark! I am call'd; my little spirit, see, Sits in a foggy cloud, and stays for me. Exit First Witch Come, let's make haste; she'll soon be back again. Exeunt SCENE VI. Forres. The palace. Enter LENNOX and another Lord LENNOX My former speeches have but hit your thoughts, Which can interpret further: only, I say, Things have been strangely borne. The gracious Duncan Was pitied of Macbeth: marry, he was dead: And the right-valiant Banquo walk'd too late; Whom, you may say, if't please you, Fleance kill'd, For Fleance fled: men must not walk too late. Who cannot want the thought how monstrous It was for Malcolm and for Donalbain To kill their gracious father? damned fact! How it did grieve Macbeth! did he not straight In pious rage the two delinquents tear, That were the slaves of drink and thralls of sleep? Was not that nobly done? Ay, and wisely too; For 'twould have anger'd any heart alive To hear the men deny't. So that, I say, He has borne all things well: and I do think That had he Duncan's sons under his key-- As, an't please heaven, he shall not--they should find What 'twere to kill a father; so should Fleance. But, peace! for from broad words and 'cause he fail'd His presence at the tyrant's feast, I hear Macduff lives in disgrace: sir, can you tell Where he bestows himself? Lord The son of Duncan, From whom this tyrant holds the due of birth Lives in the English court, and is received Of the most pious Edward with such grace That the malevolence of fortune nothing Takes from his high respect: thither Macduff Is gone to pray the holy king, upon his aid To wake Northumberland and warlike Siward: That, by the help of these--with Him above To ratify the work--we may again Give to our tables meat, sleep to our nights, Free from our feasts and banquets bloody knives, Do faithful homage and receive free honours: All which we pine for now: and this report Hath so exasperate the king that he Prepares for some attempt of war. LENNOX Sent he to Macduff? Lord He did: and with an absolute 'Sir, not I,' The cloudy messenger turns me his back, And hums, as who should say 'You'll rue the time That clogs me with this answer.' LENNOX And that well might Advise him to a caution, to hold what distance His wisdom can provide. Some holy angel Fly to the court of England and unfold His message ere he come, that a swift blessing May soon return to this our suffering country Under a hand accursed! Lord I'll send my prayers with him. Exeunt ACT IV SCENE I. A cavern. In the middle, a boiling cauldron. Thunder. Enter the three Witches First Witch Thrice the brinded cat hath mew'd. Second Witch Thrice and once the hedge-pig whined. Third Witch Harpier cries 'Tis time, 'tis time. First Witch Round about the cauldron go; In the poison'd entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter'd venom sleeping got, Boil thou first i' the charmed pot. ALL Double, double toil and trouble; Fire burn, and cauldron bubble. Second Witch Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder's fork and blind-worm's sting, Lizard's leg and owlet's wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. ALL Double, double toil and trouble; Fire burn and cauldron bubble. Third Witch Scale of dragon, tooth of wolf, Witches' mummy, maw and gulf Of the ravin'd salt-sea shark, Root of hemlock digg'd i' the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver'd in the moon's eclipse, Nose of Turk and Tartar's lips, Finger of birth-strangled babe Ditch-deliver'd by a drab, Make the gruel thick and slab: Add thereto a tiger's chaudron, For the ingredients of our cauldron. ALL Double, double toil and trouble; Fire burn and cauldron bubble. Second Witch Cool it with a baboon's blood, Then the charm is firm and good. Enter HECATE to the other three Witches HECATE O well done! I commend your pains; And every one shall share i' the gains; And now about the cauldron sing, Live elves and fairies in a ring, Enchanting all that you put in. Music and a song: 'Black spirits,' &c HECATE retires Second Witch By the pricking of my thumbs, Something wicked this way comes. Open, locks, Whoever knocks! Enter MACBETH MACBETH How now, you secret, black, and midnight hags! What is't you do? ALL A deed without a name. MACBETH I conjure you, by that which you profess, Howe'er you come to know it, answer me: Though you untie the winds and let them fight Against the churches; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodged and trees blown down; Though castles topple on their warders' heads; Though palaces and pyramids do slope Their heads to their foundations; though the treasure Of nature's germens tumble all together, Even till destruction sicken; answer me To what I ask you. First Witch Speak. Second Witch Demand. Third Witch We'll answer. First Witch Say, if thou'dst rather hear it from our mouths, Or from our masters? MACBETH Call 'em; let me see 'em. First Witch Pour in sow's blood, that hath eaten Her nine farrow; grease that's sweaten From the murderer's gibbet throw Into the flame. ALL Come, high or low; Thyself and office deftly show! Thunder. First Apparition: an armed Head MACBETH Tell me, thou unknown power,-- First Witch He knows thy thought: Hear his speech, but say thou nought. First Apparition Macbeth! Macbeth! Macbeth! beware Macduff; Beware the thane of Fife. Dismiss me. Enough. Descends MACBETH Whate'er thou art, for thy good caution, thanks; Thou hast harp'd my fear aright: but one word more,-- First Witch He will not be commanded: here's another, More potent than the first. Thunder. Second Apparition: A bloody Child Second Apparition Macbeth! Macbeth! Macbeth! MACBETH Had I three ears, I'ld hear thee. Second Apparition Be bloody, bold, and resolute; laugh to scorn The power of man, for none of woman born Shall harm Macbeth. Descends MACBETH Then live, Macduff: what need I fear of thee? But yet I'll make assurance double sure, And take a bond of fate: thou shalt not live; That I may tell pale-hearted fear it lies, And sleep in spite of thunder. Thunder. Third Apparition: a Child crowned, with a tree in his hand What is this That rises like the issue of a king, And wears upon his baby-brow the round And top of sovereignty? ALL Listen, but speak not to't. Third Apparition Be lion-mettled, proud; and take no care Who chafes, who frets, or where conspirers are: Macbeth shall never vanquish'd be until Great Birnam wood to high Dunsinane hill Shall come against him. Descends MACBETH That will never be Who can impress the forest, bid the tree Unfix his earth-bound root? Sweet bodements! good! Rebellion's head, rise never till the wood Of Birnam rise, and our high-placed Macbeth Shall live the lease of nature, pay his breath To time and mortal custom. Yet my heart Throbs to know one thing: tell me, if your art Can tell so much: shall Banquo's issue ever Reign in this kingdom? ALL Seek to know no more. MACBETH I will be satisfied: deny me this, And an eternal curse fall on you! Let me know. Why sinks that cauldron? and what noise is this? Hautboys First Witch Show! Second Witch Show! Third Witch Show! ALL Show his eyes, and grieve his heart; Come like shadows, so depart! A show of Eight Kings, the last with a glass in his hand; GHOST OF BANQUO following MACBETH Thou art too like the spirit of Banquo: down! Thy crown does sear mine eye-balls. And thy hair, Thou other gold-bound brow, is like the first. A third is like the former. Filthy hags! Why do you show me this? A fourth! Start, eyes! What, will the line stretch out to the crack of doom? Another yet! A seventh! I'll see no more: And yet the eighth appears, who bears a glass Which shows me many more; and some I see That two-fold balls and treble scepters carry: Horrible sight! Now, I see, 'tis true; For the blood-bolter'd Banquo smiles upon me, And points at them for his. Apparitions vanish What, is this so? First Witch Ay, sir, all this is so: but why Stands Macbeth thus amazedly? Come, sisters, cheer we up his sprites, And show the best of our delights: I'll charm the air to give a sound, While you perform your antic round: That this great king may kindly say, Our duties did his welcome pay. Music. The witches dance and then vanish, with HECATE MACBETH Where are they? Gone? Let this pernicious hour Stand aye accursed in the calendar! Come in, without there! Enter LENNOX LENNOX What's your grace's will? MACBETH Saw you the weird sisters? LENNOX No, my lord. MACBETH Came they not by you? LENNOX No, indeed, my lord. MACBETH Infected be the air whereon they ride; And damn'd all those that trust them! I did hear The galloping of horse: who was't came by? LENNOX 'Tis two or three, my lord, that bring you word Macduff is fled to England. MACBETH Fled to England! LENNOX Ay, my good lord. MACBETH Time, thou anticipatest my dread exploits: The flighty purpose never is o'ertook Unless the deed go with it; from this moment The very firstlings of my heart shall be The firstlings of my hand. And even now, To crown my thoughts with acts, be it thought and done: The castle of Macduff I will surprise; Seize upon Fife; give to the edge o' the sword His wife, his babes, and all unfortunate souls That trace him in his line. No boasting like a fool; This deed I'll do before this purpose cool. But no more sights!--Where are these gentlemen? Come, bring me where they are. Exeunt SCENE II. Fife. Macduff's castle. Enter LADY MACDUFF, her Son, and ROSS LADY MACDUFF What had he done, to make him fly the land? ROSS You must have patience, madam. LADY MACDUFF He had none: His flight was madness: when our actions do not, Our fears do make us traitors. ROSS You know not Whether it was his wisdom or his fear. LADY MACDUFF Wisdom! to leave his wife, to leave his babes, His mansion and his titles in a place From whence himself does fly? He loves us not; He wants the natural touch: for the poor wren, The most diminutive of birds, will fight, Her young ones in her nest, against the owl. All is the fear and nothing is the love; As little is the wisdom, where the flight So runs against all reason. ROSS My dearest coz, I pray you, school yourself: but for your husband, He is noble, wise, judicious, and best knows The fits o' the season. I dare not speak much further; But cruel are the times, when we are traitors And do not know ourselves, when we hold rumour From what we fear, yet know not what we fear, But float upon a wild and violent sea Each way and move. I take my leave of you: Shall not be long but I'll be here again: Things at the worst will cease, or else climb upward To what they were before. My pretty cousin, Blessing upon you! LADY MACDUFF Father'd he is, and yet he's fatherless. ROSS I am so much a fool, should I stay longer, It would be my disgrace and your discomfort: I take my leave at once. Exit LADY MACDUFF Sirrah, your father's dead; And what will you do now? How will you live? Son As birds do, mother. LADY MACDUFF What, with worms and flies? Son With what I get, I mean; and so do they. LADY MACDUFF Poor bird! thou'ldst never fear the net nor lime, The pitfall nor the gin. Son Why should I, mother? Poor birds they are not set for. My father is not dead, for all your saying. LADY MACDUFF Yes, he is dead; how wilt thou do for a father? Son Nay, how will you do for a husband? LADY MACDUFF Why, I can buy me twenty at any market. Son Then you'll buy 'em to sell again. LADY MACDUFF Thou speak'st with all thy wit: and yet, i' faith, With wit enough for thee. Son Was my father a traitor, mother? LADY MACDUFF Ay, that he was. Son What is a traitor? LADY MACDUFF Why, one that swears and lies. Son And be all traitors that do so? LADY MACDUFF Every one that does so is a traitor, and must be hanged. Son And must they all be hanged that swear and lie? LADY MACDUFF Every one. Son Who must hang them? LADY MACDUFF Why, the honest men. Son Then the liars and swearers are fools, for there are liars and swearers enow to beat the honest men and hang up them. LADY MACDUFF Now, God help thee, poor monkey! But how wilt thou do for a father? Son If he were dead, you'ld weep for him: if you would not, it were a good sign that I should quickly have a new father. LADY MACDUFF Poor prattler, how thou talk'st! Enter a Messenger Messenger Bless you, fair dame! I am not to you known, Though in your state of honour I am perfect. I doubt some danger does approach you nearly: If you will take a homely man's advice, Be not found here; hence, with your little ones. To fright you thus, methinks, I am too savage; To do worse to you were fell cruelty, Which is too nigh your person. Heaven preserve you! I dare abide no longer. Exit LADY MACDUFF Whither should I fly? I have done no harm. But I remember now I am in this earthly world; where to do harm Is often laudable, to do good sometime Accounted dangerous folly: why then, alas, Do I put up that womanly defence, To say I have done no harm? Enter Murderers What are these faces? First Murderer Where is your husband? LADY MACDUFF I hope, in no place so unsanctified Where such as thou mayst find him. First Murderer He's a traitor. Son Thou liest, thou shag-hair'd villain! First Murderer What, you egg! Stabbing him Young fry of treachery! Son He has kill'd me, mother: Run away, I pray you! Dies Exit LADY MACDUFF, crying 'Murder!' Exeunt Murderers, following her SCENE III. England. Before the King's palace. Enter MALCOLM and MACDUFF MALCOLM Let us seek out some desolate shade, and there Weep our sad bosoms empty. MACDUFF Let us rather Hold fast the mortal sword, and like good men Bestride our down-fall'n birthdom: each new morn New widows howl, new orphans cry, new sorrows Strike heaven on the face, that it resounds As if it felt with Scotland and yell'd out Like syllable of dolour. MALCOLM What I believe I'll wail, What know believe, and what I can redress, As I shall find the time to friend, I will. What you have spoke, it may be so perchance. This tyrant, whose sole name blisters our tongues, Was once thought honest: you have loved him well. He hath not touch'd you yet. I am young; but something You may deserve of him through me, and wisdom To offer up a weak poor innocent lamb To appease an angry god. MACDUFF I am not treacherous. MALCOLM But Macbeth is. A good and virtuous nature may recoil In an imperial charge. But I shall crave your pardon; That which you are my thoughts cannot transpose: Angels are bright still, though the brightest fell; Though all things foul would wear the brows of grace, Yet grace must still look so. MACDUFF I have lost my hopes. MALCOLM Perchance even there where I did find my doubts. Why in that rawness left you wife and child, Those precious motives, those strong knots of love, Without leave-taking? I pray you, Let not my jealousies be your dishonours, But mine own safeties. You may be rightly just, Whatever I shall think. MACDUFF Bleed, bleed, poor country! Great tyranny! lay thou thy basis sure, For goodness dare not cheque thee: wear thou thy wrongs; The title is affeer'd! Fare thee well, lord: I would not be the villain that thou think'st For the whole space that's in the tyrant's grasp, And the rich East to boot. MALCOLM Be not offended: I speak not as in absolute fear of you. I think our country sinks beneath the yoke; It weeps, it bleeds; and each new day a gash Is added to her wounds: I think withal There would be hands uplifted in my right; And here from gracious England have I offer Of goodly thousands: but, for all this, When I shall tread upon the tyrant's head, Or wear it on my sword, yet my poor country Shall have more vices than it had before, More suffer and more sundry ways than ever, By him that shall succeed. MACDUFF What should he be? MALCOLM It is myself I mean: in whom I know All the particulars of vice so grafted That, when they shall be open'd, black Macbeth Will seem as pure as snow, and the poor state Esteem him as a lamb, being compared With my confineless harms. MACDUFF Not in the legions Of horrid hell can come a devil more damn'd In evils to top Macbeth. MALCOLM I grant him bloody, Luxurious, avaricious, false, deceitful, Sudden, malicious, smacking of every sin That has a name: but there's no bottom, none, In my voluptuousness: your wives, your daughters, Your matrons and your maids, could not fill up The cistern of my lust, and my desire All continent impediments would o'erbear That did oppose my will: better Macbeth Than such an one to reign. MACDUFF Boundless intemperance In nature is a tyranny; it hath been The untimely emptying of the happy throne And fall of many kings. But fear not yet To take upon you what is yours: you may Convey your pleasures in a spacious plenty, And yet seem cold, the time you may so hoodwink. We have willing dames enough: there cannot be That vulture in you, to devour so many As will to greatness dedicate themselves, Finding it so inclined. MALCOLM With this there grows In my most ill-composed affection such A stanchless avarice that, were I king, I should cut off the nobles for their lands, Desire his jewels and this other's house: And my more-having would be as a sauce To make me hunger more; that I should forge Quarrels unjust against the good and loyal, Destroying them for wealth. MACDUFF This avarice Sticks deeper, grows with more pernicious root Than summer-seeming lust, and it hath been The sword of our slain kings: yet do not fear; Scotland hath foisons to fill up your will. Of your mere own: all these are portable, With other graces weigh'd. MALCOLM But I have none: the king-becoming graces, As justice, verity, temperance, stableness, Bounty, perseverance, mercy, lowliness, Devotion, patience, courage, fortitude, I have no relish of them, but abound In the division of each several crime, Acting it many ways. Nay, had I power, I should Pour the sweet milk of concord into hell, Uproar the universal peace, confound All unity on earth. MACDUFF O Scotland, Scotland! MALCOLM If such a one be fit to govern, speak: I am as I have spoken. MACDUFF Fit to govern! No, not to live. O nation miserable, With an untitled tyrant bloody-scepter'd, When shalt thou see thy wholesome days again, Since that the truest issue of thy throne By his own interdiction stands accursed, And does blaspheme his breed? Thy royal father Was a most sainted king: the queen that bore thee, Oftener upon her knees than on her feet, Died every day she lived. Fare thee well! These evils thou repeat'st upon thyself Have banish'd me from Scotland. O my breast, Thy hope ends here! MALCOLM Macduff, this noble passion, Child of integrity, hath from my soul Wiped the black scruples, reconciled my thoughts To thy good truth and honour. Devilish Macbeth By many of these trains hath sought to win me Into his power, and modest wisdom plucks me From over-credulous haste: but God above Deal between thee and me! for even now I put myself to thy direction, and Unspeak mine own detraction, here abjure The taints and blames I laid upon myself, For strangers to my nature. I am yet Unknown to woman, never was forsworn, Scarcely have coveted what was mine own, At no time broke my faith, would not betray The devil to his fellow and delight No less in truth than life: my first false speaking Was this upon myself: what I am truly, Is thine and my poor country's to command: Whither indeed, before thy here-approach, Old Siward, with ten thousand warlike men, Already at a point, was setting forth. Now we'll together; and the chance of goodness Be like our warranted quarrel! Why are you silent? MACDUFF Such welcome and unwelcome things at once 'Tis hard to reconcile. Enter a Doctor MALCOLM Well; more anon.