--- freedink-data-1.08.20111016.orig/debian/control +++ freedink-data-1.08.20111016/debian/control @@ -0,0 +1,22 @@ +Source: freedink-data +Section: games +Priority: extra +Maintainer: Debian Games Team +Uploaders: Sylvain Beucler +Build-Depends: debhelper (>= 7.0.50~) +Standards-Version: 3.9.2 +Homepage: http://www.gnu.org/software/freedink/ +Vcs-Git: git://git.debian.org/git/pkg-games/freedink-data.git +Vcs-Browser: http://git.debian.org/?p=pkg-games/freedink-data.git + +Package: freedink-data +Architecture: all +Depends: ${misc:Depends} +Description: adventure and role-playing game (game data) + Dink Smallwood is an adventure/role-playing game, similar to Zelda, + made by RTsoft. Besides twisted humour, it includes the actual game + editor, allowing players to create hundreds of new adventures called + Dink Modules or D-Mods for short. + . + This package contains architecture-independent data for the original + game, along with free sound and music replacements. --- freedink-data-1.08.20111016.orig/debian/compat +++ freedink-data-1.08.20111016/debian/compat @@ -0,0 +1 @@ +5 --- freedink-data-1.08.20111016.orig/debian/changelog +++ freedink-data-1.08.20111016/debian/changelog @@ -0,0 +1,53 @@ +freedink-data (1.08.20111016-1) unstable; urgency=low + + * New upstream release + + -- Sylvain Beucler Sun, 16 Oct 2011 20:23:04 +0200 + +freedink-data (1.08.20110723-1) unstable; urgency=low + + * New upstream release + * Use http: rather than ftp: in the watch file, as FTP sometimes doesn't + work in some NAT'd networks + * Remove old reference to .d files + * Add README.source and point to upstream's doc/PACKAGING + * Use debhelper 7 + * Use 3.0 source format + * Add gbp.conf to ignore .gitignore files automatically + * Ignore helper-templates-in-copyright due to the presence of + "author(s)" in the license text + + -- Sylvain Beucler Sat, 23 Jul 2011 00:17:33 +0200 + +freedink-data (1.08.20100103-3) unstable; urgency=low + + * More updates to the Dutch translation + + -- Sylvain Beucler Mon, 25 Oct 2010 23:20:11 +0200 + +freedink-data (1.08.20100103-2) unstable; urgency=low + + * Update Dutch translation (Closes: #601245) + + -- Sylvain Beucler Sun, 24 Oct 2010 19:33:20 +0200 + +freedink-data (1.08.20100102-1) unstable; urgency=low + + * New upstream release + * Fix debhelper-but-no-misc-depends: add "Depends: ${misc:Depends}" for + the freedink-data binary package in 'debian/control' + + -- Sylvain Beucler Sun, 03 Jan 2010 20:57:54 +0100 + +freedink-data (1.08.20090706-1) unstable; urgency=low + + * New upstream release + Closes: #523457 + + -- Sylvain Beucler Sun, 06 Jul 2009 09:37:12 +0200 + +freedink-data (1.08.20080920-1) unstable; urgency=low + + * Initial release (Closes: #492760) + + -- Sylvain Beucler Sat, 20 Sep 2008 20:50:51 +0200 --- freedink-data-1.08.20111016.orig/debian/copyright +++ freedink-data-1.08.20111016/debian/copyright @@ -0,0 +1,1317 @@ +This package was debianized by Sylvain Beucler on +Sun, 17 Aug 2008 17:20:46 +0200. + + +Original data pack +================== + +It was downloaded from + +Upstream Authors: + + Cf. http://www.rtsoft.com/dink/credits.txt + + þ Artwork þ + Justin Martin (jmd@navicom.com) + (using 3dmax, Adobe Photoshop, Poser) + + þ Level Design & Story þ + Seth A. Robinson + Greg Smith (Pap) + Justin Martin + + þ Additional Level Design þ + Chris Bakker + + þ v1.08 Game Fixes þ + Talmadge Bradley III + +Copyright: + + Copyright (C) 1997, 1998, 1999, 2002, 2003 Seth A. Robinson + +License: + + This software is provided 'as-is', without any express or implied + warranty. In no event will the authors be held liable for any damages + arising from the use of this software. + + Permission is granted to anyone to use this software for any purpose, + including commercial applications, and to alter it and redistribute it + freely, subject to the following restrictions: + + 1. The origin of this software must not be misrepresented; you must not + claim that you wrote the original software. If you use this software + in a product, an acknowledgment in the product documentation would be + appreciated but is not required. + 2. Altered source versions must be plainly marked as such, and must not be + misrepresented as being the original software. + 3. This notice may not be removed or altered from any source distribution. + +Covered files: + + Dink.dat + Dink.ini + dmod.diz + Hard.dat + Map.dat + preview.bmp + README.txt + graphics/* + Sound/1003.mid + Sound/2.mid + Sound/dance.mid + Sound/insper.mid + Sound/lively.mid + Sound/love.mid + Sound/secret.wav + Story/* + Tiles/* + + +Free sound replacements +======================= + +(check README-REPLACEMENTS.txt for more info than just + copyright+license) + +- 1.mid/JOHN_MICHEL_CELLO-BACH_AVE_MARIA.ogg + Artist: John Michel (Cello) + License: CC-BY-SA 3.0 Unported +- 1.mid/prelude.mid + Copyright: Aryliin and TboWan + License: Art Libre +- 1.mid/Ave_Maria.mid + Copyright: Aryliin and TboWan + License: Art Libre +- 1.mid/Ave_Maria.mid + Copyright: Aryliin and TboWan + License: Art Libre +- 5.mid/5.ogg + 5.mid/sea.mid + 5.mid/Untitled3.mscz + Copyright: Ofir Mo + License: GPLv3+ +- 7.mid/clockwork.mid + 7.mid/clockwork.rg + Copyright (C) 2011 Joshua O'Leary + License: GPLv3+ +- 12.mid/dink-castle.mid + 12.mid/dink-castle.rg + Copyright (C) 2011 Joshua O'Leary + License: GPLv3+ +- 13.mid/CanonInD222.mid + License: public domain +- 18.mid/mystery-game.mid + 18.mid/mystery-game.rg + Copyright (C) 2011 Joshua O'Leary + License: GPLv3+ +- 104.mid/serenade-d957.rg + 104.mid/serenade-d957.mid + Copyright (C) 2008 Sylvain Beucler + License: GPLv3+ | Art Libre | CC-BY-SA +- 104.mid/schubert-franz-peter-serenade-5672.pdf + License: public domain + Copyright (C) 2008 Sylvain Beucler + License: GPLv3+ | Art Libre | CC-BY-SA +- 105.mid/reverie.rg + 105.mid/reverie.mid + Copyright (C) 2008 Sylvain Beucler + License: GPLv3+ | Art Libre | CC-BY-SA +- 105.mid/IMSLP14012-Debussy_-_R__verie__piano_.pdf + License: public domain +- 106.mid/Felix_Mendelssohn_-_Violinkonzert_e-moll_-_1._Allegro_molto_appassionato_0m_6s_0h__3m_18s_0h.ogg + Copyright (C) 2001 Fulda Symphonic Orchestra + License: EFF: Open Audio License version 1 +- denube.mid/An_der_schönem_blauen_Donau.ogg + License: public domain (1936) +- denube.mid/STRAUSS_Blue_Danube_Waltz_1934.ogg + License: public domain (1934) +- denude.mid/blue_danube.mid + Copyright (C) 2004 Nikos Kouremenos + License: CC-BY-SA +- denube.mid/TheBlueDanubeOp314.pdf + License: public domain + + +Sound effects +============= + +- intro.wav/intro.wav + +- fire.wav/fire_long.wav + Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive + License: CC-BY 3.0 +- fire.wav/fire.wav + Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive + Copyright (C) 2008 Sylvain Beucler + License: CC-BY 3.0 +- fire.wav/fire.aup + fire.wav/gold_data/* + Copyright (C) 1999-2007 The Berklee College of Music Sampling Archive + Copyright (C) 2008 Sylvain Beucler + License: CC-BY 3.0 +- gold.wav/gold.ogg (orig: gold.ogg) + bird1.wav (orig: bird2.ogg) + arrow.wav (orig: bow-hit.ogg) + bow1.wav (orig: bow-miss.ogg) + sword2.wav (orig: spear.ogg) + (/usr/share/games/wesnoth/data/core/sounds/ from the Wesnoth project) + Copyright (C) 2003 - 2007 by David White + Copyright (C) 2004 - 2007 by Guillaume Melquiond + Copyright (C) 2004 - 2007 by Philippe Plantier + Copyright (C) 2005 - 2007 by Yann Dirson + Copyright (C) 2005 - 2007 by Isaac Clerencia + Copyright (C) 2005 - 2007 by Joerg Hinrichs + Copyright (C) 2005 - 2007 by Joeri Melis + Copyright (C) 2005 - 2007 by Rusty Russell + Copyright (C) 2006 - 2007 by Dominic Bolin + Copyright (C) 2006 - 2007 by Jeremy Rosen + Copyright (C) 2006 - 2007 by Karol Nowak + Copyright (C) 2006 - 2007 by Mark de Wever + Copyright (C) 2006 - 2007 by Patrick Parker + + This program is free software; you can redistribute it and/or + modify it under the terms of the GNU General Public License + version 2 or at your option any later version. This program is + distributed in the hope that it will be useful, but WITHOUT ANY + WARRANTY. +- gold.wav/gold.aup + gold.wav/gold_data + gold.wav/gold.ogg + Based on gold.wav above, plus: + Copyright (C) 2008 Sylvain Beucler +- arrow.wav + Based on arrow.wav above, plus: + Copyright (C) 2010 Petteri Tolonen +- bow1.wav + Based on arrow.wav above, plus: + Copyright (C) 2010 Petteri Tolonen +- sword2.wav + Based on arrow.wav above, plus: + Copyright (C) 2010 Petteri Tolonen +- high2.wav + Copyright (C) 2009 Sylvain Beucler + License: GPLv3+ | Art Libre | CC-BY-SA +- wscream.wav + Copyright (C) 2009 Fernando Carmona Varo + License: WTFPL + + +Translations +============ + +- dink/l10n/da.po: Copyright (C) 2009 Joe Hansen +- dink/l10n/de.po: Copyright (C) 2009 Michael Skiba +- dink/l10n/es.po: Copyright (C) 2009 Fernando Carmona Varo + Copyright (C) 2010 Juan Valencia Escalante +- dink/l10n/fr.po: Copyright (C) 2008, 2009 Free Software Foundation, Inc. +- dink/l10n/mk.po: Copyright (C) 2008, 2009 Free Software Foundation, Inc. +- dink/l10n/nl.po: Copyright (C) 2003 Nanette + Copyright (C) 2010, 2011 Bas Wijnen + + +Packaging +========= + +The Debian packaging is Copyright (C) 2008, 2009, 2010, 2011, Sylvain +Beucler and is licensed under the GPL, either version +3, or (at your option) any later version, see +`/usr/share/common-licenses/GPL-3'. + + +Licenses +======== + +On Debian systems, the complete text of the GNU General Public +License can be found in /usr/share/common-licenses/GPL-2 file, +later versions can be found in the same directory. + + +Creative Commons 3.0 Attribution +http://creativecommons.org/licenses/by/3.0/ +------------------------------------------- + +THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE +COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY +COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS +AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED. + +BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO +BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE +CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE +IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS. + +1. Definitions + + a. "Adaptation" means a work based upon the Work, or upon the Work and other + pre-existing works, such as a translation, adaptation, derivative work, + arrangement of music or other alterations of a literary or artistic work, + or phonogram or performance and includes cinematographic adaptations or + any other form in which the Work may be recast, transformed, or adapted + including in any form recognizably derived from the original, except that + a work that constitutes a Collection will not be considered an Adaptation + for the purpose of this License. For the avoidance of doubt, where the + Work is a musical work, performance or phonogram, the synchronization of + the Work in timed-relation with a moving image ("synching") will be + considered an Adaptation for the purpose of this License. + b. "Collection" means a collection of literary or artistic works, such as + encyclopedias and anthologies, or performances, phonograms or broadcasts, + or other works or subject matter other than works listed in Section 1(f) + below, which, by reason of the selection and arrangement of their + contents, constitute intellectual creations, in which the Work is + included in its entirety in unmodified form along with one or more other + contributions, each constituting separate and independent works in + themselves, which together are assembled into a collective whole. A work + that constitutes a Collection will not be considered an Adaptation (as + defined above) for the purposes of this License. + c. "Distribute" means to make available to the public the original and + copies of the Work or Adaptation, as appropriate, through sale or other + transfer of ownership. + d. "Licensor" means the individual, individuals, entity or entities that + offer(s) the Work under the terms of this License. + e. "Original Author" means, in the case of a literary or artistic work, the + individual, individuals, entity or entities who created the Work or if no + individual or entity can be identified, the publisher; and in addition + (i) in the case of a performance the actors, singers, musicians, dancers, + and other persons who act, sing, deliver, declaim, play in, interpret or + otherwise perform literary or artistic works or expressions of folklore; + (ii) in the case of a phonogram the producer being the person or legal + entity who first fixes the sounds of a performance or other sounds; and, + (iii) in the case of broadcasts, the organization that transmits the + broadcast. + f. "Work" means the literary and/or artistic work offered under the terms of + this License including without limitation any production in the literary, + scientific and artistic domain, whatever may be the mode or form of its + expression including digital form, such as a book, pamphlet and other + writing; a lecture, address, sermon or other work of the same nature; a + dramatic or dramatico-musical work; a choreographic work or entertainment + in dumb show; a musical composition with or without words; a + cinematographic work to which are assimilated works expressed by a + process analogous to cinematography; a work of drawing, painting, + architecture, sculpture, engraving or lithography; a photographic work to + which are assimilated works expressed by a process analogous to + photography; a work of applied art; an illustration, map, plan, sketch or + three-dimensional work relative to geography, topography, architecture or + science; a performance; a broadcast; a phonogram; a compilation of data + to the extent it is protected as a copyrightable work; or a work + performed by a variety or circus performer to the extent it is not + otherwise considered a literary or artistic work. + g. "You" means an individual or entity exercising rights under this License + who has not previously violated the terms of this License with respect to + the Work, or who has received express permission from the Licensor to + exercise rights under this License despite a previous violation. + h. "Publicly Perform" means to perform public recitations of the Work and to + communicate to the public those public recitations, by any means or + process, including by wire or wireless means or public digital + performances; to make available to the public Works in such a way that + members of the public may access these Works from a place and at a place + individually chosen by them; to perform the Work to the public by any + means or process and the communication to the public of the performances + of the Work, including by public digital performance; to broadcast and + rebroadcast the Work by any means including signs, sounds or images. + i. "Reproduce" means to make copies of the Work by any means including + without limitation by sound or visual recordings and the right of + fixation and reproducing fixations of the Work, including storage of a + protected performance or phonogram in digital form or other electronic + medium. + +2. Fair Dealing Rights. Nothing in this License is intended to reduce, limit, +or restrict any uses free from copyright or rights arising from limitations or +exceptions that are provided for in connection with the copyright protection +under copyright law or other applicable laws. + +3. License Grant. Subject to the terms and conditions of this License, Licensor +hereby grants You a worldwide, royalty-free, non-exclusive, perpetual (for the +duration of the applicable copyright) license to exercise the rights in the +Work as stated below: + + a. to Reproduce the Work, to incorporate the Work into one or more + Collections, and to Reproduce the Work as incorporated in the + Collections; + b. to create and Reproduce Adaptations provided that any such Adaptation, + including any translation in any medium, takes reasonable steps to + clearly label, demarcate or otherwise identify that changes were made to + the original Work. For example, a translation could be marked "The + original work was translated from English to Spanish," or a modification + could indicate "The original work has been modified."; + c. to Distribute and Publicly Perform the Work including as incorporated in + Collections; and, + d. to Distribute and Publicly Perform Adaptations. + e. For the avoidance of doubt: + i. Non-waivable Compulsory License Schemes. In those jurisdictions in + which the right to collect royalties through any statutory or + compulsory licensing scheme cannot be waived, the Licensor reserves + the exclusive right to collect such royalties for any exercise by + You of the rights granted under this License; + ii. Waivable Compulsory License Schemes. In those jurisdictions in + which the right to collect royalties through any statutory or + compulsory licensing scheme can be waived, the Licensor waives the + exclusive right to collect such royalties for any exercise by