--Comes the king forth, I pray you? Doctor Ay, sir; there are a crew of wretched souls That stay his cure: their malady convinces The great assay of art; but at his touch-- Such sanctity hath heaven given his hand-- They presently amend. MALCOLM I thank you, doctor. Exit Doctor MACDUFF What's the disease he means? MALCOLM 'Tis call'd the evil: A most miraculous work in this good king; Which often, since my here-remain in England, I have seen him do. How he solicits heaven, Himself best knows: but strangely-visited people, All swoln and ulcerous, pitiful to the eye, The mere despair of surgery, he cures, Hanging a golden stamp about their necks, Put on with holy prayers: and 'tis spoken, To the succeeding royalty he leaves The healing benediction. With this strange virtue, He hath a heavenly gift of prophecy, And sundry blessings hang about his throne, That speak him full of grace. Enter ROSS MACDUFF See, who comes here? MALCOLM My countryman; but yet I know him not. MACDUFF My ever-gentle cousin, welcome hither. MALCOLM I know him now. Good God, betimes remove The means that makes us strangers! ROSS Sir, amen. MACDUFF Stands Scotland where it did? ROSS Alas, poor country! Almost afraid to know itself. It cannot Be call'd our mother, but our grave; where nothing, But who knows nothing, is once seen to smile; Where sighs and groans and shrieks that rend the air Are made, not mark'd; where violent sorrow seems A modern ecstasy; the dead man's knell Is there scarce ask'd for who; and good men's lives Expire before the flowers in their caps, Dying or ere they sicken. MACDUFF O, relation Too nice, and yet too true! MALCOLM What's the newest grief? ROSS That of an hour's age doth hiss the speaker: Each minute teems a new one. MACDUFF How does my wife? ROSS Why, well. MACDUFF And all my children? ROSS Well too. MACDUFF The tyrant has not batter'd at their peace? ROSS No; they were well at peace when I did leave 'em. MACDUFF But not a niggard of your speech: how goes't? ROSS When I came hither to transport the tidings, Which I have heavily borne, there ran a rumour Of many worthy fellows that were out; Which was to my belief witness'd the rather, For that I saw the tyrant's power a-foot: Now is the time of help; your eye in Scotland Would create soldiers, make our women fight, To doff their dire distresses. MALCOLM Be't their comfort We are coming thither: gracious England hath Lent us good Siward and ten thousand men; An older and a better soldier none That Christendom gives out. ROSS Would I could answer This comfort with the like! But I have words That would be howl'd out in the desert air, Where hearing should not latch them. MACDUFF What concern they? The general cause? or is it a fee-grief Due to some single breast? ROSS No mind that's honest But in it shares some woe; though the main part Pertains to you alone. MACDUFF If it be mine, Keep it not from me, quickly let me have it. ROSS Let not your ears despise my tongue for ever, Which shall possess them with the heaviest sound That ever yet they heard. MACDUFF Hum! I guess at it. ROSS Your castle is surprised; your wife and babes Savagely slaughter'd: to relate the manner, Were, on the quarry of these murder'd deer, To add the death of you. MALCOLM Merciful heaven! What, man! ne'er pull your hat upon your brows; Give sorrow words: the grief that does not speak Whispers the o'er-fraught heart and bids it break. MACDUFF My children too? ROSS Wife, children, servants, all That could be found. MACDUFF And I must be from thence! My wife kill'd too? ROSS I have said. MALCOLM Be comforted: Let's make us medicines of our great revenge, To cure this deadly grief. MACDUFF He has no children. All my pretty ones? Did you say all? O hell-kite! All? What, all my pretty chickens and their dam At one fell swoop? MALCOLM Dispute it like a man. MACDUFF I shall do so; But I must also feel it as a man: I cannot but remember such things were, That were most precious to me. Did heaven look on, And would not take their part? Sinful Macduff, They were all struck for thee! naught that I am, Not for their own demerits, but for mine, Fell slaughter on their souls. Heaven rest them now! MALCOLM Be this the whetstone of your sword: let grief Convert to anger; blunt not the heart, enrage it. MACDUFF O, I could play the woman with mine eyes And braggart with my tongue! But, gentle heavens, Cut short all intermission; front to front Bring thou this fiend of Scotland and myself; Within my sword's length set him; if he 'scape, Heaven forgive him too! MALCOLM This tune goes manly. Come, go we to the king; our power is ready; Our lack is nothing but our leave; Macbeth Is ripe for shaking, and the powers above Put on their instruments. Receive what cheer you may: The night is long that never finds the day. Exeunt ACT V SCENE I. Dunsinane. Ante-room in the castle. Enter a Doctor of Physic and a Waiting-Gentlewoman Doctor I have two nights watched with you, but can perceive no truth in your report. When was it she last walked? Gentlewoman Since his majesty went into the field, I have seen her rise from her bed, throw her night-gown upon her, unlock her closet, take forth paper, fold it, write upon't, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep. Doctor A great perturbation in nature, to receive at once the benefit of sleep, and do the effects of watching! In this slumbery agitation, besides her walking and other actual performances, what, at any time, have you heard her say? Gentlewoman That, sir, which I will not report after her. Doctor You may to me: and 'tis most meet you should. Gentlewoman Neither to you nor any one; having no witness to confirm my speech. Enter LADY MACBETH, with a taper Lo you, here she comes! This is her very guise; and, upon my life, fast asleep. Observe her; stand close. Doctor How came she by that light? Gentlewoman Why, it stood by her: she has light by her continually; 'tis her command. Doctor You see, her eyes are open. Gentlewoman Ay, but their sense is shut. Doctor What is it she does now? Look, how she rubs her hands. Gentlewoman It is an accustomed action with her, to seem thus washing her hands: I have known her continue in this a quarter of an hour. LADY MACBETH Yet here's a spot. Doctor Hark! she speaks: I will set down what comes from her, to satisfy my remembrance the more strongly. LADY MACBETH Out, damned spot! out, I say!--One: two: why, then, 'tis time to do't.--Hell is murky!--Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account?--Yet who would have thought the old man to have had so much blood in him. Doctor Do you mark that? LADY MACBETH The thane of Fife had a wife: where is she now?-- What, will these hands ne'er be clean?--No more o' that, my lord, no more o' that: you mar all with this starting. Doctor Go to, go to; you have known what you should not. Gentlewoman She has spoke what she should not, I am sure of that: heaven knows what she has known. LADY MACBETH Here's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh! Doctor What a sigh is there! The heart is sorely charged. Gentlewoman I would not have such a heart in my bosom for the dignity of the whole body. Doctor Well, well, well,-- Gentlewoman Pray God it be, sir. Doctor This disease is beyond my practise: yet I have known those which have walked in their sleep who have died holily in their beds. LADY MACBETH Wash your hands, put on your nightgown; look not so pale.--I tell you yet again, Banquo's buried; he cannot come out on's grave. Doctor Even so? LADY MACBETH To bed, to bed! there's knocking at the gate: come, come, come, come, give me your hand. What's done cannot be undone.--To bed, to bed, to bed! Exit Doctor Will she go now to bed? Gentlewoman Directly. Doctor Foul whisperings are abroad: unnatural deeds Do breed unnatural troubles: infected minds To their deaf pillows will discharge their secrets: More needs she the divine than the physician. God, God forgive us all! Look after her; Remove from her the means of all annoyance, And still keep eyes upon her. So, good night: My mind she has mated, and amazed my sight. I think, but dare not speak. Gentlewoman Good night, good doctor. Exeunt SCENE II. The country near Dunsinane. Drum and colours. Enter MENTEITH, CAITHNESS, ANGUS, LENNOX, and Soldiers MENTEITH The English power is near, led on by Malcolm, His uncle Siward and the good Macduff: Revenges burn in them; for their dear causes Would to the bleeding and the grim alarm Excite the mortified man. ANGUS Near Birnam wood Shall we well meet them; that way are they coming. CAITHNESS Who knows if Donalbain be with his brother? LENNOX For certain, sir, he is not: I have a file Of all the gentry: there is Siward's son, And many unrough youths that even now Protest their first of manhood. MENTEITH What does the tyrant? CAITHNESS Great Dunsinane he strongly fortifies: Some say he's mad; others that lesser hate him Do call it valiant fury: but, for certain, He cannot buckle his distemper'd cause Within the belt of rule. ANGUS Now does he feel His secret murders sticking on his hands; Now minutely revolts upbraid his faith-breach; Those he commands move only in command, Nothing in love: now does he feel his title Hang loose about him, like a giant's robe Upon a dwarfish thief. MENTEITH Who then shall blame His pester'd senses to recoil and start, When all that is within him does condemn Itself for being there? CAITHNESS Well, march we on, To give obedience where 'tis truly owed: Meet we the medicine of the sickly weal, And with him pour we in our country's purge Each drop of us. LENNOX Or so much as it needs, To dew the sovereign flower and drown the weeds. Make we our march towards Birnam. Exeunt, marching SCENE III. Dunsinane. A room in the castle. Enter MACBETH, Doctor, and Attendants MACBETH Bring me no more reports; let them fly all: Till Birnam wood remove to Dunsinane, I cannot taint with fear. What's the boy Malcolm? Was he not born of woman? The spirits that know All mortal consequences have pronounced me thus: 'Fear not, Macbeth; no man that's born of woman Shall e'er have power upon thee.' Then fly, false thanes, And mingle with the English epicures: The mind I sway by and the heart I bear Shall never sag with doubt nor shake with fear. Enter a Servant The devil damn thee black, thou cream-faced loon! Where got'st thou that goose look? Servant There is ten thousand-- MACBETH Geese, villain! Servant Soldiers, sir. MACBETH Go prick thy face, and over-red thy fear, Thou lily-liver'd boy. What soldiers, patch? Death of thy soul! those linen cheeks of thine Are counsellors to fear. What soldiers, whey-face? Servant The English force, so please you. MACBETH Take thy face hence. Exit Servant Seyton!--I am sick at heart, When I behold--Seyton, I say!--This push Will cheer me ever, or disseat me now. I have lived long enough: my way of life Is fall'n into the sear, the yellow leaf; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not. Seyton! Enter SEYTON SEYTON What is your gracious pleasure? MACBETH What news more? SEYTON All is confirm'd, my lord, which was reported. MACBETH I'll fight till from my bones my flesh be hack'd. Give me my armour. SEYTON 'Tis not needed yet. MACBETH I'll put it on. Send out more horses; skirr the country round; Hang those that talk of fear. Give me mine armour. How does your patient, doctor? Doctor Not so sick, my lord, As she is troubled with thick coming fancies, That keep her from her rest. MACBETH Cure her of that. Canst thou not minister to a mind diseased, Pluck from the memory a rooted sorrow, Raze out the written troubles of the brain And with some sweet oblivious antidote Cleanse the stuff'd bosom of that perilous stuff Which weighs upon the heart? Doctor Therein the patient Must minister to himself. MACBETH Throw physic to the dogs; I'll none of it. Come, put mine armour on; give me my staff. Seyton, send out. Doctor, the thanes fly from me. Come, sir, dispatch. If thou couldst, doctor, cast The water of my land, find her disease, And purge it to a sound and pristine health, I would applaud thee to the very echo, That should applaud again.--Pull't off, I say.-- What rhubarb, cyme, or what purgative drug, Would scour these English hence? Hear'st thou of them? Doctor Ay, my good lord; your royal preparation Makes us hear something. MACBETH Bring it after me. I will not be afraid of death and bane, Till Birnam forest come to Dunsinane. Doctor Aside Were I from Dunsinane away and clear, Profit again should hardly draw me here. Exeunt SCENE IV. Country near Birnam wood. Drum and colours. Enter MALCOLM, SIWARD and YOUNG SIWARD, MACDUFF, MENTEITH, CAITHNESS, ANGUS, LENNOX, ROSS, and Soldiers, marching MALCOLM Cousins, I hope the days are near at hand That chambers will be safe. MENTEITH We doubt it nothing. SIWARD What wood is this before us? MENTEITH The wood of Birnam. MALCOLM Let every soldier hew him down a bough And bear't before him: thereby shall we shadow The numbers of our host and make discovery Err in report of us. Soldiers It shall be done. SIWARD We learn no other but the confident tyrant Keeps still in Dunsinane, and will endure Our setting down before 't. MALCOLM 'Tis his main hope: For where there is advantage to be given, Both more and less have given him the revolt, And none serve with him but constrained things Whose hearts are absent too. MACDUFF Let our just censures Attend the true event, and put we on Industrious soldiership. SIWARD The time approaches That will with due decision make us know What we shall say we have and what we owe. Thoughts speculative their unsure hopes relate, But certain issue strokes must arbitrate: Towards which advance the war. Exeunt, marching SCENE V. Dunsinane. Within the castle. Enter MACBETH, SEYTON, and Soldiers, with drum and colours MACBETH Hang out our banners on the outward walls; The cry is still 'They come:' our castle's strength Will laugh a siege to scorn: here let them lie Till famine and the ague eat them up: Were they not forced with those that should be ours, We might have met them dareful, beard to beard, And beat them backward home. A cry of women within What is that noise? SEYTON It is the cry of women, my good lord. Exit MACBETH I have almost forgot the taste of fears; The time has been, my senses would have cool'd To hear a night-shriek; and my fell of hair Would at a dismal treatise rouse and stir As life were in't: I have supp'd full with horrors; Direness, familiar to my slaughterous thoughts Cannot once start me. Re-enter SEYTON Wherefore was that cry? SEYTON The queen, my lord, is dead. MACBETH She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing. Enter a Messenger Thou comest to use thy tongue; thy story quickly. Messenger Gracious my lord, I should report that which I say I saw, But know not how to do it. MACBETH Well, say, sir. Messenger As I did stand my watch upon the hill, I look'd toward Birnam, and anon, methought, The wood began to move. MACBETH Liar and slave! Messenger Let me endure your wrath, if't be not so: Within this three mile may you see it coming; I say, a moving grove. MACBETH If thou speak'st false, Upon the next tree shalt thou hang alive, Till famine cling thee: if thy speech be sooth, I care not if thou dost for me as much. I pull in resolution, and begin To doubt the equivocation of the fiend That lies like truth: 'Fear not, till Birnam wood Do come to Dunsinane:' and now a wood Comes toward Dunsinane. Arm, arm, and out! If this which he avouches does appear, There is nor flying hence nor tarrying here. I gin to be aweary of the sun, And wish the estate o' the world were now undone. Ring the alarum-bell! Blow, wind! come, wrack! At least we'll die with harness on our back. Exeunt SCENE VI. Dunsinane. Before the castle. Drum and colours. Enter MALCOLM, SIWARD, MACDUFF, and their Army, with boughs MALCOLM Now near enough: your leafy screens throw down. And show like those you are. You, worthy uncle, Shall, with my cousin, your right-noble son, Lead our first battle: worthy Macduff and we Shall take upon 's what else remains to do, According to our order. SIWARD Fare you well. Do we but find the tyrant's power to-night, Let us be beaten, if we cannot fight. MACDUFF Make all our trumpets speak; give them all breath, Those clamorous harbingers of blood and death. Exeunt SCENE VII. Another part of the field. Alarums. Enter MACBETH MACBETH They have tied me to a stake; I cannot fly, But, bear-like, I must fight the course. What's he That was not born of woman? Such a one Am I to fear, or none. Enter YOUNG SIWARD YOUNG SIWARD What is thy name? MACBETH Thou'lt be afraid to hear it. YOUNG SIWARD No; though thou call'st thyself a hotter name Than any is in hell. MACBETH My name's Macbeth. YOUNG SIWARD The devil himself could not pronounce a title More hateful to mine ear. MACBETH No, nor more fearful. YOUNG SIWARD Thou liest, abhorred tyrant; with my sword I'll prove the lie thou speak'st. They fight and YOUNG SIWARD is slain MACBETH Thou wast born of woman But swords I smile at, weapons laugh to scorn, Brandish'd by man that's of a woman born. Exit Alarums. Enter MACDUFF MACDUFF That way the noise is. Tyrant, show thy face! If thou be'st slain and with no stroke of mine, My wife and children's ghosts will haunt me still. I cannot strike at wretched kerns, whose arms Are hired to bear their staves: either thou, Macbeth, Or else my sword with an unbatter'd edge I sheathe again undeeded. There thou shouldst be; By this great clatter, one of greatest note Seems bruited. Let me find him, fortune! And more I beg not. Exit. Alarums Enter MALCOLM and SIWARD SIWARD This way, my lord; the castle's gently render'd: The tyrant's people on both sides do fight; The noble thanes do bravely in the war; The day almost itself professes yours, And little is to do. MALCOLM We have met with foes That strike beside us. SIWARD Enter, sir, the castle. Exeunt. Alarums SCENE VIII. Another part of the field. Enter MACBETH MACBETH Why should I play the Roman fool, and die On mine own sword? whiles I see lives, the gashes Do better upon them. Enter MACDUFF MACDUFF Turn, hell-hound, turn! MACBETH Of all men else I have avoided thee: But get thee back; my soul is too much charged With blood of thine already. MACDUFF I have no words: My voice is in my sword: thou bloodier villain Than terms can give thee out! They fight MACBETH Thou losest labour: As easy mayst thou the intrenchant air With thy keen sword impress as make me bleed: Let fall thy blade on vulnerable crests; I bear a charmed life, which must not yield, To one of woman born. MACDUFF Despair thy charm; And let the angel whom thou still hast served Tell thee, Macduff was from his mother's womb Untimely ripp'd. MACBETH Accursed be that tongue that tells me so, For it hath cow'd my better part of man! And be these juggling fiends no more believed, That palter with us in a double sense; That keep the word of promise to our ear, And break it to our hope. I'll not fight with thee. MACDUFF Then yield thee, coward, And live to be the show and gaze o' the time: We'll have thee, as our rarer monsters are, Painted on a pole, and underwrit, 'Here may you see the tyrant.' MACBETH I will not yield, To kiss the ground before young Malcolm's feet, And to be baited with the rabble's curse. Though Birnam wood be come to Dunsinane, And thou opposed, being of no woman born, Yet I will try the last. Before my body I throw my warlike shield. Lay on, Macduff, And damn'd be him that first cries, 'Hold, enough!' Exeunt, fighting. Alarums Retreat. Flourish. Enter, with drum and colours, MALCOLM, SIWARD, ROSS, the other Thanes, and Soldiers MALCOLM I would the friends we miss were safe arrived. SIWARD Some must go off: and yet, by these I see, So great a day as this is cheaply bought. MALCOLM Macduff is missing, and your noble son. ROSS Your son, my lord, has paid a soldier's debt: He only lived but till he was a man; The which no sooner had his prowess confirm'd In the unshrinking station where he fought, But like a man he died. SIWARD Then he is dead? ROSS Ay, and brought off the field: your cause of sorrow Must not be measured by his worth, for then It hath no end. SIWARD Had he his hurts before? ROSS Ay, on the front. SIWARD Why then, God's soldier be he! Had I as many sons as I have hairs, I would not wish them to a fairer death: And so, his knell is knoll'd. MALCOLM He's worth more sorrow, And that I'll spend for him. SIWARD He's worth no more They say he parted well, and paid his score: And so, God be with him! Here comes newer comfort. Re-enter MACDUFF, with MACBETH's head MACDUFF Hail, king! for so thou art: behold, where stands The usurper's cursed head: the time is free: I see thee compass'd with thy kingdom's pearl, That speak my salutation in their minds; Whose voices I desire aloud with mine: Hail, King of Scotland! ALL Hail, King of Scotland! Flourish MALCOLM We shall not spend a large expense of time Before we reckon with your several loves, And make us even with you. My thanes and kinsmen, Henceforth be earls, the first that ever Scotland In such an honour named. What's more to do, Which would be planted newly with the time, As calling home our exiled friends abroad That fled the snares of watchful tyranny; Producing forth the cruel ministers Of this dead butcher and his fiend-like queen, Who, as 'tis thought, by self and violent hands Took off her life; this, and what needful else That calls upon us, by the grace of Grace, We will perform in measure, time and place: So, thanks to all at once and to each one, Whom we invite to see us crown'd at Scone. Flourish. Exeunt
compress-compress-lzf-1.0.3/src/test/resources/shakespeare/play.dtd000066400000000000000000000022441237355727300255250ustar00rootroot00000000000000 compress-compress-lzf-1.0.3/src/test/resources/shakespeare/r_and_j.xml000066400000000000000000006526721237355727300262210ustar00rootroot00000000000000 The Tragedy of Romeo and Juliet