You + of the rights granted under this License; and, + iii. Voluntary License Schemes. The Licensor waives the right to collect + royalties, whether individually or, in the event that the Licensor + is a member of a collecting society that administers voluntary + licensing schemes, via that society, from any exercise by You of + the rights granted under this License. + +The above rights may be exercised in all media and formats whether now known or +hereafter devised. The above rights include the right to make such +modifications as are technically necessary to exercise the rights in other +media and formats. Subject to Section 8(f), all rights not expressly granted by +Licensor are hereby reserved. + +4. Restrictions. The license granted in Section 3 above is expressly made +subject to and limited by the following restrictions: + + a. You may Distribute or Publicly Perform the Work only under the terms of + this License. You must include a copy of, or the Uniform Resource + Identifier (URI) for, this License with every copy of the Work You + Distribute or Publicly Perform. You may not offer or impose any terms on + the Work that restrict the terms of this License or the ability of the + recipient of the Work to exercise the rights granted to that recipient + under the terms of the License. You may not sublicense the Work. You must + keep intact all notices that refer to this License and to the disclaimer + of warranties with every copy of the Work You Distribute or Publicly + Perform. When You Distribute or Publicly Perform the Work, You may not + impose any effective technological measures on the Work that restrict the + ability of a recipient of the Work from You to exercise the rights + granted to that recipient under the terms of the License. This Section 4 + (a) applies to the Work as incorporated in a Collection, but this does + not require the Collection apart from the Work itself to be made subject + to the terms of this License. If You create a Collection, upon notice + from any Licensor You must, to the extent practicable, remove from the + Collection any credit as required by Section 4(b), as requested. If You + create an Adaptation, upon notice from any Licensor You must, to the + extent practicable, remove from the Adaptation any credit as required by + Section 4(b), as requested. + b. If You Distribute, or Publicly Perform the Work or any Adaptations or + Collections, You must, unless a request has been made pursuant to Section + 4(a), keep intact all copyright notices for the Work and provide, + reasonable to the medium or means You are utilizing: (i) the name of the + Original Author (or pseudonym, if applicable) if supplied, and/or if the + Original Author and/or Licensor designate another party or parties (e.g., + a sponsor institute, publishing entity, journal) for attribution + ("Attribution Parties") in Licensor's copyright notice, terms of service + or by other reasonable means, the name of such party or parties; (ii) the + title of the Work if supplied; (iii) to the extent reasonably + practicable, the URI, if any, that Licensor specifies to be associated + with the Work, unless such URI does not refer to the copyright notice or + licensing information for the Work; and (iv) , consistent with Section 3 + (b), in the case of an Adaptation, a credit identifying the use of the + Work in the Adaptation (e.g., "French translation of the Work by Original + Author," or "Screenplay based on original Work by Original Author"). The + credit required by this Section 4 (b) may be implemented in any + reasonable manner; provided, however, that in the case of a Adaptation or + Collection, at a minimum such credit will appear, if a credit for all + contributing authors of the Adaptation or Collection appears, then as + part of these credits and in a manner at least as prominent as the + credits for the other contributing authors. For the avoidance of doubt, + You may only use the credit required by this Section for the purpose of + attribution in the manner set out above and, by exercising Your rights + under this License, You may not implicitly or explicitly assert or imply + any connection with, sponsorship or endorsement by the Original Author, + Licensor and/or Attribution Parties, as appropriate, of You or Your use + of the Work, without the separate, express prior written permission of + the Original Author, Licensor and/or Attribution Parties. + c. Except as otherwise agreed in writing by the Licensor or as may be + otherwise permitted by applicable law, if You Reproduce, Distribute or + Publicly Perform the Work either by itself or as part of any Adaptations + or Collections, You must not distort, mutilate, modify or take other + derogatory action in relation to the Work which would be prejudicial to + the Original Author's honor or reputation. Licensor agrees that in those + jurisdictions (e.g. Japan), in which any exercise of the right granted in + Section 3(b) of this License (the right to make Adaptations) would be + deemed to be a distortion, mutilation, modification or other derogatory + action prejudicial to the Original Author's honor and reputation, the + Licensor will waive or not assert, as appropriate, this Section, to the + fullest extent permitted by the applicable national law, to enable You to + reasonably exercise Your right under Section 3(b) of this License (right + to make Adaptations) but not otherwise. + +5. Representations, Warranties and Disclaimer + +UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, LICENSOR OFFERS +THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND +CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE, INCLUDING, +WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTIBILITY, FITNESS FOR A +PARTICULAR PURPOSE, NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, +ACCURACY, OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT DISCOVERABLE. +SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO SUCH +EXCLUSION MAY NOT APPLY TO YOU. + +6. Limitation on Liability. + +EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL LICENSOR BE +LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, +PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE +WORK, EVEN IF LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. + +7. Termination + + a. This License and the rights granted hereunder will terminate + automatically upon any breach by You of the terms of this License. + Individuals or entities who have received Adaptations or Collections from + You under this License, however, will not have their licenses terminated + provided such individuals or entities remain in full compliance with + those licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any + termination of this License. + b. Subject to the above terms and conditions, the license granted here is + perpetual (for the duration of the applicable copyright in the Work). + Notwithstanding the above, Licensor reserves the right to release the + Work under different license terms or to stop distributing the Work at + any time; provided, however that any such election will not serve to + withdraw this License (or any other license that has been, or is required + to be, granted under the terms of this License), and this License will + continue in full force and effect unless terminated as stated above. + +8. Miscellaneous + + a. Each time You Distribute or Publicly Perform the Work or a Collection, + the Licensor offers to the recipient a license to the Work on the same + terms and conditions as the license granted to You under this License. + b. Each time You Distribute or Publicly Perform an Adaptation, Licensor + offers to the recipient a license to the original Work on the same terms + and conditions as the license granted to You under this License. + c. If any provision of this License is invalid or unenforceable under + applicable law, it shall not affect the validity or enforceability of the + remainder of the terms of this License, and without further action by the + parties to this agreement, such provision shall be reformed to the + minimum extent necessary to make such provision valid and enforceable. + d. No term or provision of this License shall be deemed waived and no breach + consented to unless such waiver or consent shall be in writing and signed + by the party to be charged with such waiver or consent. + e. This License constitutes the entire agreement between the parties with + respect to the Work licensed here. There are no understandings, + agreements or representations with respect to the Work not specified + here. Licensor shall not be bound by any additional provisions that may + appear in any communication from You. This License may not be modified + without the mutual written agreement of the Licensor and You. + f. The rights granted under, and the subject matter referenced, in this + License were drafted utilizing the terminology of the Berne Convention + for the Protection of Literary and Artistic Works (as amended on + September 28, 1979), the Rome Convention of 1961, the WIPO Copyright + Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and + the Universal Copyright Convention (as revised on July 24, 1971). These + rights and subject matter take effect in the relevant jurisdiction in + which the License terms are sought to be enforced according to the + corresponding provisions of the implementation of those treaty provisions + in the applicable national law. If the standard suite of rights granted + under applicable copyright law includes additional rights not granted + under this License, such additional rights are deemed to be included in + the License; this License is not intended to restrict the license of any + rights under applicable law. + + + +Creative Commons 3.0 Attribution ShareAlike +http://creativecommons.org/licenses/by-sa/3.0/ +---------------------------------------------- + +THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS +CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS +PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE +WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS +PROHIBITED. + +BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND +AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS +LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU +THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH +TERMS AND CONDITIONS. + +1. Definitions + + a. "Adaptation" means a work based upon the Work, or upon the Work + and other pre-existing works, such as a translation, adaptation, + derivative work, arrangement of music or other alterations of a + literary or artistic work, or phonogram or performance and + includes cinematographic adaptations or any other form in which + the Work may be recast, transformed, or adapted including in any + form recognizably derived from the original, except that a work + that constitutes a Collection will not be considered an + Adaptation for the purpose of this License. For the avoidance of + doubt, where the Work is a musical work, performance or + phonogram, the synchronization of the Work in timed-relation + with a moving image ("synching") will be considered an + Adaptation for the purpose of this License. + + b. "Collection" means a collection of literary or artistic works, + such as encyclopedias and anthologies, or performances, + phonograms or broadcasts, or other works or subject matter other + than works listed in Section 1(f) below, which, by reason of the + selection and arrangement of their contents, constitute + intellectual creations, in which the Work is included in its + entirety in unmodified form along with one or more other + contributions, each constituting separate and independent works + in themselves, which together are assembled into a collective + whole. A work that constitutes a Collection will not be + considered an Adaptation (as defined above) for the purposes of + this License. + + c. "Distribute" means to make available to the public the original + and copies of the Work or Adaptation, as appropriate, through + sale or other transfer of ownership. + + d. "Licensor" means the individual, individuals, entity or entities + that offer(s) the Work under the terms of this License. + + e. "Original Author" means, in the case of a literary or artistic + work, the individual, individuals, entity or entities who + created the Work or if no individual or entity can be + identified, the publisher; and in addition (i) in the case of a + performance the actors, singers, musicians, dancers, and other + persons who act, sing, deliver, declaim, play in, interpret or + otherwise perform literary or artistic works or expressions of + folklore; (ii) in the case of a phonogram the producer being the + person or legal entity who first fixes the sounds of a + performance or other sounds; and, (iii) in the case of + broadcasts, the organization that transmits the broadcast. + + f. "Work" means the literary and/or artistic work offered under the + terms of this License including without limitation any + production in the literary, scientific and artistic domain, + whatever may be the mode or form of its expression including + digital form, such as a book, pamphlet and other writing; a + lecture, address, sermon or other work of the same nature; a + dramatic or dramatico-musical work; a choreographic work or + entertainment in dumb show; a musical composition with or + without words; a cinematographic work to which are assimilated + works expressed by a process analogous to cinematography; a work + of drawing, painting, architecture, sculpture, engraving or + lithography; a photographic work to which are assimilated works + expressed by a process analogous to photography; a work of + applied art; an illustration, map, plan, sketch or + three-dimensional work relative to geography, topography, + architecture or science; a performance; a broadcast; a + phonogram; a compilation of data to the extent it is protected + as a copyrightable work; or a work performed by a variety or + circus performer to the extent it is not otherwise considered a + literary or artistic work. + + g. "You" means an individual or entity exercising rights under this + License who has not previously violated the terms of this + License with respect to the Work, or who has received express + permission from the Licensor to exercise rights under this + License despite a previous violation. + + h. "Publicly Perform" means to perform public recitations of the + Work and to communicate to the public those public recitations, + by any means or process, including by wire or wireless means or + public digital performances; to make available to the public + Works in such a way that members of the public may access these + Works from a place and at a place individually chosen by them; + to perform the Work to the public by any means or process and + the communication to the public of the performances of the Work, + including by public digital performance; to broadcast and + rebroadcast the Work by any means including signs, sounds or + images. + + i. "Reproduce" means to make copies of the Work by any means + including without limitation by sound or visual recordings and + the right of fixation and reproducing fixations of the Work, + including storage of a protected performance or phonogram in + digital form or other electronic medium. + +2. Fair Dealing Rights. Nothing in this License is intended to reduce, +limit, or restrict any uses free from copyright or rights arising from +limitations or exceptions that are provided for in connection with the +copyright protection under copyright law or other applicable laws. + +3. License Grant. Subject to the terms and conditions of this License, +Licensor hereby grants You a worldwide, royalty-free, non-exclusive, +perpetual (for the duration of the applicable copyright) license to +exercise the rights in the Work as stated below: + + a. to Reproduce the Work, to incorporate the Work into one or more + Collections, and to Reproduce the Work as incorporated in the + Collections; + + b. to create and Reproduce Adaptations provided that any such + Adaptation, including any translation in any medium, takes + reasonable steps to clearly label, demarcate or otherwise + identify that changes were made to the original Work. For + example, a translation could be marked "The original work was + translated from English to Spanish," or a modification could + indicate "The original work has been modified."; + + c. to Distribute and Publicly Perform the Work including as + incorporated in Collections; and, + + d. to Distribute and Publicly Perform Adaptations. + + e. For the avoidance of doubt: + + i. Non-waivable Compulsory License Schemes. In those + jurisdictions in which the right to collect royalties + through any statutory or compulsory licensing scheme + cannot be waived, the Licensor reserves the exclusive + right to collect