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Dramatis Personae ESCALUS, prince of Verona. PARIS, a young nobleman, kinsman to the prince. MONTAGUE CAPULET heads of two houses at variance with each other. An old man, cousin to Capulet. ROMEO, son to Montague. MERCUTIO, kinsman to the prince, and friend to Romeo. BENVOLIO, nephew to Montague, and friend to Romeo. TYBALT, nephew to Lady Capulet. FRIAR LAURENCE FRIAR JOHN Franciscans. BALTHASAR, servant to Romeo. SAMPSON GREGORY servants to Capulet. PETER, servant to Juliet's nurse. ABRAHAM, servant to Montague. An Apothecary. Three Musicians. Page to Paris; another Page; an officer. LADY MONTAGUE, wife to Montague. LADY CAPULET, wife to Capulet. JULIET, daughter to Capulet. Nurse to Juliet. Citizens of Verona; several Men and Women, relations to both houses; Maskers, Guards, Watchmen, and Attendants. Chorus. SCENE Verona: Mantua. ROMEO AND JULIET ACT I PROLOGUE Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whole misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend. SCENE I. Verona. A public place. Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers SAMPSON Gregory, o' my word, we'll not carry coals. GREGORY No, for then we should be colliers. SAMPSON I mean, an we be in choler, we'll draw. GREGORY Ay, while you live, draw your neck out o' the collar. SAMPSON I strike quickly, being moved. GREGORY But thou art not quickly moved to strike. SAMPSON A dog of the house of Montague moves me. GREGORY To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away. SAMPSON A dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's. GREGORY That shows thee a weak slave; for the weakest goes to the wall. SAMPSON True; and therefore women, being the weaker vessels, are ever thrust to the wall: therefore I will push Montague's men from the wall, and thrust his maids to the wall. GREGORY The quarrel is between our masters and us their men. SAMPSON 'Tis all one, I will show myself a tyrant: when I have fought with the men, I will be cruel with the maids, and cut off their heads. GREGORY The heads of the maids? SAMPSON Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt. GREGORY They must take it in sense that feel it. SAMPSON Me they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh. GREGORY 'Tis well thou art not fish; if thou hadst, thou hadst been poor John. Draw thy tool! here comes two of the house of the Montagues. SAMPSON My naked weapon is out: quarrel, I will back thee. GREGORY How! turn thy back and run? SAMPSON Fear me not. GREGORY No, marry; I fear thee! SAMPSON Let us take the law of our sides; let them begin. GREGORY I will frown as I pass by, and let them take it as they list. SAMPSON Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it. Enter ABRAHAM and BALTHASAR ABRAHAM Do you bite your thumb at us, sir? SAMPSON I do bite my thumb, sir. ABRAHAM Do you bite your thumb at us, sir? SAMPSON Aside to GREGORY Is the law of our side, if I say ay? GREGORY No. SAMPSON No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. GREGORY Do you quarrel, sir? ABRAHAM Quarrel sir! no, sir. SAMPSON If you do, sir, I am for you: I serve as good a man as you. ABRAHAM No better. SAMPSON Well, sir. GREGORY Say 'better:' here comes one of my master's kinsmen. SAMPSON Yes, better, sir. ABRAHAM You lie. SAMPSON Draw, if you be men. Gregory, remember thy swashing blow. They fight Enter BENVOLIO BENVOLIO Part, fools! Put up your swords; you know not what you do. Beats down their swords Enter TYBALT TYBALT What, art thou drawn among these heartless hinds? Turn thee, Benvolio, look upon thy death. BENVOLIO I do but keep the peace: put up thy sword, Or manage it to part these men with me. TYBALT What, drawn, and talk of peace! I hate the word, As I hate hell, all Montagues, and thee: Have at thee, coward! They fight Enter, several of both houses, who join the fray; then enter Citizens, with clubs First Citizen Clubs, bills, and partisans! strike! beat them down! Down with the Capulets! down with the Montagues! Enter CAPULET in his gown, and LADY CAPULET CAPULET What noise is this? Give me my long sword, ho! LADY CAPULET A crutch, a crutch! why call you for a sword? CAPULET My sword, I say! Old Montague is come, And flourishes his blade in spite of me. Enter MONTAGUE and LADY MONTAGUE MONTAGUE Thou villain Capulet,--Hold me not, let me go. LADY MONTAGUE Thou shalt not stir a foot to seek a foe. Enter PRINCE, with Attendants PRINCE Rebellious subjects, enemies to peace, Profaners of this neighbour-stained steel,-- Will they not hear? What, ho! you men, you beasts, That quench the fire of your pernicious rage With purple fountains issuing from your veins, On pain of torture, from those bloody hands Throw your mistemper'd weapons to the ground, And hear the sentence of your moved prince. Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague, Have thrice disturb'd the quiet of our streets, And made Verona's ancient citizens Cast by their grave beseeming ornaments, To wield old partisans, in hands as old, Canker'd with peace, to part your canker'd hate: If ever you disturb our streets again, Your lives shall pay the forfeit of the peace. For this time, all the rest depart away: You Capulet; shall go along with me: And, Montague, come you this afternoon, To know our further pleasure in this case, To old Free-town, our common judgment-place. Once more, on pain of death, all men depart. Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO MONTAGUE Who set this ancient quarrel new abroach? Speak, nephew, were you by when it began? BENVOLIO Here were the servants of your adversary, And yours, close fighting ere I did approach: I drew to part them: in the instant came The fiery Tybalt, with his sword prepared, Which, as he breathed defiance to my ears, He swung about his head and cut the winds, Who nothing hurt withal hiss'd him in scorn: While we were interchanging thrusts and blows, Came more and more and fought on part and part, Till the prince came, who parted either part. LADY MONTAGUE O, where is Romeo? saw you him to-day? Right glad I am he was not at this fray. BENVOLIO Madam, an hour before the worshipp'd sun Peer'd forth the golden window of the east, A troubled mind drave me to walk abroad; Where, underneath the grove of sycamore That westward rooteth from the city's side, So early walking did I see your son: Towards him I made, but he was ware of me And stole into the covert of the wood: I, measuring his affections by my own, That most are busied when they're most alone, Pursued my humour not pursuing his, And gladly shunn'd who gladly fled from me. MONTAGUE Many a morning hath he there been seen, With tears augmenting the fresh morning dew. Adding to clouds more clouds with his deep sighs; But all so soon as the all-cheering sun Should in the furthest east begin to draw The shady curtains from Aurora's bed, Away from the light steals home my heavy son, And private in his chamber pens himself, Shuts up his windows, locks far daylight out And makes himself an artificial night: Black and portentous must this humour prove, Unless good counsel may the cause remove. BENVOLIO My noble uncle, do you know the cause? MONTAGUE I neither know it nor can learn of him. BENVOLIO Have you importuned him by any means? MONTAGUE Both by myself and many other friends: But he, his own affections' counsellor, Is to himself--I will not say how true-- But to himself so secret and so close, So far from sounding and discovery, As is the bud bit with an envious worm, Ere he can spread his sweet leaves to the air, Or dedicate his beauty to the sun. Could we but learn from whence his sorrows grow. We would as willingly give cure as know. Enter ROMEO BENVOLIO See, where he comes: so please you, step aside; I'll know his grievance, or be much denied. MONTAGUE I would thou wert so happy by thy stay, To hear true shrift. Come, madam, let's away. Exeunt MONTAGUE and LADY MONTAGUE BENVOLIO Good-morrow, cousin. ROMEO Is the day so young? BENVOLIO But new struck nine. ROMEO Ay me! sad hours seem long. Was that my father that went hence so fast? BENVOLIO It was. What sadness lengthens Romeo's hours? ROMEO Not having that, which, having, makes them short. BENVOLIO In love? ROMEO Out-- BENVOLIO Of love? ROMEO Out of her favour, where I am in love. BENVOLIO Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! ROMEO Alas, that love, whose view is muffled still, Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here's much to do with hate, but more with love. Why, then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh? BENVOLIO No, coz, I rather weep. ROMEO Good heart, at what? BENVOLIO At thy good heart's oppression. ROMEO Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz. BENVOLIO Soft! I will go along; An if you leave me so, you do me wrong. ROMEO Tut, I have lost myself; I am not here; This is not Romeo, he's some other where. BENVOLIO Tell me in sadness, who is that you love. ROMEO What, shall I groan and tell thee? BENVOLIO Groan! why, no. But sadly tell me who. ROMEO Bid a sick man in sadness make his will: Ah, word ill urged to one that is so ill! In sadness, cousin, I do love a woman. BENVOLIO I aim'd so near, when I supposed you loved. ROMEO A right good mark-man! And she's fair I love. BENVOLIO A right fair mark, fair coz, is soonest hit. ROMEO Well, in that hit you miss: she'll not be hit With Cupid's arrow; she hath Dian's wit; And, in strong proof of chastity well arm'd, From love's weak childish bow she lives unharm'd. She will not stay the siege of loving terms, Nor bide the encounter of assailing eyes, Nor ope her lap to saint-seducing gold: O, she is rich in beauty, only poor, That when she dies with beauty dies her store. BENVOLIO Then she hath sworn that she will still live chaste? ROMEO She hath, and in that sparing makes huge waste, For beauty starved with her severity Cuts beauty off from all posterity. She is too fair, too wise, wisely too fair, To merit bliss by making me despair: She hath forsworn to love, and in that vow Do I live dead that live to tell it now. BENVOLIO Be ruled by me, forget to think of her. ROMEO O, teach me how I should forget to think. BENVOLIO By giving liberty unto thine eyes; Examine other beauties. ROMEO 'Tis the way To call hers exquisite, in question more: These happy masks that kiss fair ladies' brows Being black put us in mind they hide the fair; He that is strucken blind cannot forget The precious treasure of his eyesight lost: Show me a mistress that is passing fair, What doth her beauty serve, but as a note Where I may read who pass'd that passing fair? Farewell: thou canst not teach me to forget. BENVOLIO I'll pay that doctrine, or else die in debt. Exeunt SCENE II. A street. Enter CAPULET, PARIS, and Servant CAPULET But Montague is bound as well as I, In penalty alike; and 'tis not hard, I think, For men so old as we to keep the peace. PARIS Of honourable reckoning are you both; And pity 'tis you lived at odds so long. But now, my lord, what say you to my suit? CAPULET But saying o'er what I have said before: My child is yet a stranger in the world; She hath not seen the change of fourteen years, Let two more summers wither in their pride, Ere we may think her ripe to be a bride. PARIS Younger than she are happy mothers made. CAPULET And too soon marr'd are those so early made. The earth hath swallow'd all my hopes but she, She is the hopeful lady of my earth: But woo her, gentle Paris, get her heart, My will to her consent is but a part; An she agree, within her scope of choice Lies my consent and fair according voice. This night I hold an old accustom'd feast, Whereto I have invited many a guest, Such as I love; and you, among the store, One more, most welcome, makes my number more. At my poor house look to behold this night Earth-treading stars that make dark heaven light: Such comfort as do lusty young men feel When well-apparell'd April on the heel Of limping winter treads, even such delight Among fresh female buds shall you this night Inherit at my house; hear all, all see, And like her most whose merit most shall be: Which on more view, of many mine being one May stand in number, though in reckoning none, Come, go with me. To Servant, giving a paper Go, sirrah, trudge about Through fair Verona; find those persons out Whose names are written there, and to them say, My house and welcome on their pleasure stay. Exeunt CAPULET and PARIS Servant Find them out whose names are written here! It is written, that the shoemaker should meddle with his yard, and the tailor with his last, the fisher with his pencil, and the painter with his nets; but I am sent to find those persons whose names are here writ, and can never find what names the writing person hath here writ. I must to the learned.--In good time. Enter BENVOLIO and ROMEO BENVOLIO Tut, man, one fire burns out another's burning, One pain is lessen'd by another's anguish; Turn giddy, and be holp by backward turning; One desperate grief cures with another's languish: Take thou some new infection to thy eye, And the rank poison of the old will die. ROMEO Your plaintain-leaf is excellent for that. BENVOLIO For what, I pray thee? ROMEO For your broken shin. BENVOLIO Why, Romeo, art thou mad? ROMEO Not mad, but bound more than a mad-man is; Shut up in prison, kept without my food, Whipp'd and tormented and--God-den, good fellow. Servant God gi' god-den. I pray, sir, can you read? ROMEO Ay, mine own fortune in my misery. Servant Perhaps you have learned it without book: but, I pray, can you read any thing you see? ROMEO Ay, if I know the letters and the language. Servant Ye say honestly: rest you merry! ROMEO Stay, fellow; I can read. Reads 'Signior Martino and his wife and daughters; County Anselme and his beauteous sisters; the lady widow of Vitravio; Signior Placentio and his lovely nieces; Mercutio and his brother Valentine; mine uncle Capulet, his wife and daughters; my fair niece Rosaline; Livia; Signior Valentio and his cousin Tybalt, Lucio and the lively Helena.' A fair assembly: whither should they come? Servant Up. ROMEO Whither? Servant To supper; to our house. ROMEO Whose house? Servant My master's. ROMEO Indeed, I should have ask'd you that before. Servant Now I'll tell you without asking: my master is the great rich Capulet; and if you be not of the house of Montagues, I pray, come and crush a cup of wine. Rest you merry! Exit BENVOLIO At this same ancient feast of Capulet's Sups the fair Rosaline whom thou so lovest, With all the admired beauties of Verona: Go thither; and, with unattainted eye, Compare her face with some that I shall show, And I will make thee think thy swan a crow. ROMEO When the devout religion of mine eye Maintains such falsehood, then turn tears to fires; And these, who often drown'd could never die, Transparent heretics, be burnt for liars! One fairer than my love! the all-seeing sun Ne'er saw her match since first the world begun. BENVOLIO Tut, you saw her fair, none else being by, Herself poised with herself in either eye: But in that crystal scales let there be weigh'd Your lady's love against some other maid That I will show you shining at this feast, And she shall scant show well that now shows best. ROMEO I'll go along, no such sight to be shown, But to rejoice in splendor of mine own. Exeunt SCENE III. A room in Capulet's house. Enter LADY CAPULET and Nurse LADY CAPULET Nurse, where's my daughter? call her forth to me. Nurse Now, by my maidenhead, at twelve year old, I bade her come. What, lamb! what, ladybird! God forbid! Where's this girl? What, Juliet! Enter JULIET JULIET How now! who calls? Nurse Your mother. JULIET Madam, I am here. What is your will? LADY CAPULET This is the matter:--Nurse, give leave awhile, We must talk in secret:--nurse, come back again; I have remember'd me, thou's hear our counsel. Thou know'st my daughter's of a pretty age. Nurse Faith, I can tell her age unto an hour. LADY CAPULET She's not fourteen. Nurse I'll lay fourteen of my teeth,-- And yet, to my teeth be it spoken, I have but four-- She is not fourteen. How long is it now To Lammas-tide? LADY CAPULET A fortnight and odd days. Nurse Even or odd, of all days in the year, Come Lammas-eve at night shall she be fourteen. Susan and she--God rest all Christian souls!-- Were of an age: well, Susan is with God; She was too good for me: but, as I said, On Lammas-eve at night shall she be fourteen; That shall she, marry; I remember it well. 'Tis since the earthquake now eleven years; And she was wean'd,--I never shall forget it,-- Of all the days of the year, upon that day: For I had then laid wormwood to my dug, Sitting in the sun under the dove-house wall; My lord and you were then at Mantua:-- Nay, I do bear a brain:--but, as I said, When it did taste the wormwood on the nipple Of my dug and felt it bitter, pretty fool, To see it tetchy and fall out with the dug! Shake quoth the dove-house: 'twas no need, I trow, To bid me trudge: And since that time it is eleven years; For then she could stand alone; nay, by the rood, She could have run and waddled all about; For even the day before, she broke her brow: And then my husband--God be with his soul! A' was a merry man--took up the child: 'Yea,' quoth he, 'dost thou fall upon thy face? Thou wilt fall backward when thou hast more wit; Wilt thou not, Jule?' and, by my holidame, The pretty wretch left crying and said 'Ay.' To see, now, how a jest shall come about! I warrant, an I should live a thousand years, I never should forget it: 'Wilt thou not, Jule?' quoth he; And, pretty fool, it stinted and said 'Ay.' LADY CAPULET Enough of this; I pray thee, hold thy peace. Nurse Yes, madam: yet I cannot choose but laugh, To think it should leave crying and say 'Ay.' And yet, I warrant, it had upon its brow A bump as big as a young cockerel's stone; A parlous knock; and it cried bitterly: 'Yea,' quoth my husband,'fall'st upon thy face? Thou wilt fall backward when thou comest to age; Wilt thou not, Jule?' it stinted and said 'Ay.' JULIET And stint thou too, I pray thee, nurse, say I. Nurse Peace, I have done. God mark thee to his grace! Thou wast the prettiest babe that e'er I nursed: An I might live to see thee married once, I have my wish. LADY CAPULET Marry, that 'marry' is the very theme I came to talk of. Tell me, daughter Juliet, How stands your disposition to be married? JULIET It is an honour that I dream not of. Nurse An honour! were not I thine only nurse, I would say thou hadst suck'd wisdom from thy teat. LADY CAPULET Well, think of marriage now; younger than you, Here in Verona, ladies of esteem, Are made already mothers: by my count, I was your mother much upon these years That you are now a maid. Thus then in brief: The valiant Paris seeks you for his love. Nurse A man, young lady! lady, such a man As all the world--why, he's a man of wax. LADY CAPULET Verona's summer hath not such a flower. Nurse Nay, he's a flower; in faith, a very flower. LADY CAPULET What say you? can you love the gentleman? This night you shall behold him at our feast; Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content And what obscured in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea, and 'tis much pride For fair without the fair within to hide: That book in many's eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, making yourself no less. Nurse No less! nay, bigger; women grow by men. LADY CAPULET Speak briefly, can you like of Paris' love? JULIET I'll look to like, if looking liking move: But no more deep will I endart mine eye Than your consent gives strength to make it fly. Enter a Servant Servant Madam, the guests are come, supper served up, you called, my young lady asked for, the nurse cursed in the pantry, and every thing in extremity. I must hence to wait; I beseech you, follow straight. LADY CAPULET We follow thee. Exit Servant Juliet, the county stays. Nurse Go, girl, seek happy nights to happy days. Exeunt SCENE IV. A street. Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others ROMEO What, shall this speech be spoke for our excuse? Or shall we on without a apology? BENVOLIO The date is out of such prolixity: We'll have no Cupid hoodwink'd with a scarf, Bearing a Tartar's painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will; We'll measure them a measure, and be gone. ROMEO Give me a torch: I am not for this ambling; Being but heavy, I will bear the light. MERCUTIO Nay, gentle Romeo, we must have you dance. ROMEO Not I, believe me: you have dancing shoes With nimble soles: I have a soul of lead So stakes me to the ground I cannot move. MERCUTIO You are a lover; borrow Cupid's wings, And soar with them above a common bound. ROMEO I am too sore enpierced with his shaft To soar with his light feathers, and so bound, I cannot bound a pitch above dull woe: Under love's heavy burden do I sink. MERCUTIO And, to sink in it, should you burden love; Too great oppression for a tender thing. ROMEO Is love a tender thing? it is too rough, Too rude, too boisterous, and it pricks like thorn. MERCUTIO If love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Give me a case to put my visage in: A visor for a visor! what care I What curious eye doth quote deformities? Here are the beetle brows shall blush for me. BENVOLIO Come, knock and enter; and no sooner in, But every man betake him to his legs. ROMEO A torch for me: let wantons light of heart Tickle the senseless rushes with their heels, For I am proverb'd with a grandsire phrase; I'll be a candle-holder, and look on. The game was ne'er so fair, and I am done. MERCUTIO Tut, dun's the mouse, the constable's own word: If thou art dun, we'll draw thee from the mire Of this sir-reverence love, wherein thou stick'st Up to the ears. Come, we burn daylight, ho! ROMEO Nay, that's not so. MERCUTIO I mean, sir, in delay We waste our lights in vain, like lamps by day. Take our good meaning, for our judgment sits Five times in that ere once in our five wits. ROMEO And we mean well in going to this mask; But 'tis no wit to go. MERCUTIO Why, may one ask? ROMEO I dream'd a dream to-night. MERCUTIO And so did I. ROMEO Well, what was yours? MERCUTIO That dreamers often lie. ROMEO In bed asleep, while they do dream things true. MERCUTIO O, then, I see Queen Mab hath been with you. She is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep; Her wagon-spokes made of long spiders' legs, The cover of the wings of grasshoppers, The traces of the smallest spider's web, The collars of the moonshine's watery beams, Her whip of cricket's bone, the lash of film, Her wagoner a small grey-coated gnat, Not so big as a round little worm Prick'd from the lazy finger of a maid; Her chariot is an empty hazel-nut Made by the joiner squirrel or old grub, Time out o' mind the fairies' coachmakers. And in this state she gallops night by night Through lovers' brains, and then they dream of love; O'er courtiers' knees, that dream on court'sies straight, O'er lawyers' fingers, who straight dream on fees, O'er ladies ' lips, who straight on kisses dream, Which oft the angry Mab with blisters plagues, Because their breaths with sweetmeats tainted are: Sometime she gallops o'er a courtier's nose, And then dreams he of smelling out a suit; And sometime comes she with a tithe-pig's tail Tickling a parson's nose as a' lies asleep, Then dreams, he of another benefice: Sometime she driveth o'er a soldier's neck, And then dreams he of cutting foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five-fathom deep; and then anon Drums in his ear, at which he starts and wakes, And being thus frighted swears a prayer or two And sleeps again. This is that very Mab That plats the manes of horses in the night, And bakes the elflocks in foul sluttish hairs, Which once untangled, much misfortune bodes: This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage: This is she-- ROMEO Peace, peace, Mercutio, peace! Thou talk'st of nothing. MERCUTIO True, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air And more inconstant than the wind, who wooes Even now the frozen bosom of the north, And, being anger'd, puffs away from thence, Turning his face to the dew-dropping south. BENVOLIO This wind, you talk of, blows us from ourselves; Supper is done, and we shall come too late. ROMEO I fear, too early: for my mind misgives Some consequence yet hanging in the stars Shall bitterly begin his fearful date With this night's revels and expire the term Of a despised life closed in my breast By some vile forfeit of untimely death. But He, that hath the steerage of my course, Direct my sail! On, lusty gentlemen. BENVOLIO Strike, drum. Exeunt SCENE V. A hall in Capulet's house. Musicians waiting. Enter Servingmen with napkins First Servant Where's Potpan, that he helps not to take away? He shift a trencher? he scrape a trencher! Second Servant When good manners shall lie all in one or two men's hands and they unwashed too, 'tis a foul thing. First Servant Away with the joint-stools, remove the court-cupboard, look to the plate. Good thou, save me a piece of marchpane; and, as thou lovest me, let the porter let in Susan Grindstone and Nell. Antony, and Potpan! Second Servant Ay, boy, ready. First Servant You are looked for and called for, asked for and sought for, in the great chamber. Second Servant We cannot be here and there too. Cheerly, boys; be brisk awhile, and the longer liver take all. Enter CAPULET, with JULIET and others of his house, meeting the Guests and Maskers CAPULET Welcome, gentlemen! ladies that have their toes Unplagued with corns will have a bout with you. Ah ha, my mistresses! which of you all Will now deny to dance? she that makes dainty, She, I'll swear, hath corns; am I come near ye now? Welcome, gentlemen! I have seen the day That I have worn a visor and could tell A whispering tale in a fair lady's ear, Such as would please: 'tis gone, 'tis gone, 'tis gone: You are welcome, gentlemen! come, musicians, play. A hall, a hall! give room! and foot it, girls. Music plays, and they dance More light, you knaves; and turn the tables up, And quench the fire, the room is grown too hot. Ah, sirrah, this unlook'd-for sport comes well. Nay, sit, nay, sit, good cousin Capulet; For you and I are past our dancing days: How long is't now since last yourself and I Were in a mask? Second Capulet By'r lady, thirty years. CAPULET What, man! 'tis not so much, 'tis not so much: 'Tis since the nuptials of Lucentio, Come pentecost as quickly as it will, Some five and twenty years; and then we mask'd. Second Capulet 'Tis more, 'tis more, his son is elder, sir; His son is thirty. CAPULET Will you tell me that? His son was but a ward two years ago. ROMEO To a Servingman What lady is that, which doth enrich the hand Of yonder knight? Servant I know not, sir. ROMEO O, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear; Beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows, As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand, And, touching hers, make blessed my rude hand. Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night. TYBALT This, by his voice, should be a Montague. Fetch me my rapier, boy. What dares the slave Come hither, cover'd with an antic face, To fleer and scorn at our solemnity? Now, by the stock and honour of my kin, To strike him dead, I hold it not a sin. CAPULET Why, how now, kinsman! wherefore storm you so? TYBALT Uncle, this is a Montague, our foe, A villain that is hither come in spite, To scorn at our solemnity this night. CAPULET Young Romeo is it? TYBALT 'Tis he, that villain Romeo. CAPULET Content thee, gentle coz, let him alone; He bears him like a portly gentleman; And, to say truth, Verona brags of him To be a virtuous and well-govern'd youth: I would not for the wealth of all the town Here in my house do him disparagement: Therefore be patient, take no note of him: It is my will, the which if thou respect, Show a fair presence and put off these frowns, And ill-beseeming semblance for a feast. TYBALT It fits, when such a villain is a guest: I'll not endure him. CAPULET He shall be endured: What, goodman boy! I say, he shall: go to; Am I the master here, or you? go to. You'll not endure him! God shall mend my soul! You'll make a mutiny among my guests! You will set cock-a-hoop! you'll be the man! TYBALT Why, uncle, 'tis a shame. CAPULET Go to, go to; You are a saucy boy: is't so, indeed? This trick may chance to scathe you, I know what: You must contrary me! marry, 'tis time. Well said, my hearts! You are a princox; go: Be quiet, or--More light, more light! For shame! I'll make you quiet. What, cheerly, my hearts! TYBALT Patience perforce with wilful choler meeting Makes my flesh tremble in their different greeting. I will withdraw: but this intrusion shall Now seeming sweet convert to bitter gall. Exit ROMEO To JULIET If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. JULIET Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. ROMEO Have not saints lips, and holy palmers too? JULIET Ay, pilgrim, lips that they must use in prayer. ROMEO O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. JULIET Saints do not move, though grant for prayers' sake. ROMEO Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. JULIET Then have my lips the sin that they have took. ROMEO Sin from thy lips? O trespass sweetly urged! Give me my sin again. JULIET You kiss by the book. Nurse Madam, your mother craves a word with you. ROMEO What is her mother? Nurse Marry, bachelor, Her mother is the lady of the house, And a good lady, and a wise and virtuous I nursed her daughter, that you talk'd withal; I tell you, he that can lay hold of her Shall have the chinks. ROMEO Is she a Capulet? O dear account! my life is my foe's debt. BENVOLIO Away, begone; the sport is at the best. ROMEO Ay, so I fear; the more is my unrest. CAPULET Nay, gentlemen, prepare not to be gone; We have a trifling foolish banquet towards. Is it e'en so? why, then, I thank you all I thank you, honest gentlemen; good night. More torches here! Come on then, let's to bed. Ah, sirrah, by my fay, it waxes late: I'll to my rest. Exeunt all but JULIET and Nurse JULIET Come hither, nurse. What is yond gentleman? Nurse The son and heir of old Tiberio. JULIET What's he that now is going out of door? Nurse Marry, that, I think, be young Petrucio. JULIET What's he that follows there, that would not dance? Nurse I know not. JULIET Go ask his name: if he be married. My grave is like to be my wedding bed. Nurse His name is Romeo, and a Montague; The only son of your great enemy. JULIET My only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy. Nurse What's this? what's this? JULIET A rhyme I learn'd even now Of one I danced withal. One calls within 'Juliet.' Nurse Anon, anon! Come, let's away; the strangers all are gone. Exeunt ACT II PROLOGUE Enter Chorus Chorus Now old desire doth in his death-bed lie, And young affection gapes to be his heir; That fair for which love groan'd for and would die, With tender Juliet match'd, is now not fair. Now Romeo is beloved and loves again, Alike betwitched by the charm of looks, But to his foe supposed he must complain, And she steal love's sweet bait from fearful hooks: Being held a foe, he may not have access To breathe such vows as lovers use to swear; And she as much in love, her means much less To meet her new-beloved any where: But passion lends them power, time means, to meet Tempering extremities with extreme sweet. Exit SCENE I. A lane by the wall of Capulet's orchard. Enter ROMEO ROMEO Can I go forward when my heart is here? Turn back, dull earth, and find thy centre out. He climbs the wall, and leaps down within it Enter BENVOLIO and MERCUTIO BENVOLIO Romeo! my cousin Romeo! MERCUTIO He is wise; And, on my lie, hath stol'n him home to bed. BENVOLIO He ran this way, and leap'd this orchard wall: Call, good Mercutio. MERCUTIO Nay, I'll conjure too. Romeo! humours! madman! passion! lover! Appear thou in the likeness of a sigh: Speak but one rhyme, and I am satisfied; Cry but 'Ay me!' pronounce but 'love' and 'dove;' Speak to my gossip Venus one fair word, One nick-name for her purblind son and heir, Young Adam Cupid, he that shot so trim, When King Cophetua loved the beggar-maid! He heareth not, he stirreth not, he moveth not; The ape is dead, and I must conjure him. I conjure thee by Rosaline's bright eyes, By her high forehead and her scarlet lip, By her fine foot, straight leg and quivering thigh And the demesnes that there adjacent lie, That in thy likeness thou appear to us! BENVOLIO And if he hear thee, thou wilt anger him. MERCUTIO This cannot anger him: 'twould anger him To raise a spirit in his mistress' circle Of some strange nature, letting it there stand Till she had laid it and conjured it down; That were some spite: my invocation Is fair and honest, and in his mistress' name I conjure only but to raise up him. BENVOLIO Come, he hath hid himself among these trees, To be consorted with the humorous night: Blind is his love and best befits the dark. MERCUTIO If love be blind, love cannot hit the mark. Now will he sit under a medlar tree, And wish his mistress were that kind of fruit As maids call medlars, when they laugh alone. Romeo, that she were, O, that she were An open et caetera, thou a poperin pear! Romeo, good night: I'll to my truckle-bed; This field-bed is too cold for me to sleep: Come, shall we go? BENVOLIO Go, then; for 'tis in vain To seek him here that means not to be found. Exeunt SCENE II. Capulet's orchard. Enter ROMEO ROMEO He jests at scars that never felt a wound. JULIET appears above at a window But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she: Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! O, that she knew she were! She speaks yet she says nothing: what of that? Her eye discourses; I will answer it. I am too bold, 'tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See, how she leans her cheek upon her hand! O, that I were a glove upon that hand, That I might touch that cheek! JULIET Ay me! ROMEO She speaks: O, speak again, bright angel! for thou art As glorious to this night, being o'er my head As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him When he bestrides the lazy-pacing clouds And sails upon the bosom of the air. JULIET O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. ROMEO Aside Shall I hear more, or shall I speak at this? JULIET 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself. ROMEO I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. JULIET What man art thou that thus bescreen'd in night So stumblest on my counsel? ROMEO By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; Had I it written, I would tear the word. JULIET My ears have not yet drunk a hundred words Of that tongue's utterance, yet I know the sound: Art thou not Romeo and a Montague? ROMEO Neither, fair saint, if either thee dislike. JULIET How camest thou hither, tell me, and wherefore? The orchard walls are high and hard to climb, And the place death, considering who thou art, If any of my kinsmen find thee here. ROMEO With love's light wings did I o'er-perch these walls; For stony limits cannot hold love out, And what love can do that dares love attempt; Therefore thy kinsmen are no let to me. JULIET If they do see thee, they will murder thee. ROMEO Alack, there lies more peril in thine eye Than twenty of their swords: look thou but sweet, And I am proof against their enmity. JULIET I would not for the world they saw thee here. ROMEO I have night's cloak to hide me from their sight; And but thou love me, let them find me here: My life were better ended by their hate, Than death prorogued, wanting of thy love. JULIET By whose direction found'st thou out this place? ROMEO By love, who first did prompt me to inquire; He lent me counsel and I lent him eyes. I am no pilot; yet, wert thou as far As that vast shore wash'd with the farthest sea, I would adventure for such merchandise. JULIET Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet if thou swear'st, Thou mayst prove false; at lovers' perjuries Then say, Jove laughs. O gentle Romeo, If thou dost love, pronounce it faithfully: Or if thou think'st I am too quickly won, I'll frown and be perverse an say thee nay, So thou wilt woo; but else, not for the world. In truth, fair Montague, I am too fond, And therefore thou mayst think my 'havior light: But trust me, gentleman, I'll prove more true Than those that have more cunning to be strange. I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered. ROMEO Lady, by yonder blessed moon I swear That tips with silver all these fruit-tree tops-- JULIET O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable. ROMEO What shall I swear by? JULIET Do not swear at all; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee. ROMEO If my heart's dear love-- JULIET Well, do not swear: although I joy in thee, I have no joy of this contract to-night: It is too rash, too unadvised, too sudden; Too like the lightning, which doth cease to be Ere one can say 'It lightens.' Sweet, good night! This bud of love, by summer's ripening breath, May prove a beauteous flower when next we meet. Good night, good night! as sweet repose and rest Come to thy heart as that within my breast! ROMEO O, wilt thou leave me so unsatisfied? JULIET What satisfaction canst thou have to-night? ROMEO The exchange of thy love's faithful vow for mine. JULIET I gave thee mine before thou didst request it: And yet I would it were to give again. ROMEO Wouldst thou withdraw it? for what purpose, love? JULIET But to be frank, and give it thee again. And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite. Nurse calls within I hear some noise within; dear love, adieu! Anon, good nurse! Sweet Montague, be true. Stay but a little, I will come again. Exit, above ROMEO O blessed, blessed night! I am afeard. Being in night, all this is but a dream, Too flattering-sweet to be substantial. Re-enter JULIET, above JULIET Three words, dear Romeo, and good night indeed. If that thy bent of love be honourable, Thy purpose marriage, send me word to-morrow, By one that I'll procure to come to thee, Where and what time thou wilt perform the rite; And all my fortunes at thy foot I'll lay And follow thee my lord throughout the world. Nurse Within Madam! JULIET I come, anon.--But if thou mean'st not well, I do beseech thee-- Nurse Within Madam! JULIET By and by, I come:-- To cease thy suit, and leave me to my grief: To-morrow will I send. ROMEO So thrive my soul-- JULIET A thousand times good night! Exit, above ROMEO A thousand times the worse, to want thy light. Love goes toward love, as schoolboys from their books, But love from love, toward school with heavy looks. Retiring Re-enter JULIET, above JULIET Hist! Romeo, hist! O, for a falconer's voice, To lure this tassel-gentle back again! Bondage is hoarse, and may not speak aloud; Else would I tear the cave where Echo lies, And make her airy tongue more hoarse than mine, With repetition of my Romeo's name. ROMEO It is my soul that calls upon my name: How silver-sweet sound lovers' tongues by night, Like softest music to attending ears! JULIET Romeo! ROMEO My dear? JULIET At what o'clock to-morrow Shall I send to thee? ROMEO At the hour of nine. JULIET I will not fail: 'tis twenty years till then. I have forgot why I did call thee back. ROMEO Let me stand here till thou remember it. JULIET I shall forget, to have thee still stand there, Remembering how I love thy company. ROMEO And I'll still stay, to have thee still forget, Forgetting any other home but this. JULIET 'Tis almost morning; I would have thee gone: And yet no further than a wanton's bird; Who lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So loving-jealous of his liberty. ROMEO I would I were thy bird. JULIET Sweet, so would I: Yet I should kill thee with much cherishing. Good night, good night! parting is such sweet sorrow, That I shall say good night till it be morrow. Exit above ROMEO Sleep dwell upon thine eyes, peace in thy breast! Would I were sleep and peace, so sweet to rest! Hence will I to my ghostly father's cell, His help to crave, and my dear hap to tell. Exit SCENE III. Friar Laurence's cell. Enter FRIAR LAURENCE, with a basket FRIAR LAURENCE The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant. Enter ROMEO ROMEO Good morrow, father. FRIAR LAURENCE Benedicite! What early tongue so sweet saluteth me? Young son, it argues a distemper'd head So soon to bid good morrow to thy bed: Care keeps his watch in every old man's eye, And where care lodges, sleep will never lie; But where unbruised youth with unstuff'd brain Doth couch his limbs, there golden sleep doth reign: Therefore thy earliness doth me assure Thou art up-roused by some distemperature; Or if not so, then here I hit it right, Our Romeo hath not been in bed to-night. ROMEO That last is true; the sweeter rest was mine. FRIAR LAURENCE God pardon sin! wast thou with Rosaline? ROMEO With Rosaline, my ghostly father? no; I have forgot that name, and that name's woe. FRIAR LAURENCE That's my good son: but where hast thou been, then? ROMEO I'll tell thee, ere thou ask it me again. I have been feasting with mine enemy, Where on a sudden one hath wounded me, That's by me wounded: both our remedies Within thy help and holy physic lies: I bear no hatred, blessed man, for, lo, My intercession likewise steads my foe. FRIAR LAURENCE Be plain, good son, and homely in thy drift; Riddling confession finds but riddling shrift. ROMEO Then plainly know my heart's dear love is set On the fair daughter of rich Capulet: As mine on hers, so hers is set on mine; And all combined, save what thou must combine By holy marriage: when and where and how We met, we woo'd and made exchange of vow, I'll tell thee as we pass; but this I pray, That thou consent to marry us to-day. FRIAR LAURENCE Holy Saint Francis, what a change is here! Is Rosaline, whom thou didst love so dear, So soon forsaken? young men's love then lies Not truly in their hearts, but in their eyes. Jesu Maria, what a deal of brine Hath wash'd thy sallow cheeks for Rosaline! How much salt water thrown away in waste, To season love, that of it doth not taste! The sun not yet thy sighs from heaven clears, Thy old groans ring yet in my ancient ears; Lo, here upon thy cheek the stain doth sit Of an old tear that is not wash'd off yet: If e'er thou wast thyself and these woes thine, Thou and these woes were all for Rosaline: And art thou changed? pronounce this sentence then, Women may fall, when there's no strength in men. ROMEO Thou chid'st me oft for loving Rosaline. FRIAR LAURENCE For doting, not for loving, pupil mine. ROMEO And bad'st me bury love. FRIAR LAURENCE Not in a grave, To lay one in, another out to have. ROMEO I pray thee, chide not; she whom I love now Doth grace for grace and love for love allow; The other did not so. FRIAR LAURENCE O, she knew well Thy love did read by rote and could not spell. But come, young waverer, come, go with me, In one respect I'll thy assistant be; For this alliance may so happy prove, To turn your households' rancour to pure love. ROMEO O, let us hence; I stand on sudden haste. FRIAR LAURENCE Wisely and slow; they stumble that run fast. Exeunt SCENE IV. A street. Enter BENVOLIO and MERCUTIO MERCUTIO Where the devil should this Romeo be? Came he not home to-night? BENVOLIO Not to his father's; I spoke with his man. MERCUTIO Ah, that same pale hard-hearted wench, that Rosaline. Torments him so, that he will sure run mad. BENVOLIO Tybalt, the kinsman of old Capulet, Hath sent a letter to his father's house. MERCUTIO A challenge, on my life. BENVOLIO Romeo will answer it. MERCUTIO Any man that can write may answer a letter. BENVOLIO Nay, he will answer the letter's master, how he dares, being dared. MERCUTIO Alas poor Romeo! he is already dead; stabbed with a white wench's black eye; shot through the ear with a love-song; the very pin of his heart cleft with the blind bow-boy's butt-shaft: and is he a man to encounter Tybalt? BENVOLIO Why, what is Tybalt? MERCUTIO More than prince of cats, I can tell you. O, he is the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellist, a duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado! the punto reverso! the hai! BENVOLIO The what? MERCUTIO The pox of such antic, lisping, affecting fantasticoes; these new tuners of accents! 