such royalties for any exercise by You of + the rights granted under this License; + + ii. Waivable Compulsory License Schemes. In those + jurisdictions in which the right to collect royalties + through any statutory or compulsory licensing scheme can + be waived, the Licensor waives the exclusive right to + collect such royalties for any exercise by You of the + rights granted under this License; and, + + iii. Voluntary License Schemes. The Licensor waives the right + to collect royalties, whether individually or, in the + event that the Licensor is a member of a collecting + society that administers voluntary licensing schemes, via + that society, from any exercise by You of the rights + granted under this License. + +The above rights may be exercised in all media and formats whether now +known or hereafter devised. The above rights include the right to make +such modifications as are technically necessary to exercise the rights +in other media and formats. Subject to Section 8(f), all rights not +expressly granted by Licensor are hereby reserved. + +4. Restrictions. The license granted in Section 3 above is expressly +made subject to and limited by the following restrictions: + + a. You may Distribute or Publicly Perform the Work only under the + terms of this License. You must include a copy of, or the + Uniform Resource Identifier (URI) for, this License with every + copy of the Work You Distribute or Publicly Perform. You may not + offer or impose any terms on the Work that restrict the terms of + this License or the ability of the recipient of the Work to + exercise the rights granted to that recipient under the terms of + the License. You may not sublicense the Work. You must keep + intact all notices that refer to this License and to the + disclaimer of warranties with every copy of the Work You + Distribute or Publicly Perform. When You Distribute or Publicly + Perform the Work, You may not impose any effective technological + measures on the Work that restrict the ability of a recipient of + the Work from You to exercise the rights granted to that + recipient under the terms of the License. This Section 4(a) + applies to the Work as incorporated in a Collection, but this + does not require the Collection apart from the Work itself to be + made subject to the terms of this License. If You create a + Collection, upon notice from any Licensor You must, to the + extent practicable, remove from the Collection any credit as + required by Section 4(b), as requested. If You create an + Adaptation, upon notice from any Licensor You must, to the + extent practicable, remove from the Adaptation any credit as + required by Section 4(b), as requested. + + b. If You Distribute, or Publicly Perform the Work or any + Adaptations or Collections, You must, unless a request has been + made pursuant to Section 4(a), keep intact all copyright notices + for the Work and provide, reasonable to the medium or means You + are utilizing: (i) the name of the Original Author (or + pseudonym, if applicable) if supplied, and/or if the Original + Author and/or Licensor designate another party or parties (e.g., + a sponsor institute, publishing entity, journal) for attribution + ("Attribution Parties") in Licensor's copyright notice, terms of + service or by other reasonable means, the name of such party or + parties; (ii) the title of the Work if supplied; (iii) to the + extent reasonably practicable, the URI, if any, that Licensor + specifies to be associated with the Work, unless such URI does + not refer to the copyright notice or licensing information for + the Work; and (iv) , consistent with Section 3(b), in the case + of an Adaptation, a credit identifying the use of the Work in + the Adaptation (e.g., "French translation of the Work by + Original Author," or "Screenplay based on original Work by + Original Author"). The credit required by this Section 4 (b) may + be implemented in any reasonable manner; provided, however, that + in the case of a Adaptation or Collection, at a minimum such + credit will appear, if a credit for all contributing authors of + the Adaptation or Collection appears, then as part of these + credits and in a manner at least as prominent as the credits for + the other contributing authors. For the avoidance of doubt, You + may only use the credit required by this Section for the purpose + of attribution in the manner set out above and, by exercising + Your rights under this License, You may not implicitly or + explicitly assert or imply any connection with, sponsorship or + endorsement by the Original Author, Licensor and/or Attribution + Parties, as appropriate, of You or Your use of the Work, without + the separate, express prior written permission of the Original + Author, Licensor and/or Attribution Parties. + + c. Except as otherwise agreed in writing by the Licensor or as may + be otherwise permitted by applicable law, if You Reproduce, + Distribute or Publicly Perform the Work either by itself or as + part of any Adaptations or Collections, You must not distort, + mutilate, modify or take other derogatory action in relation to + the Work which would be prejudicial to the Original Author's + honor or reputation. Licensor agrees that in those jurisdictions + (e.g. Japan), in which any exercise of the right granted in + Section 3(b) of this License (the right to make Adaptations) + would be deemed to be a distortion, mutilation, modification or + other derogatory action prejudicial to the Original Author's + honor and reputation, the Licensor will waive or not assert, as + appropriate, this Section, to the fullest extent permitted by + the applicable national law, to enable You to reasonably + exercise Your right under Section 3(b) of this License (right to + make Adaptations) but not otherwise. + +5. Representations, Warranties and Disclaimer + +UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, +LICENSOR OFFERS THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR +WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED, +STATUTORY OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF +TITLE, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE, +NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, +OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT +DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED +WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU. + +6. Limitation on Liability. + +EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL +LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL, +INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT +OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN +ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. + +7. Termination + + a. This License and the rights granted hereunder will terminate + automatically upon any breach by You of the terms of this + License. Individuals or entities who have received Adaptations + or Collections from You under this License, however, will not + have their licenses terminated provided such individuals or + entities remain in full compliance with those licenses. Sections + 1, 2, 5, 6, 7, and 8 will survive any termination of this + License. + + b. Subject to the above terms and conditions, the license granted + here is perpetual (for the duration of the applicable copyright + in the Work). Notwithstanding the above, Licensor reserves the + right to release the Work under different license terms or to + stop distributing the Work at any time; provided, however that + any such election will not serve to withdraw this License (or + any other license that has been, or is required to be, granted + under the terms of this License), and this License will continue + in full force and effect unless terminated as stated above. + +8. Miscellaneous + + a. Each time You Distribute or Publicly Perform the Work or a + Collection, the Licensor offers to the recipient a license to + the Work on the same terms and conditions as the license granted + to You under this License. + + b. Each time You Distribute or Publicly Perform an Adaptation, + Licensor offers to the recipient a license to the original Work + on the same terms and conditions as the license granted to You + under this License. + + c. If any provision of this License is invalid or unenforceable + under applicable law, it shall not affect the validity or + enforceability of the remainder of the terms of this License, + and without further action by the parties to this agreement, + such provision shall be reformed to the minimum extent necessary + to make such provision valid and enforceable. + + d. No term or provision of this License shall be deemed waived and + no breach consented to unless such waiver or consent shall be in + writing and signed by the party to be charged with such waiver + or consent. + + e. This License constitutes the entire agreement between the + parties with respect to the Work licensed here. There are no + understandings, agreements or representations with respect to + the Work not specified here. Licensor shall not be bound by any + additional provisions that may appear in any communication from + You. This License may not be modified without the mutual written + agreement of the Licensor and You. + + f. The rights granted under, and the subject matter referenced, in + this License were drafted utilizing the terminology of the Berne + Convention for the Protection of Literary and Artistic Works (as + amended on September 28, 1979), the Rome Convention of 1961, the + WIPO Copyright Treaty of 1996, the WIPO Performances and + Phonograms Treaty of 1996 and the Universal Copyright Convention + (as revised on July 24, 1971). These rights and subject matter + take effect in the relevant jurisdiction in which the License + terms are sought to be enforced according to the corresponding + provisions of the implementation of those treaty provisions in + the applicable national law. If the standard suite of rights + granted under applicable copyright law includes additional + rights not granted under this License, such additional rights + are deemed to be included in the License; this License is not + intended to restrict the license of any rights under applicable + law. + + +Free Art License 1.3 +http://artlibre.org/licence/lal/en/ +----------------------------------- + +(in French, this is also called "Art Libre") + +[ Copyleft Attitude ] + +Free Art License 1.3 (FAL 1.3) + +Preamble + +The Free Art License grants the right to freely copy, distribute, and +transform creative works without infringing the author's rights. + +The Free Art License recognizes and protects these rights. Their +implementation has been reformulated in order to allow everyone to use +creations of the human mind in a creative manner, regardless of their +types and ways of expression. + +While the public's access to creations of the human mind usually is +restricted by the implementation of copyright law, it is favoured by +the Free Art License. This license intends to allow the use of a work' +s resources; to establish new conditions for creating in order to +increase creation opportunities. The Free Art License grants the right +to use a work, and acknowledges the right holder's and the user's +rights and responsibility. + +The invention and development of digital technologies, Internet and +Free Software have changed creation methods: creations of the human +mind can obviously be distributed, exchanged, and transformed. They +allow to produce common works to which everyone can contribute to the +benefit of all. + +The main rationale for this Free Art License is to promote and protect +these creations of the human mind according to the principles of +copyleft: freedom to use, copy, distribute, transform, and prohibition +of exclusive appropriation. + +Definitions + +"work" either means the initial work, the subsequent works or the +common work as defined hereafter: + +"common work" means a work composed of the initial work and all +subsequent contributions to it (originals and copies). The initial +author is the one who, by choosing this license, defines the +conditions under which contributions are made. + +"Initial work" means the work created by the initiator of the common +work (as defined above), the copies of which can be modified by +whoever wants to + +"Subsequent works" means the contributions made by authors who +participate in the evolution of the common work by exercising the +rights to reproduce, distribute, and modify that are granted by the +license. + +"Originals" (sources or resources of the work) means all copies of +either the initial work or any subsequent work mentioning a date and +used by their author(s) as references for any subsequent updates, +interpretations, copies or reproductions. + +"Copy" means any reproduction of an original as defined by this +license. + +1. OBJECT + +The aim of this license is to define the conditions under which one +can use this work freely. + +2. SCOPE + +This work is subject to copyright law. Through this license its author +specifies the extent to which you can copy, distribute, and modify it. + +2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS) + +You have the right to copy this work for yourself, your friends or any +other person, whatever the technique used. + +2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC + +You have the right to distribute copies of this work; whether modified +or not, whatever the medium and the place, with or without any charge, +provided that you: +- attach this license without any modification to the copies of this + work or indicate precisely where the license can be found, +- specify to the recipient the names of the author(s) of the + originals, including yours if you have modified the work, +- specify to the recipient where to access the originals (either + initial or subsequent). + +The authors of the originals may, if they wish to, give you the right +to distribute the originals under the same conditions as the copies. + +2.3 FREEDOM TO MODIFY + +You have the right to modify copies of the originals (whether initial +or subsequent) provided you comply with the following conditions: +- all conditions in article 2.2 above, if you distribute modified + copies; +- indicate that the work has been modified and, if it is possible, + what kind of modifications have been made; +- distribute the subsequent work under the same license or any + compatible license. + +The author(s) of the original work may give you the right to modify it +under the same conditions as the copies. + +3. RELATED RIGHTS + +Activities giving rise to author's rights and related rights shall not +challenge the rights granted by this license. +For example, this is the reason why performances must be subject to +the same license or a compatible license. Similarly, integrating the +work in a database, a compilation or an anthology shall not prevent +anyone from using the work under the same conditions as those defined +in this license. + +4. INCORPORATION OF THE WORK + +Incorporating this work into a larger work that is not subject to the +Free Art License shall not challenge the rights granted by this +license. + +If the work can no longer be accessed apart from the larger work in +which it is incorporated, then incorporation shall only be allowed +under the condition that the larger work is subject either to the Free +Art License or a compatible license. + +5. COMPATIBILITY + +A license is compatible with the Free Art License provided: +- it gives the right to copy, distribute, and modify copies of the + work including for commercial purposes and without any other + restrictions than those required by the respect of the other + compatibility criteria; +- it ensures proper attribution of the work to its authors and access + to previous versions of the work when possible; +- it recognizes the Free Art License as compatible (reciprocity); +- it requires that changes made to the work be subject to the same + license or to a license which also meets these compatibility + criteria. + +6. YOUR INTELLECTUAL RIGHTS + +This license does not aim at denying your author's rights in your +contribution or any related right. By choosing to contribute to the +development of this common work, you only agree to grant others the +same rights with regard to your contribution as those you were granted +by this license. Conferring these rights does not mean you have to +give up your intellectual rights. + +7. YOUR RESPONSIBILITIES + +The freedom to use the work as defined by the Free Art License (right +to copy, distribute, modify) implies that everyone is responsible for +their own actions. + +8. DURATION OF THE LICENSE + +This license takes effect as of your acceptance of its terms. The act +of copying, distributing, or modifying the work constitutes a tacit +agreement. +This license will remain in effect for as long as the copyright which +is attached to