'By Jesu, a very good blade! a very tall man! a very good whore!' Why, is not this a lamentable thing, grandsire, that we should be thus afflicted with these strange flies, these fashion-mongers, these perdona-mi's, who stand so much on the new form, that they cannot at ease on the old bench? O, their bones, their bones! Enter ROMEO BENVOLIO Here comes Romeo, here comes Romeo. MERCUTIO Without his roe, like a dried herring: flesh, flesh, how art thou fishified! Now is he for the numbers that Petrarch flowed in: Laura to his lady was but a kitchen-wench; marry, she had a better love to be-rhyme her; Dido a dowdy; Cleopatra a gipsy; Helen and Hero hildings and harlots; Thisbe a grey eye or so, but not to the purpose. Signior Romeo, bon jour! there's a French salutation to your French slop. You gave us the counterfeit fairly last night. ROMEO Good morrow to you both. What counterfeit did I give you? MERCUTIO The ship, sir, the slip; can you not conceive? ROMEO Pardon, good Mercutio, my business was great; and in such a case as mine a man may strain courtesy. MERCUTIO That's as much as to say, such a case as yours constrains a man to bow in the hams. ROMEO Meaning, to court'sy. MERCUTIO Thou hast most kindly hit it. ROMEO A most courteous exposition. MERCUTIO Nay, I am the very pink of courtesy. ROMEO Pink for flower. MERCUTIO Right. ROMEO Why, then is my pump well flowered. MERCUTIO Well said: follow me this jest now till thou hast worn out thy pump, that when the single sole of it is worn, the jest may remain after the wearing sole singular. ROMEO O single-soled jest, solely singular for the singleness. MERCUTIO Come between us, good Benvolio; my wits faint. ROMEO Switch and spurs, switch and spurs; or I'll cry a match. MERCUTIO Nay, if thy wits run the wild-goose chase, I have done, for thou hast more of the wild-goose in one of thy wits than, I am sure, I have in my whole five: was I with you there for the goose? ROMEO Thou wast never with me for any thing when thou wast not there for the goose. MERCUTIO I will bite thee by the ear for that jest. ROMEO Nay, good goose, bite not. MERCUTIO Thy wit is a very bitter sweeting; it is a most sharp sauce. ROMEO And is it not well served in to a sweet goose? MERCUTIO O here's a wit of cheveril, that stretches from an inch narrow to an ell broad! ROMEO I stretch it out for that word 'broad;' which added to the goose, proves thee far and wide a broad goose. MERCUTIO Why, is not this better now than groaning for love? now art thou sociable, now art thou Romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. BENVOLIO Stop there, stop there. MERCUTIO Thou desirest me to stop in my tale against the hair. BENVOLIO Thou wouldst else have made thy tale large. MERCUTIO O, thou art deceived; I would have made it short: for I was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer. ROMEO Here's goodly gear! Enter Nurse and PETER MERCUTIO A sail, a sail! BENVOLIO Two, two; a shirt and a smock. Nurse Peter! PETER Anon! Nurse My fan, Peter. MERCUTIO Good Peter, to hide her face; for her fan's the fairer face. Nurse God ye good morrow, gentlemen. MERCUTIO God ye good den, fair gentlewoman. Nurse Is it good den? MERCUTIO 'Tis no less, I tell you, for the bawdy hand of the dial is now upon the prick of noon. Nurse Out upon you! what a man are you! ROMEO One, gentlewoman, that God hath made for himself to mar. Nurse By my troth, it is well said; 'for himself to mar,' quoth a'? Gentlemen, can any of you tell me where I may find the young Romeo? ROMEO I can tell you; but young Romeo will be older when you have found him than he was when you sought him: I am the youngest of that name, for fault of a worse. Nurse You say well. MERCUTIO Yea, is the worst well? very well took, i' faith; wisely, wisely. Nurse if you be he, sir, I desire some confidence with you. BENVOLIO She will indite him to some supper. MERCUTIO A bawd, a bawd, a bawd! so ho! ROMEO What hast thou found? MERCUTIO No hare, sir; unless a hare, sir, in a lenten pie, that is something stale and hoar ere it be spent. Sings An old hare hoar, And an old hare hoar, Is very good meat in lent But a hare that is hoar Is too much for a score, When it hoars ere it be spent. Romeo, will you come to your father's? we'll to dinner, thither. ROMEO I will follow you. MERCUTIO Farewell, ancient lady; farewell, Singing 'lady, lady, lady.' Exeunt MERCUTIO and BENVOLIO Nurse Marry, farewell! I pray you, sir, what saucy merchant was this, that was so full of his ropery? ROMEO A gentleman, nurse, that loves to hear himself talk, and will speak more in a minute than he will stand to in a month. Nurse An a' speak any thing against me, I'll take him down, an a' were lustier than he is, and twenty such Jacks; and if I cannot, I'll find those that shall. Scurvy knave! I am none of his flirt-gills; I am none of his skains-mates. And thou must stand by too, and suffer every knave to use me at his pleasure? PETER I saw no man use you a pleasure; if I had, my weapon should quickly have been out, I warrant you: I dare draw as soon as another man, if I see occasion in a good quarrel, and the law on my side. Nurse Now, afore God, I am so vexed, that every part about me quivers. Scurvy knave! Pray you, sir, a word: and as I told you, my young lady bade me inquire you out; what she bade me say, I will keep to myself: but first let me tell ye, if ye should lead her into a fool's paradise, as they say, it were a very gross kind of behavior, as they say: for the gentlewoman is young; and, therefore, if you should deal double with her, truly it were an ill thing to be offered to any gentlewoman, and very weak dealing. ROMEO Nurse, commend me to thy lady and mistress. I protest unto thee-- Nurse Good heart, and, i' faith, I will tell her as much: Lord, Lord, she will be a joyful woman. ROMEO What wilt thou tell her, nurse? thou dost not mark me. Nurse I will tell her, sir, that you do protest; which, as I take it, is a gentlemanlike offer. ROMEO Bid her devise Some means to come to shrift this afternoon; And there she shall at Friar Laurence' cell Be shrived and married. Here is for thy pains. Nurse No truly sir; not a penny. ROMEO Go to; I say you shall. Nurse This afternoon, sir? well, she shall be there. ROMEO And stay, good nurse, behind the abbey wall: Within this hour my man shall be with thee And bring thee cords made like a tackled stair; Which to the high top-gallant of my joy Must be my convoy in the secret night. Farewell; be trusty, and I'll quit thy pains: Farewell; commend me to thy mistress. Nurse Now God in heaven bless thee! Hark you, sir. ROMEO What say'st thou, my dear nurse? Nurse Is your man secret? Did you ne'er hear say, Two may keep counsel, putting one away? ROMEO I warrant thee, my man's as true as steel. NURSE Well, sir; my mistress is the sweetest lady--Lord, Lord! when 'twas a little prating thing:--O, there is a nobleman in town, one Paris, that would fain lay knife aboard; but she, good soul, had as lief see a toad, a very toad, as see him. I anger her sometimes and tell her that Paris is the properer man; but, I'll warrant you, when I say so, she looks as pale as any clout in the versal world. Doth not rosemary and Romeo begin both with a letter? ROMEO Ay, nurse; what of that? both with an R. Nurse Ah. mocker! that's the dog's name; R is for the--No; I know it begins with some other letter:--and she hath the prettiest sententious of it, of you and rosemary, that it would do you good to hear it. ROMEO Commend me to thy lady. Nurse Ay, a thousand times. Exit Romeo Peter! PETER Anon! Nurse Peter, take my fan, and go before and apace. Exeunt SCENE V. Capulet's orchard. Enter JULIET JULIET The clock struck nine when I did send the nurse; In half an hour she promised to return. Perchance she cannot meet him: that's not so. O, she is lame! love's heralds should be thoughts, Which ten times faster glide than the sun's beams, Driving back shadows over louring hills: Therefore do nimble-pinion'd doves draw love, And therefore hath the wind-swift Cupid wings. Now is the sun upon the highmost hill Of this day's journey, and from nine till twelve Is three long hours, yet she is not come. Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me: But old folks, many feign as they were dead; Unwieldy, slow, heavy and pale as lead. O God, she comes! Enter Nurse and PETER O honey nurse, what news? Hast thou met with him? Send thy man away. Nurse Peter, stay at the gate. Exit PETER JULIET Now, good sweet nurse,--O Lord, why look'st thou sad? Though news be sad, yet tell them merrily; If good, thou shamest the music of sweet news By playing it to me with so sour a face. Nurse I am a-weary, give me leave awhile: Fie, how my bones ache! what a jaunt have I had! JULIET I would thou hadst my bones, and I thy news: Nay, come, I pray thee, speak; good, good nurse, speak. Nurse Jesu, what haste? can you not stay awhile? Do you not see that I am out of breath? JULIET How art thou out of breath, when thou hast breath To say to me that thou art out of breath? The excuse that thou dost make in this delay Is longer than the tale thou dost excuse. Is thy news good, or bad? answer to that; Say either, and I'll stay the circumstance: Let me be satisfied, is't good or bad? Nurse Well, you have made a simple choice; you know not how to choose a man: Romeo! no, not he; though his face be better than any man's, yet his leg excels all men's; and for a hand, and a foot, and a body, though they be not to be talked on, yet they are past compare: he is not the flower of courtesy, but, I'll warrant him, as gentle as a lamb. Go thy ways, wench; serve God. What, have you dined at home? JULIET No, no: but all this did I know before. What says he of our marriage? what of that? Nurse Lord, how my head aches! what a head have I! It beats as it would fall in twenty pieces. My back o' t' other side,--O, my back, my back! Beshrew your heart for sending me about, To catch my death with jaunting up and down! JULIET I' faith, I am sorry that thou art not well. Sweet, sweet, sweet nurse, tell me, what says my love? Nurse Your love says, like an honest gentleman, and a courteous, and a kind, and a handsome, and, I warrant, a virtuous,--Where is your mother? JULIET Where is my mother! why, she is within; Where should she be? How oddly thou repliest! 'Your love says, like an honest gentleman, Where is your mother?' Nurse O God's lady dear! Are you so hot? marry, come up, I trow; Is this the poultice for my aching bones? Henceforward do your messages yourself. JULIET Here's such a coil! come, what says Romeo? Nurse Have you got leave to go to shrift to-day? JULIET I have. Nurse Then hie you hence to Friar Laurence' cell; There stays a husband to make you a wife: Now comes the wanton blood up in your cheeks, They'll be in scarlet straight at any news. Hie you to church; I must another way, To fetch a ladder, by the which your love Must climb a bird's nest soon when it is dark: I am the drudge and toil in your delight, But you shall bear the burden soon at night. Go; I'll to dinner: hie you to the cell. JULIET Hie to high fortune! Honest nurse, farewell. Exeunt SCENE VI. Friar Laurence's cell. Enter FRIAR LAURENCE and ROMEO FRIAR LAURENCE So smile the heavens upon this holy act, That after hours with sorrow chide us not! ROMEO Amen, amen! but come what sorrow can, It cannot countervail the exchange of joy That one short minute gives me in her sight: Do thou but close our hands with holy words, Then love-devouring death do what he dare; It is enough I may but call her mine. FRIAR LAURENCE These violent delights have violent ends And in their triumph die, like fire and powder, Which as they kiss consume: the sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite: Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow. Enter JULIET Here comes the lady: O, so light a foot Will ne'er wear out the everlasting flint: A lover may bestride the gossamer That idles in the wanton summer air, And yet not fall; so light is vanity. JULIET Good even to my ghostly confessor. FRIAR LAURENCE Romeo shall thank thee, daughter, for us both. JULIET As much to him, else is his thanks too much. ROMEO Ah, Juliet, if the measure of thy joy Be heap'd like mine and that thy skill be more To blazon it, then sweeten with thy breath This neighbour air, and let rich music's tongue Unfold the imagined happiness that both Receive in either by this dear encounter. JULIET Conceit, more rich in matter than in words, Brags of his substance, not of ornament: They are but beggars that can count their worth; But my true love is grown to such excess I cannot sum up sum of half my wealth. FRIAR LAURENCE Come, come with me, and we will make short work; For, by your leaves, you shall not stay alone Till holy church incorporate two in one. Exeunt ACT III SCENE I. A public place. Enter MERCUTIO, BENVOLIO, Page, and Servants BENVOLIO I pray thee, good Mercutio, let's retire: The day is hot, the Capulets abroad, And, if we meet, we shall not scape a brawl; For now, these hot days, is the mad blood stirring. MERCUTIO Thou art like one of those fellows that when he enters the confines of a tavern claps me his sword upon the table and says 'God send me no need of thee!' and by the operation of the second cup draws it on the drawer, when indeed there is no need. BENVOLIO Am I like such a fellow? MERCUTIO Come, come, thou art as hot a Jack in thy mood as any in Italy, and as soon moved to be moody, and as soon moody to be moved. BENVOLIO And what to? MERCUTIO Nay, an there were two such, we should have none shortly, for one would kill the other. Thou! why, thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard, than thou hast: thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hazel eyes: what eye but such an eye would spy out such a quarrel? Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter? with another, for tying his new shoes with old riband? and yet thou wilt tutor me from quarrelling! BENVOLIO An I were so apt to quarrel as thou art, any man should buy the fee-simple of my life for an hour and a quarter. MERCUTIO The fee-simple! O simple! BENVOLIO By my head, here come the Capulets. MERCUTIO By my heel, I care not. Enter TYBALT and others TYBALT Follow me close, for I will speak to them. Gentlemen, good den: a word with one of you. MERCUTIO And but one word with one of us? couple it with something; make it a word and a blow. TYBALT You shall find me apt enough to that, sir, an you will give me occasion. MERCUTIO Could you not take some occasion without giving? TYBALT Mercutio, thou consort'st with Romeo,-- MERCUTIO Consort! what, dost thou make us minstrels? an thou make minstrels of us, look to hear nothing but discords: here's my fiddlestick; here's that shall make you dance. 'Zounds, consort! BENVOLIO We talk here in the public haunt of men: Either withdraw unto some private place, And reason coldly of your grievances, Or else depart; here all eyes gaze on us. MERCUTIO Men's eyes were made to look, and let them gaze; I will not budge for no man's pleasure, I. Enter ROMEO TYBALT Well, peace be with you, sir: here comes my man. MERCUTIO But I'll be hanged, sir, if he wear your livery: Marry, go before to field, he'll be your follower; Your worship in that sense may call him 'man.' TYBALT Romeo, the hate I bear thee can afford No better term than this,--thou art a villain. ROMEO Tybalt, the reason that I have to love thee Doth much excuse the appertaining rage To such a greeting: villain am I none; Therefore farewell; I see thou know'st me not. TYBALT Boy, this shall not excuse the injuries That thou hast done me; therefore turn and draw. ROMEO I do protest, I never injured thee, But love thee better than thou canst devise, Till thou shalt know the reason of my love: And so, good Capulet,--which name I tender As dearly as my own,--be satisfied. MERCUTIO O calm, dishonourable, vile submission! Alla stoccata carries it away. Draws Tybalt, you rat-catcher, will you walk? TYBALT What wouldst thou have with me? MERCUTIO Good king of cats, nothing but one of your nine lives; that I mean to make bold withal, and as you shall use me hereafter, drybeat the rest of the eight. Will you pluck your sword out of his pitcher by the ears? make haste, lest mine be about your ears ere it be out. TYBALT I am for you. Drawing ROMEO Gentle Mercutio, put thy rapier up. MERCUTIO Come, sir, your passado. They fight ROMEO Draw, Benvolio; beat down their weapons. Gentlemen, for shame, forbear this outrage! Tybalt, Mercutio, the prince expressly hath Forbidden bandying in Verona streets: Hold, Tybalt! good Mercutio! TYBALT under ROMEO's arm stabs MERCUTIO, and flies with his followers MERCUTIO I am hurt. A plague o' both your houses! I am sped. Is he gone, and hath nothing? BENVOLIO What, art thou hurt? MERCUTIO Ay, ay, a scratch, a scratch; marry, 'tis enough. Where is my page? Go, villain, fetch a surgeon. Exit Page ROMEO Courage, man; the hurt cannot be much. MERCUTIO No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough,'twill serve: ask for me to-morrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o' both your houses! 'Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death! a braggart, a rogue, a villain, that fights by the book of arithmetic! Why the devil came you between us? I was hurt under your arm. ROMEO I thought all for the best. MERCUTIO Help me into some house, Benvolio, Or I shall faint. A plague o' both your houses! They have made worms' meat of me: I have it, And soundly too: your houses! Exeunt MERCUTIO and BENVOLIO ROMEO This gentleman, the prince's near ally, My very friend, hath got his mortal hurt In my behalf; my reputation stain'd With Tybalt's slander,--Tybalt, that an hour Hath been my kinsman! O sweet Juliet, Thy beauty hath made me effeminate And in my temper soften'd valour's steel! Re-enter BENVOLIO BENVOLIO O Romeo, Romeo, brave Mercutio's dead! That gallant spirit hath aspired the clouds, Which too untimely here did scorn the earth. ROMEO This day's black fate on more days doth depend; This but begins the woe, others must end. BENVOLIO Here comes the furious Tybalt back again. ROMEO Alive, in triumph! and Mercutio slain! Away to heaven, respective lenity, And fire-eyed fury be my conduct now! Re-enter TYBALT Now, Tybalt, take the villain back again, That late thou gavest me; for Mercutio's soul Is but a little way above our heads, Staying for thine to keep him company: Either thou, or I, or both, must go with him. TYBALT Thou, wretched boy, that didst consort him here, Shalt with him hence. ROMEO This shall determine that. They fight; TYBALT falls BENVOLIO Romeo, away, be gone! The citizens are up, and Tybalt slain. Stand not amazed: the prince will doom thee death, If thou art taken: hence, be gone, away! ROMEO O, I am fortune's fool! BENVOLIO Why dost thou stay? Exit ROMEO Enter Citizens, &c First Citizen Which way ran he that kill'd Mercutio? Tybalt, that murderer, which way ran he? BENVOLIO There lies that Tybalt. First Citizen Up, sir, go with me; I charge thee in the princes name, obey. Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others PRINCE Where are the vile beginners of this fray? BENVOLIO O noble prince, I can discover all The unlucky manage of this fatal brawl: There lies the man, slain by young Romeo, That slew thy kinsman, brave Mercutio. LADY CAPULET Tybalt, my cousin! O my brother's child! O prince! O cousin! husband! O, the blood is spilt O my dear kinsman! Prince, as thou art true, For blood of ours, shed blood of Montague. O cousin, cousin! PRINCE Benvolio, who began this bloody fray? BENVOLIO Tybalt, here slain, whom Romeo's hand did slay; Romeo that spoke him fair, bade him bethink How nice the quarrel was, and urged withal Your high displeasure: all this uttered With gentle breath, calm look, knees humbly bow'd, Could not take truce with the unruly spleen Of Tybalt deaf to peace, but that he tilts With piercing steel at bold Mercutio's breast, Who all as hot, turns deadly point to point, And, with a martial scorn, with one hand beats Cold death aside, and with the other sends It back to Tybalt, whose dexterity, Retorts it: Romeo he cries aloud, 'Hold, friends! friends, part!' and, swifter than his tongue, His agile arm beats down their fatal points, And 'twixt them rushes; underneath whose arm An envious thrust from Tybalt hit the life Of stout Mercutio, and then Tybalt fled; But by and by comes back to Romeo, Who had but newly entertain'd revenge, And to 't they go like lightning, for, ere I Could draw to part them, was stout Tybalt slain. And, as he fell, did Romeo turn and fly. This is the truth, or let Benvolio die. LADY CAPULET He is a kinsman to the Montague; Affection makes him false; he speaks not true: Some twenty of them fought in this black strife, And all those twenty could but kill one life. I beg for justice, which thou, prince, must give; Romeo slew Tybalt, Romeo must not live. PRINCE Romeo slew him, he slew Mercutio; Who now the price of his dear blood doth owe? MONTAGUE Not Romeo, prince, he was Mercutio's friend; His fault concludes but what the law should end, The life of Tybalt. PRINCE And for that offence Immediately we do exile him hence: I have an interest in your hate's proceeding, My blood for your rude brawls doth lie a-bleeding; But I'll amerce you with so strong a fine That you shall all repent the loss of mine: I will be deaf to pleading and excuses; Nor tears nor prayers shall purchase out abuses: Therefore use none: let Romeo hence in haste, Else, when he's found, that hour is his last. Bear hence this body and attend our will: Mercy but murders, pardoning those that kill. Exeunt SCENE II. Capulet's orchard. Enter JULIET JULIET Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence. Enter Nurse, with cords Now, nurse, what news? What hast thou there? the cords That Romeo bid thee fetch? Nurse Ay, ay, the cords. Throws them down JULIET Ay me! what news? why dost thou wring thy hands? Nurse Ah, well-a-day! he's dead, he's dead, he's dead! We are undone, lady, we are undone! Alack the day! he's gone, he's kill'd, he's dead! JULIET Can heaven be so envious? Nurse Romeo can, Though heaven cannot: O Romeo, Romeo! Who ever would have thought it? Romeo! JULIET What devil art thou, that dost torment me thus? This torture should be roar'd in dismal hell. Hath Romeo slain himself? say thou but 'I,' And that bare vowel 'I' shall poison more Than the death-darting eye of cockatrice: I am not I, if there be such an I; Or those eyes shut, that make thee answer 'I.' If he be slain, say 'I'; or if not, no: Brief sounds determine of my weal or woe. Nurse I saw the wound, I saw it with mine eyes,-- God save the mark!--here on his manly breast: A piteous corse, a bloody piteous corse; Pale, pale as ashes, all bedaub'd in blood, All in gore-blood; I swounded at the sight. JULIET O, break, my heart! poor bankrupt, break at once! To prison, eyes, ne'er look on liberty! Vile earth, to earth resign; end motion here; And thou and Romeo press one heavy bier! Nurse O Tybalt, Tybalt, the best friend I had! O courteous Tybalt! honest gentleman! That ever I should live to see thee dead! JULIET What storm is this that blows so contrary? Is Romeo slaughter'd, and is Tybalt dead? My dear-loved cousin, and my dearer lord? Then, dreadful trumpet, sound the general doom! For who is living, if those two are gone? Nurse Tybalt is gone, and Romeo banished; Romeo that kill'd him, he is banished. JULIET O God! did Romeo's hand shed Tybalt's blood? Nurse It did, it did; alas the day, it did! JULIET O serpent heart, hid with a flowering face! Did ever dragon keep so fair a cave? Beautiful tyrant! fiend angelical! Dove-feather'd raven! wolvish-ravening lamb! Despised substance of divinest show! Just opposite to what thou justly seem'st, A damned saint, an honourable villain! O nature, what hadst thou to do in hell, When thou didst bower the spirit of a fiend In moral paradise of such sweet flesh? Was ever book containing such vile matter So fairly bound? O that deceit should dwell In such a gorgeous palace! Nurse There's no trust, No faith, no honesty in men; all perjured, All forsworn, all naught, all dissemblers. Ah, where's my man? give me some aqua vitae: These griefs, these woes, these sorrows make me old. Shame come to Romeo! JULIET Blister'd be thy tongue For such a wish! he was not born to shame: Upon his brow shame is ashamed to sit; For 'tis a throne where honour may be crown'd Sole monarch of the universal earth. O, what a beast was I to chide at him! Nurse Will you speak well of him that kill'd your cousin? JULIET Shall I speak ill of him that is my husband? Ah, poor my lord, what tongue shall smooth thy name, When I, thy three-hours wife, have mangled it? But, wherefore, villain, didst thou kill my cousin? That villain cousin would have kill'd my husband: Back, foolish tears, back to your native spring; Your tributary drops belong to woe, Which you, mistaking, offer up to joy. My husband lives, that Tybalt would have slain; And Tybalt's dead, that would have slain my husband: All this is comfort; wherefore weep I then? Some word there was, worser than Tybalt's death, That murder'd me: I would forget it fain; But, O, it presses to my memory, Like damned guilty deeds to sinners' minds: 'Tybalt is dead, and Romeo--banished;' That 'banished,' that one word 'banished,' Hath slain ten thousand Tybalts. Tybalt's death Was woe enough, if it had ended there: Or, if sour woe delights in fellowship And needly will be rank'd with other griefs, Why follow'd not, when she said 'Tybalt's dead,' Thy father, or thy mother, nay, or both, Which modern lamentations might have moved? But with a rear-ward following Tybalt's death, 'Romeo is banished,' to speak that word, Is father, mother, Tybalt, Romeo, Juliet, All slain, all dead. 'Romeo is banished!' There is no end, no limit, measure, bound, In that word's death; no words can that woe sound. Where is my father, and my mother, nurse? Nurse Weeping and wailing over Tybalt's corse: Will you go to them? I will bring you thither. JULIET Wash they his wounds with tears: mine shall be spent, When theirs are dry, for Romeo's banishment. Take up those cords: poor ropes, you are beguiled, Both you and I; for Romeo is exiled: He made you for a highway to my bed; But I, a maid, die maiden-widowed. Come, cords, come, nurse; I'll to my wedding-bed; And death, not Romeo, take my maidenhead! Nurse Hie to your chamber: I'll find Romeo To comfort you: I wot well where he is. Hark ye, your Romeo will be here at night: I'll to him; he is hid at Laurence' cell. JULIET O, find him! give this ring to my true knight, And bid him come to take his last farewell. Exeunt SCENE III. Friar Laurence's cell. Enter FRIAR LAURENCE FRIAR LAURENCE Romeo, come forth; come forth, thou fearful man: Affliction is enamour'd of thy parts, And thou art wedded to calamity. Enter ROMEO ROMEO Father, what news? what is the prince's doom? What sorrow craves acquaintance at my hand, That I yet know not? FRIAR LAURENCE Too familiar Is my dear son with such sour company: I bring thee tidings of the prince's doom. ROMEO What less than dooms-day is the prince's doom? FRIAR LAURENCE A gentler judgment vanish'd from his lips, Not body's death, but body's banishment. ROMEO Ha, banishment! be merciful, say 'death;' For exile hath more terror in his look, Much more than death: do not say 'banishment.' FRIAR LAURENCE Hence from Verona art thou banished: Be patient, for the world is broad and wide. ROMEO There is no world without Verona walls, But purgatory, torture, hell itself. Hence-banished is banish'd from the world, And world's exile is death: then banished, Is death mis-term'd: calling death banishment, Thou cutt'st my head off with a golden axe, And smilest upon the stroke that murders me. FRIAR LAURENCE O deadly sin! O rude unthankfulness! Thy fault our law calls death; but the kind prince, Taking thy part, hath rush'd aside the law, And turn'd that black word death to banishment: This is dear mercy, and thou seest it not. ROMEO 'Tis torture, and not mercy: heaven is here, Where Juliet lives; and every cat and dog And little mouse, every unworthy thing, Live here in heaven and may look on her; But Romeo may not: more validity, More honourable state, more courtship lives In carrion-flies than Romeo: they my seize On the white wonder of dear Juliet's hand And steal immortal blessing from her lips, Who even in pure and vestal modesty, Still blush, as thinking their own kisses sin; But Romeo may not; he is banished: Flies may do this, but I from this must fly: They are free men, but I am banished. And say'st thou yet that exile is not death? Hadst thou no poison mix'd, no sharp-ground knife, No sudden mean of death, though ne'er so mean, But 'banished' to kill me?--'banished'? O friar, the damned use that word in hell; Howlings attend it: how hast thou the heart, Being a divine, a ghostly confessor, A sin-absolver, and my friend profess'd, To mangle me with that word 'banished'? FRIAR LAURENCE Thou fond mad man, hear me but speak a word. ROMEO O, thou wilt speak again of banishment. FRIAR LAURENCE I'll give thee armour to keep off that word: Adversity's sweet milk, philosophy, To comfort thee, though thou art banished. ROMEO Yet 'banished'? Hang up philosophy! Unless philosophy can make a Juliet, Displant a town, reverse a prince's doom, It helps not, it prevails not: talk no more. FRIAR LAURENCE O, then I see that madmen have no ears. ROMEO How should they, when that wise men have no eyes? FRIAR LAURENCE Let me dispute with thee of thy estate. ROMEO Thou canst not speak of that thou dost not feel: Wert thou as young as I, Juliet thy love, An hour but married, Tybalt murdered, Doting like me and like me banished, Then mightst thou speak, then mightst thou tear thy hair, And fall upon the ground, as I do now, Taking the measure of an unmade grave. Knocking within FRIAR LAURENCE Arise; one knocks; good Romeo, hide thyself. ROMEO Not I; unless the breath of heartsick groans, Mist-like, infold me from the search of eyes. Knocking FRIAR LAURENCE Hark, how they knock! Who's there? Romeo, arise; Thou wilt be taken. Stay awhile! Stand up; Knocking Run to my study. By and by! God's will, What simpleness is this! I come, I come! Knocking Who knocks so hard? whence come you? what's your will? Nurse Within Let me come in, and you shall know my errand; I come from Lady Juliet. FRIAR LAURENCE Welcome, then. Enter Nurse Nurse O holy friar, O, tell me, holy friar, Where is my lady's lord, where's Romeo? FRIAR LAURENCE There on the ground, with his own tears made drunk. Nurse O, he is even in my mistress' case, Just in her case! O woful sympathy! Piteous predicament! Even so lies she, Blubbering and weeping, weeping and blubbering. Stand up, stand up; stand, and you be a man: For Juliet's sake, for her sake, rise and stand; Why should you fall into so deep an O? ROMEO Nurse! Nurse Ah sir! ah sir! Well, death's the end of all. ROMEO Spakest thou of Juliet? how is it with her? Doth she not think me an old murderer, Now I have stain'd the childhood of our joy With blood removed but little from her own? Where is she? and how doth she? and what says My conceal'd lady to our cancell'd love? Nurse O, she says nothing, sir, but weeps and weeps; And now falls on her bed; and then starts up, And Tybalt calls; and then on Romeo cries, And then down falls again. ROMEO As if that name, Shot from the deadly level of a gun, Did murder her; as that name's cursed hand Murder'd her kinsman. O, tell me, friar, tell me, In what vile part of this anatomy Doth my name lodge? tell me, that I may sack The hateful mansion. Drawing his sword FRIAR LAURENCE Hold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper'd. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail'st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound'st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow'd to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier's flask, Is set afire by thine own ignorance, And thou dismember'd with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew'st Tybalt; there are thou happy too: The law that threaten'd death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout'st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went'st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming. Nurse O Lord, I could have stay'd here all the night To hear good counsel: O, what learning is! My lord, I'll tell my lady you will come. ROMEO Do so, and bid my sweet prepare to chide. Nurse Here, sir, a ring she bid me give you, sir: Hie you, make haste, for it grows very late. Exit ROMEO How well my comfort is revived by this! FRIAR LAURENCE Go hence; good night; and here stands all your state: Either be gone before the watch be set, Or by the break of day disguised from hence: Sojourn in Mantua; I'll find out your man, And he shall signify from time to time Every good hap to you that chances here: Give me thy hand; 'tis late: farewell; good night. ROMEO But that a joy past joy calls out on me, It were a grief, so brief to part with thee: Farewell. Exeunt SCENE IV. A room in Capulet's house. Enter CAPULET, LADY CAPULET, and PARIS CAPULET Things have fall'n out, sir, so unluckily, That we have had no time to move our daughter: Look you, she loved her kinsman Tybalt dearly, And so did I:--Well, we were born to die. 'Tis very late, she'll not come down to-night: I promise you, but for your company, I would have been a-bed an hour ago. PARIS These times of woe afford no time to woo. Madam, good night: commend me to your daughter. LADY CAPULET I will, and know her mind early to-morrow; To-night she is mew'd up to her heaviness. CAPULET Sir Paris, I will make a desperate tender Of my child's love: I think she will be ruled In all respects by me; nay, more, I doubt it not. Wife, go you to her ere you go to bed; Acquaint her here of my son Paris' love; And bid her, mark you me, on Wednesday next-- But, soft! what day is this? PARIS Monday, my lord, CAPULET Monday! ha, ha! Well, Wednesday is too soon, O' Thursday let it be: o' Thursday, tell her, She shall be married to this noble earl. Will you be ready? do you like this haste? We'll keep no great ado,--a friend or two; For, hark you, Tybalt being slain so late, It may be thought we held him carelessly, Being our kinsman, if we revel much: Therefore we'll have some half a dozen friends, And there an end. But what say you to Thursday? PARIS My lord, I would that Thursday were to-morrow. CAPULET Well get you gone: o' Thursday be it, then. Go you to Juliet ere you go to bed, Prepare her, wife, against this wedding-day. Farewell, my lord. Light to my chamber, ho! Afore me! it is so very very late, That we may call it early by and by. Good night. Exeunt SCENE V. Capulet's orchard. Enter ROMEO and JULIET above, at the window JULIET Wilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate-tree: Believe me, love, it was the nightingale. ROMEO It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. I must be gone and live, or stay and die. JULIET Yon light is not day-light, I know it, I: It is some meteor that the sun exhales, To be to thee this night a torch-bearer, And light thee on thy way to Mantua: Therefore stay yet; thou need'st not to be gone. ROMEO Let me be ta'en, let me be put to death; I am content, so thou wilt have it so. I'll say yon grey is not the morning's eye, 'Tis but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so. How is't, my soul? let's talk; it is not day. JULIET It is, it is: hie hence, be gone, away! It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Some say the lark makes sweet division; This doth not so, for she divideth us: Some say the lark and loathed toad change eyes, O, now I would they had changed voices too! Since arm from arm that voice doth us affray, Hunting thee hence with hunt's-up to the day, O, now be gone; more light and light it grows. ROMEO More light and light; more dark and dark our woes! Enter Nurse, to the chamber Nurse Madam! JULIET Nurse? Nurse Your lady mother is coming to your chamber: The day is broke; be wary, look about. Exit JULIET Then, window, let day in, and let life out. ROMEO Farewell, farewell! one kiss, and I'll descend. He goeth down JULIET Art thou gone so? love, lord, ay, husband, friend! I must hear from thee every day in the hour, For in a minute there are many days: O, by this count I shall be much in years Ere I again behold my Romeo! ROMEO Farewell! I will omit no opportunity That may convey my greetings, love, to thee. JULIET O think'st thou we shall ever meet again? ROMEO I doubt it not; and all these woes shall serve For sweet discourses in our time to come. JULIET O God, I have an ill-divining soul! Methinks I see thee, now thou art below, As one dead in the bottom of a tomb: Either my eyesight fails, or thou look'st pale. ROMEO And trust me, love, in my eye so do you: Dry sorrow drinks our blood. Adieu, adieu! Exit JULIET O fortune, fortune! all men call thee fickle: If thou art fickle, what dost thou with him. That is renown'd for faith? Be fickle, fortune; For then, I hope, thou wilt not keep him long, But send him back. LADY CAPULET Within Ho, daughter! are you up? JULIET Who is't that calls? is it my lady mother? Is she not down so late, or up so early? What unaccustom'd cause procures her hither? Enter LADY CAPULET LADY CAPULET Why, how now, Juliet! JULIET Madam, I am not well. LADY CAPULET Evermore weeping for your cousin's death? What, wilt thou wash him from his grave with tears? An if thou couldst, thou couldst not make him live; Therefore, have done: some grief shows much of love; But much of grief shows still some want of wit. JULIET Yet let me weep for such a feeling loss. LADY CAPULET So shall you feel the loss, but not the friend Which you weep for. JULIET Feeling so the loss, Cannot choose but ever weep the friend. LADY CAPULET Well, girl, thou weep'st not so much for his death, As that the villain lives which slaughter'd him. JULIET What villain madam? LADY CAPULET That same villain, Romeo. JULIET Aside Villain and he be many miles asunder.-- God Pardon him! I do, with all my heart; And yet no man like he doth grieve my heart. LADY CAPULET That is, because the traitor murderer lives. JULIET Ay, madam, from the reach of these my hands: Would none but I might venge my cousin's death! LADY CAPULET We will have vengeance for it, fear thou not: Then weep no more. I'll send to one in Mantua, Where that same banish'd runagate doth live, Shall give him such an unaccustom'd dram, That he shall soon keep Tybalt company: And then, I hope, thou wilt be satisfied. JULIET Indeed, I never shall be satisfied With Romeo, till I behold him--dead-- Is my poor heart for a kinsman vex'd. Madam, if you could find out but a man To bear a poison, I would temper it; That Romeo should, upon receipt thereof, Soon sleep in quiet. O, how my heart abhors To hear him named, and cannot come to him. To wreak the love I bore my cousin Upon his body that slaughter'd him! LADY CAPULET Find thou the means, and I'll find such a man. But now I'll tell thee joyful tidings, girl. JULIET And joy comes well in such a needy time: What are they, I beseech your ladyship? LADY CAPULET Well, well, thou hast a careful father, child; One who, to put thee from thy heaviness, Hath sorted out a sudden day of joy, That thou expect'st not nor I look'd not for. JULIET Madam, in happy time, what day is that? LADY CAPULET Marry, my child, early next Thursday morn, The gallant, young and noble gentleman, The County Paris, at Saint Peter's Church, Shall happily make thee there a joyful bride. JULIET Now, by Saint Peter's Church and Peter too, He shall not make me there a joyful bride. I wonder at this haste; that I must wed Ere he, that should be husband, comes to woo. I pray you, tell my lord and father, madam, I will not marry yet; and, when I do, I swear, It shall be Romeo, whom you know I hate, Rather than Paris. These are news indeed! LADY CAPULET Here comes your father; tell him so yourself, And see how he will take it at your hands. Enter CAPULET and Nurse CAPULET When the sun sets, the air doth drizzle dew; But for the sunset of my brother's son It rains downright. How now! a conduit, girl? what, still in tears? Evermore showering? In one little body Thou counterfeit'st a bark, a sea, a wind; For still thy eyes, which I may call the sea, Do ebb and flow with tears; the bark thy body is, Sailing in this salt flood; the winds, thy sighs; Who, raging with thy tears, and they with them, Without a sudden calm, will overset Thy tempest-tossed body. How now, wife! Have you deliver'd to her our decree? LADY CAPULET Ay, sir; but she will none, she gives you thanks. I would the fool were married to her grave! CAPULET Soft! take me with you, take me with you, wife. How! will she none? doth she not give us thanks? Is she not proud? doth she not count her blest, Unworthy as she is, that we have wrought So worthy a gentleman to be her bridegroom? JULIET Not proud, you have; but thankful, that you have: Proud can I never be of what I hate; But thankful even for hate, that is meant love. CAPULET How now, how now, chop-logic! What is this? 