the work. If you do not respect the terms of this +license, you automatically lose the rights that it confers. +If the legal status or legislation to which you are subject makes it +impossible for you to respect the terms of this license, you may not +make use of the rights which it confers. + +9. VARIOUS VERSIONS OF THE LICENSE + +This license may undergo periodic modifications to incorporate +improvements by its authors (instigators of the "Copyleft Attitude" +movement) by way of new, numbered versions. +You will always have the choice of accepting the terms contained in +the version under which the copy of the work was distributed to you, +or alternatively, to use the provisions of one of the subsequent +versions. + +10. SUB-LICENSING + +Sub-licenses are not authorized by this license. Any person wishing to +make use of the rights that it confers will be directly bound to the +authors of the common work. + +11. LEGAL FRAMEWORK + +This license is written with respect to both French law and the Berne +Convention for the Protection of Literary and Artistic Works. + +USER GUIDE + +- How to use the Free Art License? + +To benefit from the Free Art License, you only need to mention the +following elements on your work: + +[Name of the author, title, date of the work. When applicable, names +of authors of the common work and, if possible, where to find the +originals]. +Copyleft: This is a free work, you can copy, distribute, and modify it +under the terms of the Free Art License +http://artlibre.org/licence/lal/en/ + +- Why to use the Free Art License? + +1. To give the greatest number of people access to your work. +2. To allow it to be distributed freely. +3. To allow it to evolve by allowing its copy, distribution, and + transformation by others. +4. So that you benefit from the resources of a work when it is under + the Free Art License: to be able to copy, distribute or transform + it freely. +5. But also, because the Free Art License offers a legal framework to + disallow any misappropriation. It is forbidden to take hold of your + work and bypass the creative process for one's exclusive + possession. + +- When to use the Free Art License? + +Any time you want to benefit and make others benefit from the right to +copy, distribute and transform creative works without any exclusive +appropriation, you should use the Free Art License. You can for +example use it for scientific, artistic or educational projects. + +- What kinds of works can be subject to the Free Art License? + +The Free Art License can be applied to digital as well as physical +works. You can choose to apply the Free Art License on any text, +picture, sound, gesture, or whatever sort of stuff on which you have +sufficient author's rights. + +- Historical background of this license: + +It is the result of observing, using and creating digital +technologies, free software, the Internet and art. It arose from the +"Copyleft Attitude" meetings which took place in Paris in 2000. For +the first time, these meetings brought together members of the Free +Software community, artists, and members of the art world. The goal +was to adapt the principles of Copyleft and free software to all sorts +of creations. http://www.artlibre.org + +Copyleft Attitude, 2007. +You can make reproductions and distribute this license verbatim (without any changes). + + +EFF Open Audio License +---------------------- + +Version 1.0.1 + +Changes from ver. 1.0[.0]: Typo corrections; no substantive changes. + 1. I. Preamble + 2. II. Terms of Use + 3. III. How to Use this License + +I. PREAMBLE + +PRINCIPLES + +Digital technology and the Internet can eMPOWER ARTISTS TO REACH A +WORldwide audience and to build upon each other's ideas and imagination +with extremely low production and distribution costs. Many software +developers, through both the open source software initiative and the +free software movement, have long taken advantage of these facts to +create a vibrant community of shared software that benefits creators and +the public. + +EFF's Open Audio License provides a legal tool that borrows from both +movements providing freedom and openness to use music and other +expressive works in new ways. It allows artists to grant the public +permission to copy, distribute, adapt, and publicly perform their works +royalty-free as long as credit is given to the creator as the Original +Author. + +As in the software communities, this license is intended to help foster +a community of creators and performers who are free to share and build +on each others' work. This also frees their audience to share works that +they enjoy with others, all for the purpose of creating a rich and +vibrant public commons. + +More specifically, this license is designed to serve as a tool of +freedom for artists who wish to reach one another and new fans with +their original works. It allows musicians to collaborate in creating a +pool of "open audio" that can be freely modified, exchanged, and +utilized in new ways. Artists can use this license to promote themselves +and take advantage of the new possibilities for empowerment and +independence that technology provides. It also allows the public to +experience new music, and connect directly with artists, as well as +enable "super distribution" where the public is encouraged to copy and +distribute a work, adding value to the artist's reputation while +experiencing a world of new music never before available. + +Why is the EFF advocating a license? + +Because, despite the fact that we are uneasy with the licensing, as +opposed to sale, of both music and software, we see this particular +license as a tool of freedom. Our goal is to use the tools of copyright +to free artists and audiences from the portion of current copyright law +that seems, to us, to be getting in the way of copyright's original +purpose -- the creation of a vibrant public commons of music that we all +can enjoy and that artists can build upon. As part of it, we hope to +demonstrate some of what we believe should be the best practices in +licenses, including respect for the rights and limitations of copyright +law including fair use, first sale rights, as well as consumer +protection laws and of course freedom of speech. The aim of this license +is to use copyright tools to achieve copyright's stated objectives of +spreading knowledge and culture while preserving incentives for the +author. + +For legal purposes, this document is the official license under which +Open Audio is made available for public use. The original version of +this document may be found at: +http://www.eff.org/IP/Open_licenses/eff_oal.html + +Specific terms and conditions for accessing, copying, distribution, +adaptation, public performance, and attribution follow. + +II. TERMS AND CONDITIONS FOR USE: + +Access, Copying, Distribution, Public Performance, Adaptation, and Attribution + +This license applies to any work offered by the Original Author(s) with +a notice indicating that it is released under the terms of the EFF Open +Audio License, "(O)". If used in conjunction with a sound recording +(whether in digital or analog form), this license encompasses the +copyright in both the sound recording (the "master" rights) and the +underlying musical composition (the "songwriter" rights). + +The Original Author retains the copyrights to works released under this +license, but grants the worldwide public permission to use the work in +the ways authorized herein. Activities other than those specifically +addressed below are outside the scope of this license. + + 1. Access, Reproduction, Distribution, Modification, and + Performance Rights. Subject to the terms and conditions of this + license, the Original Author irrevocably and perpetually grants to + the public authorization to freely access, copy, distribute, modify, + create derivative works from, and publicly perform the work released + under this license in any medium or format, provided that Original + Author attribution be included with any copies distributed or public + performances of the work, as well as any derivative works based on + the work, as further described below. + + 2. Original Author Attribution Requirement. Original Author + attribution is generally defined as a method in the regular course + of dealing that reasonably conveys to the recipient of a copy or + performance the following information: (1) The notice "(O)" that + indicates the work is released under the EFF Open Audio license; (2) + the identity of the Original Author; (3) the title of the work (at + Original Author's option); and (4) how the first listed Original + Author may be contacted (at Original Author's option). +Ê + Where a common, widely-adopted method for attribution is available + (such as ID3 tagging for MP3 files), Original Author attribution + should be implemented using the common, widely-adopted method. In + other circumstances, Original Author attribution may be implemented + in any reasonable fashion, such as by including attribution in the + public performance, or affixing it to the physical media, or + embedding it in the digital file. See the Suggested Guidelines for + general attribution requirements for giving proper credit to the + work's Original Author in differing circumstances. + + 3. Agree Not to Limit Others' Use. Any new work that in whole or in + part contains or is derived from a work (or part thereof) made + available under this license, must itself be licensed as a whole + under the terms of this license. + + Notwithstanding the foregoing, mere aggregation on a volume of a + storage or distribution medium of an independently created work with + one that is made available under this license does not bring the + other work under the scope of this license. It is not the intent of + this section to contest the rights of others in works created + entirely by them; rather, the intent is to exercise the right to + control the distribution of derivative or collective works based + upon a work subject to this license. + + 4. Acceptance of Terms. Because you have not signed this license, + you cannot be required to accept it. But nothing besides this + license grants you authorization to copy, distribute, adapt, or + publicly perform royalty-free the copyrighted works released under + it. These activities are prohibited by law without a license or + other contractual right granted by the copyright owner. By + exercising one of the rights granted herein you indicate your + acceptance of this license and agree to be bound by all its terms + and conditions. + + 5. License Version. This license is Version 1.0. New versions of + this license will be published from time to time at: + http://www.eff.org/IP/Open_licenses/eff_oal.html + + Anyone who releases a work under the license without specifying a + version number allows the recipient to use the work subject to the + then-current version of this license. + + 6. Civil Liberties Unrestricted. Nothing in this license is + intended to reduce, limit, or restrict any fair use, the first sale + doctrine, or the public side of the copyright bargain under + copyright law, or to in any other way limit any rights bestowed + under consumer protection or other applicable laws. + + 7. Warranty. By offering an original work for public release under + this license, the Original Author warrants that (i) s/he has the + power and authority to grant the rights conveyed herein, and (ii) + use of the work within the scope of this license will not infringe + the copyright of any third party. + +III. HOW TO USE THIS LICENSE + +If you are a musician, band, or other artist and you want your creative +works to be experienced by the widest audience possible and touch the +hearts and minds of the greatest number of people around the world, the +EFF Open Audio License allows your fans and supporters to market and +distribute your work through viral marketing that creates attention and +adds value to your identity. You can also help build a common pool of +creative expression that can be accessed and improved upon by all of +society. + +To do so, convey or affix the following information to or about the copy +or performance of the work: + + +The designation "(O)", representing "open" which indicates that the +Original Author(s) have released the work subject to the terms and +conditions of this public license; + + Name of work's Original Author(s) (both the performer and the song + writer); + + Name or title of work (at option of author); + + First Original Author's specified contact means usually an email or + Internet address (at option of author); + + notice, year created; and license version number. + + + Examples: (O) Future Tribe "Gaian Smile" www.VirtualRecordings.com + 2001 V.1.0 + + + or (O) Future Tribe "Imitatio Mundi" future@virtualrecordings.com + 2001 V.1.0 + + +This license is designed to provide artists with a mechanism to promote +their creative talents and identity to millions of people through +releasing certain recordings to the public. It is also designed to serve +as a tool to allow musicians to experiment with new business models that +do not depend solely on a payment of fee-per-copy. Changing times +require artists be creative in devising new business models for assuring +payment and adequate compensation for their important contributions to +society. + + +WTFPL +http://sam.zoy.org/wtfpl/ +------------------------- + + DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE + Version 2, December 2004 + + Copyright (C) 2004 Sam Hocevar + 14 rue de Plaisance, 75014 Paris, France + Everyone is permitted to copy and distribute verbatim or modified + copies of this license document, and changing it is allowed as long + as the name is changed. + + DO WHAT THE FUCK YOU WANT TO PUBLIC LICENSE + TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION + + 0. You just DO WHAT THE FUCK YOU WANT TO. + --- freedink-data-1.08.20111016.orig/debian/README.Debian +++ freedink-data-1.08.20111016/debian/README.Debian @@ -0,0 +1,19 @@ +dink-data for Debian +-------------------- + +This contains the Dink Smallwood game data, released under the free +zlib license by RTsoft in 2008! They are meant to be used with the +FreeDink portable version of the game engine. + +Some files are in packed (dir.ff) format. The game engine behaves +differently depending on the format, so for correctness, they are +provided exactly in the way they were released in the original game +(cf. doc/PACKAGING and doc/dirff.txt). You can get the files in their +editable format using the 'ffrextract' tool provided by FreeDink in +the 'contrib/' directory. + +The original game contained sounds that were not owned by RTsoft and +hence could not be released under a free license. We're looking for +free replacements! Check http://www.freedink.org/doc/sounds/ + + -- Sylvain Beucler , Sun, 23 May 2010 22:11:22 +0200 --- freedink-data-1.08.20111016.orig/debian/freedink-data.lintian-overrides +++ freedink-data-1.08.20111016/debian/freedink-data.lintian-overrides @@ -0,0 +1,2 @@ +# The Free Art License 1.3 and EFF Open Audio License contain "author(s)" - OMG! +helper-templates-in-copyright --- freedink-data-1.08.20111016.orig/debian/rules +++ freedink-data-1.08.20111016/debian/rules @@ -0,0 +1,23 @@ +#!/usr/bin/make -f +# -*- makefile -*- +# +# This file was originally written by Joey Hess and Craig Small. +# As a special exception, when this file is copied by dh-make into a +# dh-make output file, you may use that output file without restriction. +# This special exception was added by Craig Small in version 0.37 of dh-make. +# +# Modified to make a template file for a multi-binary package with separated +# build-arch and build-indep targets by Bill Allombert 2001 + +# Uncomment this to turn on verbose mode. +#export DH_VERBOSE=1 + +# This has to be exported to make some magic below work. +export DH_OPTIONS + + +%: + dh $@ + +override_dh_auto_install: + make install DESTDIR=$(CURDIR)/debian/freedink-data PREFIX=/usr DATADIR=/usr/share/games --- freedink-data-1.08.20111016.orig/debian/gbp.conf +++ freedink-data-1.08.20111016/debian/gbp.conf @@ -0,0 +1,2 @@ +[DEFAULT] +builder=debuild -i\.git\(ignore\)? -I.git --- freedink-data-1.08.20111016.orig/debian/README.source +++ freedink-data-1.08.20111016/debian/README.source @@ -0,0 +1 @@ +Check doc/PACKAGING before making changes to the Debian packaging :) --- freedink-data-1.08.20111016.orig/debian/docs +++ freedink-data-1.08.20111016/debian/docs @@ -0,0 +1,2 @@ +README.txt +README-REPLACEMENTS.txt --- freedink-data-1.08.20111016.orig/debian/watch +++ freedink-data-1.08.20111016/debian/watch @@ -0,0 +1,9 @@ +# With this file, you can run the "uscan" command +# to check for upstream updates and more. +# See uscan(1) for format + +# Compulsory line, this is a version 3 file +version=3 + +# Uncommment to examine a FTP server +http://ftp.gnu.org/gnu/freedink/freedink-data-(.*)\.tar\.gz debian uupdate