'Proud,' and 'I thank you,' and 'I thank you not;' And yet 'not proud,' mistress minion, you, Thank me no thankings, nor, proud me no prouds, But fettle your fine joints 'gainst Thursday next, To go with Paris to Saint Peter's Church, Or I will drag thee on a hurdle thither. Out, you green-sickness carrion! out, you baggage! You tallow-face! LADY CAPULET Fie, fie! what, are you mad? JULIET Good father, I beseech you on my knees, Hear me with patience but to speak a word. CAPULET Hang thee, young baggage! disobedient wretch! I tell thee what: get thee to church o' Thursday, Or never after look me in the face: Speak not, reply not, do not answer me; My fingers itch. Wife, we scarce thought us blest That God had lent us but this only child; But now I see this one is one too much, And that we have a curse in having her: Out on her, hilding! Nurse God in heaven bless her! You are to blame, my lord, to rate her so. CAPULET And why, my lady wisdom? hold your tongue, Good prudence; smatter with your gossips, go. Nurse I speak no treason. CAPULET O, God ye god-den. Nurse May not one speak? CAPULET Peace, you mumbling fool! Utter your gravity o'er a gossip's bowl; For here we need it not. LADY CAPULET You are too hot. CAPULET God's bread! it makes me mad: Day, night, hour, tide, time, work, play, Alone, in company, still my care hath been To have her match'd: and having now provided A gentleman of noble parentage, Of fair demesnes, youthful, and nobly train'd, Stuff'd, as they say, with honourable parts, Proportion'd as one's thought would wish a man; And then to have a wretched puling fool, A whining mammet, in her fortune's tender, To answer 'I'll not wed; I cannot love, I am too young; I pray you, pardon me.' But, as you will not wed, I'll pardon you: Graze where you will you shall not house with me: Look to't, think on't, I do not use to jest. Thursday is near; lay hand on heart, advise: An you be mine, I'll give you to my friend; And you be not, hang, beg, starve, die in the streets, For, by my soul, I'll ne'er acknowledge thee, Nor what is mine shall never do thee good: Trust to't, bethink you; I'll not be forsworn. Exit JULIET Is there no pity sitting in the clouds, That sees into the bottom of my grief? O, sweet my mother, cast me not away! Delay this marriage for a month, a week; Or, if you do not, make the bridal bed In that dim monument where Tybalt lies. LADY CAPULET Talk not to me, for I'll not speak a word: Do as thou wilt, for I have done with thee. Exit JULIET O God!--O nurse, how shall this be prevented? My husband is on earth, my faith in heaven; How shall that faith return again to earth, Unless that husband send it me from heaven By leaving earth? comfort me, counsel me. Alack, alack, that heaven should practise stratagems Upon so soft a subject as myself! What say'st thou? hast thou not a word of joy? Some comfort, nurse. Nurse Faith, here it is. Romeo is banish'd; and all the world to nothing, That he dares ne'er come back to challenge you; Or, if he do, it needs must be by stealth. Then, since the case so stands as now it doth, I think it best you married with the county. O, he's a lovely gentleman! Romeo's a dishclout to him: an eagle, madam, Hath not so green, so quick, so fair an eye As Paris hath. Beshrew my very heart, I think you are happy in this second match, For it excels your first: or if it did not, Your first is dead; or 'twere as good he were, As living here and you no use of him. JULIET Speakest thou from thy heart? Nurse And from my soul too; Or else beshrew them both. JULIET Amen! Nurse What? JULIET Well, thou hast comforted me marvellous much. Go in: and tell my lady I am gone, Having displeased my father, to Laurence' cell, To make confession and to be absolved. Nurse Marry, I will; and this is wisely done. Exit JULIET Ancient damnation! O most wicked fiend! Is it more sin to wish me thus forsworn, Or to dispraise my lord with that same tongue Which she hath praised him with above compare So many thousand times? Go, counsellor; Thou and my bosom henceforth shall be twain. I'll to the friar, to know his remedy: If all else fail, myself have power to die. Exit ACT IV SCENE I. Friar Laurence's cell. Enter FRIAR LAURENCE and PARIS FRIAR LAURENCE On Thursday, sir? the time is very short. PARIS My father Capulet will have it so; And I am nothing slow to slack his haste. FRIAR LAURENCE You say you do not know the lady's mind: Uneven is the course, I like it not. PARIS Immoderately she weeps for Tybalt's death, And therefore have I little talk'd of love; For Venus smiles not in a house of tears. Now, sir, her father counts it dangerous That she doth give her sorrow so much sway, And in his wisdom hastes our marriage, To stop the inundation of her tears; Which, too much minded by herself alone, May be put from her by society: Now do you know the reason of this haste. FRIAR LAURENCE Aside I would I knew not why it should be slow'd. Look, sir, here comes the lady towards my cell. Enter JULIET PARIS Happily met, my lady and my wife! JULIET That may be, sir, when I may be a wife. PARIS That may be must be, love, on Thursday next. JULIET What must be shall be. FRIAR LAURENCE That's a certain text. PARIS Come you to make confession to this father? JULIET To answer that, I should confess to you. PARIS Do not deny to him that you love me. JULIET I will confess to you that I love him. PARIS So will ye, I am sure, that you love me. JULIET If I do so, it will be of more price, Being spoke behind your back, than to your face. PARIS Poor soul, thy face is much abused with tears. JULIET The tears have got small victory by that; For it was bad enough before their spite. PARIS Thou wrong'st it, more than tears, with that report. JULIET That is no slander, sir, which is a truth; And what I spake, I spake it to my face. PARIS Thy face is mine, and thou hast slander'd it. JULIET It may be so, for it is not mine own. Are you at leisure, holy father, now; Or shall I come to you at evening mass? FRIAR LAURENCE My leisure serves me, pensive daughter, now. My lord, we must entreat the time alone. PARIS God shield I should disturb devotion! Juliet, on Thursday early will I rouse ye: Till then, adieu; and keep this holy kiss. Exit JULIET O shut the door! and when thou hast done so, Come weep with me; past hope, past cure, past help! FRIAR LAURENCE Ah, Juliet, I already know thy grief; It strains me past the compass of my wits: I hear thou must, and nothing may prorogue it, On Thursday next be married to this county. JULIET Tell me not, friar, that thou hear'st of this, Unless thou tell me how I may prevent it: If, in thy wisdom, thou canst give no help, Do thou but call my resolution wise, And with this knife I'll help it presently. God join'd my heart and Romeo's, thou our hands; And ere this hand, by thee to Romeo seal'd, Shall be the label to another deed, Or my true heart with treacherous revolt Turn to another, this shall slay them both: Therefore, out of thy long-experienced time, Give me some present counsel, or, behold, 'Twixt my extremes and me this bloody knife Shall play the umpire, arbitrating that Which the commission of thy years and art Could to no issue of true honour bring. Be not so long to speak; I long to die, If what thou speak'st speak not of remedy. FRIAR LAURENCE Hold, daughter: I do spy a kind of hope, Which craves as desperate an execution. As that is desperate which we would prevent. If, rather than to marry County Paris, Thou hast the strength of will to slay thyself, Then is it likely thou wilt undertake A thing like death to chide away this shame, That copest with death himself to scape from it: And, if thou darest, I'll give thee remedy. JULIET O, bid me leap, rather than marry Paris, From off the battlements of yonder tower; Or walk in thievish ways; or bid me lurk Where serpents are; chain me with roaring bears; Or shut me nightly in a charnel-house, O'er-cover'd quite with dead men's rattling bones, With reeky shanks and yellow chapless skulls; Or bid me go into a new-made grave And hide me with a dead man in his shroud; Things that, to hear them told, have made me tremble; And I will do it without fear or doubt, To live an unstain'd wife to my sweet love. FRIAR LAURENCE Hold, then; go home, be merry, give consent To marry Paris: Wednesday is to-morrow: To-morrow night look that thou lie alone; Let not thy nurse lie with thee in thy chamber: Take thou this vial, being then in bed, And this distilled liquor drink thou off; When presently through all thy veins shall run A cold and drowsy humour, for no pulse Shall keep his native progress, but surcease: No warmth, no breath, shall testify thou livest; The roses in thy lips and cheeks shall fade To paly ashes, thy eyes' windows fall, Like death, when he shuts up the day of life; Each part, deprived of supple government, Shall, stiff and stark and cold, appear like death: And in this borrow'd likeness of shrunk death Thou shalt continue two and forty hours, And then awake as from a pleasant sleep. Now, when the bridegroom in the morning comes To rouse thee from thy bed, there art thou dead: Then, as the manner of our country is, In thy best robes uncover'd on the bier Thou shalt be borne to that same ancient vault Where all the kindred of the Capulets lie. In the mean time, against thou shalt awake, Shall Romeo by my letters know our drift, And hither shall he come: and he and I Will watch thy waking, and that very night Shall Romeo bear thee hence to Mantua. And this shall free thee from this present shame; If no inconstant toy, nor womanish fear, Abate thy valour in the acting it. JULIET Give me, give me! O, tell not me of fear! FRIAR LAURENCE Hold; get you gone, be strong and prosperous In this resolve: I'll send a friar with speed To Mantua, with my letters to thy lord. JULIET Love give me strength! and strength shall help afford. Farewell, dear father! Exeunt SCENE II. Hall in Capulet's house. Enter CAPULET, LADY CAPULET, Nurse, and two Servingmen CAPULET So many guests invite as here are writ. Exit First Servant Sirrah, go hire me twenty cunning cooks. Second Servant You shall have none ill, sir; for I'll try if they can lick their fingers. CAPULET How canst thou try them so? Second Servant Marry, sir, 'tis an ill cook that cannot lick his own fingers: therefore he that cannot lick his fingers goes not with me. CAPULET Go, be gone. Exit Second Servant We shall be much unfurnished for this time. What, is my daughter gone to Friar Laurence? Nurse Ay, forsooth. CAPULET Well, he may chance to do some good on her: A peevish self-will'd harlotry it is. Nurse See where she comes from shrift with merry look. Enter JULIET CAPULET How now, my headstrong! where have you been gadding? JULIET Where I have learn'd me to repent the sin Of disobedient opposition To you and your behests, and am enjoin'd By holy Laurence to fall prostrate here, And beg your pardon: pardon, I beseech you! Henceforward I am ever ruled by you. CAPULET Send for the county; go tell him of this: I'll have this knot knit up to-morrow morning. JULIET I met the youthful lord at Laurence' cell; And gave him what becomed love I might, Not step o'er the bounds of modesty. CAPULET Why, I am glad on't; this is well: stand up: This is as't should be. Let me see the county; Ay, marry, go, I say, and fetch him hither. Now, afore God! this reverend holy friar, Our whole city is much bound to him. JULIET Nurse, will you go with me into my closet, To help me sort such needful ornaments As you think fit to furnish me to-morrow? LADY CAPULET No, not till Thursday; there is time enough. CAPULET Go, nurse, go with her: we'll to church to-morrow. Exeunt JULIET and Nurse LADY CAPULET We shall be short in our provision: 'Tis now near night. CAPULET Tush, I will stir about, And all things shall be well, I warrant thee, wife: Go thou to Juliet, help to deck up her; I'll not to bed to-night; let me alone; I'll play the housewife for this once. What, ho! They are all forth. Well, I will walk myself To County Paris, to prepare him up Against to-morrow: my heart is wondrous light, Since this same wayward girl is so reclaim'd. Exeunt SCENE III. Juliet's chamber. Enter JULIET and Nurse JULIET Ay, those attires are best: but, gentle nurse, I pray thee, leave me to myself to-night, For I have need of many orisons To move the heavens to smile upon my state, Which, well thou know'st, is cross, and full of sin. Enter LADY CAPULET LADY CAPULET What, are you busy, ho? need you my help? JULIET No, madam; we have cull'd such necessaries As are behoveful for our state to-morrow: So please you, let me now be left alone, And let the nurse this night sit up with you; For, I am sure, you have your hands full all, In this so sudden business. LADY CAPULET Good night: Get thee to bed, and rest; for thou hast need. Exeunt LADY CAPULET and Nurse JULIET Farewell! God knows when we shall meet again. I have a faint cold fear thrills through my veins, That almost freezes up the heat of life: I'll call them back again to comfort me: Nurse! What should she do here? My dismal scene I needs must act alone. Come, vial. What if this mixture do not work at all? Shall I be married then to-morrow morning? No, no: this shall forbid it: lie thou there. Laying down her dagger What if it be a poison, which the friar Subtly hath minister'd to have me dead, Lest in this marriage he should be dishonour'd, Because he married me before to Romeo? I fear it is: and yet, methinks, it should not, For he hath still been tried a holy man. How if, when I am laid into the tomb, I wake before the time that Romeo Come to redeem me? there's a fearful point! Shall I not, then, be stifled in the vault, To whose foul mouth no healthsome air breathes in, And there die strangled ere my Romeo comes? Or, if I live, is it not very like, The horrible conceit of death and night, Together with the terror of the place,-- As in a vault, an ancient receptacle, Where, for these many hundred years, the bones Of all my buried ancestors are packed: Where bloody Tybalt, yet but green in earth, Lies festering in his shroud; where, as they say, At some hours in the night spirits resort;-- Alack, alack, is it not like that I, So early waking, what with loathsome smells, And shrieks like mandrakes' torn out of the earth, That living mortals, hearing them, run mad:-- O, if I wake, shall I not be distraught, Environed with all these hideous fears? And madly play with my forefather's joints? And pluck the mangled Tybalt from his shroud? And, in this rage, with some great kinsman's bone, As with a club, dash out my desperate brains? O, look! methinks I see my cousin's ghost Seeking out Romeo, that did spit his body Upon a rapier's point: stay, Tybalt, stay! Romeo, I come! this do I drink to thee. She falls upon her bed, within the curtains SCENE IV. Hall in Capulet's house. Enter LADY CAPULET and Nurse LADY CAPULET Hold, take these keys, and fetch more spices, nurse. Nurse They call for dates and quinces in the pastry. Enter CAPULET CAPULET Come, stir, stir, stir! the second cock hath crow'd, The curfew-bell hath rung, 'tis three o'clock: Look to the baked meats, good Angelica: Spare not for the cost. Nurse Go, you cot-quean, go, Get you to bed; faith, You'll be sick to-morrow For this night's watching. CAPULET No, not a whit: what! I have watch'd ere now All night for lesser cause, and ne'er been sick. LADY CAPULET Ay, you have been a mouse-hunt in your time; But I will watch you from such watching now. Exeunt LADY CAPULET and Nurse CAPULET A jealous hood, a jealous hood! Enter three or four Servingmen, with spits, logs, and baskets Now, fellow, What's there? First Servant Things for the cook, sir; but I know not what. CAPULET Make haste, make haste. Exit First Servant Sirrah, fetch drier logs: Call Peter, he will show thee where they are. Second Servant I have a head, sir, that will find out logs, And never trouble Peter for the matter. Exit CAPULET Mass, and well said; a merry whoreson, ha! Thou shalt be logger-head. Good faith, 'tis day: The county will be here with music straight, For so he said he would: I hear him near. Music within Nurse! Wife! What, ho! What, nurse, I say! Re-enter Nurse Go waken Juliet, go and trim her up; I'll go and chat with Paris: hie, make haste, Make haste; the bridegroom he is come already: Make haste, I say. Exeunt SCENE V. Juliet's chamber. Enter Nurse Nurse Mistress! what, mistress! Juliet! fast, I warrant her, she: Why, lamb! why, lady! fie, you slug-a-bed! Why, love, I say! madam! sweet-heart! why, bride! What, not a word? you take your pennyworths now; Sleep for a week; for the next night, I warrant, The County Paris hath set up his rest, That you shall rest but little. God forgive me, Marry, and amen, how sound is she asleep! I must needs wake her. Madam, madam, madam! Ay, let the county take you in your bed; He'll fright you up, i' faith. Will it not be? Undraws the curtains What, dress'd! and in your clothes! and down again! I must needs wake you; Lady! lady! lady! Alas, alas! Help, help! my lady's dead! O, well-a-day, that ever I was born! Some aqua vitae, ho! My lord! my lady! Enter LADY CAPULET LADY CAPULET What noise is here? Nurse O lamentable day! LADY CAPULET What is the matter? Nurse Look, look! O heavy day! LADY CAPULET O me, O me! My child, my only life, Revive, look up, or I will die with thee! Help, help! Call help. Enter CAPULET CAPULET For shame, bring Juliet forth; her lord is come. Nurse She's dead, deceased, she's dead; alack the day! LADY CAPULET Alack the day, she's dead, she's dead, she's dead! CAPULET Ha! let me see her: out, alas! she's cold: Her blood is settled, and her joints are stiff; Life and these lips have long been separated: Death lies on her like an untimely frost Upon the sweetest flower of all the field. Nurse O lamentable day! LADY CAPULET O woful time! CAPULET Death, that hath ta'en her hence to make me wail, Ties up my tongue, and will not let me speak. Enter FRIAR LAURENCE and PARIS, with Musicians FRIAR LAURENCE Come, is the bride ready to go to church? CAPULET Ready to go, but never to return. O son! the night before thy wedding-day Hath Death lain with thy wife. There she lies, Flower as she was, deflowered by him. Death is my son-in-law, Death is my heir; My daughter he hath wedded: I will die, And leave him all; life, living, all is Death's. PARIS Have I thought long to see this morning's face, And doth it give me such a sight as this? LADY CAPULET Accursed, unhappy, wretched, hateful day! Most miserable hour that e'er time saw In lasting labour of his pilgrimage! But one, poor one, one poor and loving child, But one thing to rejoice and solace in, And cruel death hath catch'd it from my sight! Nurse O woe! O woful, woful, woful day! Most lamentable day, most woful day, That ever, ever, I did yet behold! O day! O day! O day! O hateful day! Never was seen so black a day as this: O woful day, O woful day! PARIS Beguiled, divorced, wronged, spited, slain! Most detestable death, by thee beguil'd, By cruel cruel thee quite overthrown! O love! O life! not life, but love in death! CAPULET Despised, distressed, hated, martyr'd, kill'd! Uncomfortable time, why camest thou now To murder, murder our solemnity? O child! O child! my soul, and not my child! Dead art thou! Alack! my child is dead; And with my child my joys are buried. FRIAR LAURENCE Peace, ho, for shame! confusion's cure lives not In these confusions. Heaven and yourself Had part in this fair maid; now heaven hath all, And all the better is it for the maid: Your part in her you could not keep from death, But heaven keeps his part in eternal life. The most you sought was her promotion; For 'twas your heaven she should be advanced: And weep ye now, seeing she is advanced Above the clouds, as high as heaven itself? O, in this love, you love your child so ill, That you run mad, seeing that she is well: She's not well married that lives married long; But she's best married that dies married young. Dry up your tears, and stick your rosemary On this fair corse; and, as the custom is, In all her best array bear her to church: For though fond nature bids us an lament, Yet nature's tears are reason's merriment. CAPULET All things that we ordained festival, Turn from their office to black funeral; Our instruments to melancholy bells, Our wedding cheer to a sad burial feast, Our solemn hymns to sullen dirges change, Our bridal flowers serve for a buried corse, And all things change them to the contrary. FRIAR LAURENCE Sir, go you in; and, madam, go with him; And go, Sir Paris; every one prepare To follow this fair corse unto her grave: The heavens do lour upon you for some ill; Move them no more by crossing their high will. Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCE First Musician Faith, we may put up our pipes, and be gone. Nurse Honest goodfellows, ah, put up, put up; For, well you know, this is a pitiful case. Exit First Musician Ay, by my troth, the case may be amended. Enter PETER PETER Musicians, O, musicians, 'Heart's ease, Heart's ease:' O, an you will have me live, play 'Heart's ease.' First Musician Why 'Heart's ease?' PETER O, musicians, because my heart itself plays 'My heart is full of woe:' O, play me some merry dump, to comfort me. First Musician Not a dump we; 'tis no time to play now. PETER You will not, then? First Musician No. PETER I will then give it you soundly. First Musician What will you give us? PETER No money, on my faith, but the gleek; I will give you the minstrel. First Musician Then I will give you the serving-creature. PETER Then will I lay the serving-creature's dagger on your pate. I will carry no crotchets: I'll re you, I'll fa you; do you note me? First Musician An you re us and fa us, you note us. Second Musician Pray you, put up your dagger, and put out your wit. PETER Then have at you with my wit! I will dry-beat you with an iron wit, and put up my iron dagger. Answer me like men: 'When griping grief the heart doth wound, And doleful dumps the mind oppress, Then music with her silver sound'-- why 'silver sound'? why 'music with her silver sound'? What say you, Simon Catling? Musician Marry, sir, because silver hath a sweet sound. PETER Pretty! What say you, Hugh Rebeck? Second Musician I say 'silver sound,' because musicians sound for silver. PETER Pretty too! What say you, James Soundpost? Third Musician Faith, I know not what to say. PETER O, I cry you mercy; you are the singer: I will say for you. It is 'music with her silver sound,' because musicians have no gold for sounding: 'Then music with her silver sound With speedy help doth lend redress.' Exit First Musician What a pestilent knave is this same! Second Musician Hang him, Jack! Come, we'll in here; tarry for the mourners, and stay dinner. Exeunt ACT V SCENE I. Mantua. A street. Enter ROMEO ROMEO If I may trust the flattering truth of sleep, My dreams presage some joyful news at hand: My bosom's lord sits lightly in his throne; And all this day an unaccustom'd spirit Lifts me above the ground with cheerful thoughts. I dreamt my lady came and found me dead-- Strange dream, that gives a dead man leave to think!-- And breathed such life with kisses in my lips, That I revived, and was an emperor. Ah me! how sweet is love itself possess'd, When but love's shadows are so rich in joy! Enter BALTHASAR, booted News from Verona!--How now, Balthasar! Dost thou not bring me letters from the friar? How doth my lady? Is my father well? How fares my Juliet? that I ask again; For nothing can be ill, if she be well. BALTHASAR Then she is well, and nothing can be ill: Her body sleeps in Capel's monument, And her immortal part with angels lives. I saw her laid low in her kindred's vault, And presently took post to tell it you: O, pardon me for bringing these ill news, Since you did leave it for my office, sir. ROMEO Is it even so? then I defy you, stars! Thou know'st my lodging: get me ink and paper, And hire post-horses; I will hence to-night. BALTHASAR I do beseech you, sir, have patience: Your looks are pale and wild, and do import Some misadventure. ROMEO Tush, thou art deceived: Leave me, and do the thing I bid thee do. Hast thou no letters to me from the friar? BALTHASAR No, my good lord. ROMEO No matter: get thee gone, And hire those horses; I'll be with thee straight. Exit BALTHASAR Well, Juliet, I will lie with thee to-night. Let's see for means: O mischief, thou art swift To enter in the thoughts of desperate men! I do remember an apothecary,-- And hereabouts he dwells,--which late I noted In tatter'd weeds, with overwhelming brows, Culling of simples; meagre were his looks, Sharp misery had worn him to the bones: And in his needy shop a tortoise hung, An alligator stuff'd, and other skins Of ill-shaped fishes; and about his shelves A beggarly account of empty boxes, Green earthen pots, bladders and musty seeds, Remnants of packthread and old cakes of roses, Were thinly scatter'd, to make up a show. Noting this penury, to myself I said 'An if a man did need a poison now, Whose sale is present death in Mantua, Here lives a caitiff wretch would sell it him.' O, this same thought did but forerun my need; And this same needy man must sell it me. As I remember, this should be the house. Being holiday, the beggar's shop is shut. What, ho! apothecary! Enter Apothecary Apothecary Who calls so loud? ROMEO Come hither, man. I see that thou art poor: Hold, there is forty ducats: let me have A dram of poison, such soon-speeding gear As will disperse itself through all the veins That the life-weary taker may fall dead And that the trunk may be discharged of breath As violently as hasty powder fired Doth hurry from the fatal cannon's womb. Apothecary Such mortal drugs I have; but Mantua's law Is death to any he that utters them. ROMEO Art thou so bare and full of wretchedness, And fear'st to die? famine is in thy cheeks, Need and oppression starveth in thine eyes, Contempt and beggary hangs upon thy back; The world is not thy friend nor the world's law; The world affords no law to make thee rich; Then be not poor, but break it, and take this. Apothecary My poverty, but not my will, consents. ROMEO I pay thy poverty, and not thy will. Apothecary Put this in any liquid thing you will, And drink it off; and, if you had the strength Of twenty men, it would dispatch you straight. ROMEO There is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou mayst not sell. I sell thee poison; thou hast sold me none. Farewell: buy food, and get thyself in flesh. Come, cordial and not poison, go with me To Juliet's grave; for there must I use thee. Exeunt SCENE II. Friar Laurence's cell. Enter FRIAR JOHN FRIAR JOHN Holy Franciscan friar! brother, ho! Enter FRIAR LAURENCE FRIAR LAURENCE This same should be the voice of Friar John. Welcome from Mantua: what says Romeo? Or, if his mind be writ, give me his letter. FRIAR JOHN Going to find a bare-foot brother out One of our order, to associate me, Here in this city visiting the sick, And finding him, the searchers of the town, Suspecting that we both were in a house Where the infectious pestilence did reign, Seal'd up the doors, and would not let us forth; So that my speed to Mantua there was stay'd. FRIAR LAURENCE Who bare my letter, then, to Romeo? FRIAR JOHN I could not send it,--here it is again,-- Nor get a messenger to bring it thee, So fearful were they of infection. FRIAR LAURENCE Unhappy fortune! by my brotherhood, The letter was not nice but full of charge Of dear import, and the neglecting it May do much danger. Friar John, go hence; Get me an iron crow, and bring it straight Unto my cell. FRIAR JOHN Brother, I'll go and bring it thee. Exit FRIAR LAURENCE Now must I to the monument alone; Within three hours will fair Juliet wake: She will beshrew me much that Romeo Hath had no notice of these accidents; But I will write again to Mantua, And keep her at my cell till Romeo come; Poor living corse, closed in a dead man's tomb! Exit SCENE III. A churchyard; in it a tomb belonging to the Capulets. Enter PARIS, and his Page bearing flowers and a torch PARIS Give me thy torch, boy: hence, and stand aloof: Yet put it out, for I would not be seen. Under yond yew-trees lay thee all along, Holding thine ear close to the hollow ground; So shall no foot upon the churchyard tread, Being loose, unfirm, with digging up of graves, But thou shalt hear it: whistle then to me, As signal that thou hear'st something approach. Give me those flowers. Do as I bid thee, go. PAGE Aside I am almost afraid to stand alone Here in the churchyard; yet I will adventure. Retires PARIS Sweet flower, with flowers thy bridal bed I strew,-- O woe! thy canopy is dust and stones;-- Which with sweet water nightly I will dew, Or, wanting that, with tears distill'd by moans: The obsequies that I for thee will keep Nightly shall be to strew thy grave and weep. The Page whistles The boy gives warning something doth approach. What cursed foot wanders this way to-night, To cross my obsequies and true love's rite? What with a torch! muffle me, night, awhile. Retires Enter ROMEO and BALTHASAR, with a torch, mattock, &c ROMEO Give me that mattock and the wrenching iron. Hold, take this letter; early in the morning See thou deliver it to my lord and father. Give me the light: upon thy life, I charge thee, Whate'er thou hear'st or seest, stand all aloof, And do not interrupt me in my course. Why I descend into this bed of death, Is partly to behold my lady's face; But chiefly to take thence from her dead finger A precious ring, a ring that I must use In dear employment: therefore hence, be gone: But if thou, jealous, dost return to pry In what I further shall intend to do, By heaven, I will tear thee joint by joint And strew this hungry churchyard with thy limbs: The time and my intents are savage-wild, More fierce and more inexorable far Than empty tigers or the roaring sea. BALTHASAR I will be gone, sir, and not trouble you. ROMEO So shalt thou show me friendship. Take thou that: Live, and be prosperous: and farewell, good fellow. BALTHASAR Aside For all this same, I'll hide me hereabout: His looks I fear, and his intents I doubt. Retires ROMEO Thou detestable maw, thou womb of death, Gorged with the dearest morsel of the earth, Thus I enforce thy rotten jaws to open, And, in despite, I'll cram thee with more food! Opens the tomb PARIS This is that banish'd haughty Montague, That murder'd my love's cousin, with which grief, It is supposed, the fair creature died; And here is come to do some villanous shame To the dead bodies: I will apprehend him. Comes forward Stop thy unhallow'd toil, vile Montague! Can vengeance be pursued further than death? Condemned villain, I do apprehend thee: Obey, and go with me; for thou must die. ROMEO I must indeed; and therefore came I hither. Good gentle youth, tempt not a desperate man; Fly hence, and leave me: think upon these gone; Let them affright thee. I beseech thee, youth, Put not another sin upon my head, By urging me to fury: O, be gone! By heaven, I love thee better than myself; For I come hither arm'd against myself: Stay not, be gone; live, and hereafter say, A madman's mercy bade thee run away. PARIS I do defy thy conjurations, And apprehend thee for a felon here. ROMEO Wilt thou provoke me? then have at thee, boy! They fight PAGE O Lord, they fight! I will go call the watch. Exit PARIS O, I am slain! Falls If thou be merciful, Open the tomb, lay me with Juliet. Dies ROMEO In faith, I will. Let me peruse this face. Mercutio's kinsman, noble County Paris! What said my man, when my betossed soul Did not attend him as we rode? I think He told me Paris should have married Juliet: Said he not so? or did I dream it so? Or am I mad, hearing him talk of Juliet, To think it was so? O, give me thy hand, One writ with me in sour misfortune's book! I'll bury thee in a triumphant grave; A grave? O no! a lantern, slaughter'd youth, For here lies Juliet, and her beauty makes This vault a feasting presence full of light. Death, lie thou there, by a dead man interr'd. Laying PARIS in the tomb How oft when men are at the point of death Have they been merry! which their keepers call A lightning before death: O, how may I Call this a lightning? O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there. Tybalt, liest thou there in thy bloody sheet? O, what more favour can I do to thee, Than with that hand that cut thy youth in twain To sunder his that was thine enemy? Forgive me, cousin! Ah, dear Juliet, Why art thou yet so fair? shall I believe That unsubstantial death is amorous, And that the lean abhorred monster keeps Thee here in dark to be his paramour? For fear of that, I still will stay with thee; And never from this palace of dim night Depart again: here, here will I remain With worms that are thy chamber-maids; O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death! Come, bitter conduct, come, unsavoury guide! Thou desperate pilot, now at once run on The dashing rocks thy sea-sick weary bark! Here's to my love! Drinks O true apothecary! Thy drugs are quick. Thus with a kiss I die. Dies Enter, at the other end of the churchyard, FRIAR LAURENCE, with a lantern, crow, and spade FRIAR LAURENCE Saint Francis be my speed! how oft to-night Have my old feet stumbled at graves! Who's there? BALTHASAR Here's one, a friend, and one that knows you well. FRIAR LAURENCE Bliss be upon you! Tell me, good my friend, What torch is yond, that vainly lends his light To grubs and eyeless skulls? as I discern, It burneth in the Capel's monument. BALTHASAR It doth so, holy sir; and there's my master, One that you love. FRIAR LAURENCE Who is it? BALTHASAR Romeo. FRIAR LAURENCE How long hath he been there? BALTHASAR Full half an hour. FRIAR LAURENCE Go with me to the vault. BALTHASAR I dare not, sir My master knows not but I am gone hence; And fearfully did menace me with death, If I did stay to look on his intents. FRIAR LAURENCE Stay, then; I'll go alone. Fear comes upon me: O, much I fear some ill unlucky thing. BALTHASAR As I did sleep under this yew-tree here, I dreamt my master and another fought, And that my master slew him. FRIAR LAURENCE Romeo! Advances Alack, alack, what blood is this, which stains The stony entrance of this sepulchre? What mean these masterless and gory swords To lie discolour'd by this place of peace? Enters the tomb Romeo! O, pale! Who else? what, Paris too? And steep'd in blood? Ah, what an unkind hour Is guilty of this lamentable chance! The lady stirs. JULIET wakes JULIET O comfortable friar! where is my lord? I do remember well where I should be, And there I am. Where is my Romeo? Noise within FRIAR LAURENCE I hear some noise. Lady, come from that nest Of death, contagion, and unnatural sleep: A greater power than we can contradict Hath thwarted our intents. Come, come away. Thy husband in thy bosom there lies dead; And Paris too. Come, I'll dispose of thee Among a sisterhood of holy nuns: Stay not to question, for the watch is coming; Come, go, good Juliet, Noise again I dare no longer stay. JULIET Go, get thee hence, for I will not away. Exit FRIAR LAURENCE What's here? a cup, closed in my true love's hand? Poison, I see, hath been his timeless end: O churl! drunk all, and left no friendly drop To help me after? I will kiss thy lips; Haply some poison yet doth hang on them, To make die with a restorative. Kisses him Thy lips are warm. First Watchman Within Lead, boy: which way? JULIET Yea, noise? then I'll be brief. O happy dagger! Snatching ROMEO's dagger This is thy sheath; Stabs herself there rust, and let me die. Falls on ROMEO's body, and dies Enter Watch, with the Page of PARIS PAGE This is the place; there, where the torch doth burn. First Watchman The ground is bloody; search about the churchyard: Go, some of you, whoe'er you find attach. Pitiful sight! here lies the county slain, And Juliet bleeding, warm, and newly dead, Who here hath lain these two days buried. Go, tell the prince: run to the Capulets: Raise up the Montagues: some others search: We see the ground whereon these woes do lie; But the true ground of all these piteous woes We cannot without circumstance descry. Re-enter some of the Watch, with BALTHASAR Second Watchman Here's Romeo's man; we found him in the churchyard. First Watchman Hold him in safety, till the prince come hither. Re-enter others of the Watch, with FRIAR LAURENCE Third Watchman Here is a friar, that trembles, sighs and weeps: We took this mattock and this spade from him, As he was coming from this churchyard side. First Watchman A great suspicion: stay the friar too. Enter the PRINCE and Attendants PRINCE What misadventure is so early up, That calls our person from our morning's rest? Enter CAPULET, LADY CAPULET, and others CAPULET What should it be, that they so shriek abroad? LADY CAPULET The people in the street cry Romeo, Some Juliet, and some Paris; and all run, With open outcry toward our monument. PRINCE What fear is this which startles in our ears? First Watchman Sovereign, here lies the County Paris slain; And Romeo dead; and Juliet, dead before, Warm and new kill'd. PRINCE Search, seek, and know how this foul murder comes. First Watchman Here is a friar, and slaughter'd Romeo's man; With instruments upon them, fit to open These dead men's tombs. CAPULET O heavens! O wife, look how our daughter bleeds! This dagger hath mista'en--for, lo, his house Is empty on the back of Montague,-- And it mis-sheathed in my daughter's bosom! LADY CAPULET O me! this sight of death is as a bell, That warns my old age to a sepulchre. Enter MONTAGUE and others PRINCE Come, Montague; for thou art early up, To see thy son and heir more early down. MONTAGUE Alas, my liege, my wife is dead to-night; Grief of my son's exile hath stopp'd her breath: What further woe conspires against mine age? PRINCE Look, and thou shalt see. MONTAGUE O thou untaught! what manners is in this? To press before thy father to a grave? PRINCE Seal up the mouth of outrage for a while, Till we can clear these ambiguities, And know their spring, their head, their true descent; And then will I be general of your woes, And lead you even to death: meantime forbear, And let mischance be slave to patience. Bring forth the parties of suspicion. FRIAR LAURENCE I am the greatest, able to do least, Yet most suspected, as the time and place Doth make against me of this direful murder; And here I stand, both to impeach and purge Myself condemned and myself excused. PRINCE Then say at once what thou dost know in this. FRIAR LAURENCE I will be brief, for my short date of breath Is not so long as is a tedious tale. Romeo, there dead, was husband to that Juliet; And she, there dead, that Romeo's faithful wife: I married them; and their stol'n marriage-day Was Tybalt's dooms-day, whose untimely death Banish'd the new-made bridegroom from the city, For whom, and not for Tybalt, Juliet pined. You, to remove that siege of grief from her, Betroth'd and would have married her perforce To County Paris: then comes she to me, And, with wild looks, bid me devise some mean To rid her from this second marriage, Or in my cell there would she kill herself. Then gave I her, so tutor'd by my art, A sleeping potion; which so took effect As I intended, for it wrought on her The form of death: meantime I writ to Romeo, That he should hither come as this dire night, To help to take her from her borrow'd grave, Being the time the potion's force should cease. But he which bore my letter, Friar John, Was stay'd by accident, and yesternight Return'd my letter back. Then all alone At the prefixed hour of her waking, Came I to take her from her kindred's vault; Meaning to keep her closely at my cell, Till I conveniently could send to Romeo: But when I came, some minute ere the time Of her awaking, here untimely lay The noble Paris and true Romeo dead. She wakes; and I entreated her come forth, And bear this work of heaven with patience: But then a noise did scare me from the tomb; And she, too desperate, would not go with me, But, as it seems, did violence on herself. All this I know; and to the marriage Her nurse is privy: and, if aught in this Miscarried by my fault, let my old life Be sacrificed, some hour before his time, Unto the rigour of severest law. PRINCE We still have known thee for a holy man. Where's Romeo's man? what can he say in this? BALTHASAR I brought my master news of Juliet's death; And then in post he came from Mantua To this same place, to this same monument. This letter he early bid me give his father, And threatened me with death, going in the vault, I departed not and left him there. PRINCE Give me the letter; I will look on it. Where is the county's page, that raised the watch? Sirrah, what made your master in this place? PAGE He came with flowers to strew his lady's grave; And bid me stand aloof, and so I did: Anon comes one with light to ope the tomb; And by and by my master drew on him; And then I ran away to call the watch. PRINCE This letter doth make good the friar's words, Their course of love, the tidings of her death: And here he writes that he did buy a poison Of a poor 'pothecary, and therewithal Came to this vault to die, and lie with Juliet. Where be these enemies? Capulet! Montague! See, what a scourge is laid upon your hate, That heaven finds means to kill your joys with love. And I for winking at your discords too Have lost a brace of kinsmen: all are punish'd. CAPULET O brother Montague, give me thy hand: This is my daughter's jointure, for no more Can I demand. MONTAGUE But I can give thee more: For I will raise her statue in pure gold; That while Verona by that name is known, There shall no figure at such rate be set As that of true and faithful Juliet. CAPULET As rich shall Romeo's by his lady's lie; Poor sacrifices of our enmity! PRINCE A glooming peace this morning with it brings; The sun, for sorrow, will not show his head: Go hence, to have more talk of these sad things; Some shall be pardon'd, and some punished: For never was a story of more woe Than this of Juliet and her Romeo. Exeunt
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